Podcasts about Exile

1 Peter series message 24Text: 1 PeterAs we wrap up and recap our consideration of Peter's first letter, there are ten key words that form the foundation of his message. Highlighting these, and seeing how they interface with each other, is helpful in grasping the depth of Peter's teaching. Exile, resurrection, trial, love, shepherd, glory, holy, grace, joy and Word of God.

It's episode 303! You know what that means? Nothing! But we still just wanna have fun. It's summer and we STILL don't know how to shorten our episodes. This episode is all about wanting to have fun in Path 2. Hopefully, no matter what you're playing, you're having fun fun fun! 3.26, 0.2, Dawn of the Hunt, Secrets of the Atlas, Mercenaries of stuff...fun fun fun! Thanks for your listens each and every week. We can't thank you enough!(00:00:00) Welcome to Forever Exiled(00:04:14) Supporter shoutout and life updates(00:08:29) Getting back into routines(00:12:50) Board games and strategy nights(00:17:46) Kids and competitive nature(00:22:31) Path of Exile begins(00:26:04) The 3.25.1 patch notes(00:33:38) Weapon balance and crafting feedback(00:39:45) Unique item redesigns(00:44:10) The ExileCon flashback(00:50:40) Final thoughts and wrap-upForever Exiled Info:www.foreverexiled.comPatreonTwitter @ForeverExiled82Path of Exile WebsiteWrecker of Days Builds ListDiscord...FE Merch StoreFE Nexus Store

01. Luttz - Hope & Faith 02. Dowden, Noiyse Project - Disposition 03. Foglight - Secret Temple 04. Fehrplay - Cymatics 05. Akami, Juany Bravo, Nomadune - Move Off The Block 06. Quivver, Dave Seaman - Cowbells of Nuneaton 07. Dilby - Skydive 08. Alessa Khin, Tim Loco, Re Power - Afro Bass 09. No Hopes, Re Power - In The Rhythm 10. Notre Dame - Recollection 11. Oriol Calvo, Betoko - Glowing 12. Jadon Fonka - Hoffmann's Journey 13. Solis, Kostya Outta - Darshan 14. Dark Affair, Noiyse Project - The Core 15. Adam Beyer - Taking Back Control 16. Simos Tagias - Melted Pot 17. J Lauda, Kebin Van Reeken - Waves 18. Stan Kolev, Lift Bliss - Obsidian 19. Gaston Viveros, Veytik - Pulsar 20. Greenage, Den Macklin - Carousel 21. Oliver Koletzki - Weirdo 22. M.O.S., Roger Martinez - Nanda 23. Donny J - Struggle Meets Conflict 24. Abstraal Duvas - Reaady 25. Sabrina Rivas - Turbo Beat 26. Fernando Olaya - Monophonik 27. Mia Mendi, Rafael Cerato, Pavel Petrov, Peppou - Snake Eyes 28. Mattias Herrera - Elka 29. Gonzalo Cotroneo, Sineforma - Percept 30. Jiminy Hop - Cavalier 31. Anuqram - Don't Stop 32. Goaddict - Shake It 33. Quivver, Dave Seaman - The Promise 34. Hugel, Vidojean, Oliver Loenn, Mr. Alameyo - SXY 35. Alexander Silakov, Elecground - Eva 36. Redspace, Sabrina Rivas - Mirror Mind 37. Croatia Squad - Into the Night 38. Teamworx, Doriann - Personal 39. Albuquerque, Anonimat - Like First Time Flight 40. Emmanuel Dip - Clotyh 41. Almero - On Repeat 42. Kabi (Ar), Agustin Ficarra, Kamilo Sanclemente - Astrofunk 43. Donny J - Say Again 44. Yonsh - Reincarnation 45. Kyotto, Stereo Munk - Fly Fox 46. Chocolate Puma, Rene Et Gaston, Andrew Dum - Vallee De L'Armes 47. Sidepiece, Bobby Shmurda - Cash Out 48. Jfr, Dj Ruby - Kill Me Again 49. Maezbi - Enjoy The Sounds 50. Edx - Cobalt 51. Deep Aztec, Ralf Mag, The Gosha - Hanana 52. Quivver - Tweak The Train 53. W.D.L & Nobe - Working 54. Haft, Kiaro, Makhmurian - Vortex 55. Hunter Game, Aliaga, Frankey, Sandrino - Shapeless 56. Exile, Kyotto - Distant Scientist 57. Aerofeel5, Vakabular - Life Is Easy 58. Alej Ch, Nathan Katz, Ilias Katelanos, Plecta - Pulsar 59. Like Mike, Rush Avenue, Milus - Cola 60. Maze 28 - Red Lights From Afar 61. Deadmau5, Kaskade, Mass Digital - I Remember 62. Gai Barone, Gux Jimenez - Classrooms 63. Lazara - Madrid 64. Morttagua, Kyotto - Asteromorph 65. Ruben Karapetyan - Nostalgic Moments 66. Digital Mess - Stardust 67. Kaddyn Palmed, Fuenka - Ipse 68. Yadek - Arrakis 69. Dj Lutique, Xsonatix, Teneya - Newly Born 70. Paraleven, Burko - Milosonic 71. Deflee - Shake 72. Space Food - Cama 73. Pedro Sanmartin, Freedo Mosho, Futura City'S Endless - Tossa 74. Dansyn - No Type 75. Digital Mess, Mindo - Luminary 76. Solis, Kostya Outta - Darshan 77. Kyotto - Morning Sky 78. Alessa Khin, Tim Loco, Re Power - Afro Bass 79. Skytech, Fafaq - Ladadi 80. Notre Dame - Recollection 81. Kabi (Ar), Polo (Ar) - Cromo 82. Dilby - Skydive 83. Ovadia - Pentatonic 84. Sharam Jey, Xandl - Your Soul 85. Choopie, Golan Zocher - Valle Celestial 86. Yadek - Arrakis 87. Anatolie, Airsand, Turaniqa - Final Call 88. Deflee - Shake 89. Nopopstar - Unison 90. Meduza - Seek Your Truth (A Vitoria) 91. Mark (Br) - Rollercoaster 92. Cosmic Gate, Ginchy - Battalion 93. Lazara - Madrid 94. Kaddyn Palmed, Fuenka - Ipse 95. Cristoph - Give Me Some Time 96. Stan Kolev - Paths To Devotion 97. Vintage Culture, Max Milner, Layla Benitez, Hot Since - Nirvana 98. Fatum - Remember You 99. Like Mike, Rush Avenue, Milus - Cola 100. Paraframe - Rose 101. Emcroy, Noise Generation, Zek Ar - Connection A.S. 102. Maezbi - Enjoy The Sounds 103. Eleven - Keep Faith 104. W.D.L & Nobe - Working 105. Deep Aztec, Ralf Mag, The Gosha - Hanana 106. Jochem Hamerling, Vadm - Go Hi 107. Sidepiece, Bobby Shmurda - Cash Out

Subject: Guest Preacher Series Speaker or Performer: Steve Thayer (Guest Preacher) Scripture Passage(s): Jeremiah 29:4-7 Date of Delivery: July 27, 2025

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01. Luttz - Hope & Faith 02. Dowden, Noiyse Project - Disposition 03. Foglight - Secret Temple 04. Fehrplay - Cymatics 05. Akami, Juany Bravo, Nomadune - Move Off The Block 06. Quivver, Dave Seaman - Cowbells of Nuneaton 07. Dilby - Skydive 08. Alessa Khin, Tim Loco, Re Power - Afro Bass 09. No Hopes, Re Power - In The Rhythm 10. Notre Dame - Recollection 11. Oriol Calvo, Betoko - Glowing 12. Jadon Fonka - Hoffmann's Journey 13. Solis, Kostya Outta - Darshan 14. Dark Affair, Noiyse Project - The Core 15. Adam Beyer - Taking Back Control 16. Simos Tagias - Melted Pot 17. J Lauda, Kebin Van Reeken - Waves 18. Stan Kolev, Lift Bliss - Obsidian 19. Gaston Viveros, Veytik - Pulsar 20. Greenage, Den Macklin - Carousel 21. Oliver Koletzki - Weirdo 22. M.O.S., Roger Martinez - Nanda 23. Donny J - Struggle Meets Conflict 24. Abstraal Duvas - Reaady 25. Sabrina Rivas - Turbo Beat 26. Fernando Olaya - Monophonik 27. Mia Mendi, Rafael Cerato, Pavel Petrov, Peppou - Snake Eyes 28. Mattias Herrera - Elka 29. Gonzalo Cotroneo, Sineforma - Percept 30. Jiminy Hop - Cavalier 31. Anuqram - Don't Stop 32. Goaddict - Shake It 33. Quivver, Dave Seaman - The Promise 34. Hugel, Vidojean, Oliver Loenn, Mr. Alameyo - SXY 35. Alexander Silakov, Elecground - Eva 36. Redspace, Sabrina Rivas - Mirror Mind 37. Croatia Squad - Into the Night 38. Teamworx, Doriann - Personal 39. Albuquerque, Anonimat - Like First Time Flight 40. Emmanuel Dip - Clotyh 41. Almero - On Repeat 42. Kabi (Ar), Agustin Ficarra, Kamilo Sanclemente - Astrofunk 43. Donny J - Say Again 44. Yonsh - Reincarnation 45. Kyotto, Stereo Munk - Fly Fox 46. Chocolate Puma, Rene Et Gaston, Andrew Dum - Vallee De L'Armes 47. Sidepiece, Bobby Shmurda - Cash Out 48. Jfr, Dj Ruby - Kill Me Again 49. Maezbi - Enjoy The Sounds 50. Edx - Cobalt 51. Deep Aztec, Ralf Mag, The Gosha - Hanana 52. Quivver - Tweak The Train 53. W.D.L & Nobe - Working 54. Haft, Kiaro, Makhmurian - Vortex 55. Hunter Game, Aliaga, Frankey, Sandrino - Shapeless 56. Exile, Kyotto - Distant Scientist 57. Aerofeel5, Vakabular - Life Is Easy 58. Alej Ch, Nathan Katz, Ilias Katelanos, Plecta - Pulsar 59. Like Mike, Rush Avenue, Milus - Cola 60. Maze 28 - Red Lights From Afar 61. Deadmau5, Kaskade, Mass Digital - I Remember 62. Gai Barone, Gux Jimenez - Classrooms 63. Lazara - Madrid 64. Morttagua, Kyotto - Asteromorph 65. Ruben Karapetyan - Nostalgic Moments 66. Digital Mess - Stardust 67. Kaddyn Palmed, Fuenka - Ipse 68. Yadek - Arrakis 69. Dj Lutique, Xsonatix, Teneya - Newly Born 70. Paraleven, Burko - Milosonic 71. Deflee - Shake 72. Space Food - Cama 73. Pedro Sanmartin, Freedo Mosho, Futura City'S Endless - Tossa 74. Dansyn - No Type 75. Digital Mess, Mindo - Luminary 76. Solis, Kostya Outta - Darshan 77. Kyotto - Morning Sky 78. Alessa Khin, Tim Loco, Re Power - Afro Bass 79. Skytech, Fafaq - Ladadi 80. Notre Dame - Recollection 81. Kabi (Ar), Polo (Ar) - Cromo 82. Dilby - Skydive 83. Ovadia - Pentatonic 84. Sharam Jey, Xandl - Your Soul 85. Choopie, Golan Zocher - Valle Celestial 86. Yadek - Arrakis 87. Anatolie, Airsand, Turaniqa - Final Call 88. Deflee - Shake 89. Nopopstar - Unison 90. Meduza - Seek Your Truth (A Vitoria) 91. Mark (Br) - Rollercoaster 92. Cosmic Gate, Ginchy - Battalion 93. Lazara - Madrid 94. Kaddyn Palmed, Fuenka - Ipse 95. Cristoph - Give Me Some Time 96. Stan Kolev - Paths To Devotion 97. Vintage Culture, Max Milner, Layla Benitez, Hot Since - Nirvana 98. Fatum - Remember You 99. Like Mike, Rush Avenue, Milus - Cola 100. Paraframe - Rose 101. Emcroy, Noise Generation, Zek Ar - Connection A.S. 102. Maezbi - Enjoy The Sounds 103. Eleven - Keep Faith 104. W.D.L & Nobe - Working 105. Deep Aztec, Ralf Mag, The Gosha - Hanana 106. Jochem Hamerling, Vadm - Go Hi 107. Sidepiece, Bobby Shmurda - Cash Out

In this episode, Camden Bucey welcomes Dr. David VanDrunen to discuss his new book, Faith in Exile: Psalm 119 and the Christian Life (Christian Focus). VanDrunen shares the backstory behind this unique project—his first published collection of sermons—and reflects on how Psalm 119, the Bible's longest chapter, unfolds a deep theology of suffering, obedience, and the pilgrim experience. Drawing from the structure and literary artistry of the Psalm, VanDrunen explores its unifying themes and situates it within the broader redemptive narrative. He highlights how the psalmist's experience of exile and longing resonates with believers today who sojourn in a world that is not their home. The conversation weaves together biblical theology, practical piety, and reflections on theological pedagogy—particularly the enduring influence of Dr. Robert Strimple. This episode offers rich insight into the Christian life shaped by the Word of God amid affliction, anticipation, and hope. Watch on YouTube Chapters 00:00 Mid-America Reformed Seminary CME Conference 01:41 Introduction 02:50 Westminster Seminary California Update 06:40 Remembering Dr. Robert Strimple 15:39 The Story Behind the Book 24:30 The Literary Features of Psalm 119 29:16 The Historical Context of the Psalm 36:24 The Theme of Obedience 57:05 Conclusion This is Christ the Center episode 917 (https://www.reformedforum.org/ctc917)

In this episode, Camden Bucey welcomes Dr. David VanDrunen to discuss his new book, Faith in Exile: Psalm 119 and the Christian Life (Christian Focus). VanDrunen shares the backstory behind […]

Valentin Silvestrov was forced to leave his native Ukraine after the Russian invasion of 2022. His music has a prescient quality that unerringly seems to express the fate of his homeland. Raymond Bisha introduces the world premiere recordings of his intimate Violin Concerto and the heartfelt, single-span Eighth Symphony. Notable for their economy of expression and emphasis on beauty, depth and harmony, these are works that hover on the edge of silence in an uplifting homage to love and humanity, hope and renewal.

It is time for Chamberlain against the world (again). He tried Kingdom Come Deliverance 2 and he hated it. A lot. No one else feels this way. He also threw money at Path of Exile 2 which is most enjoyable, when the sound works. Alex declares Final Fantasy XIII the worst Final Fantasy and Chance betrays not just some but ALL of his principles buy purchasing a Switch 2 and *gasp* enjoying Donkey Kong Bananza.

In this special episode, filmmaker and contemporary artist Alia Syed joins EMPIRE LINES live, to weave together their works in moving image, photography, and oral history, and reflect on personal experiences of migration in South Asian diasporic communities in 1960s–1970s Glasgow, through their ongoing film series, The Dhaba (2025).Drawing inspiration from the tale of St. Mungo - the patron saint and founder of Glasgow - Alia Syed's exhibition, The Ring in the Fish, is an intimate exploration of memory, cultural transmission, and identity in Scotland. In The Dhaba (2025), Alia gleans stories from a series of interviews she initiated with members of the South Asian community, exposing absences in official narratives and archives, and illuminating histories in the spaces between national identities, race, gender, and diaspora. With this new, experimental, 16mm film work, Alia explores the role of imagination in migration, and how images carried across multiple generations of migrants from India and Pakistan can create new landscapes and enable new ways of being.Alia details her relationships with ‘the second city of Empire', Swansea in Wales, and London, including her long-term creative relationship with Gilane Tawadros, her formative work, Fatima's Letter (1992), filmed at Whitechapel Underground Station, and shortlisting for the Film London Jarman Award (2018). From her current work with curator Shalmali Shetty, we discuss her many intergenerational collaborations, and relations to artist women including Jasleen Kaur, who shares Alia's experiences of ‘monocultures' in Glasgow. Alia shares the importance of audio, literature, language, and translation, in her work with film and moving image.Plus, we consider political solidarity through her life and practice, from her father's activism and connections to Yasser Arafat, to the present. Alia reflects on the CCA Glasgow as an institution – one that she recalls having occupied as a teenager, when it was known as the Third Eye Centre - including the Board's ambiguous statements around endorsing PACBI (The Palestinian Campaign for the Academic and Cultural Boycott of Israel) and BDS (Boycott, Divestment, Sanctions), and response to Art Workers for Palestine Scotland's programme to Reclaim the CCA in June 2025.This episode was recorded live as part of the public programme for Alia Syed: The Ring in the Fish, an exhibition at CCA Glasgow, in June 2025. The exhibition was originally scheduled to continue until 26 July 2025. Join the artist in a panel discussion at Many Studios in Glasgow on Saturday 26 July.For more information, visit: instagram.com/p/DKuql9-It_3/?img_index=1Wallpaper (2008) is on view as part of Tigers & Dragons: India and Wales in Britain at Glynn Vivian Art Gallery in Swansea until 2 November 2025.Read about Alia's work at John Hansard Gallery in Southampton, and relations to Jasleen Kaur and Permindar Kaur, in gowithYamo: gowithyamo.com/blog/permindar-kaur-john-hansard-galleryListen to Ingrid Pollard's EMPIRE LINES episodes, from Carbon Slowly Turning (2022) at the Turner Contemporary in Margate: pod.link/1533637675/episode/e00996c8caff991ad6da78b4d73da7e4, and with Corinne Fowler, as part of Invasion Ecology (2024) at Southcombe Barn on Dartmoor: pod.link/1533637675/episode/9f4f72cb1624f1c5ee830c397993732eNil Yalter on Exile is a Hard Job (1974-Now) at Ab-Anbar Gallery in London, part of London Gallery Weekend (LGW) 2023, on EMPIRE LINES: pod.link/1533637675/episode/36b8c7d8d613b78262e54e38ac62e70fAnd Dr. Mohamed Shafeeq Karinkurayil, sounding out 1960s migration between post-colonial Kerala and the Arab Gulf in a cassette of S. A. Jameel's Dubai Kathu Pattu (Dubai Letter Song) (1977): pod.link/1533637675/episode/417429b5c504842ddbd3c82b07f7b0f8PRODUCER: Jelena Sofronijevic.Follow EMPIRE LINES on Instagram: instagram.com/empirelinespodcastSupport EMPIRE LINES on Patreon: patreon.com/empirelines

In this episode, I'm reviewing The Art of Exile—a stunning blend of Renaissance-inspired intrigue, artistic exploration, and futuristic twists. From the jaw-dropping opening to its layered commentary on innovation and the importance of art, this novel is perfect for fans of The Da Vinci Code, but with a fresh, genre-bending edge. Tune in to hear why this book left such a lasting impression and what makes it a standout in contemporary speculative fiction.

You can watch Austin play through this section of the game right here. In search of the missing Jedi Masters, the Exile and the crew of the Ebon Hawk head towards Onderon. I say "towards" Onderon because before they land, they're driven to the nearby beast moon of Dxun. And that's not the worst of it: Before they can enter the jungles and reconnect with one a series' favorite... they first have to spend a full two hours basically just talking to various crew members, new and old. Whoops. Next Time: Finish up Onderon! Show Notes Star Wars Galaxies Restoration   Hosted by Rob Zacny (@RobZacny) Featuring Alicia Acampora (@ali_west), Austin Walker (@austin_walker), and Natalie Watson (@nataliewatson) Produced by Chia Contreras (@a_cado_appears) Music by Jack de Quidt (@notquitereal) Cover art by Xeecee (@xeeceevevo)    

Join Your Student in Exile

Join Your Student in Exile

Palestinian American writer Hala Alyan has a personal history of exile. Over the years, the author and her relatives have been displaced from their homes in Gaza, Kuwait, and Lebanon – and she says it's difficult to fully separate herself from these places. In today's episode, she speaks with NPR's Leila Fadel about her new memoir I'll Tell You When I'm Home, which contends with themes including exile, infertility, surrogacy, and motherhood.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Exile - Adam Kohlstrom by CSBC

התוכן הוראה ממאמר המשנה "הוי גולה למקום תורה": במשך ימי הקיץ ישנם רבבות מבני ישראל שנוסעים "מארצך וממולדת ומבית אביך", מקום מגורם הקבוע עם כל הנוחיות וכו', וגולים ל"קאָנטרי" שאין שם כלל את כל הנוחיות שבבית ומ"מ קוראים לזה "מנוחה"!..., וכאן רואים כחו של רצון - ע"י שמשתכנעים שייהנו מזה - הופכים ענין של גלות וצער לענין של תענוג! אבל לאחכ"ז אי"ז הבית הקבוע שלהם ובמילא זהו ענין של "הוי גולה", ואשר לכן עליהם לדאוג לעשות את המקום "מקום תורה"! ועאכו"כ שכן הוא בנוגע למחנות קיץ, שכמו שעל האחראים לדאוג לבריאות גופם של הילדים (ואדרבה - בריאות ילדים חשובה עוד יותר משל מבוגרים), כמו"כ עליהם לדאוג שהמחנה קיץ תהי' "מקום תורה"!, וזה מתחיל ע"י שהם מראים בזה דוגמא חי'!ב' חלקים משיחת מוצש"ק פ' קרח, ג' תמוז ה'תשל"ח ל"הנחה פרטית" או התרגום ללה"ק של השיחה: https://thedailysicha.com/?date=22-07-2025 Synopsis The Mishna states, “Exile yourself to a place of Torah”: During the summer, thousands of Jews travel “from your land and from your birthplace and from your father's house” – from their homes where they are settled and have all the comforts, they exile themselves to the “country,” where they lack all those comforts, and yet they call it relaxing…Here we see the power of will: by convincing themselves to enjoy it, they transform a matter of exile and discomfort into something enjoyable. However, since being in the country is not the same as being at home, it still constitutes “exiling yourself,” and therefore they must ensure that it is to a “place of Torah.” And all the more so in the summer camps: just as the staff must take care of the children's physical health (and children's health is even more important that of adults), they must also make sure that the summer camp is a “place of Torah,” and it begins by showing the children a living example.2 excerpts from sichah of Motzaei Shabbos parashas Korach, 3 Tammuz 5738 For a transcript in English of the Sicha: https://thedailysicha.com/?date=22-07-2025 לע"נ מרת ציפא רחל בת ר' אלי'הו ע"ה קרינסקי ליום היארצייט שלה כ"ו תמוז. ת.נ.צ.ב.ה.נדבת חתנה ובתה ר' זאב הכהן וזוגתו מרת פריידא הינדא שיחיו טייטלבוים*לע"נ מרת רחל בת ר' אהרן ע"ה ליום היארצייט שלה כ"ו תמוז. תנצב"ה

When Daniel found himself in the glittering culture of Babylon, he discovered something remarkable: exile wasn't God's punishment—it was God's assignment. Like Daniel, followers of Jesus today live as "Kingdom exiles," called to flourish right where we are, even when the world around us operates by different values. We don't conform to get ahead or stay quiet to keep the peace. Instead, like Daniel interpreting dreams for kings and refusing to bow to golden statues, we bring healing to our hurting communities. We trust God simply because He's God, choose humility over self-promotion, and pray like our lives depend on it. Living in exile isn't about surviving until we get to heaven—it's about thriving as ambassadors of God's eternal Kingdom right here, right now.

Featuring: Ammosart, Ashgar, Belghast, Grace, Tamrielo, and Thalen   Hey Folks! We are down a Kodra this week but assembled a surprisingly long list of topics. First off Bel discusses the return of Commodore and the new product being released. Blaugust is coming up soon, and Bel is not running it this year. Tam shares the tribulations of trying to upgrade a PC right now, and the expense of hardware. Ash is finally back on the Final Fantasy XVI trai,n and it is really good.  Donkey Kong Bananza is pretty great…  but completely unintelligible. BPL or Badger Private League is a thing in Path of Exile and watching people participate is wild.  Guild Wars 2 announced the Visions of Eternity expansion and we talk a bit about the upcoming features.  Finally, Tam dives into a topic about how you get players to actually communicate with each other in games…  and we brainstorm ways to make those interactions happen.   Topics Discussed: Commodore is Back Blaugust is Coming Upgrading a PC Sucks Right Now Final Fantasy 16 Is Great Donkey Kong Bananza BPL in Path of Exile is Wild Guild Wars 2: Visions of Eternity Communicating With Other Players

Congress established the U.S. Equal Employment Opportunity Commission (EEOC) as part of the Civil Rights Act of 1964. Its primary purpose is to prevent and address unfair treatment in the workplace, ensuring that employers don't discriminate against individuals based on race, gender, religion, or age in hiring, firing, or promotions.   Essentially, the EEOC attempts to create a level playing field in the job market by investigating complaints and enforcing anti-discrimination laws. Yet today's EEOC, led by acting chair Andrea Lucas, is rapidly changing, especially as it enforces—or rather fails to enforce—protections for LGBTQ+ employees. Pride in Exile, a volunteer organization, was created to seek actionable ways we can resist the weaponization of the EEOC as it threatens the hard-earned rights and protections of LGBTQ+ employees.   In this exclusive interview, I am honored to host two absolute titans in the fight for LGBTQ+ workplace inclusion: Chai Feldblum, a renowned legal scholar, activist, and former Commissioner at the Equal Employment Opportunity Commission (EEOC) under President Barack Obama, and Judge Karen Ortiz, an administrative law judge at the EEOC's New York District's Office who has bravely challenged the current EEOC's leadership over policies affecting LGBTQ+ cases.   Together, we explore:   Our Guests' Career Journeys. The guests' journeys to EEOC leadership and the significant advancements in LGBTQ+ workplace protections made over the past two decades.   Threats to LGBTQ+ Workplace Protections. An in-depth look at current threats to LGBTQ+ workplace inclusion and concrete strategies to counter them, including the vital role of the all-volunteer organization, Pride in Exile.   Vision for a Belonging Society. A forward-looking discussion on envisioning and building a future of work where belonging is truly inclusive for all, especially the most vulnerable within our LGBTQ+ communities.   Our conversation is designed to support people like you—visionary leaders and those on their way to joining us. Want to gain the skills necessary to apply this learning to your work?   Join the Belonging Movement today! After you join, you'll receive exclusive access to complimentary workshops, group coaching sessions, and 1:1 somatic coaching offers designed to help you lead with your values and build groups that center team safety, trust, and belonging.   Don't just imagine belonging – build it. Join the Belonging Movement here: https://www.rhodesperry.com/subscribe.   Support Pride in Exile by becoming a member: https://www.prideinexile.org/

Ron Hughley, Stephen Serda, and Osita Anusi discuss TJ Watt's massive extension, and Shaq goes after RG3. A CEO gets caught in his affair at Coldplay, and Ron reviews Exile on Main Street by the Rolling Stones. Subscribe: https://youtube.com/live/szAMgq0vAU4 Learn more about your ad choices. Visit megaphone.fm/adchoices

You're listening to Burnt Toast! Today, my guest is Tracy Clark-Flory. Tracy is the feminist writer behind the newsletter TCF Emails and the author of Want Me: A Sex Writer's Journey into the Heart of Desire. She's also the cohost of the new podcast Dire Straights where she and Amanda Montei unpack the many toxic aspects of heterosexual relationships and culture. I brought Tracy on the podcast today to talk about my feet, but we get into so much more. We talk about porn, sexual identity, and the male gaze—and, of course, how all of this makes us feel in our bodies.This episode is free but if you value this conversation, please consider supporting our work with a paid subscription. Burnt Toast is 100% reader- and listener-supported. We literally can't do this without you.PS. You can always listen to this pod right here in your email, where you'll also receive full transcripts (edited and condensed for clarity). But please also follow us in Apple Podcasts, Spotify, Stitcher, and/or Pocket Casts! And if you enjoy today's conversation, please tap the heart on this post — likes are one of the biggest drivers of traffic from Substack's Notes, so that's a super easy, free way to support the show!Episode 202 TranscriptVirginiaI am so excited. We've been Internet friends for a long time, and it's so nice to finally have a conversation. I'm very jazzed! TracyRight? I feel like we've talked before, but we have not, which is such an odd sensation. We've emailed.VirginiaWe've emailed, we've DM-ed, we've commented on each other's things. But we have not, with our faces and mouths, had a conversation. The Internet is so weird.Well, the Internet being weird is a lot of what we're gonna talk about today. Because where I want to start today is feet.TracyWhy not?VirginiaSo I initially emailed you when I was working on my essay about my Wikifeet experience, because you have written so extensively about porn and the Internet's treatment of women. And when I discovered my Wikifeet, one of my first thoughts was, “I need to talk to Tracy about this.” TracyThat makes me so happy. I want to be the first person that everyone thinks of when they find themselves on Wikifeet.VirginiaI was like, “I don't know how she'll feel…” so I'm glad you take that as a compliment.I don't even know where to start. Even though I wrote a whole essay about this, my brain is still, like, “record scratch moment” on the whole thing. Sojust talk to us a little bit where in your vast reporting on porn did you kind of become aware of fetish sites and what's your read on them? What's going on there?TracyI think I first became aware of Wikifeet in 2008-ish when they launched, and that's when I was a proper, full-time sex writer, on the sex beat, covering every weird niche Internet community. And then in the years since, I've unfortunately had many women colleagues—often feminist writers—who have ended up on the site. So unfortunately, you're not the first person I know who's ended up on there.VirginiaIt's a weird thing that a certain type of woman writer is gonna end up on Wikifeet. Why?TracyThere are no shortage of women who are consensually volunteering photos of their feet online for people to consume in a sexualized way, right? So the fact is that this site is providing a venue for people to do it in a very nonconsensual way, where images are taken from other venues that are not sexualized. They're stolen images, you know? Things that are screenshotted from Instagram stories, that kind of thing—and then put into this sexualized context. Not only that, but put into a sexualized context where there is a community around sexualizing and objectifying and even rating and evaluating body parts.My take is that this violation is part of the point. Because there is having a foot fetish—great, have at it, enjoy. And then there's consuming images that are nonconsensual. So I think that the violation is part of the point. And to the point of feminist writers, women writers online, ending up on it—I don't think it's an accident. Because I think that there is—perhaps for some, maybe not all—some pleasure taken in that aspect of trespass.VirginiaYes. My best friend is a food blogger, and I immediately searched for her because she's way more famous than I am, and she's not on there. And I'm glad, I don't want her non-consensually on there! But I was like, oh, it's interesting that I'm on there, lyz is on there. It is a certain type of woman that men are finding objectionable on the Internet. And putting us on WikiFeet is a retaliation or just a way of—I don't know. It's not a direct attack, because I didn't even know about it for however long my feet have been up there. But it is a way for men to feel like they're in control of us in some way, right?TracyOh, totally. And it's because there is something interesting about taking a body part that is not broadly and generally sexualized, and sexualizing it. There is this feeling of a “gotcha!” in it.There is something, too, about feet—I mean, I think this is part of what plays into foot fetish, often. There is this sense of dirtiness, potentially, but also the sense of often being hidden away. It's secret, it's private, it's delicate, it's tender. Feet are ticklish, there's so much layered in there that I think can make it feel like this place of vulnerability.I've written about upskirting. This was maybe like 15 years ago. But it's these communities where men take upskirt videos and photos of women on the subway or wherever, and then they share them in online forums. And that's very clearly a physical trespass. You're seeing something that was not meant to be seen. So it's quite different. But it's feels like it exists on a spectrum of trespass and violation and taking sexualized enjoyment out of that.VirginiaFrom someone who had no intention of you taking that enjoyment, who's just trying to ride the train to work.TracyTotally. And the foot thing, it just makes me think of all these different ways that women experience their bodies in the world. You can't just be at ease in your body, because someone might think your feet are hot.VirginiaIt's really interesting. I've talked about this on the podcast before: A little bit after I got divorced and I started having, weekends totally to myself in my house, it was the first time I'd been alone in my house in a long time. Obviously, usually my kids were there. My husband used to be there. And I had this strange sensation of being observed, even when I was completely alone in the house.It's just me and the dog. She's asleep. I'm making dinner or watching TV or doing whatever I'm doing. And I couldn't shake the sensation that I was watching myself, still thinking about what I was going to wear. It was so weird, and I realized it actually isn't particularly a comment on my marriage. It's more a comment on women are so trained to always feel observed. It's really hard for us to actually access a space where we're not going to be observed. It was wild.TracyWe adopt that perspective of the watcher, and we are the watched. We experience ourselves in that way, as opposed to being the watcher, the person who sees and consumes the world and experiences the world. It's like we experience ourselves being experienced by someone else—an imagined man often.VirginiaYes, you're always self-objectifying. It doesn't matter whether you're trying to please that gaze, whether you're trying to protect yourself against that gaze. Whatever it is, we're always aware of how we'll be perceived in a way that I don't think cis men ever have to consider. I don't think that's a part of their experience of the world in the same way.TracyAnd how messed up is that tension between trying to please and trying to protect oneself? What an impossible tightrope walk to be constantly doing.VirginiaRight, and to not even know which one you want sometimes. Like, which one you need, which one you want.TracyYeah, going back and forth between those extremes. You're always kind of monitoring and on edge.VirginiaAnd, it did shift. Now when I'm alone in my house, I don't feel like I'm watching myself. Like, it did lessen. But it was this very stark moment of noticing that. And I think the way our work is so online, we are so online, it doesn't help. Because we also have all learned through the performance art of social media to constantly be documenting. And even if you're by yourself, you might post something about it. There's that need to narrate and document and then also objectify your experience.TracyThe sense of, like, if I don't take a photo of it, it doesn't exist. It didn't happen. It's not real. It must be consumed by other people. I mean, when you were talking earlier about that sense of being surveyed, I think that is a very just common experience for women, period. But then I think, for me, growing up with reality TV, the explosion of reality TV, like that added this like sense of a camera on one's life.And then I think, like, if you want to bring porn into it, too—Like, in the bedroom, that sense of the watcher, so you have this sense of being watched by men, but then you have the sense of kind of performing for an audience, because that's so much of what I came up with culturally.VirginiaI mean, the way we often conceive of our sexuality is through performance and how are you being perceived not how are you experiencing it yourself? I mean, you write about that so well, that tension.TracyThat was my whole thing. My sexual coming of age memoir is so much about what it meant to try to move out of that focus on how I'm being perceived by my partner and into a place of what am I experiencing? What do I even want beyond being wanted?VirginiaMan, it's amazing we've all survived and gotten where we are. Another layer to this, that I thought about a lot as I was processing my Wikifeet, was how instantly I felt like I had to laugh it off. I really felt like I couldn't access my true reaction to it. I just immediately sort of went into this Cool Girl, resigned, jaded, like “What do you expect from the Internet?” This is why I wanted to talk to you. Because I was like, oh, this feels very similar to stuff Tracy struggled with and wrote about in her memoir.TracyOh, totally. It makes total sense to me that you would go to that default place. It makes me think of how I, especially early in my career writing online as a feminist blogger, I would print out the very worst, most misogynistic hateful comments and post them on my fridge because I was willing myself to find them funny, to be able to laugh at them and just kind of distance myself from them and to feel untouched by them.I think that Cool Girl stance is a way of putting on protective armor. So I think that makes sense as a woman writing online, but I also think it makes sense in the context of sex. So much of what I did—this performative sexuality, this kind of sense of being down for whatever in my 20s—was, subconsciously, a kind of defensive posture. Because I think I had this feeling that if I'm down for anything, then nothing can be done against my will, you know? And that was the mental gambit that I had to engage in, in order to feel safe enough to explore my sexuality freely. Granted, it wasn't very freely, turns out. But it makes total sense that you would want to default to the laughing at what is really a violation. Because I do think that there's something protective about that. It's like, “No, you're not going to do this to me. You're not going to make me feel a certain way about this.” But that only takes you so far.VirginiaWell, because at the same time, it also is a way of communicating, “Don't worry, I can take a joke. I'm not one of those feminists.” It also plays right into that. So it's protective and you can't rattle me. And, I'll also minimize this just like you want me to minimize it. So I'm actually doing what you want. Then my brain breaks.TracyRight? And then we're back to that thing we were just talking about, the wanting to please, but then wanting to protect oneself, and the impossible balancing act of that. VirginiaLike you were saying you've experienced these horrific misogynistic troll comments. I experienced them in the more fatphobic sense, but like a mix, misogyny and fatphobia, very good friends.So I think when you've experienced more extreme things, you then do feel like you have to downplay some of the minor stuff. It feels scarier for men to say that my children should be taken away from me than it does for them to take pictures of my feet. I can hold that. And yet I'm still allowed to be upset about the foot thing. Just because some things are more awful, it doesn't mean that we stop having a conversation about the more mundane forms of violation, because the more mundane forms of it are also what we're all experiencing all the time.TracyRight? Like the daily experience of it. I mean, unfortunately, there just is a full, rich spectrum of violation.VirginiaSo many choices, so many ways, so many body parts.TracyI do think that the extreme examples do kind of serve to normalize the less extreme, you know? And what we sort of end up putting up with, you know? VirginiaWhat would you say was a helpful turning point for you? What helped you start to step back from being in that cool girl mode? From being in that “I'm performing sex for other people” mode? What helped you access it for yourself?TracyI mean, honestly? A piece of it was porn. It's funny because I turned to porn as a teenager online in the 90s as a source of—I felt at the time—intel about what men wanted. Like, here's how to be what men wanted. And I tried to perform that, you know? And there were downsides to that, of course. There are some downsides. But I would also say that like in the midst of plumbing the depths of 2000s-era, early 2000s-era tube sites to understand what men “wanted,” I also started to kind of explore what I wanted.I wasn't drawn to it from that place of self discovery, but I kind of accidentally stumbled into it because I was watching these videos. And then I was like, oh, wait, what about this thing? Like, that's kind of interesting to me. And then, you start to kind of tumble down the rabbit hole accidentally. Women are socialized to not pursue that rabbit hole for themselves, right? So it was only in pursuing men's desires that I felt like I was able to unlock this whole other world of fantasy and desire for myself that I wanted to explore and that I was able to get into some non-mainstream, queer indie porn that actually felt very radical and eye opening.It was this circuitous route to myself. That was just a piece, I think, of opening up my mind to the world of fantasy, which felt very freeing. Then, getting into a relationship where with a partner who I could actually be vulnerable with, was a huge piece of it. To actually feel safe enough to explore and not be performing, and to have those moments of awkwardness and that you're not just this expert performer all the time. Like, that doesn't lead to good sex.VirginiaNo, definitely not.There's a part in the memoir with your then boyfriend, now husband, and you say that you wanted—you call it “a cozy life.” And I think you guys put that in your wedding vows. I think about that all the time. I think it's so beautiful. Just like, oh right, that's what we're looking for. It's not this other giant thing, the performing and the—I don't know, there's something about that really stuck with meTracyThat's so interesting. I haven't thought about that for a while. It's really interesting, and it's funny, because it was part of our wedding vows. VirginiaCozy means safety with another person, that felt safety with another person, right? And the way we are trained to think of sex and relationships really doesn't prioritize women's safety, kind of ever.TracyI mean, yeah, it's true. There is something very particular about that word cozy—it's different from when people say, like, “I want a comfortable life.” VirginiaYeah, that's bougie.TracyCozy is like, I want to be wrapped in a cozy blanket on the couch with you. And feel safe and intimate and vulnerable. So thank you for reminding me of that thing that I wrote.VirginiaWell, It was really beautiful, and I think about it often, and it was kind of clarifying for me personally. And it's not saying sex won't be hot, you know? It's just that you have that connection and foundation to build whatever you're going to build.TracyRight? And I think coziness kind of is a perfect starting point for being able to experience sexiness and hotness. I think we have this cultural idea that one must have this mystery and sense of otherness in order to be able to build that kind of spice and fire. And at least in my experience, that was not ever the case. I know that other people have that experience, but for me, I never had the experience of that sense of otherness and kind of fear even, and trepidation about this other person leading to a really exciting experience. It was more like being able to get to a place of trust and vulnerability that could get you there.VirginiaAnd obviously, there are all different ways people enjoy and engage in sex. And I don't think every sexual relationship has to be founded in any one thing, but I think when we're talking about this transition that a lot of women go through, from participating in sex for his pleasure, for performance, for validation, to it being something you can do on your own terms, I think the coziness concept is really helpful. There's something there.All right, well, so now you are working on a new podcast with Amanda, as we mentioned, called Dire Straights. Tracy, I'm so excited, because Heterosexuals are not okay. We are not okay, as a population.TracyJust like, literally, look at anywhere. Open up the front page of The New York Times. We're not okay on so many levels.VirginiaSo tell us about the pod.TracySo it's a feminist podcast about heterosexual love, sex, politics and culture, and every episode, we basically pick apart a new element of straight culture. So examples would be couples therapy, dating apps, sex strikes, monogamy, the manosphere, pronatalism, the list goes on and on. Literally this podcast could just never end. There's too much fodder. Unfortunately, I'd love for it to end for a lack of content, but that's not going to happen.So we look at both sex and dating alongside marriage and divorce, and the unequal realm of hetero parenting. We examine celebrities and politicians and consider them as case studies of dire heterosexuality. Tech bros, tradwives, terfs, all the whole cast of terrible hetero characters are up for examination, and our aim is to examine the worst of straight culture, but it's also to step back and kind of try to imagine better possibilities.It's not fatalist, it's not nihilistic. I think we both have this sense of wanting to engage in some kind of utopian dreaming one might say, while we're also picking apart what is so awful and terrible about the current state of heterosexual culture.So our first episode is about dark femininity influencers. I don't know if you've ever encountered them online.VirginiaYes, but I hadn't connected the dots. So I was like, oh, this is a thing.TracyThat's that thing, yeah. That's how I experienced it. It was, like, they just started showing up on my TikTok feed, these women who are usually white and wearing a bold red lip and smokey eyes, and they're essentially promising to teach women how to use their sex appeal in order to manipulate straight men into better behavior. They're selling this idea of seduction as liberation, and specifically liberation from the disappointments of the straight dating world. This idea is that by harnessing your seductive powers, you can be in control in this terrible, awful straight dating sphere.VirginiaIt's like, if Drusilla from Buffy the Vampire Slayer wrote a dating book. I don't know if that reference speaks to you or not.TracyI'm a little rusty on my Buffy, I have to say.VirginiaShe's like, pale skin, red lips, black hair, and tortures men. But yeah, it's this idea that you harness all your like, seductive powers to torture men to get what you want, which is men. Which is a husband or a boyfriend or gifts or whatever. They're shooting for a heterosexual relationship by exerting this power over men, and so the idea is it is somehow it's giving them more power in a patriarchal dynamic. But it doesn't really because they end up in the same place.TracyIt's the same place, it's the same exact place. It feels to me, in some ways, like a corrective against the cool girl stuff that we're talking about that kind of emerged in the 2000s, where, you know, it's this sort of like being down for whatever, that kind of thing. These women are kind of saying, you're not going to sleep with him on the first date. You're going to make him work for it, you know? And so there's a sense of like, I'm in control, because I'm not giving it away for free. It plays into all these awful ideas about women and sex and power. But it is ultimately ending up in the same place, and it is just ultimately about getting a man, keeping a man. And so, you know, how different is it really? I don't think it is.VirginiaI mean, it's not. It's the same rules and conversations that Charlotte's having in the first season of Sex in the City, which is ancient at this point. How are we still here? Are we still here?TracyWe're just inventing new aesthetics to kind of repackage these very old, retro, sexist ideas, you know?VirginiaI also think it's really interesting and helpful that you are interrogating straight culture as someone inside a heterosexual marriage. I've written about my own divorce, my critiques of marriage, and it triggers great conversations, but it always triggers a very uncomfortable response from a lot of married women who don't really want to go there, don't really want to pick up the rocks and look underneath it because it's too scary. It makes sense. And I'm wondering how you think about that piece, and how that's working for you.TracyI think it's very destabilizing for a lot of women in straight marriages and just straight relationships, period, to consider these things. I think it was over a year ago now that I wrote this piece about trying to coin this term hetero-exceptionalism in response to the backlash that I was seeing to the divorce memoir boom, where women reviewers, but also just people on Twitter or wherever, were kind of pointing at these authors and being like, well, I don't know what's wrong with you because my marriage is great.VirginiaThe Emily Gould piece in New York.TracyThere's this sense of like, oh, well, either I chose a good man or I know how to conduct a healthy relationship.VirginiaI'm willing to put in the work.TracyGotta put in the work. You will love our next episode about couples therapy, because we talk about this concept of putting in the work, and the idea that marriage is work, and that if you're not doing the work you're lazy. You're failing, the whole project of it.VirginiaThank you for unpacking that incredibly toxic myth! It really keeps women trapped in “I just have to keep working harder.”TracyWhich I think totally relates to this, the response to the divorce memoirs we're getting from people and the discomfort of when women raise these issues in hetero relationships that are not individual. Like, yes, we all feel that our relationship issues are special and unique. But they all relate to these broader systemic factors.I think that is really, really, really uncomfortable to acknowledge. Because I think even if you're reasonably happy in your hetero relationship, I think if you start to look at the way that your even more minor dissatisfactions connect to these bigger dissatisfactions that women are writing about that's all part of this experience of love in patriarchy that it doesn't feel good. That feels terrible. So I totally understand that.In the same way that we're sold this idea of trying to find the one and that whole romantic fantasy, I think we're also sold this idea of trying to achieve romantically within these patriarchal constraints. So it's like, well, I found the good one. I found the unicorn man who checks all the boxes and I did my work and so I'm in a happy marriage.Virginia“I'm allowed to be heterosexual because I'm doing it right.” That's feeling uncomfortably familiar, to be honest. You think you're going to pull the thread, and you realize you'll rip it all out.TracyThe thing is that a lot of people should be pulling the thread, and a lot of lives should be unraveling, you know? I think that's the uncomfortable truth, right? I totally get the resistance to it. But on the other side of it, I think there are obviously, clearly, a lot of women who are wanting to look at it, and who do want to have these conversations.VirginiaIt sounds like this is what you're trying to chart. There has to be a middle path where it's not this defensive stance of, oh, I found the one good one. And we're equal partners. It's okay, but a relationship where we can both look at this, we can both acknowledge the larger systemic issues and how they're showing up here, and we can work through it and it's not perfect, because it is love in patriarchy, but it can still be valuable. There has to be this third option, right? Please tell me you're living the third option, Tracy.TracyI mean, I do believe that I am but I also hesitate to put any man or any relationship on a pedestal. What I'll say is that to me, it feels so utterly essential in my relationship to acknowledge the ways that our relationship is touched by patriarchy, because all relationships are touched by patriarchy, right? And to not fantasize about us somehow standing outside of it, but also to be having constant ongoing conversations within my relationship where we are mutually critiquing patriarchy and the way that it touches us and the way that it touches the relationships of people we know, you know? I think that's part of why I think I'm able to do this podcast critiquing heterosexuality from within heterosexuality is because my partner showed up to the relationship with his own prior political convictions and feminist awareness. I wasn't having to be like, here's what feminism is and, here's what invisible labor is, and the mental load and all that stuff. He got it, and so we're able to have a mutual shared critique, and that feels very important.VirginiaThat's awesome to know exists, and that you're able to figure that out without it being such hard work. But where does that leave women who are like, oh yeah, my partner doesn't have that shared knowledge? Like, I would be starting the education process from zero and encountering many resistances to it. And therein is the discomfort, I think.TracyI mean, and that is the discomfort of heterosexuality. It's in this culture, because that is the reality is there are not a ton of men who have voluntarily taken women's studies courses in college and have the basic background for this kind of stuff. It's a really high bar and there is this feeling of what are you going to do? Are you going to hold out for the guy who did do that? Or are you going to try to work with him to get there? And I think that's fine, but I think what's essential is are you both working to get there, or are you pulling him along?VirginiaYeah, that's the core of it.I think just in general, reorienting our lives to where our romantic relationships are really important, but so are our friendships. So is our community. I think that's something that a lot of us, especially us in the post-divorce club are looking at. I think one of the great failings of heterosexual marriage is how it silos women into these little pods of the nuclear family and keeps us from the larger community.TracyTotally. I really do believe that the way that our lives are structured, this hetero monogamous, nuclear familydom, it works against these hetero unions so much. Which is so funny, because so much of this is constructed to try to protect them. But I actually think that it undermines them so deeply and drastically. And that we could have much richer and more vibrant, supportive, communal lives that made these romantic unions like less fragile and fraught.VirginiaBecause you aren't needing one person to meet every single one of your needs, you aren't needing this one thing to be your whole life.TracyWe put all of the pressure on the nuclear household for the cooking, the cleaning, the childcare, all of that. That is an impossible setup. It is a setup for failure. There's I wish I could quote the writer, but I love this quote about marriage and the nuclear family being capitalism's pressure cooker. If you think about it in those terms, it's like, this is absurd. Of course, so many people are struggling.VirginiaIt was never going to work. It was never going to work for women anyway, for sure.Well, I'm so excited for folks to discover the new podcast. It's amazing, and I'm just thrilled you guys are diving into all of this. It's such an important space to be having these conversations. So thank you.TracyThank you! I'm very excited about it, and it does, unfortunately, feel very timely.ButterTracyI definitely do have Butter. And this is so on topic to what we've been discussing. This book of essays titled Love in Exile by Shon Faye. It is a brilliant collection of essays about love, where she really looks at the problem of love and the search for love as a collective instead of individual problem. It is so good. It's one of my favorite books that I've read in the last five years.She basically argues that the heteronormative couple privatizes the love and care and intimacy that we all deserve. But that we're deprived of in this late capitalist hellscape, and so she sees the love that so many of us are deprived of as not a personal failure, but a failure of capitalism and community and the growing cruelty of our world. It's just such a tremendous shift of perspective, I think, when it comes to thinking about love and the search for love and that longing and lack of it that so many people experience.VirginiaOh my gosh, that sounds amazing. I can't wait to read it. Adding to cart right now, that is a great Butter. Thank you.Well, my Butter is, I don't know if you can see what I'm wearing, Tracy, but it is the friendship bracelet you sent me when you sent me your copy of Want Me.TracyDo you know that I literally just last night was like, oh, I'm going on the podcast tomorrow, I wonder if she still has that friendship bracelet.VirginiaI'm wearing the one you sent me, which says Utopia IRL, which I love. And then I'm wearing one that says “Fuck the Patriarchy,” which was made by one of my 11 year old's best friends for me. So the 10 year old girls are going to be all right, because they're doing that.TracyThat's amazing.VirginiaI wear them frequently. They go with many outfits, so they're just a real go-to accessory of mine. My seven year old the other day was reading them and was so delighted. And now, when she's at her dad's and we text, she'll randomly text me, “fuck the patriarchy,” just as a little I love you text. And I'm like, alright, I'm doing okay here.TracyYou're like, that's my love language. Thank you.VirginiaSo anyway, really, my Butter is just for friendship bracelets and also mailing them to people, because that was so sweet that you did that.TracyCan I mention though? Can I admit that I literally told you that I was going to send you that friendship bracelet, and I made it, I put in an envelope, and it literally sat by my front door for a full year.VirginiaI think that makes me love it even more, because it was a year. If you had been able to get it out the door in a timely fashion, it would have made you less relatable to me.That it took a full year that feels right. And I was just as delighted to receive it a year later.TracyIt was a surprise. I was like, you probably forgot that.VirginiaI had.TracyI emailed about it and that we had an inside joke about it, because it had been a year.VirginiaI did, but then I was like, oh yeah!TracyYou know what? I think it's a testament to you and how you come off that I like felt comfortable sending it a year later and just being like, fuck it, she'll be fine with it.VirginiaYes, it was great. Anyway, my recommendation is send someone a friendship bracelet by which I mean put it in an envelope by your front door for the next year. Why not? It's a great thing to do.So yes, Tracy, this was so much fun. Thank you for being here. Tell folks where we can follow you support your work, all the things.TracyYou can find the Dire Straights podcast at direstraightspod.com. And you can find my weekly newsletter about sex, feminism, pop culture at Tracyclarkflory.substack.com and you can find me on Instagram at Tracy Clark-Flory.VirginiaAmazing. We'll link to all of that. Thank you for being here.TracyThanks so much for having me.The Burnt Toast Podcast is produced and hosted by Virginia Sole-Smith (follow me on Instagram) and Corinne Fay, who runs @SellTradePlus, and Big Undies.The Burnt Toast logo is by Deanna Lowe.Our theme music is by Farideh.Tommy Harron is our audio engineer.Thanks for listening and for supporting anti-diet, body liberation journalism! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit virginiasolesmith.substack.com/subscribe

In this episode, the Spiders think about the stories in Camus' excellent collection, Exile and the Kingdom.

This week, Michael explores how being chosen by God before the foundation of the world shapes our identity, hope, and holiness as exiles in a world that is not our home. Dive deeper into this talk by visiting sps.church/docks Who are we? We are the church on the highway, the church in the docks, the church with the big red door. For hundreds of years we have been a harbour for worshippers. We are full of bold hope and generous love, a chapel of rest for all, a refuge to find peace in the storm and a launching post into the new, the exciting and the undiscovered. Dive in and explore with us. sps.church

What does Peter really say about the relationship between men and women? Check out Daniel's teaching to learn more.

The roommates cut loose with a costume party, and Casey reaches her limits with Wes after yet another grueling trip to Exile.Become a supporter of this podcast: https://www.spreaker.com/podcast/challenged-a-podcast-about-the-challenge-on-cbs-mtv-and-paramount--3392015/support.

Notes and Links to Hannah Pittard's Work        Hannah Pittard is the author of six books, including the memoir WE ARE TOO MANY and the novel out as of today, IF YOU LOVE IT, LET IT KILL YOU. She is a winner of the Amanda Davis Highwire Fiction Award, a MacDowell fellow, and a professor of English at the University of Kentucky. She lives with her boyfriend and stepdaughter in Lexington. Much of her family lives nearby. Buy If You Love It, Let It Kill You   Hannah Pittard's Website   If You Love It, Let It Kill You Excerpt with Recommendation from Maggie Smith for Electric Literature   “Two Writers Fell in Love, Married, Then Divorced. Who Gets the Story?” from The New York Times At about 1:50, Hannah describes the evolution of her last name's pronunciation  At about 3:00, Hannah talks about the cover for If You Love It, Let it Kill You and describes her mindset in the leadup to her book's publication  At about 4:50, Pete shouts out Rachel Yoder's Nightbitch, both the book and movie, and asks Hannah to cast a possible future movie for If You Love It, Let it Kill You At about 7:20, Pete compliments the “snappy dialogue” of the book in asking Hannah about her family background and early intellectual life At about 8:45, Hannah discusses the book as “100% fiction” while talking about her sister and family as “muses” At about 9:55, Public urination is discussed, both within the book, and without  At about 10:50, Hannah traces her early reading life and how she “fell in love with books” and shouts out Faulkner, Flannery O'Connor, and Tim O'Brien (In the Lake of Woods) At about 14:30, Pete brings up James Frey in discussing the fine line between fiction and nonfiction, as discussed by Hannah with regard to In the Lake of the Woods' brilliance At about 15:30, Ann Beattie, Grace Paley, Alice Munro, are referenced as big influences on Hannah's writing and reading in college and right after, as she traces her semi-accidental foray into MFA At about 17:20, Hannah talks about updating her contemporary reading as she entered MFA, including her early reading of Infinite Jest!  At about 19:15, Alice Munro's “upsetting” story is discussed as is Claire Deder's Monsters, in the larger discussion about problematic and damaging authors  At about 22:50, Hannah discusses her current reading, including Honor Jones' Sleep, and Lynn Stever Strong's , and the series Storybook ND At about 25:40, Hannah shouts out the book's publisher and places to buy the book, including Good Neighbor Books in upstate NY and Exile in Bookville in Chicago  At about 27:40, the two discuss Margaret Atwood's “cameo” in the book and Atwood's epigraph At about 28:55, Pete takes another opportunity to shout out Jess Walter, Beautiful Ruins, and Edoardo Ballerini At about 33:00, Hannah shouts out “Dog Heaven” by Stephanie Vaughn in a beautiful audio form read by Tobias Wolff, and the two fanboy/girl about Wolff's “Bullet in the Brain” At about 34:40, Pete lays out the book's opening and Hannah replies to Pete's question about her original and full chapter titles At about 36:35, The two discuss the book's exposition and plotline and how “Today I am restless” sets the scene for the book's ethos At about 40:00, Hannah shares some funny real-life stories from which she took pieces for her book's characters At about 41:55, Pete playfully laments the incredible veracity of Hannah's writing  At about 44:40, The two lay out a sort of “existential crisis” and an anxiety about contentment at the book's beginning; Hannah notes the protagonist's “place of privilege” At about 47:10, Pete remarks on the book's subtlety and Hannah on the protagonist's “distanc[ing]” based on a past trauma  At about 49:35, Hannah responds to Pete's asking about the vagaries of memory and its connections to the protagonist's actions and busy thoughts At about 52:05, The two discuss the protagonist's ennui  At about 53:15, Hannah responds to Pete's questions about the book's choral/allegorical nature At about 58:55, Hannah talks about the dynamic between the protagonist and her students, and Hannah's own evolution in teaching more flexibly  At about 1:02:05, Hannah responds to Pete's wonderings and musings of “The Irishman” and the character's implications  At about 1:07:00, Hannah reflects on various iterations of scenes involving a threatening student  At about 1:09:10, Pete cites Jess Walter's ending for Beautiful Ruins, in raving about Hannah's wonderful last line and skill in bringing the storyline full circle You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah will be up in the next week or two at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of writing projects that got away, as Pete discusses a particular writing project that had so much potential but is now unfinishable-at least he thinks so. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.    This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 287 with Jordan Harper, whose 2017 novel She Rides Shotgun is being adapted and released through Lionsgate Studios on August 1, which is also when the episode airs.

Check out Rebekah Merkle's new site here: https://rebekahmerkle.com/

Author Aatish Taseer, whose new book A Return To Self: Excursions in Exile comes out this week, did not meet his father, Salman Taseer, the former Governor of Punjab, Pakistan until he was 21 and their relationship was, to say the least, complicated. In 2009, he wrote a book about the experience, Stranger to History, about his journey to meet his father that was also an exploration of what it means to be a Muslim in the 21st Century. Shortly after Aatish made contact with his father, in early 2011, Governor Taseer was assassinated by his own bodyguard for pardoning a woman who had been sentenced to death for allegedly insulting the Prophet Mohammed. On this episode of Tell Me About Your Father, Aatish Taseer talks with Matt Phillp about his new book, the complicated response he continues to have to his father's violent assassination, the value and beauty of going on a pilgrimage, what it means to identify with a nation, and how it feels to have been ejected by one.Follow this podcast on Instagram hereFollow Matt Phillp hereFollow Erin Hosier hereFollow Elizabeth Thompson here This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit tellmeaboutyourfather.substack.com

"Exodus, Exile and Redemption" is a study of the profound significance of Judaism's history. Written essays are published bi-weekly ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe!This series is made possible by the Jacob Lights Foundation. To support this and other ongoing foundation initiatives, please consider becoming a paid subscriber to the Substack newsletter or making a tax-deductible donation via Zelle to jacoblightsfoundation@gmail.com.

On this episode of Buzzing about Romance, we are back with a Book Club Review of Beautiful Exile by Catherine Cowles—book 4 in the Sparrow Falls series.

01. Dj Lutique, Xsonatix, Teneya - Newly Born 02. Steve Kelley - Green Daze 03. Echo Daft, Ilias Katelanos, Plecta - Infinity Rhythm 04. Affkt - Sopasopa 05. Yadek - Arrakis 06. Bontrack - Mechanoid 07. Foglight - Secret Temple 08. Weska, Enamour - Deadbeat 09. Sharam Jey, Xandl - Your Soul 10. Sound Quelle, Referna - Leku 11. Alessa Khin, Tim Loco, Re Power - Afro Bass 12. Maze 28 - Redux 13. Notre Dame - Recollection 14. Michael Jackson, Interactive Sounds Unofficial - Thriller 15. Santi Cebrero - Requiem For A Dream 16. Dansyn - No Type 17. Montw, Echo Daft, Stereo Munk, Dublew - Lost on the Road 18. Stan Kolev, Lift Bliss - Obsidian 19. David Tort, Oken - Jungle Of Mirror 20. Simos Tagias - Melted Pot 21. Gladio - More We Seak 22. Adam Beyer - Taking Back Control 23. Oliver Koletzki - Weirdo 24. Jenner, Gai Barone - Euphoria 25. Jiminy Hop - Cavalier 26. Erich Lh, Ver Dikt, Andy Dav - Reflection 27. Fernando Olaya - Monophonik 28. Coqueit, Antrim - Promise 29. Mattias Herrera - Elka 30. Pretty Pink, Christian Burns, Anyasa - Lost & Found 31. Tomper - Take Me High 32. Jiminy Hop, Simos Tagias - A Tour 33. Hugel, Vidojean, Oliver Loenn, Mr. Alameyo - SXY 34. Jonathan Touch, Max Gazer - Barbie Doll 35. Almero - On Repeat 36. Blue Method - Indigo 37. Teamworx, Doriann - Personal 38. P.O.U - Aloya Chant 39. Nodus - Famy Aya 40. Sidepiece, Bobby Shmurda - Cash Out 41. Maksim Dark, Nonameleft - Detuner 42. Maezbi - Enjoy The Sounds 43. Eleven - Keep Faith 44. W.D.L & Nobe - Working 45. Deep Aztec, Ralf Mag, The Gosha - Hanana 46. Tali Muss, Vakabular - Downstairs 47. Paraframe - Rose 48. Pablo Fierro - Hantoor 49. Vintage Culture, Max Milner, Layla Benitez, Hot Since - Nirvana 50. Kasablanca - Crucible 51. Eanp - Hypnotica 52. Exile, Kyotto - Distant Scientist 53. Underher, Marc Luciano - Turn Back 54. Karpovich, Rstq - Internal Impulses 55. Meeting Molly - Double Tree 56. Stan Kolev - Paths To Devotion 57. Anuqram - Safari 58. Andhim, Selassie, Noah Becker - 1607 59. Kofa, Katar - Falling 60. Kaddyn Palmed, Fuenka - Ipse 61. Joeski, Unna X - Frequencia 62. Mark (Br) - Rollercoaster 63. Kay-D, Carlos Bacchus - Clear Existence 64. Lazara - Madrid 65. Paul Hazendonk, Alice Rose, Kyotto - Just Breathe 66. Morttagua, Kyotto - Asteromorph 67. Amir Telem, Radical Fantasy, Kyotto - Kiss the Sky 68. Noiyse Project - Fame Craver 69. Yuvee - Freydies

From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary's time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary's tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history's endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary's time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary's tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history's endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

20250709-"How Do We Live"- The book of Daniel: Exile to Babylon-3/5-Pastor Ryan Baitzel by That KEVIN Show

20250708-"How Do We Live"- The book of Daniel: Exile to Babylon-2/5-Pastor Ryan Baitzel by That KEVIN Show

20250710"How Do We Live"- The book of Daniel: Exile to Babylon-4/5-Pastor Ryan Baitzel by That KEVIN Show

20250710-"How Do We Live"- The book of Daniel: Exile to Babylon-4/5-Pastor Ryan Baitzel by That KEVIN Show

From the moment Mary, Queen of Scots set foot on English soil in 1568 until her execution at Fotheringhay Castle on 8 February 1587, she was the prisoner of her cousin, Elizabeth I. Unlike Mary's time on the Scottish throne, the dramatic events of these years – almost half her life – took place while she was a captive. But while trouble was perpetually simmering beyond her prison walls, within them Mary was constantly plotting. Only towards the end did she lose faith in returning to her homeland as rightful ruler. Exile: The Captive Years of Mary, Queen of Scots (Birlinn, 2025) by Rosemary Goring is the story of Mary's tumultuous later years, told through the many atmospheric locations where she was confined. Drawing on the latest research, including a treasure trove of recently decoded letters, Exile sheds fascinating new light on her captivity and the charged political climate of the period. Reading like a 16th-century thriller, this account of treachery, deceit, hope and despair is a penetrating and enthralling psychological portrait of one of history's endlessly fascinating queens. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda's interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Wes takes it personally when Johanna's team faces the possibility of being sent into Exile, and tensions rise when Johanna refuses to do things Wes's way in the deliberation.Become a supporter of this podcast: https://www.spreaker.com/podcast/challenged-a-podcast-about-the-challenge-on-cbs-mtv-and-paramount--3392015/support.

Zedekiah is the last king of Judah. During his wicked reign, the LORD fulfills His Word of sending Judah into exile. Nebuchadnezzar of Babylon finally loses patience with rebellious Judah and besieges Jerusalem. In 587 BC, his army destroys Jerusalem and the LORD's temple. Zedekiah watches his sons die before he is blinded and carried off to exile and death. This is no historical accident; It is the LORD's wrath against His people's idolatry. Although Nebuchadnezzar sets up a governor over the land of Judah, the people still rebell against him and flee, ironically, to Egypt. Yet the LORD is not through with His promise, although the kingdom of Judah and the line of David seem entirely lost. Eventually, Jehoiachin, a Davidic heir, is released from prison in Babylon. Despite His people's sin, the LORD sustains the line of the promised Christ.   Rev. Philip Hoppe, pastor at Trinity Lutheran Church in Colby, KS, joins host Rev. Timothy Appel to study 2 Kings 24:18-25:30.  To learn more about Trinity Lutheran, visit trinitycolby.org. "A Kingdom Divided” is a series on Sharper Iron that goes through 1-2 Kings. The division in the kingdom of Israel in this part of history was greater than a matter of north and south. The biggest division was between the people and their God. Yet even as the people rebelled against the LORD as their King, still He remained faithful to call them back to Himself through His prophets, working through history to send the good and gracious King, Jesus Christ. Sharper Iron, hosted by Rev. Timothy Appel, looks at the text of Holy Scripture both in its broad context and its narrow detail, all for the sake of proclaiming Christ crucified and risen for sinners. Two pastors engage with God's Word to sharpen not only their own faith and knowledge, but the faith and knowledge of all who listen. Submit comments or questions to: listener@kfuo.org

20250711-"How Do We Live"- The book of Daniel: Exile to Babylon-5/5-Pastor Ryan Baitzel by That KEVIN Show

Lindsay and Madison discuss the Isle of Demons, as well as the wild history of cartography, that you shouldn't trust your womanizing cousin, and how to be a badass bitch. Information pulled from the following sources 2025 Paranormal Daily News article by Richard Clements 2023 Atlas Obscura article by Shoshi Parks 2023 CBC article by Ainsley Hawthorn 2023 Mysteries of Canada article by Hammerson Peters 2022 Library of Congress blog post by Cynthia Smith 2015 Ancient Origins article by Mr Reese 2015 Daily Mail article by Victoria Woollaston 2015 Southern Highland News article by David Ellis Eskify article by Elliot Wikipedia (1) (2) Send us your listener questions to bit.ly/AskYOC. Become a member on Buy Me A Coffee for as little as $1/month to support the show.  Get your groceries and essentials delivered in as fast as 1 hour via Instacart. Free delivery on your first 3 orders. Min $10 per order. Terms apply. You can write to us at: Ye Olde Crime Podcast, PO Box 341, Wyoming, MN 55092. Leave us a rating and review on Apple Podcasts, Podchaser, Spotify, Podcast Addict, Audible, or Goodpods! Don't forget to follow us on Twitter, Instagram, Threads, Facebook, TikTok, and YouTube. Learn more about your ad choices. Visit megaphone.fm/adchoices

Redemption E5 — For many centuries, ancient Israel lived in the land of promise but consistently broke their covenant with Yahweh. The prophet Isaiah warned the people that their corruption and idolatry would lead them back into slavery—not to Egypt but to the empires of Assyria and Babylon. After these two exiles happen, the prophecies in the book of Isaiah shift surprisingly from correction and warning to comfort and hope. In this episode, Jon and Tim explore Isaiah 40-66. These chapters contain a higher density of the word “redemption” than any other part of the Hebrew Bible.CHAPTERSRecap and Setup for Isaiah 40-66 (0:00-7:38)Comfort From Yahweh the Redeemer (7:38-25:33)The Redeemer of Vulnerable Israel (25:33-41:02)REFERENCED RESOURCESYou can view annotations for this episode—plus our entire library of videos, podcasts, articles, and classes—in the BibleProject app, available for Android and iOS.Check out Tim's extensive collection of recommended books here.SHOW MUSIC“Forgotten Dreams” by Aves“Hilltops ft. JK Beatbrook” Lofi SundayBibleProject theme song by TENTSSHOW CREDITSProduction of today's episode is by Lindsey Ponder, producer, and Cooper Peltz, managing producer. Tyler Bailey is our supervising engineer, who also edited today's episode and provided the sound design and mix. JB Witty does our show notes, and Hannah Woo provides the annotations for our app. Our host and creative director is Jon Collins, and our lead scholar is Tim Mackie.Powered and distributed by Simplecast.

"Welcome to the Exile period! Jeff Cavins joins Fr. Mike to introduce the eighth biblical period, which covers the fall of the Southern Kingdom, Judah, and its exile into Babylon. They explain how the physical exile of Judah was representative of their spiritual realities, and ultimately oriented towards the healing and restoration of their unfaithfulness. We also learn about the role of prophets in this period. For the complete reading plan, visit ascensionpress.com/bibleinayear. Please note: The Bible contains adult themes that may not be suitable for children - parental discretion is advised.

You can watch Austin play through this section of the game right here. The Exile and their companions delve into the abandoned military bunker on the surface of Telos in search of a shuttle that can, potentially, bring them to whoever has stolen the Ebon Hawk. And oh, what a "whoever" that turns out to be... Show Notes Invisible Headgear Mod Hosted by Rob Zacny (@RobZacny) Featuring Alicia Acampora (@ali_west), Austin Walker (@austin_walker), and Natalie Watson (@nataliewatson) Produced by Chia Contreras (@a_cado_appears) Music by Jack de Quidt (@notquitereal) Cover art by Xeecee (@xeeceevevo)