POPULARITY
Categories
A new week means new questions! Hope you have fun with these!To Build a Fire, a short story about an unnamed male protagonist who ventures out in the subzero boreal forest of the Yukon Territory, was written by which American author?Who became the first person to reach the south pole on December 14, 1911?A sculptural embellishment of an arch or a mark of acknowledgment or honor.Which second largest city in Egypt is also the largest city on the Mediterranean coast?Greek biographer Plutarch speculated that Alexander the Great was the son of the Greek princess Olympias and which god?Rasp, riffler, mallet, and chisel are some tools used in what art form?What navigational device shows the cardinal directions and helps with geographic orientation?In Japan it was called the Super Famicom. In South Korea it was called the Super Comboy. What was this gaming console called in America?Identify the object of the preposition in the following sentence: He is running from the dog.MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!
Join the gang on this very special episode, FROM THE PENTAGON! A huge thanks to @usarmy for making this possible! Watch this episode ad-free and uncensored on Pepperbox! https://www.pepperbox.tv/ WATCH THE AFTERSHOW & BTS ON PATREON! https://www.patreon.com/UnsubscribePodcast ------------------------------ THANK YOU TO OUR SPONSORS! GHOSTBED Go to https://ghostbed.com/unsubscribe to receive 50% off sitewide! SHOPIFY Sign up for your one dollar per month trial period at https://shopify.com/unsubpod ------------------------------ UNSUB MERCH: https://www.bunkerbranding.com/pages/unsubscribe-podcast BUY THE GANG A DRINK https://paypal.me/UnsubscribePodcast ------------------------------ FOLLOW THE HOSTS: Eli_Doubletap https://www.instagram.com/eli_doubletap/ https://www.twitch.tv/Eli_Doubletap https://x.com/Eli_Doubletap https://www.youtube.com/c/EliDoubletap Brandon Herrera https://www.youtube.com/@BrandonHerrera https://x.com/TheAKGuy https://www.instagram.com/realbrandonherrera Donut Operator https://www.youtube.com/@DonutOperator https://x.com/DonutOperator https://www.instagram.com/donutoperator The Fat Electrician https://www.youtube.com/@the_fat_electrician https://thefatelectrician.com/ https://www.instagram.com/the_fat_electrician https://www.tiktok.com/@the_fat_electrician ------------------------------ unsubscribe pod podcast episode ep unsub funny comedy military army comedian texas podcasts #podcast #comedy #funnypodcast Chapters 00:00:00 - Introduction to the Show 00:02:27 - First White Claw in the Pentagon 00:04:48 - Military Stories 00:09:04 - Unexpected Military Experiences 00:11:23 - Military Jokes and Awards 00:13:55 - Interviewing WWII Veteran 00:18:14 - Bourbon and Military Culture 00:21:10 - Experiencing Extreme Cold in Alaska 00:23:50 - Alaska's Unique Military Divisions 00:27:04 - Identity and Purpose in the Army 00:28:38 - The Importance of Availability in the Army 00:30:21 - Developing Future Leaders 00:32:08 - Transitioning to New Roles in Army 00:33:56 - Respecting the Tomb Guards 00:37:26 - Personal Journey in Ranger Battalions 00:40:10 - Transition to RASP 00:41:44 - Evolution of Ranger Training 00:46:20 - Accountability in Ranger Training 00:47:54 - Ranger Regiment Insights 00:49:31 - Explosive Training Stories 00:56:11 - Podcasting at the Pentagon 00:58:19 - Challenges of Bureaucracy 01:04:04 - Influencing Change in the Pentagon 01:06:11 - Funding for Military Supplies 01:08:30 - Military Backgrounds 01:11:05 - Challenges of Open Water Swims 01:14:41 - Army Experiences and Lessons 01:16:20 - Role in Army Acquisitions 01:18:31 - Drone Warfare Insights 01:21:00 - Favorite Military Equipment 01:23:43 - Light Machine Gun Developments 01:25:21 - Hunting in South Africa 01:27:46 - Pentagon Event Planning 01:30:01 - Waffle House Story 01:31:51 - Museum Insights and War Trophies 01:33:41 - Creative Content Creation 01:36:12 - Brandon Herrera's Medal of Honor Joke 01:39:00 - Army Green Jacket Award Announcement 01:40:51 - Pentagon Assignment Insights 01:42:41 - Building the Pentagon History 01:44:43 - Transforming Military Equipment 01:47:26 - Acquisition Process Challenges 01:51:06 - Planning the 250th Anniversary 01:53:04 - Sponsorships and Execution Plans 01:55:05 - Meeting Brandon and the Fat Electrician 01:56:50 - Army Outreach and Recruitment 01:58:48 - Legal Reviews for Podcasts 02:00:56 - Mental Health and Community Support 02:03:49 - Closing Thoughts and Future Plans Learn more about your ad choices. Visit podcastchoices.com/adchoices
The U.S. Army Ranger Battalion demands a constant pursuit of excellence and it comes at a cost to the individual. Few will know the cross pressure of desiring to go back to the aggressive lifestyle of a Ranger and the reality that one cannot keep up the level of performance indefinitely. Mike Meegan walks through the differences between living on "the line" and Ranger School. His tenure training in Small Unit Ranger Tactics and now as a leader of Rudder's Rangers at Texas A&M, brings a valuable perspective to the table when it comes to training mentality. Follow Mike Meegan on Instagram at @R.A.N.G.E.R.UUse Code 2025deaddrop10 for 10% off your order at obsidianarms.comThis episode has been sponsored by Obsidian Arms, a manufacturer of tools, parts and firearms, as well as operating as an OEM shop for those looking to bring excellence to the market. Their Minnesota-based shop builds and cuts parts out of U.S.-sourced materials. Their gunsmith tools, custom firearms, and capabilities can be found at www.obsidianarms.comSupport the REDACTED Culture Cast at redactedculture.locals.comSSP and boutique products at redactedllc.comFollow us on Instagram at @redactedllc
In this captivating episode of Mentors4mil, we dive deep into the journey of Sidney Jacquez, the first Ranger tabbed female in the 75th Ranger Regiment. Sidney shares her story, starting from her selection in RASP-2, leading to her experiences in Ranger School, where she faced unexpected challenges. As the first woman from the regiment to pass the Ranger School's rigorous standards, Sidney opens up about the unique pressures and biases she encountered. Join us as we explore her tenacity and resilience, which helped her overcome many barriers, both mentally and physically. Sidney's honest reflections highlight the importance of perseverance in the face of adversity, aiming for fairness and equity in unconventional spaces. Through her narrative, Sidney hopes to inspire future generations, showing that consistency in values and seeking support can lead to personal growth and achieving groundbreaking milestones. Don't miss this in-depth conversation on leadership, courage, and breaking down organizational barriers. ____________ Please leave us a review on Apple/Spotify Podcasts: Apple: https://podcasts.apple.com/us/podcast/mentors-for-military-podcast/id1072421783 Spotify: https://open.spotify.com/show/3w4RiZBxBS8EDy6cuOlbUl #mentors4mil #mentorsformilitary Mentors4mil Links: Instagram: https://www.instagram.com/Mentors4mil Patreon Support: https://www.patreon.com/join/Mentors4mil Intro music "Long Way Down" by Silence & Light is used with permission. Show Disclaimer: https://mentorsformilitary.com/disclaimer/
Jeśli interesuje Cię świat nowoczesnych technologii i innowacyjnych rozwiązań, to ten odcinek jest dla właśnie dla Ciebie. Dziś — zza kierownicy kabrioleta porozmawiamy o łączeniu świata AI z codziennymi wyzwaniami biznesowymi. Inga Apiecionek, pełni rolę AI Solution Managera w Ringier Axel Springer Polska, dzieli się z nami swoimi doświadczeniami na temat wdrożenia AI w procesy w dużej firmie. Inga nie tylko mówi o technologii, ale także o wyzwaniach, jakie napotykają korporacje podczas adaptacji nowych narzędzi oraz jak te technologie wpływają na użytkowników. Porozmawiamy na takie tematy jak: - Zarządzanie przetwarzaniem danych użytkowników zgodnie z najwyższymi standardami - Analizowanie informacji - Wdrażanie zaawansowanych modeli AI dla lepszego zaangażowania i doświadczenia użytkowników. Dowiesz się, jak RASP wykorzystuje smart-asystentów, takich jak SEO-asystent, aby automatyzować procesy redakcyjne i wspierać dziennikarzy w ich codziennej pracy. Ale nie będziemy mówić o tym, że automatyzować należy wszystko. Inga podkreśla znaczenie jakości treści i bliskiej współpracy z użytkownikami oraz redaktorami, aby zachować najwyższe standardy dziennikarstwa. Dzięki tej rozmowie będziesz wiedzieć jak innowacje w dziedzinie AI mogą współpracować z ludźmi, aby tworzyć coś niesamowitego. Usłyszysz o doświadczeniach, które zmieniają sposób, w jaki firmy działają i komunikują się z użytkownikami. Dowiesz się również, jak radzić sobie z wyzwaniami związanymi z adaptacją nowych technologii oraz jak skutecznie komunikować się w dużych organizacjach. 00:00:00 Intro 00:02:10 AI w RASP 00:05:25 Jak się zarabia na digitalu 00:10:21 Siła danych w firmie 00:17:30 Jak przetwarza się Twoje dane 00:20:45 Procesy są OK 00:26:32 Jak przekonać do AI 00:34:33 Poukładanie zespołu i sukces produktu 00:38:45 Pokusy AI 00:43:11 Czym zachęcić użytkownika 00:45:48 Jak zrobić transformację cyfrową w firmie 00:52:38 Outro
Guest: Daniel Shechter, Co-Founder and CEO at Miggo Security Topics: Why do we need Application Detection and Response (ADR)? BTW, how do you define it? Isn't ADR a subset of CDR (for cloud)? What is the key difference that sets ADR apart from traditional EDR and CDR tools? Why can't I just send my application data - or eBPF traces - to my SIEM and achieve the goals of ADR that way? We had RASP and it failed due to instrumentation complexities. How does an ADR solution address these challenges and make it easier for security teams to adopt and implement? What are the key inputs into an ADR tool? Can you explain how your ADR correlates cloud, container, and application contexts to provide a better view of threats? Could you share real-world examples of types of badness solved for users? How would ADR work with other application security technologies like DAST/SAST, WAF and ASPM? What are your thoughts on the evolution of ADR? Resources: EP157 Decoding CDR & CIRA: What Happens When SecOps Meets Cloud EP143 Cloud Security Remediation: The Biggest Headache? Miggo research re: vulnerability ALBeast “WhatDR or What Detection Domain Needs Its Own Tools?” blog “Making Sense of the Application Security Product Market” blog “Effective Vulnerability Management: Managing Risk in the Vulnerable Digital Ecosystem“ book
Carl Rasp, ein mysteriöser Einwanderer, der behauptete, aus Cannstatt zu stammen, steht am Anfang der Erfolgsgeschichte des Bergbau-Riesen BHP. Trotz Unklarheiten über seine wahre Identität ist sicher, dass er ein ausgezeichneter Geologe war. Mit einem geschulten Blick erkannte er das immense Potenzial der Mineralien und Formationen rund um Broken Hill, im äußersten Westen von New South Wales. Tauchen Sie ein in die Geschichte eines Mannes, der den Grundstein für einen der größten Bergbaukonzerne der Welt legte. Ein Gespräch mit dem Autor und Historiker Jakob Anderhandt.
Guest: Steve Wilson, Chief Product Officer, Exabeam [@exabeam] & Project Lead, OWASP Top 10 for Larage Language Model Applications [@owasp]On LinkedIn | https://www.linkedin.com/in/wilsonsd/On Twitter | https://x.com/virtualsteve____________________________Host: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinView This Show's Sponsors___________________________Episode NotesIn this episode of Redefining CyberSecurity, host Sean Martin sat down with Steve Wilson, chief product officer at Exabeam, to discuss the critical topic of secure AI development. The conversation revolved around the nuances of developing and deploying large language models (LLMs) in the field of cybersecurity.Steve Wilson's expertise lies at the intersection of AI and cybersecurity, a point he emphasized while sharing his journey from founding the Top 10 group for large language models to authoring his new book, "The Developer's Playbook for Large Language Model Security." In this insightful discussion, Wilson and Martin explore the roles of developers and product managers in ensuring the safety and security of AI systems.One of the key themes in the conversation is the categorization of AI applications into chatbots, co-pilots, and autonomous agents. Wilson explains that while chatbots are open-ended, interacting with users on various topics, co-pilots focus on enhancing productivity within specific domains by interacting with user data. Autonomous agents are more independent, executing tasks with minimal human intervention.Wilson brings attention to the concept of overreliance on AI models and the associated risks. Highlighting that large language models can hallucinate or produce unreliable outputs, he stresses the importance of designing systems that account for these limitations. Product managers play a crucial role here, ensuring that AI applications are built to mitigate risks and communicate their reliability to users effectively.The discussion also touches on the importance of security guardrails and continuous monitoring. Wilson introduces the idea of using tools akin to web app firewalls (WAF) or runtime application self-protection (RASP) to keep AI models within safe operational parameters. He mentions frameworks like Nvidia's open-source project, Nemo Guardrails, which aid developers in implementing these defenses.Moreover, the conversation highlights the significance of testing and evaluation in AI development. Wilson parallels the education and evaluation of LLMs to training and testing a human-like system, underscoring that traditional unit tests may not suffice. Instead, flexible test cases and advanced evaluation tools are necessary. Another critical aspect Wilson discusses is the need for red teaming in AI security. By rigorously testing AI systems and exploring their vulnerabilities, organizations can better prepare for real-world threats. This proactive approach is essential for maintaining robust AI applications.Finally, Wilson shares insights from his book, including the Responsible AI Software Engineering (RAISE) framework. This comprehensive guide offers developers and product managers practical steps to integrate secure AI practices into their workflows. With an emphasis on continuous improvement and risk management, the RAISE framework serves as a valuable resource for anyone involved in AI development.About the BookLarge language models (LLMs) are not just shaping the trajectory of AI, they're also unveiling a new era of security challenges. This practical book takes you straight to the heart of these threats. Author Steve Wilson, chief product officer at Exabeam, focuses exclusively on LLMs, eschewing generalized AI security to delve into the unique characteristics and vulnerabilities inherent in these models.Complete with collective wisdom gained from the creation of the OWASP Top 10 for LLMs list—a feat accomplished by more than 400 industry experts—this guide delivers real-world guidance and practical strategies to help developers and security teams grapple with the realities of LLM applications. Whether you're architecting a new application or adding AI features to an existing one, this book is your go-to resource for mastering the security landscape of the next frontier in AI.___________________________SponsorsImperva: https://itspm.ag/imperva277117988LevelBlue: https://itspm.ag/attcybersecurity-3jdk3___________________________Watch this and other videos on ITSPmagazine's YouTube ChannelRedefining CyberSecurity Podcast with Sean Martin, CISSP playlist:
Guest: Steve Wilson, Chief Product Officer, Exabeam [@exabeam] & Project Lead, OWASP Top 10 for Larage Language Model Applications [@owasp]On LinkedIn | https://www.linkedin.com/in/wilsonsd/On Twitter | https://x.com/virtualsteve____________________________Host: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinView This Show's Sponsors___________________________Episode NotesIn this episode of Redefining CyberSecurity, host Sean Martin sat down with Steve Wilson, chief product officer at Exabeam, to discuss the critical topic of secure AI development. The conversation revolved around the nuances of developing and deploying large language models (LLMs) in the field of cybersecurity.Steve Wilson's expertise lies at the intersection of AI and cybersecurity, a point he emphasized while sharing his journey from founding the Top 10 group for large language models to authoring his new book, "The Developer's Playbook for Large Language Model Security." In this insightful discussion, Wilson and Martin explore the roles of developers and product managers in ensuring the safety and security of AI systems.One of the key themes in the conversation is the categorization of AI applications into chatbots, co-pilots, and autonomous agents. Wilson explains that while chatbots are open-ended, interacting with users on various topics, co-pilots focus on enhancing productivity within specific domains by interacting with user data. Autonomous agents are more independent, executing tasks with minimal human intervention.Wilson brings attention to the concept of overreliance on AI models and the associated risks. Highlighting that large language models can hallucinate or produce unreliable outputs, he stresses the importance of designing systems that account for these limitations. Product managers play a crucial role here, ensuring that AI applications are built to mitigate risks and communicate their reliability to users effectively.The discussion also touches on the importance of security guardrails and continuous monitoring. Wilson introduces the idea of using tools akin to web app firewalls (WAF) or runtime application self-protection (RASP) to keep AI models within safe operational parameters. He mentions frameworks like Nvidia's open-source project, Nemo Guardrails, which aid developers in implementing these defenses.Moreover, the conversation highlights the significance of testing and evaluation in AI development. Wilson parallels the education and evaluation of LLMs to training and testing a human-like system, underscoring that traditional unit tests may not suffice. Instead, flexible test cases and advanced evaluation tools are necessary. Another critical aspect Wilson discusses is the need for red teaming in AI security. By rigorously testing AI systems and exploring their vulnerabilities, organizations can better prepare for real-world threats. This proactive approach is essential for maintaining robust AI applications.Finally, Wilson shares insights from his book, including the Responsible AI Software Engineering (RAISE) framework. This comprehensive guide offers developers and product managers practical steps to integrate secure AI practices into their workflows. With an emphasis on continuous improvement and risk management, the RAISE framework serves as a valuable resource for anyone involved in AI development.About the BookLarge language models (LLMs) are not just shaping the trajectory of AI, they're also unveiling a new era of security challenges. This practical book takes you straight to the heart of these threats. Author Steve Wilson, chief product officer at Exabeam, focuses exclusively on LLMs, eschewing generalized AI security to delve into the unique characteristics and vulnerabilities inherent in these models.Complete with collective wisdom gained from the creation of the OWASP Top 10 for LLMs list—a feat accomplished by more than 400 industry experts—this guide delivers real-world guidance and practical strategies to help developers and security teams grapple with the realities of LLM applications. Whether you're architecting a new application or adding AI features to an existing one, this book is your go-to resource for mastering the security landscape of the next frontier in AI.___________________________SponsorsImperva: https://itspm.ag/imperva277117988LevelBlue: https://itspm.ag/attcybersecurity-3jdk3___________________________Watch this and other videos on ITSPmagazine's YouTube ChannelRedefining CyberSecurity Podcast with Sean Martin, CISSP playlist:
Hva er spiseforstyrrelser og hvordan skaper man en vei gjennom det?I denne episoden går vi i dybden på en av de mer sammensatte lidelsene vi kjenner, nemlig spiseforstyrrelse. Du får møte psykologspesialist og leder av Villa Sult Bente og Nikoline som har en egen reise gjennom spiseforstyrrelse. Hun deler sårbart om hvordan hun følte seg frakoblet egen menneskelighet under bruk av tvang på institusjon, og hvordan dette forverret hennes situasjon. Sammen med Bente snakker de om hvordan behandling både kan forverre lidelsen og skape grunnlaget for et liv forbi spiseforstyrrelsen, på samme måte som Nikoline klarte.Sammen med Jimmy ser de både kritisk og motiverende på hvordan helsesystemet møter mennesker som står i spiseforstyrrelse idag og endringer de ser burde innføres. Du får også høre hvordan Bente var med å bygge opp et et fagmiljø og behandlingssted i en villa hvor det skal være godt å være, og hvorfor de tror på dette som et avgjørende aspekt av deres suksess.Nikoline Riis Lindahl er student, skribent og en offentlig stemme med egne erfaringer fra psykiatrien. Hun studerer journalistikk og skriver artikler om tvangsbruk i psykiatrien og viktigheten av gode menneskemøter for å se mennesket bak lidelsen. Hun ønsker å ha en offentlig stemme for å bruke hennes erfaringer til å synliggjøre behovet for kunnskap, kompetanse og ressurser for å unngå at behandling gjør mer skade enn nytte.Bente Sommerfeldt er psykologspesialist, forfatter og forsker. Hun er leder av Villa Sult - en stiftelse som driver med behandling, undervisning og forskning rundt spiseforstyrrelser. Hun har lidenskapelig jobbet med spiseforstyrrelser i over 20 år og er veldig opptatt av å tilgjengeliggjøre god informasjon og kunnskap. Hun har tidligere erfaring fra RASP, Modum Bad, og Gaustad sykehus. Hun har lang fartstid som underviser, veileder og formidler innenfor et bredt spekter av lidelser og er ekstra engasjert i unges psykisk helse.God lytting!Vi trenger din hjelp for å fortsette å lage Hverdagspsyken!
The Federal Court rules there's insufficient evidence to prove the controversial weed killer Roundup causes cancer, a new buyer found for the Rasp silver and zinc mine operated by CBH Resources Limited in Broken Hill, and farmers lead the charge in calling for a change in the length of Daylight Savings.
Os convidados do programa Pânico dessa sexta-feira (12) são Henrique e Diego. Apaixonados por música desde a infância vivida em Cuiabá, capital do Mato Grosso, Henrique e Diego tiveram influências musicais diferentes.Henrique começou a cantar no grupo de jovens da escola, onde aprendeu a tocar violão, o que abriu as portas para que pudesse trabalhar como técnico de apoio de duplas sertanejas.Já Diego, ainda criança, se destacava como puxador da escola de samba “A estrela do oriente”, onde a sua avó era presidente. Em 2002 os artistas se conheceram enquanto trabalhavam na banda de pagode “Jeito de ser”.A partir deste momento, formou-se uma parceria de grande sucesso. A dupla tem mais de 22 anos de carreira, sendo reconhecida por hits que conquistaram o Brasil e são cantados ainda hoje nas maiores festas sertanejas, como “Suíte 14”, com participação de MC Guimê, “Raspão”, com Simone e Simaria, “Festa Boa”, com Gusttavo Lima, “Malbec”, com Dennis, e “Esqueci Você”.Henrique e Diego somam 8 CDs, 19 singles e importantes premiações. O mais recente trabalho da dupla é o DVD “Henrique e Diego Ao Vivo em SP”, gravado em agosto de 2023 no Vila JK. No repertório, 14 músicas e as participações de Edson e Hudson, Gustavo Mioto e Guilherme e Benuto. Como comentarista do programa, teremos Palumbo, o Delegado Palumbo. Deputado Federal por São Paulo, delegado de polícia e comentarista da Jovem Pan News.
In this episode of the DevSecOps Podcast, our host engages in a fascinating conversation with experts from Kodem about the cutting-edge world of Runtime Application Security. As applications become increasingly complex and cyber threats evolve, traditional security measures often fall short. Our guests from Kodem discuss how this kind of solution provides a dynamic layer of security by continuously monitoring and protecting applications in real-time. Listeners will gain insights into the technical underpinnings of runtime security, its advantages over traditional security solutions, and practical implementation strategies. The episode delves into real-world scenarios where runtime security has thwarted sophisticated attacks, demonstrating its effectiveness in maintaining application integrity and protecting sensitive data. Whether you're a seasoned DevSecOps professional or new to the field, this episode offers valuable perspectives on enhancing your security posture with runtime security. Tune in to learn how integrating this technology can fortify your defenses and keep your applications safe from emerging threats.
Apologies for the subpar audio (crank the volume!) - microphone took the day off so I had to use my laptop speakers. Shouldn't be too problematic and will be fixed next episode!Today's episode included many topics, to include:Tibs & calves training Regressing running when leg injuries creep inSFAS program for RASP prep?Timeline for prepping for SMU selectionBeginners: calisthenics vs. free weightsMental fortitude in SOF (article)Why running 5+x/week, lifting 6x/week is a bad ideaRamp up sets (article)Zone 2 vs. zone 5 workModifications on T-850 due to equipment availabilityNext block of T-850 (begins Monday)Eating on vacation Priorities 1 year out from selectionBalancing running, lifting, BJJ7 months from couch to selection (is it possible?)10x10 squats for selection prep?Comparing my life now to my life on an ODAPower vs. endurance - how to build bothRucking for shorter folksTempo runs on treadmill vs. outdoorsNEW EBOOK: SOF Selection Recovery & Nutrition GuidePrograms, articlesNew Training Team on TrainHeroic: T-850 Rebuilt (try a week for free!)terminatortraining.comKickstart- beginner/garage gym friendlyTime Crunch- Workouts for those short on timeHypertrophy- intermediate/advancedJacked Gazelle- Hybrid athleteSFAS Prep- Special forces train-upTrainHeroic- App based bodybuilding programFollow me:SubstackNewsletter Sign UpIG: terminator_trainingTwitter: @ksterminatortmyoutube: Terminator Training MethodFacebook: Terminator TrainingWhichever platform you're tuning in on, feel free to leave a review! Your feedback is greatly appreciated. The more reviews we receive, the more people the podcast will reach!Also, if you know anyone who loves fitness and podcasts, spread the word! My goal is to help as many people as I can and cut out the BS when it comes to fitness, nutrition and health.Look for weekly (or more) Q&A on my stories. I'll answer your questions on IG and here on the podcast.
Today's poem is Agony's Rasp by Garous Abdolmalekian, translated by Ahmad Nadalizadeh and Idra Novey. The Slowdown is your daily poetry ritual. In this episode, guest host Leslie Sainz writes… “Today's poem simultaneously inhabits the planes of presence and absence, conveying the suffering of avoidance from multiple perspectives. With restraint and disorienting beauty, we are at the mercy of the dying voice, the reviving voice, and the surviving voice.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
Back in the saddle after a mini vacation, here are today's topics -Walking vs run/walk for zone 2-My reasons for leaving the army-Quitting lifting to improve running-Rucking for zone 2-TTM running program overview/update-My experience on MFF and Dive teams-How to train post SFAS/in the Q-My running ability pre selection and over the years-Considerations for running in heat/humidity (article)-Hydrating/fueling for early AM training-Ruck frequency recommendations-How to determine whether you're training too much-Strength vs/ endurance at SFAS - which is more important?-Tips for ruck setup, footwear, clothing, etc-Training for RASP vs SFAS-Benefits and practical applications of hill workNEW EBOOK: SOF Selection Recovery & Nutrition GuidePrograms, articlesNew Training Team on TrainHeroic: T-850 Rebuilt (try a week for free!)terminatortraining.comKickstart- beginner/garage gym friendlyTime Crunch- Workouts for those short on timeHypertrophy- intermediate/advancedJacked Gazelle- Hybrid athleteSFAS Prep- Special forces train-upTrainHeroic- App based bodybuilding programFollow me:SubstackNewsletter Sign UpIG: terminator_trainingTwitter: @ksterminatortmyoutube: Terminator Training MethodFacebook: Terminator TrainingWhichever platform you're tuning in on, feel free to leave a review! Your feedback is greatly appreciated. The more reviews we receive, the more people the podcast will reach!Also, if you know anyone who loves fitness and podcasts, spread the word! My goal is to help as many people as I can and cut out the BS when it comes to fitness, nutrition and health.Look for weekly (or more) Q&A on my stories. I'll answer your questions on IG and here on the podcast.
Eric Ross is currently the Chief Operating Officer at Striveworks, specializing in Machine Learning Operations. He enlisted in the Army after high school and joined the 75th Ranger Regiment as an 11B infantryman in the mid-1990s, where he served for six years until he left for an assignment with US Army Special Operations Command at Ft. Bragg, NC. He served 24 years before retiring in 2020 with numerous combat deployments. Over those 24 years, Eric graduated from many military schools and selection events, such as RASP, Combat Dive School, and HALO school, and won the Best Ranger competition in 2010. Eric has an undergraduate degree in psychology and an MBA from MIT Sloan Business School. Ben Allen is a former Army Green Beret and the CEO of Apex Path, a pioneer in readiness informatics that combines special operations warriors, elite computer scientists, and world-class fitness training to deliver a one-of-a-kind performance system for today's warfighters. Despite never attaining his goal of bench pressing more than Eric, Ben is a highly accomplished athlete and performance expert, which is what led him to cross paths with Eric and eventually work together in their civilian roles. .Timestamps:00:00:22 Intro to Eric Ross00:01:08 Intro to Ben Allen00:02:12 What is Apex Path?00:03:12 What is Striveworks?00:05:28 What Data is Their Algorithm Measuring?00:06:30 What Skills Has Eric Learned From Ben?00:08:01 Specific Changes in Eric's Performance Training00:09:34 Sponsor Note: Stress Inoculation Training00:10:17 What Training Processes Prepare You to Succeed Under Stress?00:12:31 The Value of Those Around You00:14:18 Advice About Selection Courses00:17:47 Fallacy of Picking "The Perfect Training Program"00:20:55 Success Rate of Different Personality Types in Selection00:23:44 Managing Failure and Setbacks00:28:07 Choosing the Perfect Guy vs the Right Guy for the Job00:30:15 What to Expect On Eric & Ben's Next Episode00:30:30 Outro
Taking a side rode from another Jacked Up Beer, Feel My Rasp offers an amazing pale ale profile with a perfect balance of Raspberry on the backend!
Today's episode covered many of the top questions from this week's Instagram Q&A. Topics included:-Powerlifting strength vs running for SFAS-Foot care tips-Barefoot shoe considerations-Differences between SFAS and RASP -Improving your walking pace with ruck-Sets per muscle group per week for gains-Causes/solutions for cramping-History/creation of TTM & business ownership while active duty-Prerequisite ruck & run times for SFAS success-Nutrition considerations for SFAS prep-Ankle mobility improvement while rucking a lot-Strengthening legs to improve running-Lunging in knee sleeves? other lunge considerations-Implications of using NSAIDs for athletes -Zone 2 vs zone 3 differences-Tapering before selectionPrograms, articlesNew Training Team on TrainHeroic: T-850 Rebuilt (try a week for free!)terminatortraining.comKickstart- beginner/garage gym friendlyTime Crunch- Workouts for those short on timeHypertrophy- intermediate/advancedJacked Gazelle- Hybrid athleteSFAS Prep- Special forces train-upTrainHeroic- App based bodybuilding programFollow me:Newsletter Sign UpIG: terminator_trainingTwitter: @ksterminatortmyoutube: Terminator Training MethodFacebook: Terminator TrainingWhichever platform you're tuning in on, feel free to leave a review! Your feedback is greatly appreciated. The more reviews we receive, the more people the podcast will reach!Also, if you know anyone who loves fitness and podcasts, spread the word! My goal is to help as many people as I can and cut out the BS when it comes to fitness, nutrition and health.Look for weekly (or more) Q&A on my stories. I'll answer your questions on IG and here on the podcast.
New research shows global timber production is under significant threat from wild fires, with Australia one of the worst affected, more job cuts are expected as the CBH Resources' Rasp mine in Broken Hill is put up for sale, and new Australian research has shown that the likelihood of hail has changed substantially over the past 40 years
In this episode, we are honored to host David Rasp, the culinary visionary behind two of Mobile's beloved dining spots - Heroes Sports Bar and Grille and The Royal Scam. Kicking things off in 1998, David transformed Heroes into a sports fan's dream haven, perfectly capturing the essence of Mobile's rich sports history. Dive into the nostalgic realm as David reminisces about the original TV setups at Heroes and shares enchanting stories of iconic celebrity visits like Jerry Rice.But David's culinary journey didn't end with Heroes. In 2006, he introduced Mobilians to The Royal Scam, a restaurant that beautifully melds the historic charm of Mobile with some of the best dishes in town. In our chat, David unravels the evolution of The Royal Scam, from its early days as a tapas bar to its present-day fine dining splendor under the culinary prowess of Chef Jonathan Stern.David delves deep into the thought processes behind both ventures, shedding light on the importance of adapting to the ever-evolving dining landscape and the art of viewing restaurants through the eyes of his patrons. Local Restaurants Mentioned in this Episode:VeetsSlurp SocietyChef SakeNixon'sAshland PubDew Drop InnNoJaThe Noble SouthButch Cassidy'sWintzell's Taco MamaDropout Bakery & CompanyIf you enjoy the Port City Plate Podcast, consider buying Chris a coffee. (Locally owned, of course!)Support the Show Share the best dish you've had in Mobile! Join the Port City Plate Facebook GroupAll episodes are presented by Bienville Bites Food Tour. Take a guided walking tour through Downtown Mobile while tasting your way through the best food and drink in town! Book a Bienville Bites Food TourBook a tour with our sister tour company in beautiful, Fairhope, Alabama! Book a Taste of Fairhope Food Tour
Today's guests are Charles and Sean Sasser, a father and son duo with deep roots in the military. Charles is a 30-year veteran of both the Army and the Navy, where he spent 13 years as a Green Beret and a journalist respectively. Sean is also an Army veteran, volunteering for the Ranger regiment as a HUMINT collector and also serving in the STB. They share their career stories, from Charles' journey through Airborne School before joining the 82nd, just one of 7 divisions he eventually served with, and Sean's experience in RIP (now known as RASP) and going through the good and bad of a medboard. Rad, Charles, and Sean also talk about the new names of bases and how the military, for its faults, is still a place of belonging for its members. Join the SOFREP Book Club here: https://sofrep.com/book-clubSee omnystudio.com/listener for privacy information.
**** VIDEO EN NUESTRO CANAL DE YOUTUBE **** https://youtube.com/live/0HY02IgU98k +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ #actualidad #militar #guerraenucrania 13/9/2023 Gracias a @CronicasMilitaresCROM veremos como esta evoluncionando la Contraofenciva ucraniana tras 100 días de duros combates y si hay aún tiempo antes de la Raspútitsa ----------------- APOYA A BELLUMARTIS ------------------------ Conviértete en miembro de este canal para disfrutar de ventajas: https://www.youtube.com/channel/UCTNFDvqGq_zZ_spphDCQaHg/join ----------------------------------------------------------------------------------- COMPRA EN AMAZON CON EL ENLACE DE BHM Y AYUDANOS ************** https://amzn.to/3ZXUGQl ************* Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPALhttps://www.paypal.me/bellumartis o en BIZUM 656/778/825 No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartispublicidad@hotmail.com como por WHATSAP o en BIZUM 656/778/825 Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.com
This week's guest is Tyler Fillion, the current Company 1SG and Senior Enlisted Advisor to the 75th Ranger Regiment Selection and Training Company. The Company conducts assessment and selection programs, known as RASP1 and RASP2, as well as a pre-Ranger School course known as SURT (small unit Ranger tactics). Additionally, the Company runs an extensive Pre-RASP program that prepares service members for RASP1. Tyler has been serving in the Army since 2005 and attended Ranger School shortly after a 15 month deployment to Iraq during the surge. That was his first exposure to Ranger Regiment soldiers, and after another deployment he attended one of the first editions of the RASP1 course in 2010. His career has taken him from 3rd Ranger Battalion, to Regimental Headquarters, to 1st Ranger Battalion, and now back to Fort Moore with Selection and Training. Tyler holds a Masters degree in Psychology with a focus on Industrial and Organization Psychology. It's very clear from our conversation that Tyler cares deeply about human performance and is a huge believer in the Army's H2F system. As you might expect from a leader in Ranger Regiment, he's all about challenging people to achieve things they might not have thought were possible. This episode has a lot of good information for any soldier who aspires to serve in Ranger Regiment, but it's also full of insight for anyone who is interested in how to incorporate human performance staffs into a military unit. The Rangers have been doing it for over a decade now, and Tyler speaks to how they get the most value out of their Ranger Athlete Warrior program. For insight into assessment and selection processes, Tyler recommended this documentary about the British Pegasus Company. To understand the culture in Ranger Regiment, Tyer recommended the 6-part Ranger Creed series. You can find those videos, along with plenty of others about life in Ranger Regiment on their YouTube channel. To find the monthly challenges we talked about, check out @75th_humanperformance_wellness on Instagram. RASP also has their own Instagram page that offers glimpses into the assessment and selection process. And finally, if you're ready to take the next steps towards becoming a Ranger, you can find their recruiting team here.
Learn more at TheCityLife.org --- Send in a voice message: https://podcasters.spotify.com/pod/show/citylifeorg/message Support this podcast: https://podcasters.spotify.com/pod/show/citylifeorg/support
This is the third and final episode in the AlphaFold series, originally recorded on February 23, 2022, with Amelie Stein, now an associate professor at the University of Copenhagen. In the episode, Amelie explains what
We are very excited to finally share with you Marnie's debut memoir, My Song, Unleashed. About the Book: As a child, Marnie's unique voice earned her the nickname “The Rasp” from her dad. When other adults told her she'd never be a singer or that she talked too much, not only did Marnie start silencing herself, but she also began questioning her internal voice. She knew when she shared her truth—the way she'd done during a schoolwide presentation as a teen—it was life- changing. But more often, like many young women trying to make their way in the world, she muted and molded herself to accommodate others. It wasn't until she traveled abroad and created a life far from home that she started finding her way back to her inner voice. And as she continued to explore the globe and connect with nature and with others, she discovered her inner voice was amplified. In her memoir, “My Song, Unleashed,” Marnie Dachis Marmet takes readers through her journey of personal transformation. From the painful experiences that make her question everything to the beautiful revelations that bare the truth, Marnie ultimately shares what every woman needs to know: When you pay attention to and trust your voice, it leads you to what you truly want and value and, ultimately, what makes your heart sing. In today's episode we discuss: Marnie's journey on writing and completing her memoir We also dive into different parts of the memoir and how they pertain to Marnie's life today No spoilers here :) In "My Song, Unleashed," Marnie Dachis Marmet opens her heart and shares her deeply personal experiences, inviting readers into her world of triumphs, challenges, and self-reflection. The honesty and vulnerability with which she writes create an immediate connection, making this book a truly transformative read. Pre-order a copy of Marnie's memoir today. If you are local in Minneapolis, please come to her book launch event on 8/8/23 at ModernWell. Special Offer: First two people to leave a rating and review of our podcast will each get a free copy of the book sent to them. Please screenshot your review and email us. Helpful links and resources: Pre-order the book here After August 8th order the book at: www.mysongunleashed.com Sign-up for the launch party on August 8th, 2023 --------------------------------------------------------- Thanks to our amazing Sponsor, Good Health Saunas. Good Health Saunas is proud to provide top-of-the-line infrared saunas that deliver the most impactful results for overall health and wellness. For more information and for your special discount please visit, Www.goodhealthsaunas.com and mention The Art of Living Well Podcast. ----------------------------------------------------------- Thanks to our amazing sponsor, Organifi. Organifi is a line of organic superfood blends that offer plant-based nutrition with high quality ingredients and less than 3g of sugar. As a listener of The Art of Living Well Podcast you get 20% off ALL Organifi products. To take advantage of your Organifi discount, use the link below and the code LIVINGWELL at checkout for 20% off your order. Order Organifi products now! ----------------------------------------------------------- The Art of Thriving: An Evening of Connection & Community in Minneapolis July 25th, 5:30 PM Join us for a night of elevated nutritional cuisine, yoga, community, connection and growth with Michelle Olson of Layers Yoga, Sarah Haugen of Vitalist foods, and Marnie and Stephanie. We can't wait to see you there! Sign-up here. ----------------------------------------------------------- Ask us a question/make a recommendation We'd love to hear from you! Click here to share your feedback and suggestions. ----------------------------------------------------------- Sign-up for your 15 minute Health Transformation Audit - Click here. ----------------------------------------------------------- Need more protein in your day? Check out these amazing, high quality products from Kion, especially their essential amino acids, which we both use daily. Use code 'ARTOFLIVING' for a discount off your purchase. ----------------------------------------------------------- Missed our last group 7 Day Functional Liver Detox? We now have a program where you can do it on your own schedule but still receive all the wonderful support and recipes of the full program. Register here! ----------------------------------------------------------- Let us help you get to the root cause of your unwanted symptoms. Schedule a 15 minute consultation to discuss at-home functional medicine lab testing here. ----------------------------------------------------------- How can you support our podcast? Apple users, please subscribe and review our show on Apple Podcasts,we make sure to read them all. Android users, please be sure to subscribe to our show on Google Podcasts so that you don't miss any of the action. Tell a friend about The Art of Living Well Podcast® and our community programs. Share your favorite episode on social media and don't forget to tag us @theartofliving_well. Shop our Favorite Products: https://www.theartoflivingwell.us/products Connect with us on social media: IG: @theartofliving_well FB: theartoflivingwell Get on our list so you don't miss out on announcements, programs and events. You can download our guests' favorite reads here. Learn more about your hosts: Marnie Dachis Marmet Stephanie May Potter
Chef Judi Leib, Whisk in the Southern, combined her mom's Southern roots (her family is from Georgia) with her Southern California upbringing for her own delicious spin. On this episode of Taste Buds with Deb, host Debra Eckerling speaks with Judi Leib about southern cooking, how to cook fearlessly, pound cake, and more. Read the highlights and get the recipe at JewishJournal.com. For more from Taste Buds, follow @TheDEBMethod on social media.
Rob interviews Matthew Orr and Brendon Aten about their latest Kickstarter for the TTRP "Never Going Home: The Beginning and the End"! Facebook @wetinkgames Twitter @wetinkgames Instagram @wetinkgames YouTube: @wetinkgames7740 Discord: https://discord.gg/WyXRP4EZ Website: wetinkgames.com Email: wetinkgames@gmail.com Other Links Buy Physical Books! https://www.indiepressrevolution.com/xcart/Wet-Ink-Games/ Buy Digital Books! https://www.drivethrurpg.com/browse/pub/9148/Wet-Ink-Games Never Going Home Actual Play coming 3 June at 1 pm Eastern - twitch.tv/symphonyentertainment Ross Rifles by Daniel Kwan and Patrick Keenan - https://www.dundaswestgames.com/rossrifles/ Heckin' Good Doggos Actual Play on Rook and Rasp - https://www.youtube.com/playlist?list=PL4ESlBDVJvNddmK6WX71fnbIjk_KKSSli Find us at: southgatemediagroup.com twitter.com/rsouthgate facebook.com/gofundthispodcast patreon.com/southgatemediagroup
Cats! Renata Rasp joins Danielle Woolley and Elizabeth Gearhart to talk about her cats and her fiber business using wool shorn from sheep. Of course Elizabeth gave a Max update, the Zyrtec is still working for him, along with a couple of other meds.Danielle had big news!! She was featured in Grit and Goals magazine, you go girl! Elizabeth talked about the radio show she produces with her husband in NYC, and about her lovely Mother's Day and of course talked about the food. Danielle chimed in with how much food is discussed by them and how much fun it is to talk about!Renata joined the discussion and mentioned being retired. Danielle and Elizabeth disagreed with her on that when they heard about everything she's doing, including watching her grandchild 5 days a week. She went on to talk about her cats and moving them from New Jersey to South Carolina. Have you ever had a cat disappear? Renata's cat Cole really didn't want to move and disappeared into thin air. Did he get lost outside or did he find a REALLY good hiding place inside the house? They looked and looked, their friends looked, did they ever find him? Listen to fIns out the rest. https://www.instagram.com/rainbowfusionstudio/Support the showThe Jersey PodCatshttp://thejerseypodcats.comhttps://youtube.com/@thejerseypodcatshttps://instagram.com/thejerseypodcatshttps://m.facebook.com/groups/thejerseypodcatsDanielle Woolley danielle@thejerseypodcats.comElizabeth Gearhart elizabeth@thejerseypodcats.comTommy's Catshttp://tommyscatsnj.orgPassage to Profithttp://passagetoprofitshow.com
On May 18th Moreau Community Center hosted the first Skills4Life job fair offering a holistic approach to getting people back to work. I spoke with the community center director and a few tabling organizations with the goal of seeking out pathways and pipelines for individuals to find their way back to gainful employment. Cheryl Lawyer, Director of Marketing and Outreach. Ron Richard, CEO of RASP. Jennifer McCloskey, Director of Saratoga County Department of Employment, Training and Development Services. https://moreaucommunitycenter.org https://rasp-controls.com https://thejoblink.org https://www.saratogacountyny.gov/departments/workforce-development/ https://www.career-jam.com 518-884-4170 Saratoga County Department of Employment and Training. By Alisha Washington for Hudson Mohawk Magazine Network.
De rasp is Yvettes beste vriend. Ook Teun voelt een intense vertedering voor zijn collectie fijnmakers. Waarom is de rasp zó handig? En moet er een Microplane, blokrasp, raspmolen, of kaasschaaf in je keukenla liggen? Je hoort het in Etenstijd!Tips:Wilde oreganoGriekse wilde oreganoMuziek en montage: Keez GroentemanInstagram: @etenstijd_ Hosted on Acast. See acast.com/privacy for more information.
Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: Tracr: Compiled Transformers as a Laboratory for Interpretability | DeepMind, published by Cinera Verinia on January 13, 2023 on The AI Alignment Forum. Abstract Interpretability research aims to build tools for understanding machine learning (ML) models. However, such tools are inherently hard to evaluate because we do not have ground truth information about how ML models actually work. In this work, we propose to build transformer models manually as a testbed for interpretability research. We introduce Tracr, a "compiler" for translating human-readable programs into weights of a transformer model. Tracr takes code written in RASP, a domain-specific language (Weiss et al. 2021), and translates it into weights for a standard, decoder-only, GPT-like transformer architecture. We use Tracr to create a range of ground truth transformers that implement programs including computing token frequencies, sorting, and Dyck-n parenthesis checking, among others. To enable the broader research community to explore and use compiled models, we provide an open-source implementation of Tracr at this https URL. Twitter thread by Dr. Jim Fan Thanks for listening. To help us out with The Nonlinear Library or to learn more, please visit nonlinear.org.
We are thrilled to have Rich Terfry join us for this episode. Rich has been the host of CBC Radio 2's "Drive" since 2008. Besides his work for CBC Music, Rich is a published author who is also known as Buck 65 - a Juno-winning alternative hip hop artist. Today we examine Rod Stewart's glorious cover of Tom Waits' "Downtown Train." Links: Our Mixtape Tom Waits Original Rod Stewart Version Patty Smythe Version Bob Seeger Version Boy Meets Girl Version Buck 65 Bandcamp Page You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn. Transcript (best read on our website) Intro Music Frank: [0:22] So today on Bill and Frank's Guilt-Free Pleasures, we have a Chicken or the Egg song. Was it Downtown Train that inspired Rod Stewart's love of model trains? Or was it his love of model trains that inspired him to cover this song? That's what we're kind of looking at a little bit. Well, not at all, but that's a it's a philosophical question that that I believe needs to be asked. And also today we're really excited to have a guest with us today, Rich Terfry who some of you may know from CBC Radio 1. Rich Terfry: [0:59] Radio 2, CBC Music as we refer to it now. Frank: [1:07] Radio 2. Yes, sorry. Yeah. So Rich Terfry has been good enough to join us today and talk about this song. And I know that you're on the radio and everything, but I can tell you're a little bit intimidated with our $25 mic stands and our towels for soundproofing, but we encourage you just to be yourself here today. Rich Terfry: [1:23] Sorry, yeah. [1:23] I'll do my best. This is much nicer than my setup at work here, so. Frank: [1:27] I'm not saying a whole lot for CBC are we? So yeah today we're looking at Downtown Train by Rod Stewart but before we talk about Downtown Train by Rod Stewart, we need to talk about Downtown Train by Tom Waits, because he was the guy that wrote the song and originally recorded it back in 1985. Bill: [1:49] Right, and that was on his Rain Dogs album, which is his most popular album, at least until... It's hard to tell... Frank: [1:57] And at least until Scarlett Johansson did her cover album, right? Bill: [2:00] Right, right, right. Rich Terfry: [2:01] Certainly a classic. Yeah. And often when people talk, Tom Waits, one of if not the first album that tends to come up in conversation. Frank: [2:12] I think it's probably maybe the most accessible. Maybe so. Yeah. Rich Terfry: [2:15] Maybe so. Bill: [2:16] Our friend Eric Stewart, no relation to Rod, sent, I asked him, I sent him a text far too Bill: [2:24] late last night asking why he's a big Tom Waits fan and asked him to tell me why Downtown Train works so well on Rain Dogs and he said I think because in the first three quarters of the album he makes the listener work so hard to find the melody that when you finally get to something that's even close to a radio song it comes as a relief. Consonance is only pleasing in the presence of dissonance. Frank: [2:49] I understood 70% of those words. Rich Terfry: [2:52] Yeah, I think the simple way to put it is that Rain Dogs is kind of a weird record. And then in a strange way, Downtown Train is a sore thumb. Because all of a sudden, here's like a pretty straight up standard, you know, good old structured pop song in the midst of all this weirdness. Bill: [3:39] There's talk that this was sort of like rock star bait, that there's rumors that Tom Waits had finally got his publishing to himself, and that they said that this song was put out there to sort of um... Lure. Yes. Rich Terfry: [3:51] Lure a bigger artist to, you know, specifically for the purpose of covering it. Bill: [3:59] Yeah. And allowing him to take some time off. Apparently the cover, one version I read was that allowed Tom Waits to take a couple years off to raise his kids. Yeah. Rod Stewart's version is it put in a pool. That's about to be quite a pool if it's 1989 royalties, I would think. Frank: [4:10] Yeah, I just thought it was, yeah. Rich Terfry: [4:38] So I've read a few Tom Waits biographies, none of which he kind of participated in the writing of, because I don't think that's really what he does. But some people very close to him believe that, that he was really doing that, that he was specifically trying to create cover bait, basically, with this song, and maybe a few others that he's written. Just, you know, throw in the potential hits out there, just waiting for someone to take the bait and make them some money. Bill: [5:10] If Rod Stewart wants to cover one of our podcasts... Frank: [5:12] Hey, put on American songbook like 47 or whatever he's on right now. Rich Terfry: [5:19] But don't forget, you know, Tom Waits, so the first chapter, if you will, of his career was very different from where he ended up in the 80s with this trilogy of records. Really, right? People talk about rain dogs, Swordfish Trombones and Frank's Wild Years is sort of a trilogy where he really started to experiment, started to become the guy that ultimately he became and sort of is now. But before that in the 70s, although it was still a little different from you know kind of what might have been on the pop charts, he was more of a songsmith less the experimenter back then. So he had this in He knew how to write a song. Always did, I would say. Bill: [6:05] And so you have Bob Seeger hearing this and saying, this is my ticket. Frank: [6:11] Before that, Patty Smythe did a cover of it too. She covered and recorded and released it in 87. Bill: [6:14] Oh yeah, yeah you're right. Frank: [6:19] It made it on the charts, I think it charted at 93. Of all the covers that I've heard, I'm gonna say that hers is my favorite. Bill: [6:28] That's tough for you, because I know Rod Stewart means so much. Frank: [6:33] He has a big spot in my heart. [6:59] Then that brings up the whole Bob Seeger controversy, right? So the story that I read anyways was that Bob Seeger recorded the song and he was gonna record an entire album surrounding the song and that was his idea and he played it for Rod Stewart and then like a month after that Rod Stewart just recorded Downtown Train just as a one off to add on to a greatest hits compilation. Rich Terfry: [7:30] And managed to release it before Bob Seeger was able to. Frank: [7:34] Yeah, so Bob's like laboring on this entire album, which is built around Downtown Train. And Rod's just like, Here's a one off and I'm going to release it on my on my greatest hits here. So I don't know, like, so it caused a rift between the two them because they were friends and now they're foes. Rich Terfry: [7:54] Yeah, they say Bob Seeger was genuinely ticked, and kind of felt like Rod Stewart's move kind of ruined it for him. Frank: [8:02] Yeah, yeah. Bill: [8:03] And it was the end of Seeger's had this big run until around 87, 88, I think. He actually scored a number one, the song called Shakedown on the Beverly Hills Cop 2 soundtrack. Frank: [8:14] Oh, yeah, that's right. Bill: [8:15] And it looked like, how is that number one? I remember hearing, I thought it was one of those awful throw offs they put on movie soundtracks. Or like, okay, there's one song like Shakedown, who's that? You know, as a kid, but I guess it went to number one. I should probably re-listen to it. But he was seeing Downtown Train, I think, either as a transition or like as, a big move for him as an artist. The story I heard is he told Rod Stewart about the song but hadn't played it for him and get this he told to him on a train. Rich Terfry: [8:44] The plot thickens. Thanks for watching! Bill: [8:47] And then yeah now Rod Stewart's version and I I kind of believe him he's like oh I don't remember. Frank: [8:47] Layers upon layers. Bill: [8:53] That and it's believable to me that Bob Seeger might have been pouring out his heart and Rod Stewart at this stage of his life might not have been paying close attention, but he's got a lot of women coming in and out of different rooms and his autobiography sound like he was quite a wild man even at his age then. Frank: [9:12] Well, yeah. Bill: [9:13] Here's the tough part. Rod Stewart was 44 years old when he recorded this. Frank: [9:20] Okay. Bill: [9:20] We are 45. Frank: [9:23] I've missed my downtown train year. Bill: [9:26] You did, and Rod Stewart, by the time he was doing Downton Train, had a whole entire career. Frank: [9:31] Yeah, I've had a career. I've had a number of careers. and just keep losing them because of gross incompetence. Bill: [9:32] Are we familiar with the story of how Rod Stewart claims that he heard the song for the first time? Rich Terfry: [9:38] I don't know if I am either. Bill: [9:49] Well, I got it from his autobiography and some mean-spirited writer online said "his autobiography" or "whoever wrote his autobiography." He was just saying he didn't write his autobiography. Frank: [10:04] Well Rod Stewart doesn't write his own songs either so why would he write his autobiography? Bill: [10:09] Well, he did. He can write a song. Frank: [10:10] He can write his own songs. No, he can. Bill: [10:11] This is the great. I guess this this sort of marked a moment where he changed directions a bit. At least they talk about this. I'll just retell it. I was gonna read it, then I realized it's too long. So his manager came in, I think it was his manager, came in with a tape player. So this is 1989. Plays Tom Waits, Downtown Train for him. And he says to Rod Stewart, holds his hand up and says, don't speak. Plays it. Rod Stewart is listening. Plays the whole entire Downtown Train. Tom Waits stops it. And then he says, don't speak. And he plays it again. Third time. Don't speak. plays it again now Rod Stewart is singing along with it he's like I want this the song has become mine or I want to sing this song and I want to put it on the album but he's saying that's the first time he heard of the song so of, course Bob Seeger's like we talked about this on the train but Rod Stewart. Frank: [11:01] The train. That all makes sense now. Models, model trains, trains. There's a Venn diagram for Rod Stewart's life. Bill: [11:03] Might have been thinking model trains or models in general and so was yeah yeah. [11:11] Well this is the perfect song for him. Rod Stewart said his eight-year-old son Rich Terfry: [11:15] Yeah. Bill: [11:17] came into the room and says, what was that awful sound? Who is that guy singing? And Rod Stewart would say, well, Tom Wait's voice, although he loves Tom Wait's voice, this is an acquired taste. Frank: [11:28] Yeah. It's kind of, it's a pop voice. Bill: [11:28] Whereas Rod Stewart's is like a mild coffee. Rich Terfry: [11:35] Both got a bit of whether you'd call it gravel or gruff or scratchiness though, there is a quality to a degree, you know, Tom Waits is kind of cranked up to 11 but. Frank: [11:49] Yeah, yeah. Tom Waits is like a coal fire. Rich Terfry: [11:51] You're right. And you could argue that at least, you know, at times in his catalog that Bob Seeger dabbled in a little bit of that as well. and so I've wondered if I don't know the question popped into my to my head when you know Tom Waits is lay in this trap was he thinking specifically like you know I'll set this one out there for the gravelly voiced bros wait till they hear. Frank: [12:20] Yeah, because because at that, because at the time, like that would be 85. Right? So like Bruce Springsteen is a huge popularity. And then just follow the road down there was. Rich Terfry: [12:22] This. Frank: [12:31] Springsteen, Brian Adams, Rod Stewart, like they all have that, sort of gruffness in their voice. Rich Terfry: [12:38] They hear Tom Waits and think I can shine this up just enough. Frank: [12:41] Yeah, Tom Waits, the godfather of gravel. Rich Terfry: [12:44] Yeah. Yeah. Bill: [12:45] And the Destroyer of Friendships, I guess too. Because if he hadn't put that out, maybe Bob Seeger would still be buddies with Rod. Frank: [12:48] Oh, yeah. [12:52] They recorded an album Rod and Bob. Rich Terfry: [12:54] That was good. Yeah. Bill: [12:58] All right, so we got this. This is released on his Storytellers album, The Greatest Hits. So I thought I kept looking for it on an album. They released a demo of it, or an early version of this on his Vagabond album from 91, the Deluxe edition. It's actually surprisingly different in a way that it sounded a little closer to Tom, Waits. Yeah, Rodster's, yeah, his voice was like, he had a bit more rasp, but it was like phlegmy. Rich Terfry: [13:22] There's no way I can do that. Bill: [13:29] Rasp which really disgusted me. As I listened to it, I realized I do have issues. Clear that comes up. Yeah, yeah, I turn the taps on if someone's using a bathroom too close to me. So it's a. [14:12] So his early version actually sounded closer to Waits or at least it seemed like something that he would been used to the Tom Waits version And then maybe was still in that zone, but then I don't not sure how much Trevor Horn had to I mean, he's the producer, But he takes it and brings it into full rod or at least full late 80s rod. Yeah. Frank: [14:32] Yeah, okay. Yeah. Yeah, what's a Oh, that's right. Yeah, he was on we talked about what the do they know it's Christmas. Bill: [14:34] We've talked Trevor Horn before He's the guy in the bugles with the thick glasses? Frank: [14:44] Right? Yeah. So, and researching the song. Yeah, you're looking you're looking Rod Stewart does his version and the, guy playing the slide guitar is Jeff Beck on this version and I diving like back deeper as far as Wikipedia was gonna take me I didn't know that Rod Stewart played with Jeff Beck like post yard birds no is before faces let me find it here oh yeah Stewart he he joined the Jeff. Bill: [15:07] Was it in Faces? Were they in Faces? No. Frank: [15:17] Beck group which is a super original name as a vocalist and sometimes songwriter So yeah, I guess he did write songs. Bill: [15:25] ... You heard Every Picture Tells a Story? [15:27] It's off on the side here, but Every Picture Tells a Story by Rod Stewart is phenomenal. Like, as an album. Frank: [15:34] Okay, when was that album? That was... 71. Okay. Bill: [15:35] Like 1971. It's so good that it makes it tough to listen to his later stuff just, because of Rod Stewart's capability as a singer and what direction he could have gone in that he he picked a path that was easy money and an easy easy living, but he had he had a lot of grit and. Rich Terfry: [15:57] Chutzpah. Bill: [16:00] Yes, he had a lot of chutzpah. Rich Terfry: [16:02] You know, I don't know if this is the right moment to interject this, but I find that in the story of both of the versions of this song that we're looking at today, the guest, guitarist really comes up as a big part of the story on both. Because famously, Keith Richards contributed to the Rain Dogs album, but it was GE Smith, who was the Saturday Night Live band leader who played the guitar on Tom, Waits' Downtown Train, who as far as you know guitar slingers mid-80s you know kind of would have been one of the the top top guns out there and so I you know you got to think Rod Stewart's probably thinking we're gonna have to bring in a real hot guitar player on this one who you know when you're talking legendary, guitarists you don't you don't get too far down the list before before Jeff Beck's name pops up. Frank: [16:57] Okay, cool. I did not know that GE Smith because GE Smith I was always introduced like my only knowledge of him was honestly from the Saturday Night Live band And that was it. And I was just like, who's this long haired skeleton? Like, why is he in charge of the band? Rich Terfry: [17:10] Yeah yeah he was you know kind of a studio guy I think you know I'm sure he probably made some records as well but he was a kind of a studio guitarist played on a lot of records I wouldn't be able to rhyme off you know kind of the, discography here and now but I know he played on some records but yeah interesting that you know they both brought in some you know some big guns to play the solos on these songs. Bill: [17:37] When I think about those two songs, like the Downtown Train, Tom Waits version, I think about that guitar. Because that guitar really, it's kind of crying and it makes you feel that sort of longing. [17:59] And when I think of Rod Stewart's Downtown Train, I don't think anything about the guitar. I'd have to re-listen to think about that guitar again. I can just think of Rod Stewart, saying oh baby and and making sounds and I'd never think about the guitar but interesting, I wonder how Jeff Beck felt about it. Frank: [18:16] Oh, they're buds. I think he enjoyed it. Bill: [18:18] Yeah, that's true. Okay. Frank: [18:37] I know that growing up that I had heard Rod Stewart because my dad probably had an eight track back in the day or or like you know 81 in the back seat of the Oldsmobile or whatever and we're he's playing something by Rod Stewart but I remember my sister got Gasoline Alley which was, his second album she got the tape for Christmas and it was like 1990 1991 so it would have been in around the same time that Downtown Train comes out and I'm wondering if that kind of inspired her, to like look back at his catalog and start picking up some of his music and stuff like that. But, I remember her specifically getting the tape for Christmas and like my dad and my aunt is just like Rod Stewart's like who's listening to him still because he's been around since the mid-60s. Like he's been around for a good chunk of time. Rich Terfry: [19:31] Yeah, and I would think a little bit before my time, I suppose, but the peak of his solo pop stardom, I mean, I think, you know, the average person might think, you know, kind of "do you think I'm sexy" is maybe peak, you know, Rod Stewart, which at that point would have been the better part of 10 years in the rear view mirror sort of thing. Frank: [19:45] Yeah, that Maggie Mae and all that. Yeah. Rich Terfry: [19:53] Yeah. Yeah. All that, yeah. Bill: [19:54] Now you have right before it, so 89 for me, because I'm grade six then, and I grew up listening to a lot of Elvis and Amy Grant. That was kind of, those were our two big ones. So I wasn't, yeah it was. Frank: [20:08] Oh, I'm just, I'm just picturing the duet in my mind right now. Bill: [20:11] I know if only Elvis had lived long enough he'd be, he'd definitely be doing Christian rock. So. Rich Terfry: [20:17] Alright. Bill: [20:18] I know Rod Stewart through music videos and so Forever Young came out before this. Yes. And then this little heart of mine was like released before this and this was on the greatest hits. Frank: [20:23] Yes. Yeah. Oh, yeah. Bill: [20:28] And it was the second time he did this little heart of mine. I loved it. Frank: [20:32] Yeah. Yeah. Bill: [20:33] Yeah, and then this came out and it was like wow, this is amazing So I mean Canada loved it because it went to number one. I'm pretty sure in Canada. Frank: [20:40] Yeah, downtown train went to number one in Canada and three in the states. Bill: [20:44] And it also like I started looking at his previous songs and so in Canada They often went to number one up to downtown trains. So This Old Heart of Mine went to number one I think Forever Young did really well too. So we loved Rod Stewart even in the 80s periods. Rich Terfry: [20:59] I wish I could recall this specifically, but sometime around this time, as I recall, my mom went to see him live. Okay. Yeah, so she really, and I don't have memories of her being a big time, Rod Stewart fan earlier on. Funny enough, she was actually a big Elvis fan. And I can kind of, of remember some other stuff that she would have been into late 70s, early 80s. But I think, funny enough, this 80s era Rod is where it really grabbed her. She went to see him live. I remember her, coming home from the concert that night and telling the stories of him kicking soccer balls into the, into the crowd and, you know, loving that. So that would have been in Halifax. I wish I could remember specifically what year that would have been, but I'm thinking it was right around this time. Frank: [21:52] Yeah, because I think Out of Order and then The Vagabond Heart. I think there is a bit of a maybe a bit of a resurgence. Like maybe there's a little dip and then a little bounce back at the end of the 80s, right? Bill: [22:04] In his autobiography, he talked as though he had to prove himself with Downtown Train, but I don't get it at all because he already had Forever Young and a couple other songs in the, tank. So if it's proving yourself a year after a hit, it seems weird now in our era of 2023 where, I don't know, you could go years without doing something, you're still kind of an it. But yeah, he claimed it sort of gave new life to his career. In a lot of ways, this period pads his, his live performance career. As he goes through this, now he's becoming this touring thing that can make tons of money, I think. Frank: [22:42] What's crazy to me right now is like from the beginning of his career to like when he released this album, Storytellers, that's a smaller period of time than it is from the release of that album to now and he's still releasing music. Because it's been 30 years, well 33 years now. Bill: [23:01] Holy cow. Frank: [23:02] Since that album came out, since that first greatest hits package. Bill: [23:05] Right. And he was younger than us then, than we are now. You got that math right? I'm working through this, I got issues, it's okay. Frank: [23:12] Yes. I think so. You're the math teacher. Yeah. So listening to like Rod's version versus Tom's version and I'm gonna speak about them using just their first names. Bill: [23:17] And he changed it. Frank: [23:27] Because I feel like they're familiar to me right now and and even the the covers that like Patti Smythe did and then because eventually Bob Seeger did release a cover version I think in 2011. Bill: [23:40] He didn't like his version. So all the complaining, he's listened to it and said, I don't like it and then changed it and did a new vocal and put in backup singers. Frank: [24:18] So I found the Patty Smythe and the Bob Seeger version a little more faithful to the original in terms of the music that starts off with the guitar, warble, whale, whatever it is you want to call that. But Rod Stewart comes in, it's a little softer, a little more orchestral. And in, my mind, what he's trying to do is he he started it slow. And he's just he's going for that build because he knows how to write a pop song he knows how to do well maybe this is Trevor Horn right. Bill: [24:47] Right, but this is what his voice needs to climb that mountain. Frank: [24:52] But uh yeah yeah so it's it starts off slow and it's really soft and everything and then by the end it like he's full rod. Rich Terfry: [25:00] But yeah, the arrangement on Rod Stewart's version is the most, for lack of a better term, radio-friendly. Cut down on the intro, kind of get to it, get into it a little quicker, kind of sand off some of the edges a little bit. Although strangely, the long sort of coda at the end, which is unusual for a hit song. I'm guessing maybe when it was played on the radio, there might have been some fading going on, for that whole thing. Frank: [25:30] The DJ is talking over the end of the song. Yeah, it's almost uncomfortable. Rich Terfry: [25:32] Yeah, because that is a little unusual, I must say. That's the part of the song that surprises me. That's where this version gets almost a little bit experimental, because it goes on so long. We were listening earlier, it's like, this is almost weird how long this is going on for. Bill: [25:47] It was an awkward moment for all three of us. Rich Terfry: [25:50] But otherwise, it is a very, you know, polished and cleaned up arrangement of this song, as we discussed earlier. The spotlight is somewhat taken off the guitar. And Rod Stewart's very much the star of the show on this version of it. And it really does build in a way that Tom Waits version doesn't quite have that steady upward trajectory. Frank: [26:19] It doesn't have it doesn't seem like it has a peak. It just sort of it's that it's a slow burn. Yeah Rod Stewart's version like when you hit that musical bridge and I'm assuming it's a bridge right like you're a musician you can explain do you do you know what a bridge is can you explain what a bridge is to us. Rich Terfry: [26:24] Right. [26:32] Let's call it a bridge. [26:36] I usually just simply think of it as like, sort of an instrumental passage in a song that is kind of in the middle of the song rather than at the beginning or the end. And so it's usually bridging between, say, a verse and a chorus or a chorus and a next verse or something to that effect. But yeah, usually just like an instrumental passage in the middle of the song. Frank: [26:59] OK, so I think we were right. And every every time we were asking what a bridge was. we have an answer. Yeah, yeah. Or we just end the podcast. I think that was the whole idea. The podcast was determined what a bridge was. Bill: [27:04] We finally have a succinct answer that we will now be just hitting when you ask this question next time. We'll just hit play. Rich Terfry: [27:16] . . Frank: [27:20] Well, thank you, Rich, for being on the last episode of Bill of Frank's guilt free pleasures. But but that bridge because it's climbing, climbing, climbing the entire song. But that bridge. Rich Terfry: [27:24] . Frank: [27:31] Like it takes it up like a steep ramp at that point. And then it comes to that end where he goes full Stewart. Bill: [27:53] I've written down here about my misheard lyrics. I was reading the lyrics. I'm like, that's not what I heard when I would listen to the Rod Stewart version. And I think the reason is, the Tom Waits version, there's this loneliness, longing. I don't think it's creepy, but it's certainly about someone watching somebody else and waiting to see someone he's in love with, but is never going to talk to on a train. And he's a loner who sits on a train waiting for the same person to come on that train and he's there kind of following her and whatever life she leads. At, least that's what I had in my head and all the other people, the Brooklyn girls who are there, going off to go out to clubs or whatever was going on then. That's what I hear when I hear the Tom Waits version. Now the Rod Stewart version, I have no sense that this guy's a loner, or that there's any chance that she's not going to get together with him. So when I read the lyrics, I just hear it differently like there's a line so the beginning was outside another yellow moon, Has punched a hole in the nighttime mist I climbed through the window and down to the street. I'm shining like a new dime, That's Tom Waits, but when I was a kid, I don't know if you thought this but I'm like, oh Rod Stewart, He's shining like a new diamond because yeah, because Rod Stewart's a diamond. Frank: [29:11] That's what I heard too, yeah. Bill: [29:13] I keep listening back and I only hear diamond because it's Rod Stewart and he's worth a ton of money, But the dime is super depressing. So this is the Tom Waits who makes rings out of spoons, right, for somebody to get married, whereas Rod Stewart has big diamonds. Rich Terfry: [30:05] You know, and interestingly, although you could say that in the context of the Rain Dogs album that Tom Waits sort of, you know, cleans things up a little bit on Downtown Train, we talked about it being a bit of a sore thumb. And it's true, you see it in the lyrics as well as, you know, the instrumentation that's happening, the arrangement and everything else. But there, you know, just a few little, Tom Wait-isms in there, even the mere mention of a carnival in the lyrics and you know maybe this comes from you know knowing too much about these these two individuals. I can imagine Tom Waits hanging out at a carnival. I don't picture Rod Stewart kind. [30:47] Of roaming around a fairgrounds you know just soaking up the vibes and then although Tom Waits is a California guy he spent some years in New York you know recording these albums and exploring some new musical ideas. And so knowing that he was living in New York at the time, him mentioning the Brooklyn Girls and so on, like yeah, checks out. Somehow, I don't know, Rod Stewart in Brooklyn, kind of scrappy Rod Stewart, the performances is great and he delivers and so it's believable in that sense. But when you really kind of get in there and you take a close look at the lyrics, I don't I don't know if I'm buying. First of all, Rod Stewart, I'm always imagining a subway train rather than a commuter interstate train or whatever. Rod Stewart riding the F train or whatever in New York. I don't see it, let alone in Brooklyn. Frank: [31:51] Unless he like rent it out for himself and that's about it, right? Rich Terfry: [31:54] Yeah, right. Maybe. And then like I said, hanging out at the carnival grounds. Frank: [32:01] Yeah, right. Maybe. Rich Terfry: [32:01] You know, not so sure. But it is interesting. And to me, that's the one real Tom Waits tell in the lyrics, you know, because he had a thing for all things carnival. Frank: [32:09] Yeah. [32:13] Yeah. Well, and it comes through on that rain dogs album, too, because there's a lot of like carnival sounds on it right? Rich Terfry: [32:16] Yeah. [32:16] Oh, sure does. Yeah, absolutely. Bill: [32:19] And it's like the dark corners of a carnival, even though I imagine everything's circular in a carnival, but there's always darkness somewhere in a corner and there's Tom. Rich Terfry: [32:26] Oh, the sideshow is where that's where Tom's hanging out. Frank: [32:30] Yeah yeah yeah that's where the freak shows are yeah yeah yeah yeah. [32:40] The opening line is something that I really love. Outside of another yellow moon has punched a hole than a nighttime mist. And I like that. It's very similar to me to Bruce Coburn's Lovers in a Dangerous Time, where he says you got to kick at the darkness till it bleeds daylight. Like, it's very visceral, the lyric, and you can imagine it, you can see it happening, you can see an action actually happening, you can like see the moon punching through the miss or it's almost a violent act but there's beauty in that violence. Rich Terfry: [33:12] It's a beautiful line. I mean, there's real poetry in these lyrics, and I would say more so than your average pop song, even by 80s standards. And so I must say, for me, for as much as I admire Tom Waits as a pop song, to see a few times in his career, his songs being covered and being turned into hits, surprises me in a real pleasant way because you know often you don't get this level of poetry in a number one hit pop song. Maybe from a Bruce Coburn the odd person who's that kind of writer but and so maybe this really says something about you know Rod Stewart's talent that he's able to make something that you know might otherwise be utterly inaccessible for most people in Tom Wade's hands turns into as big a hit as it could possibly be in Rod Stewart's hands where everyone loves it. Yeah. Basically. Bill: [34:08] This is why I have no animosity to this song. Like I might make fun of Rod Stewart once in a while, but I will listen to this song the whole way through. And even those last 40 seconds. But there is something about him bringing Tom Waits to the masses. So for me as a kid, I didn't know Tom Waits. He was terrifying. There's a video with him on a tricycle and he had devil horns. Rich Terfry: [34:28] "I Don't Want To Grow Up." Bill: [34:30] It was on Much. Yeah, I did. I couldn't, I just turned the station. I couldn't watch that, but this I could. And then years later, when I grew up, sometime in my mid 30s, I finally was ready to listen to Rain Dogs. Like, oh wow, this is fantastic. But it really, if it wasn't for this, I wouldn't have got there. Rich Terfry: [34:48] Yeah. Maybe it's worth mentioning, I don't know about you, Frank, but I only, like you, I only became a Tom Waits fan later. I heard the Rod Stewart version first. I became familiar anyway with the Rod Stewart version before I did the Tom Waits version. Is that the same for you? Frank: [35:03] Oh, same here. Yeah, yeah. 100% I kind of knew who Tom weights was a little bit but really didn't get into understanding him. I don't still don't think I understand him. But but like, yeah, gaining an appreciation until our friend, Eric Stewart. Like, because he's such a big fan and like he plays stuff and he's just like, Oh, geez, this is good. And you listen to his like, Oh, geez, this is really good. So you start digging into it a little bit more. You were talking about that misheard lyric and there's another one. Rich Terfry: [35:17] But gaining some appreciation. Frank: [35:37] That in the Rod Stewart version, I always heard it as when I see you tonight on a downtown train. And that was a certainty. It's like when I see you because you're going to be there and I'm going to be there. But the line will I see you tonight? It just. Bill: [35:43] Yes. Frank: [35:52] Odd. It turns it right around on its head, right? And it just makes it even more sad I guess it's it's but it's so beautiful. Rich Terfry: [35:58] Right, more longing and... Bill: [36:10] Christmas night while I was listening to this song. I'm like, oh I kept hearing it seeing Will I'm like, no, it's gotta be when like you said I wrote down Rod Stewart's going to win the girl So when he sees her he's going to see her and they and they're going to be together if they're not already. Frank: [36:25] Yeah, it's a certainty. Rich Terfry: [36:26] Whereas with the Tom Waits version I absolutely assume he won't. Frank: [36:29] Yeah, well exactly. Bill: [36:31] Oh yeah, he's never talked to her. Rich Terfry: [36:32] Yeah, this is, there's much more distance. Bill: [36:45] So second verse, maybe second verse is short. The downtown trains are full, full of all them Brooklyn girls, trying so hard to break out of their little worlds. And then this line here kind of confuses me. You wave your hand and they scatter like crows. They have nothing that'll ever capture your heart. They're just thorns without the rose. Be careful of them in the dark. [37:39] Rod Stewart's pronunciation of dark really throws me off whenever I'm saying like he I kind of wish Trevor Horn's like no Could you say dark again? It's kind of a weird our thing going on, So who's scouring my crows? Are they the Brooklyn girls? Frank: [37:53] Yeah, I think so. Because they don't have anything to offer. That this is my take on it. Like, sorry, not that they don't have anything to offer. But there's nothing of interest to, him at that point, because he's, you know, looking for that girl that he's looking for on that downtown train. That's my take. I don't know, you guys? Rich Terfry: [38:15] I've always just loved the image and like you were saying with the first line of the song it just really conjures a strong image in my mind I've never really been able to get past that to even think about it too much I just love that image. Bill: [38:28] Rod Stewart said that Tom Waits can do imagery so well as a songwriter and then Rod Stewart's like, I have to work on that, which is classic Rod Stewart sort of like, I gotta work on that. Frank: [38:40] It's like I try. Bill: [38:40] And then he said, I just write from the heart. That's what I do. I'm like, you're such a... Frank: [38:44] This is why I love Rod Stewart so much because he's all feeling. That's all I am. Bill: [38:48] He's all feeling. But the thorns without the rose, it's such a great image. And I like what you say, that Rich is like, just the image being there is enough. Like I can't really pierce through it. There's a little bit of thorn imagery there, but I don't totally know, but that what he paints there, is something that's true. Frank: [39:09] Yeah. [39:09] Yeah. Yeah, yeah. Bill: [39:11] If that makes sense. And there's a little line before, if I was the one you chose to be your only one. [39:19] Oh baby, can you hear me now? Can you hear me now? Frank: [39:22] Oh yeah, yeah, yeah. Bill: [39:23] So with Ron Rod Stewart saying, Oh baby, it's not like Tom White saying, Oh baby, where it's just, let's sort of the walk away from it, but his old baby is like, okay so you're getting you're getting you're getting with it. Frank: [39:34] You're getting the girl. [39:48] Well then then you jump into the the the course, which is, you, know, will I see you tonight on a downtown train? Every night every night is just the same on a downtown train. I like I like it. It's it's a good little course. It does its job and everything and that question of will will I see you tonight? I really like that reading through the lyrics as opposed to listening to the lyrics and understanding what the actual lyric was it like you said it just adds that longing. Rich Terfry: [40:38] It's, in my experience, rare touching on what you just mentioned, Frank, where reading the lyrics of a pop song gives you a whole other rewarding experience often. Otherwise, with a lot of pop songs, it really does nothing to heighten your experience of it. If anything, it might even drag it down. It's like, oh, these lyrics are terrible. Frank: [41:00] Yeah. Rich Terfry: [41:00] It's all just, a lot of songs are just carried by the melody. And the melody of this song is very, very strong as well. and I think that's what makes, I think you could argue anyhow, the chorus of this song memorable is the melody of it is so great. But it's true that there's a lot of people out there don't even really pay a lot of attention to lyrics, but if you're one such person and you do decide one day to look them up and, you read them, you're going to be floored. Whereas a lot of pop songs, they're not really going to give you a lot to sink your teeth but there's a lot going on here. Frank: [41:31] Well, I mean, you would have been similar to us like today, like with everything streaming and all of that. You just listen to songs. But when I was really getting into music in the 90s, you had CDs and you had CD cases. And that was my favorite thing to do was open up, check out the artwork and follow along with the lyrics, with the songs and then try and experience them that way. And you're absolutely right. you gain a better appreciation of the song. Rich Terfry: [41:58] And I think that, you know, I lament that a little bit for, you know, sort of younger generations today. Although it's easy enough, you know, everything's on online, it's easy enough to Google lyrics, but it's not always necessarily a part of the experience when you're streaming. It's not right there like it is if you're, you know, kind of, you know, playing a CD and you have the case in your hands or for that matter, you know, on an LP or something like that. There's that function if you're using Apple Music where if you, you know, tap a couple things and you can bring up the lyrics, but it's sort of a little bit of effort to do. But I sometimes wonder if young people are really, you know, spending time with lyrics of songs the way we used to automatically because the experience you described I think was a fairly universal one. I think everyone loved doing that. Frank: [42:46] Yeah, yeah, yeah. And there was always the because there are different types of CD cases to like there's the there's the book, then there's the ones that would just fold out lengthwise. Rich Terfry: [42:55] Fold. [42:55] Poster, sure. Never get it right. Frank: [42:56] And then there was the ones that folded out almost into a poster and then trying to fold those back where it was just terrible. Bill: [43:02] "Fully Completely." I remember looking like what? Oh, come on. That's not how you put lyrics on a sheet Don't be crazy and then REM would come out with like a booklet and then you just realize they're Michael Stipe pictures and that. Frank: [43:08] Yeah. Bill: [43:14] Made me so angry. We're like you could have put the lyrics on I still don't know what you're saying. Rich Terfry: [43:19] I don't think he wanted you to know what he was saying, But that's a whole other discussion right there. Bill: [43:22] Yeah, yeah. Frank: [43:24] Well, I bet the there's the third verse we can we can go we talked about it a little bit but it's like the I know your window and I know it's late. Bill: [43:26] Alright Frank, we hitting every single lyric on this song? Frank: [43:38] I know your stairs and your doorway, which I think could be taken as creepy. But again, there's, there's from Tom Waits, like from his perspective, it's like, I don't find it creepy. find it sad. [44:23] Yeah, he's because he's going there and he's. Bill: [44:25] It makes me think a little bit of Taxi Driver, a little bit, which is a little more creepy. But when Rod Stewart says it, I'm like, well, of course, because he's going there. to date her, yeah. Rich Terfry: [45:07] Now, in my mind, I see those lines, that verse. And it adds a little intrigue to the song, because I start to wonder, oh, is there actually a bit of an established relationship here? He's been to her house. Maybe there's more going on in this relationship than first meets the eye. Maybe. It's just, in my mind, raised as a question. Could go either way. Maybe there's more familiarity there there than we've been led to believe to this point or yeah there it is a little creepier than we first thought where he's you know the creepin' is going beyond the train and it's you know. Frank: [45:49] So we kind of talked about this a little bit before when we were listening to the song, but but what's your favorite part in the song? the Rod Stewart version. Rich Terfry: [46:00] Well I'll say something controversial okay and let me give you a little context before I say this, I'm dropping a bomb here. I know you know this, but I'm a Tom Waits fan. And I like a lot of his recent work. Although I would probably say my three favorite, Tom Waits albums is this trilogy that is sort of before us here today, Rain Dogs, Swordfishtrombones, and Frank's Wild Years. Frank: [46:32] Which I don't think he really captured all of my wild years in that album, but you know. Rich Terfry: [46:37] Who could? No, really. In one album. But I'm the type of guy, the weirder Tom Waits gets, the more I like him. And if I was listening to, I hate to say this, but if I'm listening to Rain Dogs in the car, there might be days where a downtown train comes on. I might skip it. Bill: [47:01] This is shocking. Rich Terfry: [47:03] So, where I'm going with this, my point is, me being the kind of music listener that I am, for as strange as it is, the unusual coda at the end of Rod Stewart's version is where it starts to get interesting for me. It's like, oh, what's going on here? He's got a little trick up his sleeve here. He's not the one trick pony that maybe you might, paint him as. It's like, oh, now wait a minute. And was he inspired by Tom Waits to, you know, kind of explore some more interesting terrain at the end of the song. And maybe it's safer to kind of put it at the end. But I get excited when something makes me raise an eyebrow a little bit. I like when someone's willing to go there a little bit or experiment a bit. So although I can appreciate what, he did with the song, where he took it, that he turned it into a hit, it's interesting to compare in contrast his voice, his vocal chops to Tom Waits. But I'm actually intrigued. If Rod Stewart walked in the door right now, and I could ask him one question about the song, I'd be like, what's the deal with the outro on the song? To me, that's super interesting. Frank: [48:11] Yeah, okay, cool. Bill: [48:39] Most controversial moment in our podcast history. I think there no one has ever picked the the final coda Yeah, my favorite part of the rod stewart song is the party's not singing. Rich Terfry: [48:50] Well, how do you like them apples? Bill: [48:51] Let's do that. Yeah. Frank: [48:53] Well, that's my favorite part, too, except it's that musical bridge. Bill: [48:56] Oh, wow. [48:56] Okay, oh, is it after the carnival and heart attacks? is that rhythm? Okay. Frank: [49:01] Yeah, yeah, yeah, because there's a like a 30 second bridge there and the guitars coming in and it's a little orchestral and cinematic. And like it was always climbing, climbing, climbing. but that's when it gets steep. Rich Terfry: [49:09] Yeah, sure, absolutely. [49:14] And I should also mention, I'm a big time Jeff Beck Yardbirds fan. In terms of pure riffage, I'd probably pick him over a lot of guys, if not everybody. And so his inclusion on the song, that's pretty cool to me as well. Yeah. Frank: [49:58] Bill, favorite part? Bill: [49:59] I gotta say, when he says, oh baby, can you hear me now? Can you hear me now? I think that really is it. I just assumed he said it over and over throughout the song. He must have. Yeah, I like the Rod Stewart-isms. Yeah. Frank: [50:12] Yeah, yeah, yeah. Well, it makes it his own. Rich Terfry: [50:13] And that's exactly what I was about to say. Yeah, that's that right there is where he... It's interesting the story you were telling when he was first listening to it and there a moment came where he felt that he was taking ownership of the the song and right there is where he sort of delivered on that promise. Frank: [50:33] So we usually jump into categories towards the towards the last third of the podcast. So I've prepared rich. Should we do our mixtapes? You have a mixtape? I'm gonna let you guys go first and then I'll finish things off I have about 12 songs that I potentially. Bill: [50:42] Oh, good. Yeah. [50:50] Oh, wow. Okay, I got a low list, but I like a guest going first. And we didn't mention this at the beginning, but Richard Fry's, AKA Buck65 for listeners, especially our Canadian listeners who will know. And so when I hear the word mixtape, I know, you know, not like I'm intimidated in a good way. Rich Terfry: [51:10] Well, and although I had a little known fact, I too covered a Tom Waits song once. I should say maybe more than once, but in 99 I released an album called Man Overboard and the original, it might be most fair to say demo version of that album, included a, cover of Singapore by Tom Waits, which didn't make the final cut of the album. And then live, I used to do a very deep cut Tom Wait song, called Tabletop Joe. But anyhow, yes, this is my whole thing, putting these mixed tapes together. And so I gave it some thought. Should we jump into it here? I find it, I bet you guys have found the same thing, is that this song, Rod Stewart's version of this song, routinely pops up on these lists, a bunch of them, on the internet of songs you didn't know were covers. Now to me, that's an interesting enough category. God knows I've talked about that sort of thing on my radio show plenty. But with this particular case, there's more to it than just that. I think it fits into an even smaller category. And I wish there was more of this, where you have here. [52:32] Big-time bonafide mainstream pop star bringing into you know the spotlight and the mainstream consciousness what at best we might call sort of a cult figure. [52:50] Right? Tom Waits I mean you know he's not nobody but in in particular when we're looking at an album like Rain Dogs you know you ask the next person that walks down the street hey ever heard Rain Dogs? I'll put 50 bucks on them saying no. So know he's he's not I don't know if you could call Tom Waits a household name. I think of him in, particular the parts of his catalog that I love the most. To me I almost think of him as an underground type character, certainly a cult figure, and if not in the strictest definition of it, if you look at his body of work and maybe what inspired him and what he was interested in he's He's certainly coming from the deeps, you know what I mean? So maybe at best you could argue that he was an experimenter and whatever else who had more success with it than a lot of others. But nevertheless, I think that here we have a case where sort of, I'm trying to think of the most fair word I can use, but maybe a slightly more fringy musician is being brought into the mainstream. because a lot of the other songs that you would find on those lists of songs you didn't know were covers aren't necessarily that. I'm trying to think of a good example, but if you look at. [54:12] I Love Rock and Roll by Joan Jett, the Arrows, who wrote and recorded the original version, were a fairly successful band in their own right. And you see a lot of that on those sorts of lists. So this situation got me thinking of other cases where this was the case. case and I really wish that there were more examples of it because to me it's super interesting and exciting and more often you see it the other way around where and hopefully this isn't too, flippant a way to put it but where like an indie band will do kind of an ironic cover of some big, pop it that happens all the time sometimes it makes me roll my eyes but this is much more interesting and and the stakes are a little higher where a big time pop star will take a more obscure fringy, culty, whatever, however you want to describe it, person and cover them. So I came up with a couple examples and I don't know if they're quite as strong as today's example but I'll throw out there and this one is very similar parallel I would say Eric Clapton's version of Cocaine by JJ Kale. [55:23] JJ Cale, if you're going to compare anyone to Tom Waits, you know, if you're going to put anyone else in a category, maybe it's a guy like JJ Cale and Rod Stewart and Eric Clapton. I mean, not that, far off, right? So it's a very, very close, you know, kind of thing. Now, I don't know if you, know that The Tide is High by Blondie is a cover, but the original version of that song was by a, relatively small, certainly on an international level. [55:58] It was a Jamaican band called the Paragons, and I don't think they really had any success outside of Jamaica at all. Bill: [56:03] Wow, okay, I didn't know this either. Rich Terfry: [56:05] Really super interesting to me that the guys in Blondie even knew this song. Someone would really have to know their stuff, to know the Paragons and maybe this song in particular. To my knowledge, and I could be wrong about this, have to look it up but I don't even know I have the out the Paragon's album I don't know if their version was even ever released as a single so to me it extra super interesting maybe a real classic and one that does turn up on these lists fairly often the birds version of turn turn turn or whatever by, Pete Seeger right so you're taking something from a you know I guess a slightly more fringy genre, you know, kind of deep folk music and turning it into a big pop hit. I got a couple other good ones. This one is another fairly well-known case, but Roberta Flax, Killing Me Softly, is a cover of an extremely little-known song. What's her name? Lori Lieberman, I think, who originally, you know, singer, LA singer-songwriter, kind of played at the Troubadour, it never really became famous. The story goes that Roberta Flack just heard it, kind of on a total fluke and loved it. And then of course there's the whole other wave, the Fugees, Yeah. covering it again decades later and making it a hit all over again. Frank: [57:29] Because I remember we did, I forget which song it was, but it was a cover song. And then I said, you know, famous cover songs, where the the cover is more popular than the original. And I said, Fuji is covering Roberta Flack. And then afterwards, finding out that it was Laura Lieberman or just, I was wrong on the podcast. And that never happens. I've never said anything that was infactual on the podcast. Rich Terfry: [57:53] Yeah, yeah, yeah, sure. Bill: [57:55] Yeah, we can insert it. Don't worry. No one will know. Rich Terfry: [57:59] I'll throw out one more for you and then I'll and then I'll pass the mic as you. [58:05] Will. No, no, no. But and this one is a little more obscure, but a great example of what I'm talking about, I suppose. But What a Man by Salt and Pepper is, basically a cover. You might argue that it's like an interpretation, but it's, pretty darn close to a cover of a sort of a soul song by a woman named Linda Lindell. Let me double check that. I did write it down because I want to be sure, but I'm pretty sure it's Linda Lindell. Yes, Linda Lindell. It was just released as a 45, just sort of a one-off single. I don't even know if Linda Lindell ever recorded a full-length album. So not well-known, pretty obscure figure, of course. and Salt and Pepper had a bunch of hits. That might have been their biggest one. That was a big old hit. So, and you know, certainly another case where songs you didn't know were covers. And super interesting that, you know, this one sort of turns the tables a little bit in that, you know, we're talking about what was like, you know, kind of a soul song. Fairly sort of, you know, mainstream in its presentation, but then here's a hip hop group doing it. That in itself is a bit of a rarity, a hip hop group kind of taking on a cover. [59:26] But nevertheless, at this point in their career, Sal and Pepper, they were big pop stars, very well established, and like I said, they turned that into a big hit. So that was the first thing that popped into mind for me was, again, I don't know if it's the exact right word, but fringier artists being brought into the mainstream with a cover, because that doesn't happen a lot. In fact, those were really the only examples of that that I could find. I'm sure there are more, and if anyone can think of more, I'd love to hear them, because this is the sort of thing that really excites me. Frank: [1:00:01] Right into the right please someone write us please someone tell us something yeah but it's really cool because there's all sorts of like musical gems out there that no one knows about. Rich Terfry: [1:00:04] Yes. Drop us a line. Frank: [1:00:16] Like or sorry I shouldn't say no one but there it's not as well known and then these pop stars are are bringing them out to the forefront. And sometimes these artists can gain a second life because of it. Rich Terfry: [1:00:29] Now in the early days of rock and roll, this happened all the time, of course, right? So you think like Elvis doing, well practically every song Elvis did the early days of his career was a cover of a song recorded by some lesser known, usually a blues artist or R&B artist or something like that. But I digress. Bill: [1:00:49] I gotta say this is a big moment for me just as a radio listener because Rich Terfry does the (is it called the drive?) from about (is it three to seven?) okay so three to seven on CBC Radio Two. Rich Terfry: [1:00:57] Yeah. Bill: [1:01:03] And i would listen to it around i think is it around six o'clock that you would do the deep dive like on a friday or is it okay last hour of the show and there'd be this deep dive and. Rich Terfry: [1:01:09] Yeah, right. last hour of the show. Bill: [1:01:14] And it was my favorite part. And so- Well, the stories. Oh, it is great. Frank: [1:01:15] Oh yeah. Well the stories. Bill: [1:01:18] And so even if it was having a bad day at work and I knew I had to be leaving at six to go home, but I knew I could get this. And that was like my favorite part of the show. So I always wanted to find these deep dives. Like, so the one day you did a deep dive, on a tragically hip album, because you did every album. That's right. And so it was on Phantom Power and I was, didn't want to come out of the car, because I knew I wouldn't be able to find it because I'm like, there's gotta be, so I go online, rich to fry deep dives, like they're not available, I want like, you know, maybe a box set, it would be great for me personally or for the world, but we just got our own personal deep dive. Frank: [1:01:54] Yeah, which is fantastic. Rich Terfry: [1:01:55] Yeah, man. Bill: [1:01:56] Yeah, so that leads to my couple songs. I may be jumping on Frank's toes here, maybe, but because we think similarly, and this was the easiest way to do this, was originally I was thinking of train songs, But then I thought of songs that were like the vibe in Tom Waits, but then were covered so that they were kind of cheesier, but I couldn't, it wasn't coming up for me. So I ended up thinking of a couple train songs that were so similar. Because we were 12, I only have like three. So the most obvious one for me is Downbound Train by Bruce Springsteen, because it sounds so similar, downbound and downtown. And there's that longing and depression within the song that is kind of in the Tom Waits song. Well, there's something more joyous, even in the Tom Waits version, compared to the Bruce Springsteen. [1:02:55] But thinking of Rod Stewart's cover as very Rod Stewart, this is almost like Bruce Springsteen going, more Bruce Springsteen than usual to me in the song. Like sometimes he mutters his lines in a way that Ben Stiller would imitate Bruce Springsteen. So I liked the song. And so that was one. There was another one called Downbound Train by Chuck Berry, which was about the devil taking a guy to hell. Okay. And then there was another one called Night Train. There's a Bruce Cockburn one, which I love, but I went with the James Brown version because it was a bit more upbeat. Frank: [1:03:28] So I went straight planes trains and automobiles. That's the theme of my of my uh, well, it's modes of transportation. Bicycle Race by Queen. This has nothing to do with any sort of feel. It's just this is the theme. Modes of transportation. Fast Car by Tracy Chapman. Oh, I know right. Rich Terfry: [1:03:47] Modes of transport. Bill: [1:03:48] So, I'm going to go ahead and do a little bit of a, That's okay. Frank: [1:03:54] Midnight train to Georgia, Gladys Knight in the Pips, Pink Cadillac, Bruce Springsteen. Bill: [1:04:00] Very good. Frank: [1:04:02] Runaway Train, Soul Asylum, Aeroplane by Bjork, Get Out of My Dreams Get Into My Car by Billy Ocean, and then we are going to finish it off with Hands by Jewel. Bill: [1:04:16] Oh, no, no. You don't, that's not funny. And no, you don't walk in your hands somewhere. No, not funny. No. Frank: [1:04:17] Okay, okay, we won't put jewel on we'll put Train In Vain by The Clash. Rich Terfry: [1:04:26] You. Bill: [1:04:33] That's a good call. We haven't talked about another iconic performer we bring up most episodes. Frank: [1:04:40] The patron saint of Bill and Frank's Guilt-Free Pleasures. Yeah. Rich, your opinion. Could Michael Bolton sing this song? Rich Terfry: [1:04:48] Hmm oh downtown train yes I think so. Frank: [1:04:53] I think so, too. Rich Terfry: [1:04:54] I feel like I didn't even need to think about it long I can hear it in his voice almost immediately. Frank: [1:04:59] Especially at the end, like after that bridge that when when he's just repeating the chorus at the end, and he just sort of brings it up. That's when Michael Bolton destroys the world though, though, where he goes full Bolton and just ends the world. Bill: [1:05:11] Oh, yeah, and that Michael Bolton in 1989 is is a then is that when we got? Frank: [1:05:17] Oh, this is right in the that's right in the meat of the Michael Bolton sandwich. So I have in front of me here the the Grammys, for best male pop vocal performance, because Downtown Train was nominated in 1991. Lost to Roy Orbison's Pretty, woman. But Michael Bolton was on that list, Georgia on my mind. The year before Michael Bolton won for How Am I Supposed to Live Without You. The subsequent year, Michael Bolton wins 1992 for, When a Man Loves a Woman. But I'm looking at the list of the. Rich Terfry: [1:05:52] Right. How could he not? Frank: [1:05:56] Songs that were nominated in 91. Oh my goodness, how do you pick? So Roy Orbison wins for Pretty Woman. Another Day in Paradise, Phil Collins, Georgia on my mind, Michael Bolton. I Don't Have the heart James Ingram who's critically under appreciated in my mind Stormfront by Billy Joel and then Downtown Train by Rod Stewart 1991 I think was I think. Bill: [1:06:18] 1991? I thought this song came out in 89. Frank: [1:06:22] Was released in 90. Bill: [1:06:24] Oh right, because they would release it for so long. I got this all wrong. Rich Terfry: [1:06:27] Grammys are often, you know, a little behind. Bill: [1:06:29] Oh yeah, yeah sure. Yeah, that's right. So this comes out in 1990. Oh wow, I gotta to re- rethink about how I heard the song for the first time. I'm 14 then. That's a whole other world. Frank: [1:06:38] Yeah, that's a that's a different world. [1:06:40] Anyways, yeah, 100%. This could have been a Michael Bolton song. Could this be a Hallmark movie? Could easily become a creepy Hallmark movie. Bill: [1:06:51] Hallmark after dark. Rich Terfry: [1:06:52] Does Hallmark do creepy movies? Frank: [1:06:56] Yeah, I don't like them. Rich Terfry: [1:06:59] I mean, you know, there's some sort of romance, obviously, at the heart of this thing. So from that standpoint, like I said, if you went with the interpretation I've had where the third verse comes along, you think, oh, wait a minute, maybe these people, maybe these two know each other. Maybe it's the early days of a relationship or something, you know, in which case, maybe. But I'm with you in that, you know, it's more Scorsese, even, but Taxi Driver vibes, that hallmark. And if a hallmark movie set in New York, you know, it's like. Bill: [1:07:28] Yeah, I don't think that downtown train is taking them out to the country to like find themselves. Frank: [1:07:33] No, exactly. Rich Terfry: [1:07:38] Upper West Side, not Brooklyn. Frank: [1:07:40] Yeah, yeah. What other categories do we have? Bill: [1:07:44] You know. [1:07:44] I just thought out the top of my head when I was listening to the ending that you could do a pretty good floor routine To this song with that final moments. Yeah. Oh no with the with the thing with the. Rich Terfry: [1:07:54] Rhythmic gymnastics. [1:07:55] Yeah. Bill: [1:07:55] With the yeah yeah rhythmic gymnastics would work especially at the final moments where everyone's watching them the final sway. Rich Terfry: [1:08:01] And you're thinking just based on the gestures I'm seeing here, the ribbon. Bill: [1:08:04] Yeah it's all ribbon yeah yeah maybe some leaping it could be yeah I don't. Rich Terfry: [1:08:06] Yeah. It's all ribbon. Okay. [1:08:10] Maybe something like that. Thank you. Bill: [1:08:12] Know why I do this on a podcast but I'm I sometimes will talk with my hands yeah. Frank: [1:08:15] Can see if you can see Bill right now he's he's rhythmically flailing his arms about. Bill: [1:08:19] Yeah, yeah, yeah. Frank: [1:08:38] So we're bringing the the episode to a close and rich we just yeah thanks so much for bringing yourself and your knowledge and the insight not just to the song but musically in general and most especially telling us what a bridge is so that ended, over a year long debate in our minds. Rich Terfry: [1:08:58] I almost hate to ruin it for you, but this is fun. Have me by again sometime. I'd love to. Frank: [1:09:04] This would be fantastic. Yeah. And we want to thank the listeners for sticking it out right to the end. And, you know, we know you have it on your phones and on your computers and all that other sort of stuff. And you listen to it to the podcast wherever you are. And just wondering, will we see you tonight on a downtown train? Bill: [1:09:29] Thank you for listening to Bill and Frank's Guilt-Free Pleasures.
**** VIDEO EN NUESTRO CANAL DE YOUTUBE **** 📺 https://youtu.be/DGkeym7AcJM📺 +++++ Hazte con nuestras camisetas en https://www.bhmshop.app +++++ #actualidad #guerraenucrania #ucrania #rusia José María Rodríguez y Francisco García Campa describirán el #FrenteDeBatalla de la #guerraucraniarusia a mediados del mes de diciembre justo antes de la llegada de la primera gran oleada de frio que congelará los campos y pondrá fin a la Raspútitsa. Analizaremos los dos grandes escenarios de una posible ofensiva de ambos bandos, el #Donbass o #Zaporiyia. LIBROS DE ESTA GUERRA "Ucrania. El camino hacia la guerra" https://amzn.to/3NMaH6Z "La guerra de Ucrania: Los 100 días que cambiaron Europa" https://amzn.to/3EfvjRG "Las guerras de Putin: De Chechenia a Ucrania" https://amzn.to/3Ec5NwJ 💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲 Si queréis apoyar a Bellumartis Historia Militar e invitarnos a un café o u una cerveza virtual por nuestro trabajo, podéis visitar nuestro PATREON https://www.patreon.com/bellumartis o en PAYPALhttps://www.paypal.me/bellumartis o en BIZUM 656/778/825 💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲💲 No olvidéis suscribiros al canal, si aún no lo habéis hecho. Si queréis ayudarnos, dadle a “me gusta” y también dejadnos comentarios. De esta forma ayudaréis a que los programas sean conocidos por más gente. Y compartidnos con vuestros amigos y conocidos. SIGUENOS EN TODAS LAS REDES SOCIALES ¿Queréis contactar con nosotros? Puedes escribirnos a bellumartishistoriamilitar@gmail.como por WHATSAP o en BIZUM 656/778/825 Nuestra página principal es: https://bellumartishistoriamilitar.blogspot.com
The finest magic performance in television history, Tom Jones or your parents, & how to out-manipulate a producer, with Piff the Magic Dragon.See omnystudio.com/listener for privacy information.
Welcome to another episode of the TTM show! This weeks Q&A's included the following:How much water should we drink?Is it ok to train 7 days/week?Do you prefer a high high carb, high fat, or balanced macro intake?Older navy interservice transfer heading to SFAS, any advice?What is a good way to maintain hip health/good hip stretches?Thoughts on creatineHungry all day, should I eat larger meals and less snacks to feel full longer?I'm headed to RASP in a couple of months, my APFT is 300 and my ACFT is 600, any helpful tips to improve?Can you post more workouts?Whichever platform you're tuning in on, feel free to leave a review! Your feedback is greatly appreciated. The more reviews we receive, the more people the podcast will reach!Also, if you know anyone who loves fitness and podcasts, spread the word! My goal is to help as many people as I can and cut out the BS when it comes to fitness, nutrition and health.Look for weekly (or more) Q&A on my stories. I'll answer your questions on IG and here on the podcast.Programs, blog, nutrition guide terminatortraining.comKickstart- beginner/garage gym friendlyHypertrophy- intermediate/advancedJacked Gazelle- Hybrid athleteFollow me:IG: terminator_trainingTwitter: @ksterminatortmyoutube: Terminator Training Method
Do you think of databases when it comes to the performance of your application? In this episode, Peter Corless, Director of Technical Advocacy at ScyllaDB, shares five top factors for a fast, performant database. Discover how to choose the best DB for your application, latency, hardware utilization, RASP, deployment best practices, and more.
Welcome to Gaming with Gage + Friends, the podcast where your friends talk about roleplaying games! This week's friends were Dot Moore, from Resting Glitch Face & Chaos Inc and Roo and John from Rook and Rasp. Some of the things we covered wereSWAN Dive - Crystal Heart Discussion Topic - How to generate excitement around a new setting or campaign?Discord Spotlight - Writer's RoomAs always we ask you to share & rate the show, however you listen, and remind you that you can send questions, disagreements, gaming ideas or fan letters (mostly for Chris(or Andrew)) to Our Email or in our Discord.
Helene deler ufiltrert og ærlig om hvordan hun utviklet bulimi. Helene og Kine snakker om de skamfulle sidene ved det å ha en spiseforstyrrelse, om oppvekstvilkår og om hvordan behandlingen på RASP fungerte for Helene. God lytt! Ting som er nevnt i episoden: Helene sin podcast, "Hjelp, jeg er sykepleier": https://open.spotify.com/show/73YtK8rfuSDA4Zim0Z5u6y?si=966b641f760b4ead Bok som Helene leste i behandling: https://www.ark.no/boker/Christopher-G-Fairburn-Overcoming-Binge-Eating-Second-Edition-9781462510788 RASP (Regional avdeling for spiseforstyrrelser hvor Helene gikk i behandling): https://oslo-universitetssykehus.no/avdelinger/klinikk-psykisk-helse-og-avhengighet/psykisk-helse-nasjonale-og-regionale-funksjoner/regional-seksjon-spiseforstyrrelser-rasp Artikkel i Sykepleien om Helene og spiseforstyrrelser: https://sykepleien.no/2017/03/helene-var-bare-opptatt-av-trening-og-mat Hjelpetjenester Nettros: https://nettros.no/ SPISFO (Spiseforstyrrelsesforeningen): https://www.spisfo.no/ Vil du støtte mitt arbeid med en "kaffe"? https://www.buymeacoffee.com/ogsapasient Kontakt: @kinemaniac og @ogsapasient på Instagram eller ogsapasient@gmail.com Cover art: @anettews
Welcome to Gaming with Gage + Friends, the podcast where your friends talk about roleplaying games! This week's friends were Dot Moore, from Resting Glitch Face & Chaos Inc and Roo and John from Rook and Rasp. Some of the things we covered wereMeet our new friends! - we got to meet Roo and John and find out what makes them awesome. Discussion Question - I Stream, You Stream, We All Stream for Live Streams!Product Spotlight - GutterpunkAs always we ask you to share & rate the show, however you listen, and remind you that you can send questions, disagreements, gaming ideas or fan letters (mostly for Chris(or Andrew)) to Our Email or in our Discord.
Steve Wilson, Chief Product Officer at Contrast Security explains how the use of open source software can introduce security issues related to newly discovered vulnerabilities and how companies can identify and mitigate those issues by using software composition analysis (SCA) and runtime application self-protection (RASP) tools. https://www.contrastsecurity.com/ https://www.contrastsecurity.com/developer Secure Talk Podcast https://securetalkpodcast.com/security-risks-with-open-source-software-steve-wilson-chief-product-officer-at-contrast-security/
America's Favorite Podcast returns with yet another highly trusted beverage review. Or at least they try to, but a certain cinematic classic seems to be drawing all the attention... The Kings of Drink Mountain discuss Josh's favorite Robin Williams film, along with his beef with Taco Bell, how French's mustard got its name, and a certain flick with this amazing cast: The Rock, Heidi Klum, Mike Judge, the NY Philharmonic, Kirsten Dunst, Ed Begley Jr., AND Charles Manson. Talk about a killer lineup! Plus. listener questions from the amazing Jim at the Friday Night Music Party, Ben's questions from the less amazing Braindead Trivia, and Josh's truly groundbreaking attempt at asking the most incoherent question ever! So clean your glasses and stock the fridge, because it is time once again to have Drinks With Josh (and Ben too, I guess)!
Today we talk about homesteading in the dog days, the business of summer, preserving food and more. Swale Workshop Forage Berries: Blue, Rasp., Wine, Black, Goose Elderberries are not yet rip but moving that direction Comfrey Plantain Mint Almost echinacea time Livestock 7 baby rabbits Clearing Basecamp (sheep) Duckling due in the next week Ducks as entertainment Freeloaders Grow Drought update Cucumber week Volunteers in the pig pasture Green beans in slow motion Garden30 update Preparing the fall bed Starting seeds Preservation Update Holler Neighbors/Community Kat's blueberry patch Free seeds from Ashley Roller Coaster transition Infrastructure Perimeter Hot Wire (Possible Open House) Cooking outside Finances Chicken Class - traded labor for half priced birds Membership Plug Make it a great week! GUYS! Don't forget about the cookbook, Cook With What You Have by Nicole Sauce and Mama Sauce. It makes a great Christmas Gift! Community Mewe Group: https://mewe.com/join/lftn Telegram Group: https://t.me/LFTNGroup Odysee: https://odysee.com/$/invite/@livingfree:b Advisory Board The Booze Whisperer The Tactical Redneck Chef Brett Samantha the Savings Ninja Resources Membership Sign Up Holler Roast Coffee Harvest Right Affiliate Link
Johann and Matt talk with the Pensacola Fencing Academy at about running a HEMA club at a college, RASP, prepping to run their first tournament, and the Sonoma state Fencing Masters Certificate Program. Tee Shirts T-Shirts by Bold City Longsword | TeePublic Facebook Swords in Stereo Podcast | Facebook Bold City Longsword www.JacksonvilleHEMA.com
The Dragon Hand-Cut Rasp from Stewmac is easily the best rasp I have ever used for shaping guitar necks. Enter The Dragon Rasp Giveaway Here: https://theartoflutherie.com/stewmac-dragon-rasp-giveaway/
The Alan Cox Show
Our extremely buff hosts, Cam and Iz, talk about their RASP and SFAS training. They discuss how their experience compares to how training is portrayed in movies like G.I. Jane, Jarhead and others. They wrap the episode out with a new, fun game: "Military Movie or Adult Film?" It's a game you don't really want to win!Support the show (https://www.buymeacoffee.com/pcfmpodcast)