Podcasts about Digital content

In Episode 66 of the State of the Market for Law Firm Sales in 11 Minutes, Senior Attorney Match's Jeremy E. Poock, Esq. addresses the following: Why Many Senior Attorney-led Law Firms Will become Worth Less during the 2nd Half of the 2020s   As Poock explains, today's Senior Attorneys, who have practiced 30+ years, developed their Books of Business during the pre-Google, 1.0 Word-of-Mouth Era as Rainmaker Attorneys who handed out 100s or 1000s of business cards per year, attended multiple networking events per month, spoke in-person anywhere and everywhere, sponsored local events, and advertised in-print, on radio, sometimes, on TV.   Today's Senior Attorneys developed valuable Books of Business filled with clients and referral sources as Rainmaker Attorneys.   In the early 2020s, though, Digital Marketing Disruption entered into the legal industry as a result of society's digital pivot in 2020, which resulted in clients beginning to search online to find lawyers and law firms to hire, rather than asking a relative, friend, co-worker, etc. for a referral.   The digital pivot by clients to search online for lawyers and law firms has resulted in the rise of Digital Rainmaker law firms that embrace Multi-Channel Digital Marketing to attract the attention of today's and tomorrow's clients.   During the second half of the 2020s, those Senior Attorney-led firms that continue relying upon Word-of-Mouth for business development will unfortunately become worth less as follows:   1. Short-Term: A decrease in annual revenues due to originating less new clients than during today's 3.0 Digital Era for the legal industry. 2. Long-Term: Less value of their law firms' Books of Business due to not replenishing their Books of Business with new clients and referral sources similar to during the pre-Google, 1.0 Word-of-Mouth Era.   As Poock points out, despite a Senior Attorney-led firm generating less new clients, the value of their firm will become worth less, but not worthless because Growing Law Firm purchasers continue to want and need the following 3 resources that Senior Attorney-led firms offer:   1. New clients 2. An experienced workforce, consisting of lawyers and para-staff 3. Subject Matter Knowledge to convert to Digital Content to attract the online attention of today's and tomorrow's clients who search for lawyers and law firms online.   As Poock warns, though, “[I]f you are not replenishing your Book of Business as well as you did pre-Google, now is the right time to sell because over the course of the remainder of the 2020s, the value of Senior Attorney-led firms will become worth less, even though not worthless at this time.”

Factual isn't standing still - and this panel proves it. Recorded live at the TellyCast Digital Content Forum, this conversation digs into how the factual genre is being rebuilt for a digital-first world. Lucy Smith hosts a sharp, unsentimental discussion with Gerrit Kemming (Quintus Studios), Marvyn Benoit (Baker's Dozen Studios) and Jamie McDonald (After Party Studios) about who really owns value in today's market: the audience-holders or the IP-holders.They unpack how social video has reshaped commissioning logic, why audience ownership is now the most powerful currency in factual, and how creators are becoming new-age broadcasters. The panel gets into hybrid funding models, co-ownership of IP, rapid-cycle development, YouTube economics, CPM realities, danger-led factual, testing formats on social platforms, and the rise of patchwork financing. This is a clear-eyed look at the future: faster turnarounds, collaborative models, creator-talent partnerships, and a factual economy where anyone with audience can commission.If you want to understand where factual formats are heading - and how digital-first production companies are finding new routes to money, scale and global reach - this session is required listening.Sign up for The Drop newsletter Support the showSubscribe to the TellyCast YouTube channel for exclusive TV industry videosFollow us on LinkedInConnect with Justin on LinkedINTellyCast videos on YouTubeTellyCast websiteTellyCast instaTellyCast TwitterTellyCast TikTok

Vertical video drama has exploded in the past year – but is it a passing craze or the next big shift in storytelling? Recorded live at the TellyCast Digital Content Forum, this session brings together Spirit Studios' Matt Campion, TheSoul Group's Victor Potrel and writer-director-producer Katharina Gellein Viken to unpack the boom in micro drama. Moderated by Deadline's Stewart Clarke, the panel digs into what audiences are actually watching, how shows are being funded and distributed, the role of AI in production, the emergence of new platforms, and why the economics are creating a brand-new content category. A sharp, forward-looking conversation on how vertical drama is being made, monetised and scaled.Sign up for The Drop newsletter Support the showSubscribe to the TellyCast YouTube channel for exclusive TV industry videosFollow us on LinkedInConnect with Justin on LinkedINTellyCast videos on YouTubeTellyCast websiteTellyCast instaTellyCast TwitterTellyCast TikTok

In this episode of Digital Content Insights, Melissa Toledo (Director of Content) joins Bobby Holland to explore the systems, strategy, and creativity behind effective digital content production.They discuss what it takes to build content that resonates, scales, and drives measurable results. Whether you're a marketer, content creator, or brand strategist, this conversation delivers valuable takeaways on workflow, storytelling, audience engagement, and the impact of AI on content creation.

During Ep. 29 of the Ask the Law Firm Seller Show, Jeremy E. Poock, Esq. replies to the following Question 2: I lead a Trusts & Estates Law Firm that has prepared 500+ estate plans. What are my options? Initially, Poock explains that the owner of a Trusts & Estates firm needs to determine what the firm has in terms of: Its sources of revenues and amount of revenues per source (egs. Drafting, Probate/Trust Admin., Real Estate, etc.). The firm's client list, including updated information about names, addresses, e-mail addresses, and cell phone numbers. Importantly, for T&E firms, updating client information should include updating contact information about fiduciaries named in the firm's estate planning documents (egs. Personal Representatives and Trustees). Inventorying the number of estate plans under management, including ideally, determining how many clients have re-published their estate plans with another law firm, moved out of state, or may have already died. Regarding sale options, Poock shares the following 3 options: (a) Sell to or merge with a Growing Law Firm, and preferably, a Growing Law Firm that focuses on T&E or maintains a T&E department (Preferred) (b) Pursue an internal succession plan (Potential) (c) Maintain the Status Quo, i.e., establish no succession plan (Risky) Poock points out that Growing Law Firms offer the preferred option because they want and need the following resources that Senior Attorney-led T&E law firms offer: (1) New clients;   (2) An experienced workforce, comprised of both lawyers and para-staff; and   (3) Subject Matter Knowledge to convert to Digital Content to attract the attention of new clients who search online today (and tomorrow) for lawyers and law firms to retain.   Poock also observes the following trend that jeopardizes a particular, future value of Senior Attorney-led T&E Law Firms:   Digital Marketing Disruption in the legal industry means that, despite T&E law firms including a “blue back” page in their estate planning documents that lists the contact information for the law firms that prepared a given estate plan, surviving family members and fiduciaries have begun by-passing those “blue backs” in favor of asking Google or their AI thought partner to suggest the best T&E attorney near them to administer a Will or Trust.   If the families of estate planning clients do not return to the original firm that drafted an estate plan to assist with Probate/Trust Administration, the future value of that firm will become jeopardized because of the expectation that surviving loved ones and fiduciaries will seek Probate/Trust administration services from the same firm that prepared a client's estate plan.     Poock concludes with offering the following suggestion to T&E law firms that have prepared 500+ estate plans and may (should) have growing concerns that families will not return to their law firms for Probate/Trust Administration of the plans that the firm has drafted:   Maintain contact information for clients' named beneficiaries and fiduciaries for the purposes of:   (i) Establishing a relationship with the firm that prepared an estate plan; and   (ii) Minimizing the risk that beneficiaries and fiduciaries by-pass the firm that prepared a client's estate plan in favor of asking Uncle Google or an AI thought partner to recommend an alternative law firm for Probate/Trust Administration services.

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

Pet owners are searching for vets right now on their phones. If your Houston clinic doesn't appear in those first few results, you're invisible to them, even if you're minutes away. Digital presence determines which practices thrive and which stay empty.Learn more at https://yourmediahq.clientcabin.com/app/info YourMediaHQ City: Richmond Address: 9711 South Mason Road Website: https://yourmediahq.clientcabin.com/app/info

In this episode, Dave and Dharm sit down with Cristina Pieretti, Head of Digital Content and Innovation at Moody's, to explore how one of the world's most data-driven organisations is reimagining itself through Generative AI. Cristina reveals how Moody's moved rapidly from early experiments to launching its first commercial GenAI product, the Moody's Research Assistant, which became the company's fastest-adopted tool in history. She shares how GenAI now powers everything from developer co-pilots to agentic sales and strategy tools, reshaping how thousands of employees work and think. The conversation dives deep into: How Moody's is embedding GenAI across teams while managing risk, trust, and data integrity. The cultural shift needed to make AI adoption part of everyone's job — not just the developers'. Why agentic systems represent the next big leap for productivity and innovation. How banks and financial institutions are following suit, with parallels drawn to the early days of cloud adoption. Cristina's candid thoughts on the so-called “AI bubble” and why she believes specialisation and high-quality data will separate lasting innovation from hype. This is a masterclass in how established financial institutions can turn disruption into opportunity, with human creativity and trusted data at the core.

Drop us a message!Sport thrives on raw emotion, drama, and human connection. But how do you translate that intensity into digital content that resonates with fans while staying true to wider brand goals?In this episode, Chris Kynoch shares lessons from creating content at McLaren and UEFA—navigating high-pressure moments, making sharp editorial calls, and sustaining global communities of millions.We also explore the rise of native and “disguised” ads that blend seamlessly into feeds, looking at the opportunities and risks for marketers. How do you create ads that feel authentic without crossing into inauthenticity? And how should success be measured when the lines between content and advertising are increasingly blurred?Want to be featured on the pod? Drop us a voice note on Instagram at @GiraffeSM. About Giraffe Social's Social in 10 Podcast Giraffe Social is a multi-disciplined digital marketing agency specialising in social media marketing based on the South Coast of the United Kingdom. We work with a wide range of industries, spanning from Fintech and L&D, to Beauty and Retail. Social in 10 is a weekly podcast about all things digital marketing. We discuss all the things social media managers want to know, including the latest platform updates, emerging trends, campaign ideas, and best practices to help you stay ahead of the curve. Whether you're managing multiple clients or growing your brand in-house, each episode is packed with actionable insights… all delivered in under ten minutes. Hosted by the Giraffe Social team, this is your fast, fun, no-fluff guide to making sense of social. New episodes every week, so tune in and level up your marketing game!

Nokukhanya Mntambo is joined by Andile Sinqoto, executive committee member of the Directors’ Guild of South Africa (DGSA), discussing the DGSA Awards and the importance of celebrating and recognising creative talent in the industry. 702 Weekend Breakfast with Gugs Mhlungu is broadcast on 702, a Johannesburg based talk radio station, on Saturdays and Sundays Gugs Mhlungu gets you ready for the weekend each Saturday and Sunday morning on 702. She is your weekend wake-up companion, with all you need to know for your weekend. The topics Gugs covers range from lifestyle, family, health, and fitness to books, motoring, cooking, culture, and what is happening on the weekend in 702land. Thank you for listening to a podcast from 702 Weekend Breakfast with Gugs Mhlungu. Listen live on Primedia+ on Saturdays and Sundays from 06:00 and 10:00 (SA Time) to Weekend Breakfast with Gugs Mhlungu broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/u3Sf7Zy or find all the catch-up podcasts here https://buff.ly/BIXS7AL Subscribe to the 702 daily and weekly newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702See omnystudio.com/listener for privacy information.

In this episode of The Association Insights Podcast, host Colleen Gallagher sits down with Julie McDowell, Director of Strategic Communications & Digital Content, and Becca Battisfore, Senior Content Strategist, at the College of American Pathologists (CAP) for an in-depth look at how a legacy association is modernizing its approach to content, data, and digital engagement.From managing messaging across member and customer audiences to aligning analytics with KPIs, Julie and Becca share how the CAP's digital team of five supports 18,000 members and countless laboratories worldwide—all while driving measurable impact.

حلقة جديدة من البودكاسترز من قلب مهرجان الجونة السينمائي

Bill Zimmerman is an assistant teaching professor in the department of advertising and public relations in the Donald P. Bellisario College of Communications at Penn State. He's the author of “Understanding the Creator Economy: Making Digital Media Work for You,” published by Kendall Hunt. He teaches courses such as Digital PR and PR Campaigns, and in the spring semester will offer Digital Content and the Creator Economy, a new course launching Penn State's content creator certificate program. Prior to teaching, he worked as a newspaper reporter and public relations professional in higher education. He also holds the Accreditation in Public Relations.

Our coverage of the 2025 Ryder Cup moves in the US post-mortem phase as Soly searches for answers and insights into what makes the European Ryder Cup machine so effective.  In this two-part pod we open up with Duncan Carey - one of the first analytics consultants for the European team in the 2010s - for his thoughts on what the US got wrong on the setup at Bethpage, plus the story of the role of analytics in team competitions, how pairings are formed, and his work with the International teams during the Presidents Cup.  In part two (39:00), Soly chats with Jamie Kennedy - Golf Digest director of Digital Content, and social media contributor for the European Ryder Cup team - for a behind the scenes look at what the Euros got right at Bethpage, the role of their various captains, and some guesses as to who'll be the captains for both sides in 2027 at Adare Manor. Join us in our support of the Evans Scholars Foundation: ⁠⁠⁠⁠https://nolayingup.com/esf⁠⁠⁠⁠ Support our Sponsors: Rhoback The Stack If you enjoyed this episode, consider joining⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ The Nest⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠: No Laying Up's community of avid golfers. Nest members help us maintain our light commercial interruptions (3 minutes of ads per 90 minutes of content) and receive access to exclusive content, discounts in the pro shop, and an annual member gift. It's a $90 annual membership, and you can sign up or learn more at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠nolayingup.com/join⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the No Laying Up Newsletter here: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://newsletter.nolayingup.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the No Laying Up Podcast channel here: https://www.youtube.com/@NoLayingUpPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey there, everyone!A common question I get from practice owners is: “What kind of content should I be creating to market my practice?”  Should you be blogging? Doing video? Starting a podcast?I get it. The options are endless, and each has its own learning curve. That's why this week, I'm sharing my own content creation journey—the wins, the flops, and a few good lessons I've learned over the years.Here's some of what you'll hear:The time I hurt my hand the night before my blog was due but published anyway (and why that's NOT the way to do marketing!).What seven years of blogging taught me about writing for your clients—and yourself.Why my experiment with YouTube worked… and why it didn't.How podcasting finally clicked as my “just right” content platform.Most of all, you'll learn the key questions to ask yourself when choosing the format that fits you best.Whether you're just starting out or ready to refresh your marketing strategy, this episode will help you get clear on where to focus your energy.Give this a listen—I think it'll help you breathe easier as you build your authentic online presence.~Wendy

The Japanese government has compiled a package of measures to promote domestic digital content, such as anime and films, in foreign markets.

On this episode of GoalChat, host Debra Eckerling has a lively conversation about Digital Content with Dr. Judith Briles, aka The Book Shepherd; podcast strategist and host of Entrepreneur's Enigma, Seth Goldstein; and Kevin Winston, founder of Digital LA. All have been in the digital space for years. And, while there were some technical challenges (ignore the static from Kevin), there were tons of useful information and actionable tips. The panel shares how they got involved in the digital space - and the best parts of the digital evolution, content strategies, their takes on branding and more. Digital Content Tips - Judith: Outsource what you can - Seth: Schedule yourself out, get into a rhythm - Judith: Repurpose content - Kevin: Release a regular newsletter - use it to tee up social media and vice versa; keep branding consistent, and coordinate collab posts with guests Goals - Judith: Get her Book Marketing Success plan at TheBookShepherd.com - Kevin: Make sure that your branding for all of your entities match - and is updated - Seth: If you are interested in podcasting, grab his get started guide at PodcastMastery.co Final Thoughts - Kevin: Take photos, tag people, and share it out - Seth: Just get started - Judith: Don't do well, what you have no business doing; get help Learn more about: Judith Briles: JudithBrilesBooks.com TheBookShepherd.com Seth Goldstein: Social.SethGoldstein.me Kevin Winston: @KevinWinston and @DigitalLA on Instagram Debra Eckerling: TheDEBMethod.com/blog 52SecretsBook.com Learn more about your ad choices. Visit megaphone.fm/adchoices

BFCM is the Super Bowl of ecom. Do you have your game plan? In this episode, Daniel and Tim (VP of Digital, Content, and AI at Wunderkind) discuss how the smartest brands are turning anonymous visitors into lifelong customers…and doing it automatically. If you're still blasting the same email to everyone, you're leaving mountains of revenue on the table. Tim breaks down how AI decisioning engines pinpoint exactly when and how to reach each shopper, creating hyper-personalized messages that convert at lightning speed.  Also, should you be totally transparent about pricing in the age of taxes and tariffs? What does it mean to be mobile-first as a brand? They explain how all of it matters in the long run for trust and staying top-of-mind.  If you're ready to move past spray-and-pray marketing this BFCM and start selling to people for life, this is the episode for you.  Check out Wunderkind and their Agentic AI capabilities: https://www.wunderkind.co/ Follow Tim: LinkedIn: https://www.linkedin.com/in/timglomb/ Follow Daniel: YouTube: https://www.youtube.com/@themarketingmillennials/featured Twitter: https://www.twitter.com/Dmurr68 LinkedIn: https://www.linkedin.com/in/daniel-murray-marketing Sign up for The Marketing Millennials newsletter: www.workweek.com/brand/the-marketing-millennials Daniel is a Workweek friend, working to produce amazing podcasts. To find out more, visit: www.workweek.com

Sarah Kellam is the Managaer of Digital Content for LPGA.com and she's former NKU golfer She joined us from the Kroger Queen City Championship Presented by P&G.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

Sarah Kellam is the Managaer of Digital Content for LPGA.com and she's former NKU golfer She joined us from the Kroger Queen City Championship Presented by P&G.Podcasts of The Mo Egger Radio Show are a service of Longnecks Sports Grill.Listen to the show live weekday afternoons 3:00 - 6:00 on ESPN1530. Listen Live: ESPN1530.com/listenGet more: https://linktr.ee/MoEggerFollow on X: @MoEggerInstagram too: @MoEgger

If you've ever wondered how memes fit into a serious B2B social strategy, or if they even should, this episode is your crash course. Joining us is Ilan Fisher, Digital Content & Global Media Manager at Team8 and one of B2B Social's Rising 30 Stars for 2025. With a background that spans politics, tech, and startup growth, Ilan has a unique perspective on blending culture with content.From spotting trends before they hit the mainstream to deciding if a meme aligns with your brand's goals and risk tolerance, Ilan shares the exact tactics he uses to keep content fresh and relevant. He walks us through his four go-to sources for early meme discovery (spoiler: LinkedIn isn't one of them), explains how to “wink” at trends without going all-in, and reveals the golden rule for knowing when you've missed the moment.We also get into the art of securing leadership buy-in for edgier content, the nuances of tailoring humor across platforms, and why sometimes posting a meme three months late is actually genius. Whether you're just dipping your toes into meme marketing or already have a folder full of saved templates, this episode will have you rethinking your content calendar, and maybe even your approval workflows.Hot Topics:The four best places to spot trending memes earlyHow to decide if a meme is worth the risk for your brandThe “three-day rule” for posting memes (and when to break it)Tips for getting leadership on board with bold, cultural content

Hey Kingdom Creators, If you've been spinning your wheels trying to create content that moves the needle, this episode will help you reset and refocus. I'm breaking down how to strategically plan your content to align with your message, support your business or ministry goals, and get seen. We'll cover how to clarify your core themes, choose the best platform for your voice, and build a creation rhythm that keeps you consistent without burning you out. This is about intentional strategy, not throwing posts at the wall. Let's make content that carries weight, and a plan that gives you peace. You can work with me here:  Resist & Roar Collective Or leave me your questions and comments below. I would love to hear your thoughts on this podcast, what episodes' convo's you'd like to hear more about, and what you like about what you have heard!

مهند مجيد صانع محتوى و مقدم بودكاست صاحب بودكاست الاجتماعي شنو القصة و شنو القصة بيزنيس، متخصص بمساعدة البودكاسترز على وضع خطط طويلة و قصيرة الامد من خلال شركته alpha cast studio. تحدثنا بكثير مواضيع حول صناعة البودكاست و ابرز الصعوبات و كيف تبدا بودكاست من الصفر و شو لازم تتفادى عشان ينجح البودكاستDigital Content & Podcast Strategist & Producer @alphacaststudiosCreator of @shenoalqussa.podcast & @sheno_elbusiness Follow me instagram : https://www.instagram.com/fihamdan/Facebook : https://bit.ly/2YthZ9W**************************************************************NAVOIG :https://www.instagram.com/navodesk/Website: https://navodesk.com/**************************************************************Podcast ROOM301 available Spotify https://spoti.fi/3wYN2b7video youtube :https://www.youtube.com/c/ROOM301PODCASTApple podcast : https://apple.co/3n61ivDPODQASTI : https://podqasti.page.link/w3Cobde85x1J19sQ7Podu: https://podu.me/shows/show/359/ghrft-301-bwdkastanghami : https://bit.ly/3kYaorDGoogle podcast : https://bit.ly/3jRXiwSWebsite: https://anchor.fm/room301**************************************************************Room 301 Social media Instagram : https://bit.ly/3E0TalZFacebook :https://bit.ly/3l6BZ9XEmail: Firashamdan.85@gmail.com#بودكاست #podcast #room301podcast #ferashamdan

In this episode, Pete and Tyler discuss the success of a local news publisher who has implemented a new subscription model through the Paywall Project. This episode covers the publisher's initial challenges, the transition to a more effective paywall strategy, and the significant growth in email list and revenue.

Send us a textIn this episode of Frontiers of Faith, host Katie Ruvalcaba speaks with Drew Lowen, a digital missionary and co-founder of Catholic Creator Conference. They discuss the evolving role of digital missionaries in evangelization, the importance of evoking awe rather than division in content creation, and the integration of AI in the creative process. Drew shares insights on the tangible impacts of his online ministry, the significance of community and mentorship, and his vision for the future of digital Catholic content.

Carl Hayden Smith, founder of the Cyberdelic Nexus and Museum of Consciousness, discusses his concept of "hyperhumanism" as an alternative to the transhumanist agenda. The conversation covers how technology is reshaping human consciousness, the attention economy's impact on our minds, and practical approaches (including psychedelics) to becoming more human in an increasingly digital world. What You'll Learn About:

Despite decades of progress, the number of women in engineering remains stubbornly low — especially in aerospace and mechanical engineering. But that isn't stopping the winner of the Aerospace/Defense category in the inaugural Women in Engineering: Rising Star Awards.   Heather Cummings is Senior Engineer, Flight Controls & Autonomy for Sikorsky, a Lockheed Martin company. She leads the development of hybrid electric propulsion controls and vehicle management systems for Sikorsky's next-gen HEX and RBW, including groundbreaking work on fully autonomous cargo aircraft. A licensed pilot, Heather is passionate about improving flight safety through automation and mentoring the next generation of aspiring engineers.   In this special episode, Heather and Chitra Sethi, Director of Editorial & Digital Content, SAE Media Group, discuss the mission behind the Rising Star Awards, the importance of visibility for women in STEM, and why inspiring the next generation is just as critical as technological innovation.   If you'd like to nominate a trailblazing female engineer (or yourself), visit www.techbriefs.com/rsa. Nominations close on July 22, 2025. Winners will be spotlighted across SAE Media Group's publications, websites, e-newsletters, and social media channels.   To learn more about Sikorsky, check out our previous episode with Heather's co-worker, Igor Cherepinsky, on the future of vertical lift.   We'd love to hear from you. Share your comments, questions and ideas for future topics and guests to podcast@sae.org. Don't forget to take a moment to follow SAE Tomorrow Today—a podcast where we discuss emerging technology and trends in mobility with the leaders, innovators and strategists making it all happen—and give us a review on your preferred podcasting platform.   Follow SAE on LinkedIn, Instagram, Facebook, Twitter, and YouTube. Follow host Grayson Brulte on LinkedIn, Twitter, and Instagram.

Relebogile Mabotja speaks to Digital Content Creator, Thato Rampedi and Lebo Rampedi in celebration of the return of The Weakest Link to BBC Brit with the new season starting 2 July 2025. 702 Afternoons with Relebogile Mabotja is broadcast live on Johannesburg based talk radio station 702 every weekday afternoon. Relebogile brings a lighter touch to some of the issues of the day as well as a mix of lifestyle topics and a peak into the worlds of entertainment and leisure. Thank you for listening to a 702 Afternoons with Relebogile Mabotja podcast. Listen live on Primedia+ weekdays from 13:00 to 15:00 (SA Time) to Afternoons with Relebogile Mabotja broadcast on 702 https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/2qKsEfu or find all the catch-up podcasts here https://buff.ly/DTykncj Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio702 See omnystudio.com/listener for privacy information.

On Friday the 13th and in honor of release day, Steff & Renée hand it over to Dan Nykolayko — the band's Director of Digital Content and curator of these massive reissues—to go further into the Load Remastered Deluxe Box Set. Dan discusses the album itself, Atmos mixes, and some never-before-heard Motörhead covers, among many more treasures to discover. There are literally “loads” to enjoy in this Special Edition episode!' The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. Listen to Load Remastered: ⁠https://metallica.lnk.to/loadreissue⁠  Shop the Album & Merch - ⁠https://www.metallica.com/store/load-remastered Learn more about your ad choices. Visit megaphone.fm/adchoices

On Friday the 13th and in honor of release day, Steff & Renée hand it over to Dan Nykolayko — the band's Director of Digital Content and curator of these massive reissues—to go further into the Load Remastered Deluxe Box Set. Dan discusses the album itself, Atmos mixes, and some never-before-heard Motörhead covers, among many more treasures to discover. There are literally “loads” to enjoy in this Special Edition episode!' The Metallica Report – your official, weekly guide for all things Metallica, straight from the source. New episode every Wednesday. Listen to Load Remastered: https://metallica.lnk.to/loadreissue  Shop the Album & Merch - https://www.metallica.com/store/load-remastered Learn more about your ad choices. Visit megaphone.fm/adchoices

Dr. Arlene Hollingsworth - psychologist, Youtube creator, and mama of three - shares how she and her husband, Javoris (PhD), turned a family dream into Gracie's Corner - the viral YouTube series that celebrates Black culture through animated kids' songs. But the road wasn't easy! From failed businesses and financial stress to finding their way as a family during the pandemic, Arlene reflects on how staying rooted in their purpose led to their breakout hit, The Phonics Song. This episode is for every parent chasing a dream while raising little ones - proof that with patience and resilience, ordinary people can build extraordinary things.======We love getting Listener Letters! Send any thoughts or questions for the Mamas at podcasts@blacklove.com.Make sure you connect with our Mamas:Ashley - @watermeloneggrollsCodie - @codiecoFelicia - @felicialatourMelanie - @melaniefiona

In this episode of Talk of Fame, Kylie Montigney reconnects with Billy Pinckney! Billy is a 21-year-old digital content creator & author from Little Falls, New Jersey. Pinckney's passion for the game of baseball was prevalent at a young age when he became a batboy for the New Jersey Jackals independent team in 2013, at age eleven. Pinckney spent his summers in the professional clubhouse where he learned the intricacies of the game. He began to interview players in 2015 and was hired by the organization as the Press Box & Player Procurement Asst. in 2018. In 2019, he assisted the field manager in assembling a league championship winning squad. In 2022, he was named the Director of Digital Content. Pinckney has always had a passion for growing the game of baseball and finding ways to assist the younger generation. In 2023, he published his book Passion Prevails to help youth players navigate their careers as they face adversity. He recently graduated from Montclair State University with a degree in Sports Communication. He discusses attending & interviewing the Pinstripe Pride Event where it is an unforgettable weekend celebrating New York Yankees legends and iconic celebrities! Listen in as we discuss Billy's journey and growing up in the sports world. You'll be inspired by his dedication to his craft and talking about sports.Follow Me:Instagram:@Officialkyliemontigney@TalkoffamepodFacebook:OfficialkyliemontigneyTalkoffameTwitter:@Kyliemontigney4About Me:Hi, I'm Kylie! I'm passionate about sports, spending time with family, traveling, and connecting with people who inspire me. I love listening to people's stories and sharing their journeys with the world!

Digital content hubs serve as centralized online platforms where related content on a specific topic is curated and presented. They function as strategic resource centers,bringing together articles, videos, infographics, guides, and other content formats to inform and engage audiences effectively. How do you determine whether a content hub is the right approach for a topic your association covers? This discussion delves into the key considerations for creating a content hub, including the decision-making process, content development, launch strategies, ongoing maintenance, and potential challenges along the way. Bridget FolliardTerrones, MBA: https://www.linkedin.com/in/bridgetfolliard/Nancy Driver, CAE: https://www.linkedin.com/in/nancy-driver-cae-21b7ba5/ Kathryn Hamilton, CAE: https://www.linkedin.com/in/kghamilton/CommunicationsProfessionals Advisory Council: https://www.asaecenter.org/membership/rosters/communication-section-council 

Lacey Bridges is the founder of Black Flamingo Agency, an experiential marketing firm in Los Angeles. As a visionary leader and innovative creative marketer, Lacey excels at crafting immersive experiences that drive brand success. Her entrepreneurial spirit and passion for the experiential side of marketing solutions have positioned Black Flamingo Agency as one of the fastest-growing trailblazers in the industry. Spearheading groundbreaking campaigns for major brands like Good American, Savage X Fenty, and TopGolf, Lacey has created transformative and unforgettable experiences that solidify her reputation as a leader in experiential marketing.

We're live with David, Jeff and Gaby talk about their Holy Week traditions and devotions, Dr. David Whidden, Fran U Theology professor joins us, Emily Mentock is Co-Founder of Digital Content and Executive Producer of "The Boy from Milan: Stories of Carlo Acutis", a project by the Augustine Institute joins us.

“How Can We Get More Product Content to the PDP Faster”? That question is top of mind every day for Carolan Di Fiore, Digital Content Deployment Manager at Hershey. Drawing from her prior experience in Ecommerce and digital roles at other global companies like Bimbo Bakeries, Carolan hit the ground running at Hershey a year and a half ago, and joins the podcast to describe the strategies that she and a cross-functional group of marketing, sales, data, and technology leaders are implementing to deliver answers to that core question. And in doing so, speed time to market, accelerate performance, and delight the consumer.

Ben DuBose is the News Editor at AMPP.   In this episode of Specified Growth Podcast, Ben talks about his journalism background and how he got into the coatings industry. He also discusses the importance of understanding your market and audience, how to maximize the value of your digital content to connect with your customers, the future role of AI in the coatings industry, and more. Don't miss this episode of Specified Growth Podcast!     Please reach out if you have any feedback or questions. Enjoy!    Twitter: @TatsuyaNakagawa Instagram: @tats_talks LinkedIn: Tatsuya Nakagawa  YouTube: Tats Talks www.tatstalk.com www.castagra.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this segment, we discuss our recent frustrations with video streaming services and how it feels to cut the cord. With Amazon's latest change to digital e-book ownership, we ask: Do we really own our digital content?

In this segment, we discuss our recent frustrations with video streaming services and how it feels to cut the cord. With Amazon's latest change to digital e-book ownership, we ask: Do we really own our digital content?

How can you ask for listener support in a way that doesn't come off as desperate? Drawing on experience and expertise, we offer practical tips and strategies for monetizing your podcast through direct listener contributions without compromising the integrity of your content or your relationship with your audience.   WHAT TO LISTEN FOR Why it's important to show listeners what they can gain How to use social proofing to encourage new listeners  The importance of simplifying the donation process  A simple yet effective way to facilitate listener donations Savvy tactics to increase the likelihood of listeners' support   RESOURCES/LINKS MENTIONED PayPal Venmo Patreon Supercast Buzzsprout Libsyn   CONNECT WITH US If you are interested in getting on our show, email us at team@growyourshow.com. Thinking about creating and growing your own podcast but not sure where to start? Click here and Schedule a call with Adam A. Adams! Subscribe so you don't miss out on great content and if you love the show, leave an honest rating and review here!

Mithyll Dave advocates for organic growth and shares the benefits it brings. Mithyll Dave, a Digital Coaching and Content Strategy Expert, Founder of VIHTRIBEZ Content Lab, specializing in building thriving online brands. https://mithylldave.com https://www.linkedin.com/in/mithyll

Thank you to BRITA for supporting the podcast, helping us keep our deep dives going, and, of course, keeping us hydrated! Check out BRITA here: https://www.brita.com.au/turnonthetaste In this episode, I explore the evolution of digital decay and the preservation efforts by non-profit organisation The Internet Archive, owner of the Wayback Machine. I look at instances of mass content erasure online— such as Myspace, Vine, and Gawker— before answering the question: Why is it so important that we preserve internet history? Timestamps: 00:40 Intro 3:44 What is the Internet Archive and why was it created? 8:40 Challenges and threats to the Internet Archive 12:58 Lost social media: Myspace & Vine 16:04 The importance of longevity and information protection 17:31 The Internet Archive as a “check” on media 23:03 Archiving content & misinformation Find our podcast YouTube channel here: https://www.youtube.com/channel/UC18HclY7Tt5-1e3Z-MEP7Jg  Subscribe to our weekly Substack: https://centennialworld.substack.com/  Join our Geneva home: https://links.geneva.com/invite/7eb23525-9259-4d59-95e3-b9edd35861a5  Follow us on Instagram: https://www.instagram.com/infinitescrollpodcast/  Follow Lauren on Instagram: https://www.instagram.com/laurenmeisner_/  Sources: https://archive.org/about/  https://archive-it.org/products-and-services/archive-it-faqs/  https://dn720406.ca.archive.org/0/items/wayback-machine-1996/The%20Wayback%20Machine%27s%20First%20Crawl%201996%20-_720p.mp4  https://www.forbes.com/sites/kalevleetaru/2016/01/18/the-internet-archive-turns-20-a-behind-the-scenes-look-at-archiving-the-web/  https://www.pewresearch.org/data-labs/2024/05/17/when-online-content-disappears/  https://www.bbc.com/future/article/20240912-the-archivists-battling-to-save-the-internet  https://www.washingtonpost.com/nation/2024/10/18/internet-archive-hack-wayback/  https://www.npr.org/2024/10/20/nx-s1-5159000/internet-archive-hack-leak-wayback-machine  https://blog.archive.org/2024/10/21/internet-archive-services-update-2024-10-21/  https://www.theguardian.com/technology/2019/mar/18/myspace-loses-all-content-uploaded-before-2016  https://mashable.com/article/vine-archive-website  https://www.instagram.com/p/DEhf2uTJUs0/  https://theconversation.com/the-internet-archive-has-been-fighting-for-25-years-to-keep-whats-on-the-web-from-disappearing-and-you-can-help-163867  https://news.gallup.com/poll/651977/americans-trust-media-remains-trend-low.aspx  https://apo.org.au/sites/default/files/resource-files/2024-06/apo-nid326816_4.pdf  https://www.vox.com/the-goods/2019/12/17/21024439/monoculture-algorithm-netflix-spotify  https://www.bbc.com/news/technology-45730363  https://blog.archive.org/2018/10/01/more-than-9-million-broken-links-on-wikipedia-are-now-rescued/  https://www.wired.com/story/internet-archive-wikipedia-more-reliable/  https://blog.archive.org/2024/09/11/new-feature-alert-access-archived-webpages-directly-through-google-search/ 

Join us as Andrew Conboy, an ISA certified arborist famously known as Andrew the Arborist, captivates us with his journey through urban forestry and ecological restoration. Andrew's passion for integrating native flora into cityscapes shines as he addresses the challenges of urban stressors like soil compaction and pollution. Explore how underutilized species such as swamp white oak and post oak offer hope for climate adaptation in urban areas. From historical anecdotes about the resilience of honey locusts to the intriguing notion of urban foraging, Andrew sheds light on the potential of trees to transform our cities. The heart of the episode beats with Andrew's insights on community-based environmental stewardship. Discover how the seeds of Colonial Canopy Trees were planted, nurturing a grassroots initiative to tackle invasive species and promote native tree planting. Andrew shares the power of starting small and the joy of building community connections, highlighting stories where volunteers bridge generational and cultural divides. His experiences illustrate that meaningful environmental change starts with local action and collaboration, with each tree planted and invasive weed pulled embodying a step toward a healthier ecosystem. This episode also ventures into the digital realm, where Andrew discusses the impact of long-form video content in raising awareness about native plants and urban forestry. Reflecting on his transition from a gaming content creator to an ecological educator, Andrew emphasizes the role of storytelling in engaging communities. As the conversation unfolds, listeners are invited to participate in environmental restoration efforts, understanding that the fusion of personal narratives and ecological action can truly reshape our urban landscapes. Check out Andrew's nonprofit, Colonial Canopy Trees, here: https://colonialcanopytrees.wordpress.com/ For sources, transcripts, and to read more about this subject, visit: www.agroecologies.org For sources, transcripts, and to read more about this subject, visit: www.agroecologies.org To support this podcast, join our patreon for early, commercial-free episode access at https://www.patreon.com/poorprolesalmanac For PPA Restoration Content, visit: www.restorationagroecology.com For PPA Merch, visit: www.poorproles.com For PPA Native Plants, visit: www.nativenurseries.org To hear Tomorrow, Today, our sister podcast, visit: www.tomorrowtodaypodcast.org/   Key Words: Urban Forestry, Ecological Restoration, Native Flora, Cityscapes, Urban Stressors, Soil Compaction, Pollution, Climate Adaptation, Invasive Species, Native Tree Planting, Community-Based Environmental Stewardship, Grassroots Initiative, Honey Locust, Urban Foraging, Digital Content, Environmental Education, Community Connections, Microvolunteering, Invasive Weed Management, Environmental Change

What if the honey locust tree holds the key to transforming American agriculture yet remains an untapped treasure? Join us as we explore this remarkable tree's profound historical significance and unique attributes. We guide you through its pre-human landscapes and symbiotic relationship with Pleistocene megafauna, shedding light on how its fearsome thorns might have served as tattoo tools for indigenous peoples. With insights from Dr. Robert Warren, we unravel the intriguing journey of the honey locust, drawing comparisons to the Kentucky coffee tree and pondering its adaptation to wet regions through human intervention. In a lighthearted and anecdotal manner, we delve into the quirky connections between anachronistic trees like the honey locust and Kentucky coffee tree, alongside their relationships with now-extinct species. Discover the indigenous significance of the honey locust's sweet pulp, a sugar alternative in warmer regions, and laugh with us as we draw amusing parallels with modern-day treats like candy corn. While we acknowledge the mysteries surrounding ancient methods of processing honey locust pulp, our light-hearted exploration invites you to imagine historical storage practices and potential uses. The honey locust is more than just a historical icon; it is a beacon of agricultural potential. Uncover its promising varieties, like Millwood, identified in the 1930s, and their potential for livestock feed and ethanol production. We recount the efforts of researchers like Dr. James Hanover to unlock the tree's capabilities for sustainable farming systems. Whether it's silvopasture or energy farming, the honey locust fits seamlessly into modern agriculture, offering ecological benefits and versatility. We invite you to join us in supporting ongoing research into this fascinating crop and perhaps even become a part of our knowledge-sharing community.   For sources, transcripts, and to read more about this subject, visit: www.agroecologies.org To support this podcast, join our patreon for early, commercial-free episode access at https://www.patreon.com/poorprolesalmanac For PPA Restoration Content, visit: www.restorationagroecology.com For PPA Merch, visit: www.poorproles.com For PPA Native Plants, visit: www.nativenurseries.org To hear Tomorrow, Today, our sister podcast, visit: www.tomorrowtodaypodcast.org/   Key words: Urban Forestry, Ecological Restoration, Native Flora, Cityscapes, Urban Stressors, Soil Compaction, Pollution, Climate Adaptation, Invasive Species, Native Tree Planting, Community-Based Environmental Stewardship, Grassroots Initiative, Honey Locust, Urban Foraging, Digital Content, Environmental Education, Community Connections, Micro-volunteering, Invasive Weed Management, Environmental Change

In this episode of the Million Dollar Mastermind podcast, host Larry Weidel is joined by Thorsten Overgaard, Founder and CEO of the World Photography Competition. Thorsten reflects on his career in photography, teaching, and content creation, underlining the importance of preserving intellectual property, curating legacies, and maintaining creative control. He discusses the contrast between the fleeting nature of digital content and the timeless impact of physical art, advocating for projects with lasting significance. On top of that, Thorsten highlights the value of passion, curiosity, and self-belief in unlocking creativity, rejecting societal norms, and inspiring others through his workshops.

In this episode of the Million Dollar Mastermind podcast, host Larry Weidel is joined by Thorsten Overgaard, Founder and CEO of the World Photography Competition. Thorsten reflects on his career in photography, teaching, and content creation, underlining the importance of preserving intellectual property, curating legacies, and maintaining creative control. He discusses the contrast between the fleeting nature of digital content and the timeless impact of physical art, advocating for projects with lasting significance. On top of that, Thorsten highlights the value of passion, curiosity, and self-belief in unlocking creativity, rejecting societal norms, and inspiring others through his workshops.

In this episode of the Million Dollar Mastermind podcast, host Larry Weidel is joined by Thorsten Overgaard, Founder and CEO of the World Photography Competition. Thorsten reflects on his career in photography, teaching, and content creation, underlining the importance of preserving intellectual property, curating legacies, and maintaining creative control. He discusses the contrast between the fleeting nature of digital content and the timeless impact of physical art, advocating for projects with lasting significance. On top of that, Thorsten highlights the value of passion, curiosity, and self-belief in unlocking creativity, rejecting societal norms, and inspiring others through his workshops.

In this episode of the Million Dollar Mastermind podcast, host Larry Weidel is joined by Thorsten Overgaard, Founder and CEO of the World Photography Competition. Thorsten reflects on his career in photography, teaching, and content creation, underlining the importance of preserving intellectual property, curating legacies, and maintaining creative control. He discusses the contrast between the fleeting nature of digital content and the timeless impact of physical art, advocating for projects with lasting significance. On top of that, Thorsten highlights the value of passion, curiosity, and self-belief in unlocking creativity, rejecting societal norms, and inspiring others through his workshops.

Today I sat down with the incredible Gabrielle Tongol to chat about entrepreneurship, client relationships, and team dynamics. We went deep into why delivery is key for client satisfaction and how caring about outcomes goes way beyond just fulfilling contracts. Gabs shares her take on creating a family-like culture within your team, embodying core values, and empowering your people while keeping communication strong.We also talk about the importance of curiosity when outsourcing tasks, setting clear expectations, and why mistakes should be seen as opportunities to learn—not moments for blame. Whether you're managing your personal brand alongside your business or trying to find joy in the day-to-day hustle, this episode is packed with tips to help you thrive with:Delivering exceptional service to boost client satisfaction and retention.Using open communication to set clear expectations and boundaries.Empowering your team to encourage innovation and better results.Investing in personal growth to lead effectively.Make sure to connect with Gabs on Instagram and website or her agency's Instagram and stay tuned for more amazing insights. –We weren't meant to do this alone… Whether it be business, relationships, or life. This is why this is an invitation for you…to join us inside the Relationships Beat Algorithms Alliance!!!Click here for a summary of the Alliance because if you're coming here into the show notes, there's a good chance you already know! ;)—We've made it easy to see George's top 10 book recommendations! Click here to find George's top 10 recommended books for mindset, customer journey, and relationships. —Questions or comments about the episode? I'd love to hear from you! Send me a DM over on Instagram @itsgeorgebryant or pop on over to our free Facebook community, Relationship Beat Algorithms. —Links not showing? Hop on over to our podcast blog, mindofgeorge.com/podcast for all the links from the show notes.—What do we talk about in this episode?01:45 Guest Introduction: Meet Gabs04:00 The Importance of Delivery in Business06:29 Understanding Gabs' Agency and Services08:21 Balancing Client Needs and Team Well-being15:07 Core Values and Team Culture18:11 Fostering a Family-like Team Environment23:26 Leadership and Personal Development28:37 Delegation and Empowering the Team32:07 Curiosity and Communication in Outsourcing34:47 The Importance of Communicating the 'Why'35:41 Common Mistakes When Hiring an Agency37:48 Setting Expectations with Agencies39:10 Adjusting to Agency Workflows40:12 The Benefits of Working with an Agency43:41 Favorite Problems to Solve for Clients46:31 Documenting Processes as a Solopreneur50:37 Balancing Multiple Roles and Brands53:18 Embracing Change and Iteration

Isaac Hayes III, a visionary entrepreneur and tech innovator, joins Tom and Jeffrey to talk about the journey behind Fanbase, a platform poised to change the game in content creation and monetization. Imagine a space where creators can truly own their narratives and get paid directly for their influence—Isaac shares how this idea became a reality. He opens up about the moment he saw the need to bridge the gap between social media platforms and Black culture, inspiring him to create Fanbase's subscription model, which challenges the norms of traditional engagement.From the music world to the tech space, Isaac's journey is full of lessons in resilience and ingenuity. He delves into his experience bootstrapping Fanbase without traditional venture capital, drawing connections between the power dynamics of record labels and venture funding. With insights into pivotal choices—like bringing on CTO Ramiro Cánovas—Isaac takes us behind the scenes to see how Fanbase's unique subscription model was built to offer monetization opportunities similar to streaming services.We explore the future of content creation and what a decentralized model could mean for influencers, brands, and the broader tech landscape. Isaac sheds light on his journey to raise $10 million through equity crowdfunding, highlighting how ownership and community support are reshaping tech. Plus, he shares his perspective on a key issue—music rights and how they've been handled in recent years, including his thoughts on the controversy surrounding music use in the Trump campaign.This episode is a must-listen for anyone interested in the intersection of innovation, equity, and the power of creators to shape the digital future."Unglossy: Decoding Brand in Culture," is produced and distributed by Merrick Creative and hosted by Merrick Chief Creative Officer, Tom Frank, hip hop artist and founder of Pendulum Ink, Mickey Factz, and music industry veteran, Jeffrey Sledge. Tune in to hear this thought-provoking discussion on Apple Podcasts, Spotify, YouTube, or wherever you catch your podcasts. Follow us on Instagram @UnglossyPod to join the conversation and support the show at https://unglossypod.buzzsprout.com/Send us a textSupport the show