Podcasts about United Center

On today's In the Loop, Sasha sits down with Blackhawks CEO Danny Wirtz to talk about his work spearheading a multi-billion-dollar revamp of the area around the United Center. Plus, we'll hear more about the history of the West Side and how residents feel about the historic investment. Today's guests are: Danny Wirtz, Chairman and CEO of the Chicago Blackhawks; Marie Henderson, owner Out of The Past Records; Brian Ellison, board president of Garfield Park Community Council; and Ayesha Jaco, executive director of West Side United. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

-Nebraska announced yesterday that they'll place Butler in Chicago on November 22 nd at the United Center, one week after playingBoise State in Sioux Falls. With games scheduled in neutral sites with Boise State, Butler and Providence, the non-conference isn'thorrible---but there's just one problem..-The problem is that the home slate is just awful for non-conference. Home games vs. Le Moyne, Lindenwood, South Dakota, Mount St.Mary's, New Haven, and FDU is all to show for before conference play---and even the Creighton game is on the roadOur Sponsors:* Check out Hims and use my code hims.com/EARLYBREAK for a great deal: https://www.hims.com* Check out Progressive: https://www.progressive.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

ICE agents sparked chaos in Chicago's Albany Park neighborhood, crashing into a woman's car and threatening residents as they chased and detained a man. Media outlets got a preview of the Obama Presidential Center campus. Developers break ground on a $7-billion project around the United Center. In the Loop breaks down those stories and more in the Weekly News Recap with WBEZ senior statehouse reporter Mawa Iqbal, Chicago Tribune government reporter A.D. Quig and Block Club Chicago reporter Quinn Myers. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

In this episode, Charles sits down with Mike Bernard, a Boston-area author, screenwriter, and playwright who came to writing later in life and hasn't slowed down since. Mike has published eight novels, written a stage musical, and optioned multiple screenplays through prestigious competitions including the Academy Nicholl Fellowship, the Page International Screenwriting Awards, ScreenCraft, and the Nantucket Film Festival. The conversation weaves together music, memory, friendship, and the creative life — all anchored in the gritty, soulful sounds of the 1970s and early '80s. Mike's live music journey begins with a memorable — if reluctant — first show: escorting his grandmother to see Liberace at the Cape Cod Melody Tent. His real musical awakening came when he saw the J. Geils Band at the old Boston Garden as a teenager, an experience he still counts among his best. The blues-driven energy of "House Party" and "Musta Got Lost" made a lifelong impression, and he draws a sharp distinction between that era of J. Geils and the MTV-era band that followed. Other standout shows include Elvis Costello at the Cape Cod Coliseum — where the opening silhouettes under blue light during "Watching the Detectives" hit him like a gut punch — and an extraordinary 1990 benefit concert at Worcester's Clark University featuring Don Henley, Glenn Frey, Timothy B. Schmit, Bob Seger, Jackson Browne, Bonnie Raitt, and Jimmy Buffett all on the same bill. And for pure comedic gold, Mike recounts the moment a Little River Band guitar pick landed — and stuck — to his bare thigh at the Melody Tent, with zero competition from the crowd for the souvenir. Charles and Mike then discuss Mike's book Concert Dates; a fictional story told in interview form — inspired by Daisy Jones & The Six — that follows six friends who meet at a concert at age 15 and are reunited decades later through a video diary. The backdrop is the Cape Cod Coliseum, a converted hockey rink that hosted an extraordinary run of classic rock shows from 1972 to 1983, including Van Halen, The Clash, Talking Heads, Peter Frampton, Lynyrd Skynyrd, and J. Geils (twelve times). Mike also shares the remarkable story of connecting with photographer Rudy Childs — a previous Seeing Them Live guest — through a Facebook group dedicated to the Coliseum, only to discover that Rudy's candid parking lot photos included a picture of Mike and his own friends from a Clash show. Listeners who enjoy music, nostalgia, and deeply human storytelling will find Concert Dates — and Mike's wider catalog, including Crossing the Sagamore — well worth picking up on Amazon. BANDS: Aerosmith, Black Sabbath, Billy Joel, Bob Seger, Bon Iver, Bonnie Raitt, Don Henley, Eagles (Glenn Frey, Timothy B. Schmit), Elvis Costello, Engelbert Humperdinck, Frankie Avalon, Huey Lewis and the News, J. Geils Band, Jackson Browne, Jeff Beck, Jimmy Buffett, Liberace, Little River Band, Lynyrd Skynyrd, Marshall Tucker Band, Neil Young, Ozzy Osbourne, Peter Frampton, R.E.M., Ray Charles, Seals and Crofts, Sly & the Family Stone, Talking Heads, The Clash, The Four Tops, Tom Petty, Van Halen. VENUES:  Boston Garden, Cape Cod Coliseum, Cape Cod Melody Tent, United Center (Chicago), University of Illinois lecture hall (Champaign). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Mental health courts have proliferated in Illinois, but how effective are they? Grace Hauck with the Illinois Answers Project joins Justin Laurence with Crain's and executive producer Simone Alicea to break it down. Plus,  the United Center's 1901 Project is poised for a big tax break, and housing protections near the Obama Center seem to have failed to keep neighbors in their homes. But at least we've got good news about pepper plants and the NBA draft. Want some more City Cast Chicago news? Then make sure to sign up for our daily newsletter.  Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this May 15 episode: Window Nation Visit Bloomington Randolph Street Market Griffin MSI Newberry Library Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

Soaring beef prices have some Chicago restaurants in a bit of an existential crisis. Reporter Ally Marotti discusses with host Amy Guth. Plus: Tax break for United Center's 1901 Project advances despite pushback, former Walgreens office in Deerfield sold for a revamp, United Airlines sponsorship puts transportation secretary's side gig under scrutiny, and a mid-year outlook warns wealthy investors to brace for inflation, trade shocks and AI. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John 14:1-14[Jesus said,] “Do not let your hearts be troubled. Believe in God, believe also in me. In my Father's house there are many dwelling places. If it were not so, would I have told you that I go there to prepare a place for you. And if I go to prepare a place for you, I will come again and I will take you to myself, so that where I am, there you will be also. And you know the way to the place where I am going.”Thomas said to him, “Lord, we don't know where you are going. How can we know the way?” Jesus said to him, “I am the way and the truth and the life. No one comes to the Father, except through me. If you know me, you know the Father. And from now on, you do know him and you have seen him.”Philip said, “Lord, show us the Father and we will be satisfied.” Jesus said to him, “Have I been with you all this time, Philip, and still you do not know me? Whoever has seen me has seen the Father. How can you say, ‘Show us the Father?' Do you not believe that the Father is in me and that I am in the Father? These words that I say I do not speak on my own, but the Father who dwells in me does his works. Believe me that I am in the Father and that the Father is in me, but if you do not, believe because of the works themselves. “Very truly I tell you, the one who believes in me will also do the works that I do and, indeed, will do greater works than these, because I am going to the Father. I will do whatever you ask for, in my name, so that the Father might be glorified in the Son, If, in my name you ask for anything, I will do it.” Have you ever felt misunderstood? Like you thought you knew how people perceived and received you, but found out their expectations were surprisingly not what you expected? Or worse, that their expectations aren't anything like what you'd want them to think or believe about you?I saw Bruce Springsteen in Chicago on Wednesday. He hasn't released a new album or anything. He's just doing this three-month mini tour of sold-out arenas, mostly around the Midwest, from Minneapolis to Washington, D.C., instigated, I think, by the song he wrote called “Streets of Minneapolis” after the uprisings there, and the killings of Renee Good and Alex Pretti, by ICE agents, this past winter. The tour is inspired, too, by the weight of everything that feels so heavy in the world and in our country these days.It's called “The Land of Hope and Dreams Tour” and the shows are equal parts political protest, prayers for peace, calls for justice, religious rally, if one is so inclined, and cries for unity in our divided nation that Springsteen loves. There were NGO's and volunteers in the concourse advocating for workers' rights and immigrants' rights. There were petitions to sign and non-profits taking donations. The merch wasn't your typical Springsteen concert fare, either – but more social justice-oriented shirts and posters, banners and flags, and whatnot.The setlist included a few standards like “Born to Run” – because you can't have a Springsteen show without “Born to Run” – but the show was mostly a collection of the Boss' best anthems (and some covers) in protest of misguided government, in support of the poor, blue-collar, and middle-class, and in solidarity for the sake of peace in the world. Even “Dancing in the Dark” hits different after all of that and in the context of “The Land of Hope and Dreams Tour.”Anyway, it was perfection. It was exactly what I signed up for, why I was there, and everything that the 25,000 other fans in the sold-out United Center expected – accept perhaps, for some guy in the row behind me. We'll call him Philip. About 2.5 hours into this nearly 3 hour extravaganza, I heard Philip say to his friend something about how he really likes Springsteen's music, but that he could do without all of this political crap. And he sat down while the rest of us danced and sang and cheered – and lost our voices and our minds, with joy – all around him.If Bruce Springsteen could have seen him, he might have said, “Have I been with you all this time, Philip, and still you do not know me?!”I mean, how do you call yourself a fan … how do you spend that kind of money … how do you walk past all of those vendors … see all of that merch … listen, even passively, to “Born in the USA” once or twice over the course of the past 40 years, and still be surprised – and then disappointed – that Bruce Springsteen got political during his “Land of Hope and Dreams” tour?! All of this is to say, I think Bruce Springsteen and Jesus have more in common than just their concern for immigrants, their desire for justice, and their cries for peace and unity in the world. Jesus knew, too – and knows, still – what it means to be misunderstood by too many of his followers.See, my initial hesitation about today's text is always that bit where Jesus says, “No one comes to the Father except through me.” That always gives me pause, because it can be used – and because it has been used – by too many Christians who like to find reason to exclude people from the love of God's grace. The insinuation is that, unless you know Jesus; unless you've been baptized in the name of the Father, Son, and Holy Spirit; unless you've confessed Christ as your Lord and Savior; you'll never make it into God's eternity on the other side of life as we know it.And I suppose that's one way to read it. And if it's right there in black and white – or, even more, if it's written in RED – depending upon the Bible you're reading, than it must be true. But, to me, that seems short-sighted and self-serving and too simplistic in light of everything we know about Jesus – as the way, and the truth, and the life. As the good shepherd. As the Lamb of God who takes away the sin of the world. As the Prince of Peace. As the king of all creation. As the Messiah, the light of the world, as the one who came not to condemn the world, but in order that the world might be saved through him.So, I can't help but wonder if – and hope that – Jesus is saying something exactly the opposite from the restrictive, limited way so many people try to receive this text. What if Jesus is inviting us to read and to wonder about all of this from a different perspective entirely?What if we're supposed to hear, wonder about, and celebrate the “many dwelling places” that are being prepared for us, instead of focusing so much on the one way we get through the door of the house? And what if Jesus' point is that there's room for more than some of us are inclined to think, or expect, or want, if we were the ones in charge? And what if Jesus had a little snark in his voice – and what if we listened with a little more humility – when he says, “…if I go there to prepare a place for you – yeah, you – I will come again and I will take you to myself, so that where I am, there [even] you will be also.” Because if you follow Jesus around long enough – and pay attention to his words and his actions; to his prayers and his teachings; to his living, his dying, and his rising – none of this should surprise you, Philip, or Francia; Thomas or Theresa.“Have I been with you all this time and still you do not know me?”Jesus promised the Kingdom often to all sorts of people, not because they got baptized first; not because they passed some test; not because they got confirmed at the first service this morning; not because they came to worship every Sunday, in a certain kind of church in any particular country. Jesus promised the Kingdom – and people experienced God's heaven – not because they were Lutheran or Catholic or Christian, even, by our standards, anyway.There was that hemorrhaging woman who experienced the power of heaven in her healed body. There was that sinful woman who anointed Jesus' feet who then, because of her faith and forgiveness on this side of the grave, shared the love of God in return. There was that condemned thief who was promised the kingdom from the cross of his own crucifixion.There was the Prodigal Son who's father welcomed him home even though he didn't deserve it. There was the surprisingly good Samaritan who no one thought would do the right thing. There was the proverbial Lost Sheep who the shepherd goes after to save, even at the risk of the rest of the flock.There was Nicodemus, the Pharisee, who came with questions by night. There was Thomas who doubted him. And there was Peter who denied Jesus in his darkest, most desperate hour.Contrary to the misguided expectations of too many Philips in the world, Jesus has shown us exactly who he is and more about the nature of God, the Father, than we are always ready to believe. I think Jesus is saying today that his love has no limits as he showed over and over and over, and time and time and time again. (“If you know me, you will know my Father also,” he promises. “You do know him and you have seen him,” he reminds his disciples.” “Whoever has seen me has seen the Father,” he assures his followers.) And if God, in Jesus, has no limit to the grace he's willing to offer, how dare we expect, pretend, preach, or practice otherwise?Which is to say, I think we're supposed to see Jesus' words about “no one coming to the Father, except through him” not as a threat … or as a means of exclusion … or as a demand for requisite baptism or Christian conversion of some kind. As you've heard me say before, let's stop scaring people away from Hell and start loving them into Heaven, instead.Because I think what Jesus says today is a promise, not a threat … as in, “no one comes to the Father except through me” because there will be a time when, and a place where, ALL will see the fullness of the grace he came to embody as something so large – a mercy so wide – a love so deep – that, through it … because of it … all people … all people … all people … will be welcome and find a home and know the kind of grace, mercy, justice, and peace that only heaven will allow and that the God of the universe exists to share.And in my land of hope and dreams, more of us will come to expect that, to work for that, to celebrate – and not be surprised by that – so that we and the world will be blessed, better, and changed because of that good news.Amen

Peso Pluma Biography Flash a weekly Biography.Peso Pluma just electrified Madison Square Garden with his brother Tito Double P on their explosive Dinastia Tour, drawing a sold-out sea of fans screaming for more. According to La Mezcla, Puerto Rican superstar Jhayco crashed the stage in a jaw-dropping surprise, kicking off with Ex-Special before ripping into Holanda, No Me Conoce, and sealing it with the Bad Bunny collab Dakiti that had thousands belting every word. This New York City showdown, fresh off the presses, amps up the tours momentum with high-profile guests turning heads and cementing Plumas status as corridos kingpin on a global stage—a biographical milestone thats rewriting his live legend.The Dinastia juggernaut rolls on without pause. United Center lists sold-out shows locked in for Chicago on May 7, 8, and 9, promising elevated production and immersive flair after his prior US tours vanished tickets in hours. UBS Arena confirms the frenzy hit Elmont, New York, on May 1, with Peso Pluma and friends packing the house—another notch in a tour thats redefining regional Mexican music for arenas worldwide.No major headlines exploded in the past 24 hours, but whispers of social buzz swirl around fan clips from MSG flooding TikTok and Instagram, though unconfirmed reports of new collabs remain just that—speculation without solid backing. Business-wise, this tour surge signals double P enterprises booming, with no verified drama or personal scoops surfacing lately.Thanks for listening, subscribe to never miss an update on Peso Pluma and search Biography Flash for more great biographies. This has been a Quiet Please production.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AIThis episode includes AI-generated content.

Where does one find bullion? Doug Armstrong will be stopping by the studio at 9:00. A foundation of being uncomfortable. Jeff Suppan follows The Chairman on IG now. One guy's farming in Tennessee, one guy's building a garden. There's not enough people in Huntleigh for there to be a high volume of hotwives. Ron Gant doing local news in Atlanta. Going to Maine is not a flex. Wet Blanket Vaughn. O'Brien's been nails. How's that feel, Martin? Twitter reply guy.Friend of the show, Michael McGreevy might be calling in when he gets to the ballpark. Speedy Quis was butt naked open. What's going on in Martin's phone? Watching movies at a bar. Mizzou and Marquette finalizing an agreement to play in November at The United Center in Chicago. Turks is overrun with the upper middle class. Jackson's carbon footprint. 12 straight losses for the Mets.Cheers to the guy buying Doug a video game at Game Stop. Still some goodness in this world. Joining us from Miami is friend of the show, Michael McGreevy. Just got to the ballpark and decided to check in with us. Gotta be careful stepping out these days. When's the wedding? His brother's baseball skills. What he's seen from the team on this road trip. Some travel issues going from Houston to Miami. No time for sightseeing. Ball striking SZN and gonna try and get 36 in. Driver off the deck. The McGreevy & Papers Show.The Cardinals lineup for the getaway game is out and it's....something. Offering this game up to the Gods. Fernando Mendoza throwing out the first pitch last night. Chairman is zagging and taking the over. Don't trust that Junk. The Twitter reply guys really at their Wheaties today.Doug Armstrong going to join us next. Today's getaway game might be a struggle.Joined by Blues President of Hockey Operations, Doug Armstrong. The slow start to the season. How this team responded in games that meant something. How will the Alexander Steen dynamic look? 12 picks in the upcoming draft. Robert Thomas, his future with the Blues, and the captaincy. Jordan Kyrou's future. How many pieces away are the Blues from being a legit contender? The seasons that felt like missed opportunities.Jackson wants to go to Coachella. Breaking down the Doug Armstrong conversation. Martin's getting emotional. Still a franchise in transition. The 2014 season. Doug forgot to ask about if Armstrong would want the O'Reilly/Tage Thompson trade back. Doug's still not over the Steve Carlton trade.Was 1994 the most culturally significant year of the 90's? A robust comb session. Design Aire Heating & Cooling EMOTD.Keep textin' bro. Surprise, surprise, Soup is back. Soup can't stop singing NCOTR. Cards record is undeniable since he started calling in. Dave Duncan's pitch to contact and let your defense work method. The Edmonds catch in 04 and the Endy Chavez catch in 06. The cement mixer slider. Learning stuff from YouTube. Soup on MLB The Show with a 99 overall rating. Media in St. Louis compared to other places he played. Not a fan of the Businessman's Special.What a show today with Michael McGreevy, Doug Armstrong, and Jeff Suppan. Doug and Chairman both like the over today. Good day to zag?A little housekeeping.Mad Dog's not happy with the NBA Playoff schedule. And the winner of the Design Aire Heating & Cooling EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(00:00-33:28) Where does one find bullion? Doug Armstrong will be stopping by the studio at 9:00. A foundation of being uncomfortable. Jeff Suppan follows The Chairman on IG now. One guy's farming in Tennessee, one guy's building a garden. There's not enough people in Huntleigh for there to be a high volume of hotwives. Ron Gant doing local news in Atlanta. Going to Maine is not a flex. Wet Blanket Vaughn. O'Brien's been nails. How's that feel, Martin? Twitter reply guy.(33:36-53:07) Friend of the show, Michael McGreevy might be calling in when he gets to the ballpark. Speedy Quis was butt naked open. What's going on in Martin's phone? Watching movies at a bar. Mizzou and Marquette finalizing an agreement to play in November at The United Center in Chicago. Turks is overrun with the upper middle class. Jackson's carbon footprint. 12 straight losses for the Mets.(53:17-1:24:42) Cheers to the guy buying Doug a video game at Game Stop. Still some goodness in this world. Joining us from Miami is friend of the show, Michael McGreevy. Just got to the ballpark and decided to check in with us. Gotta be careful stepping out these days. When's the wedding? His brother's baseball skills. What he's seen from the team on this road trip. Some travel issues going from Houston to Miami. No time for sightseeing. Ball striking SZN and gonna try and get 36 in. Driver off the deck. The McGreevy & Papers Show.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A 43-year-old woman was killed after being struck by a vehicle Sunday night on Chicago's Near West Side, police said.

A 43-year-old woman was killed after being struck by a vehicle Sunday night on Chicago's Near West Side, police said.

A 43-year-old woman was killed after being struck by a vehicle Sunday night on Chicago's Near West Side, police said.

Crain's residential real estate reporter Dennis Rodkin joins host Amy Guth to talk news from the local housing market, including the more than 200 for-sale homes coming to Highland Park's long-empty Solo Cup factory site. Plus: Proposed $55 million tax break for United Center's 1901 Project hits a speed bump, Chicago startups eye long-awaited exits as IPO market warms up, Starbucks and 7-Eleven expansion planned for Chicago-based overnight oats maker and lawsuit against Evanston's reparations program gets judge's OK to move forward. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  Plus, it's all about March Madness as the guys take a look at the Final Four picture, including Cam's experience at the United Center for Michigan vs. Tennessee in the Elite Eight. Cam and KC make their picks for who's headed to the championship—and who's ultimately cutting down the nets.

Apr. 1, 2026 - Listen to the best calls from Mark Boyle and Eddie Gill's radio broadcast of Wednesday's #PacersWin over Chicago at the United Center.

WGN Radio’s Charlie Roumeliotis breaks down the Blackhawks’ 4-3 overtime loss to the Winnipeg Jets at the United Center. Steve Konroyd joins the discussion to talk about a roller-coaster game, Tyler Bertuzzi’s two-goal performance, Anton Frondell scoring his first career NHL goal, Jonathan Toews’ return, and more. Later, we hear from Frondell, Bertuzzi, and head coach […]

Blake Lovell and Max Barr preview Michigan vs. Tennessee in the 2026 NCAA Tournament Elite Eight game in the Midwest Region and share predictions for this highly anticipated matchup at the United Center in Chicago. The game will be shown on TBS at 1:15 PM CT. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Joshua Jefferson is back on the practice court, T.J. Otzelberger provides an update on the game-time decision, Blake Buchanan explains the importance of him rising to the occasion, T.J. Otzelberger makes another statement. Jake Brend reports from the United Center, presented by Wyffels Hybrids in the Northwest Bank Studios. Learn more about your ad choices. Visit megaphone.fm/adchoices

Blake Lovell and Max Barr preview Iowa State vs. Tennessee in the 2026 NCAA Tournament second round game in the Midwest Region and share predictions for this highly anticipated matchup at the United Center in Chicago. The game will be shown on TBS at 9:10 PM CT. Southeastern 16 Merch: https://se16.printify.me/ &COLLAR Stretchy. Wrinkle-proof. Built to look sharp. Welcome to Workleisure. Use promo code SEC16 for 16% off! https://andcollar.com/ ZILKER BELTS SOUTHEASTERN16 for 25% off! https://www.zilkerbelts.com/ ICON WALLETS Use promo code SEC16 for 20% off! https://icon-wallets.com/ ROKFORM Use promo code SEC25 for 25% off! The world's strongest magnetic phone case! https://www.rokform.com/ JOIN OUR MEMBERSHIP Join the "It Just Means More" tier for bonus videos and live streams! Join Link: https://www.youtube.com/channel/UCv1w_TRbiB0yHCEb7r2IrBg/join FOLLOW US ON SOCIAL MEDIA Twitter: https://twitter.com/16Southeastern ADVERTISE WITH SOUTHEASTERN 16 Reach out to caroline.bellcow@gmail.com to find out how your product or service can be seen by over 200,000 unique viewers each month! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Blake Lovell and Max Barr preview Michigan vs. Alabama in the 2026 NCAA Tournament Sweet 16 game in the Midwest Region and share predictions for this highly anticipated matchup at the United Center in Chicago. The game will be shown on TBS at 6:35 PM CT. Southeastern 16 Merch: https://se16.printify.me/ &COLLAR Stretchy. Wrinkle-proof. Built to look sharp. Welcome to Workleisure. Use promo code SEC16 for 16% off! https://andcollar.com/ ZILKER BELTS SOUTHEASTERN16 for 25% off! https://www.zilkerbelts.com/ ICON WALLETS Use promo code SEC16 for 20% off! https://icon-wallets.com/ ROKFORM Use promo code SEC25 for 25% off! The world's strongest magnetic phone case! https://www.rokform.com/ JOIN OUR MEMBERSHIP Join the "It Just Means More" tier for bonus videos and live streams! Join Link: https://www.youtube.com/channel/UCv1w_TRbiB0yHCEb7r2IrBg/join FOLLOW US ON SOCIAL MEDIA Twitter: https://twitter.com/16Southeastern ADVERTISE WITH SOUTHEASTERN 16 Reach out to caroline.bellcow@gmail.com to find out how your product or service can be seen by over 200,000 unique viewers each month! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The guys are back to break down another week of Blackhawks hockey, and there's finally a real sense of momentum building.They dive into the strides the team is making and how it's starting to turn heads around the league — including André Tourigny of the Utah Mammoth — as the Hawks continue to show growth in key areas.Former captain Nick Foligno returns to the United Center, and the guys reflect on the lasting impact he had in a short time. From leadership to setting the tone for the younger core, his influence on the culture is still being felt.Looking ahead, they break down what fans should expect next season and why there's real reason for excitement. This rebuild isn't just theoretical anymore — it's starting to take shape in a way that should have Hawks fans on the edge of their seats.To wrap things up, they talk about the newest name in the mix, Sacha Boisvert, and why the criticism surrounding him just doesn't hold up — especially when there's little evidence to support it.Hosts:Jarom @ZachJaromTannerX: @WCBPodcastInstagram: @WCBPodcastFacebook: WCBPodcast..#nhl #hockey #blackhawks #icehockey #chicagoblackhawks #podcast 

WGN Radio’s Charlie Roumeliotis breaks down the Blackhawks’ 4-3 overtime loss to the Minnesota Wild at the United Center. Steve Konroyd joins the discussion to talk about the comeback falling short, Nick Foligno’s return game, an extended overtime shift, and more. Later, we hear from Frank Nazar, Louis Crevier, and head coach Jeff Blashill. Plus, Charlie […]

In this episode of Seeing Them Live, host Charles Zona is joined by his daughter Lily for a conversation about her journey into live music — starting from the very beginning. The episode opens with a throwback to Charles's first-ever podcast test recording, where an 11-year-old Lily had never been to a concert. From there, Lily traces her love of Harry Styles back to the COVID era, when her mom played his album Fine Line around the house. That early introduction blossomed into a full-blown fandom, and when Harry's House dropped and the tour kicked off, the family set their sights on seeing him live — not in Chicago, but in Lisbon, Portugal. What followed was a months-long ordeal to secure Lily's passport in time for the show. After the initial application was denied due to an improperly notarized form — and then delayed a second time because the passport agency itself had sent an outdated version of the required document — the family found themselves scrambling with barely days to spare. Charles details the frantic calls to the passport agency, the last-ditch email to Illinois representative Sean Casten, and the miraculous late-night moment when Lily checked the passport status on her dad's phone and discovered it had shipped. They picked it up Monday morning and were on a flight to Portugal that afternoon, arriving just in time for the Tuesday night concert at the 60,000-capacity Passeio Marítimo de Algés. The concert itself didn't disappoint. Lily and Charles describe the electric atmosphere, from 60,000 fans belting out Bohemian Rhapsody before the show to Harry's Alan Watts-inspired intro and the surprise appearance by Wet Leg. Lily shares her favorite moments, including an intimate acoustic performance of Matilda on the catwalk and a close encounter during Late Night Talking. The episode wraps up with a look at Lily's growing concert resume — including Olivia Rodrigo at Lollapalooza 2025 (with a surprise Weezer cameo) and up-and-coming country artist Maddox Batson — plus the exciting news that the family has tickets to see Harry Styles again at Madison Square Garden on his upcoming Together, Together tour in support of his new album Kiss All the Time, Disco Occasionally. BANDS: Harry Styles, Lainey Wilson, Maddox Batson, Muscadine Bloodline, Olivia Rodrigo, Queen, Weezer, Wet Leg. VENUES: Allstate Arena, Grant Park (Lollapalooza), Madison Square Garden, Passeio Marítimo de Algés, Salt Shed, United Center. PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

-Nebraska will play either Purdue or Northwestern/Indiana today at 5:30pm at the United Center…and Jake will be in thebuilding (good morning from Chicago!)-What were the results yesterday in the tournament as we get to the quarterfinals? Is there a Cinderella in B1G land?-Also, ROLL CALL (sponsored by Madsen's Bowling & Billiards): where are Breakers listening from today?Our Sponsors:* Check out BetterHelp: https://www.betterhelp.com* Check out Progressive: https://progressive.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Matt comes to us LIVE from United Center in Chicago, we discuss the PA guy's name, Connor's trip to Pittsburgh, Matt takes us through the United Center, and more.

BC joins from the United Center parking lot to predict the outcome for the Huskers in Chicago, if he's worried about recent slow starts, and who wins it all in Chi-Town Sunday

The 2026 season has officially begun for the Ohio State football team, and the men's basketball team is red-hot in the Big Ten Tournament. Blake Biscardi and Grant Kincaid are back with a packed episode of Buckeye Cadence as Ohio State's spring football practices get underway and the Buckeyes punch their ticket to the Big Ten Tournament quarterfinals. On the football side, Blake breaks down his two days on the practice field, from Julian Sayin's emerging leadership to the offensive line questions, breakout players to watch, and 51 new faces. On the basketball side, Grant is live from Chicago as he recaps Ohio State's gritty 72-69 survival over Iowa before Blake and Grant look ahead to Friday's noon showdown with No. 1-seed Michigan at the United Center. The Buckeyes are playing their best ball of the season at exactly the right time. For more coverage, visit tsilverbulletin.com

Matt preps you for your trip to the United Center this weekend, while previewing the tournaments beginning today.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026 This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript (Note: Auto-generated transcript; errors are possible) James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They’re based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they’ve worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let’s talk about Cult Canyon. We’re here, the album’s almost out as we’re sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M’s earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M’s also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I’d say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren’t pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn’t sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We’re doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We’re our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You’re the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I’m very thankful for. James VanOsdol: Let’s talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who’s a good friend also. James VanOsdol: She’s delightful. Josh Chicoine: Yeah, she’s delightful, she’s an old friend, she’s a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we’re in now is that there’s so much noise and there’s so many competing avenues for attention, including your couch doing nothing. That’s a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn’t know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I’m coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that’s when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I’ve been collaborating with him since the M’s, he did a lot of those string arrangements and horn arrangements and stuff, so he’s really adept and really tasteful. And so I was just like, why not bring it into everything that I’m doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we’re recording this right before it comes out, like I said. The album is Smoke Tricks. We’ve had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That’s all due to my wife. James VanOsdol: You’ve got you in a convertible on the lakefront. Josh Chicoine: That’s my buddy Al’s ‘67 Oldsmobile. James VanOsdol: That’s badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al’s the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we’re recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O’Conor. James VanOsdol: He’s a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn’t so far afield to imagine, because what are videos now? I don’t even know what they are. But for this one, it was like, all right, Al, let’s get in a car, let’s drive around. I got this GoPro, I’ll stick it to your car, drive around, and then let’s go to the lake and let’s jump in the lake. James VanOsdol: So it doesn’t necessarily tie back to the lyrics or the theme? Josh Chicoine: I don’t think so. I mean, but maybe somebody sees something that I don’t. I think that’s part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you’re a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you’re not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There’s a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M’s, and the M’s were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that’s what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who’s a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It’s always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I’ve wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it’s not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don’t know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I’ll have to disagree, I feel like, you know, the barriers are down and people now, everybody’s got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody’s got a camera, you can do whatever you want, put it up there, and not going to say it’s good, most of it’s not, most of it’s schlock. But you at least have the opportunity to make something that’s decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It’s called CapCut. And the same company, I can’t remember what they’re called, the TikTok corporation, ByteDance. It’s a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I’m just going to dive in and start doing stuff. And so that’s what I did. James VanOsdol: That’s DIY. Roll up your sleeves, let’s get to it. Josh Chicoine: Yeah, it’s just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it’s real. So if you have any kind of means by which you can get a hold of this stuff, then it’s just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it’s just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I’ve been able to do with hardly any resources. James VanOsdol: It’s pretty cool. Josh Chicoine: Yeah, it’s pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don’t even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It’s my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don’t know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he’s in Dead Rider, for everybody out there who’s watching, check out Dead Rider. Yeah, he’s fascinating, he’s got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I’d be like, “Here’s what I’m thinking for this song,” and then we would try and fit it in somehow. And he was just—he’s like a maestro. He was just like, “I love it, you’re never taking away the dog’s bark. We’re keeping it in there 100%.” So I was like, “All right, let’s go.” Piano sounded fine, sounded good, it’s my piano in my living room. I loved it, and that’s my boy Ralfy. So he’s my spirit animal and I’m glad he’s on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He’s a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention “stuck here in Chicago” in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It’s my favorite city. It’s especially my favorite city to come back to. I don’t know if you’ve ever leave for like a little while, but when you come back, it’s just like—ah. Especially when you’re driving back home and like you catch that first glimpse of the skyline. That is a moment. It’s real. So, I mean, when I got that grant from DCASE, it was like, “Oh no, now I got to write a record.” They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it’s like a lot of introspection and a lot of like, “Who am I now? What am I going to write about now?” And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn’t quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that’s a big milestone. Josh Chicoine: Thank you. It’s been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I’ve known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, “What if she came back here and she lived with me in this hovel and we could do this together?” And that’s sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there’s definitely moments where you’re just like, “Okay, get me out of here.” James VanOsdol: Write what you know. Josh Chicoine: That’s I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, “If you’re not writing about yourself, then it doesn’t mean anything.” And I’m parsing—I’m screwing that quote up, but I really took that to heart. So I was like, “Okay, well then I am going to write about myself and my experiences because it’s all that I have really that I could feel a connection with.” Oh, it’s okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don’t recommend. I mean, I recommend the song. Who’s doing the backup vocals on that? Josh Chicoine: Yeah, so that’s my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it’s always sort of been there. You can hear it in the M’s, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that’s how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that’s fine. I’m a mediocre guitar player but it’s really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I’ve played music with women before, but not in a band. So it was sort of like, “Oh, this whole another resource that I would love to bring into this project.” And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we’re on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you’re on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there’s two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, “Wait a minute, this is a quadruple album? This is crazy.” But it wasn’t. There’s a record sleeve that hides another record sleeve that has the record in it. That’s how much money and wasteful money that they had. Because that’s coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn’t have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there’s a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara’s on that too, right? Josh Chicoine: Oh God, I’m going to get killed by my bandmates. Sara’s on there, yeah, it’s on there. Let’s say yeah, when no one’s looking it up. But yeah, we play Sara all the time and it’s like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It’s like there’s 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There’s 88-year-olds there. James VanOsdol: It’s one of those bands that is transgenerational. My daughter, who’s heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, “I only cried three times.” I’m like, “What do you mean you cried?” “Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide.” Of course, classics. But I mean it is interesting how maybe millennials didn’t give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it’s cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they’re just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That’s amazing. James VanOsdol: That’s nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That’s something you don’t get to experience necessarily in the M’s or Cult Canyon. Josh Chicoine: It’s different. Yeah, it’s different for sure. And I think that we—I’ve been told this by a lot of audience members after the show and they’re just like glowing coming out after scream-singing at us for two hours. And they just say like, “You bring so much joy.” And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they’re the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it’s like, “Okay, it’s out there,” and then you tell your friends and then it just doesn’t really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, “Okay, we’re still sitting on 250.” Josh Chicoine: I have a lot of CDs. Let’s put it to you that way. Hit me up if you want a CD by Sabres. I’ll just give it to you. It’s got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they’re friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It’s going to be DIY anyway, it’s all about building community bit by bit by bit. So I was introduced to Paul kind of—I don’t even remember when, it’s probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, “I’m really looking for somebody to help me out with this.” And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I’ve never been in that store, by the way, where it hasn’t been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they’ve got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It’s like a proper record store. James VanOsdol: And I mean if you’re one of those budget-bin divers like there’s dollar records, you’ll hurt your knees going through them, but I mean there’s occasionally gold to find in there. Josh Chicoine: I agree. It’s everywhere. James VanOsdol: But yeah, it’s a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we’re putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That’s right. We’ll do what we can, but I mean it’s hard, it’s like a lot of hard flat surfaces and they didn’t do any soundproofing or nothing. So, yeah. James VanOsdol: That’s good. That’s part of its charm. Josh Chicoine: It’s part of the charm. Yeah, yeah, you know what you’re getting into when you go back there. Just bring earplugs, what’s the big deal? James VanOsdol: Just bring ear—that’s—if you bring earplugs, you’re good. Josh Chicoine: Yeah, that’s right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that’s a badge of honor. It’s a badge of honor. I mean it’s not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it’s no joke. No, it’s no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that’s right. They’re good if you want to sleep. If you’re like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It’s awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it. See omnystudio.com/listener for privacy information.

In this episode of Car Con Carne, James VanOsdol welcomes Josh Chicoine, the creative force behind Cult Canyon, to discuss the release of the debut album, Smoke Tricks. The conversation delves into the evolution of Josh's musical projects, from the raw energy of the M's and the acoustic harmonies of Cloudbirds to the collaborative and sophisticated sound of Cult Canyon. Key Highlights: The Making of Smoke Tricks: Josh explains how the album, initially inspired by string arrangements recorded in 2019, was brought to life through a grant from the Department of Cultural Affairs and Special Events (DCASE). Creative Collaborations: The album features contributions from talented musicians like Alison Chesley, Susan Voelz, and Dave Max Crawford, as well as backup vocals from Melissa Busch-Wolford and Lindsay Weinberg. DIY Spirit: Josh shares his experiences with the DIY approach to music, from producing and promoting records to filming music videos with a GoPro and a vintage VHS filter. The Influence of Chicago: The city of Chicago serves as a backdrop for the album, with Josh reflecting on his relationship with the city and the local music scene. Second Hand News: Josh and James discuss his involvement in the Fleetwood Mac tribute band, Second Hand News, and the transgenerational appeal of the legendary band's music. Album Information: Item Details Artist Cult Canyon Album Title Smoke Tricks Release Date March 13, 2026 Label Rattleback Records Release Show The Hideout, March 14, 2026     This episode is brought to you by Exploding House Printing. Based in Hermosa, they specialize in screen printing, embroidery, and custom merch for bands and brands. Visit explodinghouseprinting.com for a quote. Episode Transcript James VanOsdol: This right here is Car Con Carne. Car Con Carne is a Q101 podcast. I'm James VanOsdol. Car Con Carne is brought to you by Exploding House Printing. They're based in Hermosa and they specialize in screen printing, embroidery, and custom merch for bands and brands. Check them out on explodinghouseprinting.com. Get a quote, see all the people, businesses, bands, and brands that they've worked with. Explodinghouseprinting.com. (Theme song plays) James VanOsdol: So, after the Golden Line EP a few years ago, Cult Canyon is set to release its debut album, Smoke Tricks, on March 13th. The album will be released on lovely vinyl via Rattleback Records and the release will be celebrated with a live show at The Hideout the following night. Josh Chicoine, whose creative resume is deep, impressive, and familiar, joins me in the car on a rainy, dreary, just kind of shitty transitional winter-into-spring night. Josh Chicoine: Muck, winter mix. James VanOsdol: Let's talk about Cult Canyon. We're here, the album's almost out as we're sitting here talking about it. Josh Chicoine: It is. James VanOsdol: A lot of us came to know you from your time with the M's earlier this century. Have you metaphorically moved from the garage to the living room with these projects? Josh Chicoine: It feels like I have. I mean, there was definitely a lot of garage influences happening with the M's. Certainly a DIY spirit. James VanOsdol: That kind of raw immediacy. Josh Chicoine: Yeah, I think we were trying to—well, it was of the time too. So this was the early 2000s, there was a lot of that stuff rolling around. And we kind of fit into that mix and just wanted to bring our own little flavor, which is heavily melodic, a lot of singing, a lot of gang vocals, which is one of my favorite things to do. And still, I guess, pop ethos, you know? Major and minor chords, nothing crazy. But yeah, we got done with that and I started a three-piece singing group called Cloudbirds and did that for about three years with a couple of guys that were in the M's also, Joey King and Glenn Russell. And that was definitely in the living room. That was acoustic guitars, sometimes we had electric, but mostly acoustic music and three-part harmonies and very folky. And it was a real welcome relief, I'd say, to almost 10 years of loud guitars and bashing drums and shouting vocals. James VanOsdol: You weren't pounding kids anymore. Josh Chicoine: We were not. We were not, and we kind of got started late anyway. So by the time 2009 rolled around, I was probably in my mid-30s, early 30s, everybody was kind of getting into their 30s. So being on the road was just awful. I think I was about ready to have my first child. And so yeah, the whole kind of idea shifted. And so we just couldn't sustain that. So being in a singing group and just three guys, a lot easier to organize practices and singing some sweet melodies and harmonies, and that was more my style. And I kind of chased that for a little while, and then I had a new band called Sabres and I tried to do the rock thing again in 2014 and self-released that record, put a lot of time into that record. And it was another big record. And I found out I was just really tired. The DIY thing is that you have to do it yourself. So that means producing the record, promoting the record, getting all the artwork together, getting five people—now more grown people—to get together for any rehearsal, any show. I thought it was going to maybe be a bit easier, but it just wasn't. It wasn't easy, so I had to put that down. James VanOsdol: DIY is hard. We're doing DIY right now in a car on urban radio in 2026. I do it in my car with a couple of cheap—see how the world has shifted for us both. Josh Chicoine: It has. I might say for the better. James VanOsdol: One would argue or could argue that, yeah. We're our own bosses. Josh Chicoine: I think so. Yeah, there you go. James VanOsdol: You're the CEO of Cult Canyon. Josh Chicoine: I am the CEO of Cult Canyon. I have a lot of contributors and collaborators, which I'm very thankful for. James VanOsdol: Let's talk about some of them. Alison Chesley is a contributor. Josh Chicoine: She is. She is actually appearing on the latest record. To go back to the Golden Line EP in 2019, so right before COVID, I released an EP called Josh Chicoine and it was called Dream Believers. And I was imagining this trajectory where the next bunch of songs would include a string quartet. And so in 2019, early 2019, I recorded three songs including with Susan Voelz, who's a good friend also. James VanOsdol: She's delightful. Josh Chicoine: Yeah, she's delightful, she's an old friend, she's a great contributor, what a great spirit. And with her and a few other string players. And then COVID came, so I sat on this thing. And I sat on this thing for quite a while because part of the DIY situation that we're in now is that there's so much noise and there's so many competing avenues for attention, including your couch doing nothing. That's a big one. James VanOsdol: Yeah. Josh Chicoine: Yeah, so I sat on it and I didn't know what I was going to do. And so I applied for a grant. It was really the Department of Cultural Affairs and Special Events here in Chicago, they have an individual artist program, DCASE. James VanOsdol: DCASE. Shout out to DCASE. Josh Chicoine: They have a grant program every year, and I applied and I said, you know, I'm coming back into making things and this is what I want to do. I want to make a rock record in the city of Chicago using Chicago musicians out of Chicago studios. And that was really the kind of impetus to be like, okay, what do I want this Cult Canyon thing to be? And so that's when I looked back at those Golden Line songs, which are really lush string arrangements done by our good friend Dave Max Crawford of Poi Dog Pondering and the Total Pro Horns. And he does a fantastic job. I've been collaborating with him since the M's, he did a lot of those string arrangements and horn arrangements and stuff, so he's really adept and really tasteful. And so I was just like, why not bring it into everything that I'm doing and make Cult Canyon more of a catch-all and a place where, for one, I can do what I want and I can do it with others that I want to do it with, people that I love. And yeah, Alison Chesley, I met her through Susan because playing with quartets, you end up having a large stable of artists because people are busy or they want more money than you want to give them or can give them on any given night. So I was able to meet and reach out to a bunch of string players and continually find new ones in town that can fill a role for a time. And happily, Alison is on this record on a tune called Good Bad Habits. James VanOsdol: I love it. And the album sounds great. Now, we're recording this right before it comes out, like I said. The album is Smoke Tricks. We've had—we, the public—have experienced some of it already. Real Sublime is a single. You shot a video for this one. Josh Chicoine: I did. James VanOsdol: Was that your house you shot it in? Josh Chicoine: That was at my house, yeah. James VanOsdol: Very tastefully appointed. Josh Chicoine: Thank you. That's all due to my wife. James VanOsdol: You've got you in a convertible on the lakefront. Josh Chicoine: That's my buddy Al's '67 Oldsmobile. James VanOsdol: That's badass. Josh Chicoine: Pretty badass. We all need a buddy like Al. Al's the best. James VanOsdol: Convertible on the drive, clearly different time of year from when we're recording this. Josh Chicoine: Yeah. James VanOsdol: And is that the lake you jumped into or did you shoot that— Josh Chicoine: Yeah, jumped into the lake. Another good friend of mine is a Great Lake jumper, Dan O'Conor. James VanOsdol: He's a celebrated Great Lake jumper. Josh Chicoine: They continually celebrate Great Lake jumper. I think he did it for five years straight every day. And yeah, so I started going out there and doing that. So it wasn't so far afield to imagine, because what are videos now? I don't even know what they are. But for this one, it was like, all right, Al, let's get in a car, let's drive around. I got this GoPro, I'll stick it to your car, drive around, and then let's go to the lake and let's jump in the lake. James VanOsdol: So it doesn't necessarily tie back to the lyrics or the theme? Josh Chicoine: I don't think so. I mean, but maybe somebody sees something that I don't. I think that's part of my MO, at least, is to leave enough fog to allow for some interpretation. But yeah, this is more of kind of a performance, roll around, get some good footage, put a 1989 VHS filter on it and make it look cool and get it out. James VanOsdol: And you're a fan of film and what can be done with movies. Josh Chicoine: Yeah, for sure. I mean, I love film, I love movies, I love music movies. For eight years I was the co-founder and director of the Chicago International Movies and Music Festival. And we were all over the place throughout the city. And we would show movies from all over the world, like 33 countries usually were represented each year. And that was just, for me, was fascinating to figure out how to build something like that that could last and to raise money for it, you know, practicing all these adult skills that being in a van in a band on tour you're not really practicing too much. James VanOsdol: Do you miss doing CIMMfest? Josh Chicoine: There's a lot of it that I do. I really miss just the people and the spirit. I mean, we had an incredible group of volunteers that would come every year and really they were the ones that were able to activate this thing. And so I loved sitting around and dreaming, I loved building marketing materials, if only because then I could have something to go and take to people that I knew and a network that I was building. And I thought it was really a cool thing for the city and it really got me in touch with a lot of old friends and made so many new friends and it kept me—this was right after the M's, and the M's were kind of media darlings and played a lot of shows and, you know, I knew a lot of club owners and I knew publicists and I knew all that network. So it kind of allowed me personally to stay connected to that world. And coming out of there, that's what my kind of career goals were. I was just like, okay, I want to stay in this world, I want to stay connected to these people. So it was my friend Ilko Davidov, who's a Bulgarian filmmaker, and it was his concept. And I was just sort of the right person that was able to come and hoodwink a bunch of people into coming on board and giving me a bunch of money and being able to try to make this thing into a sustainable institution. We never quite got there. It's always resource-light and operations-heavy. And never quite got there, but still just some great memories and really happy and really proud of what we were able to build. James VanOsdol: Thinking about film and music and making short music films, I've wondered this out loud on this podcast before, but I feel like this is a golden moment. This is the time for artists to explore that side of things. I mean, it's not like the 1980s when I grew up, when videos were bankrolled by record labels and there were millions of dollars. Like, you grabbed a GoPro, you sit it on the dash—like, this is a real opportunity for creative expression, I think. I just don't know if enough independent artists are taking advantage of it. Josh Chicoine: I mean, if you look at—I'll have to disagree, I feel like, you know, the barriers are down and people now, everybody's got a pretty decent camera in their pocket at all times. Since the barriers are down and since everybody's got a camera, you can do whatever you want, put it up there, and not going to say it's good, most of it's not, most of it's schlock. But you at least have the opportunity to make something that's decent and the technology affords it. You don't even need to be great at editing. You can cobble stuff together. You really can. I mean, I use a really cheap editing software. James VanOsdol: Can I ask? Josh Chicoine: It's called CapCut. And the same company, I can't remember what they're called, the TikTok corporation, ByteDance. It's a ByteDance product. And I got it because it was cheap and another friend of mine was using it. And he was making some cool stuff, so I was just like, all right, I'm just going to dive in and start doing stuff. And so that's what I did. James VanOsdol: That's DIY. Roll up your sleeves, let's get to it. Josh Chicoine: Yeah, it's just—I had spent CIMMfest was so much about favors and so much about waiting for favors from people that you were either getting a deep discount from or not paying at all. And I know the pain, you know? And it's real. So if you have any kind of means by which you can get a hold of this stuff, then it's just about putting the work in and, you know, time is mine to give or throw away. So, yeah, it's just sort of—I keep getting better and better, I mean other people can be the judge of that, but I feel pretty good about what I've been able to do with hardly any resources. James VanOsdol: It's pretty cool. Josh Chicoine: Yeah, it's pretty cool. James VanOsdol: All right, going back to this album Smoke Tricks again, available on March 13th. Bitter Birdies is how we begin. If you listen close, actually you don't even need to listen that closely, there are dogs barking at the beginning of the song. Josh Chicoine: Yeah, Ralfy. James VanOsdol: I was going to ask. Josh Chicoine: It's my doggie. James VanOsdol: And you were aware when you were recording the dog was part of it, right? Josh Chicoine: Yeah, well, my producer, my co-producer on this was Todd Rittmann and Todd Rittmann was in US Maple. I don't know if you remember that band. Affiliated with Cheer-Accident, of course. James VanOsdol: Of course, always interesting. Josh Chicoine: Yes. Now he's in Dead Rider, for everybody out there who's watching, check out Dead Rider. Yeah, he's fascinating, he's got a great little studio called Shy Diamond Studio down in Logan, just north of Fullerton. And, you know, him and I kind of cobbled this thing together. And I never expected that the piano tracks were the final. So I would just make demos at my house and then I would send them to Todd and I'd be like, "Here's what I'm thinking for this song," and then we would try and fit it in somehow. And he was just—he's like a maestro. He was just like, "I love it, you're never taking away the dog's bark. We're keeping it in there 100%." So I was like, "All right, let's go." Piano sounded fine, sounded good, it's my piano in my living room. I loved it, and that's my boy Ralfy. So he's my spirit animal and I'm glad he's on the record too. James VanOsdol: Good boy, Ralfy. Josh Chicoine: He's a very good boy. James VanOsdol: On this song, I know you want people to interpret songs as, you know, as any artist would suggest, like you want to feel a connection, right? But you do mention "stuck here in Chicago" in that song. Were you feeling—do you feel a weird relationship with the city? Josh Chicoine: I think I love Chicago. It's my favorite city. It's especially my favorite city to come back to. I don't know if you've ever leave for like a little while, but when you come back, it's just like—ah. Especially when you're driving back home and like you catch that first glimpse of the skyline. That is a moment. It's real. So, I mean, when I got that grant from DCASE, it was like, "Oh no, now I got to write a record." They called your bluff. Every time for me, at least, I decide to write a record, I have to figure out how to write a record again. And that—it's like a lot of introspection and a lot of like, "Who am I now? What am I going to write about now?" And it takes a long—it took me a long time. And Bitter Birdies kind of came about based upon that piano that opens it up. I had that piece for a long time, but sort of like lyrically I wasn't quite sure. And my wife and I are going to be married 25 years in June. James VanOsdol: Congratulations, that's a big milestone. Josh Chicoine: Thank you. It's been wonderful. But seven years into our relationship, there was a breakup. Post-college, I mean I was dating her since I was 19. I've known her for a long time. So yeah, moved to Chicago, joined a band, you know, our lives were diverging. And so we broke up. And she went—she quit her job, she was like working at a financial firm downtown. I was in a band, so you can see divergence. For sure. But yeah, she quit her job, she went on walkabout in Europe for six months. And I took myself back to that time. And that time was sort of very freeing and very fun at the beginning, and then the longing just really set in and, you know, the longer my notes and messages would go to her, the shorter and shorter that they came back to me. So it appeared like she was moving on and there was something really heart-wrenching about that for me. So yeah, that song was about that. So, you know, she was having this really great experience and seeing all new things and new people and I was here stuck in Chicago. So I was living in a loft space where Salvage One is now off of Hubbard, between Wood and Wolcott. With these crazy artist people and there were raves and I was making a bunch of music. So it was just like this Kevin Bacon Quicksilver life that I was living. And I just started to really miss her, no matter what I was just like, "What if she came back here and she lived with me in this hovel and we could do this together?" And that's sort of the kind of emotional impulse that I felt from writing that and wanting to get out of it, you know, wanting to get out of that space. So nothing against Chicago, I love Chicago, but you know there's definitely moments where you're just like, "Okay, get me out of here." James VanOsdol: Write what you know. Josh Chicoine: That's I think what I came back to and when I was confronted with that idea and I keep a quote book and Louise Bourgeois said that, "If you're not writing about yourself, then it doesn't mean anything." And I'm parsing—I'm screwing that quote up, but I really took that to heart. So I was like, "Okay, well then I am going to write about myself and my experiences because it's all that I have really that I could feel a connection with." Oh, it's okay up there. I got an ambulance. Ambulance, police car, normal stuff. Stuck in Chicago. Here we are. James VanOsdol: Run Red Lights, which I don't recommend. I mean, I recommend the song. Who's doing the backup vocals on that? Josh Chicoine: Yeah, so that's my friend Melissa and Lindsay. Melissa Busch-Wolford and Lindsay Weinberg. And they play with me in a Fleetwood Mac tribute band called Second Hand News. James VanOsdol: Good segue. I was going to ask about that. Because the backup vocals have a really nice texture in that song in particular. Josh Chicoine: Thanks. James VanOsdol: And that actually dovetails perfectly to the question about working and being part of Second Hand News because you play with those harmonies which are magical. Clearly you bring some of that back to Cult Canyon. Josh Chicoine: Yeah, I think it for me it's always sort of been there. You can hear it in the M's, you can hear it if you listen to Sabres, you can hear it there too. Certainly with Cloudbirds it was very much about the harmonies. And yeah, as I started to enter into this promo world of Cult Canyon, I was just trying to like think about things that were a common thread. And harmonies, singing—that's how I kind of come up with ideas. I just kind of start with the voice, have something on the guitar that's fine. I'm a mediocre guitar player but it's really about voice and vocals. And so when I started playing in Second Hand News, you know, I had never been in a band with women before. I've played music with women before, but not in a band. So it was sort of like, "Oh, this whole another resource that I would love to bring into this project." And they were so game and, you know, they brought their whole selves to it and I think it really shows in the recording. James VanOsdol: I love it. Since we're on the topic of Fleetwood Mac, Tusk. Misunderstood classic or big awful mess? Josh Chicoine: Can it be both? Depends on which side you're on, yeah. I was really naive about Tusk and I had it in my record collection just from a bunch of records that somebody gave me. And I think at one point the—because there's two record sleeves in it—they both got kind of separated. So all of a sudden I had four record sleeves separated and I was like, "Wait a minute, this is a quadruple album? This is crazy." But it wasn't. There's a record sleeve that hides another record sleeve that has the record in it. That's how much money and wasteful money that they had. Because that's coming off Rumours. Like, they could do whatever they wanted. Lindsey Buckingham could do whatever he wanted. And he really did. He really did. And some of it, you know, it could be argued that he shouldn't have done it, but we still play a bunch of jams off of there. The title track to me is still one of the coolest songs of the 1970s. Super cool. I mean, there's a lot on there that are really unheralded. Think About Me is another really good one that we love to play. James VanOsdol: Sara's on that too, right? Josh Chicoine: Oh God, I'm going to get killed by my bandmates. Sara's on there, yeah, it's on there. Let's say yeah, when no one's looking it up. But yeah, we play Sara all the time and it's like seven minutes long and the audience loves it and Melissa crushes it. And yeah, those are just really fun songs to play. And the audiences are crazy. It's like there's 18-year-olds there. James VanOsdol: I was going to say. Josh Chicoine: There's 88-year-olds there. James VanOsdol: It's one of those bands that is transgenerational. My daughter, who's heading towards 21, Stevie Nicks is probably a top five artist for her. For her birthday a few years ago I took her to see Stevie Nicks at the United Center and it was this magical night for her. Like, we walked out of the United Center and she said, "I only cried three times." I'm like, "What do you mean you cried?" "Well, you know, during Gold Dust Woman and... oh gosh, what else did she cry during? Dreams, Rhiannon, and Landslide." Of course, classics. But I mean it is interesting how maybe millennials didn't give a shit, but suddenly like Gen Z is full on board with Stevie Nicks. Josh Chicoine: I take it back to that dude who was on the skateboard chugging cranberry juice and all of a sudden Dreams became something. But it just feels like it's cyclical. It keeps coming back, those songs are just so classic. Timeless, absolutely timeless. And the recordings of them were amazing. So it just seems like they're just not going to go away, which is great for Second Hand News. Yeah, I mean we played the Metro a couple weeks ago. That's amazing. James VanOsdol: That's nuts. Josh Chicoine: Yeah. I love it. James VanOsdol: And to your point, like all ages get into it. That's something you don't get to experience necessarily in the M's or Cult Canyon. Josh Chicoine: It's different. Yeah, it's different for sure. And I think that we—I've been told this by a lot of audience members after the show and they're just like glowing coming out after scream-singing at us for two hours. And they just say like, "You bring so much joy." And I really feel that. Like, we do. I mean the band is killer. And so the band in Second Hand News, the guitar player, bassist, drummer, Mike, Mike, and Dan, they play in Cult Canyon too. So they're the ones who are the backing band on this Cult Canyon record. So I just was just enamored with this whole group and just because we had such good times together on stage and in front of giant crowds and harmonizing and singing and playing those classic songs. So it was just kind of a natural little pivot to bring them into my songwriting and I was really happy that they did. James VanOsdol: I love that. So Rattleback Records, easily a favorite record store of mine. Josh Chicoine: Mm-hmm. James VanOsdol: Releasing the album on vinyl. How important was it for you to have this as a record, as an LP? Josh Chicoine: It was critical for me. I think one of the things—so I released the Sabres record in 2014. And it kind of, like many, many, many, many, many records out there, it just kind of gets—it's like, "Okay, it's out there," and then you tell your friends and then it just doesn't really go anywhere. James VanOsdol: And that ambitious ordering of 500 records turns into, "Okay, we're still sitting on 250." Josh Chicoine: I have a lot of CDs. Let's put it to you that way. Hit me up if you want a CD by Sabres. I'll just give it to you. It's got—anyway. Yeah, so I think I was determined to at least try and make a stink with this Cult Canyon record. And I really liked it. And so one of the first things I did was I talked to my friends in the AM Slingers, who are another Rattleback band and they're friends of mine too. And I knew that Paul over at Rattleback had put out a 7-inch of theirs. And by put out, I mean he paid for it. So he facilitated the production and then, you know, created a connection between the band and the record store. Really love that idea, you know? It's going to be DIY anyway, it's all about building community bit by bit by bit. So I was introduced to Paul kind of—I don't even remember when, it's probably a year ago now, if not more. And he was really intrigued and I sent him a bunch of songs including the Golden Line EP, which he really loved. And that just gave me a lot of confidence, and so I took this Smoke Tricks record and I was like, "I'm really looking for somebody to help me out with this." And he was game and continues to be game. James VanOsdol: I love that. Josh Chicoine: It was his dream to have a boutique record store. And that happened, and then it was his dream to have a boutique little tiny record label. So that happened. James VanOsdol: I've never been in that store, by the way, where it hasn't been busy. Josh Chicoine: Oh good. James VanOsdol: No, I mean I love going there. Like, they've got one of the best, I think, mixes of new and used and their prices are very reasonable. Josh Chicoine: I agree. I agree. Yeah, they have a lot of cool chotchkies around, good t-shirt collection. It's like a proper record store. James VanOsdol: And I mean if you're one of those budget-bin divers like there's dollar records, you'll hurt your knees going through them, but I mean there's occasionally gold to find in there. Josh Chicoine: I agree. It's everywhere. James VanOsdol: But yeah, it's a cool place, I mean right over there on Clark Street. And I love just that kind of brand extension for Rattleback. Like it makes so much sense. Josh Chicoine: I love that. I love that for Paul, I love that we were able to become a part of that and we're putting on a showcase of Rattleback Records artists May 29th at the Burlington. James VanOsdol: Nice. Which for the record, one of the loudest rooms in Chicago. Josh Chicoine: That's right. We'll do what we can, but I mean it's hard, it's like a lot of hard flat surfaces and they didn't do any soundproofing or nothing. So, yeah. James VanOsdol: That's good. That's part of its charm. Josh Chicoine: It's part of the charm. Yeah, yeah, you know what you're getting into when you go back there. Just bring earplugs, what's the big deal? James VanOsdol: Just bring ear—that's—if you bring earplugs, you're good. Josh Chicoine: Yeah, that's right. James VanOsdol: But if you go deaf, I mean who better to go deaf from? Josh Chicoine: Yeah, that's a badge of honor. It's a badge of honor. I mean it's not a good recommendation, I would say. But if you want good earplugs, just go to Sensaphonics down there on Milwaukee Avenue. Shout out. Yesterday was National Hearing Day and I got myself fitted for a new pair of earplugs. James VanOsdol: Smart. Josh Chicoine: And it basically—it's no joke. No, it's no joke if you listen to a lot of live music. It basically just turns the volume down. The clarity is still there versus sticking toilet paper in your ears or those foam things. James VanOsdol: Exactly what they feel like. Or those like pool noodles shrunk down. Josh Chicoine: Yeah, that's right. They're good if you want to sleep. If you're like on tour and everybody else snores in your hotel room, then those are really effective. James VanOsdol: For sure. All right, so Smoke Tricks is the album. It's awesome. It comes out on March 13th. The Hideout is the release show on March 14th. And onward and upward. What a great record, you really did it. Josh Chicoine: Thanks, man. I really appreciate it. That was nice talking to you. Are we done? Is this the wrap? James VanOsdol: This is the wrap. Josh Chicoine: All right, love it.

In the third hour, Leila Rahimi and Marshall Harris discussed a variety of sports topics in the 5 On It segment. After that, they shared what had Cubs manager Craig Counsell upset recently. Later, they previewed the Bulls-Thunder game Tuesday evening at the United Center.

Linktree: ⁠⁠https://linktr.ee/Analytic⁠⁠Join The Normandy For Ad-Free NME, Additional Bonus Audio And Visual Content For All Things Nme+! Join Here:⁠⁠ ⁠⁠⁠⁠⁠⁠https://ow.ly/msoH50WCu0K⁠⁠ The Notorious Mass Effect segment examines “7-3” by Peso Pluma & Tito Double P, a standout track from their collaborative album Dinastía, released December 25, 2025, via Double P Records. Hosted by Analytic Dreamz, this breakdown covers the 15-track project's chart dominance and the song's role in corridos tumbados' global rise.Peso Pluma (Hassan Emilio Kabande Laija, born 1999, Zapopan, Jalisco) and cousin Tito Double P (Jesús Roberto Laija García, born 1997) blend Sinaloa-style corridos with trap/reggaeton influences. Dinastía debuted at No. 1 on Billboard Top Latin Albums and Regional Mexican Albums, No. 6 on Billboard 200, Top 10 on Billboard Global 200, and No. 1 on Spotify Global Albums Chart.“7-3” peaked at No. 9 on Hot Latin Songs (Jan 2026), No. 9 on Mexico Songs, and No. 53 on Billboard Global 200. It amassed over 111 million Spotify streams (as of early March 2026) and 33+ million YouTube lyric video views, fueled by heavy playlisting, TikTok virality, album bundling, and tour exposure.The upbeat corrido features flex-heavy lyrics, relationship undertones, and modern urban production, embodying the album's "duality" and family yin-yang theme.The Dinastía by Peso Pluma & Friends Tour launched March 1, 2026, at Climate Pledge Arena in Seattle with a 36-song setlist. “7-3” opened as Song #2 after the intro, followed by “Billetes,” “Malibu,” “Putielegante,” and more. Tito performed solo tracks, with guests Yahritza y Su Esencia, Armenta, and Rey Quinto. The 30-city U.S. arena/amphitheater run (produced by Live Nation) wraps May 7 at United Center in Chicago.Analytic Dreamz analyzes key insights: rapid 100M+ Spotify milestone, strong Latin market consumption (Mexico, U.S., Latin America), crossover traction, playlist ecosystem strength, and reinforcement of Peso's regional Mexican global expansion. As a Top 10 Latin hit and album pillar, “7-3” drives sustained momentum in this dominant cycle.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/exclusive-contentPrivacy & Opt-Out: https://redcircle.com/privacy

WELCOME, WELCOME, WELCOME TO CHICAGO!

The 2026 Elimination Chamber, also promoted as Elimination Chamber: Chicago , is a livestreaming event produced by WWE. It will be the 16th Elimination Chamber event and will take place on February 28, 2026, at United Center in Chicago, Illinois, held for wrestlers from the promotion's Raw and SmackDown brand divisions. The event is based around the Elimination Chamber match, a type of multi-person elimination-based Steel Cage match in which championships or future opportunities at championships are at stake.Hosted on Ausha. See ausha.co/privacy-policy for more information.

WWE ELIMINATION CHAMBER 2026 LIVE BREAKDOWN

Cam Smith and K.C. Johnson break down the Bulls' frustrating 10-game losing streak and what's fueling the slide, from late-game execution to lineup adjustments. The guys also discuss the opportunity emerging from the skid, including the valuable minutes Rob Dillingham is logging and what that experience could mean for his long-term development in Chicago. They also dive into Matas Buzelis' breakout 32-point performance against the Charlotte Hornets and what it says about his ceiling moving forward. Plus, former Bull Coby White makes his return to the United Center in a Hornets uniform for the first time since the trade, adding another emotional layer to a pivotal stretch of the season.

Welcome to Episode 170 of Wrestling Tonight, powered by G FUEL and Dick Lazers. Use code TAVERN to save 20 percent at GFUEL.com and DickLazers.com. Acefield Retro and Chad return this week with a focused, comprehensive look at WWE Elimination Chamber: Chicago, and the broader business and legal context surrounding the event as WrestleMania 42 approaches. Elimination Chamber is not simply a February premium live event. The 2026 edition marks WWE's first televised event at the United Center since SummerSlam 1994, the first U.S.-based Elimination Chamber since 2021, and the final structural checkpoint before WrestleMania 42. With title implications and WrestleMania main event positioning attached to multiple matches, this show operates as a pivot point in WWE's calendar. We break down the full card in detail. The World Heavyweight Championship headlines in Chicago as CM Punk defends against Finn Bálor in Punk's hometown. What began as professional respect shifted into hostility after Bálor was excluded from the Royal Rumble match and responded with a direct assault on the champion. Despite reported hesitation from management within storyline, Bálor forced the issue and secured the title match. A Bálor victory would immediately reshape the WrestleMania 42 main event picture. The Women's Intercontinental Championship match between Becky Lynch and AJ Lee is built on competitive imbalance. Since returning, AJ has submitted Becky twice in non-title settings, creating a dynamic where the champion is defending not just a title but her standing within the division. This is less about opportunity and more about restoring hierarchy before WrestleMania season locks into place. Both Elimination Chamber matches will determine WrestleMania challengers. On the men's side, the field includes Drew McIntyre, LA Knight, Sami Zayn, Bron Breakker, and Damian Priest, with one final qualifying spot to be decided on the go-home edition of Raw. Historically, the Chamber has either elevated a rising star or reinforced an established main event presence. With a mix of veteran credibility and emerging power, WWE appears to be actively testing which direction serves WrestleMania best. The women's Chamber features Bayley, Bianca Belair, Liv Morgan, Jade Cargill, and Shayna Baszler, with one final entrant pending. Complicating the stakes is Rhea Ripley's pending WrestleMania decision as Royal Rumble winner. The eventual Chamber victor will not know their WrestleMania opponent until Ripley makes her choice, adding strategic uncertainty to the structure. Beyond the in-ring narrative, we examine WWE's reported restriction of public Elimination Chamber watch parties within the Chicago market. Multiple local venues were allegedly informed they could not host public viewing events. With ticket distribution reportedly below configuration and entry prices exceeding $260, the move appears connected to protecting live gate revenue. We discuss the business rationale, the optics in a historically strong WWE city, and the long-term implications for fan goodwill. We also address the week's most significant off-screen development. Janel Grant appeared publicly at a Connecticut Alliance to End Sexual Violence briefing, where she discussed the impact of non-disclosure agreements in workplace misconduct cases and referenced the NDA central to her lawsuit against WWE and Vince McMahon. Grant spoke about the mental health toll of being publicly identified, her SEC whistleblower status, and directed remarks toward TKO leadership. As WrestleMania season accelerates, we analyze the corporate, legal, and reputational implications for WWE and its parent company. Additionally, reports indicate uncertainty regarding Chris Jericho's AEW contract status, with speculation that his deal may be paused or frozen during his television absence. While AEW has not confirmed details, the timing raises legitimate questions about contract structure, injury clauses, and potential movement in 2026. Inside the Chamber, WrestleMania challengers will be determined. Outside the ring, issues of access, optics, and corporate accountability continue to shape the broader conversation. Episode 170 examines both dimensions with clarity and depth as WrestleMania season moves into its decisive phase. Listen now.      

Early voting for the March primary has officially begun. Host Jacoby Cochran, The Triibe's Tonia Hill, and Injustice Watch's Charles Preston are discussing important races to watch, including the 7th Congressional District, and helpful resources like the Injustice Watch judicial guide. Plus, Derrick Rose joins the new United Center development, and Caleb Williams heads to the NBA All-Star weekend. Good News: Purple Box Videos Don't miss City Cast's newest podcast "Your City Could Be Better." CEO and host David Plotz talks with City Cast hosts and producers across all 13 cities about what our cities are doing right and wrong. Want some more City Cast Chicago news? Then make sure to sign up for our daily newsletter. Follow us @citycastchicago You can also text us or leave a voicemail at: 773 780-0246 Learn more about the sponsors of this Feb. 13 episode: Chicago Board of Election Commissioners Access Contemporary Music – Use promo code PIANO for 20% off Window Nation Chicago Architecture Center South By Southwest – Unlock a 10% discount on your Innovation Badge when you use code citycast10 Become a member of City Cast Chicago. Interested in advertising with City Cast? Find more info HERE

On this episode of the Blackhawks Breakaway Podcast, Pat Boyle and Charlie Roumeliotis break down Chicago's 6-3 win over the San Jose Sharks to snap a five-game winless skid. The guys highlight the third line of Ryan Donato, Jason Dickinson and Ilya Mikheyev, who led the charge by combining for 10 points. Pat and Charlie also dive into the Connor Bedard vs. Macklin Celebrini matchup, addressing the comparisons between the back-to-back No. 1 overall picks. They discuss their friendship, competitive fire, and the traits that make each player special. The guys also examine Team Canada's Olympic roster, which continues to take hits due to injuries, and whether that could open the door for Bedard to earn an injury replacement spot. Plus, Pat and Charlie give their flowers to Connor Murphy as the NHL trade deadline approaches, discussing his impact on and off the ice and whether he may have played his final game at the United Center as a member of the Blackhawks. They wrap up by discussing Artyom Levshunov's development as the Blackhawks work with him on key foundational elements of his game, while also putting into perspective the cultural adjustment facing the 20-year-old defenseman.

Chicago City Council advances plan to strengthen enforcement of the Welcoming City Ordinance. THC drinks have come to the United Center. A Congressional Budget Office report shows $21 million was spent on deploying the National Guard to Chicago for “Operation Midway Blitz”.In the Loop breaks down those stories and more with Fox 32's Paris Schutz, WBEZ's Dan Mihalopoulos and Carrie Shepherd of AXIOS Chicago. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

In the third hour, Matt Spiegel and Anthony Herron listened and reacted to the highlights of Bulls icon Derrick Rose's speech as the organization retired his No. 1 jersey Saturday night at the United Center. After that, former Bulls center Will Perdue joined the show to reflect on Rose's legacy.

On this episode of the Blackhawks Breakaway Podcast, Pat Boyle and Charlie Roumeliotis break down why Chicago's power play has gone cold with a 0-for-17 stretch over the last seven games, and discuss recent unit shake-ups and practice adjustments aimed at fixing it. They also dive into Connor Bedard's game as he has just one goal in his last eight games since returning from a shoulder injury, and what the Blackhawks can do to get him going again. The guys discuss Bedard skating with Frank Nazar and Teuvo Teravainen (who's tracking toward a return) and whether his recent play could impact Team Canada's decision if they need an Olympic injury replacement. Pat and Charlie also take an early look at Chicago's trade deadline approach, plus Nick Lardis being assigned back to the AHL's Rockford IceHogs. The show wraps up with a preview of the Moms Trip and a recap of an emotional Hockey Fights Cancer Night at the United Center.

Leila Rahimi and Marshall Harris broke down the Bulls' 129-118 loss to the Lakers on Monday at the United Center.

Leila Rahimi and Marshall Harris opened their show by reacting to Bears wide receivers room Antwaan Randle El's recent praise of receiver DJ Moore. After that, they discussed what the Bears' expectations will be for 2026. Later, they broke down the Bulls' 129-118 loss to the Lakers on Monday at the United Center.

Cam Smith and K.C. Johnson open the episode by reflecting on an emotional night at the United Center as the Derrick Rose jersey retirement takes center stage. They break down what the moment meant for Rose, the franchise, and the city, before diving into the on-court action that followed as the Chicago Bulls edged the Boston Celtics on Kevin Huerter's game-winning shot. From there, the guys recap a tough loss to the Los Angeles Lakers, sparked by a big first half from LeBron James and a double-double from Luka Dončić. They also highlight Coby White who is playing some of his best basketball of the season, Josh Giddey finding his rhythm since returning from injury, and Matas Buzelis earning another Rising Stars nod while opting out of the dunk contest. The episode wraps with a look ahead to a packed stretch of games, including multiple matchups with the Miami Heat and a visit from the Indiana Pacers, plus a debate on whether the Bulls should keep leaning into their effective double-big lineup.

Matt Spiegel and Anthony Herron listened and reacted to the highlights of Bulls icon Derrick Rose's speech as the organization retired his No. 1 jersey Saturday night at the United Center.

Matt Spiegel and Anthony Herron were joined by former Bulls center Will Perdue to reflect on franchise icon Derrick Rose's legacy after the organization retired his No. 1 jersey Saturday at the United Center.

In Interviews of the Week on 670 The Score, Bulls legend Derrick Rose joined the Mully & Haugh Show to reflect on his career ahead of the organization being set to retire his No. 1 jersey Saturday night at the United Center; Arlington Heights mayor Jim Tinaglia joined the Mully & Haugh Show to discuss the Bears' pursuit of a new stadium to and to share why he believes it's in the best interest of "everybody" for the organization to play in his village; and FS1 host Danny Parkins joined the Rahimi, Harris & Grote Show to reflect on the Bears' successful 2025 season.

On this episode of the Blackhawks Breakaway Podcast, Pat Boyle and Charlie Roumeliotis break down a memorable weekend for the Blackhawks, highlighted by the return of longtime former captain Jonathan Toews. They discuss Toews receiving one of the loudest and longest ovations ever at the United Center and reflect on his lasting impact on the city of Chicago and the Blackhawks community. Pat and Charlie also weigh in on Chicago Bears star quarterback Caleb Williams electrifying the crowd with his surprise front-row appearance alongside Cubs star outfielder Pete Crow-Armstrong, adding to an already special atmosphere. They discuss the uniqueness of Chicago's young sports stars showing support for one another. Plus, the guys recap Centennial Celebration Night, which honored the Blackhawks' Banner Years with tributes to the 2010, 2013 and 2015 Stanley Cup teams and featured more than 25 alumni in attendance along with the Stanley Cup itself.