Podcasts about rosemead

How would a psychologist view the TV series, The Chosen? What does the portrayal of the characters, namely Jesus, say about how we connect with God? We'll talk about these questions and more with our guest, Rosemead colleague and psychologist, Dr. Liz Hall, who contributed to a new book, Watching The Chosen. Dr. Liz Hall is Professor of Psychology at Rosemead School of Psychology, Biola University. Her research interests include women and work, mothering, sexism, embodiment and meaning-making in suffering. She has published numerous articles and book chapters on these topics. In all of these areas, she strives to bring together psychological research and theological insights. ==========Think Biblically: Conversations on Faith and Culture is a podcast from Talbot School of Theology at Biola University, which offers degrees both online and on campus in Southern California. Find all episodes of Think Biblically at: https://www.biola.edu/think-biblically. To submit comments, ask questions, or make suggestions on issues you'd like us to cover or guests you'd like us to have on the podcast, email us at thinkbiblically@biola.edu.

Message us here!How do you turn a haunting true story about family mental illness into a national conversation about stigma? This is the third and final episode of the series diving into the movie "Rosemead," a moving true story about how a Chinese immigrant mother (played by Lucy Liu) faces schizophrenia, stigma, and the fear of becoming a burden. In this episode, director Eric Lin shares how he was able to create such a honest, complex portrait of mental illness in a marginalized family.Eric opens up about seeing his own family dynamics reflected in the script: the pressure to appear strong, the instinct to hide hard truths, and the painful isolation that grows when a community doesn't have the language or resources to help. We go behind the camera to explore how the team built an honest, human portrayal of psychosis. Eric drew from first-person accounts and documentaries to shape psychotic episodes that feel present yet accessible. That craft choice keeps Joe grounded in our empathy rather than lost in stereotype. We also confront the delicate thread tying public fear of mass shootings to mental illness, and why the film refuses sensational shortcuts while acknowledging a parent's very real terror.The finale gets the care it deserves: Lucy Liu's performance arrives in a single, shattering take for the devastating ending. The result is not shock for its own sake, but a moment that honors love, loss, and the cost of silence. If you care about mental health, immigrant family dynamics, or the ethics of portraying schizophrenia on screen, you'll find a lot to resonate with. Go see "Rosemead" in theaters so you don't miss being part of the conversation.Resources:Rosemead on IG: @rosemeadfilmErin Lin on IG: @holdtheframeSupport the showIf you're navigating someone's mental health or emotional issues, join KulaMind, our community and support platform. In KulaMind, we'll help you set healthy boundaries, advocate for yourself, and support your loved one. Follow @kulamind on Instagram for podcast updates and science-backed insights on staying sane while loving someone emotionally explosive. For more info about this podcast, check out: www.alittlehelpforourfriends.com

Welcome back ragers to the best movie review podcast on the planet. The rage rolls on from the Film Rage Studio. This week the Film Rage Crew went to three films in cinema. First we discuss Is This Thing On? with Will Arnett cracking wise onstage. Then The Mother and the Bear showcases beautiful Winnipeg, Manitoba. And finally the best Lucy Liu has ever been in Rosemead... according to Jim. C'mon Jim, she was pretty good in those Charlies Angels movies. Then it is the return of the Rage or Dare segment as the boys were forced to watch the 2005 version of The Fog. Introduction-0:00 Murman Predicts-1:26 In Cinema Is This Thing On? (2025)-5:22 The Mother and the Bear (2025)-18:29 Rosemead (2025)-29:26 Murman Minute-35:24 Open Rage Jim's Open Rage- Creepy commercial-47:17 Bryce's Open Rage- Popcorn ceiling-51:04 Rage or Dare The Fog (2025)-54:00 Bryce pulls from Jim's goodie bag-1:07:20 Outro-1:09:09 Thanks Ragers for listening to our film review podcast. Rage On! https://www.filmrageyyc.com/ https://filmrage.podbean.com/ https://www.facebook.com/filmrageyyc https://nerdyphotographer.com/social/ https://www.leonardconlinphotos.com/

The movie year of 2026 begins in earnest this week on the podcast with Erik Childress and Steve Prokopy looking at ten films, some of which are expansions of 2025 releases. There's a Harry/Sally-like rom-com (People We Meet on Vacation). Steve checks out a documentary of a famed writer and Holocaust survivor (Elie Wiesel: Soul on Fire), plus a pair of true stories with Lucy Liu caring for her schizophrenic son (Rosemead) and the tale of an emergency call from a six-year-old trapped in a car in Gaza (The Voice of Hind Rajab). The true stories continue with Kristen Stewart's harrowing directorial debut of a woman plagued with memories of sexual abuse (The Chronology of Water), Gus Van Sant's latest about a 1977 hostage situation (Dead Man's Wire) and Ralph Fiennes tries to get people to sing during WWI (The Choral). Two varying apocalypses occur with Daisy Ridley discovering that the victims of a catastrophic explosion are only mostly dead while Gerard Butler and his family have to leave their bunker (Greenland 2: Migration). With all that horror this week, the show wraps up with some chimpanzee terror (Primate).2:29 - Elie Wiesel: Soul On Fire8:46 - People We Meet on Vacation22:39 - Rosemead28:52 - The Chronology of Water41:02 - The Voice of Hind Rajab47:52 - Dead Man's Wire59:59 - The Choral1:09:46 - We Bury the Dead1:18:39 - Greenland 2: Migration1:25:41 - PrimateCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCASTSIGN UP FOR AUDIBLEBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Think about the histories of your family or memories from your past. What if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? Tonight's edition of APEX Express features three filmmakers who created magical realism short films centering AAPI women. Listen to directors Cami Kwan, Dorothy Xiao, and Rachel Leyco discuss their films and experiences behind the scenes with host Isabel Li. Cami Kwan: Website | Instagram | Seed & Spark Dorothy Xiao: Website | Instagram  Rachel Leyco: Website | Instagram   Transcript 00:01 [INTRO] Isabel: You're tuned into Apex Express on KPFA. Tonight's edition is all about stories. Think about the histories of your family or memories from your past. Now, what if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? I'm your host, Isabel Li, and today we have three very special guests, Cami Kwan, Dorothy Chow, and Rachel Leyco. All of them are AAPI filmmakers who received the Julia S. Gouw Short Film Challenge grant from the Coalition of Asian Pacifics and Entertainment and have created short films featuring AAPI stories with magical realism. My first guest of the night is Cami Kwan, a Chinese-American director specializing in stop-motion animation who directed the short film Paper Daughter.  Hi Cami, welcome to APEX Express!  Cami: Hello, thank you so much for having me. Isabel: How do you identify and what communities do you consider yourself a part of?  Cami: So I identify as a queer Asian American woman um and I am a descendant of immigrants, of Chinese immigrants. um Then the communities that I am part of, part of the queer community, part of the Los Angeles community, part of the Chinese American and Asian American community, part of the mixed race community and part of the stop-motion animation and independent artist community.  Isabel: I'm so excited to talk to you about your upcoming short film, Paper Daughter, a gothic stop-motion animated Chinese-American fairy tale about a young woman grappling with the guilt of using the identity of a deceased girl to immigrate to the US via Angel Island in 1926, which is such a fascinating concept. Can you tell our listeners a little bit about how you came up with this story and the historical specificity behind it?  Cami: Absolutely, yeah. So like I mentioned, I'm the child of immigrants, descendants of immigrants rather. So my great grandparents immigrated to the US from China. My great grandfather came over in 1916 and my great grandma came over in 1926. And so I've always grown up knowing the story of Angel Island and knowing the story about the paper sons and paper daughters who had to find any way into the United States that they could. And so they were forced to, you know, take on the identities of other people. And those stories have always stuck with me, you know, like it's very personal. Angel Island means a lot to me and my family. And just the extreme measures that people have always had to take just for the chance at a better life have always been really meaningful to learn about. just the like, I'll use romances in like the art movement, like romantic. It's very romantic and kind of fairy tale-ish, the idea of having to take on a new identity and pretend to be somebody that you're not. And often those identities would be people who had passed away, and then those families had then sold those identities or given those identities to new people. And so it's so interesting the idea of being like the last person to know somebody so deeply, but you'll never get to meet them and you'll never be able to thank them or repay what they sacrificed for your future. And that's kind of how I feel as a descendant of immigrants. The sacrifice that my family made for me was made so long ago that there's no way for me to ever pay it back. And I didn't really get a say in whether I received that sacrifice or not. And I think a lot of descendants of immigrants kind of have to struggle with this. What does it mean for us to be given this new chance at the cost of somebody who came before us? And so that's all of that kind of rolled up into this 14-minute film. Isabel: You describe your film as being in a gothic style? Can you describe what this looks like and why gothic?  Cami: The subject matter is just so naturally gothic. It's dealing a lot with death and a lot with guilt and those big capital R romantic subjects and stuff. My day job, my day-to-day job is working in stop-motion animation directing mostly like children's series and mostly toy related stuff. And so I spent so much of my time in the happy brighter like birthday party storyline kind of like space. But what really made me want to be a filmmaker in the first place were all these like heavier themes, these bigger themes, films by Guillermo del Toro and like Tim Burton and Henry Selig and Hayao Miyazaki and all of those kind of have this like gothic edge to them. And so that's like a story that I've been a type of story I've been wanting to tell for about a decade now.  Isabel: Stylistically, how does this show up in your film? So I imagine darker colors or do you have a visual like preview for us?  Cami: it is a little bit in the darker color space, but it's still very colorful despite all that. It's moody more so than dark, I would say. um We have a lot of like light and dark themes, a lot of like shadow. stuff and um a lot of magical realism, which is where that fairy tale aspect kind of comes in, because you're dealing with things that are so abstract, like guilt and sacrifice and wearing the identity of somebody else, that there's no literal way to convey that. Well, there are literal ways to convey that, but none of those literal ways I feel fully convey the emotional weight of everything. And so we've gone in this very magical realism space where people are tearing information out of these booklets that contain information about the person they're supposed to be and creating these paper masks out of them. And so yeah, there's this whole like magical aspect that tends to be kind of darker. There's imagery of just like being consumed by the identity that you're just supposed to temporarily wear. And there's a lot of like, yeah, there's a lot of darkness in those themes, I think.  Isabel: Wow, that's so interesting. I'd love to learn more about stop motion. What does stop motion make possible that isn't as easily accomplished through other forms of filmmaking? Cami: Yeah, I think the reason why I'm drawn to stop motion, what I stop motion makes possible is like a universality of just like a human experience because with other kinds of animation and other kinds of filmmaking, like there is kind of like an opacity to like how it's made. There's this this veneer, this magic to it, and there's that magic to stop motion too. But the difference between all of those and stop motion is made out of like everyday materials. It's made out of fabric. using paper. We're using clay. We're using materials that people have encountered in their day-to-day lives. And like, that's the one thing that we are all guaranteed to have in common is that we live in a material world and we encounter these textures and materials around us. so by like taking such a specific story and trying to convey such universal themes, it really like behooves us to be using like um a medium that is as universal as stop motion is. So I think that's like the big thing that stop motion unlocks for us. Plus also story-wise, like it's very paper centered, paper daughter, they're tearing paper strips, they're making paper masks. So like physically using these paper textures adds a lot to our world. um And I think working in stop motion gives you a degree of control that live action doesn't give you because we're creating. all of our characters, all of our sets by hand, which gives us so much of a say over what they look like and what they convey based on how they're constructed and stuff. And that's just a degree of communication that nothing else brings.  Isabel: I love that this is a magical realism film and you mentioned Guillermo del Toro. I know that in your campaign trailer, you featured Pan's Labyrinth, which is my all-time favorite movie.  Cami: Me too! Isabel: Yeah! How exactly did you come up with this specific blend of history and fantasy for your film?  Cami: I think that it's almost a natural human instinct to kind of have history and fantasy. Like, that's all that histories are, just stories told to us. And it's just being less literal about it and really leaning into the metaphors that we might use to convey the emotional realities of those histories, right? And so I feel like Del Toro does that a lot with his work. And Miyazaki as well does a lot of that with his work. So much of it deals with unpacking like World War II and things like that. And that's something that I've always just personally been drawn to. Even as a kid, my dream jobs were archaeologist or animator. And so here I kind of get to like do a little bit of both of those, know, like using the magic of animation to make history feel a lot more present and tangible and like emotionally relevant, which is It's really quite poetic to be able to be telling this story right now because it's going to mark the 100 year anniversary of my great grandmother's immigration to the US. I think we are due for an examination of immigration in our country. And I'm very interested to see how people respond to the questions that this raises of how different is the immigrant experience 100 years later. Have we gotten better? Have we gotten worse? Like I would posit it's perhaps worse now than it was then, but I'm really hoping to like, yeah, bring that reality into a more approachable space. And I feel like having that blend of magic and history just makes it a little bit more approachable than telling it in a literal way, you know? Isabel: Those are some great questions to ask. And on that same note, I'm interested in the specificity of Angel Island as well. What types of research did you do to produce your film?  Cami: Oh, gosh, I read every book I could find about it. have… How many books were those? Oh, my gosh, I want to say, like, not as many as I want there to be, you know? Like, Angel Island is not as well covered in history as places like Ellis Island, and there's a lot. to unpack as to why that may be, especially like the racial aspect of it. But I probably read about a dozen different books to prepare for this film. One of the most concrete and useful books that I read is a book called Island, and it's a collection of the poems that are carved into the walls of the men's barracks that remain on Angel Island. And those poems are a huge part, perhaps, the reason why Angel Island has even been preserved as a historical landmark. And so um the three authors went to great pains to replicate these poems, translate them into English, and provide a lot of historical context for the different topics of the poems. And there's a lot of like first-hand testimony from people who immigrated through Angel Island that they interviewed and included in this book. And so I do think that that book, Island, is like the primary source of most of my research for it. Everything else is more like quantitative history and quantitative data. Oh, also The Chinese in America by, I believe it's Iris Chang, that it's not just about Angel Island, but I read that and that gave me a much better understanding about like the place that Chinese immigrants have in American history. Because when I was a kid, like I really only ever learned about great grandma came over through Angel Island and now we're American and we live in America. But our history, as far as I was ever taught, begins and ends with us entering the United States. And so reading um the Chinese in America gave me a much broader understanding about, like, why did we leave China in the first place? And like, what has it meant for us to be in America as Chinese people since then? Yeah, all that came out of like in 2020 and 2021 when the rise of anti-Asian hate crimes were kind of coming about. I personally had to have a huge reckoning with like my racial identity and like how that has impacted like my experience growing up as a mixed-race person who's pretty perceivably Asian and all that stuff. So it was a really whole circle broad situation. Oh, I want to do a quick shout out to the Angel Island Immigration Station Foundation. They were very generous with their time and they answered a lot of my questions and sent me a lot of archival images from Angel Island. So I want to thank them so much for their help in the research process of this.  Isabel: Oh, wow. How fascinating. Did you have any expectations on how the production process was going to go? And now that you're on the other side of it, what are your reflections?  Cami: I had no expectations as to whether we were going to get outside funding or not. Like I, I'm not an experienced or adept grant applicant. Like, it was really just because this was the right kind of project to fit with those kinds of grants. So I had no expectations there. So I am beyond thrilled to have received the support from Cape and Janet Yang and Julia S. Gouw and Shorescripts that we've received, like beyond thrilled for that. So that exceeded all of my expectations. um But as far as how the actual production has gone, the fabrication and the animation and the post-production, that's all stuff that I'm extremely familiar with. Again, that is my day-to-day life, that is my job, that is like what I have done for the last eight years at my studio, Apartment D.  So that all went pretty much as I hoped and expected that it would, but here on the other side, the one thing that has surprised me about it was how much love all of the artists put in this project because like we've said so much in this conversation, there's so much specificity to this. This is about my great grandma. This is about my family and my feelings about being a descendant of immigrants. It's so specific that I wasn't sure how emotionally it would resonate with anybody else that wasn't me or wasn't part of the AAPI community, you know?  But every single person — doesn't really even matter if they were Asian, doesn't really even matter if they have a specific connection to immigration — every artist that I asked to join me on this project, I immediately understood what it meant and understood what we were trying to say. And they put so much love into it. And like, we all put a lot of love into everything we do. It's stop motion. It's like, you don't do this unless you love it, you know, because you certainly are not doing it for the money or anything. um everyone was just so…I'm gonna say careful, but I don't mean careful like cautious. I mean careful like full of care. And I did not expect that and I am so grateful for it. Yeah, looking back, it's just so precious and so tender and like I'm so fortunate to have had the crew with me that I had to make this film.  Isabel: That's so lovely. What are you most excited about upon completing your film?  Cami: I'm just excited to share it with the world. I'm so proud of it. It is truly, and I'm not just saying this because it's my baby, but it is very beautiful and it is very special. For a lot of us, one of the first times that we've been able to be in charge of our own departments or to make the decisions that we wanna make and tell things, do things, show things the way that we think they should be done. And so it's kind of significant for many of us to have this film come out and to be received. What I want people to take away from it is an appreciation and a gratitude for everything that has had to happen for us to be where we are now. And I also really want people to take away the unconditional love that has occurred for us to be in the country that we have and to be the people that we are. Every single person is where they are. doesn't matter if you're in America or anywhere else, like we are all here because of the sacrifices that were made by the people who came before us. And those were all made out of unconditional love. And that's like, I want people to come away from this film remembering that our country is built on the unconditional love and sacrifice from people who came before us. And then wanting to give that unconditional love and sacrifice to everybody who's gonna come after us. Isabel: Such an amazing message. And I know that there's still lots to do and you still have a lot to celebrate with your upcoming film and with the festival circuit with Paper Daughter. But looking ahead, do you have any plans of what you want to do after the short film?  Cami: Yeah, I would love to bring it into a feature. There was so much that we had to cut out to make this film. On one hand, I'm glad that we cut out what we did because I think the film as it is, is like so tight and so like airtight and good and perfect and sparse in a really nice way, but we don't even get to delve into life before Angel Island. It begins and ends on the island, and I would love to explore the stories that brought this all about and the stories that come after. So bringing this up into a feature version and getting that in front of people would be amazing. And I have a couple other short film and feature film and script ideas that I would like to start working on as well. I've kind of really, I'm really grooving on the like Asian early Chinese American history. um So most of them are going to be set in California and focus on like Chinese immigrants and their role in the founding of America. um I'm really excited for the like, after all the film festivals, I really want this film to end up in classrooms. And I even just the other day like I have a friend who's a third and fourth grade teacher and she showed it to her class and then the students asked me questions about Angel Island and about animation. if this can play any part in helping to spread the story of Angel Island and the people that immigrated through there, like that's all that I could ever want from this. So I'm really excited for that.  Isabel: That's wonderful. I'll put your website, social media and seed and spark page for Paper Daughter up on kpfa.org so our listeners can learn more about this stop motion film and get updates for how they can watch it. I can't wait to see it when it comes out. And Cami, thank you so much for joining me on Apex Express today.  Cami: Of course, thank you so much for having me. It was a great, great time talking with you.  Isabel: You just heard Cami Kwan talk about her film Paper Daughter. On Apex Express tonight, we have two more special guests who made magical realism short films. Next up is Dorothy Xiao, who made the film Only in This World. She's a Los Angeles-based award-winning filmmaker who likes to create grounded family dramas with a hint of fantasy.  Hi, Dorothy. Welcome to APEX Express.  Dorothy: Hi. Thanks for having me!  Isabel: Of course! Thank you for coming here. My first question for you is actually quite broad. How do you identify and what communities are you a part of?  Dorothy: Oh, that is a good question. I think in a broader sense. I would say, obviously, I identify as an Asian American. um But I think, like, for me, because I grew up in the 626 or the San Gabriel Valley, I grew up with a lot of people who looked like me. So I think I didn't truly identify as being Asian or had awareness of my identity until later on when I went to college. And then I took Asian American Studies classes and I was like, oh, wow, I'm Asian. Or like, what does it mean to be Asian? You know, like, I think I, at that time, prior to recognizing and understanding what it meant, and also even to be a minority, because at that, like I said, growing up in 626, even going to UCLA, where I'm surrounded by a lot of Asians, I never really felt like a minority. But I think it was really after graduating where I, depending on the spaces that I would enter into, especially in the film industry, I was learning like, oh, yeah, I am a minority and this is what it feels like. And prior to that, I think I just identified as being a daughter of immigrants. And that still is very strongly the case just because I grew up listening to so many stories that my parents would tell me, like coming from China, growing up like they grew up in China during a completely different time. I can't even imagine what it would be like living in the way that they did, you know, during the Cultural Revolution, under communism, in an intense way where they were starving, all this political stuff. But yeah, a second gen or for a lot of people, first generation, daughter of immigrants, of parents who decided that they wanted to make a better life for their kids out here in the States. I think that I want to stand by me saying that I don't feel like I am, I don't really want to identify as only just single categories all the time, just because within each community, could be, you could have nuances, right? Because I am a woman, but I'm also like a woman who doesn't want children, you know, and there was just so many different things of how I identify. So hard for me to categorize myself like that. But they are, there are tidbits of different communities. Like I still identify, identify as Asian American. I identify as a daughter of immigrants. I identify as a female filmmaker and yeah. And a business owner, I guess. Yeah.  Isabel: Right. Yes. Thank you for that nuanced answer. You know, it's so fascinating because I was reading about your work and you have worked in animal research administration and an afterschool program and even web development for nonprofits. How did you get into writing and directing?  Dorothy: Yeah. So after graduating college, I was definitely in a place where many, I'm sure, fresh grads understand what we call the quarter life crisis, where we don't know what we wanna do with our lives. And I was working at UCLA because that was the only job that I could get out of college for an animal research administration office. And really, I worked for them as a student. So I was like, well, it makes sense to have that be my full-time job, because you're in a place where you don't have skills. So how do you get a job if you don't have skills? That weird silly catch-22 situation. So I studied psychology in undergrad because my goal was to become a therapist. I wanted to work with Asian and Asian immigrant communities to help them with mental health because there's such a stigma attached to it. And being somebody who found mental health really important and also found that it was a really great way to understand myself. I wanted to work with, I guess, the people of my community. But at that time, I realized that there's still a stigma attached to mental health and it's really hard to get people to even go to therapy. Like living with my parents, it's really difficult. I cannot ever convince them to go. um And so I had pivoted into, or at least I discovered this filmmaking competition and ended up just like making a film for fun with a couple of friends, random people that um were not in film at all. And I had a lot of fun and I realized that we could actually create stories talking about things that are very similar to mental health or could provide that catharsis and validation that you could probably get in a session, in a therapy session. And it's not clinical at all. It's not as clinical. So, you know, on all those different jobs that you mentioned, they're all day jobs, know, animal research administration and then working for an after school program. That was me still trying to figure out how to be a filmmaker on my weekends. I still needed a day job. I didn't have the luxury of going to film school. So I would work at different places that gave me the flexibility of having a day job. But then also I had free time during the weekend to just make films with my friends, make friends films with people like my mom, who was one of my first actors earlier on. Love my mom. She did not do the greatest in my film, but I love her for being there for me. But yeah, like the different organizations or just jobs that I worked for were all really good in terms of providing me management skills and also communication skills because I worked in different industries, you know, and so at the end of the day, it all culminated in me at my current place. Like I am a freelance filmmaker and I also run my own video production company. So um becoming a writer, I mean, being a writer director is my main identity as a filmmaker. However, I don't think you could be a good writer-director if you don't have life experience. And having all those different jobs that I've had provided me with a lot of varied life experience and I interacted with a lot of different people, many different personalities.  Isabel: Yeah, no, I love that. So you grew up in Alhambra, which I'm familiar with because I too grew up in the San Gabriel Valley. How would you say that growing up in Alhambra has shaped you as an artist?  Dorothy: Alhambra is really special, I feel like, because in the San Gabriel Valley, there are many cities like this. You have Chinese people who can actually get by without ever having to learn English. And the same goes for Latin communities as well. And, you know, I have aunts and uncles who lived in Alhambra for years and never learned how to speak English. So I think it's like, what's so special about it, it feels like a safe space for a lot of immigrant communities. And then my parents being immigrants from China. living in Alhambra was a place where they could feel safe and feel connected to the people that they left behind in another country. And so being a child of immigrants, a daughter of like an Asian American, like a Chinese American growing up in Alhambra, I definitely felt like I grew up with a lot of people who were similar to me. know, we were like a lot of times the first American born children of our families even, and it was, we had to essentially understand what it meant to be Asian versus American and all of that.  But I think like being in Alhambra, I never felt like I wasn't seen, or at least I never felt like I was a minority. I think I mentioned this earlier, in that growing up in Alhambra, you do see a lot of people who look like you. And I have a lot of friends in the film industry who have moved out to California because they grew up in towns where they were like one, the only person, the only Asian person in their school or whatever. And I didn't have that experience. So for me, it was really special just being able to have a whole group of friends where there's a bunch of Asians. And we all spoke different languages. Like I had a lot of friends who were Cantonese speakers, but I'm a Mandarin speaker, but it was just really cool. It was like going to your friends' places and then you have aunties. So it's almost like having more family. You could feel like you have more aunts and uncles that will feed you all the time because that is the way they show love, right?  Isabel: Oh, certainly. I think there's so many stories in multicultural places like Alhambra. And speaking of which, you did in your film Only in This World. It's about an empty nester who has to face her ex-husband's mistress in order to summon her daughter back from the afterlife, which is featured in the 2025 Silicon Valley Asian Pacific Film Festival in Sunnyvale. Congratulations on such a beautiful film. I will say that I am a huge fan of magical realism, and Only in This World has some magical elements to it. So I'd love to get to know, how did you come up with this specific plot and characters that make up this film? Dorothy: Yeah, and thank you for wanting to talk about this one. It's a special story to me just because it is, I think it's the first film that I've made where I just decided to incorporate elements of where I grew up. And so Only in This World is inspired by my mom and her Tai Chi group at our local park, so Alhambra Park. My mom would go to do Tai Chi every morning for years. And in Alhambra, actually, as I mentioned, because there are so many immigrant communities, many of the immigrant communities tend to stay together with the people who speak their language. So Chinese people usually stick together with the Chinese speakers, Spanish speakers stick together with the Spanish speakers. You don't see a lot of mingling or intersectionality. But one of the special things that I saw with my mom's Tai Chi group was that they were not just Chinese people or Asian people, but there were Latino people in their group as well. And so even though they couldn't speak the same language, they would show up and still do Tai Chi every morning because it was a matter of doing something together. And so I love that a lot. And I wanted to tell a story about just older women who are finding friendship because I think that's really important in older age and in these groups because you see that a lot of the people in these Tai Chi groups are even the ones, not just Tai Chi groups, but there are dancers in the park, you know, like you'll see them in the mornings, not just in Alhambra, but in Monterey Park, all the different parks, open spaces, they'll have little dance groups.  A lot of the people who are part of those groups happen to be seniors, and I think it's just because they don't have work, they don't have children, they're lonely. And so…I think it's really important to be aware that where friendship or loneliness is actually an epidemic in the senior community. And it's really important to providing good quality of life is to just have them have that connection with other people. And seeing that in my mom, because my mom is getting older, having her be part of that community was what kept her happier. And so, yeah, and also my mother-in-law is Colombian. And she's done Tai Chi before as well with her group in Rosemead. And so I just was like, well, I'm part of a multicultural family. I want to tell a multicultural family story. Yeah, in terms of the magical realism element, I thought a lot about just how my family, if our house has ever burned down, the things that they would take out are our photos, the print four by six, like, you know, just the print photos because they're just so precious to them. There's something about hard copy pictures that is so special that digital photos just can't take over. Like there is an actual energy to how a photo is made or even like back then when we used to use film, there's energy that's required to actually create photos. And so, you know, I wanted that to be the power that powers this magical scanner where energy is taken from the picture and then you have the ability to bring someone you love back from the afterlife. And I really love grounded magical realism because I think it just makes difficult things a lot easier to understand when you add a little bit of magic to it, a little bit of fantasy.  Isabel: Yeah, magical realism is such a special genre. What part of the production process that you find the most profound?  Dorothy: I think it was just really my gratitude in how much my family came together for me and also just like the people of this team, know, like there were, I think one major situation that I can think of that I always think is really funny was, um so we filmed at my mother-in-law's house and my husband, Diego, was also working on set with me. He is not in the film industry. He's a software engineer manager. He's like in tech, but he is one of my biggest supporters. And so…when we were like, yeah, can we film at your mom's house? He was like, okay. But he had to end up being the, quote unquote, location manager, right? Because the house was his responsibility. And then, and he was also my PA and he was also DIT. Like he would be the one dumping footage. He did everything. He was amazing. And then ah one day we found out that his neighbor was actually doing construction and they were hammering. It was like drilling stuff and making new windows. They were doing new windows. And we were just like, oh, like, how do we get them to, like, not make noise? And so, and they don't speak English. And so we were like, oh crap, you know. So like, unfortunately, my producers and I don't speak Spanish, like we're all just English speaking. And then I did have Latinos working on my set, but they, you know, they had other jobs. I wasn't going to make them translate and do all that other stuff. So then Diego so kindly went over and talked to them and was like, essentially we set up. They were totally cool about it. They were like, yeah, okay, you're making a film. then whenever you're rolling sound, we'll just like prevent, like not hammer. And then so Diego is sitting outside with a walkie and talking to the first AD and other people inside the house, because we're all filming inside. don't know what's going outside. And then so like, we would be rolling, rolling. And then um the workers, I think his name was Armando, are like…whenever we cut, Diego would hear it through the walkie and he'd be like, Armando, okay, you're good to go. You can drill. Armando would drill. And then when we're going, and we'd be like, I'm going for another take. And then Diego would be like, Armando, please stop. So it was so nice of them to be willing to accommodate to us. Because you hear a lot of horror stories of LA productions where neighbors see you're filming something and they'll purposely turn on the radio to make it really loud and you have to pay them off and whatever. And in this case, it wasn't it was more like, hey, like, you know, we're making a movie and they were so supportive and they're like, yeah, totally. This is so cool. We will definitely pause our work, our actual work and let you roll down during the brief period. So we're really grateful. We definitely brought them donuts the next day to thank them. But that was just something that I was like, oh yeah, like I don't think I could have pulled that off if I didn't have Diego or if the fact, if it wasn't for the fact that these were the neighbors, know, that we were filming at someone's house and the neighbors already had a relationship with the people who lived here.  Isabel: Wow, that's really adaptable. And I'm so glad that went well for you. Dorothy, you've directed 13 films by now. Have you ever seen one of your films resonate with an audience member that you've interacted with in the past?  Dorothy: So there was this one short I had done a couple years ago called Tarot and it came at a time when I was struggling with the idea of whether or not I wanted to have kids and many of my friends are off having their first or second kids, you know, and so I never really wanted to be a mom, but then I have a partner who I can see being a great father, so I'm more open to the idea of being a mother, but it was still something I was conflicted about. And so I put this all into a short film, just my feelings of how my identity would change if I were to become a mom, because I've read so much about that. I found a Reddit thread one day where people were just talking about how being a mother is hard. And they openly stated how much they hated it. And it's okay to feel that way. And I wanted to put those feelings into this film to just put it out there like, hey, like if you don't like being a mom, even though you love your kid, you could still hate having that identity and be lost about, and it's okay to be lost or not sure about who you are. And so it was a really short film and it ended kind of open ended. It was like five minute film, so it didn't have like a full ending, but it was an open ended ending. And then afterwards I had a bunch of people come up. I had people who were parents, not just mothers, like even, or like fathers who had just had their first kid who were coming up and telling me like, oh, I totally identify. I understand that struggle of learning about who your new identity is after you've had a kid. And then I had people who were child free who were coming to me and saying like, yeah, this is a similar feeling that I've had about whether or not I should have any kids. Because, you know, as women, we have a biological clock that ticks. And that's something I feel frustrated about sometimes where it's really because of my body that I feel pressured to have a kid versus wanting to have one because I want one. And so that was a story I wanted to, or just something I wanted to put into a film. Yeah, and I also had another person come up and tell me that they were like, this was something I felt, but I never really openly talked about. And so I resonated a lot with this and it just helped basically articulate or helped me identify like, oh, I totally feel this way. And so that was really validating to me as a filmmaker because my goal is to reach others who don't feel comfortable talking about certain things that they tend to hide because I have a lot of those types of thoughts that I might feel ashamed or embarrassed to share. But then I put it into a story and then it makes it more digestible and it's like, or it's more, it's entertaining. But then like the core message is still there. And so people watch it and if they feel that they can connect to it, then I've done my job because I have resonated with somebody and I've made them feel seen. And that's ultimately what I wanted to do when I wanted to be a therapist was I just wanted to make people feel seen. I wanted to make them feel connected to other people and less lonely because that's something that I also have struggled with. Yeah, so filmmaking is my way of putting something small out there that I feel and then finding other people who feel the same way as me. And then we can feel validated together. Isabel: Ah yes, that is the power of film, and Dorothy's work can be viewed on her website, which I'll be linking on kpfa.org, as well as her social media, so you can get new updates on what she is working on. Dorothy, thank you so much for joining me on APEX Express today!  Dorothy: Thank you! Thank you for having me, it was so great to meet you!  Isabel: That was Dorothy Xiao, our second guest for tonight's edition of Apex Express, featuring magical realism AAPI filmmakers. Now time for our final guest of the night, Rachel Leyco, who is a queer, award-winning Filipina-American filmmaker, writer, actress, and activist. We'll be talking about her upcoming short film, Milk & Honey.  Hi Rachel, it's such an honor to have you here on APEX Express. Rachel: Hi, thank you so much for having me.  Isabel: How do you identify and what communities do you consider yourself a part of?  Rachel: Yeah, I identify as a queer Filipina-American. Isabel: So we're here to talk about your short film, Milk & Honey, which is about an ambitious Filipina nurse who leaves her family behind in the Philippines to chase the American dream in the 1990s and facing conflicts and hardships along the way. How did you come up with this specific 90s immigration story?  Rachel: Yeah. So Milk and Honey is inspired by my mom's immigrant story. you know, that's really her true story of coming to America in the early 1990s as a very young Filipina nurse while, and also a young mother and leaving behind her daughter, which was me at the time. um you know, following her journey in the film though fictionalized, a lot of the moments are true and there's a lot of exploration of assimilation, cultural barriers, loneliness and the emotional cost of pursuing the American dream.  Isabel: Yeah, when I read that synopsis, I immediately thought of this short film could totally be something that's feature length. How did you sort of this story to something that is like under 15 minutes long?  Rachel: Yeah, so I wrote the short film script first. And actually, you know, this is a proof of concept short film for the feature film. I actually wrote the feature film script after I wrote the short because there was just so much more I wanted to explore with the characters and the story. It definitely couldn't fit into a short film, though I have that short film version. But there was just so much richness to my mom's story that I wanted to explore, so I expanded into a feature. So I do have that feature film version, which I hope to make one day. Isabel: And you mentioned that this film is inspired by your mom's story. Is there any other sort of research that you did into this story that really helped you write? Rachel: Yeah, one of the main reasons I wanted to write the story, I mean, there's many reasons, but one is because there, if you ask the average American or the general public, they won't really know why there are so many Filipino nurses in the healthcare system. Because if you walk into any hospital, you'll see a Filipino nurse, more than one for sure. ah so I was really curious about the history. ah Having my mom as a nurse, my sister's also a nurse, I have a lot of healthcare workers around me. I grew up with that. I, you know, growing up, I also didn't really know or learn Filipino American history because it's not taught in schools. And I, you know, I took AP US history and didn't learn anything about, you know, my culture and our history. It's, not in the books at all. And it wasn't until like my early twenties that I was really curious about my roots and my upbringing and what it means to be Filipino-American specifically. And so um I really went into like a deep dive of just researching Filipino-American history. And specifically last year, I had been wanting to tell a story about a Filipino nurse because of my proximity to it with my mother. And you know, myself being an artist, being a filmmaker in the industry, there's so many medical shows out there, like, know, Grey's Anatomy, that's been long running, but very, very few, and rarely do we see Filipino nurses at the forefront and at the center of those stories. um You know, rarely are they series regulars. You know, sometimes they'll feature a Filipino nurse for like one episode or two and, you know, a recurring or a side character, but Filipino nurses are never the main character, never the series regular. And so that was another big driving force for why I wanted to make this story. And, you know, really making my mom's character the center of it. And so as far as like research, too, I definitely interviewed my mom and I asked her to just tell me her her entire story and specifically why she even wanted to move to the United States because she could have stayed in the Philippines or she could have moved somewhere else. um she saw a newspaper or her friend actually at the time when she was in a nursing school, a friend of hers saw an ad in the newspaper that America was sponsoring nurses. And so she had it in her mind already like, oh, yeah, I've heard of America. I've heard of the United States that it's, you know, there's better opportunities for me there. And at the time she had just had me. And so she had, you she's a young mother. She's trying to take care of her baby, her newborn. And so, you know, she had her eyes set on moving to the United States and that's kind of how her journey happened. And on top of that, I also did my own research on you know, our history, I watched this really amazing documentary um by Vox. It's on YouTube. It's all about why there are so many Filipino nurses in America. And it really just ties back to U.S. colonization. And after World War II, was so many, there was big nursing shortage in the United States. you know, white Americans did not want to, you know, fill that role. So they turn to Filipino women to fill the gap.  Isabel: Yeah, was there something special about the production process that looking back, you would want to replicate in the future or that really speaks to you?  Rachel: Absolutely. um Yeah, mean, definitely this experience and a lot of the people that I brought on to this project, I want to continue to make films with them and continue to make art with them because um I'm just so proud of the team that we put together. Everyone was so passionate and they knew how important the story was. They also had their own special connection to the material that they brought so much heart and passion into the film. that really comes through in the project. so like a lot of the people I brought onto this film, I want to continue to make art with them forever. That's one thing that I'm really, really grateful for, because I got to work with some really awesome people that I had never worked before or I had been wanting to work with. And so it was such a great opportunity that was given to me to be able to connect with such amazing and talented AAPI creatives in my circle.  Isabel: Yeah, I saw on your Instagram page for the film that you shot this film in both Los Angeles and Austin, Texas. Have you ever done a production where you had to sort juggle two different sets in two very different locations? And how was that entire process?  Rachel: Yeah, that was really, it was really fun. It was my first time being able to film in two different cities, let alone like two different states, really. A lot of my past projects have just been, you know, shooting it with the resources that I had that were available to me. You know, usually like my past short film, Thank You for Breaking My Heart, that I did last year, we shot all of it in one location, which was of course like, know, that is something that's really impressive in and of itself, of course. But, you know, because of the bigger budget that we had for Milk and Honey, I really wanted to challenge myself with this. And I really advocated for filming a part of the film in Texas because it is set in Texas. I was raised there. That's where my mom was placed when she, because how the process goes is, you know, she applied for the nursing sponsorship and then they placed them in certain areas. And so she was placed in El Paso, Texas at the time. And so that's where I also grew up. So I set the film there and I really advocated for filming in Texas because I wanted the film to have that feeling of the environment and atmosphere of Texas. um And so we shot some exteriors there for like this really fun Texas montage where you can really like feel that the character is there in, you know, in that heat, the Texas heat. So that was really, that was really fun. And I, you know, we shot, we shot two days in LA and we shot half a day in Austin, Texas. And we hired a second unit in Texas, because, you know, again, like, even though we had a really good budget, was still, you know, it was still pretty small. So I wasn't able to, you know, fly my LA crew over there. um So what we did was we just hired a second unit crew in Austin, Texas, and they were amazing. And most of them were queer, non-binary filmmakers. And it was just such a fun, intimate crew that you know, we just breezed by and had such a great time shooting that.  Isabel: That's wonderful. As a director, what inspires you and what are some of your filmmaking influences?  Rachel: Yeah, I mean, I'm constantly inspired by, you know, new films, filmmakers that I've seen, em particularly for Milk and Honey. I um so the film is, you know, this grounded drama, but there are a lot of moments of magical realism that I mix into it. love magical realism. love one of my favorite movies is Eternal Sunshine of the Spotless Mind. It's such a beautiful film, also very grounded, but it's filled with all of this, you know, magical realism, surrealism. And so I infused that into, you know, Milk and Honey, which was really fun and a challenge to execute. But yeah, and some other filmmakers and creatives that I'm inspired by are Ava Duvernay. think her work is just incredible and also just an incredible artist overall. I love the kind of work that she does because it comes from such a deep place. And I love that she can combine art with politics and social justice as well. Isabel: I also love that you said in your one of your project funding descriptions that you use your art as your act of revolution, which is so relevant given that, you know, in our current state of, you know, our administration is silencing and suppressing voices of our immigrant communities. And how do we as filmmakers, as artists, what does that revolution and representation mean to you as a filmmaker and artist?  Rachel: I truly believe that that art is our act of revolution and just merely creating the art is that act in and of itself. We don't have to do more than that as from, in my opinion, as an artist, because the mere fact of us existing as artists, existing, myself existing and creating the work and having the work exists out there and putting it out. The most powerful thing that an artist can do is to make their art and share it with the world. And after that, just let it go, you know, forget about how it's going to be received. Forget about like, you know, the critics and, and, and the, you know, self doubt you may have and all of those things, because yeah, it's going to come. I think especially in the landscape of, like you said, of where we're at right now with our current administration and you know, just who knows what's going to happen in the next few years, but also in the face of like AI and technology and all of that, I think all we can really do as artists is to, in order for us to change the system is we have to be the change, right? And in order for us to be that change is just to continue to tell our stories and stay authentic to ourselves. Because I think that's also what a lot of people out there are really craving right now. People are craving authentic, real stories by people that we really don't get to see or hear their stories very often. And so um that for me is something that fuels me and my artistry every day.  Isabel: Very well said and a great reminder to all of us artists out there to keep making our art. What do you hope for audiences to take away when they watch your film?  Rachel: What I hope for audiences to get out of watching the film, well, one, at the core of it is a mother-daughter story. And I also did it to honor my mother and her sacrifices and her story. So I hope that, one, audiences will, you know, maybe reflect on their relationship with their mother and… um think of ways to honor their mother and their family and their ancestry as well. And another thing is to really think about what the American dream means to you, because that was another driving force for me with the film is it's called Milk & Honey because a lot of immigrants coined Milk & Honey as America's milk and honey as this like land of abundance, land of opportunity and you know, this is a, this is a place for creating a better life for ourselves. But I, for me, as I've grown up and as an adult now, really looking at like, well, what does the American dream mean to me? Is that still true to me? Do I still think the U S is a place where I can, where I can build a better life? Is it a place of abundance and something in the film, a big theme in the film is where Cherry's character scrutinizes that dream and thinks for herself, like, is the American dream worth it? And what does the American dream actually mean to me? What is the definition of that? So I think that's a big thing I would love audiences to also take away from it, you know, asking themselves that question. Isabel: That's a great thought to end on. I'll be including Rachel's social media and website on kpfa.org as usual so you can see if Milk and Honey will be screening in a film festival near your city during its festival run. Well, Rachel, thank you so much for joining me on APEX Express today. Thanks so much for having me. I really enjoyed it. Please check our website kpfa.org to find out more about magical realism in AAPI stories and the guests we spoke to. We thank all of you listeners out there. Keep resisting. Keep organizing. Keep creating and sharing your visions with the world. Your voices are important. APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Cheryl Truong, and Isabel Li. Tonight's show was produced by me, Isabel Li. Thanks to the team at KPFA for their support. Have a great night. The post APEX Express – 1.08.26 – Magical Realism and AAPI Short Films appeared first on KPFA.

Message us here!A headline never tells the whole story, and the movie "Rosemead" refuses to let us look away. In this episode, star of "Rosemead," Lawrence Shou, unpacks a true-story-inspired film about a Chinese immigrant mother (played by Lucy Liu), a teenage son named Joe (Shou) navigating schizophrenia, and the quiet heartbreak that unfolds when love collides with stigma and a patchwork mental health system. Lawrence brings us inside his process of weeks of research, clinician interviews, and on-set practices that made his performance so hauntingly real.Our conversation traces how psychosis actually presents: not just shouting or destruction, but blankness, withdrawal, and a mind overloaded by grief and fear. Lawrence explains how Joe's symptoms are shaped by trauma and context, including anxiety about mass shootings and the loss of his father. We talk about cultural pressures in immigrant families: why silence can feel safer than asking for help and how that silence magnifies risk. Lawrence shares how reframing treatment as a path to agency, combined with psychoeducation and community support, can make a tangible difference for families who are exhausted and scared. If you've ever wondered what schizophrenia looks like up close, how to avoid snap judgments, or how to show up when someone you love is slipping away, this episode is for you."Rosemead" is out in theaters January 9th. Go see it to join the conversation on how we're failing marginalized families with mental illness.Resources:Connect to Lawrence on IG: @lawrenceshouStay updated on Rosemead through IG: @rosemeadfilmSupport the showIf you're navigating someone's mental health or emotional issues, join KulaMind, our community and support platform. In KulaMind, we'll help you set healthy boundaries, advocate for yourself, and support your loved one. Follow @kulamind on Instagram for podcast updates and science-backed insights on staying sane while loving someone emotionally explosive. For more info about this podcast, check out: www.alittlehelpforourfriends.com

Jenna and Matt tackle some listeners' tricky social situations in a new edition of ‘Social Dilemmas.' Also, Lucy Liu drops in to catch up and talk about her new film ‘Rosemead,' where she plays a Chinese immigrant battling a terminal illness while caring for her son, who has schizophrenia. Plus, ideas for a few simple resolutions to boost your health in 2026. And, travel expert Mark Ellwood shares the top vacation destinations for 2026. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lucy Liu joins Tonya Mosley to talk about her new film ‘Rosemead,' where she stars as a terminally ill woman grappling with her teenage son's escalating mental health crisis and the impossible choices she faces to protect him. It's based on a true story. Also, writer Zadie Smith talks with Terry Gross about her new collection of essays, ‘Dead and Alive.' She reflects on aging and generational discourse. Film critic Justin Chang shares his list of the best films of the year.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Lucy Liu joins Tonya Mosley to talk about her new film ‘Rosemead,' where she stars as a terminally ill woman grappling with her teenage son's escalating mental health crisis and the impossible choices she faces to protect him. It's based on a true story. Also, writer Zadie Smith talks with Terry Gross about her new collection of essays, ‘Dead and Alive.' She reflects on aging and generational discourse. Film critic Justin Chang shares his list of the best films of the year.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The child of Chinese immigrants, Liu grew up in Queens where she spoke Mandarin at home and didn't learn English until she was 5. She returns to the language in her new film, ‘Rosemead.' It's about a terminally ill mother grappling with her teenage son's escalating mental health crisis and the impossible choices she faces to help him. Liu spoke with Tonya Mosley about rejection, representation, and the first time she heard her name in OutKast's hit “Hey Ya.” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The child of Chinese immigrants, Liu grew up in Queens where she spoke Mandarin at home and didn't learn English until she was 5. She returns to the language in her new film, ‘Rosemead.' It's about a terminally ill mother grappling with her teenage son's escalating mental health crisis and the impossible choices she faces to help him. Liu spoke with Tonya Mosley about rejection, representation, and the first time she heard her name in OutKast's hit “Hey Ya.” Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Message us here!A mother, a son, and a community caught between love and stigma: the new movie "Rosemead" (produced by Lucy Liu) hits like a quiet earthquake. After watching the early screening, I ugly-cried when I found out that it was based on a true story. Because the story tackles the complexities of loving someone with mental illness, I just had to talk about it here. In this episode, I sit down with "Rosemead" actor Anzi De Benedetto to unpack how a true story about schizophrenia, grief, and culture moves beyond clichés and into the messy details of real life. What does support look like when friends don't have the right language? How does a family navigate care when stigma and “face” loom over every choice?Anzi shares his path to the role of Stan, a well-intentioned friend whose lighthearted validation brings comfort, but only to a certain level. We explore the line between empathy and minimization, the moment when a “pep talk” must give way to professional help, and why understanding psychosis as an ongoing condition, not just a singular event. The conversation expands into the cultural dynamics inside Chinese American communities depicted in the film.Still reeling from the emotional impact of the movie, I had to ask Anzi about his journey with acting that brought him to "Rosemead." He offers a rare look into the acting craft as emotional science: breathwork, body cues, and set safety over mythology, mirroring the same regulation skills I also teach. If Rosemead is screening near you, go see it and tell us what you think. Fair warning- it's not for the faint of heart. Bring tissues. Resources:Follow Anzi on his Instagram: @its_anziGet updates on "Rosemead": @rosemeadfilmSupport the showIf you're navigating someone's mental health or emotional issues, join KulaMind, our community and support platform. In KulaMind, we'll help you set healthy boundaries, advocate for yourself, and support your loved one. Follow @kulamind on Instagram for podcast updates and science-backed insights on staying sane while loving someone emotionally explosive. For more info about this podcast, check out: www.alittlehelpforourfriends.com

The Cinematography Podcast Episode 337: Eric Lin and Lyle Vincent Rosemead tells the tragic, true story of Irene (Lucy Liu), a terminally ill single mother, and her son, Joe (Lawrence Shou). As Joe battles schizophrenia and urges toward violence, Irene is left isolated from her Chinese American community in Southern California, facing impossible choices without a safety net. After decades behind the camera, director Eric Lin connected deeply with the personal nature of Rosemead. He grew up in Southern California and frequently visited the San Gabriel Valley, where the film takes place. Producer Mynette Louie, who he'd know since NYU Film School, sent him the script, and Eric decided to take it on as his first directorial feature. “I've shot a lot of features and I've been side by side with directors, watching how difficult it is to make a feature,” he says. “The thing that sort of lured me into the director's chair was that it's a story that I felt like I'd never seen before on screen.” Recognizing the film's nuanced demands, Eric knew he didn't want to pull double duty as cinematographer. Instead, he asked Lyle Vincent, another NYU alum with whom he shared a cinematic shorthand. “Knowing what a DP does, especially on a film like this, where I felt like I had to be so present, that would be a fatal mistake,” Eric explains. Lyle appreciated the trust, describing Eric as a director who “is extremely visual and who has amazing visual references and language.” Together the two shotlisted and discussed each scene emotionally and visually. To capture the film's emotional landscape, Lyle chose a subjective camera style. Handheld camerawork and portrait lenses help mirror Joe's psychological state and the looming sense of danger. Using E-series anamorphic lenses, he created a shallow depth of field that softened the background, forcing the viewer's focus onto the characters. This gritty reality contrasts sharply with Joe's memories of the idyllic time he spent with his parents in a hotel. His flashbacks are rendered in warm tones, evoking a surreal, dreamlike nostalgia. See Rosemead in theaters. Find Eric Lin: Instagram @holdtheframe Find Lyle Vincent: Instagram @lylevincent SHOW RUNDOWN: 01:38 Close Focus 13:20-01:03:54 Interview 01:04:13 Short ends 01:13:09 Wrap up/Credits The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Larry Mantle and LAist film critics Christy Lemire and Beandrea July review this weekend’s latest movie releases in theaters and on streaming platforms.

A three-minute rundown of the best (and worst) of this week’s film releases. Airs Saturdays at 8:35am.

Drew is joined by BFF Lucy Liu to hear all about her new film “Rosemead.”  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Q&A on the film Rosemead with actor & producer Lucy Liu. Inspired by a harrowing true story, Lucy Liu transforms in a riveting, career-redefining performance as an ailing woman who takes drastic measures to protect her troubled teenage son.

Sources tell CBS News a new Pentagon inspector general's report found Defense Secretary Pete Hegseth could have endangered American service members when he shared details of an active bombing mission in Yemen in March in a Signal group chat with other top officials and also mistakenly included a journalist. CBS News' Charlie D'Agata reports. President Trump pardoned Rep. Henry Cuellar before his trial even began. Cuellar, a Texas Democrat, and his wife will no longer face bribery and fraud charges. Scott MacFarlane reports. Former physician Salvador Plasencia will serve a 30-month sentence for his role in Matthew Perry's death. He pleaded guilty to supplying ketamine to Perry and his assistant in the weeks before the actor's October 2023 death. Some of Perry's family members spoke in court on Wednesday, with his sister telling Plasencia, "instead of protecting, you exploited." In the "CBS Mornings" series "Never Too Late," a 78-year-old woman finds a new purpose and passion for percussion. Now she's sharing the joy and health benefits of drum circles with fellow seniors. Experts say roughly six in 10 cats in the U.S. are carrying too much weight. A new clinical trial, "MEOW-1," could change that, testing to see if GLP-1 weight loss drugs can be used on pets. CBS News' Ash-har Quraishi reports. Lucy Liu talks about starring in and producing the movie "Rosemead," why she says the story resonates universally and reflecting on personal experiences for the film. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

"Rosemead" is a drama film, directed by Eric Lin in his directorial debut, from a screenplay by Marilyn Fu, based on a 2017 LA Times column by Frank Shyong. It stars Lucy Liu as an ailing woman who is stricken by the discovery of her teenage son's violent obsessions and must go to great lengths to protect him, and possibly others, in this portrait of a Chinese American family. The film premiered at the 2025 Tribeca Festival to positive reviews, particularly for Liu, who received the best notices of her career. Liu was kind enough to spend some time speaking with us about her experience working on the film, which you can listen to below. Please be sure to check out the film, which is releasing in theaters on December 5th from Vertical Entertainment. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Topics Include: Toy Story 5, The Super Mario Galaxy Movie, The Devil Wears Prada 2, Merv, The Wizard Of The Kremlin, The Abandons, Rosemead, Good Luck Have Fun Don't Die, the next Alice In Wonderland thing, and the latest actors to lend their voices to AI.

For Episode 465, Megan Lachinski, Cody Dericks, Daniel Howat, Tom O'Brien, and I are here to preview what's to come over the next several weeks for the 2025-2026 awards season as more nominations roll in from groups such as the British Independent Film Awards (BIFA) and Hollywood Music In Media Awards (HMMA). For this week's poll, we're revisiting our famous question, "Which Film Do You Think Is Going To Be The Next Best Picture Oscar Winner?" We also reveal the winner of last week's poll, for the wide and limited releases of "Predator: Badlands" and "Sentimental Value" respectively, "Which Is Your Favorite Film Starring Elle Fanning?" We also share our reactions to the trailers for "The Testament Of Ann Lee," "Michael," "Five Nights At Freddy's 2," "100 Nights Of Hero" and "Rosemead," answer your fan-submitted questions, and more! Thank you all for listening, supporting, subscribing, and voting. Enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textHere's the story of a radical preacher and Christian hip-hop artist from Rosemead in the SGV whose life was changed by a powerful encounter with Jesus. He shares how he was healed from an “incurable” mental illness, received a new purpose, and set out to reach the streets, homes, and the hearts of the broken with the gospel. From local roots to West Coast impact, his mission is simple: make Jesus known.We talk about the season he stepped away from music for deeper consecration—prayer, fasting, and intimacy with God—and how that refinement shaped his voice. When he preaches, the room shifts; when he raps, the message lands. Street evangelism, testimonies, and viral gospel reels all serve one aim: call people to repentance, freedom, and a real relationship with Christ.His movement, LIVING IN TRUTH, raises a standard for this generation—holiness, boldness, and biblical truth. We get practical about building faith communities around scripture, prayer, and accountability, plus how to partner with churches, creatives, and youth leaders to spark local revival that lasts beyond a single event.If you're hungry for testimonies of healing and deliverance, curious about gospel rap and street ministry, or looking for a blueprint to share your faith online, this episode is for you. Keywords: Christian hip hop, gospel rap, street evangelism, testimony, deliverance, revival, Holy Spirit, Rosemead, San Gabriel Valley, LIVING IN TRUTH, faith content, youth ministry, West Coast revival.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Episode 139 of SGV Connect focuses on the impact of ongoing Immigration and Customs Enforcement raids on the communities in the San Gabriel Valley. Both interviews were conducted by Chris Greenspon.  The first is with Estrella, a resident of El Monte who witnesses the crushing impact of the ongoing threat of ICE raids in her community. The second is with Assemblymember Mike Fong, who highlights not just what the communities he represents are experiencing, but some ways in which the state is fighting back. Estrella reports that while the community is beginning to show signs of life again, things will never be the same. Families are struggling to make rent as economic activity has slowed even for those who are still working. Others are sheltering to avoid ICE. Even the school district has seen a drop in attendance as the arbitrary nature of the raids has caused widespread fear. A lightly edited transcript of the conversation can be found here. Fong also discussed the impact of recent ICE raids in the San Gabriel Valley, highlighting incidents in Alhambra and Rosemead. He emphasized the trauma and fear affecting all immigrant communities, especially the Latino population. Fong discussed some of the state legislation aimed at improving the situation, including his own legislation to support undocumented students. He also praised legislative efforts like SB 805 and SB 627 to ensure law enforcement transparency. Fong underscored the importance of community support, citing a local food distribution initiative, and outlined his legislative goals for expanding college access and affordable housing. A lightly edited transcript of the conversation can be found here SGV Connect would like to take a moment to wish the friends and family of Benito Flores peace and comfort after his passing.  

Pastor Art Reyes stepped out to plant a home Bible study in Rosemead, California in 2014. Soon after, it became known as Alive Christian Fellowship, a vibrant young church that began to grow and meet the needs in San Gabriel Valley. Currently Pastor Art is the senior pastor at Calvary Chapel Downey. He has a passion for the exposition of God's Word and a desire to see lives transformed because of it. He serves the Lord joined by his wife Briana and three kids, Caleb, Micah, and Moriah.I. The Right Attitude (v. 24)II. The Right Motivation (v. 25)III. The Right Commitment (vv. 26-27)

Send us a textMaryvale began in 1856 when five nuns from the Daughters of Charity opened Los Angeles' first orphanage and hospital—initially a small wood-frame home near what is now Union Station. By 1891, it had moved to a larger facility in Boyle Heights, becoming a safe haven for thousands of children. When freeway expansion and earthquake damage threatened that site, generous benefactors—including Carrie Estelle Doheny—helped relocate the orphanage to Rosemead in 1953, where it was renamed Maryvale.Over the decades, Maryvale evolved from an orphanage into a comprehensive community service organization. They opened early education centers in Rosemead and Duarte, added transitional housing for young adults, and developed mental health and family-based programs. Today, Maryvale offers everything from preschool and after-school care to wraparound services, outpatient substance-use treatment, and emergency shelter—making it one of the San Gabriel Valley's longest-running nonprofits.A few warm and surprising facts: (1) Maryvale is LA's oldest children's charity—over 165 years of service. (2) Its Rosemead campus features more than classrooms—there's a pool, transitional housing, and family facilities. (3) Their Duarte site began as a “Land of Ahs” daycare back in 1999 and reopened in 2011 as a state-of-the-art early education and family resource center. (4) Maryvale recently received city approval to expand their Seton House transitional housing project—proof that they're still growing.Today, with campuses in Rosemead, Duarte, and South El Monte, Maryvale continues to serve families with hope, education, mental health support, and housing. From caring for orphans in the 19th century to empowering vulnerable youth and families today, their legacy lives on in real impact across the San Gabriel Valley.__________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

HOLLYWOOD - Rosemead, California artist Haileigh Eriquez is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with ten other artists and twelve writers at the Taglyan Complex in Hollywood, California on April 10th. Her art is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which will be officially released on April 22nd 2025. Haileigh Enriquez was born in 1996 and is a Los Angeles–born artist with a mix of Mexican/Yaqui Native American and Salvadorian roots. Growing up in Rosemead, California, a predominantly Asian/Hispanic community, deeply shaped her identity. She immersed herself in drawing and comic books from an early age and fostered a fascination for character design and storytelling. What started as an escape, turned into a passion. Originally on a path toward a career in the medical field, a personal loss led Haileigh to reevaluate her future and embrace her true passion: art. With the encouragement of her family and mentors, she shifted her focus and enrolled at Laguna College of Art and Design (LCAD), where she refined her technique and explored her own personal style. Her work blends fantastical realism, bold colors, and dynamic lines, drawing heavily from her love for comic book art and Mesoamerican mythology. Driven by a desire to create characters that celebrate cultural diversity, Haileigh's work is a joyful exploration of identity, imagination, and resilience. As a traditional artist turned digital creator, she combines realism with imaginative storytelling, crafting unique characters that reflect her identity and the worlds she dreams of. HOLLYWOOD - Mullica Hill, New Jersey author Sandra Skalski is a winner in the L. Ron Hubbard Illustrators of the Future Contest and was honored along with eleven other writers and eleven artists at the Taglyan Complex in Hollywood, California on April 10th. Her story, "Slip Stone," is published along with the other writers' and illustrators' stories and art in the international bestselling anthology, L. Ron Hubbard Presents Writers of the Future Volume 41 which was officially released on April 22nd 2025. Sandra Skalski's love of fantasy ignited when her kindergarten teacher read Ozma of Oz to the class. Growing up, she spent most of her allowance in the Bookmobile. During the summer, she walked nearly two miles to the nearest library to devour every fantasy and science fiction book she could find. She wrote her first SF story when she was thirteen. It wasn't very good, but she was determined to keep writing. Attending Viable Paradise workshop helped improve her craft. The first time she got the courage to hit submit, it was to the Writers of the Future Contest. Her stories have appeared in Factor Four Magazine, Wyld Flash, Ruth and Ann's Guide to Time Travel Anthology Vol. 2 and 100-Foot Crow. Sandra lives with her husband in suburban New Jersey. She recently retired from a career in chemical engineering, leaving her with actual time to write. When she's not writing, you can find her in the butterfly garden or traveling with her husband. Her greatest joy is spending time with her daughter, son-in-law, and her two beautiful grandchildren. The Contest, one of the most prestigious writing and illustrating competitions in the world, is currently in its 42nd year and is judged by some of the premier names in speculative fiction.

Erica Luera brought her witchy tropical vibes to the world renowned Strong Water in Anaheim, CA and is currently serving as their bar lead. She used to visit the legendary tiki palace Bahooka in Rosemead as a kid, about the time she was learning how to play violin. She graduated to working in dive bars and playing the guitar, and during the pandemic, she deeply dug into the craft of tiki drinks which eventually earned her a spot at the James Beard nominated Strong Water. She also crafts a spooky sexy playlist, which you can check out here: https://open.spotify.com/playlist/7BBNIp9p3de0CUKdY5TEla?si=f_po_im1TAK6Axu214h6ww

📍 Still in NYC… barely awake, but still watching The Moviewallas team pushes through festival fatigue to bring you their biggest episode yet, reviewing seven diverse films from Day 3 of the 2025 Tribeca Film Festival. From dark psychological dramas to urgent documentaries and smart thrillers, this lineup truly had it all. 🎞️ Rosemead – […]

A while back, when we lived in the Swartland town of Darling, one of our regular delights was the drive to Yzerfontein to collect bread. Against a pretty large proportion of 'the odds', Yzerfontein is home to one of the best bakeries in the Western Cape - Rosemead Bakery. Run by Brett Nortjé, Rosemead was an absolute legend of a place: chilled, friendly, all about locals and Brett can bake like hell. You'd always need to order bread ahead, and it would be waiting neatly wrapped on the 'collection' shelf. But then... you had to grab a couple of olive sticks, maybe a coffee, sit down for a natter, don't forget to take a couple of pastel home. When Kobus van der Merwe agreed to meet up for a chat at Rosemead recently, I kind of hoped I could talk Brett into giving me a little of his time - and he did. He is the most delightful company and it shows in the warmth of his team and the queue he runs daily for his baked goods in this growing West Coast community.Rosemead Bakery - Instagram russel@rwm2012(dot)com www.rwm2012.com On Instagram @a_table_inthecorner Cover image sketched by Courtney Cara Lawson All profile portraits by Russel Wasserfall unless otherwise credited Title music: 'In Time' by Olexy via Pixabay

From A24 through Warner Bros, we go studio by film studio and discuss their known film slates and focus on the undated films that could vie for Film Festival love. A24: Eddington, Highest 2 Lowest, The Entertainment System Is Down, etc - 2:21 Amazon/MGM: After the Hunt, Madden, Hedda - 16:12 Apple Original Films: The Lost Bus, F1 - 18:11 Bleecker Street & Briarcliff: The Wedding Banquet, Sneaks, etc - 20:26 Disney: Deliver Me From Nowhere, The Roses, Is This Thing On? Etc - 21:38 Greenwich Entertainment & Janus: Diane Warren: Relentless, Peter Hujar's Day, etc - 32:18 IFC, Lionsgate, Magnolia: The Luckiest Man In America, Good Fortune, 40 Acres - 33:45 MUBI: Father Mother Sister Brother from Jim Jarmusch - 36:28 Neon: Sentimental Value from Joachim Trier, Alpha from Julia Ducournau, etc - 38:25 Netflix: Wake Up Dead Man, GDT's Frankenstein, Baumbach's Jay Kelly, Edward Berger's The Ballad of a Small Player, Train Dreams, etc - 41:02 Paramount: What's their top priority? Plus, some recent history - 53:34 Sony: Blue Moon, Eleanor the Great, East of Wall, etc - 56:07 Universal: The Phoenician Scheme details, Hamnet, Anemone, etc - 1:02:09 WB: The Bride! + Sinners first reax and Superman Cinemacon reactions - 1:08:17 NO DISTRIBUTION YET: Sundance Hits like Kiss of the Spider Woman, SXSW hits like The Rivals of Amziah King, Rosemead w/ Lucy Liu, At The Sea w/ Amy Adams, Sydney Sweeny as Christie Martin, The History of Sound + Greta Lee, Willem Dafoe, & Brendan Fraser vehicles - 1:11:34 OUTRO: We'll end our Year In Preview Series with the Cannes Lineup reactions and then our 100% Accurate Predictions coming up next! https://linktr.ee/mikemikeandoscar

The legendary New York Friars Club, the venue for many iconic roasts, has been sold at a foreclosure auction/ A Florida woman trying to target ex-boyfriend vandalizes wrong car // Man shot and killed after interrupting catalytic converter theft in Inglewood/ a Woman suspected of arson fatally shot by deputies in Rosemead // President Donald Trump loves thee Tim Conway Jr. Show, “making radio great again”/ Dr. Darien Sutton breaks down the science behind being “hangry.” // Amazon launches Alexa + Powered by AI! / Marc Rahner and Gene Hackman and Movie reviews 

Who are the three people you want on your team if there is a zombie apocalypse? Let us know in the comments!Sandra Rodriguez is a dedicated advocate for mental health, a certified instructor in Mental Health First Aid and QPR (Question, Persuade, Refer) for suicide prevention, and a single mother who has turned her personal struggles into a mission to inspire and support others.Born and raised in Rosemead, California, Sandra moved to El Monte at the age of seven, where she grew up and navigated her teenage years. During this time, she faced significant challenges, including domestic violence at home and emotional trauma, which deeply affected her mental health. Deeply affected by her circumstances, Sandra entered a dark space and attempted to take her life.Her survival marked the beginning of a powerful transformation. News of her pregnancy gave her a newfound purpose, motivating her to persevere. With the support she needed, Sandra graduated from high school and entered the workforce, determined to create a better future for herself and her son.Today, Sandra uses her experiences and expertise to educate and empower others in the mental health field. As an operations manager and mental health advocate, she passionately works to raise awareness, provide support, and instill hope in those facing similar challenges. Her story of resilience and advocacy continues to inspire, proving that even in the darkest moments, there is a path to healing and growth.Instagram: @itssandradee___________________Music CreditsIntroEuphoria in the San Gabriel Valley, Yone OGStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroEuphoria in the San Gabriel Valley, Yone OG__________________My SGV Podcast:Website: www.mysgv.netNewsletter: Beyond the MicPatreon: MySGV Podcastinfo@sgvmasterkey.com

Who are some of the movers and shakers in racing whose names might be known to fans and horseplayers, but their work might have been taken for granted? Two politicians who are friends of racing are featured this week and next on the Ron Flatter Racing Pod. Retiring Kentucky state senate floor majority leader Damon Thayer, a Republican from Georgetown, has been considered on both sides of the aisle a friend and advocate of racing. He has been a guiding prod for tax breaks and other financial incentives to promote breeding and ownership in his home state, the spread of historic horse-racing machines that have stoked race purses as well as the advent of penny-breakage reform that has put money back in the pockets of horseplayers. This episode goes beyond a listing of Thayer's accomplishments in his 22 years since there is plenty of talk about racing memories that turned him into such a fan of the sport. Next week, California Horse Racing Board member Oscar Gonzales, a Democrat from Rosemead, will be featured. The Ron Flatter Racing Pod via Horse Racing Nation is available via free subscription from Apple, Firefox, iHeart and Spotify as well as HorseRacingNation.com.

México reacciona a la detención de Zambada.Mexicanos cruzan la frontera con Guatemala para refugiarse.Kamala Harris dice estar lista para hacer un debate con Donald Trump.Aumentó el número de muertos por el paso de huracán Beryl.Exalumnas de la secundaria Rosemead demandan al distrito escolar de Los Ángeles.Emiten orden de desmantelar campamentos de desamparados en California.Lo mejor de los premios Juventud.Escucha de lunes a viernes el ‘Noticiero Univision Edición Nocturna' con Maity Interiano y Elián Zidán.

Los Angeles is described as "88 Cities in Search of a Center" - but why search when you can DO? I find the most unique, historical, and FUN thing to do in each of L.A.'s 88 Cities, from Agoura Hills to Lynwood to Rosemead to Whitter. This is an excellent guide no matter where you are in L.A. County, and will provide you something to do in every city. 

Dave is a bi-coastal, classically trained, character actor who continues to work steadily in TV, Film, Commercials, Web-Series and Theatre. He received a BFA in Acting from Boston University's College of Fine Arts. After graduation, Dave moved to New York City and became very successful in TV commercials and continued advancing his career by working steadily in the theatre. Shalansky then moved to Los Angeles where he gained momentum working regularly in TV. Dave now continues to work on both coasts. His select theatre credits are: Off-Broadway: King of the Jews by Leslie Epstein (Critics Choice Award Nomination, 2023), Toby Belch in Twelfth Night, Stefano in The Tempest: both at the Shakespeare Theatre of New Jersey, Balm In Gilead: Imua Theatre, Dirty Blonde: Florida Studio Theater, and Maggie's Riff: The Vineyard Playhouse. Select TV credits: Recurring Guest Star on Grey's Anatomy, Guest Stars on Law and Order SVU, FBI: Most Wanted, playing Henry Kissinger on The Offer for Paramount+, How to Get Away With Murder, Elementary, Famous in Love, Divorce (with Sarah Jessica Parker), HBO's Vinyl (with Ray Romano), The Mysteries of Laura (with Debra Messing), and Nurse Jackie (with Edie Falco). Also Dave has had supporting roles in such indie films such as: Rosemead with Lucy Liu, The Missing Peace (written and directed by Michael Raymond-James), A Killer Romance, Divorce Invitation (with Elliot Gould and Paul Sorvino) and According to Greta (with Hillary Duff and Ellen Burstyn). Other select TV credits include: Six Feet Under, Legends, Newsreaders, Mob City, Perception, Lie To Me, Ringer, Castle, Southland, and ER. Dave is probably best known for his recurring Guest starring role of Harry on the Gilmore Girls. Dave is monumentally grateful to his wife and daughter for their endless love and support. ▬▬▬▬▬▬▬▬ DAVE SHALANSKY ⌲ IMDb: https://www.imdb.com/name/nm1682494/ ⌲ IG: https://www.instagram.com/dshalansky/reels/ ⌲ LinkedIn: https://www.linkedin.com/in/daveshalansky/ ▬▬▬▬▬▬▬▬ The Moving Spotlight Podcast ⌲ iTunes: https://podcasts.apple.com/us/podcast/the-moving-spotlight/id1597207264 ⌲ Spotify: https://open.spotify.com/show/7cjqYAWSFXz2hgCHiAjy27 ⌲ Patreon: https://www.patreon.com/themovingspotlight ⌲ ALL: https://linktr.ee/themovingspotlight ▬▬▬▬▬▬▬▬ #BFA #BostonUniversity #SandyMarshall #Improv #CharacterActing #ClassicallyTrained #Shakespeare #GreysAnatomy #LawAndOrderSVU #SVU #TheOffer #Emmys #TVTime #iTunes #Actor #ActorsLife #Believe #Success #Inspiration #Netflix #Hulu #Amazon #HBO #AppleTV #Showtime #Acting #Artist #Theatre #Film #YourBestBadActing #Content #CorbinCoyle #JohnRuby #RealFIREacting #TMS_Pod --- Support this podcast: https://podcasters.spotify.com/pod/show/the-moving-spotlight/support

Located in Rosemead, California, Bosco Tech had its Summer Shake Up 2024. This Western themed event saw bingo players coming in from across the country, including Pennsylvania, Texas and Hawaii. The hall's manager, Paul and his staff worked hard to make this bingo weekend a success.  Also aided by TikTokers like, Big Vin, Mama Guam and Sassy Sonia, I think it was.

Rich discusses how we are automating jobs out of existence and the secret to keeping yours.Chuck, in Pasadena, visited a robot that made a burger chain called Cali Express. Here's my original video on Flippy, the burger-flipping robot.The Roku hack is worse than expected. The company says it has affected more than 500,000 accounts.Dave Malkoff, a CBS News reporter, talks about reporting on the Total Eclipse and his first-hand experience. He recommended two apps, FlightRadar24 and RadarScope, for live weather radars.Udio is a new AI songmaker that's getting a lot of buzz.Michelle, in Encinitas, CA, wants to know how her ex-husband was able to take over her email account.If you have an LG TV, you should check for a firmware update to patch a security vulnerability.Jerry in Pennsylvania wants to know why he can log into his account on one machine but not another.Virginia in Utica, NY, wants to know if she should still use AOL email or switch to Gmail. Rich mentioned a Gmail hack that lets you use multiple addresses by adding a plus sign to your username, a website called 10 Minute Mail for temporary email addresses, and JustDeleteMe.xyz for instructions on deleting your old accounts.Meta is introducing new tools to combat sextortion by blurring out nude images in DM's by default on teen accounts and encouraging the feature for adults, too.John in Rosemead is looking for a great business card scanning app. Rich says he hasn't found a good one yet. But popular options to try are Covve, CardHQ and Evernote. Rich's recommendation: use the OCR function built into the photo app on iOS and Android and copy and paste the info into your contacts.Belkin CEO Steven Malony on innovation, careers, and sustainability in the tech space. Plus, Alisa Sommer O'Hara of Google discusses following your curiosity for a tech job.Christina in Long Beach wants to save a voicemail. Visual Voicemail allows you to export the audio file on iOS and Android.Sam in Sherman Oaks wants to know which antenna to get for over-the-air channels. Rich recommends checking out the website AntennasDirect.com.Ben, who lives in Los Angeles, has a 10-year-old MacBook and wants to replace it.Carlos in Downey wants a way to sync his iPhone photos to his computer. Rich recommends Image Capture.Terry in Seal Beach is curious about using an eSIM on his Google Pixel for international calls and texts.MobileX founder and CEO Peter Adderton discusses how the company is disrupting the wireless carrier space with AI.Voicenotes.com is the coolest new way to take voice notes and search for the info in them later.Google is making its AI Magic editing tools free.Tesla cut the price of its self-driving subscription in half, but it's more stressful to have your car drive for you than just driving your car yourself (at this point!).Google's Find My Devices network has launched. AirTag-style trackers hit the market in May.Rich DeMuro talks about tech news, tips, and gadget reviews and conducts interviews in this weekly show.Airs 11 AM - 2 PM PT on KFI AM 640 and syndicated on 350+ stations nationwide.Stream live on the iHeartRadio App or subscribe to the podcast.Follow Rich on X, Instagram and Facebook.Call 1-888-RICH-101 (1-888-742-4101) to join in!Links may be affiliate.RichOnTech.tvRichOnTech.tv/wiki Get full access to Rich on Tech at richontech.tv/subscribe

How does a Christian view of mental health compare and contrast with a secular perspective? Are we in a mental health crisis today? And how do we best love our family and friends who are suffering from mental illness. In this video and podcast, Sean and Scott talk with Rosemead Professor Chris Adams about these questions and more. Dr. Adams shares about the new Flourishing in Ministry resource that helps pastors and churches address mental health. See www.flourishinginministry.org. Rev. Chris Adams, PhD, is a third-generation pastor's kid, ordained minister, clinical psychologist, and certified wellbeing and leadership coach. He has served in pastoral care and counseling roles in a large congregation and a large Christian university. He specializes in the wellbeing of ministerial students, clergy, and their families. Chris currently serves as Professor, Chaplain, and Executive Director of the Mental Health and the Church initiative at Rosemead Graduate School of Psychology, Biola University. Chris teaches pastoral care and counseling, Christian leadership formation, and psychology and Christianity integration courses for Rosemead and several seminaries. Chris is a consultant to numerous denominations and seminaries in the areas of clergy candidate formative evaluation, clergy health and flourishing, and pastoral leadership formation. He is the lead researcher for the Flourishing in Ministry project, and is currently participating as a consultant and researcher with the Duke Clergy Health Initiative. Chris is a frequent lecturer at seminaries, retreats, and conferences. He was awarded the Archibald D. Hart Counseling Pioneer Award for excellence in Research and Scholarship in Training and Educating the Next Generation of Leaders in Mental Health and Caring for Others in 2023.Download a guide to the Flourishing in Ministry Wellbeing Model.==========Think Biblically: Conversations on Faith and Culture is a podcast from Talbot School of Theology at Biola University, which offers degrees both online and on campus in Southern California. Find all episodes of Think Biblically at: https://www.biola.edu/think-biblically. Watch video episodes at: https://bit.ly/think-biblically-video. To submit comments, ask questions, or make suggestions on issues you'd like us to cover or guests you'd like us to have on the podcast, email us at thinkbiblically@biola.edu.

Hugo Garicia was born in LA and grew up in the city of El Monte where he attended school from Cogswell Elementary, Kranz Middle School, El Monte Highschool, and later graduated from East LA College.While in high school and into college Hugo held a variety of different jobs all around the SGV - El Monte, West Covina, Rosemead, City of Industry, Monterey Park, Pasadena. He began his career in fitness in 2010 working for a big box gym in the personal training department in the city of Monterey Park and has now been a self-employed Fitness Trainer since 2013 in the city of Pasadena.Hugo runs a successful business and is now expanding into the online space with help of a business mentor. Not only is he now offering online training to a host of different clients, but also a mentorship program to both up and coming fitness trainers and/or trainers currently in the field who are struggling to succeed.On top of juggling his business, Hugo has a beautiful wife and a beautiful daughter that count on him to protect and provide.One to two weekends per month Hugo is a Volunteer Firefighter. He volunteers as a Firefighter for a sense of higher fulfillment knowing that he is providing a service without expecting anything in return. He does this to pay gratitude for the wonderful family and life he has been blessed with.Instagram: @hugo.g.fitWebsite: hugogfit.comEmail: hugogfit@gmail.com___________________Music CreditsIntroLike it Loud, Dyalla, YouTube Audio LibraryStingerScarlet Fire (Sting), Otis McDonald, YouTube Audio LibraryOutroIndecision, Dyalla, YouTube Audio Library__________________My SGV Podcast:www.mysgv.netinfo@sgvmasterkey.com

達照法師北美弘法之洛杉磯站 3/7 /2024 晚上7:00-9:00 3/8/2024 晚上7:00-9:00 3/9/2024 下午2:00-4:00 地點：5918 Cloverly Ave. Temple City 洛杉磯淨宗學會 3/10/2024 下午2:00-4:00 地點：1409 WALNUT GROVE AVE. Rosemead 西來大學 謝謝收聽。 如果你也喜歡我們的節目，請幫忙按讚或五星好評並分享給你的朋友，如果還沒有訂閱，歡迎免費訂閱(Follow)我們在Podcast和YouTube的頻道：go潮生活，每次更新你都會第一時間收到通知。   聯繫我們：gofreshfashionus@gmail.com   YouTube頻道: go潮生活 https://www.youtube.com/channel/UCTIHAxGvS-a1_-9FbrAEyww   Podcast播客: go潮生活   Spotify: https://open.spotify.com/show/1x9cWijAsecL7ZywPV38yn Spotify for Podcasters: https://podcasters.spotify.com/pod/show/gofreshfashion Radio Public: https://radiopublic.com/go-6r3q1k Pocket Casts: https://pca.st/pip6qwsv Google Podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8zMGM4NTI4Yy9wb2RjYXN0L3Jzcw==   追蹤我的 Instagram： radio_host_vic  追蹤我的Facebook：Go潮生活 追蹤我的小紅書： http://www.xiaohongshu.com/user/profile/606b8cd5000000000100132d?xhsshare=CopyLink&appuid=606b8cd5000000000100132d&apptime=1646789932 --- Support this podcast: https://podcasters.spotify.com/pod/show/gofreshfashion/support

In this episode we sit down with Isaac Pedroza. We talk about his life growing up in the Rosemead area of the San Gabriel Valley. As a youth Isaac had lots of freedom and easily gravitated to the street life. With no pause Isaac escalated quickly in the hood life and got caught up. The remarkable part of Isaac's story is that he fought a case, for the better part of 5 years, from behind bars while representing himself. Not only was he embroiled in studying court cases to help his cause he was also studying Christ to see if He was real. Little did Isaac know that his attention to detail and investigative spirit would lead him to freedom not only physically but spiritually. All of this and more in a great story! --- Support this podcast: https://podcasters.spotify.com/pod/show/streetgospel/support

God's Perspective on marriage and family: Potential, pleasure, purpose, and pain points with Dr. Greg Smalley. Dr. Smalley serves as Vice President of Marriage and Family Formation at Focus on the Family (who is opening the "Hope Restored" center in Wimberley https://hoperestored.focusonthefamily.com/ ). Dr. Smally has served as president of the National Institute of Marriage, written 17 20 books! Including he and his wife, Erin, co-creating “Ready to Wed,” a complete premarital curriculum for engaged couples and the online Focus on Marriage Assessment ( https://www.focusonthefamily.com/themarriageassessment ). Dr. Smalley has a doctorate from Rosemead school of Psychology from Biola University in Southern CA and a degree from Denver Seminary. He is a joyful and authentic communicator who vulnerably shares from experience, and continues to grow by studying a marriage book with Erin every Christmas- well done! This is a fun interview you will enjoy and desire to share. *Please note when editing- Zach got a bit excited and started questions before I did the introduction- just a few minutes in. Should not hard to find or difficult to edit.

This time, we are back with another double dose of fun.  First, we return to creep It Real OC for their latest show.  Then, we journey back to Rosemead for the latest iteration of the 626 Expo.   Listen in and enjoy!   Please, consider joining The Parks and Cons Crew, https://www.patreon.com/ParksAndCons!

After a courageous, tireless battle, Sharon "Snoopy" Fong left us on July 1, 2023. This Two Kens episode is the twenty-seventh time Ken Fong and Ken Kemp have come together for a podcast conversation - this time, it's a somber, solemn occasion.  It's a moment of reflection - filled with both grief and gratitude. Today's title comes from C.S. Lewis, the British literary critic, and scholar who was also known as an Anglican theologian. His writings have influenced many generations of faith seekers, including ours. Professor Lewis was known as a committed bachelor, but he married later in life. When Joy Grisham began corresponding with the stuffy Oxford don, he was smitten - "surprised by joy (Joy)" as he put it. As their romance blossomed, Joy Grisham was unexpectedly diagnosed with a cancer that took her life, all too soon. Lewis' shared his written reflections. His honesty and candor stunned many of his Christian readers because he openly expressed tidal waves of doubt, even anger that his "good" God could possibly have allowed this tragic, premature end to his beautiful awakening to married love. He wrote "A Grief Observed," which it was. Ken Fong lines up with C.S. Lewis in his willingness to share the journey openly - a journey filled with laughter and tears. The two Kens come together for a personal reflection on life and love - and the extraordinary woman who came into Ken Fong's life more than forty years ago: Sharon Snoopy Fong. Have a hanky handy.CaringBridge: https://www.caringbridge.org/visit/sharonsnoopyfongMemorial Service: Saturday, August 12, 2023, at 10 AM at Evergreen Baptist Church of Los Angeles - 1255 Rosemead Boulevard, Rosemead, CaliforniaSupport the show

Rich is broadcasting live from Alisal Ranch in Santa Barbara Wine Country because he's attending an event. The irony is that people come to this resort to disconnect from technology and there's barely a cell signal or Wi-Fi.Rich talks about his first hands on impressions of the Apple Vision Pro headset.John in Rosemead called in to ask about a good third party email client for Windows.Brian Tong joins Rich to talk about Apple Vision Pro.Susan in Santa Monica called in to ask about the difference between the Vizio V series or the M series.OpenTable warns about a new issue where scam artists will call to say they need a credit card for a restaurant deposit or reservation. When in doubt, call back the restaurant directly and not from the number they called you from.Michael in Thousand Oaks called to ask if transitioning to Apple products will be easy because he uses all Google products and services. He wants to get the new Apple Vision Pro.Rich talked about the new features coming soon to iOS 17 and the phones that won't get the new operating system: iPhone 8, iPhone 8 Plus and iPhone X.Nile in Clover City, CA asked if Apple's Vision Pro headset will support users with various vision abilities.Samsung is holding its next Unpacked event in Seoul, Korea, where they are expected to unveil their new Galaxy Z Fold 5 and Flip 5.App developers Ryan Jones of Flighty and Swupnil Sahai of AI Tennis App SwingVision join Rich to talk about their Apple Design Awards.Tom asked about using a VPN on an international trip. Rich shared some recommendations. Don't forget about Google's included VPN if you pay for Google One.Jay in El Segundo asked about running ethernet cable from the house. Rich recommends using an industrial strength outdoor cable like this. Reid in Riverside called in to suggest that they run the cables inside PVC pipe for protection when burying underground.Jay in Houston emailed to ask about apps to help him build a website. Rich recommended looking at Wix, Weebly, SquareSpace and Google Sites.GM is adopting the Tesla Supercharger Network.Rudy in Woodland Hills asks about the best way to communicate with friends and family back home while he's in Berlin. Use Wi-Fi calling and cross platform apps like WhatsApp, Telegram and even Instagram can let you text, call and video chat with friends. For eSim, Rich likes Airalo (use code RICH5375) and US Mobile now has some affordable options.United is putting 4K displays and Bluetooth in its planes.Students Rebecca Wang and Yemi Agesin join Rich to talk about the power of coding.France might allow law enforcement to remotely activate cell phones cameras, mics and GPS in certain cases.Grubhub and Hilton team up for in room ordering.Minecraft comes to Chromebook.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This time, we have a double helping of new (to us) cons!  First, we attend our first Riverside Convention Center show, as we check out Anime Riverside.  Then, we journey to Rosemead for our first 626 Comic Expo. Listen in and enjoy! Please, consider joining The Parks and Cons Crew,  https://www.patreon.com/ParksAndCons!

Brian Nittayo is the founder of Rose City Pizza in Rosemead and most recently, Covina.Brian graduated from Cal Poly Pomona with a degree in Hotel and Restaurant Management. While still in school, he worked in a variety of restaurants from a sushi place to Outback Steakhouse and first experienced a love for serving and meeting people. After graduating, he gained experience as a front desk agent at the Ritz Carlton Hotel where he learned valuable customer service skills. His father was retired and “itching to get back into business,” in the early 2000s so they opened their first Cold Stone Creamery  location in San Dimas. For the next 7 years they opened and operated Cold Stone Creamery franchises. During that time, they felt a strong desire to open a restaurant which would allow them the freedom to create a concept and menu. In 2009, they opened Rose City Pizza, only three doors down from one of their original Cold Stone Creamery locations in Rosemead.On a whim, Brian's Dad and he decided to go to the Pizza Expo held once a year in Las Vegas. While there, they heard about Tony Gemignani and his pizza classes. Brian became one of his first students and graduated from the program in North Beach, San Francisco- a satellite of the main campus located in Italy. Though he was now certified, Brian felt that he was not ready to start his pizzeria until he apprenticed with Tony's friend Bruno, who owned multiple pizzerias in New York. Over the summer Brian learned to make true authentic New York style pizzas.While Rose City is a well known and loved establishment now, this was not always the case. The first few years of business were slow, and when customers did come in they would tell him that he should have opened in Los Angeles to charge more or get more attention from foodies. Brian knew that people generally gravitated towards traditional pizzerias with their wood fired ovens and heirloom recipes. Brian had to think out of the box and create something new. And he did exactly that. Rose City produces pizzas unlike any other with flavors like Elote, Al Pastor, Birria, Char Siu, and Taiwanese Popcorn Chicken Pizza. Brian draws his inspiration from the diverse group of cooks and staff he works with. Most of the time new pizza creations are created by them talking about what they are craving. They have had great success with their fusion pizzas. Rose City Pizza is more of a modern pizza concept with roots in traditional Italian and New York style pizza preparation.Despite what people said about opening in the SGV, Brian could not be happier to be in the area, because according to Brian, “The SGV is a destination for authentic Asian, Mexican, and innovative food creations. The community means everything to me.” Operating Rose City during the pandemic has been the most challenging obstacle Brian has encountered thus far, and he is extremely grateful to all the community members who have kept his business afloat. In addition to receiving love and support from customers, Brian also does his part to give back to the community through hosting fundraisers and donations and hosting monthly art shows to support local artists. Brian has now opened his second location in Covina.Instagram: @rosecitypizzaWebsite: rosecitypizza.com__________________SGV Master Key Podcast:www.sgvmasterkey.cominfo@sgvmasterkey.com

Andrew Cherng is the co-founder and co-CEO of Panda Restaurant Group, the parent company of Panda Inn and Panda Express - the largest Asian dining concept in the United States. The brand has more than 2,500 locations worldwide and has been family-owned and operated since the early 1980s by Andrew and his wife, Peggy.We spoke with Andrew about his upbringing in Asia and moving to the United States, how he got his start in restaurants, building the Panda empire and the factors that have led to its success, the accomplishments he's most proud of, the story behind their world-famous orange chicken, and much more.*The Founder Hour is brought to you by Outer. Outer makes the world's most beautiful, comfortable, innovative, and high-quality outdoor furniture - ALL from sustainable materials - and is the ONLY outdoor furniture with a patented built-in cover to make protecting it effortless. From teak chairs to fire pit tables, everything Outer makes has the look and feel of what you'd expect at a 5-star resort, for less than you'd pay at a big box store for something that won't last.For a limited time, get 10% off and FREE shipping at www.liveouter.com/thefounderhour. Terms and conditions apply.*This episode is brought to you by “More Than Profit.” If you enjoy The Founder Hour, we think you'll enjoy this podcast too. It celebrates entrepreneurs, investors, and leaders that are living and working with purpose. The host, Bryce Butler, sits down with his guests and shares personal stories about what it's like to succeed…and even fail. But more than that, what motivates them beyond just profit to press forward in their work and as a leader.Check out “More Than Profit” wherever you get your podcasts or at www.morethanprofit.fm.*This episode is brought to you by Jason Wu Beauty, affordable luxury makeup infused with skincare ingredients. Founded on the idea that beauty should be effortless and chic, Jason Wu Beauty is about really showing yourself through the beauty products, not being covered up by them. Whether you prefer minimal, natural elegance or bold glamor, Jason Wu Beauty has the perfect products for you. With colors and shades that can be used with any skin tone, you can create countless looks to enhance your natural beauty and release your inner icon. You will feel beautiful, confident, and completely yourself. Jason Wu Beauty is clean, and always cruelty-free.Available now at Target, JCPenney, Shoppers Drug Mart, and JasonWuBeauty.com.