Podcasts about found you

PLAY LIST:1. Going - Oscar P fea Afro Rebel Sound System (Enoo Napa rmx)2. Momma's Groove (Jimpsters Hip replacement Mix)3. Found You fea. Berita - Da Copa 4. Real Love (fea Ray Saint vile) 5. Hey Hey - Dennis Ferrer Da Copa & Kitty Amor mix6. The Beat, The Scene, The Sound - Dj Disciple N.W.N. mix7. I Can't Get Enough - CC Smile8. All Night Long - Timmy Tom9. Careless Whisper - George Michael (Bonfil edit)10. Wish I didn't Miss You So Anymore - Angie Stone (alessandro Basiley Hoodia mix)11. Rhythm Of The Night - Stones Bones (Afro Mix)

In the first episode of 2025 Jeremy and Tim attempted to understand a somewhat maligned genre: Eurodisco. What is it and where did it come from? We hear about the cross-continental currents that gave rise to the form, unpack its aesthetics and spend time with some of its key proponents like the French composer and drummer Cerrone. Tim and Jeremy also take time to unpack the Switched On Classics, play us an infamous Beethoven reinvention, ask what the Enlightenment has to answer for, and compare Eurodisco and another genre that riles people up, prog rock. Tracklist: The SalSoul Orchestra - Magic Bird of Fire The Walter Murphy Band - A Fifth of Beethoven  Kongas - Jungle Cerrone - Love in C Minor Love and Kisses - I've Found Love (Now That I've Found You) 

There has been a lot of talk about the cult classic "7/10 game" lately, and no game better exemplifies this than Deadly Premonition (Access Games, 2010). It's one of those games where the average might land on 7/10 because there will be a lot of 10's and a lot of 3's in the review score distribution. Memorable characters, poor graphics, lifelike town, terrible combat, fun mystery and rough performance combine to create a very interesting game, to say the least. Guest info: James Tuerlings and Patrick Arthur of Retro Spectives podcast (https://www.rspodcast.net/). TIMESTAMPS Intros/Personal Histories/Opening Thoughts 0:32 Story Setup/Twin Peaks Influence 14:40 Gameplay 42:03 Music/Presentation 1:15:51 Closing Thoughts/Recommendations/Plugs 1:28:18 SPOILER WALL 1:46:39 Polygon interview (https://www.polygon.com/features/2013/2/12/3977154/the-sinners-sandwich-deadly-premonitions-creator-on-making-a-good-bad) with Deadly Premonition director Swery65. Music used in the episode is credited to Riyou Kinugasa, Takuya Kobayashi and Hiromi Mizutani. Tracks used: Greenvale, FBI Special Agent, Found You!, Underground, The Woods and the Goddess, Raincoat Killer, Red Tree, The Goddess Support Tales from the Backlog on Patreon! (https://patreon.com/realdavejackson) or buy me a coffee on Ko-fi (https://ko-fi.com/realdavejackson)! Join the Tales from the Backlog Discord server! (https://discord.gg/V3ZHz3vYQR) Social Media: Instagram (https://www.instagram.com/talesfromthebacklog/) Twitter (https://twitter.com/tftblpod) Facebook (https://www.facebook.com/TalesfromtheBacklog/) Cover art by Jack Allen- find him at https://www.instagram.com/jackallencaricatures/ and his other pages (https://linktr.ee/JackAllenCaricatures) Listen to A Top 3 Podcast on Apple (https://podcasts.apple.com/us/podcast/a-top-3-podcast/id1555269504), Spotify (https://open.spotify.com/show/2euGp3pWi7Hy1c6fmY526O?si=0ebcb770618c460c) and other podcast platforms (atop3podcast.fireside.fm)!

Rachael answers some BONUS writing coaching questions and then she and Kristina Forest chat all things first draft! Kristina Forest is an author of romance books for young adults. Her novels include I Wanna Be Where You Are, Now That I've Found You, Zyla & Kai, and The Neighbor Favor. She earned her MFA in Creative Writing at The New School, and she can often be found rearranging her bookshelf. The Partner Plot is her most recent release. Find her here: https://www.kristinaforest.com/Ink In Your Veins: How Writers Actually Write (and how you can, too)Writing doesn't have to be so hard. With internationally bestselling author Rachael Herron, learn how to embrace ease, reject perfectionism, and finally create your perfect writing process. (Formerly known as How Do You Write) Come for inspiration, stay for lots more.✏️ Can I email you some writing help?

This week we review the following episodes: "Found You, Fuecoco! (I Found You, Hogator)" & "The Ancient Poké Ball (The Ancient Monster Ball)" --- Support this podcast: https://podcasters.spotify.com/pod/show/everypokemon/support

Arthur Brown burst out of obscurity in 1968 with "Fire," an energetic fusion of blues, jazz and psychedelia with his over-the-top vocals invoking the dangers of the dark side. “Fire” launched Arthur to fame worldwide. He was born in North Yorkshire in 1942. After attending a grammar school Arthur studied at University where he focused on law and philosophy. His interest in music began to overwhelm his academic pursuits, and he formed his first band, an R&B combo called Blues and Brown. After a spell in France, where he dabbled in theatre, Arthur returned to the U.K. and worked with a number of groups in London. Not long after Brown left one -the Ramong Sound, they changed their name to the Foundations and scored international hits with "Build Me Up Buttercup" and "Baby, Now That I've Found You." Arthur however wasn't fussed. He had Kit Lambert and Pete Townshend produce his self-titled debut album from which “Fire” emerged and The God of Hellfire was born. His band, The Crazy Worldof Arthur Brown was known for its live show, which featured Arthur wearing a helmet that spat fire. Sometimes he would take to the stage naked and as such became one of the most talked-about characters in British rock.  In the wake of the success of their debut, the band cut a second album and kept touring; for a short while Carl Palmer took over as drummer. Arthur's next group's sound was darker and even more esoteric than the Crazy World. Arthur then stepped out as a solo act with 1974's Dance with Arthur Brown, a more straightforward and accessible album rooted in international rhythms. His public profile got a boost in 1975 when he was cast as the Priest in Ken Russell's film adaptation of the Who's rock opera Tommy, which was a major box office success. The following year, he made a guest appearance on Tales of Mystery and Imagination: Edgar Allan Poe, the debut album from the Alan Parsons Project. In 1979. Klaus Schulze, of Tangerine Dream invited Arthur to lend vocals to some of his work but in the early '80s, Brown left England to settle in Austin, Texas, where he earned a degree in counseling and opened a music-based practice. He also opened a house painting and carpentry business with Jimmy Carl Black, a former member of Frank Zappa's Mothers of Invention. For the most part, Arthur had stepped away from music, though he and Jimmy Carl Black did team up again for 1988's Brown, Black & Blue, a powerful blues-rock set. The new Crazy World returned for 2003's Vampire Suite, and Brown became a regular guest at Hawkwind concerts, appearing on their 2006 album Take Me to Your Future. 2008's The Voice of Love, released under the moniker the Amazing World of Arthur Brown, included guest appearances from Dick Taylor and Mark St. John of the Pretty Things. A spate of archival live releases dominated Arthurs's catalogue in the 2010s as he continued to tour extensively, including dates with Carl Palmer's group ELP Legacy and Hawkwind. Brown returned to recording with his latest edition of the Crazy World for 2014's Zim Zam Zim. Arthur celebrated his 80th birthday in 2022 and today is in hot demand to play concerts and festivals all over Europe. We catch up with the iconic artist this week and he regales us with a whole host of interesting stories. If you'd like to learn more about Arthur Brown head for his website https://www.thegodofhellfire.com/ and if you'd like to get in touch with me - comments, feedback or requests for future guests - don't hesitate to reach out through my website https://www.abreathoffreshair.com.au I hope you enjoy the story of The God of Hellfire.  

For the next five weeks, each sermon is going to be inspired by a song. This week's song is "Found You" by Silicone Boone. Found You, by Silicone Boone (Official Lyric Video): https://www.youtube.com/watch?v=CCSMPPgrHy8

Umsjón: Matthías Már & Lovísa Rut Matti og Lovísa Rut sáu um Poppland dagsins, plata vikunnar kynnt til leiks, Museum með JFDR, alls konar tónlist og þessar helstu tónlistarfréttir á sínum stað. Una Torfadóttir - Fyrrverandi. BLUR - The universal. EVERYTHING BUT THE GIRL - Caution to the Wind. SUEDE - Stay together. KARLOTTA - Freefalling. LILY ALLEN - Ldn. Retro Stefson - Kimba. JFDR - Spectator. ENGELBERT HUMPERDINCK - Release Me (And Let Me Love Again). HREIMUR - Get ekki hætt að hugsa um þig. ODESZA & CLAUD - To Be Yours. Eldar - Dropi í hafi. THE TALLEST MAN ON EARTH - Love is All. EDWARD SHARPE AND THE MAGNETIC ZEROS - Better Days. MÅNESKIN - Zitti e buoni (Eurovision 2021 - Ítalía). FOUNDATIONS - Baby, Now That I've Found You. DIDO - Here With Me. GUS GUS - Ladyshave. VALDIMAR - Yfir borgina. IGGY POP - The Passenger. RÓISÍN MURPHY - Coocool. ROMY - Enjoy Your Life. Silja Rós Ragnarsdóttir - Share U. SYSTUR - Furðuverur. DILJÁ - Power. AXEL FLÓVENT - Forest Fires. Tilbury - Frail Light. KATE BUSH - Wuthering Heights. FUGEES - Ready Or Not. Tame Impala, Thundercat - No More Lies. NÝDÖNSK - Stundum. Bubbi Morthens - Skríða. KUL - Operator. BECK - Tropicalia. LILY ALLEN - Ldn. JFDR - Life Man. VERA DECAY - Someone bad. CORNELIA JAKOBS - Hold Me Closer (Svíþjóð). DAÐI FREYR - Thank You. NORMAN GREENBAUM - Spirit in the sky. Oracle Sisters - Asc. Scorpio. BEYONCÉ - CUFF IT. NIA ARCHIVES - Conveniency.

Umsjón: Matthías Már & Lovísa Rut Matti og Lovísa Rut sáu um Poppland dagsins, plata vikunnar kynnt til leiks, Museum með JFDR, alls konar tónlist og þessar helstu tónlistarfréttir á sínum stað. Una Torfadóttir - Fyrrverandi. BLUR - The universal. EVERYTHING BUT THE GIRL - Caution to the Wind. SUEDE - Stay together. KARLOTTA - Freefalling. LILY ALLEN - Ldn. Retro Stefson - Kimba. JFDR - Spectator. ENGELBERT HUMPERDINCK - Release Me (And Let Me Love Again). HREIMUR - Get ekki hætt að hugsa um þig. ODESZA & CLAUD - To Be Yours. Eldar - Dropi í hafi. THE TALLEST MAN ON EARTH - Love is All. EDWARD SHARPE AND THE MAGNETIC ZEROS - Better Days. MÅNESKIN - Zitti e buoni (Eurovision 2021 - Ítalía). FOUNDATIONS - Baby, Now That I've Found You. DIDO - Here With Me. GUS GUS - Ladyshave. VALDIMAR - Yfir borgina. IGGY POP - The Passenger. RÓISÍN MURPHY - Coocool. ROMY - Enjoy Your Life. Silja Rós Ragnarsdóttir - Share U. SYSTUR - Furðuverur. DILJÁ - Power. AXEL FLÓVENT - Forest Fires. Tilbury - Frail Light. KATE BUSH - Wuthering Heights. FUGEES - Ready Or Not. Tame Impala, Thundercat - No More Lies. NÝDÖNSK - Stundum. Bubbi Morthens - Skríða. KUL - Operator. BECK - Tropicalia. LILY ALLEN - Ldn. JFDR - Life Man. VERA DECAY - Someone bad. CORNELIA JAKOBS - Hold Me Closer (Svíþjóð). DAÐI FREYR - Thank You. NORMAN GREENBAUM - Spirit in the sky. Oracle Sisters - Asc. Scorpio. BEYONCÉ - CUFF IT. NIA ARCHIVES - Conveniency.

Devon Holzwarth is an award-winning picture book illustrator, author, and painter. She joins Ping and Dorien to tell you all about her life as a Children's Book Illustrator as well as her creative journey that led her there. Listen in for some great advice from someone who has broken into the illustration industry for themselves.   KEY TAKEAWAYS Devon went to Rhode Island School of Design art school where she majored in textile design. She majored in this because she thought that it had better job prospects than if she had chosen painting. She graduated in 2000 with a BFA. Devon moved her life to Germany when her husband was offered a job there. It was only supposed to be for a few years but she now calls the place home. The great thing about being an artist was that she could work from anywhere and the new environment could lead to new interesting opportunities. The moment that will take you to the next step can be scary and uncomfortable, which makes it hard for many of us to take it. Devon's moment of taking that step was more of a push, so she didn't have the opportunity to become wrapped up in whether or not she was comfortable or not. One piece of advice that has stuck with Devon is when she was told ‘you need to put ten years into something before it begins to become successful'. This freaked her out because she found something she enjoyed and didn't want to wait ten years for it to come to fruition. This lit a fire in her and gave her focus to succeed faster than the ten years she'd been told. Devon decided she should make her own dummy book of her story about a boy and a bee which she took with her to Bologna. She showed it to the people she met there and one of the pieces of advice she got was to separate the one story into two. So she had one story about a bee and one about a boy. That advice she received really paid off after receiving a publishing offer.     BEST MOMENTS   ‘I can do the same thing from somewhere else and be somewhere more interesting' ‘Sometimes it's a matter of knowing who you are, it's difficult to unravel in some ways' ‘You just need one more little push then you recognise that your path' ‘If an art director tell you to send them something, you better send them something'   EPISODE RESOURCES   Devon Holzwarth Devon Holzwarth (@devonholzwarth) • Instagram photos and videos devonholzwarth@gmail.com   ABOUT THE GUEST   Devon Holzwarth is a picture book illustrator, author, and painter. She is a recipient of the Schneider Family Book Award and a notable Sydney Taylor Award, as well as a Society of Illustrators gold medal winner. Born in Washington D.C., Devon grew up in Panama surrounded by nature and her dad's art supplies. She has lived in many other places, including Germany, where she currently resides with her husband, two kids, a galgo dog from Spain and a little dachshund from Romania. Devon earned her BFA in 2000 from the Rhode Island School of Design focusing on screen printing and painting. She has written & illustrated “Found You” and “Sophie's Stories” and has illustrated a number of picture books including “Tia Fortuna's New Home”, “LISTEN, How Evelyn Glennie, a Deaf Girl, Changed Percussion” and “Everywhere With You”.   ABOUT THE PODCAST   A serious and fun podcast for female creatives hosted by Ping, Dorien and Sarah, three happy artists from Amsterdam.  This podcast will inspire you to make a living out of your art. We welcome you to be part of this community of like-minded people. www.thrivingwomenartists.com www.instagram.com/twapodcast    ABOUT THE HOSTS   Ping He Ping is a watercolor artist. Her work is inspired by nature and her motherhood experience. She develops her greeting cards brand and teaches Botanical Illustration courses online and offline. www.pinghe.art info@pinghe.art www.instagram.com/pinghe.art   Sarah van Dongen Sarah is a children's book illustrator and visual artist. She takes her sketchbooks and art supplies everywhere, which results in illustrations based on observation and daily life. www.sarahvandongen.com sarahvandongenillustration@gmail.com www.instagram.com/sarahvandongenillustrations   Dorien Bellaar: Dorien is an illustration artist. Her work is mainly focused on illustration for children, editorial/food illustration, hand lettering, and she likes to combine those into both traditional and digital art. www.dorienbellaar.nl hello@dorienbellaar.nl www.instagram.com/dorienbellaarSee omnystudio.com/listener for privacy information.

Tracklist 00:21 | Psycodelik vs Lil Peep - ID vs Lil Jeep 02:21 | Space Laces vs Ray Volpe - Cruise Control vs Laserbeam (Cyclops Remix) 04:08 | Jiqui - Push Back 04:31 | EXTRETCH - EXTRABONARA 05:07 | SampliFire - Fenrir 05:46 | DKKAY - Walk Up 06:24 | Perry Wayne - Inflict 06:51 | MARAUDA - Umbra 07:56 | Lil Skies vs RZRKT - Red Roses (TYNAN & Benzi Flip) vs Eminent 09:51 | Pixel Terror vs Meek Mill & Tory Lanez - Meltdown vs Litty 11:26 | Whad, Antrym & Mergatroid vs Vindata - Splice (SurgicalAsh Remix) vs Own Life 13:54 | Blosso vs The Smiths - Irreplaceable vs Heaven Knows I'm Miserable Now 17:06 | ESKVY - The Entity 18:23 | BVLVNCE vs X2H - Into The Dark vs Stay Tethered 20:05 | Levi Walsh - Revolver 20:18 | Knock2 - murdah (ISOxo Remix) 21:39 | Vastive - Watch 23:04 | Deadcrow vs marshmello & Juice WRLD - GT1000 vs Come & Go 25:12 | ecli vs Saucy Mike - Spiral vs Mine 26:16 | Figure - Super Sonic Brain Waves 26:42 | Versa & TRAWMA - Crush Injury 27:35 | 501 - Vulture 28:22 | Easy Password & TimeWvrp - Roadblock (Jztin Thing Remix) 29:16 | Swedish House Mafia & Knife Party - Antidote 29:46 | Nimda - Struggling Tearout Producer 30:38 | Jkyl & Hyde x Shiverz vs Volt - Shell Tha Place vs Destroy 32:09 | Skeler & Deadcrow - ADRENALIN 33:51 | Akeos & JuB vs X2H - Duel (JPEBRO Remix) vs Confuse Ray (SPHNIXES Remix) 35:06 | LSD vs Madcore - Genius vs Exiled From Sane Street 36:51 | Nineteen vs Illenium & iann dior - Found You vs First Time 37:56 | FIGMVNT - ID 39:24 | Taylor Swift vs AKVMA - Antihero (Crankdat Remix) vs Enter - Apocrypha 40:37 | Steve Aoki - Come With Me (Deadmeat) [Jidax Remix] [feat. Polina] 42:37 | Kayzo & TYNAN - Monster (HELLBOUND! Remix) [feat. Matty Mullins] 43:28 | TRIAKIS - ID 44:34 | Snails & Robbie Rosen vs Moore Kismet & Voltra - In My Soul vs Duplex 46:21 | Baauer - Kung Fu (WRECKVGE Remix) [feat. Pusha T & Future] 47:38 | S1DRONE vs Herobust - Lazersight vs Vertebreaker 49:18 | BIG BODY KITO - Chemist (feat. Tin $tacks) 49:56 | Masayoshi Iimori & crp. - CTS 51:15 | Pegboard Nerds vs Lil Texas - Purple People Eater vs Mind Splitter 52:55 | David Guetta vs The Egg - Love Don't Let Me Go (Walking Away) 53:27 | Doctor Neiman - This Love 54:37 | Ragga Twins - Bad Man (Skrillex Remix) 57:54 | Black Tiger Sex Machine & Blanke - Time Travel

Instead of willing myself to love something that I simply do not, what if I was honest in my self-loathing? What might I be compelled to change if I did not feel morally bound to positivity?Read the full, pictured essay, sign up for the newsletter, and grab bonus materials at ismatu.substack.comJazz Songs of the episode:Love, I've Found You by Wynton KellyWarm Valley by Johnny HodgesNancy (With The Laughing Face) by John Coltrane QuartetIn the Wee Small Hours of the Morning by Wynton MarsalisConcerto for Trumpet, 2 Oboes, Strings and Continuo in D Major: II. Largo by Johann Friedrich Fasch et. alSomeone to Watch over Me by Marcus RobertI Heard You Cried Last Night by Phil Woods, Vic JurisAutumn in New York by The Modern Jazz Quartet This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit ismatu.substack.com/subscribe

Episode one hundred and fifty-four of A History of Rock Music in Five Hundred Songs is the last of our four-part mini-series on LA sunshine pop and folk-rock in summer 1967. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifteen-minute bonus episode available, on "Baby, Now That I've Found You" by the Foundations. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Resources There is no Mixcloud this week, because there were too many Turtles songs in the episode. There's relatively little information available about the Turtles compared to other bands of their era, and so apart from the sources on the general LA scene referenced in all these podcasts, the information here comes from a small number of sources. This DVD is a decent short documentary on the band's career. Howard Kaylan's autobiography, Shell Shocked: My Life with the Turtles, Flo and Eddie, and Frank Zappa, Etc.,  is a fun read, if inevitably biased towards his own viewpoint. Jim Pons' Hard Core Love: Sex, Football, and Rock and Roll in the Kingdom of God is much less fun, being as it is largely organised around how his life led up to his latter-day religious beliefs, but is the only other book I'm aware of with a substantial amount of coverage of the Turtles. There are many compilations of the Turtles' material available, of which All The Singles is by far and away the best. The box set of all their albums with bonus tracks is now out of print on CD, but can still be bought as MP3s. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript We've spent a lot of time recently in the LA of summer 1967, at the point where the sunshine pop sound that was created when the surf harmonies of the Beach Boys collided with folk rock was at its apex, right before fashions changed and tight sunny pop songs with harmonies from LA became yesterday's news, and extended blues-rock improvisations from San Francisco became the latest in thing. This episode is the last part of this four-episode sequence, and is going to be shorter than those others. In many ways this one is a bridge between this sequence and next episode, where we travel back to London, because we're saying goodbye for a while to the LA scene, and when we do return to LA it will be, for the most part, to look at music that's a lot less sunshine and a lot more shadow. So this is a brief fade-out while we sing ba-ba-ba, a three-minute pop-song of an episode, a last bit of sunshine pop before we return to longer, more complicated, stories  in two weeks' time, at which point the sun will firmly set. Like many musicians associated with LA, Howard Kaylan was born elsewhere and migrated there as a child, and he seems to have regarded his move from upstate New York to LA as essentially a move to Disneyland itself. That impression can only have been made stronger by the fact that soon after his family moved there he got his first childhood girlfriend -- who happened to be a Mouseketeer on the TV. And TV was how young Howard filtered most of his perceptions -- particularly TV comedy. By the age of fourteen he was the president of the Soupy Sales Fan Club, and he was also obsessed with the works of Ernie Kovacs, Sid Caesar, and the great satirist and parodist Stan Freberg: [Excerpt: Stan Freberg, "St. George and the Dragonet"] Second only to his love of comedy, though, was his love of music, and it was on the trip from New York to LA that he saw a show that would eventually change his life. Along the way, his family had gone to Las Vegas, and while there they had seen Louis Prima and Keeley Smith do their nightclub act. Prima is someone I would have liked to do a full podcast episode on when I was covering the fifties, and who I did do a Patreon bonus episode on. He's now probably best known for doing the voice of King Louis in the Jungle Book: [Excerpt: Louis Prima, "I Wanna Be Like You (the Monkey Song)"] But he was also a jump blues musician who made some very good records in a similar style to Louis Jordan, like "Jump, Jive, an' Wail" [Excerpt: Louis Prima, "Jump, Jive, an' Wail"] But like Jordan, Prima dealt at least as much in comedy as in music -- usually comedy involving stereotypes about his Italian-American ethnic origins. At the time young Howard Kaylan saw him, he was working a double act with his then-wife Keeley Smith. The act would consist of Smith trying to sing a song straight, while Prima would clown around, interject, and act like a fool, as Smith grew more and more exasperated, and would eventually start contemptuously mocking Prima. [Excerpt: Louis Prima and Keeley Smith, "Embraceable You/I've Got It Bad and That Ain't Good"] This is of course a fairly standard double-act format, as anyone who has suffered through an episode of The Little and Large Show will be all too painfully aware, but Prima and Smith did it better than most, and to young Howard Kaylan, this was the greatest entertainment imaginable. But while comedy was the closest thing to Kaylan's heart, music was a close second. He was a regular listener to Art Laboe's radio show, and in a brief period as a teenage shoplifter he obtained records like Ray Charles' album Genius + Soul = Jazz: [Excerpt: Ray Charles, "One Mint Julep"] and the single "Tossin' and Turnin'" by Bobby Lewis: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] "Tossin' and Turnin'" made a deep impression on Kaylan, because of the saxophone solo, which was actually a saxophone duet. On the record, baritone sax player Frank Henry played a solo, and it was doubled by the great tenor sax player King Curtis, who was just playing a mouthpiece rather than a full instrument, making a high-pitched squeaking sound: [Excerpt: Bobby Lewis, "Tossin' and Turnin'"] Curtis was of course also responsible for another great saxophone part a couple of years earlier, on a record that Kaylan loved because it combined comedy and rock and roll, "Yakety Yak": [Excerpt: The Coasters, "Yakety Yak"] Those two saxophone parts inspired Kaylan to become a rock and roller. He was already learning the clarinet and playing part time in an amateur Dixieland band, and it was easy enough to switch to saxophone, which has the same fingering. Within a matter of weeks of starting to play sax, he was invited to join a band called the Nightriders, who consisted of Chuck Portz on bass, Al Nichol on guitar, and Glen Wilson on drums. The Nightriders became locally popular, and would perform sets largely made up of Johnny and the Hurricanes and Ventures material. While he was becoming a budding King Curtis, Kaylan was still a schoolkid, and one of the classes he found most enjoyable was choir class. There was another kid in choir who Kaylan got on with, and one day that kid, Mark Volman came up to him, and had a conversation that Kaylan would recollect decades later in his autobiography: “So I hear you're in a rock 'n' roll band.” “Yep.” “Um, do you think I could join it?” “Well, what do you do?” “Nothing.” “Nothing?” “Nope.” “Sounds good to me. I'll ask Al.” Volman initially became the group's roadie and occasional tambourine player, and would also get on stage to sing a bit during their very occasional vocal numbers, but was mostly "in the band" in name only at first -- he didn't get a share of the group's money, but he was allowed to say he was in the group because that meant that his friends would come to the Nightriders' shows, and he was popular among the surfing crowd. Eventually, Volman's father started to complain that his son wasn't getting any money from being in the band, while the rest of the group were, and they explained to him that Volman was just carrying the instruments while they were all playing them. Volman's father said "if Mark plays an instrument, will you give him equal shares?" and they said that that was fair, so Volman got an alto sax to play along with Kaylan's tenor. Volman had also been taking clarinet lessons, and the two soon became a tight horn section for the group, which went through a few lineup changes and soon settled on a lineup of Volman and Kaylan on saxes, Nichol on lead guitar, Jim Tucker on rhythm guitar, Portz on bass, and Don Murray on drums. That new lineup became known as the Crossfires, presumably after the Johnny and the Hurricanes song of the same name: [Excerpt: Johnny and the Hurricanes, "Crossfire"] Volman and Kaylan worked out choreographed dance steps to do while playing their saxes, and the group even developed a group of obsessive fans who called themselves the Chunky Club, named after one of the group's originals: [Excerpt: The Crossfires, "Chunky"] At this point the group were pretty much only playing instrumentals, though they would do occasional vocals on R&B songs like "Money" or their version of Don and Dewey's "Justine", songs which required more enthusiasm than vocal ability. But their first single, released on a tiny label, was another surf instrumental, a song called "Dr. Jekyll and Mr. Hyde": [Excerpt: The Crossfires, "Dr. Jekyll and Mr Hyde"] The group became popular enough locally that they became the house band at the Revelaire Club in Redondo Beach. There as well as playing their own sets, they would also be the backing band for any touring acts that came through without their own band, quickly gaining the kind of performing ability that comes from having to learn a new artist's entire repertoire in a few days and be able to perform it with them live with little or no rehearsal. They backed artists like the Coasters, the Drifters, Bobby Vee, the Rivingtons, and dozens of other major acts, and as part of that Volman and Kaylan would, on songs that required backing vocals, sing harmonies rather than playing saxophone. And that harmony-singing ability became important when the British Invasion happened, and suddenly people didn't want to hear surf instrumentals, but vocals along the lines of the new British groups. The Crossfires' next attempt at a single was another original, this one an attempt at sounding like one of their favourite new British groups, the Kinks: [Excerpt: The Crossfires, "One Potato, Two Potato"] This change to vocals necessitated a change in the group dynamic. Volman and Kaylan ditched the saxophones, and discovered that between them they made one great frontman. The two have never been excessively close on a personal level, but both have always known that the other has qualities they needed. Frank Zappa would later rather dismissively say "I regard Howard as a fine singer, and Mark as a great tambourine player and fat person", and it's definitely true that Kaylan is one of the truly great vocalists to come out of the LA scene in this period, while Volman is merely a good harmony singer, not anything particularly special -- though he *is* a good harmony singer -- but it undersells Volman's contribution. There's a reason the two men performed together for nearly sixty years. Kaylan is a great singer, but also by nature rather reserved, and he always looked uncomfortable on stage, as well as, frankly, not exactly looking like a rock star (Kaylan describes himself not inaccurately as looking like a potato several times in his autobiography). Volman, on the other hand, is a merely good singer, but he has a naturally outgoing personality, and while he's also not the most conventionally good-looking of people he has a *memorable* appearance in a way that Kaylan doesn't. Volman could do all the normal frontman stuff, the stuff that makes a show an actual show -- the jokes, the dancing, the between-song patter, the getting the crowd going, while Kaylan could concentrate on the singing. They started doing a variation on the routine that had so enthralled Howard Kaylan when he'd seen Louis Prima and Keeley Smith do it as a child. Kaylan would stand more or less stock still, looking rather awkward, but singing like an angel, while Volman would dance around, clown, act the fool, and generally do everything he could to disrupt the performance -- short of actually disrupting it in reality. It worked, and Volman became one of that small but illustrious group of people -- the band member who makes the least contribution to the sound of the music but the biggest contribution to the feel of the band itself, and without whom they wouldn't be the same. After "One Potato, Two Potato" was a flop, the Crossfires were signed to their third label. This label, White Whale, was just starting out, and the Crossfires were to become their only real hit act. Or rather, the Turtles were. The owners of White Whale knew that they didn't have much promotional budget and that their label was not a known quantity -- it was a tiny label with no track record. But they thought of a way they could turn that to their advantage. Everyone knew that the Beatles, before Capitol had picked up their contracts, had had their records released on a bunch of obscure labels like Swan and Tollie. People *might* look for records on tiny independent labels if they thought it might be another British act who were unknown in the US but could be as good as the Beatles. So they chose a name for the group that they thought sounded as English as possible -- an animal name that started with "the", and ended in "les", just like the Beatles. The group, all teenagers at the time, were desperate enough that they agreed to change their name, and from that point on they became the Turtles. In order to try and jump on as many bandwagons as possible, the label wanted to position them as a folk-rock band, so their first single under the Turtles name was a cover of a Bob Dylan song, from Another Side of Bob Dylan: [Excerpt: Bob Dylan, "It Ain't Me Babe"] That song's hit potential had already been seen by Johnny Cash, who'd had a country hit with it a few months before. But the Turtles took the song in a different direction, inspired by Kaylan's *other* great influence, along with Prima and Smith. Kaylan was a big fan of the Zombies, one of the more interesting of the British Invasion groups, and particularly of their singer Colin Blunstone. Kaylan imitated Blunstone on the group's hit single, "She's Not There", on which Blunstone sang in a breathy, hushed, voice on the verses: [Excerpt: The Zombies, "She's Not There"] before the song went into a more stomping chorus on which Blunstone sang in a fuller voice: [Excerpt: The Zombies, "She's Not There"] Kaylan did this on the Turtles' version of "It Ain't Me Babe", starting off with a quiet verse: [Excerpt: The Turtles, "It Ain't Me Babe"] Before, like the Zombies, going into a foursquare, more uptempo, louder chorus: [Excerpt: The Turtles, "It Ain't Me Babe"] The single became a national top ten hit, and even sort of got the approval of Bob Dylan. On the group's first national tour, Dylan was at one club show, which they ended with "It Ain't Me Babe", and after the show the group were introduced to the great songwriter, who was somewhat the worse for wear. Dylan said “Hey, that was a great song you just played, man. That should be your single", and then passed out into his food. With the group's first single becoming a top ten hit, Volman and Kaylan got themselves a house in Laurel Canyon, which was not yet the rock star Mecca it was soon to become, but which was starting to get a few interesting residents. They would soon count Henry Diltz of the Modern Folk Quartet, Danny Hutton, and Frank Zappa among their neighbours. Soon Richie Furay would move in with them, and the house would be used by the future members of the Buffalo Springfield as their rehearsal space. The Turtles were rapidly becoming part of the in crowd. But they needed a follow-up single, and so Bones Howe, who was producing their records, brought in P.F. Sloan to play them a few of his new songs. They liked "Eve of Destruction" enough to earmark it as a possible album track, but they didn't think they would do it justice, and so it was passed on to Barry McGuire. But Sloan did have something for them -- a pseudo-protest song called "Let Me Be" that was very clearly patterned after their version of "It Ain't Me Babe", and which was just rebellious enough to make them seem a little bit daring, but which was far more teenage angst than political manifesto: [Excerpt: The Turtles, "Let Me Be"] That did relatively well, making the top thirty -- well enough for the group to rush out an album which was padded out with some sloppy cover versions of other Dylan songs, a version of "Eve of Destruction", and a few originals written by Kaylan. But the group weren't happy with the idea of being protest singers. They were a bunch of young men who were more motivated by having a good time than by politics, and they didn't think that it made sense for them to be posing as angry politicised rebels. Not only that, but there was a significant drop-off between "It Ain't Me Babe" and "Let Me Be". They needed to do better. They got the clue for their new direction while they were in New York. There they saw their friends in the Mothers of Invention playing their legendary residency at the Garrick Theatre, but they also saw a new band, the Lovin' Spoonful, who were playing music that was clearly related to the music the Turtles were doing -- full of harmonies and melody, and inspired by folk music -- but with no sense of rebelliousness at all. They called it "Good Time Music": [Excerpt: The Lovin' Spoonful, "Good Time Music"] As soon as they got back to LA, they told Bones Howe and the executives at White Whale that they weren't going to be a folk-rock group any more, they were going to be "good time music", just like the Lovin' Spoonful. They were expecting some resistance, but they were told that that was fine, and that PF Sloan had some good time music songs too. "You Baby" made the top twenty: [Excerpt: The Turtles, "You Baby"] The Turtles were important enough in the hierarchy of LA stars that Kaylan and Tucker were even invited by David Crosby to meet the Beatles at Derek Taylor's house when they were in LA on their last tour -- this may be the same day that the Beatles met Brian and Carl Wilson, as I talked about in the episode on "All You Need is Love", though Howard Kaylan describes this as being a party and that sounded like more of an intimate gathering. If it was that day, there was nearly a third Beach Boy there. The Turtles knew David Marks, the Beach Boys' former rhythm guitarist, because they'd played a lot in Inglewood where he'd grown up, and Marks asked if he could tag along with Kaylan and Tucker to meet the Beatles. They agreed, and drove up to the house, and actually saw George Harrison through the window, but that was as close as they got to the Beatles that day. There was a heavy police presence around the house because it was known that the Beatles were there, and one of the police officers asked them to drive back and park somewhere else and walk up, because there had been complaints from neighbours about the number of cars around. They were about to do just that, when Marks started yelling obscenities and making pig noises at the police, so they were all arrested, and the police claimed to find a single cannabis seed in the car. Charges were dropped, but now Kaylan was on the police's radar, and so he moved out of the Laurel Canyon home to avoid bringing police attention to Buffalo Springfield, so that Neil Young and Bruce Palmer wouldn't get deported. But generally the group were doing well. But there was a problem. And that problem was their record label. They rushed out another album to cash in on the success of "You Baby", one that was done so quickly that it had "Let Me Be" on it again, just as the previous album had, and which included a version of the old standard "All My Trials", with the songwriting credited to the two owners of White Whale records. And they pumped out a lot of singles. A LOT of singles, ranging from a song written for them by new songwriter Warren Zevon, to cover versions of Frank Sinatra's "It Was a Very Good Year" and the old standard "We'll Meet Again". Of the five singles after "You Baby", the one that charted highest was a song actually written by a couple of the band members. But for some reason a song with verses in 5/4 time and choruses in 6/4 with lyrics like "killing the living and living to kill, the grim reaper of love thrives on pain" didn't appeal to the group's good-time music pop audience and only reached number eighty-one: [Excerpt: The Turtles, "Grim Reaper of Love"] The group started falling apart. Don Murray became convinced that  the rest of the band were conspiring against him and wanted him out, so he walked out of the group in the middle of a rehearsal for a TV show. They got Joel Larson of the Grass Roots -- the group who had a number of hits with Sloan and Barri songs -- to sub for a few gigs before getting in a permanent replacement, Johnny Barbata, who came to them on the recommendation of Gene Clark, and who was one of the best drummers on the scene -- someone who was not only a great drummer but a great showman, who would twirl his drumsticks between his fingers with every beat, and who would regularly engage in drum battles with Buddy Rich. By the time they hit their fifth flop single in a row, they lost their bass player as well -- Chuck Portz decided he was going to quit music and become a fisherman instead. They replaced him with Chip Douglas of the Modern Folk Quartet. Then they very nearly lost their singers. Volman and Kaylan both got their draft notices at the same time, and it seemed likely they would end up having to go and fight in the Vietnam war. Kaylan was distraught, but his mother told him "Speak to your cousin Herb". Cousin Herb was Herb Cohen, the manager of the Mothers of Invention and numerous other LA acts, including the Modern Folk Quartet, and Kaylan only vaguely knew him at this time, but he agreed to meet up with them, and told them “Stop worrying! I got Zappa out, I got Tim Buckley out, and I'll get you out.” Cohen told Volman and Kaylan to not wash for a week before their induction, to take every drug of every different kind they could find right before going in, to deliberately disobey every order, to fail the logic tests, and to sexually proposition the male officers dealing with the induction. They followed his orders to the letter, and got marked as 4-F, unfit for service. They still needed a hit though, and eventually they found something by going back to their good-time music idea. It was a song from the Koppelman-Rubin publishing company -- the same company that did the Lovin Spoonful's management and production. The song in question was by Alan Gordon and Gary Bonner, two former members of a group called the Magicians, who had had a minor success with a single called "An Invitation to Cry": [Excerpt: The Magicians, "An Invitation to Cry"] The Magicians had split up, and Bonner and Gordon were trying to make a go of things as professional songwriters, but had had little success to this point. The song on the demo had been passed over by everyone, and the demo was not at all impressive, just a scratchy acetate with Bonner singing off-key and playing acoustic rhythm guitar and Gordon slapping his knees to provide rhythm, but the group heard something in it. They played the song live for months, refining the arrangement, before taking it into the studio. There are arguments to this day as to who deserves the credit for the sound on "Happy Together" -- Chip Douglas apparently did the bulk of the arrangement work while they were on tour, but the group's new producer, Joe Wissert, a former staff engineer for Cameo-Parkway, also claimed credit for much of it. Either way, "Happy Together" is a small masterpiece of dynamics. The song is structured much like the songs that had made the Turtles' name, with the old Zombies idea of the soft verse and much louder chorus: [Excerpt: The Turtles, "Happy Together"] But the track is really made by the tiny details of the arrangement, the way instruments and vocal parts come in and out as the track builds up, dies down, and builds again. If you listen to the isolated tracks, there are fantastic touches like the juxtaposition of the bassoon and oboe (which I think is played on a mellotron): [Excerpt: The Turtles, "Happy Together", isolated tracks] And a similar level of care and attention was put into the vocal arrangement by Douglas, with some parts just Kaylan singing solo, other parts having Volman double him, and of course the famous "bah bah bah" massed vocals: [Excerpt: The Turtles, "Happy Together", isolated vocals] At the end of the track, thinking he was probably going to do another take, Kaylan decided to fool around and sing "How is the weather?", which Bonner and Gordon had jokingly done on the demo. But the group loved it, and insisted that was the take they were going to use: [Excerpt: The Turtles, "Happy Together"] "Happy Together" knocked "Penny Lane" by the Beatles off the number one spot in the US, but by that point the group had already had another lineup change. The Monkees had decided they wanted to make records without the hit factory that had been overseeing them, and had asked Chip Douglas if he wanted to produce their first recordings as a self-contained band. Given that the Monkees were the biggest thing in the American music industry at the time, Douglas had agreed, and so the group needed their third bass player in a year. The one they went for was Jim Pons. Pons had seen the Beatles play at the Hollywood Bowl in 1964, and decided he wanted to become a pop star. The next day he'd been in a car crash, which had paid out enough insurance money that he was able to buy two guitars, a bass, drums, and amps, and use them to start his own band. That band was originally called The Rockwells, but quickly changed their name to the Leaves, and became a regular fixture at Ciro's on Sunset Strip, first as customers, then after beating Love in the auditions, as the new resident band when the Byrds left. For a while the Leaves had occasionally had guest vocals from a singer called Richard Marin, but Pons eventually decided to get rid of him, because, as he put it "I wanted us to look like The Beatles. There were no Mexicans in The Beatles". He is at pains in his autobiography to assure us that he's not a bigot, and that Marin understood. I'm sure he did. Marin went on to be better known as Cheech Marin of Cheech and Chong. The Leaves were signed by Pat Boone to his production company, and through that company they got signed to Mira Records. Their first single, produced by Nik Venet, had been a version of "Love Minus Zero (No Limit)", a song by Bob Dylan: [Excerpt: The Leaves, "Love Minus Zero (No Limit)"] That had become a local hit, though not a national one, and the Leaves had become one of the biggest bands on the Sunset Strip scene, hanging out with all the other bands. They had become friendly with the Doors before the Doors got a record deal, and Pat Boone had even asked for an introduction, as he was thinking of signing them, but unfortunately when he met Jim Morrison, Morrison had drunk a lot of vodka, and given that Morrison was an obnoxious drunk Boone had second thoughts, and so the world missed out on the chance of a collaboration between the Doors and Pat Boone. Their second single was "Hey Joe" -- as was their third and fourth, as we discussed in that episode: [Excerpt: The Leaves, "Hey Joe"] Their third version of "Hey Joe" had become a top forty hit, but they didn't have a follow-up, and their second album, All The Good That's Happening, while it's a good album, sold poorly. Various band members quit or fell out, and when Johnny Barbata knocked on Jim Pons' door it was an easy decision to quit and join a band that had a current number one hit. When Pons joined, the group had already recorded the Happy Together album. That album included the follow-up to "Happy Together", another Bonner and Gordon song, "She'd Rather Be With Me": [Excerpt: The Turtles, "She'd Rather Be With Me"] None of the group were tremendously impressed with that song, but it did very well, becoming the group's second-biggest hit in the US, reaching number three, and actually becoming a bigger hit than "Happy Together" in parts of Europe. Before "Happy Together" the group hadn't really made much impact outside the US. In the UK, their early singles had been released by Pye, the smallish label that had the Kinks and Donovan, but which didn't have much promotional budget, and they'd sunk without trace. For "You Baby" they'd switched to Immediate, the indie label that Andrew Oldham had set up, and it had done a little better but still not charted. But from "Happy Together" they were on Decca, a much bigger label, and "Happy Together" had made number twelve in the charts in the UK, and "She'd Rather Be With Me" reached number four. So the new lineup of the group went on a UK tour. As soon as they got to the hotel, they found they had a message from Graham Nash of the Hollies, saying he would like to meet up with them. They all went round to Nash's house, and found Donovan was also there, and Nash played them a tape he'd just been given of Sgt Pepper, which wouldn't come out for a few more days. At this point they were living every dream a bunch of Anglophile American musicians could possibly have. Jim Tucker mentioned that he would love to meet the Beatles, and Nash suggested they do just that. On their way out the door, Donovan said to them, "beware of Lennon". It was when they got to the Speakeasy club that the first faux-pas of the evening happened. Nash introduced them to Justin Hayward and John Lodge of the Moody Blues, and Volman said how much he loved their record "Go Now": [Excerpt: The Moody Blues, "Go Now"] The problem was that Hayward and Lodge had joined the group after that record had come out, to replace its lead singer Denny Laine. Oh well, they were still going to meet the Beatles, right? They got to the table where John, Paul, and Ringo were sat, at a tense moment -- Paul was having a row with Jane Asher, who stormed out just as the Turtles were getting there. But at first, everything seemed to go well. The Beatles all expressed their admiration for "Happy Together" and sang the "ba ba ba" parts at them, and Paul and Kaylan bonded over their shared love for "Justine" by Don and Dewey, a song which the Crossfires had performed in their club sets, and started singing it together: [Excerpt: Don and Dewey, "Justine"] But John Lennon was often a mean drunk, and he noticed that Jim Tucker seemed to be the weak link in the group, and soon started bullying him, mocking his clothes, his name, and everything he said. This devastated Tucker, who had idolised Lennon up to that point, and blurted out "I'm sorry I ever met you", to which Lennon just responded "You never did, son, you never did". The group walked out, hurt and confused -- and according to Kaylan in his autobiography, Tucker was so demoralised by Lennon's abuse that he quit music forever shortly afterwards, though Tucker says that this wasn't the reason he quit. From their return to LA on, the Turtles would be down to just a five-piece band. After leaving the club, the group went off in different directions, but then Kaylan (and this is according to Kaylan's autobiography, there are no other sources for this) was approached by Brian Jones, asking for his autograph because he loved the Turtles so much. Jones introduced Kaylan to the friend he was with, Jimi Hendrix, and they went out for dinner, but Jones soon disappeared with a girl he'd met. and left Kaylan and Hendrix alone. They were drinking a lot -- more than Kaylan was used to -- and he was tired, and the omelette that Hendrix had ordered for Kaylan was creamier than he was expecting... and Kaylan capped what had been a night full of unimaginable highs and lows by vomiting all over Jimi Hendrix's expensive red velvet suit. Rather amazingly after all this, the Moody Blues, the Beatles, and Hendrix, all showed up to the Turtles' London gig and apparently enjoyed it. After "She'd Rather Be With Me", the next single to be released wasn't really a proper single, it was a theme song they'd been asked to record for a dire sex comedy titled "Guide for the Married Man", and is mostly notable for being composed by John Williams, the man who would later go on to compose the music for Star Wars. That didn't chart, but the group followed it with two more top twenty hits written by Bonner and Gordon, "You Know What I Mean" and "She's My Girl". But then the group decided that Bonner and Gordon weren't giving them their best material, and started turning down their submissions, like a song called "Celebrity Ball" which they thought had no commercial potential, at least until the song was picked up by their friends Three Dog Night, retitled "Celebrate", and made the top twenty: [Excerpt: Three Dog Night, "Celebrate"] Instead, the group decided to start recording more of their own material. They were worried that in the fast-changing rock world bands that did other songwriters' material were losing credibility. But "Sound Asleep", their first effort in this new plan, only made number forty-seven on the charts. Clearly they needed a different plan. They called in their old bass player Chip Douglas, who was now an experienced hitmaker as a producer. He called in *his* friend Harry Nilsson, who wrote "The Story of Rock & Roll" for the group, but that didn't do much better, only making number forty-eight. But the group persevered, starting work on a new album produced by Douglas, The Turtles Present The Battle of the Bands, the conceit of which was that every track would be presented as being by a different band. So there were tracks by  Chief Kamanawanalea and his Royal Macadamia Nuts,  Fats Mallard and the Bluegrass Fireball, The Atomic Enchilada, and so on, all done in the styles suggested by those band names. There was even a track by "The Cross Fires": [Excerpt: The Cross Fires, "Surfer Dan"] It was the first time the group had conceived of an album as a piece, and nine of the twelve tracks were originals by the band -- there was a track written by their friend Bill Martin, and the opening track, by "The US Teens Featuring Raoul", was co-written by Chip Douglas and Harry Nilsson. But for the most part the songs were written by the band members themselves, and jointly credited to all of them. This was the democratic decision, but one that Howard Kaylan would later regret, because of the song for which the band name was just "Howie, Mark, Johnny, Jim & Al". Where all the other songs were parodies of other types of music, that one was, as the name suggests, a parody of the Turtles themselves. It was written by Kaylan in disgust at the record label, who kept pestering the group to "give us another 'Happy Together'". Kaylan got more and more angry at this badgering, and eventually thought "OK, you want another 'Happy Together'? I'll give you another 'Happy Together'" and in a few minutes wrote a song that was intended as an utterly vicious parody of that kind of song, with lyrics that nobody could possibly take seriously, and with music that was just mocking the whole structure of "Happy Together" specifically. He played it to the rest of the group, expecting them to fall about laughing, but instead they all insisted it was the group's next single. "Elenore" went to number six on the charts, becoming their biggest hit since "She'd Rather Be With Me": [Excerpt: The Turtles, "Elenore"] And because everything was credited to the group, Kaylan's songwriting royalties were split five ways. For the follow-up, they chose the one actual cover version on the album. "You Showed Me" is a song that Roger McGuinn and Gene Clark had written together in the very early days of the Byrds, and they'd recorded it as a jangly folk-rock tune in 1964: [Excerpt: The Byrds, "You Showed Me"] They'd never released that track, but Gene Clark had performed it solo after leaving the Byrds, and Douglas had been in Clark's band at the time, and liked the song. He played it for the Turtles, but when he played it for them the only instrument he had to hand was a pump organ with one of its bellows broken. Because of this, he had to play it slowly, and while he kept insisting that the song needed to be faster, the group were equally insistent that what he was playing them was the big ballad hit they wanted, and they recorded it at that tempo. "You Showed Me" became the Turtles' final top ten hit: [Excerpt: The Turtles, "You Showed Me"] But once again there were problems in the group. Johnny Barbata was the greatest drummer any of them had ever played with, but he didn't fit as a personality -- he didn't like hanging round with the rest of them when not on stage, and while there were no hard feelings, it was clear he could get a gig with pretty much anyone and didn't need to play with a group he wasn't entirely happy in. By mutual agreement, he left to go and play with Crosby, Stills, Nash, and Young, and was replaced by John Seiter from Spanky and Our Gang -- a good drummer, but not the best of the best like Barbata had been. On top of this, there were a whole host of legal problems to deal with. The Turtles were the only big act on White Whale records, though White Whale did put out some other records. For example, they'd released the single "Desdemona" by John's Children in the US: [Excerpt: John's Children, "Desdemona"] The group, being the Anglophiles they were, had loved that record, and were also among the very small number of Americans to like the music made by John's Children's guitarist's new folk duo, Tyrannosaurus Rex: [Excerpt: Tyrannosaurus Rex, "Debora"] When Tyrannosaurus Rex supported the Turtles, indeed, Volman and Kaylan became very close to Marc Bolan, and told him that the next time they were in England they'd have to get together, maybe even record together. That would happen not that many years later, with results we'll be getting to in... episode 201, by my current calculations. But John's Children hadn't had a hit, and indeed nobody on White Whale other than the Turtles had. So White Whale desperately wanted to stop the Turtles having any independence, and to make sure they continued to be their hit factory. They worked with the group's roadie, Dave Krambeck, to undermine the group's faith in their manager, Bill Utley, who supported the group in their desire for independence. Soon, Krambeck and White Whale had ousted Utley, and Krambeck had paid Utley fifty thousand dollars for their management contract, with the promise of another two hundred thousand later. That fifty thousand dollars had been taken by Krambeck as an advance against the Turtles' royalties, so they were really buying themselves out. Except that Krambeck then sold the management contract on to a New York management firm, without telling the group. He then embezzled as much of the group's ready cash as he could and ran off to Mexico, without paying Utley his two hundred thousand dollars. The Turtles were out of money, and they were being sued by Utley because he hadn't had the money he should have had, and by the big New York firm, because  since the Turtles hadn't known they were now legally their managers they were in breach of contract. They needed money quickly, and so they signed with another big management company, this one co-owned by Bill Cosby, in the belief that Cosby's star power might be able to get them some better bookings. It did -- one of the group's first gigs after signing with the new company was at the White House. It turned out they were Tricia Nixon's favourite group, and so they and the Temptations were booked at her request for a White House party. The group at first refused to play for a President they rightly thought of as a monster, but their managers insisted. That destroyed their reputation among the cool antiestablishment youth, of course, but it did start getting them well-paid corporate gigs. Right up until the point where Kaylan became sick at his own hypocrisy at playing these events, drank too much of the complimentary champagne at an event for the president of US Steel, went into a drunken rant about how sick the audience made him, and then about how his bandmates were a bunch of sellouts, threw his mic into a swimming pool, and quit while still on stage. He was out of the band for two months, during which time they worked on new material without him, before they made up and decided to work on a new album. This new album, though, was going to be more democratic. As well as being all original material, they weren't having any of this nonsense about the lead singer singing lead. This time, whoever wrote the song was going to sing lead, so Kaylan only ended up singing lead on six of the twelve songs on what turned out to be their final album, Turtle Soup. They wanted a truly great producer for the new album, and they all made lists of who they might call. The lists included a few big names like George Martin and Phil Spector, but one name kept turning up -- Ray Davies. As we'll hear in the next episode, the Kinks had been making some astonishing music since "You Really Got Me", but most of it had not been heard in the US. But the Turtles all loved the Kinks' 1968 album The Kinks Are The Village Green Preservation Society, which they considered the best album ever made: [Excerpt: The Kinks, "Animal Farm"] They got in touch with Davies, and he agreed to produce the album -- the first time he did any serious outside production work -- and eventually they were able to persuade White Whale, who had no idea who he was, to allow him to produce it. The resulting album is by far the group's strongest album-length work, though there were problems -- Davies' original mix of the album was dominated by the orchestral parts written by Wrecking Crew musician Ray Pohlman, while the group thought that their own instruments should be more audible, since they were trying to prove that they were a proper band. They remixed it themselves, annoying Davies, though reissues since the eighties have reverted to a mix closer to Davies' intentions. Some of the music, like Pons' "Dance This Dance With Me", perhaps has the group trying a little *too* hard to sound like the Kinks: [Excerpt: The Turtles, "Dance This Dance With Me"] But on the other hand, Kaylan's "You Don't Have to Walk in the Rain" is the group's last great pop single, and has one of the best lines of any single from the sixties -- "I look at your face, I love you anyway": [Excerpt: The Turtles, "You Don't Have to Walk in the Rain"] But the album produced no hits, and the group were getting more and more problems from their label. White Whale tried to get Volman and Kaylan to go to Memphis without the other band members to record with Chips Moman, but they refused -- the Turtles were a band, and they were proud of not having session players play their parts on the records. Instead, they started work with Jerry Yester producing on a new album, to be called Shell Shock. They did, though bow to pressure and record a terrible country track called "Who Would Ever Think That I Would Marry Margaret" backed by session players, at White Whale's insistence, but managed to persuade the label not to release it. They audited White Whale and discovered that in the first six months of 1969 alone -- a period where they hadn't sold that many records -- they'd been underpaid by a staggering six hundred and fifty thousand dollars. They sued the label for several million, and in retaliation, the label locked them out of the recording studio, locking their equipment in there. They basically begged White Whale to let them record one last great single, one last throw of the dice. Jim Pons had, for years, known a keyboard player named Bob Harris, and had recently got to know Harris' wife, Judee Sill. Sill had a troubled life -- she was a heroin addict, and had at times turned to streetwalking to earn money, and had spent time in prison for armed robbery -- but she was also an astonishing songwriter, whose music was as inspired by Bach as by any pop or folk composer. Sill had been signed to Blimp, the Turtles' new production and publishing company, and Pons was co-producing some tracks on her first album, with Graham Nash producing others. Pons thought one song from that album, "Lady-O", would be perfect for the Turtles: [Excerpt: Judee Sill, "Lady-O"] (music continues under) The Turtles stuck closely to Sill's vision of the song. So closely that you haven't noticed that before I started talking, we'd already switched from Sill's record to the Turtles' version. [Excerpt: The Turtles, "Lady-O"] That track, with Sill on guitar backing Kaylan, Volman, and Nichol's vocals, was the last Turtles single to be released while the band were together. Despite “Lady O” being as gorgeous a melody as has ever been produced in the rock world, it sank without trace, as did a single from the Shell Shock sessions released under a pseudonym, The Dedications. White Whale followed that up, to the group's disgust, with "Who Would Ever Think That I Would Marry Margaret?", and then started putting out whatever they had in the vaults, trying to get the last few pennies, even releasing their 1965 album track version of "Eve of Destruction" as if it were a new single. The band were even more disgusted when they discovered that, thanks to the flurry of suits and countersuits, they not only could no longer perform as the Turtles, but White Whale were laying legal claim to their own names. They couldn't perform under those names -- Howard Kaylan, Mark Volman, and the rest were the intellectual property of White Whale, according to the lawyers. The group split up, and Kaylan and Volman did some session work, including singing on a demo for a couple of new songwriters: [Excerpt: Steely Dan, "Everyone's Gone to the Movies"] When that demo got the songwriters a contract, one of them actually phoned up to see if Kaylan wanted a permanent job in their new band, but they didn't want Volman as well, so Kaylan refused, and Steely Dan had to do without him. Volman and Kaylan were despondent, washed-up, has-been ex-rock stars. But when they went to see a gig by their old friend Frank Zappa, it turned out that he was looking for exactly that. Of course, they couldn't use their own names, but the story of the Phlorescent Leech and Eddie is a story for another time...

Welcome to episode #28.So, one of the things I always try to make clear on the podcast and my platforms, in general, is that while I love books, I love writing, I love the written word in general, I don't read as much as I used to. It's not necessarily something I'm either proud or ashamed of -- it's just a fact of my current life. I love to read, but because I read for work, sometimes I just don't have it in me to read for pleasure. That being said, when I do read for pleasure that are certain aspects I love to see in books.-Links: https://WrittenInMelanin.com/linksPurchase We Are the Origin:  https://payhip.com/b/osSWmSupport Chelsea and the podcast: https://Patreon.com/CMLockhartCheck out the Melanin Library: https://MelaninLibrary.comMusic by Akia DaGreat-Books mentioned1. Burn Down, Rise Up by Vincent Tirado2. That Time I Got Drunk and Saved a Demon by Kimberly Lemming3. Dread Nation and Deathless Divide by Justina Ireland4. The Undead Truth of Us by Britney S. Lewis5. Song of Blood and Stone by L. Penelope6. The Belles by Dhonielle Clayton7. The Binti Trilogy by Nnedi Okorafor8. Now That I've Found You by Kristina Forest9. The Kindred by Alechia Dow10. Excuse Me While I Ugly Cry by Joya GoffneySupport the show

Tony Macaulay, author composer for musical theatre and songwriter you may not know the name but you will most likely know of some of the songs he has written such as "Build Me Up Buttercup", "Baby Now That I've Found You", "(Last Night) I Didn't Get to Sleep at All," as well as "Love Grows (Where My Rosemary Goes)" and "Don't Give Up on Us". Have a listen as he discusses his story on Wayne's Wonder World.

SPEARFINGER! FOUND YOU!

This week, Tirzah recommends two great fictional books about Hollywood. Follow All the Books! using RSS, Apple Podcasts, Spotify, or Stitcher and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. This content contains affiliate links. When you buy through these links, we may earn an affiliate commission. Books Discussed: The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid Now That I've Found You by Kristina Forest See omnystudio.com/listener for privacy information.

We are so happy to wish you all a Happy New Year and welcome you back for Season 6 of Disasters:Deconstructed!!!  We are again very excited to spend time with you again - or for the first time - as we explore why disasters really happen.  Our new season is focused on a cadre of emerging researchers that are challenging the sacred cows of (disaster) research. The season came about through our engagement with Disaster Prevention & Management Journal and the forthcoming Special Issue on “Emerging voices and pathways to inclusive disaster studies”.  Today we welcome the editors of the special issue, Eefje Hendriks, Laura Kmoch, Femke Mulder & Ricardo Fuentealba, to discuss their vision for this body of work. This will help us to position the season as a whole. In the coming weeks we will speak to many of the contributing authors!    Follow us on Twitter, Instagram and Facebook @DisastersDecon Rate and Review on Apple Podcasts Subscribe wherever you get your podcasts!    Music this week from "Found You" by Asher Postman. 

Ohio Trio Becomes First Group to Win in the Show's 21-Season HistoryCoach Kelly Clarkson Takes “Voice” Crown for Fourth TimeUNIVERSAL CITY, Calif. — Dec. 14, 2021 — Sibling trio Girl Named Tom, featuring Caleb (26), Joshua (24) and Bekah (20) Liechty from Pettisville, Ohio, and currently living in South Bend, Indiana, were crowned the champions of “The Voice” tonight.Girl Named Tom faced tough competition from the other finalists – Hailey Mia, also from Team Kelly, Wendy Moten and Paris Winningham from Team Blake, and Jershika Maple from Team Legend.In their Blind Audition, the trio, known for their beautiful family harmonies, earned a four-chair turn from all coaches for their rendition of “Helplessly Hoping” by Crosby, Stills & Nash. After an intense deliberation, the siblings chose Kelly Clarkson as their coach. They went on to win their Battle Round with a show-stopping performance of “Seven Bridges Road” by the Eagles and then their Knockout Round as well with a truly breathtaking interpretation of “Wichita Lineman” by Glen Campbell.During the live rounds, Girl Named Tom stepped out of their sweet spot in the folk genre to take on Coldplay's iconic “Viva la Vida.” After impressing coaches with their ability to pivot musical styles, they secured a spot in the Top 5 with a stunning cover of Joni Mitchell's “River.”On Monday night's telecast, Girl Named Tom once again showed their range with two timeless classics – “Baby Now That I've Found You” by The Foundations and “The Chain” by Fleetwood Mac.On tonight's finale, Caleb, Joshua and Bekah were joined on stage by Clarkson for a catchy cover of “Leave Before You Love Me” by Marshmello and the Jonas Brothers.Girl Named Tom is the first act in the 21 seasons of “The Voice” to have four of their songs in the iTunes Top 10 at the same time. In addition, the group reached #1 twice on the main iTunes Top 200 chart with “River,” and “The Chain.” “Hits From the Road,” the group's self-titled album that was released in February, is currently #17 on the iTunes Top Albums chart, making them the first act in the show's history to have songs also charting in the Top 200 from their own self-released album.Girl Named Tom was the #1 most-viewed act on YouTube this season, with 8.9 million collective views.Hailing from a small town, this sibling trio was initially homeschooled where music became a big part of their curriculum. They enrolled in piano lessons at a young age and joined theater once they started attending public school. Despite their artistic upbringing, they all planned to become doctors, but things changed when their father was diagnosed with a rare cancer in 2017. When Bekah finished high school and the boys finished college, their father's prognosis was still unknown, so they decided to spend more time as a family and formed their trio in 2019. Girl Named Tom is grateful for the chance to bring joy to their family and hopes to make their hometown proud on “The Voice.”This season the Monday and Tuesday editions of “The Voice” are averaging a 1.1 rating in adults 18-49 and 8.1 million viewers overall in “live plus seven day” averages from Nielsen Media Research. In “live plus same day” Nielsens, “The Voice” is undefeated in 18-49 and total viewers this season in both its Monday and Tuesday timeslots versus regular competition on the Big 4 networks. “The Voice” also adds significant viewership through extended time-shifting on digital and linear platforms with the show's Sept. 21 season premiere now up to a 3.2 rating in adults 18-49 and 13.6 million viewers overall when viewership to date on all platforms is counted. “The Voice” is the #1 most-watched unscripted series for the 2020-21 season to date ahead of “The Masked Singer.”“The Voice” is a presentation of MGM Television, Warner Bros. Unscripted Television in association with Warner Horizon, and ITV Studios The Voice USA, Inc. The series was created by John de Mol, who serves as an executive producer along with Mark Burnett, Audrey Morrissey, Amanda Zucker, Kyra Thompson and Adam H. Sher.For embeddable clips and more, please visitNBC.com's official show site: https://www.nbc.com/the-voicePlease follow us on Facebook at http://www.facebook.com/NBCTheVoice and on Twitter at @NBCTheVoice and #TheVoice.

The 100th episode of bitbird radio

Entrevista con el sensei Carlos Magnavachi. Sensei Magnavachi es 8 dan de la escuela Shorinryu Butokukan de Okinawa, la escuela del sensei Sokouchi Gibu, Hanshi 10 dan. Hacemos un repaso de sus 50 años de karate, desde sus inicios, su contacto con Sensei Jorge Brinkmann, de quien fue alumno por muchos años. Su primer viaje a Okinawa y su encuentro inicial con Sensei Fusei Kise (Shorinryu Kenshinkan), las diferencias entre su practica previa y apartar de su encuentro con Kise, para luego entrar en los desencuentros que tuvo con este maestro y el porque de su desvinculación de la escuela Kenshinkan. A partir de ahi, en el año 96 toma contacto con Sokouchi Gibu, Hanshi 10 dan y nos cuenta su experiencia, hablamos sobre el karate de Gibu y también sobre su personalidad. Ya en términos filosóficos tuvimos una charla muy interesante en torno a las graduaciones, las motivaciones detrás de las mismas, los egos, las hipocresías, las miserias, y la autoridad moral en los practicantes de karate, pero sobre todo en los profesores. Sensei Magnavachi nos muestra su filosa personalidad, un tipo directo como pocos, sincero, buena gente, y sobre todas las cosas, un hombre de bien que no se guarda nada (en ningún sentido). Nos vemos en la proxima... Como siempre, en tu idioma y con café de por medio!!! Si te gusta mi contenido, no dudes en suscribirte, esto ayuda mucho a mi canal, también te dejo por aca las redes sociales y formas de contacto: https://www.youtube.com/c/YourKarateNews https://yourkarate.news https://www.facebook.com/YourKarateNews https://www.instagram.com/YourKarateNews/ ----------------------------------------------------------------------- Background Music Credits: Bellini by Atch, Coming Home by Atch, Daydream by Atch, Echoes by Atch, Escape by Atch, First Light by Atch, Found You by Atch, Freedom by Atch, Horizons by Atch, Journey by Atch, Memories by Atch, Over You by Atch, Places by Atch, Stuck In My Brain by Atch, This Feeling by Atch, Time Out by Atch, Voyage by Atch, Wondering by Atch, Your Love by Atch SoundCloud: bit.ly/AtchSoundCloud Instagram: www.instagram.com/atchmusic Download: bit.ly/DownloadYourLove *For Instagram tag me @atchmusic ----------------------------------------------------------------------- --- Send in a voice message: https://anchor.fm/karatecafepodcast/message

Friends, let's play I Don't Want to Wait by Paula Cole, because we're talking exclusively about YA Contemporary Romance with our special guest NINA MORENO (Don't Date Rosa Santos, Our Way Back to Always)! We discuss the Riverdale by proxy curse, personal growth, eccentric families, blackmail to fall in love, and it's not something Nina-related if Dawson's Creek isn't mentioned.Books discussed: Fat Chance, Charlie Vega by Crystal Maldonado; Like a Love Song by Gabriela Martins; Now That I've Found You by Kristina Forest; and, Charming as a Verb by Ben Philippe.Other media/people mentioned: Riverdale, Glee, Love, Simon, To All The Boys I've Loved Before book series and movie trilogy, The Resolutions by Mia Garcia, Olivia Rodrigo's SOUR album, Make a Scene by Mimi Grace, I Wanna Be Where You Are and Zyla & Kai by Kristina Forest, Amparo Ortiz, Mean Girls, Dawnson's CreekNINA'S NEWEST BOOK, OUR WAY BACK TO ALWAYS WILL BE OUT ON OCTOBER 19TH, 2021, AND IS AVAILABLE FOR PRE-ORDER!!!Follow us on Twitter @mappingtropes and Instagram @mappingthetropes! Email episode suggestions to mappingthetropes@gmail.com.Theme music: Positiv Trumpet by John Yasut. Cover art by Luis Esteban @drawnesteban.

On this episode of the Stump a Catholic Podcast the boys talk about Facebook failures, different approaches to worship, and how to effectively engage teenagers in the liturgy.  We've always danced around Rey's status as a FORMER youth minister. Today the boys break down the rise and fall of Rey Guevara. *cue the Kings Kaleidoscope music* Time Stamps for Skippers 0:00 - Dry Roasted Nuts 12:00 - What is the deal with Theism?  45:30 - The Rise and Fall of Rey Guevara Music in this episode: Found You by Silicone Boone Footnotes: Support West Avenue Compassion

In this episode of War Machine, Petra Carlsson and Matt Baker speak with Justin Pearl about turn-of-the-millenia psychonaut, philosopher, and mathematician Terence MCKenna. The conversation centers on McKenna's final interview given in 1999: https://www.youtube.com/watch?v=GdEKhIk-8Gg Justin Leavitt Pearl is the director of The Atkins Center for Ethics at Carlow University, the Discipleship and Youth Coordinator at Baldwin Community United Methodist Church, and a member of the experimental theology cooperative Steel City Theology. https://politicaltheology.com/author/jleavittpearl/ Music for this episode: Evangelikon by Metatron Omega: https://www.youtube.com/watch?v=QsAkg6QN1Ss Dangerous Data by Future Fate: https://www.youtube.com/watch?v=7QynurJR6Fo Kyiv by Beau Diako: https://www.youtube.com/watch?v=YgS3D78Brjs And Now I've Found You by Cocabona: https://www.youtube.com/watch?v=AtBiz4H-HsQ Nomad's Theme by Matt Baker: https://soundcloud.com/warmachinepodcast/nomads-theme

Un quilate es una unidad empleada en metalurgia para la pureza del oro. En joyería 24 quilates equivale al oro puro. Si extrapolamos el término a la música y su valor en términos de oro puro, encontraremos artistas que dentro de sus trabajos compositivos a lo largo de la historia han dotado a sus creaciones de mucho peso, o sea que son joyas consideradas de 24 quilates. En el estudio de hoy sonarán artistas cuyas joyas musicales son oro puro, recogidas durante la décadade los 80 y los 90 y también actuales, como Frank Ocean, Chris Brown, Khalid o Trey Songz. Para mí estudio número 119, teniendo en cuenta que la pureza del oro se mide en quilates, la de la música se mide en audiencias y ventas, pero también en términos menos tangibles, como la elegancia y el talento. Por eso hoy el Podcast lo titulo como:R&B de 24 quilates.Playlist del programa:00 - Blaudzun-Solar (Intro).01 - Mark Morrison-Return Of The Mack.02 - Craig David-7 Days.03 - Sade-The Sweetest Taboo.04 - Maxwell-At The Party.05 - Incognito(feat Imaani)-Now That I´ve Found You.06 - Prince-Chelsea Rodgers.07 - Rufus & Chaka khan Ain´t Nobody.08 - The Brand New Heavies-Just Believe In You(feat. Siedah Garrett).09 - Frank Ocean-Thinkin Bout You.10 - Trey Songz-Gotta Make It(feat. Twista).11 - Chris Brown-Go Crazy(feat.Nicki Minaj & Aaliyah.12 - khalid & Normani-Love Lies.13 - Blaudzun-Solar (Despedida).

El Sensei Ruben Gomez, oriundo de Cuernavaca, Mexico, reside en Uruguay, es practicante de Karate Goju Ryu y profesor de Idioma Japones. Nos cuenta sobre su acercamiento al idioma japonés y cómo fue becado para ir a estudiar a Osaka, Japón por 1 año, asistiendo a una universidad japonesa y viviendo en una casa de familia, totalmente inmerso en la cultura japonesa. Su llegada a Uruguay, aunque en uruguay no hay pueblo indígena hoy día, su llegada fue por la invitación de un amigo a exponer sus experiencias en el viaje en bicicleta. Nos comenta sobre las diferencias culturales entre Japon-Mexico-Japon. Una vez instalado en Uruguay, comienza a ganarse la vida emprendiendo como profesor de Japones. Nos cuenta el proceso, el origen del nombre Kame House, y las becas a japon que brinda su escuela. En cuanto a la Beca, fue muy complicado al principio, pero con una gran evolución, que llevo diferentes tipos de actividades de financiamiento propio y colectivo dentro de la escuela, y hasta al punto de haber logrado firmar un convenio entre Kame House y la ciudad de Mino, Osaka, que le ha permitido enviar mas de 25 alumnos desde el año 2014. Enseñanza de idioma japonés y el Budo Sensei Ruben poco a poco se ha metido en la el mundo de las artes marciales japonesas, al punto de haber sido contactado por la Confederación Uruguaya de Karate para brindar un cursillo de idioma Japones para sus afiliados, también ha hecho lo mismo para Judo y Jujutsu. Taller de idioma japonés para la Confederación Uruguaya de Karate. También fue interprete de diferentes profesores de artes marciales cuando brindan sus clases o seminarios, tanto de karate, judo, aikido, etc. Lo que dio el punto de partida para la creación de un libro que se termino llamando “Japones para artistas marciales”: Este es un libro extremadamente interesante y completo, que toca desde cosas básicas para comprender como funciona el idioma japonés, terminologías básicas comunes a las artes marciales japonesas, para luego entrar e temas específicos, de cada arte marcial: Karate, Judo, Aikido, Kyudo, Kendo, Kobudo y Jujustu. El libro se puede comprar en Uruguay de forma personal en Kame House o en Mercado libre (https://articulo.mercadolibre.com.uy/MLU-474635301-japones-para-artistas-marciales-_JM ) Y en el resto del mundo en Amazon. Cabe destacar que en Amazon, puede comprarse de forma física (en los países donde Amazon tiene presencia local), o de forma digital en cualquier lugar del planeta. Para contactar al Sensei Ruben, pueden hacerlo por las siguientes vias: Pagina web: http://kamehouseuruguay.com Facebook de Kame House: https://www.facebook.com/kame.house.3939 Instagram: https://www.instagram.com/kamehouseuruguay/?hl=es Y este es el grupo de Facebook “Budoka Ilustrado. Japones para artistas marciales.” https://www.facebook.com/groups/172866191279214/ ------------------------------------ Background Music Credits: Bellini, Coming Home, Daydream, Echoes, Escape, First Light, Found You, Freedom, Horizons, Journey,Memories, Over You, Places, Stuck In My Brain, This Feeling, Time Out by, Voyage, Wondering, Your Love By Atch SoundCloud: bit.ly/AtchSoundCloud Instagram: www.instagram.com/atchmusic Download: bit.ly/DownloadYourLove *For Instagram tag me @atchmusic ------------------------------------------------ --- Send in a voice message: https://anchor.fm/karatecafepodcast/message

Kelly departs for maternity leave a few days early, so Hey YA gives an early welcome to its new interim co-host, Book Riot’s own Tirzah Price! Tirzah and Hannah already co-host the Read Harder podcast, part of Book Riot’s InsidEars perks, so they recommend a number of YA books that hit many of the Read Harder challenge tasks. This post contains affiliate links. When you buy through these links, Book Riot may earn a commission. Show Notes Dark and Deepest Red by Anna-Marie McLemore Miss Meteorby Anna-Marie McLemore and Tehlor Kay Mejía The Black Friend by Frederick Joseph Fighter in Velvet Gloves by Annie Boochever and Roy A. Peratrovich, Jr. Blessing’s Bead by Debby Dahl Edwardson Bronze and Sunflower by Cao Wenxuan Colorful by Eto Mori Hey YA episode on books in translation Queer, There, and Everywhere by Sarah Prager The Stonewall Riots: Coming Out in the Streets by Gayle Pittman The Things She’s Seen by Ambelin and Ezekiel Kwaymullina Tantalize by Cynthia Leitich Smith Fat Chance, Charlie Vega by Crystal Maldonado Hey YA: Extra Credit with Crystal Maldonado I’ll Be the One by Lyla Lee Meet Cute Diary by Emery Lee May the Best Man Win by Z.R. Ellor A Universe of Wishes edited by Dhonielle Clayton 1000 Beginnings and Endings edited by Ellen Oh and Elsie Chapman Make It Messy by Marcus Samuelsson with Veronica Chambers Notes from a Young Black Chef: YA Edition by Kwame Onwuachi with Joshua David Stein Gabi, A Girl in Pieces by Isabel Quintero The Darkness Outside Us by Eliot Schrefer Castle in the Clouds by Kerstin Gier XOXO by Axie Oh Enchanted Air by Margarita Engle Soaring Earth by Margarita Engle Unbroken: 13 Stories Starring Disabled Teens edited by Marieke Nijkamp Laughing at My Nightmare by Shane Burcaw Strangers Assume My Girlfriend is My Nurse by Shane Burcaw Now That I’ve Found You by Kristina Forest Hey YA: Extra Credit episode with Kristina Forest Charming As a Verb by Ben Philippe Last Night at the Telegraph Club by Malinda Lo The Initial Insult by Mindy McGinnis You Should See Me In a Crown by Leah Johnson The Edge of Anything by Nora Shalaway Carpenter Marcelo in the Real World by Francisco X. Stork Disappeared by Francisco X. Stork The Babysitters’ Coven by Kate Williams Elatsoe by Darcie Little Badger and Rovina Cai Sign up for Book Riot Insiders for even more Read Harder content. Find Tirzah on Twitter and Instagram. Find Hannah on Twitter and Instagram. See omnystudio.com/listener for privacy information.

La nota de hoy es con el Sensei Leonardo Santucho, 6 dan de Shorin Ryu, representante para argentina y director para Sudamerica de la escuela Seibukan del sensei Zempo Shimabukuro. Como siempre, conversamos sobre sus inicios en karate, su pasaje por la escuela Matsumura Seito principalmente, y mas en profundidad de la escuela Seibukan. Su relación con Sensei Pedro Fattore (RIP), que es quien abrió las puertas de Okinawa, y Leonardo no pudo elegir mejores palabras "Pedro pisaba fuerte en Okinawa", ya que inicialmente Shimabukuro Sensei no quería tener representación en Argentina debido a una mala experiencia previa, pero acepto a Leonardo por la recomendación de Pedro. Su relación con Pedro comienza cuando ellos dos empiezan a colaborar en la parte deportiva, y generaron una linda amistad. Su encuentro con Shimabukuro Sensei y sus experiencias en Okinawa. Aqui te dejo los datos de contacto de Sensei Santucho: https://www.facebook.com/leonardo.santucho https://www.instagram.com/seibukanargentina_oficial/ https://seibukanargentina.online/ Nos vemos en la proxima... Como siempre, en tu idioma y con café de por medio!!! Suscribite al canal y seguinos en las redes: https://www.youtube.com/c/YourKarateNews https://yourkarate.news https://www.facebook.com/YourKarateNews https://www.instagram.com/YourKarateNews/ ----------------------------------------------------------------------- Background Music Credits: Bellini by Atch, Coming Home by Atch, Daydream by Atch, Echoes by Atch, Escape by Atch, First Light by Atch, Found You by Atch, Freedom by Atch, Horizons by Atch, Journey by Atch, Memories by Atch, Over You by Atc, Places by Atch, Stuck In My Brain by Atch, This Feeling by Atch, Time Out by Atch, Voyage by Atch, Wondering by Atch, Your Love by Atch SoundCloud: bit.ly/AtchSoundCloud Instagram: www.instagram.com/atchmusic ----------------------------------------------------------------------- --- Send in a voice message: https://anchor.fm/karatecafepodcast/message

The Foundations had two hit songs. One was Baby, Now That I've Found You and the other one was Build Me Up Buttercup. I give you some information on the band.

La charla de esta semana es con el Sensei Luis Lemos, 7 dan de Shorin Ryu Taishinkan, alumno directo y representante para argentina de la sensei Nobuko Oshiro, 8 dan, que reside en Okinawa. Conversamos de su historia, sus comienzos con el Sensei Benito Higa, la continuacion de sus practicas con el Sensei Oscar Higa, y posteriormente su acercamiento a Sensei Pedro Fattore, y finalmente a Sensei Nobuko Oshiro. Su experiencia en Okinawa, desde su primera llegada, sin tener idea a dónde ir, o como llegar a los dojos, hasta muy buenos cuentos y anécdotas de ese y posteriores viajes. Su interacción y relacionamiento con Minoru Higa Sensei, y sus experiencias en los dojos de Kyudokan de Okinawa. Y también de diversos temas, desde la forma de enseñanza japonesa, y contrastarla con la forma de enseñanza occidental, el tema deportivo, diferentes formatos deportivos, beneficios de la parte deportiva en los practicantes, temas politicos (de karate), la nueva organización del karate okinawense de Argentina (OKKOA) y un sin fin de otras cosas. Link a la pagina web del Sensei Lemos: https://okinawachikaradojo.blogspot.com Sus redes sociales: https://www.facebook.com/lemoschikaradojo/ https://www.instagram.com/luislemos.taishinkan/ https://twitter.com/chikaradojo/ Nos vemos en la proxima... Como siempre, en tu idioma y con café de por medio!!! Si te gusta mi contenido, no dudes en suscribirte, esto ayuda mucho a mi canal, también te dejo por acá las redes sociales y formas de contacto: Suscribite al canal y seguinos en las redes: https://www.youtube.com/c/YourKarateNews https://yourkarate.news https://www.facebook.com/YourKarateNews https://www.instagram.com/YourKarateNews/ ----------------------------------------------------------------------- Background Music Credits: Bellini by Atch, Coming Home by Atch, Daydream by Atch, Echoes by Atch, Escape by Atch, First Light by Atch, Found You by Atch, Freedom by Atch, Horizons by Atch, Journey by Atch, Memories by Atch, Over You by Atch, Places by Atch, Stuck In My Brain by Atch, This Feeling by Atch, Time Out by Atch, Voyage by Atch, Wondering by Atch, Your Love by Atch SoundCloud: bit.ly/AtchSoundCloud Instagram: www.instagram.com/atchmusic *For Instagram tag me @atchmusic ----------------------------------------------------------------------- --- Send in a voice message: https://anchor.fm/karatecafepodcast/message

Today, we reflect on our favorite reads from the last three months. These quarterly reflections might be our favorite episodes to record. It’s lovely to take time to consider our favorite episodes, our favorite reads, and what we’ve learned over the course of the season. We’re sharing a bunch of book recommendations in this episode; shop our recs here.  Visit our podcast pals Heaving Bosoms! Follow Novel Pairings on Instagram or Twitter. Subscribe to our newsletter.  Use our Libro.fm affiliate code NOVELPAIRINGS to get an audiobook subscription for yourself or purchase a gift.    Books mentioned: Transcendent Kingdom by Yaa Gyasi Leave the World Behind by Rumaan Alam Mexican Gothic by Silvia Moreno Garcia Luster by Raven Leilani Never Let Me Go by Kazuo Ishiguro The Other Typist by Suzanne Rindell Like Lovers Do by Tracey Livesay On Beauty by Zadie Smith  Intimations by Zadie Smith Now That I’ve Found You by Kristina Forest I Wanna Be Where You Are by Kristina Forest Girl, Serpent, Thorn by Melissa Bashardoust The Next Great Jane by K.L Going The Prettiest Star by Carter Sickels A Little Life by Hanya Yanagihara The Great Believers by Rebecca Makkai The Heart’s Invisible Furies by John Boyne Hillbilly Elegy by J.D. Vance She Come by It Natural by Sarah Smarsh All My Mother’s Lovers by Ilana Masad How to Catch a Queen by Alyssa Cole The Beauty of Your Face by Sahar Mustafa   Winter lineup:   December My Antonia by Willa Cather Little Women by Louisa May Alcott   January Sister Outsider by Audre Lorde 84 Charing Cross Road by Helene Hanff   February There is Confusion by Jessie Redmon Fauset The Bloody Chamber by Angela Carter

We are joined by amazing and mysterious Amanda and Cassidy from Drinking the Kool-Aid Pod! Amanda is a superfan of the show and long time watcher. This was Cassidy’s FIRST EVER Bachelor Franchise episode! In this episode, we finally find out how Clare “blows up the Bachelorette” by proclaiming her love for Dale and dumping with the rest of the guys. Clare and Dale have a lot of relationship firsts in this episode - the first one-on-one date, first dance, and first PROPOSAL. In this episode, we also get to see our friends, Chris and Bri, from Listen to Your Heart! They sing “Found You” from their first album. You can check out our interview with them here! Our POC highlight this week features Demar, the spin instructor from Scottsdale, Arizona. Demar rocked the heck out of a black on black suit and looked absolutely amazing. Check out Drinking the Kool-Aid Pod here! Connect with us at linktr.ee/CrimeandRoses There you can see links to listen and share the podcast and connect with us on Twitter, Instagram, and Facebook. Email: CrimeandRoses@gmail.com. Send us crime suggestions and any questions or comments you may have. --- Support this podcast: https://anchor.fm/crimeandroses/support

Our mission here at the Music Museum is to support all Vietnam Veterans and those who serve the United States, then and now. We thank you for your service. ****** Early-on, in Vietnam, soldiers turned to music as a lifeline to the home front they’d promised to defend. Rock & roll (R&R) really became rest & relaxation (R&R) for the troops. It was this music that got you through another day, another day closer to going home. Music was a big part of a soldier’s down time that centered within the hooches of Vietnam. The music that was popular during the Vietnam War was, and is still, therapy. There are songs you can remember, and then there are songs you REALLY remember. Many of these songs will have a special meaning for you. A place, a brother, a time gone by. This program is for you, the Vietnam Vets, who will never forget. ****** Our goal with The Vietnam War: The Music is to honor the fallen and the survivors with the music that got them through “just one more day”. Our shows are broadcast around the world. They say thank you & “welcome home” to all Vietnam Vets. There is no opinion offered on the War. It’s all about the music. ******* For your service and your sacrifice, this is The Vietnam War: The Music. If you were in country while they danced at your prom, this one’s for you. We owe you a debt that can’t be repaid. Thank you. ********* This episode is called Prom Night - This Guy's In Love With You (1968) ***** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 **** or by email at dannymemorylane@gmail.com **** In this episode you’ll hear: 1) Dance To The Music by Sly & The Family Stone 2) Special Occasion by Smokey Robinson & The Miracles 3) Mony Mony by Tommy James & The Shondells 4) Stand By Your Man by Tammy Wynette 5) Jumpin' Jack Flash by The Rolling Stones 6) Some Things You Never Get Used To by Diana Ross & The Supremes 7) The Eyes Of A New York Woman by B. J. Thomas 8) Just Dropped In (To See What Condition My Condition Was In) by Kenny Rogers & The First Edition 9) Itchycoo Park by Small Faces 10) Sweet Blindness by The 5th Dimension 11) (Sittin' On) The Dock Of The Bay by Otis Redding 12) This Guy's In Love With You by Herb Alpert & The Tijuana Brass 13) Walking On The Water by Creedence Clearwater Revival 14) Son-of-a Preacher Man by Dusty Springfield 15) Girl Watcher by The O'Kaysions 16) Those Were the Days by Mary Hopkin 17) Will You Love Me Tomorrow by Frankie Valli & The Four Seasons 18) Give Me One More Chance by Wilmer Alexander, Jr. and The Dukes 19) Both Sides Now by Judy Collins 20) I Found A True Love by Wilson Pickett 21) On The Road Again by Canned Heat 22) To Sir With Love by Lulu 23) Ain't Nothing Like The Real Thing by Marvin Gaye & Tammi Terrell 24) With A Little Help From My Friends by Joe Cocker 25) Spooky by Classics IV 26) Respect by Aretha Franklin 27) Kind Of A Drag by The Buckinghams 28) Angel Of The Morning by Merrilee Rush & The Turnabouts 29) For Once In My Life by Stevie Wonder 30) Tighten Up by Archie Bell & The Drells 31) All You Need Is Love by The Beatles 32) Red, Red Wine by Neil Diamond 33) Groovin' by The Young Rascals 34) Turn Around, Look At Me by The Vogues 35) The Happening by The Supremes 36) I Will Always Think About You by New Colony Six 37) I've Gotta Get A Message To You by The Bee Gees 38) If I Can Dream by Elvis Presley 39) Baby, Now That I've Found You by The Foundations 40) Lady Willpower by Gary Puckett & The Union Gap 41) Kiss Me Goodbye by Petula Clark

Today we’re talking about doom scrolling and sharing plenty of book recs (nonfiction, rom coms, mysteries, and more) that will keep you turning the pages instead of scrolling on your phone.    To find a list of every title we mention in today’s episode, go to hereadsheread.org/podcast for show notes.  Subscribe to our newsletter: hereadsheread.substack.com Follow us on Instagram: instagram.com/hereadsheread/ Get two audiobooks for the price of one w/code HRSR: https://libro.fm/redeem/hrsr Or give the gift of audiobooks: https://libro.fm/gift?cmp=hrsr   Books mentioned:     A Deeper Darkness by JT Ellison   Boyfriend Material by Alexis Hall   The Watchman by Robert Crais   Watchmen (graphic novel) One to Watch by Kate Stayman-London   The Duchess Deal by Tessa Dare   Here for It by R. Eric Thomas MBS by Ben Hubbard Now That I’ve Found You by Kristina Forest   Also mentioned:   The 355 trailer The Voting Booth by Brandy Colbert Doom scrolling definition Pantsuit Politics podcast What Should I Read Next Episode 164

Kelly and YA author Kristina Forest talk about Megan McCafferty’s Sloppy Firsts, digging into suburban angst, finding yourself, and Marcus Flutie. This episode is sponsored by How to Do It Now by Leslie Josel from Lerner Books. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. To get even more YA news and recommendations, sign up for our What’s Up in YA newsletter! Show Notes I Wanna Be Where You Are by Kristina Forest Now That I’ve Found You by Kristina Forest Sloppy Firsts by Megan McCafferty Follow Kristina on Twitter and Instagram See omnystudio.com/listener for privacy information.

Jeff and Rebecca discuss rumors of PRH trying to buy Simon & Schuster, a bankrupt printer causing havoc in publishing, more cringe-inducing Dan Brown…stuff, a hero of the week, and much more. This episode is sponsored by: The Insomniacs by Marit Weisenberg Before She Was Helen by Caroline B. Cooney Now That I’ve Found You by Kristina Forest Book Riot Insiders Discussed in this episode: Serious issues w/ book printers set industry behind for the season This amazing Dan Brown profile Bertelsmann interested in buying Simon & Schuster PRH workforce diversity report Madhulika Sikka in as VP at Crown And Gerry Howard retiring from Doubleday Heroes of the Week: Parents created Liberation Station when their son wanted to see more Black boys in books See omnystudio.com/policies/listener for privacy information.

Jeff and Rebecca highlight the most interesting, noteworthy, and exciting books being released this fall. This episode is sponsored by; Book Riot Insiders Now That I’ve Found You by Kristina Forest, with Fierce Reads Blue Box Press and 1001 Dark Nights His Only Wife by Peace Adzo Medie, now available from Algonquin Books Books mentioned in this episode: The Lying Life of Adults by Elena Ferrante Transcendent Kingdom by Yaa Gyasi Just Us by Claudia Rankine If Then by Jill Lepore Can’t Even by Anne Helen Petersen Jack by Marilynne Robinson Leave the World Behind by Rumaan Alam Office of Historical Corrections by Danielle Evans Mediocre by Ijeoma Oluo Sweat: A History of Exercise by Bill Hayes Memorial by Bryan Washington Piranesi by Susanna Clarke That Time of Year by Marie Ndiaye The Man Who Ate Too Much by John Birdsall Having and Being Had by Eula Biss The Story of Life in 10 ½ Species by Marianne Taylor Black Sun by Rebecca Roanhorse The Silence by Don DeLillo Eat a Peach by David Chang See omnystudio.com/policies/listener for privacy information.

Eric is joined by Aiden Thomas, author of the highly anticipated debut novel Cemetery Boys, to talk favorite backlist titles and bad reading location decisions. This episode is sponsored by Now That I’ve Found You by Kristina Forest, with Fierce Reads. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. To get even more YA news and recommendations, sign up for our What’s Up in YA newsletter! SHOW NOTES Cemetery Boys by Aiden Thomas Anna Dressed in Blood by Kendare Blake Give the Dark My Love by Beth Revis When the Moon Was Ours by Anna Marie-McClemore Relativity by Cristin Bishara See omnystudio.com/policies/listener for privacy information.

This week, Liberty and Patricia discuss Winter Counts, Spellbound, The Great Offshore Grounds, and more great books. This episode is sponsored by TBR, Book Riot’s subscription service offering reading recommendations personalized to your reading life, MIRA Books and Lies Lies Lies by Adele Parks, and Impersonation by Heidi Pitlor, now available from Algonquin Books. Pick up an All the Books! 200th episode commemorative item here. Subscribe to All the Books! using RSS, iTunes, or Spotify and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. BOOKS DISCUSSED ON THE SHOW: Winter Counts by David Heska Wanbli Weiden  Spellbound by Bishakh Som The Great Offshore Grounds by Vanessa Veselka Sitting Pretty: The View From My Ordinary Resilient Disabled Body by Rebekah Taussig The Comeback by Ella Berman Don’t Tell Me to Relax: Emotional Resilience in the Age of Rage, Feels, and Freak-Outs by Ralph De La Rosa The New Wilderness by Diane Cook His Truth is Marching On: John Lewis and the Power of Hope by Jon Meacham WHAT WE’RE READING: Disability Visibility: First-Person Stories from the Twenty-First Century by Alice Wong Annie and the Wolves by Andromeda Romano-Lax MORE BOOKS OUT THIS WEEK: Ink and Sigil by Kevin Hearne  Letters from Cuba by Ruth Behar Slum Virgin by Gabriela Cabezón Cámara, Frances Riddle Vesper Flights by Helen Macdonald Aria: A Novel by Nazanine Hozar Squeeze Me: A novel by Carl Hiaasen  The Book of Unconformities: Speculations on Lost Time by Hugh Raffles At Times: New and Selected Poems by Brooke Horvath Pluses and Minuses: How Math Solves Our Problems by Stefan Buijsman Here to Stay by Adriana Herrera Entwined by A.J. Rosen The Butterfly Effect: Insects and the Making of the Modern World by Edward D. Melillo Summer: A Novel (Seasonal Quartet) by Ali Smith The Sprawl: Reconsidering the Weird American Suburbs by Jason Diamond The Frightened Ones: A novel by Dima Wannous, Elisabeth Jaquette (translator) Tales from the Ant World by Edward O. Wilson Count Luna by Alexander Lernet-Holenia, Jane B. Greene (translator) Death of a Telenovela Star by Teresa Dovalpage You Lucky Dog by Julia London The Erratics: A Memoir by Vicki Laveau-Harvie Deepfakes: The Coming Infocalypse by Nina Schick They Called Us Enemy: Expanded Edition by George Takei, Justin Eisinger, Steven Scott, Harmony Becker An Inventory of Losses by Judith Schlansky, Jackie Smith (translator) Farewell, Ghosts by Nadia Terranova, Ann Goldstein (translator) Winning the Green New Deal: Why We Must, How We Can by Varshini Prakash and Guido Girgenti The Companion by Katie Alender  The Exiles: A Novel by Christina Baker Kline Song of the Court by Katy Farina Hidden (The Texas Murder Files Book 1) by Laura Griffin The Hierarchies: A Novel by Ros Anderson The Butcher’s Daughter: A Foundlings Novel (The Foundlings) by Wendy Corsi Staub  Superman’s Not Coming: Our National Water Crisis and What We the People Can Do About It by Erin Brockovich The Inugami Curse by Seishi Yokomizo, Yumiko Yamakazi (translator) Ghost Flames: Life and Death in a Hidden War, Korea 1950-1953 by Charles J. Hanley  The Mother Code by Carole Stivers American Dreams: Portraits & Stories of a Country by Ian Brown Where Dreams Descend: A Novel (Kingdom of Cards) by Janella Angeles The Habsburgs: To Rule the World by Martyn Rady Children of Ash and Elm: A History of the Vikings by Neil Price Murder Most Puzzling: 20 Mysterious Cases to Solve (Murder Mystery Game, Adult Board Games, Mystery Games for Adults) by Stephanie von Reiswitz  The Presidents vs. the Press: The Endless Battle between the White House and the Media–from the Founding Fathers to Fake News by Harold Holzer The Last Great Road Bum: A Novel by Héctor Tobar Now That I’ve Found You by Kristina Forest The Growing Season: How I Saved an American Farm–and Built a New Life by Sarah Frey  The Wrong Mr. Darcy by Evelyn Lozada The Family Clause: A Novel by Jonas Hassen Khemiri, Alice Menzies (translator) El Jefe: The Stalking of Chapo Guzmán by Alan Feuer The Burning Kingdoms (The Smoke Thieves) by Sally Green Elatsoe by Darcie Little Badger, Rovina Cai (Illustrator) Kodi by Jared Cullum Midnight at the Barclay Hotel by Fleur Bradley, Xavier Bonet The Saddest Words: William Faulkner’s Civil War by Michael Gorra The Woods by Vanessa Savage  When I Was You by Amber Garza Vision by Julia Gfrörer Final Cut: A Novel by S. J. Watson Livewired: The Inside Story of the Ever-Changing Brain by David Eagleman The Vegucated Family Table: Irresistible Vegan Recipes and Proven Tips for Feeding Plant-Powered Babies, Toddlers, and Kids by Marisa Miller Wolfson, Laura Delhauer Kind of a Big Deal by Shannon Hale When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry by Joy Harjo Love Sold Separately by Ellen Meister  Bright Raven Skies by Kristina Perez White Hot Light: Twenty-Five Years in Emergency Medicine by Frank Huyler The Artifact Hunters by Janet Fox You Ought to Do a Story About Me: Addiction, an Unlikely Friendship, and the Endless Quest for Redemption by Ted Jackson Clown in a Cornfield by Adam Cesare The Royal Governess: A Novel of Queen Elizabeth II’s Childhood by Wendy Holden Beowulf: A New Translation by Maria Dahvana Headley The Con Code by Shana Silver Twin Daggers by MarcyKate Connolly The Memory of Souls (A Chorus of Dragons) by Jenn Lyons Traitor by Amanda McCrina Frankie Comics by Rachel Dukes Ironspark by C. M. McGuire Harrow Lake by Kat Ellis Darius the Great Deserves Better by Adib Khorram The Whitsun Daughters by Carrie Mesrobian The Seduction by Joanna Briscoe City Under the Stars by Gardner Dozois, Michael Swanwick Moss by Klaus Modick, David Herman (translator) The Truth about Baked Beans: An Edible New England History by Meg Muckenhoupt Beyond Repair: Encounters in a Fractured World by Sebastian Matthews The Assignment by Liza M. Wiemer Thread and Dead: The Apron Shop Series by Elizabeth Penney   Inventing Latinos: A New Story of American Racism by Laura E. Gómez Against the Loveless World: A Novel by Susan Abulhawa Best Debut Short Stories 2020: The Pen/Dau Prize  I Can Sell You A Body by Ryan Ferrier, George Kambadais Sisters by Daisy Johnson Killer Kung Pao: A Noodle Shop Mystery by Vivien Chien Spring: A Novel by Leila Rafei Amboy: Recipes from the Filipino-American Dream by Alvin Cailan, Alexandra Cuerdo In the Shadows of Men by Robert Jackson Bennett  Dispersion by Greg Egan See omnystudio.com/policies/listener for privacy information.

Kristina is the author of I Wanna Be Where You Are and Now That I’ve Found You. Kristina can be found on Instagram @kristinaforest_ and Twitter @kristinaforest. Her website is kristinaforest.com.Mentioned in this Episode:Leo Fuchs: Special Photographer from the Golden Age of HollywoodMatt Sayles / Matt’s instagramThe Black ListThe Black List Earmovies archive - Selznick’s Folly (based on a book of the same title) is the Hattie McDaniel biopic. We can’t link to it directly but you can listen or download it on the page; there is also a separate episode featuring an interview with screenwriter Gesha-Marie Bland.Heidi Joyce’s Stand Up Against Domestic ViolenceRandall Craig FleischerYoungstown Symphony Orchestra Virtual concert with Randall Craig FleischerBrother Jimmy’sWet Hot American SummerWhat We Do in the ShadowsA French VillageRick Steves’ EuropeTravel ManThe Trip / The Trip to Italy / The Trip to GreeceThe Durrells in CorfuNo Offense by Meg CabotRachel FershleiserJasmine GuilloryNora RobertsLove Lettering by Kate ClaybornRomancing the Beat by Gwen HayesHow Vivian Stephens Helped Turn Romance Writing Into a Billion-Dollar Industry. Then She Got Pushed Out - Texas MonthlyBreakfast at Tiffany’sRoman HolidaySabrinaDiahann CarrollAudrey HepburnMarilyn MonroeDorothy DandridgeThe Philadelphia StoryKatharine HepburnJimmy StewartCary GrantSidney PoitierHarry BellafonteDenzel WashingtonJohn David WashingtonDakota JohnsonMelanie GriffithTippi HedrenThe BirdsAntonio BanderasBright LightsFisher StevensClint EastwoodScott EastwoodMamie GummerEveningJamie Lee CurtisJanet LeighTony CurtisSunset BoulevardPommes FritesThe New School MFA in Writing for Children and Young AdultsDavid LubarSarah DessenHamline MFAJill SantopoloOur episode with Christina BryzaThe Warmth of Other Suns by Isabel WilkersonThe Last DanceChloe x HalleThe Gift - BeyoncéBlack is King - BeyoncéAbout Us:Truer Words is created and produced by Melissa Baumgart and Kathryn Benson. Our music was composed by Mike Sayre, and our logo was designed by Marianne Murphy.You can follow us on Twitter @truerwordspod and on Instagram @truerwordspodcast. Contact us via our website, truerwordspodcast.com, or email us at truerwordspodcast@gmail.com.

Eric and Kelly talk YA romance you may have missed this year and take a deep dive into what IP work is and why it’s likely you love it. This episode is sponsored by  TBR, Book Riot’s subscription service offering reading recommendations personalized to your reading life; Amulet Books and Raybearer by Jordan Ifueko; and Skyhunter by Marie Lu. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. To get even more YA news and recommendations, sign up for our What’s Up in YA newsletter! SHOW NOTES Girl, Unframed by Deb Caletti Body Talk: 37 Voices Explore Our Radical Anatomy edited by Kelly Jensen Vanessa Yu’s Magical Paris Tea Shop by Roselle Lim Agnes at the End of the World by Kelly McWilliams Love Creekwood by Becky Albertalli I Kissed Alice by Anna Birch I’ll Be The One by Lyla Lee The Falling in Love Montage by Ciara Smyth More Than Just a Pretty Face by Syed M. Masood Four Days of You and Me by Miranda Kenneally Late To The Party by Kelly Quindlin Now That I’ve Found You by Kristina Forest A Cuban Girl’s Guide to Tea and Tomorrow by Laura Taylor Namey Salty, Bitter, Sweet by Mayra Cuevas The Geek’s Guide to Dating by Eric Smith by Eric Smith Geekerella by Ashley Poston Avatar: Kyoshi by FC Yee Sarah Enni’s “First Draft” podcast episode on her IP work.

Welcome to Our Life In Books where we talk about our lives, books and everything in between! This week we’re chatting about all the August books we’re excited about. We also catch up on some book world news and have a little giggle about Prince Kevin. Grab your favorite cup of tea and join us!   Our Life in Books Patreon- https://www.patreon.com/ourlifeinbooks Our Life In Books Tea- https://www.adagio.com/signature_blend/list.html?userId=696813O Our Life In Books Society- https://www.facebook.com/groups/ourlifeinbookssociety   Follow Our Life In Books- https://linktr.ee/ourlifeinbooks_ Follow Elizabeth- https://linktr.ee/bookishconnoisseur Follow Samantha- https://linktr.ee/bookishstateofmind   Blackberry Sage Oolong - https://www.adagio.com/oolong/blackberry_sage_oolong.html The Twin by Natasha Preston- https://amzn.to/3awgMRd  Releasing Keanu by Siobhan Davis- https://amzn.to/2CsxQuX  The Princess Trials by Cordelia Castle- https://amzn.to/3iK92Oz  Be Not Far From Me by Mindy McGinnis- https://amzn.to/2PPqCUT  Keanu Reeves is writing a comic book! https://www.usatoday.com/story/entertainment/books/2020/07/17/exclusive-keanu-reeves-debuts-comic-book-writer-brzrkr/5448723002/ When Dimple Met Rishi is getting a Netflix adaptation!- https://www.instagram.com/p/CCtSNuRAQdF/ Bedtime stories with celebrities like Idris Elba- https://www.thewrap.com/mahershala-ali-idris-elba-and-oscar-isaac-will-read-you-bedtime-stories-in-hbo-max-series/ Best Selling Books of 2020 (So Far) https://www.publishersweekly.com/pw/by-topic/industry-news/bookselling/article/83894-bestselling-books-of-2020-so-far.html YA Week on Goodreads! https://www.goodreads.com/blog/show/1909?ref=yaweek2020_sa Midnight Sun by Stephanie Meyer- https://amzn.to/3aoiBzC  Don’t Ask Me Where I’m From by Jennifer De Leon- https://amzn.to/2CpwWPE  The Black Kids by Christina Hammonds Reed- https://amzn.to/3iyzpH4  Now That I’ve Found You by Kristina Forest- https://amzn.to/3fXze6q  Set Fire to the Gods by Sara Raasch and Kristen Simmons- https://amzn.to/3g0vReS  Little Disasters by Sarah Vaughn- https://amzn.to/2DLKiqm  Where Dreams Descend by Janelle Angeles- https://amzn.to/2PUzc4O  The Notorious Virtues by Alwyn Hamilton- https://www.goodreads.com/book/show/38347283-the-notorious-virtues Star Daughter by Shveta Thakrar- https://amzn.to/3fQRcaI  The Other Mrs. by Mary Kubica-https://amzn.to/3fXtIkn  Lobizona by Romina Garber- https://amzn.to/2Y0hv8e  They Wish They Were Us by Jessica Goodman- https://amzn.to/30TJwAi  You Had Me At Hola by Alexis Daria- https://amzn.to/3awO3Mg  Behind the Red Door by Megan Collins- https://amzn.to/3fTYhqV  Raybearer by Jordan Ifueko- https://amzn.to/3fXAGWq  Traitor by Amanda McCrina- https://amzn.to/2PUF26c 

Micol is the author of over 50 books for kids and young adults. Micol can be found on Instagram @micolostow and Twitter @micolz. Her website is micolostow.com.Mentioned in this Episode:Mediabistro.comSave the Cat! Writes A Novel by Jessica BrodyOur episode with Erin Foley ChanSave the Cat! by Blake SnyderToday Tonight Tomorrow by Rachel Lynn SolomonBeach Read by Emily HenryThe Turnaway Girls by Hayley ChewinsNow That I’ve Found You by Kristina ForestClive CusslerMary Higgins ClarkChristopher PikeR.L. StineSweet Valley HighFrancine PascalGet a portrait from the Sweet Valley High portraitistMean Girls movie / Mean Girls novelization by MicolBuffy the Vampire SlayerRiverdale / Riverdale book series by MicolThe Chilling Adventures of Sabrina - Sarah Rees BrennanSabrina the Teenage Witch series with Melissa Joan HartCharmedAngelArchie ComicsAmy BerkowerWriters HouseJodi ReamerEmily Goldberg Learns to Salsa by MicolAlloyGossip Girl by Cecily von ZiegesarMediaBistroStephenie MeyerJohn GreenKami GarciaAlly CondieVermont College of Fine ArtsFeed by M.T. Andersonttyl by Lauren MyracleHamline MFAThe New SchoolNYU MFADavid LevithanKathi AppeltUma KrishnaswamiTim Wynne-JonesLouise Hawesfamily by MicolSo Punk Rock: And Other Ways to Disappoint Your Mother by Micol and illustrated by David OstowThe Absolutely True Story of a Part-Time Indian by Sherman AlexieHeeb MagazineThe Devil and Winnie Flynn by Micol and illustrated by David OstowDavid Ostow in The New YorkerHow I Live Now by Meg RosoffAlex Segura / Alex on TwitterThe Astonishing Life of Octavian Nothing by M.T. AndersonSullivan, Who Is Always Too Loud by Micol, illustrated by Brian BiggsThe Girl on the Train by Paula HawkinsBig Little Lies by Liane MoriartyThe Worst Bestsellers Big Little Lies podcast episodeThe Luckiest Girl Alive by Jessica KnollPatricia CornwallTana FrenchMarvel Cinematic Universe moviesGuardians of the Galaxy 2Captain AmericaAbout Us:Truer Words is created and produced by Melissa Baumgart and Kathryn Benson. Our music was composed by Mike Sayre, and our logo was designed by Marianne Murphy.You can follow us on Twitter @truerwordspod and on Instagram @truerwordspodcast. Contact us via our website, truerwordspodcast.com, or email us at truerwordspodcast@gmail.com.

Welcome to Our Life In Books where we talk about our lives, books and everything in between! This week we’re recommending loads of books by BIPOC authors. We believe it’s important to diversify your reading and with that in mind, we compiled a list of books by black authors that we’re adding to our lists and think you should too! Grab your favorite cup of tea (and your Goodreads app) and join us!   Our Life in Books Patreon- https://www.patreon.com/ourlifeinbooks Our Life In Books Tea- https://www.adagio.com/signature_blend/list.html?userId=696813O Our Life In Books Society- https://www.facebook.com/groups/ourlifeinbookssociety   Follow Our Life In Books- https://linktr.ee/ourlifeinbooks_ Follow Elizabeth- https://linktr.ee/bookishconnoisseur Follow Samantha- https://linktr.ee/bookishstateofmind   Tea Irish Breakfast from Tea Cellar- https://www.teacellartea.com/shop/irish-breakfast/   Currently Reading One of Us in Lying by Karen M McManus- https://amzn.to/3eVSMZ6  Stamped by Ibram X Kendi & Jason Reynolds (YA)- https://amzn.to/2ZyKvUC Stamped by Ibram X Kendi (Adult)- https://amzn.to/3iq9GBjThe Sullivan Sisters by Kathryn Ormsbee- https://amzn.to/38pyggX  Chaos Seed Series by Aleron Kong- https://amzn.to/3glm8As  Dread Nation by Justina Ireland- https://amzn.to/2VJ4u1U  Juneteenth Book Fest - https://bookshop.org/lists/juneteenth-book-fest-2020-shop Goodreads- An Anti-Racist Reading List: 20 Highly Rated Nonfiction Books by Black Authors Epic Reads- 55 Black-Owned Bookstores That Need Our Support Epic Reads- 17 New YA Books by Black Authors to Support- Now & Always Penguin Random House - 25 Books by Contemporary Black Authors Riveted by Simon Teen - Black Stories Matter: Books by Black Authors You Should Read ASAP Riveted by Simon Teen - Upcoming Books by Black Authors That We Can’t Wait for U to Read! Riveted by Simon Teen - Black Booktubers and Bookstagrammers You Should Be Following Riveted by Simon Teen - Black-Owned Bookstores to Buy From and Follow on Social Media The Sound of Stars by Alechia Dow - https://amzn.to/2CYs18f  The Hate U Give by Angie Thomas- https://amzn.to/3gpIr89  On the Come Up by Angie Thomas- https://amzn.to/2D7craC  By Sea & Sky by Antoine Bandele- https://amzn.to/2NQLbiv  When You Were Everything by Ashley Woodfolk- https://amzn.to/3is4o8i  A Song Below Water by Bethany C. Morrow- https://amzn.to/2C029IS  Finding Yvonne by Brandy Colbert- https://amzn.to/2YU1a5Y  The Voting Booth by Brandy Colbert- https://amzn.to/2YX7LN2  Slay by Brittney Morris- https://amzn.to/2C07jVh  Full Disclosure by Camryn Garrett- https://amzn.to/2NPW4kM  Conquest (Dragon Bones #1) by Celeste Harte- https://amzn.to/31F4nYQ   The Black Kids by Christina Hammonds Reed- https://amzn.to/2YXlmno  Let’s Talk About Love by Claire Kann- https://amzn.to/2BDLj2z  Fire Shut Up in My Bones by Charles M. Blow- https://amzn.to/2D7XIfz  Hide and Seeker by Daka Hermon- https://amzn.to/2Zve3lY  Dorothy Must Die by Danielle Paige- https://amzn.to/2ArGb0O  Stealing Snow by Danielle Paige- https://amzn.to/3gmSOcU  The Black Flamingo by Dean Atta- https://amzn.to/2C03fEu  Truly, Madly, Royally by Debbie Rigaud- https://amzn.to/38ostsd  The Belles by Dhonielle Clayton- https://amzn.to/2VJceB0  Black Girl Unlimited by Echo Brown- https://amzn.to/2NSsc7h  Clap When You Land by Elizabeth Acevedo- https://amzn.to/2AqLbmj  With the Fire on High by Elizabeth Acevedo- https://amzn.to/2ZsBWKM  American Street by Ibi Zoboi- https://amzn.to/2DaM5Vj  All American Boys by Jason Reynolds- https://amzn.to/2VJ022O  The Opposite of Always by Justin A Reynolds- https://amzn.to/38oecf0  Sing, Unburied, Sing by Jesmyn Ward- https://amzn.to/31LrhOb  Felix Ever After by Kacen Callender- https://amzn.to/38ojxDf  Cinderella is Dead by Kalynn Bayron- https://amzn.to/3gAUnUT  I’m Not Dying With You Tonight by Kimberly Jones & Gilly Segal- https://amzn.to/3eYrfWX  Kimberly Jones Youtube- https://www.youtube.com/watch?v=sb9_qGOa9Go I Wanna Be Where You Are by Kristina Forest- https://amzn.to/2VHu0V0  Now That I’ve Found You by Kristina Forest- https://amzn.to/3f9ke5C  Heavy: An American Memoir by Kiese Laymon- https://amzn.to/3gnLhdN  The Nightmare-Verse Series by L.L. McKinney- https://amzn.to/3gtrFoN  Undead Girl Gang by Lily Anderson- https://amzn.to/3gmjKJM  You Should See Me in a Crown by Leah Johnson- https://amzn.to/3f0tfxZ  Dear Haiti, Love Alaine by Maika Moulite- https://amzn.to/2C6wy85  I Know Why the Caged Bird Sings by Maya Angelou- https://amzn.to/2NP2pgq  Color Me In by Natasha Diaz- https://amzn.to/2ZEbCgS  Dear Martin by Nic Stone- https://amzn.to/2ZOxlmH  Binti series by Nnedi Okorafor- https://amzn.to/2BsCGYJ   Everything, Everything by Nicola Yoon- https://amzn.to/3gpzo7k  The Sun is Also a Star by Nicola Yoon- https://amzn.to/2BBWOaz    When the Stars Lead to You by Ronni Davis- https://amzn.to/31OGa26   Girls Like Us by Randi Pink- https://amzn.to/2AsMQI5  A Song of Wraiths and Ruin by Roseanne Brown- https://amzn.to/3gpFvZ4   Legendborn by Tracy Deonn- https://amzn.to/38pboyh  Allegedly by Tiffany D. Jackson- https://amzn.to/3dXaev5    Monday’s Not Coming by Tiffany D. Jackson- https://amzn.to/3iumzdK  Legend of Orisha Series by Tomi Adeyemi- https://amzn.to/2BsEalL   Bingo Love by Tee Franklin- https://amzn.to/2C5iUSI  The Water Dancer by Ta-Nehisi Coates- https://amzn.to/2ZyAIxU   A Love Hate Thing by Whitney D. Grandison- https://amzn.to/2YVTcci   Black Enough: Stories of Being Young & Black in America edited by Ibi Zoboi- https://amzn.to/3gjSg7q  Our Stories, Our Voices: 21 YA Authors Get Real about Injustice, Empowerment and Growing Up Female in America edited by Amy Reed- https://amzn.to/2C5ao6a  Here We Are: Feminism for the Real World edited by Kelly Jensen- https://amzn.to/31HsK8f  Take the Mic: Fictional Stories of Everyday Resistance  edited by Bethany C. Morrow- https://amzn.to/31NYQzn  A Phoenix First Must Burn: Sixteen Stories of Black Girl Magic, Resistance and Hope edited by Patrice Caldwell- https://amzn.to/3gnQiD9 

Show #846 Bandana Blues At Any Time The show is late due to some audio obstacles Spinner had to overcome.But than again you can listen to Bandana Blues at any time. 01. Backtrack Blues Band - Best Friend's Grave (5:22) (Your Baby Has Left, VizzTone Records, 2020) 02. David Philips & Abel Boquera - Another Day (2:49) (The Duo Sessions, Black & Tan Records, 2020) 03. Patrick Sassone - My Way Home (3:34) (Rage, Coyote Productions, 2020) 04. LeRoux - Nothing Left To Lose (4:47) (One Of Those Days, self-release, 2020) 05. Joe Louis Walker - Old Time Used To Be (5:17) (Blues Comin’ On, Cleopatra Records, 2020) 06. Lucky Peterson - I'm Free (5:18) (Triple Play, Alligator Records, 1990) 07. Michael Kaeshammer - Broken Down Piano (6:25) (Live In Concert, Linus Entertainment, 2020) 08. Eddie 9V - Catfish Blues (6:46) (Way Down The Alley - Live At Blind Willie's, Hubbub! Music, 2020) 09. Dion - Song For Sam Cooke (Here In America) (4:44) (Blues With Friends, Keeping The Blues Alive Records, 2020) 10. Lindsey Alexander - Have You Ever Loved A Woman (8:57) (Live At Rosa's, Delmark Records, 2020) 11. Johnny Burgin - Sunnyland (4:26) (No Border Blues, Delmark Records, 2020) 12. Annemarie Picerno & Bob McGilpin - Money Pain (3:35) (Digital Single, Amplifiedsound, 2020) 13. Mark Telesca - Keep Your Lamps Trimmed And Burning (3:06) (Higher Vibrations, self-release, 2020) 14. Mick Kolassa & Mark Telesca - I Feel Fine (3:00) (You Can't Do That!, Swing Suit Records, 2017) 15. Bridget Kelly Band - Things About To Change (5:38) (Dark Spaces, Alpha Sun Records, 2020) 16. Katvanger - Peaceful Coexistence (4:25) (So Late So Soon, self-release, 2020) 17. E D Brayshaw - Hadn't Found You (5:34) (Fire Without Water, Mescal Canyon Records, 2020) 18. Wily Bo Walker - Jawbreaker (Surf Beat Frenzy) (2:55) (Single, Mescal Canyon Records, 2020) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

They say you should never meet your idols, that you’ll only be disappointed. We had this possibility in mind going into our first interview with Carly Rae Jepsen, the pop star who inspired us to start our podcast Switched on Pop when Nate taught “Call Me Maybe” as a case study in music theory. Six years later and hundreds of pleading emails later, the time had come to meet the muse and unpack her latest offering, Dedicated Side B. In the course of composing her last two albums, E•MO•TION and Dedicated, Jepsen wrote over 200 songs. Many of her favorite works didn’t make it on either final album, so she’s started a tradition of releasing “Side B” records on the one-year anniversary of her last release. Her newest collection of unreleased music fluidly crosses decades of musical history and spans a vast emotional range. We spoke with Jepsen over Zoom about how she curated her latest B-Side release from a massive body of work. Would this beatific figure, once described by poet Hanif Abdurraqib and the “most honest pop musician working,” live up to her reputation? Listen to find out. SONGS DISCUSSED Carly Rae Jepsen - Call Me Maybe, Julien, Party For One, Now That I’ve Found You, No Drug Like Me, Want You In My Room, Cut To The Feeling, Run Away With Me, Window, This Love Isn’t Crazy, Solo Squeeze - Tempted By The Fruit Irving Berlin - God Bless America performed by Kate Smith Vulfpeck - Back Pocket Learn more about your ad choices. Visit megaphone.fm/adchoices

Ciao habibi,Italiensk pop, fransk corona-hantering, amerikanska covers och brittiska vapenlagar. Vänner, det är helt vanligt avsnitt.Whatever?!?! xoxoLänkar till videos från Plante Rap bl a finns i låtlistan.Låtlista:Ludacris feat Nas & Doug E Fresh - VirgoClavish - 100 mph Freestyle 2GHALI - Boogieman (feat. Salmo)(Youtube)Mahmood - Soldi (Youtube)GHALI - Good timesSoolking - Jennifer feat. GhaliDhurata Dora ft. Soolking - Zemër (Youtube)Soolking feat. Dadju - Meleğim [Exclu] (Youtube)Naps "Poropop" ft Soolking & Kliff #PlanèteRa (Youtube)Soolking - Billie Holiday (Youtube)Layton Greene - Leave Em Alone ft. Lil Baby, City Girls, & PNB RockLil' Kim - Found You (feat. OT Genasis & City Girls)Blac Youngsta - Whisper (feat. City Girls)Ciara ft. 50 Cent - Can't Leave 'Em AloneBubba Sparxx feat Ying Yang Twinz & Mr Collipark - Ms New BootyYing Yang Twinz - Wait (The Whisper Song)Anne-Marie - 2002 (Saweetie & Ms. Banks Remix)Candice - BODY Ciara - GoodiesAJ Tracey - Dinner Guest (ft. MoStack)Nightcrawlers - Push The Feeling On10AN - GATASponsra oss på Patreon om ni vill. Ni betalar 1$ eller mer när vi släpper ett avsnitt. Patreon.com/vbdfr. Och gå med i vår Facebook-grupp Vad blir det för rap?! Eftersnacket.

Pop Rock Time  "The Greatest Pop Rock Hits of all Time" avec JIHEM #183 Part 01 11-Bastille - Bad Decisions #2019 12-Nada Surf - So much love #2020 13-The Last Internationale - Soul on Fire #2020 14-American Authors - Microphone #2020 Part 02 21-Liam Gallagher - Now That I've Found You #2019 22-Adam Lambert - Velvet #2020 23-Five Finger Death Punch - A little bit off #2020 24-Sum 41 - Turning Away #2019 Part 03 31-Luca Brasi - This selfish love #2020 32-Alain Souchon - On Avance #1983 33-Palaye Royale - Lonely #2020 34-Alice de Selys -  Your Heart #2009 Part 04 41-Stereophonics - Stitches #2019 42-Twin Atlantic - Volcano #2020 43-AC DC - Meltdown #2000 44-Elvis Presley - Follow That Dream #1962

Today’s guest, Silicone Boone, is releasing some truly amazing stuff into the world. The upcoming album, The Reaches, is an epic journey, one comprised of deep layers. And that won’t surprise anyone that’s spent any time with this talented songwriter. I was lucky enough to spend an afternoon in the beautiful town of Campbellsville, Kentucky, where we delved into some of this artist’s story and the creation of all this new space-inspired music. I hope y’all soak up all the goodness in both songs, before and after the interview, and please make sure to go follow Silicone Boone in preparation for this wonderful album’s release. Peace to you!UPDATE: ENJOY THE FULL ALBUM “THE REACHES” AT THE LINK BELOWhttps://open.spotify.com/album/7rb6maHTc6twpXlufEJ7XY?si=ldUki6H_SgyO2Y4CYxabtgEnjoy the songs at the links below:Found You - https://open.spotify.com/track/0oD3hbtGptcY1R0JeRHAa3?si=dTOQQ1GXQnSrwCKh_1d3yQBorne - https://open.spotify.com/track/1YFZkStCsuXImAJMU5w92X?si=7akP3pK7Qm6WhHE7rZ3kNQ

1. Ziyon "Supreme" 2. Louie Vega "Respect Is You" (Mapiano & Sunny Boy Uhuru Souldub) 3. Da Capo feat. Berita "Found You" 4. Stones & Bones feat. Rona Ray "Love Is A Healer" (Original Mix) 5. Kato Change feat. Winyo "Abiro" (Riot Stereo & SURAJ Remix) 6. Busi Mhlongo "We Baba Omncane" (Rocco Underground Mix) 7. Jazzanova feat. Zakes Bantwini "In the Morning" (Atjazz Afrotech Remix) 8. Da Capo feat. Tshepo King "Afrika" (Louie Vega Remix Vocal) 9. KingSfiso feat. Mbuso Khoza "Ilanga" (Manoo Remix) 10. Djeff "Labyrinth" (Atjazz Remix) 11. House Terror feat. Sandile "Angazi" (Original Mix) 12. DeepQuestic "Wash'umuzi" (DJ Mreja & Neuvikal Soule Odyssey Dub) 13. Hanna Hais & Sandra Nankoma "Mwala Wei'ka" (Paso Doble Remix) 14. Jos & Eli "Tanzania" (Blond:ish Remix)

On this weeks show we have special guest mixes from Kasbo along with your hosts Swedish Egil and Richard Vission. Tune in every Saturday night/Sunday Morning @ 12am-2am on @1043NOW @Rev927 @977KRCK @Rhythm1059 & @z1063. Follow Us @ www.Facebook.com/Wearepowertools www.Instagram.com/Wearepowertools www.Twitter.com/Wearepowertools www.Twitter.com/Richardvission www.Twitter.com/SwedishEgil www.Twitter.com/IamDjChristo www.Twitter.com/DavidDelano Get Tracklist Below! Richard Vission Tracklist: 1. GTA Ft. Damien N-Drix - DunDun 2. Marc Spence & Hood Rich - All Hours (Double Agent Remix) 3. New Northern - Get Down 4. GODAMN, Back2Black - Doughs Up 5. Valentino Khan - Lick It 6. Dario Rodriguez & Dycos - Blackbox 7. Twoloud - All About That Bass (Hustike Radio Edit) 8. Mike Cervello & Cesqeaux - SMACK! (Moksi Remix) 9. Chris Lorenzo & Taiki Nulight - Don't Stop 10. LO'99 - Bizness 11. Alex Session & Ciara Haidar - Don't Want Your Love Richard Vission Tracklist: Classic House Set 1. The Bucketheads - The Bomb 2. Artie The 1 Man Party - A Mover La Colita 3. El Presidente - Cafe Con Leche 4. Pirate Of The Caribbean - La Rumba 5. 20 Fingers - Lick It 6. Armand Van Helden - Funk Phenomena 7. Cajmere - Percolator 8. Modjo - Lady 9. Jodeci - Freek'n You (Mk Dub) 10. Armand Van Helden - U Don't Know Me 11. Stardust - Music Sounds Better Kasbo Tracklist: 1. Kasbo - About You 2. Kasbo - Roots (feat. Amanda Fondell) x The Chainsmokers - Don't Let Me Down (feat. Daya) (Kasbo Bootleg) 3. Kasbo - Lay It On Me (feat. Keiynan Lonsdale) 4. Kasbo - Your Tempo 5. Kasbo - Stay With Me 6. Flume - Star Eyes 7. Kasbo - Found You (feat. Chelsea Cutler) 8. Shallou x Kasbo - Find (feat. Cody Lovaas) 9. Whethan VS Oliver Tree - All You Ever Talk About 10. Big Gigantic - The Little Things (feat. Angela McCluskey) (Kasbo Remix) Swedish Egil Tracklst: 1. Oliver Heldens - King Kong (HI-LO Extended Touch) 2. Antoine Delvig - Cinco 3. Mark Knight Feat. Mr V - We Get High From The Music 4. Corey James x Crusy & Jose De Mara - 12 OClock 5. Sunnery James & Ryan Marciano Vs. Thomas Newson - I'll House You 6. Tchami & Malaa - Prophecy (Keeld Remix) 7. Blinders - Okami 8. Redlight - Zum Zum (Ft. Sweetie Irie) 9. Andrew Meller - Insomnia

TRACKLIST FOR #004   00:00 - 1.  Tom Staar Feat. Matt Hope - "Come Together" [Axtone] [2018] 06:47 - 2.  Don Diablo Feat. Bully Songs - "Found You" [Hexagon] [2018] 09:47 - 3.  EDX - "Jaded" [Spinnin Records] [2018] 14:08 - 4.  Kyro - "Sneaker Boogie" [Downright] [2018] 17:36 - 5.  Moony - "Dove (I'll be Loving You)" (Andrea T Mendoza Remix) [Positiva] [2002] 23:18 - 6.  Powerhouse Feat. Duane Harden - "I Got What You Need" (Full Intention Club Mix) [Strictly Rhythm] [2018] 29:47 - 7.  Supernova - "Reflections" [Mother Recordings] [2018] 35:10 - 8.  Rapson Feat. Nathan Thomas - "Heat" (Scott Diaz Remix) [2018] 39:31 - 9.  Franky Rizardo - "Deep Space" [8 Bit] [2018]   44:38 - 10. BT - "Tripping The Light Fantastic" [Perfecto] [1995] 49:22 - 11. Stan Kolev - "Mad As Hell" [Outer Limits] [2018] 53:44 - 12. Leftfield Feat. Lydon - "Open Up" (Album Version) [Hard Hands] [1993]   Follow me: http://www.soundcloud.com/stevecallaghan http://www.mixcloud.com/stevecallaghan http://www.twitter.com/djstecallaghan http://www.facebook.com/stevecallaghanmusic  

TRACKLIST FOR #004   00:00 - 1.  Tom Staar Feat. Matt Hope - "Come Together" [Axtone] [2018] 06:47 - 2.  Don Diablo Feat. Bully Songs - "Found You" [Hexagon] [2018] 09:47 - 3.  EDX - "Jaded" [Spinnin Records] [2018] 14:08 - 4.  Kyro - "Sneaker Boogie" [Downright] [2018] 17:36 - 5.  Moony - "Dove (I'll be Loving You)" (Andrea T Mendoza Remix) [Positiva] [2002] 23:18 - 6.  Powerhouse Feat. Duane Harden - "I Got What You Need" (Full Intention Club Mix) [Strictly Rhythm] [2018] 29:47 - 7.  Supernova - "Reflections" [Mother Recordings] [2018] 35:10 - 8.  Rapson Feat. Nathan Thomas - "Heat" (Scott Diaz Remix) [2018] 39:31 - 9.  Franky Rizardo - "Deep Space" [8 Bit] [2018]   44:38 - 10. BT - "Tripping The Light Fantastic" [Perfecto] [1995] 49:22 - 11. Stan Kolev - "Mad As Hell" [Outer Limits] [2018] 53:44 - 12. Leftfield Feat. Lydon - "Open Up" (Album Version) [Hard Hands] [1993]   Follow me: http://www.soundcloud.com/stevecallaghan http://www.mixcloud.com/stevecallaghan http://www.twitter.com/djstecallaghan http://www.facebook.com/stevecallaghanmusic  

Throttle delivers an Exclusive Mix packed with his dirty disco sounds and highlights his new track "Found You". 

As of the day this podcast was first posted, Judge Merrick Garland will have been waiting 194 days since his nomination to the Supreme Court. Judicial nominations and appointments - or lack thereof - is a huge problem, especially now. And who do we have to blame? The Senate, who has time and time again decided not to do their job. Join Generation Invincible today as we discuss why we need to tell the Senate to #DoYourJob, the merits of Merrick, and why a 9th member of the Supreme Court is essential. To submit feedback for Generation Invincible, email generationinvincible@gmail.com. Please subscribe, rate, and review on iTunes! And don't forget to keep up with Generation Invincible on tumblr: generationinvincible.tumblr.com/ Music: 
"Waves" by Maderra "Found You" by Ento
 "Mine" by Phoebe Ryan Credits:
 Generation Invincible is produced by Abigail Meller.

Are you a guest who wants to find shows that are in your target market? This episode of Rhodes to Success we discuss podcast discoverability. We teach you the basics of your show being searchable iTunes and discuss why you should have good artwork, an appropriate podcast title, solid episode descriptions. During the show we also cover why you should dive right into the content and have solid sound quality but not obsess over having an amazing microphone.   Key Lessons Learned: iTunes Store Go to the iTunes store and search your keywords e.g “living on a boat.” Start with a broad category and shop through all the shows and sort from there.   Categories There are about 15 different categories of podcasts. Within each category there are sub categories. E.g the arts category has 6 sub-categories.   Sub Collections These are in the sub-categories iTunes:     New and Noteworthy What's Hot Top Podcasts Top Episodes All Podcasts    Podcast Artwork When you are thinking about a new listener finding your show you must consider the artwork. The artwork needs to grab the attention of the ideal listener and be relatively descriptive of what the show is about. If a brand new listener finds it they need to know exactly what they are going to get.   Podcast Title The title of the show and overall presence on iTunes needs to be attractive to the audience.   Show Description Don't just stuff the description full of keywords and try to game the iTunes search system. If a potential listener found your podcast and read the description would it tell them the following: What the show is about. The goal of the podcast    Who is listening (the target audience and ideal listener)   List of Episodes Episode titles are key and need to describe what the podcast is about. The tile needs to be relatively descriptive about what the person would get out of listening to that episode. If the title is the name of the guest that works for big celebrities but not much else. There are differing opinions on whether or not to include the episode number in the title. There is a limited space in iTunes for the episode title   Once A Podcast is Found You have 3 minutes to get the audiences interest. It often takes podcasters way to long to get to the point of their podcast episode so people click stop and never go back to the episode or show. When you open the show and only speak to veteran listeners you isolate the audience members who are brand new.   Content Focus on valuable entertaining content your audience will care about.   Subscribe to the show in iTunes or Stitcher Radio! The music in today's episode was written by The Danger Os and produced by Nick Palmer. Check them out at https://www.facebook.com/thedangerosmakemusic 

Tracklist DOA #004 1- MARTIN GARRIX - Now That I’ve Found You 2- R3HAB & QUINTINO - Freaks 3- DADDY’S GROOVE ft. CIMO FRÄNKE - Back To 94 4- CHOCOLATE PUMA - Listen To The Talk 5- KASKADE & CID - US 6- SONIC ONE - Punk! (Twoloud Remix) 7- DIONIX - Humble 8- TIESTO & OLIVER HELDENS - The Right Song (Mike Williams Remix) 9- SELENA GOMEZ - Hands To Myself (FTampa Bootleg) 10- AVICII - Waiting For Love (Dynamic Rangers Bootleg Rework) 11- DADA LIFE - Tic Tic Tic (ft. Lazy Hale) 12- DYNAMIC RANGERS - Warriors 13- AXWELL - Barricade 14- VINAI & OLLY JAMES - Lit 15- BASSJACKERS & JOE GHOST ft MOTI - On The Floor Like 16- KURA & MIKE HERTZ - Gotham

This week we look at bills, trucks, robberies, plane crashes, pets, and jury duty. New Stories Delayed Billing Deja Vu Another Week, Another Truck Plane crash, well, not exactly Pet Lost and Found You’re excused

@ryanfarish #003 Chasing the Sun with Ryan Farish - Episode #3(First broadcast on Beatlougmusic.com)Follow @ryanfarishwww.facebook.com/ryanfarishofficial www.ryanfarish.comwww.twitter.com/ryanfarish #CTS Upon a Dream special episode. Playlist: 1. Upon a Dream - Ryan Farish and Tiff Lacey 2. Astronaut (feat. Dave Moisan) - Ryan Farish 3. Round the World - Ryan Farish 4. Disappear (feat. Madelin Zero) - Ryan Farish 5. Flight of the Angels - Ryan Farish 6. Sweet Melody - Ryan Farish 7. Who I Am (feat. Aprille Goodman) - Ryan Farish 8. Kiss of Life - Ryan Farish 9. Aperture - Ryan Farish 10. Fire Inside - Ryan Farish and Tiff Lacey 11. Found You (feat. Madelin Zero) - Ryan Farish 12. Little Ray - Ryan Farish and Tiff Lacey

The most enormous difficulty with recording this podcast was that it was monumentally, wonderfully, amazingly sunny and hot outside.  So there we were, stuck in our house, trying to play songs and conduct an interview while we were all secretly (and not so secretly) longing to just be out in the back garden.  Mrs. Toad was making burgers, you know.  Gaaaaah! I remember when FOUND recorded a show with Marc Riley recently and I got plenty of emails saying that they really weren’t very talkative.  Which is odd really, because I didn’t entirely get that kind of impression as we recorded this session or about them in general, but then I listen back to it again and the first few interviewy segments really do take a while to get going.  I guess it took a while for Ziggy (who I’d never met before) and myself to figure out exactly how to talk to one another and whether or not we really got on.  So that whole dynamic makes for a really good podcast, which gets more and more interesting, from my point of view anyway, as the thing progresses. As usual, all the videos are embedded below and can be seen at the Song, by Toad Vimeo on YouTube pages, along with a portfolio of photos by Dylan from Blueback Hotrod, and Fee on Flickr here.  The session tracks can all be downloaded below, and the main interview podcast itself is immediately below.  Have fun Toadlings.  I am going to sleep like a freshly-slaughtered corpse. Toadcast #83 – FOUND Toad Session FOUND – Mullokian (Toad Session) FOUND – You’re No Vincent Gallo (Toad Session) FOUND – Medley (Toad Session) FOUND – Anti-Climb Paint (Toad Session) FOUND – Gifted (Toad Session) Now we’ve got the main session video below, followed by the videos we made for the individual songs (Vimeo are being fucking useless at the moment, but eventually that main video and Gifted won’t be on YouTube). 01. FOUND – Mullokian (Toad Session) (05.11) 02. Grizzly Bear – Two Weeks (09.27) 03. The Avett Brothers – The Greatest Sum (Acoustic) (13.26) 04. FOUND – You’re No Vincent Gallo (Toad Session) (20.39) 05. Animal Collective – Brother Sport (20.32) 06. FOUND – Medley (Toad Session) (36.00) 07. Phil Collins – In the Air Tonight (44.20) 08. Lambchop – Your Fucking Sunny Day (49.11) 09. FOUND – Anti-Climb Paint (Toad Session) (64.29.) 10. FOUND – Gifted (Toad Session) (72.25)

This month’s program continues with the session from May 4, 1988 at Ephraim’s.  The musicians are Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), John Kafalas (rrombone), Bill Whitcraft (piano), and Stu Grover (drums).  The selections are “Now That I’ve Found You,” “Monday Date,” and “Blue and Sentimental.” Please send questions or comments to … Continue reading Podcast #29: More music from May 4, 1988 with Bill Whitcraft →