Podcast appearances and mentions of Jan Vogler

Wie kann man Millionen passive Hörer in den Konzertsaal führen? Mit dieser Frage setzt sich der Cellist und Intendant Jan Vogler tagtäglich auseinander. Auch darüber spricht er mit Grit Schulze.

Jan Vogler's distinguished career has brought him together with renowned conductors and internationally acclaimed orchestras around the world.In addition to his classical concert activities as a soloist, Jan is constantly looking for new ways to combine music with other arts. In February 2024, he gave a highly acclaimed concert with inaugural-poet Amanda Gorman, performing her contemporary poems with cello suites by J. S. Bach in the Isaac Stern Auditorium in Carnegie Hall. They appeared on the  ‘Late Night Show with Stephen Colbert' in March 2024. He has also collaborated with actor Bill Murray for their joint musical-literary project “Bill Murray, Jan Vogler & Friends – New Worlds”. Under the artistic direction of Jan Vogler and conductor Kent Nagano, Wagner's “Ring Tetralogy” will be performed in the artistic context of the period in which it was composed, based on the latest findings of research into Wagner and performance practice, and integrated into an extensive supporting program as part of the multi-year project “The Wagner Cycles” of the Dresdner Musikfestspiele from 2023 to 2026.“Die Walküre,” the second work in the epochal narrative will follow in 2024.Jan has recorded 20 Sony CDs. The most recent releases were with the cello concertos of Edouard Lalo and Enrique Casals in March 2023, The Dvorak Album in July 2022.Jan has been Intendant of the renowned Dresden Music Festival since October 2008 as well as Artistic Director of the Moritzburg Festival since 2001. In 2017 the Moritzburg Festival celebrated its 25th anniversary as one of the most established chamber music festivals internationally.In 2006, he received the European Award for Culture and in 2011 the Erich-Kästner Award for tolerance, humanity and international understanding. In June 2018 he received the European Award for Culture TAURUS as Director of the Dresden Music Festival. 2021 Jan Vogler was awarded the Order of Merit of the Federal Republic of Germany.

On this week's episode of ‘New Classical Tracks,' cellist Jan Vogler presents the world premiere recording of the Cello Concerto by Enrique Casals, as well as a more familiar one, on his latest album. Listen now!

Klassikstar Jan Vogler gehört international zu den gefragtesten Cellisten. Als Solist füllt der gebürtige Ost-Berliner Konzertsäle in aller Welt. Vor 15 Jahren übernahm Vogler die Intendanz der Dresdner Musikfestspiele. Der Ausnahmekünstler, der die meiste Zeit des Jahres in New York verbringt, sucht leidenschaftlich nach Wegen, klassische Musik mit anderen Kunstformen zu verbinden. Auf dem Roten Sofa spricht er über seine Karriere und verrät, warum das Cello zu seinem Instrument wurde und das Joggen für ihn unverzichtbar ist.

"Das Cello war ein Glückstreffer für mich", sagt Cellist Jan Vogler über seine Passion. Diese lebt er auch als Organisator der Dresdner Musikfestspiele aus. Wie gelingt ihm die Vermittlung zwischen Klassik und Moderne?

This story was written  by Megan Westberg and is read by the author. “I was, of course, like many people, struck by her eloquence, her incredible aura, and also by her poem,” says Vogler. “I started reading more of her poetry and also some articles she wrote, and then at some point, I thought, ‘Wouldn't she be the most fantastic contemporary answer in poetry to Bach's music?'”

Lebendiger Innovationsgeist, musikalische Dynamik und faszinierende Spielstätten prägen die einzigartige Atmosphäre des Moritzburg Festivals. Vor drei Jahrzehnten von Kai Vogler, Peter Bruns und Jan Vogler in Anlehnung an das berühmte „Marlboro Festival“  in den USA gegründet, versteht sich das Moritzburg Festival als experimentelles Labor und Exzellenzstätte zugleich. Unter der künstlerischen Leitung des Cellisten Jan Vogler hat es sich als eines der renommiertesten Kammermusikfestivals weltweit etabliert.

Romantiliste tšellokontsertide album

Auf seinem Cello spielt er Arien von Gluck und Hits von Michael Jackson. Alles das ist für ihn Popmusik. In einem Konzert von Dvorak steckt für ihn genauso viel Virtuosität wie in dem Arrangement eines Frank Sinatra-Songs. Im Gespräch erzählt Jan Vogler, wie er als Ost-Berliner Junge nach New York kam, was man als klassischer Musiker von Billie Eilish lernen kann und warum die Stimme von Fritz Wunderlich für ihn das Ideal eines Cellotons ist.

WQED-FM's Jim Cunningham chats with cellist Jan Vogler.   He's performed with Manfred Honeck and the Pittsburgh Symphony Orchestra at Heinz Hall  in the past, and he's thrilled to have them at the Dresden Music Festival.  Jan talks about his role as intendant of the Dresden Music Festival, his recent recordings, and growing up in East Berlin.      

durée : 01:58:25 - Le Bach du dimanche du dimanche 31 juillet 2022 - par : Corinne Schneider - Une émission spéciale pour fêter le 70e anniversaire du violoniste et chef d'orchestre allemand Reinhard Goebel, avec la Musica Antiqua Köln, les Berliner Barock Solisten, la Rheinische Kantorei et ses compagnons de route : Wilbert Hazelzet, Hendrik Bouman, Robert Hill, Andreas Staier, Jan Vogler… - réalisé par : Emmanuel Benito

Cellist Jan Vogler speaks about the magic of music festivals. As artistic and general director of the Dresden Music Festival, he shares how early memories of the Marlboro Music Festival are linked to special moments in his life, how he hopes to create an environment where ideas, culture and friendships are cultivated, as well as why concert programmers should look to the youth of today when exploring diversification of musical genres. The 45th Dresden Music Festival Magic takes place from 11 May until 10 June. More information can be found here. Jan's new album Pop Songs will be released 6 May on Sony Classical. Student discount! Get 50% off an online subscription! Check it out here: https://bit.ly/3eQ75AB Not a student? Get 20% off an online subscription with the code EASTER22 until 30 April: https://bit.ly/3kfCQVO   Air ‘When I am Laid in Earth (Dido's Lament)' From Dido and Aeneas Henry Purcell   ‘Der Hölle Rache kocht in meinem Herzen' From The Magic Flute K.620 Wolfgang Amadeus Mozart   Pop Songs Jan Vogler, cello, / BBC Philharmonic Orchestra / Omer Meir Wellber Sony Classical   Photo credit: Marco Grob

Olga Scheps was born in Moscow in 1986, the daughter of two pianists, and discovered the instrument for herself at the age of four. She began studying the piano more intensively after her family moved to Germany in 1992. At an early age she had already developed her own unique style of keyboard playing, which combines intense emotiveness and powerful expressivity with extraordinary pianistic technique. Among those who discovered these talents was Alfred Brendel, who has encouraged the young pianist. A holder of scholarships from the Deutsche Stiftung Musikleben and Studienstiftung des deutschen Volkes, she completed her studies with Professor Pavel Gililov in her adopted home of Cologne in 2013, passing her Concert Examination with Distinction. She rounded out her training with Professor Arie Vardi and Professor Dmitri Bashkirov.Besides the well-known works for piano Olga Scheps's repertory consists of compositions that are seldom heard in the concert hall, including the posthumous Études of Frédéric Chopin, Franz Liszt's Malédiction, Olivier Messiaen's Les Oiseaux exotiques, Antonín Dvořák's Piano Concerto, Arvo Pärt's „Lamentate“, and Mieczysław Weinberg's Piano Quintet. Her solo recitals are as popular with audiences all over the world as her acclaimed appearances as soloist with orchestra and her chamber projects.Such noted conductors as Thomas Dausgaard, Lorin Maazel, José Serebrier, Marcus Bosch, Ralf Weikert, Michel Tabachnik, Antoni Wit, Ivor Bolton, Cristian Mandeal, Christoph Altstaedt, Tugan Sokhiev, Simone Young, Markus Poschner and Pablo Heras-Casado have invited Olga Scheps to collaborate with them.Among the leading orchestras with which she has appeared in concert are the Orchestre Philharmonique de Monte-Carlo, the Warsaw Philharmonic Orchestra, the Mozarteum Orchester Salzburg, the Munich Symphony Orchestra, the Royal Scottish National Orchestra, the State Symphony Cappella of Russia (Moscow), the Staatskapelle Weimar, the Zurich Chamber Orchestra, the NDR Radiophilharmonie, the Orchestre National du Capitole de Toulouse, the Prague Philharmonia, the Israel Philharmonic Orchestra and the New Japan Philharmonic Orchestra.Olga Scheps now performs with great success in world-famous concert halls such as the Elbphilharmonie, the Berlin and Cologne Philharmonie, the Vienna Konzerthaus, the Cadogan Hall London, the Zurich Tonhalle, and the Suntory Hall Tokyo. She is a sought-after guest at festivals like the Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Kissinger Sommer, Heidelberger Frühling, Klavier-Festival Ruhr, Schleswig-Holstein Musik Festival, MDR Musiksommer, Lucerne Festival am Piano, ACHTBRÜCKEN Festival in Cologne, Mozart Festival Würzburg, Mersin Festival in Turkey, and Menuhin Festival Gstaad.A passionate chamber musician, she plays regularly with such artists as Alban Gerhardt, Daniel Hope, Adrian Brendel, Jan Vogler, Nils Mönkemeyer, the Danish String Quartet, the Danel Quartet and the Kuss Quartet, with which she recorded Mieczysław Weinberg's Piano Quintet.Since 2009 Olga Scheps has been an exclusive Sony Classical artist. Her debut album ‘Chopin' immediately won an ECHO Klassik award. The two recordings that followed, ‘Russian Album' (2010) and ‘Schubert' (2012), were also highly praised by the press. Her fourth Sony Classical CD was released early in 2014 and features Chopin's Piano Concertos nos. 1 and 2 with the Stuttgart Chamber Orchestra. The success of her solo-album ‘Vocalise', published in 2015, was surpassed by her latest album ‘Satie' which Olga Scheps has recorded on the occasion of the French composer's 150th birthday: It reached top 1 of the German classical music charts at first go. Her CD "Tchaikovsky" was released in October 2017 and she broke new ground with the album "100 % Scooter - Piano Only", on which she recorded arrangements of the most famous Scooter hits by Sven Helbig. In March 2019 Olga Scheps' album “Melody” was released, containing pieces spanning four centuries, from Bach to Aphex Twin. Her recording of the Weinberg Piano Quintet with the Kuss Quartet was released in late 2019. Olga Scheps is a Steinway Artist.FIND OLGA ON SOCIAL MEDIAFacebook | Instagram | Twitter | Twitch | YouTube================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://twitter.com/denofrichFacebook: https://www.facebook.com/denofrichYouTube: https://www.youtube.com/c/DenofRich

Welcome to another episode of the Art of the Frame podcast! This week, host Matt Jeppsen talks with cinematographer Mike Gomes & editor Jon Connor about "New Worlds: The Cradle of Civilization." "New Worlds: The Cradle of Civilization" is a program filmed in June 2018 at the Acropolis in Greece, that showcases the core of the American values in literature and music and featured monologues, singing, and plenty of comedy from Bill Murray while a talented trio of musicians backed him up. Directed by Andrew Muscato, the documentary features Vanessa Perez on the piano, Jan Vogler on cello, and violinist Mira Wang. The show blends Walt Whitman, George Gershwin, Van Morrison, Leonard Bernstein and Bach to name a few. Enjoy the episode! Liking the podcast? Leave a review on your favorite platform! We greatly appreciate your feedback :) The Art of the Frame podcast is available on Spotify, Apple Podcasts, Google Podcasts, Anchor and many more platforms. Make sure to subscribe so you don't miss future episodes --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/artofthecut/support

“World News Tonight” anchor David Muir discusses covering the pandemic in studio, his interview with President Joe Biden and the devastation in Madagascar caused by the climate crisis.  Then, Billy Murray looks back at his past projects, including “Groundhog Day” after 29 years and is joined by renowned cellist Jan Vogler to discuss teaming up for their film “New Worlds: The Cradle Of Civilization.” In Hot Topics, the co-hosts discuss Democrats disagreeing on the voting rights bill as they prepare to vote, and more.

A new film profiles a classical music and spoken tour featuring actor Bill Murray, cellist Jan Vogler and friends as they tour the world taking the show on the road.

Der Cellist und Intendant der Dresdner Musikfestspiele Jan Vogler sagt, warum sich das Streamen von Konzerten durchsetzen wird und warum die Künstler mehr Selbstbewusstsein entwickeln müssen, warum er in der Corona-Zeit mit dem Auto quer durch die USA gefahren ist, um Rachmaninow zu spielen, und warum die New Yorker Musikerszene familiärer ist als die Berlin, was er als Solocellist der Dresdner Staatskapelle fürs Leben gelernt hat und was er als Cellist noch vorhat.

durée : 00:02:42 - Musique connectée du lundi 24 août 2020 - par : Suzanne Gervais - Suzanne Gervais commence la saison avec l’initiative numérique d’un grand nom du violoncelle. Jan Vogler a inauguré ce week-end une nouvelle plateforme virtuelle payante : Dreamstage.

Jan Vogler from the University of Virginia analyzes the European Union as a polycentric governance system. He is particularly interested in the question of whether this institution with multiple layers of decision-making and a mix of shared and individual responsibilities of governments at different levels can effectively respond to the many challenges it faces today, from Brexit to the international refugee crisis.  Another topic discussed in the podcast is which factors determine citizens’ views of the EU’s central administrative institutions. Since the average EU citizen does not have a lot of exposure to the EU bureaucracy, Dr. Vogler suggests that their perceptions of how the EU’s bureaucracy performs are shaped by domestic experiences with comparable institutions, i.e. domestic local and central bureaucracies. To what extent does this phenomenon explain Euroscepticism and inform us about possible reforms that the EU may need? We also discuss multiple other topics, including the legacies of imperialism and colonialism with respect to the structure and functioning of public administration and differences between democracy in Europe and the United States. Another interesting aspect of Dr. Vogler's research that was not covered in the podcast is about the impact of the Black Death on democracy in Central Europe, which potentially answers some questions about the long-term impact of Covid-19 on politics and political institutions. Dr. Jan Vogler is a Postdoctoral Research Associate in the Political Economy of Good Government in the Woodrow Wilson Dept of Politics at the University of Virginia. Born and raised in Germany, he served in the German Federal Defense Forces and received his bachelor’s degree from the Free University of Berlin. He went on to earn a master’s degree in International Relations from the London School of Economics and Political Science, and a PhD from Duke University in Political Science with a specialization in Political Economy and Political Methodology.

Cellist Jan Vogler lebt abwechselnd in Dresden und New York. Außerdem ist er Intendant der Dresdner Musikfestspiele und leitet das Moritzburg Festival. Seine internationalen Kontakte kommen beiden Festivals zugute.

Grit Schulze ist mit dem Cellisten Jan Vogler im MDR KLASSIK-Gespräch, das die beiden noch vor dem Corona-Ausbruch geführt haben und hat dabei den Menschen und Musiker Jan Vogler getroffen.

Was bewegt die Künstlerinnen und Künstler in Zeiten von Corona? Im concerti Klassik-Daily blickt Moderator Holger Wemhoff ins Innere der Klassikszene und liefert in tagesaktuellen Interviews Einschätzungen und persönliche Geschichten der Stars. In Folge 18 berichtet Cellist Jan Vogler über die überraschend gelassene Stimmung in seiner Wahlheimat New York, verzerrte Berichterstattung in Deutschland, das Krisenmanagement Donald Trumps und sein künstlerisches Engagement während des Shutdowns.

Stell Dir vor ein CEO trifft einen Weltklassemusiker. Worüber sprechen die beiden? Haben Sie sich überhaupt etwas zu sagen? Und wenn ja: Was sind das für Themen, die sie bewegen? An denen sie sich vielleicht sogar reiben? Anfang November kam es bei der Otto Group zu einer Begegnung der besonderen Art: Konzern-Vorstandsvorsitzender Alexander Birken empfing den vielfach ausgezeichneten Cellisten Jan Vogler zum Gespräch. Beide verbindet neben der Liebe zur Musik ihr nachhaltiges gesellschaftliches Engagement. Wirtschaft im Dialog nennt sich ein außergewöhnliches Format, initiiert und organisiert vom Salonfestival – einer Privatinitiative, die den kulturellen und politischen Austausch im Stil eines klassischen Salongesprächs anbietet. Ein Format, das bereits in zwölf deutschen Städten angekommen ist und weiterhin wächst. In diesem Podcast kannst Du den angeregten Austausch von Alexander Birken und Jan Vogler noch einmal nachhören. Das Gespräch führt Dr. Ulrike Krause.

In this episode, I discuss with solo violinist Arnaud Sussmann.  He elaborates on the mindsets and strategies to adopt when working on sound quality, the importance of having a strong concept of phrasing and of bow distribution in musicality, the importance of creating fluency in his playing and how he achieves it, the importance of purpose in our practice, warming up during busy periods, the value of recording ourselves when we practice, and why he believes it's important to work hard. Nous avons aussi une discussion en francais!  Nous vous offrons un retour sur certains point abordés en anglais en ce qui a trait à la production du son et du phrasé, et une conversation sur l'importance de la curiosité dans la pratique et sur comment il aborde une œuvre nouvelle.   MORE ABOUT ARNAUD SUSSMAN: Website: http://arnaudsussmann.com/ YouTube channel: https://www.youtube.com/user/violinice Facebook: https://www.facebook.com/arnaudsussmannviolin/ Instagram: https://www.instagram.com/arnaudsussmann/ Boris Garlitsky: http://www.talentmusicmasters.it/boris-garlitsky   Winner of a 2009 Avery Fisher Career Grant, Arnaud Sussmann has distinguished himself with his unique sound, bravura and profound musicianship. Minnesota's Pioneer Press writes, “Sussmann has an old-school sound reminiscent of what you'll hear on vintage recordings by Jascha Heifetz or Fritz Kreisler, a rare combination of sweet and smooth that can hypnotize a listener. His clear tone [is] a thing of awe-inspiring beauty, his phrasing spellbinding.” A thrilling young musician capturing the attention of classical critics and audiences around the world, Arnaud Sussmann has appeared with the American Symphony Orchestra, Buffalo Philharmonic, New World Symphony, Pacific Symphony, Paris Chamber Orchestra, Jerusalem Symphony and the Vancouver Symphony Orchestra. Further solo appearances have included a tour of Israel and concerts at Lincoln Center's Alice Tully Hall, Dresden Music Festival in Germany and at the Phillips Collection in Washington, D.C. Mr. Sussmann has been presented in recital in Omaha on the Tuesday Musical Club series, New Orleans by the Friends of Music, Tel Aviv at the Museum of Art and at the Louvre Museum in Paris. He has also given concerts at the OK Mozart, Chamber Music Northwest and Moritzburg festivals and appears regularly at the Caramoor, Music@Menlo, La Jolla SummerFest, Seattle Chamber Music, Moab Music and Saratoga Springs Chamber Music festivals. Recent concerto appearances include performances with Maestro Valery Gergiev and the Mariinsky Orchestra at the White Nights Festival in St Petersburg, the Santa Rosa Symphony, the Albany Symphony, the Jacksonville Symphony and the Grand Rapids Symphony. This past season, chamber music performances included tours with the Chamber Music Society of Lincoln Center to Korea's LG Arts Center, Shanghai's Oriental Center and Hong Kong's Music Academy. Arnaud Sussmann has performed with many of today's leading artists including Itzhak Perlman, Menahem Pressler, Gary Hoffman, Shmuel Ashkenazi, Wu Han, David Finckel, Jan Vogler and members of the Emerson String Quartet. He has worked with conductors such as Cristian Macelaru, Marcelo Lehninger, Rune Bergmann and Leon Botstein. A dedicated chamber musician, he has been a member of the Chamber Music Society of Lincoln Center since 2006 and has regularly appeared with them in New York and on tour, including a recent concert at London's Wigmore Hall. A frequent recording artist, Arnaud Sussmann has released albums on Deutsche Grammophon's DG Concert Series, Naxos, Albany Records and CMS Studio Recordings labels. His solo debut disc, featuring three Brahms Violin Sonatas with pianist Orion Weiss, was released in December 2014 on the Telos Music Label. He has been featured on multiple PBS' Live from Lincoln Center broadcasts alongside Itzhak Perlman and the Perlman Music Program and with musicians of the Chamber Music Society of Lincoln Center. Born in Strasbourg, France and based now in New York City, Arnaud Sussmann trained at the Conservatoire de Paris and the Juilliard School with Boris Garlitsky and Itzhak Perlman. Winner of several international competitions, including the Andrea Postacchini of Italy and Vatelot/Rampal of France, he was named a Starling Fellow in 2006, an honor which allowed him to be Mr. Perlman's teaching assistant for two years. Mr. Sussmann now teaches at Stony Brook University on Long Island and was recently named Co-Artistic Director of Music@Menlo's International Music Program.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

Jan Vogler, künstlerischer Leiter des Moritzburg Festivals, erzählt über die Faszination der Kammermusik, die Generationen zusammenbringt. Dabei beschreibt er das Festival als ein Ort der ganz besonderen Emotionen.

Jan Vogler zeigt den großen Bogen der Dresdner Musikfestspiele 2019 von Alter Musik aus Syrien über internationale Spitzenorchester, Künstlergespräche und Klangexperimente bis zum besonderen Stargast, Mr. Eric Clapton.

Actor Bill Murray (Lost in Translation, Rushmore) discusses how his music and poetry album New Worlds evolved out of a chance meeting with classical cellist Jan Vogler on a flight from Berlin to NYC. Plus, Bill Murray shares his philosophy of life, his favorite American humorists, and his thoughts on being an internet folk hero. New Worlds is available on iTunes, Amazon, Spotify, or wherever you buy music.  Please subscribe to Kickass News on Apple Podcasts and visit www.kickassnews.com for more fun stuff.

We are talking about the things we love this week on the Second Take Variety Hour!Like us and continue the discussion on Facebook, Twitter, our Website,OR consider giving to our Patreon,AND, find all of our sister podcasts at www.thatsnotcanonproductions.comLike us and continue the discussion on Facebook, Twitter, our Website,OR consider giving to our Patreon,AND, find all of our sister podcasts at www.thatsnotcanonproductions.com

Am Wochenende hat das Moritzburgfestival begonnen, eines der renommiertesten Kammermusikfestivals in Deutschland. Wir haben mit dem Leiter Jan Vogler gesprochen – u.a. darüber, warum er das Wort Kammermusik nicht so mag.

Le lavage de la semaine avec Caroline Codsi et Paul Journet ; Entrevue avec le pianiste Chilly Gonzales : Son prochain album, Piano solo III ; Causes de l'épuisement professionnel : Entrevue ; Culture avec Pascale Lévesque et Frédéric Lambert : École nationale de l'humour ; Cinéma avec Helen Faradji et Georges Privet : «La chute de Sparte» ; Musique avec Frédéric Lambert : Double concertos par Jan Vogler et Mira Wang ; Vins avec Élyse Lambert : Suggestion de rouge ; Vidéo de la semaine avec Helen Faradji : Marguerite Yourcenar et le conformisme ; Cinéma avec Georges Privet : Les fantômes d'Ismaël, d'Arnaud Desplechin ; Culture populaire avec Pascale Lévesque : Le groupe de K-Pop BTS no1 sur Billboard ; Vins avec Élyse Lambert : Suggestion de cidre mousseux ; À voir sur le web avec Helen Faradji : La websérie Sylvain le magnifique ; Cinéma avec Georges Privet : The Seagull, de Michael Mayer ; Musique avec Frédéric Lambert : L'ensemble Oktoecho et leur album Saiman

Le lavage de la semaine avec Caroline Codsi et Paul Journet ; Entrevue avec le pianiste Chilly Gonzales : Son prochain album, Piano solo III ; Causes de l'épuisement professionnel : Entrevue ; Culture avec Pascale Lévesque et Frédéric Lambert : École nationale de l'humour ; Cinéma avec Helen Faradji et Georges Privet : «La chute de Sparte» ; Musique avec Frédéric Lambert : Double concertos par Jan Vogler et Mira Wang ; Vins avec Élyse Lambert : Suggestion de rouge ; Vidéo de la semaine avec Helen Faradji : Marguerite Yourcenar et le conformisme ; Cinéma avec Georges Privet : Les fantômes d'Ismaël, d'Arnaud Desplechin ; Culture populaire avec Pascale Lévesque : Le groupe de K-Pop BTS no1 sur Billboard ; Vins avec Élyse Lambert : Suggestion de cidre mousseux ; À voir sur le web avec Helen Faradji : La websérie Sylvain le magnifique ; Cinéma avec Georges Privet : The Seagull, de Michael Mayer ; Musique avec Frédéric Lambert : L'ensemble Oktoecho et leur album Saiman

This week on the show, Guinness World Records are broken, Jan Vogler engages on Twitter and is the Ghostbusters music video canon? First up, the latest in news including a follow-up on last week's conversation about the 800 number at the time of the original film's release, Rick Moranis joining the SCTV reunion in Toronto, a group of fans breaking world records at a marathon in London, Forbes magazine talking about Real Ghostbusters Playmobil toys, Terminal Reality back in the news after shutting down back in 2013, and more. Then, in the second half of the show, we discuss a topic presented to us: given that the Ghostbusters theme song appears in Ghostbusters II, does that mean the music video from 1984 is canon? Stay tuned!

The guest on this episode of The Paul Leslie Hour, is Vanessa Perez, a classical pianist, performing and recording artist, born in the United States, but raised in Venezuela. Perez has released critically acclaimed records and performed internationally. In this interview, she takes us into her world, a life of passion and art. Recently, Vanessa Perez has embarked on a new live performance project called “New Worlds” with German cellist Jan Vogler, Chinese violinist Mira Wang and American actor Bill Murray. New Worlds features recitations of classic American poetry and literature concurrent with performance of musical pieces. The debut "New Worlds" studio album just dropped. We hope you enjoy this inside look on The Paul Leslie Hour. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

We want you to meet a cellist named Jan Vogler, his classical music foundation, infectious passion and ability at his instrument are some of the reasons he is seen and heard performing with the most celebrated conductors and orchestras around the world. In addition to performing the cello in concert, the German born Jan Vogler is fruitful as a recording artist on SONY records, with many releases and more to come. Classical music can be blended with other performing arts such as acting, dance and even spoken word poetry. Along with Chinese violinist Mira Wang, Venezuelan pianist Vanessa Perez, American actor Bill Murray and our special guest Jan Vogler have presented a live performance called New Worlds. It's an evening of music and literature featuring Bill Murray as singer and narrator performing American songs from Stephen Foster to Gershwin along with recitations of classic American poetry and literature. Support The Paul Leslie Hour by donating to their Tip Jar: https://tips.pinecast.com/jar/the-paul-leslie-hour

Actor Bill Murray (Lost in Translation, Rushmore) & classical cellist Jan Vogler discuss how their album New Worlds evolved out of a chance meeting on a flight from Berlin to NYC and a mutual love of music and poetry.  Plus, Bill Murray shares his philosophy of life, his favorite American humorists, and his thoughts on being an internet folk hero. New Worlds is available on iTunes, Amazon, Spotify, or wherever you buy music.  Bill and Jan's concert tour begins Friday, October 6 in Santa Barbara and includes dates in Chicago (10/10), Buffalo (10/11). Toronto (10/13), New York (10/16), Portland (11/28), Seattle (11/29), San Francisco (12/8), and Denver (12/10).  For dates and tickets, visit www.janvogler.com.   Today’s episode is sponsored by Nadex.  Please subscribe to Kickass News on Apple Podcasts and take our annual listener survey at www.podsurvey.com/KICK.  Visit www.kickassnews.com for more fun stuff.

The Hollywood actor and cellist Jan Vogler discuss their new classical album.

Die am 18. Mai beginnenden 40. Dresdner Musikfestspiele stehen unter dem Motto "Licht". Sylvia Schreiber sprach mit dem Intendanten Jan Vogler unter anderem über die vielen Facetten des Lichts: in der Musik, aber auch in der Gesellschaft und der Demokratie.

TIME is the overriding motto for the 2016 DRESDEN FESTIVAL. Music can play with time in so many interesting ways, music can even suspend time creating frozen moments, moments of stasis where time ceases to exist – and in the words of festival director Jan Vogler “A good concert always provides us with a magical … [Read More]

Cellist Jan Vogler on the relationship he has with his cello, what music tells us about the world in which we live, and his new Tchaikovsky recording.

Dec. 12, 2014. Legendary violinist and teacher Roman Totenberg is celebrated with this evening of chamber music that features one of his former students, Mira Wang, with chamber music partners Jan Vogler and Antti Siirala. The program included Beethoven, Sonata for cello and piano in D major, op. 102/2; Harbison, Fantasy Duo for violin and piano; and Tchaikovsky, Piano Trio in A minor, op. 50. Speaker Biography: First prize-winner at the Geneva International Competition, Mira Wang has appeared as a soloist with leading orchestras, from the Staatskapelle Dresden to the Singapore Symphony. Speaker Biography: Jan Vogler's modern representation of the German cello tradition has been recognized with numerous awards, including the European Cultural Prize and the Echo Klassik Award. Speaker Biography: Antti Siirala is one of Finland's top pianists and winner of first prizes at three international piano competitions, including the Leeds. He has appeared at Wigmore Hall, the Concertgebouw and the Lucerne Festival. For more information, visit http://www.loc.gov/today/cyberlc/feature_wdesc.php?rec=6868

The 36th Dresden Music Festival has a big title and even bigger ambitions – EMPIRE – a theme which Artistic Director Jan Vogler hopes will embrace not just the cultural achievements of the British Empire but the broader implications of the word. The Brits are coming for sure with a range of music stretching from … [Read More]

VIDEO: Jan Vogler Plays from Bach's Suite No. 3 Jan Vogler is often identified as a German cellist but in many ways, he’s a quintessential New Yorker: he lives on the Upper West Side with his wife and two daughters, enjoys jogging in Central Park and biking along the West Side Highway, and speaks impeccable English in an enthusiastic, rapid patter. He married his wife, the violinist Mira Wang, downtown at City Hall. Vogler, 48, has also infiltrated the city’s classical music institutions since moving here in 1997. Last year, he released his third album with Brooklyn chamber orchestra The Knights, featuring Beethoven's Triple Concerto. He is a frequent soloist with the New York Philharmonic, having made his breakthrough recording of the Dvorak Cello Concerto with the ensemble in 2005. He is to appear with the orchestra again in Bloch’s Schelomo on Feb. 21-22. But Vogler is also of a generation of musicians trained in the isolation of the former East Germany, a place that “felt very small," as he explained. Born in Dresden, Vogler was the son of a respected cello teacher whose students included Western diplomats who would cross into East Germany for lessons. Some would smuggle in CDs, tapes and books by Western artists. “My father had the best library you can imagine in East Germany – all the American authors, all the French authors,” Vogler recalled. "We felt the world was very great and very big. But we were captured in a rather small space. I was always dreaming of speaking many languages and traveling the world.” He continued: “We had to be careful. We grew up in two worlds. At home we were in a very liberal and open household. [But] we were trained very early, when you leave the house you’re in a different world.” After fall of the Berlin Wall in 1989, Vogler spent several summers at the Marlboro Music School and Festival in Vermont, that ultra-American training institution where he met Wang. They began performing together, and recorded a 1999 album of cello and piano duos (the cover photo shows them posing on the Brooklyn Bridge). Around the same period of the late '90s, Vogler recorded two of Bach's cello suites, on a CD with three suites by Max Reger. But only recently did he begin performing all of Bach’s landmark suites in public. “It took me a long time to decide to play in concert all six," he said. "I did this last summer and I discovered first how thrilling it is for the performer. But also it seemed not boring for the audience.” Part of the impetus for tackling the complete Bach suites was a new cello: a Stradivarius called the "Ex Castelbarco/Fau," which Vogler acquired last spring on a long-term loan. A recording of the suites is due out in March. In the meantime, he performed three movements from the Suite No. 3 in C Major in the WQXR Café. What does the Stradivarius bring to the equation? “The clarity, the articulation and just the maturity of the Strad,” he said. “I don’t know what it exactly it is. It was just working.” Video: Amy Pearl; Sound: Edward Haber; Text & Production: Brian Wise