POPULARITY
4 episodes with Robert Darnton
3 episodes with Robert Darnton
3 episodes with Robert Darnton
2 episodes with Robert Darnton
2 episodes with Robert Darnton
2 episodes with Robert Darnton
2 episodes with Robert Darnton
2 episodes with Robert Darnton
2 episodes with Robert Darnton
In this latest episode of In Theory, Disha Karnad Jani interviews Robert Darnton, Professor Emeritus and University Librarian Emeritus at Harvard University, about his recent book, The Revolutionary Temper: Paris, 1748-1789 (W. W. Norton, 2024), also published in French translation: L'humeur révolutionnaire: Paris, 1748-1789 (trans. Hélène Borraz, Gallimard, 2024). Darnton traces how the antecedents to revolution circulated among the Parisian public in the decades before the storming of the Bastille, through their everyday oppositions to the rising price of bread, the overreaches of the monarchy, and the policing of poor neighborhoods. Through their growing sense that the powerful in their society were not governing as they should, ordinary people in Paris began to acquire a shared feeling of discontent, and showed this through many forms of public performance and protest. Darnton tracks this as the development of a "revolutionary temper" in Paris, one which made the population ready to change their world in a matter of decades.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.
L'invité : Paul Chopelin, MCF à l'université de Lyon, président de la Société des études robespierristes La discussion : Laurent Cuvelier, La ville captivée, affichage et publicité au XVIIIe s., Flammarion, 2024 (1:00) Robert Darnton, L'humeur révolutionnaire, Gallimard, 2024 (7:25) Pierre Serna, La révolution oubliée. Orléans 1789-1820, Paris, CNRS, 2024 (14:15) Exposition au musée Carnavalet, « Paris 1793-1794. … Continue reading "360. Quoi de neuf sur la Révolution ? avec Paul Chopelin"
Un moment hors du temps, un retour à l'époque des Lumières, quand les imprimeurs neuchâtelois réimprimaient des livres prohibés, parfois obscènes, et les diffusaient dans toute l'Europe. Un récit historique aux accents romanesques, expliquant la naissance de la puissante Société typographique de Neuchâtel qui régira le monde souterrain de la librairie interlope pendant des années et dont la réputation procurera des contacts flatteurs tels que ceux de Mirabeau, Saussure, Louis Sébastien Mercier et d'autres. - Licencié ès lettres et docteur honoris causa de l'Université de Neuchâtel, Michel Schlup est l'ancien directeur de la Bibliothèque publique et universitaire de Neuchâtel, rédacteur de la Nouvelle Revue neuchâteloise et auteur d'études spécialisées dans l'histoire de l'édition, du livre et de la lecture. Il est notamment l'éditeur scientifique des cinq volumes des Biographies neuchâteloises (1996-2008) et de la série « Patrimoine de la Bibliothèque publique et universitaire de Neuchâtel ». Par ses travaux et des colloques, il a contribué, aux côtés de Robert Darnton et de Jacques Rychner, à faire connaître le fonds exceptionnel de la Société typographique de Neuchâtel. Enregistré au CLub 44 le 22 octobre 2024
durée : 00:59:19 - Concordance des temps - par : Jean-Noël Jeanneney - Comment en est-on arrivé à 1789 ? À partir des rumeurs, des gazettes et des chansons mais aussi des troubles et insurrections qui parcourent le royaume et surtout Paris tout au long du XVIIIe siècle, Robert Darnton reconstitue l'"humeur révolutionnaire" qui conduisit à la prise de la Bastille. - réalisation : Vincent Abouchar - invités : Robert Darnton Historien américain, spécialiste des Lumières et de l'histoire du livre sous l'ancien régime. Ancien directeur de la Harvard University Library.
Memorial Day is the unofficial kick-off to summer. It's also a day to remember those brave men and women who sacrificed their lives to keep our country safe. Barbara discusses the origins of Memorial Day, why veterans might want to record their own stories, and recommends some books, with some by folks who'll be guests on future episodes! War memoirs: Unbroken by Laura Hillenbrand https://www.amazon.com/Memoirs-General-William-Tecumseh-Classics/dp/0140437983 With The Old Breed: At Peleliu and Okinawa, Eugene Sledge https://www.amazon.com/Memoirs-General-William-Tecumseh-Classics/dp/0140437983 Memoirs, General William Sherman https://www.amazon.com/Memoirs-General-William-Tecumseh-Classics/dp/0140437983 **Know a veteran who wants to write their military history? Give them the gift of DIYBook, a one-stop writing and printing platform that guides authors on every step of the writing process. Includes 7-day free trial. https://www.diybook.us/product/life-story/ ** Connect with Barbara on Instagram! https://www.instagram.com/writing4immortality Beach reads mentioned in this episode: Bear, Julia Philips https://tinyurl.com/y7mpzjad Another Land of My Body, by Rodney Leonard https://fourwaybooks.com/site/another-land-of-my-body/ The Revolutionary Temper: Paris, 1748-1789, Robert Darnton https://tinyurl.com/24vdnyrc
Robert Darnton történésszel nemrégiben készített Mátay Mónika interjút. Ennek kapcsán beszélgettünk. Kitérünk az írásbeliség és
Robert Darnton történésszel nemrégiben készített Mátay Mónika interjút. Ennek kapcsán beszélgettünk. Kitérünk az írásbeliség és
Captain of industry Karel van der Mandele was een economisch collaborateur. Toch zat hij na de oorlog in de zuiveringscommissie en had hij veel aanzien. Historica Merel Leeman ontdekte deze foute Rotterdammer als ‘bijvangst' tijdens haar onderzoek naar het Rotterdams studentenverzet. Ze schreef er het boek De Keien over: ‘De oorlog was voor die jongens een soort ontgroening.'Graaf de Ferraris zou het tot maarschalk schoppen, maar zijn grootste wapenfeit was een atlas. Deze zogenoemde Ferrariskaart uit 1777 was de eerste landkaart van België. Pieter van Os bespreekt zijn biografie, geschreven door Karen de Coene. ‘Een lekker meanderend boek over een beroepsopportunist, zoals je er toen wel erg veel had aan het hof.'Het fluïdum, oftewel de levensvloeistof, moest vrijuit kunnen stromen, vond wonderdokter Anton Mesmer eind achttiende eeuw. De blokkades in het lichaam moesten worden opgeheven zodat de kosmische harmonie kon worden hersteld. Mesmers therapeutische evangelie ging een curieus huwelijk aan met de leer van revolutie en opstand. Nelleke Noordervliet schuift aan om te vertellen over de klassieker Het Mesmerisme en het einde van de Verlichting van Robert Darnton. ‘Een boek dat leert dat vaker dan ons lief is charlatans de wereld in beweging brengen.'
Welcome to our last episode of the year! We reflect on our 2023 reading intentions, announce our 2024 readalong theme, and have a delightful conversation with Australian author Pip Williams to cap off our year of reading Books About Books. Some of the books we just read & discuss: – THE HELSINKI AFFAIR by Anna Pitoniak – THE QUEEN OF DIRT ISLAND by Donal Ryan – UNNATURAL DEATH by Patricia Cornwell – THE MAID by Nita Prose – THE BOOKBINDER by Pip Williams In Biblio Adventures, we had a wonderful joint jaunt to Glastonbury, CT where we shopped at River Bend Bookshop's new location and then walked wide-eyed through the gorgeously renovated Welles-Turner Memorial Library. Emily visited her daughter in Michigan and returned to Bay Books in Suttons Bay where she purchased THE RECIPE BOX by Viola Shipman. Chris attended two virtual events: Robert Darnton's talk at the Boston Athenaeum about his new book, THE REVOLUTIONARY TEMPER: PARIS, 1748-1790, and Alan B. Farmer's lecture on “Lost Books: The Dark Matter of the Early Modern English Book Trade” at the Harry Ransom Center. Thank you all for a fantastic year of books, authors, libraries, bookstores, and, in a few cases, mushrooms and mosquitos. Happy Reading!
The French Revolution of 1789 is one of the defining events of world history – but the decades preceding the revolution were also seismic, being marked by war, royal scandal, financial crisis and scientific wonder. In conversation with Rob Attar, Robert Darnton takes us on a journey through the streets of Paris in the 40 years that preceded the storming of the Bastille. (Ad) Robert Darnton is the author of The Revolutionary Temper: Paris, 1748–1789 (Penguin, 2023). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fthe-revolutionary-temper%2Frobert-darnton%2F9780713996562 The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Episode 189 Notes and Links to Andrés Reséndez's Work On Episode 189 of The Chills at Will Podcast, Pete welcomes Andrés Reséndez, and the two discuss, among other things, his early trajectory towards becoming a writer, formative and transformative writers and his work with nonfiction and historical writing, the origins of his book on “the other slavery,” the interplay between disease and warfare and focred labor in decimating Native populations, and the machinations, greed, racism, and laws that guided the enslavement of the indigenous peoples of the Americas. Andrés Reséndez is a historian at the University of California, Davis. His specialties are Mexican history, early exploration and colonization of the Americas and the Pacific Ocean, and borderlands history. In 2017, Reséndez won the Bancroft Prize in American History and Diplomacy for The Other Slavery: The Uncovered Story of Indian Enslavement in America. Reséndez grew up in Mexico City, and he is currently a professor in the Department of History at the University of California, Davis. Buy The Other Slavery: The Uncovered Story of Indian Enslavement in America Andres Resendez's Wikipedia Page NPR Review: "Horrors Pile Up Quietly In The Other Slavery" At about 1:35, Andrés describes his early reading and writing and language experiences At about 3:25, Andrés references formational writers At about 4:20, Andrés responds to Pete's questions about his background with fiction and nonfiction, and he and Pete discuss the “amazing character” of Carvajal At about 6:05, Andrés lists contemporary “must-reads” like Robert Darnton and Simon Schama At about 7:30, Pete asks Andrés about connections between the treatment of the indigenous in México and Andrés' scholarship At about 10:00, Andrés cites Cabeza de la Vaca's expedition-a subject of his earlier book-as one of the catalysts for The Other Slavery At about 13:20, Andrés describes the significance of the book's title At about 15:25, Pete and Andrés remark on the “amazing” phenomenon of Spain ruling an empire across the world and the arbitrary nature of the enforcement of the prohibition of indigenous slavery At about 18:35, Pete lays out a guiding hypothesis of Andrés' in the book, regarding the central role Indian slavery had on the decimation of many groups At about 21:00, Andrés connects the cycle that brings together epidemics and slavery At about 22:10, Pete wonders about the ways in which people have used Andrés' research since the book's publication At about 24:25, Andrés speaks about the use of the term “Indian” At about 25:40, The two discuss the indigenous peoples of the Caribbean and their unique histories At about 29:00, Andrés discusses the overwork and slavery and exploitation that decimated the peoples of the Caribbean At about 30:50, Andrés responds to Pete's question about white supremacy and social caste and how these ideas permeated the laws and regulations and practices of the conquistadors At about 36:00, Andrés answers Pete's questions about whether or not he found any “heroes” in his research At about 37:15, Andrés explains how the US Civil War led to an uptick in the slavery of the indigenous At about 39:30, Andrés gives background on how the US Congress played a role in ending indigenous slavery At about 41:30, Pete and Andrés' draw historical comparisons to today and At about 42:30, Pete compliments Andrés' “humanizing” of the historical figures, and Andrés responds to Pete's question about how he avoids “moralizing” At about 44:20, Andrés shares an exciting future project regarding the Philippines and South Asia You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! NEW MERCH! You can browse and buy here: https://www.etsy.com/shop/ChillsatWillPodcast This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 190 with Ellen Birkett Morris. She is an award-winning, multi-genre writer, teacher, and editor based in Louisville, Kentucky. She is also the 2015 winner of the Bevel Summers Prize for her story “May Apples” and won the Betty Gabehart Prize for Fiction. The episode will air on July 5.
Robert Darnton is an American cultural historian and academic librarian who specializes in 18th-century France. He was director of the Harvard University Library from 2007 to 2016. Bob joins me to talk about one of his many books called "Censors at Work: How States Shaped Literature" about Communist East Germany and censorship, a component of the party program to engineer society. Behind the unmarked office doors of Ninety Clara-Zetkin Street in East Berlin, censors developed annual plans for literature in negotiation with high party officials and prominent writers. A system so pervasive that it lodged inside the authors' heads as self-censorship, it left visible scars in the nation's literature. --- Support this podcast: https://podcasters.spotify.com/pod/show/out-of-the-blank/support
Quelles sont les nouvelles ? Aujourd'hui, il est extrêmement facile de tout savoir, mais sans forcément savoir si tout est vrai. Réseaux sociaux ou chaines d'actualité en continu abreuvent d'info parfois jusqu'à plus soif; à tel point que certains français débranchent leur TV et ne s'informent plus, pris par une fatigue d'une nouvelle sorte. Dans cet épisode, nous cherchons à savoir quel était le rapport des français d'hier à ce qu'on appelait pas encore, forcément, "l'information", mais qui était, déjà, un enjeu considérable. Retour également sur les sources d'une défiance tout à fait contemporaine à l'égard des journalistes, qui trouve ses racines dans un 19e siècle où décidément, tout a été bousculé. Notre invité : Hervé Brusini, journaliste, ancien prix Albert Londres dont il préside aujourd'hui le jury, il était aussi rédacteur en chef à France Télévisions, et s'intéresse depuis longtemps à l'histoire de la presse. Réalisation: Laetitia Harper Bibliographie indicative : Au bagne de Albert Londres Le diable dans le bénitier de Robert Darnton, éditions Gallimard Les journalistes en France (1880-1950). Naissance et construction d'une profession, de Christian Delporte aux éditions du Seuil Le journaliste, Eugène Dubief, 1892 BNF
E aí, lindeza
从去年开始，一批社会科学方向的学者，掌握了前所未有的大众影响力。 “奇葩说捧红了刘擎”“B站捧红了罗翔”——当我们谈论他们的出名原因时，经常会下这样的判断。这个判断当然没错，但不是全部。如果仔细考察一番，你会发现从商业角度，这个故事还会更深。 这期节目，我们就会以刘擎教授为例，层层剥开，找到学者走红背后的推动力量，并弄清它们是如何把学者变成一门好生意的。 虽然常听本节目的听众可能已经熟悉，但我们仍然想强调一下，在这里，“生意”“走红”“学者明星”这些词都是中立的，不带批评意味。我们认为，学者只是一份工作，不用给他们特别高的道德定位，让自己的研究和知识传播得更广，本就是他们工作的应有之义。而要完成这份工作，需要商业机构的推动。两者并不矛盾，甚至是相辅相成的。 当然，学者肯定和歌手、演员等常规艺人群体不一样，背后会有更丰富的社会和文化意义。在在《第一财经》杂志最新出版的5月刊中，你可以看到这方面的讨论。 | 主播 |肖文杰 | 《第一财经》杂志主笔许冰清 | 《第一财经》杂志主笔 | 时间轴 |02:59 学者明星的定义06:33 刘擎背后的三个推动力14:36 罗翔爆红后B站做了什么16:07 图书也曾是新媒体 | 延伸阅读 |《5月新刊 | 新青年·知识新偶像》成长于互联网的这代新青年，正以他们独特的方式，追随他们看到的知识偶像。而被视为“偶像”的知识分子，也需要学习全新的媒介传播和代际沟通方式。无论这些学者“卖”什么、能否让更多人受益、可否改善整个市场的水平，“进入市场” 这个行为本身，就有价值——毕竟，没有人会抗拒一个开放、丰富、热闹的市场，知识的市场。 《第一财经》YiMagazine 5月新刊，聚焦新青年，和他们的知识新偶像。我们从明星学者、综艺、知识青年、社交网络等不同角度，带你了解这个市场变化的过程。 《少量余票 | 这周六，来苏州和我们一起聊聊学术新偶像和知识传播新趋势》5月15日，我们在苏州诚品书店和大家面对面聊聊学术新偶像和知识传播新趋势。 一位代表青年学者的历史系教授，和一位活跃于互联网学术活动一线的知识新青年会在本次活动中同台。杂志封面主创团队也会和大家面对面分享本期杂志制作背后的故事。来和我们见面吧！ 《启蒙运动的生意》作者：[美]罗伯特·达恩顿（Robert Darnton）18世纪的启蒙运动是如何在社会中传播的？它的影响的深度和广度如何？图书市场如何确定其功能？出版商、书商、推销员和文化传播中的其他媒介扮演什么角色？这本书可以回答这些问题。 | 后期制作 |魏玥琪 | 收听方式 |你可以通过小宇宙播客App、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ音乐等平台收听节目。 | 认识我们 |微信公众号：第一财经YiMagazine
从去年开始，一批社会科学方向的学者，掌握了前所未有的大众影响力。 “奇葩说捧红了刘擎”“B站捧红了罗翔”——当我们谈论他们的出名原因时，经常会下这样的判断。这个判断当然没错，但不是全部。如果仔细考察一番，你会发现从商业角度，这个故事还会更深。 这期节目，我们就会以刘擎教授为例，层层剥开，找到学者走红背后的推动力量，并弄清它们是如何把学者变成一门好生意的。 虽然常听本节目的听众可能已经熟悉，但我们仍然想强调一下，在这里，“生意”“走红”“学者明星”这些词都是中立的，不带批评意味。我们认为，学者只是一份工作，不用给他们特别高的道德定位，让自己的研究和知识传播得更广，本就是他们工作的应有之义。而要完成这份工作，需要商业机构的推动。两者并不矛盾，甚至是相辅相成的。 当然，学者肯定和歌手、演员等常规艺人群体不一样，背后会有更丰富的社会和文化意义。在在《第一财经》杂志最新出版的5月刊中，你可以看到这方面的讨论。 | 主播 |肖文杰 | 《第一财经》杂志主笔许冰清 | 《第一财经》杂志主笔 | 时间轴 |02:59 学者明星的定义06:33 刘擎背后的三个推动力14:36 罗翔爆红后B站做了什么16:07 图书也曾是新媒体 | 延伸阅读 |《5月新刊 | 新青年·知识新偶像》成长于互联网的这代新青年，正以他们独特的方式，追随他们看到的知识偶像。而被视为“偶像”的知识分子，也需要学习全新的媒介传播和代际沟通方式。无论这些学者“卖”什么、能否让更多人受益、可否改善整个市场的水平，“进入市场” 这个行为本身，就有价值——毕竟，没有人会抗拒一个开放、丰富、热闹的市场，知识的市场。 《第一财经》YiMagazine 5月新刊，聚焦新青年，和他们的知识新偶像。我们从明星学者、综艺、知识青年、社交网络等不同角度，带你了解这个市场变化的过程。 《少量余票 | 这周六，来苏州和我们一起聊聊学术新偶像和知识传播新趋势》5月15日，我们在苏州诚品书店和大家面对面聊聊学术新偶像和知识传播新趋势。 一位代表青年学者的历史系教授，和一位活跃于互联网学术活动一线的知识新青年会在本次活动中同台。杂志封面主创团队也会和大家面对面分享本期杂志制作背后的故事。来和我们见面吧！ 《启蒙运动的生意》作者：[美]罗伯特·达恩顿（Robert Darnton）18世纪的启蒙运动是如何在社会中传播的？它的影响的深度和广度如何？图书市场如何确定其功能？出版商、书商、推销员和文化传播中的其他媒介扮演什么角色？这本书可以回答这些问题。 | 后期制作 |魏玥琪 | 收听方式 |你可以通过小宇宙播客App、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ音乐等平台收听节目。 | 认识我们 |微信公众号：第一财经YiMagazine
从去年开始，一批社会科学方向的学者，掌握了前所未有的大众影响力。 “奇葩说捧红了刘擎”“B站捧红了罗翔”——当我们谈论他们的出名原因时，经常会下这样的判断。这个判断当然没错，但不是全部。如果仔细考察一番，你会发现从商业角度，这个故事还会更深。 这期节目，我们就会以刘擎教授为例，层层剥开，找到学者走红背后的推动力量，并弄清它们是如何把学者变成一门好生意的。 虽然常听本节目的听众可能已经熟悉，但我们仍然想强调一下，在这里，“生意”“走红”“学者明星”这些词都是中立的，不带批评意味。我们认为，学者只是一份工作，不用给他们特别高的道德定位，让自己的研究和知识传播得更广，本就是他们工作的应有之义。而要完成这份工作，需要商业机构的推动。两者并不矛盾，甚至是相辅相成的。 当然，学者肯定和歌手、演员等常规艺人群体不一样，背后会有更丰富的社会和文化意义。在在《第一财经》杂志最新出版的5月刊中，你可以看到这方面的讨论。 | 主播 |肖文杰 | 《第一财经》杂志主笔许冰清 | 《第一财经》杂志主笔 | 时间轴 |02:59 学者明星的定义06:33 刘擎背后的三个推动力14:36 罗翔爆红后B站做了什么16:07 图书也曾是新媒体 | 延伸阅读 |《5月新刊 | 新青年·知识新偶像》成长于互联网的这代新青年，正以他们独特的方式，追随他们看到的知识偶像。而被视为“偶像”的知识分子，也需要学习全新的媒介传播和代际沟通方式。无论这些学者“卖”什么、能否让更多人受益、可否改善整个市场的水平，“进入市场” 这个行为本身，就有价值——毕竟，没有人会抗拒一个开放、丰富、热闹的市场，知识的市场。 《第一财经》YiMagazine 5月新刊，聚焦新青年，和他们的知识新偶像。我们从明星学者、综艺、知识青年、社交网络等不同角度，带你了解这个市场变化的过程。 《少量余票 | 这周六，来苏州和我们一起聊聊学术新偶像和知识传播新趋势》5月15日，我们在苏州诚品书店和大家面对面聊聊学术新偶像和知识传播新趋势。 一位代表青年学者的历史系教授，和一位活跃于互联网学术活动一线的知识新青年会在本次活动中同台。杂志封面主创团队也会和大家面对面分享本期杂志制作背后的故事。来和我们见面吧！ 《启蒙运动的生意》作者：[美]罗伯特·达恩顿（Robert Darnton）18世纪的启蒙运动是如何在社会中传播的？它的影响的深度和广度如何？图书市场如何确定其功能？出版商、书商、推销员和文化传播中的其他媒介扮演什么角色？这本书可以回答这些问题。 | 后期制作 |魏玥琪 | 收听方式 |你可以通过小宇宙播客App、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ音乐等平台收听节目。 | 认识我们 |微信公众号：第一财经YiMagazine
从去年开始，一批社会科学方向的学者，掌握了前所未有的大众影响力。 “奇葩说捧红了刘擎”“B站捧红了罗翔”——当我们谈论他们的出名原因时，经常会下这样的判断。这个判断当然没错，但不是全部。如果仔细考察一番，你会发现从商业角度，这个故事还会更深。 这期节目，我们就会以刘擎教授为例，层层剥开，找到学者走红背后的推动力量，并弄清它们是如何把学者变成一门好生意的。 虽然常听本节目的听众可能已经熟悉，但我们仍然想强调一下，在这里，“生意”“走红”“学者明星”这些词都是中立的，不带批评意味。我们认为，学者只是一份工作，不用给他们特别高的道德定位，让自己的研究和知识传播得更广，本就是他们工作的应有之义。而要完成这份工作，需要商业机构的推动。两者并不矛盾，甚至是相辅相成的。 当然，学者肯定和歌手、演员等常规艺人群体不一样，背后会有更丰富的社会和文化意义。在在《第一财经》杂志最新出版的5月刊中，你可以看到这方面的讨论。 | 主播 |肖文杰 | 《第一财经》杂志主笔许冰清 | 《第一财经》杂志主笔 | 时间轴 |02:59 学者明星的定义06:33 刘擎背后的三个推动力14:36 罗翔爆红后B站做了什么16:07 图书也曾是新媒体 | 延伸阅读 |《5月新刊 | 新青年·知识新偶像》成长于互联网的这代新青年，正以他们独特的方式，追随他们看到的知识偶像。而被视为“偶像”的知识分子，也需要学习全新的媒介传播和代际沟通方式。无论这些学者“卖”什么、能否让更多人受益、可否改善整个市场的水平，“进入市场” 这个行为本身，就有价值——毕竟，没有人会抗拒一个开放、丰富、热闹的市场，知识的市场。 《第一财经》YiMagazine 5月新刊，聚焦新青年，和他们的知识新偶像。我们从明星学者、综艺、知识青年、社交网络等不同角度，带你了解这个市场变化的过程。 《少量余票 | 这周六，来苏州和我们一起聊聊学术新偶像和知识传播新趋势》5月15日，我们在苏州诚品书店和大家面对面聊聊学术新偶像和知识传播新趋势。 一位代表青年学者的历史系教授，和一位活跃于互联网学术活动一线的知识新青年会在本次活动中同台。杂志封面主创团队也会和大家面对面分享本期杂志制作背后的故事。来和我们见面吧！ 《启蒙运动的生意》作者：[美]罗伯特·达恩顿（Robert Darnton）18世纪的启蒙运动是如何在社会中传播的？它的影响的深度和广度如何？图书市场如何确定其功能？出版商、书商、推销员和文化传播中的其他媒介扮演什么角色？这本书可以回答这些问题。 | 后期制作 |魏玥琪 | 收听方式 |你可以通过小宇宙播客App、苹果播客、Spotify、喜马拉雅、网易云音乐、QQ音乐等平台收听节目。 | 认识我们 |微信公众号：第一财经YiMagazine
https://www.alainguillot.com/robert-darnton/ Professor Robert Darnton is the author of Pirating and Publishing: The Book Trade in the Age of Enlightenment. You can find Professor Darnton at http://www.robertdarnton.org/
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" countries located along the French border, stretching from Holland to Switzerland pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged tacitly or openly that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters lofty idealists and down-and-dirty opportunists this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast.
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the late-18th century, a group of publishers in what historian Robert Darnton calls the "Fertile Crescent" — countries located along the French border, stretching from Holland to Switzerland — pirated the works of prominent (and often banned) French writers and distributed them in France, where laws governing piracy were in flux and any notion of "copyright" very much in its infancy. Piracy was entirely legal and everyone acknowledged — tacitly or openly — that these pirated editions of works by Rousseau, Voltaire, and Diderot, among other luminaries, supplied a growing readership within France, one whose needs could not be met by the monopolistic and tightly controlled Paris Guild. Darnton's book Pirating and Publishing: The Book Trade in the Age of Enlightenment (Oxford UP, 2021) focuses principally on a publisher in Switzerland, one of the largest and whose archives are the most complete. Through the lens of this concern, he offers a sweeping view of the world of writing, publishing, and especially bookselling in pre-Revolutionary France--a vibrantly detailed inside look at a cut-throat industry that was struggling to keep up with the times and, if possible, make a profit off them. Featuring a fascinating cast of characters — lofty idealists and down-and-dirty opportunists — this new book expands upon on Darnton's celebrated work on book-publishing in France, most recently found in Literary Tour de France. Pirating and Publishing reveals how and why piracy brought the Enlightenment to every corner of France, feeding the ideas that would explode into revolution. Zach McCulley (@zamccull) is a historian of religion and literary cultures in early modern England and PhD candidate in History at Queen's University Belfast. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm
Hur viktig var den underjordiska litteraturen för sammetsrevolutionen i Tjeckoslovakien? Både mindre viktig och viktigare än man kanske tror. Förläggaren Per Bergström berättar mer. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna. Ursprungligen publicerad 27/11 2019. Det sägs att Tigris inte flöt röd av blod utan svart av bläck efter att mongolerna erövrat Bagdad. Nära 800 år senare fortsätter det fria ordet och litteraturen att vara det första offret i varje totalitär regim. Runt om i världen sitter författare, förläggare och journalister fortfarande fängslade. Också svenska. Förbjudna böcker får dock lätt en air av mystik för dem som har möjlighet att läsa dem. Än idag kan vi förundras av vad det var i Ovidius texter som tvingade honom i exil, Marquis de Sade finner ständigt nya, ofta ganska besvikna, läsare och fatwan mot Salman Rushdie mångdubblade upplagan av Satansverserna. Det är inte utan att denna mystik riskerar att bli till ett romantiskt skimmer, som när kritikern George Theiner 1984 i brittisk teve beskrev den västerländska litteraturen som fullständigt värdelös och i avsaknad av kvalitet [] de stora skildringar av den mänskliga själen, mästerverken, kan enbart springa ur själar som krossas av regimer som den i Tjeckoslovakien. Men kanske är det inte de stora skildringarna av den mänskliga själen som makten i själva verket behöver oroa sig för. Den amerikanske bokhistorikern Robert Darnton har studerat trycklistor med verk som smugglades in i Frankrike från Schweiz i stora upplagor under upplysningstiden. Han drar slutsatsen att det var smädesskrifter och satirer som eldade på föraktet mot monarkin och påverkade samhällsutvecklingen inte Voltaires, Rousseus och de andra filosofernas verk. Men hur var det då i det Tjeckoslovakien där generalsekreterare Gústav Húsaks regim, efter de friare åren 196869, sannerligen gjorde sitt yttersta för att krossa de skapande själarna och förbjuda deras mästerverk. Efter Warszawapaktens invasion 1968 försattes landets kulturliv i en extrem situation. Av det tjeckoslovakiska författarförbundets 590 medlemmar uteslöts 473 och 130 svartlistades och försattes med publiceringsförbud. Frantiek Janouch noterar i sin dagbok 1973 om regimen att: Den vaktar sina gränser för litteratur och trycksaker strängare än för hasch och marijuana Regimen är rädd för anekdoter, för cirkulerande manuskript och böcker från emigrantförlagen. Sättet för dessa författare att sprida sin litteratur blev genom samizdat, samlingsnamnet för egentillverkade underjordiska böcker som spreds i östblocket. Produktionen av en samizdatbok gick oftast till så att texten skrevs av med så många tunna karbonpapper som fick plats runt skrivmaskinsvalsen. På så sätt kunde man få sju till femton kopior på en avskrivning. Exemplar som sedan spreds från hand till hand och fortsatte att lånas ut för att skrivas av och spridas vidare av läsaren. Redan 1990 upprättades i Prag samizdatbiblioteket Libri Prohibiti av dissidentförläggaren Jií Gruntorad, men det skulle dröja ytterligare decennier innan forskningen förstod värdet av samlingen med över 30 000 samizdat- och exilböcker. När jag själv kring millenieskiftet började intressera mig för denna bokutgivning kunde jag när jag frågade efter samizdatböcker på antikvariat i Tjeckien mötas av oförståelse och motfrågan: Varför vill du ha det, de finns ju i nytryck? Men personer som hade varit en del av rörelsen tog gladeligen emot mig för att berätta, tacksamma för ett intresse de väntat på. Under Sammetstevolutionen var de intellektuella rösterna med Václav Havel i spetsen ledande. Under de kommande åren på 90-talet skulle de tidigare officiella författarskapen snart falla i glömska medan de förra dissidentförfattarna utgavs och lästes i massupplagor, från 1950-talets katolska präster till unga samtidsskildrare som skrev på talspråk och aldrig tidigare publicerats. Samizdattidskrifter började ges ut officiellt och en kulturtidskrift som Revolver Revue är än idag en av Tjeckiens viktigaste. Havel själv uttryckte det: Farväl samizdat [] välkommen tryckpress, välkommen nya läsare, välkommen frihet! Samtidigt blev den nya situationen något av en paradox för nu stod författarna utan den särskilda funktion de tidigare haft. Författandet blev en privat angelägenhet vilket också märktes i litteraturen som kom att bli mer självcentrerad. De forskare som försökt undersöka hur stor läsekretsen av samizdatböckerna var har ställts inför en omöjlig uppgift: själva principen för spridandet var ställ inga frågor om du inte behöver ställa några frågor. Att sitta inne på kunskap var det samma som att ha information som kunde vara av intresse för säkerhetspolisen StB och därmed en risk för både dig själv och den från vem du fått boken. Kanske är det talande att Václav Havel i samtalsboken Fjärrförhör från 1986 säger att han inte särskilt väl känner till den tjeckiska exillitteraturen. Och att den kanadensiske Tjeckoslovakienforskaren H. Gordon Skilling bekriver samizdat med det grekiska ordet batrachomyomachia, ett slag mellan möss och grodor av intresse endast för de direkt inblandade. Mängden läsare är dock kanske inte av lika stor vikt som att se vilken roll de ändå spelade i samhällsförändringarna. Eller som författaren Ivan Klíma en gång uttryckte det för mig över ett glas lemonad på sitt arbetsrum: Du måste förstå, ingen brydde sig vad jag skrev för något, det var mycket viktigare om vi slog Sovjet i hockey än något jag någonsin skrev. Men samizdatböckerna fick oss som skrev och trodde på en förändring att känna att vi inte var ensamma, de var ett kitt som höll oss samman. En paradox för Húsaks, med Havels ord, posttotalitära stat och hårdförhet mot det fria ordet var att personer som annars inte att hade något samröre kom samman. En katolsk präst hade kanske inget direkt gemensamt med avantgardistiska poeter, inte heller äldre filosofiprofessorer med progressiva rockmusiker, ändå så dök Jan Patoka upp på spelningar som Havel ordnade i sin sommarstuga med rockbandet The Plastic People of the Universe och när gruppen arresterades ledde det till att de tog initiativ och undertecknade Charta 77. Förtrycket förde samman en dissidentgrupp som var estetiskt och även politiskt diversifierad, vilket också kom att märkas och splittra den efter demokratiseringen. Stora delar av den tjeckiska intelligentia som varit involverad i skrivandet och distributionen av samizdat fick en direkt betydelse för sammetsrevolutionen. Inte bara de som konkret engagerade sig politiskt utan också många skribenter som blev reportrar, korrespondenter och krönikörer inom den nya pressen. Skribenter som stod bakom ett idéspridande som tidigare varit begränsat till samizdatläsekretsen men nu fick fri distribution till sitt förfogande. En roll som lärare i demokrati, som det har uttryckts, där traditionen med spridandet av samizdat låg till grund för den demokratiprocess som följde. Böckerna omkullkastade inte regimen men som författaren Jáchym Topol har sagt: Över hela Österuopa förberedde dissidenterna folket på demokratin. Och till det bidrog de förbjudna böckerna och tidningarna som hamrades fram på skrivmaskiner. Per Bergström, förläggare Litteratur Darnton, Robert, The Forbidden Best-Sellers of Prerevolutionary France, New York 1995. Glanc, Tomas, Samizdat Past & Present, Prag 2019. Havel, Václav, Fjärrförhör, Stockholm 1990. Havel, Václav, En dåre i Prag, Stockholm 1990. Janouch, Frantiek, Nej, jag klagar inte. Dagbok från "normaliseringen" i Tjeckoslovakien 196875, Stockholm 1981. Priban, Michal (red.), Ceske literarni samizdat 19491989, Prag 2018. Skilling, H. Gordon, Samizdat and an Independent Society in Central and Eastern Europe, Ohio 1989. Theiner, George (red.), They shoot writers, don't they?, London/Boston 1984. Ljud Filaments av Scott Buckley: www.scottbuckley.com.au samt skrivmaskinsknappande från Sveriges radios arkiv.
En 1730 dans un quartier parisien, des hommes vident des sacs de chats à moitié morts dans la cour de l'atelier. Puis, ils font un procès parodique aux chats. Les travailleurs jouent le rôle de gardes et on retrouve même un confesseur et un exécuteur public. Les animaux sont prononcés coupables et le confesseur leur administre les derniers sacrements. Les animaux sont ensuite attachés à une potence improvisée. Cette anecdote a été étudiée par l'historien américain Robert Darnton. Il a publié un essai sous le titre de Grand massacre des chats pour la première fois en 1984. Il a été traduit en 17 langues ! Pour soutenir financièrement la chaîne, trois choix: 1. Cliquez sur le bouton « Adhérer » sous la vidéo. 2. Patreon: https://www.patreon.com/hndl 3. UTip: https://utip.io/lhistoirenousledira Avec: Laurent Turcot, professeur en histoire à l'Université du Québec à Trois-Rivières, Canada Abonnez-vous à ma chaine: https://www.youtube.com/c/LHistoirenousledira Facebook: https://www.facebook.com/histoirenousledira Instagram: https://www.instagram.com/turcotlaurent Les vidéos sont utilisées à des fins éducatives selon l'article 107 du Copyright Act de 1976 sur le Fair-Use. Pour aller plus loin: Darnton, Robert, The Great Cat Massacre and Other Episodes in French Cultural History, 1984 Harold Mah, Suppressing the Text: The Metaphysics of Ethnographic History in Darnton's Great CatMassacre, History Workshop, No. 31 (Spring, 1991), pp. 1-20 #histoire #documentaire #chat
Nesse episódio Rafinha (@rafaverdasca) e Daniel Gomes (@danielgomesdecarvalho) recebem Verônica Calsoni (@veronicacalsoni) para uma conversa sobre a história do livro. O programa começa, justamente, explicando o que é a História do Livro. Depois, para conduzir o debate, tentaremos responder qual a importância de pensar o livro enquanto objeto (com enfoque na época moderna). Por fim, a Verônica irá apresentar um pouco da pesquisa dela sobre produção e circulação de panfletos sediciosos entre as décadas de 1650 e 1680 (Revolução Inglesa e Restauração) além de oferecer algumas dicas de como comçar os estudos sobre a história do livro. curso Robert Darnton - https://www.edx.org/course/the-book-the-history-of-the-book-in-the-17th-and-1 https://www.earlyprintedbooks.com Picpay do História Pirata: https://picpay.me/historiapirata Esse episódio foi editado por: Gabriel Campos (@_grcampos)
Calma, CALMA!!! O episódio de hoje não é uma sobre nenhum genocídio felino, pelo menos no século XXI. O Navio dos Loucos traz hoje O Grande Massacre de Gatos, livro que narra episódios da história francesa. Na verdade, iremos apresentar um pouco do mundo dos historiadores para vocês. Voltamos para a graduação e buscamos um clássico da historiografia francesa, escrito por Robert Darnton, um historiador de referência. Hoje, no nosso quadro "Você indica o livro?", nós analisamos esse livro que vai acabar que vai acabar com sua infância quando você descobrir que a Chapeuzinho Vermelho e a Cinderela não são nada do que te contaram na Disney. Estamos certo que você vai se encantar quando perceber que a História acontece dentro daqueles episódios e acontecimentos que num primeiro olhar parecem não fazer sentido nenhum. Sejam bem-vindos ao mundo da História Cultural e ao nosso oitavo episódio.
Maura Gancitano"Prendiamola con filosofia"https://tlon.it/evento/prendiamolaconfilosofia/Prendiamola con filosofia è un luogo aperto e comunitario e, dopo aver occupato spazi virtuali, torna dal vivo presso il Parco Appio di Roma, il Parco della Filosofia, con una serie di incontri.Prendiamola con filosofia LIVE proseguirà, sempre presso il Parco Appio, dal 9 al 30 luglio con quattro incontri estivi, ogni giovedì dalle 19 a tarda sera. Gli appuntamenti saranno composti da un format con quattro diversi momenti: Circles talk, dialoghi nel verde facilitati da un filosofo con il pubblico disposto in cerchio, intento a riflettere sui grandi temi della filosofia; Tlon talk, dialoghi tra personaggi del mondo della cultura, dell'arte e dello spettacolo; Lyrics, incontri filosofici con la musica per riflettere sul senso dei testi, sul valore della musica e sul potere della relazione con musicisti e interpreti; Tlon Show, un talk show condotto da Maura Gancitano e Andrea Colamedici che tra interviste e dialoghi a più voci mescolerà cultura alta e mondo pop, filosofia e contemporaneità. Anche questi eventi saranno fruibili in streaming grazie alla diretta sui social di Tlon.Tra gli ospiti dei quattro appuntamenti di luglio: Inna Shevchenko, attivista politica ucraina per i diritti delle donne e leader delle FEMEN; il sociologo e politologo britannico Colin Crouch; lo storico statunitense Robert Darnton; Eva Illouz, professoressa di sociologia a Gerusalemme; Sara R. Farris professoressa associata presso la Goldsmiths University of London; Emma, fumettista e autrice per Laterza del libro Bastava chiedere.E ancora: Niccolò Fabi; Vasco Brondi; Cathy La Torre; Stefania Auci; Ascanio Celestini; Vera Gheno; Sonny Olumati; DiMartino; Colapesce; Dardust; Margherita Vicario; Pietro Del Soldà; Ilaria Gaspari; Giulia Blasi; Matteo Saudino (Barbasophia); Giovanni Truppi; Jennifer Guerra; Francesca Cavallo; Marina Pierri; Tommaso Ariemma; i ragazzi di Visionary Days; Lorenzo Gasparrini e molti altri.Il programma completo sarà disponibile sul sito di Prendiamola con filosofia.I biglietti per accedere agli eventi al Parco Appio saranno disponibili sul sito di Tlon.Potrebbe interessarti anche:Circo Maximo experience: viaggio storico immersivo, fino al 31 maggio 2021,Colori degli Etruschi. Tesori di terracotta: la mostra, fino al 1 novembre 2020,Le quattro stagioni di Antonio Vivaldi, fino al 26 novembre 2020,Mostra di Leonardo da Vinci. Il genio e le macchine, fino al 31 dicembre 2020Scopri cosa fare oggi a Roma consultando la nostra agenda eventi.Hai programmi per il fine settimana? Scopri gli eventi del weekenda Roma.Tlon è un progetto di divulgazione culturale condotto da Andrea Colamedici e Maura Gancitano. Si manifesta attraverso una Scuola di Filosofia e Immaginazione permanente, una casa editrice, una libreria teatro e un'attività di divulgazione online attraverso i social network, mescolando cultura alta e bassa, analizzando bisogni e significati del nostro tempo e mettendo in connessione l'ambiente accademico con il mondo pop.Maura Gancitano e Andrea Colamedici, filosofi e divulgatori, fondatori di Tlon, sono gli autori della serie Scuola di Filosofie 1 e 2 su Amazon Audible, il podcast più ascoltato in Italia sulla piattaforma.Hanno collaborato nel 2019-2020 con università (San Raffaele, Roma Tre, Politecnico di Torino) riviste (Linus, Nuovi Argomenti), sono intervenuti in radio (Radio Rock, Radio Freccia, Radio Popolare, Radio3, RadioDeejay), televisioni (Agorà, Otto e Mezzo, DiMartedì) nel tentativo di recuperare il modo originario di fare filosofia: con il dialogo e l'incontro umano.Sui social hanno creato una community ampia e attiva (+100k follower su Facebook, +50k su Instagram) attenta alle tematiche culturali e sociali. Il loro ultimo libro è Liberati della brava bambina (Harper Collins 2019).Insieme hanno scritto, tra gli altri, La società della performance, saggio sulla società dei social network e Lezioni di Meraviglia, introduzione al pensiero filosofico. Andrea Colamedici è anche autore di Il codice del mito, (Mursia), saggio sui miti platonici. Nel 2019 hanno condotto duecentocinquanta incontri in Italia e all'estero sui temi della filosofia, dell'educazione di genere, del digitale, della letteratura.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/
In this second part of a two episode instalment, I look at how the development of a specific type of technique - reading silently as opposed to reading aloud - carved out a greater interior space in the human mind to give acreage for a richer concept of the self to develop. How did we get from the ancient Greek who had very little concept of interiority to the arguably narcissistic modern self who is wrapped up in the tangles of their own head? Here I will be borrowing from the work of Charles Taylor and Robert Darnton to explore these ideas.
Paul Matzko - a historian who has charted the legacy of talk radio and the conservative movement - joins The Remnant pantheon. While conservatives may be familiar with the lasting legacy of figures like Rush Limbaugh and Michael Medved, Paul shows that they follow a path established by religious conservatives stretching back to the 60s. Learn about the Kennedy administration’s checkered history with AM radio, and about the differing impacts of the radio populists versus the print-magazine intellectuals, such as Buckley at National Review. Show Notes: -Paul’s book, The Radio Right - out now via ebook, out in hardcover… whenever the pandemic stops -Paul’s futurism podcast, Building Tomorrow -Paul’s podcast with an old socialist friend, Impolitic -George Nash’s history of the conservative intellectual movement -Jonah’s longstanding beef with Father Coughlin -Victor Lasky’s book, It Didn’t Start with Watergate -Paul and John Samples’ research on ineffective social media regulation -The history of “Revolutionary Defeatism” -Paul on the Polish ham boycott -Pacifica Radio’s left-wing radicalism -Robert Darnton’s Censors at Work -DonorsTrust.org/dingo -ExpressVPN.com/remnant See omnystudio.com/listener for privacy information.
Robert Darnton es un historiador estadounidense con gran interés en la historia cultural. Es considerado uno de los mayores expertos del siglo XVIII francés y de la historia del libro. En este ensayo tomado del libro «El beso de Lamourette», el autor revisa el estado actual del estudio cultural en relación con otras disciplinas vecinas como la sociología, la literatura y la antropología.
durée : 00:59:25 - Concordance des temps - par : Jean-Noël Jeanneney - Les "faits alternatifs" ne débutent pas avec Donald Trump et internet. Retour sur la longue histoire de la désinformation, avec le directeur des bibliothèque de Havard, Robert Darnton. - réalisation : Philippe Baudouin, Anne Kobylak, Luc-Jean Reynaud - invités : Robert Darnton historien de la Révolution française et des Lumières.
Robert Darnton is Harvard University's Carl H. Pforzheimer Professor, Emeritus and University Librarian, Emeritus He was educated at Harvard and Oxford (where he was a Rhodes scholar). After a brief stint as a reporter for The New York Times, he became a junior fellow in the Society of Fellows at Harvard. He taught at Princeton from 1968 until 2007 when he came to fill the roles mentioned above. Among his honors are a MacArthur Prize Fellowship, a National Book Critics Circle Award, election to the French Legion of Honor, the National Humanities Medal, and the Del Duca World Prize in the Humanities. He has written and edited many books, including The Business of Enlightenment: A Publishing History of the Encyclopédie (1979, an early attempt to develop the history of books as a field of study), The Great Cat Massacre and Other Episodes in French Cultural History (1984, his most popular work) and The Forbidden Best-Sellers of Prerevolutionary France (1995, a study of the underground book trade). We met at his office in the Widener Library to talk, among other things, about why book history in so exciting; French police enforcing edicts on the book trade; The Private Life of Louis XV, sex, scandal and politics; David Hall; the fertile crescent of publishing houses around France in the 18th century; book pirating; the communications circuit; and Roger Chartier, and the fluidity of texts.
Censura: um assunto difícil. Robert Darnton aborda com maestria o tema em "Censores em Ação: como os Estados influenciaram a literatura". Passando por três períodos e lugares diferentes da história, o autor discorre sobre censuras, censores e censurados. Aperte o play e acompanhe essa discussão aqui na Rádio Caractere! A Rádio Caractere é Associada Amazon.com.br! - Obras de interesse Edição e Sedição - https://amzn.to/34navmr O diabo na água benta - https://amzn.to/2qWtlCA O Iluminismo como negócio - https://amzn.to/2oDvtP0 Poesia e polícia: redes de comunicação na Paris do século 18 - https://amzn.to/2pkNjqs O Grande Massacre de Gatos e outros episódios da história cultural francesa - https://amzn.to/2oDJg8c O Beijo de Lamourette - https://amzn.to/34lBvTk A questão dos livros - https://amzn.to/2BXuiN9 Os dentes falsos de George Washington - https://amzn.to/2ovgK8y Os best-sellers proibidos da França pré-revolucionária - https://amzn.to/2oylpXl Censores em Ação: como os Estados influenciaram a literatura - https://amzn.to/2C0rGy9 Nossos links: https://linktr.ee/Caractere A Rádio Caractere é um podcast da Rede PodcasTchê! Receba os podcasts da Rádio Caractere no seu app favorito, Spotify ou Deezer. --- Send in a voice message: https://anchor.fm/radio-caractere/message Support this podcast: https://anchor.fm/radio-caractere/support
Hva er bøkenes historie? Før boka møter leseren, går den fra forfatter til forlegger, til designer og trykkeri, til presse og bokhandel. I bøkenes egen verden formes bokas fysiske uttrykk, og tekster plasseres i ulike sosiale kretsløp. Hvordan har denne verdenen sett ut til ulike tider gjennom historien, og hva betyr den for måten vi leser på, og bøkenes rolle i samfunnet? Det var blant spørsmålene den amerikanske professoren Robert Darnton forsøkte å besvare da han i 1982 markerte starten på «den nye vendingen» i bokhistorisk forskning. Men hva var dette nye? Forfatter og litteraturprofessor Tore Rem har tidligere skrevet om Alexander Kielland, Henrik Ibsen og en rekke andre med et bokhistorisk blikk. Nå tar han oss gjennom noen av de ulike vendingene i bøkenes mangfoldige historie. See acast.com/privacy for privacy and opt-out information.
On this episode of The Open Mind, we're delighted to welcome John Bracken. We've been tracking the progress of the Digital Public Library of America since it's genesis: first with its founding visionaries, Robert Darnton and John Palfrey, then with its inaugural executive director Dan Cohen, and today with its second and current leader, John Bracken. As I described it then, the DPLA is a one-stop portal for primary sources from the nation's archives, libraries and museums, a public option to access the full breadth of human expression and American cultural heritage. DPLA's aspiration is to be a unifying national library and it could be critical to answering that question of how our democracy can function successfully again in the digital age and how the common civic experience of libraries will help us achieve trust anew.
Speciale Festival letteratura di Mantova – David Sedaris, “Ragazzi, che giornata! Diari 1977-2002” – Marco Guagni intervista Vittorio Lingiardi, “Mindscapes. Psiche nel paesaggio” - Robert Darnton, “Censori all’opera” - Michela Murgia, “L'inferno è una buona memoria. Visioni da Le nebbie di Avalon”
Speciale Festival letteratura di Mantova – David Sedaris, “Ragazzi, che giornata! Diari 1977-2002” – Marco Guagni intervista Vittorio Lingiardi, “Mindscapes. Psiche nel paesaggio” - Robert Darnton, “Censori all’opera” - Michela Murgia, “L'inferno è una buona memoria. Visioni da Le nebbie di Avalon”
Cultural historian Robert Darnton is the author The Great Cat Massacre: And Other Episodes in French Cultural History. His many other books include The Business of Enlightenment, Berlin Journal, The Case for Books, and The Devil in the Holy Water. His towering and sundry honors include a MacArthur "genius" grant, election to the French Legion of Honor, a National Humanities Medal, and a National Book Critics Circle Award. In his latest book, the former director of the Harvard University library maps the rollicking, comedic, occasionally dangerous trails traveled by those in the French publishing industry during that country's time of greatest upheaval. Watch the video here. (recorded 2/15/2018)
On this week's episode, National Book Award Winner Daniel Borzutsky, discusses his new book, Lake Michigan, with Chicago poet Nate Marshall. They also talk politics, education, violence, and the state. Then we talk with historian Robert Darnton about the revolutionary potential of poetry in 18th Century France.
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton's thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager's story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today's reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton's thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager's story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today's reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/.
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
Five decades ago, a young scholar named Robert Darnton followed up on a footnote that took him to the archives of the “Typographical Society of Neuchatel”(S.T.N.) in Switzerland, not far from the French border. Many years, and thousands of documents later, Professor Robert Darnton has published a new book, A Literary Tour de France: The World of Books on the Eve of the French Revolution (Oxford University Press, 2018). Apart from illuminating the everyday life of the trade that enabled and shaped French reading practices, the book is a methodological feat that mines an impressive array of sources to access the financial, legal, political, and cultural history of book distribution before the French Revolution. Following the trail of Jean-Francois Favager, a sales rep of the S.T.N. who toured France in 1778, Darnton’s thirteen chapters trace his journey from Neuchatel, across the border into France, down the southeast to Lyon and Marseille, west towards Bordeaux, then north before crossing back to Besancon and home (with many stops in between). As the book pursues Favager’s story, the reader learns about the challenges of travel by horse in this period, including border-crossings, the network of roads that connected French towns and cities in the eighteenth century, and the many obstacles that arose along the way. A history of the movement of foreign books into a French market, A Literary Tour de France also explores the histories of smuggling, piracy, contract and business law and values. Focused on the world of books in the French provinces, rather than Paris, this study offers today’s reader insight into the demands and supplies of their eighteenth-century counterparts and the range of booksellers who sold their wares. The result is a rich and textured account of how and what many French people were able to read in the decades before the upheaval of 1789. I encourage all of you to visit the books companion website, including a treasure of primary sources that will enhance and extend the reading of A Literary Tour de France. Roxanne Panchasi is an Associate Professor in the Department of History at Simon Fraser University. Her current research focuses on the representation of nuclear weapons and testing in France and its empire since 1945. She lives and reads in Vancouver, Canada. If you have a recent title to suggest for the podcast, please send an email to: panchasi@sfu.ca. *The music that opens and closes the podcast is an instrumental version of Creatures, a song written by Vancouver artist/musician Casey Wei (performing as hazy). To hear more, please visit https://agonyklub.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode of Houghton75 we welcome Professor Robert Darnton, Carl H. Pforzheimer University Professor and University Librarian, Emeritus, to discuss the experiences which led him to study the history of books. It all started with Herman Melville’s personal copy of Emerson’s Essays, housed at Houghton Library and on display in our current exhibition, HIST75H: A Masterclass on Houghton Library (through April 22, 2017). Find out more about the exhibition and Houghton Library’s 75th anniversary celebrations at http://houghton75.org/ Music by Les Délices http://www.lesdelices.org
In the second episode of Book History, Illuminated, Leah introduces Robert Darnton's Communications Circuit, and explains why it is, and why it is not, so great. She talks about Thomas R. Adams and Nicolas Barker's response to Darnton's Circuit, Pride and Prejudice, and Polish samizdat. What's samizdat? Listen and find out. Intro theme samples speech from the trailer for Lane Smith's "It's a Book". Check the trailer out at www.youtube.com/watch?v=x4BK_2VULCU. Resources cited in this episode include: "What is the History of Books?" - Robert Darnton (https://dash.harvard.edu/bitstream/handle/1/3403038/darnton_historybooks.pdf) "'What is the History of Books?' Revisited" - Robert Darnton (https://dash.harvard.edu/bitstream/handle/1/3403039/darnton_revisited.pdf?sequence=2) "A New Model for the Study of the Book" - Thomas R. Adams and Nicolas Barker "What is the History of Samizdat?" - Gordon Johnston "'I Was There': On Kurt Vonnegut" - William Deresiewicz (http://www.thenation.com/article/167921/i-‐was-‐there-‐kurt-‐vonnegut) Matka noc - Kurt Vonnegut (translated by Lech Jęczmyk) [1984 NOVA edition: BL Sol.213e; 1989 Petit Press edition: BL Sol.230d]
(Audio in English) Teknologien utvikler seg fortere enn vi kan snu oss. Google gir oss uendelige mengder informasjon. Hva vinner vi med denne raske utviklingen? Hva går tapt? Og hvordan kan bibliotekene – kunnskapsformidlerne – bruke endringene til sin fordel? Bokhistoriker Robert Darnton er foregangsmann i den amerikanske debatten om digital litteratur. Et digitalt verdensbibliotek hvor kulturarven er åpen for alle er opplysningsfilosofens drøm, hevder han, og det naturlige skrittet videre i bokens historie. Darnton er en bejublet historieprofessor tilknyttet en rekke prestisjetunge universiteter, som nylig takket av som direktør for Harvard University Library. See acast.com/privacy for privacy and opt-out information.
Partendo dal processo di digitalizzazione dei beni librari, Robert Darnton discute le prospettive relative all'accesso al sapere e ai processi di democratizzazione. Robert Darnton Digitalizzazione e democrazia festivalfilosofia 2015 | ereditare Sabato 19 Settembre 2015 Modena
Partendo dal processo di digitalizzazione dei beni librari, Robert Darnton discute le prospettive relative all'accesso al sapere e ai processi di democratizzazione. Robert Darnton Digitalizzazione e democrazia festivalfilosofia 2015 | ereditare Sabato 19 Settembre 2015 Modena
Des oiseaux aggressifs; Les carnets insolites du prof Durand : La créativité débridée; Ma fenêtre est une centrale électrique ; Doc/post-doc : Le souvenir post-traumatique de Marie-France Marin ; La règle de 3 : Une histoire du dopage, troisième partie ; Matière condensée ; Les Années lumière au soleil : Cette semaine, Notre climat au Soleil ; Le courrier des Années lumière ; Rencontre avec Robert Darnton
Robert DARNTON, professeur émérite à l'Université de Princeton, directeur de la Harvard University Library
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Robert Darnton, author of books, articles, and Carl H. Pforzheimer University Professor and Director of the University Library at Harvard. Darnton joins host Jonathan Judaken to discuss the future of libraries, the printed press, and his project – the Digital Public Library of America, or D.P.L.A. – which he hopes will foster a culture of “Open Access” to help promote the free communication of knowledge and sharing of intellectual wealth in order to create this “digital commonwealth.” Learn more about your ad choices. Visit megaphone.fm/adchoices
Le Scientifique de l'année de Radio-Canada 2013 ; Matière condensée ; Mars One : télé ou réalité?; Le courrier des Années lumière ; Un maître du livre : Robert Darnton.
The role of the library in the digital age is one of the compelling questions of our era. How are libraries coping with the promise and perils of our impending digital future? What urgent initiatives are underway to assure universal access to our print inheritance and to the digital communication forms of the future? How is the very idea of the library changing? These and related questions will engage our distinguished panelists, who represent both research and public libraries and two of whom serve on the steering committee for the Digital Public Library of America. Robert Darnton is Carl H. Pforzheimer University Professor at Harvard, Director of the Harvard University Library and one of America’s most distinguished historians. He serves on the steering committee of the Digital Public Library of America and has been a trustees of the New York Public Library since 1995. In a recent essay in the New York Review of Books, Darnton defended a NYPL plan to liquidate some branches in the system while renovating the main Fifth Avenue branch. The essay sparked a number of responses. In November of last year, Darnton provided a status report on the DPLA. Darnton is the author of many influential books including The Case for Books, Past, Present, and Future and The Great Cat Massacre. Susan Flannery is director of libraries for the City of Cambridge and past president of the Massachusetts Library Association.
Afternoon session of a conference celebrating the enduring legacies of three key events that shaped America's knowledge-based democracy: passage of the Morrill Act, the founding of the National Academy of Sciences, and the founding of the Carnegie libraries. Speakers included James H. Billington, Sen. Lamar Alexander (R-Tenn.), Vartan Gregorian, Robert Darnton, Carl H. Pforzheimer, Carla D. Hayden, Anthony W. Marx, David Nasaw and Arthur M. Schlesinger Jr. Includes a wreath-laying ceremony at the Lincoln Memorial. For captions, transcripts, and more information visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=5598.
Quand la chanson défiait le pouvoir Robert Darnton, avec Hélène Delavault (chant) et Claude Pavy (Guitare) Conférence-cabaret du 10 janvier 2011
Quand la chanson défiait le pouvoir Robert Darnton, avec Hélène Delavault (chant) et Claude Pavy (Guitare) Conférence-cabaret du 10 janvier 2011
Podcast Transcript... The post The Fate of the Book in the Digital Age: A Conversation with Robert Darnton appeared first on AlbertMohler.com.
Cultural historian Robert Darnton, Harvard University librarian and professor, speaks about efforts to create the Digital Public Library of America (DPLA), a project to make the country's research libraries available, free of charge, over the Internet.
Robert Darnton discusses the ongoing production of historical narrative.
New York Law School’s James Grimmelmann and Robert Darnton of the Harvard University Library look at the ruling against the tech company. Plus: When Apple boots apps, and our on-line personalities cross over to real life.
A pioneering scholar of the Enlightenment and of the history of the book, Robert Darnton is the director of the University Library and the Carl H. Pforzheimer University Professor at Harvard. A former Rhodes Scholar and MacArthur Fellow, his books include The Business of the Enlightenment: A Publishing History of the Encyclopedie, The Great Cat Massacre: And Other Episodes in French Cultural History, and The Forbidden Best-Sellers of Prerevolutionary France. He has written extensively on the impact of digital technologies on the culture of print and on the responsibilities of libraries in the computer age. In this Forum, Darnton discussed and took questions about the emergence of the discipline of the history of the book, the future of books and reading, and his own vision of the ways in which new and old media can reinforce each other, strengthening and transforming the world of learning.
Apr 1, 2010. Historian and book expert Robert Darnton discusses literature of slander and libel in seventeenth- and eighteenth-century France and reveals the names of history's forgotten muckrackers, including the author of The Bohemians.
© 2020-2025 Ivy Podcast Discovery LLC
