Podcasts about new mexico museum

The Virgin of Guadalupe is a cultural icon with deep roots in Mexican and Chicano communities across the United States and Mexico, among other places. Artists in New Mexico often reference Guadalupe in their work—including Chicana artist Delilah Montoya.  A mixed-media piece, “La Guadalupana,” by Montoya features a large photograph of the Virgin of Guadalupe as tattooed on the back of an incarcerated man. It is one of the many works of art on display at New Mexico Museum of Art's Vladem Contemporary as a part of their “identity” theme in Off-Center. Katie Doyle, assistant curator at the New Mexico Museum of Art, says Montoya's work fits in with Vladem's exhibition because it tells one of many essential stories about the cultural and historical issues that have continued to affect people in New Mexico.  Mentioned in this Episode:  Gloria Anzaldúa on la Virgen de Guadalupe Off-Center: New Mexico Art, 1970-2000 at New Mexico Museum of Art's Vladem Contemporary La Guadalupana by Delilah Montoya Chicano Awareness Center in Omaha, Nebraska Civil Rights Movement in Omaha, Nebraska National Geographic article about DNA and human ancestry *** We'd love to hear from you! Let us know what you loved about the episode, share a personal story it made you think of, or ask us a question at elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to.  Visit newmexicoculture.org for info about our museums, historic sites, virtual tours, and more.  Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Reserve yours online!   If you love New Mexico, you'll love El Palacio Magazine! Subscribe to El Palacio today. Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios.  Hosted by Emily Withnall, editor at El Palacio MagazineExecutive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. RuizRecording Engineer: Kabby at Kabby Sound Studios in Santa FeEditor & Production Manager: Alex RieglerAssociate Producer & Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine

Join host Emily Withnall and producer Andrea Klunder for a preview of the upcoming 8th season of Encounter Culture. This season features diverse topics, including an interview with artist Delilah Montoya, a tour of the brand-new Ancient Life exhibition at the New Mexico Museum of Natural History and Science, a conversation about children's books with author Daniel Vandever, and a deep look inside the art of bootmaking. “It's cool to think about art in that way, you know, to create beauty from nothing. It starts as an idea and then all of a sudden you have this beautiful object that you've somehow created from that original spark of an idea in your brain.” ~Emily Withnall ENCOUNTER CULTURE EPISODES REFERENCED Look Up! Leo Villareal's Astral Array at New Mexico Museum of Art Vladem Contemporary FOR FURTHER EXPLORATION Delilah Montoya Off-Center at the New Mexico Museum of Art, Vladem Contemporary Ancient Life at the New Mexico Museum of Natural History & Science Program for Interactive Cultural Technology, New Mexico Highlands University Fall in Line, Holden! by Daniel Vandever Herizon by Daniel Vandever We Weave by Daniel Vandever New Mexico State Library New Mexico Arts Folk Arts Apprenticeship Program Jes Márquez  Museum of Indian Arts and Culture *** We'd love to hear from you! Let us know what your favorite episodes of the podcast are, share a personal story, or ask us a question at elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to.  Visit newmexicoculture.org for info about our museums, historic sites, virtual tours, and more.  Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Reserve yours online!   If you love New Mexico, you'll love El Palacio Magazine! Subscribe to El Palacio today. Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios.  Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineers: Collin Ungerleider & Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Associate Producer & Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine  

Planetary Geologist, Volcanologist, and and part of the Mars Mission, from the New Mexico Museum of Natural History, Dr. Larry Crumpler joins TJ on News Radio KKOB See omnystudio.com/listener for privacy information.

Paleontologist from the New Mexico Museum of Natural History and Science, Spencer Lucas comes in to discuss a new exhibit at the Museum entitled the "Paleozoic Hall" with TJ on News Radio KKOB See omnystudio.com/listener for privacy information.

From the New Mexico Museum of Natural History, Paleontologist Spencer Lucas comes in to discuss what's new at the Museum. He also talks about the history of humanity and it's woes, also the effects of climate change, and another possible ice age. All this with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

Ever wonder what New Mexico looked like before dinosaurs roamed the earth? Local paleontologists have been studying fossils and renovating a new space at the New Mexico Museum of Natural History and Science to bring visitors a first-hand look at the prehistoric southwest. This week, the museum's Curator of Paleontology, Dr. Spencer Lucas, joins Chris and Gabby to talk about their latest exhibit “Ancient Life,” painting a picture of some never-before-seen collections and creatures that'll soon be on display.  We appreciate our listeners. Send your feedback or story ideas to hosts chris.mckee@krqe.com or gabrielle.burkhart@krqe.com. We're also on X (Twitter), Facebook, & Instagram at @ChrisMcKeeTV and @gburkNM. For more on this episode and all of our prior episodes, visit our podcast website: KRQE.com/podcasts. Also, check out the video version of the podcast on our YouTube channel. Our show also airs on television! Tune into Fox New Mexico on Wednesdays at 10:35 p.m. MST. 

It's a bright morning in early autumn, and a few hundred of us are seated on wooden pews in a historic auditorium at the New Mexico Museum of Art. A murmurous sound fills the hall as friends greet each other beneath a painted mural of St. Francis — patron saint of ecology and animals, those who are invisible to the outer world, and this place, Santa Fe, that we call home.Philosopher and poet David Whyte and teacher and author Henry Shukman take their seats on stage. Renowned in their respective fields and acquainted since their pub days, Henry wears slacks and a button-down, while David, in signature black, positions himself center stage.David opens his oratory with such agility and resonance I find myself wondering about the force that calls us to the artistry of our lives. James Baldwin once wrote about the inevitability of his calling: “The terrible thing about being a writer is that you don't decide to become one, you discover that you are one.” To be an artist seems less a choice than a truth to Baldwin, less a vocation than an unbidden command that could sweep the furnishings from your life.David's treatment of the word “unordinary” touches into this truth. He describes it as “what lies beneath my everyday life, like an interior seam of precious metal hidden by layers of my surface ordinariness; something to be uncovered and perhaps at times, even unleashed.”An interior seam of precious metal hidden by layers of my surface ordinariness —Something to be uncovered —even unleashed —A contemplative hush moves through the hall. David's voice rings a bell of intimacy and longing for many of us; it's a knowing nod to the untapped brilliance beneath the surface of our lives.By adulthood, most of us have charted a course. Consciously or otherwise, we have put our rudder in the water. We have tied our knots. And all along this voyage we call adulthood, we must continually tack in the direction we have assigned for ourselves. This is how, as the wide-open estuaries of youth narrow into the channels of midlife, we can lose sight of an intrinsic, irreducible essence within us.Or perhaps we make a choice. Faithfulness to the ordinary can keep us safe and serve us well for a time; it can support values like constancy, integrity, and trustworthiness. It can make us reliable and at least half-decent.Habituating ourselves to the ordinary may work for a while, tidying up the messy surface bits even as intuition whispers from the depths. On the other hand, striving to be extraordinary is exhausting and rooted in insecurity, a cycle of fear on repeat. But to be unordinary is to be liberated from the tensions of the ordinary and the appraisals of the extraordinary. “May what is hidden within you become your gift to the world,” David says.Pursuing an unsatisfactory life is no passive practice, however unprepared we may feel for the risk of something real. It's a bargain against our wholeheartedness—against the undefinable yet knowable essence that, in every moment, is breathing its way into being. Beneath our to-do lists and human dramas, our grasping and avoiding, our busy peddling of wares while forgetting the greater plot, there exists a wakeful, tender, and intelligent wilderness within us.“Dwell as near as possible to the channel in which your life flows,” counseled Henry David Thoreau, understanding that what is hidden within us will always make its way toward the light. Who can't relate to an inner knowing that, if given the chance, would inspire courageous acts of authenticity and influence the creative flow of your life?—Above the pews and beyond the windows from where we sit, the Sangre de Cristo Mountains extend skyward. A pavement project along Hyde Park Road, the only road linking downtown Santa Fe to its nearest peak, has resulted in the mountain being temporarily inaccessible to the public. It's a strange feeling for the humans who live here to be barred from the forests and rivers we know so well. From afar, we watch the face of our mountain as its hues change—first from deepening green to yellow, and now, as if signaling some secret thought, here comes a blush of crimson, cinnamon, and orange.Most days, ordinary is the kind of person I seem to want to be; it's the kind of person I tend to be. But this season, perhaps spurred by the particularities of my human loneliness, I long to be among the aspens with their shimmering sweep of drying leaves, each tree part of a singular organism that eats light and sends messages through tangled roots beneath the forest floor. Every day, on my way to wherever I'm going, I look toward the mountain and wonder, spared from the human gaze, what is happening beneath the veil of its exterior.The bear who lumbered from the deep woods at the bend in Borrego last Spring — is she feasting on trout before the river freezes? I imagine black stones sighing into river beds and afternoons casting long, warm shadows across untrammeled trails. Un-startled deer walking over fallen leaves and needles, their delicate nervous systems rebalancing. Furred creatures foraging for seeds, nuts, and berries among the underbrush. Oyster mushrooms growing in happy clumps on the underside of composting trees. And birds testing their wings for long flight.I imagine a kingdom, unburdened for a time, awakening to itself in a thousand brilliant ways.“At no other time (than autumn) does the earth let itself be inhaled in one smell, the ripe earth; in a smell that is in no way inferior to the smell of the sea, bitter where it borders on taste, and more honeysweet where you feel it touching the first sounds. Containing depth within itself, darkness, something of the grave almost.”― Rainer Maria RilkeEach season reflects a facet of nature's wisdom and offers us a mirror to reimagine our own experience of aliveness. In autumn, we touch inevitability, learning to bring forth the fruit that is ours, to surrender our leafy adornments. Loneliness and grief may be our teachers; this meditation may be bittersweet, but it will be wholly ours to claim.Backlit by an image of St. Francis, Henry's voice stirs the air with an invitation:Let the quiet come —Let the quiet come like a tide —Let the quiet come like a tide you've been waiting for your whole life.Invitation for reflection: What does it mean to you to “let the quiet come”? What unordinary awareness is making itself known through you as the season deepens? What thoughts, beliefs, habits, and behaviors must you let go of to make room for to integrate revelation, and what must you invite in?Together, we are making sense of being human in an era of radical change. Your presence here matters. Thank you for reading, sharing, ‘heart'ing, commenting, and subscribing to The Guest House. Get full access to The Guest House at shawnparell.substack.com/subscribe

Nel 1985, nel New Mexico (Stati Uniti), vennero dissotterrate delle vertebre fossilizzate di dimensioni insolite. Il nome scelto dal curatore del New Mexico Museum of Natural History fu sismosauro. Si stima che l'animale fosse lungo circa 30 m e pesasse forse un centinaio di tonnellate!

What does the space history have to do with science fiction? More than you'd think! Among the many exhibitions the New Mexico Museum of Space History offers is one called Sci Fi & Sci Fact: Two Worlds Collide. As Chris Orwoll, executive director of the New Mexico Museum of Space History shares, TV shows and movies like Star Trek and Star Wars were greatly influential to NASA employees. And that's just one example! On the flip side, contemporary technologies can influence artists, writers, and filmmakers. For Los Alamos native, science fiction novelist, and astrophysicist student, Ness Brown, the connection between art and science is clear: “Truth is stranger than fiction.” MENTIONED IN THIS EPISODE Ness Brown's horror sci-fi novel, The Scourge Between Stars MEGACON Comic-Con International Space Hall of Fame Roswell Museum We'd love to hear from you! Send feedback to elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to. Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Find out how to get yours here. Subscribe to El Palacio Magazine *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine For a transcript and full show notes, please visit podcast.nmculture.org

Space Science Director at the New Mexico Museum of Natural History Jim Greenhouse discusses a new exhibit called "Sci Fi/Sci Fact" an exhibit that originated from the New Mexico Museum of Space history in Alamogordo, New Mexico. All here with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

TJ kicks off this Friday show talking about the sea level rising on the Eastern Seaboard. Then we get an update on the Odie lunar probe from Space Science Director Jim Greenhouse from the New Mexico Museum of Natural History and Science. All this and more on News Radio KKOBSee omnystudio.com/listener for privacy information.

Paleontologist Dr. Spencer Lucas from the New Mexico Museum of Natural History discusses a pre T-Rex that was found near Elephant Butte, he also discusses other things related to fossils with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

Researchers just announced a new Tyrannosaurus species based on a fossil found in New Mexico's Elephant Butte Reservoir in 1983. What's now known as the Tyrannosaurus mcraeensis is believed to be at least 5 million years older than his cousin, the T. Rex as we know it. The scientific discovery reshapes the historical understanding of the most famous dinosaur ever to walk the earth. Could the Tyrannosaurus have originated in New Mexico? How do paleontologists know this is a new species? And why did it take 40 years to make this announcement? Spencer Lucas, a paleontologist, chief curator for the New Mexico Museum of Natural History and Science, & co-author on the new study, discusses the research that went into the new Tyrannosaurus discovery.  We appreciate our listeners. Send your feedback or story ideas to hosts chris.mckee@krqe.com or gabrielle.burkhart@krqe.com. We're also on Twitter (X), Facebook, & Instagram at @ChrisMcKeeTV and @gburkNM. For more on this episode and all of our prior episodes, visit our podcast website: KRQE.com/podcasts.

Meggan Gould lives and works in the mountains outside of Albuquerque, New Mexico, where she is a Professor of Art at the University of New Mexico. She received an MFA from the University of Massachusetts - Dartmouth, and a BA from the University of North Carolina at Chapel Hill. Her work has been exhibited widely in the United States and internationally, and is included in many private and corporate collections, as well as public collections including the DeCordova Museum, the New Mexico Museum of Art, Light Work, and the University of New Mexico Art Museum. Her multifaceted practice uses photography, writing, drawing, sculpture, and installation in an open-ended dissection of vision and photographic tools. Follow Meggan's work: https://www.instagram.com/megganlgould/ https://www.meggangould.net/ Follow Ready for Mistakes: instagram.com/readyformistakes

If you've ever been to a Sinclair gas station and see the green dinosaur out front, paleontologist Tony Fiorillo says it's a fair approximation of New Mexico's Alamosaurus—which was first discovered in New Mexico more than one hundred years ago. Not only is the Alamosaurus a “New Mexican icon,” as Fiorillo says, but it's also the only dinosaur discovered in North America so far that appears to have migrated from South America. In addition to his work as a researcher and paleontologist, Dr. Tony Fiorillo is the executive director of the New Mexico Museum of Natural History & Science. His career has covered several continents largely to study dinosaurs and the environments in which they lived. For more than two decades, Fiorillo focused on the Cretaceous of Alaska. There, his teams made significant advances in the understanding of ancient Arctic biodiversity and paleoecosystems as a way of understanding future climates. In this episode, Fiorillo joins Encounter Culture host Emily Withnall in a conversation about arctic dinosaurs, what 19th-century scientists understood about the first dinosaurs they found, and how dinosaurs can provide insight for what's in store for humans.  MENTIONED IN THIS EPISODE New Mexico Museum of Natural History & Science https://www.nmnaturalhistory.org/  Benjamin Waterhouse Hawkins dinosaur sculptures at Crystal Palace https://www.nhm.ac.uk/discover/crystal-palace-dinosaurs.html  Dinosaurs at Denali National Park https://www.nps.gov/dena/learn/nature/fossils.htm   We'd love to hear from you! Send feedback to elpalacio@dca.nm.gov. You can write a regular email or record a short voice memo and attach it for us to listen to. Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. Our favorite way to fully experience everything they have to offer is with the New Mexico Culture Pass. Find out how to get yours here. Subscribe to El Palacio Magazine *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Theme Music: D'Santi Nava Instagram: @newmexicanculture

What would it be like to see a symphony? How can you capture the rhythm of waves or a murmuration in constellations of light? If anyone can offer a visual representation of multi-sensory experiences, multimedia artist Leo Villareal can. As Villareal shares in his conversation with Encounter Culture host, Emily Withnall, “I think of my tools more like instruments in a way. And I'm making kind of visual music.” Leo Villareal is a world-renowned artist with roots in Albuquerque, New Mexico, and in El Paso and Marfa, Texas. He currently lives in Brooklyn where he owns a gallery and oversees a team of artists, engineers, and programmers. His light sculptures can be seen in galleries in Geneva, London, Hong Kong, San Francisco, Madrid, Washington, D.C., Beijing, Amsterdam, New York, and San Antonio—to name a few. Among Villareal's newest light sculptures is Astral Array, an installation on view permanently in the outdoor breezeway to New Mexico Museum of Art's new Vladem Contemporary location in the Santa Fe Railyard. Villareal draws inspiration from the natural world, from Indigenous weaving, and from computer coding and programming. Despite the sometimes-impermanent nature of his installations, many of which are site- and time-specific, he appreciates the cycle of creation and dismantling inherent to his work and to the ways in which his continued experiments with light are visible to all.  MENTIONED IN THIS EPISODE New Mexico Museum of Art Vladem Contemporary Illuminated River: A Public Art Commission Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. Our favorite way to fully experience everything they have to offer is with the New Mexico Culture Pass. Find out how to get yours here. Subscribe to El Palacio Magazine *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Emily Withnall, editor at El Palacio Magazine Executive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Editor & Production Manager: Alex Riegler Theme Music: D'Santi Nava Instagram: @newmexicanculture

[TRANSCRIPT] [click, static] There's a saying about bad habits. Or maybe it's just habits. Habits die hard. Bad habits die doubly hard, I guess.  Although maybe I shouldn't be considering it a habit—it is what I did for a living. And is it really bad now? I don't think so.  I stole a painting. That's what I'm trying to say. Just the one. Because I could. Because I wanted to.  “Santa Fe Mountains in October” by some Pearson guy. I've already forgotten his first name. Maybe I should've taken the placard too.  It was the New Mexico Museum of Art - nice place. Harry's favorite, as it happens. I don't know how she would've gone through the museum, what she would've paid attention to. We'd probably still be inside, to be honest. I have no doubt that she could spend hours and hours and hours inside an art museum.  Isn't that funny? That Harry and I have never been to a museum together? I mean, not to actually go to the museum. We've been in plenty museums and galleries before, after hours, illegally, taking stuff. And she'd make a comment here or there about a piece of art—not even the stuff we were taking, though that she'd always give a lecture on on the way there or after the job. Why it was important, how much it could really be worth, why it had to be transported the way it did. But she never tried to fence anything herself. I don't know why. She could've moved to that part of the whole process and made just as much money—maybe more—and would never had to have left her home. She could've been like Francis, living amongst her own art, working with Pete and me to get what we stole to wherever it would fetch the highest price.  But she didn't. She wanted in on the action. She wanted to take the art, wanted to be there as we broke in, wanted to run down the clock as she carefully stored each work of art for transport while the rest of us stood lookout, terrified that we were always seconds away from being caught.  I think she liked the risk too, is what I'm saying. I think she liked it just as much as me, or she would've made a living doing a million other things.  I don't know what happened to take her from the woman I knew, the woman who's eyes would light up any time we were taking on a job that had new complications we had to solve to the woman who refused to venture into a world with no one in it. [click, static]

Space Science Director and Astronomer Jim Greenhouse from the New Mexico Museum of Natural History and Science discusses the upcoming Eclipse with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

Originally from Honduras, Daniel Handal lives and works in New York City. He received his BS in Applied Sciences from Rutgers University and studied photography at the International Center of Photography. His work centers on portraiture and explores issues of gender, sexuality, identity, and community. He has had a solo exhibition at the Brooklyn Public Library (Flatbush Branch) and has been shown in group exhibitions at the New Mexico Museum of Art, FotoFest in Houston, and the Center for Photography in Woodstock, among others. His work has been exhibited internationally at the Australian Centre for Photography and MKII in London. Handal's photographs have been published in HuffPost, Slate, and Hyperallergic. He has been awarded residencies at The Millay Colony for the Arts, Virginia Center for the Creative Arts, and VCAA—France. Handal currently serves on the board of directors of Baxter St at the Camera Club of New York. His work is represented in the permanent collections of the Worcester Art Museum, 21c Museum and Hotels, Transformer Station Contemporary Art, Kala Art Institute, Kimmel Harding Center for the Arts, and more.   Here is a link to Daniel's exhibition where you will find the exhibition press release and more details. © Daniel Handal; “Tulip Thijs Boots (Misty Gray),” 2023; Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs); 16 x 20 x 1.5 inches, Courtesy of CLAMP, New York. © Daniel Handal; “Red Hobbit Columbine (Rustic Wood),” 2023; Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs); 16 x 12 x 1.5 inches; Courtesy of CLAMP, New York. © Daniel Handal; “Bunny Tails (Black Iron Silhouette,” 2022; Pigment print on gesso-coated aluminum, painted museum box (Edition of 3 + 2 APs); 13.5 x 9 x 1.5 inches, Courtesy of CLAMP, New York.

Welcome to the Juras-Sick Park-Cast podcast, the Jurassic Park podcast about Michael Crichton's 1990 novel Jurassic Park, and also not about that, too.  Find the episode webpage at: Episode 62 - Hammond. In this episode, my terrific guest Dr. Spencer Lucas joins the show to chat with me about: the greatness of New Mexico, reading Jurassic Park, watching Jurassic Park, Sam Neill, rediscovered animals like the Coelocanth, will we discover true extra terrestrials soon?, the UFO Festival in Roswell, NM, the plausibility of Crichton's science fiction, The House Oversight subcommittee's hearing on UFOs, neat details about Tyrannosaurus, field work in New Mexico, the Permian Age, continental Pangea, ancient climates, chaos theory, how to make sense of extinction events, Permian insects and the meganeuran dragonflies, "God had an inordinate fondness for beetles," cockroaches, giant millipedes, amber deposits, coelophysis, the incredible similarities between Triassic dinosaurs and birds, eucoelophysis, silesaurids, dinosaur origins, visiting the New Mexico Museum of Natural History and Science, and much more! Plus dinosaur news about: New enantiornithine bird from the uppermost Cretaceous (Maastrichtian) of southern Patagonia, Argentina A New Basal Neornithischian Dinosaur from the Phu Kradung Formation (Upper Jurassic) of Northeastern Thailand Featuring the music of Snale https://snalerock.bandcamp.com/ Intro: Buzzsaw Partyboy.  Outro: Black Licorice. The Text: This week's text is Hammond, spanning from pages 390 – 393. Synopsis: Yo, Hammond dies! Discussions surround: The Illusion of Control, Island Layout, Timeline, Believe Me, I Know!, Crichton Tropes, Hubris and Hammond's Dream. Corrections: Side effects:  May cause you to leave behind non-human biologics! Find it on iTunes, on Spotify (click here!) or on Podbean (click here). Thank you! The Jura-Sick Park-cast is a part of the Spring Chickens banner of amateur intellectual properties including the Spring Chickens funny pages, Tomb of the Undead graphic novel, the Second Lapse graphic novelettes, The Infantry, and the worst of it all, the King St. Capers. You can find links to all that baggage in the show notes, or by visiting the schickens.blogpost.com or finding us on Facebook, at Facebook.com/SpringChickenCapers or me, I'm on twitter at @RogersRyan22 or email me at ryansrogers-at-gmail.com.  Thank you, dearly, for tuning in to the Juras-Sick Park-Cast, the Jurassic Park podcast where we talk about the novel Jurassic Park, and also not that, too. Until next time!  #JurassicPark #MichaelCrichton

While the United States boasts incredible geology from coast to coast, Dr. Larry Crumpler says it's relatively silent. But New Mexico is different. “Here, it's just babbling away, and all you have to do is understand what it's saying. It turns out to be totally shocking and amazing most of the time.” Encounter Culture host Charlotte Jusinski invited Larry Crumpler and Jayne Aubele, two geologists working with the New Mexico Museum of Natural History & Science, to lead a virtual expedition through eons of the state's geologic history. As audiences will discover, Jayne and Larry share more than a fiery passion for this landscape. But first, the trio discusses what makes this diverse and wild place so special, the cultural implications arising from the volcanic processes that formed the area's rifts, and what New Mexico can teach us about Mars and Venus. MENTIONED IN THIS EPISODE Missions To Mars Perseverance Rover Magellan Radar Mission Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski, Editor at El Palacio Magazine Technical Director: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer:  Daniel Zillmann Show Notes: Lisa Widder Associate Editor: Helen King Associate Producer: Alex Riegler Theme Music: D'Santi Nava Instagram: @newmexicanculture For more, visit podcast.nmculture.org.

Perry was born and raised in a small town in Iowa. According to his dad, the population was 600, if you count the dogs and cats. He received two degrees (Pharmacy and Biology) from Drake University in Des Moines, Iowa. Upon graduation, he moved to Dallas, to begin his career as a Pharmacist. After 3 years, he moved He earned a Master's Degree MAS in Information Technology Management. In 1999, he met a man and moved in with him in Washington DC.  In January 2005, they came to a conference in Santa Fe.  They fell in love with the energy and flavor and kindness of the people in Santa Fe. They had decided that they should buy a vacation house and retire someday in Santa Fe. In 2008 they bought a house on the west edge of Santa Fe. In 2011 his husband's job changed and they decided to sell their house in DC and move. They landed in Santa Fe full-time in January 2012. They enjoy food and drinks, restaurants, and all the amazing art and cultures of Santa Fe.Introduction:Welcome to another episode of Where Do Gays Retire! Today, we will be exploring the beautiful city of Santa Fe, New Mexico. Santa Fe is known for its stunning natural beauty, rich cultural heritage, and vibrant arts scene, making it a popular destination for retirees and travelers alike.History:Santa Fe is the oldest capital city in the United States, founded in 1610. It has a rich history, having been ruled by Spanish, Mexican, and American governments, each leaving its mark on the city's architecture and culture. The city is also known for being a center of Native American culture, with many Pueblo Indian tribes still residing in the area.Arts and Culture:Santa Fe is a city of art and creativity, with a thriving art scene that includes galleries, museums, and performing arts centers. The city is home to the famous Lensic Performing Arts Center, as well as the Santa Fe Opera and the New Mexico Museum of Art. The city also hosts several cultural festivals throughout the year, including the Santa Fe Indian Market, the Spanish Market, and the Folk Art Market.Outdoor Activities:Santa Fe is surrounded by breathtaking natural beauty, with opportunities for outdoor activities such as hiking, biking, skiing, and horseback riding. The city is also located near several national parks, including the Santa Fe National Forest, Bandelier National Monument, and the Pecos Wilderness.Food and Drink:Santa Fe is known for its delicious cuisine, with a wide range of dining options that include traditional New Mexican food, and Mexican, Italian, and contemporary American cuisine. The city is also home to many wineries and breweries, making it a great place for food and drink enthusiasts.Lifestyle:Santa Fe is a city that values community, relaxation, and a connection to nature. It has a small-town feel, with a friendly and welcoming community, and a relaxed pace of life. The city also has a thriving LGBTQ community, with many events and activities that celebrate diversity and inclusiveness.Conclusion:In conclusion, Santa Fe is a beautiful and unique city that offers retirees a vibrant arts scene, breathtaking natural beauty, delicious cuisine, and a relaxed lifestyle. With its rich history, thriving LGBTQ community, and abundance of outdoor activities, Santa Fe is the perfect place for retirees to call home.Thank you for tuning in to this episode of Where Do Gays Retire. Be sure to tune in next time as we explore another exciting retirement destination!Support the showIf you enjoy these podcasts, please make a donation by clicking the coffee cup on any page of our website www.wheredogaysretire.com. Each cup of coffee costs $5 and goes towards bringing you these podcasts in the future.

Perry was born and raised in a small town in Iowa. According to his dad, the population was 600, if you count the dogs and cats. He received two degrees (Pharmacy and Biology) from Drake University in Des Moines, Iowa. Upon graduation, he moved to Dallas, to begin his career as a Pharmacist. After 3 years, he moved He earned a Master's Degree MAS in Information Technology Management. In 1999, he met a man and moved in with him in Washington DC.  In January 2005, they came to a conference in Santa Fe.  They fell in love with the energy and flavor and kindness of the people in Santa Fe. They had decided that they should buy a vacation house and retire someday in Santa Fe. In 2008 they bought a house on the west edge of Santa Fe. In 2011 his husband's job changed and they decided to sell their house in DC and move. They landed in Santa Fe full-time in January 2012. They enjoy food and drinks, restaurants, and all the amazing art and cultures of Santa Fe.Introduction:Welcome to another episode of Where Do Gays Retire! Today, we will be exploring the beautiful city of Santa Fe, New Mexico. Santa Fe is known for its stunning natural beauty, rich cultural heritage, and vibrant arts scene, making it a popular destination for retirees and travelers alike.History:Santa Fe is the oldest capital city in the United States, founded in 1610. It has a rich history, having been ruled by Spanish, Mexican, and American governments, each leaving its mark on the city's architecture and culture. The city is also known for being a center of Native American culture, with many Pueblo Indian tribes still residing in the area.Arts and Culture:Santa Fe is a city of art and creativity, with a thriving art scene that includes galleries, museums, and performing arts centers. The city is home to the famous Lensic Performing Arts Center, as well as the Santa Fe Opera and the New Mexico Museum of Art. The city also hosts several cultural festivals throughout the year, including the Santa Fe Indian Market, the Spanish Market, and the Folk Art Market.Outdoor Activities:Santa Fe is surrounded by breathtaking natural beauty, with opportunities for outdoor activities such as hiking, biking, skiing, and horseback riding. The city is also located near several national parks, including the Santa Fe National Forest, Bandelier National Monument, and the Pecos Wilderness.Food and Drink:Santa Fe is known for its delicious cuisine, with a wide range of dining options that include traditional New Mexican food, and Mexican, Italian, and contemporary American cuisine. The city is also home to many wineries and breweries, making it a great place for food and drink enthusiasts.Lifestyle:Santa Fe is a city that values community, relaxation, and a connection to nature. It has a small-town feel, with a friendly and welcoming community, and a relaxed pace of life. The city also has a thriving LGBTQ community, with many events and activities that celebrate diversity and inclusiveness.Conclusion:In conclusion, Santa Fe is a beautiful and unique city that offers retirees a vibrantSupport the showIf you enjoy these podcasts, please make a donation by clicking the coffee cup on any page of our website www.wheredogaysretire.com. Each cup of coffee costs $5 and goes towards bringing you these podcasts in the future.If you or you know someone who is interested in being a guest on the podcast, please contact me at mark@wheredogaysretire.com. Please join our Where Do Gays Retire Facebook group at Where Do Gays Retire? | FacebookThank you so much for...

In the Summer of 2023, the New Mexico Museum of Art will open its highly anticipated exhibition space, Vladem Contemporary, in Santa Fe's Railyard District. There's a LEED-certified farmer's market building, retail and entertainment options, and ample green space to enjoy. As changes continue, so do debates about the area's rapid gentrification. The Vladem enters this chat as a modern complement to the NMMA's historic location on the Plaza, featuring established and emerging contemporary artists. Most importantly, the space will deepen conversations between the institution and community regarding New Mexico's multicultural artistic heritage.  Encounter Culture host Charlotte Jusinski spoke with Katie Doyle, assistant curator at the New Mexico Museum of Art, and Cristina González, an artist whose work will adorn the Window Box gallery, an exterior-facing exhibition space at the corner of Montezuma Avenue and Guadalupe Street. The trio discuss what it means for NMMA to set up in the Railyard, what folks can expect from Vladem, and the ever-evolving nature of public art. CORRECTION: The neighborhood around Santa Fe's Railyard was called the Barrio de Guadalupe, not the Barrio Analco, as mentioned in this episode. We apologize.  MENTIONED IN THIS EPISODE SITE Santa Fe Gilberto Guzman mural Leo Villareal Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours, and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski, Editor at El Palacio Magazine Technical Director: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer:  Daniel Zillmann Show Notes: Lisa Widder Associate Editor: Helen King Associate Producer: Alex Riegler Theme Music: D'Santi Nava Instagram: @newmexicanculture For more, visit podcast.nmculture.org. Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. For more, visit podcast.nmculture.org.  

New Mexico Museum of Natural History Paleontologist Spencer Lucas comes in to talk about a new dinosaur discovery in NM and other findings across the state with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

Word nerds and punctuation perfectionists rejoice! Encounter Culture host Charlotte Jusinski ends the season in grand, grammatically correct fashion with Dr. Maggie DePond, exhibition copy editor for the New Mexico Department of Cultural Affairs. Maggie also lends her talents to El Palacio magazine, casting a last, learned glance over every issue before it goes live.  The pair geek out over the intricacies of language, style guide rivalries, and challenges associated with distilling eons of information into 100-word captions. Buckle in for syntax shenanigans, a touch of ASMR, and permission to end sentences with a preposition. Ever wondered who edits all the text accompanying every exhibition in the four state museums of Santa Fe (the New Mexico Museum of Art, the Museum of International Folk Art, the New Mexico History Museum, and the Museum of Indian Arts and Culture)?  The answer is Dr. Maggie DePond. The work, which is often tedious, requires a tenacious character and plenty of red pencils.  For all its old-fashioned aspects, copy editing is a revolutionary profession. Who else but a copy editor could refer to medieval usage of the singular “they/them” to support our modern personal pronoun debate? “I feel that by doing that,” Maggie says, “I'm also teaching other writers what language is, the spectrum of language, and how language can evoke feelings.” And, by extension, every lucky museum goer in the state. Thank you for joining Encounter Culture this season. Season three coming soon! MENTIONED IN THIS EPISODE The Chicago Manual Of Style Associated Press Style Guide Elements Of Indigenous Style Merriam-Webster Twitter  Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski, Editor at El Palacio Magazine Technical Director: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer: Daniel Zillmann Show Notes: Lisa Widder Associate Editor: Helen King Theme Music: D'Santi Nava Instagram: @newmexicanculture For more, visit podcast.nmculture.org.

Dr. Larry Crumpler from the New Mexico Museum of Natural History and a member of the Mars mission, comes in to talk about Mars with TJ on News Radio KKOBSee omnystudio.com/listener for privacy information.

Linda Durham's professional and personal life centers on art, artists, global travel, and humanitarian causes. She is the founder and director of Santa Fe's Wonder Institute, which sponsors art exhibitions, lectures, workshops, and salons focused on discovering and implementing creative solutions to contemporary social and cultural issues. For more than three decades, Durham promoted New Mexico-based artists as the hands-on owner of a contemporary art gallery with seven exhibition locations through the years: six in Santa Fe, and one in New York. In 2012, the New Mexico Museum of Art acquired her extensive gallery archives. A prolific writer and speaker, she has been guest lecturer or workshop presenter at Brigham Young University, the University of Wisconsin, Ohio Wesleyan University, Yale University, the Sundance Institute, the College of Santa Fe, Santa Fe Community College, and the New Mexico Museum of Art. For her seventieth birthday, Durham circumnavigated the world in seventy days, meeting Indigenous women, educators, artists, entrepreneurs, and peace activists, and planting “Seeds of Peace” in gardens, schoolyards, and parks in South Africa, Lesotho, Madagascar, Thailand, Myanmar, and Hawaii.

Is there a food more universally loved than chocolate? No other ingredient lends itself to savory, sweet, and even alcoholic applications, tempting folks in everything from molten cakes to moles to Martinis.  Chocolate—or, more specifically, cacao—has been processed and consumed in Mesoamerica for millennia. In Chocolate: The Exhibition, which opens on June 17 at the New Mexico Museum of Natural History and Science and is brought to us from Chicago's Field Museum, audiences are invited to explore chocolate's worldwide significance and learn how it spread to all corners of the human experience.  Encounter Culture host Charlotte Jusinski takes the local angle. She and her guests delve into the Ancestral Puebloan's connection to the non-native cacao bean, charting its arrival and usage by way of the unique cylindrical jars discovered at Chaco Canyon––with renowned scholar Dr. Patricia Crown and retired archaeologist Jay Shapiro. Chocolate at Chaco Canyon is a mystery that remained hidden in plain sight for decades until Dr. Crown began piecing the clues together, starting with the uniquely decorated jars stored among artifacts at the Museum of Northern Arizona. “I wasn't sure why I was so interested,” she recalls, but the intrigue prompted her to consult a colleague who specialized in similar pottery found in Mayan civilization. When told that the Mayans drank cacao from the cylindrical vessels, Patricia assumed her colleague had conducted organic residue studies to reach that conclusion. Instead, her colleague had simply read the hieroglyphics. “It says: this jar is used for drinking chocolate,” laughs Patricia.  So how did drinking chocolate end up in Chaco Canyon, a locale inhospitable to the cultivation of the cacao tree? Three possibilities pique the professionals' curiosity: people from the south traveled north with cacao; people from the north ventured south, then returned with cacao; or cacao moving from hand to hand, village to village, eventually reaching Chaco Canyon.  “That's the conundrum with archeology. We don't know everything,” admits Jay. “We know some things, and some things may simply not be discernible from the archeological record, and how cacao got to Chaco may, unfortunately, be one of those things.” Even without a definitive origins story, it's fascinating to imagine native civilizations throughout the Southwest encountering cacao for the first time, then adopting drinking chocolate for use in their ceremonies, as a therapeutic medicine, and even as a form of liquid courage.  Chocolate: The Exhibition opens on June 17 at the New Mexico Museum of Natural History and Science. MENTIONED IN THIS EPISODE El Palacio Summer 2022 Chaco Culture National Historical Park Field Museum Museum of Northern Arizona Visit https://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski, Editor at El Palacio Magazine Technical Director: Edwin R. Ruiz Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer: Daniel Zillmann Show Notes: Lisa Widder Associate Editor: Helen King Theme Music: D'Santi Nava Instagram: @newmexicanculture For more, visit podcast.nmculture.org.

Shells come in so many amazing shapes and sizes -  spirals, sand dollars, sundials, ones that whirl around, ones that twirl around, ones that twist to the side and some that even look like cookies! Our listener Lily had a great question about these shapes, and Mike Sanchez, a Naturalist at the New Mexico Museum of Natural History and Science, helps us get to the bottom of this twisted subject! Got a Moment of Um question whose shell you just can't crack? Send it to us at BrainsOn.org/contact, and we'll help get to the bottom of it.

In the second part of our interview with Alisa Yang, we take a deeper dive into her practice through a discussion of the value of care labor, the connection between durational projects and rest, the similarities between collage and filmmaking, the human condition of trying to make sense of what comes before and after, and the changing landscape for feminist artists after the #metoo movement. Alisa Yang is an antidisciplinary artist and independent filmmaker with a research based practice exploring alternative ways art can be a currency for cake. Centering the body as a site of geopolitical and social conditionings, she works across video, installation, and situational specific projects in orienting oneself towards social change. Her films focus on the experiences of Asian women navigating cultural identity and generational trauma, mining personal narratives with humor and vulnerability. Yang earned her BFA from Art Center of Design in 2009 and MFA at the University of Michigan in 2016. Her work has been exhibited and screened internationally in places like MoMAPS1, Aesthetica Art Prize, New Mexico Museum of Art, and Beijing's Art Nova 100 with reviews in LA Times, Hyperallergic, and Huffington Post. Recipient of fellowships like Yaddo, Uniondoc Summer Lab, Artpace San Antonio, and Vermont Studios. Her awards include the 2018 Special Arte Laguna Prize, Best Regional Filmmaker at 2017 Ann Arbor Film Festival, and the 2017 Los Angeles Asian Pacific Film Festival Golden Reel Awards for Short Documentary. Links: Chronic Stillness: Wieteke Heldens & Alisa Yang at Lydian Stater TLPS: A Group NFT Exhibition at Lydian Stater

Alisa Yang sits down and discusses her work in the NFT space, the importance of self-care while supporting one's community, the sky as a marker for time and place, and the relationship between activism and art. Yang earned her BFA from Art Center of Design in 2009 and MFA at the University of Michigan in 2016. Her work has been exhibited and screened internationally in places like MoMAPS1, Aesthetica Art Prize, New Mexico Museum of Art, and Beijing's Art Nova 100 with reviews in LA Times, Hyperallergic, and Huffington Post. Recipient of fellowships like Yaddo, Uniondoc Summer Lab, Artpace San Antonio, and Vermont Studios. Her awards include the 2018 Special Arte Laguna Prize, Best Regional Filmmaker at 2017 Ann Arbor Film Festival, and the 2017 Los Angeles Asian Pacific Film Festival Golden Reel Awards for Short Documentary. Links: Chronic Stillness: Wieteke Heldens & Alisa Yang at Lydian Stater TLPS: A Group NFT Exhibition at Lydian Stater

In a fitting close to Encounter Culture's inaugural season, host Charlotte Jusinski returns to where it began. The New Mexico Museum of Art's exhibition Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch celebrates the woman responsible for launching this region's contemporary art movement into the stratosphere. Joining Charlotte to dish on the legendary gallery owner's influence are Dr. Julie Sasse, Chief Curator at the Tucson Museum of Art and author of the book that informed the original exhibition at TMA, and Christian Waguespack, Curator of 20th-century art at the New Mexico Museum of Art, who reconceived the idea for MOA using works from its permanent collection.  “She was totally confident, totally unabashed,” recalls Julie. “She showed what she liked, and she liked boldness. She liked color. She liked precision painters. But she also liked abstraction. She had no problem showing Filipe Archuleta next to a Paul Jenkins, or a famous artist next to an emerging artist.” No one is in a better position to evaluate the Horwitch's magic than the woman who spent 14 formative years by the impresario's side, attending every party, documenting each sale, and cataloguing the impossibly vibrant collection for which the gallery owner was renowned.  Horwitch opened her first gallery in Scottsdale in 1973. By 1976, she had an outpost in Santa Fe, followed swiftly by Sedona, then Palm Springs. Her rise was meteoric, as were the careers of the artists she championed.  Although she fostered a summer camp and cocktails vibe, the art always came first. She displayed a shrewd business acumen and an impeccable ability to predict the “next big thing” coming out of the Southwest Pop scene in the 1970s and 80s. Horwitch was well-known for her support of female and indigenous artists––creators who didn't often receive the same recognition (or fees) outside her gallery. “It wasn't about your name. It wasn't about your pedigree,” says Christian. “It was about what you were producing and that merit, your merit as an artist. I think that that changed the game for a lot of gallerists and curators working here in the Southwest.” For MOA's interpretation of Southwest Rising, Christian made great use of the museum's light-filled top floor gallery, creating an immersive experience that pays homage to Horwitch's passion for contemporary Southwestern artistry and unabashed showmanship. The exhibit is also something of a tribute to Julie's meticulous original narrative. “This work on this project has gotten me excited,” he says. “This is a time period and artistic moment that really needs some more digging into, and Julie has given that to us.” Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch is on view at the New Mexico Museum of Art through January 2nd, 2022. Plan your visit to the New Mexico Museum of Art.  The beautiful book Southwest Rising: Contemporary Art and the Legacy of Elaine Horwitch, written by Dr. Julie Sasse, is co-published by Cattle Track Arts & Preservation and the Tucson Museum of Art. MENTIONED IN THIS EPISODE Arizona's Pioneering Women Artists: Impressions of the Grand Canyon State - by Betsy Fahlman & Lonnie Pierson Dunbier Ladies of the Canyons: A League of Extraordinary Women and Their Adventures in the American Southwest - by Lesley Poling-Kempes Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski Technical Director: Edwin R. Ruiz at Mondo Machine Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer:  Daniel Zillmann Theme Music: D'Santi Nava For more, visit NewMexicoCulture.org.

Spencer Lucas of the New Mexico Museum of Natural History and Science describes a newly discovered horned dinosaur species Sierraceratops Turneri on News Radio KKOB

Desiree, co-founder of Grinding Stone Collective and producer of the First Foods Podcast, is a Miwok multimedia journalist, and a live-media event producer. You can see lots of her documentary photography now in the New Mexico Museum of Indian Arts and Culture in Santa Fe, NM at the Beyond Standing Rock exhibit. Some of her recent notable work is speaking at Princeton University in April 2019 and again in November 2020. With the Firestarter Films crew as an Associate Producer, Camera Operator and Investigative Journalist on the feature-length documentary film Akicita: The Battle of Standing Rock, our project premiered at the 2018 Sundance Film Festival in Park City, Utah. She was part of the organizing body the did Boulder Valley Indigenous People's Day 2019, which was heavily focused on #MMIWG2S, the epidemic that takes so many lives of Native women, girls, and two spirits.(Read her full bio here- https://bit.ly/3i57nVA) Roger Wolsey (@RogerWolsey) is a Spiritual Director, United Methodist pastor, Speaker, Writer, and fellow Human. He leads with his heart to bring us into community with one another. A passionate advocate for social justice, Roger has the unique capacity to sit with the discomfort of difference. This allows him to move past the common reactions to find connections others might not be able to achieve. He writes for several online publications and published his first book, Kissing Fish, in 2011 and currently serves on the board of ProgressiveChristianity.org.Erik and I invited them on the show because they are both inspiring humans who have developed the skills to engage folks effectively in the face of disinformation. Given everything we have been facing and expect to face, we thought other folks would appreciate the opportunity to learn from their experience and expertise. Questions can be submitted before the event here: https://app.sli.do/event/jod8sbka #604434Referenced items:The illusion of explanatory depth (IoED), Do you understand how a zipper works?First Foods- https://www.facebook.com/watch/live/?v=230281248632461&ref=watch_permalinkGrindingstone- https://www.Grindingstone.orgWhat To Know About Disinformation History, Tactics, and Real-Life Examples- https://e-rosalie.medium.com/what-to-know-about-disinformation-history-tactics-and-real-life-examples-95ab13f0254Books recommended on the show:When Everything Matters by Dr Cindy Blackstock The Way of Love by Bishop Michael CurryCult of Trump by Steven Hassan- https://www.simonandschuster.com/books/The-Cult-of-Trump/Steven-Hassan/9781982127343★ Support this podcast ★

A familiar voice returns to the show, our former co-host shark scientist Vicky Vásquez comes at us with a live report from the New Mexico Museum of Natural History. There she gets introduced to one of the best-preserved examples of ancient sharks the world has seen. In addition, our own Francis Farabaugh tells us about the SharkCon, an annual event in Florida where she gave a talk about her experiences and research.

Breath. Prior to 2020, most people didn't give the complex, involuntary act of breathing much thought. Times have changed. So, too, has the lens through which both audiences and artists view Breath Taking, a new exhibit at the New Mexico Museum of Art. Encounter Culture host Charlotte Jusinski, the editor of El Palacio magazine, welcomes Kate Ware, her co-host for this inaugural episode and curator of photography at the New Mexico Museum of Art, and artist Cynthia Greig to the conversation.  Cynthia, Kate, and Charlotte discuss Cynthia's video and photographic experiments, works that explore the shimmering intimacy and fragility of breathing in a world grappling with a respiratory virus. Afterward, Kate shares a behind-the-scenes look at what happens when a curator finalizes an entire exhibition only to pivot that original concept in the wake of a pandemic and the social justice impact resonating from the phrase “I can't breathe.” Breath Taking is an inadvertently timely exhibit featuring contemporary artists and the inventive ways they've discovered to express the fundamental and elusive act of breathing. In many ways, every breath now carries with it an ominous undertone. Breath is front-page news, leading stories from politics to protests. Through it all, breathing remains “this human act that unifies us,” says Kate. We all do it––and none of us know when we'll breathe our last.  “I know everything's sort of transformed the interpretation and significance of breath to a different level since the virus is transmitted through the exhalations that we have and share,” says Cynthia. The 54 photos that make up her contribution to the exhibition reveal the individuality of this life-giving force. Each image, captured on a flatbed scanner, is an imprint of the person releasing it, as unique as a snowflake. This breathscape envelopes visitors in an ethereal cosmos, forcing them to consider breath differently than they might have two years ago. While the original plan for Breath Taking was conceived before the concept of breath exploded in the zeitgeist, Kate moved swiftly to capture the immediacy of this moment. The result is a cohesive and well-done exhibit, offering audiences a space to contemplate and to process all that's happened in the last 16 months. *** Breath Taking is on view at the New Mexico Museum of Art through September 5th, 2021. Plan your visit or take a virtual tour at nmartmuseum.org. To learn more about Cynthia Greig and her work, visit CynthiaGreig.com. Visit http://newmexicoculture.org for info about our museums, historic sites, virtual tours and more. *** Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios. Hosted by Charlotte Jusinski Technical Director: Edwin R. Ruiz at Mondo Machine Recording Engineer: Kabby at Kabby Sound Studios in Santa Fe Executive Producer:  Daniel Zillmann Theme Music: D'Santi Nava For more, visit NewMexicoCulture.org.

Stuart Ashman, CEO of the International Folk Art Market, one of the largest social entrepreneurship organizations in the world, shares insights and updates in this episode. Stuart has a long and impressive background as a cultural ambassador. He was the Executive Director & Chief Curator of CCA in Santa Fe; President and CEO of the Museum of Latin American Art; Director of the New Mexico Museum of Art; Executive Director of the Museum of Spanish Colonial Art; and was the Cabinet Secretary of the New Mexico Department of Cultural Affairs. He's also served as Expert Consultant for the United States Peace Corps and serves as Vice-Chair of the Richardson Center for Global Engagement. Stuart and Melanie talk about the innovative adaptations and creative solutions that had to be instituted at the Market in this pandemic era. The truth is that, for many of the artists, the Market is their only source of income for the year. And many of the artists support their communities through their art. As the website states, “artist earnings have exceeded $34 million and impacted more than one million lives in the communities they represent.”  Further, “each of our artists has a story to tell about craft tradition, and a family, village and culture to support.” Stuart Ashman's response to the importance of art and beauty for a life of happiness and wellbeing may surprise you ... be sure and listen for this in the second half. The artists of the International Folk Art Market have long held a special place in Melanie's heart. Their enduring dedication to their respective cultures' traditional arts and crafts, the pervasive sense of community support, and the sheer beauty and joy of the myriad offerings shared with the world year after year continue to be a wellspring of inspiration and hope for a better world. the International Folk Art Market website here Dr. Melanie Harth, the Santa Fe Therapist, website here

Katherine Gray: Reconciling Polarities Drawing on the rich traditions of glass blowing, fearless experimentation, and a fascination with glass as both a visual and experiential encounter, Katherine Gray creates work that ranges from blown glass sculptures to assembled installations of found glass. A visitor favorite at The Corning Museum of Glass is her Forest Glass, a large-scale installation comprised of found glass arranged to create the illusion of trees. Whether celebrating a prosaic material through installations or her Iridescent Entities, stylized hearths and campfires, or clouds and orbs, Gray forces us to appreciate glass anew.  She says: “I use a material that we don’t generally see. It is often flawlessly clear and colorless, hence invisible in that regard, but it can also be so ubiquitous and banal that it does not register in our psyches either. It is a material that allows us unparalleled connectivity (via smart phones and fibre optics) yet also serves to separate us. To my mind, these two polarities are what set this material apart from so many others, and one of the reasons that I feel compelled to keep working with it as an artistic medium. It is both present and absent, known and unknown, and vacillating between a state of mundane familiarity and otherworldly perfection.” In Heller Gallery’s 2020 exhibition, Radiant Mirage, Gray turned her considerable glass-making skills to creating objects that served two purposes: to bring beauty into a dire moment in the world, and to express her frustration over the loss of our collective sense of security and well-being. The common thread was her use of iridescence, an optical phenomenon seen in nature and inspired by unearthed ancient glass. Like natural phenomena that are caused by the refraction of light, Gray’s Entities and Tubes emphasized the elusiveness and shiftiness of iridized objects and projected an ephemeral shape and play of color our eye does not fully grasp. Educated at the Ontario College of Art and the Rhode Island School of Design, Gray serves as the Resident Evaluator on Seasons 1 and 2 of Netflix’s reality TV show Blown Away.  Her works are held in the permanent collections of public institutions including the Toledo Museum of Art, Toledo, OH; Corning Museum of Glass, Corning, NY; Museum of American Glass, Wheaton, NJ; the Museum of Glass, Tacoma, WA; New Mexico Museum of Art, Santa Fe, NM; and Toyama City Institute of Glass Art, Toyama, Japan. Reviewed in the New York Observer, Artforum, and the Los Angeles Times, Gray has been nominated for the Louis Comfort Tiffany Foundation Award, and has garnered many accolades including the Award of Merit from the Bellevue Art Museum in Washington.  In addition to making work, Gray has written about glass, curated and juried multiple exhibitions, and has taught workshops around the world. In 2017, she received the Libenský/Brychtová Award from the Pilchuck Glass School for her artistic and educational contributions to the field. She was also honored as a Fellow of the American Craft Council (ACC), a national nonprofit dedicated to advancing American craft. To be named a fellow, an artist must demonstrate leadership in the field, outstanding ability as an artist and/or teacher, and 25 years or more of professional achievement as an American craftsperson. Currently, Gray lives in Los Angeles where she is a professor of art at California State University, San Bernardino. To Gray, glass is a material of both otherworldly perfection and mundane familiarity. She says: “I’m trying to play off of polarities between usage of material and the sphere it exists in, who makes it, who uses it, who values it, and trying to point out some of the inequalities.”  

For links to every news story, all of the details we shared about Turiasaurus, and our fun fact check out https://iknowdino.com/Turiasaurus-Episode-333/To get access to lots of patron only content check out https://www.patreon.com/iknowdinoDinosaur of the day Turiasaurus, a sauropod from Spain which is probably the largest known dinosaur from Europe.In dinosaur news this week:A new massive neck of a titanosaur found in Argentina rivals the largest dinosaurs ever foundThree bones from NW New Mexico show evidence of tyrannosaurid cannibalismIn Colorado, an 8th grader found a T. Rex tooth while hiking in Boulder CountyThe titanosaur known as the “dinosaur of Mato Grosso" was recovered from the ruins of the National Museum of BrazilThe Tiny Titans dinosaur exhibit is at the New Mexico Museum of Natural History and Science (and online)Two Medicine Dinosaur Center is now The Montana Dinosaur Center and they are planning their digs for this summerBrookfield Zoo in Illinois has its animatronic “Dinosaurs Everywhere” exhibit againSix Flags New England in Massachusetts has pivoted from roller coasters to dinosaurs with a new outdoor exhibitIn Arundel, Maine, Raptor Falls Mini Golf and Ice Cream is reopening on May DayA vacation home in Florida is fully dinosaur themed, possibly too much soThe latest issue of The Flash includes a speedster VelociraptorThis episode is brought to you in part by BetterHelp which offers professional counseling done securely online. You can get 10% off your first month by visiting betterhelp.com/ikdAnd by Unidragon. Their beautiful wooden puzzles feature pieces which are each unique laser-cut shapes. Check out their dragon, owl, and other animal puzzles at Unidragon.com and use promo code Dino for 10% off your purchase.

Dianne Bos does not look at her life linearly. At every opportunity she is open to learning and challenging her perception about the world around her. Speaking with Dianne was electric – she loops ideas and processes together seamlessly with a healthy dose of enthusiasm. Knowing that Dianne defines herself as an Artist and that she does not limit herself to only one method of creation makes understanding her enthusiasm and varied career easier. In speaking with Dianne, I learnt how creativity is something that can be seen as fluid and fed by connection to the world around you. By staying open to experimentation, questioning and a continued sense of play – we are able to continue to push the limits of our own creativity. And in my opinion, pushing boundaries is the premise of a creative practice so that we can learn, grow and change. Dianne’s recently updated website is at…. https://diannebos.ca/ Biography… Dianne Bos was born in 1956 in Hamilton, Ontario, and grew up in Dundas where she happily explored the Niagara Escarpment. Always interested in art and science, she studied Fine Arts at Mount Allison University. There she developed an interest in photography through sculpture and science, by creating her own cameras. That interest has continued to this day.  Many of Bos’s recent exhibitions feature handmade cameras, walk-in light installations, and sound pieces. These tools and devices formulate and extend her investigations of journeying, time, and the science of light. This work appeared in the traveling exhibits; Poetics of Light: Pinhole Photography, New Mexico Museum, Seeing, Science Gallery, Dublin Ireland. ‘See the Stars,’ a multi-aperture tent installation created for the ‘Midnight Sun Camera Obscura Festival’ in Dawson City, Yukon and Star Shed at McMaster Museum in Hamilton.

Tony Mobley‘s recent focus has been on protest and documentary photography with his work being featured by AT&T, Black Entertainment Network for their “Content for Change” campaign, The Undefeated/ESPN, Vice News, Vogue and Weed maps, “Fighters for Change”, PSA. Mobley’s portrait series, “Surviving Summer” is scheduled to run at the New Mexico Museum of Art … Continue reading "No. 73 Tony Mobley"

One of the originators of the Western Pop Art movement, Billy Schenck incorporates techniques from Photorealism with a Pop Art sensibility to both exalt and poke fun at images of the West. Schenck is known for utilizing cinematic imagery reproduced in a flattened, reductivist style, where colors are displayed side-by-side rather than blended or shadowed. In the August 2014 issue of SouthwestArt magazine, his work was described as “a stance … a pendulum between the romantic and the irreverent.” Schenck’s artwork is now in 48 museum collections, including Smithsonian Institution, Denver Art Museum, The Autry Museum of Western Heritage, Booth Western Art Museum, Tucson Museum of Art, Phoenix Art Museum, the Mesa Southwest Museum, Museum of the Southwest, Midland TX, Albuquerque Fine Arts Museum and the New Mexico Museum of Art. Private collections include the estate of Malcolm Forbes, Laurance Rockefeller, the estate of Fritz Scholder, and Sylvester Stallone. Corporate collections include American Airlines, IBM, Sony, and Saatchi & Saatchi. With over 100 solo shows in the U.S. and Europe, career highlights include the Denver Art Museum’s 2011 Western Horizons, the 2013 Utah Museum of Fine Art’s exhibit Bierstadt to Warhol: American Indians in the West, and Masters of the American West Fine Art Exhibition, at the Autry National Center in Los Angeles. A genuine cowboy himself, Schenck is a ranch-sorting world champion and the proprietor of the Double Standard Ranch in Santa Fe, New Mexico, his home for the past two decades. https://blueraingallery.com/artists/billy-schenck Produced by Leah Garcia Music by Mozart Gabriel Abeyta

Let's take a step back to appreciate the origins of the many rocket principles we use today. Join us as we travel back in time to meet our Fathers of Rocketry! Music from filmmusic.io "Tyrant" by Kevin MacLeod (incompetech.com) License: CC BY (creativecommons.org/licenses/by/4.0/) Sources: “1894 In the United States.” Wikipedia, Wikimedia Foundation, 17 Mar. 2020, en.wikipedia.org/wiki/1894_in_the_United_States. “American Civil War.” Wikipedia, Wikimedia Foundation, 9 May 2020, en.wikipedia.org/wiki/American_Civil_War. “Anti-Aircraft Warfare.” Wikipedia, Wikimedia Foundation, 10 May 2020, en.wikipedia.org/wiki/Anti-aircraft_warfare. Arlazorov, Mikhail S. “Konstantin Tsiolkovsky.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 15 Sept. 2019, www.britannica.com/biography/Konstantin-Eduardovich-Tsiolkovsky. Bensaude-Vincent, Bernadette. “Dmitri Mendeleev.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 4 Feb. 2020, www.britannica.com/biography/Dmitri-Mendeleev. Dunbar, Brian. “Hermann Oberth.” NASA, NASA, 5 June 2013, www.nasa.gov/audience/foreducators/rocketry/home/hermann-oberth.html. Dunbar, Brian. “Konstantin E. Tsiolkovsky.” NASA, NASA, 5 June 2013, www.nasa.gov/audience/foreducators/rocketry/home/konstantin-tsiolkovsky.html. “Ear Trumpet.” Wikipedia, Wikimedia Foundation, 15 Jan. 2020, en.wikipedia.org/wiki/Ear_trumpet. The Editors of Encyclopaedia Britannica. “Hermann Oberth.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 25 Dec. 2019, www.britannica.com/biography/Hermann-Julius-Oberth. The Editors of Encyclopaedia Britannica. “Kinetic Theory of Gases.” Encyclopædia Britannica, Encyclopædia Britannica, Inc., 5 May 2020, www.britannica.com/science/kinetic-theory-of-gases. “Esther.” Goddard Memorial Association - Esther, www.goddardmemorial.org/Goddard/esther.html. Garner, Rob. “Dr. Robert H. Goddard, American Rocketry Pioneer.” NASA, NASA, 11 Feb. 2015, www.nasa.gov/centers/goddard/about/history/dr_goddard.html. Goddard, Robert H. A Method of Reaching Extreme Altitudes. Smithsonian Institution, 1919. Goddard, Robert. “Gyroscopic Steering Apparatus.” Digital WPI, WPI , 2020, digitalcommons.wpi.edu/patents/59/. “Hermann Oberth.” Wikipedia, Wikimedia Foundation, 24 Apr. 2020, en.wikipedia.org/wiki/Hermann_Oberth. History.com Editors. “Dred Scott Case.” History.com, A&E Television Networks, 27 Oct. 2009, www.history.com/topics/black-history/dred-scott-case. Howell, Elizabeth. “90 Years Ago, the Liquid-Fueled Rocket Changed Space Travel Forever.” Space.com, Space, 18 Mar. 2016, www.space.com/32311-robert-goddard-liquid-fueled-rocket-90-anniversary.html. “International Space Hall of Fame :: New Mexico Museum of Space History :: Inductee Profile.” New Mexico Museum of Space History, www.nmspacemuseum.org/halloffame/detail.php?id=21. Redd, Nola Taylor. “Hermann Oberth: German Father of Rocketry.” Space.com, Space, 5 Mar. 2013, www.space.com/20063-hermann-oberth.html. SciShow Space, director. Great Minds: Robert Goddard, Original Rocket Scientist. YouTube, 2014, www.youtube.com/watch?v=jSIq1XsdUqA&t=73s. Simkin, John. “Hermann Oberth.” Spartacus Educational, Spartacus Educational, spartacus-educational.com/GERoberth.htm. “Solid and Liquid Fuel Rockets.” ESA, www.esa.int/Education/Solid_and_liquid_fuel_rockets4. Stange, Christiaan. “Hermann Oberth: Father of Space Travel.” KIOSEK Web Design, www.kiosek.com/oberth/. “Tatars.” Wikipedia, Wikimedia Foundation, 5 May 2020, en.wikipedia.org/wiki/Tatars. “To Make Available for Life Every Place Where Life Is... at QuoteTab.” QuoteTab, www.quotetab.com/quote/by-hermann-oberth/to-make-available-for-life-every-place-where-life-is-possible-to-make-inhabitabl. “Wernher Von Braun.” Pioneers of Flight, pioneersofflight.si.edu/content/wernher-von-braun-1.

Sarah Stolar in the studio with her pit bull Gabriel and work in-progress for her new project The Grief Club photo credit Jeff Medinas Sarah Stolar (b. 1974, Chicago, IL) is an interdisciplinary artist who lives in Santa Fe, New Mexico. Working from a vast technical perspective, the breadth of her work includes painting, drawing, multi-media installation, film, video and performance art. Rooted in a 20-year investigation of the female psychological narrative, common threads in her work include coming of age, loss of innocence, sexuality, beauty, power, death, spirituality, and identity. Sarah is the daughter of artist and educator Merlene Schain, and in the family lineage of 19th-century German painter Adolph von Menzel and Rookwood Pottery master potter John von Menzel of the American Arts and Crafts Movement. She grew up in her mother’s art studio and award-winning art school Schain Studios in Cincinnati, OH, received a BFA in Painting from the Art Academy of Cincinnati, and an MFA in New Genres from the San Francisco Art Institute. Sarah's visual art, performance, and collaborative work have exhibited across the United States and in Argentina, Spain, Germany, Austria, Finland, Italy, and Cuba with solo exhibitions at the New Mexico Museum of Art, Harwood Museum of Art, and BGMoCA in Montevideo, Uruguay as well as awards and honors from international film festivals, et al. Her work has been featured in multiple publications including The Nation Magazine, LandEscape Art Review, Nomos Journal, and Hyperallergic. A committed educator for over fifteen years, Sarah Stolar serves on multiple boards and academic committees, and is currently the Chair of the Art Department at the University of New Mexico - Taos. The book mentioned in the interview was The Power by Naomi Alderman. The Grief Mother / The Grief Club performance for video 2020 photo credit Audrey Valentine She-Hulk, oil on canvas, 60x48”, 2018, photo credit Jeff Medinas (exhibited in most recent solo exhibition Alcoves 20/20 at the New Mexico Museum of Art)

Conspiracy theories are unavoidable when your Museum deals with topics in science, but this week’s guest, Tony Gondola, outreach coordinator for the New Mexico Museum of Space History, has some good advice on how to debunk these unsound ideas. Gondola also explains how the people who formulate conspiracies profit from those who fall for them. In dealing with Moon landing science, Gondola also has experience with other theories. “Right now, flat Earth stuff is everywhere,” he says. “All claims of hoaxsters are easy to debunk because they usually don’t go too deep into the science.” Conspiracy theories have become increasingly popular these past few years because common objections to the Moon landing stem from a distrust of authority, the government, and science. Gondola describes why it’s so important to counter these ideas. “We can’t deny this great historical event,” he says. What the astronauts did on the Moon does, in fact, include some science, although science was not the primary objective. The Apollo 11 astronauts left behind experiments like a laser reflector that still functions to this day. Gondola gets questions every day that are not necessarily accusatory but definitely uninformed, and he suggests that the best way to counter conspiracy theories not by flat out telling someone they’re wrong, but instead gently leading them to think about the science. And by all means, do not refer people to YouTube! “YouTube is a big part of the problem,” Gondola says. Content creators promoting conspiracy theories stand to gain from book deals, video views, and subscribers. Ultimately, Gondola argues, conspiracy theories happen when people believe what they experience from limited human perception and gain validation from outside sources; but, by using science as a way to move beyond limited perceptions, people can conduct simple experiments and research that reveal scientific truths. Follow in the footsteps of the Apollo 11 astronauts when our APOLLO exhibit re-opens in November! Host: Sean Mobley Producer: Sean Mobley Webmaster: Layne Benofsky Content Marketing Manager: Irene Jagla

In a live broadcast from the New Mexico Museum of Natural History & Science in Albuquerque, we learned about paleontology from the museum curators of paleontology, and the museum educators. With musical guests Rowan and the Youth Jazz Collaborative.         With music by Andrew & Polly, Jonathan Richman and the Modern Lovers, Laurie Berkner, Gunnar Madsen, and Nancy Stewart.

This conversation ranges from dinosaurs, stars, drugs, personal computers, and much more...all in the Land of Enchantment.  We are honored to talk with Margie Marino, Executive Director of the New Mexico Museum of Natural History and Science in Albuquerque.  Visitors of all ages rave about the range of things to do and learn at the Museum.  New Mexico had a sea coast?  Microsoft was founded there?  Those and more surprises in this fun conversation.

What did dinosaurs sound like? How did extinct animals make and use sound? Like most behaviors, noises don’t fossilize, but there is some tantalizing evidence that paleontologists have pulled together about fossil bioacoustics. In this episode, we discuss how pop-culture may have misled us, and how scientists have gathered actual clues from living animals and the fossil record – and have even made scientifically-inspired ancient audios! – to reconstruct the sounds of the past. In the news: hatchling insects, bird brains, old flowers, and dinosaur noses.   Time markers: Intro & Announcements: 00:00:00 News: 00:04:00 Main discussion, Part 1: 00:28:30 Main discussion, Part 2: 01:15:00 There are some noises in this episode! The living and reconstructed-fossil sounds we played came from these sources: Great Bittern (Botaurus stellaris) Roger Charters/Macaulay Library at the Cornell Lab of Ornithology (ML202485) https://macaulaylibrary.org/asset/202485 American Alligator (Alligator mississippiensis) George B. Reynard/Macaulay Library at the Cornell Lab of Ornithology (ML163792) https://macaulaylibrary.org/asset/163792 Parasaurolophus sound bite by Sandia National Laboratories and the New Mexico Museum of Natural History and Science with Paleontologist Tom Williamson and computer scientist Carl Diegert https://www.sandia.gov/media/dinosaur.htm Katydid Stridulation from Jun-Jie Gu et al 2012. Wing stridulation in a Jurassic katydid (Insecta, Orthoptera) produced low-pitched musical calls to attract females, PNAS (Open access)  https://www.pnas.org/content/early/2012/02/02/1118372109 All the other animal noises were just made by us! Check out our blog for bonus info and pictures: http://commondescentpodcast.wordpress.com/ Follow and Support us on: Patreon: https://www.patreon.com/commondescentpodcast Twitter: https://twitter.com/CommonDescentPC Facebook: https://www.facebook.com/commondescentpodcast/ PodBean: https://commondescentpodcast.podbean.com/ iTunes: https://itunes.apple.com/us/podcast/the-common-descent-podcast/id1207586509?mt=2 YouTube: https://www.youtube.com/channel/UCePRXHEnZmTGum2r1l2mduw The Intro and Outro music is “On the Origin of Species” by Protodome. More music like this at http://ocremix.org. Muscial Interludes are "Professor Umlaut" by Kevin MacLeod (incompetech.com). Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/

Dinosaur of the day Crichtonsaurus/Crichtonpelta, a Chinese ankylosaur named after Jurassic Park author Michael Crichton. Interview with Matt Celesky, Research associate at the New Mexico Museum of Natural History and Science where he put together the excellent paleoart exhibit "Picturing the Past." He is also the Senior exhibition designer for the museum resources division of the New Mexico Department of Cultural Affairs. He can be found on Twitter @clepsydrops In dinosaur news this week: Crystal Palace Dinosaurs are raising money for a bridge to the Dinosaurs; Donate at spacehive.com/bridges-to-the-crystal-palace-dinosaurs The new sauropod Lavocatisaurus agrioensis was named from 3 individuals found in an unlikely spot in Argentina Court proceedings about the Dueling Dinosaurs gave us more information about the amazing find An ornithopod bone was found in Oregon, despite it being underwater during the Mesozoic A bone first thought to be coprolite turned out to be the first known tooth and vertebra of Parksosaurus from Mexico Mary Anning is in contention to be on the new £50 note A Google doodle recently honored famous Canadian paleontologist Joseph Tyrrell This episode is brought to you in part by TRX Dinosaurs, which makes beautiful and realistic dinosaur sculptures, puppets, and animatronics. You can see some amazing examples and works in progress on Instagram @trxdinosaurs And by Permia, makers of the coolest prehistoric clothing and collectibles this side of the Holocene! Their scientifically accurate t-shirts, hoodies, stickers, and figurines are available now at Permia.com Get $5 off orders of $35 or more using the promo code IKNOWDINO before the end of the year. To get access to lots of patron only content check out https://www.patreon.com/iknowdino For links to every news story, all of the details we shared about Crichtonsaurus/Crichtonpelta, more links from Matt Celesky, and our fun fact check out https://iknowdino.com/Crichtonpelta-Episode-208/

In news briefs, we hear about a beeping Easter egg hunt being organised by the Corpus Christi Police Department's bomb squad. Nice one!A blind woman has filed a class action lawsuit against McDonalds, alleging that their drive-throughs discriminate against blind people at times when no other option is available.Microsoft has released yet another free blindness-related app. Soundscape for iOS is available in the US and UK App Stores.Jonathan makes mention of the Mosen Consulting audiobook, "Imagine there's no countries". You can read about and purchase it here.Our feature interview is with Mike Shinabery of the New Mexico Museum of Space History, and Jeff Killebrew of the New Mexico School for the Blind and Visually Impaired. Recently, thanks to a partnership between these two entities, students at the school were part of a link-up with astronauts aboard the space station. Jonathan Mosen talks with Jeff and Mike about how the opportunity came about, the reaction of the students, and whether we might ever see a blind astronaut.Jonathan then discusses his self-advocacy on the New Zealand census, and shares some of his thoughts on the wider question of modern advocacy methods. You can read his official complaint to Statistics New Zealand which summarises the issue. Sign Jonathan's Parliamentary petition calling for a public Parliamentary inquiry into the census. Read Pam MacNeill's concerns about the health-focused disability questions in this year's census.Remember, to join our listener community and discuss the podcast with other listeners, send a blank email to TheBlindSide+subscribe@groups.io

In news briefs, we hear about a beeping Easter egg hunt being organised by the Corpus Christi Police Department's bomb squad. Nice one! A blind woman has filed a class action lawsuit against McDonalds, alleging that their drive-throughs discriminate against blind people at times when no other option is available. Microsoft has released yet another free blindness-related app. Soundscape for iOS is available in the US and UK App Stores. Jonathan makes mention of the Mosen Consulting audiobook, "Imagine there's no countries". You can read about and purchase it here. Our feature interview is with Mike Shinabery of the New Mexico Museum of Space History, and Jeff Killebrew of the New Mexico School for the Blind and Visually Impaired. Recently, thanks to a partnership between these two entities, students at the school were part of a link-up with astronauts aboard the space station. Jonathan Mosen talks with Jeff and Mike about how the opportunity came about, the reaction of the students, and whether we might ever see a blind astronaut. Jonathan then discusses his self-advocacy on the New Zealand census, and shares some of his thoughts on the wider question of modern advocacy methods. You can read his official complaint to Statistics New Zealand which summarises the issue. Sign Jonathan's Parliamentary petition calling for a public Parliamentary inquiry into the census. Read Pam MacNeill's concerns about the health-focused disability questions in this year's census.   Remember, to join our listener community and discuss the podcast with other listeners, send a blank email to TheBlindSide+subscribe@groups.io

Anastasia Taylor-Lind is an English/Swedish photographer who for the past decade has worked for leading editorial publications all over the world on issues relating to women, population and war for a decade. She is a Harvard Nieman Fellow 2016 and recently finished a year of research at the university on war, and how we tell stories about modern conflict. Anastasia is also currently a Logan Fellow at The Carey Institute for Global Good where she is working on a book about the visual representation of contemporary warfare and the photojournalists who cover it. She is also a TED fellow. Anastasia has written about her experiences as a photojournalist for The New York Times, TIME LightBox, Nieman Reports and National Geographic. As a photographic storyteller, her focus has been on long-form narrative reportage for monthly magazines. She is a National Geographic Magazine contributor and her other clients include Vanity Fair, The New Yorker, TIME, The New York Times, The Sunday Times, The Telegraph and The Guardian.  Her first book MAIDAN – Portraits from the Black Square, which documents the 2014 Ukrainian uprising in Kiev, was published by GOST books the same year.  Anastasia’s  work has been exhibited internationally, in spaces such as The Saatchi Gallery, The Frontline Club, and The National Portrait Gallery in London, SIDE gallery in Newcastle, Fovea Exhibitions in New York, Pikto Gallery in Toronto and The New Mexico Museum of Modern Art in Santa Fe. A wide variety of organizations have recognized and supported her projects through awards such as the POYi, Sony World Photography Awards, Royal Photographic Society Bursaries and the FNAC Grant at Visa Pour L’Image. Anastasia has a BA degree in Documentary Photography from the University of Wales Newport and an MA from the London College of Communication. She is regularly engaged with education, teaching at leading universities in Europe and the USA, including at MIT, Harvard and Columbia University.  In Episode 068, Anastasia discusses, among other things: Photographing the Rohingya refugee crisis Instagram and socail media Her unconventional gypsy upbringing Sexism within the photo world Peshmerga project Studying the way we tell stories about war and conflict Russia and Ukraine and her very useful friend Camilla Naprous (with whom she is making a book) Recycling a 'failed' idea to create her successful Maidan Square project Website | Twitter | Facebook | Instagram “I do make photographs for a whole host of different reasons but one of them is also because this is the life that I’ve chosen for myself, and its beyond a job or a career. and it’s how I want to live and experience the world...”

The New Mexico Museum of Space History wanted to update its planetarium theatre which had previously been utilizing a dual IMAX projection system. However, their goal in mind was to eventually upgrade to a single system that could project a broader diversity of vivid content across its 360-degree, 40-foot dome screen. Tune in to hear the whole story! Make sure to follow us on Twitter @ProAVMKT as well as rate, review, and subscribe on iTunes! For more articles, videos, and news about the Pro A/V industry check out - marketscale.com/industries/pro-av

In this lively panel discussion, three noted women in the arts will address The Power of Photography. Don't miss this chance to hear their views and ask your questions! Merry Scully, Curator of Contemporary Art at the New Mexico Museum of Art in Santa Fe, Moderator. Panelists: Kathryn M Davis, art historian specializing in modern and contemporary American art, arts writer, editor, curator, and educator and host of ArtBeat Lucy Lippard, internationally known writer, art critic, activist, curator and early champion of feminist art. Maria Varela, activist, writer, and photographer in the black Civil Rights Movement. In addition to her primary work of supporting communities in the Southwest, Varela has been a visiting Professor at UNM and The Colorado College.

In July, David Richard Gallery in Santa Fe will host “ReViewing PowerPlay,” a series of work created in the 1980's examining the construct of masculinity. When Judy began this series, she went to the library to research gender; the only material available then was entirely focused on women, as if only women have gender. It would be another decade before Women’s Studies evolved into Gender Studies and Queer Studies emerged, which created a new context for PowerPlay. Judy is thrilled that the catalog essay will be written by Dr. Jonathan Katz, director of the Visual Studies Doctoral Program at SUNY Buffalo, president of the Board of Directors of the Leslie/Lohman Museum of Gay and Lesbian Art in New York, and co-curator of the recent (and controversial) exhibition “Hide/Seek: Difference and Desire in American Portraiture," which premiered at the National Portrait Gallery in Washington, D.C., where it created quite a stir. In conjunction with the PowerPlay exhibition, Jonathan and Judy will hold a public conversation on Saturday, July 7th, at 3PM at the New Mexico Museum of Art in Santa Fe. When Jonathan and Judy first discussed the possibility of his writing for the catalog (because, as she told him, he was the perfect person for the job), he told me that even though he thought he was familiar with my work, he knew nothing at all about PowerPlay. When he perused the material, he commented that the series seemed both prescient and powerful, perhaps because it anticipated some of the theories about performing masculinity that would emerge from queer studies. It was interesting to think back about the antics of her male peers in the male-dominated Los Angeles art scene of the 1960's and realize that this is precisely what they were doing, i.e., performing their socialized notions about how a man should act.

Follow a piece of history as it travels to Holloman Air Force Base where Airmen volunteer their services to restore this object for the New Mexico Museum of Space History.

This week we are digging through the New Mexico Museum of Natural History and Science. You have to check out the STARTUP exhibit and see the early shots of Bill Gates and Paul Allen!Honor Roll: No Doubt - Settle DownBox of Random: Gotye - Save MeRising Star: Kari Kimmel - BlackBe sure to vote for your favorites each week at JENNi20.comPodcast provided by KKGT 91.9 FM - archive covered by BMI / ASCAP station license.

Featuring art events throughout New Mexico, including at Verve Gallery of Photography, Center for Contemporary Art, New Mexico Museum of History & Palace of the Governors and more

Spencer Lucas, Curator of Paleontology at New Mexico Museum of Natural History and Science, discusses the warm, shallow seas that occasionally covered the area that is now the Robledo Mountains, and the rich animal life that lived within them. He stresses the geological axiom that “the present is the key to the past."

Geology of the PTNM and region discussed by Spencer Lucas, New Mexico Museum of Natural History and Science. Dr. Lucas explains the geologic forces that shaped the Monument and the ways in which geologists study and describe the exposures.