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This podcast features Ben Nichols, a communications expert and paddle enthusiast, discussing his career journey and current ventures in the paddle industry. Nichols shares insights from his time at the World Anti-Doping Agency, addressing the complexities of doping in sports. He also delves into his current role in promoting paddle through various initiatives, including Paddle22, a PR and marketing communications business, and Insider22, a membership community for paddle industry professionals. The conversation explores the challenges of personal branding for athletes and the growth potential of paddle as an emerging sport. Key points: 1. The importance of authenticity and personality in athlete branding 2. The unique opportunity to shape paddle's image as a new sport in many markets
Ben Nichols from Lucero is my guest on this episode of That's How I Remember It. Ben just released an unplugged record which features him and Lucero piano player Rick Steff performing stripped-down versions of some Lucero classics and deep cuts. We talked about that as well as the first Violent Femmes record, The Nerves' song “Hanging on the Telephone,” the Little Rock music scene, his brother Jeff's movie The Bikeriders, and the time both our bands opened for the Replacements in 2014. I always have a great time with Ben and this was no exception. Listen and subscribe!
Born in Memphis is 1974, Cory Branan has been releasing albums since The Hell You Say in 2002. He released three great records on Chicago's Bloodshot Records - Mutt, The No-Hit Wonder and Adios) and his most recent LP (his 6th overall) is the excellent When I Go I Ghost in 2022. Many of his musician friends - Jason Isabel, Brian Fallon, Laura Jane Grace, Craig Finn, Jody Stephens, Ben Nichols, Sadler Baden & more - have appeared on his records. We talked with him about all of that, about his songwriting process, his Chicago experiences and his upcoming tour with his buddy Chuck Pagan. Enjoy!Time Stamps:2: Was it hard for you to have Rollingstone rewrite your history naming you a best new artist over 10 years into your career?7:25: How did you find John Prine? What stands out to you about him?13:50: When listening to a great songwriter, are you able to enjoy it, or are you analyzing it?17:45: What is your creative process like now?20:30: How does your OCD impact your writing?24: How do you choose who you work with?28:30: Being from Memphis, is it surreal to play with Lucero and Jody Stephens?53:15: Did Bloodshot Records end up paying you?53:45: Deep dish or thin crust?55:30: Favorite venue to play in Chicago?58:40: What makes Chicago a unique music city?61:30: What is your go to cheap drinks?62:23: Anything you'd like to plug on the way on out of here?
While Wayne is away, I get to discuss some Lucero with Patreon Revisitor Seth Gill, Repeat Revisitor Jason Earle (of the Marinade Podcast) and first timer musician Matt Woods. Man...we have a blast on this episode. Jason's theory of breaking down Ben Nichols tunes into different categories turns into a super fun exercise. I'm not gonna spoil the fun of what the categories are called.Check out Lucero at: https://luceromusic.com/Check out Matt Woods at: https://therealmattwoods.com/homeCheck out The Marinade with Jason Earle at: https://www.marinadepodcast.com/ Check out other episodes at RecordsRevisitedPodcast.com or one all your favorite podcast providers like Apple Podcasts, Castbox, iHeartMedia, and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
Welcome to episode 182 of Sports Management Podcast. Today's guest is Ben Nichols - a Media Relations Professional with experience from WADA, Formula 1, ATP & the Commonwealth Games Federation. In 2022, Ben started Padel 22, a global padel-dedicated Communications Consultancy. And 2024 he continued to start companies within the padel sector. We spoke about: Ben's background Why he started Padel 22 Finding gaps in the market Cage 91, Club Águilas and his other ventures What the future holds And more! Follow Sports Management Podcast on social media Instagram Twitter LinkedIn YouTube www.sportsmanagementpodcast.com
Notre Dame picked up a commitment from 2026 offensive lineman Ben Nichols. Bryan and Trevor break down what this commitment means for the Irish and also break down his game. Shop for Irish Breakdown gear at our online store: https://ibstore.irishbreakdown.com/ Join the Irish Breakdown premium message board: https://boards.irishbreakdown.com Stay locked into Irish Breakdown for all the latest news and analysis about Notre Dame: https://www.irishbreakdown.com Subscribe to the Irish Breakdown podcast on iTunes: https://podcasts.apple.com/us/podcast/irish-breakdown/id1485286986 Like and follow Irish Breakdown on Facebook: https://www.facebook.com/groups/irishbreakdown Sign up for the FREE Irish Breakdown daily newsletter: https://www.subscribepage.com/irish-breakdown-newsletter Learn more about your ad choices. Visit podcastchoices.com/adchoices
Richie and Dylan offer an instant reaction to Penn State Football landing Class of 2026 wide receiver recruit Jerquaden Guilford from Indiana, the Nittany Lions eighth commit in this class (0:11). The guys then go on to talk about how many receivers the staff will take in 2026 (8:03) before moving on to the latest tidbits on 2026 offensive line recruits Ben Nichols (11:41) and Kai Pritchard (12:51). -- Subscribe to Happy Valley Insider on YouTube: https://bit.ly/3ztSu7y-- JOIN Happy Valley Insider: https://tinyurl.com/PSU30DayFree-- Like us on Facebook: https://www.facebook.com/PennStateRivals-- Follow us on Twitter: https://twitter.com/PennStateRivals
Ben Nichols: Lucero (Band) Website Instagram YouTube Spotify Oliver Peck: Email your questions... whatintheduckpodcast@gmail.com YouTube Rumble Instagram Facebook Twitter Website Spotify WITD Sponsors: Elm Street Tattoo Anchor Screen Printing Cheap Thrills Clothing Brand Label Solutions Dream Machines of Texas Legacy Ink email: Legacyartsupplies@gmail.com Photo of Ben Nichols by @michaelhaleyphotography --- Support this podcast: https://podcasters.spotify.com/pod/show/oliver-peck-whatintheduck/support
Ben Nichols (LUCERO) gives an amazing, honest and heart-felt acoustic performance after his taping of What In The Duck Ep. 18. Ben plays two songs: 1. Coffin Nails (Lucero) 2. In The Heart of the Mountain (Ben Nichols) --- Support this podcast: https://podcasters.spotify.com/pod/show/oliver-peck-whatintheduck/support
Oliver Peck and Ben Nichols (Lucero) discuss Ping-Pong, touring together, movie sound tracks and much more… Ben Nichols: Lucero (Band) Website Instagram YouTube Spotify Oliver Peck: Email your questions... whatintheduckpodcast@gmail.com YouTube Rumble Instagram Facebook Twitter Website Spotify WITD Sponsors: Elm Street Tattoo Anchor Screen Printing Cheap Thrills Clothing Brand Label Solutions Dream Machines of Texas Legacy Ink email: Legacyartsupplies@gmail.com **WITD Podcast is produced by: Audra Cabral & John Niederkorn Sound / Video by: Courtney Larkins** --- Support this podcast: https://podcasters.spotify.com/pod/show/oliver-peck-whatintheduck/support
In this week's episode, we welcome back Ben Nichols, owner of Divine Brewing, for an in-depth discussion about the current state of downtown Palm Harbor. Ben shares his observations on the changes in the area over the past eight years and his vision for its future. We also dive into the collaborative efforts of the Downtown Palm Harbor Merchants Association, the main street program, and other local organizations to revitalize the community. Ben also emphasizes the importance of community involvement and how locals can contribute to these exciting developments. Tune in for a candid conversation about what's next for downtown Palm Harbor.IN TODAY'S EPISODE, WE TALK ABOUT: What's Happening (and Not Happening) in Downtown Palm Harbor?: A look at how downtown Palm Harbor has evolved over the years, the ups and downs, and what's really going on—or not—in the area.How Local Groups Are Working Together to Revitalize Downtown: How the Merchants Association, the Chamber, and other key players are joining forces to bring new life to downtown Palm Harbor.How Divine Brewing Is Navigating Change: Ben shares how the brewing industry is shifting, what it's like to run a small brewery today, and how Divine Brewing is staying afloat.How You Can Help Shape Downtown Palm HarborWant to make a difference? We'll talk about easy ways to get involved in local events and initiatives that are shaping the future of our community.What's Next for Downtown Palm Harbor? We'll explore what's on the horizon for downtown, including exciting new projects, beautification efforts, and the big picture for the area's future.CONNECT WITH BEN: Website: www.debinebrewingco.comContact them: www.debinebrewingco.com/contactInstagram: @debinebrewsCONNECT WITH DONNIE: Follow Donnie: @donnie.hathawayFollow Palm Harbor Local: @PalmHarborLocalFor more real estate information - https://palmharborlocal.com/search-for-homes/JOIN THE LOCALS for exclusive discounts and specials from our local business owners and stay up to date on what's happening in Palm Harbor.Together, we keep Palm Harbor local.Stroll through the laid-back streets of the Palm Harbor community with this informative podcast, proudly brought to you by Donnie Hathaway with The Hathaway Group, your trusted guide and local expert in navigating the diverse and ever-changing property landscape of Palm Harbor.Work with me + FREE ResourcesWould you like help Stroll through the laid-back streets of the Palm Harbor community with this informative podcast, proudly brought to you by Donnie Hathaway with The Hathaway Group, your trusted guide and local expert in navigating the diverse and ever-changing property landscape of Palm Harbor. Work with me + FREE Resources Would you like help buying a home in Palm Harbor? - Buyer ConsultationWould you like help selling your house in Palm Harbor? - Seller Marketing ConsultationDownload our free buyer's guide today - Buyer's Guide
Send us a Text Message.The Bikeriders Tour is an annual adventure that sees Lucero lead singer Ben Nichols and his longtime friend, tattoo artist Oliver Peck, hitting the open road to combine their passions for motorcycles, music, and tattoos. This unique tour allows them to travel around the country, with each day filled with tattooing and each night devoted to acoustic solo performances by Ben.The origins of the Bikeriders Tour date back to 2011, when Ben Nichols embarked on the first tour alone, riding his trusty ‘07 BMW R1200GS. Inspired by his love for both motorcycles and music, Ben decided to merge these interests into a distinctive tour experience. The following year, Oliver Peck, along with a few other tattoo artists, joined Ben on their Harleys, turning the tour into an annual tradition that blends artistry, camaraderie, and the open road. Each year, they carve out a week or two to embark on this journey, creating memorable experiences along the way.During the tour, Oliver Peck spends his days tattooing at local shops in each city they visit. His expertise and reputation as a top-tier tattoo artist draw in crowds eager to get inked by him. In the evenings, Ben Nichols takes the stage at nearby venues, delivering intimate acoustic solo shows that captivate audiences with his soulful voice and heartfelt lyrics. Oliver, serving as the host and MC, adds a layer of camaraderie and entertainment, making each night a unique experience for attendees.This year, the tour welcomes renowned Cleveland tattoo artist Greg Christian, adding even more talent and excitement to the lineup. With Christian's participation, the tour continues to evolve, offering fans and attendees an even richer experience.The Bikeriders Tour is not just about music and tattoos; it's also about giving back. Sponsors like Simpson Motorcycle Helmets and White Knuckler Brand knives have generously donated helmets and handmade knives for nightly raffles. The proceeds from these raffles are donated to American Core, a nonprofit organization dedicated to veterans' mental health. This philanthropic aspect adds a meaningful dimension to the tour, allowing fans to contribute to a worthy cause.The tour's name, Bikeriders, is derived from a Lucero song inspired by Danny Lyon's famous book of photographs from the 1960s. The book's vivid depiction of motorcycle culture inspired Ben to write the song, which in turn inspired the tour. Despite the years and miles, Ben still rides the same BMW R1200GS he started the tour with in 2011, symbolizing the enduring spirit and continuity of this unique journey.With its blend of music, motorcycles, tattoos, and good times, the Bikeriders Tour is a celebration of passion, friendship, and www.BetterHelp.com/TheBarnhttp://www.betterhelp.com/TheBarn http://www.betterhelp.com/TheBarnThis episode is sponsored by www.betterhelp.com/TheBarn and brought to you as always by The Barn Media Group. YOUTUBE https://www.youtube.com/@TheBarnPodcastNetwork SPOTIFY https://open.spotify.com/show/09neXeCS8I0U8OZJroUGd4?si=2f9b8dfa5d2c4504 APPLE https://podcasts.apple.com/podcast/id1625411141 I HEART RADIO https://www.iheart.com/podcast/97160034/ AMAZON https://music.amazon.com/podcasts/7aff7d00-c41b-4154-94cf-221a808e3595/the-barn
Loads of background noise, different atmosphere, quicker format! Live interviews are in, and who better to start it off with than with Ben Nichols, everyone's favorite PR person in the padel industry! Partly he is the reason I'm in this field, so we had a great chat and he was lovely to reach out about a live interview in his hotel's lobby! Innovation in the different areas, what is happening with the US and the UK padel scene, and is pickleball relatable to padel? false
In today's bone-chilling episode of "Anthology of Horror," we delve deep into the annals of history to unravel the harrowing tale of the Texas Revolution. With a focus on the infamous Siege of the Alamo, we peel back the layers of time to uncover the haunting echoes of a conflict that still reverberate to this day.As we recount the valiant stand of the Alamo defenders against overwhelming odds, we cannot ignore the spectral whispers that linger within its hallowed walls. Tales of ghostly apparitions and restless spirits haunt the very grounds where heroes once fought and fell, adding an eerie dimension to an already chilling chapter in history.But as the episode draws to a close, we are reminded that even in the midst of darkness, there is beauty to be found. The haunting melody of "Chambers" by Ben Nichols serves as a poignant tribute to those who perished at the Alamo, echoing through the ages as a solemn reminder of their sacrifice.So join us as we journey into the heart of Texas, where history and horror intertwine in a tale as old as time itself. And remember, dear listeners, as you tread upon the haunted grounds of the Alamo, be wary of the shadows that lurk in the corners of your mind. For in the darkness, truth and terror often go hand in hand.Support the showYe olde march shop https://www.aohpmerch.com/s/shopDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43
Ben Nichols is a third generation marine who epitomizes the concept of a humble servant leader. Whether leading troops in Afghanistan or running Harkins Builders here in America, Ben is committed to giving everyone a platform, a voice, and a seat at the table. At a time where building consensus and getting people on the same page can seem overwhelming, Ben helps us see that not only is it possible, but that it is critical to the success of the growth of the ideas that we work on and champion.
In this episode, we dive into the captivating world of Employee Stock Ownership Plans (ESOPs) with our guest, Ben Nichols, President of Harkins Builders, Inc. With over two decades of experience, Ben sheds light on the inner workings of Harkins' ESOP, dispelling myths and highlighting its role as a robust accountability and culture-shaping tool in the construction industry. We explore the tax benefits, recruitment strategies, and value-maximization tactics employed by Harkins, showcasing how being an ESOP isn't just a retirement plan but a key to empowering employees and building lasting wealth. Tune in for an engaging conversation as Ben passionately advocates for broader adoption of the ESOP model and shares Harkins Builders' success story beyond traditional retirement planning.
We switch it up for our 5th annual “Most Listened to Songs” episode by inviting Jason Earle of the Marinade Podcast to chime in with his 12 favorite songs of 2023 to go along with our lists. Plenty of other discussion including the year of change, Ben Nichols, breaking tradition, Tom Waits, is there a “Bro-Alt Country” genre, Portugal, Social D, albums that were our constant companions, driving through Atlanta, and we may have teased a future Isbell episode due to our overwhelming love of “Weathervanes.” Lot of our favorites are accounted for on our lists including Van Plating, Jordan Foley, Noah Gundersen, Brian Dunne, Gaslight Anthem, and much much more.Check out Jason and The Marinade Podcast at: https://linktr.ee/marinadepodcast Check out our playlists at:Ben's: https://open.spotify.com/playlist/3ynaAgjnSobcOBnsTTF8WT?si=b838be5a74944696Jason's: https://open.spotify.com/playlist/0cqgFsQgxFRkJJMDPMFZwE?si=59444f96fb084923Wayne's: https://open.spotify.com/playlist/0dFzx2MUqcDyyqQy8ZFlKK?si=167e6ab5bcd240f8Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast
On this week's episode we've got two guests who might know each other better than any two prior guests of this podcast ever have: brothers Ben Nichols and Jeff Nichols. Ben Nichols is the singer, guitarist, and chief lyricist for the long-running Memphis band Lucero, and when I say long-running, I mean it: Assuming you're listening to this podcast the day we release it, the band played its first show exactly 25 years ago today, on April 13 of 1998. In that time, they've released an even dozen albums, making the journey from punk-influenced country—or maybe that's country-influenced punk—to soul to straight-up rock and roll. I've always felt like Lucero was the Southern version of The Hold Steady, purveyors of great story-songs and always an incredibly good time live. The newest Lucero album came out in February, and it's a very intentional back-to-basics rock record called Should've Learned By Now. Check out “Macon If We Make It” from that record. Ben's younger brother Jeff followed a similar independently creative path, but down a different road: He's a successful—and incredible—film director whose credits include Mud starring Matthew McConaughey, a drama about the real life battle over interracial marriage called Loving, and my personal favorite, Take Shelter, in which Nichols' frequent collaborator Michael Shannon plays a family man who may or may not be coming unglued. Each is very different from the next, and each is excellent. Jeff Nichols next film is called The Bikeriders, and it will star Tom Hardy, Austin Butler, and Jodi Comer, among others. It's very loosely based on a book of the same name that Jeff was introduced to by Ben. As you'll hear in this conversation, it's not the only time the two have influenced each other. They talk about how Lucero songs have found their way into Jeff's movies, about how the brothers came upon the same exact story in different ways, and about Jeff's potential future as the man who may attempt the impossible: adapting some of Cormac McCarthy's more complicated books, including Blood Meridian, for the big screen. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Ben Nichols and Jeff Nichols for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great written stuff we've got at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
In this captivating episode of the "Anthology of Horror" podcast, we've had the privilege of delving into another gripping short story by the talented author, Jay Darkmore, titled "Hunger." As always, we express our deep gratitude to Jay for his invaluable contributions to our show, enriching our narratives with his storytelling prowess.This tale of "Hunger" promises to send chills down your spine and linger in your thoughts long after the episode concludes. It's another masterpiece to add to our collection of eerie narratives.And as we wrap up, we remind you to keep checking back throughout the day for more content and thrilling giveaways. The "Anthology of Horror" is dedicated to keeping you enthralled with captivating narratives, and there's much more to come. Stay tuned for more spine-tingling tales.Closing song is Toadvine by Ben Nichols.Support the showYe olde march shop https://www.aohpmerch.com/s/shopDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43
In this captivating episode of the "Anthology of Horror" podcast, we've delved into the rarely discussed legends of Los Angeles, with a spotlight on the infamous Tiburcio Vasquez, the city's notorious Bandido. As we unraveled the tales of this enigmatic figure, we also explored the ghost stories and legends intricately tied to his dark history.To bring this episode to a close, we're serenaded by the haunting sounds of "Chambers" by Ben Nichols, a song that perfectly captures the eerie and enigmatic essence of the stories we've explored.Thank you for joining us on this spine-tingling journey, and remember to keep checking back throughout the day for more spooky surprises. Stay tuned for more captivating narratives in the "Anthology of Horror."Support the showYe olde march shop https://www.aohpmerch.com/s/shopDemented Darkness https://open.spotify.com/show/2ausD083OiTmVycCKpapQ8Dark Side of the Nerd https://open.spotify.com/show/6cwN3N3iifSVbddNRsXRTuFoxhound43 https://rumble.com/user/Foxhound43
We're happy you're here! Surrounded by new headlines every day, it's hard to imagine a world where all people are free. Hard to imagine, but not impossible to achieve. Today, Ben shares with us how we can take steps toward that freedom in the midst of our day to day.
Episode 1 is here! Meet our show hosts, US Padel star Britt Dubins and Founder of Padel 22 and industry leader, Ben Nichols, and hear about the exciting plans ahead as we cover the stories inside the worlds fastest growing sport, with some special guests thrown in there too! Email a voicenote with any questions and we'll cover it on one of our next shows...thepadelmovement@gmail.comTwitter:@padelmovement Instagram: padelmovementpodTik Tok:@padelmovementpodA podcast from MotorMouth Media Hosted on Acast. See acast.com/privacy for more information.
Caught up with Al on our way to the Indian Larry Block Party in Brooklyn. He recently finished up the BikeRiders tour where they traveled the country on bike slinging ink with Oliver and friends and playing music with Ben Nichols in a different city each night. It was an epic ride!Danger Dan's Talk ShopMCshopTsLowbrow CustomsMotrcyleSherpa Permalink
This week, Justin was assigned the year 2005 and selected Lucero's Nobody's Darlings to discuss.Dylan's Band - majorawards.bandcamp.comJoin our Patreon to get bonus audio, videos, blog posts, and access to our Discord for only $1 at patreon.com/punklottopodPodcast platforms and social media links at linktr.ee/punklottopodCall our voicemail line: 202-688-PUNKLeave us a review and rating on Apple Podcasts and Spotify.Song clips featured on this episode:Lucero - Watch It BurnLucero - BikeridersLucero - Nobody's Darlings
Welcome to The Padel Movement Podcast! Coming soon.Hosted by USA padel star Brittany Dubins and Padel-22 founder, Ben Nichols. A MotorMouth Media Production. Hosted on Acast. See acast.com/privacy for more information.
The Pickleball Show with CurtisReese -Discuss the fast growing sport of Pickleball!
Meet Ben Nichols, the Founder CEO of Padel 22, the Global Communications Consultancy for the world's fastest-growing sport – Padel. In a career that has taken him from the USA to the UAE, and Canada to the UK, Ben has worked in tennis, Formula 1, Rugby Sevens, the Commonwealth Games, anti-doping and now Padel. With the sport of Padel now starting to make waves in the U.S., Ben's Padel 22 helps grow the profile of clubs, businesses, brands, players, leagues and more. Let him introduce you to the sport of Padel - from the pronunciation to the history! Listen in for tips and enjoy! www.padel-22.com bennichols.co.uk https://www.padel-22.com/ https://www.linkedin.com/in/ben-nichols-7401929/?originalSubdomain=uk https://www.linkedin.com/posts/ben-nichols-7401929_pickleball-and-padel-are-challenging-tennis-activity-7069254089317982208-sXWk/ Ben Nichols - The Padel PR (@thepadelpr) #Sam Fender https://youtu.be/KXzeYV67y2Q
Tune in for my conversation with Ben Nichols from Padel 22, a global communications consultancy dedicated to Padel! Ben is a sports and communications professional with over 20 years of experience in the racquets industry. Ben is from the UK where he grew up playing tennis. He started his career at the ATP in Ponte Vedra Beach to later become the Chief Press Officer of the ATP and WTA Dubai Tennis Championships! He is also the former Director of Communications and Public Affairs for the Commonwealth Games Federation and he was the head of Media Relations for the World Anti-Doping Agency (WADA) during the Russian doping scandal. At Padel 22 he works with the likes of Padel Haus (NYC's first and only Padel Club), and professional Padel players including the British No.1, LeDap. It was so interesting talking with Ben. His time working for WADA during the Russian doping scandal in the olympics is just fascinating so of course we talked about that and many other things like players not participating in press conferences nowadays, journalism in the tennis world and of course we talked about padel!!! SUPPORT VIDA TENNIS/ Leave a voicemail: https://podcasters.spotify.com/pod/show/jennifer-gelhaus MERCH: https://vida-tennis-pop-up-store.printify.me/products/1 WEBSITE: www.vidatennispodcast.com EMAIL: vidatennispodcast@gmail.com SOCIAL MEDIA: https://www.facebook.com/people/Vida-Tennis/100092214093468/ https://www.instagram.com/vidatennispodcast https://www.padel-22.com/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/jennifer-gelhaus/message Support this podcast: https://podcasters.spotify.com/pod/show/jennifer-gelhaus/support
On this week's episode we've got two guests who might know each other better than any two prior guests of this podcast ever have: brothers Ben Nichols and Jeff Nichols. Ben Nichols is the singer, guitarist, and chief lyricist for the long-running Memphis band Lucero, and when I say long-running, I mean it: Assuming you're listening to this podcast the day we release it, the band played its first show exactly 25 years ago today, on April 13 of 1998. In that time, they've released an even dozen albums, making the journey from punk-influenced country—or maybe that's country-influenced punk—to soul to straight-up rock and roll. I've always felt like Lucero was the Southern version of The Hold Steady, purveyors of great story-songs and always an incredibly good time live. The newest Lucero album came out in February, and it's a very intentional back-to-basics rock record called Should've Learned By Now. Check out “Macon If We Make It” from that record. Ben's younger brother Jeff followed a similar independently creative path, but down a different road: He's a successful—and incredible—film director whose credits include Mud starring Matthew McConaughey, a drama about the real life battle over interracial marriage called Loving, and my personal favorite, Take Shelter, in which Nichols' frequent collaborator Michael Shannon plays a family man who may or may not be coming unglued. Each is very different from the next, and each is excellent. Jeff Nichols next film is called The Bikeriders, and it will star Tom Hardy, Austin Butler, and Jodi Comer, among others. It's very loosely based on a book of the same name that Jeff was introduced to by Ben. As you'll hear in this conversation, it's not the only time the two have influenced each other. They talk about how Lucero songs have found their way into Jeff's movies, about how the brothers came upon the same exact story in different ways, and about Jeff's potential future as the man who may attempt the impossible: adapting some of Cormac McCarthy's more complicated books, including Blood Meridian, for the big screen. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Ben Nichols and Jeff Nichols for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great written stuff we've got at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!
Today we are joined on the podcast by Ben Nichols, Ben has a long history with MTOP. He currently lives in CO where he was working for the City of Thornton, he shares his insight about Housing and how to get some funding for it!
We had the pleasure of interviewing Lucero Zoom video!The search for one's identity is a lifelong process that every individual must go through. Who someone is today, is not the person they were yesterday nor who they may be tomorrow. Despite those changes, there is a general idea of a defined sense of self. No matter what happens, it is that small yet solid and grounding definition of self that continues to drive us forward in our search for identity and whatever may come with it. It would be difficult to find any artist who understands that better than the band Lucero. Since forming in Memphis in the late 90's, Lucero's base musical hallmarks have remained similar to the band's initial sound established with their first record The Attic Tapes. In the history of their expansive discography, Lucero has evolved and embraced everything from southern rock to Stax-inspired Memphis soul, whilst simultaneously maintaining their distinctive sonic foundations. Over 20 years later, dedicated fans of the group still flock to hear the band's punchy driving rhythms, punk-rooted guitar licks, and lyrics that evoke the whiskey drenched sentimentality of Americana singer-songwriters. As expected of any band built to survive, Lucero has welcomed change over the course of their career, but it has always been on their terms. The band's twelfth album, Should've Learned by Now, began its life as hardly more than some rough demos and lingering guitar parts. These pieces that were left behind from the band's previous albums, Among the Ghosts (2018) and When You Found Me (2021) were deemed too uptempo and capering for the prior records' darker themes. The band, comprised of all its original members (which in addition to Ben Nichols, includes Brian Venable on guitar, Roy Berry on drums, John C. Stubblefield on bass, and Rick Steff on keys) teamed up for a third time with producer and Grammy Award-winning engineer and mixer, Matt Ross-Spang. Lucero began the recording process in Sam Phillips Recording Service before transitioning and finishing the record in Ross-Spang's newly opened Southern Grooves Productions in Memphis, TN. Ross-Spang appears to have settled in with the band's more trademark sound whilst very much making his touch known to listeners. From its original Ben Nichols-designed cover art to its credits, the album is a reflection of a band that knows itself. Should've Learned by Now bridges the gap musically between “old Lucero” and “new Lucero” in a manner which affixes the band's position as the perfect intersection of punk initiative with hard-earned artistry. It's an album that recognizes the past in its sound and content, but leaves the door wide open to the future and for the lessons still in store.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #Lucero #ShouldveLearnedByNow #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpod
Today I'll be reading "Dust" by Rod Serling.The closing song is "Before Dust" by Chuck Ragan and Ben Nichols.Support the showFeel free to reach out to me at https://www.instagram.com/dukelandis17/
What if you can start your business even without the experience? Would you take the risk? Would you devote your time and energy to make it a success? Take it from our guest today, the owner of de Bine Brewery, and how he started his business with 0 knowledge about it, and building his team with his passion and enthusiasm for what he does. IN TODAY'S EPISODE, WE TALK ABOUT:Starting the Brewery without Experience The Concept of the BreweryChallenges He Faced as EntrepreneurCONNECT WITH BEN: Website: www.debinebrewingco.comContact them: www.debinebrewingco.com/contactInstagram: @debinebrewsCONNECT WITH DONNIE: Follow Donnie: @donnie.hathawayFollow Palm Harbor Local: @PalmHarborLocalFor more real estate information - www.thehathaway.groupJOIN THE LOCALS for exclusive discounts and specials from our local business owners and stay up to date on what's happening in Palm Harbor. Together, we keep Palm Harbor local.
Hosts: Leah Murray and Greg Skordas For the last segment of the show, we speak with one of the unspoken heroes of the Utah legislature, the interns. Ben Nichols, Intern for Representative Robert Spendlove, calls the show to discuss the benefits of interning at the Capitol.See omnystudio.com/listener for privacy information.
Hosts: Leah Murray and Greg Skordas The China ‘Spy Balloon' That Isn't? A surveillance balloon belonging to China has been spotted in Montana, postponing a trip from Secretary of State Antony Blinken to China. National Correspondent for News Nation Robert Sherman joins us from Montana to give us the details on the balloon. Utah Lawmakers Introduce School Safety Bills A new bill being presented at the Utah capitol deals with the safety of kids going to school by creating a School Security Task Force. We speak with the bill sponsor, Utah Representative Ryan Wilcox, on what he aims to do with the bill. Rep. Ken Ivory on Congressional Term Limits On Wednesday, we discussed a referendum that would petition for congressional term limits. Today we speak to the sponsor, Utah Representative Ken Ivory, to discuss why he wrote the referendum. What Do These ‘Historic Tax Cuts' Mean for Utah Utah legislators have promised big tax cuts this year, and it would be the third year in a row of tax cuts by the legislature. Taylor Morgan, Partner at Morgan & May Affairs, calls the show to discuss what the Utah legislature could have planned this year. D.C. Musical Chairs Surprises are still coming from Washington, and decisions on committees are leaving many people out, including Utah Senator Mike Lee. Leah and Greg discuss the changes being made. Court Says Gun Law Targeting Domestic Violence Suspects Is Unconstitutional The fifth court of appeals ruled a case unconstitutional on Tuesday that would prohibit people subject to domestic violence restraining orders from possessing firearms. Hosts Greg and Leah go over the decision and what it means for the country. Have The Tanks For Ukraine Shifted The Balance Of Power In Europe? Last week the U.S. and Germany agreed to give tanks to Ukraine after pressure from some smaller European countries. USU Assistant Professor Dr. Anna Pechenkina calls the show to discuss the power balance in Europe and what it means for the war in Ukraine. D.C. and State Legislative Internships For the last segment of the show, we speak with one of the unspoken heroes of the Utah legislature, the interns. Ben Nichols, Intern for Representative Robert Spendlove, calls the show to discuss the benefits of interning at the Capitol.See omnystudio.com/listener for privacy information.
Ben Nichols, a veteran sports communication and public relations expert with decades of experiences across the industry from WADA, Commonwealth Games Federation, Sportsradar to many other consulting jobs around the world. Listen to Ben's unique journey around the world and his new company – Padel 22 – a dedicated communication consultancy for the world of Padel sport. Key Highlights How his career started - combining his love for writing with sports, travelling and working around the world Working in Dubai on ATP/WTA Tour stop and Emirates Dubai Rugby, next stop Lotus Renault travelling the globe and F1 circuit How to differentiate one F1 team from another and how to communicate it WADA – unpacking his 4 years at the World Anti-Doping Agency – heading to Montreal, Canada – media relations and communication During his period, various scandals hit the press from Lance Armstrong to Russian Doping scandals, IAAF – his experiences WADA, an “independent” body although funded by the IOC – working across all departments to assure a clear message goes out Pound and McLaren reports – big global media focus Athletics Integrity Unit set up by IAAF President, Sebastian Coe – the sport working on cleaning up its act Commonwealth Games Federation – Gold Coast Games in Australia – setting new standards and targets for sports from gender equality to disabled vs abled body athletes competitions From briefings at Buckingham Palace to writing opening speeches for the President Sportradar unique service– providing Anti-Doping Services to major event organizers (intelligence investigation services, athlete performance monitoring, etc) – business development role PADEL 22 – his new agency – https://www.padel-22.com What is Padel – background and difference to other similar sports (ie. tennis, pickleball, squash, etc) Dynamic, urban, cool new sports Vision and mission of Padel 22 – why he set up a single focused agency – one sport, global focus Padel vs Pickleball (European vs American style sports promotions) and ambitions of both sports Final thoughts – opportunities around the world - “sports nomad” Link: https://www.padel-22.com/ About A leading Sports Communications, International Relations and Padel Industry professional who ran Media Relations for the World Anti-Doping Agency (WADA) during 'the biggest sporting crisis of the 21st century' - the Russian Doping Scandal. Ben also led Communications and Public Affairs for a revitalised Commonwealth Sport movement at Gold Coast 2018, transforming the perception of the modern Commonwealth Games. Ben brings with him with 17+ years' experience and a proven track record of success running communications for the world's leading sports series, leagues, events, teams, leaders, athletes, brands and media. Ben is an entrepreneurial figure with expertise in Strategic and Corporate Communications, Media Relations, Public Affairs, Issues & Crisis Management, Event Operations, Speech Writing, Executive Communications Counsel, Marketing and as a Spokesperson. By 26, Ben was overseeing Communications for the award-winning ATP and WTA Dubai Tennis Championships and leading the Middle East region's Communications for the 2010 Asian Games 'Road of Asia' campaign. At F1 team Lotus Renault GP, Ben led Media activity including for drivers Nick Heidfeld, Bruno Senna and Romain Grosjean and team sponsors. He oversaw Media Relations for WADA during a turbulent period for international sport. He was Communications Counsel for leadership; Editor of Play True Magazine; Speechwriter; and creator of widely-acclaimed interview series, WADA Talks. He executed Media Relations and Social Media for the high-profile WADA Investigation into Doping in Athletics, achieving a total US$4.60 Billion AVE in the process and resulting in #WADA becoming the World's No.1 trending topic on Twitter. As the Commonwealth Games Federation's first Director of Communications and Public Affairs, he developed and implemented the Marketing & Communications Strategy, positively shifting the public perception of what the Commonwealth Games meant worldwide. Ben ran his own Sports Communications Consultancy working with the likes of the International Padel Federation (FIP), Lawn Tennis Association (LTA), USA Weightlifting, USADA and the Athletics Integrity Unit, and also worked for global sports media and technology innovators, Sportradar, heading the Anti-Doping Services team for Europe. Today, he is working as a Strategic Communications and PR Consultant in the burgeoning sport of Padel – widely described as "the world's fastest growing sport". Follow us on our social sites for the latest updates Instagram: https://www.instagram.com/sportsentrepreneurs/ Facebook: https://www.facebook.com/marcusluerpodcast LinkedIn: https://www.linkedin.com/company/sports-entrepreneurs Website: https://marcusluer.com Podcast: https://marcusluer.com/podcast To get in touch, please email us at podcast@marcusluer.com Feel Good by MusicbyAden https://soundcloud.com/musicbyaden Creative Commons — Attribution-ShareAlike 3.0 Unported — CC BY-SA 3.0 Free Download / Stream: https://bit.ly/_feel-good Music promoted by Audio Library https://youtu.be/bvgIqqRStcQ
Sponsored in part by the Velvet Elk Lounge, this episode of Mile High Stash features Ben Nichols of Lucero, whose new album "Should've Learned By Now" drops February 24, 2023. Lucero plays the Stanley Hotel in Estes Park on Saturday, January 21. Head to LuceroMusic.com for more info.
Welcome to episode 79 of Sports Management Podcast – where I speak with not one, but TWO great guests. The first guest is Sandy Farquharson – the founder of The Padel School. Sandy has a background from tennis as a player and coach but transitioned into padel about 11 years ago. In 2019 Sandy started The Padel School and has been educating people about padel since, both in person and through his popular YouTube channel. Ben Nichols is the founder of Padel 22 - The first padel-dedicated communications consultancy. Ben also appeared on episode 20, where he spoke about media relations in sport and his experiences from working with WADA, Formula 1 and ATP. Today's topic is padel. One of the fastest growing sports in the world. Both guests have experiences from Dubai & the UK and we had a very interesting discussion of how far padel has come in a short time and what we can expect in the future. Get ready to learn: - Should padel be considered a threat to Tennis - Why did Sandy start The PAdel School – offering padel techniques and knowledge in English - How is the Padel landscape in the UK - If Padel in Sweden rose too fast - Why Ben started Padel 22 - The importance of coach education in Padel And more! Connect with Sandy: Podcast: podcasts.thepadelschool.com Website: www.thepadelschool.com Youtube: www.youtube.com/thepadelschool Instagram: @thepadelschool Facebook: www.facebook.com/thepadelschool TikTok: @thepadelschool Connect with Ben: Website: www.padel-22.com Instagram: https://www.instagram.com/padel22_consultancy/ Twitter: https://twitter.com/WeArePadel22 LinkedIn: https://www.linkedin.com/company/padel-22/?viewAsMember=true ________________________________________________ SPONSOR Insport Education Course list --> HERE The code gives you 10% ANY course offered. Discount code: sportsmanagementpodcast10 ________________________________________________ Follow us on social media Instagram Twitter LinkedIn YouTube www.sportsmanagementpodcast.com
Interview with singer/songwriter Ben Nichols of Lucero fame about starting a band, songwriting and the upcoming album, "Should've Learned by Now."
Support the Podcast and grab some Merch!!!On Nov. 16th we will be dropping our LIMITED Christmas Merch! be ready so you don't miss out!https://circleofdrift.com/ --------------------------------------------------------------------------------------------GuestBen NicholsInstagram - https://www.instagram.com/django364ss/---------------------------------------------------------------------------------------------SocialsInstagram - https://www.instagram.com/circleofdrift/Tiktok - https://www.tiktok.com/@circleofdrift?lang=en---------------------------------------------------------------------------------------------Audio platformsApple Podcast - http://rb.gy/q14pzxSpodify - http://rb.gy/e8kcvtAmazon - http://rb.gy/5habmmiHeart - http://rb.gy/hhqilwPodcast Index - http://rb.gy/qbuncl---------------------------------------------------------------------------------------------To work with us, contact us via Email.thecircleofdrift@gmail.com---------------------------------------------------------------------------------------------If you want to be on the Podcast, DM us on our Instagram link above!---------------------------------------------------------------------------------------------ScheduleNew Episode every SUNDAY!TikTok's daily!Instagram Reels daily
I Don't Wanna Hear It Podcast193 – More Heavy Metal Murder: These Guys Aren't FunThe spooky season is at our throats once again so here's a grab bag of metal murder and mayhem to bum you out considerably.***Check out more of our stuff at I Don't Wanna Hear It and join the Patreon, jabroni. I mean, if you want. Don't be weird about it. Oh, and we publish books now at WND Press because we want to be bankrupted by a dying medium.We now have a Big Cartel where you can buy shirts, pins, mugs, and coffee.Also, you should listen to our 2021 Christmas special: A Black Metal Christmas Carol, as well as Mikey's true crime podcast, Wasteland and Shane's psychology podcast, Why We Do What We Do.Aaannnddd... our good buddy Matt Moment is in a great hardcore band called Contact. Check 'em out!Episode Links:WrithingCloakroomSome of our old bands are on Spotify:Absent FriendsWe're Not DeadYears From NowMusical Attribution:Licensed through NEOSounds. License information available upon request.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”
The Gents sit down with longtime friend, active military personnel, songwriter, and the founder of waynecountysports, Ben Nichols. The boys discuss his time in the army, how to be successful in social media, and trade hilarious stories. Sit down with us and come along for the wild ride we call episode NINE!Instagram~ @bennipples @waynecountysports
Composer Ben Nichols talks about three soundtracks: OMNO, a gorgeous adventure game (for which he received an Ivor Novello nomination); Before We Leave, a colorful world-builder; and The Falconeer, a dogfighting aerial combat fighter. So different from each other and delightful to discuss each one! You'll find a YouTube video on our channel (sometimes they post a few days after the audio version). You can find a playlist and support Level with Emily on Patreon. Join us on Discord for free. Find us on YouTube and Twitter. Patrons have access to special Discord events and special guest playlists.
For week two of Junebreaker, we talk about Jawbreaker's "Kiss the Bottle" with special guest Ben Nichols of Lucero. Ben shows up around 1:50. We're also once again joined by our friend Kravis4ever, who gives us a "punk news" update on what Travis Barker and Kourtney Kardashian got up to this week.
Guest Amanda Casari Panelists Richard Littauer | Ben Nickolls | Eric Berry Show Notes Hello and welcome to Sustain! The podcast where we talk about sustaining open source for the long haul. We are very excited for today's podcast. Our guest is Amanda Casari, who is a Developer Relations Engineer and Open Source Researcher at Google Open Source Programs Office (OSPO). Today, we learn about some open source work Amanda is doing with her research team at the University of Vermont Complex Systems Center, she tells us about a project called ACROSS, and a paper that was written by her team that was actively looking at contributions that are measured for code centric repositories. Amanda goes in depth about what open source is to her, she shares advice if you're looking to collaborate more effectively with people in open source, she talks more about how we can support projects financially to other parts of the world and mentions some great groups she worked with. Go ahead and download this episode to learn more! [00:02:00] Amanda fills us in on the open source work that she started working on with the University of Vermont Complex Systems Center. [00:06:43] Amanda explains the “assumptions we have that aren't verified,” as well as a paper that came from their research team and what they examined. [00:09:52] We learn more about how people interface with closed decisions behind doors and open source. [00:13:30] Ben asks Amanda to tell us what kind of behaviors and differences she sees between communities that emerge and continue to exists off of platforms like GitHub and GitLab. [00:15:50] Amanda tells us about a project their team is working on called ACROSS, and a paper that won a FOSS award last year that was about actively looking at contributions that are measured for code centric repositories. [0019:18] Eric wonders what type of responsibility Amanda sees that would come from GitHub and if that's going to affect us long term. [00:23:01] Amanda explains working as a Control Systems Engineer, and she explains how she sees open source as blocked diagrams and feedback loops. [00:27:53] We hear some great advice from Amanda if you are someone who wants to make the world of open source a more complex and beautiful place with what you have to offer. [00:32:08] We hear some thoughts from Amanda for people working in open source who don't have a huge amount of privilege to have the ability to share their energy and find it harder to think laterally. [00:35:27] Ben wonders what we can do to support projects financially and what we can do to support the next generation from the different parts of the world who haven't had the opportunity to benefit yet. Amanda shares her thoughts and mentions some really great groups she worked with such as Open Source Community Africa, PyCon Africa, and Python Ghana. [00:39:24] Find out where you can follow Amanda online. Quotes [00:09:01] “A lot of open source decision making is really behind proprietary or closed doors.” [00:19:59] “When it feels like there is only one option for any kind of tool, infrastructure, or access, that's when I always start getting concerned.” [00:24:58] “Open source is a ___ system.” [00:29:59] “Open source is not one thing, it's many interactive parts that fit together in different ways.” Spotlight [00:40:10] Eric's spotlight is an article Amanda submitted on “Open source ecosystems need equitable credit across contributions.” [00:40:39] Ben's spotlight is a shout out to Jess Sachs and the maintainers of Faker.js. [00:41:22] Richard's spotlight is Red Hen Baking in Vermont. [00:41:47] Amanda's spotlights are two books: Data Feminism _and _The Data-Sitters Club that she found on The Executable Books Project. Links SustainOSS (https://sustainoss.org/) SustainOSS Twitter (https://twitter.com/SustainOSS?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) SustainOSS Discourse (https://discourse.sustainoss.org/) Amanda Casari Twitter (https://twitter.com/amcasari?ref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor) Amanda Casari LinkedIn (https://www.linkedin.com/in/amcasari/) Open Source Stories (https://www.opensourcestories.org/) The penumbra of open source: projects outside of centralized platforms are longer maintained, more academic and more collaborative (https://arxiv.org/abs/2106.15611) Getting the Giella source code for your language (https://giellalt.uit.no/infra/GettingStarted.html) Julia Ferraioli Blog (https://www.juliaferraioli.com/blog/) What contributions count? Analysis of attribution in open source (article) (https://scholar.google.com/citations?view_op=view_citation&hl=en&user=VRBk-q8AAAAJ&citation_for_view=VRBk-q8AAAAJ:qjMakFHDy7sC) ACROSS Taxonomy-GitHub (https://github.com/google/across) RubyConf 2021- Black Swan Events in Open Source-That time we broke the Internet (https://docs.google.com/presentation/d/1g9UDReu80wo14H8beoAJ6n69ZorBYhLjKxOU1ngegeY/edit#slid) All Contributors bot-GitHub App (https://github.com/all-contributors/app) All Contributors (https://allcontributors.org/) Open Source Community Africa (https://oscafrica.org/) PyCon Africa (https://pycon-africa-stage.us.aldryn.io/) Python Ghana (https://www.pythonghana.org/) Open source ecosystems need equitable credit across contributions (article) (https://bagrow.com/pdf/casari2021.pdf) Faker (https://github.com/faker-js/faker) Red Hen Baking Co. (https://www.redhenbaking.com/) Data Feminism (https://data-feminism.mitpress.mit.edu/) The Executable Books Project (https://executablebooks.org/en/latest/) The Data-Sitters Club (https://datasittersclub.github.io/site/index.html) Credits Produced by Richard Littauer (https://www.burntfen.com/) Associate Producer Justin Dorfman (https://www.justindorfman.com/) Edited by Paul M. Bahr at Peachtree Sound (https://www.peachtreesound.com/) Show notes by DeAnn Bahr Peachtree Sound (https://www.peachtreesound.com/) Transcript by Layten Pryce (https://www.fiverr.com/misstranscript) Transcript Richard [00:11]: Hello, and welcome to Sustain, the podcast where we're talking about sustaining open-source for the long haul. Who are we? Where do we come from? Where are we going? What are we going to talk about today? Very excited for today's podcast. We have an amazing guest. One of the few guests from the state I am in, which is really fun for me. I just feel like saying that first before anything else, because I don't know why, but before we introduce her, I want to make sure we also talk about the other people you're going to be hearing on today's podcast. So I am Richard [name]. Hello everyone. And then we also have Benjamin Nichols, sometimes known as Ben, how are you? Ben [00:48]: I'm good. I'm a bit enjoying the sun. Thank you. Richard [00:51]: Cool. Okay, great, Eric, how are you doing? Eric [00:54]: No sun, but I'm really happy to be here. I'm very well caffeinated. Richard [00:58]: That is very good. I'm going with apple ciders today. I don't know why, I think it's because I already have caffeine. Great. So that's the little tiny stuff at the beginning to set the mood for the show. And now the actual content. Our guest today is the amazing Amanda Casari. Amanda Casari is a lot of things. She doesn't like titles very much, which is cool. So I'm just going to say what she wrote down in the prep doc, DevRel engineer, plus open source researcher at Google open-source programs office, which we're going to shorten to the Google OSPO for the rest of this conversation, because that's just too much of a word. She also lives in Vermont and has a long and storied career. Amanda, how are you doing? Amanda [01:39]: Hi, I'm doing great. It's so good to be here today. And I'm also absolutely thrilled Richard, that you also live in Vermont. Richard [01:47]: I know we have this small thing in Vermont where we really like talking about being in Vermont. I think it's because we're in a little man's complex because it's a very small state and so it's just nice to be like, oh, someone else, Amanda, actually that might be a good intro. So you've been active in open source communities for over a decade. You've organized local community groups. You've filed issues. You've cleaned the documentation, you've tested fixes or fixed tests. You've done all the things. You move chairs around, but like you're really a systems level person. [02:14] You're all about thinking about what open-source is and how can we make sure that the entirety of open-source regenerates builds better, is more sustainable, is more resilient, is more better for the people inside of it. Part of that work has been working directly with UVM, which is confusingly, the University of Vermont and it's based in Burlington. And it now has, I believe some sort of OSPO. Can you talk about what that is and how that happened? Amanda [02:40]: Yeah, so as brief as I can make it, because otherwise I will spend the next 45 minutes talking about this. I switched into the Google OSPO office because I started and worked on a partnership and a research group with the University of Vermont complex system center. So we started to look within Google and understand how can we really begin to picture, strategize, think about, learn from open-source, like you said, from a systems and ecosystems and networks perspective, which is in line with my background. [03:16] So in the way, way before, I'm a actually a control systems engineer. So problems that are dull, dangerous or dirty fit right with that robotics line of thinking and examining infrastructures and legacy infrastructures and how things interconnect and where they need support and where they don't, is absolutely aligned with what I used to work on. And then I did go to the University of Vermont and I was a fellow at the complex system center. When I was studying power systems and I actually looked at electrical engineering and applied mathematics. [03:48] And so a lot of that is fundamental for the reason why, like my brain is really shaped to examine and look at things, as to what scales and what doesn't, but not from some of the software perspective of how do you scale things, but where do you actually, and can you find rules that may or may not apply at different scales and may not work? So we may try to apply things that work at a smaller group, at a larger scale and they break down and that's when they actually don't scale. So working with the University of Vermont, we started in early 2020, which was a really interesting time to get a new research line started, especially when one of your core researchers is an infectious disease modeler. But I would say the benefit from starting at that time is that we really got lucky in a few places. [04:37] So one of the places that we got lucky in early 2020, is we took everything that we were thinking about for the next two years of life. And we said, this is probably going to change. And we fundamentally moved some of the money and the grant money around to start instead examining who needs support now, what can we do now? So if we're not going to be able to travel, we're not going to be able to hold community workshops. We're not going to be able to invite open-source people together to talk to us, what should we be doing instead? [05:08] One of the things that we did is we hired another researcher. So we took some of the travel money and some of the budget for commuting. We moved that into a position at the time and that, one, was wonderful because that person is brilliant. But second, it really worked out well because I don't remember if everyone remember early 2020 academic institutions were shutting budget and roles and department shut down. And it was really a crisis mode, but we were sheltered from a lot of that because of the structure we set up. [05:33] But there's been a lot of great research coming out of that group and that team. One of the fundamental things we've been just trying to figure out is where's the information you would need to understand and what's happening at open-source at a large scale level? And we found there are a lot of assumptions that are made that we can't verify. So we find that we are looking for information always in a way that respects individuals and respects people in open-source as humans. And doesn't observe them in a way that is without their consent, but it's very hard to find the information you need that doesn't just result from conveniently available information on the internet. [06:12] But for the OSPO perspective at the University of Vermont, UVM is a recent recipient of a Sloan tech grant that is going to be establishing an open-source programs office and also has a research component to understand and look at open-source communities as they emerge, especially as they emerge in local communities who have a directive to really support local effects rather than maybe like a global effect or a corporate good Richard [06:36]: So much in there. Most interesting was there were assumptions that we have that aren't verified. What assumptions are you talking about regarding open-source and what have you looked at? Amanda [06:47]: So I rant a lot amongst researchers and groups of people, Richard, as you know, and I don't have time to verify all of my ranting or all of my hypothesis. But one of the research lines that I am most excited about learning and exploring more. There's a paper that came out from our team and I will add it to the show notes late,r is called the penumbra of open-source. And so the research team and I was not on this paper, but the research team examined whether or not the sample that we used from GitHub is actually representative of the larger open-source ecosystem. [07:24] And so they went about looking for individual hosted, but public and open Git servers to be able to start to look at whether or not, if you choose not to be on a platform like GitHub or GitLab or any other hosted platform repository, does your open-source project organization, metadata, community, organization, decision making, does that look like what's hosted on GitHub? And they found that it wasn't. So GitHub itself, they called the convenient sample. It's something that's used because it's easy for researchers to get to, which I would also challenge the convenience and ease of getting specifically that data access, because most of that data is accessed by researchers, by aggregated collections like the GitHub archive, or there's a few other aggregation projects, but they're all open-source or research projects. [08:15] They are funded by groups like Google or groups like Microsoft. But if you actually wanted to do aggregated research of what is happening in open-source and trends in time. That's something that is a huge data engineering project. And the best that we can do right now is samples off of those aggregated platforms. But it's not clear in a way that it used to be. So if you look at a lot of the studies that are coming out, they may look at something like the Linux kernel, or they may look at something like projects from the Apache software foundation, because all of the tools that those developers use are in a much more aggregated and less distributed format and also less proprietary systems. [08:57] So that data is actually accessible and is more transparent. Otherwise, a lot of open-source decision making is really behind proprietary or closed doors. And that might be the decision of the community. They may not also realize that like the effects of those decisions. Richard [09:12]: I don't know of a lot of projects that are outside of GitHub. I used to know of one, I just checked and Gela Techno Finn minority language documentation has now moved to GitHub, which seems to happen a lot, I assume. And so it's always shocking to me to hear that people have projects elsewhere and they think about it elsewhere. One of the things I want to focus on though, besides that, which always blows my mind, is you talked about open source decision making happening behind doors. And it seems to me to be at ends with what we think of as open-source naively when we begin learning about open=source, we think, oh, open-source, everything's out in the open. [09:50] It's great. freedom of speech, freedom of everywhere. I want to know more about how people interface with closed decisions behind doors and open-source, and whether everyone knows that, and we're just not talking about it openly, or whether that's something that actually causes fractures in communities when they realize that the power is elsewhere. I'm just curious about your opinion on this. Amanda [10:13]: So to be perfectly frank and clear, decisions about open-source have always been behind closed doors. So there is an illusion of access, but not everybody has always been invited to those meetings. So talking with folks who have been involved in open-source even much longer than I have, we've talked about these different kinds of cyclic patterns and community and transparency and in governance, different kinds of governance models. So it used to be that folks would show up a few days before a conference, ahead of time or stay afterwards for a few conferences. [10:49] And if you were invited to those meetings, you were part of that decision making group. But I would like to point out that the first person that became a core dev programmer contributor for the Cython kernel is actually Mariatta Wijaya. And she just joined that a few years ago. So she was the first person who identified as a female who was even invited for this programming language that's been around for 20 years. And I will say, I feel like that community's done a wonderful job in understanding their limitations and where they have and have not been transparent and open. [11:21] And Guido van Rossum has the creator of the language has also been one of the staunch supporters, allies, and movers of change for that. But it took a long time for that to happen. So the idea that there are these close off areas where decision are making is nothing new. However, there was always this idea that at least conversations and decisions and communication happen as something as open as a mailing list, and everybody had access to something like the mailing list. Maybe it was cell hosted or maybe it was hosted on a centralized platform, but at least you could see it. That's not the same case anymore. [11:54] We have a ton of developer platforms now that people choose to have conversations on. Sometimes those communications get centralized with things like repositories. And that is for trying to make communication and understanding more atomic, which is totally understandable. And every community gets to make these decisions for themselves. And if you are trying to piece together all of this information, it's a huge data archeology problem. This is something that Julia Farole and I talk about a lot, is if you just want to understand what's happening in a community, who is making decisions, who has access, who is even doing any of the work, like if we just want to understand what work is even visible or valued in a community that's very challenging to see right now. And that's another one of our core research areas that we're working on, is just making labor visible across open-source. Ben [12:47]: So I just wanted to kind of pick up and extend Richards question to a degree. And just, if you can talk a little bit about the difference that you see in communities that are based on more kind of some might say modern traditional platforms, like GitLab, maybe [13:06 inaudible] to a certain degree, but versus those projects that exist kind of, I would say off-platform and behind kind of mailing list and so on, because I think a lot of people would say that some communication methods like mailing list, mailman and so on could be argued to be less accessible than say, like GitHubs, that's now got a lot more kind of discussion based features and so on. So I was just wondering like what kinds of behaviors you see and what kind of difference do you see between communities that emerge and continue to kind of exist off of platforms, like GitHub and GitLab? Amanda [13:43]: So I will say, I feel like the differences between centralized platform centric communities and non platform centric communities. I feel like that actually is still an open research question because of the fact that again, like the data collection for it is pretty hard to do, so you have to start like adding layers at a time. So you can look at things at just like maybe how the repositories are structured, but that may or may not be indicative of how decisions are made, which may or may not be indicative of communication layers. [14:12] But when we start thinking about this in terms of how do you model that? These are all actually separate modeling techniques that you use for each of these different kinds of layers. And I think that is something our team is actively interested in and working on. I have a lot of theories that are not founded on that right now. I would love to start looking at what kinds and if any, are there heard cultural norms, values, but I would really love to start understanding and seeing when a decision is made to choose one technology over the other for dev tool stacks for a community, because there's a lot of porting that's happened in the last few years. [14:51] How has that worked out? So not even like the initial choice to choose that dev tool or that infrastructure stack may have been made five years ago for different reasons that they would be made now. Has that worked out to meet the community's goals? Has it changed who has access and who has voice? Has it changed who's work is visible or is that something that's still an unsolved problem for the community? And are there ways that we need to think about focusing on that so that they get more visibility and transparency regardless of their decision? Ben [15:21]: I kind of feel like those latter points about whose contributions are recognized and valued and so on is a little bit of a, hidden nugget of another point, because I would say that my opinion, which is also not based on fact, but my experience to date has been communities that are based around platforms like GitHub are maybe a little bit more code centric and communities that aren't are possibly a little bit more interpersonal. And I think that there's a whole load of issues that we could potentially unpack there. Do you see any of that already? Is that something that you are already kind of thinking about or working on? Amanda [15:56]: Yes. So our team has been working on, we call it the across project and I always forget what the acronym stands for, but it basically comes to like better attribution and credit in open source. So we have done research on that. The paper actually won the Fass award at Minimg Software Repositories conference last year. And it was actively looking at contributions that are measured for code centric repositories, as you said, because this is what we're really trying to show, is that when you're only looking at code and acknowledging that a lot of people are trying to shove a lot of things into repos these days that maybe they weren't intentionally designed for, for, but again, going along with that idea of atomic information, about a project or about a community or about an ecosystem. [16:38] So looking at a repository centric view, we evaluated the difference between how GitHub contributors shows actions and gives attribution how the events API does it. There's a tool that one of my colleagues, Katie McLaughlin wrote called octohatrack, which looks at a code repo on GitHub and produces a list of contributors for anybody who's ever interacted with that repository, which is different than what the GitHub API shows. And then we also compared that against repositories that were using the all contributors bot. So the all contributors bot for those listening who are not familiar with this, the bot it is a way that you can manually add in or add in through different actions. So it's, auto plus manual. [17:19] Ways that you can start to give people credit and attribution for things that may not be reflected by a change in the repo. So we started to look at the difference between for communities and projects, what kind of things were getting added manually versus what automatic contributions would show. And we were able to see that folks that were using manual additions were giving credit from more of the kind of work that would never show up in an API. And so part of this is really starting to think about what kind of mixed methods tooling, changes to tooling we should be thinking about as a community to really start to give that visibility into all of the work that happens like this podcast itself, unless it's in a repo is not going to be showing up as a part of the open-source community if you're doing archeology around open-source contributions. [18:12] But I would argue that discourse and thought and community should be something that would be recognized. And so we held some workshops. I mean, we're going to have some more results coming out from that. But one of the things that we did find, which we can talk about is that getting everybody in open-source to agree on what a project is, an organization is, or an event is a very hard problem. So standardized definitions is not something that carries across as a global ecosystem level. And so when we talked earlier about examining different projects, I think drawing boundaries and open-source is a very challenging problem. So you have to be very distinct when you talk about where the boundaries around people are or around technology is as opposed to being able to say open source is like this big, broad thing. Ben [19:01]: I was wondering the role of GitHub. And I'm curious your thoughts on how much control we actually have as an open-source community to make really effective changes when the tool that basically we all kind of go to for open source is a private company with their own interests. I was wondering what type of responsibility you see that would come from GitHub and is that going to affect us long term and how so? Amanda [19:26] : I mean, obviously I work for a for-profit company. I don't work for a nonprofit, I don't work for, I'm not an independent consultant or contractor. So for me, I do look at the question of what is the goal of a community to moving to a centralized platform at any time. And I think that when done intentionally and if always done with a feeling of independence and autonomy, that's the right decision for that team to be able to move and choose which dev tools and platforms work best for them. When it feels like there are only one option for any kind of tool or infrastructure or access, that's when I always will start getting concern. [20:10] So for me, when we think about centralized platforms, I think the trade offs for that is considering whether or not this is serving the community, or is this serving the platform and the product? And always taking the perspective and understanding that whenever you choose to be on a product, even if it's a free tier, it's not that are giving nothing in response for getting everything. So in the before, like before I used to, I had this job, I think one of the jokes I used to have with my friends is, if you would like me to tear down your terms and conditions from a data perspective, I'm happy to do that for you to talk about what kind of things the data teams may be working with based on what you sign off as a user. [20:51] It's something I've been highly aware of my entire career, but I don't know if everybody else views it that way. So I also know that when I talk with folks about doing productivity studies of open-source, it makes people feel a little bit nervous. Nobody wants to observed in a way that they are not opting into. So when I try to think about the work that we're doing and where we encourage and think about transparency, not just as a cultural communal trait, but as a source of representation and census. [21:21] So when we hear or think or talk about the larger effects that open-source has in the world, who gets to be represented in that, how is their work represented in that? Your decisions around transparency and proprietary information, how is that influencing or changing the way that larger view has? How does it change the conversation? How does that change the global business and how investments are made? And I think that we can want to pretend that all of those analogies and realities don't exist, but the fact is that they do, and individual efforts can add up to collective and cumulative effects. [22:04] But that's when we really have to start talking as to who does it serve and why. And so I think for me, when I think about centralized platforms and whether or not that gives access, or it removes access, as long as communities are understanding that and understanding who it leaves out and who it includes, that's really the decision that I look for when I'm trying to see why and how people are choosing to be on different kinds of managed services. Richard [22:33]: I'm really enjoying this conversation and I'm really enjoying listening to you, but it's been difficult for me to formulate a question effectively, partially because a lot of the words you are using are not things that I have here on autopilot. A lot of our guests, no offense to them, they're wonderful guests, but I can just be like, cool, where is your business model coming from? How's that going? How are you making things better? And with you, the concepts that you're throwing out during the conversation are ones that I don't regularly wrestle with, using this verbiage which I find very effective. One of the things that I know we've talked about before is open-source as different types of systems, open-source X kind of a system. You mentioned earlier that you worked as a control. I, don't even remember the term because I don't really know what it is, like a control engineer or something I'm guessing that's more like low level. Amanda [23:22]: Okay. I will give you a little bit of a break Richard in that, control systems engineer comes up on exactly zero drop menus. Anytime I've ever had to input. So I don't even know how many programs have that, but it is what's on my bachelor's degree and it's not something that is, and to be quite fair, it's weapons and control systems engineering. Because I went to the United States Naval academy. So that definitely not on there, but my focus while I was there was robotic systems and environmental engineering, which at the time was why are microgrids not yet feasible and how much does solar cost? So totally fine. If that doesn't didn't originally. Richard [24:05]: That's excellent. Thank you for explaining, what did that mean again? Amanda [24:10]: Well, okay. So the TLDR control systems is how do you take what could be inoperable systems and actually make them work together, in a way where you can abstract enough of the way the physics that you can understand where they interconnect. And for me basically it's how do I now see the world as block diagrams and feedback loops? Richard [24:29]: So how do you see open-source as block diagram and feedback loops? What is open-source then to you? Amanda [24:34]: Okay. So I have a full list of these kinds of things and I will say like I have open documents in writing that I have not yet pushed out. And Julie and I do did touch on this in our Ruby comp talk. So we gave a talk last year called black swans of open-source. And that's a research line we're still working on because we're so fascinated by this issue. But the way that we talk about it is open-source. Like you said, open-source is a blank system. And then it's all these different layers and lenses and views that we are looking at this system as. [25:07] And so talking about, I think we talked about before that open-source is a complex system, which is why Vermont complex systems work so well, then I can go through complexity theory or drop some links into the show notes for folks who need to be able to work on that. But we also view the lens that open-source is a sociotechnical system that you cannot divorce the human and social elements and constructs from the technical decisions and effects that it has. Open-source is distributed. It's cooperative. It's an economic system that we don't talk about enough what that means and the effects that it has again on people in it and how it evolves over time. [25:40] And most recently I've also been trying to parse out in my brain that if we view open-source as a legacy system. The concept of open-source as a legacy system, what does that mean for me and a Jing, like an aging global system construct while still keeping it running and then evolving it moving forward. Where are the magnetic tape mainframes of open-source that we just stick these clients and these things on top of? And then build fatter clients on top of, and then we look at it and we're like, well, everything's fine, right? [26:20] But then we start to have things like critical vulnerabilities that are deep down in these older infrastructures and it strikes us by surprise. So I think this is where the black swans area moves into is because Julie and I really try to parse apart and understand what are the analogies and assumptions that we use to describe open-source and are those valid, do they exist? Are they just constructs in our minds that we've used as either recruiting tales or onboarding tales or based on life experience, but don't really exist outside of our own time-frame. [26:56] So this is, I think for me trying to like really take a step back and understand not to is based off of my experience, people ,I know what I can see online, and this was the Genesis for our open-source stories project too. So for those who don't know, Julie and I run a Story Corp project where we are gathering stories from folks in open-source and making them visible in public. And the purpose of that isn't even to talk about people's journeys in open source, it's just to talk about them as humans so that we really start bringing that cultural perspective together, especially before some folks just decide they no longer want to be involved. [27:31] So these are all the different ways that like, let's say background, current work, everything kind of blends together. How are we actually thinking about this and how does the world that we all love and are apart of work and how can we describe it better so that we could better support it? Richard [27:46]: I couldn't hard agree more with everything that you're saying around different ways of viewing open-source. One of the main question I have personally, and I'm going to try to phrase it in a way that's not just about Richard, is what advice would you give to someone who has these thoughts about open-source? You seem to be very and looking at a complex system and finagling other people to pay you to work on that complex system and then be able to actually effectively get your ideas about that system out there into the world. [28:14] I'm curious for those who are doing other open-source projects, for those who want to try a different economic system in their project, who want to talk about open-source is an ethics system, who want to collaborate more effectively with other people about whether open-source is even the term they want to use anymore, et cetera, et cetera. How would you suggest that they make the world of open-source a more complex and beautiful place with what they offer? What should they do? Amanda [28:41]: First of all, call me maybe, because I love co conspirator and people to talk to and work with. And I would say we talked earlier about how I'm not a fan of titles. Part of that is because so much of my career has been really non-linear, job titles, experiences, roles. And this even goes into, when I talk about thinking of representing labor and open source, I really try to avoid nouns and focus on verbs because it's less about what a person is called and more about the work that they do based on what's needed at the time or required. And so I think one of my verbs I would turn into a noun Richard is professional nerd sniper, and that's hard. [29:16] I don't want sniper in there. So it needs to be like snippet, maybe professional nerd snippet, because going back to the XKCD comic, I am very good in conversations at picking up on what brings people energy and then trying to examine in my like mind map of files, where is there a gap that I see in the world or in my projects or interests or someone else's interests and how can I help this energetic person fit with the thing that gives them energy? [29:48] So for other people, I would say that first of all, if you do have the idea that open source is a complex system, keeping in mind that then open source is not one thing. It's many interacting components and parts that interact together in multiple ways, which also tells us that there are local rules you can look at so that there's no one way to go about being in open-source, doing open-source, contributing to open-source, leading in open-source. So giving yourself, first of all, the permission to examine what is it that brings you energy and where can you put that, versus trying to follow someone else's path or pattern to what it is that they think being a leader in open-source looks like. I mean, I started being a data scientist in 2009. Nobody knew what being a data scientist would look like in 2021, 12 years ago. [30:46] So for people who are trying to examine what to do with their time, energy, talent, is really looking at, I try to view things as we're working in an emergent system. There's no map for what's happening next, especially now. There's so much chaos in what's happening in so many different things that we're working on that if you're trying to move things forward in a linear, like exponential scale, you will probably fail right now. But if instead you're viewing and looking at your work, your contributions, what you want to have as really kind of interacting and nudging things in a way where greater things can emerge from it, I feel like you'll get more satisfaction. [31:28] So I feel like a lot of that disconnect that folks have who view things either as a system or from a complexity point, is that they feel like they keep being shoved into these other expectations and these other expectations of time or scale or the way things work. And I would say if you draw back to the things that you really think to be true and examine that and find other people who value that you'll be much more satisfied. Richard [31:53]: I know you're a huge fan of DEI work in open source. A lot of what you said strikes me as very easy to accomplish if you're privileged, not saying that was intentional about what you said, I'm just saying that's how it struck me. And one of the things I'm curious about is, how would you ask people who are less privileged in open-source to be able to have the ability to do that and to share that energy and to open those doors. What would you suggest for people working open-source who don't have a huge amount of privilege and may find it harder to laterally? Amanda [32:23]: So, first of all, I do want to say, I think working in open-source isn't always going to be recognized as a centralized platform contribution profile. So when we're trying to say who and how do we actually recognize that work, please do not use that as the measurement for your own contributions, which is why I talk a lot about how some of my main contributions in open-source have been making pies for people because it makes me happy and it makes them happy. And that just makes general community good. [32:48] One of the questions I have is when we are looking at understanding what is best and what's next and needed in open-source, I am concerned that we have an increasingly weird bias. And so weird in that case would be categorized as Western educated, industrialized, rich and democratic. I mean, it's something I'm aware of. I talk to people about, and like incognizant of when we are trying to understand the future, are we increasing that or are we decreasing that? [33:15] And for me that means a lot more connection, outreach and learning from people who don't grow up or contribute or form communities that look like that. And I'll say, I have a ton of work to do there. And I'm very excited to meet more folks who create community, contribute to technology, who don't fit that profile and learning more about what engages them, what keeps them there and what challenges they face, because we know what challenges some folks face. We know that some folks work at technology companies and are extremely talented and rich, but none of their work ever shows up in a public place. And then when they get home, they have other things that they have to do and they will never have anything it's in a public place, but it doesn't make them any less of a contributor in the world. [34:02] Or maybe even a contributor towards asking questions and clarifications and making documentation improved in a way that their name will never show up. But I do think the centralized idea of finding and connecting with community is universal and ensuring that everyone has access to information and communication networks is a human right. And so making sure that people all have access to global communication regardless of where they live and the devices that allow them those communication is something we should all be concerned with and that we should make sure that we are in a way that increases equity and not in a way that actually separates us even more. Ben [34:39]: I love this conversation. There have been so many touch points for me that I'm just massively interested in. And to be honest, a little bit obsessed by, and I think there is a moment, an intersection here between kind of a philosophical kind of view of open-source. You kind of get to decide whether it is about the peopl or it's about the code, which for me is kind of like the discussions that you sometimes hear about market economics, is demand and supply actually decided by the demand side or by the supply side, because the supply side creates the demand side? [35:14] I was wondering with that in mind, and talking about the privilege that people have at the moment to be able to use their free time to contribute to open-source software versus those that necessarily don't, what are your thoughts on kind of emerging ways of being able to support projects financially and things that we can do to support that, to bring the next generation from the developing world, from the global [35:38 inaudible], from however you want to kind of refer to the parts of the world where people just haven't really had the opportunity to benefit yet. Amanda [35:45]: So I think one of the best things we can think about doing is technology companies can start building more offices in places that are not the United States and Europe and certain countries in Asia. So encouraging, not just offshore or remote job. And I know that the idea of offices right now still feels like perhaps either a scary thing. But the reason I bring that up is because very concretely that also changes tax structures and incentives and benefits for companies. [36:11] So there's a big difference between being able to hire someone as a contract, which is fine. That's sometimes the job structure that some people want, but that's a very different benefit structure for other people than sometimes being a full-time employee. So when I think about equity, one of the first things I started thinking about is where are you investing in offices? Where are you investing in incorporating your company? Where are you invested in hiring people from? And the very clear economics of link communities in those countries and countries that are not places that other companies do business is sometimes it can be very challenging as you well know, to get money transferred across borders. [36:47] And in a way where it respects regulatory requirements and actually understands all of those tax incentives. So sometimes one of the hard problems in open-source is getting resources to the groups. If you have resources and someone else needs them moving the thing you have to the thing in need can be very challenging because we only have so many systems that are set up to be able to do that. And being able to do that at scale is an entirely different problem. So when I start thinking about growing places, first of all, I do think about also asking the people who are already there and who are already creating those groups and those challenges. [37:25] So I really have learned a lot and I absolutely love working with the folks from open-source community Africa, and also from Python, Africa and Python, Ghana or some really interesting groups. Python, Ghana is interesting for me because is a countrywide Python community. It's both distributed and centralized in the same way that seems to be working well for folks that they work with. And it incorporates a lot of other kind of groups. Open-source community Africa, I had a chance to go to their open-source festival right before the shutdown in 2020. [37:56] And they had, I think they were expecting like a few hundred people. And by the final day it was over a thousand. I mean, it was tons of students and people brought together and it was absolutely wonderful. When I think also too, about another thing I'm working on now, I would love to improve documentation transparency and reporting around sponsorships for open-source of just making it more clear, what organizations need in a way that is discoverable accessible and able to be found by groups. [38:30] I would love the people who have resources to give, to cast wider nets and have better places to be able to connect with those they depend on and in return, I would love transparency reporting for those sponsorships and the impacts of those sponsorships to be accessible in ways that when we see organizations or foundations or very small projects, be recipients of sponsors, giving them the support and the tools they need to be able to show what impact that had also for holding each other more accountable. There's a lot of money moving around in these ecosystems. And the questions that I constantly have is, are those the right places they should be moving? Richard [39:15]: I think that's probably a really good place to wrap up because it was just so succinct and perfect. So thank you so much, Amanda, for people who want to get in touch with you on the internet to learn more how they can collaborate and get these things done with your help, if you're available, where can they find you online? Amanda [39:30]: Twitter is the best place to contact me, which I know is a closed platform, but it's the easiest way for me to go through all of the direct contact. If you're curious about the open-source stories project, we are on GitHub, but we also have a website with links to be able to contact there as well. Richard [39:49]LThank you so much. And Twitter will also be in the show notes for those of you who want to reach her on Twitter. Amanda this has been excellent, but don't go yet. This is the part of the show where we talk about people, projects or things, which we think we should shed light on and or that need more love, that's right. It's spotlight, Eric Barry, what is your spotlight today? Eric [40:11]: First I got to say, I'm just overwhelmed on how amazing the show has been. So thank you, Amanda. Absolutely incredible podcast episode. I'm a big fan boy. So what I'd like to spotlight is actually an article you had submitted on open-source ecosystems, which need equitable credit across all of the contributions and stuff. I read through that, it was just really fascinating. I recommend anybody to read it. The link will be in the show notes. Richard [40:35]: Thank you so much. Excellent. Ben Nichols. Ben [40:38]: This is incredibly timely. So excuse me if it doesn't age too well, but I just wanted to give a big shout out to Jess Sax and the maintainers of [inaudible] JS that have picked up the project and are kind of providing a huge value to the community that depend on that project. We've been working with them over the course of the last week and the way that they have acted to try to kind of set things up in the best interests of all of the users, all of the kind of contributors, the previous maintainers and everything. Like it's just, it's been great to work with them. So I just wanted to kind of call out Jess specifically, but all of the new maintainers of [inaudible] JS. Richard [41:18]: Awesome. Thank you. In a left turn, I'm going to just give a shout out to Red Hen baking. If you're in Vermont and you want to go to a really nice bakery, there's a place in Middlesex, which is really nice. It's called Red Hen. If you don't have a local baker, I'd suggest looking around because if you're in the United States, there's probably a bakery near you somewhere that makes really good bread. This is mine. So Red Hen baking is excellent. Really like their mad river loaf, highly suggest. Amanda, what is your spotlight today? Amanda [41:47]: Yeah. So for those who don't know, I'm also a complete library and book nerd. And so I get really excited about the open-access projects and books. And so my recommendation, I couldn't narrow it down. So I'm going to say my recommendations today. I love the data feminism book that came out in 2020. It is available via open-access. I recently found a project called the data sitters club, which attracted to me because I found it on the executable book project, which is a whole community around Jupiter book, open-access and computational publishing. [42:16] The data sitters club is this group of people who are helping to explain computational text analysis and open data using open-access, open data and actual exploring fair use. And it is completely fair use of the babysitters club that I grew up with. And I absolutely adore the way that they've adopted that. They have a lovely debt of public health posters for the pandemic that they created in 2020 that still bring me joy to read. Richard [42:46]: Love it. Awesome, Amanda, thank you. Once again, it was great having you on, look forward to talking to you further in the future and best of luck with everything. Thanks. Amanda [42:55]: Thank you. This is great. Special Guest: Amanda Casari.
Ben Nichols joins me for the gooey, sexy, monstery but very pretty From Beyond (1986)! One of Jeff's classic roles, it seems him team up with heaps of familiar friends from Re-Animator to make the moist and mind-bending masterpiece. Also: Beetlejuice goes Hawaiian, sensual pleasures and a million-dollar KFC idea.
Hey guys, I'm Ben Nichols and this is my brand new podcast 10 outta 10. This podcast is going to be me talking sports, politics, pop-culture, and all around life. Join me every Tuesday. Subscribe and rate 5 stars :) instagram - @bentnichols instagram - @10outta10podcast twitter - @bentnichols twitter - @10outta10Ben facebook - @bentnichols
Ben Nichols is a Media Relations Professional. He has worked for the World Anti-Doping Agency, Formula 1, ATP & the Commonwealth Games Federation. His track record has led to him becoming a leading communicator in international sports. Today, he runs his own company (Ben Nichols Communications) and hosts his own podcast “Athletes – The Other Side”. SPONSOR: Insport Education Sign up for their courses here: https://courses.insport.education/?ref=052982 The code gives you 10% ANY course offered. Discount code: sportsmanagementpodcast10
Ben's childhood influences that pertained to getting him into music, the age when he started playing in bands and how the move to Memphis, TN happened. He reflects on his days with the band Red 40 and how the name Lucero was chosen. Who the band was influenced by in its early days, learn about Lucero Family Block Parties, and having April 13th being named Lucero Day. What album does Ben feel the band took the next step with? We discuss the LP-“1372 Overton Park” & making the Live Record from Atlanta that features 32 songs! How his daughter has changed his life and influenced him. We then go into detail about the 9th LP- “Among the Ghosts” that includes recording at Sam Phillips Recording Service in Memphis, TN, working with Matt Ross-Spang, and Ben's feeling about this record. The new LP “When You Found Me” released (January 29, 2021), the challenges of recording this during the pandemic, what you can expect from this album, and the songs Ben is excited about to get feedback from. We cover his challenges over the past 20 years, how Memphis has influenced their music, and why the band is not a mainstream radio listen? The show concludes on how he feels the fans connect with Lucero. Links:Official Website: http://luceromusic.com/Pre-Order “When You Found Me” (Due for release Jan. 29, 2021): https://lucero.merchtable.com/?Follow the Band on Face Book: https://www.facebook.com/Lucero/ Save on Vegas shows, hotels, and vacation packages: https://www.vegas.com/?irgwc=1&utm_content=RMd1op0qGxyLT-ewUx0Mo36HUkEzMcUAESYzXc0&utm_campaign=2510073_268707&utm_medium=affiliate&utm_source=impactradiusReflection Bay Golf Club: https://reflectionbaygolf.com/Follow us on Instagram: https://www.instagram.com/beforethelightspodcast/Support the show: https://www.patreon.com/beforethelightsExtra 5The direction he receives from his acclaimed filmmaking brother (Jeff Nichols) in recording music for every movie he has done.What is the Memphis Sound?How much fun is Ben having these days with Lucero?Touring overseasBen's hobbies outside of musicSupport the show (https://www.beforethelightspod.com/member-areas)
An Equal Pay Bill makes it out of committee in the Senate.Plus, the Mississippi Department of Education is playing a role in the Census.Then, after Byte Size Tech, a Memphis-based band with Mississippi influences comes to town.Segment 1:Mississippi is the only state without an equal pay law, but there are several equal pay bills authored by women in the Senate. One, by Senator Sally Doty, chair of the Judiciary A Committee, was approved. She tells MPB's Desare Frazier SB 2522 allows a woman to file a complaint in circuit court and possibly recover wages if she's doing the same job as a man but is paid less.Some advocates for working women want changes made to the bill, saying it say places too much burden on the victim. Cassandra Welchlin with the Black Women's Round Table says the bill requires information the Federal Equal Pay Act doesn't, such as documenting education and experience. She tells our Desare Frazier the federal law focuses on whether the woman is doing the same work as a man but paid less regardless.Segment 2:The Mississippi Department of Education is joining with the U.S. Census Bureau to make sure all students — and their families — are counted in this year's census. Superintendent of Education, Carey Wright, tells MPB's Alexandra Watts communities like the Mississippi Delta will be affected by the count for the next decade. Andrea Robinson is with the U.S. Census Bureau's Atlanta Region which administers the Census in Mississippi. She says children ages 5 and under are the most likely to be uncounted.Segment 3:Byte Size TechSegment 4:For over twenty years now, Lucero and lead singer and songwriter Ben Nichols have been drawing from the southern experience to craft a style that is a fusion of classic rock n roll and country funk. Tapping into local literary influences and inspired by the might of the Mississippi River, Nichols' songs offer up tales of longing, searching, and old-fashioned revelry. He shares it all with our Michael Guidry. See acast.com/privacy for privacy and opt-out information.
Ben Nichols is a leading global sports communication expert and Founder of Ben Nichols Communications. In this interview, he talks about the emergence of the athlete voice, challenges in navigating the complexities of anti-doping cases in sports communication, the importance of face-to-face communication, and his experiences working with a wide variety of sport leagues, sponsors, and anti-doping organizations over the years.