Podcasts about every picture tells

Every Picture Tells a Story is a great name for Rod Stewart's third solo studio album.  The songs consist of solid storytelling, using mixture of original  and cover tracks to paint a mosaic of life, love, and loss.  This album would mark the transition of Stewart from a solid rock vocalist to an A-list performer.  Every Picture Tells a Story hit the top of the album charts in both the US and the UK, and its blend of rock, blues, and folk music would have a staying power over the decades. Supposedly the album was compiled on a shoestring budget, and consists of a number of songs paired with extended jams.Stewart compiled this album during his tenure as front man for the Faces, and all five members of that group appear on the album.  Because of contractual obligations at the time, the personnel listing on each track is a bit vague, but it is possible that all five members were on the recording of "(I Know) I'm Losing You."  The first single released from the album was "Reason to Believe," which was a cover of Tim Hardin's 1966 song.  But the B-side of that album would be the one that would cause Rod Stewart to become a breakthrough success.  That song, written by Rod Stewart and Martin Quittenton, was "Maggie May."  The album would top the charts, and would be a noticeable success on the year-end charts of the Billboard 200 albums in 1971 (#35) and 1972 (#65), while taking the number 2 spot for the UK album charts in 1971.  Not bad for a soccer player who wasn't able to go pro!Rob brings us the bluesy album for this week's podcast. (I Know) I'm Losing YouThis Motown hit originally recorded by The Temptations in 1966 is a lament of a relationship going bad.  Stewart's cover went to number 24 on the Billboard Hot 100.  Motown rock group Rare Earth had a cover of this song a year earlier in 1970.  Rod Stewart has several members of the Faces playing on this track.That's Alright/Amazing GraceAnother outstanding cover, this one is of the debut single from Elvis Presley in 1954.  However, the original goes back to blues singer Arthur Crudup in 1946.  But even that long time period is dwarfed by the pairing of the traditional hymn "Amazing Grace" which dates back to 1772.  This deep cut shows some of the diversity of the album.  Every Picture Tells a StoryThe lead-off and title track to the album was an original co-written by Rod Stewart and Ronnie Wood.  The lyrics are told from the perspective of a musician on tour who finds adventure with women in multiple cities before returning home to think back on his travels.  The lyrics are more free-form in this song, not following a consistent pattern of rhymes. ENTERTAINMENT TRACK:Main theme from the television comedy "Green Acres"This sit-com featuring city dwellers who move to the country went off the air this month in 1971. STAFF PICKS:Don't Pull Your Love by Hamilton, Joe Frank & ReynoldsBruce starts out the staff picks with a song often attributed to Elvis Presley.  After performing with the T-Bones and having an instrumental hit with the song "No Matter What Shape (Your Stomach's In)" based on a popular jingle from an Alka-Seltzer TV commercial, this group went to number 4 on the Billboard Hot 100 with "Don't Pull Your Love."It's Too Late by Carole KingLynch brings us a song with music by Carole King and lyrics penned by songwriter Toni Stern.  This breakup song is considered to be a feminist song by many, given that the woman is breaking up with the man.  Stern completed the lyrics in a single day after her breakup with fellow singer songwriter James Taylor.  This track would top the Billboard Hot 100, and would win the Grammy for Record of the Year in 1972.Charity Ball by FannyWayne's staff pick is the single release and title track from Fanny's second studio album.  Fanny was one of the first all-female rock bands playing their own instruments, and the first to record an entire album.  They got their start in Sacramento after sisters June and Jean Millington (guitar and bass) moved there from the Philippines.  The group was completed with Nickey Barclay on keyboards and Alice de Buhr on drums.If Not for You by Olivia Newton JohnRob features a cover originally penned by Bob Dylan.  Olivia Newton John would make this her first international release and her breakthrough song.  Her cover closely follows George Harrison's cover, including prominent use of the slide guitar.  Olivia Newton John took this track to number 25 on the US Billboard Hot 100 chart and to number 7 on the UK singles chart. INSTRUMENTAL TRACK:Milky Way by Weather ReportThis Avant-garde jazz instrumental takes us out of this week's podcast.   Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode, we explore the life and career of Kenney Jones, the legendary drummer who played a crucial role in shaping the sound of British rock music during the '60s and '70s. From his early days with The Small Faces, through the raucous years with The Faces, to his tenure with The Who, Jones's rhythmic prowess and adaptability made him a sought-after musician in the evolving rock landscape.Born in Whitechapel, London, Kenney Jones grew up immersed in the vibrant music scene of post-war Britain. Influenced by the burgeoning British Invasion, Jones was drawn to the energetic rhythms of bands like The Beatles and The Rolling Stones, as well as the soulful sounds of American R&B. His early exposure to these genres laid the foundation for his distinctive drumming style, characterized by a blend of precision and flair.In 65, Jones co-founded The Small Faces alongside Steve Marriott, Ronnie Lane, and Jimmy Winston. The band quickly became emblematic of the Mod movement, delivering hits like "Itchycoo Park," "Tin Soldier," and "All or Nothing." Their music, a fusion of psychedelic rock and soulful melodies, resonated with a generation seeking a fresh, dynamic sound.Jones's drumming provided a solid backbone for the band's intricate arrangements. The Small Faces' influence extended beyond their music, impacting fashion and youth culture in '60s Britain.The departure of Steve Marriott in '69 marked a turning point for the band. The remaining members—Jones, Lane, and keyboardist Ian McLagan—joined forces with Rod Stewart and Ronnie Wood, both from the Jeff Beck Group, to form The Faces. The Faces quickly gained a reputation for their electrifying live performances and unpretentious style. Albums like "A Nod Is As Good As a Wink... to a Blind Horse" and "Ooh La La" captured their energetic spirit and musical prowess. Rod Stewart's simultaneous solo career, particularly the success of "Every Picture Tells a Story" and the hit single "Maggie May," brought additional attention to The Faces. However, this dual focus eventually led to tensions within the group.The Faces' blend of rock, soul, and blues, combined with their charismatic stage presence, earned them a devoted fan base. Tracks like "Stay with Me," "Cindy Incidentally," and "Ooh La La" became anthems of the era, showcasing the band's versatility and Jones's dynamic drumming.Despite their success, internal tensions and the members' individual pursuits led to the band's dissolution in '75. In '78, following the death of drummer Keith Moon, Jones was invited to join The Who. His tenure with the band included contributions to albums like Face Dances and It's Hard, as well as performances at significant events such as Live Aid in '85.While his drumming style differed from Moon's, Jones brought a steady, reliable rhythm to the band's music during a period of transition. His professionalism and experience were invaluable assets to The Who during this time.Beyond his musical endeavours, Jones authored an autobiography titled "Let the Good Times Roll: My Life in Small Faces, Faces, and The Who", providing an in-depth look at his life and career. Kenney Jones's contributions to music have been recognised with inductions into the Rock and Roll Hall of Fame as a member of both The Small Faces and The Faces. His influence continues to inspire musicians and fans alike, ensuring his legacy endures in the annals of music history.Join us as we delve into the remarkable journey of Kenney Jones, exploring his impact on British rock music and the enduring legacy of The Small Faces, The Faces, and The Who. Whether you're a longtime fan or new to his story, this episode offers a comprehensive look at one of rock's most influential drummers.#thesmallfaces #thefaces #thewho #britishinvasion

***This show is brought to you by DistroKid. Go to http://distrokid.com/vip/the500 for 30% off your first year!*** The third studio album by Stewart is a mix of hard rock, folk, and blues styles. It went to number one in the United States and the UK, including Rod's breakthrough hit, "Maggie May”. Wayne Federman is back to discuss an album right in his wheelhouse: Early 1970s rock and roll.  Follow Wayne on Instagram: https://www.instagram.com/instafederman/ Follow Wayne on X: https://x.com/federman DistroKid Artist Of The Week: Paul Carrack https://www.youtube.com/watch?v=oBsewu8AQOY Follow Josh on Instagram: https://www.instagram.com/joshadammeyers/ Follow Josh on TikTok: https://www.tiktok.com/@joshadammeyers Follow Josh on X: https://twitter.com/JoshAdamMeyers Follow Josh on Facebook: https://www.facebook.com/joshameyers Josh's Website: https://www.joshadammeyers.com/ Follow The 500 on Instagram: https://www.instagram.com/the500podcast/ Follow The 500 on X: https://twitter.com/the500podcast Follow The 500 on Facebook: https://www.facebook.com/The500PodcastWithJAM/ Email the show: 500podcast@gmail.com Check the show's website: http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Joe, Jen, and Tom cover the latest news including a #WoTWednesday drop of 10 stills from S3 of The Wheel of Time, and a little hard-hitting investigative journalism of our own! Jen reads emojis and sees behind a picture! Tom can't remember weaves but loves horns! Joe forgets the order and loves emo horses! All that, plus "Irish" Terry Conklin! As always, spoilers abound, as do MORE three-ways?NEWS: https://www.wotseries.com/2025/01/22/prime-video-shares-exciting-first-look-photos-from-the-wheel-of-time-season-3/Send us your thoughts and questions!Support the showhttps://www.talkaranrhiod.com/YouTube: https://www.youtube.com/c/TalkaranrhiodInstagram: talk_aran_rhiodBluesky: @talkaranrhiodX: @arantalkDiscord: https://dsc.gg/talkaranrhiodMerch: https://www.newcreationsbyjen.com/collections/talkaranrhiod

Hoy en La Gran Travesía, con motivo del 80 cumpleaños de Rod Stewart (10 de enero de 1945), recuperamos su primera etapa en solitario, centrándonos en sus 3 primeros álbumes, An Old Raincoat Won´t Ever Let You Down, Gasoline Alley y Every Picture Tells a Story. Ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas. ✨ El libro ya está en Amazon https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 Escucha los podcast aquí https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Tei, Pilar Escudero, Utxi 73, Blas, Moy, Juan Antonio, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Huini Juarez, Flor, Melomanic, Noni, Arturo Soriano, Gemma Codina, Raquel Jiménez, Francisco Quintana, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Jesús Miguel, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

Dividido entre el grupo The Faces y su carrera como solista, el artista alcanzó el reconocimiento con su tercer álbum.

Pete Townshend intended the fifth studio album from The Who to be a science fiction rock opera called “Lifehouse,” as a follow up to the rock opera “Tommy” released in 1969.  After conflicts with their band manager and issues just managing the complexity of what Townshend envisioned the project to be, the rock opera was shelved, and the follow-up was made into a more traditional album entitled Who's Next.The group began recording the album at Rolling Stones frontman Mick Jagger's house, using the Stones' mobile recording studio, then moved to a more traditional studio in London.  Most of the album is made up of songs originally intended for the Lifehouse project.  Who's Next would see the Who make significant use of synthesizers and other keyboard sounds on this album, making the synthesizers a more integrated part of the songs than on previous albums.  Drummer Keith Moon's style was also more formalized than before, and the overall album was focused on a good sound where previous albums were perhaps tilted toward a sonic projection of the image of the band.Who's Next would contain some of the most iconic songs that the band produced, and retrospectively is considered by many to be the best album The Who ever produced.  The album would reach number 1 on the UK charts, and number 4 on the US charts.Rob brings us this iconic album for today's podcast, and friend of the show Mike Fernandes sits in for Bruce this week.MobileThis lighter song is a celebration of life on the open road.  Roger Daltrey steps aside as Pete Townshend takes over lead vocal duties.  Daltrey actually was not present at the recording of this song, leaving Keith Moon (drums), John Entwistle (bass), and Townshend (vocals, guitar, keyboards) to record it as a power trio.A BargainOften misconstrued as a love song to a woman, this track actually is about a relationship with God.  It contends that sacrificing everything for a relationship with God is not a sacrifice at all, but a bargain.  Much of Pete Townshend's work is inspired by eastern mysticism.Won't Get Fooled AgainThe last track on the album is an 8 1/2-minute epic.  It was originally intended as a closing number to the "Lifehouse" rock opera.  The lyrics offer a critique of both government and revolutionary change, summarized in the phrase "Meet the new boss, same as the old boss."  Townshend was inspired to write this song after chasing Abbie Hoffman off the stage at Woodstock.Baba O'Riley The title of the lead track to the album is a combination of two of Townshend's mentors, Indian spiritualist Meher Baba and American Composer Terry Riley.  The repeated phrase "teenage wasteland" was inspired by Townshend's observations of youths at Woodstock strung out on acid. ENTERTAINMENT TRACK:The Beat Goes On by Sonny & Cher (from the television variety show “Sonny and Cher Comedy Hour”)The singing duo Sonny and Cher started this sketch comedy and music show in 1971.  It would run for 3 years until their divorce. STAFF PICKS:Sweet City Woman by The StampedersWayne brings us a banjo-laden hit from a Canadian trio.  The lyrics were inspired by an encounter with a girl with wild eyes who came from the prairie to start life in the big city.  It hit number 8 on the US charts and number 1 in Canada.  It also won a number of Juno awards in 1972.  You may remember it from an episode of "Better Call Saul."Take Me Home, Country Roads by John DenverLynch keeps the banjo hits coming with a signature song from John Denver.  It went to number 2 on the Billboard Hot 100, and would become one of four official state songs for West Virginia.  Denver recorded this song in only two hours.Nobody by the Doobie Brothers Mike brings us a lost song from the first album by the Doobie Brothers.  Neither this song nor the album charted when it was released, but it displays a number of riffs and styles which would become staples of Doobie Brothers songs.  It was re-released in 1974 after the group had achieved success, and it reached number 58 on the Billboard Hot 100.Maggie May by Rod Stewart Rob closes out the staff picks with a hit single off Stewart's third solo album "Every Picture Tells a Story."  The lyrics describe the contradictory feelings of a boy in a relationship with an older woman.  The inspiration was a true encounter Stewart had with a woman at the 1961 Beaulieu Jazz Festival.  The song went to number 1 in Australia, the US, the UK, and Canada. INSTRUMENTAL TRACK:Orchid by Black SabbathWe close out with a surprisingly soft instrumental from an ordinarily more heavy hitting band. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

CONTACT THE THIRD STAGE TEAM: https://www.thirdstage-consulting.com... ORDER THE BOOK ‘THE FINAL COUNTDOWN': https://a.co/d/2IjvDWV -------------------------------------------------------------------

Nadya brings an indigenous perspective to her award-winning photography.  In this podcast you will learn  that it isn't just her technical ability with the camera that makes her work so special, it's  her gentle nature and empathy for her subjects that allows her to build a trust with people and that is evident in all her portraits. As she likes to say: "The camera is an extension of my arm".Thanks for listening! Please visit our website at hiddengemstoronto.netFollow us on Instagram at hiddengems.torontoand Facebook at hiddengems.toronto

In which The Curmudgeons marvel at the trainwreck that the career of a pretty fabulous rock 'n' roll singer became. Rod Stewart's gravelly, soulful voice was the engine for a series of great ramped-up yet mostly acoustic albums in the late 1960s and early 1970s, all of which cemented a solid legacy for the singer. And then Stewart became beholden to a rock-star, sexy-man persona that craved relevance more than integrity. Starting in 1975, his career descended into a series of schlocky, cheesy singles that, while they proved to be his biggest hits, must be heard to truly appreciate their awfulness. We recount both the good ol' days and the bad ol' days of Rod Stewart during this episode.    Listen to all things Rod Stewart - good, bad and ugly - by accessing our special Spotify playlist: https://open.spotify.com/playlist/0nXvqAv6Yby0h6pWeDSEG4?si=1ddcbbd651df4677   Here's a handy navigation companion to this episode   (0:52 - 03:31) - Arturo Andrade sets the parameters for our discussion of Rod Stewart   (03:50 - 15:25) - The Parallel Universe, featuring reviews of new albums by Sahra Halgan and Khruangbin   (16:09 - 37:33) - Good Rod - a discussion of Stewart's beginnings and analyses of his first five albums, including his masterpiece, 1971's Every Picture Tells a Story   (38:32 - 58:27) - Bad Rod - a discussion of Stewart's nosedive into mediocrity, following him from 1975 through the New Wave days of the early 1980s   (59:25 - 01:21:17) - More Bad Rod - a discussion of the nadir that was Rod Stewart's 1980s and then something of a brief comeback in the early 1990s. We end by contemplating the ultimate legacy of Rod Stewart.    Join our Curmudgeonly Community today! facebook.com/groups/curmudgeonrock   Hosted on Podbean! curmudgeonrock.podbean.com   Subscribe to our show on these platforms: https://podcasts.apple.com/us/podcast/the-curmudgeon-rock-report/id1551808911   https://open.spotify.com/show/4q7bHKIROH98o0vJbXLamB?si=5ffbdc04d6d44ecb   https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy80M   Co-written and co-produced by Arturo Andrade and Christopher O'Connor - The Curmudgeons   

Grandpa Bill revisits storytelling Good medicine-mis-information health & wellness Move It or Lose It (But Not Your Mind!) - Workouts for Silver Streakers (and Everyone Else!) Ageless Fitness: Why Exercise is the Secret Weapon for People of All Ages Beyond the Treadmill: Fun & Effective Workouts for Silver Streakers (and Everyone Else!) Informative: The Power of Movement: How Staying Active Benefits People of All Ages Workouts for Geriatrics (and Everyone Else!): Fun & Functional Fitness at Every Stage Building Lifelong Fitness: Workouts for Silver Streakers & Beyond Welcome back to BH Sales Kennel Kelp Holistic Healing Hour! Today, we're diving into the world of fitness, but with a twist! We're talking about workouts for "Silver Streakers" - our amazing active older adults - but guess what? These tips are fantastic for everyone, from energetic youngsters to the young-at-heart of all ages! The Importance of Movement at Every Age: Explaining how staying active improves balance, coordination, strength, and even mental well-being. Discussing the benefits of exercise for both young and old bodies. Beyond the Treadmill: Fun & Functional Fitness Ideas: Moving past the traditional gym routine and suggesting low-impact, adaptable exercises for Silver Streakers and everyone else. Think chair yoga, water aerobics, walking groups, dancing! Nutritional Powerhouses for an Active Life: Mentioning the importance of a balanced diet for optimal energy levels and recovery. Briefly discussing some key nutrients like protein for muscle repair, healthy fats for energy, and complex carbohydrates for sustained activity. Voicemail Invitation: Encouraging listeners to share their experiences and ask questions! Letting you know YOU can leave a voicemail message at The BH Sales Kennel Kelp Holistic Healing Hour voicemail message board. Remember, movement is medicine for the mind and body at every age! Stay tuned for more holistic health tips on the BH Sales Kennel Kelp Holistic Healing Hour! #SilverStrekakers #LifelongFitness #ExerciseForAllAges #HolisticHealth #BHKennelKelpHolisticHealingHour #HealthyAging #FunctionalFitness #SeniorFitness #WellnessWednesday #GetActive Move It or Lose It (But Not Your Mind!) - Workouts for Silver Streakers (and Everyone Else!) - playful and grabbing YOUR HOPEFUL attention with its rhyme and alliteration. Beyond the Treadmill: Fun & Effective Workouts for Silver Streakers (and Everyone Else!) - states the focus on a broader range of exercises and includes the target audience (Silver Streakers) while being inclusive. Ageless Fitness: Why Exercise is the Secret Weapon for People of All Ages - informative, highlighting the overall benefit of exercise across generations. Holistic Health Secrets and Life-Sales Strategies with Grandpa Bill Nourish Your Soul, Boost Your Business: The BH Sales Kennel Kelp Holistic Healing Hour Experience Website: https://www.7kmetals.com/grandpabill Website:https://www.myctfo.com/index.html YouTube: Bill Holt@billholt8792 Social Media: https://www.facebook.com/bill.sales.524 Social Media:https://www.instagram.com/bradybrodyboy12/ Voicemail Message Board: https://podcasters.spotify.com/pod/show/bhsales JOIN US EVERY TUESDAY AT 6PM. EST. https://freedomsnap.org/Seth/ Patriot Supply Link:  ⁠⁠https://mypatriotsupply.com/?rfsn=5615494.137cb6⁠⁠ Health Ranger Link: ⁠⁠https://www.healthrangerstore.com/?⁠⁠rfsn=301296.96452b2&utm_source=HR_Affiliate&utm_campaign=14708&utm_affiliate=301296⁠⁠ ⁠⁠⁠Healer.com⁠⁠⁠: ⁠⁠⁠⁠https://www.HealerCBD.com/?ref=11⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/bhsales/message

On February 15, 2009, Cathy McNaughton was stabbed to death in her home in Sharpsburg, Georgia. Her husband, Alec, claimed he had served her breakfast in bed and then went to his mother's house, about an hour away. But cell phone records placed him just two miles away. Police discovered a secret file in Cathy's closet that included photographs of a bruised and battered Cathy. “48 Hours" correspondent Richard Schlesinger reports. This classic "48 Hours" episode last aired on 8/31/2013. Watch all-new episodes of “48 Hours” on Saturdays, and stream on demand on Paramount+.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

People are posting a picture on Socials of when they were 21 years old. A woman found her old picture, and was shocked to find out who was in it! 

Stewart Anstead is a professional artist whose work is described with a similar approach to the Eddie Bauer line of outdoor products painting the experiences of the Rugged Individualist. It's sports, it's recreation and it's the engines that move the world including vintage race cars, vintage motorcycles, baseball football, golf and skiing. Connect with Stewart here:WEBSITE: https://stewartanstead.comEmail: ANSTEADARTS@GMAIL.COMFacebook: @Stewart AnsteadInstagram: https://www.instagram.com/ansteadarts/Twitter: @AnsteadMediaPrevious Online Publicationshttps://canvasrebel.com/meet-stewart-anstead/https://voyageutah.com/interview/life-work-with-stewart-anstead-of-american-fork/More about Youth Racers of America:https://youthracersofamerica.com/Connect with JP Emerson:Website: www.jpemerson.com Twitter: @The_JPEmersonEmail: jp@jpemerson.com For more podcasts on cars checkout Ford Mustang The Early Years Podcast at www.TheMustangPodcast.com or atApple Podcasts or anywhere you get your podcastsFor more information aboutsponsorship or advertising on The JP Emerson Show or podcast launch servicescontact Doug Sandler at doug@turnkeypodcast.com or visit www.turnkeypodcast.com

Can you imagine if someone on this podcast could goaltend in a basketball game? It's probably just as likely as this being the best podcast about Rod Stewart and the 177th greatest album of all time, Every Picture Tells a Story.    Before we get to the music we have a special invite to our swinging potluck in La Crosse, Wisconsin. Our delicious spread features some Cold Stone Creamery, Noodles & Company mac and cheese, and caffeine-free diet coke. Our podcast chancellor also leads a discussion about New Year's resolutions, scratched records, and fun music facts about Peter Frampton, Jim Morrison, and Flea.   The first half of this podcast seems like a long time, but at (1:01:00) we fire up the karaoke machine and talk about Rod Stewart's 1971 album, Every Picture Tells a Story. We discuss Rod Stewart's numberone albums, recruiting mandolin players, and the best Bob Dylan covers.   Next week a change is gonna come when we become the best Otis Redding podcast and celebrate Otis Blue/Otis Redding Sings Soul.         

Episódio originalmente publicado em 12/01/2018. No 333º episódio do Podcast mais Rock'n Roll da internets Rômulo Metal, Marcel Pfütz e Carlos Augusto Monteiro batem papo sobre o disco Every Picture Tells a Story do Rod Stewart.   Trilha sonora do podcast (na ordem): *Rod Stewart - Maggie May *Rod Stewart - That's All Right *Rod Stewart - Reason To Believe *Rod Stewart - Tomorrow Is Such A Long Time *Rod Stewart - Every Picture Tells A Story *Rod Stewart - Seems Like A Long Time *Rod Stewart - That's All Right *Rod Stewart - Amazing Grace *Rod Stewart - Tomorrow Is Such A Long Time *Rod Stewart - Henry *Rod Stewart - Maggie May *Rod Stewart - Mandolin Wind *Rod Stewart - (I Know) I'm Losing You *Rod Stewart - Reason To Believe

What's that smell in your crib? It's the best podcast about Public Enemy and the 176th greatest album of all time, Fear of a Black Planet.    Before we get to the album we run all our jokes into the ground and lay some foundation for the best office nicknames, sock swapping, and 1980's NBA Superstars music videos.    Then at (46:00) the B side of this podcast wins again when we cover Public Enemy's third studio album, Fear of a Black Planet. We play spot the sample, discuss Public Enemy's influence on hip hop, and break down the four elements of hip hop. We also share an impromptu list of the best songs with the word nine in the title.   If you need to find a reason to believe then join us next week when we become the best Rod Stewart podcast and his 1971 hit album, Every Picture Tells a Story. Doubling a hard twelve!

Ein MTV Unplugged machen zu dürfen, ist eine Huldigung der besonderen Art. Nur einigen wenigen Künstlern ist diese besondere Ehre zu Teil geworden: Mit dabei war auch die britische Rocklegende Rod Stewart. Das durften wirklich nur die ganz großen Künstler machen: Ein MTV Unplugged. Die Liste der Künstler liest sich wie ein Who is Who der Popmusikgeschichte: Udo Lindenberg, Nirvana, die Fantastischen Vier, Eric Clapton, Herbert Grönemeyer, Björk, Bruce Springsteen und noch einige mehr. 1993 durfte dann auch der britische Rocker Rod Stewart Teil der Unplugged-Familie werden. Mitgenommen zu dem Event hat der Brite seinen langjährigen Freund und ehemaligen Bandkollegen von "The Faces", Rolling-Stones-Gitarrist Ron Wood. Eine besondere Herausforderung für die Band ist natürlich zum einen der ruhigere Sound einer Unplugged Show und zum anderen der eingeschränkte Bewegungsradius. Die Band und auch Sänger Rod Stewart wurden auf Hockern platziert, was für den Briten, der auf der Bühne normalerweise seinem Bewegungsdrang nachkommt sehr schwierig war. In seiner Biografie hat Rod Stewart dazu geschrieben: "Ein Hocker bedeutet für mich eine ähnliche Einschränkung wie eine Zwangsjacke!" Das Besondere an "Unplugged ...and seated" ist auch, dass auf dem Album einige Coversongs drauf sind, wie zum Beispiel Van Morrisons "Have I Told You Lately". Für unseren ehemaligen SWR1 Musikkollegen Christian Pfarr ist das ein ganz Talent von Rod Stewart. Wenn er einen Song covert, dann wird der einfach durch seine fantastische Stimme zu seinem eigenen Song. Für unseren ehemaligen Kollegen aus der SWR1 Musikredaktion Christian Pfarr und SWR1 Musikredakteurin Katharina Heinius ist diese Ausgabe von MTV Unplugged eine der besten, die es je gegeben hat und die es jemals geben wird. Warum? Das erklären sie im SWR1 Meilensteine Podcast zum Album "Unplugged ...and seated" von Rod Stewart. __________ Über diese Songs vom Album “Unplugged …and seated” wird im Podcast gesprochen (02:12) – “Hot Legs” (04:31) – “Handbags and Gladrags” (07:21) – “Every Picture Tells a Story” (12:08) – “Maggie May” __________ Über diese Songs wird außerdem im Podcast gesprochen (16:56) – “Maggie Mae” von den Beatles (20:01) – “Have I Told You Lately” von Van Morrison __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Schreibt uns an: meilensteine@swr.de

Hey Howdy Hey! Welcome to episode 166 of Disney Assembled!!! This week, we talk about our favorite places in the 4 Walt Disney World parks to capture cool pictures. If you enjoy the show, please consider helping us out. Buy us a Dole Whip! Become a member and get extra content on Patreon. Subscribe to the show on your podcast player of choice. If you are able, consider giving us a 5-star rating and review. Find and subscribe to our YouTube channel. Visit our Disney Assembled store to purchase some excellent Disney Assembled merch. Have a Disney Dad Joke of the Week for consideration? Have an idea for a future episode? Want to share a story for our "What the...?" series? Follow and shoot us a message on our socials: @DisneyAssembled on Facebook, Instagram, Twitter, and TikTok or email us at disneyassembled@gmail.com. Be sure to check out our Spotify Playlist, "Disney Assembled's Favorites" - click here to listen. Our show can also be heard on Tuesday, Thursday, and Saturday at 9am EST on Magic of the Mouse Radio. You can find links to all of the above, as well as links to where you can subscribe to the show, on our website: disneyassembled.com See you real soon! Troy & Mimi :) --- Send in a voice message: https://podcasters.spotify.com/pod/show/disneyassembled/message

We are thrilled to have Rich Terfry join us for this episode. Rich has been the host of CBC Radio 2's "Drive" since 2008. Besides his work for CBC Music, Rich is a published author who is also known as Buck 65 - a Juno-winning alternative hip hop artist. Today we examine Rod Stewart's glorious cover of Tom Waits' "Downtown Train." Links: Our Mixtape Tom Waits Original Rod Stewart Version Patty Smythe Version Bob Seeger Version Boy Meets Girl Version Buck 65 Bandcamp Page You can find us on Instagram, Facebook, Twitter, Masadon, and our website. You can email us at BandFGuiltFree@gmail.com, too. Here is our Spotify playlist featuring every song we've featured. Our theme music is by the incredibly talented Ian McGlynn.   Transcript (best read on our website)   Intro Music Frank: [0:22] So today on Bill and Frank's Guilt-Free Pleasures, we have a Chicken or the Egg song. Was it Downtown Train that inspired Rod Stewart's love of model trains? Or was it his love of model trains that inspired him to cover this song? That's what we're kind of looking at a little bit. Well, not at all, but that's a it's a philosophical question that that I believe needs to be asked. And also today we're really excited to have a guest with us today, Rich Terfry who some of you may know from CBC Radio 1.  Rich Terfry: [0:59] Radio 2, CBC Music as we refer to it now. Frank: [1:07] Radio 2. Yes, sorry. Yeah. So Rich Terfry has been good enough to join us today and talk about this song. And I know that you're on the radio and everything, but I can tell you're a little bit intimidated with our $25 mic stands and our towels for soundproofing, but we encourage you just to be yourself here today. Rich Terfry: [1:23] Sorry, yeah. [1:23] I'll do my best. This is much nicer than my setup at work here, so. Frank: [1:27] I'm not saying a whole lot for CBC are we? So yeah today we're looking at Downtown Train by Rod Stewart but before we talk about Downtown Train by Rod Stewart, we need to talk about Downtown Train by Tom Waits, because he was the guy that wrote the song and originally recorded it back in 1985. Bill: [1:49] Right, and that was on his Rain Dogs album, which is his most popular album, at least until... It's hard to tell... Frank: [1:57] And at least until Scarlett Johansson did her cover album, right? Bill: [2:00] Right, right, right. Rich Terfry: [2:01] Certainly a classic. Yeah. And often when people talk, Tom Waits, one of if not the first album that tends to come up in conversation. Frank: [2:12] I think it's probably maybe the most accessible. Maybe so. Yeah. Rich Terfry: [2:15] Maybe so. Bill: [2:16] Our friend Eric Stewart, no relation to Rod, sent, I asked him, I sent him a text far too Bill: [2:24] late last night asking why he's a big Tom Waits fan and asked him to tell me why Downtown Train works so well on Rain Dogs and he said I think because in the first three quarters of the album he makes the listener work so hard to find the melody that when you finally get to something that's even close to a radio song it comes as a relief. Consonance is only pleasing in the presence of dissonance. Frank: [2:49] I understood 70% of those words. Rich Terfry: [2:52] Yeah, I think the simple way to put it is that Rain Dogs is kind of a weird record. And then in a strange way, Downtown Train is a sore thumb. Because all of a sudden, here's like a pretty straight up standard, you know, good old structured pop song in the midst of all this weirdness. Bill: [3:39] There's talk that this was sort of like rock star bait, that there's rumors that Tom Waits had finally got his publishing to himself, and that they said that this song was put out there to sort of um... Lure. Yes. Rich Terfry: [3:51] Lure a bigger artist to, you know, specifically for the purpose of covering it. Bill: [3:59] Yeah. And allowing him to take some time off. Apparently the cover, one version I read was that allowed Tom Waits to take a couple years off to raise his kids. Yeah. Rod Stewart's version is it put in a pool. That's about to be quite a pool if it's 1989 royalties, I would think. Frank: [4:10] Yeah, I just thought it was, yeah. Rich Terfry: [4:38] So I've read a few Tom Waits biographies, none of which he kind of participated in the writing of, because I don't think that's really what he does. But some people very close to him believe that, that he was really doing that, that he was specifically trying to create cover bait, basically, with this song, and maybe a few others that he's written. Just, you know, throw in the potential hits out there, just waiting for someone to take the bait and make them some money. Bill: [5:10] If Rod Stewart wants to cover one of our podcasts... Frank: [5:12] Hey, put on American songbook like 47 or whatever he's on right now. Rich Terfry: [5:19] But don't forget, you know, Tom Waits, so the first chapter, if you will, of his career was very different from where he ended up in the 80s with this trilogy of records. Really, right? People talk about rain dogs, Swordfish Trombones and Frank's Wild Years is sort of a trilogy where he really started to experiment, started to become the guy that ultimately he became and sort of is now. But before that in the 70s, although it was still a little different from you know kind of what might have been on the pop charts, he was more of a songsmith less the experimenter back then. So he had this in He knew how to write a song. Always did, I would say. Bill: [6:05] And so you have Bob Seeger hearing this and saying, this is my ticket. Frank: [6:11] Before that, Patty Smythe did a cover of it too. She covered and recorded and released it in 87. Bill: [6:14] Oh yeah, yeah you're right. Frank: [6:19] It made it on the charts, I think it charted at 93. Of all the covers that I've heard, I'm gonna say that hers is my favorite. Bill: [6:28] That's tough for you, because I know Rod Stewart means so much. Frank: [6:33] He has a big spot in my heart. [6:59] Then that brings up the whole Bob Seeger controversy, right? So the story that I read anyways was that Bob Seeger recorded the song and he was gonna record an entire album surrounding the song and that was his idea and he played it for Rod Stewart and then like a month after that Rod Stewart just recorded Downtown Train just as a one off to add on to a greatest hits compilation. Rich Terfry: [7:30] And managed to release it before Bob Seeger was able to. Frank: [7:34] Yeah, so Bob's like laboring on this entire album, which is built around Downtown Train. And Rod's just like, Here's a one off and I'm going to release it on my on my greatest hits here. So I don't know, like, so it caused a rift between the two them because they were friends and now they're foes. Rich Terfry: [7:54] Yeah, they say Bob Seeger was genuinely ticked, and kind of felt like Rod Stewart's move kind of ruined it for him. Frank: [8:02] Yeah, yeah. Bill: [8:03] And it was the end of Seeger's had this big run until around 87, 88, I think. He actually scored a number one, the song called Shakedown on the Beverly Hills Cop 2 soundtrack. Frank: [8:14] Oh, yeah, that's right. Bill: [8:15] And it looked like, how is that number one? I remember hearing, I thought it was one of those awful throw offs they put on movie soundtracks. Or like, okay, there's one song like Shakedown, who's that? You know, as a kid, but I guess it went to number one. I should probably re-listen to it. But he was seeing Downtown Train, I think, either as a transition or like as, a big move for him as an artist. The story I heard is he told Rod Stewart about the song but hadn't played it for him and get this he told to him on a train. Rich Terfry: [8:44] The plot thickens. Thanks for watching! Bill: [8:47] And then yeah now Rod Stewart's version and I I kind of believe him he's like oh I don't remember. Frank: [8:47] Layers upon layers. Bill: [8:53] That and it's believable to me that Bob Seeger might have been pouring out his heart and Rod Stewart at this stage of his life might not have been paying close attention, but he's got a lot of women coming in and out of different rooms and his autobiography sound like he was quite a wild man even at his age then. Frank: [9:12] Well, yeah. Bill: [9:13] Here's the tough part. Rod Stewart was 44 years old when he recorded this. Frank: [9:20] Okay. Bill: [9:20] We are 45. Frank: [9:23] I've missed my downtown train year. Bill: [9:26] You did, and  Rod Stewart, by the time he was doing Downton Train, had a whole entire career. Frank: [9:31] Yeah, I've had a career. I've had a number of careers. and just keep losing them because of gross incompetence. Bill: [9:32] Are we familiar with the story of how Rod Stewart claims that he heard the song for the first time? Rich Terfry: [9:38] I don't know if I am either. Bill: [9:49] Well, I got it from his autobiography and some mean-spirited writer online said "his autobiography"  or "whoever wrote his autobiography." He was just saying he didn't write his autobiography. Frank: [10:04] Well Rod Stewart doesn't write his own songs either so why would he write his autobiography? Bill: [10:09] Well, he did. He can write a song. Frank: [10:10] He can write his own songs. No, he can. Bill: [10:11] This is the great. I guess this this sort of marked a moment where he changed directions a bit. At least they talk about this. I'll just retell it. I was gonna read it, then I realized it's too long. So his manager came in, I think it was his manager, came in with a tape player. So this is 1989. Plays Tom Waits, Downtown Train for him. And he says to Rod Stewart, holds his hand up and says, don't speak. Plays it. Rod Stewart is listening. Plays the whole entire Downtown Train. Tom Waits stops it. And then he says, don't speak. And he plays it again. Third time. Don't speak. plays it again now Rod Stewart is singing along with it he's like I want this the song has become mine or I want to sing this song and I want to put it on the album but he's saying that's the first time he heard of the song so of, course Bob Seeger's like we talked about this on the train but Rod Stewart. Frank: [11:01] The train. That all makes sense now. Models, model trains, trains. There's a Venn diagram for Rod Stewart's life. Bill: [11:03] Might have been thinking model trains or models in general and so was yeah yeah. [11:11] Well this is the perfect song for him. Rod Stewart said his eight-year-old son Rich Terfry: [11:15] Yeah. Bill: [11:17] came into the room and says, what was that awful sound? Who is that guy singing? And Rod Stewart would say, well, Tom Wait's voice, although he loves Tom Wait's voice, this is an acquired taste. Frank: [11:28] Yeah. It's kind of, it's a pop voice. Bill: [11:28] Whereas Rod Stewart's is like a mild coffee. Rich Terfry: [11:35] Both got a bit of whether you'd call it gravel or gruff or scratchiness though, there is a quality to a degree, you know, Tom Waits is kind of cranked up to 11 but. Frank: [11:49] Yeah, yeah. Tom Waits is like a coal fire. Rich Terfry: [11:51] You're right. And you could argue that at least, you know, at times in his catalog that Bob Seeger dabbled in a little bit of that as well. and so I've wondered if I don't know the question popped into my to my head when you know Tom Waits is lay in this trap was he thinking specifically like you know I'll set this one out there for the gravelly voiced bros wait till they hear. Frank: [12:20] Yeah, because because at that, because at the time, like that would be 85. Right? So like Bruce Springsteen is a huge popularity. And then just follow the road down there was. Rich Terfry: [12:22] This. Frank: [12:31] Springsteen, Brian Adams, Rod Stewart, like they all have that, sort of gruffness in their voice. Rich Terfry: [12:38] They hear Tom Waits and think I can shine this up just enough. Frank: [12:41] Yeah, Tom Waits, the godfather of gravel. Rich Terfry: [12:44] Yeah. Yeah. Bill: [12:45] And the Destroyer of Friendships, I guess too. Because if he hadn't put that out, maybe Bob Seeger would still be buddies with Rod. Frank: [12:48] Oh, yeah. [12:52] They recorded an album Rod and Bob. Rich Terfry: [12:54] That was good. Yeah. Bill: [12:58] All right, so we got this. This is released on his Storytellers album, The Greatest Hits. So I thought I kept looking for it on an album. They released a demo of it, or an early version of this on his Vagabond album from 91, the Deluxe edition. It's actually surprisingly different in a way that it sounded a little closer to Tom, Waits. Yeah, Rodster's, yeah, his voice was like, he had a bit more rasp, but it was like phlegmy. Rich Terfry: [13:22] There's no way I can do that. Bill: [13:29] Rasp which really disgusted me. As I listened to it, I realized I do have issues. Clear that comes up. Yeah, yeah, I turn the taps on if someone's using a bathroom too close to me. So it's a. [14:12] So his early version actually sounded closer to Waits or at least it seemed like something that he would been used to the Tom Waits version And then maybe was still in that zone, but then I don't not sure how much Trevor Horn had to I mean, he's the producer, But he takes it and brings it into full rod or at least full late 80s rod. Yeah. Frank: [14:32] Yeah, okay. Yeah. Yeah, what's a Oh, that's right. Yeah, he was on we talked about what the do they know it's Christmas. Bill: [14:34] We've talked Trevor Horn before He's the guy in the bugles with the thick glasses? Frank: [14:44] Right? Yeah. So, and researching the song. Yeah, you're looking you're looking Rod Stewart does his version and the, guy playing the slide guitar is Jeff Beck on this version and I diving like back deeper as far as Wikipedia was gonna take me I didn't know that Rod Stewart played with Jeff Beck like post yard birds no is before faces let me find it here oh yeah Stewart he he joined the Jeff. Bill: [15:07] Was it in Faces? Were they in Faces? No. Frank: [15:17] Beck group which is a super original name as a vocalist and sometimes songwriter So yeah, I guess he did write songs. Bill: [15:25] ... You heard Every Picture Tells a Story? [15:27] It's off on the side here, but Every Picture Tells a Story by Rod Stewart is phenomenal. Like, as an album. Frank: [15:34] Okay, when was that album? That was... 71. Okay. Bill: [15:35] Like 1971. It's so good that it makes it tough to listen to his later stuff just, because of Rod Stewart's capability as a singer and what direction he could have gone in that he he picked a path that was easy money and an easy easy living, but he had he had a lot of grit and. Rich Terfry: [15:57] Chutzpah. Bill: [16:00] Yes, he had a lot of chutzpah. Rich Terfry: [16:02] You know, I don't know if this is the right moment to interject this, but I find that in the story of both of the versions of this song that we're looking at today, the guest, guitarist really comes up as a big part of the story on both. Because famously, Keith Richards contributed to the Rain Dogs album, but it was GE Smith, who was the Saturday Night Live band leader who played the guitar on Tom, Waits' Downtown Train, who as far as you know guitar slingers mid-80s you know kind of would have been one of the the top top guns out there and so I you know you got to think Rod Stewart's probably thinking we're gonna have to bring in a real hot guitar player on this one who you know when you're talking legendary, guitarists you don't you don't get too far down the list before before Jeff Beck's name pops up. Frank: [16:57] Okay, cool. I did not know that GE Smith because GE Smith I was always introduced like my only knowledge of him was honestly from the Saturday Night Live band And that was it. And I was just like, who's this long haired skeleton? Like, why is he in charge of the band? Rich Terfry: [17:10] Yeah yeah he was you know kind of a studio guy I think you know I'm sure he probably made some records as well but he was a kind of a studio guitarist played on a lot of records I wouldn't be able to rhyme off you know kind of the, discography here and now but I know he played on some records but yeah interesting that you know they both brought in some you know some big guns to play the solos on these songs. Bill: [17:37] When I think about those two songs, like the Downtown Train, Tom Waits version, I think about that guitar. Because that guitar really, it's kind of crying and it makes you feel that sort of longing. [17:59] And when I think of Rod Stewart's Downtown Train, I don't think anything about the guitar. I'd have to re-listen to think about that guitar again. I can just think of Rod Stewart, saying oh baby and and making sounds and I'd never think about the guitar but interesting, I wonder how Jeff Beck felt about it. Frank: [18:16] Oh, they're buds. I think he enjoyed it. Bill: [18:18] Yeah, that's true. Okay. Frank: [18:37] I know that growing up that I had heard Rod Stewart because my dad probably had an eight track back in the day or or like you know 81 in the back seat of the Oldsmobile or whatever and we're he's playing something by Rod Stewart but I remember my sister got Gasoline Alley which was, his second album she got the tape for Christmas and it was like 1990 1991 so it would have been in around the same time that Downtown Train comes out and I'm wondering if that kind of inspired her, to like look back at his catalog and start picking up some of his music and stuff like that. But, I remember her specifically getting the tape for Christmas and like my dad and my aunt is just like Rod Stewart's like who's listening to him still because he's been around since the mid-60s. Like he's been around for a good chunk of time. Rich Terfry: [19:31] Yeah, and I would think a little bit before my time, I suppose, but the peak of his solo pop stardom, I mean, I think, you know, the average person might think, you know, kind of "do you think I'm sexy" is maybe peak, you know, Rod Stewart, which at that point would have been the better part of 10 years in the rear view mirror sort of thing. Frank: [19:45] Yeah, that Maggie Mae and all that. Yeah. Rich Terfry: [19:53] Yeah. Yeah. All that, yeah. Bill: [19:54] Now you have right before it, so 89 for me, because I'm grade six then, and I grew up listening to a lot of Elvis and Amy Grant. That was kind of, those were our two big ones. So I wasn't, yeah it was. Frank: [20:08] Oh, I'm just, I'm just picturing the duet in my mind right now. Bill: [20:11] I know if only Elvis had lived long enough he'd be, he'd definitely be doing Christian rock. So. Rich Terfry: [20:17] Alright. Bill: [20:18] I know Rod Stewart through music videos and so Forever Young came out before this. Yes. And then this little heart of mine was like released before this and this was on the greatest hits. Frank: [20:23] Yes. Yeah. Oh, yeah. Bill: [20:28] And it was the second time he did this little heart of mine. I loved it. Frank: [20:32] Yeah. Yeah. Bill: [20:33] Yeah, and then this came out and it was like wow, this is amazing So I mean Canada loved it because it went to number one. I'm pretty sure in Canada. Frank: [20:40] Yeah, downtown train went to number one in Canada and three in the states. Bill: [20:44] And it also like I started looking at his previous songs and so in Canada They often went to number one up to downtown trains. So This Old Heart of Mine went to number one I think Forever Young did really well too. So we loved Rod Stewart even in the 80s periods. Rich Terfry: [20:59] I wish I could recall this specifically, but sometime around this time, as I recall, my mom went to see him live. Okay. Yeah, so she really, and I don't have memories of her being a big time, Rod Stewart fan earlier on. Funny enough, she was actually a big Elvis fan. And I can kind of, of remember some other stuff that she would have been into late 70s, early 80s. But I think, funny enough, this 80s era Rod is where it really grabbed her. She went to see him live. I remember her, coming home from the concert that night and telling the stories of him kicking soccer balls into the, into the crowd and, you know, loving that. So that would have been in Halifax. I wish I could remember specifically what year that would have been, but I'm thinking it was right around this time. Frank: [21:52] Yeah, because I think Out of Order and then The Vagabond Heart. I think there is a bit of a maybe a bit of a resurgence. Like maybe there's a little dip and then a little bounce back at the end of the 80s, right? Bill: [22:04] In his autobiography, he talked as though he had to prove himself with Downtown Train, but I don't get it at all because he already had Forever Young and a couple other songs in the, tank. So if it's proving yourself a year after a hit, it seems weird now in our era of 2023 where, I don't know, you could go years without doing something, you're still kind of an it. But yeah, he claimed it sort of gave new life to his career. In a lot of ways, this period pads his, his live performance career. As he goes through this, now he's becoming this touring thing that can make tons of money, I think. Frank: [22:42] What's crazy to me right now is like from the beginning of his career to like when he released this album, Storytellers, that's a smaller period of time than it is from the release of that album to now and he's still releasing music. Because it's been 30 years, well 33 years now. Bill: [23:01] Holy cow. Frank: [23:02] Since that album came out, since that first greatest hits package. Bill: [23:05] Right. And he was younger than us then, than we are now. You got that math right? I'm working through this, I got issues, it's okay. Frank: [23:12] Yes. I think so. You're the math teacher. Yeah. So listening to like Rod's version versus Tom's version and I'm gonna speak about them using just their first names. Bill: [23:17] And he changed it. Frank: [23:27] Because I feel like they're familiar to me right now and and even the the covers that like Patti Smythe did and then because eventually Bob Seeger did release a cover version I think in 2011. Bill: [23:40] He didn't like his version. So all the complaining, he's listened to it and said, I don't like it and then changed it and did a new vocal and put in backup singers. Frank: [24:18] So I found the Patty Smythe and the Bob Seeger version a little more faithful to the original in terms of the music that starts off with the guitar, warble, whale, whatever it is you want to call that. But Rod Stewart comes in, it's a little softer, a little more orchestral. And in, my mind, what he's trying to do is he he started it slow. And he's just he's going for that build because he knows how to write a pop song he knows how to do well maybe this is Trevor Horn right. Bill: [24:47] Right, but this is what his voice needs to climb that mountain. Frank: [24:52] But uh yeah yeah so it's it starts off slow and it's really soft and everything and then by the end it like he's full rod. Rich Terfry: [25:00] But yeah, the arrangement on Rod Stewart's version is the most, for lack of a better term, radio-friendly. Cut down on the intro, kind of get to it, get into it a little quicker, kind of sand off some of the edges a little bit. Although strangely, the long sort of coda at the end, which is unusual for a hit song. I'm guessing maybe when it was played on the radio, there might have been some fading going on, for that whole thing. Frank: [25:30] The DJ is talking over the end of the song. Yeah, it's almost uncomfortable. Rich Terfry: [25:32] Yeah, because that is a little unusual, I must say. That's the part of the song that surprises me. That's where this version gets almost a little bit experimental, because it goes on so long. We were listening earlier, it's like, this is almost weird how long this is going on for. Bill: [25:47] It was an awkward moment for all three of us. Rich Terfry: [25:50] But otherwise, it is a very, you know, polished and cleaned up arrangement of this song, as we discussed earlier. The spotlight is somewhat taken off the guitar. And Rod Stewart's very much the star of the show on this version of it. And it really does build in a way that Tom Waits version doesn't quite have that steady upward trajectory. Frank: [26:19] It doesn't have it doesn't seem like it has a peak. It just sort of it's that it's a slow burn. Yeah Rod Stewart's version like when you hit that musical bridge and I'm assuming it's a bridge right like you're a musician you can explain do you do you know what a bridge is can you explain what a bridge is to us. Rich Terfry: [26:24] Right. [26:32] Let's call it a bridge. [26:36] I usually just simply think of it as like, sort of an instrumental passage in a song that is kind of in the middle of the song rather than at the beginning or the end. And so it's usually bridging between, say, a verse and a chorus or a chorus and a next verse or something to that effect. But yeah, usually just like an instrumental passage in the middle of the song. Frank: [26:59] OK, so I think we were right. And every every time we were asking what a bridge was. we have an answer. Yeah, yeah. Or we just end the podcast. I think that was the whole idea. The podcast was determined what a bridge was. Bill: [27:04] We finally have a succinct answer that we will now be just hitting when you ask this question next time. We'll just hit play. Rich Terfry: [27:16] . . Frank: [27:20] Well, thank you, Rich, for being on the last episode of Bill of Frank's guilt free pleasures. But but that bridge because it's climbing, climbing, climbing the entire song. But that bridge. Rich Terfry: [27:24] . Frank: [27:31] Like it takes it up like a steep ramp at that point. And then it comes to that end where he goes full Stewart. Bill: [27:53] I've written down here about my misheard lyrics. I was reading the lyrics. I'm like, that's not what I heard when I would listen to the Rod Stewart version. And I think the reason is, the Tom Waits version, there's this loneliness, longing. I don't think it's creepy, but it's certainly about someone watching somebody else and waiting to see someone he's in love with, but is never going to talk to on a train. And he's a loner who sits on a train waiting for the same person to come on that train and he's there kind of following her and whatever life she leads. At, least that's what I had in my head and all the other people, the Brooklyn girls who are there, going off to go out to clubs or whatever was going on then. That's what I hear when I hear the Tom Waits version. Now the Rod Stewart version, I have no sense that this guy's a loner, or that there's any chance that she's not going to get together with him. So when I read the lyrics, I just hear it differently like there's a line so the beginning was outside another yellow moon, Has punched a hole in the nighttime mist I climbed through the window and down to the street. I'm shining like a new dime, That's Tom Waits, but when I was a kid, I don't know if you thought this but I'm like, oh Rod Stewart, He's shining like a new diamond because yeah, because Rod Stewart's a diamond. Frank: [29:11] That's what I heard too, yeah. Bill: [29:13] I keep listening back and I only hear diamond because it's Rod Stewart and he's worth a ton of money, But the dime is super depressing. So this is the Tom Waits who makes rings out of spoons, right, for somebody to get married, whereas Rod Stewart has big diamonds. Rich Terfry: [30:05] You know, and interestingly, although you could say that in the context of the Rain Dogs album that Tom Waits sort of, you know, cleans things up a little bit on Downtown Train, we talked about it being a bit of a sore thumb. And it's true, you see it in the lyrics as well as, you know, the instrumentation that's happening, the arrangement and everything else. But there, you know, just a few little, Tom Wait-isms in there, even the mere mention of a carnival in the lyrics and you know maybe this comes from you know knowing too much about these these two individuals. I can imagine Tom Waits hanging out at a carnival. I don't picture Rod Stewart kind. [30:47] Of roaming around a fairgrounds you know just soaking up the vibes and then although Tom Waits is a California guy he spent some years in New York you know recording these albums and exploring some new musical ideas. And so knowing that he was living in New York at the time, him mentioning the Brooklyn Girls and so on, like yeah, checks out. Somehow, I don't know, Rod Stewart in Brooklyn, kind of scrappy Rod Stewart, the performances is great and he delivers and so it's believable in that sense. But when you really kind of get in there and you take a close look at the lyrics, I don't I don't know if I'm buying. First of all, Rod Stewart, I'm always imagining a subway train rather than a commuter interstate train or whatever. Rod Stewart riding the F train or whatever in New York. I don't see it, let alone in Brooklyn. Frank: [31:51] Unless he like rent it out for himself and that's about it, right? Rich Terfry: [31:54] Yeah, right. Maybe. And then like I said, hanging out at the carnival grounds. Frank: [32:01] Yeah, right. Maybe. Rich Terfry: [32:01] You know, not so sure. But it is interesting. And to me, that's the one real Tom Waits tell in the lyrics, you know, because he had a thing for all things carnival. Frank: [32:09] Yeah. [32:13] Yeah. Well, and it comes through on that rain dogs album, too, because there's a lot of like carnival sounds on it right? Rich Terfry: [32:16] Yeah. [32:16] Oh, sure does. Yeah, absolutely. Bill: [32:19] And it's like the dark corners of a carnival, even though I imagine everything's circular in a carnival, but there's always darkness somewhere in a corner and there's Tom. Rich Terfry: [32:26] Oh, the sideshow is where that's where Tom's hanging out. Frank: [32:30] Yeah yeah yeah that's where the freak shows are yeah yeah yeah yeah. [32:40] The opening line is something that I really love. Outside of another yellow moon has punched a hole than a nighttime mist. And I like that. It's very similar to me to Bruce Coburn's Lovers in a Dangerous Time, where he says you got to kick at the darkness till it bleeds daylight. Like, it's very visceral, the lyric, and you can imagine it, you can see it happening, you can see an action actually happening, you can like see the moon punching through the miss or it's almost a violent act but there's beauty in that violence. Rich Terfry: [33:12] It's a beautiful line. I mean, there's real poetry in these lyrics, and I would say more so than your average pop song, even by 80s standards. And so I must say, for me, for as much as I admire Tom Waits as a pop song, to see a few times in his career, his songs being covered and being turned into hits, surprises me in a real pleasant way because you know often you don't get this level of poetry in a number one hit pop song. Maybe from a Bruce Coburn the odd person who's that kind of writer but and so maybe this really says something about you know Rod Stewart's talent that he's able to make something that you know might otherwise be utterly inaccessible for most people in Tom Wade's hands turns into as big a hit as it could possibly be in Rod Stewart's hands where everyone loves it. Yeah. Basically. Bill: [34:08] This is why I have no animosity to this song. Like I might make fun of Rod Stewart once in a while, but I will listen to this song the whole way through. And even those last 40 seconds. But there is something about him bringing Tom Waits to the masses. So for me as a kid, I didn't know Tom Waits. He was terrifying. There's a video with him on a tricycle and he had devil horns. Rich Terfry: [34:28] "I Don't Want To Grow Up." Bill: [34:30] It was on Much. Yeah, I did. I couldn't, I just turned the station. I couldn't watch that, but this I could. And then years later, when I grew up, sometime in my mid 30s, I finally was ready to listen to Rain Dogs. Like, oh wow, this is fantastic. But it really, if it wasn't for this, I wouldn't have got there. Rich Terfry: [34:48] Yeah. Maybe it's worth mentioning, I don't know about you, Frank, but I only, like you, I only became a Tom Waits fan later. I heard the Rod Stewart version first. I became familiar anyway with the Rod Stewart version before I did the Tom Waits version. Is that the same for you? Frank: [35:03] Oh, same here. Yeah, yeah. 100% I kind of knew who Tom weights was a little bit but really didn't get into understanding him. I don't still don't think I understand him. But but like, yeah, gaining an appreciation until our friend, Eric Stewart. Like, because he's such a big fan and like he plays stuff and he's just like, Oh, geez, this is good. And you listen to his like, Oh, geez, this is really good. So you start digging into it a little bit more. You were talking about that misheard lyric and there's another one. Rich Terfry: [35:17] But gaining some appreciation. Frank: [35:37] That in the Rod Stewart version, I always heard it as when I see you tonight on a downtown train. And that was a certainty. It's like when I see you because you're going to be there and I'm going to be there. But the line will I see you tonight? It just. Bill: [35:43] Yes. Frank: [35:52] Odd. It turns it right around on its head, right? And it just makes it even more sad I guess it's it's but it's so beautiful. Rich Terfry: [35:58] Right, more longing and... Bill: [36:10] Christmas night while I was listening to this song. I'm like, oh I kept hearing it seeing Will I'm like, no, it's gotta be when like you said I wrote down Rod Stewart's going to win the girl So when he sees her he's going to see her and they and they're going to be together if they're not already. Frank: [36:25] Yeah, it's a certainty. Rich Terfry: [36:26] Whereas with the Tom Waits version I absolutely assume he won't. Frank: [36:29] Yeah, well exactly. Bill: [36:31] Oh yeah, he's never talked to her. Rich Terfry: [36:32] Yeah, this is, there's much more distance. Bill: [36:45] So second verse, maybe second verse is short. The downtown trains are full, full of all them Brooklyn girls, trying so hard to break out of their little worlds. And then this line here kind of confuses me. You wave your hand and they scatter like crows. They have nothing that'll ever capture your heart. They're just thorns without the rose. Be careful of them in the dark. [37:39] Rod Stewart's pronunciation of dark really throws me off whenever I'm saying like he I kind of wish Trevor Horn's like no Could you say dark again? It's kind of a weird our thing going on, So who's scouring my crows? Are they the Brooklyn girls? Frank: [37:53] Yeah, I think so. Because they don't have anything to offer. That this is my take on it. Like, sorry, not that they don't have anything to offer. But there's nothing of interest to, him at that point, because he's, you know, looking for that girl that he's looking for on that downtown train. That's my take. I don't know, you guys? Rich Terfry: [38:15] I've always just loved the image and like you were saying with the first line of the song it just really conjures a strong image in my mind I've never really been able to get past that to even think about it too much I just love that image. Bill: [38:28] Rod Stewart said that Tom Waits can do imagery so well as a songwriter and then Rod Stewart's like, I have to work on that, which is classic Rod Stewart sort of like, I gotta work on that. Frank: [38:40] It's like I try. Bill: [38:40] And then he said, I just write from the heart. That's what I do. I'm like, you're such a... Frank: [38:44] This is why I love Rod Stewart so much because he's all feeling. That's all I am. Bill: [38:48] He's all feeling. But the thorns without the rose, it's such a great image. And I like what you say, that Rich is like, just the image being there is enough. Like I can't really pierce through it. There's a little bit of thorn imagery there, but I don't totally know, but that what he paints there, is something that's true. Frank: [39:09] Yeah. [39:09] Yeah. Yeah, yeah. Bill: [39:11] If that makes sense. And there's a little line before, if I was the one you chose to be your only one. [39:19] Oh baby, can you hear me now? Can you hear me now? Frank: [39:22] Oh yeah, yeah, yeah. Bill: [39:23] So with Ron Rod Stewart saying, Oh baby, it's not like Tom White saying, Oh baby, where it's just, let's sort of the walk away from it, but his old baby is like, okay so you're getting you're getting you're getting with it. Frank: [39:34] You're getting the girl. [39:48] Well then then you jump into the the the course, which is, you, know, will I see you tonight on a downtown train? Every night every night is just the same on a downtown train. I like I like it. It's it's a good little course. It does its job and everything and that question of will will I see you tonight? I really like that reading through the lyrics as opposed to listening to the lyrics and understanding what the actual lyric was it like you said it just adds that longing. Rich Terfry: [40:38] It's, in my experience, rare touching on what you just mentioned, Frank, where reading the lyrics of a pop song gives you a whole other rewarding experience often. Otherwise, with a lot of pop songs, it really does nothing to heighten your experience of it. If anything, it might even drag it down. It's like, oh, these lyrics are terrible. Frank: [41:00] Yeah. Rich Terfry: [41:00] It's all just, a lot of songs are just carried by the melody. And the melody of this song is very, very strong as well. and I think that's what makes, I think you could argue anyhow, the chorus of this song memorable is the melody of it is so great. But it's true that there's a lot of people out there don't even really pay a lot of attention to lyrics, but if you're one such person and you do decide one day to look them up and, you read them, you're going to be floored. Whereas a lot of pop songs, they're not really going to give you a lot to sink your teeth but there's a lot going on here. Frank: [41:31] Well, I mean, you would have been similar to us like today, like with everything streaming and all of that. You just listen to songs. But when I was really getting into music in the 90s, you had CDs and you had CD cases. And that was my favorite thing to do was open up, check out the artwork and follow along with the lyrics, with the songs and then try and experience them that way. And you're absolutely right. you gain a better appreciation of the song. Rich Terfry: [41:58] And I think that, you know, I lament that a little bit for, you know, sort of younger generations today. Although it's easy enough, you know, everything's on online, it's easy enough to Google lyrics, but it's not always necessarily a part of the experience when you're streaming. It's not right there like it is if you're, you know, kind of, you know, playing a CD and you have the case in your hands or for that matter, you know, on an LP or something like that. There's that function if you're using Apple Music where if you, you know, tap a couple things and you can bring up the lyrics, but it's sort of a little bit of effort to do. But I sometimes wonder if young people are really, you know, spending time with lyrics of songs the way we used to automatically because the experience you described I think was a fairly universal one. I think everyone loved doing that. Frank: [42:46] Yeah, yeah, yeah. And there was always the because there are different types of CD cases to like there's the there's the book, then there's the ones that would just fold out lengthwise. Rich Terfry: [42:55] Fold. [42:55] Poster, sure. Never get it right. Frank: [42:56] And then there was the ones that folded out almost into a poster and then trying to fold those back where it was just terrible. Bill: [43:02] "Fully Completely." I remember looking like what? Oh, come on. That's not how you put lyrics on a sheet Don't be crazy and then REM would come out with like a booklet and then you just realize they're Michael Stipe pictures and that. Frank: [43:08] Yeah. Bill: [43:14] Made me so angry. We're like you could have put the lyrics on I still don't know what you're saying. Rich Terfry: [43:19] I don't think he wanted you to know what he was saying, But that's a whole other discussion right there. Bill: [43:22] Yeah, yeah. Frank: [43:24] Well, I bet the there's the third verse we can we can go we talked about it a little bit but it's like the I know your window and I know it's late. Bill: [43:26] Alright Frank, we hitting every single lyric on this song? Frank: [43:38] I know your stairs and your doorway, which I think could be taken as creepy. But again, there's, there's from Tom Waits, like from his perspective, it's like, I don't find it creepy. find it sad. [44:23] Yeah, he's because he's going there and he's. Bill: [44:25] It makes me think a little bit of Taxi Driver, a little bit, which is a little more creepy. But when Rod Stewart says it, I'm like, well, of course, because he's going there. to date her, yeah. Rich Terfry: [45:07] Now, in my mind, I see those lines, that verse. And it adds a little intrigue to the song, because I start to wonder, oh, is there actually a bit of an established relationship here? He's been to her house. Maybe there's more going on in this relationship than first meets the eye. Maybe. It's just, in my mind, raised as a question. Could go either way. Maybe there's more familiarity there there than we've been led to believe to this point or yeah there it is a little creepier than we first thought where he's you know the creepin' is going beyond the train and it's you know. Frank: [45:49] So we kind of talked about this a little bit before when we were listening to the song, but but what's your favorite part in the song? the Rod Stewart version. Rich Terfry: [46:00] Well I'll say something controversial okay and let me give you a little context before I say this, I'm dropping a bomb here. I know you know this, but I'm a Tom Waits fan. And I like a lot of his recent work. Although I would probably say my three favorite, Tom Waits albums is this trilogy that is sort of before us here today, Rain Dogs, Swordfishtrombones, and Frank's Wild Years. Frank: [46:32] Which I don't think he really captured all of my wild years in that album, but you know. Rich Terfry: [46:37] Who could? No, really. In one album. But I'm the type of guy, the weirder Tom Waits gets, the more I like him. And if I was listening to, I hate to say this, but if I'm listening to Rain Dogs in the car, there might be days where a downtown train comes on. I might skip it. Bill: [47:01] This is shocking. Rich Terfry: [47:03] So, where I'm going with this, my point is, me being the kind of music listener that I am, for as strange as it is, the unusual coda at the end of Rod Stewart's version is where it starts to get interesting for me. It's like, oh, what's going on here? He's got a little trick up his sleeve here. He's not the one trick pony that maybe you might, paint him as. It's like, oh, now wait a minute. And was he inspired by Tom Waits to, you know, kind of explore some more interesting terrain at the end of the song. And maybe it's safer to kind of put it at the end. But I get excited when something makes me raise an eyebrow a little bit. I like when someone's willing to go there a little bit or experiment a bit. So although I can appreciate what, he did with the song, where he took it, that he turned it into a hit, it's interesting to compare in contrast his voice, his vocal chops to Tom Waits. But I'm actually intrigued. If Rod Stewart walked in the door right now, and I could ask him one question about the song, I'd be like, what's the deal with the outro on the song? To me, that's super interesting. Frank: [48:11] Yeah, okay, cool. Bill: [48:39] Most controversial moment in our podcast history. I think there no one has ever picked the the final coda Yeah, my favorite part of the rod stewart song is the party's not singing. Rich Terfry: [48:50] Well, how do you like them apples? Bill: [48:51] Let's do that. Yeah. Frank: [48:53] Well, that's my favorite part, too, except it's that musical bridge. Bill: [48:56] Oh, wow. [48:56] Okay, oh, is it after the carnival and heart attacks? is that rhythm? Okay. Frank: [49:01] Yeah, yeah, yeah, because there's a like a 30 second bridge there and the guitars coming in and it's a little orchestral and cinematic. And like it was always climbing, climbing, climbing. but that's when it gets steep. Rich Terfry: [49:09] Yeah, sure, absolutely. [49:14] And I should also mention, I'm a big time Jeff Beck Yardbirds fan. In terms of pure riffage, I'd probably pick him over a lot of guys, if not everybody. And so his inclusion on the song, that's pretty cool to me as well. Yeah. Frank: [49:58] Bill, favorite part? Bill: [49:59] I gotta say, when he says, oh baby, can you hear me now? Can you hear me now? I think that really is it. I just assumed he said it over and over throughout the song. He must have. Yeah, I like the Rod Stewart-isms. Yeah. Frank: [50:12] Yeah, yeah, yeah. Well, it makes it his own. Rich Terfry: [50:13] And that's exactly what I was about to say. Yeah, that's that right there is where he... It's interesting the story you were telling when he was first listening to it and there a moment came where he felt that he was taking ownership of the the song and right there is where he sort of delivered on that promise. Frank: [50:33] So we usually jump into categories towards the towards the last third of the podcast. So I've prepared rich. Should we do our mixtapes? You have a mixtape? I'm gonna let you guys go first and then I'll finish things off I have about 12 songs that I potentially. Bill: [50:42] Oh, good. Yeah. [50:50] Oh, wow. Okay, I got a low list, but I like a guest going first. And we didn't mention this at the beginning, but Richard Fry's, AKA Buck65 for listeners, especially our Canadian listeners who will know. And so when I hear the word mixtape, I know, you know, not like I'm intimidated in a good way. Rich Terfry: [51:10] Well, and although I had a little known fact, I too covered a Tom Waits song once. I should say maybe more than once, but in 99 I released an album called Man Overboard and the original, it might be most fair to say demo version of that album, included a, cover of Singapore by Tom Waits, which didn't make the final cut of the album. And then live, I used to do a very deep cut Tom Wait song, called Tabletop Joe. But anyhow, yes, this is my whole thing, putting these mixed tapes together. And so I gave it some thought. Should we jump into it here? I find it, I bet you guys have found the same thing, is that this song, Rod Stewart's version of this song, routinely pops up on these lists, a bunch of them, on the internet of songs you didn't know were covers. Now to me, that's an interesting enough category. God knows I've talked about that sort of thing on my radio show plenty. But with this particular case, there's more to it than just that. I think it fits into an even smaller category. And I wish there was more of this, where you have here. [52:32] Big-time bonafide mainstream pop star bringing into you know the spotlight and the mainstream consciousness what at best we might call sort of a cult figure. [52:50] Right? Tom Waits I mean you know he's not nobody but in in particular when we're looking at an album like Rain Dogs you know you ask the next person that walks down the street hey ever heard Rain Dogs? I'll put 50 bucks on them saying no. So know he's he's not I don't know if you could call Tom Waits a household name. I think of him in, particular the parts of his catalog that I love the most. To me I almost think of him as an underground type character, certainly a cult figure, and if not in the strictest definition of it, if you look at his body of work and maybe what inspired him and what he was interested in he's He's certainly coming from the deeps, you know what I mean? So maybe at best you could argue that he was an experimenter and whatever else who had more success with it than a lot of others. But nevertheless, I think that here we have a case where sort of, I'm trying to think of the most fair word I can use, but maybe a slightly more fringy musician is being brought into the mainstream. because a lot of the other songs that you would find on those lists of songs you didn't know were covers aren't necessarily that. I'm trying to think of a good example, but if you look at. [54:12] I Love Rock and Roll by Joan Jett, the Arrows, who wrote and recorded the original version, were a fairly successful band in their own right. And you see a lot of that on those sorts of lists. So this situation got me thinking of other cases where this was the case. case and I really wish that there were more examples of it because to me it's super interesting and exciting and more often you see it the other way around where and hopefully this isn't too, flippant a way to put it but where like an indie band will do kind of an ironic cover of some big, pop it that happens all the time sometimes it makes me roll my eyes but this is much more interesting and and the stakes are a little higher where a big time pop star will take a more obscure fringy, culty, whatever, however you want to describe it, person and cover them. So I came up with a couple examples and I don't know if they're quite as strong as today's example but I'll throw out there and this one is very similar parallel I would say Eric Clapton's version of Cocaine by JJ Kale. [55:23] JJ Cale, if you're going to compare anyone to Tom Waits, you know, if you're going to put anyone else in a category, maybe it's a guy like JJ Cale and Rod Stewart and Eric Clapton. I mean, not that, far off, right? So it's a very, very close, you know, kind of thing. Now, I don't know if you, know that The Tide is High by Blondie is a cover, but the original version of that song was by a, relatively small, certainly on an international level. [55:58] It was a Jamaican band called the Paragons, and I don't think they really had any success outside of Jamaica at all. Bill: [56:03] Wow, okay, I didn't know this either. Rich Terfry: [56:05] Really super interesting to me that the guys in Blondie even knew this song. Someone would really have to know their stuff, to know the Paragons and maybe this song in particular. To my knowledge, and I could be wrong about this, have to look it up but I don't even know I have the out the Paragon's album I don't know if their version was even ever released as a single so to me it extra super interesting maybe a real classic and one that does turn up on these lists fairly often the birds version of turn turn turn or whatever by, Pete Seeger right so you're taking something from a you know I guess a slightly more fringy genre, you know, kind of deep folk music and turning it into a big pop hit. I got a couple other good ones. This one is another fairly well-known case, but Roberta Flax, Killing Me Softly, is a cover of an extremely little-known song. What's her name? Lori Lieberman, I think, who originally, you know, singer, LA singer-songwriter, kind of played at the Troubadour, it never really became famous. The story goes that Roberta Flack just heard it, kind of on a total fluke and loved it. And then of course there's the whole other wave, the Fugees, Yeah. covering it again decades later and making it a hit all over again. Frank: [57:29] Because I remember we did, I forget which song it was, but it was a cover song. And then I said, you know, famous cover songs, where the the cover is more popular than the original. And I said, Fuji is covering Roberta Flack. And then afterwards, finding out that it was Laura Lieberman or just, I was wrong on the podcast. And that never happens. I've never said anything that was infactual on the podcast. Rich Terfry: [57:53] Yeah, yeah, yeah, sure. Bill: [57:55] Yeah, we can insert it. Don't worry. No one will know. Rich Terfry: [57:59] I'll throw out one more for you and then I'll and then I'll pass the mic as you. [58:05] Will. No, no, no. But and this one is a little more obscure, but a great example of what I'm talking about, I suppose. But What a Man by Salt and Pepper is, basically a cover. You might argue that it's like an interpretation, but it's, pretty darn close to a cover of a sort of a soul song by a woman named Linda Lindell. Let me double check that. I did write it down because I want to be sure, but I'm pretty sure it's Linda Lindell. Yes, Linda Lindell. It was just released as a 45, just sort of a one-off single. I don't even know if Linda Lindell ever recorded a full-length album. So not well-known, pretty obscure figure, of course. and Salt and Pepper had a bunch of hits. That might have been their biggest one. That was a big old hit. So, and you know, certainly another case where songs you didn't know were covers. And super interesting that, you know, this one sort of turns the tables a little bit in that, you know, we're talking about what was like, you know, kind of a soul song. Fairly sort of, you know, mainstream in its presentation, but then here's a hip hop group doing it. That in itself is a bit of a rarity, a hip hop group kind of taking on a cover. [59:26] But nevertheless, at this point in their career, Sal and Pepper, they were big pop stars, very well established, and like I said, they turned that into a big hit. So that was the first thing that popped into mind for me was, again, I don't know if it's the exact right word, but fringier artists being brought into the mainstream with a cover, because that doesn't happen a lot. In fact, those were really the only examples of that that I could find. I'm sure there are more, and if anyone can think of more, I'd love to hear them, because this is the sort of thing that really excites me. Frank: [1:00:01] Right into the right please someone write us please someone tell us something yeah but it's really cool because there's all sorts of like musical gems out there that no one knows about. Rich Terfry: [1:00:04] Yes. Drop us a line. Frank: [1:00:16] Like or sorry I shouldn't say no one but there it's not as well known and then these pop stars are are bringing them out to the forefront. And sometimes these artists can gain a second life because of it. Rich Terfry: [1:00:29] Now in the early days of rock and roll, this happened all the time, of course, right? So you think like Elvis doing, well practically every song Elvis did the early days of his career was a cover of a song recorded by some lesser known, usually a blues artist or R&B artist or something like that. But I digress. Bill: [1:00:49] I gotta say this is a big moment for me just as a radio listener because Rich Terfry does the (is it called the drive?) from about (is it three to seven?) okay so three to seven on CBC Radio Two. Rich Terfry: [1:00:57] Yeah. Bill: [1:01:03] And i would listen to it around i think is it around six o'clock that you would do the deep dive like on a friday or is it okay last hour of the show and there'd be this deep dive and. Rich Terfry: [1:01:09] Yeah, right. last hour of the show. Bill: [1:01:14] And it was my favorite part. And so- Well, the stories. Oh, it is great. Frank: [1:01:15] Oh yeah. Well the stories. Bill: [1:01:18] And so even if it was having a bad day at work and I knew I had to be leaving at six to go home, but I knew I could get this. And that was like my favorite part of the show. So I always wanted to find these deep dives. Like, so the one day you did a deep dive, on a tragically hip album, because you did every album. That's right. And so it was on Phantom Power and I was, didn't want to come out of the car, because I knew I wouldn't be able to find it because I'm like, there's gotta be, so I go online, rich to fry deep dives, like they're not available, I want like, you know, maybe a box set, it would be great for me personally or for the world, but we just got our own personal deep dive. Frank: [1:01:54] Yeah, which is fantastic. Rich Terfry: [1:01:55] Yeah, man. Bill: [1:01:56] Yeah, so that leads to my couple songs. I may be jumping on Frank's toes here, maybe, but because we think similarly, and this was the easiest way to do this, was originally I was thinking of train songs, But then I thought of songs that were like the vibe in Tom Waits, but then were covered so that they were kind of cheesier, but I couldn't, it wasn't coming up for me. So I ended up thinking of a couple train songs that were so similar. Because we were 12, I only have like three. So the most obvious one for me is Downbound Train by Bruce Springsteen, because it sounds so similar, downbound and downtown. And there's that longing and depression within the song that is kind of in the Tom Waits song. Well, there's something more joyous, even in the Tom Waits version, compared to the Bruce Springsteen. [1:02:55] But thinking of Rod Stewart's cover as very Rod Stewart, this is almost like Bruce Springsteen going, more Bruce Springsteen than usual to me in the song. Like sometimes he mutters his lines in a way that Ben Stiller would imitate Bruce Springsteen. So I liked the song. And so that was one. There was another one called Downbound Train by Chuck Berry, which was about the devil taking a guy to hell. Okay. And then there was another one called Night Train. There's a Bruce Cockburn one, which I love, but I went with the James Brown version because it was a bit more upbeat. Frank: [1:03:28] So I went straight planes trains and automobiles. That's the theme of my of my uh, well, it's modes of transportation. Bicycle Race by Queen. This has nothing to do with any sort of feel. It's just this is the theme. Modes of transportation. Fast Car by Tracy Chapman. Oh, I know right. Rich Terfry: [1:03:47] Modes of transport. Bill: [1:03:48] So, I'm going to go ahead and do a little bit of a, That's okay. Frank: [1:03:54] Midnight train to Georgia, Gladys Knight in the Pips, Pink Cadillac, Bruce Springsteen. Bill: [1:04:00] Very good. Frank: [1:04:02] Runaway Train, Soul Asylum, Aeroplane by Bjork, Get Out of My Dreams Get Into My Car by Billy Ocean, and then we are going to finish it off with Hands by Jewel. Bill: [1:04:16] Oh, no, no. You don't, that's not funny. And no, you don't walk in your hands somewhere. No, not funny. No. Frank: [1:04:17] Okay, okay, we won't put jewel on we'll put Train In Vain by The Clash. Rich Terfry: [1:04:26] You. Bill: [1:04:33] That's a good call. We haven't talked about another iconic performer we bring up most episodes. Frank: [1:04:40] The patron saint of Bill and Frank's Guilt-Free Pleasures. Yeah. Rich, your opinion. Could Michael Bolton sing this song? Rich Terfry: [1:04:48] Hmm oh downtown train yes I think so. Frank: [1:04:53] I think so, too. Rich Terfry: [1:04:54] I feel like I didn't even need to think about it long I can hear it in his voice almost immediately. Frank: [1:04:59] Especially at the end, like after that bridge that when when he's just repeating the chorus at the end, and he just sort of brings it up. That's when Michael Bolton destroys the world though, though, where he goes full Bolton and just ends the world. Bill: [1:05:11] Oh, yeah, and that Michael Bolton in 1989 is is a then is that when we got? Frank: [1:05:17] Oh, this is right in the that's right in the meat of the Michael Bolton sandwich. So I have in front of me here the the Grammys, for best male pop vocal performance, because Downtown Train was nominated in 1991. Lost to Roy Orbison's Pretty, woman. But Michael Bolton was on that list, Georgia on my mind. The year before Michael Bolton won for How Am I Supposed to Live Without You. The subsequent year, Michael Bolton wins 1992 for, When a Man Loves a Woman. But I'm looking at the list of the. Rich Terfry: [1:05:52] Right. How could he not? Frank: [1:05:56] Songs that were nominated in 91. Oh my goodness, how do you pick? So Roy Orbison wins for Pretty Woman. Another Day in Paradise, Phil Collins, Georgia on my mind, Michael Bolton. I Don't Have the heart James Ingram who's critically under appreciated in my mind Stormfront by Billy Joel and then Downtown Train by Rod Stewart 1991 I think was I think. Bill: [1:06:18] 1991? I thought this song came out in 89. Frank: [1:06:22] Was released in 90. Bill: [1:06:24] Oh right, because they would release it for so long. I got this all wrong. Rich Terfry: [1:06:27] Grammys are often, you know, a little behind. Bill: [1:06:29] Oh yeah, yeah sure. Yeah, that's right. So this comes out in 1990. Oh wow, I gotta to re- rethink about how I heard the song for the first time. I'm 14 then. That's a whole other world. Frank: [1:06:38] Yeah, that's a that's a different world. [1:06:40] Anyways, yeah, 100%. This could have been a Michael Bolton song. Could this be a Hallmark movie? Could easily become a creepy Hallmark movie. Bill: [1:06:51] Hallmark after dark. Rich Terfry: [1:06:52] Does Hallmark do creepy movies? Frank: [1:06:56] Yeah, I don't like them. Rich Terfry: [1:06:59] I mean, you know, there's some sort of romance, obviously, at the heart of this thing. So from that standpoint, like I said, if you went with the interpretation I've had where the third verse comes along, you think, oh, wait a minute, maybe these people, maybe these two know each other. Maybe it's the early days of a relationship or something, you know, in which case, maybe. But I'm with you in that, you know, it's more Scorsese, even, but Taxi Driver vibes, that hallmark. And if a hallmark movie set in New York, you know, it's like. Bill: [1:07:28] Yeah, I don't think that downtown train is taking them out to the country to like find themselves. Frank: [1:07:33] No, exactly. Rich Terfry: [1:07:38] Upper West Side, not Brooklyn. Frank: [1:07:40] Yeah, yeah. What other categories do we have? Bill: [1:07:44] You know. [1:07:44] I just thought out the top of my head when I was listening to the ending that you could do a pretty good floor routine To this song with that final moments. Yeah. Oh no with the with the thing with the. Rich Terfry: [1:07:54] Rhythmic gymnastics. [1:07:55] Yeah. Bill: [1:07:55] With the yeah yeah rhythmic gymnastics would work especially at the final moments where everyone's watching them the final sway. Rich Terfry: [1:08:01] And you're thinking just based on the gestures I'm seeing here, the ribbon. Bill: [1:08:04] Yeah it's all ribbon yeah yeah maybe some leaping it could be yeah I don't. Rich Terfry: [1:08:06] Yeah. It's all ribbon. Okay. [1:08:10] Maybe something like that. Thank you. Bill: [1:08:12] Know why I do this on a podcast but I'm I sometimes will talk with my hands yeah. Frank: [1:08:15] Can see if you can see Bill right now he's he's rhythmically flailing his arms about. Bill: [1:08:19] Yeah, yeah, yeah. Frank: [1:08:38] So we're bringing the the episode to a close and rich we just yeah thanks so much for bringing yourself and your knowledge and the insight not just to the song but musically in general and most especially telling us what a bridge is so that ended, over a year long debate in our minds. Rich Terfry: [1:08:58] I almost hate to ruin it for you, but this is fun. Have me by again sometime. I'd love to. Frank: [1:09:04] This would be fantastic. Yeah. And we want to thank the listeners for sticking it out right to the end. And, you know, we know you have it on your phones and on your computers and all that other sort of stuff. And you listen to it to the podcast wherever you are. And just wondering, will we see you tonight on a downtown train? Bill: [1:09:29] Thank you for listening to Bill and Frank's Guilt-Free Pleasures.  

Completing the Wall of Faces took more two decades of sustained effort by thousands of volunteers around the world. In this episode, you'll hear the story of two of them — a story that sheds some light on why this project was so important to so many people.

POD STEWART! What are your most favorite and least-loved songs on Rod Stewart's Every Picture Tells A Story? Since three of us hail from 1971, Dan chose this classic Roderic record that divided the hosts with its boozy, bluesy goodness and raspy crooning. We recently finally got into the 70s with Schoolhouse Rock but this is our most classic rock episode to date! A must-listen for fans of the phrase “a long time”. Hear it at WeWillRankYouPod.com, Apple, Spotify and your local donut shop. Follow us and weigh in with your favorites on Facebook, Instagram and Twitter @wewillrankyoupod . FILE UNDER/SPOILERS: Every Picture Tells a Story, Rod Stewart, Ronnie Wood, Seems Like a Long Time, Theodore Anderson, That's All Right, Amazing Grace, Arthur Crudup, Tomorrow Is a Long Time, Bob Dylan, Henry, Martin Quittenton, Maggie May, Maggie Mae, Mandolin Wind, (I Know) I'm Losing You, Norman Whitfield, Eddie Holland, Cornelius Grant, (Find a) Reason to Believe, Tim Hardin, donuts. US: http://www.WeWillRankYouPod.com wewillrankyoupod@gmail.com http://www.facebook.com/WeWillRankYouPod http://www.instagram.com/WeWillRankYouPod http://www.twitter.com/WeWillRankYouPo http://www.YourOlderBrother.com (Sam's music page) http://www.YerDoinGreat.com (Adam's music page) https://open.spotify.com/playlist/4OFTIda46Di4HkS0CDvM7L (Dan's top 100 songs of 2020)

Rod's back, baby! And he brought Ronnie Wood with him to tell stories about traveling the world, being so hot and famous you cause a stampede, and then being racist toward Asian people. Why don't we wrap it up by repeating the song title 24 times which has absolutely nothing to do with anything in the song? Whatever, Rod. Just leave the woman in the cabin alone.

Life feels like a journey on which we often feel lost. What do we need most when that happens? The opening chapters of the book of Numbers show us. Join us as we begin this new series!

On this episode of Vinyl Verdict, Bell, Jamie and Plouffe listen to Jamie's next pick - Rod Stewart's Every Picture Tells a Story. Released in 1971, this is Rod Stewart's third studio album. Featuring the members of his previous group The Faces, it reached number one on the charts in Australia, Canada, the UK and the US in 1971. Will the boys like this album or will it paint a picture best left forgotten? Come along and find out!

The guys are joined by repeat revisitor Tim McKay to tackle the Rod Stewart solo album “Every Picture Tells A Story.” Plenty of other discussion including why are we having school after Memorial Day, Kate Bush and Stranger Things, The Top 10 albums from a certain week in 1971, Ron Wood doesn't get enough credit, Elvis Presley, Dylan covers, wait… “Maggie May” was a B side?, Henry, and listening to Rod Stewart unplugged at 16 might explain Tim's high school issues (according to Wayne…maybe he wasn't trying to get students, he was trying to attract teachers).Check out Rod Stewart at: https://rodstewart.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Stitcher, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast

Dr. Allison Bumsted joins Phoebe and Daphne to discuss how rock journalism in the 1970s re-shaped Paul McCartney's critical reputation for the next three decades (and beyond).  Also discussed in this episode: authenticity, gatekeeping, rock aesthetics and rhetoric, hyper-masculinity and the inherent inclusivity of pop.   SOURCES Paul McCartney interviewed on Radio Luxembourg May 12, 1973 Something About the Beatles, “Critiquing the Critics” Episodes 176a and 176b A Women's History of the Beatles, Christine Feldman-Barrett (2021) The Beatles and the Historians, Erin Torkelson-Weber (2016) Truant Boy: Art, Authenticity and Paul McCartney, Martin Shough (2017) Faking It: The Quest for Authenticity in Popular Music, Yuval Taylor and Hugh Barker (2007) “Main Lines, Blood Feasts, and Bad Taste: A Lester Bangs Reader,” Lester Bangs (2003) “Physical Graffiti” review by Jim Miller, Rolling Stone (March 27, 1975) John Landau reviews RAM, (July 8, 1971) Wildlife review by John Mendelssohn, Rolling Stone (Jan 20, 1972) Sgt. Pepper's Lonely Hearts Club Band, written by Allen Evans, NME (May 20, 1967) “The Jefferson Airplane and the San Francisco Sound,” Ralph J Gleason (1969) “Just Two Superstars from Middle Rock,” NY Times (Aug 3, 1975) “Imagine” review by Ben Gerson (Oct 28, 1971) “The Former Beatle Gets Personal” Paul Gambincini, Rolling Stone (Jan 31, 1974) “Records: Paul McCartney and Wings” Band on the Run review by Dave Downing, Let it Rock (1974) Band on the Run review, Jon Landau (1974) “Paul and Linda McCartney: Bionic couple serves it your way” Lester Bangs, Creem: 34–39 and 72–73 (1976) “Yesterday, Today and Paul” Rolling Stone, Ben Fong-Torres (June 17 1976)  "Paul McCartney & Wings" Rolling Stone page 14; Paul Gambaccini (June 21 1973)  Life Magazine (November 7, 1969) “Man of the Year” Rolling Stone, Jann Wenner (February 7, 1970) “Sound effects: Youth, Leisure, and the Politics of Rock ‘n' Roll” Simon Frith. New York: Pantheon Books (197.) "Rod Stewart's Holiday Turkey: Blondes Have More Fun Review" Rolling Stone, Janet Maslin (Feb 8, 1979) "Every Picture Tells a Story" Review Rolling Stone, John Mendelsohn (July 8, 1971)   OTHER WRITERS MENTIONED Pete Wiley, Robert Christgau, Matt Brennan, Holly Tessler, Leonard Feather, Leroy Jones, Barbara Gardner, Nat Hentoff, Simon Frith, Jim DeRogatis    ALLISON'S LINKS My social (Inast and Twitter @Allison Bumsted) Website: www.allisonbumsted.com (I update it with what's happening) Book Link: https://link.springer.com/book/10.1007/978-3-030-85543-7 Chapter Link:: https://link.springer.com/chapter/10.1007/978-3-030-85543-7_5 (ask your local library to get a hold of the book!)   PLAYLIST The Mess (live at the Hague) WINGS Band on the Run PAUL McCARTNEY & WINGS Wildlife WINGS Too Many People PAUL & LINDA MCCARTNEY I Am Your Singer WINGS Uncle Albert/Admiral Halsey PAUL & LINDA MCCARTNEY Mama's Little Girl PAUL MCCARTNEY & WINGS Let Me Roll it PAUL MCCARTNEY & WINGS Rockshow WINGS

This week we welcome a special guest, Caitlyn Lifschitz of Loverly Photography. In this interview style episode, we chat all about her business- how she got started, her favorite sessions to shoot and she gives tips on how to rock all your photo sessions like a pro! --- Support this podcast: https://anchor.fm/35ishpodcast/support

Wake up! It's time for another episode of THE STORY SONG PODCAST! Join your hosts for their review of the 1971 classic, “Maggie May” by rock legend, Rod Stewart. In this episode, we hide from the sunlight, renovate a dorm room, and find out that there's a new England. So don't be a second-class fool, collect your books, and let this episode of THE STORY SONG PODCAST keep you amused. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast). THE STORY SONG PODCAST is a member of the Pantheon Podcast Network. “Maggie May” by Rod Stewart (from the album Every Picture Tells a Story) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Wake up! It's time for another episode of THE STORY SONG PODCAST! Join your hosts for their review of the 1971 classic, “Maggie May” by rock legend, Rod Stewart. In this episode, we hide from the sunlight, renovate a dorm room, and find out that there's a new England. So don't be a second-class fool, collect your books, and let this episode of THE STORY SONG PODCAST keep you amused.Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast).THE STORY SONG PODCAST is a member of the Pantheon Podcast Network.“Maggie May” by Rod Stewart (from the album Every Picture Tells a Story) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music.

Georgia Satellites are owners of one fluke hit from their self-titled debut album - a Chuck Berry-ish throwback-for-the-80s radio.  One song amidst their bucket of barroom rockers.  Those songs don't come around Top 40 too often anymore.  The “Once Bitten, Twice Shy” or “Jealous Again” type of songs are outliers.  So is "Keep Your Hands to Yourself".  It rocketed all the way to #2 on the top 40 singles chart in early 1987.  Bon Jovi kept them out of the top spot with "Livin' on a Prayer". And why do I still think about the band?  They really weren't anything new.  But they did put together a flash of a career - though the band name lives on with guitarist Rick Richards - with some of the best dueling guitars of the 1980's. Again, we go back to the bar band label. It was an easy label to paste on them – to call the band an 80's version of the great 70s rockers, The Faces.  Hell, they even covered "Every Picture Tells a Story". They played rock and roll that was a blast of scraping guitars, big drums and a vibe that bridged the decades before the Black Crowes would make a similar move around 1990.  The Crowes ended up making a career last - off and on – for 25 years.  For the Georgia Satellites? They opened on a couple big tours, played a whole lot of bars and then splintered right around 1990. What is their legacy?  Why a podcast about a retro band than was not around long enough to have a second big hit?  That's what we dive into.  How the Georgia Satellites predated country radio rock that would come just a bit after their time, and end up as an influence for lots of bands - or at least make those bands believe there was a path to a crunching rock and roll career.  Bands like Cross Canadian Ragweed. The Bottle Rockets.  Blackberry Smoke. Singer Dan Baird went on to a solo career and formed a couple really good bands, including Dan Baird and Homemade Sin. One of their best tours was a triple bill in 1987 with Del Fuegos and Tom Petty. They also opened for Bob Seger in 1986 on his American Storm Tour for their first time on arena stage. Dan Baird has said that Bob made sure they had full house lights, house sound, everything the headliner would get. He knew what an opener needed.  He was one for years. Rolling Stone contributing editor Anthony DeCurtis talks about living in Atlanta in the early 1980s,  “The Satellites were like the city's house band.”  They made it into America's consciousness, at least for one song and a few years more for fans of the band.  They brought it live. Loud. Righteous. I say worth remembering one more time. They have a new - recorded in 1988 - live album out now that gives us a taste of what made them so good.  Lightnin' In A Bottle. Seems like a good time now to rewind and salute a band that was better than they ever got credit for.  Of course, if you saw them live, you knew.   I did, and I do. Hear all the archived episodes and find our social media and email links on the website: rockpopandroll.com SUBSCRIBE: Apple Podcasts Spotify Stitcher Google Podcasts Read Rob's current and archived writing at rockforward.wordpress.com EMAIL: rockpoprollpodcast@gmail.com FACEBOOK: @rockpopandroll INSTAGRAM: @rockpopandroll TWITTER: @rockpoprollpod 

Wake up! It's time for another episode of THE STORY SONG PODCAST! Join your hosts for their review of the 1971 classic, “Maggie May” by rock legend, Rod Stewart. In this episode, we hide from the sunlight, renovate a dorm room, and find out that there's a new England. So don't be a second-class fool, collect your books, and let this episode of THE STORY SONG PODCAST keep you amused.Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast).THE STORY SONG PODCAST is a member of the Pantheon Podcast Network.“Maggie May” by Rod Stewart (from the album Every Picture Tells a Story) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music.

Wake up! It's time for another episode of THE STORY SONG PODCAST! Join your hosts for their review of the 1971 classic, “Maggie May” by rock legend, Rod Stewart. In this episode, we hide from the sunlight, renovate a dorm room, and find out that there's a new England. So don't be a second-class fool, collect your books, and let this episode of THE STORY SONG PODCAST keep you amused. Continue the conversation; follow THE STORY SONG PODCAST on social media. Follow us on Twitter (@Story_Song), Instagram (storysongpodcast), and Facebook (thestorysongpodcast). THE STORY SONG PODCAST is a member of the Pantheon Podcast Network. “Maggie May” by Rod Stewart (from the album Every Picture Tells a Story) is available on Apple Music, Amazon Music, YouTube Music, Tidal, Deezer, Pandora, Spotify, or wherever you listen to music. Learn more about your ad choices. Visit megaphone.fm/adchoices

"When war smashes its way into our living rooms as it did three weeks ago", writes Sarah Dunant, "it is pictures rather than words that hit hardest". Sarah discusses the impact of images from war through the centuries and the history they write. And she ponders which image from Putin's war will represent this moment in the future. Producer: Adele Armstrong Sound: Peter Bosher Production coordinator: Gemma Ashman Editor: Hugh Levinson

Pete Sears, the British rock bassist and keyboardist, talks to Tom about his career playing in Jefferson Starship and Hot Tuna, on Rod Stewart's seminal albums, Gasoline Alley and Every Picture Tells a Story, and with his current band, Moonalice. This episode is brought to you by Lumie, the original inventors of wake-up lights, whose Bodyclock Luxe 750DAB wake-up light mimics a natural sunrise and sunset. Shown to improve quality of sleep and to boost productivity in clinical trials, this remarkable device also features high quality audio with DAB+ radio, Bluetooth speakers, USB port and a selection of over 20 sleep/wake sounds. The Lumie Bodyclock Luxe 750DAB can transform the way you start and end your day, especially if you struggle to wake up in the morning and/or get to sleep at night. Go to lumie.com to find out more.

Creating a Portrait of America with pictures and conversations, many are shared with this podcast. An American Mosaic is ending another challenging year with these thoughts. Gen Z, Tech, Business, Elon Musk, Maria Ressa, and Living with Covid.

Art can completely transform the look and feel of a space, it can be used the same way color and texture is to elongate or cozy up a room. And to do it well, it requires lots of advanced planning, so today we are going to look at everything you need to do to make sure the artwork in your space looks like a slice from an art gallery. https://paddywax.com/products/color-block-16-oz-purple-orange-ceramic-violet-vanilla A full transcript of this episode can be found here: https://www.softlandingstudio.com/podcast/every-picture-tells-a-story Need design advice or direction on your latest project? Schedule a consultation with me - https://www.softlandingstudio.com/ Join us on social media for more design tips and fun - https://www.instagram.com/softlandingpodcast/ --- Support this podcast: https://anchor.fm/softlanding/support

Rod Stewart is perhaps the most frustrating figure in popular music. He is a man gifted with arguably the best voice in rock and roll and he can write some amazing songs, straight up rockers and heart-felt ballads. But Stewart eventually moved to cash in on that talent, epitomized in the 1978 album, Blondes Have More Fun. On this podcast, we look back at Stewart's most popular album before 1978, Every Picture Tells a Story, which finds Stewart, then a member of the ultimate pub rock band The Faces, in peak form both as a singer and songwriter. 

Album 4 the Day - October 2, 2021 - Number 1's Rod Stewart - Every Picture Tells a Story --- Send in a voice message: https://anchor.fm/album4theday/message Support this podcast: https://anchor.fm/album4theday/support

#232-230Intro/Outro: Lodi (Live) by Tesla232. Muleskinner Blues: The Asch Recordings, Vol. 2 by Woody Guthrie (Muleskinner Blues & Baltimore to Washington & The Wreck of the Old 97 & Sowing on the Mountain & Little Black Train)231. Every Picture Tells a Story by Rod Stewart (Maggie May & Mandolin Wind & Reason to Believe & (I Know) I'm Losing You)230. The Band Perry by The Band Perry (You Lie & All Your Life & If I Die Young & Double Heart)Muleskinner Blues album artEvery Picture Tells a Story album artThe Band Perry album artVote on Today's Album ArtHave you voted on Week 1 Round 1 winners yet? If so, no further action needed. If not:Week 1 Round 1 Winners (episodes 301-305)Vote on Week 1 Round 2 Album Art

This episode is a conversation with Chris Gleisner, our regular school professional photographer and the woman behind the project “Lets Build A School”. It was recorded before the Sydney lockdown in 2021. Chris took all of the photos that can be found in the recently released “A Year In The Life Of SCEGGS, 2020”. She talks about what the experience was like in trying to make it work amongst the difficulties of last year, what she is trying to portray through her art and her passion to see education more available for girls in Cambodia

Сегодня немного особенный подкаст. Мы послушаем альбом, который дал идею для названия программы Every Album Tells A Story. «Every Picture Tells a Story» появился 50 лет назад в исполнении Rod Stewart и включает в себя стили хард-рок, фолк и блюз. Альбом занял первое место как в Великобритании (шесть недель), так и в США (четыре недели). Предлагаем еще раз взглянуть на фото альбома и афишу нашей программы:)

'Reba' has its first guest star, a person we've never heard of; we are joined by our own guest — an esteemed journalist we happen to know and love — Katie Barnes.

If you or a loved one needs help with addiction visit; www.connectionbasedliving.com.au If you want to check out more about Real Drug Talk & Everything we do you can visit us at our website, www.realdrugtalk.com.au We would love it if you followed us on social media to keep supporting the message. Our social media handle is @realdrugtalk on socials. In this episode, we chat with Kay Hull, who is a former Australian Politician and first-ever female Chief Government Whip of the Australian National Party. Kay Hull is a former Australian politician. She was a National Party member of the Australian House of Representatives from October 1998 to August 2010, representing the Division of Riverina, New South Wales.  Kay was the first female NSW National to be elected to Federal Parliament and the first female Chief Nationals Whip.Kay served on a range of parliamentary committees including the Economics, Finance and Public Administration Committee; Aboriginal and Torres Strait Islander Affairs Committee; and Legal and Constitutional Affairs Committee.  As Chair of the House of Representatives Standing Committee on Family and Community Services, Kay's report ‘Every Picture Tells a Story' created the initiative for substantial reforms to Family Law and the Child Support system. Kay chaired Prime Minister Howards inquiry into ‘Substance Abuse Across Australia' covering Alcohol, Tobacco, Illicit and Prescribed Drugs and authored the report titled ‘Road to Recovery'She was appointed by the Australian Government to represent Australia on the International Parliamentary Union/UNAIDS HIV committee from 2008-2012 based in Geneva.Before entering Federal Parliament, Kay served on the Wagga Wagga City Council from 1991 to 1998, including five years as Deputy Mayor, and was Chair of the Council of Tourist Associations in NSW from 1995-1998. She was also a member of the Board of Tourism NSW from 1995-1998, and received the Rod Murdoch Award for Contribution to Tourism in NSW in 1998.She was awarded the Golden Crow Roll of Honour Award for contribution to the business community of Wagga Wagga in 2010, and received the Freedom of the City of Wagga Wagga in March 2011.She convened the Parliamentary Cancer Network from 1999 to 2010, and has been a Board member of Can Assist, a not for profit organisation, since 2010, and President since 2012.  Kay was appointed by the NSW Minister for Education to the NSW Skills Board undertaking the NSW Skills Strategy in 2013. She was appointed as the Chair of The Australian National Advisory Council on Alcohol and Drugs by the Commonwealth Minister for Health in October 2014 and is working closely with the National Ice Task Force. Kay was a recipient of an AM in the 2015 Queens birthday Honours for her contribution to the Parliament of Australia and her leadership in the Riverina . Kay was appointed Chair of the Rural Industries Research & Development Corporation by the Commonwealth Minister for Agriculture in August 2016Kay sits on the UNSW Murray Darling Basin Medical School  Advisory Council and has a passion for ensuring world's best practice in palliative care, she currently chairs the Calvary Palliative Care Enhancement Council .In this show we talk about a number of topics including; Addiction Drug & Alcohol Policy  in Australia Politics Ice Alcohol HIV/AIDSMuch, Much more Enjoy 

Wanna hear the album? Listen to Every Picture Tells a Story on Spotify!Check out our playlist featuring albums on The Countdown!Follow Big Daddy on twitter @BigDaddyGraham and on Facebook here.Big Daddy Graham's Countdown is produced by Last Out Media.

Bible stories are often wonderfully descriptive. They help us visualize men like Jacob and Moses who were known for their faithfulness to God. Hear about the life-defining moments of these Old Testament figures on Truth For Life with Alistair Begg. Listen...

We could all use encouragement in difficult times. Discover how the early Christians were emboldened by the inspiring stories of their faithful predecessors. Listen to Truth For Life as Alistair Begg takes a closer look at Hebrews 11. Listen...

Every picture tells a thousand words, right? This week I share how using an image-led approach for your media strategy can be a game-changer for you. Why? I started my career as a photojournalist from Essex, UK, in the early 1990s, mostly working with music mags and creative portfolios before I trained in public relations and never looked back. Here's the thing, one of my first proper PR jobs was as a global PR manager for a technology consulting company, and I had some very technical topics to talk about let me tell you! But, because of my background, I knew how important a good image was to getting featured in the media or not. Even if that was a bought stock image of that represents the context of what I was talking about. I made sure that every press release or media pitch had an image after that. And guess what? It works. REGISTER INTEREST in my online learning and get my FREE cheat sheet which can guide your promotional activity in a strategic direction, saving you time, energy and money. Also here:https://mailchi.mp/9903a79513e9/hzjh7aey22   You can also;   Please leave me a review on Apple Podcasts or my FB page @commthatworks as it helps others find the show and subscribe to be the first to listen each week.   Follow my Facebook page for daily tips and advice.    Also here:https://www.facebook.com/commsthatworks   DM me on LinkedIn emmadrake or Twitter @_emmadrake or email info@henbe.co.uk   Communication Strategy That Works is in the top 90 UK Small Business Podcasts you must listen to in 2021, by Feedspot   **When people hear information, they're likely to remember only 10% of that information three days later. However, if a relevant image is paired with that same information, people retained 65% of the information three days later. (Brain Rules via Hubspot visual content stats April 2021)

Dividido entre el grupo The Faces y su carrera como solista, el artista alcanzó el reconocimiento con su tercer álbum.

Twitter: @podgaverockInsta: @podgaverockRod Stewart 1971  “Maggie May”  from "Every Picture Tells a Story" released on Mercury. Written by Rod Stewart and Martin Quittenton. Produced by Rod Stewart.Personel:Rod Stewart – lead vocalsRonnie Wood – electric guitar, twelve-string guitar, bass guitarMartin Quittenton – acoustic guitarMicky Waller – drums, cymbalsIan McLagan – hammond organRay Jackson – mandolin (listed on the album as "The mandolin was played by the mandolin player in Lindisfarne. The name slips my mind.")Pete Sears– celestaCover:Performed by Jonathan HortonIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Writer Josh Bond. Produced by Frank CharltonOther Artists Mentioned:Bill SimmonsThe DailyPaul FinebaumBlack Sabbath “Crazy Train”John Lennon “Mother”Tyson FuryDeontay WilderPatsy Cline “Crazy”Randy TravisThe SimpsonsWar “Why Can’t We Be Friends”Cage the Elephant “Broken Boy”Link Wray “Fire and Brimstone”John Maher “Your Body is a Wonderland”Aerosmith “Sweet Emotion”Led Zeppelin “When the Levee Breaks”Pink Floyd “Money”Floyd MayweatherMajor LeagueThe Kinks “Wild Thing”Black Sabbath “War Pigs”The Rolling Stones “Can’t You Hear Me Knocking”Martin ScorceseFreddie King “Goin’ Down”Cray Fox “Hawg Frog”Public EnemyGeorge Michael “Careless Whisper”Phil SpectorThe Ronettes “Be My Baby”The Beatles “The Long and Winding Road”The Beatles “Let It Be”Rod Stewart “Unplugged”Rod Stewart “Reason to Believe”Smokey Robinson “You Really Got a Hold On Me”Bob DylanChuck BerryRod Stewart “Henry”The FacesTop of the PopsGuns n RosesSteven AdlerStephen Stills   REM “Losing my Religion”Led Zeppelin “Battle of Evermore”Led Zeppelin “Going to California”Robin LeachLifestyles of the Rich and FamousRod Stewart “If You Think I’m Sexy”The Rolling StonesThe PoliceRod Stewart “Young Turks”The Faces “Oh La La”The Faces “I’m Losing You”The TemptationsThe Faces “Stay With Me”Ron WoodRonnie LaneRod Stewart “The First Cut is the Deepest”Van Morrison “Caravan”Van Morrison “Moondance”Rolling Stones “Sympathy for the Devil”Conan O’BrienLindisfarneThe Everly Brothers “Love is Strange”Don McLean “American Pie”The BeatlesThe EaglesThe JaybirdsJohn MellencampBruce SpringsteinBlind MelonLed Zeppelin ‘III’Led Zeppelin “Gallow’s Pole”Led Zeppelin “Tangerine”Love StoryBlurThe PoguesJared AshHypnomusicWet Wet WetRod Stewart “You Wear It Well” 

W/C 16th November 2020 This week TFM is brought to you in association with the letter R. "What do you mean?" I hear you cry, well first up it's a Red week - so that particular 'R' has already had an influence. But over the course of the week I find myself offering a recommendation, discussing a realisation, telling you about a restoration and on a couple of occasions ranting a bit (one of which is due to a referendum). Stay safe. https://www.anti-bullyingalliance.org.uk/anti-bullying-week (Anti-Bullying Week) https://www.youtube.com/watch?v=CDrieqwSdgI (The Queens Gambit Trailer) https://www.instagram.com/ashortstories (Instagram) https://www.twitter.com/ashortstories (Twitter) https://www.facebook.com/ashortstoriespodcast/ (Facebook) Support this podcast

有一個藝術家意外獲得一把神奇的扇子，讓他能夠進到畫裡的世界，他靠著這扇子，帶其他人進去看看他的畫，不一會兒畫就賣光了，他正準備收拾東西回家時，有一個小朋友請求他幫忙讓他進到他畫裡的世界，一團黑黑的畫，是什麼地方呢？ --- Send in a voice message: https://anchor.fm/wei-jean/message

Our goal with The Vietnam War: The Music is to honor the fallen and the survivors with the music that got them through “just one more day”. Our shows are broadcast around the world. They say thank you & “welcome home” to all Vietnam Vets. ***** As we close season three, the theme is centered around a military cadence call, “Jody's Got Your Cadillac”. Cadences are used by soldiers during marching or running manuvers. They are sometimes called “jody calls” or “jodies”, after Jody, a recurring character who figures in many traditional cadences; Jody refers to the man with whom a serviceman's wife/girlfriend cheats while he is deployed. Jody stays back home, drives the soldier's car, and gets the soldier's sweetheart while the soldier is stationed elsewhere. ****** Ain’t no use in lookin’ down, Ain’t no discharge on the ground, Ain’t no use in going back, Jody’s got your Cadillac. ** Ain’t no use in calling home, Jody’s got your girl and gone, Ain’t no use in feeling blue, Jody’s got your sister too. ** Ain’t no use in going back, Jody’s got your Cadillac. ***** In this episode you’ll hear two songs, by soldiers who served there. ******** One is Saigon Warrior by Saul Broudy (lead) & Robin Thomas (back-up vocal) **** SAIGON WARRIOR is a military folksong about rear echelon personnel. It descended from a British Army World War I song entitled "The Lousy Lance-Corporal." It circulated widely in Southeast Asia in both Army and Air Force tradition. ***** SAUL BROUDY served as a platoon leader, in the 96th Quartermaster Battalion, 1st Logistical Command, at Phan Rang, 1966-1967. ***** The second song, GRUNT, was written & performed by in-country soldier Bill Ellis. This song is a detailed description of the "little things that mean a lot" in the daily life of the combat infantryman—mail from home, a drink of cool water, sharing what you have with your buddies. ***** BILL ELLIS was drafted out of a rock band in San Francisco in 1968. He became known as the "singing rifleman" of the First Cavalry Division. In March, 1969, he was pulled from field duty as a rifleman with A Company, 1st Battalion, Fifth Cavalry, and reassigned to Special Services. He toured the Cav area of operations, performing for grunts on the fire support bases. ***** Both are available on the CD “In Country: Folk Songs of Americans in the Vietnam War” (Rounder Records, https://store.rounder.com/) - - - - - - For a look at in-country soldier musicians, watch the video at: *** https://www.youtube.com/watch?v=0mLgkMqt_Bw ----- Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 ------ or by email at dannymemorylane@gmail.com ------ In this episode, you’ll hear: -- 1) Every Picture Tells a Story by Rod Stewart 2) Drive My Car by The Beatles 3) Welcome Home by Country Joe McDonald 4) Wanted (A Solid Gold Cadillac) by The Aquatones (w/ Lynne Nixon, vocals) 5) Who's Making Love by Johnnie Taylor 6) A Letter From Sherry by Dale Ward 7) Hoochie Coochie Man by The Allman Brothers Band 8) Wild One by BR5-49 9) Saigon Warrior by Saul Broudy (lead) & Robin Thomas 10) Bitch by The Rolling Stones 11) Long Live Our Love by The Shangri-Las 12) Kentucky Rain by Elvis Presley 13) Have You Seen Her by The Chi-Lites 14) When a Man Loves a Woman by Wolfman Jack 15) You Can Have Her by The Righteous Brothers 16) I Put A Spell On You by Creedence Clearwater Revival 17) Please Mr. D.J. by Merle Haggard 18) Stoned At The Jukebox by Hank Williams Jr. 19) Requiem For The Masses by The Association 20) The Devil Went Down To Georgia by The Charlie Daniels Band 21) Ob-La-Di, Ob-La-Da by The Beatles 22) Grunt by Bill Ellis 23) Come See About Me by Junior Walker & The All Stars 24) L.A. Woman by The Doors 25) Talking Vietnam Blues by Phil Ochs 26) A Worried Man by The Kingston Trio 27) For The Good Times by Ray Price 28) Folsom Prison Blues by Johnny Cash 29) Little Girl Blue by Janis Joplin 30) Did You Boogie (With Your Baby) by Flash Cadillac & The Continental Kids (w/ Wolfman Jack, narrating) 31) Rock Bottom by Kenny Chesney 32) Oh No Not My Baby by Maxine Brown 33) (You're My) Soul And Inspiration by The Righteous Brothers 34) One by George Jones & Tammy Wynette

  Artist Song Time Album Year Elton John Burn Down The Mission 6:36 Tumbleweed Connection 1970 The Who Baba O’Riley 4:57 Who’s Next 1971 Jethro Tull Cross Eyed Mary 4:03 Aqualung 1971 Rod Stewart Every Picture Tells A Story 5:50 Every Picture Tells a Story 1971 Alice Cooper Be My Lover 3:19 Killer 1971 Cat […]

Scotty & Ruttsy discussed Trumps slump, Kylie, the Business Class whinge, Fat tourists in Gondola's, 50 hours of Elvis, Dinosaurs, Rats in the burbs, Michelle Ford's 1980 Olympics against the drug cheats & non-alcoholic wine reviews amongst other important items!!   Song theme was songs with “Picture” in the title so we got Pictures of You by The Cure, Picture This by Blondie, Every Picture Tells a Story by Rod Srewart & Pictures in the Mirror by Living End.

The envelope was addressed to occupant. “Photos” had been hand written in the corner.

In this episode, we review a Rod Stewart release called Every Picture Has a Story, ZZ Top, Afterburner and an all time favourite, Cat Stevens, Tea for the TIllerman. Give it a listen and drop us a voicemail and let us know how you enjoyed it. Thanks! --- Send in a voice message: https://anchor.fm/reviewsfromthecrawlspace/message

Mar and Jen catch up, 21st century-style, and discuss all the ways we can tell stories. Mar shares how her love of photography has been affected by limited travel, exploring the ups and downs of adjusting our hobbies to meet current lifestyle restrictions. Learn more about Mary's journey through life behind the lens and read evergreen blog articles at: http://www.maryhahnward.com/ Jenn's life-long love of storytelling led her to co-author the book Friends for Life: Strangers Brought Together by the War in Iraq, along with two other published nonfiction titles. Jenn is the proud recipient of the Eric Hoffer Award for Legacy Nonfiction. She is currently writing a novel set in the 1970's of a childhood interrupted by family strife and economic struggle. Have an idea for our podcast? Want to share your thoughts with our listeners LIVE? We'd love to hear from you! Send us an email, a voice message, or a link to your favorite resource: thiscaregiverlife@gmail.com Love our show? Please leave us a 5-star rating and don't forget to share our show on your social media. Follow us on Facebook & Instagram @thiscaregiverlife and Twitter @thiscaregiver ...until next time... --- Send in a voice message: https://anchor.fm/thiscaregiverlife/message

Rod Stewart perfected his blend of hard rock, folk, and blues on his masterpiece, Every Picture Tells a Story and it's hard to deny the easy going rocker Maggie May.

More flotsam and jetsom from the world of fishing with tv angler Matt HayesIn this episode:'Floody Hell - Matt reflects on the recent floods and how he was personally affected and also delivers a flood fishing masterclass!'Every Picture Tells a Story' - The duke recounts his tale of the 44 pound carp he caught from the Monument fishery while filming with Matt for tv.'The Game Changer' - A review of the unique new snap jig from Berkley.'Dream Team' - Matt's fishing dream team, made up entirely from his friends!'Going Dark' - Matt reads a chapter from his book 'Red Letter Days'

What's up everybody?! This week I am chatting about not liking your weight/body image and hiding from the camera because of it. How many of you have offered to take photos instead of being in them, hid behind a bunch of people so your full body couldn't be seen or used a kid as a shield for the same reasons? I certainly have throughout the years and oh man do I regret it! Flipping through photos I remember being there but there is almost zero proof that I existed. That's crazy looking back at it now and it makes me sad...so don't be like me! Take the damn photo. Embrace where you are right now and view it that not only do you have an amazing memory to cherish years from now, but you also have a kickass before photo that is going to help you showcase all of your hard work! This week I challenge you to take the damn photo, share where you are now and tag me in over on IG! I am @Bronc787 over there and would love to chat about this more with you and see you show the world that just because you are not where you want to be, it doesn't mean that you are not worthy of being seen! __________________________ Do you have a health & wellness journey you'd like to share? I'd love to talk to you and have you on the show! Hit me up over on Instagram and let's chat! @Bronc787 As always....THANK YOU for tuning in to The Nikki Hynes Podcast! I want to learn and grow on this podcast adventure and the only way I can do it is with feedback from YOU! Let me know what you like, what you don't like and suggestions for upcoming episodes! Song Credit: Headspace by @TripJacker

Resources: 2020_Feb_9.mp3 (download) Bulletin_-_2020-2-9.pdf (download) Sermon_2020-2-9.pptx (download)

Story: Every Picture Tells A Story Author: ATTHS_TWICE Rating: TA Site link: https://archiveofourown.org/works/16001729 Read by: ATTHS_TWICE Summary: Where did the picture come from in their basement office? Who took it and when? Used by the author's permission. The characters in these works are not the property of the Audio Fanfic Podcast or the author and are not being posted for profit.

Resources: 2020_Feb_2.mp3 (download) Bulletin_-_2020-2-2.pdf (download) Sermon_2020-2-2.pptx (download)

"Maggie May" is a song co-written by singer Rod Stewart and Martin Quittenton, and performed by Rod Stewart on his album Every Picture Tells a Story, released in 1971. Ana breaks down Rod Stewart's life and talks about the iconic song "Maggie May". Enjoy and share. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com

Austin's real sick, y'all! But is he as sick as Humphrey Bogart in In a Lonely Place where he may have killed a woman? Hope not! The Immortals also listen to Rod Stewart and Jackie Wilson. Also they discuss the John Cleese farce, Fawlty Towers. Spoiler, Austin doesn't die.   Intro 0:00 -- 18:03 In a Lonely Place 18:03 -- 46:26 Every Picture Tells a Story 46:26 -- 51:28 Your Love Keeps Lifting Me 51:28 -- 58:36 Fawlty Towers 58:36 -- 1:08:33 Outro 1:08:33 -- 1:12:17   --Leave your own henge ratings at TheArtImmortal.com --Be sure you leave an iTunes review   Twitter iTunes   Join us next time as we discuss more random things. Until then, email or tweet us your thoughts, leave a review on iTunes and other crap every podcast asks you to do. (But we love that you do it!)   Artwork by Ray Martindale Opening tune and clips by Adam Lord  

Sermons RSS Reading: Luke 20:27-40

Every Picture Tells a Story by SouthernFriedNutrition.com

Devin Hunter, Regional Manager at SpinetiX, recently visited Hiscall. While at the office, he records this episode to discuss SpinetiX digital signage. Every business has stories to share and messages to communicate that better engage with customers, partners, and employees.

Over more than five years, baseball fan Ron Bolton has built a huge social media following by sharing vintage images on his Twitter page "Old Time Baseball Photos." But as he explains to Chris, there's more to it than just meets the eye.

There are many examples of writers using paintings and other visual art as inspiration to create an entirely new work. Think The Girl with a Pearl Earring or even The Da Vinci Code. That’s exactly what award-winning writer Donna Baier Stein did when she decided to write a new collection of short stories based on works by iconic American artist, Thomas Hart Benton. The issues Benton dealt with through the height of the Great Depression and on still resonate and echo today. We recently sat down with Stein to talk about her new book (Scenes from the Heartland), how she landed on Thomas Hart Benton, and the one piece that inspired the whole project.  

On today's episode, Marc kicks things off with his book report on 'The Virgin Suicides" (with some great insight from Michael), and then they all talk about their favorite books about Presidents ( in honor of President's Day). After that, Pete Souza sits in to talk about his book "Shade : A Tale of Two Presidents", and also about his time as a White House Photographer, and the gang closes things out with their deserted island recommendations.

ALBUM ADDICTS #10- The Album Addicts break down Rod Stewart's 1971 album Every Picture Tells A Story! Rock on! Contact Aaron and Ray at ridiculousrockrecords@gmail.com , or on the Ridiculous Rock Record Reviews Facebook page. https://www.facebook.com/R4podcast/ 

Brian and Brian wrap up the season 2 mini-series The Rice's 4 by spinning Brian's least favorite album he purchased that day, Every Picture Tells a Story by Rod Stewart. Rod-mails: volcanovinyl@gmail.com Every Tweeter Tells a Story: @volcanovinyl #vv190

Cool Deadcast 138. Paula, Tom and Steve discuss the premiere posters for the upcoming seasons of TWD and FTWD.

We talk often on this podcast about our own stories - our money stories, our career stories, our family stories, etc. and how those stories have a direct correlation to the decisions we make in our lives. Our podcast guest, Lily Clayton Hansen, has built her career sharing stories of people who inspire her focused on her goal of reminding people, "that by keeping an open mind and heart we can foster genuine connection." We need connections now more than ever.On This Podcast Episode:Lily was a guest on the podcast way back when her first book, Word of Mouth, hit the scene and she's back again to chat about her new book, Word of Mouth: More Conversations, chronically stories from her hometown of Nashville.In Word of Mouth: More Conversations—the follow-up to Hansen’s first coffee table book, Word of Mouth: Nashville Conversations, which sparked collaborations with institutions such as the Nashville International Airport and Vanderbilt University—the author interviews a wide cast of characters from business owners to community leaders and artists. Her intention is to show the textured, complex creative mecca that is Nashville.My hope through this conversation is that you'll be inspired to have more conversations - conversations with your partner about money, conversations with your family, conversations with people you come in contact with about their life and find common connections. Also, I hope Lily's story shows you that a dream career is possible without a huge NY Times best-seller or millions of books sold. She's a millennial on a mission and her fearlessness is downright infectious.Follow Lily on TwitterCheck out Lily's WebsiteBuy Lily's booksMusic credit: Rod Stewart, Every Picture Tells a StoryLink to CFP Board Find a CFP websiteThanks to Our Episode Sponsor:Big thanks to Wing for being a podcast episode sponsor. Get $25 off your first month's bill by going to their website http://www.wingalpha.com and entering code MYMONEY.Thanks for Tuning In:Thanks for tuning in to listen to this episode of Millennial Money. You’re awesome and mean so much to us. If you’ve enjoyed this episode, please share it on social media using the hashtag #millennialmoneypodcast.Also, please leave an honest review for Millennial Money on iTunes! Ratings and reviews are extremely helpful and much appreciated! You’re awesome!Millennial Money is more than just a podcast, we’re all about family here. Join us each weekend for our Sunday Seven Email Club, where we’ll share bonus episodes, money tips, life hacks, exclusive music drops, travel deals, breakfast treats and a whole lotta’ fun!Have an Ask Shannah question, submit it here.Want More:Shannah on TwitterShannah on Instagram

It took six seasons for our Tree Hill Crew to realize their dreams and achieve them and while some characters had their happy ending and were last seen driving off into the sunset (Leyton), season seven is here to remind us that just because you achieve your dreams, doesn’t mean you don’t have to work to keep them. One Tree Hill enters its 7th year (in our timeline not theirs) with some new characters (hopefully they aren’t as bad as Felix and Anna) and a whole lot of drama! A cheating scandal that plays out in the eyes of the public, a couple heading towards a divorce, drug addiction, suicide attempts, ghosts and you know it wouldn’t be Tree Hill without stalkers and family drama! Buckle in as we head towards the first season without Leyton, and endure the growing pains of a show and characters trying to find themselves. Heartbreak, mistakes and death will hit close to home, old characters will return to stir up drama, new loves burn and old love dies while the music is as loud as ever! Season Seven; a dream achieved is not necessarily a dream kept. Welcome to One Tree Hill 3.0! Join us as we discuss all things One Tree Hill (and then some) in our bingecasting of the series! This week our trio sits down and discusses the season 7 episodes “Every Picture Tells a Story” and “Learning to Fail”   Join as this week we sit down and start talking about all the new things to unpack in Season 7 of One Tree Hill. We happen to discuss alerting love ones to stalkers, depression and defining your relationships... we also talk a bit about these episodes!   If you like what you hear, or you don't please send us feedback and don't forget to rate, review and subscribe!   Follow us on Twitter: https://twitter.com/OnlyOthPod Like Our Facebook Page: https://www.facebook.com/OnlyOTHpod/ Email us at: theresonlyothpod@gmail.com Itunes Feed: https://itunes.apple.com/us/podcast/theres-only-one-tree-hill.../id1144795491  Our website where you can find all our eps and donate is here: http://theresonlyoth.podbean.com/ We're on Stitcher, check us out and rate us! We are on google play music as well!

Richard White, Margaret Byrne Professor of American History at Stanford University and the Rogers Distinguished Fellow at The Huntington, uses images shot by landscape photographer Jesse White to explore California's history.

No 333º episódio do Podcast mais Rock’n Roll da internets Rômulo Metal, Marcel Pfütz e Carlos Augusto conversam sobre o mais clássico disco do Rod Stewart, analisando faixa por faixa. O post PodCast #333 – Rod Stewart: Every Picture Tells A Story apareceu primeiro em Crazy Metal Mind.

Social media has become a popular source of how we share our life, including our travels or adventures. And through social media, we share our photos and usually include a write up to show what we’re doing, where we’ve been. And if we want to get back to basics, well photography has been around for a long time, and looking at a photo can you put you right in to the picture, you can imagine the sounds and smells, and it gives us insight in to things we might otherwise never get to see. And journal keeping, be it on a blog or by written word, has the same effects on us, except we use our imagination to picture where the author is. Both are incredible ways to share stories, and for us to look back on where we’ve been, to refresh the memories from long ago. In this episode we talk to Tim Burke, who documents his journeys through photography and we have a flashback to an interview with Graham Field, who is an avid daily diary keeper. Every Picture Tells a Story: Tim Burke Tim Burke is from Seattle, Washington and in April he quit his job, sold off his belongings and shipped his motorcycle to London to do a trip around Europe. At first, it was about the motorcycle adventure, but very quickly he grew to love photography and it became a large focus of the trip. His photographs have been featured in some motorcycle branding catalogues, magazines and social feeds. For Tim, photography on the road is a way of sharing his experiences with other people. He has some great tips on travelling on a motorcycle with photography equipment, and he also shares his story on how he got to where he is. www.fb.com/timburkephoto www.instagram.com/timburkephoto Graham Field - How he Documents His Life We decided to share part of this episode which ran in August, 2014 where Graham Field tells how he has kept track of his life, and he also reads some of his diary to us. He’s the author of three entertaining motorcycle adventure travel books and you can find them on his website at www.grahamfield.co.uk. Show Sponsors: Max BMW BestRest Products Green Chile Adventure Gear Motobriiz IMS Products PSSOR In Association With: The Good Adventure Company Music by Jason Shaw at www.audionautix.com

"You can follow those cubs all the way up through their life." See acast.com/privacy for privacy and opt-out information.

It's not always about perfection, as illustrated by Rod Stewart's mandolin-laced hit, "Every Picture Tells A Story". The title track from Stewart's classic album of same name, it's rocking without being loud, and everyone seems to be playing a little loose. A classic with charm and imperfection.  

SINCE THE FIRST EXPEDITION ARRIVED MORE THAN 15 YEARS AGO, CREW MEMBERS HAVE NOW TAKEN OVER 3 MILLION IMAGES ONBOARD THE INTERNATIONAL SPACE STATION.

In the Leadoff, we discuss the David Price deal and the MLB hot stove transaction season. In the Heart of the Order, we discuss our favorite album covers and album cover artists, including Mudhoney, Van Halen and The Outfield. Watch a full video version of this episode at RockChoo.com to see all of the album artwork as it's being described! In the Bullpen Session, we share music from Doug Sahm, a Tropicalia psychedelic compilation and Mark McGuire.

Talking Shop with Theresa and Bri: Every Picture Tells a Story with special guest Catherine Just. Your site needs great visuals – including a fab headshot.  Learn about photography for your site and how to get that perfect headshot with master photographer, Catherine Just! (Originally aired March 26, 2014)

Bill and Brian get together to discuss Rod Stewart's third in a series of five wonderful solo albums for Mercury records that he released early in his career, Every Picture Tells a Story (1971, Mercury). After working with the Jeff Beck Group and running concurrent to his output with the Faces, Stewart found success with the b-side "Maggie May." With a unique rock-and-roll-meets-folk-with-a-little-soul songwriting and production style, this album stands out. Brian and Bill discuss how they were able to move past their own prejudices toward Stewart, why more people don't discuss the importance of Rod's early solo career, why unique sounds and instrumentation sound so good, and a track by track review of the entire album!

Presented By The Sanctuary Staff Wives - Sunday May 10, 2015

Presented By The Sanctuary Staff Wives - Sunday May 10, 2015

Felipe y Diego hablan de Every Picture Tells a Story, de Rod Stewart: el icono británico se sacaba de la manga una colección de versiones y temas propios capaz de resumir la esencia de lo que serían sus mejores años, con "Maggie May" como tema estrella.

Message from Steve Evans on January 30, 2011

"A good photograph has an emotional component, the iconic photos hit you right away and they stay with you, and you just can't forget it." Razia Iqbal investigates the power of modern images and their ability to appeal to our imagination.

Ever thought failure was final?  Think again!  When one of Jesus' disciples turned back to his Lord after messing up, Jesus restored him to a position greater than he'd ever known.  Tune in to this week's message on Peter: a picture of restoration. 

During her struggle to survive when her world fell apart, Naomi defined herself, for a limited time, as a bitter person.  Listen in to discover some of the characteristics of bitterness and how the cross of Christ can change our perspective when we find ourselves developing a bitter outlook.  If you liked this podcast, please consider supporting us Visit us at http://www.aberdeencf.com 

More entries to the pile of back catalog coming up the pipe. Never Tell me The Odds first appeared in October of 2005 and sounds as fresh as the day it was born . . . 1. Make It - Aerosmith 2. So You Want To Be A Rock and Roll Star - The Byrds 3. Funky Ceili - Black 47 4. Hang On To A Dream - The Nice 5. Daily Nightly - The Monkees 6. Video Killed The Radio Star - The Buggles 7. The Great Deceiver - King Crimson 8. Every Picture Tells a Story - Rod Stewart 9. Heavy Metal Kids - Utopia 10. (New Wave) Polly - Nirvana 11. Talk To Ya Later - The Tubes 12. Teacher Teacher - Rockpile 13. Happy - Stabbing Westward 14. Wooden Ships - Crosby, Stills, Nash & Young 15. Big Bottom - Spinal Tap 16. (We Ain't Got) Nothin' Yet - The Blues Magoos 17. San Jacinto - Peter Gabriel 18. Babooshka (demo) - Kate Bush 19. Soon - Patrick Moraz