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Episode 128:Author John Taplin discusses researching the Stratford families of Shakespeare's time and particularly the ancestry of John Hall, Shakespeare's son-in-law.John Taplin spent the majority of his career in management in the telecommunications industry until 2001 when he joined the Shakespeare Birthplace Trust at Hall's Croft and Nash's House/New Place in Stratford-upon-Avon, until retiring in 2010. A historian, genealogist and biographer, he has published articles on Shakespeare, his contemporaries and associates in and around Stratford, including the families directly associated with New Place.Shakespeare's Stratford home, before and after Shakespeare's lifetime. In 2011 he published his book Shakespeare's Country Families - A Documentary Guide to Shakespeare's Country Society. He was a member of the Advisory Board for the Trust's Dig for Shakespeare project at New Place between 2010-2015, and in 2018 he published a revised and updated edition of his 2011book. He has a Masters degree in historical studies from the University of Leicester.Links to John's ebook:https://www.amazon.co.uk/Twenty-first-Century-Shakespeare-Gleanings-Taplin-ebook/dp/B0CC633JY2/ref=sr_1_1?dib=eyJ2IjoiMSJ9.UlnFY8UInwIYfhuJf0AiXmtXTQSRHcN9Ativ9cOIX_PGjHj071QN20LucGBJIEps.4xAoLuO1JQQ2o0LumK9U_Hjq703MON6NOQVolv2BSr4&dib_tag=se&qid=1721225584&refinements=p_27%3AJohn+Taplin&s=digital-text&sr=1-1&text=John+TaplinSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.ko-fi.com/thoetpwww.patreon.com/thoetpThis podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
On this episode of Into The Dark, Payton dives into the case of Steven Robards, a man who died mysteriously in front of his daughter. Was it a heart attack or something more sinister? Instagram: https://www.instagram.com/intothedarkpod/ Discount Codes: https://mailchi.mp/c6f48670aeac/oh-no-media-discount-codes Listen on Apple: https://podcasts.apple.com/us/podcast/into-the-dark/id1662304327 Listen on spotify: https://open.spotify.com/show/36SDVKB2MEWpFGVs9kRgQ7?si=f5224c9fd99542a7 Case Sources: Forensic Files Season 6, Episode 5 – “Death Play” Texas Monthly - https://www.texasmonthly.com/true-crime/poisoning-daddy/ UPI - https://www.upi.com/Archives/1994/10/19/Student-charged-with-poisoning-her-dad/7014782539200/ The Shakespeare Birthplace Trust - https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/shakespeares-plays/hamlet/ International Labor Organization - http://www.ilo.org/dyn/icsc/showcard.display?p_card_id=1073&p_version=2&p_lang=en Okay Bliss - https://www.okaybliss.net/marie-robards-now/ Grunge - https://www.grunge.com/1180537/the-bizarre-1993-poisioning-murder-of-steven-robards/ Learn more about your ad choices. Visit podcastchoices.com/adchoices
Lucy Heuschen is a British poet living in the countryside near Bonn, Germany with her family and rescue dog. She came back to reading and writing poetry after a twenty-year legal career and a life-changing breast cancer diagnosis in 2018. After her cancer treatment, in 2020 Lucy founded The Rainbow Poems, an online poetry community for anyone going through major life change. During the pandemic and the years afterwards, The Rainbow Poems hosted over 140 poets, from first-time writers to prize-winning poets. Lucy was also the Editor of the Sonnets for Shakespeare anthology, raising funds for the Shakespeare Birthplace Trust during lockdown. She is the Poetry Society's Stanza Representative for Germany. Lucy's poems have appeared in The High Window, Ink Sweat & Tears, Obsessed With Pipework, Lighthouse, Skylight 47 and The Storms among many others. She loves anthologies for the community they foster and she has appeared in anthologies by Black Bough, Dreich, Sídhe Press, Orchard Lea, Yaffle and New Contexts. Lucy's debut pamphlet “We Wear The Crown” was published by Hedgehog Poetry Press in 2022 and her second, “Loggerheads” — the subject of this episode of A Thousand Shades of Green — won The Broken Spine's annual chapbook competition in 2023. “Loggerheads” will make its way into the world in late April 2024. Lucy's first full collection, bringing together her love of history, storytelling, family and feminism, is due to be published by Yaffle Press. You can find Lucy at her website: www.lucyheuschen.co.uk and via X and Bluesky at PetiteCreature1.
Bonus Episode 35:A conversation with Cassidy Cash, producer and host of 'That Shakespeare Life', the podcast that interviews expert historians to explore people, events, and objects that were living or happening in Shakespeare's lifetime.Cassidy Cash is a Shakespeare historian, historical map illustrator, and host of That Shakespeare Life, That Shakespeare Life is currently ranked the #2 Shakespeare history podcast in the world. In addition to podcasting, Cassidy creates independent films about 16-17th century history and illustrated history maps that diagram life in turn of the 17th century England. Her documentary shorts and animated films about Shakespeare's history have won international film awards for both history and animation. Cassidy is a member of the National Council on Public History, The American Historical Association, the Renaissance Society of America, the Shakespeare Association of America, and most recently she was elected Associate Fellow at the Royal Historical Society for her contributions to history. Her work and historical map ilustrations have been published in multiple academic journals and on major history platforms including History Magazine, HistoryHit, Tudor Places Magazine, and Shakespeare Birthplace Trust. Connect with Cassidy and hear current episodes of That Shakespeare Life at www.cassidycash.com This podcast uses the following third-party services for analysis: Chartable - https://chartable.com/privacy
The British Library isn't all books; it has a huge sound archive, one of the largest in the world. It has drawn on this for Beyond the Bassline, the first major exhibition to documenting Black British music. Curators Aleema Gray and Mykaell Riley guide Shahidha Bari through the 500-year musical journey of African and Caribbean people in Britain.Emily Henry is a giant of the Beach Read: indeed one of her best selling novels is literally called that. With her forthcoming Funny Book, she is joined by author of The Garnett Girls Georgina Moore to discuss what goes into an ideal summer book.And on Shakespeare's birthday, we discuss the women who made him as well as his female contemporaries with Charlotte Scott, from the Shakespeare Birthplace Trust, and Rami Targoff author of Shakespeare's Sisters: Four Women Who Wrote the RenaissancePresenter: Shahidha Bari Producer: Ciaran Bermingham
Welcome to Anthem 16 in my attempt to write a new choir anthem every week for a year. I'm Kevin Mulryne and I hope you will enjoy listening to my progress throughout 2024. Please do visit the website Anthem52.com, follow along on x.com - @realanthem52 or Instagram - @realanthem52 and send me a message to show@anthem52.com. It was a difficult week. There was a lot going on at work and as a result I was very tired which, as previously noted, makes composing rather difficult. Despite this, I did manage to write a complete anthem even though there were more than the usual number of stops and starts in the process. Several avenues were deleted and I'm not sure about how it ended up. It's never a good idea to review things when you aren't feeling up to it and I shouldn't have looked back through the recordings of all my anthems so far last night, while I was in a low state due to tiredness. I left myself feeling that none of the pieces so far were of any worth and the expected progress hadn't happened. I'm in a bit of more positive mood today but I'm going to leave the older anthems alone for the moment and come back much later on to see how I think I have improved - or not improved... Back to this week's anthem, however. I may have mentioned right back in the introduction to this podcast that April is a big month for Stratford-upon-Avon, where I live. Shakespeare's Birthday is on 23rd of the month and the traditional celebrations take place on the weekend closest to the date. As begun by students and staff almost 200 years ago, a procession starts from King Edward VI Grammar School (among former pupils are William Shakespeare, me and my son) and ends with the laying of flowers at Shakespeare's grave in the chancel of Holy Trinity Church (where my daughter and I are members of the choir and my wife and son are former members). When I first arrived in Stratford in 1977, representatives of a large number of countries attended to unfurl their national flags on flagpoles around the centre of the town and it was a grand affair. Unfortunately (or fortunately, depending on your point of view) the political difficulties and the cost of inviting ambassadors and others has become prohibitive. The festivities are still great fun and remarkable for somewhere as small as Stratford. Several aspects of the celebrations remain the same including the Shakespeare Service at Holy Trinity Church and its Shakespeare Sermon, usually given by a clergy person with an interest in or a connection to Shakespeare studies and sometimes by an academic like my late father who was Professor of English at Warwick University and a member of the Holy Trinity congregation. An innovation for that service began a relatively short time after I joined the choir in 1979 - the (almost) annual commissioning of the appropriately-named Shakespeare Anthem. This is one of the activities undertaken by The Friends of the Music of Holy Trinity Church and has featured several famous composers over the decades including Andrew Fletcher, Arthur Wills, Guy Woolfenden, John Joubert, Francis Jackson, Philip Stopford and many others. This year, the anthem is by a female composer for the first time - Becky McGlade. No spoilers but I'm very much enjoying rehearsing her anthem and you can find out all about her on her website. With this time of year in Stratford whirling around my head, I decided to have a go at a Shakespeare Anthem of my own. I'll probably try another one next week as well. I didn't use an actual passage from Shakespeare, mainly because I couldn't find one, but during my web search, I chanced upon the Shakespeare Birthplace Trust collections website. The Trust has looked after Shakespeare's Birthplace in Stratford for many years as well as some other houses that belonged to his extended family. I worked at a house called Hall's Croft when I was a student and my wife worked at the world famous Anne Hathaway's Cottage. The Trust also looks after a wonderful collection of items connected to Shakespeare including a book of prayers. While it isn't a copy definitely used by William Shakespeare, it was published during his lifetime and is exactly the kind of prayer book that might have been in his library. So the prayer depicted above seemed like a good choice to set. Who knows, perhaps it was read aloud by William or one of his family? I took a little editorial licence with the old English spellings of the words in order to make it work in an anthem but it's mostly the same: Words for Anthem 16: I do commende and betake my life both body and soule, now and for ever. Unto thee, with the father and the holy Ghost, one God of most excellent majestie, be all prayre, honor, and thankesgiving, for ever and ever. Amen. There are only 2 sentences and a final amen but that wasn't my problem. It just didn't seem to flow. I ended up adding dots to quite a few of the notes because I thought that one of the issues was that the rhythm was very straight. I also went back and made the bass part lower in several places. Listening back today, I think the anthem is a little bit more attractive than I was expecting and, again, I'm wondering how much this had to do with my overall mood. Anyway, it starts in F major and switches to G major shortly afterwards. Later it makes its way back to F major and I went for contrast in movement rather than key signature or feel in a central section that features a lot of quavers (8th notes). The texture here is much more complex and I think it does shift the anthem to a different gear. The end returns to something more like the original feel with a very loud and positive ending. I completely forgot to add an amen section but never mind. You might be able to hear some of the aspects I tried to fix during the week but you may not.
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
Sir Stanley Wells is one of the world's greatest authorities on William Shakespeare. Here he brings a lifetime of learning and reflection to bear on some of the most tantalising questions about the poet and dramatist that there are. How did he think, feel, and work? What were his relationships like? What did he believe about death? What made him laugh? This freshly thought and immensely engaging study wrestles with fundamental debates concerning Shakespeare's personality and life. The mysteries of how Shakespeare lived, whom and how he loved, how he worked, how he produced some of the greatest and most abidingly popular works in the history of world literature and drama, have fascinated readers for centuries. What Was Shakespeare Really Like? (Cambridge UP, 2023) conjures illuminating insights to reveal Shakespeare as he was. Wells brings the writer and dramatist alive, in all his fascinating humanity, for readers of today. One of the world's foremost Shakespearians, Professor Sir Stanley Wells CBE, FRSL is a former Life Trustee (1975-2017) and former Chairman of the Shakespeare Birthplace Trust (1991-2011), Emeritus Professor of Shakespeare Studies of the University of Birmingham. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day
From Lady Macbeth to Portia, Viola and Rosalind - Shakespeare's female characters continue to hold the highest appeal for actors, but less is known about the women in his own life. The Shakespeare Birthplace Trust is embarking on a year of events and exhibitions looking a the women who made Shakespeare, many of them forgotten, exploring their influence in his lifetime and the women who shaped his legacy beyond. Anne McElvoy hears about the latest research looking at the women in Shakespeare's life, his plays and his legacy. Sophie Duncan has looked at this first tragic heroine and the actress who did so much to promote his legacy, Ellen Terry. Hailey Bachrach has examined how Shakespeare used female characters in deliberate and consistent ways across his history plays. Emma Whipday has written Shakespeare's Sister, a play which follows Virginia Woolf's Room of One's Own in reimagining Shakespeare's sister as the playwright 'Judith Shakespeare'. And, Anouska Lester has looked at the role of Marie Corelli in Shakespeare heritage.Sophie Duncan is a Research Fellow at Magdalen College, University of Oxford and the author of Searching for Juliet: The Lives and Deaths of Shakespeare's First Tragic Heroine. Hailey Bachrach is a Leverhulme Early Career Fellow at the University of Roehampton, drama critic and dramaturg who has worked at Shakespeare's Globe. Her book is called, Staging Female Characters in Shakespeare's English History Plays. Emma Whipday is a BBC Radio 3 AHRC New Generation Thinker and author of Shakespeare's Domestic Tragedies. Anouska Lester is researching the role of Marie Corelli in preserving Shakespeare's legacy and has recently completed a PhD at the University of Roehampton.Producer: Ruth WattsYou can find a collection of Free Thinking episodes exploring Shakespeare on the programme website and available to download as Arts & Ideas podcasts and Radio 3 also has podcast versions of some of the dramas to listen to as The Shakespeare Sessions.
How would you feel like living in a town where there is Shakespeare parked in every corner, staring at you!!! And how would it feel to be surrounded by actors who only play Shakespeare and his characters all the time!!Dr Darren Freebury-Jones is a Lecturer in Shakespeare Studies at the Shakespeare Birthplace Trust in Stratford-upon-Avon. He is the author of multiple books, all having a relation with Shakespeare. In this fun chat, we talk about not just the 400-year-plus legacy of Shakespeare, but also the strong influence of his work that keeps inspiring, filmmakers across the globe. And why? What makes Shakespeare this genius- his deep understanding of the human mind and the human condition, or his belief in something beyond what we see?To be or not to be? Is that the question for you? Or as Darren puts it Let it be.I do not know if there is any writer, for me who comes closer to Shakespeare- not just his multidimensional character but also how he thought about his acts and plot points and structuring - literally being the innovator of what we are following as a template. It is complex, yet it is simple- to be or not to be, or just let it be. FOLLOW OUR FRESHLY BREWED INSTA HANDLE: THE.ARTISTSPODCAST Email id: metaphysicallab@gmail.com/ You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.The said content is not obscene or blasphemous or defamatory of any event and/or person deceased or alive or in contempt of court or breach of contract or breach of privilege, or in violation of any provisions of the statute, nor hurt the sentiments of any religious groups/ person/government/non-government authorities and/or breach or be against any declared public policy of any nation or state.See omnystudio.com/listener for privacy information.
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
In the wide realm of Shakespeare worship, the house in Stratford-upon-Avon where William Shakespeare was born in 1564 – known colloquially as the 'Birthplace' – remains the chief shrine. It's not as romantic as Anne Hathaway's thatched cottage, it's not where he wrote any of his plays, and there's nothing inside the house that once belonged to Shakespeare himself. So why, for centuries, have people kept turning up on the doorstep? In Shakespeare's House: A Window onto his Life and Legacy (Bloomsbury, 2023) Dr. Richard Schoch answers that question by examining the history of the Birthplace and by exploring how its changing fortunes over four centuries perfectly mirror the changing attitudes toward Shakespeare himself. Based on original research in the archives of the Shakespeare Birthplace Trust in Stratford-upon-Avon and the Folger Shakespeare Library in Washington, DC, and featuring two black and white illustrated plate sections which draw on the wide array of material available at the Folger Shakespeare Library and the Victoria and Albert Museum, this book traces the history of Shakespeare's birthplace over four centuries. Beginning in the 1560s, when Shakespeare was born there, it ends in the 1890s, when the house was rescued from private purchase and turned into the Shakespeare monument that it remains today. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
When we look back at the study of Shakespeare's plays, the question always come to mind about how much can we know about the actual William Shakespeare from the pieces of artwork, plays, and even legal documents that survive about his life. No one has done more study of the plays of William Shakespeare nor understands more about his life in turn of the 17th century England than our guest today, Stanley Wells, President of Shakespeare Birthplace Trust, who joins us to share about his latest book answering the question “What was Shakespeare Really Like” Get bonus episodes on Patreon Hosted on Acast. See acast.com/privacy for more information.
This is a talk with Darren Freebury-Jones, Lecturer in Shakespeare Studies, Shakespeare Birthplace Trust, about his two recent books: ‘Reading Robert Greene' and 'Shakespeare's Tutor: The Influence of Thomas Kyd'. Along with providing a fresh view of two playwrights that deserve much more of our attention, both books explore new ways to understand creative collaboration among young, aspiring playwrights, particularly during Shakespeare's early years as a dramatist in London.00:00:00 - Intro00:02:10 - ‘Reading Robert Greene'00:07:27 - Thomas Kyd, 'Shakespeare's Tutor'00:14:20 - Authorial attribution—digital vs critical00:22:50 - Collaboration—Shakespeare, Kyd, and others00:28:40 - The art of adapting known narratives00:31:48 - Thomas Kyd, and the Ur Hamlet00:36:32 - Influences on Shakespeare—Kyd, Greene, others00:43:00 - Elizabethan playwrights and educational backgrounds00:49:30 - Darren's as creative writer and actor00:56:10 - The Shakespeare Birthplace Trust, and Darren's role01:07:15 - Next--Shakespearean influences and the other dramatists01:16:00 - Closing remarks, Wales and rugby
As if our trip to the UK wasn't incredible enough, we met this AMAZING man in Stratford Upon Avon who is a docent for The Shakespeare Birthplace Trust, who oversees the Shakespeare Birthplace, Holy Trinity Church, Shakespeare's Schoolhouse, The New Place... EVERYTHING that has ANYTHING to do with Shakespeare in Stratford Upon Avon!!!!!!Join us as we talk to this incredible fount of Shakespeare information, Tony Hulme. We were blown away!!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're starving artists, dammit!!) - per episode if you like! -On Patreon, go here: https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us?? Then leave us a five-star rating AND a review wherever you get your podcasts!!Episode Sources:Years and years of experience with Shakespeare from two rather opinionated theatre professionals, you dicks!!!! And history, you rapscallion bastards!!!
The final farewell of The Original Series crew is a great summation of all the threads that we've touched on in our previous episodes and which have constituted some of the best parts of the series. The conclusion of the Klingon/Soviet cold war, the gathering of the film series' creative dream team, and the three main characters being front and centre - with Kirk being most central of all - provides a fitting end to the characters and setting that had been running for over 20 years. Join us for a chat about this classic (possibly science fiction) film, as we bid farewell to these characters (at least in their first iteration). Notes: Nancy Meyers is indeed a romantic-comedy legend. No relation to Nicholas Meyer beyond the last names. Plummer and Shatner were said to have a long-standing friendship, but the story of Shatner getting his big break as Plummer's understudy in Henry V is a real one, apparently. Animorphs most certainly did have a TV Series. This was Aidan's original movie box-set, which was actually released in the later 90s: https://images.app.goo.gl/KoaVtRsWrWg3UJPB8 Neither of us have acquainted ourselves with any of the definitions of Science Fiction. Though Aidan may regret his stance on the Doctor Who franchise, he otherwise stands by his belief that Science Fiction can be pretty much anything. Today's Sponsor: So happy to be partnered with the Shakespeare Birthplace Trust, located in Bar' Dak, Qo'nos. Make sure to visit today, and tell them the Bicks sent ya! Bicks Log: Does Star Trek VI (and similarly themed Star Trek films/episodes) count as Science Fiction, or not? Credits: Intro Music: Chasing Stars by AG Music Outro Music: Idle Hands by The Impossibulls
No single writer has shaped the way we speak and think more than William Shakespeare. Whether we're being cruel to be kind, wearing our hearts on our sleeves, or spotting the green eye'd monster — it's almost impossible to use the English language without quoting him. But who was Shakespeare? What vaulting ambition drove a young writer from a sleepy town to stardom in London? Was he born great or did he have greatness thrust upon him? This is a Short History of William Shakespeare. Written by Jo Furniss. With thanks to Dr Anjna Chouhan, Senior Lecturer in Shakespeare Studies at the Shakespeare Birthplace Trust. For ad-free listening, exclusive content and early access to new episodes, join Noiser+. Now available for Apple and Android users. Click the Noiser+ banner on Apple or go to noiser.com/subscriptions to get started with a 7-day free trial. Learn more about your ad choices. Visit megaphone.fm/adchoices
Subscribe Apple | Google | Spotify | Stitcher | iHeart Support The Daily Gardener Buy Me A Coffee Connect for FREE! The Friday Newsletter | Daily Gardener Community Historical Events 1597 On this day, The Herbal, by the English herbalist John Gerard, was first published. Today the book is considered a plagiarization of Rembert Dodoens's herbal published over forty years earlier. In his book, John shared over 800 species of plants and gorgeous woodcut illustrations. His descriptions were simple and informative. For instance, in his description of Self-heal or Brownwort (Prunella Vulgaris), he wrote, There is not a better wound herb to be found. In other instances, his descriptions gave us a glimpse into life in the 17th century. Regarding Borage blossoms, which he called Boragewort, he wrote, Those of our time use the flowers in salads to exhilerate and make the mind glad. During his life, John was allowed to garden on land at Somerset House, and for a time, he served as the herbalist to King James. In 1578, John was the first person to record and describe the Snakeshead fritillary (Fritillaria meleagris "mel-ee-aye-gris") thought to be native to parts of Britain but not Scotland. Today John is remembered in the botanical genus Gerardia. Today, the Shakespeare Birthplace Trust sells Christmas cards featuring John Gerard's woodcuts of Holly, Pears, and Mistletoe. The Shakespeare Birthplace Trust cares for Shakespeare's family homes and shares the love of Shakespeare from his hometown of Stratford-upon-Avon. Anyway, if you'd like to support a great organization and enjoy the John Gerard Christmas cards and gift wrap, head on over to https://shop.shakespeare.org.uk/. 1826 Birth of Sereno Watson, American botanist & curator of the Gray Herbarium at Harvard University in Boston. He's remembered for succeeding Asa Gray at the herbarium and continuing much of his work from 1873 until his death. A great master of botany in the American west, he also wrote Botany of California. Modern botany students easily identify Sereno for his extremely impressive beard. Sereno was admired and respected by his peers for his great attention to detail. For instance, in 1871, Sereno named a new plant genus Hesperochiron for two little wildflowers only found in the western part of the United States. Hespero means west, and Chiron is a nod to the Centaur and the first herbalist who taught humanity about the healing powers of plants. When Sereno named this genus, he rejected the classification of these plants as members of the snapdragon family. But, after dissecting them, Sereno was convinced they belonged with the gentians. This type of due diligence and careful study made Sereno Watson a great botanist. Today, Sereno is remembered with a very cool plant: the saw palmetto or the Serenoa repens palm. This small palm which only grows to 8-10 feet tall, is the only species in the genus Serenoa. 1833 Birth of Ellsworth Jerome Hill, Presbyterian minister, writer, and American botanist. When Ellsworth was only 20 years old, one of his knees stopped working. A doctor attempted to help him figure out a way to make a living and suggested he study botany. Ellsworth pursued the suggestion and crawled from his house to the orchard, where he would pick a few flowers and then crawl back to the house to identify them. The following year, Ellsworth was using canes to walk, and he moved to Mississippi, where the climate was warmer. After Ellsworth met and married a young woman named Milancy Leach, she became his daily helpmate. When Ellsworth felt especially lame or lacked strength, Milancy would step in and finish the work for him. When Ellsworth was 40, he somehow put his lameness behind him. In the back half of his life, he seemed to be better able to manage his physical challenges and cope with the symptoms. In a touching tribute to Ellsworth after his death, the great botanist and grass expert Agnes Chase wrote: Most of these collections were made while Ellsworth walked on crutches or with two canes. Ellsworth told me that he carried his vasculum over his shoulder and a camp stool with his crutch or cane in one hand. To secure a plant, he would drop the camp stool, which opened of itself, then he would lower himself to the stool and dig the plant. Ellsworth recovered from his lameness but often suffered acute pain from cold or wetness or overexertion. But this did not deter him from making botanical trips that would have taxed a more robust man. In the Dunes, I have seen him tire out more than one able-bodied man. Ellsworth recognized the value in revisiting places that had been previously botanized. It was Ellsworth Jerome Hill who said, In studying the flora of a restricted region, no matter how carefully it seems to have been explored, one is frequently surprised by new things... No region can be regarded as thoroughly explored until every acre of its wild areas at least has been examined. Some plants are SO rare or local or grow under such peculiar conditions that a few square rods or even feet may comprise their range. 1945 Birth of Bette Midler, American singer, songwriter, actress, comedian, and film producer. She was born in Honolulu. In 1979, Bette starred in her first movie called The Rose. She didn't win an academy award for her Rose performance; that award went to Sally Field for Norma Rae. But forty years later, in 2019, Bette was honored by the New York Botanical Garden (NYBG) with a rose named in honor of her stage persona: The Divine Miss M. On June 19th, 2019, the NYBG introduced Bette's white-yellow rose with a fragrance of mint and lime at the New York Restoration Project Spring Picnic at the Botanical Garden in New York City. After receiving the honor, Bette commented, I didn't win the Oscar for The Rose. Of course, I never think about it. But I do want to say right now, and there's no Norma Rae rose. In 1995, Bette started the New York Restoration Project, a nonprofit that renovates and restores neglected NYC parks to ensure green space for all New Yorkers. By the end of the event, Bette led the crowd in a rose song sing-a-long: Lyn Anderson's "Rose Garden," Bette's "The Rose," and "Everything's Coming Up Roses." Grow That Garden Library™ Book Recommendation Punk Ikebana by Louesa Roebuck This book came out in 2022, and the subtitle is Reimagining the Art of Floral Design. The great American naturalist, writer, and illustrator, Obi Kaufmann wrote the forward and he clearly is a huge fan of this book. He wrote, I will gush. When asked by Louesa to write the foreword to this dangerous and monumentally beautiful book, I howled a perfectly contradictory mix of terror and delight. I've been bewitched by the magic that is Louesa and her art for years. I identified her long ago as the very best kind of revolutionary, and I signed up. As an intrepid peace punk, Louesa presents a world to her audience that heals as it wounds. In her writing, in her ikebana, and through her punk ethos, she reverses the polarity of so many expectations, and the effect is effortless, aesthetic alchemy in which the silent is transformed into the loud, the ugly is made to be beautiful, and the empty is found to be surprisingly full. Ikebana is simply the art of Japanese flower arrangement. Louesa's take on Ikebana is unique and extraordinary - and people have described her work as punk for over a decade. Louesa wrote in the introduction, When I'm asked what punk ikebana means to me, my gut response is I'm not completely sure yet. I do recall friends and colleagues casually referring to my work as "punk ikebana" as far back as 2008. They perhaps saw something new and iconoclastic in my work before I did. Now you may be wondering, "What is punk ikebana?" Louesa shares her musings on some key precepts like silence, minimalism, harmonious forms and lines, names, humanity, and composing in situ. She writes, Silence: In ikebana, this particularly refers to a quiet appreciation of nature, free of noise or idle talk. Minimalism: Here's where my punk aesthetic comes in. I'm a bit of a rebel and a maximalist more often than not. I do strive for harmony and balance in my compositions always, but I also love the glam, the sexy, the louche, even. Harmonious form and line: When you gather and glean seasonal and local flora and compose naturally, you will find that harmony comes effortlessly. The longer, deeper, more studied, or more expansive your search becomes, the more treasures you find just outside your doors. Mother Earth contains all of the multitudes where they need to be; there's no need to fly flora in from anywhere else. Names: One traditional precept of ikebana is to know the names of the flora you use, as naming is a form of respect. For me, this is complicated. I absolutely acknowledge the power of naming something, the inherent respect of saying, "T see you; I know your name and some of who you are." However, naming is also charged and complex. I often speak of flora in inconsistent terms, because that's how I've come to know them. Sometimes the common name rolls more easily off the tongue. This is art and, in the way of art, often an inexact science. Sometimes it's as simple as, say, preferring the word Nepenthes to describe any one of this genus of over 170 species. Which one should you use in your arrangement? With most choices I lean toward a less literal interpretation. I could prescribe you use only Nepenthes rafflesiana, the Malaysian pitcher plant, but why? Instead, I offer you thoughts on my flora friends under the names by which I have come to love them and encourage you to call them what makes sense to you, always with respect. Composed in situ: When we bring our newfound or long-loved flora friends into our homes or otherwise carry these gifts inside, the dialogue with place continues. It evolves each time I arrange scented geraniums with the recently discovered wild peonies on our land; or datura and passionflower with an outlier of, say, cactus flower. Each time I compose, I am in dialogue with the room (or any other space): the color story; the textiles; the vessel; the totems; books; art; furniture, even. The arrangement does not exist in a vacuum; it lives, breathes, and communicates with the space as a whole. This is in keeping with the idea of animism: each object, stone, feather, and vessel has a life force. Energy is porous, interconnected, animated, and never static. When we begin to see, feel, and live this way, time and space expand. Louesa sees her beautiful work and this incredible book as a source of inspiration for you in your work with arranging flowers. She does not want her readers to approach her work rigidly. She writes, Punk rejects human hierarchies, so reject the mantle of "expert" or "sensei." Adhering to "the heart of the novice" as a guiding principle requires it. We are all learning, and learning is most fruitful when we do it together. I would add that in our increasingly beleaguered world, my learning doesn't solely come from other humans but from our nonhuman relatives and ancestors. Every time I engage in this medium of floral arranging or let us say, punk ikebana I hope to learn, not to teach or instruct. Teaching is only a byproduct of learning; they are one and the same, are they not? This book is 256 pages of the way of flowers and the rules you need to master in order to bend them and make your own punk ikebana wonders and enjoy them in your home. You can get a copy of Punk Ikebana by Louesa Roebuck and support the show using the Amazon link in today's show notes for around $40. Botanic Spark 1955 On this day, Rosa Parks was arrested in Montgomery, Alabama, after a bus driver ordered her to give up her bus seat to another passenger and she refused. That Thursday had started pretty uneventfully for Rosa. She was a seamstress for a department store, and in her bag was a yellow floral Sunday dress that she was sewing for her mom. Rosa had learned to sew from the women in her family. Both her mother and grandmother sewed. Her grandmother made quilts. Rosa had attended the Montgomery Industrial School for Girls. She subsidized her income as a tailor's assistant and seamstress, with sewing work for private clients, friends, and family members. Rosa's yellow dress was a wrap dress with a small shawl collar and a v-neck made of fabric featuring brown and yellow flowers and leaves. The flared skirt had six gores, three pleats, and full-length sleeves. The dress also had a fabric belt. Today that floral dress is on display at the National Museum of African American History and Culture. Thanks for listening to The Daily Gardener And remember: For a happy, healthy life, garden every day.
When you visit Stratford Upon Avon, you can stop in and see a place called Hall's Croft. It is right down the road from Shakespeare's Birthplace and is the house where William Shakespeare's oldest daughter, Susanna, lived with her husband, John Hall. John Hall was a physician in Stratford Upon Avon, and is thought to have influenced, if not outright advised, Shakespeare on the many uses of medicinal plants we see come up in his plays. A new study being led by our guest this week, Ailsa Grant Ferguson, not only aims to shed light on the kinds of plants that might have been used there at Hall's Croft, but looks to literally re-plant them. In a project funded by the Arts and Humanities Research Council, partnering with the Shakespeare Birthplace Trust in collaboration with the University of Brighton, Susanna's Garden project will plant a sensory, wellbeing garden based on the plants used for women's health by John Hall and probably Susanna in Stratford Upon Avon that includes the same plants Ailsa's research reveals would have been used there by the Hall family to treat family and friends in the bard's hometown. The exciting thing about this garden is not only the opportunity to see historic plants come literally back to life, but as Ailsa Grant Ferguson joins us today to share, this garden research project specifically explores Susanna's role in medical care as she worked alongside her husband as a healer.
Ella Hawkins talks about the biscuits she makes, inspired by her research on Elizabethan dress, and on everything from William Morris wallpapers to TV shows like Outlander and Game of Thrones. She also talks about her upcoming monograph, titled Shakespeare in Elizabethan Costume: ‘Period Dress' in Twenty-First-Century Performance (forthcomin from Bloomsbury), which examines how early modern garments are recycled and reimagined in contemporary costume design for Shakespeare. (You'll hear Saronik trying, and failing, to recall something Oscar Wilde said. Turns out he was slightly misremembering the exact quote; it's in “The Soul of Man Under Socialism” and the passage begins with the sentence: “Now, I have said that the community by means of organisation of machinery will supply the useful things, and that the beautiful things will be made by the individual.”) Ella is a design historian and artist based in Birmingham, England. She has a PhD in Shakespeare Studies and specializes in the study of stage and costume design, dress history, and material culture. Drawing on her academic work, Ella creates edible art inspired by museum collections, art history, and costumes designed for the stage and screen. She uses a range of decorative techniques to make iced biscuit sets that celebrate the material culture of the past and present.Ella has previously worked with the Victoria & Albert Museum, the Shakespeare Birthplace Trust, and the Royal Shakespeare Company on various projects relating to design and theatre history. (For our American listeners, ‘biscuit' in this case means ‘cookie'.) Image: Assortment of Ella's biscuits Music used in promotional material: ‘pastorale' by Dee Yan-Key Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Episode Topic: On the Shakespeare TrailTrailers are everywhere. No longer only in the movie theatre, they fill our televisions and are all over the web. One major area of Shakespeare marketing that Shakespeare scholarship has almost completely ignored is the film — and now also the theatre — trailer. Peter Holland considers how they conceptualize and lure us into watching on-screen and live versions of Shakespeare's plays.Featured Speakers: Rev. James M. Lies, C.S.C., Senior Director, Academic Initiatives and Partnerships, London Global GatewayBoika Sokolova, Adjunct Associate Professor, London Global GatewayPeter Holland, Professor; McMeel Family Chair in Shakespeare Studies; Associate Dean for the Arts, University of Notre DameHonored Guest:Sir Stanley Wells CBE, FRSL, Former Life Trustee (1975-2017); Former Chairman of the Shakespeare Birthplace Trust (1991-2011); Emeritus Professor of Shakespeare Studies, University of Birmingham; Honorary Emeritus Governor, Royal Shakespeare TheatreRead this episode's recap over on the University of Notre Dame's open online learning community platform, ThinkND: go.nd.edu/05285b.This podcast is a part of the London Book Club ThinkND Series titled “London Shakespeare Lecture 10th Anniversary Series”.
Episode 248."The Suicide Squad"Actor: Lynne Ashe.Lynne Ashe is a Georgia-born character actress known for playing quirky characters with big personalities. Classically trained in Shakespearean and British Restoration theatre, Lynne was primarily a stage actress until 2011, when she was approached by a stage director she'd formerly worked with asking her to audition for a film he'd written. She landed a supporting role in “Crackerjack” and thus began her screen career.Lynne was one of the first two graduates of the nationally acclaimed theatre program known as the Gainesville Theatre Alliance, a joint program between UNG and Brenau University in Gainesville, Georgia. Her graduate studies (in Theatre) were at Wake Forest University in Winston-Salem, NC, where she studied under the tutelage of James Dodding and thereby fell in love with Shakespeare and Restoration Theatre. Through Wake Forest, she obtained a grant to study for a summer in Stratford-upon-Avon with the Shakespeare Institute and the Shakespeare Birthplace Trust.Lynne is also a writer (poet, playwright and screenwriter) and jewelry artisan, selling her hand-make jewelry under the name “Ashelyn Designs” on Etsy.Lynne finds it ironic that the southern dialect she strove so hard to overcome/neutralize during her high school and college theatre training was the very thing that helped land her first few screen roles. She had to re-train an accent she'd formerly tried to restrain.Lynne is an advocate for raising awareness about an adipose-tissue and lymphatic disorder known as Lipedema, which primarily affects women, a condition which causes the body to create a type of fat on the lower half of the body which cannot be metabolized.Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter: @DarekThomas or @mdmcriticWebsite: www.mmcpodcast.comContact: Mondaymorningcritic@gmail.com
A very insightful episode from the country “go-to” lawyer for all legal matters pertaining to both Classical and Contemporary Dance, Irving David. Irving read law at the London School of Economics and subsequently trained with the leading London entertainment law firm, Wright & Webb. After qualifying as a solicitor, he joined Warner Brothers in London, rising to become their UK Director of Legal and Business Affairs.Irving returned to private practice and together with a colleague, Vivian Wineman, formed David Wineman which, in 2008, merged to become DWFM Beckman.Earlier this year, a new chapter opened in Irving's professional career when he joined Level, a premier London law firm exclusively focused on media, entertainment, technology and sport.As a music and entertainment lawyer, Irving has built up an impressive roster of clients in the music, entertainment and media industries over the years and offers extensive knowledge of Commercial Law and Intellectual Property Rights including Copyright, Trademarks and Product Licensing.Irving also has a passion for Ballet and is considered to be the “go to” lawyer for all legal matters pertaining to both Classical and Contemporary Dance. His client roster ranges from a broad selection of independent record labels and music publishers to countless singer songwriters, managers and agents. His corporate clients include Birmingham Royal Ballet, One Dance UK, the Frederick Ashton Foundation, Viviana Durante Company, The Harvey Goldsmith Group of Companies, and the International Artist Managers' Association.Irving is a director of SBT Trading (the trading arm of the Shakespeare Birthplace Trust) advising it on Commercial Law, Intellectual Property and Product Licensing matters; a corporate member of IAMA providing its membership with a legal helpline; and a full voting member of BAFTA, the British Academy of Film and Television Arts.#lawyer #irving #medialawyer
Debra Ann Byrd is back on Baring It All with Call Me Adam! Today we are discussing the lessons Debra Ann has learned about her life and career. Debra's play, Becoming Othello: A Black Girl's Journey will perform LIVE, in-person outdoors at The Roman Garden Theatre, as part of Shakespeare and Company's 44th Season. July 16-25, 2021. Click here for tickets! Listen to Part 1 of our interview here! This is where we talked about Debra Ann's one-woman autobiographical play Becoming Othello: A Black Girl's Journey. Becoming Othello: A Black Girl's Journey is a personal, poignant & powerful story of perseverance, tragedy, triumph—and ultimately unconditional love. Directed by Tina Packer, the show is a one-woman theatrical drama complete with lyrical language, soulful songs and the music that shaped the life of a resilient little girl growing up in Spanish Harlem. Connect with Debra Ann: Facebook Twitter Instagram (ClassicallyDab) Instagram (Becoming Othello) Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Debra Ann: Debra Ann is the Founding Artistic Director of the Harlem Shakespeare Festival and the founder of Take Wing and Soar Productions where she currently serves as Chief Executive and Producing Artistic Director. Debra Ann has guided the company's growth from its birth in 1999 into a viable support organization serving women, youth, classical artists of color and theater arts groups throughout New York. She is an award winning classically trained actress, scholar and producer who was recently named Writer-in-Residence at the Shakespeare Birthplace Trust, Artist-in-Residence Fellow at the Folger Institute, A'Lelia Bundles Community Scholar Arts Fellow at Columbia University and Artist-in-Residence at Southwest Shakespeare Company, where she recently reprised the role of Othello, winning her the 2019 Broadway World Phoenix Award for Best Lead Actress. Her classical roles for the stage include "Queen Elizabeth" in Richard III, "The Choragos" in Antigone, "Mrs. Malaprop" in The Rivals, "Volumnia" in Coriolanus, "Winter" in Love's Labors Lost, "Hippolyta" in A Midsummer Night's Dream, "Cleopatra" in Antony & Cleopatra, "Othello" in The Tragedy of Othello: The Moor of Venice, "Marc Antony" in the all-female production of Julius Caesar and "Lady Bracknell" in The Importance of Being Earnest; the latter, for which she received Best Lead Actress and Outstanding Actress in a Lead Role nominations from AUDELCO and the NY Innovative Theatre Awards. As an actor, producer, arts manager, and business leader Debra Ann has received more than 20 awards and citations, was recently selected for inclusion in the 2012 Editions of Who's Who In The World and Who's Who of American Women; and is the recipient of the 2009 LPTW Lucille Lortel Award and the 2006 Josephine Abady Award for Excellence in “Producing works that foster diversity”. This award winning theater arts professional received a BFA Degree in Acting from Marymount Manhattan College. Debra Ann received a Bachelor of Fine Arts degree in Acting from Marymount Manhattan College and completed advanced studies at Shakespeare & Company, The Public Theater's Shakespeare Lab and The Broadway League's Commercial Theatre Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices
Debra Ann Byrd is Baring It All with Call Me Adam about how she defied race, gender, and a tough upbringing to achieve her dreams of performing Shakespeare Classics and becoming one of the most sought out actors to play Othello. Debra's memoir play, Becoming Othello: A Black Girl's Journey will stream via Livermore Shakespeare Festival from May 27-May 30. Join Debra Ann Byrd on Saturday, May 29 at 5pm for a special virtual live Q&A. Click here for tickets! Connect with Debra Ann: Facebook Twitter Instagram Like What You Hear? Join my Patreon Family to get backstage perks including advanced notice of interviews, the ability to submit a question to my guests, behind-the-scene videos, and so much more! Follow me on Facebook, Twitter, and Instagram Visit: https://callmeadam.com for more my print/video interviews Special Thanks: My Patreon Family for their continued support: Angelo, Reva and Alan, Marianne, Danielle, Tara, Alex, and The Golden Gays NYC. Join the fun at https://patreon.com/callmeadamnyc. Theme Song by Bobby Cronin (https://bit.ly/2MaADvQ) Podcast Logo by Liam O'Donnell (https://bit.ly/2YNI9CY) Edited by Drew Kaufman (https://bit.ly/2OXqOnw) Outro Music Underscore by CueTique (Website: https://bit.ly/31luGmT, Facebook: @CueTique) More on Debra Ann: Debra Ann is the Founding Artistic Director of the Harlem Shakespeare Festival and the founder of Take Wing and Soar Productions where she currently serves as Chief Executive and Producing Artistic Director. Debra Ann has guided the company's growth from its birth in 1999 into a viable support organization serving women, youth, classical artists of color and theater arts groups throughout New York. She is an award winning classically trained actress, scholar and producer who was recently named Writer-in-Residence at the Shakespeare Birthplace Trust, Artist-in-Residence Fellow at the Folger Institute, A’Lelia Bundles Community Scholar Arts Fellow at Columbia University and Artist-in-Residence at Southwest Shakespeare Company, where she recently reprised the role of Othello, winning her the 2019 Broadway World Phoenix Award for Best Lead Actress. Her classical roles for the stage include "Queen Elizabeth" in Richard III, "The Choragos" in Antigone, "Mrs. Malaprop" in The Rivals, "Volumnia" in Coriolanus, "Winter" in Love’s Labors Lost, "Hippolyta" in A Midsummer Night’s Dream, "Cleopatra" in Antony & Cleopatra, "Othello" in The Tragedy of Othello: The Moor of Venice, "Marc Antony" in the all-female production of Julius Caesar and "Lady Bracknell" in The Importance of Being Earnest; the latter, for which she received Best Lead Actress and Outstanding Actress in a Lead Role nominations from AUDELCO and the NY Innovative Theatre Awards. As an actor, producer, arts manager, and business leader Debra Ann has received more than 20 awards and citations, was recently selected for inclusion in the 2012 Editions of Who’s Who In The World and Who’s Who of American Women; and is the recipient of the 2009 LPTW Lucille Lortel Award and the 2006 Josephine Abady Award for Excellence in “Producing works that foster diversity”. This award winning theater arts professional received a BFA Degree in Acting from Marymount Manhattan College. Debra Ann received a Bachelor of Fine Arts degree in Acting from Marymount Manhattan College and completed advanced studies at Shakespeare & Company, The Public Theater’s Shakespeare Lab and The Broadway League’s Commercial Theatre Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices
Chinese citizens were once again able to read and perform the works of William Shakespeare on 25th May, 1977. Chiang Ching, Chairman Mao's wife, had instituted the ban eleven years earlier - amidst concerns that the Bard's works could be reinterpreted to undermine the Party's rule and ideology.In this episode, Rebecca, Olly and Arion ask why British Literature has enjoyed a reversal of fortune under President Xi; reveal how Shakespeare's childhood home is connected to The Venetian, Las Vegas; and recall a surprising fact about One True Voice's forgotten hit, ‘If I Had Shakespeare's Way With Words'... Further Reading:• An article on the ban from History: https://www.history.com/this-day-in-history/chinese-government-removes-ban-on-shakespeare• The Shakespeare Birthplace Trust report on the Chinese building project:https://www.shakespeare.org.uk/about-us/news-media/press-releases/shakespeares-family-homes-be-re-created-china/• One True Voice. You have been warned:https://www.youtube.com/watch?v=zptNzFv4uIUFor bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/Retrospectors The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Emma Corsham.Copyright: Rethink Audio / Olly Mann 2021. See acast.com/privacy for privacy and opt-out information.
Would you snog Othello? We've always asked the truly important questions, and this series will be no different.We're back! We've got wonderful guests! We're still on zoom and we still hate it! For this first episode of series 3, Meg and Sara chat to Anjna Chouhan off of the Shakespeare Birthplace Trust, who has 2 - 2! - of her own podcasts: Shakespeare Alive and Shakespeare's Pants. Anjna patiently answers our silly little questions, like: are there any of Shakespeare's possessions still kicking about? What does it feel like sending emails every day from the place where the literal Bard was born? Most importantly, who's the fittest Shakespearean actor?It's Helen Mirren.Listen, subscribe and leave a review on Apple Podcasts, Spotify and all the usual podcast suspects.Support the show (http://museumsandgalleries.leeds.gov.uk/podcast)
In episode 01 of Essence Podcast, I interview Andrew Anderson, writer of 'The Ritual of Writing' about his work, process, and what he learned about himself. Andrew is a member of the Order of Bards, Ovates and Druids; and works with the Shakespeare Birthplace Trust, in Stratford-Upon-Avon, UK. To learn more about Andrew and his works, please visit: www.instagram.com/ajanderson72 To learn more about Paduka Wellness and Ben Stimpson, please visit: www.padukawellness.com About Essence: Essence is a podcast all about story, journey and self. Released twice a month, Ben interviews individuals about their work, about their life journeys and the insights gained. Copyright information: Title Music: "Wintersong" by Alexander Nakarada (www.serpentsoundstudios.com) Licensed under Creative Commons BY Attribution 4.0 License http://creativecommons.org/licenses/b...
Over 400 years after Shakespeare’s sonnets were first published in 1609, what is left to learn? "All the Sonnets of Shakespeare," a new edition of the sonnets published in 2020, takes some bold steps to help us look at the poems with new eyes. The book, co-edited by Dr. Paul Edmondson and Sir Stanley Wells, dispenses with the Sonnets’ traditional numbering and arranges them in the order in which Edmondson and Wells believe they were written. It also includes nearly thirty additional sonnets drawn from the texts of Shakespeare’s plays. As a result, the collection is a fresh take on the Sonnets, Edmondson tells us, one that dispatches with the “Fair Youth” and “Dark Lady” narrative and helps us better understand Shakespeare as a writer and thinker. Edmondson is interviewed by Barbara Bogaev. The Rev. Dr. Paul Edmondson is the Head of Research and Knowledge and Director of the Stratford-upon-Avon Poetry Festival for the Shakespeare Birthplace Trust. All the Sonnets of Shakespeare is published by Cambridge University Press. From the Shakespeare Unlimited podcast. Published May 11, 2021. © Folger Shakespeare Library. All rights reserved. This podcast episode, “He Writes Brave Verses,” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits a transcript or every episode, available at folger.edu. We had technical help from Andrew Feliciano and Evan Marquart at Voice Trax West in Studio City, California.
Today we celebrate the botanist who wrote one of the first Herbals. We'll also learn about the botanist who wasn’t thrilled about getting one of India’s first telephones. We’ll recognize the lost work of an American botanist and painter. We’ll remember the Hollywood Legend who loved gardening alongside his famous wife. We’ll hear an excerpt from a famous garden poem by an English poet. We Grow That Garden Library™ with a Book that teaches us all the dirt - old and new - on plants, and it's written by one of the true plant masters of our time. And then we’ll wrap things up with the story of a new rose that came out in 2019… and here’s a hint: It’s divine. Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy. The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show and more. Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf. Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org. Curated News December Folklore and Flower | The Daily Gardener | Jennifer Ebeling December changeable and mild; the whole winter will remain a child. No matter how long the winter, spring is sure to follow. Thunder in December means fine weather ahead. Frost on the shortest day means winter will be severe. Then, here's a little tidbit of folklore regarding the snow. When the world was made, everything except the snow was given a color. So the snow went out and begged all the flowers to share their color. He asked the violet, the lilac, the buttercup, and the rose, but they all turned him down. It was only the snowdrop that offered to share its beautiful, pure, snow-white color. And, ever since, in thanks to the snowdrop, the snow keeps the blossoms of the snowdrop safe all winter long. December’s birth flowers are the holly and the paperwhite. So, they are very different from each other; one being a bulb and the other an evergreen, but they both symbolize hope. Traditionally, Holly is the symbol of domestic happiness. Remember that while animals and birds can eat holly berries; they are semi-toxic to people. Meanwhile, the Paperwhite (Narcissus) has fragrant white blooms that symbolize coldness and self-esteem. In Floriography ("FLOOR-EE-ah-grah-FEE"), the narcissus conveys that you want your beloved to stay just the way they are. Facebook Group If you'd like to check out my curated news articles and blog posts for yourself, you're in luck because I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group. Important Events December 1, 1597 On this day, The Herbal, or General History of Plants, by John Gerard was first published. In the Herbal, John shared over 800 species of plants and shared gorgeous woodcut illustrations. During his life, John was allowed to garden on land at Somerset House, and for a time, he served as the herbalist to King James I. Today, the Shakespeare Birthplace Trust sells Christmas Cards that feature John Gerard’s woodcuts of Holly, Pears, and Mistletoe. The Shakespeare Birthplace Trust cares for Shakespeare's family homes and shares the love of Shakespeare from his hometown of Stratford-upon-Avon. Anyway, if you’d like to support a great organization and enjoy the John Gerard Christmas cards and gift wrap, head on over to https://shop.shakespeare.org.uk/. December 1, 1910 On this day in the Scottish Botanist and Surgeon, Andrew Thomas Gage wrote from India to complain about some new technology he had been given; the telephone. Andrew served as the Director of the Botanical Survey of India and he worked at the Botanic Garden in Calcutta. Andrew wrote: “They forced this invention of the devil upon me. Fortunately, the thing has a knack of getting out of order...” December 1, 1932 On this day, the American actor Clark Gable was photographed at his Beverly Hills villa watering his flowers. By the end of the decade, Clark would marry Carole Lombard, an actress who shared Clark’s love for the natural world. As newlyweds, Carole and Clark had bought a 21-acre estate - just forty minutes outside of Beverly Hills. Instead of living glamorously, they turned the estate into a working farm. And Carole sold her star sapphire collection to fund their dream. Carole set up all the crops they would grow, and she worked long hours on the ranch. They had an orchard/citrus grove, a dairy, and a vineyard, and the farm produced peaches, grapes, oranges, lemons, walnuts, apricots, hay, and alfalfa. They used the alfalfa they grew for feed. They sent their grapes to the local hospital. The Farmers Association marketed their citrus crop. Many biographies mention that Carole and Clark raised turkeys for MGM to use at its commissary. Carole bought Clark a tractor in a touching gesture, and Clark enjoyed taking care of his two prized racehorses and the cattle. To top it all off: Carole and Clark called each other “Ma” and “Pa.” They were really and truly living a farm fantasy. They even used kerosene lamps in their living room. Carole and Clark loved their simple life together on their ranch, and they both loved watching things grow. But, Clark and Carole’s life together ended suddenly when her plane crashed shortly after taking off from the airport in Las Vegas. Carole’s death was crushing to Clark. Today, in honor of his request, Clark Gable is buried at Forest Lawn Cemetery next to Carole. Unearthed Words December 1, 1849 Today is the anniversary of the death of the English poet Ebenezer Elliott. Thy fruit full well the schoolboy knows, Wild Brambles of the brake! So put thou forth thy small white rose; I love it for his sake. — Ebenezer Elliott, English poet, To the Bramble Flower Grow That Garden Library Planthropology by Ken Druse This book came out in 2008, and the subtitle is The Myths, Mysteries, and Miracles of My Garden Favorites. The subtitle alone made me want to buy it all those years ago! In this book, Ken teaches us all the dirt - old and new - on plants in this beautifully illustrated book. Now what I love about Ken's book is that it's full of stories about plants. Ken shares new information, he shares some plant controversies, and he even dispels common myths. Ken's book is a collection of tidbits, and he shares random and delightful brevities about our favorite topic: plants. “For instance, if you like winding down on a terrace or patio after work, Druse suggests planting petunias. Why? Because they are evening fragrant—their pollinators only come out at night. And, We meet bumblebees who literally shake pollen free from flowers with sonic vibrations.” Ken even offers a primer on Floriography ("FLOOR-EE-ah-grah-FEE") or the language of flowers. The Gardenia says, “I love you in secret,” and the Acacia says, “Let's be friends.” This book is 288 pages of anecdotal garden wisdom and tidbits from one of our time’s true plant masters. You can get a copy of Planthropology by Ken Druse and support the show using the Amazon Link in today's Show Notes for around $15. Today’s Botanic Spark Reviving the little botanic spark in your heart December 1, 1945 Today is the birthday of American singer, songwriter, actress, comedian, and film producer Bette Midler born in Honolulu. In 1979, Bette starred in her first movie called The Rose. She didn’t win an academy award for her Rose performance; that award went to Sally Field for Norma Rae. But forty years later, in 2019, Bette was honored by the New York Botanical Garden (NYBG) with a rose named in honor of her stage persona: The Divine Miss M. On June 19th, 2019, the NYBG introduced Bette’s white-yellow rose with a fragrance of mint and lime at the New York Restoration Project Spring Picnic at the Botanical Garden in New York City. In 1995, Bette started the New York Restoration Project, a nonprofit that renovates and restores neglected NYC parks to ensure green space for all New Yorkers. After receiving the honor at the Botanical Garden, Bette commented, “I didn’t win the Oscar for The Rose. Of course, I never think about it. But I do want to say right now, there’s no Norma Rae rose.” By the end of the event, Bette led the crowd in a rose song sing-a-long. She started with Lyn Anderson’s “Rose Garden,” then her version of “The Rose,” and then she wrapped things up with “Everything’s Coming Up Roses.” Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."
Paul Edmondson, head of research and knowledge at the Shakespeare Birthplace Trust, responds to listener questions and popular search queries on the life and work of England’s most famous playwright, covering everything from the Bard’s literary inspirations and family relationships, to conspiracies that his plays were penned by someone else. See acast.com/privacy for privacy and opt-out information.
Paul Edmondson is the Head of Research and Knowledge and Director of the Stratford-Upon-Avon Poetry Festival for the Shakespeare Birthplace Trust and, together with Professor Sir Stanley Wells, has just published All the Sonnets of Shakespeare, which collects Shakespeare’s 154 standalone sonnets along with most of the other sonnets Shakespeare included in his plays, and arranges them all for the very first time in the order in which they were probably written. Paul discusses how he and Sir Stanley had a desire to counter the damaging (and reductive) narrative of a so-called Fair Youth and Dark Lady, and includes revelations of a lifetime of writing; recitations by request; unexpected wisdom from a relatively young poet; recognizing the difficulty of reading the sonnets; schoolboy exercises; how sonnets 50 and 51 suggest that Shakespeare wrote them while on horseback; and the possibility (probably the certainty) of leaving a lasting impact on how we understand Shakespeare’s biography. (Length 28:48) The post Shakespeare’s Sonnets (Unabridged) appeared first on Reduced Shakespeare Company.
Frances speaks to actor/director Richard Bunn.They discuss weird day jobs, how to stay creative on the side, and money saving tips. Plus, Richard shares his love of Rick Astley!Richard Bunn is an actor and director based in Hertfordshire and London. He studied Acting at The University of Northampton and has carved a successful career as an actor and educational practitioner. He has directed three productions for the Shakespeare Birthplace Trust and is an Associate Member of AlterEgo Creative Solutions. In 2015 he co-created a show about Shakespeare which was accompanied by the City of Birmingham Symphony Orchestra and he has performed Shakespeare in Russia, Iceland and all over the UK. Artwork by Yasemin Gava Music by Dave Golbraich See acast.com/privacy for privacy and opt-out information.
Jessica (Tyner) Mehta is a citizen of the Cherokee Nation, multi-award-winning poet, and author of over one dozen books. Place, space, and personal ancestry inform much of her work. She’s also the Editor-in-Chief of Crab Creek Review and owner of an award-winning small business. MehtaFor is a writing services company that offers pro bono services to Native Americans and indigenous-serving non-profits. Her novel The Wrong Kind of Indian won gold at the 2019 Independent Publisher Book Awards (IPPYs) and at the American Book Fest Best Book. Jessica has also received numerous fellowships in recent years, including the Everett Helm Visiting Fellowship at the Lilly Library at Indiana University in Bloomington and the Eccles Centre Visiting Fellowship at The British Library in London. Jessica is a popular speaker and panelist, featured recently at events such as the US State Department’s National Poetry Month event, “Poets as Cultural Emissaries: A Conversation with Women Writers,” as well as the “Women’s Transatlantic Prison Activism Since 1960” symposium at Oxford University. She has undertaken poetry residencies around the globe including at Hosking Houses Trust with an appointment at the Shakespeare Birthplace Trust in England, Paris Lit Up in France, and at the Crazy Horse Memorial and museum in South Dakota. Her work has been featured at galleries and exhibitions around the world, including IA&A Hillyer in Washington DC, The Emergency Gallery in Sweden, and Institute of American Indian Arts in New Mexico. Topics of Conversation: About writing poetry Integrating poetry with technology through her "Red/Act" Exhibition Poetry Performance Art and her "emBODY poetry" work How writing serves as a means of trauma management (bibliotherapy) A reading from "Savagery" Poetry. Native American Studies. SAVAGERY joins Mehta's oeuvre as a reflection of what it means to be indigenous in today's increasingly hostile, post-colonial America. Reflecting on self, place, and space and with strong confessional leanings, SAVAGERY joins the ranks of other much-needed indigenous poetry of the era to provide a lens (and mirror) into indigenous issues and disparities while also providing a constant offering of hope. These poems are raw and very, very necessary. Connect with Jessica Mehta websites: www.jessicamehta.com and www.mehtafor.com Twitter: @bookscatsyoga Instagram: @bookscatsyoga
Paul Edmondson, Head of Research at The Shakespeare Birthplace Trust, considers some of the different kinds of love which can be found across the Shakespearean canon. The talk is complemented by readings from Finbar Lynch and Catherine Cusack. It was recorded at the 2020 Church Times Festival of Faith and Literature, which took place at Bloxham School, Oxfordshire, on 21 and 22 February. Read more about the festival in this week's Church Times. Picture: Paul Edmondson (centre) with Finbar Linch and Catherine Cusack. Credit: KT Bruce If you don't yet subscribe to the Church Times, check out our new reader offer: 10 issues for £10: www.churchtimes.co.uk/new-reader
After William Shakespeare made his name in London, established himself as a gentleman at home, he returned to Stratford Upon Avon to seek his status as a gentleman, acquiring not only a coat of arms, but the second largest house in town. New Place was brought with considerable legal wrangling, however, and the story of how Shakespeare came to own his famous house is filled with fights, suspicion, murder, and even a few ghosts. It’s a tale fit for a playwright and here to share this story with us is the man who wrote the book on the Shakespeare history of Stratford Upon Avon, the author of Shakespeare’s Country Families, Mr. John Taplin. John’s book represents over a decade worth of what he calls “sifting through many a quiet archive shelf” combing over documents, records, and legal language to piece together the story of Shakespeare’s life from the little details a shrewd historical investigator like John can uncover with enough patience to sort it out. John began working Shakespeare Birthplace Trust in 2002, where his inspiration for this project first began. Now also a successful author about Shakespeare, John regularly contributes articles and scholarly research to the Shakespeare history community. We are delighted he has agreed to share some of his time with us today.
Don't Quill the Messenger : Revealing the Truth of Shakespeare Authorship
John Shahan of the Shakespeare Authorship Coalition joins Steven to discuss the famous Declaration of Reasonable Doubt, "Shakespeare Beyond Doubt?" and building scrutiny of the obfuscation perpetuated by the Shakespeare Birthplace Trust. Support the show by getting official Don't Quill the Messenger merchandise at www.dontquillthepodcast.com Presented by the Shakespeare Oxford Fellowship. Learn more at www.shakespeareoxfordfellowship.org Don't Quill the Messenger is a part of the Dragon Wagon Radio independent podcast network. For more great podcasts visit www.dragonwagonradio.com
We are celebrating Shakespeare’s birthday this week by taking a look at how Shakespeare became a gentleman. One of the ways William Shakespeare achieved the status of a gentleman was in the procurement of the family Coat of Arms. This process was something of a mystery because history shows us that Shakespeare’s father had been eligible for a coat of arms, but never received it. Later, his son William would successfully acquire the arms for the family, presumably a source of pride for his father, as well as a firm establishment of respect and status in the community. This week we are happy to welcome back to the show for his second time as a guest here at That Shakespeare Life, the distinguished Dr. Paul Edmondson, Head of Research and Knowledge at Shakespeare Birthplace Trust, who joins us to be our guide into the history of Shakespeare’s coat of arms, heraldry, and the Shakespeare family.
Shakespeare’s hometown of Stratford Upon Avon sits just outside the famous Cotswolds Hills, where wool was the primary industry. It’s even thought that shepherds in the area taking care of their sheep are responsible for the first discovery of graphite that would go on to be used in pencils. In Shakespeare’s plays, there are references to sheep, lambs, fleeces, wool, and shepherds in almost all of his works, leading us to wonder how personally connected to sheep and the wool industry William Shakespeare might have been. Here as our guest this week to help us explore Shakespeare’s history with sheep is the person in charge of the actual living sheep kept in Shakespeare’s name, and a representative part of his history at Mary Arden’s Farm in Stratford Upon Avon, is Lizzy Dobbin [Assistant Farm Manager at Mary Arden’s Farm], at Shakespeare Birthplace Trust.
(https://www.educationonfire.com/wp-content/uploads/2019/03/emotionheader.jpg) https://www.oxonheadsconf.org.uk (https://www.oxonheadsconf.org.uk) Below you can see the conference programme and links for those organisations who chatted to me on the podcast. www.archoxfordshire.org.uk (http://www.archoxfordshire.org.uk) https://one-eighty.org.uk (https://one-eighty.org.uk) http://fabresearch.com/schoolsurveys.htm (http://fabresearch.com/schoolsurveys.htm) Oxfordshire Outdoor Learning Trust (http://www.oolt.org.uk) Layla Moran, MP for Oxford West & Abingdon Layla Moran is a Physics teacher by profession, formerly working in a state secondary school, as a Head of Year in an international school and latterly with an Oxford-based Education organisation. She read Physics at Imperial College and holds an MA in Comparative Education. She is a school governor at a primary school in her constituency. Layla was inspired to go into politics by her passion to see that every child, no matter their background, should have a fair chance of making the best of this world. She overturned a 9,500 vote Conservative majority to win Oxford West & Abingdon in June 2017. She is the Liberal Democrat spokesperson on Education, and sits also on the Public Accounts Select Committee. Layla has an international background; she has lived in many countries including Belgium, Greece, Ethiopia, Jamaica and Jordan and speaks French fluently along with some Spanish, Arabic and Greek. Baroness Floella Benjamin, OBE DL Baroness Floella Benjamin, OBE DL was born in Trinidad in 1949 and came to England as a 10 year old child in 1960. She left school at 16 with the aim of becoming Britain’s first ever black woman bank manager but changed direction and became an actress, presenter, writer, independent producer, working peer and an active advocate for the welfare, care and education of children throughout the world. She has also headed a successful film and television production company. She has been in show business for 48 years appearing on stage, film, radio and television. She became a household name through her appearances in the iconic children’s programmes Playschool and PlayAway. After 42 years she still appears on children’s television, her greatest love. She has written over 30 books and in 2016 her book ‘Coming to England’ was chosen as a ‘Guardian Children’s Book of the Year’. Her broadcasting work has been recognised with numerous awards, including an OBE in 2001, a Special Lifetime Achievement BAFTA Award in 2004 and the J.M Barrie Lifetime Award in 2012 for her lasting cultural legacy. In 2013 she was made a Fellow of the Shakespeare Birthplace Trust and last year she was appointed as President of the Society of Women Writers and Journalists. She was Chancellor of the University of Exeter for 10 years and became famous for hugging every graduate imploring them to ‘change the world’. When she stepped down as Chancellor the University put up a statue of her in recognition of her contribution to the City of Exeter. She was the first woman Trinidadian to be elevated to the House of Lords in 2010 and speaks on children’s, diversity and media issues and recently was successful in getting the government to bring in legislation for commercial broadcasters to provide UK made television programmes. This year she was granted Honorary Freedom of the City of London and the Prime Minister appointed her Chair of the Windrush Commemoration Committee to create a lasting memorial to celebrate the contribution to Britain made by the Windrush Generation. 2019 Conference Programme Wednesday 27 February Doors open at midday for any individual headteacher, or groups of heads who wish to meet and lunch at their own expense 15.00: Trade Fair...
Who owns Shakespeare? The English? The tourist industry? The world? Branding and Graphic Designer Teresa Monachino goes in search of the 21st century phenomenon that is William Shakespeare and uncovers his contradictory brand values, with the help of a distinguished cast: Rev Dr Paul Edmondson from the Shakespeare Birthplace Trust, Nick Eagleton and Katharina Tudball from SuperUnion Greg Doran, Artistic Director of the Royal Shakespeare Company Vikki Heywood, Outgoing Chairman of the Royal Society of the Arts Chino Odimba, Writer Professor Michael Dobson, The Shakespeare Institute Duncan Lees, Warwick University Michael Pennington, Actor, Director, Writer and Founder of the English Shakespeare Company Alicia Maksimova, Filmmaker Wind up Will Producer: Ellie Richold.
Dr. Paul Edmondson, the director of research for the Shakespeare Birthplace Trust in Stratford-Upon-Avon, served as a historical consultant on Kenneth Branagh's new film All Is True, an elegiac imagining of the final days of William Shakespeare. Paul discusses his role in the film's production and how he came to be involved, and also shares backstage glimpses as to how and where the movie was filmed, insight into the film's original impulses, some clearly lifelong passions, the presence of VIPs, a different key for Ben Elton to write about Shakespeare in than Upstart Crow, navigating hot spots, how research is helping us evolve our understanding of Shakespeare's personal life, and how even a creative genius sometimes just needs to be professional, even in moments of great loss. Featuring a special appearance by (and extreme gratitude to) National Public Radio's film critic Bob Mondello. (Length 24:02) The post Episode 636. All Is True? appeared first on Reduced Shakespeare Company.
If the saying is true that you are the sum of your five closest friends, then one great way to get to know William Shakespeare is to take a look at the lives of his closest friends. John Heminges and Henry Condell helped form the foundation of the shareholder agreement Shakespeare made at The Globe and the Lord Chamberlain’s Men. They would remain loyal to Shakespeare from Elizabethan England into Jacobean England as the company became the King’s Men under James I. Acting in plays together, writing plays, surviving the Globe’s famous fire, and watching each other get married, have children, and grow old together is a stronger definition of friendship than many people ever get to experience, and by all historical accounts, Heminges and Condell were just such strong friends for William Shakespeare not just until his death in 1616, but through the publication of the 1623 First Folio, and continuing ever after. As our guest this week, we are delighted to have Paul Edmondson, the Head of Research at Shakespeare Birthplace Trust, and the author of one chapter about Heminges and Condell that appeared in the recent book he edited called The Shakespeare Circle. We welcome Paul today to discuss his chapter on Heminges and Condell and help us get to know Shakespeare’s extraordinary friends.
With the holidays upon us, this Christmas Eve we wanted to celebrate with our favorite Elizabethan: William Shakespeare. Christmas was a popular celebration even 400 years ago and from the time young William was born growing up in Stratford Upon Avon, England, there were several important traditions that he used to mark the holiday with his family and friends. Here to help us explore the Christmas traditions surrounding the kinds of foods and festivities the bard would have eaten or participated in for his Christmas time is the Town House Steward and Shakespeare Birthplace Trust, Emily Ireson. Every Christmas Emily is in charge of dressing Shakespeare’s childhood home to reflect a traditional Elizabethan Christmas, including Twelfth Night and seasonal festivities. With a Masters in Museum studies from the University of Glasgow, specifically studying Fashion and Culture of the 17-19th centuries, Emily joins us today to share with us the details of Christmas in the 17th century, and what it takes to celebrate a Shakespearean Christmas.
This week we’ll definitely live, trouble our legacies, and reserve our ticket to San Weng, Fuzhou, China, where the local government has recently gained the approval of the Shakespeare Birthplace Trust to create the first copies of the houses in which Shakespeare was born and died. www.noholdsbard.com noholdsbardpodcast@gmail.com patreon.com/NoHoldsBard @NoHoldsBardCast facebook.com/NoHoldsBardCast Kevin Condardo c/o No Holds Bard P.O. Box 170004 Brooklyn, NY 11217
Glyn Jones joins us today to talk about kitchen gardens and estate gardens that impacted Shakespeare. Shakespeare Birthplace Trust maintains 5 gardens thought to have been part of William Shakespeare’s home in Stratford and today Glyn Jones is going to help us explore whether or not Shakespeare had a garden himself, what purpose a garden might have served a playwright, and what sort of things would have been planted there. In this episode, I ask Glyn about: - Why would a playwright own a garden? - Is a garden and a backyard the same thing? - Would Shakespeare have had a kitchen garden? - What about those tobacco pipes found on the grounds there? We will also discuss Shakespeare's son-in-law, John Hall, the medical doctor, and the importance of herbs in medicine that lead to a medical garden on the grounds at SBT. Mr. Jones will even share with you the best spot to walk at the gardens themselves if you want to stand where Shakespeare himself actually stood.
In her career, Susan looked after the libraries of the Shakespeare Institute and the Shakespeare Birthplace Trust. She discusses these fantastic collections and describes some of her experiences. --------------- You can subscribe to ShakenBakeCast on iTunes at tinyurl.com/y9543wku Follow me on Twitter at @ShakenBakeMHS.
[vc_row full_width="stretch_row" content_placement="top" equal_height="yes" parallax="content-moving-fade" slider_images="12004" slider_animation="fadeZoom" overlay_color="rgba(0,0,0,0.2)" css=".vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}" anchor_link="top"][vc_column width="2/3" offset="vc_col-lg-offset-2"][rowshape type="rowshape_4" position="bottom" height="30" color="#2b272c"][rowshape type="rowshape_4" position="bottom" height="50" color="rgba(166,115,81,0.6)"][/vc_column][/vc_row][vc_row full_width="stretch_row" anchor_link="intro" css=".vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}"][vc_column][vc_empty_space height="15px"][vc_column_text]Paul Edmondson, in addition to being a scholar, author, editor, educator, poet, and priest in the Church of England, is the head of research and knowledge for the Shakespeare Birthplace Trust, the UK's oldest conservation charity and our host for our Pop-Up Shakespeare book launch event. Paul was good enough to sit down and explain the many things the Trust oversees and champions, and reveals fascinating insights about new discoveries and fresh interpretations, challenging old assumptions, evolving understanding of Shakespeare's New Place and history's first great literary commuter, the vexed question of Shakespeare's income, and the location of the vast Reduced Shakespeare Company archives. (Length 22:21)[/vc_column_text][/vc_column][/vc_row]
[vc_row full_width="stretch_row" content_placement="top" equal_height="yes" parallax="content-moving-fade" slider_images="12004" slider_animation="fadeZoom" overlay_color="rgba(0,0,0,0.2)" css=".vc_custom_1512315432253{background-position: center;background-repeat: no-repeat;background-size: contain !important;}" anchor_link="top"][vc_column width="2/3" offset="vc_col-lg-offset-2"][rowshape type="rowshape_4" position="bottom" height="30" color="#2b272c"][rowshape type="rowshape_4" position="bottom" height="50" color="rgba(166,115,81,0.6)"][/vc_column][/vc_row][vc_row full_width="stretch_row" anchor_link="intro" css=".vc_custom_1451644722488{padding-top: 60px !important;padding-bottom: 100px !important;}"][vc_column][vc_empty_space height="15px"][vc_column_text]Artist Jennie Maizels and co-author Austin Tichenor appeared at the Shakespeare Birthplace Trust in Stratford-upon-Avon to celebrate the publication of their new book Pop-Up Shakespeare. This edited version of the very fun event features magnificent performances, impertinent Shakespearean comparisons, momentous first dates, unexpected tears (though it was during a tragedy so maybe they shouldn't have been unexpected), and an exhortation to see a Shakespeare play live on stage (after buying many books, obviously)! (Length 23:22) (Photo taken by Julia Cunningham in the garden of Shakespeare's birthplace, Henley Street, Stratford-upon-Avon. Courtesy of the Shakespeare Birthplace Trust.)[/vc_column_text][/vc_column][/vc_row]
Sir Stanley Wells delivers the 2017 Rose Theatre Shakespeare Birthday Lecture. The lecture is entitled ‘The Genius of Shakespeare’. The session is chaired by Richard Wilson. The Shakespearean actor Andrew Jarvis receives the Lifetime Achievement Award from the British Shakespeare Association on behalf of the great director John Barton. Sir Stanley Wells is Britain’s preeminent Shakespeare scholar and one of the world’s leading experts on the Elizabethan theatre. His many bestselling books on the Bard include Shakespeare, Sex and Love, Shakespeare & Co. and Shakespeare For All Time. He is the General Editor of both the Oxford and the Penguin Shakespeare editions, and President of Stratford’s Shakespeare Birthplace Trust. Sir Stanley is also one of the best-loved lecturers on TV and radio and at literary festivals, and this recording of his 2017 Rose Theatre Birthday Lecture is a spell-binding display of all his talents as a Shakespeare interpreter, raconteur and performer. Recorded on April 27, 2017 at the Rose Theatre, Kingston-upon-Thames. Recorded and edited by Anna Ilona Rajala.
Since 2002, a major organization in Stratford-upon-Avon, the Shakespeare Birthplace Trust, has supported an archaeological dig on the former grounds of a house called “New Place.” New Place was one of the biggest houses in Stratford when Shakespeare was a boy. Once he became a wealthy and famous playwright, he bought it. When he wasn’t in London, he lived there with his family until his death, 19 years later, in 1616. The dig has revealed some tantalizing clues about how the Shakespeare family lived their lives – what they ate, how they cooked what they ate, and – as you’ll hear – how they worked and played. Kevin Colls is Archaeological Project Manager at the Centre of Archaeology at Staffordshire University in Stoke-on-Trent. Nic Fulcher of the Shakespeare Birthplace Trust is the Assistant Project Manager at New Place. They were interviewed by Neva Grant. From the Shakespeare Unlimited podcast series. Published December 13, 2016. © Folger Shakespeare Library. All rights reserved. “Now will I lead you to the house” was produced by Richard Paul. Garland Scott is the associate producer. It was edited by Gail Kern Paster and Esther Ferington. Esther French is the web producer. We had technical help from Andy Grier at Sounding Sweet studios in Stratford-upon-Avon and Melissa Marquis, the Coordinating Producer for News Operations at NPR in Washington. http://www.folger.edu/shakespeare-unlimited/new-place-house-archaeological-dig
VIP Visit Video Production by Blue Sky Film & Media – recording the visit of HRH Prince Charles to Shakespeare’s New Place in Stratford Upon Avon. See our film on the Shakespeare Birthplace Trust’s website to find out more about … Continue reading →
Libby Purves meets poet Wendy Cope; performer Julian Clary; poet Patrick Deeley and actor and playwright Carmen Aguirre. Wendy Cope OBE is a poet. A former teacher and television critic, she has written on a variety of topics including education, romance, religion, television and psychoanalysis. She has been commissioned by the Shakespeare Birthplace Trust to write poems to celebrate the 400th anniversary of the playwright's death. In 2011 she donated her archive of correspondence and diaries to the British Library. Her book Life, Love and the Archers is published by Two Roads. Patrick Deeley is an Irish poet and former teacher and principal. He has published six collections of poetry including Decoding Samara and The Bones of Creation. In his memoir, The Hurley Maker's Son, he tells of growing up in rural Ireland with a wood worker father who made hurley sticks in his Galway workshop. The Hurley Maker's Son is published by Doubleday Ireland. Carmen Aguirre is an actor and playwright. She is the daughter of Chilean revolutionaries who, from the age of six, lived in exile in North America and as a young adult actively fought the Chilean dictatorship herself. In her memoir, Mexican Hooker #1: And Other Roles Since the Revolution, she tells of her personal struggles to find her own identity after the revolution. Mexican Hooker #1: And My Other Roles Since the Revolution is published by Portobello Books. Julian Clary is a comedian, performer and writer. He became a household name in the late 1980s and has appeared on numerous TV shows including Strictly Come Dancing, Have I Got News For You and is a regular panellist on BBC Radio 4's Just a Minute. He has starred in West End productions of Taboo and Cabaret, and appears in panto most years. He is on tour in his one man show, the Joy of Mincing and new children's book, the Bolds to the Rescue, is published by Anderson Press. Producer: Paula McGinley.
Rev. Dr. Paul Edmondson, Director of the Stratford-upon-Avon Poetry Festival for The Shakespeare Birthplace Trust, discusses his trip across America visiting Shakespeare Festivals.
For the ninth episode of Let’s Talk Shakespeare, I asked “How Did Shakespeare Die?”. We have found ourselves at the end of Shakespeare's life, and with most questions we asked, we don't know the answer to this one for sure. What we do know is when he died and where he is buried, but there is no recorded evidence of what killed him. There are however rumours and stories surrounding his death and in this episode we look at these and other evidence about what his death would have been like. This weeks guests are: * Professor Michael Dobson, Director of the Shakespeare Institute * Dr Elizabeth Dollimore, Outreach and Primary Learning Manager a the SBT * Professor Stanley Wells, Honorary President of the SBT * Dr Robert Bearman, Retired Head of Archives and Local Studies, Shakespeare Birthplace Trust * Dr Tara Hamling, University of Birmingham Show notes for this episode can be found over on our blog: https://www.shakespeare.org.uk/explore-shakespeare/podcast/how-did-shakespeare-die/
For the eighth episode of Let’s Talk Shakespeare, I asked “How much was Shakespeare Worth?”. Most of the documents the survive about Shakespeare life detail his business and financial dealings. In this episode we looks at what these documents can tell us about Shakespeare worth at different points in his life, as well as where he got this money and what happened to it. Exemplification of a fine showing Shakespeare's purchase of New Place Exemplification of a fine showing Shakespeare’s purchase of New Place This weeks guests are: * Professor Michael Dobson, Director of the Shakespeare Institute * Dr Elizabeth Dollimore, Outreach and Primary Learning Manager a the SBT * Professor Stanley Wells, Honorary President of the SBT * Dr Robert Bearman, Retired Head of Archives and Local Studies, Shakespeare Birthplace Trust * Dr Tara Hamling, University of Birmingham Find the show notes for this episode at: https://www.shakespeare.org.uk/explore-shakespeare/podcast/how-much-was-shakespeare-worth/
For the fifth episode of Let’s Talk Shakespeare, I asked “Where did Shakespeare Live?”. To answer this question we must look at three differnt periods in his life: his youth, his life in London and his married and family life. In this episode I talk to our guests about the different properties we know Shakespeare lived in, which ones he owned and when he bought them, and we also look at what life would have been like living in these very different properties, both for Shakespeare and his housemates. This weeks guests are: * Professor Stanley Wells, Honorary President of the SBT * Professor Michael Dobson, Director of the Shakespeare Institute * Ben Crystal, Actor and Producer * Dr Tara Hamling, Senior Lecturer in Early Modern history at Birmingham University * Dr Paul Edmonson, Head of Research and Knowledge at the Shakespeare Birthplace Trust You can find the accompanying show notes for this podcast over on our blog: https://www.shakespeare.org.uk/explore-shakespeare/podcast/where-did-shakespeare-live/
Episode two of Let's Talk Shakespeare from the Shakespeare Birthplace Trust. In the second episode of Let’s Talk Shakespeare, I asked “Did Shakespeare love his wife?”. This question has tantalised for years, we have so frustrating little evidence of their relationship, in truth all we know for certain is that they married, had three children, and stayed married until William's death in 1616. In this weeks podcast we discuss how they may have met, the unusual circumstances in which they married, what Williams prolonged absence from his family while he was in London may have meant for his wife and children, and of course the frustratingly vague reference to his wife in his will. This weeks guests on the podcast are: Professor Stanley Wells, Honorary President of the SBT Professor Michael Dobson, Director of the Shakespeare Institute Dr Elizabeth Dollimore, Outreach and Primary Learning Manager a the SBT Dr Tara Hamling, Senior Lecturer in Early Modern history at Birmingham University Ben Crystal, actor, writer and producer You can find the show notes for this episode on our blog: https://www.shakespeare.org.uk/explore-shakespeare/podcast/did-shakespeare-love-his-wife/
SBT Chairman, Peter Kyle explains Trustees' decision to sell land at Shottery #Shakespearebirthplacetrust #annehathawayscottage #shottery #newroadlink