Podcast appearances and mentions of Jake Lacy

FBI rookie Alice Black believes the death of a billionaire's son has been staged to look like an overdose. She goes on the hunt for a suspect. Catherine Grace is killing those involved in the underage prostitution ring, seeking revenge for being trafficked and for the death of best friend. While the case progresses, Alice deals with her own trauma as a domestic violence victim forced to work the case with her abusive ex. As both women walk their own paths toward justice, and as their lives start to intertwine, the line between right and wrong begins to blur.Hulu's crime drama “Furious” stars Emmy Rossum, Lola Petticrew, and Jake Lacy. The series goes beyond the typical police procedural, following women confronting the wounds they carry and the simmering anger beneath them — a force that threatens to consume everything in their lives.OUR SPOILER-FREE REVIEWS OF "FURIOUS" BEGIN IN THE FINAL 12 MINUTES OF THE EPISODE.In Crime of the Week: I scream, you scream. For exclusive podcasts and more, sign up at Patreon.Sign up for our newsletter at crimewriterson.com.This show was recorded in The Caitlin Rogers Project Studio. Click to find out more.About the show: Crime Writers On… is the original true‑crime review podcast, covering the best in true‑crime podcasts, documentaries, TV, film, journalism, and storytelling.From Partners in Crime Media — creators of These Are Their Stories, the Law & Order aftershow and Netflix's You Can't Make This Up.Keywords: true‑crime review, podcast review, documentary review, TV review, media criticism, pop‑culture commentary, crime documentaries, journalism, storytelling, Partners in Crime Media Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Actor Jake Lacy from The White Lotus joins Adam Schein to talk about his new film "A Mosquito in the Ear," his time working on White Lotus, and his die-hard fandom of the Boston Red Sox and New England Patriots. Adam and Bob Stew pick every Over / Under win total for each NFL team for the upcoming season. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Emmy Rossum talks about starring in Disney's acclaimed psychological thriller Furious, playing an undercover FBI agent hunting a female serial killer.Melbourne filmmaker Vee Shi's documentary Time and Tide takes him back to the Chinese town of his childhood, where a family reunion unfolds under deeply challenging circumstances.

Emmy Rossum talks about starring in Disney's acclaimed psychological thriller Furious, playing an undercover FBI agent hunting a female serial killer.Melbourne filmmaker Vee Shi's documentary Time and Tide takes him back to the Chinese town of his childhood, where a family reunion unfolds under deeply challenging circumstances.

Bankole & Gab are chasing down leads and running targeted searches as they discuss the merits of Hulu's sleeper great show, 'Furious'. They share why it's worth your precious summer time and compare it to clubhouse favourite, 'Mindhunter'. They then go into all the spoilers that make this such a great, albeit harrowing, watch. Hey look, they can feel their fingers again. (03:45) - Spoiler-Free Recommendation of FURIOUS (13:10) - SPOILER WARNING  (14:40) - Favourite Relationship in the Show(17:45) - Favourite Character in the Show(34:35) - Who is the Title About?(38:25) - Jake Lacy's Performance as Marshall(46:10) - What could be comingYou can support us hereAlso available on YouTubeYou can find Gab on YouTube, Instagram & TikTokHost: Bankole ImoukhuedeGuest: Miscellaneous GabProduction by: Bankole Imoukhuede

In this week's episode of the world's-fastest-movie-review podcast, Jackson and Mike review TWO new films!!! First, "SPIDER-MAN: BRAND NEW DAY" Peter Parker embraces life as New York's friendly neighborhood Spider-Man after the events of Spider-Man: No Way Home, facing dangerous new enemies while learning what it truly means to stand on his own. Starring Tom Holland, Zendaya, Jacob Batalon, Jon Bernthal, Mark Ruffalo, Michael Mando, Liza Colón-Zayas, and Sadie Sink. Directed by Destin Daniel Cretton. Then, a quick review of "LATE FAME" An aging New York postal worker discovers that a long-forgotten book of poetry has found an unexpected audience decades after it was written, rekindling his artistic ambitions and forcing him to confront questions of creativity, recognition, and what it means to leave a lasting legacy. Starring Willem Dafoe, Greta Lee, Jake Lacy, Clark Johnson, Tony Torn, Welker White, William Hill, and Edmund Donovan. Directed by Kent Jones.

On paper, “Furious” sounds like something we've all seen before. An FBI agent. A serial killer. A cat-and-mouse chase stretched across eight episodes. That's technically what the show is, but it's also not really what the show is. The cat is carrying around a mountain of old trauma. The mouse has a disturbingly decent argument. Neither one is behaving in a way that makes it easy to decide who deserves your sympathy.That is where Liz Meriwether's (“New Girl,” “Dying for Sex”) new Hulu series gets its hooks in. Loosely inspired by the 1987 thriller “Black Widow,” “Furious” follows FBI agent Alice Black (Emmy Rossum) as she hunts Catherine (Lola Petticrew), a serial killer targeting powerful men. Very quickly, though, the pursuit starts to feel less like a standard case and more like two damaged people slowly realizing they may understand each other better than anyone else does. That is not necessarily a good thing for either of them. The series also stars Scoot McNairy, Quincy Tyler Bernstine, Jake Lacy, Rob Delaney, Rob Yang, and Steve Way.

Emmy Rossum, Scoot McNairy, Jake Lacy, and Quincy Tyler Bernstine join us to talk about Furious, the gripping new crime thriller on Hulu on Disney+.We talk about how Furious evolves from a serial killer mystery into a story that challenges the line between justice and revenge, the film and television performances that inspired their FBI and NYPD characters, and what made the scripts impossible to put down.Scoot McNairy also shares memories from working with Quentin Tarantino on Once Upon a Time... in Hollywood, while Emmy Rossum opens up about preparing for one of her most emotionally demanding performances, taking creative risks, the album she'd pair with Furious, and the coolest movie she's ever seen. Plus, a fun moment where she compliments my sneakers.“Furious” premieres with three episodes on Monday, July 27 on Hulu on Disney+ in CanadaHosted by: Gurveer Brah from Screen Off Script

In this ScreenFish 1on1 Interview, Scoot McNairy, Jake Lacy, and Quincy Tyler Bernstine, stars of FURIOUS, discuss the emotional complexities at the heart of the film. Jake reflects on playing a character whose presence is felt even through absence, while Scoot explores Danny's role as a source of support. Quincy examines Nora's exhaustion and what she is truly searching for. The cast also discusses the impact of revealing long-hidden secrets and how honesty can transform our emotional health.The first three episodes of FURIOUS stream on Hulu on Disney+ on Monday, July 27th, 2026.#furious #scootmcnairy #jakelacy #quincytylerbernstine #hulu #disneyplus #streaming #streamingnow #interview #fyp

On this episode No Rest for the Weekend takes you to the red carpet of the 25th Annual ChangeMaker Gala, opening night of Brooklyn Film Festival, and to NewFest Pride 2026.Interviews Include: costume designer Tsigie White, Commissioner Rafael Espinal, Amber Guild, A Mosquito in the Ear producer Emily Dillard, director Nicola Rinciardi, actor Nazanin Boniadi, actor Jake Lacy, Bookends writer/actor Noam Ash, actor Jared Reinfeldt, actor Caroline Aaron, actor F. Murray Abraham, Barbara Forever producers Christine Vacnon Elijah Stevens, and director Brydie O'Connor. ponsored by Blackmagic Designwww.blackmagicdesign.comTonkawa Film Festivalwww.tonkawafilmfestival.comDehancerDehancer.comMusic by Chris GillardProduced byJason GodbeySergei MarkelovFor more contentwww.norestfortheweekendpodcast.com

In this episode of Obsessed: The Podcast, Kevin Fallon sits down with Jake Lacy to discuss his acclaimed new film Mosquito in the Ear, the emotional complexities of portraying fathers in crisis, and what it was like filming in India. Jake reflects on working alongside stars like Nicole Kidman, earning an Emmy nomination for The White Lotus, and navigating the transition from playing lovable boyfriends in Girls and High Fidelity to scene-stealing villains. He also shares stories about collaborating with Mike White and Lena Dunham, offering a candid look at the career moments that shaped one of television's most versatile actors. Follow Kevin Fallon on Instagram ⁠@kpfallon⁠ Follow Matt Wilstein on Instagram ⁠@mattjwilstein⁠ New episodes every Thursday, and Saturday; ⁠early drops on YouTube⁠. Learn more about your ad choices. Visit podcastchoices.com/adchoices

En este episodio hablamos sobre All Her Fault, la mini serie protagonizada por Sarah Snook, Michael Peña, Dakota Fanning y Jake Lacy sobre un hijo desaparecido y todas las implicaciones y enredos que hay alrededor del suceso. Sígannos en instagram y letterboxd como @pantallapodcast

Send us a Question!MOVIE DISCUSSION: Scream Queen Podcast: Podcast // Instagram // TikTok // BlueSky Janecka Olen, creator and host of the Scream Queen Podcast, joins Melvin to discuss a criminally underseen, economically paced sci-fi thriller that's stuck in streaming jail: Significant Other! This 2022 film is loaded with surprises, including an emotional depth seldom seen in "invasion"-type movies. But, is it really an invasion film? It's a lot of things. Tune in and find out! Topics:Editor's Note: No Patreon Exclusive discussion! But, I do intend to trim this episode down from its original 1:32:25 length, so if you want to hear the UNCUT version, tune in on Patreon here! Talking about Janecka's goals, from building her podcast & Instagram, getting her screenplay made, and her work on "The Horror Community's Ep****n List".Janecka loves outdoorsing, and the general fears that come with it kick off Significant Other.Yeah, but... what genre is Significant Other?How opposites are exhibited through the film, including land & sea.Talking various twists and turns, of which there are SEVERAL.Significant Other draws from a lot of films, but one of those choices doesn't sit right with Melvin.Janecka, "The interesting thing about [Significant Other]... is the emotional aspect."The ending is a bit strange, so the two ponder what its saying about relationships.Recommendations:Pretty Lethal (2026) (Movie)Something Very Bad is Going to Happen (2026 - X) (Series)Forbidden Fruits (2026) (Movie)Tomie (1998) (Movie) Support the showSupport on Patreon for Unique Perks! Early access to uncut episodes Vote on a movie/show we review One-time reward of two Cinematic Doctrine Stickers & PinsSocial Links: ThreadsWebsiteInstagramLetterboxdFacebook Group 

In this episode, we review the 2025 mystery thriller All Her Fault, starring Sarah Snook, Jake Lacy, Dakota Fanning, and Jay Ellis. We discuss the strength of the performances by Snook and Fanning, and we debate whether the story's premise feels realistic in today's world. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee omnystudio.com/listener for privacy information.

In this episode, we review the 2025 mystery thriller All Her Fault, starring Sarah Snook, Jake Lacy, Dakota Fanning, and Jay Ellis. We discuss the strength of the performances by Snook and Fanning, and we debate whether the story's premise feels realistic in today's world. Learn more about your ad choices. Visit megaphone.fm/adchoices

Do you know where your kid is? All Her Fault is Peacock's new eight-episode thriller based on Andrea Mara's Sunday Times bestseller. The series moves the story from Dublin to Chicago and shifts the book's multi-POV structure into a tighter mystery led by Sarah Snook, Jake Lacy, Abby Elliott, Michael Peña, Dakota Fanning,  and Sophia Lillis. In this podcast, we unpack the big changes from page to screen (the gender-swaps, expanded storylines, and the reworked timeline), the performances, the red herrings that work, and the twists the show gives away too early. We also get into the book's darker reveals, the series' pacing problems, what the finale nails, what it fumbles, and our rating. Tune in. Welcome to Today's Episode!

Rich voices his concerns for the Buffalo Bills after falling to 7-4 on the year and two games behind the New England Patriots in the AFC East after their Thursday Night Football loss to the Houston Texans. Actor Jake Lacy joins Rich in-studio to discuss his new ‘All Her Fault' Peacock series, shares his favorite memories of making season 1 of ‘The White Lotus' and his time on ‘The Office,' and celebrates with Brockman over the state of their first-place Pats. Rich reacts to the latest update on the availability of Cincinnati Bengals QB Joe Burrow for Week 12. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We started our podcast five years ago because we wanted to talk about the things we're into. By now you know what they are: travel, style, sports (and airline lounges!) and the details that make those things better. Oh, and we wanted to have a good time. That's the same reason we started a newspaper: The Print Edition. We like the idea of escaping the screen and the algorithm and getting back in print. Making a newspaper allowed us to work with our talented friends, like designer John Segal, and some of our favorite writers, Rosecrans Baldwin, Darrell Hartman, Hannah Elliott, Ruaridh Nicoll and Nathan King. We talked to Mickey Drexler, Matt Hranek, Jake Lacy and Tom McGuane. That's a lot of good people who agreed to be part of a shoestring operation. We thought that the release of our newspaper was worth getting together and making a little video. So we planned the way only we can: Michael took a redeye the night before and Coggins drank a bottle of wine. We gave hair and makeup the day off. This was filmed at Libertine, our beloved restaurant in the West Village. Thanks to Cody who let us take over the dining room and Trent for all his help. We'll still be coming at you as podcast classic, but hope you like this change of pace. And you can order your copy of The Print Edition below. See you at the newsstand, David & Michael This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.acl.news/subscribe

NBC's Senior Business Correspondent Christine Romans drops in to share smart tips on budgeting for joy this holiday season. Also, Jake Lacy pops in to talk about his new Peacock thriller “All Her Fault” and how the role has influenced his life and family. Plus, Emmy winner Matthew Rhys drops in to discuss his new Netflix series opposite Claire Danes in the thriller "The Beast in Me" and his upcoming projects. And, get ready for Thanksgiving with mains, sides, apps, and desserts. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Office Ladies 6.0, the ladies chat with Clark Duke! Clark played Clark Green on “The Office” and was introduced to the show in Season 9 with Pete Miller (played by Jake Lacy.) Clark chats with Jenna and Angela about how he got his job on “The Office” and what it was like to join the show as a series regular in the final season. He also talks about his new venture into directing which consists of the 2020 film “Arkansas” and an upcoming film that reunites him with Jake Lacy. So stop trying to sit next to your wife, Jim, and let Clark sell paper while we enjoy this episode!   Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestion  Follow Us on Instagram: OfficeLadiesPod To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Mark and Zanandi discuss the 2022 science fiction thriller Significant Other. Directed by Dan Berk and Robert Olsen, and starring Maika Monroe, Jake Lacy and comfy fleece jackets, the movie focuses on a hiking trip that goes horribly awry. In this episode, they also talk about surprise shark attacks, Patagonia sweaters, and aliens experiencing anxiety. Enjoy!

Julian, Madeline, and Emilio kick off their "Holiday Suggestion Box" episode cycle by discussing "Carol" (2015), the great Christmastime-set queer romance directed by Todd Haynes, holding up his title as the most-covered director on the podcast. A re-watch for Madeline and Julian and a first-time viewing for Emilio, the group discuss such topics as the film's status as an adaptation (of Patricia Highsmith's "The Price of Salt"), why it works as a holiday movie, and its balance of finely tuned 1950s period detail and the timeless appeal of its love story. Additionally, utilizing their refined attention to Todd Haynes' distinct touches as a director, Madeline praises the film's affecting portrayals of complex female characters, Emilio touches on Haynes' delicacy with varied male archetypes, and Julian points out some highlight moments of the film's subtly expressive visual language.If you enjoy our podcast, please rate and review us on your podcast platform of choice.  This really helps us find new listeners and grow!Follow us on IG and TikTok: @sleeplesscinematicpodSend us an email at sleeplesscinematicpod@gmail.comOn Letterboxd? Follow Julian at julian_barthold and Madeline at patronessofcats      

Today on Too Opinionated, we visit with the director of Clawfoot, Michael Day! Michael Day is a writer, director, and producer born in Pittsburgh, PA. While in college, Michael got his start by directing a music video for a then, up-and-coming rapper, WIZ KHALIFA. After college, he immediately immersed himself in the film industry, working on such films as THE DARK KNIGHT RISES, DJANGO UNCHAINED, and TRANSFORMERS: AGE OF EXTINCTION, among others.  In the feature world, Michael wrote and produced an action trilogy, titled ROGUE WARFARE. The second film in the series ranked #1 it's first week on Netflix. More recently, Michael started producing for Yale Entertainment, including such films as AS THEY MADE US,  RARE OBJECTS, and THE KILL ROOM.  Producing those films opened the door for Michael to produce and direct his first feature film for Yale, a dark comedy/thriller, CLAWFOOT, starring Francesca Eastwood, Milo Gibson, and Olivia Culpo. CLAWFOOT will be available on major VOD platforms. Michael second feature film, FOG OF WAR, starring John Cusack, Brianna Hildebrand and Jake Abel, will be released in the winter of 2024.  Since then, Michael has produced several films that are currently post production: PRETTY THING, a sexual thriller starring Alicia Silverstone and Karl Glusman, directed by Justin Kelly; STRANGLEHOLD, an action comedy featuring Ashley Benson, Jake Lacy, Justin Long, and Ron Pearlman, directed by Clark Duke; and MIDNIGHT, starring Rosario Dawson, Milla Jovovich, and Alexandra Shipp, directed by Joshua Miller.     Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

This week the ladies chat with Jake Lacy! Jake played Pete on “The Office” or as Andy liked to call him, Plop. Jake talks about what it was like to audition and join the cast in Season 9. Jake shares memories from his first day on set, answers call sheet questions and they all bond over parenting. Enjoy!  Check out Office Ladies Merch at Podswag: https://www.podswag.com/collections/office-ladies Office Ladies Website - Submit a fan question: https://officeladies.com/submitaquestionFollow Us on Instagram: OfficeLadiesPod

Comedian Ramy Youssef discusses the timing of his latest HBO standup special, “More Feelings,” and how the war in Gaza impacted it. Also on this episode, “Apples Never Fall” star Jake Lacy on his Peacock series' tortured family dynamics. Learn more about your ad choices. Visit megaphone.fm/adchoices

What do, a stand-up comedienne who is having an abortion, and a bunch of privileged kids breaking into famous people's houses, have in common? This week on THE MOVIE CONNECTION: Jacob Watched: "OBVIOUS CHILD" (5:45) (Directed by, Gillian Robespierre. Starring, Jenny Slate, Gaby Hoffman, Jake Lacy...) KC Watched: "THE BLING RING" (34:04) (Starring, Israel Broussard, Emma Watson, Katie Chang...) Talking points include: The Big A Celebrities you could just rob When privileged kids get a dose of justice and more!! Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.com Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Rate and Review on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check out more reviews from Jacob on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Cover art by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Austin Hillebrecht⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, Letters by KC Schwartz

The Caine Mutiny (1954) is based on Herman Wouk's bestselling Pulitzer Prize winning novel of the same name. The film, directed by Edward Dmytryk and produced by Stanley Kramer, portrays the fictitious events on board the U.S.S. Caine, a Navy destroyer-minesweeper in the Pacific during World War II. Executive officer, Lt. Stephen Maryk (Van Johnson), relieves the seemingly unstable Lt. Commander Philip Francis Queeg, Captain of the USS Caine, of his command after Queeg (Humphrey Bogart) endangers the ship and its crew during a cyclone. The ship returns to the U.S. and Maryk is court-martialed for mutiny. He is represented by Navy lawyer, Lt. Barney Greenwald (José Ferrer), who despite disapproving of Maryk's actions, believes Maryk was misled by the ship's communications officer, Lt. Tom Keefer (Fred MacMurray), into believing Queeg was mentally unfit for command. Maryk is acquitted after Greenwald effectively places Queeg on trial by his exposing Queeg's erratic and paranoid behavior. The Caine Mutiny Court-Martial (2023), directed by the late William Friedkin, is based on Wouk's adaption of his own 1951 novel for the stage. In contrast to the 1954 film, The Caine Mutiny Court-Martial covers only the court-martial. The cast includes Jake Lacy as Maryk, Jason Clarke as defense attorney Greenwald, Monica Raymund as prosecutor Lt. Commander Katherine Challee, the late Lance Reddick as the presiding judge Captain Luther Blakley, and Kiefer Sutherland in a phenomenal performance as Queeg. The films are not only gripping courtroom dramas, but also explore larger themes around military justice, ethics, and morality.  With me to discuss these films is Eugene (Gene) Fidell, a visiting Lecturer in Law at Yale Law School and co-founder of the National Institute of Military Justice.Timestamps:0:00     Introduction3:58     What's a court-martial?9:14     The crime of mutiny17:48   Relieving Queeg of his command27:36   Putting Queeg on trial29:33   Taking some poetic license with a court-martial34:44   The defense lawyer's post-trial critique of the mutiny41:21   The dramatic changes in the Navy and armed forces since the original movie 47:12   More context for the two Caine Mutiny movies50:21   Other great movies about military justice    Further reading:“The Humphrey Bogart Blogathon: ‘The Caine Mutiny' (1954),” Dec. 23, 2016, https://back-to-golden-days.blogspot.com/2016/12/the-humphrey-bogart-blogathon-caine.htmlKelly, Kevin M., “You Murdered Queeg: Lawyers, Ethics, Military Justice, and ‘The Caine Mutiny,'” 1991 Wis. L. Rev. 543 (1991)Melville, Herman, Billy Budd (1924)Rosenberg, Norman L., “‘The Caine Mutiny': Not Just One But Many Legal Dramas,” 31 J. Mar. L. & Com. 623 (2000)Wouk, Herman, The Caine Mutiny (1951)Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/faculty/full-time/jonathan-hafetz.cfmYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Discussing Apples Never Fall based on the book by Liane Moriarty The post Apples Never Fall (Season 1) appeared first on inHer Glam.

"Apples Never Fall" star Jake Lacy joins Drew to chat about his exciting new show, his questionable character in "White Lotus," and more! See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Meghan Markle returns to Instagram amid the ongoing controversy over that Princess Kate photo-editing incident. Also, what to consider as the tax filing deadline approaches. Plus, a local Californian legend who will leave you feeling empowered. And, Jake Lacy stops by to talk “Apples Never Fall.”

In today's episode of Bingeworthy, our TV and streaming podcast, host Mike DeAngelo attempts to solve the mystery at the heart of Peacock's new mysterious family drama series, “Apples Never Fall.” The series follows a seemingly happy family on a tumultuous journey to uncover the truth about the disappearance of its matriarch. The show stars Annette Bening, Alison Brie, Jake Lacy, Sam Neill and more. READ MORE: ‘Apples Never Fall': Watch This “Inside Look” Featurette About Peacock's New Family Thriller Series Joining Bingeworthy to discuss the mysterious mini-series is one of the stars, actor Sam Neill (“Jurassic Park,” “Peaky Blinders”). Neill, who has mostly been known for his work in film, revealed what drew him to taking another chance on TV after some lackluster past experiences. The actor also talked about his time on the "Jurassic Park" and "Jurassic World" franchise and some of his fun appearances in the "Thor" franchise. --- Send in a voice message: https://podcasters.spotify.com/pod/show/theplaylist/message Support this podcast: https://podcasters.spotify.com/pod/show/theplaylist/support

The Caine Mutiny Court Marshal is the last film from legendary director Willam Freadkin RIP Starring Jason Clarke, Jake Lacy, Kiefer Sutherland, Monica Raymund, and the late Lance Reddick, I talk about it on this podcast enjoy!

This week, we're comparing the most beloved movie ever made by William Friedkin and one of the last movies made by William Friedkin. That's right, The Exorcist: Believer came out recently as a reboot sequel of The Exorcist, which ignores all the subsequent sequels in true Halloween (2018). In addition to our review of that film, we discuss Friedkin's The Caine Mutiny Court-Martial, an adaptation of a 50s play (originally a novel and also a film) set in the modern day. Despite being a "TV movie," it's actually fantastic? Show Notes 00:00:00 – The Exorcist: Believer 00:30:15 – The Caine Mutiny Court-Martial The Exorcist: Believer was directed by David Gordon Green, who co-wrote the screenplay with Peter Sattler and story credits that include Green, Scott Teems, and Danny McBride. The cast includes Leslie Odom Jr., Lidya Jewett, Olivia O‘Neill, Jennifer Nettles, Norbert Leo Butz, Ann Dowd, and Ellen Burstyn. The film came out on October 6 through Universal Pictures and Blumhouse Productions, and it has a 111-minute runtime. The Caine Mutiny Court-Martial was directed and written by William Friedkin, based on Herman Wouk's eponymous 1953 play, itself based on Wouk's 1952 novel The Caine Mutiny. The cast includes Kiefer Sutherland, Jason Clarke, Jake Lacy, Monica Raymund, and Lance Reddick. Additionally, the film premiered at the Venice International Film Festival on September 3 and came out on Paramount+ with Showtime on October 6. It has a 109-minute runtime. Our intro music this week is “Which One?” by Glimlip & .multibeat. Links: Email your feedback for the show to cinemaholicspodcast [at] gmail.com Join our Discord! We have a Cinemaholics channel here. Follow us on Twitter: Jon Negroni, Will Ashton Check out our Cinemaholics Merch! Check out our Patreon to support Cinemaholics! Connect with Cinemaholics on Facebook and Instagram. Support our show on Patreon: https://www.patreon.com/cinemaholicsSee omnystudio.com/listener for privacy information.

On this week's episode, we remember William Friedkin, who passed away this past Tuesday, looking back at one of his lesser known directing efforts, Rampage. ----more---- From Los Angeles, California, the Entertainment Capital of the World, it’s The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. Originally, this week was supposed to be the fourth episode of our continuing miniseries on the 1980s movies released by Miramax Films. I was fully committed to making it so, but then the world learned that Academy Award-winning filmmaker William Friedkin passed away on Tuesday. I had already done an episode on his best movie from the decade, 1985’s To Live and Die in L.A., so I decided I would cover another film Friedkin made in the 80s that isn’t as talked about or as well known as The French Connection or The Exorcist or To Live and Die in L.A. Rampage. Now, some of you who do know the film might try and point that the film was released in 1992, by Miramax Films of all companies, and you’d be correct. However, I did say I was going to cover another film of his MADE in the 80s, which is also true when it comes to Rampage. So let’s get to the story, shall we? Born in Chicago in 1935, William Friedkin was inspired to become a filmmaker after seeing Citizen Kane as a young man, and by 1962, he was already directing television movies. He’d make his feature directing debut with Good Times in 1967, a fluffy Sonny and Cher comedy which finds Sonny Bono having only ten days to rewrite the screenplay for their first movie, because the script to the movie they agreed to was an absolute stinker. Which, ironically, is a fairly good assessment of the final film. The film, which was essentially a bigger budget version of their weekly variety television series shot mostly on location at an African-themed amusement park in Northern California and the couple’s home in Encino, was not well received by either critics or audiences. But by the time Good Times came out, Friedkin was already working on his next movie, The Night They Raided Minsky’s. A comedy co-written by future television legend Norman Lear, Minsky’s featured Swedish actress Britt Ekland, better known at the time as the wife of Peter Sellers, as a naive young Amish woman who leaves the farm in Pennsylvania looking to become an actress in religious stage plays in New York City. Instead, she becomes a dancer in a burlesque show and essentially ends up inventing the strip tease. The all-star cast included Dr. No himself, Joseph Wiseman, Elliott Gould, Jack Burns, Bert Lahr, and Jason Robards, Jr., who was a late replacement for Alan Alda, who himself was a replacement for Tony Curtis. Friedkin was dreaming big for this movie, and was able to convince New York City mayor John V. Lindsay to delay the demolition of an entire period authentic block of 26th Street between First and Second Avenue for two months for the production to use as a major shooting location. There would be one non-production related tragedy during the filming of the movie. The seventy-two year old Lahr, best known as The Cowardly Lion in The Wizard of Oz, would pass away in early December 1967, two weeks before production was completed, and with several scenes still left to shoot with him. Lear, who was also a producer on the film, would tell a reporter for the New York Times that they would still be able to shoot the rest of the film so that performance would remain virtually intact, and with the help of some pre-production test footage and a body double, along with a sound-alike to dub the lines they couldn’t get on set, Lahr’s performance would be one of the highlights of the final film. Friedkin and editor Ralph Rosenblum would spend three months working on their first cut, as Friedkin was due to England in late March to begin production on his next film, The Birthday Party. Shortly after Friedkin was on the plane to fly overseas, Rosenblum would represent the film for a screening with the executives at United Artists, who would be distributing the film. The screening was a disaster, and Rosenblum would be given carte blanche by the studio heads to save the film by any means necessary, since Friedkin was not available to supervise. Rosenblum would completely restructure the film, including creating a prologue for the story that would be retimed and printed on black and white film stock. The next screening would go over much better with the suits, and a mid-December 1968 release date was set up. The Birthday Party was an adaptation of a Harold Pinter play, and featured Robert Shaw and Patrick Magee. Friedkin had seen the play in San Francisco in 1962, and was able to get the film produced in part because he would only need six actors and a handful of locations to shoot, keeping the budget low. Although the mystery/thriller was a uniquely British story, Harold Pinter liked how Friedkin wanted to tell the story, and although Pinter had written a number of plays that had been adapted into movies and had adapted a number of books into screenplay, this would be the first time Pinter would adapt one of his own stories to the silver screen. To keep the budget lower still, Friedkin, Pinter and lead actor Robert Shaw agreed to take the minimum possible payments for their positions in exchange for part ownership in the film. The release of Minsky’s was so delayed because of the prolonged editing process that The Birthday Party would actually in theatres nine days before Minsky’s, which would put Friedkin in the rare position of having two movies released in such a short time frame. And while Minsky’s performed better at the box office than Birthday Party, the latter film would set the director up financially with enough in the bank where he could concentrate working on projects he felt passionate about. That first film after The Birthday Party would make William Friedkin a name director. His second one would make him an Oscar winner. The third, a legend. And the fourth would break him. The first film, The Boys in the Band, was an adaptation of a controversial off-Broadway play about a straight man who accidentally shows up to a party for gay men. Matt Crowley, the author of the play, would adapt it to the screen, produce the film himself with author Dominick Dunne, and select Friedkin, who Crowley felt best understood the material, to direct. Crowley would only make one demand on his director, that all of the actors from the original off-Broadway production be cast in the movie in the same roles. Friedkin had no problem with that. When the film was released in March 1970, Friedkin would get almost universally excellent notices from film critics, except for Pauline Kael in the New York Times, who had already built up a dislike of the director after just three films. But March 1970 was a different time, and a film not only about gay men but a relatively positive movie about gay men who had the same confusions and conflicts as straight men, was probably never going to be well-received by a nation that still couldn’t talk openly about non-hetero relationships. But the film would still do about $7m worth of ticket sales, not enough to become profitable for its distributor, but enough for the director to be in the conversation for bigger movies. His next film was an adaptation of a 1969 book about two narcotics detectives in the New York City Police Department who went after a wealthy French businessman who was helping bring heroin into the States. William Friedkin and his cinematographer Owen Roizman would shoot The French Connection as if it were a documentary, giving the film a gritty realism rarely seen in movies even in the New Hollywood era. The film would be named the Best Picture of 1971 by the Academy, and Friedkin and lead actor Gene Hackman would also win Oscars in their respective categories. And the impact of The French Connection on cinema as a whole can never be understated. Akira Kurosawa would cite the film as one of his favorites, as would David Fincher and Brad Pitt, who bonded over the making of Seven because of Fincher’s conscious choice to use the film as a template for the making of his own film. Steven Spielberg said during the promotion of his 2005 film Munich that he studied The French Connection to prepare for his film. And, of course, after The French Connection came The Exorcist, which would, at the time of its release in December 1973, become Warner Brothers’ highest grossing film ever, legitimize the horror genre to audiences worldwide, and score Friedkin his second straight Oscar nomination for Best Director, although this time he and the film would lose to George Roy Hill and The Sting. In 1977, Sorcerer, Friedkin’s American remake of the 1953 French movie The Wages of Fear, was expected to be the big hit film of the summer. The film originally started as a little $2.5m budgeted film Friedkin would make while waiting for script revisions on his next major movie, called The Devil’s Triangle, were being completed. By the time he finished filming Sorcerer, which reteamed Friedkin with his French Connection star Roy Scheider, now hot thanks to his starring role in Jaws, this little film became one of the most expensive movies of the decade, with a final budget over $22m. And it would have the unfortunate timing of being released one week after a movie released by Twentieth Century-Fox, Star Wars, sucked all the air out of the theatrical exhibition season. It would take decades for audiences to discover Sorcerer, and for Friedkin, who had gone some kind of mad during the making of the film, to accept it to be the taut and exciting thriller it was. William Friedkin was a broken man, and his next film, The Brinks Job, showed it. A comedy about the infamous 1950 Brinks heist in Boston, the film was originally supposed to be directed by John Frankenheimer, with Friedkin coming in to replace the iconic filmmaker only a few months before production was set to begin. Despite a cast that included Peter Boyle, Peter Falk, Allen Garfield, Warren Oates, Gena Rowlands and Paul Sorvino, the film just didn’t work as well as it should have. Friedkin’s first movie of the 1980s, Cruising, might have been better received in a later era, but an Al Pacino cop drama about his trying to find a killer of homosexual men in the New York City gay fetish underground dance club scene was, like The Boys in the Band a decade earlier, too early to cinemas. Like Sorcerer, audiences would finally find Cruising in a more forgiving era. In 1983, Friedkin made what is easily his worst movie, Deal of the Century, an alleged comedy featuring Chevy Chase, Gregory Hines and Sigourney Weaver that attempted to satirize the military industrial complex in the age of Ronald Reagan, but somehow completely missed its very large and hard to miss target. 1985 would see a comeback for William Friedkin, with the release of To Live and Die in LA, in which two Secret Service agents played by William L. Petersen and John Pankow try to uncover a counterfeit money operation led by Willem Dafoe. Friedkin was drawn to the source material, a book by former Secret Service agent Gerald Petievich, because the agency was almost never portrayed on film, and even less as the good guys. Friedkin would adapt the book into a screenplay with Petievich, who would also serve as a technical consultant to ensure authenticity in how Petersen and Pankow acted. It would be only the second time Friedkin was credited as a screenwriter, but it would be a nine-minute chase sequence through the aqueducts of Los Angeles and a little used freeway in Wilmington that would be the most exciting chase sequence committed to film since the original Gone in 60 Seconds, The French Connection, or the San Francisco chase sequence in the 1967 Steve McQueen movie Bullitt. The sequence is impressive on Blu-ray, but on a big screen in a movie theatre in 1985, it was absolutely thrilling. Which, at long last, brings us to Rampage. Less than two months after To Live and Die in LA opened to critical raves and moderate box office in November 1985, Friedkin made a deal with Italian mega-producer Dino DeLaurentiis to direct Rampage, a crime drama based on a novel by William P. Wood. DeLaurentiis had hired Friedkin for The Brinks Job several years earlier, and the two liked working for each other. DeLaurentiis had just started his own distribution company, the DeLaurentiis Entertainment Group, which we’ll shorten to DEG for the remainder of this episode, and needed some big movies to fill his pipeline. We did an episode on DEG back in 2020, and if you haven’t listened to it yet, you should after you finish this episode. At this time, DEG was still months away from releasing its first group of films, which would include Maximum Overdrive, the first film directed by horror author Stephen King, and Blue Velvet, the latest from David Lynch, both of which would shoot at the same time at DEG’s newly built studio facilities in Wilmington, North Carolina. But Friedkin was writing the screenplay adaptation himself, and would need several months to get the script into production shape, so the film would not be able to begin production until late 1986. The novel Rampage was based on the real life story of serial killer Richard Chase, dubbed The Vampire Killer by the press when he went on a four day killing spree in January 1978. Chase murdered six people, including a pregnant woman and a 22 month old child, and drank their blood as part of some kind of ritual. Wood would change some aspects of Chase’s story for his book, naming his killer Charles Reece, changing some of the ages and sexes of the murder victims, and how the murderer died. But most of the book was about Reece’s trial, with a specific focus on Reece’s prosecutor, Anthony Fraser, who had once been against capital punishment, but would be seeking the death penalty in this case after meeting one of the victims’ grieving family members. William L. Petersen, Friedkin’s lead star in To Live and Die in LA, was initially announced to star as Fraser, but as the production got closer to its start date, Petersen had to drop out of the project, due to a conflict with another project that would be shooting at the same time. Michael Biehn, the star of James Cameron’s The Terminator and the then recently released Aliens, would sign on as the prosecutor. Alex McArthur, best known at the time as Madonna’s baby daddy in her Papa Don’t Preach music video, would score his first major starring role as the serial killer Reece. The cast would also include a number of recognizable character actors, recognizable if not by name but by face once they appeared on screen, including Nicholas Campbell, Deborah Van Valkenberg, Art LaFleur, Billy Greenbush and Grace Zabriskie. Friedkin would shoot the $7.5m completely on location in Stockton, CA from late October 1986 to just before Christmas, and Friedkin would begin post-production on the film after the first of the new year. In early May 1987, DEG announced a number of upcoming releases for their films, including a September 11th release for Rampage. But by August 1987, many of their first fifteen releases over their first twelve months being outright bombs, quietly pulled Rampage off their release calendar. When asked by one press reporter about the delay, a representative from DEG would claim the film would need to be delayed because Italian composer Ennio Morricone had not delivered his score yet, which infuriated Friedkin, as he had turned in his final cut of the film, complete with Morricone’s score, more than a month earlier. The DEG rep was forced to issue a mea culpa, acknowledging the previous answer had been quote unquote incorrect, and stated they were looking at release dates between November 1987 and February 1988. The first public screening of Rampage outside of an unofficial premiere in Stockton in August 1987 happened on September 11th, 1987, at the Boston Film Festival, but just a couple days after that screening, DEG would be forced into bankruptcy by one of his creditors in, of all places, Boston, and the film would be stuck in limbo for several years. During DEG’s bankruptcy, some European companies would be allowed to buy individual country rights for the film, to help pay back some of the creditors, but the American rights to the film would not be sold until Miramax Films purchased the film, and the 300 already created 35mm prints of the film in March 1992, with a planned national release of the film the following month. But that release had to be scrapped, along with the original 300 prints of the film, when Friedkin, who kept revising the film over the ensuing five years, turned in to the Weinsteins a new edit of the film, ten minutes shorter than the version shown in Stockton and Boston in 1987. He had completely eliminated a subplot involving the failing marriage of the prosecutor, since it had nothing to do with the core idea of the story, and reversed the ending, which originally had Reece committing suicide in his cell not unlike Richard Chase. Now, the ending had Reece, several years into the future, alive and about to be considered for parole. Rampage would finally be released into 172 theatres on October 30th, 1992, including 57 theatres in Los Angeles, and four in New York City. Most reviews for the film were mixed, finding the film unnecessarily gruesome at times, but also praising how Friedkin took the time for audiences to learn more about the victims from the friends and family left behind. But the lack of pre-release advertising on television or through trailers in theatres would cause the film to perform quite poorly in its opening weekend, grossing just $322,500 in its first three days. After a second and third weekend where both the grosses and the number of theatres playing the film would fall more than 50%, Miramax would stop tracking the film, with a final reported gross of just less than $800k. Between the release of his thriller The Guardian in 1990 and the release of Rampage in 1992, William Friedkin would marry fellow Chicago native Sherry Lansing, who at the time had been a successful producer at Paramount Pictures, having made such films as The Accused, which won Jodie Foster her first Academy Award, and Fatal Attraction. Shortly after they married, Lansing would be named the Chairman of Paramount Pictures, where she would green light such films as Forrest Gump, Braveheart and Titanic. She would also hire her husband to make four films for the studio between 1994 and 2003, including the basketball drama Blue Chips and the thriller Jade. Friedkin’s directing career would slow down after 2003’s The Hunted, making only two films over the next two decades. 2006’s Bug was a psychological thriller with Michael Shannon and Ashley Judd, and 2012’s Killer Joe, a mixture of black comedy and psychological thriller featuring Matthew McConaughey and Emile Hirsch, was one of few movies to be theatrically released with an NC-17 rating. Neither were financially successful, but were highly regarded by critics. But there was still one more movie in him. In January 2023, Friedkin would direct his own adaptation of the Herman Wouk’s novel The Caine Mutiny Court-Martial for the Paramount+ streaming service. Updating the setting from the book’s World War II timeline to the more modern Persian Gulf conflict, this new film starred Keifer Sutherland as Lieutenant Commander Queeg, alongside Jason Clark, Jake Lacy, Jay Duplass, Dale Dye, and in his final role before his death in March, Lance Reddick. That film will premiere at the Venice Film Festival in Italy next month, although Paramount+ has not announced a premiere date on their service. William Friedkin had been married four times in his life, including a two year marriage to legendary French actress Jean Moreau in the late 70s and a two year marriage to British actress Lesley-Anne Downe in the early 80s. But Friedkin and Lansing would remain married for thirty-two years until his death from heart failure and pneumonia this past Tuesday. I remember when Rampage was supposed to come out in 1987. My theatre in Santa Cruz was sent a poster for it about a month before it was supposed to be released. A pixelated image of Reece ran down one side of the poster, while the movie’s tagline and credits down the other. I thought the poster looked amazing, and after the release was cancelled, I took the poster home and hung it on one of the walls in my place at the time. The 1992 poster from Miramax was far blander, basically either a entirely white or an entirely red background, with a teared center revealing the eyes of Reece, which really doesn’t tell you anything about the movie. Like with many of his box office failures, Friedkin would initially be flippant about the film, although in the years preceding his death, he would acknowledge the film was decent enough despite all of its post-production problems. I’d love to be able to suggest to you to watch Rampage as soon as you can, but as of August 2023, one can only rent or buy the film from Amazon, $5.89 for a two day rental or $14.99 to purchase. It is not available on any other streaming service as of the writing and recording of this episode. Thank you for joining us. We’ll talk again soon, when I expect to release the fourth part of the Miramax miniseries, unless something unexpected happens in the near future. Remember to visit this episode’s page on our website, The80sMoviePodcast.com, for extra materials about Rampage and the career of William Friedkin. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.

On the final APE-ril offering, the gang is chatting about the better-than-they-expected Dwayne Johnson monster movie, Rampage! Why, for the love of all that is good, do all DJ characters have to be totally sexless, even in this movie where ladies are coming onto him left and right? Are these sexy corporate villains brother and sister, banging, or both? And how fantastic was that big wolf attack scene? More super-violent monster movies, please! PLUS: George W. Bush and Poppy play the OG Rampage game! Rampage stars Dwayne Johnson, Naomie Harris, Malin Ackerman, Jake Lacy, Joe Maganiello, Marley Shelton, P.J. Byrne, Jack Quaid, and Jeffrey Dean Morgan as Kentucky Fried Government Agent Harvey Russell; directed by Brad Peyton.You've got a precious couple days left to catch the replay of our KING KONG virtual live show, now through Thursday, 4/27! San Francisco, Los Angeles and New Brunswick, NJ—tickets on sale now for our upcoming spring and summer shows, we wanna see you IRL! Check out the WHM Merch Store featuring new DILF Den, Grab-Ass & Cancer, SW Crispy Critters, MINGO! & WHAT IF Donna? designs! This episode is brought to you by BetterHelp. Give online therapy a try at betterhelp.com/whm and get on your way to being your best self.   Advertise on We Hate Movies via Gumball.fmUnlock Exclusive Content!: http://www.patreon.com/wehatemoviesSee omnystudio.com/listener for privacy information.

One of the signatures which differentiates filmmaker Lauren Wolkstein's work is adaptability through medium. Lauren's approach toward narrative and storytelling harbors a rare versatility, which allows her to nearly seamlessly transition from film to television; short to feature; thriller to drama; and dystopian commentary to historical narrative. She harnessed her talent and developed her ability as a screenwriter at Columbia's MFA program, and made short films, like Cigarette Candy, which pushed the boundaries of trauma exploration. Her debut feature, The Strange Ones (Alex Pettyfer; James Freedson-Jackson), which she co-directed with Christopher Radcliff, was based on the short film of the same name premiered at South by Southwest in 2017. One of John Waters's Top 3 films of 2017, the film, which dealt with themes like obsessive love, sexual abuse and trauma, spoke to her multifaceted ability to combine complex mental health themes with dynamic performances. In television, Lauren has directed episodes of Cloak & Dagger (Marvel); Dare Me (USA Network); and Y: The Last Man, starring Diane Lane, for FX. She directed the finale of the renowned mini-series, A Friend of the Family, starring Anna Paquin, Jake Lacy, Colin Hanks and McKenna Grace, for Peacock in 2022. And she recently directed episodes of Dead Ringers, a television adaptation of the David Cronenberg classic film of the same name, which is set to premiere on Amazon Prime on April 21, 2023; the series stars Rachel Weisz as twin gynecologists, reprising the Jeremy Irons role in the original film. In our conversation, we discussed the touchpoint we both share in being Columbia and Duke alums; growing up in Baltimore; shooting on film; mental health themes; and the continuity of serving as Producing Director on Queen Sugar for Oprah Winfrey's network for multiple seasons.Opening Credits: Ketsa - 10 Can-t-touch-me; Ketsa - 01 Test-Case; Closing Credits: Ketsa - 05 Eternal-Funk-Palace

Significant Other has Maika Monroe and Jake Lacy performing complex and deep roles in what should be a mild version of Invasion of the Body Snatchers but adds enough of a spin to keep you engaged and locked in until the last perfect shot of the movie.

Holly finds out what love's got to do with it with Significant Other (2022), a movie that stars Maika Monroe and Jake Lacy as a couple who go backpacking in a scenic forest where a meteor crash landed to Earth the night before. Listen as we become unsure of who's who, go slapping our tentacles around with abandon, and get to the bottom of why a man is named Plop, all on this week's exciting episode! Hosted on Acast. See acast.com/privacy for more information.

Mark Radulich and Robert Winfree discuss the latest film starring Dwayne “The Rock” Johnson, entitled Rampage on this episode of Damn You Hollywood Rampage is a 2018 American science fiction monster film directed by Brad Peyton, loosely based on the video game series of the same name by Midway Games. The film stars Dwayne Johnson, Naomie Harris, Malin Åkerman, Jake Lacy, Joe Manganiello, and Jeffrey Dean Morgan. It follows a primatologist named Davis Okoye who must team up with George, an albino gorilla who turns into a raging creature of enormous size following a rogue experiment, in order to stop an invasion of monsters. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.   Mark Radulich and his wacky podcast on all the things: https://linktr.ee/markkind76 also snapchat: markkind76 FB Messenger: Mark Radulich LCSW Tiktok: @markradulich twitter: @MarkRadulich

@PhilTheFilipino is back with his monthly series titled, "Netflix & Phil"! For these episodes, Phil recommends different shows that you'll find on streaming sites like Netflix, Hulu, Amazon Prime, etc.This month, Phil recommends the 2014 romantic comedy, Obvious Child starring Jenny Slate!Synopsis: An immature, newly unemployed comic (Jenny Slate) must navigate the murky waters of adulthood after her fling with a graduate student (Jake Lacy) results in an unplanned pregnancy.Planned Parenthood Resources

Welcome to “Not Couple Goals” where co-hosts Allie Nelson and Tyler McCarthy do a deep dive into a different ridiculous romantic thriller from the vantage point of their long-term relationship. Allie, a TV writer/producer and actress, has an affinity for romantic thrillers, the more salacious the better. Tyler, an entertainment reporter and critic, often finds himself drawn in despite his better judgment. Join them as they explore all the ways it's possible to love too hard… like WAY too hard. This week, Allie and Tyler tackle some of their biggest fears with the 2022 Paramount+ released movie Significant Other, starring Maika Monroe and Jake Lacy. Come along as they discuss the many “nopes” of going camping, how many red flags are too many and whether anything good has ever been lurking inside a cave. As a bonus, tune in for a story of when Allie sinisterly prank-scared Tyler. Special thanks to Mallory Johns for the introduction music. Please don't forget to follow our hosts on Twitter @ANelRetentive & @TylerMcCarthy and check out Tyler's writing at USA Insider and Allie's at Parade! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Ryan and Dylan give reviews for the various television shows and movies they've seen from the fall of 2022, including House of the Dragon, Andor, Triangle of Sadness, All Quiet on the Western Front, and more.

Ira and Louis discuss celebrities turning out for Rick Caruso, Drake's Megan the Stallion diss, Rihanna adding Johnny Depp to the Savage x Fenty Show, Selena Gomez's new documentary, TVLine's ranking of the best HBO characters, Karamo's talk show, and Aaron Carter's passing. Plus, Jake Lacy joins to discuss his career shift from nice guy to villains in The White Lotus and A Friend of the Family.

Robert Berchtold seemed the perfect neighbor and close friend to the Broberg family. But his fixation on their daughter Jan led him to abduct the girl and flee to Mexico. Parents Bob and Mary Ann were left confused as to why their trusted friend would take their child. But long after their return, Berchtold continued to hold Jan under his spell, keeping each parent at arm's length through blackmail. His diabolical scheme to possess Jan lasted years and threatened to tear the Broberg family apart.Jake Lacy, Anna Paquin, and Colin Hanks star in the Peacock mini-series “A Friend of the Family.” The show recounts the story first told in the shocking documentary “Abducted in Plain Sight.” The dramatization focuses on the interpersonal dynamics between its players while highlighting the bizarre crimes. It's a cautionary tale on what happens when a master manipulator befriends the easily fooled.OUR SPOILER-FREE REVIEWS OF "A FRIEND OF THE FAMILY" BEGIN IN THE FINAL 11 MINUTES OF THE EPISODE.In Crime of the Week: Love you to the moon and back.

On today's What to Watch, the Walker universe expands, Grey's Anatomy gets a new class of interns, and Jake Lacy goes dark in A Friend of the Family. Plus, Hollywood trivia, and entertainment headlines, including Angelina Jolie's shocking allegations against Brad Pitt, Hilary Swank's pregnancy news, and EW's early Oscars predictions. More at ew.com, ew.com/wtw, and @EW. Host: Patrick Gomez (@patrickgomezla); Producer: Ashley Boucher (@ashleybreports) and Gerrad Hall (@gerradhall); Editor: Lauren Klein (@ltklein); Writer: Calie Schepp; Executive Producer: Chanelle Johnson (@chanelleberlin). Learn more about your ad choices. Visit megaphone.fm/adchoices

For Colin Hanks, playing Bob Broberg, the father of a girl abducted twice by the same man, in A Friend of the Family (Peacock, October 6), was an “exercise in going completely 100 percent out of my comfort zone,” he told Newsweek's H. Alan Scott. Based on the true story of Jan Broberg, who also produced the limited series, the show lays out in heavy and disturbing detail how the Broberg family, starting in 1972, fell prey to the predatory actions of Robert “B” Berchtold (played by Jake Lacy). “There's a lot of stuff that Bob did that is unfortunate and questionable. So I just did everything I could to try and explain why Bob made all those decisions.” Hanks and Jan Broberg spoke with Newsweek about the limited series, the impact of Mormonism on the case, and how Jan finally got to a place where she could talk about the trauma that happened to her. Visit Newsweek.com to learn more about the podcasts we offer and to catch up on the latest news. While you're there, subscribe to Newsweek's ‘For the Culture' newsletter. Follow H. Alan Scott on everything at @HAlanScott. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lio Tipton joins Brian to talk about their ice skating days in The Minneapple, their experience on America's Next Top Model, and what it was like to learn from Steve Carell on set of Crazy Stupid Love. Lio also dives into BJ Novak's Vengeance, and Jake Lacy's A Friend of the Family… you won't want to miss this one!See omnystudio.com/listener for privacy information.

Join Nana and Misan as we discuss our on-the-nose choice for this episode: The Obvious Child*. This week we rant about bad standup, gush over nice-guy Jake Lacy, and process our country's ongoing theocracy-chic makeover montage. Also, Gone with the Wind catches a stray. #sorrynotsorry. *Available on Showtime. 2014 Slate article referenced in episode: https://slate.com/human-interest/2014/06/obvious-child-finally-an-honest-abortion-movie.html --- Nana's HEA: Book Lovers by Emily Henry (https://www.goodreads.com/book/show/58690308-book-lovers) Misan's HEA: The Stand-In by Lily Chu (https://lilychuauthor.com/the-stand-in) --- Check out our website: https://www.heallyeah.com/ Find us on IG: @h.e.a.llyeah Email us at: heallyeah.podcast@gmail.com

This week on the pod, Aaron Sorkin lives in Jeff's head rent free. Even still, Dave & Jeff found lots they agree on with this new Amazon Prime original, starring Nicole Kidman & Javier Bardem as Lucille Ball and Desi Arnaz, respectively. Aaron made some choices, for sure, but ultimately, this is a really watchable movie that is smart without being as smug as it could have been, funny without being a slapstick or knock-off, and the drummer from Birdman may or may not have scored parts of this movie, it's hard to know for sure. Shout-out to J.K. Simmons, Nina Arianda, Tony Hale, Alia Shawkat, Jake Lacy, Clark Gregg, and a whole lot of "They look familiar" actors. Also, Jeff Cronenweth, the DP. Way to crush, my man!  Find all of our Socials at: https://linktr.ee/theloveofcinema Music: soundcloud.com/dasein-artist Beer: @cbarrozo.beer Edited and produced by Dave Green. Hosts: Dave Green, Jeff Ostermueller Twitter: @theloveofcinema, Twitch/Facebook/Instagram: @theloveofcinemapod, YouTube: The Love of Cinema Podcast.

Welcome To The Party Pal sets its sights on The Aloha State in an episode that celebrates the first season of The White Lotus, the American satirical comedy-drama series created, written, and directed by Mike White (Enlightened). The series was greenlit in October 2020 and filmed in Hawaii in late 2020. Featuring an ensemble cast including Murray Bartlett, Connie Britton, Jennifer Coolidge, Alexandra Daddario, Jake Lacy, Natasha Rothwell, and Steve Zahn, the first season, consisting of six episodes, concerns the lives of the staff and guests at a tropical resort in Hawaii. In August 2021, the series was renewed for a second season, which will tell the story of a different group of travelers during their stay at another White Lotus property. In this episode hosts Michael Shields and Justin Wells explore the intriguing way in which the series was conceived, converse upon what the season says about Hawaii's lasting colonial trauma and they way in which people of privileged vacation, while pontificating over the varying dynamic and comedic themes present in the season. See acast.com/privacy for privacy and opt-out information.