Podcast appearances and mentions of victor victor

Today I want to introduce you to Victor Victor is a world class diver, photographer, and friend. He is one that will gently and patiently be present for those around him, one that has a sense of humor worth every peso he has won in the lottery and then some, and one that I believe honestly communicates and believes the reality that each of us have the ability to both be filled with love and yet live moments where we may be the asshole in someone else's story.Victor and I chat about our troubles in Mexico, from car accidents to being robbed, and all the tacos in between. He shares about how life isn't always a deep purpose but that we get to be proud of how we show up and the people and animals we love. Victor is talented, kind, inspiring in and out of the water, and a friend I have even more so recently been shown immense kindness and generosity by. So tune in and meet Victor, a world class friend and humanAnd to you Victor thank you, thank you for how you stood with me on that difficult night, for how you sincerely love and care for others, for your sense of humor and everything in between. I truly can't thank you enough for simply choosing to open your space to me, your time, and never hesitating to be a friend to me. That night would have been so much harder without you my friend. 

Welcome to the Surf Mastery Podcast, where we delve into the fascinating intersections of life, sports, and the art of mastering the surf. In this episode, our host Michael John Frampton sits down with Matt Parker from Album Surf to discuss the intricacies of surfboard shaping, the evolution of surf culture, and the joys of riding different types of boards.Matt Parker is a seasoned surfer and shaper from Southern California who started crafting surfboards in his garage in 2001. Now, Album Surf is one of the largest surfboard companies, known for its diverse range of high-quality boards. Matt's philosophy on surfboard design emphasizes the harmonious blend of curves and how they interact with the water, aiming to make every board feel like an extension of the surfer's feet and mind. Episode Highlights:The Origins of Album Surf: Matt shares how he started shaping surfboards in his garage in 2001 and grew Album Surf into a renowned company.Philosophy of Surfboard Design: Discussing his unique approach to shaping, Matt explains the importance of creating boards that blend seamlessly with the water.Surfing in Southern California vs. New Zealand: A comparison of surf conditions and the surfing culture in these two iconic locations.The Evolution of Surfboard Variety: Exploring the trend of surfers, including professionals, moving away from high-performance shortboards to experimenting with various types of boards.Educational Insights: Michael and Matt discuss the importance of riding different boards to improve surfing skills and the misconceptions many surfers have about the type of board they should use.Personal Anecdotes and Experiences: Matt and Michael share personal stories about their favorite boards and memorable surfing experiences.Key Quotes:"The surfboard is a constant blending of curves and how they interact with the water, making those curves feel comfortable, like an extension of your feet and your mind." - Matt Parker"Are you actually having fun? That's what it should be about, not just projecting competency and coolness in the lineup." - Matt Parker"It's the best time to be alive as a surfer because you really have more options nowadays than you ever have in the past." - Matt ParkerFollow Matt Parker:Instagram: @albumsurfLinkedin: matt-parker-7877a17Website: albumsurf.comDon't forget to visit our new website for a free PDF download outlining Michael's top five insights from the show, and reach out if you know anyone at YouTube to help resolve access issues!Enjoy the episode and happy surfing!Full Show Transcript:Matt Parker- Welcome back to the Surf Mastery podcast. I am your host, Michael Frampton. Today's guest is Matt Parker from album serf. But before we get into that, a couple of housekeeping items. Firstly, Serf Mastery has a new website, and included on that on the front page is a free PDF download outlining my top five insights from the show and the last eight years or so of focusing on improving my own surfing. Um, so go ahead and download that puppy. Also, does anyone know anyone on YouTube? I have been denied access to my YouTube account and have exhausted all other avenues and have had a dead end. So if anyone knows anyone at YouTube, please reach out. Mike at Serf mastery.com or you can DM me on Instagram as well. Onto the show. Today's guest, like I said, is Matt Parker from album surf. Matt is a surfer from Southern California, and he started shaping surfboards from his garage back in 2001. And now album surf is one of the largest, uh, surfboard companies around. Uh, they specialize in all types of boards. And let me read a little quote from Matt's website, which sort of summarizes the way he thinks about surfboards. This is a quote from Matt. The surfboard is a constant blending of curves and how they interact with the water, making those curves feel comfortable, like an extension of your feet. And your mind is so interesting. There shouldn't be any rules about what a surfboard looks like. I love that quote and you would have seen there's so many pros that when they aren't surfing on tour, they end up on these boards, including one of my favorite surfers of all time, Margo. Yes, one of the best free surfers around. Brendan Marginson is well worth a follow on Instagram as well. He started writing Matt's boards. Anyway, without further ado, I shall fade in my conversation with Matt Parker from album surf. Com two.Matt Parker- How are things? Uh, how are things in New Zealand?Michael Frampton - Are things going swimmingly?Matt Parker- Always there. So you live in the prettiest place on Earth. How could it not?Michael Frampton - Oh, yeah. You're not wrong. Although I have to admit, I do miss California.Matt Parker- Did you have spent time out here before you lived here or just.Michael Frampton - Yeah, I lived in, uh, I lived in Point Dume Malibu for four years. Oh, cool. So I was obviously in a little bit of a bubble surfing Little doom every day, but, uh, you know, the weather, the weather alone in Southern California, I kind of felt like it was a bit monotonous. After four years there, I almost missed winter. But having come back to New Zealand and actually experiencing the four seasons, I take California any day.Matt Parker- Yeah, it's big news. When it rains here. It's like, yeah.Michael Frampton - Yeah, no one can drive in the rain in California.Matt Parker- No. Definitely not, definitely not.Michael Frampton - And then, of course you can't. Well, you're not supposed to go in the water either.Matt Parker- Uh, so. So whereabouts in New Zealand? What part are you at? Like, where do you surf at and all that?Michael Frampton - I'm in a place called Hawkes Bay, which is on the east coast of the North Island. There's nowhere really famous surf wise around here. The surf is pretty average around here, actually. We have a mass. Uh, continental shelf. So the swell comes in with a, uh, just with almost no energy left in it unless it's a certain period that seems to sneak through. Um, so, yeah, around here is not so good for surfing, to be honest. I came back here to, you know, raise the kids and I think, yeah, that sort of thing.Matt Parker- But there's pretty drivable though, right? I mean, you can get. Oh yeah.Michael Frampton - Yeah, yeah, yeah. It's you know if you're willing to drive um then yeah you can get waves, probably get good waves almost every day. Uh, in New Zealand actually, if you're willing to drive and put up with a little bit of weather.Matt Parker- Mhm. Not afraid of a little wind. Right. Find the blowing the right way. Yeah.Michael Frampton - Exactly. Well that's another big thing is I remember in Southern California so many days there's just no wind.Matt Parker- Yeah.Michael Frampton - Where you don't really get that in New Zealand maybe the first two hours of the day there's not much wind, but you'd never get a day where it's glassy until midday, like in Southern California. That's rare here.Matt Parker- Yeah. That's like the prototypical dreamy Southern California fall day where it's kind of glass a little bit offshore in the morning and kind of glassy and nice and sunny and warm all day with fun combo swells. That's kind of the ideal. It's like that a lot. I'm down in San Clemente. It's pretty clean down here, too. We live like a little valley, kind of, uh, that kind of keeps the wind cleaner here. I don't know if it's just protected a little bit from some of the, you know, more beach break spots up in Huntington and Newport, all those spots. But, um.Michael Frampton - Yeah. No, I, I've spent a little bit of time down your way as well. The Surf lowered and I got to interview Archie on my way down there and I spent some time, um, I love surfing Swami's and just that whole Encinitas area. Spent some time down there?Matt Parker- Yeah.Michael Frampton - And, uh, what opened? Part of what I wanted to talk about today was, obviously surfboards. But I remember we interviewed Devon Howard, and so I got to surf with Devon and I was surfing this like it was a Stu Jensen 94. And I would just paddle. I would just paddle right out the back as far as you can at Little Doom and surf it like Sarno, almost just catch the swell and just get long, big sweeping rides. And Devon's like, you should just be on a glider. And I was like, what's a glider? And then so I just, I just went out and bought an 11 foot Josh Hall, and that's pretty much all I surf all of the time.Matt Parker- Even further out. You weren't even like another hundred yards out would catch it even out the back. Yeah. It's amazing.Michael Frampton - Yeah. And then I'm always swapping around boards. But that 11 foot board just taught me so much about surfing. Just the sheer volume and weight and size of the board. Just you have to think about reading the waves so differently and about you know, your the space around you with other people so differently. And then when you finally do jump back on a board, a short board or whatever, I found it so much easier and more fun and easier to sort of be present after having learnt how to surf such a big surfboard. Yo. Have you experienced anything similar with playing around with lots of different boards?Matt Parker- Yeah, I, um, I, obviously I make boards and so I'm always writing something different. You know, most of the time it's rare that I ride the same board two days in a row. Um, and so I'm very used to, like the initial paddle out where, um, I, I can't try too hard, you know what I mean? I kind of have to just. Feel what the board is going to do and just kind of be open to what it feels like once I'm dropping in and just kind of riding the wave. And so it makes me, um, yeah, it's just a good little lesson every time because you can't, you can't force it. And so, uh, you remain a little bit relaxed and not try to do too much, and then you kind of feel it out in every wave is kind of like a you're learning a little bit more about what the board wants to do and what line it wants to take, and trying to figure out where the gas pedal is. And, and, uh, so that's like the discovery part of surfing for me because I surf, I tend to surf the same place every day. And it's a point break down near, uh, lowers and it's kind of a similar wave, but it's kind of a sectional point break that offers some variety. But it's the same place. You know, I'm surfing in the same spot all the time. And so the variety of boards, um, just kind of changes up. Um, it kind of removes expectations sometimes. I think sometimes if you have a board, you've written a ton and you're kind of like, oh, this is the kind of surfing I want to go do. And these are the, you know, these are the turns I'm going to do or whatever. And when you're surfing a little bit more blind to what the board is going to allow you to do, it just kind of, um, keeps you from having expectations. And then you're kind of, uh, you just find fun in different ways and new experiences every time you surf.Michael Frampton - So I think that really good top level surfers are doing that on a much more refined and accurate level because they're always so close to where the wave is breaking. There's so much in the source and they're feeling all those little bumps and nooks and obviously those sorts of boards at that speed are ridiculously sensitive. So if they're not tuned in to that, it's just not going to happen. Whereas you and I are surfing bigger boards a little further away from the power source, we kind of can get away with not being tuned in, but when we do, they're aware.Matt Parker- Yeah, their awareness level is so next level, so high. I like the little nuances and they can feel a lot of they can and can't always communicate verbally, but they definitely know what they're feeling and experiencing in a different way than most regular people.Michael Frampton - Yeah. You know, what I found that's really [00:10:00] interesting is, all of the pros, well, not all of them. A lot of the pros, when you see them out free surfing or when they take a break off tour, then they're not riding high performance shortboards. You know, Josh Kerr is a great example. Um, you know, even Steph Gilmore and Kelly Slater with fire waves just riding different boards as soon as there's not a camera and a judge looking at them, they're like, I'm on this board. Yeah, yeah, yeah. I go down to the local beach and it's waist high and onshore and it's 11 seconds and there's people out there on toothpicks pumping and getting angry. But the pro even the pros when they're surfing good waves, they're not on those high performance short boards. Are you seeing a similar trend overall in Southern California?Matt Parker- Uh, yeah. I mean, well, specifically with everybody that all the, all the guys and gals I make boards for. But no, no one that rides for us really does contest surfing. Most everyone is just kind of free surfing. And so they're definitely on the track of surfing, whatever feels good and experiencing a lot of different things. But yeah, Josh is a perfect example. I don't think he's touched a thruster since his last heat up pipe, honestly, when he retired and that was probably five years ago or something like that. Even in good waves and every kind of wave, whether he's in Indo or wherever it is, he's always writing something different. And uh, I think obviously like high performance shortboards surf. Amazing. We all love to watch surfing. We love watching contests and, you know, the sport of it all. It's always exciting and entertaining and all that. But I think that type of board, um, directs you to one type of surfing. There's, you know, like everyone's trying to kind of surf the ideal way that that board kind of pushes you to. And the judging and the contest structure is kind of, um, positioned around that ideal as well. So I think, um, when you remove that, that box that you're trying to operate in and you don't have to do the same turns and all that, you know, you're just freed up to do whatever you want to do. That's always going to be a more fun option. And for me personally, I am someone who makes boards, it's true. That's my favorite thing, is to see, uh, people that can surf at a world class level, see them surf a lot of different boards and see the different places those boards can go when it's put under the feet of very, very talented people. Because, um, because for the most part, you know, the most, most of the surf media, the most surf contests, you see these very high level surfers riding very similar type of equipment. So.Michael Frampton - Um, yeah, I've always had this analogy in terms of car racing, whereas the pros in a contest, they're in a finely tuned formula one that's customized for their style. Right. And then for some reason, we want to go race around the local racetrack, and we think we need to be in one of those cars. And yeah, sure, that when the average driver is in a high performance car, yes, you can drive it around the track, but man, it's going to be bumpy. It's going to be shaking if you're not constantly turning the car. It's just not going to be as fun as getting in a V8 supercar that's nowhere near as fast or fine tuned, but is a little more. It's got a little more given it still goes fast. So that's what I'm wondering. You see these pros, when they're surfing outside of the contest, they don't necessarily want to be in a finely tuned formula one. They just want to be in a V8 supercar and just have a little less pressure and a little more give. How does that analogy stack up for you? The car racing one?Matt Parker- Well, I like to me surfing really is about the feeling, right? And like the tactile feeling of driving a car that's fast and that wants to go and that you're feeling it. And there's a little bit of like, uh, you know, you're not going to, you're not going to crash right away, you know, like a regular driver. If they went behind the F1 car, they're probably going to crash pretty quick because they just can't handle it. Right. It's too technical to drive all that kind of stuff. So you get into something that has a better feel. But it is about the feeling. And you know, ultimately that's what we're chasing every time we surf. That's why we want to get another wave, is because you want to get that feeling again. And uh, and so the same with the pros that can surf at the highest level. You know, they're chasing the feeling the contest is like the job side of it. You know, it's ticking the box I feel in to win and do all that. But if they're freed from that, they're chasing the feeling of going fast and finding a tube and not having to fit in as many turns as they as they need to just to get the score, but to actually do the turn where the wave is, allowing them to or not, or just ride the wave.Michael Frampton - So that makes sense. Well, yeah, because I'm always dumbfounded when you see so many surfers spending so much time and money on taking these high performances. You know, they watch stab in the dark and they want to buy the latest version of the ten short boards that they already own. It really doesn't make much sense to me. And I think things are changing, but there certainly is still a large percentage of surfers that fit in that category. Uh, do you think it's trending the other way with companies like yourself and even, you know, Channel Islands are broadening their range of boards? Um, I.Matt Parker- Think it's for me, it definitely is the best time to be alive, to be a surfer, because you really have more options nowadays than you ever have in the past, and you really can ride anything. When I was when I was young, as a teenager in the 90s, surfing, it really was you. Everyone kind of had the same board. I rode the same board, no matter the conditions. It was like a six, three, 18.5, two and a quarter rockered out shortboard no matter what. If it was one foot, if it was six foot, whatever. So nowadays you really do like I think everyone's kind of experienced like, oh yeah, I can have a little bit more of a diverse quiver and it's okay if I'm riding a fish one day or I'm riding like a little stretched out worm another day, or if I'm riding a shortboard one day or whatever, it's like there's a little bit more, um, versatility and variety and, um, so it's a it's a great time to be alive, to be a surfer in that way. I think, um, uh, I just think that, yeah, there's just less rules, less rules about it, more enjoyment.Michael Frampton - Yeah. Yeah. I guess the question is, the impetus of the show is education and inspiration for better surfing, really. And I guess when I take on a client myself personally, um, one of the first things I say to them is like, why do you want to? Why are you on that board? Like, this isn't you're not surfing double overhead barrels. Like that's what their board's made for. Like just try.Matt Parker- Yeah, I think I've said this before, but I think a lot of, um, uh, just the culture of surfing is a little bit like, no, everyone wants to look competent. Right. And so a lot, a lot of surfing culture is the perception that you put out there. Right? Like, I'm the cool guy. I got the right board, I got I'm not a kook, you know, I'm wearing the right trunk. So I've got the right wetsuit and I've got the right traction pad and whatever it is, I've got the cool label. This is what I'm, you know, because a lot of people are more concerned with what, how others perceive them in the lineup, because sometimes, you know, how you're perceived in the lineup, gives you status and gives you, you know, if you're competent, you can kind of you get more waves and you get a little bit more respect from people around you. And so there's a little bit of a game that people play in trying to, um, project competency and cool and a cool factor. And I'm not a kook. And so sometimes people put too much weight on that and they're more concerned with what they look like on the beach or in the car park than they actually are.Matt Parker- And then the enjoyment they're actually getting out of it themselves, you know, like, are you actually having fun? If you mentioned like the guys that are flapping around and having a miserable time. There's always people out in the water that are having you kind of wonder sometimes. Do you actually like, what are you actually getting out of this? Do you actually enjoy what you're doing? And, uh, I don't know, every different stroke for different folks. People get different things out of it. And maybe that little social status thing is more important than the actual surfing. And I, I think that's obviously short term thinking because and it's like, that's a hollow chase that you're after because you're never going to be satisfied with that. And you shouldn't be. I don't think you should be spending too much time pursuing things for the approval of others. You know, surfing is kind of a solitary pursuit, right? You're you're the one that's doing it, and you're the one that's riding the wave, and you're the one that's having that moment and feeling it. If you're doing it for what other people think about you, I think you're missing. You're missing the point, you know?Michael Frampton - So, yeah, well, I definitely fit it in that category for a while. Um, we all do.Matt Parker- At some point, you know, in a little bit. We all do. You know everyone? No. Like I said, everybody who surfs wants to look competent. Kelly Slater doesn't want to be a kook. He wants to be the cool guy in the lineup. We all kind of have that feeling to a certain degree.Michael Frampton - Um, and there's something to be said, you know, surfing that high performance shortboard in all types of conditions you will develop a very intimate relationship with that surfboard. And when the waves do turn on, you're going to be pretty used to it. And then, you know, you're probably going to have a better surf on that day. Um, but was there a point in your surfing [00:20:00] life where that changed, like where you started riding different boards, more volume, etc.?Matt Parker- Um, yeah. Like I said, I grew up in the like, I started surfing in the late 80s, early, and then through the 90s, I was a teenager and then in the early 90s and, uh, back then it was really about just being competent enough and you just riding what everybody else wrote. And that was really all that was available was just kind of your standard shortboards for, um, I guess for, for me as, like a general public, you know, not in, you know, I didn't have any my dad surfed a little bit when he was young, but I didn't I didn't come from like a long line of family surfing and all that kind of stuff. And so probably I, I started getting curious, more curious about surfboards. Um, and that's kind of what led me into shaping a little bit is that I was interested. I, you know, you get back then this is pre-internet really, you know, but you would get little. To see different little videos. You'd see different things that were just like, oh, you know, like, that looks fun. That looks like more fun. I was surfing Newport Beach. It's two foot closeouts most of the time it's not good. It's, you know, it's hard. Like surfing is hard out there and you're riding equipment that's bad.Matt Parker- So you just have a lot of frustrating sessions and you just like, just gotta, you know, just you would see videos, you'd see guys in good waves. And so that was always like I was interested in, um, trying different boards to get a different experience. You know, I was competent enough, but I was by no means pro or anything like that. I was good enough out in the lineup to get waves and to surf and fine, but it was not. But I always felt like those boards held me back, too, you know, just the normal boards, because they kind of, you know, they you just have like, it can't be this frustrating all the time. So the interest in different boards. So I would go to different shops and I would want to get a board that was different and I could never really find one. You know, it can never really find what I was looking for. And then, um, even when I would order custom boards, you know, from local shapers, you would try to explain what I had in my brain, what I was like trying to go for. And it was never it never like it was probably my fault for not communicating that clearly what I was really after, but it never was it.Matt Parker- And so I was, uh, in design school and art school and taking all these like, sculpture and drawing and painting classes and stuff. And so it was just kind of a natural extension to get a blank and some tools and kind of experiment and just try to make something without any restrictions of what it had to look like, because I was just fooling around, you know. So that was probably the, the, the interest. And that was probably at the time when, like, um, things were coming more online and you had more access to just different things other people were doing. And so you could kind of see, uh, you know, your world was kind of opened up as far as, like, oh, there's like other shapers and all these places making different things. And there are a lot of cool things out there that I just hadn't really experienced and I didn't have. I had never tried or felt or seen in person, but like, it just kind of expanded what was possible. And, the interest level and surfing really grew. And my fun level expanded too, because it was like everything was opened up more.Michael Frampton - Um, and then it sounds like the developer or the birth of album surfboards was quite organic. You saw essentially a gap in the market, right?Matt Parker- Yeah. Why? Initially, for years I was shaping boards with no, no intention of it being a thing, being a business or anything. It was more I just wanted to try different things. And, um, the creation, the creation part of it was really fun, like just designing and trying something and the tactile thing of making something with your hands and then seeing it finished and then going and writing it was very addicting. It was very, um, yeah, just kind of opened my mind a lot. And it was just it's just it made, um, the exploration process of trying different boards, satisfying even if the surf was bad. So in the old days, you know, as a kid when I was a teenager and you're trying to just, like, do all the moves you see in the videos and you're having frustrating sessions because the waves aren't good most of the time, and you're writing boards that aren't good. You just surfing wasn't as fun. And so when I was, when I was making boards and exploring and trying these different types of shapes, just going out and seeing that it worked and making it like get down the line and get the feeling of speed that I was kind of envisioning with it was satisfying.Matt Parker- So the waves didn't have to be good, and my surfing didn't have to be amazing. And I was still, like, very satisfied and validated and surf stoked. I was inspired to go make another board and surf more because I wanted to try out these things that I was, um, that I was playing around with, but. I did that for years. Hundreds, probably a couple thousand boards before it was even, like a real, um, business I was doing. I was a designer by trade, and so I was doing like graphic design work, and that was kind of what my, uh, employment or job focus was, and was making boards was like this side, this just kind of creative art project on the side that I could just have fun with and I could usually like, um, sell, sell one to pay for another one and, you know, find it, you know, put it up like in the used rack at a shop and sell it on consignment. Just turn it over enough to learn the craft without any pressure of having to be a professional at doing it.Michael Frampton - Yeah. So. So did your entrepreneurial journey begin with the album agency?Matt Parker- Yeah, exactly. So that was I was running my own business and just doing client work, client design work that way. And um, the building the surfboards and kind of treating it like my own little micro brand was kind of also an extension of the graphic design side. So I was able to kind of like, you know, you're doing you're doing work on for clients in industries that you're not really interested in, you know, and I was like, here's, here's a chance for me to play around with design and create it and kind of like make this a fun little, like. You know, brand for fun without any, you know, strings attached. Yeah. That's pretty.Michael Frampton - And what inspired you to make the leap? To turn the surfboards into the main business?Matt Parker- Uh, there was just, uh. Well, I was doing it at night, so I would be working, like, in the day, like client work and, um, uh, designing and and, uh, getting projects done. And then I'd go home and have dinner with the family and then put the little kids to bed and go in my garage or go in my backyard and shape at night. And I was doing this a lot. So I was working a lot. I was working a full time plus job and then shaping on the side and demanding just kind of like, you know, we're just kind of we would get out, you know, I was making boards that were probably interesting and that resonated with other people that they hadn't seen either. And there was something unique about what we were doing. And so, um, the age of when we are, you know, in this last 15 years where things are just more accessible and people can find you easier, you know, it just kind of the awareness of what I was doing got out there probably faster than if it was 30 years ago. No, the people in my little community would have known. But then. So then people would just want to order a board, and then that just kind of gets to this, uh, point where, uh, the demand kind of exceeds like the time on the other side. And so just kind of realized like, oh, there's, uh, I think and by that point, too, I had made enough boards and had enough awareness of, like, just the surf industry and kind of where things, where things were that you could kind of see opportunities, uh, or openings in the market. And like, here we have something different to say, and there's people that are interested in what we're doing. So yeah, let's make a little run at it.Michael Frampton - Yeah. Well you mentioned supply and demand. I mean that is why business exists. So obviously the culture is changing. You know, people are more interested in, uh, you know, different shapes. And, uh, I would say a higher level of longevity. You get a much more longevity out of a surfboard like yours as opposed to a pop out, um, white shortboard for sure.Matt Parker- I think the other thing, too, was I made boards. I made some boards for some good surfers, some pros and things like that, and they worked really well. And so there was kind of like this validation of like, oh, okay. Like, I mean, I knew like I was like I said, I was competent enough to know that they worked for my level of surfing, and I was having an amazing time at having fun. And my friends were. But then, um, when you when I made some boards for guys that could surf really well, and then they had more fun on that too. It was kind of like, oh, you know, maybe there really is something a little different that we're doing that does work and makes sense of like we should kind of should follow that path because there's, there's something there that hasn't been tapped into yet, and it resonates with guys that can surf at the highest level. So we should kind of pursue that.Michael Frampton - Um, that leads me into a question I have about let's get into your designs a little bit. So. I remember I first got into surfing fish surfboards. I had a Christiansen fish that I used to surf a lot. And then I remember one day the waves turned [00:30:00] on, um, and rising swell. And next thing, next thing you know, I'm surfing almost double overhead waves. And I find man to to be able to surf that fish in those real good solid waves, I would have to move my feet closer to the inside rail to do a bottom turn, and then I go up to do a top turn. It would just slide outside. This is not the right surfboard, but at the same time, I don't want to be surfing a high performance shortboard. And then you look at someone like Josh Kerr surfing the twins men or the, um, insanity. I think it is in the mentor wise in double overhead waves getting barreled and doing airs on what is, I guess, hybrid or alternative high performance shape. Now, is that the kind of board that only he can ride in those waves? Or is it designed so that anyone can have a good time in those overseas waves?Matt Parker- Well, I think there's a misnomer to me, there was always a misnomer in the marketplace that high performance shortboards are for like real surfing and alternative boards are just, you know, for fun or whatever. And, um, I think if you look at the trajectory of surf of surfboards from, you know, longboards logs up into the early 60s, mid 60s to how quickly it progressed and revolutionized, like what people were riding in such a short window of time. There's so many, um, like, design steps along the way and different types of boards along the way that, like, didn't get their full, uh, fleshing out. Right. So there's a lot of ideas in that time and I, I mean, Twin Fins is a perfect example of that. Like where twin fins were really at like their height from, you know, 78 to 81 or something like that, or, you know, 77, like, what is it, 3 or 4 years or something like that, where twin fins were like the, you know, high performance little hot dog board that people were riding and that was with kind of like, I mean, nowadays, like that window of time is a is a blink, you know, three years. It's like most of us have boards that we've surfed for five, six, eight years. You know what I mean? So three years is nothing. And so, you know, you just see like, oh, the fins they were writing, they didn't have enough time to develop the right fins for them, and they didn't have enough time to think about fin placement and, and designing the rail shape and bottom contour to fit like where that goes and like what type of wave that needs to be surfed in and what blanks were available and different glassing, you know, layups and all that.Matt Parker- It was just like it was just too fast. And so, um, I've always felt like, um, alternative boards, twin fins are not, um, like a, a cop out of, like, I'm just I'm just going to screw around. Like, it's like any sort of design, any, any, any place. I'm going to take a surfboard. There's like an intended, uh, performance or design intention for that concept. And so the concept is meant to perform at a high level. It's just a different way of doing it. And um, and so like with Josh, those boards, like he has more fun and more freedom, more speed, they're easier to turn on a twin fin, you know, and so if you can make them and design it to be able to handle any type of wave, there's there's certainly obviously capable and validated by him and others in those types of waves. And so it's it's just a matter of, um, uh, backing it, backing the concept and then proving the concept and then iterating the idea and the concept enough to prove it out and refine it and get it right so that it actually does work in those types of ways.Matt Parker- But I think sometimes when, uh, like, uh, you know, shapers or whatever, if, if they're focused on one thing, if they're focused on high performance shortboards, their version of a twin fin or a fish is like a is not the main design intention. It's almost like a little, it's like a spin off of their shortboard idea. And it's like they take their shortboard idea and they kind of fatten it a little bit and just put two fins in it instead of three and, you know, maybe make it a swallowtail. We'll call it the alternative board. And to me, I'm more focused on the concept of a high performance swim fin that maybe surfs better or is more of an advantage than a shortboard would be in those waves. And so it's like, how would I design it? Where do the fins go? What does that mean for the bottom contour? Like what dimensions are we talking about. You know, and so there's so like the funnest thing about surfing is there's so many variables in the, in the types of waves in the swell and the wind conditions and the interval and the where you're surfing, the type of surfing you want to do. And so there's kind of like these endless rabbit holes of design and conceptual thinking. You can go down and create whatever. And it's so fun too, because I mean, I think surfers should be, should be very grateful and realize how fortunate that we all are.Michael Frampton - That we we we.Matt Parker- Um, participate in this pursuit where we can make all sorts of different things all the time. I mean, if you're like, if you're driving or you're, uh, skiing or whatever it is, it's much more difficult to you're not going you're not going to go make a, a ten different concepts of skis that you're going to go try out every time, every different time you go surfing. But with the surfboards you can make, you know, I can go surf today, have a session out there, get the pros and cons of the Board of Writing. I come back to design something based on that idea, shape it that day, gloss it, and be surfing something next week.Michael Frampton - Mm.Matt Parker- Something that I was intending to design for. That's just like a, it's just a cool thing that we're, we all kind of. And surfing small enough surf industry is small enough that if you're, uh, uh, motivated like you can have access to any of that, it's relatively, you know, for what that is for the for the, uh, access to that kind of R&D and design like options for different types of boards. It's relatively expensive, not super cost prohibitive. You know, if you're if you're into it, if you're committed to it, it's affordable enough. You can, you know.Michael Frampton - Mhm. Yeah I think the importance of a quiver is. Yeah I mean I don't know whether that's why you chose the name album. But you know it makes me think of a good album like Pearl jam ten which is ten really good songs, all with different moods but still the same album. You know, you can sit, you can sit down and listen to the album, or you can sit down and listen to one song and I almost see a. A surfboard quiver is like that. It's, you know, has ten surfboards that are for you, but for the different types of moods and the waves that you're surfing. But it does make me think, because there's also that Swiss Army knife surfboard that kind of does pretty good in most waves and tends to excel in sort of head high. Good waves, for sure. What's that? What's that surfboard for you within your quiver? What would that Swiss army knife board be?Matt Parker- Well, that would probably be like a board I would travel with. Right. Because you're something that you would have that you'd want to have, um, versatility for. And that would probably be like Victor's model. Like a banana. Bunches like a quad, asymmetrical quad. It's kind of a hybrid. It's definitely a performance board, but it definitely is easier to go fast. And it paddles a little bit better. And it turns out to be super easy. And it's versatile in a lot of kinds of ways. Um, it's probably something like that. Um, honestly, uh, if you have the right mindset, though, almost any board in your quiver should be able to fill that slot, I think.Michael Frampton - Yeah, that's a good point.Matt Parker- Yep. It's all I mean, there's a to me there's there's, um, you know, there's sometimes there's people sometimes we all do it where we're no matter what board you're surfing, people try to surf the same way. Right. They have like they're the way I bought them turned. This is my turn. I do, and this is my little re-entry idea. And you'll watch them out there. And it doesn't matter if they're riding their fish or mid length or short board or whatever it is, they kind of surf the same. And uh, that's fine. That's totally fine. But I, I think it's good to, um, be a little bit more open to what the board wants to do and the type of surfing that board is going to allow you to do and, and how it might open up the kind of surfing you do and the enjoyment you get out of that kind of surfing so that it makes you a little bit more versatile in what your approach is like. Victor Bernardo, who writes for us, is like is a really good example of that because I think a lot of times people when they're like when they're building a quiver, they are a little bit too narrow in scope or what like range, they're they're going for like I it happens all the time where I'll have people that they kind of they want their fish and their short board and a twin fin and everything to kind of be all within, like a little volume range, like, here's my leader, here's the leader I [00:40:00] ride, and my boards need to be within 30 to 30 1.5l.Matt Parker- And they try to fit like all their boards. And it's like, I think you're missing out if you're thinking about it in that way. So Victor is this perfect example because he's a young man, 26, 27 years old, the highest level professional surfer can surf as well as anybody in the world. Um. Competed on the show, did all that stuff right. But if you look at his quiver, it is like. From five 0 to 8 zero and everything in between. I mean, obviously he has access to a lot of boards, which helps. It makes it easy to ride a lot of stuff. But still his mindset is like his, if you were just talking about what volume he writes, he writes from 29l to 42l, you know what I mean? So his range is like this and these are all. Different types of what I would call performance sports. So even yesterday or this week we were in Hawaii.Matt Parker- He's still there right now. But we were on the North Shore this past week and he was riding A68 bungee roundtail, which is normal. His normal version is like a five 8 or 5 nine, and he was riding the six eight roundtail version that was plus volume. It was actually one of Brendan Morrison's boards that Margo left there in Hawaii. When Margo went back to Australia, Victor took it out and got a couple amazing waves of pipe, you know, on that on that board. And so it's just I and definitely not limiting his performance, actually enhancing his performance because it was something that unique that he wouldn't have maybe taken out normally, but it just kind of opened up his surfing. And I think if you remain a little bit more, um, open, open to what the board wants to do and what the waves are asking you to do, you will just have more fun. Yeah. Surfing gets to, like you were saying, just like it started right when you're riding the glider and then you go jump onto your shore board, your surfing is better because you're kind of your fundamentals are better. Your timing is a little different. You know, your mindset is a little different.Michael Frampton - So yeah, I think every board you ride opens up. You have to read the waves a little differently and look for different lines. And like you said, your timing has to be better. Or maybe it can be more lax or you're looking for a different type of wave or whatever. So I think it really just helps you to read the ocean better. I think that's the main reason why different surfboards, uh, can improve your surfing when you jump back on your favorite board because you just read the wave with more detail. Writing that glider changed my realization of how big and how fast of a section I can actually make because those boards go ridiculously fast. Um, yeah. And I surprised myself many times with what I could, what section I could get around and that literally translated to surfing other boards. I'm going to try and make that section. I'm going to get a bit lower and stay on the whitewash a bit longer. And lo and behold, surfing that big crazy board just had me making different types of waves and changing my whole perspective on reading the ocean. Um, it sounds like I agree with that. It sounds like Victor Victor needs to go longer as well.Matt Parker- He does. He rides bigger. But I think the point of a querer is to make you surf as much as possible. So no matter what the waves are, you have the right board to have fun that day. And that's really the, to me, the thing that improves you as a surfer the most is water time. So if you're surfing a lot, if you're surfing more days than you're not, you're going to get better. You read the ocean better your time, your timing is better, your strength, your paddle strength is better. All that stuff kind of comes into play the more you surf. And so if you have a quiver that motivates you to want to surf and makes you kind of no matter what the waves are, you're like, oh, I'm stoked to go out today because I have the right board and I'm going to have more fun. And you see those guys struggling and you're having fun and they're miserable. It's like, oh yeah, you made the right choice, and you have the right board to just get out in the water a lot.Michael Frampton - Yeah, I think you nailed it that that's that is the point of a quiver. So it's as simple as that. And you're right. I mean, the best thing that ultimately that you can do for your surfing is not only to surf more, but to surf more waves. And if you're on the right surfboard for the condition, you are going to catch more waves when it's knee high. Here at my local point break and there's no one out, I'm I'm literally giddy because I have an 11 foot Josh Hall and no one can compete with that because no one.Matt Parker- How did you ship that thing to New Zealand? How did you get that point there? That's what I want to know.Michael Frampton - Yeah, I know, it.Matt Parker- Just.Michael Frampton -I, I filled a container with all of my stuff. So I've got, I've got my weight, I got my weighing rich nine eight and everything. Everything here. So how. How would you if I just asked you an open question? What is a surfboard?Matt Parker- Uh, well, there's the, you know, it's foam and fiberglass and resin and all that. Right. Uh, but I think it's just it's a tool to allow you to go ride the waves. So whatever that is, it, um, comes in, comes in many forms, that's for sure. Yeah. Uh, I think it's, uh, depending on, you know, the a surfboard for pipeline, like we were where we were at last week is not a surfboard for Upper Trestles, where I surf most every other day. Very, very different tools for those different, different types of waves. And so I think it's a tool that gets you to, to catch a wave and ride a wave. Yeah.Michael Frampton - Simple. How would you describe your current relationship with surfing in the ocean, and how has it evolved over the years?Matt Parker- Um, I surf a lot. To me, it's the most important thing in my job as a designer and shaper and surfboard manufacturer is being in the water as much as I can. So I, I surf 5 or 6 days a week. And, uh, it's kind of a like daily ritual getting out there. And so I surf a lot. Um, I, I'm 47 now, so I'm definitely past my peak of, uh, I've my, my better my best days are behind me as far as, like strength and ability level and all that kind of stuff. But I definitely have more fun surfing now than I ever have in my life. And, uh, I get more enjoyment out of it and I have a better perspective on it. And so, um, you just appreciate different things about sessions that you, you skipped and you missed when you're young and immature. And so, you know, with age comes wisdom. And so I definitely yeah, I appreciate it. Every session I go out I just have a better mindset for, uh, just appreciating the opportunity to go out and surf. I live in a place where I have things like surf boards to ride and just waves most every day that are rideable. It's a real blessing. So I think that my mindset makes me appreciate it more now than ever. So. Mhm.Michael Frampton - Yeah I like that. What's I'm going to go back to. So we talked about the Swiss army, the single board. What if you could take what if you could choose three boards to travel with or just to have what those three boards be.Matt Parker- It's, you know it's funny we were because we're talking about quivers. Right. And I'm actually like, I, I don't have a great quiver because I don't have boards. I hold on to that long. The problem for me is that I'm always, uh, I'm always doing R&D and and working on new models and new boards. And so it's, it's ever changing. So my answer would probably be that if you asked me next month, it would probably be different than it would be a month ago. So it changes all the time. But if I was going to like where we live, going down to Mexico, go down there all the time and surf the points, I would for sure take some form of a fish. I've been riding, um, a version of Asher Pacey's Sunstone with a little hip, and I've been riding it as a quad a bunch lately, and I've been riding it with, um, twin fin like upright twin fins in the lead boxes and little small trailers and the quad trailer boxes, and been having a good old time on that, so I would definitely bring one of those. I'd probably bring a, uh, like a bigger board, like, uh, like one of Margot's models in Vesper or a Delma, which is like a stretched out, kind of like a slot channel. Concave bonds or little bottom quad. I definitely bring one of those. I can hang in good surf, too. And they're really nimble, easy to turn for a big board. I'll ride those six, 8 to 7, 2 to 7, four, seven, six. I have an 80I take out on that all the time. Um, definitely take that. And then I'd probably take something asymmetrical, some sort of a disorder model, which is like my high performance kind of like foolish rails outlines shifted and [00:50:00] or a bungee. Like I was saying, it's probably something to at least like to cover the bases. Yep.Michael Frampton - Okay, cool. I'm taking a whale shark, a Vespa and an insanity.Matt Parker- Oh that's good. That's a good call to the, uh, yeah. The whale shark would tick that glider box for you for sure. Uh, so I.Michael Frampton - Want one so bad just by reading the description. That's it. Yeah.Matt Parker- Uh.Matt Parker- When you're talking about that build up of that section and you're just in so early and you have fun for me, the fun of those boards is that kinetic energy of like, the speed building, like you build the speed and maintain the speed and build the speed some more. And it's just a very satisfying feeling. It's just me and I. We make longboards and I enjoy longboarding. But I prefer it if I'm riding a big bull like a big board. I prefer a glider for a big twin, like a whale shark. I have a little bit more fun just because I. I probably surf more off the back foot than I do in a walking and walking the nose and all that kind of stuff.Michael Frampton - So yeah. Same. Yeah. It's amazing if you, if you got your if you're used to it and you get your timing right, you can step back on an 11 foot board and do a cutback. And like it's so satisfying in the and you're right, it's the main reason the maintenance of the momentum of one of those big boards is such an incredible feeling. And it's amazing what sections you can make. And I've had some of the longest rides ever. Oh, I bet in and on what most people would seem as unmakeable waves just by taking that high line and trusting it. It's uh. Yeah, it's an incredible feeling.Matt Parker- Riding gliders is like it's own form of riding a foil board. It's like you're almost ride those boards. You ride those waves that, um, you know, no one else can really get into depth. Length of ride is insane on those. Yeah.Michael Frampton - And it's, um, Joel Tudor says it's the ultimate goal, right? Is Skip Frye.Matt Parker- Oh, yeah, for sure.Michael Frampton - It's the end game.Michael Frampton -Uh, but it's, uh, I mean, I've, I've surfed that board in. I was a few years ago. We had it in Malibu. There's a little doom. There's an outer reef that breaks when you get those, those 18 second northwest swells. I took my glider out there and it was double overhead barreling, and I was like, wow, maybe I shouldn't have bought this. But I managed to get such a high line and set the rail so early that I could just avoid the barrel and still have and still catch the waves and have such a rad time. So there's such versatile boards if you know how to surf them.Matt Parker- And you're doing your own step offs.Michael Frampton - Basically.Matt Parker- Oh it is towed in out the back. Yeah. It's just like being able to paddle that fast. It's amazing.Michael Frampton - Oh yeah. And that's the thing. You can pedal around so much. That's what I like about them so much too if you can see a section over there. You can just paddle over to it.Matt Parker- And that board's going to last you forever. 20 years from now, you'll still be searching roughly. You'll have that. You'll have that thing forever. Yeah. Which is special.Michael Frampton - Yeah. Was that so? Obviously it sounds like you've experienced writing. Was that the inspiration for the whale shark writing? Gliders.Matt Parker- Yeah. Just write just just because like I was saying, I'm not like I'm not a longboarder. That's walking on the nose. And you know, I'm more into just trim and glide and that feeling. And obviously you want to have a board that you can ride for us on those longboard days when it's really small and it's just soft and just little open faces. And so that was my preference was to ride that style of board. And so it was. It's just for me it's like an extension of the fish. Obviously it's taking A56 fish and making it ten six and so on. So the same kind of principle is a little bit for me. It's just putting it with a really long rail and with a different, you know, sort of rocker to fit that wave face.Michael Frampton - Yeah. Yeah. Just a side note for listeners, if you haven't written a longboard or a log, don't go out and buy a glider. It's, it's get used to a long board first because there are a lot of surfboards. And you're if you don't know how to ride them, you're just going to hurt someone.Matt Parker- You're nine. Four was a perfect little entry point.Michael Frampton - Exactly. Yeah, exactly. Now soft tops. I wanted to ask you about soft tips. You guys are making soft tops. I haven't seen or touched or ridden one of your soft tops, but they look quite different to the Cosco or the int style ones. What's your point of difference with soft tops?Matt Parker- We make them in a few different places. We have uh, some that we make that are like injected foam. And so it's where we actually took my shape to board and we made a mold, I shaped a few boards and we made molds off of these finished shaped boards. And that allows you to really put in design detail into that mold. And so like one of them has a little channel bottom, you can put real thin boxes in them. Um, they're obviously not high performance because they're phonies, you know what I mean? But there's a different mindset. There's the right day for that. Even if you surf well, obviously for beginners, they're great because you can surf them into the sand and they just float easy to catch waves. They're kind of a little bit um, they're a little bit slower. So the pacing of them kind of matches the wave when you're just kind of learning to like, ride the trim and ride the like the speed of the wave. So for people, learning is great, but for people that know how to surf, it's like those days when it's closing out and it's on the sand, or you just want to go out and have fun and fool around.Matt Parker- It's something different. So, um, so those ones we do and those are made in the US and there's just like injection foam molded soft tops. And then we also make some in Peru that are, uh, by the surfers in Peru, which are pretty sick. They're kind of more, they've got, um, a foam core and they have stringers and they're kind of like a slick bottom, like, uh, like some of the soft tops, you see. But they actually have like, real shape and they have a better flex to them. And there's real thin boxes. And those are kind of like, uh, a kind of a cool in-between where if you're like a kid or you're someone who's like kind of progressing, it's a great board to kind of progress on because you can actually turn them and you can surf them pretty decently and they're less, you know, less expensive and all that. They're made in a surf country by surfers, which is pretty cool.Michael Frampton - Yeah. Cool. Yeah. I've got a 96 INT that I absolutely love. Um and I've always huh.Matt Parker- Ah It is got really good.Michael Frampton - Yeah. Yeah.Michael Frampton - And it lasted quite a while actually. It's still going. I actually surfed it every day when I was doing lessons for a long time and then would just end up catching loads of waves on it. I love them so much because it's a boat, right? The nine six int, it's a thick, big surfboard, but because it I think because it flexes so much, it's you can ride it in lots of different types of waves and actually have it actually really turn it much easier than the same amount of surfboard if it was a stiff sort of a is that why? And then you watch Jamie O'Brien surf them and pipe like.Matt Parker- Well, it's just funny.Matt Parker- It's sometimes it looks like he has the right board for them which is insane. He's obviously a.Matt Parker- Freak but that's.Matt Parker- But to me the point of it is, it's like it's a mindset thing. When you're riding those boards, you're kind of like, you're not you're definitely not trying to win a contest. When you're riding one of those, you're definitely going out there to have fun and kind of goof around, which is really good. This is a good reset for surfing, I think, as you kind of, you know. You can't try too hard. We just.Matt Parker- Got out there and.Matt Parker- It's much easier to kind of give, give a wave away to someone else. You're not you're not going to be back paddling people to get waves when you're on those. And so you're it's just it's a good mindset to reset and have fun on them. And that's why it's amazing how many sessions you have on those where you have a lot of fun, because your mindset is in a good place and you're not you're not overdoing it, you're not overcooking it, and you're better. Perspective.Michael Frampton - Yeah, yeah, I guess you're not too worried about it cracking. If you miss time, something close to the sand or the board hits you a little bit, it's not as bad. Yeah, I've always enjoyed it. I've always enjoyed the novelty of riding a soft top. And it's stoked to see you guys making some, some, some more refined looking ones.Matt Parker- Yeah. I mean, the idea is obviously still there. The point is that they're soft tops. But if we can kind of come at it from a different angle, there's no need for us to go to the same factory that Wave storm or Cat surf makes and then just put different graphics on a soft top. Those already exist, right? Like we don't need to just have our that's just another commodity. We don't, we don't need to make another one of those. But if we can like if we can make something that's a little unique or that offers something different from everything else that's out there, and it gives a different feeling and we explore different things, then cool. We'll try it out and we'll give it a go. So.Michael Frampton - Um, cool. Well, Matt, thank you so much for your time. I got one more question I want to leave you with before we sign off, which is what's your best and worst surf advice? That you ever received?Matt Parker- Yeah, I would see. I would say me too. But the worst would be.Matt Parker- I mean, the. Matt Parker- Best would definitely be like we've been talking about is like, uh, I've said this and I've said this before, this is kind of like my running theme a little bit as far as, like, choose the board, you know, when you're going to decide what you're going to ride. Like, think about if there was no one else on the beach and no one else is out in the water like you're talking about that day when you're happy and you're the only one out. Like, what would you actually ride? What do you actually really have the most fun surfing on? And that could be a short board. It could be a high performance short board. You could be. That's the day you take it out because you're not, you know, you're kind of kooky on it, but you want to get good and that's what you want to get out of it. But to me it's like I pick the board that if I don't do it to for the approval of others, you know, like choose what you really want to ride and what you really want to experience and just go do that and go have fun and I think you'll have the most fun. Um, I'm trying to think, like what? Uh, maybe that, um, you need to have an epoxy board for a wave pool. That's the worst.Matt Parker- That's that. That's it. I don't know how applicable that is, but.Michael Frampton - I think it's going to be more and more applicable very soon.Matt Parker- Well, I think and maybe that goes in line with what I think there are in surfing. There shouldn't be hard and fast rules. You know, sometimes there's like these perceptions and there's hard and fast rules like this is what you got to do and this is the way you gotta do it. And I don't like surfing. Doesn't have to like who says who don't have to do.Matt Parker- It's that way.Michael Frampton - Yeah. There's a famous surfer I can't remember. Is it Kelly Slater? I think he surfs a door.Michael Frampton - Yeah, you can. You can surf anything. Even an old door.Matt Parker- Exactly, exactly. I know a table. I think he surfs a table, like upside down.Michael Frampton - Yeah, I think so. Yeah. And isn't there a video with Taj Burrow and Chris Ward all surfing, all sorts of objects. Yeah. So yeah, there's no rules, right?Matt Parker- Like, why are we doing this? What are we doing this for? We want to have fun. Just be out in the ocean. So.Michael Frampton - Yeah. Exactly. Uh, well, Matt, thank you so much for your time, man. Appreciate it.Matt Parker- Yeah.Matt Parker- Great to chat with you. Cool.Michael Frampton - All right. Simple as that. Thanks, man.Matt Parker- Yeah. Good to meet you.Michael Frampton - You too. Guy Kawasaki on the Surf Mastery Podcast

This week we're sharing some big chisme: We are writing a book!!!! And not just a regular degular book, but an illustrated, choose-your-own-adventure exploration of the impact of Latinx music on US culture and US culture on Latinx music. In today's episode we talk through the process that got us here, and give you a little taste of the kind of things we are going to cover through some of our favorite songs. We wouldn't be doing this if it weren't for all of your support for this project over the last 8 years — those of you who've listened, who've donated and bought our merch, who've posted about us and written about us — y estamos muy agradecides.

Victor will eine eigene Herberge auf dem Jakobsweg eröffnen. Ein Haus in der Nähe von Negreira (zwischen Santiago und Finisterre) ist gekauft und nun geht es Stück für Stück voran! Wie Victor an dieses Projekt herangeht, ist beeindruckend: Weder spricht er Spanisch noch hat er sich bisher mit Genehmigungen, Bauvorgaben oder Ähnlichem beschäftigt. "Warum jetzt mit Problemen beschäftigen, die vielleicht gar nicht eintreten?" ... Der Host des Camino-Podcasts ist sich sicher: Genau auf Grund dieser Haltung wird diese Herberge eine der schönsten auf dem ganzen Camino! Wenn irgendwo das ursprüngliche Pilgergefühl zu finden ist, dann bei Victor. Ein kurzes, aber spannendes Gespräch! Mehr Infos zu Victor: Victor bei Facebook: Klick hier! Victor bei Instagram: Klick hier! Diese Aufnahme ist im September 2023 entstanden, als ich in Santiago de Compostela war, um für den Camino-Podcast und das Domradio mit Menschen vor Ort zu sprechen. ⁠⁠Die Sendungen vom Domradio kannst Du hier nachhören!⁠⁠ Wenn Du den Camino-Podcast unterstützen möchtest, kannst Du hier Deinen Outdoor-Reiseführer über den Jakobsweg bestellen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/camino_podcast⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠ - Lieben Dank fürs Unterstützen!   MEHR: Infos & Kontakt: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.camino-podcast.de⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Insta: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠camino_marcus⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Idee/Redaktion/Sprecher: Marcus Poschlod Sounddesign: Jonas Zimmermann & Hans-Jörg Karrenbrock (DANKE!) Der Camino-Podcast wird dankenswerter Weise unterstützt vom ⁠⁠⁠⁠Conrad-Stein-Verlag⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠DOMRADIO.DE⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/jakobsweg/message

Ronnie Raviv joined Leah to try and figure out if he has any favorite things. We talk about cocktails, cocktail bars, books, TV, great meals and our friendship origin story. For someone who claims to have no favorite things, there was no lacking in conversation. Like my beloved Zouks, Ronnie is not on twitter. Show Notes Second City Conservatory  Quipfire Improv  Sally Albright Chicken Pot Pie origin story  Mexican Mule Journeyman White Whiskey Jasper Fforde  OCD TLV Taizu  Fantastic TLV  Shades of Grey by Jasper Fforde Blind Barber Duck Duck Goat Aviary Rosemary Tango Sur Bar Roma Frasca Monte Verde Dear Margaret  Yom Tov Deli (Tel Aviv) Harry's Epic Israel Food Tours Transcript follows Ronnie Raviv  0:00   Hello, my name is Ronnie Raviv. And I don't think I really have favorite things, but I have a lot of things that I like a lot, and you can hear all about them. In this week's finding favorites. ----more---- Announcer  0:10   Welcome to the findings favorites Podcast where we explore your favorite things without using an algorithm. Here's your host, Leah Jones. Leah Jones  0:23   Hello, and welcome to finding favorites. I'm your host, Leah Jones. It's Sunday, August 27. Really a beautiful, perfect day in Chicago after that brutal heatwave earlier in the week. Nice to have the windows open and to eat dinner outside today. Not too much to report other than my shoulder MRI shows a what seems to be a completely boring, small rotator rotator cuff tear. So hopefully, I will have some resolution to my shoulder pain soon. The orthopedist I saw last week said shit your shoulder is jacked. Which I think is sports for let's take this injury seriously. This week on the podcast I am talking with my one of my very dear friends Ronnie Raviv. You have heard about him on the podcast for years because he kept me company during a lot of chemo therapies and steroid Saturdays. We went to Israel on overlapping trips recently, so we just had that fabulous dinner in Tel Aviv. We talked about that a little bit. So I twisted his arm and said, Come be on a podcast. Now he does not listen to podcasts. He's not a he's not into the audio medium of podcasting. So I don't know if he will ever listen to this. But we have a fun conversation. Just sitting around bullshitting on the couch for an hour or so. And hit record. So without further ado, wear your mask. Wash your hands. Get your booster. I know a new booster is coming out soon. So I guess, wear your mask more diligently while you wait for the new booster to be available. And keep enjoying your favorite things. Leah Jones  2:43   Hello, and welcome to finding favorites. I'm your host, Leah Jones. And this is the podcast where we learn about people's favorite things and get recommendations without using an algorithm. Today I'm joined a rare in person interview for finding favorites. With my own personal algorithm. You do all the research that wire cutter doesn't do for me. So I don't have to do it. Yeah. What do we just found out recently? You didn't know what wire cutter Ronnie Raviv  3:08   was? No, I had no idea. You introduced me to wire cutter. Leah Jones  3:11   Right. So wire cutter is consumer a modern consumer reports. Yeah, basically. And then anytime I need a new phone. You are my Consumer Reports. Ronnie Raviv  3:23   Yeah, I would just from like the one article that I read or the one article with all the links to the other articles that I read. It it I wouldn't describe it necessarily as the modern consumer reports. I would describe it as the less nerdy Consumer Reports. So let's let's charts and figures and more. Recommendations. Leah Jones  3:49   Yes. Ronnie Raviv  3:50   It's a curated fair Consumer Reports. Leah Jones  3:57   I'm fine with him doing all the research for me. Sure. Because I am too lazy. Yeah, I would rather buy it. It'd be the wrong thing. Never return it and buy another thing. I wouldn't rather that but that's more likely how my life goes, Ronnie Raviv  4:10   right? Yeah, no, I'd much rather would buy the right thing to begin with. Leah Jones  4:14   Yes. Right. Which is why every two years when I'm a Verizon, it's time to buy a new phone. I call you with no warning. And I'm like, What phone am I buying today? Right. I've done that for 15 years, at least. Once I went away from my Blackberry, Ronnie Raviv  4:29   which I think we're all happy for. Leah Jones  4:31   Yeah. So Ronnie, usually, this is when so this is like the time of the podcast where people get to know the guest. And often we're I'm getting to know the guests because usually they are a complete stranger. Right? And you're not No, Ronnie Raviv  4:48   no, we've known each other for I was trying to do the math. I feel like 21 or 22 years we've known each other. Yeah. And we've known each other well, for maybe 18 years. Yeah, we know each other very well for 15 years. Yeah, maybe that's I think Leah Jones  5:06   that's about right. I moved here in Memorial Day 2002. Okay. And started going to open mics immediately. Yeah. And very quickly. Got to the tequila Roadhouse. RIP, RIP tequila Roadhouse and Ronnie Raviv  5:25   their crack fries. Yeah, they were surprised that were I don't know what they put on. There were so bad. Leah Jones  5:33   Well, there was my cousin's Friend's Boyfriend maybe wasn't conservatory with you? I don't remember. Okay. I think he was Greek. Okay, or he had a friend and I don't remember. Somehow I want to but one of your conservatory shows Ronnie Raviv  5:55   site. Yes. Second City conservatory Right. Leah Jones  6:00   Which quickly led to tequila Roadhouse. Yes. Ronnie Raviv  6:03   Because my many of the people I would go into group and that improv group, not only did stuff but also held an open mic. First tequila Roadhouse, then they went to Weiss fools. Yep. Neither of which are around because this is over 20 years ago. Leah Jones  6:19   Yeah. So it was a mixed bag. Open Mic. Yes. Very. So I did stand up comedy. And you were reading your as of yet unfinished novel Ronnie Raviv  6:31   as of still yet unfinished novel? Yes. And you would read a chapter a week? Yes, that was probably the most productive time because I had the actual deadline to like, do the chapter, right. But the way I write I don't outline or plan ahead, I sorta have to get into the, into the fugue state, which means that every time I sit down and write I don't necessarily remember what it was that I wrote, because I'm in a bit of a fugue state, right. And that's generally how I read books as well. I don't remember things after I just sort of get the good feeling. Yeah. And so I, so now it's just become this daunting mountain, because as the chapters pile up, every time I sit down, I have to read the whole thing to get into that flow. And it's just like, you know, if I have an hour to write, that's all well and good, but it'll take me like three or four hours just to read the thing to like, get into the meat into you know, and I don't have three or four. Let's be honest, I probably do. I just don't have the, Leah Jones  7:28   you don't have it set aside. You haven't scheduled in, right. Reread the novel, Ronnie Raviv  7:33   right? Before I read a new chapter, right? You know, so I'll like read, I like spend three hours rereading it to the right, a few pages. And then the next day, I have to like, reread a bunch to get into, this doesn't really happen. Maybe one of these days, I'll outline what I actually want to have happen. And that will help spur me on to like, Oh, now I need to read. Now I need to write this thing that happens. But I don't even know what will happen. It just sort of happens as it happens. Yeah. That's why I always wrote short stories when I was in college. Yeah, Leah Jones  8:06   I was gonna say maybe your short story guy. Ronnie Raviv  8:08   I am. But I don't like I want to write a novel. Yeah. I like I'm better suited for short stories. It's the same. It's the same thing with improv. Like, I did improv in college and we did short form improv improv games. And then and that's what I was good at, because I'm like, I'm good at that kind of quick joke thing. And then I went through the conservatory program at Second City, after many different things like twists and turns of my life and then ended up there. And I appreciate improv long form. Improv is an art form. And I sort of denigrate short form improv is just gimmicky, right? And so I don't like the short form improv as much. But that's the thing I'm better at I'm not good at the long form. So now I can't really do improv because the thing that I like, I'm not as good at writing that I I'm better at I don't like as much right. Leah Jones  9:01   But do you have? When's the last time you I don't I've never I don't think I've ever seen you do short form improv. I've seen you do sketch. Yeah. No, you haven't because I don't even know if I've ever seen you do long form improv. You have. Ronnie Raviv  9:13   I think, Okay, what if you? Well, I guess no, because it's because the seconds are the conservatory shows were more your sketch. They were born they were born out of improv to do with the improv in the class. And there was, there was a certain amount of improv, improvising on the stage. Like we make beats, we didn't have anything written out. Right. Sketches weren't, weren't scripted. But we sort of knew what was going to happen. A little more like, Curb Your Enthusiasm type. Leah Jones  9:37   I remember I guess I mostly remember your musical numbers. Yeah. White people brown line. Yes. Ronnie Raviv  9:43   I did not write that one. No, Leah Jones  9:45   but somebody asked you that you look at your watch. And somebody asks you the time and you were like, I don't know what time it is. And you put your hand down. Yeah. Ronnie Raviv  9:54   You have more memory than I do. Leah Jones  9:56   I think because of the time I lived on the brow, I took the brown line about Each and every time I get on the Brown Line, I would think about the song. Yeah. So Ronnie Raviv  10:04   yeah, no white people brown line. That was that was a brilliant piece of work. I did a song that was a parody of modern gender. Yeah. That was a mouthful. It was like a victim of the new new economy or something, which at this point is like, three economies ago. Because this was in the early aughts. Yeah. It's been awhile. It's been a lifetime. It's been so long. So yeah, so the last time I did improv, I think is when my undergrad improv group. This is pre pandemic came through Chicago, they would come through Chicago, New York or LA. So every three years it comes to Chicago. And then they, they they did a little show to basically no audience is just really for us. Yeah. And then they called on the alums to come. And I thought they were gonna just kind of, we were just gonna do a quick little scene, like what we would do at reunion is like a world's worst. I like my women or men, like I like my blank or whatever. Yeah. But no, they then said, Okay, now you're going to do now, all the alarms now you're going to do a long form improv. Which, so when I was going through that group, it's called quickfire? Yeah. When I was going through it, we only did short form improv, right? Leah Jones  11:21   Because it was before UCB. It was before the Herald had New York. Ronnie Raviv  11:25   Yeah, this was this was in the mid in the early mid 90s. So we only did short form improv. And so the only reason I even knew like, luckily for me, I had gone through the second city experience. So I had had experience with long form, right. But so this was in I think, 2017. Okay. And my last experience with long form improv was in 2002. Yeah. So, and I was by far the oldest alarm there. The next oldest alarm was from the class of 2009. Okay, so the next oldest alarm was sort of complaining that they hadn't done improv in a while. had done it at like at that point. quickfire had done long form improv when they were in school. And so they had last done in 2009. You know, I had last done it before they were even in school. Leah Jones  12:22   Right before they were in grade school. Ronnie Raviv  12:25   Not quite that far, but they weren't probably Junior High. Last time I did long form improv, right. And that only by like luck, because previous to Second City, I'd only done short form improv. So I was like, I felt like it was a fish out of water, but somehow didn't. Didn't crap the bed too bad, I guess. I don't know. We did. Okay. It was only for us. So it didn't really matter, right. low stakes, no stakes, stakes improv. Leah Jones  12:50   I did. Eventually I gave in and I did the five classes at annoyance when I was managing the ice cream parlor, right? Because so many lifetimes ago, many, many lifetimes ago. Because I was so tired of people asking me if I did improv, I was like, I do stand up comedy. Sometimes, Ronnie Raviv  13:12   ironically, because literally everybody who does improv their families all assumed that their stand up comedian, right, right. Oh, do some do some stand up comedian comedy Ford's like, that's not what I do. I do improv. Okay. Well then do improv. Right? No, it's a group thing. Right. Stand up here and do improv. Leah Jones  13:27   I know. But you did have me come out once and do stand up comedy. For your parents friends. For Param. Yes, I remember that. Ronnie Raviv  13:37   I wasn't, I don't think you would not have gone without No, I wouldn't you did it. And you were brave. They were they were they were welcoming audience. Leah Jones  13:48   They were welcoming audience. You had Ronnie Raviv  13:52   you had my favorite joke, my favorite Lea joke. But it will have been we don't necessarily have to. Leah Jones  13:58   Was it about the date with a little person? No, I remember that one being Ronnie Raviv  14:02   No, it was the learning Hebrew. Oh, yeah. That you the needle pointed for me. And I still haven't hung but I will in a minute. Yeah. Leah Jones  14:10   Right. So Ronnie helped me. When I was learning the alphabet, the Hebrew alphabet. We would like go to Jack's for chicken potpie. And sometimes I would drag out these giant workbooks and make them help me with Hebrew. And when I had finally gotten really confident that I could like, kind of like know the alphabet in order. I was like, Ronnie, I have learned everything from Alif to Zion, Ronnie Raviv  14:37   which you know, translated from A to Z except it's really more like if you're familiar with the Greek alphabet from alpha to zeta, and that's like the seventh letter. Right? But Leah Jones  14:48   you know, yeah. So I for Ronnie's 40th birthday, I cross stitched him something that said met LF Ronnie Raviv  14:57   Zion Yeah, from A to zeta Right. So essentially, Leah Jones  15:00   right, I've learned everything from A to F. Yeah. Which honestly appropriate. Yeah. Because I had not learned Hebrew from A to Z like, No, probably not. I can. I can't even function anymore. I used to use my Hebrew used to be better, but everybody in English, everybody in Israel's English got way better. And also technology got way better. Ronnie Raviv  15:23   Yes. Not as important anymore. No. But I remember that crowd really liked that joke, right because it was a crowd of Hebrew speakers. Right. So they, they were all right there they that was the that was the crowd. That Leah Jones  15:36   was the only crowd I didn't have to explain the punchline to Yeah, yeah, like we just did here. Right. Ronnie Raviv  15:43   But you know, jokes are always better when you have to explain the punchline. Leah Jones  15:46   Yeah. Right. So I did improv it annoyance. But I've never performed it outside of a class. Ronnie Raviv  15:57   So that's alright. That's fine Leah Jones  15:58   with me. Yeah, it's okay. I understand it. And I understand I don't want to do it. Ronnie Raviv  16:04   Yeah. Yeah, I'm sort of I'm sure I'm right there with you. It took me longer time to understand that. Leah Jones  16:10   Yeah. That you didn't want to do it anymore. Or that or to understand it? Ronnie Raviv  16:15   Both, I guess. Yeah. Because I was in a more because they started with the short form, right, which is like the games and the, the joke Enos right. Leah Jones  16:23   The Whose Line Is It Anyway, who's that's exactly boarded for puns and jokes and dad jokes and quick thinking, right. Yeah. Ronnie Raviv  16:30   Which is what we were, which is what I was really good Leah Jones  16:33   at. Yeah. So you're still really good at? Yeah, Ronnie Raviv  16:36   I think so. I'm okay that for sure. Yeah. But you know, when it comes to like, improvising long scenes where you have to like, react and have emotions and whatever, I'm not as good as that. Leah Jones  16:51   Till we met, and then comedy ended, comedy didn't really end I got transferred to London. So I was like, and you finish conservatory. And I think by the time I was back from London, I think the tequila Roadhouse might have been closed. Ronnie Raviv  17:09   I think it was around for maybe a little longer than that. But we were but they were no longer doing the open mic. Yeah. Leah Jones  17:15   Yeah. And we ran into each other at a board game. It's a bar on Addison started with a G threes. threes. Ronnie Raviv  17:23   I have no recollection of this. You know, me. I'm, you know, me. I sort of have no recollection of things. Yeah. Leah Jones  17:30   I remember it clearly, somewhat clearly. And then I recently searched my blog to see if I had when it happened. Okay. And I reference people that I'm like, I referenced someone named Jamie. And I'm like, Who the fuck is Jamie? Jamie Allen? Probably no, no. Like I was there with my friend Jeff from high school. Were Jeff from college. Jamie might have been his girlfriend at the time. Ronnie Raviv  17:52   Oh, girl. Okay. Yeah. Leah Jones  17:55   I don't know. Like, I don't know the description of the people that I say I walked in with Oh, okay. And then you watch because I moved to London and quit comedy. And we figured out like, Oh, hey, what's up? Sell your number. And so then we went for chicken Popeye. Nice. Shortly thereafter, Ronnie Raviv  18:14   yeah. Chicken. Popeye was so good. Yeah. Last, Leah Jones  18:19   so rip jacks. Yeah. And long before they were closed. Rip the chicken pot pie. Ronnie Raviv  18:23   Right. Rip that chicken pot pie. More so than jacks. Yeah. And then the Diag. Yeah, it's Leah Jones  18:28   rip. Yeah. Ronnie Raviv  18:31   Yeah. But yeah, the chicken pot pie was gone long before that. And that was really the big tragedy of the whole thing. Leah Jones  18:39   Was the chicken potpie gone before your ability to process? Dairy? Ronnie Raviv  18:45   No, it was worth it. Ya know, my ability. My inability to process dairy disappeared before the dream pop. I did. But it was worth it. Leah Jones  18:53   Yeah. That's another conversation locked in my brain because it was so insane. Because you picked me up from the 14th station. And you pretended like I had any choice about where we were going to dinner. Right? Which was nice of you to pretend. Right? And then you said, Leah, you know, the type of chicken Popeye that you dream of? And I was like, I do not dream of chicken pie. I Ronnie Raviv  19:14   see. You remember this as dream of I feel like I wouldn't have put it that way. Maybe I did at that point. But I sort of always see it as you know, when you have a hankering for chicken, Popeye. And you sort of have in your mind's eye. What? You're sort of picturing like, Oh, I could go for that. Right? And then you order it. And it's like, oh, well, that's not really what I was picturing. Chicken Popeye, but it's not the chicken coop I had in my brain. Yes. This place had that chicken. Leah Jones  19:45   Yeah. And I was very skeptical. Of course, Ronnie Raviv  19:49   as was everybody I told this story to right there. Leah Jones  19:53   And you were of course correct because they they baked it an individual that you had a cross pinched on To the top of your bowl. Ronnie Raviv  20:01   Yeah. But it was just it wasn't it was beyond that it was I think it was like the way the sauce that like Allah King sauce or whatever it is. It's like the like just the chicken, the combination of vegetables, the proportions, the sauce, the flavor, the cross, like all of it. It was like the platonic ideal of a chicken about pie, right. And I had many a convert to that chicken. Popeye was good. It was great. And then the chef left and they could not recreate it. No. And then it just kept getting worse and worse and worse. And then they closed and it became a sports bar. Leah Jones  20:38   Yeah. And then somehow that was the last time we went I think was probably my 40th Ronnie Raviv  20:45   Yeah, I don't know what's been called for a while. Leah Jones  20:47   Yeah. But we went that's where we went after. That was where the after party was okay? Was Diag. Okay, because it was walking distance. So, according according to the pictures I have. Yeah, I don't I don't recall that either. No, I don't have a lot of memories. Right that night. Ronnie Raviv  21:07   Yeah, no, that and that was a bit of a blur. Yeah. Yeah. Leah Jones  21:12   Um, yeah. So that's the origin story. Yeah. Is comedy. And then happened to happen? Chance happenstance, happenstance. Yeah. Yeah. And people were listened to the podcast have heard about you, Matthew. David brozik. One of your good one of your best friends from college has been a guest. And people have certainly heard about you on steroids. Sunday. Steroid Saturday's one of my Mayo Clinic. Road trip buddies. Yeah, the OG hospital host the OG hospital husband. Yes. And you still probably wear your pen. That was that was really sweet. Leah Jones  22:02   So one of the things when we talked about favorite things, like what would you talk about? As favorite things first, you're like immediately I don't have anything. Ronnie Raviv  22:12   No, I still I've been racking my brains. And I have. I have no favorite things. I have a lot of things I dabble in and things I like, right. Like a lot of things. Yeah. I'm a fairly easygoing, sometimes guy. Usually going in a sort of very high maintenance way. Leah Jones  22:31   I joke last night about you being Sally Albright. But you are Sally Albright from When Harry Met Sally. I mean, I'm you are easy going in the way that Sally Albright is easygoing. Ronnie Raviv  22:42   I think maybe not quite that heightened. But yeah, there's just there's no, there's certainly some truth to that for sure. No, I'm, I like a lot of things. Yeah. I also hate a lot of things. But I like a lot of things. And I'm sort of, you know, generally fairly open to whatever. Is there a certain way Leah Jones  23:01   you'll eat almost anywhere as long as you can order around the menu. Which is true. Ronnie Raviv  23:06   Yeah. Because you're a lot of picky eater. Bit of a super taster. Yeah, not an adventurous Well, no, that's not true. I Leah Jones  23:14   don't think that's fair. Ronnie Raviv  23:15   You know, I'm an I'm adventurous. I just picky. Leah Jones  23:18   You are adventurous. If you trust the chef. Yeah, that's true. Because we could just talk about, we can even just talk about great meals we've had together. Yeah, we've had some good ones. Yeah. Because Thai zoo and Tel Aviv last year. Yep. And OCD. Yep. Are both to where it was where? You would? I mean, they both places where they took our tastes seriously? Yeah. Ronnie Raviv  23:49   Yeah. We said what we liked and didn't like whatever and pointed them in a direction, right? And they said, Okay, trust us, and they delivered. Leah Jones  24:00   Yeah. So I think if the chef can't deliver at that level, you are less adventuresome. Right, for sure. Or you will amend the menu to make something better than they have on them. And yeah, Ronnie Raviv  24:13   well, I mean, I try not to be as annoying about it as Sally. I try to, I generally try to say, just eliminate these one or two things that I don't like. And also like if there's like a thing that I have to eliminate five things. I'm not going to get that thing, right. I'm gonna just get the thing like okay, I can have this like just take out the raw onions and avocado and I'm good. Yeah, you know, just like the things I don't like. I don't try to like have them do a concoction. Except for if there's mac and cheese on the menu and there's chili on the menu. That's a thing where things have to be put together. Yeah, because that's amazing. Chili Mac is the best thing ever. And I don't know why any restaurant that has chili and then has mac and cheese does not have Have a chili Mac. Yeah, option. It's silly. Leah Jones  25:03   Yes. I do think we have to get the purchase doesn't have Mac and mac and cheese right? Ronnie Raviv  25:09   I don't believe so they have an amazing chili. Chili was so good. Chili was so good, but I did not see mac and cheese. Yeah. Leah Jones  25:16   So we'll have to get it to go and then take and then go to the mac and cheese. Max. Yeah, yeah. Be like don't worry. We have purse chilly Ronnie Raviv  25:28   we got chilly to go. Leah Jones  25:30   Yeah. Um, I don't know, do you wanna talk about with CD? We could. Or something? Ronnie Raviv  25:37   Oh, no, I could. I could. I could throw this back on you. Okay. I mean, the name of the podcast is finding favorite. Yes. So find my favorite. What's my favorite? Leah Jones  25:51   Well, your favorite liquor right now is Mezcal. True? That is? Yes. It's Mezcal number is affirm. Number one. This Ronnie Raviv  26:01   girl is affirmed. Number one, but with a huge caveat. Like the bartender was mixologist. Whatever has to be Mezcal is pickier. It's harder to blend. Okay, well, so if I don't trust the bartender, I will fall back on tequila, which is easier to deal with. But if the bartender is really good in Moscow, they can do a better job. Leah Jones  26:29   Right. So the the Mezcal meal has been your go to cocktail this summer? Ronnie Raviv  26:37   Yes. If I again, if you trust them, trust them. Otherwise, I'll go with Mexico meal because that's a lot more right. Reliable, Leah Jones  26:46   yeah. But I don't know when that because not you were never really you're not really a Gen drinker? Because that's a little too aromatic. Yeah. But for a long time, it was like vodka or rum, but like tequila, I feel like is new on like, in the last five years has gone up your list? Ronnie Raviv  27:11   Well, I think it probably was, realistically, it was there longer than that. Maybe afraid. Like I figured, because I'm like, I don't love the taste of alcohol, like vodka is my thing. And I like you know, and if you go to a bar that doesn't have anything, like you go to a like, an event, right? And all you know, they had the most basic stuff, then I'll get a vodka cranberry, right, you know, splash soda and some wine. Ronnie Raviv  27:40   But if there's a place that and then for a while, I was like, oh, but if you have ginger beer, I'll do a Moscow Mule. Yeah. And then I discovered the Mexico mule. And that is so much better than the Moscow Mule. Right. And then I was also like, at that point, I was like, But wait, but also if there's a margarita, I will go for a margarita. Yeah. And it's like, well, maybe, you know, really the only vodka drink I like is the vodka cranberry. And I like the Mexico mule as my fallback, right? You know, my my go to and I like the the the margarita, right? Maybe, maybe tequila is my favorite. And so then I'm like, You know what, maybe I want to kill a guy and I didn't know and then like, and then I discovered the Moscow Mule. And I'm like, wow, that elevates the, the Mexico mule to a whole new level. But you go to a bar that doesn't know what they're doing a Moscow Mule is gonna be hit or miss. Yeah. Leah Jones  28:33   I also I mean, mezcal has come into its own in America in the last few years. So Ronnie Raviv  28:38   it's more popular. You it was there, there were times where you there are a lot of bars that still don't have it. Yeah. Leah Jones  28:44   And they also suspect as you and your friends as like all of our paychecks have changed. And our base level to Keela has changed in our houses. Like in the I think there's like grote, we're older. We're middle age now. So we're not getting like the cheapest tequila and none of your friends have the cheapest tequila in their house and and so like I also think there's something to be said for like access to better quality. Yeah, I Yeah, that's a killer you were introduced to at 21 You probably want to drink today. Ronnie Raviv  29:25   Maybe or maybe it's about the mixers the quality of the mix. Like ginger beer just really solves a lot of problems. Yeah, alcohols in general. But also think that vodka is a much, much more consistent thing. So you know, there's bad gin and bad tequila and certainly bad Moscow. Yeah, vodka. It might be mediocre you know, but But by the same ticket there's excellent tequila is an excellent Moscow's right and excellent gins. And there's not really an excellent vodka. Maybe there's a few I have a very Leah Jones  30:00   nice vodka right now. Ronnie Raviv  30:02   Exactly a very nice vodka. Leah Jones  30:04   It's a Polish. It's the buffalograss. Polish vodka. Ronnie Raviv  30:08   Very nice vodka. It's not an excellent vibe. But it can't be excellent because there's just not enough complexity there. Right? It's like the best vodkas are the ones that taste least like anything. Right? Like the bad vodkas are the ones that like tastes a little bit like gasoline and the ones that the excellent bikers are the ones that taste less like gasoline fare, whereas tequila has the complexity of the brown liquors that I don't like right without being the brown occurs and I don't like Leah Jones  30:34   right, because the brown look, error is not on my favorites. No. Ronnie Raviv  30:40   But it's not just a bitter there's it's just that gasoline, turpentine sort of alcohol it tastes Yeah. And I don't know there's the peatiness I don't know there's something the barrel. Yeah. Because I because journeyman, we're plugging so many should get. You should get all sorts of free stuff. Leah Jones  30:57   Oh, I don't link to all of it. And they they give me nothing. Yeah. But Ronnie Raviv  31:02   journeyman, in three oaks, Michigan. They have a white whiskey Leah Jones  31:10   that's aged in glass, Ronnie Raviv  31:13   or it's not aged. They distill the whiskey but then they don't agent in the barrel, maybe a moonshine? No, it's whiskey, right? But it just doesn't have that PD. Yeah. Woody, barely taste or whatever it is that I don't like about it. That makes an excellent mule. And they also have this drink called OCG. The old country goodness, it's like an apple cinnamon, nice cider that they do either straight up or is a frozen slushy. And it's really, really good. It's good. Yeah. So with a white whiskey, that's the only whiskey to drink. Unless it's like a really, really cool, complicated, right drink where the whiskey sort of really balanced out by other stuff. Like get at the aviary. Yeah, plug plug plug. Leah Jones  32:05   Right so that the aviary and like less so the violet hour or what's the one on Damon? Ronnie Raviv  32:16   Violet hours on Damon? Oh, what's Leah Jones  32:18   the other one on Damon? closer to me? Damon on LinkedIn. Victor or Victor Victor bar? Ronnie Raviv  32:24   Yeah. Just like the sticks. Used to be Yeah. Leah Jones  32:28   So you do you also have I would say also a favorite thing of yours is a well crafted complex, very Ronnie Raviv  32:35   well crafted. Interesting cocktail. Yes, I do like that. Yeah. Oh, sorry. Yeah. Yeah. Well crafted, interesting cocktail or fantastic. In Israel. Yeah. Or bellboy? Right? In Israel in Tel Aviv, Leah Jones  32:53   Imperial. Ronnie Raviv  32:55   Imperial was good. Like Ultra. Yep. also has very good cocktails. Leah Jones  33:04   Yeah, I do Ronnie Raviv  33:05   have one Barber has good cocktails. Yep. There's another place that has had really good cocktails. I can't remember. There's a lot of places with good cocktails. Yeah. Leah Jones  33:17   So I think that is I think, like if you're in a new city, not that you go to new cities often, right? No, I don't if you are returning to a city. So like my friend Dave. He uses hardrock cafes as like, an excuse to go to a city. He collects going to them just because it gives him a reason to put a city on his itinerary. Ronnie Raviv  33:41   In and of itself, that's a terrible excuse. But if it gets you to a new city, it gets you there. But it's terrible underlying excuses. Leah Jones  33:49   Check off boxes. Yeah, right. There's a list you can check out against the list. Okay. So that is not, you know, not implying it is. So if you are returning to a city you've been to before Tel Aviv, New York. Chicago, I think you will seek out a new interest. Like you will seek out a cocktail bar. Yeah. Something to do. Yeah. Ronnie Raviv  34:16   I'm usually if I'm if I'm there on my own. No, that's not true. I'm usually there with somebody. Visiting somebody seeing somebody. Yeah. So I will get from them. What's the good? What's the good cocktail, right? So I went to business. I went on business to Copenhagen. And so I made sure that our business contacts told me where the good cocktail bar Leah Jones  34:39   right was. Yeah, yeah. So all right, so there I've already found Mezcal and fancy pants cocktail bar, Ronnie Raviv  34:51   Fancy Pants cocktail. Yes, girly drinks, girly, girly drinks. Leah Jones  34:56   I was just reading an article this morning about how sometimes men to freak out when they're served something in stemware and will like make the bartender put it in a rocks glass. Oh, my Ronnie Raviv  35:08   friend Bob hates coupe glass. Really? I don't like martini glasses because martini glasses are stupid. Because they spill everywhere. Right? But a coupe glass that doesn't spill as much as a little bit because it's up to the rim. Yeah, but no, my friend Bob hates Kool Aid. He like will reject cocktails if they come in. Like he's not if they come to him that he won't reject them. But he was like, sometimes if you if you remember his he'll say, Is that coming to coupe? Like, oh, and then I want it? Leah Jones  35:33   Yeah. I mean, I will sometimes say like, is it up or on the rocks? And I will often ask for something that's served up to be served on the rocks. Yeah. But that's because I love ice. Right? Yeah, that's a whole different thing. And not because I hate Well, it's I love ice. I will drink it way too fast and a coupe. Like if there's not ice in it. It's just might as well just be a shot. Right? So Ronnie Raviv  35:57   I don't know why I feel myself to ice. I do a good job of sipping when it's in the coupe glass. Yeah. Something about the coupe glass. Not that I love it or hate it and anything else but something about it always. Like if it's in a tall glass. I will down that like nobody's okay. Yeah, I'll go and like down. Yeah. Whereas in the coupe glass that's like, oh, it's like I can see the whole thing. And I can sort of take little, little dainty sips and none of Leah Jones  36:25   its hiding behind the ice. Right. Exactly. Exactly. And they're not served with a straw. Ronnie Raviv  36:30   Which I never use. I very rarely use. Yeah. Only if it's like, really, really like impossible. Like it's piled high with ice and other things like, like sticking out of the rim. Leah Jones  36:43   Like the so we had a drink at fantastique in Tel Aviv with Ronnie Raviv  36:48   Chuck flowers, electric flowers, look them up on Google, which are Leah Jones  36:53   I have smuggled them home. They're in my purse. Ronnie Raviv  36:57   They're crazy. Yeah. It's just this little. It's like It's like almost I don't know how to describe it. It's Leah Jones  37:07   not quite a thistle. Yeah, because it doesn't. It doesn't poke you hurt, right? It's kind of like Ronnie Raviv  37:15   it's like the dandelions like the inside of the puffball. Dandelion. Yeah, before it's opened. No, after after it's open. When you've blown all the puffs off. It's like the round ball. It's a little bit bigger. And it's a little bit fuzzy, Leah Jones  37:28   right? Oh, you know, it's kind of like a pussy willow. Like the Yeah, Ronnie Raviv  37:34   but yellow. Yeah. And you bite into it just a teeny tiny little, tiniest, tiniest amount. It's bitter, and it's not great. And it doesn't taste good. But you just the tiniest amount just a little tiny nibble, like Alison Wonderland noodling on, nibbling on it and mushroom, just the tiniest little nibble. And then for the next, depending on how big the nibble was. 1015 minutes. Your tongue feels like it's constantly licking a nine volt battery. And as you drink something, it enhances that. Yes. And it's really, really interesting and cool and different and bizarre. Yeah. And unpleasant and pleasant at the same time. Leah Jones  38:18   I think you have been telling me about it for like four years. Ronnie Raviv  38:21   Yeah. And you and you still didn't quite picture it in your head. Leah Jones  38:25   No. Even in my mouth. I did not. It was so in SAM. It was you are as giddy right now as you were in the moment. So wonderful Ronnie Raviv  38:35   to see. For the look of a horror and shock on your face of like, what is this? What am I done? What is happening to my insides in my face right now? It was so awesome. Leah Jones  38:49   It was so weird. Yeah. And then it was right like a tequila based drink with a lot of ice. Yeah, a lot of drama. Oh, yeah. Ronnie Raviv  38:57   There was a plan sticking thorns. I'm all sorts of stuff. It was. Yeah. I think the drink was called like, dangerous. Something deep something like danger in the world in the name, Leah Jones  39:06   right. But it was very, it was it was very fun. Ronnie Raviv  39:12   Yeah, yeah. It was really, really tasty drink, too. Yeah. Leah Jones  39:18   I think that was the I think you did a better job or I got whatever. Oh, might have a good and plenty, isn't it? Ronnie Raviv  39:25   Well, yeah. Because you wanted something that tasted like licorice. Leah Jones  39:29   Yeah, but it was such a literal interpretation of tastes like licorice. It was was good. And plenty is melting in the bottom of a whiskey drink Ronnie Raviv  39:37   with some bitters that you could inject with? Yeah, syringe? Yeah. Leah Jones  39:42   It was dramatic and creative, but not delicious, right. I mean, it was fine. Yeah, it was but I'll never order it again. Ronnie Raviv  39:50   No. My drink was better. But honestly, the best drink was the one that we went with the electric flower. Yeah. Leah Jones  39:59   Was very funny. It Ronnie Raviv  40:00   was just for the gimmick would be fine. But it was not just a gimmick. It was a really, really good drink. Right. Really well balanced with the gimmick. Yes. Leah Jones  40:06   Yeah. So that was that's That was great. And I had gone to loutra earlier in the weekend in Tel Aviv and had some very nice cocktails to I don't remember what they were. Because it was all tequila. Yeah. And Ronnie Raviv  40:24   very few Mexican restaurants in Israel. Yeah. A little surprising. Yeah, but I mean, just from like, the palate like you would think like spicy foods and right. Cilantro. Yeah. It's like all these things. Oh, yeah, it's all rice. You'd think that it would be really popular in Israel and for some reason. There aren't that many of them Leah Jones  40:50   for many years. When I would like check a huge bag instead of checking a small bag or three Ronnie Raviv  40:57   small bag, three medium sized. Leah Jones  41:01   Um, and I would take like my friend David, when a trash bags like Benji and tall Tali both wanted like, El Paso taco seasoning. Like my friends were like, bring me like envelopes of taco seasoning. And American trash bags. And American toothpaste. And aspirin. Yeah. Ronnie Raviv  41:24   And then what would you bring back? Israeli ketchup? And my friend who is a modern Orthodox would ask me for Doritos, because Oh, because they're kosher isn't Israel. They're kosher. Leah Jones  41:39   I I remember, early trip bringing you back like olives. Ronnie Raviv  41:44   Yes, you brought? Yeah, but now you can get them. Yeah. I still have those olives and pickles because they were the wrong ones. They're the cracked olives that are bitter, as opposed to the sort of the more the Arabic olives that are bitter as opposed to the kibbutz olives that I like, and it was the the cucumbers in vinegar instead of in Brian. Leah Jones  42:11   I still I still have entries been at minimum 10 years that I gave you those possibly longer Ronnie Raviv  42:20   I think more like eight but yes, it's been a while. During the probably not. They're not. I'm moving in six weeks or so. Leah Jones  42:28   Yeah, I will sneak in and take them and throw them out for you. You're not moving them? Ronnie Raviv  42:36   Probably not. But it's against my religion to throw food away. Leah Jones  42:40   I understand. I understand that. Ronnie Raviv  42:42   I know. I know. It's possible I gave the olives to my mom because she does like those correct olives. Yeah, but none of us like the pickles and vinegar. Brian, Leah Jones  42:52   it's also sweet of you to wait eight years to tell me that I brought you the wrong thing. Ronnie Raviv  42:57   No. It was like it was so sweet of a gesture I'm not gonna I didn't have the heart to tell you know, beggars can be choosers I don't like the free thing you got me. Leah Jones  43:09   Um, when my nephews were of a certain age, which is much younger than they are now I would bring back I would go to the shuk and Jerusalem and buy like all of the fake Kinder eggs like I would go to the Kinder Egg store that had like all the off brand unlicensed Kinder eggs Ronnie Raviv  43:30   because they were legal here for a while. They're still Leah Jones  43:31   illegal here. Ronnie Raviv  43:32   I thought they weren't I thought they just thought they figured out how to because now you can buy it now they just buy them but they suck. Right because they don't have because they they've been protected for the litigious American mark. Yes. Leah Jones  43:43   So there were times when I would like have an entire layer of Kinder eggs and bootleg Kinder eggs for the kids of Leroy, Illinois, for the O'Briens and the DeVivo is to have like a Kinder Egg Unboxing party at my sister's house. Nice. Yeah. Leah Jones  44:12   Okay, other favorite things of yours. You consume a lot of TV for someone who is not a TV critic. Ronnie Raviv  44:21   Right? I do. I used to consume a lot more admittedly. I consume less nowadays. Yeah, still consume a lot. Leah Jones  44:28   Right? For sure. When we met you had three VCRs. Correct. Ronnie Raviv  44:32   And then you worked on a client on the TiVo account and the TiVo account. And so I got a TiVo that can record six things at once. Yeah. Which I still have. Yeah. Actually, no, between those I had a DVR I had like a I had a Windows Media DVR that could record four things at once. Yeah, but the hard drives kept going out. Yeah. And then I got the TiVo. I have that to this day. But now I'm not going to have cable in my new place. Right? So I'm gonna have to figure out what's going on with that whole new era. It's a whole new era. Yeah. Because YouTube TV isn't going to quite do it for me, but I'm not sure that ATT DirecTV is going to do it for me, but like, I can get you like I can get internet for sort of free because the building has internet, but I don't know if it's reliable enough, and it won't have the 18 T. Like, I'd have to pay extra. So do I want to pay the extra it's a whole big thing that I have to Leah Jones  45:30   sort of figure out it's, it's going to be a major lifestyle, it is going to be a major lifestyle change. But how what is your origin story with TV? Like, how did you become? When did you go from one to two to three visa like when I've only ever known you as someone with a huge queue of TV to watch, but I don't know why you watch so much TV. Ronnie Raviv  45:56   I don't either. Um, because it's good escapism, I always like watching TV. Like I had a TV, I got it, I got a small little TV. Like, I don't know, like a 13 inch TV or something for my Bar Mitzvah that I had in my room. So I'd watch TV there sometimes. And then I took that to college, and then we would watch Whose Line Is It Anyway, like we'd all crammed right, and we didn't have cable, freshman and sophomore year. So I would like take speaker wire and toss them out the window, click attach to the rabbit ears in hopes of getting a decent signal on. Because that's how old we are Lea. And so yeah, so I was watched that and then and then I guess maybe after college I started recording things on on the VCR so I wouldn't like because, you know, I'm I have friends who will not have plans because they want to go do something they want to watch TV or something. So I would like record whatever because why not? And so maybe a little bit after college that started but then it really was in earnest it during business school. That's when I collected sort of like a second and maybe even my third DVR. VCR. Yeah. In business school. So I could record things but not miss out on social occasion. Right. And also, there's an additional advantage of that is because if there's an hour long show that you record, you can zip through the commercials and watch it in 45 minutes very efficient. So yeah, so I think it's, I'm all about if you if I had to pick a favorite thing would be efficiency. That's which is really the polite way of saying lazy. But yeah, so it was really the efficient thing to do. Leah Jones  47:50   Right. And when and when, like comedy so much of it wasn't right. Yeah. I mean, classes might have been during the day, but like so much of comedy was Yeah, evenings and yeah, Ronnie Raviv  48:01   so I wouldn't be never home but I wouldn't want to I wouldn't want to miss out on things. Like you know, I'm, I'm a very much a homebody, right and need an inordinate amount of me time, right? I don't like having plans day after night after night after night after night after night. Right? Even if I'm enjoying all those plans it just like I get stir crazy. I need my time. But I don't want to be the kind of person who misses out on plans with friends. Because Oh, no, I have to watch this at home. Right? That's I feel like, you know, that's You can be addicted to the thing, but not make it ruin your life. Right. So, yeah, so I just like started recording anything that was vaguely interesting. And I would watch it. Yeah. And my bar for vaguely interesting is pretty low. Right? Leah Jones  48:51   It's not reality. No, I Ronnie Raviv  48:52   don't I don't do reality TV. And I don't like shows about unpleasant people making bad decisions. Leah Jones  49:02   It's a madman. Ronnie Raviv  49:03   Yeah. Madman Breaking Bad. I watched a few episodes and like, succession. Haven't you watched that? Yes. Like at this point, I kind of know, oh, this is a show about shitty people making bad decisions, right? I'm not gonna like it. Because if it's a good person making bad decisions, okay, if it's a shitty person making good decisions, like an antihero kind of a thing. You know, like a Dexter or whatever, fine. But if it's like a crappy person who's making bad decisions and gets in trouble for their bad decisions, like I'm not gonna root for them to get out of trouble. Like you just you do this yourself. Yeah. Why do I care if you get out of it? Leah Jones  49:38   That's how I felt. I feel like I watched the pilot of girls. The TV show it was on HBO. Lena Dunham. Yeah. Adam Driver. Yeah. And I think I watched the pilot and I was like, Oh, I agree with the parents. This show is not for me because I think the parents should be kind Putting her off. And then I think that was like one of like five episodes of the whole series that I ever watched because I was like, No, I think I think she should be cut off and have to like, figure it out a little bit better. Yeah, I Ronnie Raviv  50:13   think that was on during the years that I didn't have HBO. Yeah. Because I had HBO for many years while I was, you know, when I first moved into my apartment, because for some reason, the cable company screwed up and it wasn't scrambled. Great. So I had free HBO and Showtime and then one day they caught on and they re scramble them and it's not like I could pick up the phone and call them and say Hey, how come he scrambled the free Why am I free cable that I'm not taking away? Yeah, so I you know, watch the first several seasons of sopranos and the first couple seasons of Kirby enthusiasm, and then I lost HBO so then I didn't watch those shows anymore. Well, sopranos Leah Jones  50:51   was on Sunday nights right before the tequila Roadhouse. Open Mic. So sometimes people would watch it at kill Roadhouse in the front and the bar and then go to the back for the open mic. Yeah, maybe I recorded it. Yeah. Right. You're gonna have to find a whole new system. Ronnie Raviv  51:10   Yeah, well now so they all it's streaming DVR, so you could just have hit it, but from what I read, they're not good about time shifting. Yeah, like in my current on the on the TiVo, I can say, okay, record this show, like when it supposed to be but then keep recording for another, you know, three, five minutes, another hour and a half. Like if there's a baseball game on before a football game before? And they're gonna like start it late. I can just keep recording. Yeah. But now with these online, these these streaming DVRs. You have to sort of set to record the show after it because he can't like extend the show. They don't know well enough, and but you might be able to go back and I don't know. It's a whole complicated thing. Yeah. I'm gonna have to figure out yeah. So yeah, TV is sort of a favorite. Yeah. But again, okay. I have a lot of things I like but none of these are my favorites. The the cocktails is probably the closest Yeah, but like people ask me, oh, what's your favorite show? If you watch too much TV? I don't have a favorite show. Just like I watch a lot of shows. Yeah, I don't favorite. Yeah, efficiently. I don't have a favorite though. Yeah. I have a bunch that I like. So I like more or less, where I'd be hard pressed to even say what those are. Yeah. I also like with books, I watch a TV show or a movie or a book. And I get the good feeling of it in the moment. And I appreciate it. I enjoy it in the moment, but then asked me what it was about. Right. When I'll have a tough time. Yeah. I just like it goes out of my head. I'm like, Oh, I remember I liked that book. What's it about? I don't know. What happens and I don't know. I just remember that it came away thinking it was a great book. Leah Jones  52:49   Do you ever come away thinking it's a bad book? Yeah. Okay. Ronnie Raviv  52:54   But I'll still read it. i There's only there's only, I think, two books on my list that I have started and not finished. Which are Moby Dick. And gravity's rainbow by Thomas Pynchon. Which is weird, because there was a time period where I was when every book I was really enjoying and reading. Everyone was describing it as pinching ask. And I'm like, well, it's weird that the one book that I didn't finish is by Thomas Pynchon. But all these bitchiness, yes. I liked Leah Jones  53:30   I thought you were gonna say Moby Jack, either because you have told me before or because in the airfare she is sentence to live until she finishes the most boring book in the world. Ronnie Raviv  53:46   Book airfare and I don't remember. I have no, Leah Jones  53:49   not in airfare. It's it's further along in the series. Ronnie Raviv  53:53   I've read the whole series, and I have no recollection of what you're saying. This is what I'm talking about. Right. No recollection of these things? Leah Jones  53:58   Yeah. It is. It's one of my top topics I recommend to people. Ronnie Raviv  54:06   It's a good it's a good series of books. Yeah, sure. Leah Jones  54:08   Especially if people are readers. You're rewarded for being a lifelong reader. Yeah. And in his books, yeah. Ronnie Raviv  54:16   And there's good wordplay. And there's just clever. Yeah, yeah, it's good stuff. Yeah, Jasper Ford is very good. Yeah, I'm very much looking forward to eventually reading the sequel to my favorite book of his the great. The shades of grey shades of grey. Yeah. Not to be confused with 50 Shades of Grey, right. Shades of Grey is an awesome book. Again, don't ask me what it's about because I don't remember. I just remember thinking it was an awesome book. Let me tell you what I know. I know. It's I vaguely know it's like some people can't see certain colors, but some people can see certain colors, but not all of them. But then some people can like the more of the spectrum we can see. I don't remember what it signifies. But I just remember there are people who can like see greens and People can see reds. And there's like, sort of, but I don't really remember anything beyond that. Leah Jones  55:04   The it's the caste system is based on how much how colorblind, you are right with the people with the best cut the best vision at the top, and the most limited vision or at the bottom. Ronnie Raviv  55:18   But even the best limit, even the best vision, it's like, you only see one spectrum of colors, Leah Jones  55:23   right? And it's a coming of age story because of the age 16. You take the test, right? You're allowed to live without a caste until you're 16 or whatever. And then you take the test. And it is is the protagonist, I believe is realizing that if his parents are who his parents are supposed to be, he should not be able to see what he can see. Right. So they his mom stepped out to get his to get the kid better vision of a chance of a better future. You don't remember any of that that Ronnie Raviv  56:06   part? I don't remember. Yeah, no. No, I like read the book I enjoyed in the moment. And then I just come away with a good feeling. Leah Jones  56:14   Yeah. No, I'm excited for the sequel to Yeah, yeah. Ronnie Raviv  56:20   Yeah, it was really? Yeah. Because for a long time, it looked like he wasn't gonna do the sequel because it didn't sell that well, even though it's his best book, like by far. Yeah, the goal is because all of his books are good. But that one is the best book by far. Leah Jones  56:32   I think I've heard about him a lot during this current war in Ukraine. Why is that? Because a detail you don't remember from the era fair, right, is that the Crimea, the Crimean War has been ongoing for 20 years. Okay. Everybody in the UK eventually fights in the Crimean War, and it's unending. Ronnie Raviv  56:54   Yeah. I bet you remember something about the Crimean War? Yeah. Leah Jones  56:58   And so when it when it was annexed ahead of the war, a couple years ago, I was like, this Jasper Ford, like, actually, psychic, because it was like that. There was something wild that happened with Amazon and Kindles and like the deleting of content. And, you know, you don't really own your digital content. And so it was like Crimea, digital content going away, and something else and I was just like, what is Jasper Ford on? Like, how can he, as a futurist, and a science fiction writer have such a clear vision of where things are going, Ronnie Raviv  57:43   especially since it was written in such an almost absurdist fantastical way? Like nothing here is even remotely close to reality, right? Leah Jones  57:52   Yeah, I forget what your airfare is from. Ronnie Raviv  57:59   The 80s? Maybe? Oh, no. Like when it was published, or when published? Oh, like takes place in like, what feels like the 80s? Yeah. But I think it was, yeah, I Leah Jones  58:09   think I'm looking at my early aughts. I'm looking at my bookshelves as if it's there as if I haven't loaned it out for the 50th time, right. I've given it to so many people. Ronnie Raviv  58:19   I mean, I can Oh, takes place in alternative 1985. Right. Publishing 2001 According to Google, July 19 2001. So So pre 911, but Leah Jones  58:34   yeah, a pre Kindle. Ronnie Raviv  58:38   Yeah. You know, yep. Leah Jones  58:42   Amazon was only Amazon existed. But barely, barely. And only for books. Yeah. Yeah. All right. Cocktails, efficient TV watching. chicken potpie. That doesn't exist anymore. Right. Trustworthy chefs. Yeah. So which dinner do you think was better? tysew or OCD, OCD by far? Yeah. Ronnie Raviv  59:09   I mean, he was great. But OCD was amazing. Yeah. OCD was some of the best food I've ever read. Leah Jones  59:13   I was so nervous. I got so anxious that week, leading up to it that we oversold that we had oversold it. Ronnie Raviv  59:22   No, no, no, no, I wasn't nervous about that. I knew no matter what it was going to be good and fun and an experience and interesting. Yeah. And what was all those things, but it also was delicious. Yeah. Leah Jones  59:34   It was it was just a remarkable. Yeah. And every bite with one exception was phenomenal. For me. There was just that one salad. That was a little too sour. The chard? The chard, lettuce, chard greens. Yeah. And like the lemon sauce. Ronnie Raviv  59:55   Oh, yeah. You have you have a thing with sour right now. Leah Jones  59:58   Yeah, yeah. I made a face. I made a face when I tried it and I saw the staff see me make the face. And I was like, Oh, it was like unintentional, right? Because everything had been so perfect. Yeah. And even that one I appreciated but like just my Ronnie Raviv  1:00:16   I'm just off, ya know, just hit your jaw. Yeah, sour in the sour spot. Leah Jones  1:00:20   I mean hard in the sour spot. I still am thinking about the the freeze dried parfait the cloud? Oh, yeah. Ronnie Raviv  1:00:30   Which you would think that the top layer of it would be the melty part would be the melt in your mouth part. And the bottom layer would be sort of like the, but it was the opposite for me. Like the bottom layer was the stuff that melted and disappeared in your mouth like candy. Almost. It wasn't. And the top layer was sort of like it crunched down like those like, green plant. You know, the green Styrofoam look really thick. Yeah, Styrofoam stuff. Leah Jones  1:00:57   I know. You're talking about floral, floral Styrofoam. Yeah. Ronnie Raviv  1:01:01   Yeah, so it was like it's sort of that just got dense. So I would, I was expecting that top layer to just melt away like cotton candy. But it got dense. Yeah, and really good. And the bottom stuff, which was like more ice creamy sort of that. I figured it was going to just be like sort of become liquid and it just sort of disappeared. I don't know how Yeah, that was that was really good. Leah Jones  1:01:22   Yeah. And then like cuz it started with like, that was like a celery. Grenada. Yeah, it was wild. Yeah. Ronnie Raviv  1:01:30   And the creme brulee that mean made out of potatoes. Yes. With like little potato chips on it like yeah, like shoestring potatoes, but sweet. Yeah, that was and what was the ice cream with that? Leah Jones  1:01:45   It wasn't it was non dairy. I think it was salted like a salted caramel maybe. Ronnie Raviv  1:01:50   I feel like it was also something that was savory. Yeah. Like a savory like some of you would expect to be savory but they made it a sweet Yeah, ice cream. Yeah, potatoes, but like some like not potato ice cream. But like some other kinds of something like turnips. Yeah, like something. Yeah. Leah Jones  1:02:08   And now they've already changed. We were we went for the smoke and fire menu. They're already on a new menu. And it's like, Ronnie Raviv  1:02:22   yeah, we have to we have to go back. Right. So good. It was so good. Leah Jones  1:02:25   I think Thai zoo because it was so I think Thai zoo is what unlocked for us. Like, we can have a nice time if we don't have plans. Yeah. So Thai zoo was like a friend of your cousin's got us a last minute reservation. It's hard. it hard to get reservation but not impossible. Like OCD, right? We went a year ago. And it was they interviewed us at the beginning of the meal. And we were like, Yeah, take it away. Like what they ordered for us. Yeah. And my only the only thing I told them about me was like they serve like whole fish like racinos like whole fish. And I was like, I don't face. I can't deal with a face. I'm already embarrassed thinking about how to eat that in public. Right. So like, I don't want the full fish. But other than that, like, I'll try anything. Yeah. And that was such an amazing dinner because it was just like, didn't know it. We didn't know what we were gonna do. Yeah, Ronnie Raviv  1:03:29   we didn't know what to expect. Yeah. Yeah, we were very good at the sponge. We've had incredible luck with the spontaneous. Yeah. dinners in the last few months. Yeah, for sure. Yeah, like your birthday was awesome. Leah Jones  1:03:44   We couldn't if we had planned if we had made all those reservations, it wouldn't have worked. Ronnie Raviv  1:03:48   No, we couldn't have planned that. Yeah, the one thing we did plan like we did plan Yes. But we just decided to skip it at the last minute. Yeah. And go completely plan LIS Yeah. To like the most the busiest part of town for like restaurants like where you can't get reservations for anything. No. And we just went to four different places all without reservations. And ended up being we just went from place to place to place all within like a block and a half. Yeah. Leah Jones  1:04:21   Because that's all I could do at the time right? Yeah, blind barber for drinks. Yeah. Ronnie Raviv  1:04:28   And then Duck Duck go duck duck go for a last minute dinner right Open Table reservation Yeah, yeah, that Leah Jones  1:04:34   we did make a reservation but then like literally just walked across the street. Two minutes later. Yeah, we looked Ronnie Raviv  1:04:39   looked like oh, look, they have a table. It's 15 it's six. Let's go. Yeah, we put our name down. Yep. Went Leah Jones  1:04:46   and then and before every stop. We've went to aviary and tried to get an aviary Yeah. Ronnie Raviv  1:04:54   So tried to start the evening at aviary. We were denied because it was closed for private event. Yeah. So We went to get drinks at blind Barber. Yeah. And we went to dinner. Then we tried to go back to a beer. Yeah. And we're denied again. So then we went to to get dessert. Leah Jones  1:05:08   And we said, where would you go for dessert? And they told us about rosemary. This Croatian restaurant. Yeah. It's like what do you have now been for dinner? And I have not been Yeah, Ronnie Raviv  1:05:15   it is. Really good. Yeah. Leah Jones  1:05:20   So then we just like so rosemary, also very hard to get a table at Ronnie Raviv  1:05:24   like I've looked. Yeah. And I might, it's not an easy get. Leah Jones  1:05:28   But we just waltz in. And they Ronnie Raviv  1:05:30   sat us like, at the kitchen. Yeah. Like, at the counter at the kitchen. We were the only ones and yeah, had dessert there. Leah Jones  1:05:38   So we have like three, we ordered two. And they brought us a third because it's my birthday. Yeah. So we had these amazing desserts there. Ronnie Raviv  1:05:45   And as soon as they pop them down, we get a text from the aviary saying okay, you can come over Yeah, so we just download desserts and went wander over the aviary and had a nightcap there. Yes. A really good evening. Leah Jones  1:05:57   It was a fun night. Yeah. Yeah, so we've had good luck and we had good the night before your birthday party. We went to Frasca. Ronnie Raviv  1:06:06   Yeah, fresca, fresca. Braska fresco Frasca? Yeah Leah Jones  1:06:10   oh my god, we ordered so much food we Ronnie Raviv  1:06:12   ordered so much. Leah Jones  1:06:16   Delicious. Got it got a table right before it started to rain again. Right before everybody from the patio had to come inside. Yeah. Tremendous luck. Yeah. Ronnie Raviv  1:06:28   A few other like one or two other places to that we just lucked out on. Leah Jones  1:06:32   Yeah, like we went to Tango sore after we saw Oh, yeah. Heimer. Yeah. Ronnie Raviv  1:06:35   And that's like, yeah, we're just like, hey, let's walk towards your car, and then maybe go drive somewhere. It's like, oh, or we could go into here, right. Oh, and then. Oh, and a few months before that we had we went to Barbara Roma. Yes. Where my friend is my friend's husband is the headshot. And so we went there and just like got a table there. Also not a particularly easy get that's pretty popular place. Leah Jones  1:07:01   Because it was a day after Ronnie Raviv

La musica y cantante española Elena Bella habla de su más reciente sencillo "Te busco" una versión pop al tema original del cantautor dominicano Victor Victor y popularizado por Celia Cruz.Plataformas:https://open.spotify.com/track/2i1HeMW9rfCmhDGwMlO8Nyhttps://www.youtube.com/watch?v=rp57wdiRZhwRedes:https://www.instagram.com/elenabellamusic/https://twitter.com/elenabellamusichttps://www.facebook.com/ElenaBellaMusic

On our new weekly lightning round mini ep with Steven Victor, we're fucking around with getting dissed by Pusha T vs. meeting Tank Davis in the ring, all your Ferraris turning into Camrys or all your Chanel turning into J.Crew, George W. Bush's art career, Johnny Depp's music career, running Victor Victor solo, giving up Dodger hats for good, Famous Fish, Miami Vice, flying coach, eating food seasoned by white people, never listening to new music ever again and much more. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

The label so nice they named it twice. This week, the boys are reclining with record executive, entrepreneur and founder of Victor Victor Worldwide, the one and only, Steven Victor. Steven was nice enough to host us in his corner office to wax poetic on rocking rare women's Chanel, how to get signed, the upcoming Victor Victor bangers dropping this year, Pusha T's best coke bars, playing tennis against your favorite rapper, harassing Clipse until they hire you, cherished Pop Smoke memories, breaking into the apparel game, sage advice from Nigo, bodying Paris with Gervonta “Tank” Davis, his undercover classic rock obsession, the literally me genre of cinema, car and watch rotations, wack flexes, wining and dining potential signees, the sheer amount of babies that have been made to The-Dream, teaching TF and the audience at home new slang and much more on this boss and baller episode of The Only Podcast That Matters™. For more Throwing Fits, check us out on Patreon: www.patreon.com/throwingfits.

A Reggeli Pipa támogatója a TippmixPro:https://www.tippmixpro.huCsatlakozz a Team Bazska Patreonhoz:https://www.patreon.com/bazskaKöszönöm, ha megfontolod a csatorna támogatását, azt pedig még inkább, ha elő is fizetsz valamelyik “csomagra”. Igyekezni fogok meghálálni a bizalmat.Üzleti megkeresések, együttműködések, műsorvezetés:bazska@hey.comHa tetszett a videó, like-old bátran!

OVERVIEWOn this week's episode of Bucket Talk, we chat with Boston-based hardscaper & business owner Victor Oliveira, aka @thegoodbossofficial on Instagram and TikTok, along with his long-time mentor, OG Dave. At 16, Victor bought a truck from his uncle for $700, whipped up some business cards at the local Fedex Kinkos and started his own landscape business. ABOUT VICTORFrom an early age, Victor knew school wasn't for him. When he was in 10th grade he dropped out of high school and decided to start his own landscape business. He bought a truck from his uncle, made some business cards at the local Kinkos and got started from there. By the time his first year ended, he already had seven accounts, in spite of the challenges that come with starting a company. “The easiest way to do it is just to do it. You know, like, just don't think about it, just ask questions, you know, just keep going. Don't let something so simple shut you down. Just find a way around it. If you can't get through that wall, just find a way around it.” - Victor Victor was working on one of his first big jobs with OG Dave's son Sean, and when they realized they needed some help they called on Dave and his 42 years of experience to lend a hand. From that day on, it has been a collaborative effort. Just a few moments with OG Dave and Victor and you know that their work is their true passion. Take a quick look at their work and you can tell they're not only experts of the landscape and hardscape craft, but guys you just want to be around. “My biggest thing is, I go above and beyond to make someone happy. You know, if I'm working on the house, I want to make sure they're extremely happy. Even if I have to take money off. Because you know, that's how I get more work. Word of mouth is my best and only advertisement.” - Victor Between the two of them, there is a lot of wisdom. Dave brings decades of experience and knowledge to the job and Victor, along with his skills, brings an attitude and leadership that is hard to compete with. He is known as The Good Boss for a reason; he keeps his team tight and treats his people well. If you're on their team, you're taken care of. “I would say try to do what you like to do. Whatever it is. It's cliche, but in the beginning, it's all about the money. But you know, after a certain amount of time, you've got to like what you do, or sell it and move on to something else.” - OG Dave When it comes to advertising, Victor and OG Dave let their work and their character do the talking. Something isn't up to par? They won't charge for it. It is all about relationships for them — without honesty and a humble spirit there is no new work. To them, a few thousand bucks isn't worth losing a solid account and it shows.

Victor is the real deal cop who does some amazing work to help officers with their own resiliency and how they respond to those in crisis in the field. He tells us an amazing story about his journey to help his son who had struggles by learning as much as he could so he could help his son and give him what he needed to succeed. Then there is the time that his and his families safety were in jeopardy from criminals that he had investigated. This episode is chalked full of knowledge and information about LEO resiliency. Find out more about Victor:Victor is Licensed in multiple states as a psychotherapist who works with First Responders and Veterans nationwide providing mental health therapy. Victor is versed in trauma resolution therapy as he provides Eye Movement Desensitization Reprocessing (EMDR) to target traumatic experiences. Victor began working in mental health and resiliency in 2015 as a Sr. Director of Emergency Preparedness and Tragedy Support for a crisis company. Victor began direct mental health services as he served at the Arizona State Prison inpatient hospital as a therapist and de-escalation response team specialist, served at emergency psychiatric hospital doing intakes and assessments, and has worked in private practice.Through education and training, Victor specializes in trauma and tragedy support services, and his focus is on prevention, resiliency, and longevity for First Responders. Victor has created programing for several behavioral health companies, created behavioral health educational programing for first responders, created crisis care teams (behavioral health programming) for the interfaith community, and helped create Arizona's first Crisis Intervention Team Training for Arizona Fire Departments. Victor is a certified trainer/instructor in Mental Health First Aid (MHFA), Applied Suicide Intervention Skills Training (ASIST), Critical Incident Stress Management (CISM), Psychological First Aid (PFA) and Crisis De-escalation. Victor is an adjunct professor at a community college where he teaches behavioral health classes in the counseling department.Victor is a retired 25 year Police Detective who served as an investigator with focus on Organized crime, illegal enterprises, and criminal syndicates. Victor served at Homeland Defense Bureau, Arizona Counter Terrorism Information Center, Drug Enforcement Bureau, Robbery, Homicide, Street Crimes, Violent Crimes Bureau, Major Offender Bureau, and the Employee Assistance Unit EAP. Victor Escoto has a Master's degree in Clinical Mental Health Counseling from University of Phoenix. He also obtained an undergrad in Sociology from Grand Canyon University. Victor is a member of the American Counseling Association (ACA), International Association of Emergency Managers (IAEM), International Critical Incident Stress Foundation (ICISF), Crisis Intervention Team Training (CIT), and National Center for Crisis Management-American Academy of Experts in Traumatic Stress. Victor has served on several Boards; Arizona Volunteer Organizations Active in Disaster (AZVOAD), Brain Injury Alliance of Arizona (AZBIAZ), and Ascend Phoenix.Victor.escoto3@gmail.com 602-451-5451Twitter: @victorescoto_ , Linkedin: Victor Escoto.We are not health professionals but merely a conduit to pass on information and resources to LEOs who may need or want it. This show is sponsored by Filthy Pirate Coffee and can be found on all social media platforms and https://filthypirate.coffeeHit the like, share, follow and subscribe buttons. Please help us by spreading the word and helping out other cops. Also, please consider purchasing our Law Enforcement charity coffee roast “Split Second” where proceeds go right back into helping police officers.

Episode 204 Show Notes   Topic of the show: AG and RH break down some audio of a medevac helicopter through flight clearance in the middle of the night.  The controller provided outstanding service and learned something new along the way.  We also discuss who to contact when entering busy Class Delta airspace and more of your awesome feedback!   Timely Feedback: 1. Apache pilot Delta Romeo sends follow up to last week's feedback about Lakota training. 2. PATRON WTF shares the book definition of a contact approach. 3. PATRON Mike Zulu shares an addition to flight following requests that could help. 4. Sierra Papa Delta shares a new memory aid for requesting flight following. #TTA PATRON ZW shares a military flight confession.   Feedback PATRON Charlie Kilo shares his experience with a free EFB product and Domestic Notices. PATRON Charlie Alpha asks about contacting tower or tracon near Delta airspace. Victor Victor shares another way to stay current when you can't fly. PATRON Juliet Golf shares very good advice on lost communication/radio issues. Alpha Hotel, Sound Guy Extraordinaire, asks about emergency bathroom stops. Have a great week and thanks for listening!  Visit our website at OpposingBases.com You can support our show using Patreon or visiting our support page on the website.  Keep the feedback coming, it drives the show! Don't be shy, use the “Send Audio to AG and RH” button on the website and record an audio message. Or you can send us comments or questions to feedback@opposingbases.com. Find us on twitter @opposing_bases.  Music by audionautix.com.  Third party audio provided by liveatc.net.  Friends of the show and maker of bags to protect your ATC headset from dust and germs: ATCSaks.com. Keep the gunk and funk away from your most valuable pilot gear: https://pilotsaks.com/. Legal Notice  The hosts of Opposing Bases Air Traffic Talk podcast are speaking on behalf of Opposing Bases, LLC.  Opposing Bases, LLC does not represent the Federal Aviation Administration, Department of Transportation, or the National Air Traffic Controllers Association.  All opinions expressed in the show are for entertainment purposes only.  There is no nexus between Opposing Bases, LLC and the FAA or NATCA.  All episodes are the property of Opposing Bases, LLC and shall not be recorded or transcribed without express written consent.  For official guidance on laws and regulations, refer to your local Flight Standards District Office or Certified Flight Instructor.  Opposing Bases, LLC offers this podcast to promote aviation safety and enhance the knowledge of its listeners but makes no guarantees to listeners regarding accuracy or legal applications.

Thank you for tuning in to another episode of Vibrant Life Allies, the podcast that speaks with health coaches and professionals as we tackle how to live your life more vibrantly! Today, I am joined by Dr. Victor Manzo Jr. Dr. Manzo Jr.is a certified pediatric chiropractor and coach for entrepreneurs. We talk about the importance of having a vision for your life as well as some of the neuroscience involved in changing your mindset and your life. This was a great conversation that harps on the importance of mindfulness and having plans for your future. Tune in and continue to live more vibrantly!   Highlights Inside the life of a pediatric chiropractor The power in mastering yourself “If this is true, then it has to work” Developing a vision of your life How to rediscover your greatness by understanding who you are Focusing on your principles   Thank you for tuning in this week with another amazing guest. If you're enjoying the show, please leave us a review and share with a friend. Thanks for listening!    Connect with Victor: Victor's website The Mindful Experiment Podcast Victor's Instagram Victor's Amazon author page Victor's Facebook   Connect with Lisa: Website: https://www.lisaoglesbeecoaching.com/ Schedule a Connection Call with Lisa: https://app.acuityscheduling.com/schedule.php?owner=20041725&appointmentType=21324511 Instagram: https://www.instagram.com/lisaoglesbeecoachingllc/ FREE Mindset Breakthrough Bootcamp: https://lisathelifecoach.kartra.com/page/MindsetBootcampRegistration  

I brought one book on my camping trip.  Victor E Frankl's “Man's Search For Meaning".  And circumstances allowed me to read the whole thing.  And after a long hike there is nothing like jumping in a mountain lake and drying off on a granite slab.Administrative: (See episode transcript below)Check out the Tools For A Good Life Summit here: Virtually and FOR FREE https://bit.ly/ToolsForAGoodLifeSummitStart podcasting!  These are the best mobile mic's for IOS and Android phones.  You can literally take them anywhere on the fly.Get the Shure MV88 mobile mic for IOS,  https://amzn.to/3z2NrIJGet the Shure MV88+ for  mobile mic for Android  https://amzn.to/3ly8SNjGet A Course In Miracles Here! https://amzn.to/3hoE7sAAccess my “Insiders Guide to Finding Peace” here: https://belove.media/peaceSee more resources at https://belove.media/resourcesEmail me: contact@belove.mediaFor social Media:      https://www.instagram.com/mrmischaz/https://www.facebook.com/MischaZvegintzovSubscribe and share to help spread the love for a better world!As an Amazon Associate I earn from qualifying purchases.Transcript: Mischa Z: 00:04 This episode is going to be more, well, this episode is going to be about "Man's Search For Meaning". "Man's Search For Meaning", Victor E Frankl, and not necessarily about the book, but just about an idea that I had on how to, how to talk about the book, I suppose. Um, and then the serendipitous events on how I got to read the whole book during my camping trip. So again, if you're just jumping in, I just got back from this amazing two or three day camping trip at, uh, at mammoth lakes in mammoth, um, which is in the Southern Sierras, I believe, you'd think I'd know. Um, anyhow, uh, so I go on this trip on this camping trip. I bring a book. This book happens to be "Man's Search For Meaning" Viktor E Frankl. I just noticed too, I'm a trip that his name is Victor E victory.Mischa Z: 01:14 I mean, how great is that? I cannot believe I've never noticed that before. So I bring Victor Victor's book, "Man's Search For Meaning" with me and plan on reading. Some of it I don't was absolutely not planning on reading the whole thing. But the hike and was pretty strenuous for me. It was a good, you know, eight miles plus, uh, you know, two or 3000 elevation gain. And you've got a 25 pound pack on 25 pound plus pack on. And so that can be...it was hard on my knees. I'll just be honest with you. So I was definitely knees were sore on day two. So day one, we hike up there. It's beautiful. Great hike. Just unbelievable. We pass, um, a few lakes. Let's see if I can remember what they are. Ghost lake, I think was one of them. I doesn't matter. We ended up at the third lake, however, iceberg lake iceberg lake, which I've talked about and we got to jump in iceberg lake and then lay on the granite, which is just so good. If anybody, if you have an opportunity to jump on a mountain lake that is ice cold and then dry off and heat yourself on a granite slab mother earth, it does not get much better.Mischa Z: 02:44 So the next day we were planning on doing a 10 mile hike with a little bit of elevation gained, moving on to another campsite. But my knees were pretty sore. And I talked about this on a previous episode two ago, maybe, but that I was being encouraged to hike by my camping partner, Kyle, hello, Kyle, if you're listening and Kyle was like, Hey, let's go. And I was like, I listened to my body and did the self care and was like, no, I am not going. I need a down day. And I cannot tell you what a miracle that is because oftentimes I will just push through it, take some Advil, you know, charge, make it happen, like be strong. And uh, I said, you know what? The universe is telling me, "listen to your body". And I did. And thank goodness I did. So that gave me a full day to hang out at Iceberg lake, which is about, I think it's, you know, nine or 10 it's.Mischa Z: 04:00 I think it was 9,800 feet elevation God's country. It is so beautiful. Just this lake is surrounded on all sides by these massive granted peaks, you know? Um, and then the outlet is where you hike up. That's where the, the, the, um, the lake, you know, turns... The river, drains down, you know, drains out of, out of this out of, I don't know how if I'm saying this right, but it's just beautiful. And the solitude is incredible and the quiet is incredible. And, um, you're far enough out there that a couple people you run into. Um, and so I had an opportunity to dive into "Man's Search For Meaning ",Viktor Frankl and what an intense, heavy, deep book, um, you know, ultimately Viktor Frankl, Viktor Frankl was, and, uh, the death camps during world war II, you know, he started at Auschwitz and then went to three others.Mischa Z: 05:13 So for three years, and he somehow survived and, you know, hence Man's Search For Meaning. And he, you know, he defines his logo therapy, L O G O therapy. I'm not sure if I'm saying that right, but logo, I believe is Latin for "meaning". I believe it is. Anyway. I'll dig back in. I'm not necessarily, this episode is not necessarily to tell you about the meaning of the book, but just to say, I had an opportunity to read the book. And at the same time I need to start. Part of my project is to go on to you...pick three to five groups. Facebook groups that have combined a combined audience of a hundred thousand people. And then you start every day, you do a value post. So a post that adds value to each of those groups, your three to five groups. And every day you answer, it's either two or three questions.Mischa Z: 06:23 Um, question threads, there is three, three questions per group. So to build that habit, those are next steps for me. And so "Man's Search For Meaning”. I just dog-eared so many pages. There were so many great, great sentences and bits of awareness. So my thought was, and hopefully I'll be able to turn some of those inspirations into podcast episodes, but for now I'll finish my thought. It was to take those sentences and create a value post for the group. So what's the sentence. Perhaps I could relate it to an experience of my life in my life. Bam, there's a value post. And that was very exciting to me to be like, oh yes, here's a way here is a way that you can do these daily posts, add value, hopefully create some inspiration or some, you know, some contemplation for people. And then hopefully you inspire them and you inspire them enough that they come look at your Facebook page.Mischa Z: 07:39 Hey, where, who is this guy? Mischa, that's talking about giving us these value bobs as what you'd call them. So that's the theory. So you have that to look forward. You have you get to hear me talk about my progress with that. Does this, as a way to build an audience and to suss out your perfect customer, does it work? Is it effective? And, uh. I thought it was really cool that I listened to my body, held the boundary with my camping friend. Kyle. Stayed at the campsite, just meditated and rested and relaxed and detached and read "Man's Search For Meaning" and had all this great inspiration. So there you have it. I think that's enough for me. I hope I've closed the loop. I'll open another loop. The other loop is next episode. I'm going to talk about how in "Man's Search For Meaning" part of what Victor Frankel's theory is, is that meaning is what drives man, and not pleasure, as Freud says, but meaning. Having meaning and he breaks down meaning and all sorts of cool ways, three ways in particular actually. And they don't have to be...You can still find meaning in the face of your executioner. Which is one thing which is pretty wow. Right? That's what he's talking about. I'm not going to claim to have no that, um, but he does talk about that. But he talks about being of service as one of the ways, you know? Um, and I'm going to tell you how I got to be of service literally after I finished the book. So fun. All right. Love to all. Peace out.

主題：Victor的美國自駕遊經驗談 三三 和 Victor Cheng

主題：Victor的自助遊輪計畫 三三 和 Victor Cheng

Hello and welcome to another fantastic episode of Renwick's one-scene episodes. I'm joined by Nicky, who makes her 3rd appearance on the pod. Thank you to Nicky! In store for the Meldrews this week: -The Meldrew's solicitor is due to assist with their will, but keeps them hanging in the waiting room -Shenanigans include Victor picking a fight with a member of the public which results in an immediate sewing process against Victor -Victor simply struggles to ease his boredom, much to Margaret's despair You really are a star for downloading and listening - I don't ask for much in life but I do politely request a review and rating via whichever form of platform you use to listen to your podcasts. Thank you. Email: onefootinthepodcast@gmail.com Twitter: @onefootinthepod Facebook: One Foot in the Podcast Instagram: Onefootinthepod

!La voz más profunda de las redes sociales! Tuvimos la dicha escuchar la historia de sus comienzos y como el deseo, su talento y el atrevimiento lo ha llevado trabajar con grandes personalidades de los medios.

Homenaje póstumo al cantautor dominicano Victor Victor, incluyendo segmentos de su última entrevista, concedida a Poder 102FM días antes de fallecer el 16 de julio del 2020. Con la participación musical de Fito Paez y Joaquín Sabina.

Celebramos a Totó La Momposina y a Caetano Veloso (con Tom Veloso) quienes estuvieron de cumpleaños en agosto. Un edición muy ecléctica con Roswell Rudd y Toumani Diabaté, el fenecido Victor Victor, Danyel Waro, Luiba Maria Hevia y Gema Corredera. Programa del 23 de agosto del 2020. Transmitido en Quisqueya FM, 96.1, Santo Domingo. Primera hora. Foto: Kevin A. Naar

Homenaje a Victor Victor. Programa radial dedicado a la promoción de la cultura y los valores del Jazz, conducido por @sandysavinon a través de la 96.1 FM. Sábados a las 9:00 PM.

This is the opening where I make a joke about Victor Victor Mesa having two first names. (Insert laughter here) (Backflip into awkward transition). Oh damn, I seemed to have forgot to fill in the blanks on my  "Victor Victor themed" podcast opening template. Well, now that the cat is out of the bag, the Razzball Prospect Podcast powered by Prospects Live returns after a two week hiatus. This week on the podcast we talk the Marlins landing Victor Victor, his potential impact, and where we'd rank him in the Miami system (Pssst #1). Following some spirited Mesa talk, we dive triumphantly back into the 5X5 with 10 top performers from the first month of the Arizona Fall League. We wrap up the show with some discussion of the on-going Prospect 480 Mock, going through picks we liked and picks... well, we didn't like so much. It's another episode of the Razzball Prospect Podcast powered by ProspectsLive.com. As always make sure you stop by Rotowear.com, and support our sponsor by picking up some of the freshest T-shirts out there.

5R122- Ethan and Chris are joined by a pair of great guests. First, we talk to Cliff Floyd of MLB Network about the World Series, the Marlins blueprint, and Victor Victor. Then, (30:10) we're joined by former Dolphins linebacker and current business machine John Offerdahl about the current Miami Dolphins, what was different when he played, an his upcoming Gridiron Grilloff. You can get tickets to that great event here.  Thanks to our sponsor BetQL

We've got a packed episode this week! Victor Victor is signing? What about all the prospects that are being traded leading up to the deadline? That plus 5 prospects that are taking you to the moon, plus a Prospect One Ballbag!Have a question for the show? Tweet me @IsItTheWelsh with the hashtag #ProspectOne to talk about your question on the show, or email me at ProspectOne@inthisleague.comJoin up to be a member of the army and support your boys to create more and more fantasy baseball content that not only wins your league, but makes you laugh! Want access to the Top 500 Fantasy Prospects list with season long updates? How about the Prospect One GroupMe chat room?! 2 Secret Shows a month to make you laugh, fantasy chats, giveaways, discount codes and more! Find it all at the ITL Army Page Today at www.patreon.com/itlarmyFind me on Twitter @IsItTheWelsh and on Instagram @IsItTheWelsh

TheAthleticExperience@gmail.com Lindon Victor joins the show the day after The Bowerman Award. Victor talks about having two Texas A&M representatives as Bowerman Finalists and explains why everyone was a winner at the 2017 Bowerman. Who the best athlete is between Christian Coleman, Fred Kerley and Victor? Victor also talks basketball, football, the 2018 Commonwealth Games and his future plans. Enjoy the show! @AthleticExperience on Instagram @Athletic_EXP on Twitter TheAthelticExperience@gmail.com

Don't forget to Subscribe to my show on iTunes:  The Gametime Guru - with Shane Larson   Episode 20: G-League Discussion with Victor Victor from "The Rebound" and "The Daily Rebound" Podcasts, joined me to talk a little "G-League." Follow him on Twitter @thereboundfm and Instagram thereboundfm. You can also find his podcast "The Daily Rebound" on iTunes: The Daily Rebound Questions we address are: -What was the "G-League" (formerly the D-League) designed for in the first place -Why do players go overseas rather than playing in the G-League -Benefits and disadvantages of the G-League compared to Overseas (transition to the NBA, Money, etc) - What has the G-League and the NBA done to try and keep the players here in the states?    Stay tuned for the end as Victor does a "rapid fire" Q&A to finish the show.  Hope you enjoy! 

In this episode, the first of our veteran archive interviews, we speak with veteran Bill Betts about his experience as a radio operator in an M4 Sherman tank during the Second World War. Bill joined the army aged 19 in 1941 and fought with the Essex Yeomanry Regiment as part of B Troop. The Regiment landed on D-Day in the Jig Green Sector of Gold Beach near Le Hamel and fought its way with the rest of the British 8th Armoured Brigade through France, Belgium, Holland and into Germany before eventually being de-mobbed in 1946. Due to the length of the interview, it will be published on the podcast in two parts. What follows in part one, we discuss Bill joining the army, the training he underwent, joining the EYR, landing on Gold Beach, a few close encounters with a Tiger Tank, R&R in Brussels and much more... Music Featured: Hearts & Flowers by Jeff Kaale

Un divertimento para la pista de baile