Podcast appearances and mentions of Tommy Roe

Let the games begin and they shall, as Kev, Finey and Stephen J roll out their thoughts on the AFL season opening, the first round of real AFL action, the mighty Melbourne Storm's insane first game plus darts, racing, squid wrestling and India's cricket win. One of those topics is not included? Bugger the Indians! Musically, we dial into the 4BC Top 40 chart from April 9th 1969 and it isn't all hippie beads, caftans and pot smoking pop. From the Are you there Tommy file there's Tommy James, Tommy Roe and Tommy Rot as well as some tomless classics. Kevin Hillier, Mark Fine, Stephen J Peak Follow us on Facebook...https://bit.ly/2OOe7ag Post-production by Steve Visscher | Southern Skies Media for Howdy Partners Media | www.howdypartnersmedia.com.au/podcasts © 2025See omnystudio.com/listener for privacy information.

WELCOME TO THE ‘60s JAMBOREE! Featuring the following stars:“COUSIN BRUCIE” MORROW - America's most famous radio personality. He ruled the AM airways in the 1960s as the star of WABC in NYC.GARY LEWIS - of Gary Lewis and the Playboys. Gary and his band had 7 consecutive Top 10 hits starting with “The Diamond Ring”.GARY PUCKETT - of Gary Puckett and the Union Gap. Gary and his band hit the top of the charts with “Woman Woman”, “Young Girl” and a bunch of other hits.TOMMY ROE - known as the Father of Bubblegum. He hit #1 with “Sheila” and “Dizzy” and had a slew of other hits as well.JOEY DEE - of Joey Dee and the Starlighters. Joey had a massive international hit with “The Peppermint Twist”.GEORGE BUNNELL - of the Strawberry Alarm Clock, which had a #1 hit with “Incense And Peppermints”.MARK STEIN - of the Vanilla Fudge. They took the Supremes' hit, “You Keep Me Hangin' On”, slowed it down, psychedelicized it, and hit the top of the charts.Listen as they talk about the ‘60s and their famous careers!—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here .To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------ROBERT'S SINGLES:“SOSTICE” is Robert's newest single, with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------“THE RICH ONES”. Robert's sublime, atmospheric Jazz Fusion tune. Featuring guest artist Randy Brecker (Blood Sweat & Tears) on flugelhorn. Click HERE for all links.—---------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Label: ABC-Pmt. 10329Year: 1962Condition: M-Last Price: $25.00. Not currently available for sale.Is this classic early Bubblegum? Or late Buddy Holly? Whatever, Roe's Holly impression is spot-on, and ultimately the song and recording succeed on their own, as a truly brilliant reworking of "Peggy Sue." I tend to think of it as Bubblegum because you really have to get in touch with your long lost, pubescent self to appreciate the simple, romantic sentiments Roe sings of. If you can't summon yourself as a 14-year-old, you simply won't understand part of the enduring appeal of Bubblegum Rock. (Another of its enduring appeals is its danceability: All Bubblegum Rock is made for dancing!) Note: This beautiful copy comes in a vintage ABC-Paramount Records factory sleeve. It has Near Mint labels and vinyl. The audio is outstanding and close to Mint.

If it hadn't been for that pesky Jason Donovan, all these Number Two hits would also have been chart-toppers. Dizzy meets Dizzee, Angela Trimble has lost her cat, Sir Cliff scores a century, UKG struggles to travel north, and country's new Golden Age starts right here.YouTube playlist // Spotify playlist // extra tracks & bonus bitsTo join in with the voting, please submit your 1st, 2nd and 3rd favourites, plus your "most bad and hated" selection, to:The Patreon Supporters Club // X: @whichdecadetops // Facebook // whichdecadeistops@gmail.comThe voting deadline for this episode is 6pm UK time, Tuesday 25th June 2024. Hosted on Acast. See acast.com/privacy for more information.

Singer-songwriter Tommy Roe was on the top of the charts in the 60s with songs like Dizzy and Sheila. Today he's 81, still recording and looking forward to what's next.

The conversation goes from Billy Joel and Christie Brinkley to Tommy Roe and Tommy James. Music and movies, cars and Jordan Love. In the second half hour the guys talk about door-to-door sales people and their products. Kirby vacuums and Cutco knives are discussed. Encyclopedias and smoke detector sales people come up in the conversation.

'SUSANNA HOFFS BANGLES LEGEND THE LOST INTERVIEWS' Susanna Hoffs is the beautiful, talented & iconic vocalist for the commercially successful all- female pop/rock/new wave/ band ‘The Bangles.' Hoffs angelic and awe-inspiring vocals are definitive on such Bangles classics as …“Manic Monday” (1985 #2 US Billboard Hit), “Walk Like an Egyptian” (1986 #1 US Billboard Hit), “If She Knew What She Wants” (1986 #29 US Billboard Hit), “Hazy Shade of Winter” (1987 #2 US Billboard Hit), “Walking Down Your Street” (1987 #11 US Billboard Hit),“In Your Room” (1988 #5 US Billboard Hit), and the breathtaking “Eternal Flame” (1988 #1 US Billboard Hit). Hoffs is also ‘The Bangles' rhythm guitarist and songwriter. THE BANGS: After Susanna Hoffs graduated from the University of California, Berkeley, where she studied theatre, dance, and art, she headed back to Los Angeles and placed an ad in The Recycler, an LA based classifieds newspaper. A trio began to form with the addition of Sisters Vicky Peterson (vocals/guitars) and Debbi Peterson (vocals/drums) while subsequently adding Annette Zilinskas on bass. After short stints with names such as ‘The Colours' and ‘The Supersonic Bangs,' the newly formed all-girl band eventually settled on ‘The Bangs' while swiftly becoming a vital part of the Los Angeles Paisley Underground scene. The Bangs debut single “Getting Out of Hand” was released on their label DownKiddie Records and caught the attention of KROQ deejay Rodney Bingenheimer who repeatedly played the record on his show. THE BANGLES: ‘The Bangs' were auspiciously mandated to change their name so the group dropped ‘The' and added the letters ‘les' to form ‘Bangles,' a banner that would flourish into one of the greatest all-female groups in rock and roll history. In 1982, under new manager Miles Copeland, The Bangles supported The English Beat on a UK tour. In 1983, the group made its first appearance on Dick Clark's American Bandstand. In 1984, ‘All Over the Place,' The Bangles first full-length album was released on CBS (Columbia) Records. Michael Steele had replaced Annette Zilinskas on bass. Steele began her music career as Micki Steele with The Runaways. ‘All Over the Place,' spawned the singles”Hero Takes a Fall,” and “Going Down to Liverpool” which featured Susanna's childhood neighbor and family friend Leonard Nimoy. The Bangles popularity escalated and was asked to join such acts as ‘Cyndi Lauper' and ‘Huey Lewis and the News' on tour.   Susanna Hoffs and The Bangles had captivated the attention of R&B/Pop/Funk/ music artist & songwriter ‘Prince.' Prince offered his penned single “Manic Monday” (1984) to The Bangles and the group promptly brought the tune into the recording studio. “Manic Monday” (1986) became The Bangles first big hit peaking at #2 on Billboards US Charts. Their second studio album ‘Different Light' (1986) produced by David Kahne peaked at #2 on the US Billboard Charts and is considered to be their most successful to date. Also in 1986, The Bangles opened for 'Queen' at Slane Castle, Ireland.   In 1987, “Walk like an Egyptian” won Best Video at the 15th Annual Music Awards and again at the 5th Annual American Video Awards. ‘Everything' (1988) The Bangles third studio album spawned the Top 5 Hit “In Your Room,” and their worldwide #1 single “Eternal Flame” penned by Susanna Hoffs, Billy Steinberg and Tom Kelly. The Bangles attained a well-deserved hiatus throughout the 90's but returned with rock and roll vengeance in 1999. They released their fourth studio album entitled ‘Doll Revolution' in 2003. Bassist Michael Steele officially left The Bangles in 2005 and the band decided to use guest bassists while on tour. The Bangles most recent album ‘Sweetheart of the Sun' was released in 2011. In January of 2014, The Bangles returned to the legendary Whisky A GO GO to celebrate the club's 50th anniversary. SUSANNA HOFFS: In 1991, Susanna released her debut solo album entitled ‘When You're a Boy' produced by David Kahne. The album spawned the Top 40 hit single “My Side of the Bed.” The release featured such musical luminaries as John Entwistle, Jim Keltner, and Donovan. In 1996, Susanna Hoffs released her second studio album entitled ‘Susanna Hoffs.' Based on a Saturday Night Live stint in the early 1990's, Hoffs performed in the band ‘Ming Tea' with … Mike Myers, Matthew Sweet, Christopher Ward and Stuart Johnson. The SNL skit morphed into a three comedy film series ... Austin Powers: International Man of Mystery (1997), Austin Powers: The Spy Who Shagged Me (1999), and Austin Powers in Goldmember (2002). Jay Roach, Susanna's husband directed the Austin Power series and ‘Ming Tea' performed in all three movies. In 2006, Susanna collaborated with alternative rocker Matthew Sweet under the name ‘Sid n Susie,' and released ‘Under the Covers' Volumes 1, 2 &3 featuring classic rock cover songs of the 60's,70's, and 80's. In 2012, Susanna released her critically-acclaimed studio album entitled ‘Someday.' Susanna's vocals are more radiant than ever. Hoffs collaborated with musical partner Andrew Brassell and producer Mitchell Froom on her best solo album to date. All the tracks are co-penned by Susanna Hoffs. Hoffs & Brassell continue to co-write music and hope to release a new album sometime in 2015. ‘Susanna Hoffs' performs at The Satellite in Los Angeles on July 18th with special guests Fred Armisen and Petra Haden. ‘The Bangles' kicked off their summer concert series on June 6th at The Coach House in San Juan Capistrano, California … click [Here] for a complete ‘Bangles' tour listing. Recently, I had the great pleasure of chatting with Susanna Hoffs of The Bangles and discussed … Her latest solo projects …Collaborating with Andrew Brassell … Producer Mitchell Froom … Early musical influences …The Bangles past & present … The inception of “Manic Monday,” “Eternal Flame,” “A Hazy Shade of Winter,” …and future plans as a solo artist & with ‘The Bangles.' PURCHASE THE ROCK STAR CHRONICLES Series one By RAY SHASHO Available At Bookbaby.com And amazon.com CHAPTER ONE SPOTLIGHTS INTERVIEWS WITH MANY OF THE MUSIC LEGENDS WHO ARE NO LONGER WITH US THE HARDCOVER EDITION IS A BONAFIDE COLLECTORS ITEM! …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   Support us on PayPal!

ROGER McGUINN LOST INTERVIEWS EPISODE 1 The Byrds become Roger McGuinn (lead guitars and vocals), Gene Clark (tambourine, vocals), David Crosby (rhythm guitars and vocals), Chris Hillman (bass guitar and vocals) and Michael Clarke (drums). Columbia Records signed The Byrds in 1965 and they recorded their first number one hit, a Bob Dylan penned song, “Mr. Tambourine Man.” The Byrds continued to score big commercially with their 1965 classic that was adapted from the book of Ecclesiastes in the Bible, “Turn! Turn! Turn!” “I'll Feel a Whole Lot Better,” was another huge hit for the group in 1965 featuring McGuinn's trademark jangling 12-string Rickenbacker. “Eight Miles High” was The Byrds 1966 Top 20 Psychedelic classic and “Mr. Spaceman” reached #36 on Billboard's Top 100, both were featured on their Fifth Dimension album.” Dylan's penned, “My Back Pages” released in 1967 #30 and “So You Want To Be A Rock ‘N' Roll Star,” also released in 1967 was a #29 Billboard Top 100 hit. Gene Clark left the band in 1966. David Crosby and Michael Clarke departed in late 1967. In 1968, Gram Parsons was hired and The Byrds recorded their critically acclaimed release, “Sweetheart of the Rodeo.” Later in 1968, Hillman and Parsons left. In 1969, The Byrds recorded “Ballad of Easy Rider” for a film starring Peter Fonda and Dennis Hopper. McGuinn also co-wrote, “Chestnut Mare” with Jacques Levy in 1969, a song intended to be featured in a musical inspired by Henrik Ibsen's Peer Gynt. McGuinn led several Byrds lineups until 1973 when the original quintet reunited and then disbanded after the release of their 12th and final album Byrds. Roger McGuinn rejoined Gene Clark and Chris Hillman in 1978 and recorded three successful albums for Capitol Records. In 1981, McGuinn returned to his folk roots and began to tour acoustically as a solo artist. McGuinn, Crosby and Hillman performed as The Byrds in 1989 and 1990 and recorded four new songs for their box set released in 1991. The Byrds were also inducted into the Rock and Roll Hall of Fame in 1991. PURCHASE THE ROCK STAR CHRONICLES Series one By RAY SHASHO Available At Bookbaby.com And amazon.com CHAPTER ONE SPOTLIGHTS INTERVIEWS WITH MANY OF THE MUSIC LEGENDS WHO ARE NO LONGER WITH US THE HARDCOVER EDITION IS A BONAFIDE COLLECTORS ITEM! …Order yours today on (Collector edition) Hardcover or E-book at bookbaby.com and amazon.com   Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know.   CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST WHERE HAVE ALL THE ROCK STARS GONE? Rock and Roll, the Blues, and Jazz are America's contribution to the arts, so why are we not fighting to preserve our own musical legacy and culture? Rooted from the early blues pioneers, the longevity of rock and roll is second to none. But strangely enough those legendary rock heroes that we were so accustomed to hearing every time we turned on our radios had mysteriously vanished from the mainstream. The music of the 1960's, 70's and even the 80's was an important juncture in all of our lives. So many of us timeline life's precious moments with the music we remember, when the music was so great, when the music mattered. The baby-boomer generation is financially imperative yet many of its entertainment standards have been renounced. One day, the plug was pulled on those legendary music artists. Hackers began stealing music across the internet. Online music stores popularized cheap digital singles and neglected to promote full-length albums. Radio stations changed formats to accommodate talk show radio jocks while rappers and electronic dance music menaced the airwaves. Notorious record companies began folding in droves. Record companies and radio stations that were once owned and operated by visionaries were now run by accountants and lawyers and the music world began promoting untalented wannabes. The economy plummeted, and radio stations became more concerned about how many consecutive commercials they could run instead of providing quality radio programming and entertainment value. Radio stations became corporate machines leaving no room for innovation. Throughout the 2000s, recording studios and live performances began using an audio processor called "Auto-Tune" to disguise off-key inaccuracies in vocal tracks. The device allowed virtually anyone without music skills to become a singer and new waves of mainstream radio stars were instantly fabricated. The business of music became stronger and more important than the art of music. For more than a decade, I've been on a rock and roll pilgrimage to help promote and save the greatest music the world has ever known. Before the internet and Napster, virtuoso musicians traditionally introduced their music by way of mainstream radio stations while anxious music enthusiasts hurried to their favorite record stores and purchased a copy of the artist's latest release. Talk radio wasn't popular because there was way too much great music to play over the airwaves. Advertisers didn't rule the airwaves, the music did. Rock legends toured the world to promote their latest albums and prices of concert tickets were extremely affordable. Proficient musicians, singers, and songwriters are what made the music so great. Support us on PayPal!

Chef Babette Davis is redefining how we age through diet, exercise, and mindset. She explains the simple ways we can all take responsibility for our health.

February 1964...the month and year where the British invasion started. Remember February 7th, but roll it back six months before and the incomparable Tommy Roe was the headline act in England. A little band called the Beatles opened for Tommy. Enjoy this wonderful conversation with the super talented, and the personable Tommy Roe. Bring out your 45's and play Dizzy and Sheila.

For those who haven't heard the announcement I just posted , songs from this point on will sometimes be split among multiple episodes, so this is the second part of a multi-episode look at the Byrds in 1966-69 and the birth of country rock. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a half-hour bonus episode, on "With a Little Help From My Friends" by Joe Cocker. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources No Mixcloud at this time as there are too many Byrds songs in the first chunk, but I will try to put together a multi-part Mixcloud when all the episodes for this song are up. My main source for the Byrds is Timeless Flight Revisited by Johnny Rogan, I also used Chris Hillman's autobiography, the 331/3 books on The Notorious Byrd Brothers and The Gilded Palace of Sin, I used Barney Hoskyns' Hotel California and John Einarson's Desperadoes as general background on Californian country-rock, Calling Me Hone, Gram Parsons and the Roots of Country Rock by Bob Kealing for information on Parsons, and Requiem For The Timeless Vol 2 by Johnny Rogan for information about the post-Byrds careers of many members. Information on Gary Usher comes from The California Sound by Stephen McParland. And this three-CD set is a reasonable way of getting most of the Byrds' important recordings. The International Submarine Band's only album can be bought from Bandcamp. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before we begin, a brief warning – this episode contains brief mentions of suicide, alcoholism, abortion, and heroin addiction, and a brief excerpt of chanting of a Nazi slogan. If you find those subjects upsetting, you may want to read the transcript rather than listen. As we heard in the last part, in October 1967 Roger McGuinn and Chris Hillman fired David Crosby from the Byrds. It was only many years later, in a conversation with the group's ex-manager Jim Dickson, that Crosby realised that they didn't actually have a legal right to fire him -- the Byrds had no partnership agreement, and according to Dickson given that the original group had been Crosby, McGuinn, and Gene Clark, it would have been possible for Crosby and McGuinn to fire Hillman, but not for McGuinn and Hillman to fire Crosby. But Crosby was unaware of this at the time, and accepted a pay-off, with which he bought a boat and sailed to Florida, where saw a Canadian singer-songwriter performing live: [Excerpt: Joni Mitchell, "Both Sides Now (live Ann Arbor, MI, 27/10/67)"] We'll find out what happened when David Crosby brought Joni Mitchell back to California in a future story... With Crosby gone, the group had a major problem. They were known for two things -- their jangly twelve-string guitar and their soaring harmonies. They still had the twelve-string, even in their new slimmed-down trio format, but they only had two of their four vocalists -- and while McGuinn had sung lead on most of their hits, the sound of the Byrds' harmony had been defined by Crosby on the high harmonies and Gene Clark's baritone. There was an obvious solution available, of course, and they took it. Gene Clark had quit the Byrds in large part because of his conflicts with David Crosby, and had remained friendly with the others. Clark's solo album had featured Chris Hillman and Michael Clarke, and had been produced by Gary Usher who was now producing the Byrds' records, and it had been a flop and he was at a loose end. After recording the Gene Clark with the Gosdin Brothers album, Clark had started work with Curt Boettcher, a singer-songwriter-producer who had produced hits for Tommy Roe and the Association, and who was currently working with Gary Usher. Boettcher produced two tracks for Clark, but they went unreleased: [Excerpt: Gene Clark, "Only Colombe"] That had been intended as the start of sessions for an album, but Clark had been dropped by Columbia rather than getting to record a second album. He had put together a touring band with guitarist Clarence White, bass player John York, and session drummer "Fast" Eddie Hoh, but hadn't played many gigs, and while he'd been demoing songs for a possible second solo album he didn't have a record deal to use them on. Chisa Records, a label co-owned by Larry Spector, Peter Fonda, and Hugh Masekela, had put out some promo copies of one track, "Yesterday, Am I Right", but hadn't released it properly: [Excerpt: Gene Clark, "Yesterday, Am I Right"] Clark, like the Byrds, had left Dickson and Tickner's management organisation and signed with Larry Spector, and Spector was wanting to make the most of his artists -- and things were very different for the Byrds now. Clark had had three main problems with being in the Byrds -- ego clashes with David Crosby, the stresses of being a pop star with a screaming teenage fanbase, and his fear of flying. Clark had really wanted to have the same kind of role in the Byrds that Brian Wilson had with the Beach Boys -- appear on the records, write songs, do TV appearances, maybe play local club gigs, but not go on tour playing to screaming fans. But now David Crosby was out of the group and there were no screaming fans any more -- the Byrds weren't having the kind of pop hits they'd had a few years earlier and were now playing to the hippie audience. Clark promised that with everything else being different, he could cope with the idea of flying -- if necessary he'd just take tranquilisers or get so drunk he passed out. So Gene Clark rejoined the Byrds. According to some sources he sang on their next single, "Goin' Back," though I don't hear his voice in the mix: [Excerpt: The Byrds, "Goin' Back"] According to McGuinn, Clark was also an uncredited co-writer on one song on the album they were recording, "Get to You". But before sessions had gone very far, the group went on tour. They appeared on the Smothers Brothers TV show, miming their new single and "Mr. Spaceman", and Clark seemed in good spirits, but on the tour of the Midwest that followed, according to their road manager of the time, Clark was terrified, singing flat and playing badly, and his guitar and vocal mic were left out of the mix. And then it came time to get on a plane, and Clark's old fears came back, and he refused to fly from Minneapolis to New York with the rest of the group, instead getting a train back to LA. And that was the end of Clark's second stint in the Byrds. For the moment, the Byrds decided they were going to continue as a trio on stage and a duo in the studio -- though Michael Clarke did make an occasional return to the sessions as they progressed. But of course, McGuinn and Hillman couldn't record an album entirely by themselves. They did have several tracks in a semi-completed state still featuring Crosby, but they needed people to fill his vocal and instrumental roles on the remaining tracks. For the vocals, Usher brought in his friend and collaborator Curt Boettcher, with whom he was also working at the time in a band called Sagittarius: [Excerpt: Sagittarius, "Another Time"] Boettcher was a skilled harmony vocalist -- according to Usher, he was one of the few vocal arrangers that Brian Wilson looked up to, and Jerry Yester had said of the Modern Folk Quartet that “the only vocals that competed with us back then was Curt Boettcher's group” -- and he was more than capable of filling Crosby's vocal gap, but there was never any real camaraderie between him and the Byrds. He particularly disliked McGuinn, who he said "was just such a poker face. He never let you know where you stood. There was never any lightness," and he said of the sessions as a whole "I was really thrilled to be working with The Byrds, and, at the same time, I was glad when it was all over. There was just no fun, and they were such weird guys to work with. They really freaked me out!" Someone else who Usher brought in, who seems to have made a better impression, was Red Rhodes: [Excerpt: Red Rhodes, "Red's Ride"] Rhodes was a pedal steel player, and one of the few people to make a career on the instrument outside pure country music, which is the genre with which the instrument is usually identified. Rhodes was a country player, but he was the country pedal steel player of choice for musicians from the pop and folk-rock worlds. He worked with Usher and Boettcher on albums by Sagittarius and the Millennium, and played on records by Cass Elliot, Carole King, the Beach Boys, and the Carpenters, among many others -- though he would be best known for his longstanding association with Michael Nesmith of the Monkees, playing on most of Nesmith's recordings from 1968 through 1992. Someone else who was associated with the Monkees was Moog player Paul Beaver, who we talked about in the episode on "Hey Jude", and who had recently played on the Monkees' Pisces, Aquarius, Capricorn & Jones, Ltd album: [Excerpt: The Monkees, "Star Collector"] And the fourth person brought in to help the group out was someone who was already familiar to them. Clarence White was, like Red Rhodes, from the country world -- he'd started out in a bluegrass group called the Kentucky Colonels: [Excerpt: The Kentucky Colonels, "Clinch Mountain Backstep"] But White had gone electric and formed one of the first country-rock bands, a group named Nashville West, as well as becoming a popular session player. He had already played on a couple of tracks on Younger Than Yesterday, as well as playing with Hillman and Michael Clarke on Gene Clark's album with the Gosdin Brothers and being part of Clark's touring band with John York and "Fast" Eddie Hoh. The album that the group put together with these session players was a triumph of sequencing and production. Usher had recently been keen on the idea of crossfading tracks into each other, as the Beatles had on Sgt Pepper, and had done the same on the two Chad and Jeremy albums he produced. By clever crossfading and mixing, Usher managed to create something that had the feel of being a continuous piece, despite being the product of several very different creative minds, with Usher's pop sensibility and arrangement ideas being the glue that held everything together. McGuinn was interested in sonic experimentation. He, more than any of the others, seems to have been the one who was most pushing for them to use the Moog, and he continued his interest in science fiction, with a song, "Space Odyssey", inspired by the Arthur C. Clarke short story "The Sentinel", which was also the inspiration for the then-forthcoming film 2001: A Space Odyssey: [Excerpt: The Byrds, "Space Odyssey"] Then there was Chris Hillman, who was coming up with country material like "Old John Robertson": [Excerpt: The Byrds, "Old John Robertson"] And finally there was David Crosby. Even though he'd been fired from the group, both McGuinn and Hillman didn't see any problem with using the songs he had already contributed. Three of the album's eleven songs are compositions that are primarily by Crosby, though they're all co-credited to either Hillman or both Hillman and McGuinn. Two of those songs are largely unchanged from Crosby's original vision, just finished off by the rest of the group after his departure, but one song is rather different: [Excerpt: The Byrds, "Draft Morning"] "Draft Morning" was a song that was important to Crosby, and was about his -- and the group's -- feelings about the draft and the ongoing Vietnam War. It was a song that had meant a lot to him, and he'd been part of the recording for the backing track. But when it came to doing the final vocals, McGuinn and Hillman had a problem -- they couldn't remember all the words to the song, and obviously there was no way they were going to get Crosby to give them the original lyrics. So they rewrote it, coming up with new lyrics where they couldn't remember the originals: [Excerpt: The Byrds, "Draft Morning"] But there was one other contribution to the track that was very distinctively the work of Usher. Gary Usher had a predilection at this point for putting musique concrete sections in otherwise straightforward pop songs. He'd done it with "Fakin' It" by Simon and Garfunkel, on which he did uncredited production work, and did it so often that it became something of a signature of records on Columbia in 1967 and 68, even being copied by his friend Jim Guercio on "Susan" by the Buckinghams. Usher had done this, in particular, on the first two singles by Sagittarius, his project with Curt Boettcher. In particular, the second Sagittarius single, "Hotel Indiscreet", had had a very jarring section (and a warning here, this contains some brief chanting of a Nazi slogan): [Excerpt: Sagittarius, "Hotel Indiscreet"] That was the work of a comedy group that Usher had discovered and signed to Columbia. The Firesign Theatre were so named because, like Usher, they were all interested in astrology, and they were all "fire signs".  Usher was working on their first album, Waiting For The Electrician or Someone Like Him, at the same time as he was working on the Byrds album: [Excerpt: The Firesign Theatre, "W.C. Fields Forever"] And he decided to bring in the Firesigns to contribute to "Draft Morning": [Excerpt: The Byrds, "Draft Morning"] Crosby was, understandably, apoplectic when he heard the released version of "Draft Morning". As far as Hillman and McGuinn were concerned, it was always a Byrds song, and just because Crosby had left the band didn't mean they couldn't use material he'd written for the Byrds. Crosby took a different view, saying later "It was one of the sleaziest things they ever did. I had an entire song finished. They just casually rewrote it and decided to take half the credit. How's that? Without even asking me. I had a finished song, entirely mine. I left. They did the song anyway. They rewrote it and put it in their names. And mine was better. They just took it because they didn't have enough songs." What didn't help was that the publicity around the album, titled The Notorious Byrd Brothers minimised Crosby's contributions. Crosby is on five of the eleven tracks -- as he said later, "I'm all over that album, they just didn't give me credit. I played, I sang, I wrote, I even played bass on one track, and they tried to make out that I wasn't even on it, that they could be that good without me." But the album, like earlier Byrds albums, didn't have credits saying who played what, and the cover only featured McGuinn, Hillman, and Michael Clarke in the photo -- along with a horse, which Crosby took as another insult, as representing him. Though as McGuinn said, "If we had intended to do that, we would have turned the horse around". Even though Michael Clarke was featured on the cover, and even owned the horse that took Crosby's place, by the time the album came out he too had been fired. Unlike Crosby, he went quietly and didn't even ask for any money. According to McGuinn, he was increasingly uninterested in being in the band -- suffering from depression, and missing the teenage girls who had been the group's fans a year or two earlier. He gladly stopped being a Byrd, and went off to work in a hotel instead. In his place came Hillman's cousin, Kevin Kelley, fresh out of a band called the Rising Sons: [Excerpt: The Rising Sons, "Take a Giant Step"] We've mentioned the Rising Sons briefly in some previous episodes, but they were one of the earliest LA folk-rock bands, and had been tipped to go on to greater things -- and indeed, many of them did, though not as part of the Rising Sons. Jesse Lee Kincaid, the least well-known of the band, only went on to release a couple of singles and never had much success, but his songs were picked up by other acts -- his "Baby You Come Rollin' 'Cross My Mind" was a minor hit for the Peppermint Trolley Company: [Excerpt: The Peppermint Trolley Company, "Baby You Come Rollin' 'Cross My Mind"] And Harry Nilsson recorded Kincaid's "She Sang Hymns Out of Tune": [Excerpt: Harry Nilsson, "She Sang Hymns Out of Tune"] But Kincaid was the least successful of the band members, and most of the other members are going to come up in future episodes of the podcast -- bass player Gary Marker played for a while with Captain Beefheart and the Magic Band, lead singer Taj Mahal is one of the most respected blues singers of the last sixty years, original drummer Ed Cassidy went on to form the progressive rock band Spirit, and lead guitarist Ry Cooder went on to become one of the most important guitarists in rock music. Kelley had been the last to join the Rising Sons, replacing Cassidy but he was in the band by the time they released their one single, a version of Rev. Gary Davis' "Candy Man" produced by Terry Melcher, with Kincaid on lead vocals: [Excerpt: The Rising Sons, "Candy Man"] That hadn't been a success, and the group's attempt at a follow-up, the Goffin and King song "Take a Giant Step", which we heard earlier, was blocked from release by Columbia as being too druggy -- though there were no complaints when the Monkees released their version as the B-side to "Last Train to Clarksville". The Rising Sons, despite being hugely popular as a live act, fell apart without ever releasing a second single. According to Marker, Mahal realised that he would be better off as a solo artist, but also Columbia didn't know how to market a white group with a Black lead vocalist (leading to Kincaid singing lead on their one released single, and producer Terry Melcher trying to get Mahal to sing more like a white singer on "Take a Giant Step"), and some in the band thought that Terry Melcher was deliberately trying to sink their career because they refused to sign to his publishing company. After the band split up, Marker and Kelley had formed a band called Fusion, which Byrds biographer Johnny Rogan describes as being a jazz-fusion band, presumably because of their name. Listening to the one album the group recorded, it is in fact more blues-rock, very like the music Marker made with the Rising Sons and Captain Beefheart. But Kelley's not on that album, because before it was recorded he was approached by his cousin Chris Hillman and asked to join the Byrds. At the time, Fusion were doing so badly that Kelley had to work a day job in a clothes shop, so he was eager to join a band with a string of hits who were just about to conclude a lucrative renegotiation of their record contract -- a renegotiation which may have played a part in McGuinn and Hillman firing Crosby and Clarke, as they were now the only members on the new contracts. The choice of Kelley made a lot of sense. He was mostly just chosen because he was someone they knew and they needed a drummer in a hurry -- they needed someone new to promote The Notorious Byrd Brothers and didn't have time to go through a laborious process of audtioning, and so just choosing Hillman's cousin made sense, but Kelley also had a very strong, high voice, and so he could fill in the harmony parts that Crosby had sung, stopping the new power-trio version of the band from being *too* thin-sounding in comparison to the five-man band they'd been not that much earlier. The Notorious Byrd Brothers was not a commercial success -- it didn't even make the top forty in the US, though it did in the UK -- to the presumed chagrin of Columbia, who'd just paid a substantial amount of money for this band who were getting less successful by the day. But it was, though, a gigantic critical success, and is generally regarded as the group's creative pinnacle. Robert Christgau, for example, talked about how LA rather than San Francisco was where the truly interesting music was coming from, and gave guarded praise to Captain Beefheart, Van Dyke Parks, and the Fifth Dimension (the vocal group, not the Byrds album) but talked about three albums as being truly great -- the Beach Boys' Wild Honey, Love's Forever Changes, and The Notorious Byrd Brothers. (He also, incidentally, talked about how the two songs that Crosby's new discovery Joni Mitchell had contributed to a Judy Collins album were much better than most folk music, and how he could hardly wait for her first album to come out). And that, more or less, was the critical consensus about The Notorious Byrd Brothers -- that it was, in Christgau's words "simply the best album the Byrds have ever recorded" and that "Gone are the weak--usually folky--tracks that have always flawed their work." McGuinn, though, thought that the album wasn't yet what he wanted. He had become particularly excited by the potentials of the Moog synthesiser -- an instrument that Gary Usher also loved -- during the recording of the album, and had spent a lot of time experimenting with it, coming up with tracks like the then-unreleased "Moog Raga": [Excerpt: The Byrds, "Moog Raga"] And McGuinn had a concept for the next Byrds album -- a concept he was very excited about. It was going to be nothing less than a grand sweeping history of American popular music. It was going to be a double album -- the new contract said that they should deliver two albums a year to Columbia, so a double album made sense -- and it would start with Appalachian folk music, go through country, jazz, and R&B, through the folk-rock music the Byrds had previously been known for, and into Moog experimentation. But to do this, the Byrds needed a keyboard player. Not only would a keyboard player help them fill out their thin onstage sound, if they got a jazz keyboardist, then they could cover the jazz material in McGuinn's concept album idea as well. So they went out and looked for a jazz piano player, and happily Larry Spector was managing one. Or at least, Larry Spector was managing someone who *said* he was a jazz pianist. But Gram Parsons said he was a lot of things... [Excerpt: Gram Parsons, "Brass Buttons (1965 version)"] Gram Parsons was someone who had come from a background of unimaginable privilege. His maternal grandfather was the owner of a Florida citrus fruit and real-estate empire so big that his mansion was right in the centre of what was then Florida's biggest theme park -- built on land he owned. As a teenager, Parsons had had a whole wing of his parents' house to himself, and had had servants to look after his every need, and as an adult he had a trust fund that paid him a hundred thousand dollars a year -- which in 1968 dollars would be equivalent to a little under nine hundred thousand in today's money. Two events in his childhood had profoundly shaped the life of young Gram. The first was in February 1956, when he went to see a new singer who he'd heard on the radio, and who according to the local newspaper had just recorded a new song called "Heartburn Motel".  Parsons had tried to persuade his friends that this new singer was about to become a big star -- one of his friends had said "I'll wait til he becomes famous!" As it turned out, the day Parsons and the couple of friends he did manage to persuade to go with him saw Elvis Presley was also the day that "Heartbreak Hotel" entered the Billboard charts at number sixty-eight. But even at this point, Elvis was an obvious star and the headliner of the show. Young Gram was enthralled -- but in retrospect he was more impressed by the other acts he saw on the bill. That was an all-star line-up of country musicians, including Mother Maybelle and the Carter Sisters, and especially the Louvin Brothers, arguably the greatest country music vocal duo of all time: [Excerpt: The Louvin Brothers, "The Christian Life"] Young Gram remained mostly a fan of rockabilly music rather than country, and would remain so for another decade or so, but a seed had been planted. The other event, much more tragic, was the death of his father. Both Parsons' parents were functioning alcoholics, and both by all accounts were unfaithful to each other, and their marriage was starting to break down. Gram's father was also, by many accounts, dealing with what we would now call post-traumatic stress disorder from his time serving in the second world war. On December the twenty-third 1958, Gram's father died of a self-inflicted gunshot wound. Everyone involved seems sure it was suicide, but it was officially recorded as natural causes because of the family's wealth and prominence in the local community. Gram's Christmas present from his parents that year was a reel-to-reel tape recorder, and according to some stories I've read his father had left a last message on a tape in the recorder, but by the time the authorities got to hear it, it had been erased apart from the phrase "I love you, Gram." After that Gram's mother's drinking got even worse, but in most ways his life still seemed charmed, and the descriptions of him as a teenager are about what you'd expect from someone who was troubled, with a predisposition to addiction, but who was also unbelievably wealthy, good-looking, charming, and talented. And the talent was definitely there. One thing everyone is agreed on is that from a very young age Gram Parsons took his music seriously and was determined to make a career as a musician. Keith Richards later said of him "Of the musicians I know personally (although Otis Redding, who I didn't know, fits this too), the two who had an attitude towards music that was the same as mine were Gram Parsons and John Lennon. And that was: whatever bag the business wants to put you in is immaterial; that's just a selling point, a tool that makes it easier. You're going to get chowed into this pocket or that pocket because it makes it easier for them to make charts up and figure out who's selling. But Gram and John were really pure musicians. All they liked was music, and then they got thrown into the game." That's not the impression many other people have of Parsons, who is almost uniformly described as an incessant self-promoter, and who from his teens onwards would regularly plant fake stories about himself in the local press, usually some variant of him having been signed to RCA records. Most people seem to think that image was more important to him than anything. In his teens, he started playing in a series of garage bands around Florida and Georgia, the two states in which he was brought up. One of his early bands was largely created by poaching the rhythm section who were then playing with Kent Lavoie, who later became famous as Lobo and had hits like "Me and You and a Dog Named Boo". Lavoie apparently held a grudge -- decades later he would still say that Parsons couldn't sing or play or write. Another musician on the scene with whom Parsons associated was Bobby Braddock, who would later go on to co-write songs like "D-I-V-O-R-C-E" for Tammy Wynette, and the song "He Stopped Loving Her Today", often considered the greatest country song ever written, for George Jones: [Excerpt: George Jones, "He Stopped Loving Her Today"] Jones would soon become one of Parsons' musical idols, but at this time he was still more interested in being Elvis or Little Richard. We're lucky enough to have a 1962 live recording of one of his garage bands, the Legends -- the band that featured the bass player and drummer he'd poached from Lobo. They made an appearance on a local TV show and a friend with a tape recorder recorded it off the TV and decades later posted it online. Of the four songs in that performance, two are R&B covers -- Little Richard's "Rip It Up" and Ray Charles' "What'd I Say?", and a third is the old Western Swing classic "Guitar Boogie Shuffle". But the interesting thing about the version of "Rip it Up" is that it's sung in an Everly Brothers style harmony, and the fourth song is a recording of the Everlys' "Let It Be Me". The Everlys were, of course, hugely influenced by the Louvin Brothers, who had so impressed young Gram six years earlier, and in this performance you can hear for the first time the hints of the style that Parsons would make his own a few years later: [Excerpt: Gram Parsons and the Legends, "Let it Be Me"] Incidentally, the other guitarist in the Legends, Jim Stafford, also went on to a successful musical career, having a top five hit in the seventies with "Spiders & Snakes": [Excerpt: Jim Stafford, "Spiders & Snakes"] Soon after that TV performance though, like many musicians of his generation, Parsons decided to give up on rock and roll, and instead to join a folk group. The group he joined, The Shilos, were a trio who were particularly influenced by the Journeymen, John Phillips' folk group before he formed the Mamas and the Papas, which we talked about in the episode on "San Francisco". At various times the group expanded with the addition of some female singers, trying to capture something of the sound of the New Chrisy Minstrels. In 1964, with the band members still in school, the Shilos decided to make a trip to Greenwich Village and see if they could make the big time as folk-music stars. They met up with John Phillips, and Parsons stayed with John and Michelle Phillips in their home in New York -- this was around the time the two of them were writing "California Dreamin'". Phillips got the Shilos an audition with Albert Grossman, who seemed eager to sign them until he realised they were still schoolchildren just on a break. The group were, though, impressive enough that he was interested, and we have some recordings of them from a year later which show that they were surprisingly good for a bunch of teenagers: [Excerpt: The Shilos, "The Bells of Rhymney"] Other than Phillips, the other major connection that Parsons made in New York was the folk singer Fred Neil, who we've talked about occasionally before. Neil was one of the great songwriters of the Greenwich Village scene, and many of his songs became successful for others -- his "Dolphins" was recorded by Tim Buckley, most famously his "Everybody's Talkin'" was a hit for Harry Nilsson, and he wrote "Another Side of This Life" which became something of a standard -- it was recorded by the Animals and the Lovin' Spoonful, and Jefferson Airplane, as well as recording the song, included it in their regular setlists, including at Monterey: [Excerpt: Jefferson Airplane, "The Other Side of This Life (live at Monterey)"] According to at least one biographer, though, Neil had another, more pernicious, influence on Parsons -- he may well have been the one who introduced Parsons to heroin, though several of Parsons' friends from the time said he wasn't yet using hard drugs. By spring 1965, Parsons was starting to rethink his commitment to folk music, particularly after "Mr. Tambourine Man" became a hit. He talked with the other members about their need to embrace the changes in music that Dylan and the Byrds were bringing about, but at the same time he was still interested enough in acoustic music that when he was given the job of arranging the music for his high school graduation, the group he booked were the Dillards. That graduation day was another day that would change Parsons' life -- as it was the day his mother died, of alcohol-induced liver failure. Parsons was meant to go on to Harvard, but first he went back to Greenwich Village for the summer, where he hung out with Fred Neil and Dave Van Ronk (and started using heroin regularly). He went to see the Beatles at Shea Stadium, and he was neighbours with Stephen Stills and Richie Furay -- the three of them talked about forming a band together before Stills moved West. And on a brief trip back home to Florida between Greenwich Village and Harvard, Parsons spoke with his old friend Jim Stafford, who made a suggestion to him -- instead of trying to do folk music, which was clearly falling out of fashion, why not try to do *country* music but with long hair like the Beatles? He could be a country Beatle. It would be an interesting gimmick. Parsons was only at Harvard for one semester before flunking out, but it was there that he was fully reintroduced to country music, and in particular to three artists who would influence him more than any others. He'd already been vaguely aware of Buck Owens, whose "Act Naturally" had recently been covered by the Beatles: [Excerpt: Buck Owens, "Act Naturally"] But it was at Harvard that he gained a deeper appreciation of Owens. Owens was the biggest star of what had become known as the Bakersfield Sound, a style of country music that emphasised a stripped-down electric band lineup with Telecaster guitars, a heavy drumbeat, and a clean sound. It came from the same honky-tonk and Western Swing roots as the rockabilly music that Parsons had grown up on, and it appealed to him instinctively.  In particular, Parsons was fascinated by the fact that Owens' latest album had a cover version of a Drifters song on it -- and then he got even more interested when Ray Charles put out his third album of country songs and included a version of Owens' "Together Again": [Excerpt: Ray Charles, "Together Again"] This suggested to Parsons that country music and the R&B he'd been playing previously might not quite be so far apart as he'd thought. At Harvard, Parsons was also introduced to the work of another Bakersfield musician, who like Owens was produced by Ken Nelson, who also produced the Louvin Brothers' records, and who we heard about in previous episodes as he produced Gene Vincent and Wanda Jackson. Merle Haggard had only had one big hit at the time, "(My Friends Are Gonna Be) Strangers": [Excerpt: Merle Haggard, "(My Friends are Gonna Be) Strangers"] But he was about to start a huge run of country hits that would see every single he released for the next twelve years make the country top ten, most of them making number one. Haggard would be one of the biggest stars in country music, but he was also to be arguably the country musician with the biggest influence on rock music since Johnny Cash, and his songs would soon start to be covered by everyone from the Grateful Dead to the Everly Brothers to the Beach Boys. And the third artist that Parsons was introduced to was someone who, in most popular narratives of country music, is set up in opposition to Haggard and Owens, because they were representatives of the Bakersfield Sound while he was the epitome of the Nashville Sound to which the Bakersfield Sound is placed in opposition, George Jones. But of course anyone with ears will notice huge similarities in the vocal styles of Jones, Haggard, and Owens: [Excerpt: George Jones, "The Race is On"] Owens, Haggard, and Jones are all somewhat outside the scope of this series, but are seriously important musicians in country music. I would urge anyone who's interested in them to check out Tyler Mahan Coe's podcast Cocaine and Rhinestones, season one of which has episodes on Haggard and Owens, as well as on the Louvin Brothers who I also mentioned earlier, and season two of which is entirely devoted to Jones. When he dropped out of Harvard after one semester, Parsons was still mostly under the thrall of the Greenwich Village folkies -- there's a recording of him made over Christmas 1965 that includes his version of "Another Side of This Life": [Excerpt: Gram Parsons, "Another Side of This Life"] But he was encouraged to go further in the country direction by John Nuese (and I hope that's the correct pronunciation – I haven't been able to find any recordings mentioning his name), who had introduced him to this music and who also played guitar. Parsons, Neuse, bass player Ian Dunlop and drummer Mickey Gauvin formed a band that was originally called Gram Parsons and the Like. They soon changed their name though, inspired by an Our Gang short in which the gang became a band: [Excerpt: Our Gang, "Mike Fright"] Shortening the name slightly, they became the International Submarine Band. Parsons rented them a house in New York, and they got a contract with Goldstar Records, and released a couple of singles. The first of them, "The Russians are Coming, The Russians are Coming" was a cover of the theme to a comedy film that came out around that time, and is not especially interesting: [Excerpt: The International Submarine Band, "The Russians are Coming, The Russians are Coming"] The second single is more interesting. "Sum Up Broke" is a song by Parsons and Neuse, and shows a lot of influence from the Byrds: [Excerpt: The international Submarine Band, "Sum Up Broke"] While in New York with the International Submarine Band, Parsons made another friend in the music business. Barry Tashian was the lead singer of a band called the Remains, who had put out a couple of singles: [Excerpt: The Remains, "Why Do I Cry?"] The Remains are now best known for having been on the bill on the Beatles' last ever tour, including playing as support on their last ever show at Candlestick Park, but they split up before their first album came out. After spending most of 1966 in New York, Parsons decided that he needed to move the International Submarine Band out to LA. There were two reasons for this. The first was his friend Brandon DeWilde, an actor who had been a child star in the fifties -- it's him at the end of Shane -- who was thinking of pursuing a musical career. DeWilde was still making TV appearances, but he was also a singer -- John Nuese said that DeWilde sang harmony with Parsons better than anyone except Emmylou Harris -- and he had recorded some demos with the International Submarine Band backing him, like this version of Buck Owens' "Together Again": [Excerpt: Brandon DeWilde, "Together Again"] DeWilde had told Parsons he could get the group some work in films. DeWilde made good on that promise to an extent -- he got the group a cameo in The Trip, a film we've talked about in several other episodes, which was being directed by Roger Corman, the director who worked a lot with David Crosby's father, and was coming out from American International Pictures, the company that put out the beach party films -- but while the group were filmed performing one of their own songs, in the final film their music was overdubbed by the Electric Flag. The Trip starred Peter Fonda, another member of the circle of people around David Crosby, and another son of privilege, who at this point was better known for being Henry Fonda's son than for his own film appearances. Like DeWilde, Fonda wanted to become a pop star, and he had been impressed by Parsons, and asked if he could record Parsons' song "November Nights". Parsons agreed, and the result was released on Chisa Records, the label we talked about earlier that had put out promos of Gene Clark, in a performance produced by Hugh Masekela: [Excerpt: Peter Fonda, "November Nights"] The other reason the group moved West though was that Parsons had fallen in love with David Crosby's girlfriend, Nancy Ross, who soon became pregnant with his daughter -- much to Parsons' disappointment, she refused to have an abortion. Parsons bought the International Submarine Band a house in LA to rehearse in, and moved in separately with Nancy. The group started playing all the hottest clubs around LA, supporting bands like Love and the Peanut Butter Conspiracy, but they weren't sounding great, partly because Parsons was more interested in hanging round with celebrities than rehearsing -- the rest of the band had to work for a living, and so took their live performances more seriously than he did, while he was spending time catching up with his old folk friends like John Phillips and Fred Neil, as well as getting deeper into drugs and, like seemingly every musician in 1967, Scientology, though he only dabbled in the latter. The group were also, though, starting to split along musical lines. Dunlop and Gauvin wanted to play R&B and garage rock, while Parsons and Nuese wanted to play country music. And there was a third issue -- which record label should they go with? There were two labels interested in them, neither of them particularly appealing. The offer that Dunlop in particular wanted to go with was from, of all people, Jay Ward Records: [Excerpt: A Salute to Moosylvania] Jay Ward was the producer and writer of Rocky & Bullwinkle, Peabody & Sherman, Dudley Do-Right and other cartoons, and had set up a record company, which as far as I've been able to tell had only released one record, and that five years earlier (we just heard a snippet of it). But in the mid-sixties several cartoon companies were getting into the record business -- we'll hear more about that when we get to song 186 -- and Ward's company apparently wanted to sign the International Submarine Band, and were basically offering to throw money at them. Parsons, on the other hand, wanted to go with Lee Hazlewood International. This was a new label set up by someone we've only talked about in passing, but who was very influential on the LA music scene, Lee Hazlewood. Hazlewood had got his start producing country hits like Sanford Clark's "The Fool": [Excerpt: Sanford Clark, "The Fool"] He'd then moved on to collaborating with Lester Sill, producing a series of hits for Duane Eddy, whose unique guitar sound Hazlewood helped come up with: [Excerpt: Duane Eddy, "Rebel Rouser"] After splitting off from Sill, who had gone off to work with Phil Spector, who had been learning some production techniques from Hazlewood, Hazlewood had gone to work for Reprise records, where he had a career in a rather odd niche, producing hit records for the children of Rat Pack stars. He'd produced Dino, Desi, and Billy, who consisted of future Beach Boys sideman Billy Hinsche plus Desi Arnaz Jr and Dean Martin Jr: [Excerpt: Dino, Desi, and Billy, "I'm a Fool"] He'd also produced Dean Martin's daughter Deana: [Excerpt: Deana Martin, "Baby I See You"] and rather more successfully he'd written and produced a series of hits for Nancy Sinatra, starting with "These Boots are Made for Walkin'": [Excerpt: Nancy Sinatra, "These Boots are Made for Walkin'"] Hazlewood had also moved into singing himself. He'd released a few tracks on his own, but his career as a performer hadn't really kicked into gear until he'd started writing duets for Nancy Sinatra. She apparently fell in love with his demos and insisted on having him sing them with her in the studio, and so the two made a series of collaborations like the magnificently bizarre "Some Velvet Morning": [Excerpt: Lee Hazlewood and Nancy Sinatra, "Some Velvet Morning"] Hazlewood is now considered something of a cult artist, thanks largely to a string of magnificent orchestral country-pop solo albums he recorded, but at this point he was one of the hottest people in the music industry. He wasn't offering to produce the International Submarine Band himself -- that was going to be his partner, Suzi Jane Hokom -- but Parsons thought it was better to sign for less money to a label that was run by someone with a decade-long string of massive hit records than for more money to a label that had put out one record about a cartoon moose. So the group split up. Dunlop and Gauvin went off to form another band, with Barry Tashian -- and legend has it that one of the first times Gram Parsons visited the Byrds in the studio, he mentioned the name of that band, The Flying Burrito Brothers, and that was the inspiration for the Byrds titling their album The Notorious Byrd Brothers. Parsons and Nuese, on the other hand, formed a new lineup of The International Submarine Band, with bass player Chris Ethridge, drummer John Corneal, who Parsons had first played with in The Legends, and guitarist Bob Buchanan, a former member of the New Christy Minstrels who Parsons had been performing with as a duo after they'd met through Fred Neil. The International Submarine Band recorded an album, Safe At Home, which is now often called the first country-rock album -- though as we've said so often, there's no first anything. That album was a mixture of cover versions of songs by people like Johnny Cash and Merle Haggard: [Excerpt: The International Submarine Band, "I Must Be Somebody Else You've Known"] And Parsons originals, like "Do You Know How It Feels To Be Lonesome?", which he cowrote with Barry Goldberg of the Electric Flag: [Excerpt: The International Submarine Band, "Do You Know How It Feels To Be Lonesome?"] But the recording didn't go smoothly. In particular, Corneal realised he'd been hoodwinked. Parsons had told him, when persuading him to move West, that he'd be able to sing on the record and that some of his songs would be used. But while the record was credited to The International Submarine Band, everyone involved agrees that it was actually a Gram Parsons solo album by any other name -- he was in charge, he wouldn't let other members' songs on the record, and he didn't let Corneal sing as he'd promised. And then, before the album could be released, he was off. The Byrds wanted a jazz keyboard player, and Parsons could fake being one long enough to get the gig. The Byrds had got rid of one rich kid with a giant ego who wanted to take control of everything and thought his undeniable talent excused his attempts at dominating the group, and replaced him with another one -- who also happened to be signed to another record label. We'll see how well that worked out for them in two weeks' time.  

Hey Guys! So I am back with another free version of this podcast. So I have been telling some people (friends and people I meet on social media) about my podcast (specifically my young friends around my age) and I truly hope you'll spread the word amongst people your age about this podcast, because that is what this show is for. I have said that since episode one of me doing this podcast 6 years ago that this podcast is designed to educate younger millennials about 60's music & the history behind it and I will continue to say that from here on out. I also think there are tons of millennials who are fans of this stuff & are hungry to learn more about this quite amazing music from the 60's, and this podcast is designed to fill that void for them. but anyways, this episode goes into the history behind the last song & artist I talked about on my podcast & I also go into specifics as to which studio musicians played on his records & which studios his songs were recorded in. here's the link to the last song I talked about just in case you wanted to listen to it: https://www.youtube.com/watch?v=zfCXW7V4K4s&list=PL66sgq_GAmRcXy8yKZJfVmAD14 HUYj7Nf&index=159 You can also follow me & reach out to me on Instagram & Tik Tok right here: https://www.instagram.com/iheartoldies/ https://www.tiktok.com/@iheartoldies PLEASE do also check out the premium subscription version of my podcast. to those who are new to my podcast, all of my new interview episodes are going on this private premium subscription version of my podcast. I also FINALLY got a new logo done that is specific to the premium subscription version of my podcast. if you want to see what that new logo looks like, please do click on my latest Instagram story. But please do sign up for this so that way you don't miss out on any of these new interview episodes. to get a taste for this version of my podcast, please scroll through past episodes from 2021 and before to hear some old interview episodes to get a feel for this version of my podcast: https://themillennialthrowbackmachine.supercast.com/ also PLEASE do check out the official Spotify & Youtube playlists for this podcast. if you are new to my show, I don't play ANY music on my podcast so this is where you will hear all of the songs I have talked about on my podcast. & I constantly update these playlists whenever I talk about new songs. please listen to these playlists if you want to hear the songs I have talked about on my podcast: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj?si=df3a51aad0c44748 https://www.youtube.com/watch?v=zfCXW7V4K4s&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7Nf&index=159 also please do check out my official Redbubble Merch store for this podcast. FINALLY new merch is coming for this podcast. I pretty much have the final logo selected for the merch for the premium subscription version of this podcast. but in the meantime, please do check out this store & do buy something from it if you feel so inclined to do so: https://www.redbubble.com/shop/ap/36806158 also do check out my last EP. I really do love these songs & please send them to younger peeps that you think might enjoy them. here's the link right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things If you found out some GREAT behind the scenes facts from the last artist & song I have talked about on my podcast & you have never heard of him before & your a millennial/Gen Z, please email me at samltwilli@icloud.com, you can also follow me & reach out to me on Instagram & Tik Tok @iheartoldies. thanks guys for hanging with me. I may not put out as many of these free episodes as much anymore, but maybe I will if I see an increase of listenership from Millennial/Gen Z peeps. I just might put out more episodes. we shall see. in the meantime, I hope you guys are doing well & I hope to talk to you soon.

Welcome to the Instant Trivia podcast episode 1083, where we ask the best trivia on the Internet. Round 1. Category: Greek Letter Homophones 1: One way to propel a boat. row. 2: Feline vocalization. mew. 3: More advanced, or recently created. new. 4: A trademark brand of format for VCR tape. Beta. 5: Lao-Tzu's ultimate principle of the universe. Tao. Round 2. Category: Pup Fiction 1: Dodie Smith wrote this "numerical" story, the basis for 3 Disney feature films. 101 Dalmatians. 2: This iconic canine made her bow wow in a 1938 Saturday Evening Post story. Lassie. 3: This Yiddish author wrote "Rabchik, a Jewish Dog", or as we like to call it, "Piddler on the Rug". Sholom Aleichem. 4: "Savage Sam" is the sequel to this Newbery medal-winning sob story, later a Disney film (Sam's his son). Old Yeller. 5: Argos is the faithful dog who recognizes his long-lost master in this ancient Greek work. the Odyssey. Round 3. Category: The Fabric Of Life 1: If someone intends to tan your hide, he's going to turn it into this fabric. leather. 2: This fabric that's on the tips of markers is also used in blackboard erasers. felt. 3: Cobweb is a type of this fabric known for its open, networked quality. lace. 4: Used with other fibers like nylon, this 5-letter fiber makes swimwear fabric stretchy. Lycra. 5: Harris is a trademarked type of this rough fabric used in sport coats. (Harris) tweed. Round 4. Category: Aussie Slang 1: Jumbuck is an Aussie term for this animal, of which there are a lot Down Under. sheep. 2: When you throw a shrimp here, make sure it's not the doll. a barbie. 3: To earn a living is to "make a" this (minus the pro quo). a quid. 4: A stubby is a small bottle of this; cheers!. beer. 5: Tommy Roe might know that this "Sweet Little" name is Aussie slang for a girl or woman. Sheila. Round 5. Category: Literary Literary Characters 1: Stephen Daedalus is the writer hero of this Joycean "Portrait". Portrait of the Artist as a Young Man. 2: Philip Jose Farmer wrote a novel under the name of this sci-fi writer invented by Kurt Vonnegut. Kilgore Trout. 3: In this Russian-American's "Pale Fire", John Shade is the late author of a 999-line poem. Vladimir Nabokov. 4: He's Philip Roth's novelist alter ego in books like him "Unbound". Zuckerman. 5: Writer Philip Quarles in "Point Counter Point" is a self-portrait by this author. Aldous Huxley. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Hey Guys! Happy New Year! once again, my apologies again for the delay with dropping a new episode of my podcast, the beginning of this year was kind of a doozy for me. I spent the first week of the year sick/under the weather & then my soon to be 2 year old niece was at my studio for a while, and when she is there, it's difficult to record any music or podcasts because she is very loud. but I finally got around to recording a new episode for you guys, and I also have been very busy doing interviews for the premium subscription version of this podcast, and now that I have two dogs at my studio, when i'm home alone I have to keep an eye on one of them so it's hard to just go into my room & record my podcast sometimes. But I thought I would kick the year off with a very cool winter song that you may not be familiar with. A pretty underrated one I might add. I love this one & I hope you like it too. here's the link to it right here: https://www.youtube.com/watch?v=zfCXW7V4K4s Please do follow me & reach out to me On Instagram & Tik Tok right here: https://www.instagram.com/iheartoldies/ https://tiktok.com/iheartoldies would absolutely LOVE IT if you guys could subscribe to the premium subscription version of my podcast. I'm telling you I am offering something quite unique here. You just won't find anything like this anywhere else. consider this like a streaming service like Netflix or HBO, except that it's all about 60's rock & roll history. so there is really a true value with this subscription & that is what I am offering to you. here's where you can access it: https://themillennialthrowbackmachine.supercast.com/ also PLEASE do check out the official Spotify & Youtube playlists for this podcast. here you'll be able to find all of the songs I have talked about on my podcast including some of the ones that I have talked about on my podcast including some of the ones that I have mentioned in old interview episodes of my podcast from before I started doing the premium interviews. this is how you can keep track of all of the songs I talk about on my show. here's where you can check them out right here: https://open.spotify.com/playlist/21f3uBS6kU4hUF6QAC5JMj?si=f74a9ce948434410 https://www.youtube.com/watch?v=CS1sYR7xky8&list=PL66sgq_GAmRcXy8yKZJfVmAD14HUYj7Nf also please stream my last EP guys. I'm also very excited for my next batch of songs for my next EP, but please do enjoy these songs as well. they truly encapsulate a moment in time for me. here's the link to where you can check it out right here: https://distrokid.com/hyperfollow/samlwilliams/an-old-soul-with-new--remiagined-things also would absolutely love it if you guys could check out my latest music video as well. this is such a unique song for me. it's truly one of a kind. I don't think I'll ever write another song like this one. here's the link to it right here: https://www.youtube.com/watch?v=9CPh8xWmVpY also do check out the official Redbubble Merch store for this podcast. I will get a new logo worked on for the premium subscription version of my podcast. You guys will just have to hang tight for that one. here's the link right here: https://www.redbubble.com/shop/ap/36806158 As per usual, if you liked my analysis on this week's song & you never heard it before & you have never heard this song before & your a millennial/Gen Z, definitely email me at samltwilli@icloud.com, you can also follow me on Instagram & Tik Tok @iheartoldies. Happy New Year Guys. I will try to be back here next week with another episode of this podcast, but also, please do sign up for the premium subscription version of my podcast. I would hate for you guys to miss out on all of these very cool interviews that have exclusive information on these great songs from the 60's that you won't find anywhere else. Thanks for being patient with me guys, I know it's tough for me to release these free episodes of my podcast but I certainly try to. I'll see you guys next time.

Twelve years in a row, Echo Valley has celebrated Christmas with a ton of bubblegum! Here we go again! What are the bubblegum roots of Silver Bells? Patty Duke "celebrates" the holidays! Dramatic readings of the poetry of Richard Thomas, John Boy from the Waltons, and he sings! Shirley Jones and Shaun Cassidy sing together! Plenty of cheery candy from The Archies, 1910 Fruitgum Company, The Monkees, The Brady Bunch, Bobby Goldsboro, Tommy Roe, George Gobel, Bob Hope, Marilyn Maxwell, The Hondells, The Pipsqueeks, The Trashmen, Fred Flintstone, The Rosebuds, and Owl City!

Nueva entrega del coleccionable en donde a comienzos de cada mes recordamos lo que triunfaba en las listas de éxitos de EEUU hace 60 años. Una selección de canciones de variados estilos que alcanzaron su puesto más alto en el Billboard Hot 100 en diciembre de 1963. (Foto del podcast; The Kingsmen en 1964, por Michael Odds archives)Playlist;(sintonía) THE DAVID ROCKINGHAM TRIO “Dawn” (top 62)THE KINGSMEN “Louie Louie” (top 2)THE SINGING NUN “Dominique” (top 1)MARVIN GAYE “Can I get a witness” (top 22)THE MARVELETTES “As long as I know he’s mine” (top 47)DION DIMUCCI “Drip drop” (top 6)TOMMY ROE “Everybody” (top 3)MURRY KELLUM “Long tall Texan” (top 51)THE BEACH BOYS “In my room” (top 23)THE CHIFFONS “I have a boyfriend” (top 36)DEE CLARK “Crossfire time” (top 92)THE DYNAMICS “Misery” (top 44)THE CARAVELLES “You don’t have to be a baby to cry” (top 3)THE GALENS “Baby I do love you” (top 70)SOLOMON BURKE “You’re good for me” (top 49)LITTLE JOHNNY TAYLOR “Part time love” (top 19)TOMMY HUNT “I’m a witness” (top 71)CHUCK JACKSON “Any other way” (top 81)THE ANGELS “Thank you and goodnight” (top 84)Escuchar audio

Kid Bubblegum starts to write his own original bubblegum song! Whose voice sings the songs on Scooby-Doo? As part of our dramatic reading, Bobby Sherman gives a rousing speech to a football team! Strange gum from Batman's Adam West! Plenty of gummy good stuff from The Rubettes, The Lemon Pipers, The American Breed, The Cowsills, The New Beats, Austin Roberts, Wind (with Tony Orlando), Tommy Roe, The Original Caste, The Partridge Family, Joan Holloway, Peter Lawford, The Rare Breed, Rachel Sweet and Rex Smith!

This is an Encore Presentation of the ‘60s Jamboree' episode from last April featuring seven stars of the 1960s: “Cousin Brucie” Morrow, the most famous radio disc jockey of the era; Gary Lewis of Gary Lewis and the Playboys (“This Diamond Ring”, “She's Just My Style”); Gary Puckett of the Union Gap (“Woman Woman”, “Young Girl”), Joey Dee (“The Peppermint Twist”), Tommy Roe (“Sheila”, “Dizzy”), Mark Stein of the Vanilla Fudge (“You Keep Me Hangin On”), and George Bunnell of the Strawberry Alarm Clock (“Incense and Peppermints”).---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“IT'S ALIVE!” is Robert's new Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

When people think of Joe South, they generally think first of Games People Play, one of the most successful protest-related songs of the late 1960s, with its distinctive electric sitar accompaniment, played by the singer and composer himself, and a bitingly prescient lyric directed at pseudo-hippy types who "while away the hours / In their ivory towers / Till they're covered up with flowers / In the back of a black limousine."South, who has died aged 72 of heart failure, won a Grammy for that million-seller and went on to write many other fine songs, including Walk a Mile in My Shoes, Down in the Boondocks, Hush and (I Never Promised You a) Rose Garden.A member, like Eddie Hinton, Dan Penn and Troy Seals, of a generation of US southern white boys who grew up listening to rhythm and blues, South was a fine guitarist who became a popular session man, performing on a series of important records, starting with Sheila, a hit in 1962 for Tommy Roe, a fellow native of Atlanta, Georgia. In 1966 he played bass guitar on much of Bob Dylan's album Blonde on Blonde, and the following year he created the shivering, menacing bottom-string guitar licks that opened and underpinned Aretha Franklin's classic Chain of Fools.It is South's playing that gives a clue to the spontaneity of the Blonde on Blonde sessions, which often lasted late into the night. The musicians were obliged to follow Dylan wherever his songs led, resulting in the occasional mistakes and missed changes – as when South fails to spot Dylan's chord shift in the second verse of Visions of Johanna, taking half a bar to adjust under the line about the nightwatchman clicking his flashlight.South was born Joseph Souter and was given a guitar by his father at the age of 11. He built a small radio station on which he played his own songs and had modified his name when, still in his teens, he had his first minor hit in 1958 with The Purple People Eater Meets the Witch Doctor, co-written with the Big Bopper (JP Richardson) to capitalise on current novelty hits. The following year Gene Vincent recorded two of his songs, I Might Have Known and Gone Gone Gone.He had made a successful career as a session musician in Muscle Shoals and Nashville when Games People Play brought him to international attention. Its title borrowed from a successful book on transactional analysis by the psychiatrist Eric Berne, the song took an unusual approach to the social tensions of the day, more oblique and unpredictable than other Dylan-influenced protest songs which topped the charts. But when it won a Grammy for best song of 1969, his problems began."The Grammy is a little like a crown," he told Robert Hilburn of the Los Angeles Times. "After you win it, you feel like you have to defend it. In a sense, I froze. I found it hard to go back into the recording studio because I was afraid the next song wouldn't be perfect."None of South's subsequent records made the top 20, but Walk a Mile in My Shoes was recorded by Elvis Presley (and later by Bryan Ferry and Coldcut), Hush took the British progressive rock band Deep Purple into the top 5 in the US and Canada in 1968, and the lilting Rose Garden gave the country singer Lynn Anderson a worldwide hit in 1971. He also produced records by the singer Sandy Posey and the folk-rock duo Friend and Lover.

Recording From '75 Found In Closet, Record Company Releases As A Single#newmusic #thelimits #boxtops #hermanshermits #ricklevy #flowerpower #60smusic #theletter #rachel #record #musician #guitarist Luxury Records (distributed by Cleopatra Records) is very pleased and proud to announce the release of perhaps the most special and significant song from THE LIMITS called “Rachel.” Perennial popmeisters, THE LIMITS have gained a worldwide cult following with their original songs filled with brilliant hooks, jangle guitars, and clean tight production.Written in 1975 by Limits leader RICK LEVY, “Rachel” is the true story of the loss of a baby girl at birth by Rick and his then wife. The song was long forgotten until Limits co-founder Rook Jones, found some demo singles, and sent them to Levy. After sending to Cleopatra Records (the Limits label), President Brian Perera immediately asked to release the song because of how hauntingly beautiful and powerful it is. Cleopatra will also feature Rachel on their Tracks of the Week promotions.RICK LEVY is currently manager, guitarist/vocalist with Memphis Music Hall of Fame artists THE BOX TOPS. He has also been bandleader/tour manager for Tommy Roe, Hermans Hermits starring Peter Noone, Jay & the Techniques and more. In 2018, Crossroad Press released Rick's memoir, “High in the Mid 60s.” It can be ordered from: Website: http://www.ricklevy.comTo purchase The Limits “Rachel” single: https://orcd.co/6avb8pkFacebook: https://www.facebook.com/rick.levy.75The Limits fanpage: http://www.facebook.com/groups/533610423393062https://www.facebook.com/groups/1493893264090763Thanks for tuning in, please be sure to click that subscribe button and give this a thumbs up!!Email: thevibesbroadcast@gmail.comInstagram: https://www.instagram.com/listen_to_the_vibes_/Facebook: https://www.facebook.com/thevibesbroadcastnetworkLinktree: https://linktr.ee/the_vibes_broadcastTikTok: https://vm.tiktok.com/ZMeuTVRv2/Twitter: https://twitter.com/TheVibesBrdcstTruth: https://truthsocial.com/@KoyoteFor all our social media and other links, go to: Linktree: https://linktr.ee/the_vibes_broadcastPlease subscribe, like, and share!

Tommy Roe was in junior high, chasing a girl named Freda. He wrote a poem called Sweet Little Freda. After he learned to play guitar, he changed the name of the song to Sweet Little Sheila. He started a high school band named The Satins. They played after the high school basketball games, at sock hops. (all to protect the gym floor)Hear about Tommy's idols Buddy Holly, Chuck Berry, Carl Perkins and Elvis. He loved rockabilly. The Satins covered all of Buddy's songs. Jerry Allison, Buddy's drummer, later became Tommy's good friend.Listen to Tommy's favorite collaborations. He talks about Freddy Weller who eventually got in the group with Paul Revere and the Raiders. While on tour together, they co-wrote Dizzy. They were like brothers, both from the South, and wrote many successful songs. The most enjoyable part of this show is hearing sbout Tommy Roe's enduring musical career. "Use your God given talents and gifts."

This episode is bigger than bubblegum! We chew on Tommy Roe's 1966 hit, "Sweet Pea" and we find it both delicious and diatonic (2:19). It has that wicked drum break, but the jangly guitar and bright organ also make the song POP! The second stick comes from Mexico's great girl garagers, Las Chic's (40:16). This is one of them refritos which we talked about long ago ... they make a cute song even cuter, and Weldon thinks they sound a bit like Shonen Knife or Trixie's Big Red Motorbike. Manfred Mann literally turn the song into a jazzy jingle for candy in 1967 (1:00:08). Don't get into the van with this band, kiddos, you'll know when you hear Klaus Voorman deliver the "lyrics" to the song!! Do bubblegum music and acid mix? You bet it does, when Friar Tuck & his Psychedelic Guitar gets his sticky hands on Tommy's tune (1:15:47). This song is, in effect, Mike Deasy "playing with himself," since he was the guitar player on the original, and he overdubs some wild wailing on it. We empty the pack with a track from the Golden Year of 1989 - lots of hip-hop heads sampled the famous drum break, but DJ Chuck Chillout and Kool Chip's "I'm Large"  added the iconic Vic Flick "James Bond" riff to boost the boom-box bravado (1:36:43) ! Come on and dance with us!!!!

Reabrimos las puertas de ese club subterráneo para ofrecerte una sesión sin palabras ni interrupciones. Todo el material que escucharás procede de los recopilatorios Big Balls que cada año compila el DJ Francho para regalarlos en cada edición del festival Rockin Race Jamboree. Playlist; (sintonía) LOS SIETE DE JOHN BARRY "La amenaza" FATS DOMINO "Estoy viviendo bien" ROSCO GORDON "Seguramente te amo" LLOYD PRICE "El pollo y el bop" BROOK BENTON "Hurtin' inside" PAUL ANKA "Uh Uh" JOHNNY RIVERS "Foolkiller" LOS TOKENS "A-B-C- 1-2-3" DELL MACK "No se puede juzgar un libro por la portada PEREZ PRADO "El giro de hava nagila" LOS CHICOS DE PELUCHE "Jezabel" KIP TYLER "Jungle hop" LOS SEIS PASTEL "No puedo bailar" JIMMY FAUTHEREE "No puedo encontrar el pomo de la puerta" COLLAY y LOS SATÉLITES "Chica de al lado" WALLY DEANE y HIS FLIPS "Drag on" BIG SUNNY y HIS FURYS "Fail" EDDIE KANE "Un nuevo tipo de amor" TOMMY ROE "Oh Carol" LOS CASUALS "Mustang 2+2" DON y DEWEY "Just a little lovin'" RAY y LINDY "Big Betty" THE AVENGERS "Tema de Batman" EDDIE BOND "Aquí viene el tren" SONIDOS INCORPORADOS "Rinky dink" RICHARD BERRY "Rock rock rock" Escuchar audio

In Episode Twelve of Through These Doors: A FAME Studios Podcast, Rodney Hall sits down with pop legend Tommy Roe. Listen in as they discuss Roe's unique journey in popular music, crafting unforgettable pop anthems, navigating the turbulent seas of Beatlemania, and his memorable times recording at FAME. Stay tuned as the man behind "Dizzy" recounts his twists (turns) and shouts on the rollercoaster ride that is the music industry. Let's get it on!

Our guest this week is Tommy Roe. "Dizzy", "Everybody", "Sweet Pea", "Sheila"....all of these songs were massive hits in the '60's. Meeting and being able to visit with Tommy Roe was an unbelievable experience. This guy is in three Rock 'n Roll Hall of Fames (Rockabilly, Georgia and Iowa) and "Dizzy" was most recently declared #91 in the top 100 songs of all time by USA today! This is a great winding tale and just sit back and enjoy this awesome visit with the Tommy where we hear about having the Beatles open for him and Chris Montez in 1962 when they were just starting out and how THAT went. Great stories about dealing with the "Bubblegum" moniker and all that fun stuff.

Welcome to our ‘60s Jamboree! We assembled an incredible group of 1960s stars and had them all talk together in a very special episode. Nothing like this has ever been done before in podcasts! The stars are:“Cousin Brucie” - America's most famous radio personality who ruled the AM airways in the 1960s as the star of WABC in NYC.Gary Lewis - of Gary Lewis and the Playboys. Gary and his band had 7 consecutive top 10 hits starting with “The Diamond Ring”.Gary Puckett - of Gary Puckett and the Union Gap. Gary and his group hit the top of the charts with “Woman Woman”, “Younger Girl” and a bunch of other hits.Tommy Roe - known as the Father of Bubblegum. He hit #1 with “Sheila” and “Dizzy” and had a slew of other hits as well.Joey Dee - of Joey Dee and the Starlighters. Joey had a massive international hit with “The Peppermint Twist”.George Bunnell - of the Strawberry Alarm Clock, which had a #1 hit with “Insence And Peppermints”.Mark Stein - of the Vanilla Fudge. They took the Supremes' hit, “You Keep Me Hangin' On”, slowed it down, psychedelicized it, and hit the top of the charts.Listen as they talk about the ‘60s and their famous careers!—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here.LIVE AT STEELSTACKS is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.ALL OF THE TIME is Robert's recent single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.THE SHAKESPEARE CONCERT is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. THE FALL OF WINTER is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.com Listen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyApple Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

In addition to performing with the Box Tops our guest Rick Levy has walked the path of the famous without becoming famous himself. He even wrote a book about it. He's been a tour manager, manager, musical director, and performer with many many artists like Peter Noone, Tommy Roe, the Box Tops, and Jay and the Techniques among others. Hope you enjoy our ramblings!!

Nuevo viaje en el tiempo en busca de aquellas maravillosas canciones de distintos pelajes que dieron forma a la música popular de la primera mitad de los años 60. Playlist; (sintonía) THE VENTURES “Loco-Motion” LITTLE EVA “Lets turkey trot” DEE DEE SHARP “Breaking up is hard to do” NEIL SEDAKA “Little devil” THE SHIRELLES “Foolish little girl” HUGO MONTENEGRO and ORCHESTRA “Peter Gunn” DUANE EDDY “Dance with the guitar man” THE ASTRONAUTS “Baja” CLIFF RICHARD “Willie and the hand jive” JOHNNY OTIS “Mumbli’ mosie” BO DIDDLEY “Pills” BOB THOMPSON “Joie de vivre” JOE BROWN “Just like that” MISS X “Christine” BARRY McGUIRE “Greenback dollar” THE KINGSTON TRIO “You’re gonna miss me” ODETTA “Baby I’m in the mood” TOMMY ROE “Blue ghost” JENNY MOSS “Please don’t say goodbye” Escuchar audio

The Classics IV featuring Dennis Yost a enjoyed two more top-10 hits, "Stormy" (1968, Hot 100 No. 5) and "Traces" (1969, Hot 100 No. 2, Easy Listening No. 2), the latter of which Emory Gordy also co-wrote. Cobb and Buie borrowed heavily from 1936's "Every Day with Jesus" by Robert C. and Wendell P. Loveless to pen the top 20 follow-up "Every Day With You Girl" (1969, Hot 100 No. 19, Easy Listening No. 12). "Spooky," "Stormy," and "Traces" each sold more than one million units, and all were awarded gold discs by the R.I.A.A. Those three hits plus "Every Day With You Girl" also appeared in the 1977 film The Chicken Chronicles. In 1970, Cobb, Buie and Daughtry formed what would become Atlanta Rhythm Section with Candymen drummer Robert Nix. However, the former two remained active as writers and producers for the band.[5] After recovering from a car accident suffered in May 1969, Eaton left the band and later on became an electronics expert, working for Unisys. 1970–1975: Later years With Yost as the remaining original member, the group changed its name again to Dennis Yost and the Classics IV. After Imperial was absorbed into United Artists Records, the group signed with MGM South. In 1971 after working for other Lowery artists Tommy Roe and the Swingin' Medallions, Michael Huey became the drummer. During this period Huey also became the staff drummer for Lowery Studios and later moved to Los Angeles. The band's subsequent releases were less successful, despite the final top 40 hit, "What Am I Crying For?" which peaked at No. 39 in 1972. By this time, the partnership between Cochran and Buie ended. After the release of "My First Day Without Her" in 1975, Yost disbanded the group and returned to Florida. 1975–2001: After Classics IV In 1977, Yost returned to performing on the Holiday Inn circuit, this time simply under his own name or "The Classic One." (He lost the rights to the Classics IV name.) The same year, Eaton got a job on Jacksonville's computer system in 1977 and later on worked for the City Hall. He is currently a professor at Florida Community College. During the mid 70s to early 80s, the Atlanta Rhythm Section scored a number of Top 40 hits, notably "Doraville", "So in to You", "Imaginary Lover", "I'm Not Gonna Let It Bother Me Tonight", "Do It or Die", and their rendition of "Spooky". During the 1990s, Yost used many backup bands including Steve "Stevie G" Guettler (guitar, vocals), Jeff "JT" Strickler (bass guitar, vocals), Steve Farrell (guitar, vocals), Mike Wilson (keyboards, vocals), and Wes Armstrong (drums, vocals) of the Atlanta-based group The Rockerz. He also used Nashville-based Steve Jarrell and The Sons of the Beach Band, as well as the Hitts out of Virginia Beach, Virginia, with Ed Hutchison (guitar, backing vocals), Ramon Gonzalez (keyboards, backing vocals), Andy Crosswell (drums), and David Voss. Other incarnations included Toledo musicians Danny Joe Greenburg on Bass, and Sid Siddall on drums. Nashville bassist Louie Meek also did a stint with the band. In 1993, Classics IV was inducted into the Georgia Music Hall of Fame. 2001–2006: Reformation In 2001, Yost underwent successful throat surgery for a condition that had severely impaired his singing voice. Later on, he started touring under the Classics IV name, which he gained the rights to. 2006–2008: Death of Yost On July 11, 2006, Yost fell down a flight of stairs and suffered serious brain trauma. To assist Yost and his wife with their medical bills, a benefit concert was held on March 25, 2007, at Rhino's Live in Cincinnati, Ohio. The concert did not significantly benefit Yost or his wife financially as hoped, as expenses far exceeded the money raised, leaving the event in the red. After the accident, Tom Garrett was chosen by Yost to replace him as lead singer. The plan was for Yost to make a few yearly "special appearances", and gradually have Garrett take over as the leader of the band. However, Yost was able to perform with them for only one appearance in 2008. Yost died at age of 65 from respiratory failure on December 7, 2008, the 40th anniversary of the entrance of "Stormy" into the Hot 100's top 10. 2008-present: Post-Yost The current line-up of Classics IV consists of Tom Garrett as lead vocalist, Kevin Lloyd on bass, James Yoder on keyboards, Paul Weddle on saxophone, John Kerner on guitar, and Shawn White on drums. The group regularly tours to this day.

  Tommy Roe is best-remembered for his hits "Sheila" (1962) and "Dizzy" (1969), Roe was "widely perceived as one of the archetypal bubblegum artists of the late 1960s, but cut some pretty decent rockers along the way, especially early in his career," He has lived the life as one of the great vocal artists of the 60's & 70's - The Golden Era of Rock ‘n Roll!

Tommy Roe has been called the Father of Bubblegum rock. In the 1960s he had 27 Top 100 hits including 6 in the Top 10, with “Sheila” and “Dizzy” reaching #1. A string of additional hits followed including “Everybody”, “Sweet Pea”, "Hooray For Hazel” and “Jam Up And Jelly Tight”. He toured with the Beatles and in Dick Clark's revue, and he was on TV shows like “Where The Action Is”, “Hullabaloo” and “Green Acres”. My featured song is “Hey Jake” from the album East Side Sessions by my band, Project Grand Slam. Spotify link.—--------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Recent Chartable Rankings (Top 5,000 podcasts in 20 countries):#1 USA Education: Trending#2 USA Music: Trending#5 Global Music: Trending#12 USA All Podcasts; Trending#35 Global All Podcasts: TrendingFor more information and other episodes of The Follow Your Dream Podcast click here. “Dream With Robert”. Click here.If you enjoyed the show please Subscribe. To Rate and Review click here.—----------------------------------------Tommy and I discuss the following:1963 UK tour with The BeatlesTrying to get the Beatles signed to ABC RecordsWriting “Sheila” and recording it in one takeDemo for the McCoysDick Clark toursWhere The Action Is - Freddie Cannon songHis new album “From Here To Here”Songfest:“Sheila” "Everybody"“Dizzy”“Sweet Pea”Hooray For HazelJam Up And Jelly Tight“BOBBY M AND THE PAISLEY PARADE” is Robert's new album. Featuring 10 songs and guest appearances by John Helliwell (Supertramp), Tony Carey (Rainbow) and international sitar sensation Deobrat Mishra. Produced by Tony Carey. Called "ALBUM OF THE YEAR!" by Indie Shark and “One of the great rock sets of the year!” by Big Celebrity Buzz. "Catchy and engaging with great tunes!" - Steve Hackett (Genesis)"This album has life and soul!" - John Helliwell (Supertramp)"Bobby M rocks!" - Gary Puckett (Union Gap)"Nice cool bluesy album!" - Jim McCarty (The Yardbirds)"Robert really really really rocks!" - Peter Yarrow (Peter Paul & Mary)"Great songs. Great performances. It's a smash!" - David Libert (The Happenings)Click here for all streaming links. Download here. Other releases by Robert and Project Grand Slam:“LIVE AT STEELSTACKS” is the 5-song EP by Robert and his band, Project Grand Slam. The release captures the band at the top of their game and shows off the breadth, scope and sound of the band. The EP has been highly praised by musicians and reviewers alike. “Captivating!” Elliott Randall (Steely Dan) “PGS burns down the house!” Tony Carey (Rainbow)“Full of life!” Alan Hewitt (The Moody Blues) “Virtuoso musicians!” (Melody Maker) “Such a great band!” (Hollywood Digest) The album can be streamed on Spotify, Amazon, Apple and all the other streaming platforms, and can be downloaded at The PGS Store.“ALL OF THE TIME” is Robert's single by his band Project Grand Slam. It's a playful, whimsical love song that's light and airy and exudes the happiness and joy of being in love. “Pure bliss…An intimate sound with abundant melodic riches!” Melody Maker/5 Stars) “Ecstasy…One of the best all-around bands working today!” (Pop Icon/5 Stars) “Excellence…A band in full command of their powers!” (Mob York City)Watch the video here. You can stream “All Of The Time” on Spotify, Apple or any of the other streaming platforms. And you can download it here.“THE SHAKESPEARE CONCERT” is the album by Robert's band, Project Grand Slam, recorded "live" in the studio. It's been praised by Mark Farner (Grand Funk Railroad), Jim Peterik (Ides Of March), Joey Dee (Peppermint Twist), Elliott Randall (Steely Dan) and Sarah Class (British composer). Reviews: “Perfection!”, “5 Stars!”, “Thrilling!”, and “A Masterpiece!”. The album can be streamed on Spotify, Apple and all the other streaming services. You can watch the Highlight Reel HERE. And you can purchase a digital download or autographed CD of the album HERE. “THE FALL OF WINTER” is Robert's single in collaboration with legendary rocker Jim Peterik of the Ides Of March and formerly with Survivor. Also featuring renowned guitarist Elliott Randall (Steely Dan/Doobie Brothers) and keyboard ace Tony Carey (Joe Cocker/Eric Burden). “A triumph!” (The Indie Source). “Flexes Real Rock Muscle!” (Celebrity Zone). Stream it on Spotify or Apple. Watch the lyric video here. Download it here.FOLLOW YOUR DREAM HANDBOOK is Robert's Amazon #1 Bestseller. It's a combination memoir of his unique musical journey and a step by step how-to follow and succeed at your dream. Available on Amazon and wherever books are sold.  Audio production:Jimmy RavenscroftKymera Films Connect with Tommy:https://tommyroe.comConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFacebook - www.facebook.com/followyourdreampodcastEmail Robert - robert@followyourdreampodcast.comListen to the Follow Your Dream Podcast on these podcast platforms:CastBoxSpotifyAppleFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comInstagramPGS Store - www.thePGSstore.comYouTubeFacebook - www.facebook.com/projectgrandslamSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

NEW MUSIC FROM TOMMY ROE! Hello everyone and welcome to another edition of Interviewing the Legends I'm your host Ray Shasho Solar Music is pleased to announce the new album “From Here to Here” by American singer Tommy Roe. Tommy was known for chart topping hits like “Shelia” and “Dizzy” during the age of Bubble Gum Pop. While under contract, he was unable to express his own creativity, but continued to write songs. Producer Michael Franklin and Tommy started to unearth these writings in 2012.  Featuring the first single “Devil's Soul Pie” Released on Solar Music January 5th, 2023, in Digital Download and CD formats. Please welcome 60s legendary Top40 hitmaker TOMMY ROE and Producer/Composer/Performer/Entrepreneur/ MICHAEL FRANKLIN to Interviewing the Legends … PURCHASE THE LATEST RELEASE BY TOMMY ROE ‘From HERE TO HERE' Produced by Michael Franklin AT www.solarmusic.com   ALSO PURCHASE TOMMY ROE'S AUTOBIOGRAPHY FROM CABBAGETOWN TO TISELTOWN AND PLACE IN BETWEEN At amazon.com In his book, Roe correlates his journey to Hollywood with the historical events of that time period that were changing and shaping America and, in turn, the music industry. In this autobiography, Roe doesn't hold back. He uses his down-home humor and unique perspective to share about his years and experiences both inside and outside of music. Roe's autobiography, originally published in 2016, co-written with Michael Robert Krikorian FOR MORE INFORMATION ABOUT TOMMY ROE AND MICHAEL FRANKLIN VISIT www.tommyroe.com Tommy Roe official site www.conventionmusic.com Michael Franklin Official www.solarmusic.com Solar Music About Solar Studios HOME TO The Industry's Top Music Producers, Musicians, and Engineers Solar Studio recognized with several Grammy Nominations, Addy Awards, Goldmine Awards, IMusic Nominations. We work with artists from all genres in the music industry, as well as Animation, Film, Television, and Corporate Media. info@solarmusic.com   TOMMY ROE DISCOGRAPHY Discography     Sheila (1962)     Everybody Likes Tommy Roe (1963)     Something for Everybody (1964)     Sweet Pea (1966)     Phantasy (1967)     It's Now Winter's Day (1967)     Heather Honey (1969)     Dizzy (1969)     We Can Make Music (1970)     Beginnings (1971)     Energy (1976)     Full Bloom (1977)     Devil's Soul Pie (2012)     Confectioner's (2017) From Here to Here (2023)   MICHAEL FRANKLIN Discography Artist          Title    Year The Movement   Left Silently 1968 Michael Franklin   Future Star 1972 Michael Franklin   Old House 1974 Michael Franklin   Beverly Shores Massacre & other Love Songs           1978 Franklin Brothers Xmas Treeo 1981 Northern Indiana Choir   Northern Indiana Choir 1982 Michael Franklin   Rivers of The World 1982 Angie Fradocus Angie Fradocus 1982 Various Artists    Reggae Tribute    1982 Ellen Dolak   Morning Light 1983 Ellen Dolak  Jumpin Up and Down for You 1984 Ron Buffington   The Harmony is Missing 1985 Michael Franklin   Jazz Vein 1984 Lost Weekend   Lost Weekend   1984 Michael Franklin   State of the Art Christmas 1985 Tim Franklin   Honorable Quest   1986 Various Artists Legends of Rock and Roll   1987 Various Artists Rock and Roll Palace 1989 Various Artists   Rock and Roll Christmas   1990 Rick Wakeman    Classic Tracks 1992 Various Artists    Beverly Hills 91210 1992 Melanie Safka      Freedom Knows My Name   1993 Melanie Safka      Silence Is King    1993 Patrick Moraz     Windows of Time 1994 Timmy Flaherty Dream of Erin 1994 Rockin Robin Reruns 1994 Pat Travers   Halfway to Somewhere 1995 Melanie Safka Beautiful People 1995 Carl Gardner One Cool Cat 1996 Big Bopper Junior   Legacy of the Big Bopper 1997 Pat Travers Blues Tracks 2 1998 Jon Anderson   Uzlot (unreleased) 1998 Margarita Medina   Margarita 1998 Melanie Safka      Ruby Tuesday 2000 Various Artists    Black Cat Blues 2000 Rockin Robin      Live on the Radio 2001 Melanie Safka      Beautiful People 2001 Melanie Safka      Summer of Love 2003 Tommy Roe   Salute   2003 Melanie Safka      Shine On    2003 Kristie Deluca      Analyze      2004 Melanie Safka      Moments From My Life   2004 Melanie Safka      Dust In The Wind   2004 Avo Uveszian       Legacy   2004 Doctor Hook        Hookah   2005 Karyn Uvezian     Karyn   2005 Gary Puckett   Gary Puckett's Greatest Hits 2007 Gloria Gaynor      Christmas Presence   2008 Don Orilio When You Gotta Go      2012 Heather Rice   Fingers 2016 Jon Anderson 1000 Hands Chapter One 2019 Randi Paul Insight   2020 Michael and Tim Franklin     Virtual Smorgasborg    Michael and Tim Franklin     Anahata 2022 Michael Franklin   Forgotten Secrets Tim Franklin   Wow Robby Steinhart Not in Kansas Anymore 2021 Michael Winslow Jon Anderson   1000 Hands Chapter 2 Kristie Deluca   Voices in My Head   2022 Blues Image   Next Voyage   2022 Fei Peng   Curious   2022 Abigail Hunang   Chick Corea's Children's Songs 2022 Tommy Roe   From Here to Here   2023 Support us!

A New Year. The Beatles start traveling the country with headliners such as Helen Shapiro, Chris Montez an Tommy Roe. The "Please Please Me" single is released and starts its rise while Ross MacManus lead the Joe Loss Orchestra.

Label: Hall 1924Year: 1964Condition: M-Last Price: $40.00. Not currently available for sale.This amazing single is a Beatlesque foray into the style that would become known as Power Pop. What distinguishes it in particular from the Buddy Holly-influenced vocals it shares with songs like "Sheila" by Tommy Roe is that spectacular electric guitar bridge — one of the hallmarks of great Power Pop. Note: This is the best copy I've had in the store since opening in 2001, with labels that have no notable ringwear. The vinyl looks very close to Mint, and the powerful audio is pristine Mint!

His granddaughter refers to him as the Justin Bieber of the 60s. And for very good reason. He was the king of Bubblegum music, and hugely popular the world over. But TOMMY ROE didn't set out to father a whole new genre of music. He actually managed to cut some pretty decent rockers along the way too. In this week's episode Tommy tells us how he got into music in the first place, what drove him to write his first song, Sheila, as a young teenager and how he still laments the fact that the girl he wrote that song about, never knew of its existence. Tommy says he'd love to find her today, some 60 years later. Maybe you could help? Tommy also tells us about how he had to compete with the British Invasion and had to come up with catchy tunes that he knew would sell. Hence of all his other hits. At first, he resented being the king of the kids but grew to embrace it as other musicians began to copy his sound. Up next, you probably remember PETER NOONE as the lead singer and founder of that 60s English band, Herman's Hermits, but Peter is also an accomplished TV and stage actor. To my greatest surprise, Peter turned out to be one of the funniest and most uplifting guys I've had the pleasure of speaking with. I caught up with him just ahead of his 75th birthday and giggled my way through this chat. Peter jokes about how getting older has its perks. He also talks about how his band became famous, how the name came about, and about meeting Elvis. Peter talks about being 15 when he founded Herman's Hermits, at a time when so many English bands were coming up around him and what it was like in Liverpool at that time. He also tells us about what fame and fortune did to the young lads in 1965 when Herman's Hermits outsold every other band in the world. Iconic blues rock guitarist WALTER TROUT knows better than most, that no matter how fast or far a man travels, he can never truly outrun his past. Walter joins us to chat about his experience with a liver transplant, and how the life changing event affected his music. He says he can't believe he's still here because he had been in hospital eight months with brain damage. He lost 120 pounds, didn't recognise his wife or children, lost the ability to speak, and didn't have a bite of solid food for six months. Walter had to have speech therapy and re-learn how to talk. He had to re-learn how to walk but the worst for him was that he didn't know how to play the guitar anymore. He had to start over again from scratch and teach himself how to play chords and how to play scales and how to bend a note. He worked on it seven hours a day, every day for a year until he finally performed again two years later. Walter also regales us with the story of how he met his wife whilst on stage and despite his rocky start, says his life today is like a fairy tale. If you'd like to find out more head for my website www.abreathoffreshair.com.au Connect with me through my facebook page https://www.facebook.com/SandyKayePresents or on twitter https://twitter.com/sandykpresents To learn more about Tommy Roe https://tommyroe.com/ To read about Peter Noone https://peternoone.com/ And to get more info about blues guitarist Walter Trout head for https://www.waltertrout.com/

Label: ABC 11164Year: 1969Condition: M-Last Price: $12.00. Not currently available for sale.This single's B side is further proof that Tommy Roe was so prolific and tuneful that he was able to throw away little gems like this on his singles' B sides! Really quite yummy. Note: This beautiful, Near Mint copy comes in a vintage ABC Records factory sleeve. The audio grades very close to Mint. (This scan is a representative image from our archives.)

Adam and Gina give their best wishes to Bryan as he is still out sick before Adam shares his experience being on ‘The Masked Singer'. He gets into how his avocado costume worked and his song selection including ‘Hit the Road Jack' and ‘You're So Vain'. Musician and comedian, Ray Stevens, talks to Adam about how he was discovered, playing a session for Elvis Presley and working with Dolly Parton. Finally, they all get into the works of The Coasters and Tommy Roe. PLUGS: Listen to Ray Stevens album, ‘Ain't Nothin' Funny Anymore' wherever you find music See Ray perform every Thursday and Sunday at the CabaRay Showroom in Nashville, TN See Yannis Pappas live: Detroit, MI - House of Comedy - December 1st through 3rd Jacksonville, FL - Comedy Zone - December 8th through 10nd For more dates go to: YannisPappasComedy.com Listen to Yannis Pappas' podcast, ‘LongDays with Yannis Pappas' wherever you listen to podcasts Watch Yannis Pappas special ‘Mom Love' on YouTube THANKS FOR SUPPORTING TODAY'S SPONSORS: Geico.com Stamps.com enter ADAM BlindsGalore.com, let them know we sent you SimpliSafe.com/ADAM The Jordan Harbinger Show

This week, Maya shares her latest last-minute trip to New York to see Sarah Silverman's musical, The Bedwetter, featuring lyrics penned by her late friend. It's a solo trip filled with tourist activities and big feelings including: A semi-psychic dream! 30-minute walk for a cannoli Walk across the Brooklyn Bridge! Brooklyn Flea! Rise of the American fashion designer exhibit at the Met. Enthusiastic theater patron sitting next to Maya and she gives it a pass Uncontrollable sobbing during live theater! The always important lesson: When something tastes bad…stop eating it and throw it away! Kate Bush is getting real paid for Stranger Things featuring her song Running Up That Hill! Maya admits in the past has lied to people and said she likes that song. Amy is really mad at Taika Waititi because he's upset about the use of Kate Bush's Running Up That Hill in Strangers Things. This brings us to the golden rule…don't yuck someone's yum! Then the ladies discuss Minnesota accidentally legalizing THC edibles. Amy tells her story featuring “Sweet Pea” singer Tommy Roe that involves a lasting scar. Next, Maya and Amy disagree with Rolling Stone Magazine's list of the worst songs of the 90s. And ask the question…what makes a “bad” song? Finally, Animal Report features a bi-pedal dog. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/the-spirit-of-77/message

Rep. Jason Smith has been the U.S. representative for Missouri's 8th congressional district since 2013. He will discuss the Inflation Reduction Act and how it will IMPACT Americans. Pro-life activist, Ryan Bomberger, is back on the Huckabee show to discuss the path FORWARD after the recent overturning of Roe v. Wade. Magician Craig Karges is an award-winning entertainer, a nationally recognized speaker, and an author. Don't miss his MAGICAL performance. Veteran and Purple Heart recipient, Richard Casper, OPENS UP about his organization CreatiVets. His mission is to EMPOWER wounded veterans to heal through the arts and music. Tommy Roe wrote most of the hit songs for which he is best known, such as "Dizzy" and "Sheila." He joins the Huckabee show to discuss his career, memoir, and to PERFORM his hit song "Dizzy." Learn more about your ad choices. Visit megaphone.fm/adchoices

Label: ABC 11164Year: 1969Condition: MLast Price: $12.00. Not currently available for sale.From a warehouse find, this is a new, unplayed stock copy, in its original ABC Records factory sleeve. This single's B side is further proof that Tommy Roe was so prolific and tuneful that he was able to throw away little gems like this on his singles' B sides! Really quite yummy... have a listen! Note: This beautiful copy has nearly pristine labels and vinyl, held back from a Mint grade by very light storage wear. The audio sounds pristine Mint. (This scan is a representative image from our archives.)

Former Quiet Riot Bassist CHUCK WRIGHT Calls For The End Of War In His Powerful New Single!  Hello once again everyone I'm your host Ray Shasho and welcome to another edition of Interviewing the Legends. Brought to you by The Rock Star Chronicles Series One my new book featuring over 45 intimate conversations with the greatest music legends the world will ever know. Available now at bookbay.com and amazon.com. Chuck Wright is an American bassist, songwriter, singer, music producer, and live event producer, best known as a long-time (26 years) member of the multi-platinum Heavy Metal band Quiet Riot. He originally joined Quiet Riot in 1982, playing bass on the tracks "Metal Health (Bang Your Head)" and "Don't Wanna Let You Go," as well as singing background vocals on all the tracks from the 1983 multi-platinum album Metal Health. World-renowned Bassist, Chuck Wright, who has worked alongside everyone from Alice Cooper to Slash to Greg Allman and toured the globe as a long-time member of multi-platinum rockers Quiet Riot steps into the spotlight with his first-ever solo album! The album includes contributions from 40 guest performers including members of Mr. Big, Skid Row, Tesla, Dream Theater, Janes Addiction, Asia, Jefferson Starship, acclaimed solo artists and many others. Wright exhibits a diversity and breadth of musical styles that make this one of the most unique and exciting hard rock releases of the year! Please welcome singer, songwriter, producer, and legendary Quiet Riot bassist CHUCK WRIGHT to Interviewing the Legends …   PURCHASE THE NEW ALBUM BY CHUCK WRIGHT ENTITLED SHELTERING SKY Featuring the powerful new single “Throwin' Stones” Available now at Amazon.com and Cleopatra Records   Former bassist for '80s metal heroes Quiet Riot, Chuck Wright, steps into the spotlight with his first ever solo album! The album includes contributions from a number of Wright's peers including Dream Theater keyboardist Derek Sherinian, Yngwie Malmsteen vocalist Jeff Scott Soto, Mr. Big drummer Pat Torpey, House Of Lords guitarist Lanny Cordola and more! Wright exhibits a diversity and breadth of musical styles that makes this one of the most unique and exciting hard rock releases of the year! Quote“Chuck Wright's new solo album Sheltering Sky is my pick for album of the year so far. Masterfully produced and engineered and featuring 11 distinct tracks of epic musical bliss. This melodious masterpiece will appeal to enthusiasts in all quarters.”  Ray Shasho Music Journalist, Talk Show Host, Author For more information About CHUCK WRIGHT visit www.chuckwright.com Official website www.facebook.com/ChuckWrightOfficial Facebook /www.instagram.com/chuckwrightbass Instagram https://twitter.com/chuckwrightbass Twitter https://cleorecs.com/store/shop/chuck-wrights-sheltering-sky-cd/   CHUCK WRIGHT DISCOGRAPHY With Quiet Riot Metal Health (1983) (Bass on “Metal Health” & “Don't Wanna Let You Go”) Condition Critical (1984) (Backing Vocals. Bass on Born To Rock) QR III (1986) Terrified (1993) (backing vocals) Down to the Bone (1995) Quiet Riot 10 (2014) Road Rage (2017) Hollywood Cowboys (2019) With Giuffria Giuffria (1984) Gotcha! (1985) (Original Motion Picture Gotcha! Soundtrack) With House of Lords House of Lords "debut" (1988) Sahara (1990) The Power and the Myth (2004) Live in the UK (2007) Anthology (2008) With Heaven & Earth Dig (2013) Hard to Kill (2017) -------------------------------------- Other Releases Gregg Allman - "I'm No Angel" (1987) Ted Nugent - If You Can't Lick 'Em...Lick 'Em (1988) Impellitteri - Stand in Line (1988) Ann Lewis - Meiki (1988) Kuni- Masque (1986) Nobuhiko Satoh - Turning Point (1988) Doro Pesch - Doro (1990) Rock vs. Rap - Mash-Up (1990) Sam Kinison - Leader of the Banned (1990) Bad Moon Rising - Bad Moon Rising (1991) Atsuki - Dinosaur (1991) N.W.O.B.H.M. All Stars (1991) Impellitteri - Grin and Bear It (1992) Magdalen - Revolution Mind (1993) Shack Of Peasants - Classic Blues, Vol. 1 (1993) Bad Moon Rising - Blood (1994) Blackthorne - Afterlife (1994) Magdalen - The Dirt (1995) The CMC's - All In A Day from Everyday Death Sentence (1995) Children of Zion - Reggae Worship Vol. II (1995) Pata - Raised On Rock (1995) Carol Huston - Grace (1995) Black On Blond - Wild Anticipation (1995) Chaos Is The Poetry - Chaos Is The Poetry (1996) Every Day Life - Disgruntled (1996) Magdalen - End Of Ages (1996) Murderer's Row - Murderer's Row (1996) Honey - Paradise (1997) Eyes (featuring Jeff Scott Soto) - Eyes (1998) Lanny Cordola - Salvation Medecine Show (1998) Stuart Smith - Heaven and Earth (1999) Magdalen - End Of The Ages (1999) Humanary Stew: a Tribute to Alice Cooper (1999) 28if - 28if (1999) (With Tommy Thayer of KISS) Odd Man Out - Y2K (2000) SX-10 (featuring Sen Dog and Everlast) - Mad Dog American (2000) Teddy Andreadis - Innocent Loser (2000) David Glen Eisley - Stranger from the Past (2000) Atsuki Yokozeki Project - Raid (2001) Katt Lowe and the Othersyde (2001) Luminosity (2001) Milkweed (2001) A Tribute To Blondie (various artists) (2001) Essential Metal Masters (2001) Katt Lowe - Katt Lowe and the Othersyde (2001) A Tribute To Limp Bizkit - Mutated .. Manipulated .. Translated (2002) Ephesians Project (2002) Freddy Cannon - Have A Boom Boom Christmas (2002) A Tribute To Bruce Springsteen - Made In The USA (2002) Impellitteri - Very Best of Impellitteri: Faster Than the Speed of Light (2002) Catena (2003) David Glenn Eisley - The Lost Tapes (2003) Hedeki - Drunk Punk (2003) Jeff Eaton - Wish You Were Here (2003) Kevin Gales - I Didn't Count On This (2003) Maskless (with Raven James) (2003) Paul Shortino - Sacred Place (2003) Broby - Hard to Kill (2004) Audrey Forrest (2004) Matt Sorum - Hollywood Zen (2004) Mr. Big - Greatest Hits (2004) Mr. Big - Influences and Connections (2004) Chris Catena - Freak Out (2004) Numbers of The Beast - A Tribute To Iron Maiden (2004) James Christian- Meet the Man (2004) Hollywood Rocks! (2004) (Audio companion to Hollywood Rocks: The Ultimate Guide to the 1980's Hollywood, California Rock-N-Roll Music Scene) Cypress Thrill (2004) Rock vs. Rap (2004) Michael Schenker - Heavy Hitters (2005) Bad Moon Rising - Full Moon Collection (2005) Odd Man Out - Greatest Hits (2005) Stephen Pearcy - Stripped (2006) Travers and Appice - Bazooka (2006) Can You Rock? Sing and Play the Songs of [Led Zeppelin (2006) A Tribute to Thin Lizzy (2006) Pat Travers - Superstition (2006) Out of Ruin - What I Can't See (2007) Southern Rock Tribute to Gretchen Wilson (2007) Chris Catena - Booze, Brawds and Rockin Hard (2007) Saints of the Underground (w/ Jani Lane)- Love the Sin, Hate the Sinner (2008) Adrian Gaylsh - Earth Tones (2008) Northern Light Orchestra - Spirit of Christmas (2009) I Feel Free: Eric Clapton Salute (2009) Northern Light Orchestra - Celebrate Christmas (2010) KUNI - Kuni Rock (2011) Keep Calm And Salute Queen (2015) Northern Light Orchestra - Star of the East (2017) Bob Kulick - Skeletons in the Closet (2017) David Glen Eisley & Craig Goldy - Blood Guts & Games (2017) Chris Catena's Rock City Tribe - Truth in Unity (2020) Chuck Wright's Sheltering Sky - (2022)     Order now while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE  …Order yours today on (Collector edition) Hardcover  or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS   Support us!

Adrian Belew is a legendary guitarist well-known for his diverse travels around the musical map. He is a multi-instrumentalist whose solo records are critically acclaimed. His moving singing voice and prolific songwriting has endeared a loyal fan base of music lovers. His music is being discovered everyday by more and more listeners thirsty for great music with a creative standard not often pushed by the commercial music industry. Adrian has signed with Bliss Entertainment, distributed exclusively by Ingrooves Music Group. “Elevator” will be the first Adrian Belew solo recording released through streaming. Adrian and management chose the Ingrooves Music Group channel based on the Ingrooves technology and the Universal global distribution channel. As with all artists, the optimization of music sales revenue is key to picking their distribution and marketing partners. The first single “a13” is now available! Elevator will feature 12 brand new Belew compositions, all completely written, performed and produced by Belew and which cover ballads to art rock to avant-pop music. It will also feature 38 of Adrian's recent digital paintings as well as the lyrics to the songs.   WATCH FOR THE RELEASE  OF THE BRAND-NEW ALBUM  BY ADRIAN BELEW Entitled ELEVATOR The New single A13 IS OUT NOW! Adrian Belew is the world's greatest experimental whammy twang bar, czar rhino and stunt guitarist extraordinaire. With a resume that features some of the biggest names in music including David Bowie, Nine Inch Nails, King Crimson, Talking Heads, Paul Simon and Tori Amos, Adrian is famous for pushing the boundaries of the guitar in both technical and tonal exploration. ALSO PURCHASE POP SIDED BY ADRIAN BELEW At https://adrianbelew.net/   FOR MORE INFORMATION  ABOUT ADRIAN BELEW Visit https://adrianbelew.net/ Official website https://adrianbelew.net/news/facebook/ Facebook https://twitter.com/theadrianbelew Twitter   ADRIAN BELEW 2022 ELEVATOR TOUR 07.13.22 St. Paul, MN – Turf Club 07.14.22 Milwaukee, WI – Shank Hall 07.15.22 St. Charles, IL – Arcada Theatre 07.16.22 Indianapolis, IN – Hi-Fi Annex 07.18.22 Chicago, IL – City Winery 07.19.22 Chicago, IL – City Winery 07.21.22 Cincinnati, OH – The Ludlow Garage 07.22.22 Cleveland, OH – Rock & Roll Hall of Fame 07.23.22 Ferndale, MI – Magic Bag 07.24.22 Oakmont, PA – The Oaks Theater 07.26.22 Nashville, TN – City Winery 07.27.22 Atlanta, GA – City Winery 07.29.22 Asheville, NC – The Grey Eagle 07.30.22 Washington, DC – City Winery 07.31.22 Annapolis, MD – Rams Head 08.01.22 Ashland, VA – Ashland Theatre 08.03.22 S. Burlington, VT – Higher Ground 08.04.22 Plymouth, NH – The Flying Monkey 08.05.22 Boston, MA – City Winery 08.06.22 Newton, NJ – The Newton Theatre 08.12.22 Woodstock, NY – Bearsville Theater w/Tony Levin, Pat Mastelotto & Friends 08.14.22 Homer, NY – Center for the Arts of Homer 08.16.22 Philadelphia, PA – City Winery 08.18.22 New York, NY – City Winery 08.19.22 Albany, NY – The Egg 08.20.22 Ridgefield, CT – Ridgefield Playhouse   ADRIAN BELEW DISCOGRAPHY Studio albums Lone Rhino (1982) Twang Bar King (1983) Desire Caught By the Tail (1986) Mr. Music Head (1989) Young Lions (1990) Inner Revolution (1992) The Acoustic Adrian Belew (1993) Here (1994) The Experimental Guitar Series Volume 1: The Guitar as Orchestra (1995) Op Zop Too Wah (1996) Belew Prints: The Acoustic Adrian Belew, Vol. 2 (1998) Salad Days (1999) Side One (2004) Side Two (2005) Side Three (2006) e (2009) Pop-Sided (2019) Elevator (2021)   Live albums Side Four (2007) Live Overseas (2009)   Contributions with Frank Zappa 1979: Sheik Yerbouti ("Flakes", "Jones Crusher", "City of Tiny Lites") 1983: Baby Snakes Soundtrack 1992: You Can't Do That on Stage Anymore, Vol. 6 [2CD] ("The Poodle Lecture", "Is That Guy Kidding Or What?", "White Person", "Tryin' To Grow A Chin") 2008: One Shot Deal ("Heidelberg", recorded Feb. 24, 1978) 2010: Hammersmith Odeon (recorded Jan-Feb 1978) [3CD] with David Bowie 1978: Stage (recorded Apr-May 1978) [2CD] 1979: Lodger ("Fantastic Voyage", "Move On", "Red Sails", "DJ", "Boys Keep Swinging", "Repetition", "Red Money") with Talking Heads & David Byrne 1980: Remain in Light 1981: The Catherine Wheel 1982: The Name of This Band Is Talking Heads with King Crimson 1981: Discipline 1982: Beat 1984: Three of a Perfect Pair 1994: Vrooom EP 1995: Thrak 1996: Thrakattak 2000: the construKction of light 2001: Vrooom Vrooom 2003: The Power to Believe with Herbie Hancock 1981: Magic Windows with Tom Tom Club 1981: Tom Tom Club with Ryuichi Sakamoto 1981: Left-Handed Dream 1990: The Arrangement 1994: Soundbytes with Joe Cocker 1982: Sheffield Steel with Jean Michel Jarre 1984: Zoolook with Laurie Anderson 1984: Mister Heartbreak 1986: Home of the Brave (soundtrack) 1994: Bright Red with Cyndi Lauper 1986: True Colors with Paul Simon 1986: Graceland 1990: The Rhythm of the Saints with The Bears 1987: The Bears 1988: Rise and Shine 2001: Car Caught Fire 2007: Eureka! with Mike Oldfield 1989: Earth Moving with Nine Inch Nails 1994: The Downward Spiral 1999: The Fragile 2008: Ghosts I-IV 2013: Hesitation Marks with Sara Hickman 1998 Two Kinds of Laughter with Béla Fleck & the Flecktones 2000: Outbound with William Shatner 2004: Has Been with Porcupine Tree 2005: Deadwing with Tony Levin 2006: Resonator with N.y.X 2016: The News with Gizmodrome 2017: Gizmodrome   Order while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover or E-book  at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS Support us!

The highly anticipated debut album from RIOT ACT, the band initially formed by former classic era Riot members Rick Ventura and Lou Kouvaris is previewed with their "Wanted". The full-length album is available now and is sure to please fans of the early 80's era of Riot. The album will also come with a 12-track bonus CD of classic Riot tracks recut, these recordings feature the final ever recordings of Lou Kouvaris, who tragically passed away of Covid19 in early 2020. RIOT ACT performed at the Heavy Metal Hall Of Fame in 2020 while Rick and Lou were inducted as Riot members in 2018 Please welcome the brilliant guitarist from RIOT ACT... RICK VENTURA to Interviewing the Legends ...     PURCHASE The highly anticipated debut album from Riot Act accompanied with a 12-track bonus CD of classic Riot tracks re-recorded. CLOSER TO THE FLAME BY RIOT ACT At amazon.com The album also comes with a 12-track bonus CD of classic 1979-1981 Riot tracks recut. These recordings feature the final ever recordings of Lou Kouvaris, who tragically passed away of Covid 19 in early 2020. The deluxe double album set was released April 1 in Europe and April 15 in the US and Canada on Global Rock Records. The highly anticipated debut album from Riot Act, the band initially formed by former 'classic era' Riot members Rick Ventura and Lou Kouvaris, is titled Closer To The Flame, which is sure to please fans of the late 70s, early 80s era of Riot as well as fans of classic hard rock everywhere. Riot Act features former Riot guitarist Rick Ventura, talented lead vocalist Don Chaffin, Paul Ranieri on bass and Claudio Galinski on drums.  Rick Ventura was a member of the classic lineup of Riot from 1979-1984.   FOR MORE INFORMATION ABOUT RICK VENTURA And RIOT ACT  VISIT www.riotactband.com Official website www.facebook.com/riotactbandofficial Facebook https://twitter.com/riotactband Twitter www.instagram.com/riotactband Instagram   Order while supplies last! RAY'S BEST-SELLING BOOK ENTITLED THE ROCK STAR CHRONICLES SERIES ONE   CHRONICLES, TRUTHS, CONFESSIONS AND WISDOM FROM THE MUSIC LEGENDS THAT SET US FREE!  …Order yours today on (Collector edition) Hardcover  or E-book at bookbaby.com and amazon.com Featuring over 45 intimate conversations with some of the greatest rock legends the world will ever know. CHRIS SQUIRE... DR. JOHN... GREG LAKE... HENRY MCCULLOUGH... JACK BRUCE … JOE LALA…  JOHNNY WINTER... KEITH EMERSON... PAUL KANTNER...  RAY THOMAS... RONNIE MONTROSE... TONY JOE WHITE... DAVID CLAYTON-THOMAS… MIKE LOVE... TOMMY ROE... BARRY HAY... CHRIS THOMPSON... JESSE COLIN YOUNG... JOHN KAY... JULIAN LENNON... MARK LINDSAY... MICKY DOLENZ… PETER RIVERA ...TOMMY JAMES… TODD RUNDGREN... DAVE MASON... EDGAR WINTER... FRANK MARINO... GREGG ROLIE... IAN ANDERSON... JIM “DANDY” MANGRUM... JON ANDERSON... LOU GRAMM... MICK BOX... RANDY BACHMAN… ROBIN TROWER...  ROGER FISHER... STEVE HACKETT... ANNIE HASLAM… ‘MELANIE' SAFKA... PETULA CLARK... SUZI QUATRO... COLIN BLUNSTONE… DAVE DAVIES... JIM McCARTY... PETE BEST   BOOK REVIEW -By Literary Titan (5) STARS Support us!

Hey TCBCast listeners - April was a rough month for the hosts, so they're taking things a bit easy this week as a mental reset in anticipation of a full slate of content for the month of May. Gurdip and Justin discuss some light Elvis news, answer some listener messages, and then for Song of the Week, Gurdip is uplifted by "Beyond the Bend" from the It Happened At the World's Fair soundtrack, while Justin take a look at the upbeat "In Your Arms" from the Something For Everybody soundtrack. Then, Justin veers off in a totally different direction to spend a little time getting off his chest his unusual fascination with Elvis soundalike Marvin Benefield's uncanny, original 1962 recording "Don't Go," cut at the same session as Tommy Roe's "Sheila" under producer Felton Jarvis and with many of the same Nashville band members working on Elvis's early 60s pop material. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. If you are unable to support us via Patreon, but want to support us another way, please make sure to leave a positive review or mention our show to another like-minded music history and movie enthusiast. Timestamps: 0:00 Start/News 14:45: Listener Feedback 23:50: SotW: Beyond the Bend 35:00: SotW: In Your Arms 45:00: SotW: Don't Go (Vince Everett)  

Episode 444 of On Screen & Beyond - Tommy Roe stops by to talk about his many hits from the 60's and 70's, including "Dizzy", "Sweet Pea" and many, many others --- Send in a voice message: https://anchor.fm/on-screen-and-beyond/message

Don Most made us all laugh as Richie Cunningham's practical-joke playing friend Ralph Malph on Happy Days. After appearing in feature films and even directing a few, Don says he's returning to his first love -- singing.

Lögin sem hljóma í þættinum nutu vinsælda árið 1969: Söknuður með Roof Tops, Dizzy með Tommy Roe, Il Paradiso/(If Paradise Is) Half As Nice með Ptty Pravo/Amen Corner, Build Me A Buttercup með The Foundations, Suvar Sugar með The Archies, Tracy með The Cuff Links, I'll Never Fall In Love Again með Bobby Gentry, My Cherie Amour með Stevie Wonder, Proud Mary og Bad Moon Rising með Creedence Clearwater Revival, Aquarius/Let The Sunshine með The 5th Dimension, Pinball Wizard með The Who og Þó líði ár og öld með Björgvini Halldórssyni.

Lögin sem hljóma í þættinum nutu vinsælda árið 1969: Söknuður með Roof Tops, Dizzy með Tommy Roe, Il Paradiso/(If Paradise Is) Half As Nice með Ptty Pravo/Amen Corner, Build Me A Buttercup með The Foundations, Suvar Sugar með The Archies, Tracy með The Cuff Links, I'll Never Fall In Love Again með Bobby Gentry, My Cherie Amour með Stevie Wonder, Proud Mary og Bad Moon Rising með Creedence Clearwater Revival, Aquarius/Let The Sunshine með The 5th Dimension, Pinball Wizard með The Who og Þó líði ár og öld með Björgvini Halldórssyni.