Podcasts about cinematographers

Zach Heinzerling is an Academy Award-nominated and Emmy Award-winning director based in New York City. He began his career at HBO working on four consecutive Emmy Award-winning documentaries and the Emmy Award-winning series “24/7” as a Field Producer and Cinematographer. In 2012, he left HBO to complete his feature debut, the multi-award-winning film, “Cutie and the Boxer”, which he both directed and shot. “Cutie and the Boxer” was nominated for the 2014 Academy Award for Best Documentary Feature. The film also won a 2015 Emmy Award for Best Feature Documentary. In 2015 he was enlisted by Beyoncé Knowles-Carter to direct the five-part web series “Self-Titled” for her album, “Beyoncé.” In 2019 he directed an episode of “Dirty Money” for Netflix. In 2021, he directed the critically acclaimed 6-part series “McCartney 3,2,1” starring Sir Paul McCartney and Rick Rubin for Hulu. Salon called it “quite simply, the most engaging documentary ever made about the songwriting exploits of popular music's most successful composer.” His latest docu series entitled “Rafa” is a four part show for  HBO  that follows Nadal through his final professional season. He is also the director of  “Stolen Youth: Inside the Cult of Sarah Lawrence”  which the The New Yorker calls “a remarkable work, advancing the prestige true-crime genre's slow but steady reorientation toward centering victims,” while Variety raved “…with a startling rawness and directness, Heinzerling's work makes a case for itself as an unusually sensitive and strong outing in its genre.” Learn more about your ad choices. Visit podcastchoices.com/adchoices

Sir Roger Deakins is an acclaimed cinematographer who is known for his visual artistry on films including The Shawshank Redemption, 1917, Fargo, Skyfall and Blade Runner 2049. His talents have been acknowledged with a knighthood, five BAFTAs and two Oscars. Roger was born in Torquay, Devon in 1949. In 1968 he attended the Bath Academy of Art where he was inspired by one of his tutors, the street photographer Roger Mayne, to go out with his camera and capture what he saw. Roger Deakins followed this advice and spent his weekends shooting people and places in British seaside towns.In 1975 Roger graduated from the National Film School in Beaconsfield and started work as a cameraman – making documentaries and music videos. His first feature film was Cruel Passion which came out in 1977. In 1984 he worked on Michael Radford's film adaptation of George Orwell's novel 1984, starring Richard Burton and John Hurt. The first of Roger's collaborations with filmmakers Joel and Ethan Coen started in 1991 with the film Barton Fink. The three of them went on to make 12 films together including O Brother, Where Art Thou? Fargo and The Big Lebowski. In 2018 Roger won his first Academy Award for Blade Runner 2049, directed by Denis Villeneuve. He was knighted for services to film in 2021. Roger lives in California with his wife James. They also have a home in Devon. DISC ONE: One of Us Cannot Be Wrong - Leonard Cohen DISC TWO: Aqaba - June Tabor DISC THREE: 21st Century Schizoid Man - King Crimson DISC FOUR: Soldier's Song - Lucinda Williams DISC FIVE: Bat Out of Hell - Meat Loaf DISC SIX: The Island - Paul Brady DISC SEVEN: Sun Comes Up, It's Tuesday Morning - Cowboy Junkies DISC EIGHT: Isn't it a Pity - Nina SimoneBOOK CHOICE: Moby Dick by Herman Melville LUXURY ITEM: Fishing tackle CASTAWAY'S FAVOURITE: Aqaba - June Tabor Presenter: Lauren Laverne Producer: Paula McGinley

At the risk of sounding corny (and real in a world of AI slop podcast descriptions), let me add a fourth F: Ford. As in Tom Ford. No, not that one -- the cinematographer Tom Ford, who made my favorite film of the year absolutely shine through his work years ago.What do I mean by that? As we talk about, much of what I love about URCHINS is its lighting, and that came from enduring relationships that Tom built over the years that he brought on for this film. There's a huge lesson in that and Tom's career; you can have all the talent in the world, but if you aren't a team player, the big brands and great films won't call you.That's not this Tom Ford's problem. Just the opposite. Film Independent Spirit Awards, are you listening? URCHINS should win awards for its visually stunning canvas, and I'm so glad to be joined by the person who made it happen.Tom and I talk about:how he got to be such a great shooter for top brands and films like URCHINS;learning vs. innate understanding of cinematography;why he's been so successful working with brands like Nike and top fashion;how freeing it was to have a director that kept him separated from clients' demands;advice for people wanting to work with top brands;whether he wants to direct and how to properly manage that relationship;the general state of cinematography in independent film and how it relates to URCHINS;how a guy from the United Kingdom shoot a love letter to Florida;the importance of the team Tom Ford has assembled throughout the years;his favorite shot in the film;avoiding cliches in URCHINS;his advice for aspiring filmmakers;what's next for him;working on short films;where cinematographers can go wrong.Tom's Indie Film Highlight: SOME RAIN MUST FALL (2024) dir. by Qiu Yang Memorable Quotes:" Framing's always been more instinctive versus yeah, rule of thirds."" it's all about just building connections with other people who have an interest in that kind of work."" I grew up in a kinda small town in England where it has some similarities to Florida."" Adam also offered back ends to everyone."" Sometimes we can try and always show the face too much, and sometimes it's interesting to withhold a bit from the audience so they can put two and two together themselves or come up with their own meaning."" Yeah, I definitely wouldn't put loads of money into a short. I think it's worth doing a short as a proof of concept, but even if it's a proof of concept, you don't need everything to be perfect as long as the storytelling's good."" If it's just white walls and a camera, it's like you can have the nicest lenses in the world, but it's not gonna do as much for the story as a proper like decked out place."Links:Follow Tom On InstagramListen To Part One With URCHINS Director Adam Rioux

Every career has a beginning, and every creative journey is shaped by moments of curiosity, courage, and unexpected opportunity. In this episode of Women Unscripted, host Chris Stafford sits down with American cinematographer Sharra Romany for a thoughtful conversation about the experiences that led her behind the camera and the people, places, and moments that have influenced her career. Rather than focusing on the technical side of filmmaking, Chris explores the personal story behind the artist. Sharra reflects on her early interests, the decisions that shaped her professional path, the challenges she has faced, and the experiences that have strengthened her confidence and creative voice. It's an honest conversation about perseverance, finding your place in a competitive industry, and continuing to grow as both an artist and a person.Together, Chris and Sharra discuss the importance of relationships and collaboration, the lessons learned from working with others, and how every project contributes to a larger journey. Along the way, Sharra shares stories from her career, reflects on what inspires her today, and offers encouragement for anyone pursuing a creative life.One of the hallmarks of Chris Stafford's interviews is creating space for guests to tell the stories that rarely make it into traditional industry conversations. This episode is no exception. Instead of simply celebrating accomplishments, it explores the experiences, setbacks, and defining moments that have shaped Sharra Romany into the cinematographer and storyteller she is today.Whether you're passionate about film, inspired by creative careers, or simply enjoy hearing authentic conversations with remarkable women, this episode offers an engaging and personal look at one artist's path through the world of cinema.In this episode, you'll hear about:• Sharra Romany's early life and creative influences• The journey that led her into cinematography• Building a career in the film industry• The people and experiences that shaped her along the way• Finding confidence through challenges and change• Why storytelling continues to inspire her workSharra's links:http://www.sharraromany.com/ https://www.imdb.com/name/nm1638834/?ref_=fn_t_1 https://www.instagram.com/sharraromany/ Sharra's dinner party guests are her family.Become a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosWebsite: https://hollowellstudios.com/podcastsInstagram: @twomenunscriptedpodcastsEmail: hollowellstudios@gmail.com

Every career has a beginning, and every creative journey is shaped by moments of curiosity, courage, and unexpected opportunity. In this episode of AART host Chris Stafford sits down with American cinematographer Sharra Romany for a thoughtful conversation about the experiences that led her behind the camera and the people, places, and moments that have influenced her career. Rather than focusing on the technical side of filmmaking, Chris explores the personal story behind the artist. Sharra reflects on her early interests, the decisions that shaped her professional path, the challenges she has faced, and the experiences that have strengthened her confidence and creative voice. It's an honest conversation about perseverance, finding your place in a competitive industry, and continuing to grow as both an artist and a person.Together, Chris and Sharra discuss the importance of relationships and collaboration, the lessons learned from working with others, and how every project contributes to a larger journey. Along the way, Sharra shares stories from her career, reflects on what inspires her today, and offers encouragement for anyone pursuing a creative life.One of the hallmarks of Chris Stafford's interviews is creating space for guests to tell the stories that rarely make it into traditional industry conversations. This episode is no exception. Instead of simply celebrating accomplishments, it explores the experiences, setbacks, and defining moments that have shaped Sharra Romany into the cinematographer and storyteller she is today.Whether you're passionate about film, inspired by creative careers, or simply enjoy hearing authentic conversations with remarkable women, this episode offers an engaging and personal look at one artist's path through the world of cinema.In this episode, you'll hear about:• Sharra Romany's early life and creative influences• The journey that led her into cinematography• Building a career in the film industry• The people and experiences that shaped her along the way• Finding confidence through challenges and change• Why storytelling continues to inspire her workSharra's links:http://www.sharraromany.com/ https://www.imdb.com/name/nm1638834/?ref_=fn_t_1 https://www.instagram.com/sharraromany/ Sharra's dinner party guests are her family.Become a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.Hollowell Studios ProductionWebsite: https://hollowellstudios.com/podcastsInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

This week I'm talking with Sonja Tsypin about her work on the new film "Girls Like Girls" based on the massively popular song-turned-book by Hayley Kiyoko.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we welcome the creative team behind the 19-time Emmy-nominated Apple TV series Widow's Bay—cinematographer Christian Sprenger ASC, editor Isaac Hagy ACE, and production sound mixer Kevin S. Parker. In our conversation, Christian, Isaac, and Kevin take us behind the scenes of the series, sharing how they helped create its distinctive blend of horror, comedy, mystery, and character. They break down the elements that shape the world of Widow's Bay, while exploring their collaboration, and the tools and techniques behind some of the series' most memorable moments. They also offer advice for students and filmmakers looking to improve their craft and grow their careers.“The Making Of” is presented by AJA:Futureproofing with IP videoAs production workflows rapidly evolve, IP video is key to building more scalable, future-ready pipelines. To get up to speed on the IP fundamentals and gain insights into the various IP paths – like ST 2110, NDI, Dante AV, and SRT – download AJA's free IP video white paper today.A Solution Built Around Your WorkflowThe OWC Express 4M2 Ultra is available in a range of configurations to fit your workflow and budget. Choose from ready-to-run solutions with up to 32TB of high-performance NVMe storage, giving you the speed, capacity, and reliability needed for everything from multi-camera editing to demanding VFX and finishing workflows. Available now. Learn more hereElgato Prompter XLThe Elgato Prompter XL is a professional all-in-one teleprompter with a 15.6” removable display and a reading range of up to 15 feet. Featuring USB 3.2 connectivity and broad compatibility, it's ideal for live productions and content creation. Available now at Videoguys.com—call 800-323-2325 to learn more. Explore hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more herePodcast Rewind:July 2026 - Ep. 145.Advertise with The Making Of:Reach 270K film production industry, broadcast professionals, and content creators reading this newsletter. To explore advertising, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Tell us what you though of the episodeOn this episode of the Kingdom of Dreams Podcast, I sit down with acclaimed cinematographer Kim Miles to discuss his work on Little House on the Prairie.Kim takes us behind the cinematography of the series and talks about finding beauty in the simplicity of the story and its world. We discuss the challenges of working with different directors, creating an authentic visual style, and filming within an entire town built from the ground up by the production design team.It's a fascinating conversation about cinematography, collaboration, simplicity, and bringing the world of Little House on the Prairie to life.Kim Miles is an award-winning cinematographer known for his work across film and television. His credits include Welcome to Marwen, The Brothers Sun, Yellowjackets, Lost in Space, Arrow, and Little House on the Prairie. His cinematography is known for combining strong visual composition with character-driven storytelling, using lighting, camera movement, and atmosphere to support the emotional tone of a scene.#cinematographer #netflix #littlehouseontheprairie #kimmiles http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister -  https://rb.gy/1ke21Official Website - www.jawadmir.com

Swiss cinematographer, director and filmmaker Claudio von Planta is known for his work on the “Long Way” series with Ewan McGregor. The award-winning adventurer has won numerous awards and makes documentaries about conflict areas, innovative sustainability and mobility. He will present two of his latest works at the FEIT Film Festival in Melbourne on August 18 and 20. In the first part of our interview, we talk about filming in crisis areas and the benefits of e-motorcycles during a nearly 21,000 kilometer tour through the American continent for “Long Way Up.” - Der Schweizer Kameramann, Regisseur und Filmemacher Claudio von Planta wurde durch seine Arbeit an den „Long Way“-Serien mit Ewan McGregor bekannt. Heute ist er mehrfach preisgekrönt und dreht Dokumentarfilme über Konfliktgebiete, innovative Nachhaltigkeit und Mobilität. Zwei seiner jüngsten Arbeiten präsentiert er am 18. und 20. August beim FEIT-Filmfestival in Melbourne. Im ersten Teil unseres Interviews sprechen wir unter anderem über das Drehen in Krisengebieten und die Vorteile von E-Motorrädern während einer knapp 21.000 Kilometer langen Tour durch den amerikanischen Kontinent für „Long Way Up“.

We finally get a chance to chat with cinematographer Ben Enke.  Over the years Ben has assisted on so many films both local and worldwide. Join us as we discuss what's going on behind the camera and so many of his projects.    Linktree https://linktr.ee/filmandbeyond www.filmandbeyond.com   Follow us on Instagram: @filmandbeyondpod   YouTube www.youtube.com/@filmandbeyondpod   Support us on Patreon  www.patreon.com/filmandbeyond

Jasper Eales calls himself "a living upcycled human." Diagnosed with Crohn's disease and Primary Sclerosing Cholangitis as a teenager, he underwent a liver transplant in his twenties after a ten-month wait for a donor match. That experience reshaped everything: his relationship with time, with risk, and with the idea that something broken or discarded can be rebuilt into something better. A consulting project put a pile of retired yacht sails in front of him, and in 2015 he and fellow surfer Mike Schlebach co-founded Sealand Gear,handcrafting bags and apparel from upcycled sails, Bedouin stretch tents, and advertising banners. They launched at The Old Biscuit Mill in Woodstock. A decade later, Sealand has upcycled over 105 tonnes of material from landfill, holds B Corp certification, and is a member of 1% For The Planet. The brand has been featured in MR PORTER, Design Indaba, and Men's Health South Africa, and won awards including the 2019 Twyg Sustainable Fashion Award and the 2024 V&A Waterfront Our Better Nature Sustainability Award. Behind the product sits the Protect Our Paths Foundation, co-founded by Sealand and Skybound Capital, which employs previously unemployed custodians to clean shared natural spaces across Cape Town, inspired by a man named Keith Kleans who was already keeping Saunders Beach clean on his own. In this episode, Jasper and Aaron explore: The transplant and what came after: what it means to receive an organ from another life, to call yourself "upcycled," and how that experience became the foundation for a design philosophy built around the beauty of things that have been repaired rather than replaced The consulting project, the sails, and the Old Biscuit Mill: how a freelance job revealed an opportunity in discarded yacht sails, what those early days looked like selling furniture from a market stall, and the leap from noticing waste to building a company around it "Perfectly imperfect" and the stamp inside the bag: why every Sealand product carries the name of the machinist who made it, what Sealand means when they use the word "responsibility" rather than "sustainability," and how the founding WHY shapes decisions a profit-first framework would make differently Protect Our Paths and the custodians: the story of Keith Kleans and Saunders Beach, how one man cleaning a beach on his own became a registered foundation with seven custodians across four Cape Town sites Scaling impact when your raw material is waste: whether access to discarded sails and banners is the real constraint on growth, and what it looks like to commercialise upcycling at scale while keeping each product handmade Freedom over funding: why Jasper is not chasing the next raise, and what the breathing room lets him focus on The upside-down reader: how learning to read differently made him a better designer, and what it taught him about education systems that reward conformity over curiosity Family, the ocean, and the next twenty years: how having kids changed his urgency about the planet, what flexibility means to someone whose body nearly failed him, and what he hopes the next generation does differently This is a conversation about the gap between what we discard and what still has life in it, about a man who knows that gap in his own body and in the materials he works with every day. Learn more about Jasper's work at sealandgear.com, and follow @sealandgear and @jaspereales on Instagram.

This week we're bringing you a wonderful interview with the amazing cinematographer behind many projects, including great CreatorVC documentaries such as the IN SEARCH OF DARKNESS series! Oktay has launched a Kickstarter for his new sci-fi film COVALENCE, and it's one you'll definitely want to support. We hope you enjoy this fun chat, and if you have the means, please consider contributing to the Kickstarter! Covalence Kickstarter link: https://tinyurl.com/covalencefilm

On the program this week we've got my brother from another mother James Kniest, here to talk about his work on "The Devils Mouth" now available on Amazon Prime!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Paris McCoy is the Executive Director of Tec Leimert. Ms. McCoy is a multifaceted professional, who transforms intricate ideas into visually compelling narratives as a Transmedia Creative Producer and Technologist, Cinematographer, and Business Strategist. Tec Leimert is a hub of Technology Entertainment Convergence, of Art & Tech leaders in South LA. https://www.instagram.com/TECLeimert/ https://www.instagram.com/diprimaradio/

In this episode, we welcome Lowell A. Meyer, cinematographer of Other Mommy, Tuner, Knock at the Cabin, Thunder Road, and the Apple TV+ series Servant. In our conversation, Lowell shares his early inspirations, his journey to becoming a feature film cinematographer, and about the making of Tuner and Other Mommy. He also breaks down the tools and techniques used on Tuner, offering behind-the-scenes insights into his creative process, as well as invaluable advice for the next generation of filmmakers.“The Making Of” is presented by AJA:Futureproofing with IP videoAs production workflows rapidly evolve, IP video is key to building more scalable, future-ready pipelines. To get up to speed on the IP fundamentals and gain insights into the various IP paths – like ST 2110, NDI, Dante AV, and SRT – download AJA's free IP video white paper today.A Solution Built Around Your WorkflowThe OWC Express 4M2 Ultra is available in a range of configurations to fit your workflow and budget. Choose from ready-to-run solutions with up to 32TB of high-performance NVMe storage, giving you the speed, capacity, and reliability needed for everything from multi-camera editing to demanding VFX and finishing workflows. Available now. Learn more hereCost Effective Sports Video Production GuideHosted by Key Code MediaThursday, August 6 | 1-2PM EDTMid-tier sports programs, college athletics departments, and K-12 media teams are being asked to produce more live content for traditional and emerging sports with less time, fewer staff, and tighter budgets. The challenge is not just finding the right gear. It is building a production workflow that looks professional, is easy to operate, and can be used consistently by staff, students, and volunteers without requiring a large technical team.In this Broadcast2Post Live Podcast, host Michael Kammes will be joined by Dennis Trapani, Associate Athletics Director for Broadcast and Video Production at the University of Wyoming. Together, they will explore how schools and organizations are creating broadcast-quality sports productions using cost-effective tools, practical system design, and streamlined workflows. Register hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereElgato Prompter XLThe Elgato Prompter XL is a professional all-in-one teleprompter with a 15.6” removable display and a reading range of up to 15 feet. Featuring USB 3.2 connectivity and broad compatibility, it's ideal for live productions and content creation. Available now at Videoguys.com—call 800-323-2325 to learn more. Explore herePodcast Rewind:July 2026 - Ep. 144.Explore a Partnership with The Making Of:Reach 270,000 film production industry, broadcast professionals, and content creators reading this weekly newsletter. To learn more, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Welcome to Best in Fest, where host Lili Masztar-Hazi moderates a powerful panel discussion recorded at the inaugural La Femme International Film Festival Europe in Budapest.Award-winning filmmakers, producers, directors, cinematographers, actors, and industry leaders come together to discuss what it's really like to build a career as a woman in today's film industry. From Hollywood to Europe, they share personal stories about overcoming bias, creating opportunities, mentoring the next generation, balancing motherhood with filmmaking, and why collaboration—not competition—is shaping the future of cinema. In this episode you'll learn: How women are breaking barriers in the film industry  The realities of directing, producing, acting, and cinematography  Why mentorship and community are essential for long-term success  The challenges of gender bias, pay equity, and representation  Motherhood, career growth, and navigating creative leadership  How film festivals help launch careers and build international networks  Why women are creating their own opportunities through producing and independent filmmaking  Advice for aspiring filmmakers looking to build lasting careers Featuring insights from Leslie LaPage, founder of the La Femme International Film Festival, alongside acclaimed filmmakers and creatives including Petra Körner, Dorka Gryllus, Yvonne Terek, Judit Romwalter, and other accomplished women working across every corner of the film industry. Together they explore how filmmaking is evolving—and what still needs to change. Whether you're an aspiring filmmaker, film student, producer, writer, actor, cinematographer, or simply passionate about cinema, this conversation offers practical career advice, inspiring personal stories, and an honest look at the future of women in film.Subscribe to Best in Fest for more conversations with award-winning filmmakers, festival founders, producers, directors, actors, and creative leaders from around the world.

Ata mārie! Rosetta and Milly have your chilly morning covered with: What's Up with the Labour Party's Carmel Sepuloni, a kōrero with Anthonie Tonnon about his upcoming Cinematographer tour and new single, HALFQUEEN phones in to talk about fundraising to get to Berlin, as well as plenty more chats, tunes, and prizes! Whakarongo mai nei. Thanks to eighthirty coffee roasters!

Just before we closed up shop at the old station, Taite award-winning artist Anthonie Tonnon stopped by for a kōrero with Rosetta about his first new music in three years, brand new track Executive Assistant, and his forthcoming immersive show Cinematographer. Whakarongo mai nei!

Today I'm joined by Jonathan Nicholas to talk about his incredible work following the legendary Dallas Cowboys Cheerleaders on the Netflix docuseries "America's Sweethearts"!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

I get to interview Cinematographer Luisa Mendoza: We're diving into some true entertainment talents for the rest of this week so it was only fitting that we start off with examining her many skillsets while she shares some neat advice for all entertainers!   TALKING POINTS INCLUDE: *Inbetween her neat stories about using Panasonic cameras, we also talk about different tech used for way more convenient technology. *She talks about speaking on the college boards and studying film in St. Louis. *She talks working for clients like NFL Films, Toyota and HGTV. *How her many international travels including a Machu Picchu videoshoot! *And how camera lenses are always the most important thing to buy in this career field.    

Tell us what you though of the episodeAmazon Prime - The Devil's Mouth - Amazon Prime - July 29th - https://www.primevideo.com/detail/0STZE8PTP4X3KY6LTBU93B8OE1

LISTEN TO THE FULL EPISODE BY SUBSCRIBING TO THE PATREON HERE: https://www.patreon.com/theimportantcinemaclub/posts/laser-blast-film-164856456?pr=true The Laser Blast Film Society, a film screening group Justin used to co-host back in the day, met up for the first time in forever to marathon all of the official Scary Movie films. Do they survive till the end? How many laughs happen per movie? And what are the guaranteed things that will make them all bust a gut? Featuring Mathew Kumar (Exp. Zine), Peter Kuplowsky (Programmer, TIFF's Midnight Madness), Pierce Derk's (Cinematographer, A VIOLENT NATURE), Justin Decloux (Scary Movie Fan?) and Archie Decloux (18 months old).

My good friend Brandon Cox RETURNS for episode 252 of Frame & Reference to talk about his work on RZA's "One Spoon of Chocolate" and a whole lot more.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SEASON 2 - EPISODE 203 John Schwartzman - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer John Schwartzman (THE HOUSEMAID, THE HIGHWAYMEN, THE ROCK). John has worked on numerous high-budget, highly commercial films throughout his career, and we spend much of the episode discussing his approach to his work on those movies and his process overall. John's father, an entertainment lawyer for the likes of Stanley Kubrick and Hal Ashby, married into the Coppola filmmaking family while John was just a teenager, and we learn how John leveraged this connection and his skills at board games to win letters of recommendation from his uncle Francis Ford Coppola and friend-of-the-family George Lucas. We also discuss how John draws on his upbringing to help actors feel comfortable during a shoot, and he reflects on how he satisfies his creative needs in modern Hollywood. John also shares the pivotal pieces of advice he received from cinematographers such as Conrad Hall and Caleb Deschanel (Season 1, Episode 86) that instilled confidence in him, and we learn how and why he failed out of USC.

In this episode, we welcome cinematographer Nik Summerer ASC, best known for his work on the critically acclaimed series Dark, as well as 1899 and the feature film Color Book, now streaming on Netflix. In our conversation, Nik shares his journey into cinematography, reflecting on his influences and the path that led him behind the camera. We take a deep dive into the making of Color Book, exploring his visual storytelling approach, the techniques he employed, and the tools he used to bring this striking black-and-white drama to life. Nik also offers real-world advice for students and emerging filmmakers looking to build a career in the industry.“The Making Of” is presented by AJA:AJA introduces high-performance Thunderbolt™ 5-enabled PCIe expansion chassisMeet Io Xpand, a Thunderbolt 5 expansion chassis for AJA KONA and Corvid I/O cards. Io Xpand lets video professionals integrate the performance of AJA PCIe I/O cards on Thunderbolt 5 laptops and mini-PCs for an incredibly powerful, fast, and portable I/O solution for on set, remote production, and live switching. Visit hereIntelligent Production HubNew this summer from the Intelligent Production Hub: hands-on training in the AI and real-time tools working productions run on.Intro to NVIDIA NvRTX (Jul 29), AI Video Creators Workshop (Aug 7), AI Creativity with Comfy (Aug 12), plus role-based AI sessions for editing, VFX, sound, and design.See the full schedule hereA Solution Built Around Your WorkflowThe OWC Express 4M2 Ultra is available in a range of configurations to fit your workflow and budget. Choose from ready-to-run solutions with up to 32TB of high-performance NVMe storage, giving you the speed, capacity, and reliability needed for everything from multi-camera editing to demanding VFX and finishing workflows. Available now. Learn more hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereElgato Prompter XLThe Elgato Prompter XL is a professional all-in-one teleprompter with a 15.6" removable display and a reading range of up to 15 feet. Featuring USB 3.2 connectivity and broad compatibility, it's ideal for live productions and content creation. Available now at Videoguys.com—call 800-323-2325 to learn more.Explore herePodcast Rewind:July 2026 - Ep. 142.Explore a Partnership with The Making Of:Reach over 275,000 film production industry, broadcast professionals, and content creators reading this newsletter. To learn more, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Over the course of a fifty-year career, Sir Roger Deakins has proven to be the greatest artist and visionary that the craft of cinematography has ever known. In conversation with James Ellis Deakins and George MacKay, Roger shares the stories behind crafting some of the most iconic and beloved films of all time, from 1917 to No Country For Old Men. From the uniting nature of the film set to the artistic process encompassing conception and technical craft, Roger illuminates the enduring power of cinematography and shares his creative vision from behind the lens. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week on That Was Us, we're beyond excited to welcome cinematographer Yasu Tanida, the visionary behind the distinctive look of This Is Us. Yasu takes us behind the camera to reveal how he helped create the show's signature visual language, from its soft and nostalgic aesthetic to the intimate handheld style that made viewers feel like they were living alongside the Pearson family. In this episode, Yasu chats about: * How he developed the iconic visual style of This Is Us and why the show was designed to feel like a memory * The handheld camerawork and lens choices that helped create intimacy with the Pearson family * Working to “detune” lenses and create the soft, dreamy glow seen throughout the series * The role color palette, framing, and composition play in creating the show's nostalgic tone * Why the camera often sits outside rooms, quietly observing the characters * Collaborating with the lighting team to create beautiful images * The technical considerations of lighting different skin tones * His philosophy that actors and story always come first * Creating efficient lighting setups that allow scenes to flow naturally * Spending time in the editing room with Dan Fogelman to learn the visual “language” of the show and refine his storytelling instincts * How he pushed the signature This Is Us look even further on Paradise and other projects And a friendly reminder, you can catch new episodes of That Was Us every Monday, a day early, exclusively on Hulu. Available on Spotify, YouTube, or wherever you get your podcasts on Tuesdays like usual! That Was Us is produced by Rabbit Grin Productions. Music by Taylor Goldsmith and Griffin Goldsmith. ------------------------- Support Our Sponsors: - Thanks to Article for sponsoring this podcast! Article is offering our listeners $50 off your first purchase of $100 or more. To claim, visit https://www.article.com/discount/twu and the discount will be automatically applied at checkout. - Get a $49 annual membership with promo code podcast at https://www.shipt.com/offer. Terms apply. - Explore viral bestsellers and products of healthier hair of ALL types from Bask and Lather. Go to https://baskandlatherco.com and use code TWU for 20% off. -------------------------

Lowell's feature film credits include the feature films: Thunder Road, Greener Grass, Topside, Knock at the Cabin, Caddo Lake, The A.I. Doc: Or How I Became an Apocaloptimist, and Tuner. Lowell's television work includes the projects: Still Life and Servant.

Today I'm joined by the incredibly talented Tom Ford, cinematographer of the new indie film "Urchins" .Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

SEASON 2 - EPISODE 202 Christina Alexandra Voros - Director / Cinematographer In this episode of the Team Deakins Podcast, we speak with director and cinematographer Christina Alexandra Voros (DUTTON RANCH, THE MADISON, YELLOWSTONE). A graduate of the NYU film program (Season 1, Episode 104), Christina discovered cinematography and directing while at school, and she walks us through her formative years there. After working her way through documentaries and features, Christina found steady work directing and shooting shows within the Taylor Sheridan universe, and we discuss the unique working conditions of those series and how she approaches doing two jobs at once. She reflects on what she brings to narrative films and series from her time in documentaries, and we discuss the flexibility one has when you're both the director and the cinematographer. We later learn up to five cameras can be rolling at once on a show like THE MADISON and DUTTON RANCH, and Christina helps us understand how you can direct a scene with so much simultaneous coverage.

Our guest this week emerged as a prominent figure in Skateboarding during the 90's, captivating audiences with his innovative style and technical mastery in both Street and Transition skating. From legendary video parts in classics like Interface, Cinematographer, and many others, to decades of respected contributions to skateboarding culture, he helped shape the look and feel of modern street skating while earning the admiration of generations of riders.  But these days, his passion extends beyond Skateboarding. As the founder and owner of Aquillux Filtration Systems, he's focused on helping families live healthier through premium whole-home water filtration and under-sink alkaline drinking water systems. Their systems are designed to soften and filter municipal water while restoring essential minerals to elevate pH levels for cleaner, healthier, and better-tasting hydration.From Skateboarding and Surfing to Entrepreneurship and clean water, we're looking forward to covering it all with a true original.We welcome to the show Mr. Dan Rogers.

Tell us what you though of the episode

This week for the TWO HUNDRED AND FIFTIETH episode of Frame & Reference we've got Natasha Braier on to talk about her work on I Love Boosters as well as her cinematography education platform "Deep Light".Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we welcome award-winning cinematographer Jeff Hester, whose work includes documentaries such as Postcard from Earth, Our Planet, Dolphins Up Close with Bertie Gregory, Planet Earth III, and Hammerhead Sharks Up Close for Nat Geo's annual summer event, SHARKFEST. In our conversation, Jeff shares his journey into cinematography, how he developed his unique skill set, and the making of Hammerhead Sharks Up Close. He also discusses what it's like to film underwater alongside sharks, the specialized cameras and techniques used to capture these incredible images, and offers valuable insights for the next generation of filmmakers.“The Making Of” is presented by AJA:AJA introduces high-performance Thunderbolt™ 5-enabled PCIe expansion chassisMeet Io Xpand, a Thunderbolt 5 expansion chassis for AJA KONA and Corvid I/O cards. Io Xpand lets video professionals integrate the performance of AJA PCIe I/O cards on Thunderbolt 5 laptops and mini-PCs for an incredibly powerful, fast, and portable I/O solution for on set, remote production, and live switching. Visit hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Explore hereNew York City | July 28The sports-production landscape is undergoing a dramatic transformation as a result of the cloud and AI, and SVG's new Cloud & Content Workflows Summit is where the industry comes together to navigate it. As virtualized hardware, cloud-based workflows, and AI-powered tools become more commonplace, the entire sports-production supply chain is being reimagined from the ground up. This special event brings together SVG's previous Cloud Production and Content Management events into a single, comprehensive day of programming—covering both live and non-live production workflows alike.Learn more hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows.Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereSanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800.323.2325 for free tech advice. View herePodcast Rewind:July 2026 - Ep. 140.Promote your brand with The Making Of:Reach 275,000+ film industry, broadcast pros, and content creators reading this newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Part 3 with Geordie Lillis from Creators of Awesome, and this one goes off. Geordie kicks off with a proper true yarn. At 14, riding his motorbike on the family farm, he got struck by lightning. The bolt hit the power line above him and arced through the ground into his bike. Rubber wheels, rubber gloves, rubber boots. That's the only reason he's here to tell it. Mum watched him vanish in a white flash. He's got the GoPro footage too. The lightning gave him a heart arrhythmia that stuck around until he broke his neck at 21 and the shock reset his heart. Turns out breaking your neck's not all bad news. Geordie walks through the recovery. 21 years old, working on movies at Village Roadshow, one bad skim board fall on the beach, hairline fracture through C1, and months lying in bed counting flies. Then a university lecturer offered him a job teaching filmmaking around Queensland to little indigenous communities. The Pomperaw yarn about handing shoelaces to barefoot kids who turned them into fishing nets by lunch is a ripper. Plus a full breakdown of how a film set actually works. Cinematographer, focus puller, second AC, video utility. And Geordie's specific job on Thor: Ragnarok running hundreds of metres of cable so Chris Hemsworth could see the Hulk in his eyeline. Need a video done? Find Creators of Awesome. ⚠️ Explicit content.#propertrueyarn

TREMENDOUS news! This week we have the absolutely wonderful Pete Konczal, ASC on the program to talk about his work on Black Rabbit, House of Cards, and more!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we welcome Eben Bolter ASC, BSC, cinematographer of the new Apple TV series Cape Fear. Eben has also lensed acclaimed projects including The Life of Chuck, The Last of Us, and Slow Horses. In our conversation, he shares his journey into cinematography, the experiences that shaped his career, and his approach to developing the visual language of Cape Fear. He takes a deep dive into the cameras, lenses, lighting, and techniques used to bring the series to life, while offering valuable advice for the next generation of filmmakers.“The Making Of” is presented by AJA:AJA introduces high-performance Thunderbolt™ 5-enabled PCIe expansion chassisMeet Io Xpand, a Thunderbolt 5 expansion chassis for AJA KONA and Corvid I/O cards. Io Xpand lets video professionals integrate the performance of AJA PCIe I/O cards on Thunderbolt 5 laptops and mini-PCs for an incredibly powerful, fast, and portable I/O solution for on set, remote production, and live switching. Visit hereThunderbolt 5 Speed. DIY RAID Without Limits.The OWC Express 4M2 Ultra is a next-gen Thunderbolt 5 NVMe enclosure built for serious post workflows. Delivering up to 6622MB/s, it lets you use your own drives to create a high-performance RAID with up to 32TB—and beyond via daisy chaining. Compact, powerful, and scalable for 8K+ and VFX workflows. Available for pre-order now, shipping in late June. Explore hereZEISS Introduces Horizon Anamorphic: Full-Frame 2x Anamorphics with a New Lens Technology PlatformZEISS unveils the Horizon Anamorphic series, a new lineup of full-frame 2x anamorphic cinema lenses designed to deliver a distinctive cinematic look along with a new lens technology platform that answers the need for speed and precision demanded by contemporary production workflows. Spanning 35mm to 200mm across seven focal lengths, Horizon lenses combine their anamorphic look—incorporating a pronounced oval bokeh and stretched sense of spatial depth—with a lightweight, fully integrated motorized system that eliminates the need for external focus or iris motors. Read more hereSanDisk Extreme PRO USB4 Portable SSDPower your workflow with the SanDisk Extreme PRO USB4 Portable SSD, available in 2TB and 4TB capacities. Featuring speeds up to 3800 MB/s read and 3700 MB/s write, it's built for fast transfers and editing. The rugged, IP65-rated design is ready for work anywhere. Learn more at Videoguys or call 800.323.2325 for free tech advice. View herePodcast Rewind:June 2026 - Ep. 139.Promote your Brand with The Making Of:Reach 270,000+ film industry, broadcast pros, and content creators reading this weekly newsletter. To explore a partnership, please email mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

From the mountains of Smithers, BC to the Himalayas, Greenland, Alaska and beyond, Leo Horn has built a career as one of the most respected adventure filmmakers in the world. A Cinematographer but a Skateboarder and Snowboarder first. Leo has worked with everyone - Sandbox, Sherpas Cinema, National Geographic, Arc'teryx, BMW, Rolex and many many more, capturing stories in some of the most remote and unforgiving places on Earth. In this episode we dive into fear, risk, expedition life, filmmaking, crew dynamics, trusting your gut and what it really takes to tell stories where the stakes couldn't be higher. If you love the outdoors, this one's for you.  Presented by Monster Enegry  Supported by Source Boards, Arc'teryx, Gibbons Whistler, Baldface Lodge, YETI  

This week we're traveling back to Edwardian England with Kind Hearts and Coronets! Join us as we learn about man traps, municipal baths, executing nobility, suffragettes doing awesome stuff like smashing windows and flying hot air balloons, and more! Sources: National Trust Collections: Humane Mantrap with No Teeth: https://www.nationaltrustcollections.org.uk/object/832217 Henry Yau, "Student Spotlight #2: Man Traps," The Museum of English Rural LIfe: https://merl.reading.ac.uk/news-and-views/student-spotlight-2-man-traps/ Keith Fitzpatrick-Mathews, Man Traps and Spring Guns and Burymead, North Hertfordshire Museum, available at https://northhertsmuseum.org/man-traps-and-spring-guns-at-burymead/ https://www.criterion.com/films/357-kind-hearts-and-coronets?srsltid=AfmBOoqI6mqHSaktbVr3VfmjtvrX_EoEHYVpCazVLklhDJtp_Vz21UaE  https://en.wikipedia.org/wiki/Kind_Hearts_and_Coronets Philip Kemp, https://www.criterion.com/current/posts/414-kind-hearts-and-coronets-ealing-s-shadow-side  https://www.britannica.com/topic/Kind-Hearts-and-Coronets  David A. Ellis, Conversations with Cinematographers, 15.  https://www.springfieldspringfield.co.uk/movie_script.php?movie=kind-hearts-and-coronets   https://historicengland.org.uk/images-books/photos/item/PLA01/03/0063  https://www.victorianturkishbath.org/F0GLOSSARY/SFglossPages/Slipper_w.htm  Dave Day and Margaret Roberts, "Working at the Baths," Swimming Communities in Victorian England (2019), 157-201.  https://www.londonmuseum.org.uk/collections/london-stories/londons-public-executions/ https://capitalpunishmentuk.org/english-hangmen-1850-to-1964/  Colin Rhys Lovell, "The Trial of Peers in Great Britain," The American Historical Review 55, no.1 (1949): 69-81. https://www.jstor.org/stable/1841088  Execution of Lord Lovat (1747), https://www.londonmuseum.org.uk/collections/v/object-96988/a-representation-of-the-execution-of-lord-lovat/  https://www.scotsman.com/whats-on/arts-and-entertainment/the-beheading-of-clan-fraser-chief-watched-by-thousands-859749  Robin Eagles, "The Last Peer Hanged for Murder," https://historyofparliament.com/2022/05/10/the-last-peer-hanged-for-murder/  Andrew Thrush, "The execution of Thomas Howard, 4th duke of Norfolk," https://historyofparliament.com/2022/04/28/the-execution-of-thomas-howard-4th-duke-of-norfolk/  https://www.londonmuseum.org.uk/collections/v/object-547960/glass-smashing-for-votes-suffragettes-as-window-breakers/ https://bowstreetmuseum.org.uk/shattering-suffrage/ https://www.nationalarchives.gov.uk/education/resources/suffragettes-on-file/window-smashing-campaign/ https://balloonteam.net/montgolfier/on-this-day-the-suffragette-airship/ https://blogs.loc.gov/families/2022/09/venturesome-ladies-trailblazing-female-fliers/ https://en.wikipedia.org/wiki/Muriel_Matters#/media/File:The_London_Illustrated_News_(7th_November_1908.webp  

Anil Seth has spent more than twenty-five years asking one of the most disorienting questions a scientist can ask: what is it that makes you conscious, and are you as real as you feel? A Professor of Cognitive and Computational Neuroscience at the University of Sussex and Director of the Sussex Centre for Consciousness Science, Seth has published more than 200 research papers and is recognized by Web of Science as being in the top 0.1% of researchers worldwide in his field. His 2017 TED talk, "Your brain hallucinates your conscious reality," has been viewed more than 14 million times, one of the most-watched science talks in TED history. His 2021 book, Being You: A New Science of Consciousness, became an instant Sunday Times bestseller and a Book of the Year for The Economist, The Guardian, The Financial Times, The New Statesman, and Bloomberg. In 2023, he was awarded the Royal Society Michael Faraday Prize for his extraordinary contribution to public engagement with science. In 2025, he won the Berggruen Prize Essay Competition for "The Mythology of Conscious AI." And in 2026, he delivered a new main-stage TED talk: "Why AI is unlikely to become conscious." His central argument is as simple as it is radical: we do not perceive the world as it actually is. Instead, the brain is a prediction machine, constantly generating its best guess about what's out there, using sensory signals only to correct its errors. What we experience as reality is a "controlled hallucination." And crucially, the self, the very sense of being a "you" behind your eyes, is part of that hallucination too. In this wide-ranging and mind-bending episode, Anil unpacks the ideas at the frontier of consciousness science, exploring: The controlled hallucination: why every perception you have, color, pain, the weight of your own body, is a construction of your brain, not a window onto objective reality, and what that means for how you move through the world The predictive brain: how your mind is not passively receiving information but constantly generating predictions, and why the experience of surprise is actually your brain updating its model of the world The "beast machine" theory of selfhood: why Anil believes that consciousness is not just about computation but is deeply grounded in the biological drive to stay alive, and why that matters for debates about AI The hard problem and the real problem: why philosophers have spent decades asking why there is subjective experience at all, and why Anil thinks we've been asking the wrong question Animal consciousness and the octopus: what creatures with radically different nervous systems reveal about the many possible ways of being conscious, and why this should expand our moral circle Can AI be conscious? Why Anil argues, against the dominant view in Silicon Valley, that large language models are almost certainly not conscious, what we'd actually need to look for, and why anthropomorphizing AI carries real societal risk The Dreamachine: how Anil led a groundbreaking science-art project that used stroboscopic light to induce visual hallucinations in more than 35,000 people, and what the largest ever citizen science study into perceptual diversity revealed about how differently each of us experiences the world What the neuroscience of consciousness means for medicine: from anaesthesia and disorders of consciousness to psychedelics and mental health, how understanding the brain's generative nature opens new clinical possibilities Free will, the self, and what's left: if the self is a controlled hallucination, does that mean we aren't really in control? And is that terrifying, or strangely liberating? This is a deeply searching and surprisingly personal conversation about the most intimate fact of human existence: the experience of being you. Learn more about Anil's work at anilseth.com, and find his book, Being You: A New Science of Consciousness, wherever books are sold. His TED talks are available HERE, and his 2025 Berggruen Prize essay, "The Mythology of Conscious AI," can be read at Noema Magazine.

Today we've got Tobias Datum on the program to talk about shooting the Alexander Skarsgård show Murderbot !Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Robrecht's feature film credits include the films: The Ardennes, Revenge, The Bouncer, Bad Boys for Life, Rebel, Wil, Bad Boys: Ride or Die, Meanwhile on Earth, Steve, and The Resurrection of the Christ. Robrecht's television work includes the projects: Snowfall and The Kollective.

Be sure and join us on our Youtube Channel with our special guest, 24 FDNY veteran, James Hanlon. James was appointed to the FDNY in Jan of 1994, and Assigned to 1 Truck right out of the academy, where he continued to work for the next 24 years until he retired in 2008. We will be discussing his experiences at the Watts St Fire, Lerner Fire, and Wylie Fire to name a few. James Hanlon has also become an award winning TV Director, Writer, Cinematographer and Producer. His iconic documentary 9/11 series & first hand account of the September 11th attacks was captured as the events took place. In 2016, for the 15th anniversary of his award-winning 9/11 documentary series, he served as executive producer, director and cinematographer for CNN's 9/11: Fifteen Years Later. He also has a new book coming out soon "The Legacy Child" (Kubes aint the only author around here). Gonna be another great show. We will get the whole skinny. You don't want to miss this one. Join us at the kitchen table on the BEST FIREFIGHTER PODCAST ON THE INTERNET! You can also Listen to our podcast ...we are on all the players #lovethisjob #GiveBackMoreThanYouTake #Oldschool #Tradition #fdnyBecome a supporter of this podcast: https://www.spreaker.com/podcast/gettin-salty-experience-firefighter-podcast--4218265/support.

What separates a good cinematographer from one that directors, producers, and talent repeatedly trust with high-pressure productions?In this episode, cinematographer Jared Hess shares hard-earned lessons from over a decade shooting for ESPN, WWE, Bellator, and major fight promotions. From filming in dangerous neighborhoods and chaotic gyms to working directly with elite athletes and unpredictable environments, Jared explains why technical skill alone is never enough. The real job is managing people, emotions, pressure, and trust while still delivering cinematic images under impossible conditions.But beneath the stories of cameras and production lies a deeper conversation about collaboration, leadership, and surviving the modern filmmaking industry. Jared breaks down how cinematographers can build trust with directors and talent, why ego destroys sets, the importance of preparation, working without enough time or money, and how maintaining calm energy can completely transform an interview or production day. For indie filmmakers and aspiring DPs, this episode becomes a practical masterclass on professionalism, communication, and visual storytelling under pressure.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

I'm very excited to present you with my conversation with the lovely Christian Sprenger, ASC, here to talk about his work on the hit Apple TV+ show Widow's Bay!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

"Slow Horses" is a British spy thriller television series based on the Slough House novels by Mick Herron, and adapted for television by the English comedian and writer Will Smith. It follows an MI5 unit that consigns disgraced or failed agents, under the supervision of Jackson Lamb (Gary Oldman). It also stars Jack Lowden, Kristin Scott Thomas, Jonathan Pryce, Saskia Reeves, Rosalind Eleazar, Christopher Chung, and Aimee-Ffion Edwards. The series premiered on Apple TV+ on April 1st, 2022, to highly positive reviews. The first five series have adapted the novels "Slow Horses," "Dead Lions," "Real Tigers," "Spook Street," and "London Rules," respectively. Slow Horses has been renewed for a sixth and seventh series, based on the novels Joe Country and "Slough House" (series 6) and "Bad Actors" (series 7). The sixth series is set to premiere on September 16th, 2026. Members of the series's crew, including Cinematographer Danny Cohen, Editors Zsófia Tálas and Fiona Brands, Supervising Sound Editor Joe Beal, and Re-Recording Mixers Martin Jensen & Ben Tisdall, were all kind enough to spend some time talking with us about their work and experiences making the fifth season of the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on Apple TV. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason and Jared and the THREE types of referrals you need to get as a wedding filmmakers and photographers and how to get more of each. 

What separates a good cinematographer from one that directors, producers, and talent repeatedly trust with high-pressure productions?In this episode, cinematographer Jared Hess shares hard-earned lessons from over a decade shooting for ESPN, WWE, Bellator, and major fight promotions. From filming in dangerous neighborhoods and chaotic gyms to working directly with elite athletes and unpredictable environments, Jared explains why technical skill alone is never enough. The real job is managing people, emotions, pressure, and trust while still delivering cinematic images under impossible conditions.But beneath the stories of cameras and production lies a deeper conversation about collaboration, leadership, and surviving the modern filmmaking industry. Jared breaks down how cinematographers can build trust with directors and talent, why ego destroys sets, the importance of preparation, working without enough time or money, and how maintaining calm energy can completely transform an interview or production day. For indie filmmakers and aspiring DPs, this episode becomes a practical masterclass on professionalism, communication, and visual storytelling under pressure.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

"The Pitt" is an American medical drama television series created by R. Scott Gemmill and executive-produced by John Wells and Noah Wyle. It stars Wyle, Tracy Ifeachor, Patrick Ball, Katherine LaNasa, Supriya Ganesh, Fiona Dourif, Taylor Dearden, Isa Briones, Gerran Howell, Shabana Azeez, and Sepideh Moafi. Each season of the series follows emergency department staff as they work through the challenges of a single 12-hour shift at the fictional Pittsburgh Trauma Medical Center, while navigating staff shortages, underfunding, and their own personal crises. Each episode, set in real time, covers approximately one hour of the work shift. The series has received critical acclaim for its performances, writing, direction, format, and realism. The medical community has also praised the series for its accuracy, realistic representation of healthcare workers, and portrayal of the stressors medical staff face in a post-pandemic world. The series has received several accolades, with the first season winning five awards at the 77th Primetime Emmy Awards, namely Outstanding Drama Series, Outstanding Casting, and acting wins for Wyle, LaNasa, and recurring guest star Shawn Hatosy. Additionally, it was listed among the 10 best television programs of 2025 by the American Film Institute and won Best Television Series – Drama at the 83rd Golden Globe Awards. Ema Sasic spoke with Sepideh Moafi, and Daniel Howat spoke with series cinematographer Johanna Coelho. Both were kind enough to spend some time talking with them about their work and experiences making the series, which you can listen to below. Please be sure to check out the series, which is up for your consideration for this year's Emmy Awards and is now available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

SEASON 2 - EPISODE 194 Buddy Squires - Cinematographer In this episode of the Team Deakins Podcast, we speak with cinematographer Buddy Squires (THE AMERICAN REVOLUTION, BEYOND THE BEACH: THE HELL AND THE HOPE, BASEBALL). Buddy has worked on countless documentaries, ranging from vérité to recreations, and we spend the episode discussing how he sees his work and what he tries to achieve while capturing images of events happening in real time. Buddy has also worked with director Ken Burns since they met in college, and he gives us insight into their lifelong collaboration and their approach to portraying history. Buddy also recalls the winding path he took to reach documentary filmmaking, and he reflects on the filmmakers, photographers, and films that inspired him the most at the time. Buddy later reflects on his experiences shooting the humanitarian work featured in BEYOND THE BEACH across the Middle East, and we ask him if he feels documentaries can make a difference. We also discuss how digital camera technology has made Buddy's job easier, and he shares his review of the drone footage from the 2026 Winter Olympics. - This episode is sponsored by Aputure