Podcasts about bougival

Iván Turguénev (Rusia, 1818-Bougival, Francia, 1883). Es el autor de 'Primer amor', 'Padres e hijos', 'Memorias de un cazador', 'Diario de un hombre superfluo', 'Humo'' o 'En vísperas', entre otras. 'Aguas de primavera' fue publicada en 1872.

Giorgio Villani"I luoghi degli impressionisti"Officina Librariawww.officinalibraria.netPiù d'altri pittori, gli Impressionisti vollero scrollarsi di dosso la polvere degli ateliers; sciamarono dunque per le strade chiassose di Parigi delle quali Baudelaire aveva additato già l'infernale bellezza, popolarono i caffè, e abitarono soffitte e casupole sulla collina di Montmartre. Non si limitarono alla città, ma piantarono il loro cavalletto nelle radure di Fontainebleau, dai maestosi castagni, già un tempo riserva di caccia dei re di Francia, sulle coste della Normandia, nei rustici villaggi della valle dell'Oise, dove spesso le strade diventavano impraticabili per il fango o per la neve, e ancora a Bougival o ad Argenteuil, fra le increspature scintillanti della Senna. Come già i loro amici naturalisti, Zola e Maupassant, amarono confondersi tra la gente per cogliere la realtà dal vivo, dipingendo perciò dappertutto perfino su una piccola barca dove Monet aveva fatto costruire uno studio fluttuante. Di questo mondo sono oggi rimaste soltanto poche, sparute reliquie. Già al tempo della sua vecchiaia, Renoir guardava con nostalgia all'antica Francia schietta e rurale, ormai sparita per sempre. Questo libro si propone di tracciare una topografia, illustrata dai dipinti di Manet, Monet, Renoir, Sisley, Pissarro, Gauguin, Van Gogh e da fotografie storiche. Con l'aiuto dei romanzi, dei racconti, dei giornali e delle memorie dei loro protagonisti restituisce i bagliori della vita trascorsa.Giorgio Villani è dottore di ricerca in Letterature comparate. Si è occupato di storia del gusto e dei rapporti fra la letteratura e le arti plastiche. Suoi saggi critici su questo argomento sono apparsi su «Paragone», la «Rivista di Letterature Moderne e Comparate e Storia delle arti» e «Antologia Vieusseux». È inoltre autore di studi sulla sensibilità artistica del XVIII secolo, Il Convitato di pietra. Apoteosi e tramonto della linea curva nel Settecento (Olschki 2016), e del XIX secolo, Un atlante della cultura europea. Vittorio Pica il metodo e le fonti (Olschki 2018 – Premio Casentino). Altri suoi libri sono: Dentro una conchiglia. Note d'arte sul liberty e sul déco (Bordeaux 2022), Tra ieri e oggi. Temi dell'immaginario (Palumbo 2022). Collabora con «Alias», supplemento culturale de «Il Manifesto», con «FMR» e con «Il Giornale dell'arte». IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

durée : 00:04:36 - Classic & Co - par : Anna Sigalevitch - La musique classique avec Anna Sigalevitch, qui nous parle de la première édition du festival Pauline Viardot, qui aura lieu le week-end prochain, du 20 au 22 octobre, dans sa villa et qui vient d'être restaurée à Bougival…

Rouleur editor Edward Pickering and photojournalist James Startt discuss Art Cycle, the ongoing series in Rouleur magazine which explores the connection between cycling and art. They talk about a few of the works that have featured so far, and also talk about their own interest in art.Works discussed in depth:Loisirs: hommage à Louis David by Fernand Léger: https://www.centrepompidou.fr/en/ressources/oeuvre/cAzzyoHyères, France by Henri Cartier-Bresson: https://www.metmuseum.org/art/collection/search/286639James's photograph of the Paris-Nice peloton and wind turbines, Special Merit winner at the World Sports Press Photography Awards: http://jamesstartt.com/cycling/xraehf6dajxhcwgllklui6d2j4ujxtCiclista by Salvo: https://i-ac.eu/fr/expositions/24_in-situ/1983/183_SALVORestaurant at Bougival by Maurice de Vlaminck: https://galleryintell.com/artex/restaurant-de-la-machine-bougival-maurice-de-vlaminck/And Ed and James's recommendations:At the Moulin Rouge by Henri de Toulouse-Lautrec: https://www.artic.edu/artworks/61128/at-the-moulin-rougeNumber 1, 1950 by Jackson Pollock: https://www.nga.gov/collection/art-object-page.55819.htmlThe Large Glass by Marcel Duchamp: https://philamuseum.org/collection/object/54149Waterlilies by Claude Monet: https://www.musee-orangerie.fr/en/node/197502Box Hill Road River by Richard Long: http://www.richardlong.org/index.html Hosted on Acast. See acast.com/privacy for more information.

L'invité de C dans l'air du 4 mai : Nicolas Kssis-Martov (Journaliste au magazine So Foot) Le monde du football et le PSG traversent une crise inédite qui a un retentissement dans le monde entier. Lionel Messi a été mis à pied 2 semaines pour s'être offert une escapade lundi en Arabie saoudite et avoir séché l'entraînement. L'Argentin a écopé d'une sanction exceptionnelle de la part du Paris Saint-Germain. Il manquera les deux prochaines rencontres du PSG, à Troyes ce dimanche, puis face à Ajaccio le 13 mai prochain. Il sera également privé de son salaire et de ses primes. Le club parisien a estimé ce mardi que l'institution avait été bafouée de façon "insupportable". Si Nasser Al-Khelaïfi, président du club, et Luis Campos, son conseiller sportif, avaient été informés de ce voyage, ils n'avaient pas donné leur accord au joueur argentin qui a donc manqué l'entraînement de ce lundi. Partout dans le monde, le PSG fait la une pour avoir osé toucher à la légende. "Un divorce définitif et sans retour" selon le quotidien sportif espagnol Marca. Le journal argentin La Nacion accuse le PSG d'avoir “créé un tsunami dans un verre d'eau en transformant un problème mineur en conflit sans retour”. Toujours pour La Nacion, “le PSG aurait-il procédé de la sorte si Messi avait remporté l'une des deux Ligues des champions ? Pourquoi cette intransigeance ?”. Du côté espagnol, “une moitié de Lionel Messi a plus d'histoire et d'importance que tout le PSG réuni” selon Cristobal Soria qui commente l'actualité du football pour l'émission El Chiringuito. “Le sanctionner ? Mais qu'avez-vous cru ? Le PSG devrait être reconnaissant à vie que Messi ait porté leur maillot et défendu leur écusson”, a conclu Cristobal Soria. Ce jeudi matin, la sécurité a été renforcée devant le Camp des Loges, le centre d'entraînement du PSG et devant le domicile des joueurs visés mercredi par les insultes des supporters : Neymar, Lionel Messi et Marco Verrati, a appris jeudi l'AFP. La veille, plusieurs centaines de supporters du PSG se sont rendus au domicile de Neymar à Bougival et au siège du club a Boulogne Billancourt a l'appel du collectif ultra paris. Pour exprimer leur mécontentement des résultats du club, les insultes ont fusé à l'égard de certains joueurs ainsi que le coach Christophe Galtier. “On en a marre des mercenaires ! Il faut virer Messi ! Il faut virer Nasser (Al-Khelaifi, le président du club)”, “Direction démission” ou bien encore “Paris c'est nous”, pouvait-on notamment entendre. Nicolas Kssis, journaliste au magazine So Foot, reviendra sur la crise inédite que traversent le monde du football et le Paris Saint-Germain.

durée : 01:44:21 - Été Classique Après-midi du lundi 22 août 2022 - par : Max Dozolme - Aujourd'hui, Max Dozolme vous propose un itinéraire francilien à la découverte de lieux et de compositeurs marquants de la région Île-de-France : Ravel à Montfort l'Amaury, Debussy à Saint-Germain en Laye, ou encore Bizet à Bougival... - réalisé par : Olivier Guérin

L'info Expresso - Un bar est réservé aux personnes de mauvaise humeur à Tokyo - Le Bicibús, le concept qui permet aux enfants d'aller à l'école à vélo sans danger Le winner du jour : - Quand un agent immobilier va jusqu'à poser nu pour vendre une maison - Il retrouve par hasard un ticket de loterie et gagne 20 millions de dollars La chanson du jour : Glenn Frey "The Heat Is On" Le savoir inutile : le style de Mario Le Flash-Back du Double Expresso : Code Lisa (1994) Le bonus du Double Expresso : le Chatter Phone Le jeu surprise : Véronique de Bougival repart avec un séjour au parc Asterix. La Banque RTL2 : Emilie (11ans) et ses parents de Eaubonne ont remportés une Xbox serie X. Andria de Limours en Hurepoix repart avec une box Brittany Ferries.

In episode 59 of The Great Women Artists Podcast, Katy Hessel interviews acclaimed writer JENNIFER HIGGIE on the great Parisian painter, Suzanne Valadon (1863–1938) !!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW, is this one of the greatest stories in art history of the acrobat-turned-artist-model-turned-artist Valadon (born Marie-Clémentine), who grew up in Montmartre, the bohemian quarter of Paris; supported herself from the age of ten; but whose life took a turn after a fall from an acrobat in her early teens!  Modelling for the likes of Renoir to Toulouse-Lautrec, despite her lack of finances to afford formal art classes, she learnt via the backdoor: by studying her male acquaintances, and close friend Edgar Degas oversaw drawing.  Known as a wild character (who spent earnings on lavish fur coats), Valadon had a complicated personal life and was often caught up in passionate love affairs (including breaking the heart of composer, Erik Satie). Taking influence from the glittering, shard-like surfaces as pioneered by the Impressionists, at the dawn of the new century, she had developed a distinct language. By 1909, she was painting professionally. Defying all gender conventions and exuding the new freedoms of women, she painted herself nude alongside Utter, (her electrician lover twenty-one-years-junior), swept up in an overgrown Eden as characters Adam and Eve.  In 1911, at aged 46, Valadon had a solo exhibition at the gallery of renowned dealer (and former clown!) Clovis Sagot, and soon cemented herself as a regular exhibitor at the Paris Salon. Within the next few years, she would stage more successful exhibitions, and in the 1920s produced her best work yet. One of which was her monumental self-portrait, The Blue Room, 1923. Lying leisurely in striped trousers and a strapped top, with a cigarette hanging out her mouth and books pushed to the back of the bed, Valadon affirmed her independence and room of one’s own with assured confidence and character. She was a modern Parisian woman in the 1920s, who could do whatever she wanted, whenever she pleased. She rose to the peak of her fame in the 1920s, and had four major retrospective exhibitions during her lifetime. Through her paintings and prints, Valadon transformed the genre of the female nude by providing an insightful expression of women’s experiences. Don't miss this AMAZING story as told by Higgie, whose INCREDIBLE book "The Mirror and the Palette: 500 Years of Women's Self Portraits" has just been released! See here: https://www.waterstones.com/book/the-mirror-and-the-palette/jennifer-higgie/9781474613774 WORKS DISCUSSED! The Blue Room (1923)  Adam and Eve (1909) The Joy of Life (1911)  Family Portrait (1912) Self Portrait (1927) Portrait of Erik Satie (1892) PAINTINGS FEATURING VALADON! The Hangover (1889) by Toulouse-Lautrec Dance at Bougival (1883) by Renoir Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Winnie Simon Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Suzanne Valadon at a very young age would work as a model for some of the biggest French painters of the 19th C. Meeting them on the streets of Montmartre she would sit for Henner, Steinlen and Toulouse-Lautrec. Although her most famous collaboration may have been with Renoir. In Danse a la Ville and Danse a Bougival both painted in 1883 Renoir used her as his model depicting very different scenes. Valadon in La Ville is elegant and controlled, but in Bougival she is distant, her partner looks to be trying to get her attention. Renoir loved working with her as did Toulouse-Lautrec.While she posed she soaked up the techniques of each of these masters, storing them away in her mind until she picked up her own paintbrush just as she turned 30 years old. Degas came into her life and admired her paintings and her style, encouraging her to continue and bought her paintings to hang in his home. Suzanne's relationships are many and have overshadowed her talent for years. Marriages and a son that never knew who his father was and had a host of his own issues. Suzanne attempted suicide, allianated her biggest supporter Degas but still managed to cut out a life for herself. Today you can still see Suzanne in Paris hanging on the walls of the Orsay and the Pompidou.  Renoir's Danse à la campagne et Danse à la Ville, two in the series of the three are in the Orsay. All three were modeled by Suzanne but the jealous rage of his lover Aline Charigot and her scraping at the painting forced Renoir to change the model for la Ville to Charigot. Suzanne's very own paintings and drawings can be found in the Pompidou. However if you want to get a personal view of her life, head to the Musée de Montmartre. Her former studio and apartment is part of the museum. Walk into her studio where her former easels, chairs and art fill the space with its huge windows. Learn more about Suzanne in the new podcast that I teamed up with my friend @missparisphotos on, @laviecreative and the new Paris History avec a Hemingway. Each week focusing on fantastic female artists that left their mark on Paris. Support the show (https://www.patreon.com/join/Laviecreative)

Nova contração do Paris Saint-Germain, a brasileira Luana Bertolucci Paixão assinou no início de janeiro um contrato de seis meses com o clube francês. Jogadora de meio-campo, ela admira o histórico do time com o país. "O PSG é uma equipe muito grande, tanto na França quanto no Brasil. Essa conexão com os brasileiros me motivou bastante a vir para cá”, explicou em entrevista à RFI no centro de treinamento da equipe em Bougival, na periferia oeste da capital francesa. “Há um respeito muito grande pelo PSG. É um clube que faz muito pelo futebol feminino; abraçou o futebol feminino como uma parte importante da equipe. Todos olham com muito respeito e admiração”, acrescenta. Luana, de 26 anos, foi o nome escolhido pelo PSG para substituir a alemã Sarah Däbritz, afastada por uma séria lesão. A brasileira veio transferida do Hwacheon KSPO, da Coreia do Sul, sem descartar a perspectiva de poder ficar por mais temporadas. “É um período de adaptação e para descobrir se é aqui mesmo que eu quero ficar, e também para o clube avaliar meu rendimento.” Luana tem a função de compor o meio-campo com a brasileira Formiga, uma das jogadoras mais experientes do elenco e que acolheu na sua chegada no PSG. Jogar ao lado da compatriota é uma forma de melhor se adaptar ao novo clube. “Sempre é mais fácil a adaptação quando você tem alguém que fala a mesma língua. Ainda não falo francês, mas ela tem me ajudado bastante”, diz. Um de seus grandes desafios no PSG é levantar as taças do campeonato francês e da Liga das Campeãs, uma grande ambição do time parisiense, que tem como rival nos gramados o Lyon, potência do futebol feminino na França e na Europa.    “Já joguei contra o Lyon na Liga das Campeãs, quando jogava na Noruega. É uma equipe muito forte, mas o PSG tem condições de igualar e até mesmo vencer”, avalia, confiante. "Liga Francesa é forte" Aos 20 anos, a primeira experiência profissional da paulista de São Bernardo do Campo no exterior foi na Noruega, onde ficou quatro temporadas. “Amadureci muito lá como jogadora”, relembra. Na sequência, teve uma rápida passagem pelo futebol sul-coreano, o que lhe garantiu experiência em diferentes estilos de jogo. “Há muitas diferenças. Na Ásia é um futebol mais técnico e não com tanta força. É um jogo de mais aproximação, toque de bola. Já aqui na Europa é de mais força e velocidade. É bom você experimentar diversas ligas para melhorar e aprimorar seu futebol. Fui agregando coisas em meu jogo”, destaca. “A Liga francesa é muito forte, um pouco diferente do que as que eu já joguei. Acho o futebol francês rápido, intenso, de um nível técnico alto e também fisicamente. É um conjunto de todas as ligas que joguei até hoje”, ressalta. Luana, que tem sido convocada regulamente pela nova treinadora da seleção brasileira de futebol feminino, Pia Sundhage, é só elogios para o desempenho da sueca frente à equipe. Foram cinco vitórias em sete jogos. “Viemos de um momento muito bom, de vitórias, o que dá muita confiança para a equipe. A Pia tem trazido muita informação nova para a gente, trabalha nas áreas em que ela acha que a gente precisa melhorar. Temos tudo nesta reta final para melhorar e chegar bem às Olimpíadas”, destacou, em referência aos Jogos de Tóquio 2020. Um de seus objetivos é que deverá representar o Brasil nas Olimpíadas e também no torneio internacional a ser realizado em março, na França, entre 4 e 10 de março. Luana, que jogou pela seleção brasileira na Copa do Mundo no ano passado na França, guarda boas recordações da competição e do impacto para o esporte.   “Foi uma repercussão muito grande tanto no Brasil quanto na Europa, com os jogos com muita audiência e estádios lotados. Foi um passo para o futebol feminino. Começaram a olhar [o futebol feminino] de uma maneira diferente, mais profissional. O torcedor brasileiro criou um carinho pela seleção feminina”, garante.

Wire art L’univers enchanteur d’Astrid Lecornu à Bougival. La jolie fée conteuse d’histoires aux fils textiles et d’acier me reçoit comme une princesse à l’heure du Tea time. Je suis comblée par la cérémonie du thé qu’elle m’offre, appelée aussi « Shanoyu » plus qu’un rituel c’est un art traditionnel zen qu’Astrid pratique depuis de nombreuses années. L’esthétique et l’élégance de cet art se retrouvent dans ses jolies créations. https://www.facebook.com/astrid.lecornu https://www.instagram.com/astrid.lecornu/?hl=fr http://astridel.over-blog.com/ Verde te quireo verde Voir la ville en vert avec Leslie Garcia et son livre « Végétaliser les mini-espaces urbains » sorti aux Éditions Alternatives. Une jolie façon de mettre le jardinage à portée de tous grâce à cette scénographe devenue Paysagiste en créant Lili Garden à Romainville. https://www.facebook.com/liligardenpaysagiste/ https://www.instagram.com/liligarden.paysagiste/?hl=fr http://www.liligarden.fr/ http://www.editionsalternatives.com/site.php?type=P&id=2087 Bows c’est de la bombe !! Rencontre avec l’artiste graffeur Bows pendant sa performance au restaurant Le Train de vie à Romainville. Abstract art en direct sur les stores métalliques de ce Café populaire qui se pare de couleurs made in Bows. Ce week-end, à ne pas manquer le live de notre street artist lors des portes ouvertes de Romainville, et l’expo chez Valérie aux Trouvailles de java. https://www.facebook.com/bowsbombjunkiz/ https://www.instagram.com/bows_jfb/?hl=fr Gourmandise purement végétale Des douceurs, délicates, créatives et végétales imaginées par Éolia. Cette charmante créatrice gourmande a installé son laboratoire à l’Usine Hollander de Choisy Le Roi où elle élabore ses propres recettes éthiques naturelles et responsables. Des pâtisseries pleines de saveurs qui feront voyager vos papilles…Yummy Retrouvez Eolia au Salon Veggie World au Centquatre le 12 et 13 octobre https://www.facebook.com/eoliapatisserie/ https://www.instagram.com/eoliapatisserie/?hl=fr Facebook : Le Grand Paris Vu De Ma Mini

Definición del concepto de soberanía. ¿Dónde "reside" la soberanía en España? A quién pertenece la soberanía española, ¿al pueblo, a la Nación, al Rey, al parlamento? Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-18-piensa-veras-audios-mp3_rf_23232128_1.html Música: "Los toreros", primer acto de la ópera " Carmen" de George Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano (Alhama de Granada 1927-Madrid 2018) Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2019 diariorc.com mcrc.es

durée : 01:58:50 - Eléonore Pancrazi, Jean-François Marras et Orlando Bass ; Dmitry Masleev ; Trio Dämmerung - par : Gaëlle Le Gallic - **Avec** [**Georges Chaminé**](http://www.lesamisdebizet.com/j.chamine.php)**, Président du** [**Centre Européen de Musique à Bougival **](http://www.centreeuropeendemusique.fr/) [**Eléonore Pancrazi**](http://eleonorepancrazi.fr/)**, mezzo-soprano**, finaliste du Concours Voix Nouvelles 2018  [**Jean-François Marras**](https://www.operadeparis.fr/artistes/jean-francois-marras)**, ténor**, en résidence à l’Académie de l’Opéra de Paris  [**Orlando Bass**](https://www.jeunes-talents.org/musiciens/1432/Orlando-Bass)**, pianiste, improvisateur ** [**Dmitry Masleev**](http://www.dmitry-masleev.com/en/)**, piano** Premier Prix du Concours Tchaïkovski de Moscou 2015 [**Trio Dämmerung**](http://www.fnapec.fr/resultats-du-31e-concours-europeen-musiques-densemble/) : Misako Akama, violon Eudes Bernstein, saxophone Orlando Bass, piano Lauréat du Concours Européen Musiques d’Ensemble ## Programme musical **Orlando Bass** _Improvisation sur des thèmes de Carmen_ Orlando Bass **Georges Bizet** _Carmen, Acte I : L'amour est un oiseau rebelle_ (_Habanera,_ air de Carmen_)_ Eléonore Pancrazi et Orlando Bass _**Georges Bizet**_ _Carmen, Acte I : Près des remparts de Séville_ (duo de Carmen et Don José) Eléonore Pancrazi, Jean-François Marras et Orlando Bass **Orlando Bass** _Improvisation sur des thèmes de Carmen  _ Orlando Bass **Georges Bizet** _Carmen, Acte II : La fleur que tu m’avais jetée_ (air de Don José) Jean-François Marras et Orlando Bass **Georges Bizet** _Carmen, Acte IV : Tu ne m’aimes donc plus ?_ (duo de Carmen et Don José) Eléonore Pancrazi, Jean-François Marras et Orlando Bass **Serge Prokofiev** _Sonate n° 2 en ré mineur op. 14   _ _I. Allegro ma non troppo   II. Scherzo : Allegro marcato   III. Andante   IV. Vivace_ Dmitry Masleev **Piotr Ilitch Tchaïkovski** _Dix-Huit Morceaux op. 72_ (extraits) _Berceuse en la bémol majeur op. 72 n° 2      Polacca de concert en mi bémol majeur op. 72 n° 7_ _Scène Dansante en ut majeur op. 72 n° 18_ Dmitry Masleev **Claude Debussy / arrangement Yann Stoffel** _Prélude à l’après-midi d’un faune_ Trio Dämmerung **Maurice Ravel / arrangement Yann Stoffel** _La Valse_ Trio Dämmerung ## Entrée dans la cour des grands [**Concours de Piano de Brest**](http://concourspianobrest.com/) **Catégorie Liszt, Catégorie Debussy Fauré Rachmaninov : Raman Kamisarau (Biélorussie)   Catégorie Chopin : Hansol Noh (Corée)** ## Agenda [**François Pineau-Benois**](http://www.francoispineaubenois.com/vitaFr.php)**, violon, et**  [**Guilhem Fabre**](http://guilhemfabre.fr/fr/page-daccueil)**, piano** Mozart, Kreisler, Beethoven **Dimanche 4 mars - 15 h** Cathédrale Américaine de Paris **Le Trio Atanassov joue Debussy et Ravel      Jeudi 8 et vendredi 9 mars - 20 h** [Sinfonietta Paris](http://sinfoniettaparis.org/) [**Centre de Musique de Chambre de Paris**](http://www.centredemusiquedechambre.paris/) **: les jeudis, vendredis et samedis du 8 au 24 mars** Schubert : _Quatuor n° 15 en sol majeur D. 887_ et _Quintette à deux violoncelles en ut majeur D. 956_, avec Bruno Philippe et Jérôme Pernoo Back & Breakfast Boeuf de chambre avec Lucas Debargue le 29 mars **Le Ban des Arts de Gadagne propose**  [**Les Musicales de l'Orangerie**](http://lebandesartscdg.wixsite.com/leban-2) **: 2ème saison   En partenariat avec Génération jeunes interprètes   7 concerts d'octobre 2017 à avril 2018   Dimanche 11 mars - 16 h : Trio Metral (piano, violon, violoncelle)   Haydn, Brahms, Mendelssohn   Domaine de Blanche Fleur, 84470 Châteauneuf de Gadagne** ## Réseaux sociaux [La page facebook du Fan club de Génération jeunes interprètes](https://fr-fr.facebook.com/generationjeunesinterpretes/) - réalisé par : Jean-Pierre Collard

A quién pertenece la soberanía en España, ¿al pueblo, a la Nación, al Rey, al parlamento? Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: "Los toreros", primer acto de la ópera " Carmen" de George Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

A quién pertenece la soberanía en España, ¿al pueblo, a la Nación, al Rey, al parlamento? Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: "Los toreros", primer acto de la ópera " Carmen" de George Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

Definición del concepto de soberanía. ¿Dónde "reside" la soberanía de España? Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: "Los toreros", primer acto de la ópera " Carmen" de George Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

Definición del concepto de soberanía. ¿Dónde "reside" la soberanía de España? Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-26-piensa-veras-audios-mp3_rf_23386869_1.html Música: "Los toreros", primer acto de la ópera " Carmen" de George Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

La terminología política utilizada por la partidocracia corresponde a otras épocas anteriores a los Estados totalitarios, cuando pertenecían a la sociedad civil. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-18-piensa-veras-audios-mp3_rf_23232128_1.html Música: Habanera del primer acto de la ópera " Carmen" de Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

La terminología política utilizada por la partidocracia corresponde a otras épocas anteriores a los Estados totalitarios, cuando pertenecían a la sociedad civil. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-18-piensa-veras-audios-mp3_rf_23232128_1.html Música: Habanera del primer acto de la ópera " Carmen" de Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

Consenso, es un término sociológico que se ha reformulado políticamente para legitimar la Transición española. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-18-piensa-veras-audios-mp3_rf_23232128_1.html Música: Habanera del primer acto de la ópera " Carmen" de Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

Consenso, es un término sociológico que se ha reformulado políticamente para legitimar la Transición española. Fuentes: Radio libertad constituyente: http://www.ivoox.com/rlc-2018-01-18-piensa-veras-audios-mp3_rf_23232128_1.html Música: Habanera del primer acto de la ópera " Carmen" de Bizet (París 1838-Bougival 1875). Locución: Antº Gª-Trevijano. Producido y realizado por el MCRC Visite mcrc.es. El Movimiento de Ciudadanos hacia la República Constitucional es una asociación cultural y prepolítica. RLC 2018 diariorc.com mcrc.es

Oil on canvas, 25 3/4 in. x 36 3/8 in.

Oil on canvas, 25 3/4 in. x 36 3/8 in.

Oil on canvas, 25 3/4 in. x 36 3/8 in.

La bonne chanson, Op.61 is a song cycle of nine melodies for voice and piano. L'hiver a cessé is the last cycle in La bonne chanson. The cycle was composed in the summers of 1892 and 1893 while Fauré was staying in Bougival, as the guest of the banker Sigismond Bardac and his wife, the soprano Emma Bardac. Fauré wrote later that the cycle was his most spontaneous creation, with Bardac singing the newly composed material for him each day. The final song, "L'hiver a cessé", was completed in February 1894, and the cycle was published by Hamelle that year, with a dedication to Emma Bardac. In a 1902 interview conducted by Louis Aguettant for Le Courrier musical, Fauré enumerated five main musical themes which recur throughout the cycle until they appear together in the final song, "L'hiver a cessé".

For me, a landscape does not exist in its own right, since its appearance changes at every moment; but its surroundings bring it to life – the air and the light, which vary continually … For me, it is only the surrounding atmosphere which gives objects their true value. Monet 18911 As he matured as an artist, Monet returned to the same motif with endless variations: Rouen Cathedral, poplars, haystacks, waterlilies. It was only in this way that he could seek to capture differing effects of light on objects, and changing times of day, as the nominal theme and composition differed only to a small degree. In the ice-floe paintings he made in and after the severe winter of 1892–93, there are even fewer variables, as the dazzlingly colourful effects of sunlight on vegetation or stone surfaces have been eliminated. Monet had addressed the subject of ice breaking up on the Seine – the ‘débacle’ of the title – at least twice before, in 1868 at Bougival, and in 1879–80 at Lavacourt, near Vétheuil. The thirteen Giverny paintings of 1893–94 were composed and begun at the small village of Bennecourt near his house.2 Having swept along its ice floes for several days, the Seine finally froze over in mid-January, 1893. Monet set up on the Bennecourt bank and painted the river looking towards the hills on the left bank.3 The date 1894 written on the canvas, a year after the freezing flood, puts firmly to rest the myth that Monet always painted out of doors: like almost all artists he finished works in the studio, sometimes large parts of them. In Morning haze Monet’s subject is the disappearance of form and colour under nature’s wintry grey and white coverings of snow and fog on a river. Like Turner, Monet attempts to paint the ineffable appearance of light and water, the infinite array of snow, river, vapour and sky. The tonal spectrum he employs is small, varying from very light to middle tones, while his palette is limited to mixed hues of white and the palest shades of grey and purple. But the skin of paint is robust, built up in layers like masonry. The way mist dissolves material reality is evoked by a haze of paint. The bright snow on the bank emphasises the snow on the ice floes, while the river’s surface reflects the mist and sky, as well as the trees on the far bank and on the little islets. By cutting off the foreground, Monet allows the river to flow out of the canvas, encroaching into the viewer’s world. As so often in Monet’s painting, his experience of transience, of recording an instant, implies time passing and the inevitability of change. Christine Dixon 1 Said by the artist to a visitor to his Haystacks exhibition in 1891, see W.G.C. Bijvanck, ‘Une Impression (Claude Monet)’ in his Un Hollandais à Paris en 1891, Paris: Perrin, 1892, p. 177, quoted in John House, Monet: nature into art, New Haven: Yale University Press, 1986, pp. 28–9. 2 Daniel Wildenstein, Claude Monet: biographie et catalogue raisonné, Lausanne: La Bibliothèque des arts, 1974–1991, 5 vols, cat. 1333–1344, see vol. III, pp. 542–6. 3 Wildenstein, vol. III, pp. 542–3.