Podcasts about schulhoff

Wie klingt sie, die neue Sachlichkeit? Ein Kammer-Ensemble des Nationaltheaters Mannheim versetzt sein Publikum musikalisch zurück in die 1920er_Jahre mit Hindemith, Schreker und Schulhoff.

Guest: Sander Schulhoff, CEO and Co-Founder, Learn Prompting [@learnprompting]On LinkedIn | https://www.linkedin.com/in/sander-schulhoff/____________________________Host: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinView This Show's Sponsors___________________________Episode NotesIn this episode of Redefining CyberSecurity, host Sean Martin engages with Sander Schulhoff, CEO and Co-Founder of Learn Prompting and a researcher at the University of Maryland. The discussion focuses on the critical intersection of artificial intelligence (AI) and cybersecurity, particularly the role of prompt engineering in the evolving AI landscape. Schulhoff's extensive work in natural language processing (NLP) and deep reinforcement learning provides a robust foundation for this insightful conversation.Prompt engineering, a vital part of AI research and development, involves creating effective input prompts that guide AI models to produce desired outputs. Schulhoff explains that the diversity of prompt techniques is vast and includes methods like the chain of thought, which helps AI articulate its reasoning steps to solve complex problems. However, the conversation highlights that there are significant security concerns that accompany these techniques.One such concern is the vulnerability of systems when they integrate user-generated prompts with AI models, especially those prompts that can execute code or interact with external databases. Security flaws can arise when these systems are not adequately sandboxed or otherwise protected, as demonstrated by Schulhoff through real-world examples like MathGPT, a tool that was exploited to run arbitrary code by injecting malicious prompts into the AI's input.Schulhoff's insights into the AI Village at DEF CON underline the community's nascent but growing focus on AI security. He notes an intriguing pattern: many participants in AI-specific red teaming events were beginners, which suggests a gap in traditional red teamer familiarity with AI systems. This gap necessitates targeted education and training, something Schulhoff is actively pursuing through initiatives at Learn Prompting.The discussion also covers the importance of studying and understanding the potential risks posed by AI models in business applications. With AI increasingly integrated into various sectors, including security, the stakes for anticipating and mitigating risks are high. Schulhoff mentions that his team is working on Hack A Prompt, a global prompt injection competition aimed at crowdsourcing diverse attack strategies. This initiative not only helps model developers understand potential vulnerabilities but also furthers the collective knowledge base necessary for building more secure AI systems.As AI continues to intersect with various business processes and applications, the role of security becomes paramount. This episode underscores the need for collaboration between prompt engineers, security professionals, and organizations at large to ensure that AI advancements are accompanied by robust, proactive security measures. By fostering awareness and education, and through collaborative competitions like Hack A Prompt, the community can better prepare for the multifaceted challenges that AI security presents.Top Questions AddressedWhat are the key security concerns associated with prompt engineering?How can organizations ensure the security of AI systems that integrate user-generated prompts?What steps can be taken to bridge the knowledge gap in AI security among traditional security professionals?___________________________SponsorsImperva: https://itspm.ag/imperva277117988LevelBlue: https://itspm.ag/attcybersecurity-3jdk3___________________________Watch this and other videos on ITSPmagazine's YouTube ChannelRedefining CyberSecurity Podcast with Sean Martin, CISSP playlist:

Guest: Sander Schulhoff, CEO and Co-Founder, Learn Prompting [@learnprompting]On LinkedIn | https://www.linkedin.com/in/sander-schulhoff/____________________________Host: Sean Martin, Co-Founder at ITSPmagazine [@ITSPmagazine] and Host of Redefining CyberSecurity Podcast [@RedefiningCyber]On ITSPmagazine | https://www.itspmagazine.com/sean-martinView This Show's Sponsors___________________________Episode NotesIn this episode of Redefining CyberSecurity, host Sean Martin engages with Sander Schulhoff, CEO and Co-Founder of Learn Prompting and a researcher at the University of Maryland. The discussion focuses on the critical intersection of artificial intelligence (AI) and cybersecurity, particularly the role of prompt engineering in the evolving AI landscape. Schulhoff's extensive work in natural language processing (NLP) and deep reinforcement learning provides a robust foundation for this insightful conversation.Prompt engineering, a vital part of AI research and development, involves creating effective input prompts that guide AI models to produce desired outputs. Schulhoff explains that the diversity of prompt techniques is vast and includes methods like the chain of thought, which helps AI articulate its reasoning steps to solve complex problems. However, the conversation highlights that there are significant security concerns that accompany these techniques.One such concern is the vulnerability of systems when they integrate user-generated prompts with AI models, especially those prompts that can execute code or interact with external databases. Security flaws can arise when these systems are not adequately sandboxed or otherwise protected, as demonstrated by Schulhoff through real-world examples like MathGPT, a tool that was exploited to run arbitrary code by injecting malicious prompts into the AI's input.Schulhoff's insights into the AI Village at DEF CON underline the community's nascent but growing focus on AI security. He notes an intriguing pattern: many participants in AI-specific red teaming events were beginners, which suggests a gap in traditional red teamer familiarity with AI systems. This gap necessitates targeted education and training, something Schulhoff is actively pursuing through initiatives at Learn Prompting.The discussion also covers the importance of studying and understanding the potential risks posed by AI models in business applications. With AI increasingly integrated into various sectors, including security, the stakes for anticipating and mitigating risks are high. Schulhoff mentions that his team is working on Hack A Prompt, a global prompt injection competition aimed at crowdsourcing diverse attack strategies. This initiative not only helps model developers understand potential vulnerabilities but also furthers the collective knowledge base necessary for building more secure AI systems.As AI continues to intersect with various business processes and applications, the role of security becomes paramount. This episode underscores the need for collaboration between prompt engineers, security professionals, and organizations at large to ensure that AI advancements are accompanied by robust, proactive security measures. By fostering awareness and education, and through collaborative competitions like Hack A Prompt, the community can better prepare for the multifaceted challenges that AI security presents.Top Questions AddressedWhat are the key security concerns associated with prompt engineering?How can organizations ensure the security of AI systems that integrate user-generated prompts?What steps can be taken to bridge the knowledge gap in AI security among traditional security professionals?___________________________SponsorsImperva: https://itspm.ag/imperva277117988LevelBlue: https://itspm.ag/attcybersecurity-3jdk3___________________________Watch this and other videos on ITSPmagazine's YouTube ChannelRedefining CyberSecurity Podcast with Sean Martin, CISSP playlist:

Nathan welcomes back Sander Schulhoff, creator of LearnPrompting.org, to discuss the recently released Prompt Report. In this episode of The Cognitive Revolution, we explore the current state of prompting techniques for large language models, covering best practices, challenges, and emerging trends in AI. Join us for an in-depth conversation on the future of prompt engineering and its implications for AI development. Apply to join over 400 founders and execs in the Turpentine Network: https://hmplogxqz0y.typeform.com/to/JCkphVqj RECOMMENDED PODCAST: Byrne Hobart, the writer of The Diff, is revered in Silicon Valley. You can get an hour with him each week. See for yourself how his thinking can upgrade yours. Spotify: https://open.spotify.com/show/6rANlV54GCARLgMOtpkzKt Apple: https://podcasts.apple.com/us/podcast/the-riff-with-byrne-hobart-and-erik-torenberg/id1716646486 SPONSORS: Oracle Cloud Infrastructure (OCI) is a single platform for your infrastructure, database, application development, and AI needs. OCI has four to eight times the bandwidth of other clouds; offers one consistent price, and nobody does data better than Oracle. If you want to do more and spend less, take a free test drive of OCI at https://oracle.com/cognitive The Brave search API can be used to assemble a data set to train your AI models and help with retrieval augmentation at the time of inference. All while remaining affordable with developer first pricing, integrating the Brave search API into your workflow translates to more ethical data sourcing and more human representative data sets. Try the Brave search API for free for up to 2000 queries per month at https://bit.ly/BraveTCR Omneky is an omnichannel creative generation platform that lets you launch hundreds of thousands of ad iterations that actually work customized across all platforms, with a click of a button. Omneky combines generative AI and real-time advertising data. Mention "Cog Rev" for 10% off https://www.omneky.com/ Head to Squad to access global engineering without the headache and at a fraction of the cost: head to https://choosesquad.com/ and mention “Turpentine” to skip the waitlist. CHAPTERS: (00:00:00) About the Show (00:02:35) Sander Schulhoff, Learn Prompting (00:05:22) Hack-a-Prompt updates (00:12:39) The team behind the report (00:18:40) Sponsors: Oracle | Brave (00:20:48) The tech side of things (Part 2) (00:22:24) The taxonomy (00:25:06) Diamonds in the rough (00:28:32) Few-shot prompting design decisions (00:34:01) Sponsors: Omneky | Squad (00:35:48) Example vs. Exemplar (00:38:24) Exemplar Format (00:42:04) Elaborate Instructions (00:44:22) Variation in Performance (00:46:46) Prompt Robustness (00:50:54) RLHF vs. Base Models (00:52:42) How to improve your prompts (00:55:22) Ensembling (00:58:41) Bootstrapping into fine-tuning (01:02:04) Multimodal (01:07:41) Agents (01:09:47) Automated prompt engineering (01:12:35) Productizing learn prompting (01:14:28) Lessons from leading a team (01:16:00) Outro

Die Verwendung von Volksweisen als Inspiration für eine Moderne nach dem hypertrophen Wagner-Gewaber des 19. Jahrhunderts - das ist das Thema dieser CD, die vom Klenke Quartett hinreißend temperamentvoll, elegant und farbenreich musiziert wird.

Die vier Musikerinnen des Klenke Quartetts haben sich den Ruf eines der führenden deutschen Streichquartette erspielt, unterhalten eine eigene Konzertreihe in Weimar und haben eine vielfach ausgezeichnete Diskografie vorgelegt, in deren Zentrum Mozart und Schubert stehen. Das aktuelle Album vereint Werke von Ravel, Schulhoff und Erkin.

Das nennt man Komponieren mit einem grünen Daumen: Für die Komponistin Sophia Jani sind Pflanzen eine wichtige Inspirationsquelle. Ihr eleganter und minimalistischer Stil macht sie zu einer Vertreterin der neuen klassischen Musik, die sich sehr für Form und Struktur interessiert. Ausserdem im Musikmagazin: (01:25) Aktuell: Vollbesetzte Opernhäuser - was Wien richtig macht. Und das Musiktalent mit der ESC-Krone Nemo singt mit dem Sinfonieorchester Biel-Solothurn. (09:25) Kaffee mit: Warum Musikstücke ähnliche Bedürfnisse einer Pflanze haben und warum der Kompositionsprozess etwas vom Gärtnern hat, das erzählt Sophia Jani im Gespräch. (28:35) Neuerscheinungen: «Boléro«, der Film über den Komponisten Maurice Ravel kommt in die Schweizer Kinos. Und die Konzertmeisterin des Sinfonieorchesters Basel, Friederike Starkloff, hat ein Album aufgenommen mit Sonaten von Debussy, Antheil und Schulhoff. Es heisst «Traum und Trauma» und erscheint beim Label Genuin Classics. (51:50) Swiss Corner: Das Festival LiedBasel geht in die fünfte Runde. Mit einem Programm vom Rezital bis zum Kabarett-Abend.

This episode has everything that takes T&G back in time, as elder millennials do when watching an episode of SVU from 2005…    Carrigan Crittenden, the DEEP 15 year old feelings feelings for boys with bowl cuts in Jncos, Foxfire, junior high stick and poke tattoos, Iago from Aladdin, the Brice is Right, teen periods (ugh), even Tasha's Oh shoutout is a throwback…   It's a 90s festival of fun on SVU POD, kids! But also, terrible terrible crimes.    Recap 0:40 True Crime Chaser 51:15   Patreon   Recap 2:29 True Crime Chaser 1:01:54   *TW: Statutory rape, murder, alcoholism, child abuse   Rate and review!  Email: svupod@gmail.com! Mail: P.O. Box 176 Deforest, WI 53532 Social Media: @svupod! Merch: ,   Facebook Group: SVU POD Elite Squad FB Group Chat: Walk and Talk Offshoot Facebook Group: Single Tomato Book Club #littlebitloud for Indie pods! Patreon: Voicemail:  +1 (920) 345-7005   Thank you to our Dedicated Detective Patrons:   Nikki M, Sophia C, Rachel S, Gloria B, Claire P, Angela D, Kelsey M, Kayla R, Sydney, Sarah H, Samantha, Heather S, Jenny M, Dana R, Shannon C, Natalie H, Akilah S, Cari, Katie M, Brittany W, Em, MaryJack, Susan C, and Victoria B     And to our Elite Squad Patrons:   Marisa M, Elke H, Tricia S, Emily T, Katarina G, Mary D, Joshua H, LEM, Eliza W, Nikki B, Kaylan B, Melanie G, Andrew, Miranda B, Lauren T, Katie A, Kate H, Vanessa, Lex, Shelby K,Bonita R, Maren, Courtney W, Ursula, Kate P, Jessica S, Danielle W, Jana M, Tammi J, Bear, Sam D, Nisha G, Neida M, MAC, Meg M, Casey, Abby W, Alexis J, Caitlyn S, Kristina D, Camille Z, Maggie D, Cyn, Jessica P, Zahn and Jay, Madison H, Emily O, Victoria, Scout G, Melissa M, Desiree R, Lexie Y, Drew B, Monica K, Katy S, Brenna T, Andrea M, Tash, Jenna, Al H, Andrea H, Nicky R, Aunt Sarah, Katie H, Vern, Katherine B, Aryanna, Madeline K, Mallory J, Kristin F, Samara B, DimSim, Alice D, Amanda P, Mahalia S, Jules K and Kimberly L

durée : 01:58:36 - Best of : Cyrille Dubois ; Leonkoro Quartet ; Giovanni Bertolazzi ; Carte blanche à Lucile Richardot - par : Clément Rochefort - Troisième "best of" de cette saison : Fauré par Cyrille Dubois, ténor, & Tristan Raës, piano ; Schulhoff par le Leonkoro Quartet ; Liszt par Giovanni Bertolazzi, piano ; Carte blanche à la mezzo Lucile Richardot, avec Philippe Grisvard, clavecin, Stéphanie Petibon, luth, Anne de Fornel, piano - réalisé par : Claire Lagarde

In this episode, Nathan sits down with Sander Schulhoff, Cofounder and CEO of Learnprompting.org. They discuss the business model, the keys to prompting that every user of language models should know, negative prompting, prompt hacking, and more. If you need an ecommerce platform, check out our sponsor Shopify: https://shopify.com/cognitive for a $1/month trial period. We're hiring across the board at Turpentine and for Erik's personal team on other projects he's incubating. He's hiring a Chief of Staff, EA, Head of Special Projects, Investment Associate, and more. For a list of JDs, check out: eriktorenberg.com. -- LINKS: - Learnprompting.org: https://learnprompting.org/ - Learnprompting.org Prompt Hacking: https://learnprompting.org/docs/category/-prompt-hacking - Ignore This Title and Hackaprompt: https://arxiv.org/abs/2311.16119 SPONSORS: The Brave search API can be used to assemble a data set to train your AI models and help with retrieval augmentation at the time of inference. All while remaining affordable with developer first pricing, integrating the Brave search API into your workflow translates to more ethical data sourcing and more human representative data sets. Try the Brave search API for free for up to 2000 queries per month at https://brave.com/api Shopify is the global commerce platform that helps you sell at every stage of your business. Shopify powers 10% of ALL eCommerce in the US. And Shopify's the global force behind Allbirds, Rothy's, and Brooklinen, and 1,000,000s of other entrepreneurs across 175 countries.From their all-in-one e-commerce platform, to their in-person POS system – wherever and whatever you're selling, Shopify's got you covered. With free Shopify Magic, sell more with less effort by whipping up captivating content that converts – from blog posts to product descriptions using AI. Sign up for $1/month trial period: https://shopify.com/cognitive Omneky is an omnichannel creative generation platform that lets you launch hundreds of thousands of ad iterations that actually work customized across all platforms, with a click of a button. Omneky combines generative AI and real-time advertising data. Mention "Cog Rev" for 10% off www.omneky.com NetSuite has 25 years of providing financial software for all your business needs. More than 36,000 businesses have already upgraded to NetSuite by Oracle, gaining visibility and control over their financials, inventory, HR, eCommerce, and more. If you're looking for an ERP platform ✅ head to NetSuite: http://netsuite.com/cognitive and download your own customized KPI checklist. X/SOCIALS: @labenz (Nathan) @SanderSchulhoff @learnprompting @CogRev_Podcast TIMESTAMPS: (04:50) What is Learnprompting.org (06:30) Learnprompting.org's adoption stats and the transition from open source to a business (10:21) Are we done with prompt engineering or is there more to be discovered? The key 2-3 things every user of GPT should know (19:11) The format trick (21:32) Role casting / persona prompting (24:44) Does the level of vocabulary you bring to a LM impact its performance  (26:10) Contrastive chain of thought (28:30) Language models responding well to negative instructions (32:29) Benchmarking techniques (34:00) Answer engineering (37:29) Debugging a prompt  (41:13) Sander's favourite models today Best practices for image prompting - maybe cut out (48:50) Productivity improvement with language models (51:25) Tips for coding with prompts (56:06) The current state of prompt engineering and how it'll evolve  (58:30) 2024 will be the year of agents and Sander's favourite agents (59:57) How will agents impact the future of prompt engineering  (1:04:10) How to start agent engineering (Adversarial attacks  (1:19:40) Model to model hijacking (1:25:24) Chinese character attack  (1:28:33) Taxonomy of attacks

durée : 01:33:59 - Relax ! du lundi 15 janvier 2024 - par : Lionel Esparza - Lionel Esparza, vous propose un heureux fourre-tout de découvertes glanées au fil de son week-end. - réalisé par : Antoine Courtin

REFERENCE RECORDINGS® proudly presents Tchaikovsky's Symphony No. 5, in a significant new interpretation from conductor Manfred Honeck and the Pittsburgh Symphony Orchestra. It is coupled with Erwin Schulhoff's Five Pieces, newly arranged for large orchestra by Manfred Honeck and Tomáš Ille. This album was recorded live in 2022 in the beautiful and historic Heinz Hall, home of the Pittsburgh Symphony Orchestra, in superb audiophile sound.Track ListingPyotr Ilyich TchaikovskySymphony No. 5 I. Andante – Allegro con anima (14:09) II. Andante cantabile, con alcuna licenza (13:22) III. Allegro moderato (5:38) IV. Finale: Andante maestoso – Allegro vivace (12:11) Erwin SchulhoffFive Pieces for String Quartet (arr. Honeck/Ille) I. Alla Valse Viennese: Allegro (2:01) II. Alla Serenata: Allegro con moto (3:57) III. Alla Czeca: Molto allegro (1:38) IV. Alla Tango Milonga: Andante (4:43) V. Alla Tarantella: Prestissimo con fuoco (2:45) @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Wenn man ins Jahr 1923 zurückblickt, dann erinnert einiges frappierend an die Gegenwart. Auch die Musik, die 1923 entstand, verrät die allgemeine Verunsicherung – und trumpft doch mit vielen neuen Ideen auf. Das 2007 gegründete Schumann Quartett spielt auf seinem neuen, bei Berlin Classics erschienenen Album Musik von Schulhoff, Copland, Hindemith und Janáček, die auch ein politisches Statement abgibt. Für SWR2-Musikkritikerin Susanne Stähr „eine hellsichtige und brandaktuelle CD, die tiefen Ernst und bissigen Scherz gekonnt vereint“.

Podcast Page: https://howtotalkto.aiHTTTA Newsletter: https://httta.substack.com/Our intrepid hosts had the pleasure of interviewing Sander Schulhoff, one of the founders of LearnPrompting.org, an open-source website where 800,000 people learn about prompt engineering and how to talk to AI. He started the project as an English class assignment in December 2022, and it has now grown to include a 35,000-person Discord and nearly a million users. Sander shared his methods for prompting and testing out different techniques and has invented two unique prompt injection techniques himself.The Hack A Prompt competition is launching on May 5th with $40,000 in prizes. Participants will attempt to trick AI by deploying different prompt engineering techniques. Prompt hacking is a way to trick AI platforms like chatbots by giving them instructions that could lead them to do something malicious. This competition serves as a way to help the research community understand the spectrum of attacks and suggest defenses to keep models from producing malicious completions. Companies are interested in preventing this with Preamble and OpenAI leading the charge.Learn Prompting's approach to AI education is differentiated by its interactive lessons which allow students to test out their prompts and modify them to see what output it produces, as well as its effort to make content more legible for non-technical audiences. Python is the most popular language used in language model development and AI development due to its simplicity and legibility. There is a global community translating the LearnPrompting course into multiple languages, with 9 and counting.Programming skills can be helpful, but not always necessary however to start an AI journey. Sander explains their certification exam, which covers the fundamentals of prompt engineering like creating images and analyzing text to answer questions like tracking people and solving bank robberies. Find Sander at learnprompting.org and their Discord https://discord.gg/learn-promptingHappy Prompting Everybody!MidJourney Master Reference Guide: bit.ly/3obnUNUChatGPT Master Reference Guide: bit.ly/3obo7AGStanford 2023 AI Index Report: https://aiindex.stanford.edu/report/Learn Prompting: https://learnprompting.org/Discord (Goda Go#3156 & Commordore_Wesmardo#2912)Goda Go on Youtube: https://www.youtube.com/@godagoWes the Synthmind's everything: https://linktr.ee/synthminds#learnprompting #HTTTA #howtotalktoai #ai #artificialintelligence #promptengineering #prompt #research #nlp #openai #languagemodels #programming #coding #technical #prompthacking #AIsystems #gpt #naturallanguageprocessing #deepreinforcementlearning #chatgpt #gpt4 #stablediffusion #midjourney #midjourneyaiAudio Licensing Codes:- XE3PMH56JJN9LJ8B- ASLC-22DC2994-050B57C5D6

The center of Western Classical Music, ever since the time of Bach, has been modern-day Germany and Austria.  You can trace a line from Bach, to Haydn to Mozart to Beethoven to Schubert to Schumann, Brahms, and Wagner, and finally to Mahler. But why does that line stop in 1911, the year of Mahler's death? Part of the answer is the increasing influence of composers from outside the Austro-German canon, something that has enriched Western Classical music to this day. There was also World War I getting in the way.  But after the war, one could have expected that this line would continue again.  The 1920's in Germany and the rest of Europe were a time of radical experimentation, a flowering of ideas, a sort of wild ecstasy of innovation across all the arts. So why don't we hear of these Austro-German experimenters and innovators anymore?  Because of Adolf Hitler, Joseph Goebbels, and their Entartete, or Degenerate music.  Hitler's worst crime was by no means his suppression of dozens of German, Austrian, and Eastern European composers, but it is a fact all the same that from the end of World War I until 1933, classical music in Germany and Eastern Europe(especially Czechoslovakia), was flourishing, with composers such as Zemlinsky, Krenek, Korngold, Schreker, Schulhoff, Haas, Krasa, and Ullmann taking up the mantle of the giants of the past and hoisting it upon themselves to carry it forward.     The Nazis silenced, exiled, or  killed off many of these musicians during the twelve years of 1933-1945, and those voices are forever lost, but the music they wrote before, during the War and the Holocaust, and after it, some of it masterpieces quite on the level of their predecessors, has been preserved.  So why then are these composers not better known? I've chosen 12 composers, all of whom were writing music at the highest level.  Some of them may be familiar to you, but many probably won't be.  And through all of their trials and tribulations, one of the things I want to emphasize throughout these stories, even the bleakest ones, is that so many of them found the will to be able to compose this heart-rending, beautiful, and often optimistic music all as they witnessed unimaginable horrors. It may seem empty when the end for many of these artists was so horrific, but these compositions and the men and women who were behind them are a true testament to the resilience of the human spirit.  These artists created a life for their friends, neighbors, and fellow inmates in concentration camps.  They wrote music they knew would almost certainly not be heard in their lifetimes, from an urge that could not be destroyed, even by gas chambers. Join us to learn about them this week.

Jim Cunningham checks in from Ljubljana, Slovenia after the Pittsburgh Symphony Orchestra had their first rehearsal.  They play their first concert of the tour tonight with music of Mahler, Schulhoff and Schumann's Piano Concerto with Helene Grimaud.  Manfred Honeck will conduct.   Jim spoke with Principal Contrabassoon James Rodgers, Librarian Lisa Gedris and Katie Blakey, Coordinator of Orchestra Operations about the tour experience so far.  They talk about their favorite lunch spots, coordinating with the hall, and what it is like to make sure a tour with an orchestra goes as smoothly as it can.

The Pittsburgh Symphony Orchestra just concluded their first concert of this 2022 European Tour.   The concert included Helene Grimaud playing the Ravel Piano Concerto, along with Mahler's Symphony No. 1 and Schulhoff's "Five Pieces," with Manfred Honeck conducting.  Jim Cunningham managed to catch up with Second./Utility Trombone James Nova in the hotel after the concert to get his thoughts on the concert, the concert hall, and the reaction of the audience.   

Musicians from KINETIC perform works by Schulhoff, Klatzow, and Higdon.

https://instagram.com/crimeboulevard_der_podcast?utm_medium=copy_link crime_boul@web.de https://de.m.wikipedia.org/wiki/Courtney_Schulhoff https://www.google.de/amp/s/www.br.de/nachrichten/amp/bayern/mordfall-simone-strobel-anhoerung-in-australien-ueberraschend-gestoppt,SObjtX1

From the end of WWI until 1933, classical music in Germany, Austria, and Eastern Europe was flourishing, with composers such as Zemlinsky, Weill, Krenek, Korngold, Schreker, Schulhoff, Haas, Krasa, and Ullmann writing spectacularly innovative and thrilling music. The Nazis exiled or murdered many of these musicians while in power, but their music lives on. I've never found researching an episode so moving, enraging, and inspiring. Join us this week in this journey of rediscovery - you won't regret it!

On February 10, 2004, a 911 call came into the Alamonte Springs, FL police. The call was from Elaine Bouck, she said she hadn't heard from her boyfriend, Steve Schulhoff all day. When the police walked into the apartment that Steve shared with his 16 year old daughter, Courtney, they found a grizzly scene. Steve was dead, and Courtney and her boyfriend Michael Morin were on the run. What really happened to Steve? Was it Courtney, Michael or both of them? Sources for today's episode: https://en.wikipedia.org/wiki/Courtney_Schulhoff https://mycrimelibrary.com/courtney-schulhoff-teen-killer/ https://www.orlandosentinel.com/news/breaking-news/os-courtney-schulhoff-resentenced-murder-20170330-story.html Subscribe to my blog: https://kileystruecrime.squarespace.com Follow me on Instagram: @itscrimeoclocksomewhereblogpod Email me: @itscrimeoclocksomewhereblogpod@gmail.com Buy Me A Coffee: https://www.buymeacoffee.com/itscrimeoclocksomewhereblogpod Rate and Review if you love my podcast! I will be back next week with an all new case and book recommendation, and REMEMBER IT'S CRIME O CLOCK SOMEWHERE!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/kiley000/support

Center Stage features Pittsburgh Symphony musicians recorded at Heinz Hall, and heard on the radio Wednesday's at 8:30am - part of our Symphony On Air feature heard Monday through Friday underwritten by the Spanos Group of Raymond James and the musicians of the Pittsburgh Symphony. You can listen to the Pittsburgh Symphony every morning at 8:30. James Rodgers, Principal Contrabassoon, recorded Bach and Schulhoff along with conversation with Jim Cunningham.     

This week we are discussing the murder of a father at the hands of his teenage daughter and her boyfriend.  Thank you to this week’s sponsors! Use promo code MOMS for 10% off plus free shipping on your entire purchase at eucalypsohome.com for the best, most breathable sheets you’ll ever use. Small steps make big progress, Sign up for your trial of Noom at Noom.com/MOMS.  Get our favorite paper of socks, and  you can give a pair when you buy a pair, plus get 20% off your first purchase at Bombas.com/momsandmurder.  Get 10% off your first month of Betterhelp at Betterhelp.com/moms.  If you’d like to support The Mom’s and get some fun perks, including bonus episodes and early release- ad free episodes, you can check out our Patreon page at https://www.patreon.com/momsandmurderpodcast. As always, you can find us on Twitter, Instagram, and on our website at https://momsandmurder.com. Make sure you subscribe and rate our show to help others find us! We updated our merch store, you can find that at momsandmurder.threadless.com!  Connect with us on social media at:Facebook.com/MomsAndRedRumInstagram: @MomsAndMurderTwitter.com/MomsAndMurder Sources for the episode can be found at: https://momsandmurder.com/the-murder-of-steven-schulhoff/ Learn more about your ad choices. Visit megaphone.fm/adchoices

The Telegraph Quartet performs works by Schulhoff, Mendelssohn, and Weinberg.

Componist des Vaderlands Calliope Tsoupaki schreef 'Meeting Point', zoals zij zelf zegt: '...gecomponeerd in de corona-crisismaanden van social distancing en isolement. Nu de beschermende maatregelen minder streng worden, durven we elkaar weer onder ogen te komen en hopen we dat we ons leven snel weer kunnen oppakken. Er is immers geen afstand tussen ons als het gaat om muziek, als het gaat om liefde.' En: de tijdgenoten van Ludwig van Beethoven, dit jaar 250 jaar geleden geboren. Wie waren de componisten die in dezelfde tijd leefden, maar niet zo beroemd zijn geworden? Vandaag: Anton Reicha (2). Met werk van Schulhoff, Reicha, Tsoupaki, en Jeroen van Vliet.

Benannt haben sie sich nach dem Geiger Antonin Bennewitz, der eine wichtige Figur im tschechischen Musikleben war. Bekannt wurden die vier jungen Herren aus der Tschechischen Republik , als sie zwei renommierte internationale Wettbewerbe gewannen. Seither haben die vier Karriere gemacht und gerade ihr fünftes Album vorgelegt. Die großen Komponisten ihrer Heimat spielten in ihrem Repertoire schon immer eine große Rolle. Jetzt hat sich das Bennewitz vier eher weniger bekannten tschechischen Komponisten des 20. Jahrhunderts gewidmet, und zwar ganz besonderen.

Tobias Carroll (Transitory, Reel) joins Chad and Brian to talk about the latest installment of Radiant Terminus. These three chapters get wild, as Schulhoff (who mysteriously disappeared shortly after his marriage to Hannko, Solovyei's daughter) returns and tries to get Ilyushenko to kill him. And then the never-ending train finds Radiant Terminus and Solovyei launches a poetic attack . . . They also talk about the numbers in the book, angels, Chad's dreams of suing the government, and much more. As always, you can watch these episodes live on our YouTube channel the day before they’re released in podcast form. The next episode will be recorded live on Wednesday, February 20. Follow Open Letter, Chad Post, Brian Wood, and Tobias Carroll for more thoughts on Volodine and literature in general, and for information about upcoming guests. You can find all the Two Month Review posts by clicking here. And be sure to leave us a review on iTunes. It really helps people to discover the podcast. This season's music is all from Mother Earth's Plantasia by Mort Garson, which is Moog music for plants. This week you can hear "Concerto For Philodendron & Pothos."

Tobias Carroll (Transitory, Reel) joins Chad and Brian to talk about the latest installment of Radiant Terminus. These three chapters get wild, as Schulhoff (who mysteriously disappeared shortly after his marriage to Hannko, Solovyei's daughter) returns and tries to get Ilyushenko to kill him. And then the never-ending train finds Radiant Terminus and Solovyei launches a poetic attack . . . They also talk about the numbers in the book, angels, Chad's dreams of suing the government, and much more. As always, you can watch these episodes live on our YouTube channel the day before they’re released in podcast form. The next episode will be recorded live on Wednesday, February 20. Follow Open Letter, Chad Post, Brian Wood, and Tobias Carroll for more thoughts on Volodine and literature in general, and for information about upcoming guests. You can find all the Two Month Review posts by clicking here. And be sure to leave us a review on iTunes. It really helps people to discover the podcast. This season's music is all from Mother Earth's Plantasia by Mort Garson, which is Moog music for plants. This week you can hear "Concerto For Philodendron & Pothos."

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 13/11/2017, octava de la 3.ª temporada, y cuarta de las que dedicamos al músico checo Erwin Schulhoff. Hablamos hoy de su primera y única ópera, Flammen, sobre el mito de Don Juan. Schulhoff mostró una vía de evolución para la ópera del porvenir que, por el silenciamiento de su obra, ha quedado inexplorado.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 13/11/2017, octava de la 3.ª temporada, y cuarta de las que dedicamos al músico checo Erwin Schulhoff. Hablamos hoy de su primera y única ópera, Flammen, sobre el mito de Don Juan. Schulhoff mostró una vía de evolución para la ópera del porvenir que, por el silenciamiento de su obra, ha quedado inexplorado.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 6/11/2017, séptima de la 3.ª temporada, y tercera de las que dedicamos al músico checo Erwin Schulhoff. Hablamos del interés de Schulhoff por conseguir el éxito en el teatro con sus ballets Ogelala y La Sonámbula o con su ópera Flammen. Algo que nunca consiguió pese a ser un compositor y pianista muy popular en sus tiempos.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 6/11/2017, séptima de la 3.ª temporada, y tercera de las que dedicamos al músico checo Erwin Schulhoff. Hablamos del interés de Schulhoff por conseguir el éxito en el teatro con sus ballets Ogelala y La Sonámbula o con su ópera Flammen. Algo que nunca consiguió pese a ser un compositor y pianista muy popular en sus tiempos.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 30/10/2017, sexta de la 3.ª temporada, y segunda de las que dedicamos al músico checo Erwin Schulhoff. Marcado por su participación en la I Guerra Mundial, Schulhoff cambia sus paradigmas vitales y musicales, convirtiéndose en un pacifista radical y en el músico más importante del movimiento dadaísta. Como sugerencia de Tristan Tzara se embarca en la composición del ballet exótico y primitivista Ogelala, cuyo estreno será un gran escándalo.

Sección del programa de Rpa "La radio es mía" que demuestra que la modernidad es algo que viene de antiguo. Emisión del 30/10/2017, sexta de la 3.ª temporada, y segunda de las que dedicamos al músico checo Erwin Schulhoff. Marcado por su participación en la I Guerra Mundial, Schulhoff cambia sus paradigmas vitales y musicales, convirtiéndose en un pacifista radical y en el músico más importante del movimiento dadaísta. Como sugerencia de Tristan Tzara se embarca en la composición del ballet exótico y primitivista Ogelala, cuyo estreno será un gran escándalo.

Béla Bartók: Streichquartett Nr. 1 | Erwin Schulhoff: Fünf Stücke für Streichquartett | Leos Janácek: Streichquartett Nr. 2 "Intime Briefe" | Quatuor Voce

I programmet diskuteras bl.a. Brabbins Elgar-tolkningar, Blechacz som spelar Bach på piano samt Händelarior med Christiane Karg. Johan väljer ur en DVD som Jurowski tillägnar Jevgenij Svetlanov. I panelen David Björkman, Johanna Paulsson och Niklas Lindblad som tillsammans med programledaren Johan Korssell betygsätter följande skivor: JOHANN SEBASTIAN BACH Klavermusik Rafal Blechacz, piano DGG 479 5534 EDWARD ELGAR In the South, Enigma-variationer m.m. BBCs skotska symfoniorkester Martyn Brabbins, dirigent Hyperion CDA 68101 Referensen Johan refererar till och jämför med en inspelning där Edward Elgar själv dirigerar Royal Albert Hall Orchestra i sin Enigma-variationer. Detta i Royal Albert Hall i London och året är 1926. MITOLOGIA Händelarior ur bl.a. Atalanta, Semele och Partenope Christiane Karg, mezzosopran Romina Basso, mezzosopran Il Complesso Barocco Alan Curtis, dirigent Deutsche Harmonia Mundi 88875199812 DUO SESSIONS Musik av Kodaly, Schulhoff, Ravel och Halvorsen Julia Fischer, violin Daniel Müller-Schott, cello Orfeo C 902 161 A Johans val Johan väljer och spelar valda delar ur en DVD, Tribute to Evgeny Svetlanov på vilken Vladimir Jurowski leder Rysslands statliga symfoniorkester, Svetlanov-orkestern i musik av Rachmaninov, Prokofjev och Bartók. Vi serveras avsnitt ur Rachmaninovs Klockorna samt ur Bartoks tredje pianokonsert. Utgiven på Bel Air Classiques. Andra i programmet nämnda eller rekommenderade inspelningar: Elgars Enigmavariationer med Londons filharmoniker under Adrian Boult på EMI samt med BBCs symfoniorkester ledd av Leonard Bernstein inspelad på DG. Elgars In the South med BBCs symfoniorkester dirigerad av Andrew Davis på Warner Classics samt med Londons filharmoniker under Georg Solti på Decca. Elgars Une voix dans le désert med Halléorkestern ledd av Mark Elder på egna Hallé Concerts Society. J S Bachs Italienska konsert med Glenn Gould på Sony samt med Alfred Brendel på Philips. J S Bachs Goldbergvariationer med Beatrice Rana på Warner Classics. Rafal Blechacz spelar Chopin på DG. Duos för violin och cello med violinisten Nigel Kennedy och cellisten Lynn Harrell på EMI. Schulhoffs stråksextett med Rafael-ensemblen inspelad på Hyperion. Händelarior med Ann Hallenberg ackompanjerad av Il Complesso Barocco under ledning av Alan Curtis på skivmärket Naïve. Svepet Johan sveper ur en box med 8 CD innehållande Beethovens samtliga symfonier. Berlins filharmoniker leds av Simon Rattle. Inspelad på egna Berliner Philharmoniker Media.

Bei den diesjährigen International Classical Music Awards wurde die CD "duo sessions" - eine Koproduktion zwischen BR-KLASSIK und dem Label Orfeo - zur besten Kammermusikeinspielung des Jahres 2016 gekürt. Geigerin Julia Fischer und Cellist Daniel Müller-Schott haben hierfür Werke von Ravel, Schulhoff, Kodály und Halvorsen eingespielt. Falk Häfner sprach mit Müller-Schott über das Projekt und die Zusammenarbeit mit seiner musikalischen Partnerin.

I programmet diskuterar panelen bl. a. Teodor Currentzis tolkning av Våroffer och Strauss opera Arabella med svenska sopranen Agneta Eichenholz som Zdenka. Dessutom möter Sofia Nyblom Renée Fleming. I panelen Bengt Forsberg, Britt Marie Aruhn och Evabritt Selén som tillsammans med programledaren Johan Korssell betygsätter följande skivor:MOZART-ARIOR Ur bl a Idomeneo, Figaros bröllop och Don Juan Dorothea Röschmann, sopran Sveriges Radios symfoniorkester Daniel Harding, dirigent Sony 88875061262 RICHARD STRAUSS Arabella Jacquelyn Wagner, Agneta Eichenholz m.fl. Nederländska filharmonin Marc Albrecht, dirigent Challenge Classics CC 72686IGOR STRAVINSKY Våroffer MusicAeterna Teodor Currentzis, dirigent Sony 88875127902ENTARTETE MUSIK Verk av bl.a. Dressel, Schulhoff och Hindemith Duo Disecheis: David Brutti, altsaxofon och Filippo Farinelli, piano Brilliant Classics 94874 Sofia möter Renée Fleming Sofia Nyblom mötte sångerskan då hon gästade Stockholms konserthus i februari, där hon framträdde i Anders Hillborgs The Strand Settings samt Samuel Barbers Knoxville: Summer of 1915 tillsammans med Kungliga filharmonikerna allt under Sakari Oramo.Andra i programmet nämnda eller rekommenderade inspelningar: Stravinskys Våroffer med Mariinskij-teaterns orkester under ledning av Valerij Gergiev på skivmärke Philips; Bostons symfoniorkester ledd av Michael Tilson Thomas på DG; San Franciscos symfoniorkester under Tilson Thomas på RCA samt med Berlins filharmoniker dirigerad av Bernard Haitink utgiven på Decca. Strauss Arabella med Renée Fleming i titelrollen tillsammans med Dresdens statskapell under Christian Thielemann en DVD på Unitel Classica; Kiri Te Kanawa och Covent Garden-operans orkester ledda av Jeffrey Tate på Decca samt med Lisa Della Casa som Arabella med Wiens filharmoniker allt under Georg Solti på Decca. Johan sveper över en alldeles nyutkommen utgåva av Bachs Johannespassionen med solister, RIAs kammarkör och Akademin för tidig musik, Berlin under ledning av René Jacobs på skivmärket Harmonia Mundi.

Classical music's ability to soothe the weary soul has been used to market everything from yoga classes to an endless supply of albums like "The Most Relaxing Classical Music in the Universe" and "Nature Sounds with Classical Music." Some promoters say this is a good thing, and should be embraced in our distracted, stressed out world. But others argue that the recording industry and even radio stations have oversold the stress-buster angle, which feeds a misperception that classical is benign and boring. We debate this marketing strategy with two guests. Patrick Castillo, a Brooklyn-based composer and writer, says that the relaxation message discourages engaged listening, and marginalizes great music that doesn't always soothe. "Active listening should be encouraged as a means of inspiring a visceral connection," Castillo tells host Naomi Lewin. "But I don't think 'classical music for relaxation' CDs are branded in that way. I think they are marketed more in the spirit of, 'this whole swath of music can exist unobtrusively in the background as you're going about your daily chores.'" Dmitri Shostakovich Castillo recently stirred up strong reactions on this topic in an editorial for Minnesota Public Radio. He argues that newcomers to the artform are given fewer opportunities to discover challenges like Shostakovich's string quartets, Messiaen's Quartet for the End of Time or Schulhoff's Sonata Erotica. But Michael Morreale, a producer and blogger at CBC Music in Toronto, says that millions of listeners are actively seeking out relaxation in classical music. Morreale programs the CBC's Serenity Stream, a mix of calming classics that is among the network's most popular channels. "Classical music can be so many different things – it can pump you up, it can intrigue you, it can challenge you, it can introduce you to some new ideas," Morreale says. "But yes, a small piece of that pie is that classical music is great for relaxing you or helping you focus on something." Morreale sees the Serenity Stream as a kind of "gateway drug" and notes that listeners who are turned on to Debussy's Clair de lune may go on to explore contemporary works by Arvo Part, Philip Glass or Steve Reich, for example. Listen to the full segment above and tell us what you think below: How do you most listen to classical music? Is it okay to play it for relaxation?

Music from DaPonte String Quartet - Schulhoff, Shostakovich, Comolli, Sound Alliance - On Fire!, Bucky Halker & the Complete Unknowns - Passion, Politics, Love