Podcasts about cinematographers

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

Tamara Kotevska, with "The Tale of Silyan", tells a delicate tale of folklore and history set in Northern Macedonia. The post “The Tale of Silyan”, interview with director Tamara Kotevska and cinematographer Jean Dakar appeared first on Fred Film Radio.

On this episode I chatted with Jack Dyer, videographer, photographer, music producer and now Tour Manager for Thunder Jackson. Jack is from El Reno, grew up around his families newspaper business. With an early passion for music and exploring his creative side. Jacks journey into making music started with his drum set, then guitar leading him to where he is today.  Follow Jack on instagram www.instagram.com/jackdyerrrrrr www.instgram.com/backhousetapes  Huge thank you to our sponsors. The Oklahoma Hall of Fame at the Gaylord-Pickens Museum telling Oklahoma's story through its people since 1927. For more information go to www.oklahomahof.com and for daily updates go to www.instagram.com/oklahomahof The Chickasaw Nation is economically strong, culturally vibrant and full of energetic people dedicated to the preservation of family, community and heritage. www.chickasaw.net Dog House OKC - When it comes to furry four-legged care, our 24/7 supervised cage free play and overnight boarding services make The Dog House OKC in Oklahoma City the best place to be, at least, when they're not in their own backyard. With over 6,000 square feet of combined indoor/outdoor play areas our dog daycare enriches spirit, increases social skills, builds confidence, and offers hours of exercise and stimulation for your dog http://www.thedoghouseokc.com/ #ThisisOklahoma

Today I'm joined by the incredible Garreth Paul Cox to talk about his work on The Man in the White Van.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

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The Cinematography Podcast Episode 321: Cinematographer Matt Lewis In the limited Netflix series Adolescence, each episode unfolds as a single, uninterrupted take, a cinematic choice that immediately immerses viewers in the unfolding drama. This ambitious format was a deliberate artistic choice. Both cinematographer Matt Lewis and series director Philip Barantini had previously collaborated on the independent feature Boiling Point, which also followed the one-shot format. This shared experience allowed them to bring a unique intensity and almost voyeuristic quality to the new series. As Matt explains, “A one-shot creates intensity. It creates slight paranoia that something might happen because you've got this lack of editing. We managed to deploy that technique for Adolescence to make it feel like the camera just happened to be there. It was an inevitable floating force. You never feel like the camera is a filmmaker.” The decision to film Adolescence in one continuous shot was a massive undertaking that required meticulous planning, from the writing stage to the final take. The series' writers, Jack Thorne and Stephen Graham, crafted the script with this format in mind, allowing the story to flow seamlessly from one character to the next. The crew and cast treated each hour-long episode like a live theatrical performance, knowing that any mistake would require a complete reset. For Matt, the process was similar to choreographing a dance. The cast and crew had about 2 attempts per day to get each hour long episode right. Matt chose a single, lightweight DJI Ronin 4D camera that was passed between operators and even mounted on a drone for one episode, emphasizing the camera's fluid, continuous motion. “It forces a kind of energy on set, which is really palpable when you're there,” explains Matt. “I think that also translates into the piece. A true one shot wasn't any sort of flex. We wanted to try and see if by stripping back and actually not having those opportunities to cut camera, it ends up focusing more on the story.” To navigate the complex, unbroken shots, Matt relied on detailed preparation and his extensive experience. He used the application Shot Designer to meticulously map out the camera's path, memorizing specific lines of dialogue as cues for each movement. Fortunately, the cast and crew had two weeks of rehearsals. Matt used his phone to shoot the rehearsal for reference, in order to plan the camera's route and see what would work. The lighting was also an integral part of this intricate choreography. Every fixture was practically built into the set and controlled in sync with the camera's journey through the scene. “Every step the camera takes is choreographed,” says Matt. “There was no room to work it out in the moment. But ultimately, we're creating a route, a path through a place. So there's only a certain way you can do that. If you start moving one piece, then you can't get from that piece to the next one suddenly.” The one-shot format in Adolescence ultimately served the story, creating a powerful and intimate viewing experience. By stripping away the ability to cut, Matt and the team were able to focus entirely on the narrative, allowing the raw energy and palpable tension of the set to translate directly to the screen. Find Matt Lewis: Instagram: @mattlewisfilm Matt Lewis is Emmy-nominated for episode 2 of Adolescence. See Adolescence on Netflix. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Today we've got the fantabulous Paul Daley on the program to talk about his work on The Righteous Gemstones!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this episode, we welcome Mark Irwin, CSC, ASC. Mark is the cinematographer of many iconic films including Scream, The Brood, Scanners, Videodrome, The Fly, The Dead Zone, New Nightmare, Dumb and Dumber, There's Something About Mary, Road Trip, and Old School. In our chat, we hear all about his early days in Canada, his filmmaking education, and his journey collaborating with directors David Cronenberg and Wes Craven. Mark also shares about making Scanners, The Fly, and Scream — and offers recommendations for up-and-coming cinematographers. “The Making Of” is presented by AJA:DIT Chris Bolton talks on-set live grading and routingIn on-set production, precise, real-time color management and conversion and reliable routing are essential, which is why DIT Chris Bolton leverages AJA ColorBox and KUMO 3232-12G across projects. Read this interview to get his perspective on what makes a great DIT and to learn more about his live grading setup.Next-Gen DIY Storage, UnleashedThe OWC Express 1M2 80G delivers over 6000 MB/s real-world performance using the latest USB4 v2 (80 Gb/s) interface, with Thunderbolt 5 compatibility for next-gen workflows. Choose a ready-to-run or DIY enclosure—upgradeable to 8 TB using NVMe M.2 SSDs. Its passive heatsink design ensures silent, consistent speeds, all in a bus-powered, palm-sized form factor.Explore hereInsights from “Jaws” Production Designer Joe Alves: New Solutions from Videoguys:Bring your vision to life with the SanDisk Professional Creator Series—fast, reliable storage designed specifically for content creators like you. Whether you're capturing footage on your iPhone or Android device, flying a drone, or shooting with a digital camera, SanDisk gives you the tools to stay in control of every shoot, every transfer, every edit, and every backup. From microSD and SD cards to portable SSDs and high-performance flash drives, the Creator Series is built to keep up with your creativity.Ready to take your content to the next level? Call Videoguys today at 800.323.2325 to learn more and find the perfect storage solution for your workflow! Browse hereZEISS Summer Savings Event:Now through September 1, save up to $4,000 on select Nano Prime lens sets and another $3,000 on the ZEISS Lightweight Zoom LWZ.3.Visit herePodcast Rewind:Aug 2025 - Ep. 93…“The Making Of” is created by Michael Valinsky.Sponsor this newsletter and reach 250K filmmakers, TV production pros, and content creators each week. Please email us to learn more: mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Born in Taiwan and raised in Australia, cinematographer Matthew Chuang ACS has always been drawn to telling stories rooted in culture and identity. After reaching a creative ceiling in Australia, he made the leap to Los Angeles where he connected with director Justin Chon. The two have since collaborated on multiple projects, most recently reuniting for Apple TV's epic series Chief of War. In this conversation, Matt reflects on his upbringing in Australia, his journey into the world of independent filmmaking in the United States, and his first experience working on a large scale television production. He shares how he and Justin brought an indie film sensibility to Chief of War, emphasizing the importance of trusting your instincts when approaching coverage and storytelling. We also dive into the technical side, discussing cameras, lenses, lighting setups, and the unique challenges of shooting in remote locations across the Hawaiian Islands. Tune in to hear Matthew's story, his creative approach behind the camera, and insights from the set of one of Apple TV's most ambitious series. This episode of Cinemapodgrapher is proudly brought to you by our technology partners Sony Produced by Deb Van Dieren Hosted by Lucas Tomoana SOC Edited by Raphael Segal  

Kabelo Thathe didn't set out to become a cinematographer. Raised in South Africa, he felt the pressure so many young creatives do—to pursue a "real" career. But behind closed doors, his walls were a riot of movie posters and cinematic dreams. A high school year in Minnesota cracked the world open for him. When he returned home, he knew he had a calling: to tell stories with light, movement, and meaning. In this episode of Visual Intonation, we sit down with Kabelo to trace the journey from Canon 5D experiments to global film sets. He shares how a commercial gig with Mzi Kumalo gave him his first taste of the industry and how film school at AFDA sharpened his eye and his discipline. From reality shows to critically acclaimed features, Kabelo's path is one of patience, passion, and purpose. His work on 'Vaya' showed the world his eye for classic visual storytelling—honest frames and natural light that serve the scene rather than steal it. That signature style has taken him all the way to 'Greek Freak,' his Disney Plus collaboration with longtime creative partner Akin Omotoso. For Kabelo, it's not just about the shot. It's about the story and the trust between the director and DP that brings it to life. Whether he's running on set or photographing with friends, Kabelo Thathe brings a quiet intensity to everything he does. He may have once dreamed of being a marine biologist, but the pull of film was stronger. Today, he's the one making the posters—the ones that end up on someone else's wall, sparking the next generation of visual storytellers. Kabelo Thathe's IMDB: https://www.imdb.com/name/nm7984838/Kabelo Thathe's Instagram: https://www.instagram.com/kabelo_t/?hl=enKabelo Thathe's Twitter: https://x.com/kabelo_tSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

The Netflix animated series Love, Death + Robots has featured several innovative and unexpected episodes during its four-season run, but perhaps none as unique as “400 Boys,” where an army of gigantic babies threatens to end the world. “There's a lot of sound design that we can play around with for something like that,” says supervising sound editor Brad North, MPSE, about the conceit of the episode. On the latest edition of The Ankler's Art & Crafts podcast, North and fellow Emmy nominee Eliot Connors (Arcane) discuss the their acclaimed work with moderator Alexandra Fehrman, CAS. This episode, sponosred by Netflix, was recorded at the American Society of Cinematographers' Clubhouse in Los Angeles on Aug. 7.

BUY THE BOOKS - STORY QUESTIONS and 17 Steps To Writing A Great Main Character https://payhip.com/StoryQuestions Watch the video version of this podcast here on YouTube: https://www.youtube.com/watch?v=nMIFINOXhto 0:00 - What Beginning Cinematographers Should Know As They Get Started 10:09 - Pro Cinematographer Reveals The Truth About Cinematography 21:05 - Biggest Difference Between Bad Cinematography and Great Cinematography 30:01 - Most Common Mistake That New Cinematographers Make 38:56 - Pro Cinematographer On The Best Way To Learn Lighting 47:29 - If You Want To Be A Cinematographer This Is A Great Lesson Suki was born in Derventa, Bosnia and Herzegovina. While in high school he became interested in still photography but his real involvement in film started when he was accepted at The National Film School for Dramatic Arts, FDU, Belgrade, Yugoslavia. He continued his education at the renowned National Film School (FAMU), Prague, Czech Republic, where he earned his Master's Degree with Honors in cinematography. Shortly thereafter, he came to the USA to continue his professional career. He was involved in several high profile documentaries for Pixar, ILM, The Hearst Corporation, "The History of Imagineering" for Disney Studios being one of them. In 2024 he received "Jan Award" by ASBH for his cinematography at "Shining Vale" series. In 2010, he became a member of the American Cinematographers Society (ASC). In addition, for his academic achievements and contribution to the art of cinematography, he was awarded a Honorary Doctorate Degree in Fine Arts. Suki is a proud father and husband and living and working in Los Angeles. CONNECT WITH SUKI MEDENCEVIC https://www.sukiasc.com https://www.imdb.com/name/nm0575530 https://www.instagram.com/sukimedeni/ Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu https://www.nyfa.edu/location/nyfa-los-angeles/

We've got another incredible episode this week with Matt Lewis coming in to talk about his absolute triumph of a series Adolescence, in which each of the four hour-long episodes was shot in a single take.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this gripping episode of Amazing Greats, we sit down with renowned cinematographer and documentarian Michael Lienau, whose life was forever changed by the eruption of Mount St. Helens, May 18 1980. At just 20 years old, Michael found himself trapped at ground zero with a small film crew during the volcano's second major blast—an ordeal that turned into a four-day fight for survival. From melted boots and eerie silence to blinding ash and divine visions, Michael recounts the harrowing experience that not only tested his physical endurance but also transformed his spiritual life. His powerful encounter with Jesus in the midst of catastrophe set him on a new path—one rooted in faith, purpose, and storytelling.Michael shares how this life-defining moment led to a long career producing faith-centered documentaries, launching ministries, and raising a family of nine with his wife and creative partner, Sherry. From the volcanic landscapes of Hawaii to the streets of Tacoma, Michael's journey is marked by a passion for truth, reconciliation, and the supernatural power of God. Don't miss this unforgettable conversation about divine rescue, creative calling, and a legacy built on listening to God's voice—even in the darkest moments."Amazing Greats" is a library of interviews with highly successful people who have amazing career and life stories and who share how God has impacted their journey. Hosted by broadcaster Ric Hansen & produced by Klem Daniels. Available on Apple, Spotify, iHeart, Google and our YouTube Channel. Please help us grow our audience by "liking", "subscribing and "Sharing". Thanks so much.

Brisbane film director Jay Palmer is now taking his video production work across Australia. He can bring in the right-sized crew for your project and work to a budget that makes sense, so you get professional, polished results without unnecessary extras. More about Jay: http://www.jaypalmer.com.au Jay Palmer City: Albion Address: jaypalmer.com.au Website: http://www.jaypalmer.com.au/

The Cinematography Podcast Episode 320: Cinematographer Matt Ball For cinematographer Matt Ball, shooting the National Geographic five part documentary series Tucci in Italy was a delightful experience. Tucci in Italy follows actor Stanley Tucci as he explores his Italian heritage, delving into regions rich in food and culture. “A big part of the success of the show is obviously Stan, but Stan wants to do it,” says Matt of Stanley Tucci. “Nobody necessarily loves getting up for work on a Monday morning. But getting up for work on a Monday morning in Italy and going to wonderful places, you know you're going to do something interesting. And it's the fact that people want to do it for their job that makes it so much easier.” As a light-hearted, fun and engaging host, Tucci's fluency in Italian and passion for the culture drove him to explore lesser-known stories, foods, and areas of Italy. With 20 distinct regions, each person in Italy has a unique identity attached to their home. Matt's favorite location was the Carrera mountains in Tuscany, where the famous Carrera marble is mined. “The culture of Italy, I have such a deep love for that country from doing the show,” says Matt. “Everything about it, from the food to the scenery, everything affects you as you're doing it. I mean, some of it is mind-bogglingly beautiful.” While Stanley Tucci himself didn't need a translator, the crew needed a little help. A translator spoke into an earpiece so the crew could follow the story closely and know what to capture. Matt used four cameras and a drone to capture the beauty of the region. To avoid asking subjects to repeat actions, one camera was always dedicated to shooting the food. Scouting and pre-planning was key for the vision Matt had for the look of the show. Tucci in Italy is beautifully composed, without feeling formal, and uses very natural lighting. At each location, Matt and the director would take about 30 minutes to walk through the location to find the best spots for interviews, without compromising the story or the documentary nature. The most important goal was to make the interviewees feel at ease, with the cameras as unobtrusive as possible. Even if it meant shooting in a tiny, dark kitchen, the crew would do so to ensure the authenticity of the documentary. The Italians would also choose the right place to eat, usually out of the direct sun and in a comfortable situation. The hardest part of the job was often the heat, as much of the work was outdoors and shot handheld. Find Matt Ball: https://mattballcamera.com/ Instagram: @mattbcam Matt Ball has been nominated for Outstanding Cinematography for a Nonfiction Program for Tucci in Italy for the “Tuscany” episode. See Tucci in Italy on Nat Geo on Disney+. The series has been renewed for a second season. Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

Annemarie Lean-Vercoe is a British Award winning and BAFTA Nominated Cinematographer. She most recently lensed Outrageous, which follows the lives of the fascinating Mitford Sisters. The show premiered at the Tribeca Film Festival in June 2025 and will be airing this summer on UKTV and BritBoxTV.  Annemarie is a graduate of the National Film and Television School (NFTS) with film and TV credits as Cinematographer or Director of Photography spanning more than 26 years. These include Call the Midwife, Breeders, The Chelsea Detective, All Creatures Great and Small, Marilyn Reframed, the BAFTA winner Suffragettes with Lucy Worsley and BAFTA nominated Is There Anybody Out There.  Annemarie was born in Devon, England in 1977 and has an older sister and step siblings. Her parents divorced when she was just four but remarried locally and remained close by, providing Annemarie with an extended family. In his second career her father was a sailing photographer who introduced her to cameras and she soon developed a curiosity as to what was possible behind the lens. She enjoyed an idyllic childhood with freedom to explore the surrounding countryside, learning to ride ponies and how to sail. After Yealmpton Primary School, Annemarie attended the Royal School in Bath but left early to be with her mother. An early interest in arts and crafts then led her to a year-long Foundation Arts Course before attending an under-graduate program at the London College of Printing (University of the Arts London). By now she had developed an interest in film cameras and started to gain some experience as a trainee on productions in the UK. A series of introductions and the benefit of a scholarship led her to the NFTS with an eye to becoming a cinematographer.  After graduating Annemarie has been consistently in demand balancing her career with raising her family, thanks to the help of her mother and mother-in-law. She is a proud member of Illuminatrix and Women Behind The Camera.  Her numerous awards include BAFTA, BIFA and STAR OF TOMORROW.  Annemarie is currently in production on the British TV drama series Bergerac.  She lives in Sussex, England with her husband Finn and two children. Annemarie's links:https://cargocollective.com/cinematographerhttps://www.imdb.com/name/nm1233187/https://www.instagram.com/annemarieleanvercoe1 https://www.illuminatrixdops.com/member/annemarie-lean-vercoe/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/wisp--4769409/support.

Annemarie Lean-Vercoe is a British Award winning and BAFTA Nominated Cinematographer. Her most recently lensed Outrageous, which follows the lives of the fascinating Mitford Sisters. The show premiered at the Tribeca Film Festival in June 2025 and will be airing this summer on UKTV and BritBoxTV.  Annemarie is a graduate of the National Film and Television School (NFTS) with film and TV credits as Cinematographer or Director of Photography spanning more than 26 years. These include Call the Midwife, Breeders, The Chelsea Detective, All Creatures Great and Small, Marilyn Reframed, the BAFTA winner Suffragettes with Lucy Worsley and BAFTA nominated Is There Anybody Out There.  Annemarie was born in Devon, England in 1977 and has an older sister and step siblings. Her parents divorced when she was just four but remarried locally and remained close by, providing Annemarie with an extended family. In his second career her father was a sailing photographer who introduced her to cameras and she soon developed a curiosity as to what was possible behind the lens. She enjoyed an idyllic childhood with freedom to explore the surrounding countryside, learning to ride ponies and how to sail. After Yealmpton Primary School, Annemarie attended the Royal School in Bath but left early to be with her mother. An early interest in arts and crafts then led her to a year-long Foundation Arts Course before attending an under-graduate program at the London College of Printing (University of the Arts London). By now she had developed an interest in film cameras and started to gain some experience as a trainee on productions in the UK. A series of introductions and the benefit of a scholarship led her to the NFTS with an eye to becoming a cinematographer.  After graduating Annemarie has been consistently in demand balancing her career with raising her family, thanks to the help of her mother and mother-in-law. She is a proud member of Illuminatrix and Women Behind The Camera.  Her numerous awards include BAFTA, BIFA and STAR OF TOMORROW.  Annemarie is currently in production on the British TV drama series Bergerac.  She lives in Sussex, England with her husband Finn and two children. Annemarie's links:https://cargocollective.com/cinematographerhttps://www.imdb.com/name/nm1233187/https://www.instagram.com/annemarieleanvercoe1 https://www.illuminatrixdops.com/member/annemarie-lean-vercoe/ Host: Chris StaffordProduced by Hollowell StudiosFollow @theaartpodcast on InstagramThe AART Podcast on YouTubeEmail: theaartpodcast@gmail.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.

You can do more then you can imagine in a short amount of time....On this episode we are looking at even more Emmy nominated stuff as we go behind the scenes on one of the bigger and bolder episodes of a sitcom that this critic has ever seen.  It's time for 'The Righteous Gemstones'.In Season 4, Episode 1, "Prelude" takes us to the height of the civil war where Elijah Gemstone (Bradley Cooper) receives a divine wake up call.It's only 39 minutes long, but it's as busy and loaded as a feature film and a big part of that is cinematographer Paul Daley as this is a big and loud (and Emmy Nominated) episode.We got to talk to Paul about coming on to the job, the freedom he had to give this a big and bold feel while shooting mostly out in the wilderness and so very much more....Catch up on 'The Righteous Gemstones; on Crave up here in Canada.

This week, Stephen Hancock joins Nathan and Phil the Camera guy. Stephen is a director and cinematographer, responsible for SCP: Overlord, SCP: Dollhouse, and STALKER: Shadow of the Zone amongst other work. Nathan and Phil talk Stephen's experience filming STALKER, Phil and Stephen get into camera equipment and RED vs Canon, short films Stephen is working on with his new media company: Altavision, what work looks like in his world, his tricks to working on a low budget and delivering a high end finish and much more!Check out our guest here:https://www.youtube.com/@altavisionfilmhttps://www.instagram.com/altavisionfilm/https://www.imdb.com/name/nm8539349/?ref_=tt_ov_1_1RAADS Autism Test:⁠⁠⁠⁠⁠⁠⁠⁠⁠https://embrace-autism.com/raads-r/⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out PP.TF here:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://pptaskforce.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.instagram.com/pptaskforce.est23/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our Patreon here to support what we do and get insider perks! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠                             ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/CBRNArt⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our sponsors:  Cloud Defensive / Chad Defensive Rifle / EDC Lights:For 10% off site wide, that stacks with any Cloud Defensive sales, use Code: ARTANDWAR10⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clouddefensive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Attorneys for Freedom - Attorneys on Retainer Program, sign up via this link to support the show:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://attorneysonretainer.us/artandwar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠             ⁠⁠⁠⁠⁠⁠⁠         ⁠⁠⁠⁠⁠⁠Use code: ARTANDWAR10 for $10 off an SMU Belt at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠AWSin.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Check out our link tree for the rest of our stuff:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://link.space/@CBRNart⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow the lads on IG:     ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nathan / Main Page: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/cbrnart/?hl=en⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠B.R: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/br.the.anarch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Lucas: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/heartl1ne/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Phil: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/philmxengland/⁠⁠

If we consider who some of the great modern Aussie cinematographers are, we immediately think of names like Michael Latham, Stefan Duscio, Jaclyn Paterson, or the man behind the camera of such films as Of an Age, You Won't Be Alone, Hafekasi, Howl, Blue Bayou, My First Summer, and Sophie Hyde's upcoming film, Jimpa.I'm of course talking about Matthew Chaung.Across his filmography, Matthew has lensed films with a level of empathy, compassion, and understanding that imbues the work with a warmth and tenderness that ensures that the stories linger in your mind long after the credits. When I think of Matthew's work, I think of the golden hour shots in Katie Found's My First Summer, or the discovery of queer identities in Goran Stolevski's intimate Of an Age, or the child level perspective of the world in Annelise Hickey's stunning Hafekasi. With Jimpa, he becomes part of Sophie Hyde's family, shooting the film with inspiration from Nan Goldin's work.In the following interview, recorded at the Sundance Film Festival in 2025, Matthew talks through his work and creative process, while also exploring the notion of what makes his cinematography unique. For Australian audiences, you can see Matthew's work in Domini Marshall's stunning new short film Howl, which is making the festival rounds. Matthew also talks about Dario Russo's new film, The Fox, which is on the horizon and stars Jai Courtney, Damon Herriman, and Emily Browning.If you're keen on finding out more about Matthew's work, visit MatthewChuang.com.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

If we consider who some of the great modern Aussie cinematographers are, we immediately think of names like Michael Latham, Stefan Duscio, Jaclyn Paterson, or the man behind the camera of such films as Of an Age, You Won't Be Alone, Hafekasi, Howl, Blue Bayou, My First Summer, and Sophie Hyde's upcoming film, Jimpa.I'm of course talking about Matthew Chaung.Across his filmography, Matthew has lensed films with a level of empathy, compassion, and understanding that imbues the work with a warmth and tenderness that ensures that the stories linger in your mind long after the credits. When I think of Matthew's work, I think of the golden hour shots in Katie Found's My First Summer, or the discovery of queer identities in Goran Stolevski's intimate Of an Age, or the child level perspective of the world in Annelise Hickey's stunning Hafekasi. With Jimpa, he becomes part of Sophie Hyde's family, shooting the film with inspiration from Nan Goldin's work.In the following interview, recorded at the Sundance Film Festival in 2025, Matthew talks through his work and creative process, while also exploring the notion of what makes his cinematography unique. For Australian audiences, you can see Matthew's work in Domini Marshall's stunning new short film Howl, which is making the festival rounds. Matthew also talks about Dario Russo's new film, The Fox, which is on the horizon and stars Jai Courtney, Damon Herriman, and Emily Browning.If you're keen on finding out more about Matthew's work, visit MatthewChuang.com.Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays. Hosted on Acast. See acast.com/privacy for more information.

This week, Kim Masters speaks to Severance director and cinematographer, Jessica Lee Gagné. The Quebecois filmmaker reflects on her collaboration with Severance executive producer Ben Stiller, which began on the Showtime limited series Escape at Dannemora. She discusses becoming the first woman to be Emmy-nominated in the same year for both cinematography and directing in a drama series, and the major leap of faith it took to transition from a successful career as a DP into the world of directing.  Plus, Disney is reshaping its sports strategy, launching a standalone ESPN app, and making billion-dollar deals with WWE and the NFL. Will the NFL's new stake in ESPN bring scrutiny from the Trump-led DOJ? Also, the Skydance-Paramount deal is done, and the Ellisons may have their sights set on Warner Bros. Kim Masters and Matt Belloni break it all down.

The Cinematography Podcast Episode 319: Christopher Ross, BSC The Peacock series The Day of the Jackal, a modern update of the film and novel, is an exhilarating cat-and-mouse thriller. It follows a charismatic, lethal assassin known only as the Jackal (Eddie Redmayne) and the determined MI6 agent, Bianca Pullman (Lashana Lynch), who is on his trail. Cinematographer Christopher Ross, BSC, has earned an Emmy nomination for the show's first episode. He collaborated with director Brian Kirk to craft the series' distinctive visual language. Chris and Kirk wanted to transform the 1970s source material into a contemporary, slick thriller centered on deception. To visually convey this subjective reality, Chris used a range of cinematic techniques, including lens aberrations, smoke filters, and a blend of precise and unpredictable camera movement. "If you know how you want your audience to feel, then you can reverse engineer the imagery to force that emotion," Chris says. His approach leans toward a more chaotic and naturalistic style rather than a traditionally elevated, polished look. A central challenge was to make the audience feel connected to both the Jackal and Bianca, a narrative where the roles of "cat" and "mouse" constantly shift. Chris explains, “How do we make a modern slick thriller with a dual protagonist, a cat and mouse drama where the cat and the mouse change places? We wanted the imagery to be playful and light-footed, like a magic trick, and to not necessarily be instantly decipherable.” Chris drew inspiration from 1970s thrillers such as Klute, The Parallax View, and Three Days of the Condor to inform the show's visual style. ARRI ALPHA anamorphic lenses created a wide frame for a strong sense of connection with the characters. He customized the lenses to produce an exaggerated square bokeh around the frame. It symbolized the compartmentalization within the characters' lives, reinforcing the theme of hidden realities. The Emmy-nominated first episode features a complex, two-minute opening shot—or "oner"—that required extensive preparation. Chris and Kirk meticulously planned the scene to capture all the essential details as the camera follows the Jackal through an apartment. During the shoot, the production team performed a synchronized dance of moving doors and walls, all timed with Redmayne's performance.“It was one of the best, most interesting oners that I've ever been fortunate enough to construct with a director,” says Chris. “The frame changes so often, the storytelling is as frequent as if you were editing.” Christopher Ross, BSC is also the President of the British Society of Cinematographers, an organization that promotes the art and craft of cinematography in the UK and internationally. See The Day of the Jackal on Peacock. Find Christopher Ross, BSC: https://www.christopherrossbsc.com/ Instagram @edjibevel Hear our previous interview with Christopher Ross on the series Shōgun. https://www.camnoir.com/ep266/ Sponsored by Hot Rod Cameras: https://hotrodcameras.com/ The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

In this conversation, the legendary Robert McLachlan shares his journey from a young boy fascinated by photography and film to becoming a successful cinematographer. He discusses the evolution of visual storytelling, the intricacies of cinematography, and the creative process behind filmmaking. Robert offers valuable advice for aspiring filmmakers and reflects on memorable moments from his career, including his work on Game of Thrones. He emphasizes the importance of passion, hard work, and the willingness to learn in the entertainment industry.TakeawaysCinematographers play a crucial role in visual storytelling.Preparation and collaboration are key in filmmaking.Aspiring filmmakers need persistence and dedication.https://www.mclachlan.camera/ Hosted on Acast. See acast.com/privacy for more information.

In this episode of Visual Intonation, we sit down with cinematographer Allysa Lisbon, a compelling visual storyteller whose work is grounded in both intellectual rigor and emotional depth. Based in Los Angeles and originally from Kansas City, Missouri, Allysa holds degrees from Georgetown University and the American Film Institute, where she earned her MFA in cinematography. Her visual language is thoughtful and precise, shaped by a commitment to telling nuanced stories across film, media, and commercial spaces.Allysa's work explores themes of heritage, memory, diaspora, and gender/sexuality, often through a lens that prioritizes empathy and complexity. Her films have been featured at Imagine This Women's Film Festival and Marina del Rey Film Festival and have received accolades from the Telly Awards and the Webby Awards. Her projects have also appeared in The Washington Post and at the Smithsonian Institution, underscoring a career that is both critically recognized and culturally resonant.In our conversation, Allysa discusses her journey as a cinematographer and founder of Saturn Studios, a forward-thinking production collective dedicated to building a more inclusive and collaborative media landscape. She reflects on the responsibilities of representation behind the camera, the challenges of independent filmmaking, and how visual storytelling can act as both documentation and resistance.Join us for a thoughtful dialogue on the power of image-making, where Allysa Lisbon shares her approach to crafting stories that are visually rich and emotionally grounded. This episode is a tribute to the craft of cinematography as a language—one that speaks across time, identity, and experience. Allysa Lisbon's Website: http://allysalisbon.com/ Allysa Lisbon's Instagram: https://www.instagram.com/allysagram/?hl=en Allysa Lisbon's IMDB: https://m.imdb.com/name/nm13878452/ Allysa Lisbon's LinkedIn: https://www.linkedin.com/in/allysa-lisbon-5a5a25163Support the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

Michael Louis Hassiepen is a Director, Producer, Musician, Actor, Podcast Host, Editor, and Cinematographer from Bear, Delaware. | Tickets for Mass State Lottery are on sale now at mslfilm.com | Decide the next film for us to watch by joining our Listener Sponsored tier. Hosted on Acast. See acast.com/privacy for more information.

This week we've got an absolute treat of an episode! Joining me is Andor Cinematographer Christophe Nuyens, SBC who shot episodes 1-6 (which of course includes your favorite wedding scene).Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

We welcome director, cinematographer & editor Thomas Angeletti of Alysm Films this week to talk about how he got his start making movies, assembling the Alysm Films crew, upcoming projects, and so much more! Go to AlysmFilms.com to learn more and watch some of their past movies! AlysmFilms.com Instagram: @AlysmFilms  @Tom_Angeletti_ Cowboy Christmas Trailer: https://www.youtube.com/watch?v=NUPesJzcOCA CannedAirPodcast.com  TikTok: @CannedAirPodcast  Instagram: @Canned_Air  If you'd like to show your support, you can either visit our Patreon page at Patreon.com/CannedAirPod or you can leave us a comment, like, and subscribe! Thanks for watching! Learn more about your ad choices. Visit megaphone.fm/adchoices

Phil returns to podcast for the first time in 8 years... Phil is responsible for a Christmas Video that went viral back in 2018 called "Love is a Gift" which has now had an estimated 200m views.  Phil has also directed two music videos for Lewis Capaldi.

Beto's feature film work includes: Amor Extremo, Two Times You, Mirreyes Contra Godinez, MexZombies, Surviving My Quinceanera, Contraataque, and Our Times. Beto's television projects include: the acclaimed series, Hernan, and El Gallo De Oro.

In this episode of The Brand Called You, Daniel Fitch shares how losing his job in the mortgage industry—and cracking a tooth—ignited a radical shift toward his passion for visual storytelling. From shooting on iPhones to empowering brands through authenticity, Daniel's story is a testament to turning setbacks into new beginnings.00:39- About Daniel FitchDaniel Fitch is an accomplished filmmaker and video producer, with over two decades of experience in the industry.He has extensive knowledge and skill in multimedia video production, customer service, video editing and marketing that allow him to create high quality film & video campaigns while staying under budget and on time.

2025 has been, for many in weddings, a down year but the question is... WHY? In this episode Jared and Jason break down some reasons why you MAY not be booking in2025 and hopefully how to avoid the same fate in 2026. 

Bringing in the big 200 we've got Sing Yam, Cinematographer of The Threesome which premiered at SXSW earlier this year!Sing's work includes Henry Johnson, Sweet Dreams, 9 Minutes, and a litany of commercials and music videos with artists like Eminem, Billie Eilish, SZA, and Action Bronson.Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Rita is a visionary member of Project Kamp, a Portugal-based research community dedicated to prototyping a sustainable way of living in harmony with the planet. As a key collaborator in this innovative experiment, Rita has helped transform a 9-hectare plot of abandoned land and kick start a research place for sustainable practices, from upcycling plastic waste with Precious Plastic to building communal spaces with recycled materials. Her work embodies a bold reimagination of how humans can live, eat, and connect within nature. In this inspiring episode, Rita shares the journey of Project Kamp and her insights on sustainable living, including: The spark behind Project Kamp and its mission to rethink modern living The challenges and triumphs of transforming raw land into a sustainable community How Project Kamp's connection to Precious Plastic drives innovative plastic recycling Lessons on sustainable food systems, community cooperation, and living closer to nature A vision for a future where humanity thrives in balance with the environment This conversation is a must-listen for anyone curious about sustainable living, community-driven innovation, and the power of collective action to reshape our world.

We hear the terms "Editorial" and "Documentary" style thrown around a lot but what the heck does this mean and which style is right for you? I dunno. Here's a podcast about it. 

Our two new books... STORY QUESTIONS is currently 10% off! - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd 0:00 - If Movies Last Forever Why Is Hollywood Dying? 14:00 - Real Advice For Anyone Who Wants To Make A Movie 24:55 - Why I Made A Tubi Movie 37:02 - Why I Can't Make Short Films 48:03 - If You Are Feeling No Progress With Your Art, This Is What Worked For Me 58:09 - Why Don't More Storytellers Break The Rules 1:07:39 - Hollywood Is Sitting On A Goldmine... And They Aren't Doing Anything About It Jason Park is an accomplished Director, Producer, Writer, Actor, and Cinematographer. Living in Atlanta, GA with a background in both acting and narrative filmmaking. Jason was raised on the Big Island of Hawai'i. After finishing high school, he moved to Los Angeles California, where he found his passion for videography, acting, and filmmaking. He began booking commercials and print work for companies like Apple, Samsung, McDonald's, Subway, and the list goes on. He's been in films with actors such as Brittany Snow (Pitch Perfect), Ross Butler (Shazam) Christian Serratos (Selena), David Oyelowo (Gringo), and Evan Ross (The Hunger Games). After appearing in films, commercials, and print campaigns. The actor decided to passionately work on breaking barriers for Asian-American actors, directors, writers, and creators in American Cinema. Leading him to create films with Asian leads in non Asian stereotypical roles. CONNECT WITH JASON PARK https://hypatude.com https://www.imdb.com/name/nm2949515 CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage https://www.instagram.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 PERSONALLY SPONSOR FILM COURAGE https://ko-fi.com/filmcourage SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) SCRIVENER FREE TRIAL https://tinyurl.com/43uuumc6 ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Jabari Canada brings an architect's eye and a documentarian's heart to the Visual Intonation Podcast. Studying at MIT by day and telling human stories through a lens by night, Canada traces his path from interning for Congressman Elijah Cummings to filming JPEGMAFIA for MoMA PS1. His work spans political campaigns, Les Blank, experimental art, and commercial sets, but always returns to one core principle: people over policy, and the stories they carry.In this conversation, Canada talks about burning out in the commercial industry, reigniting his creative drive on the campaign trail, and the intimacy that cinematography makes possible. You'll hear how Canada moves between shooting for Nike and filming in America's most polluted zip code without losing his grounding or his voice. For Canada, the medium isn't the message—it's the bridge.Social media plays both tool and obstacle in his work. Canada reflects on how algorithms silence the voices of those most affected by injustice and how, as a filmmaker, he codes his visuals to bypass digital gatekeepers. In a world where rage and virality often win, he chooses intention, care, and community. This episode digs into how digital platforms shape political reality, and how we might reclaim that narrative frame by frame.From riding a lift with Cai Guo-Qiang in a Frank Gehry–renovated barn to filming grassroots voters in Flint, Michigan, Canada's practice is shaped by proximity and trust. Whether teaching at MIT, DP'ing a queer skateboarding documentary, or simply sitting with someone long enough for them to feel seen, Canada doesn't just record life. He lives in it—and brings us closer to the truth along the way.Jabari Canada's Website: https://www.jabaricanada.comJabari Canada's Instagram: https://www.instagram.com/jabari.movSupport the showVisual Intonation Website: https://www.visualintonations.com/Visual Intonation Instagram: https://www.instagram.com/visualintonation/Vante Gregory's Website: vantegregory.comVante Gregory's Instagram: https://www.instagram.com/directedbyvante/ To support me on Patreon (thank you): patreon.com/visualintonations Tiktok: www.tiktok.com/@visualintonation Tiktok: www.tiktok.com/@directedbyvante

This week we've got the incredible Robert McLachlan, ASC CSC on the program to talk about shooting the Paramount+ show Landman!Robert's work includes Game of Thrones, Final Destination, Ray Donovan, Lovecraft Country, Westworld, and one of my cult favorites, The One with Jet Li!Enjoy!► ⁠⁠⁠⁠⁠⁠⁠⁠⁠F&R Online ⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠Support F&R⁠⁠⁠⁠⁠⁠⁠⁠⁠► ⁠⁠⁠⁠⁠⁠⁠⁠⁠Watch on YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠ Produced by Kenny McMillan► ⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠ ► ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠

Jimmy Lick of Second Society come son to discuss what drove him to start his all-in-one booking platform for hiring shooters, Second Society, how to get hired for great gigs as a 2nd shooter, and the interesting economy around hiring shooters at wedding in 2025. 

Running a tight, emotionally grounded procedural is no small feat — especially when you're steering a beloved franchise into new territory. On this week's Below the Line, Skid sits down with Director Patrick Cady, 1st Assistant Director/Producer Trey Batchelor, Cinematographer Jason Andrew, and Gaffer Derrick Kolus to go behind the scenes of Bosch: Legacy, the three-season Amazon series that extended the universe of Michael Connelly's iconic detective — and pushed the crew into new creative and logistical territory. We cover: How Bosch: Legacy balanced a fresh tone with the DNA of the original series The shift to a 5-act structure, network oversight, and more “advertiser-friendly” creative mandates How tight prep schedules, minimal standing sets, and constant location moves shaped every department's workflow Jason's transition from Key Grip to Cinematographer, and how his background informed his pacing and shot planning The challenges of lighting on the move — and how Derrick's rigging strategy kept the crew ahead of schedule Trey's insight into cast performances, unexpected rewrites, and what it really means to “make the day” Keeping continuity between DPs and episodes while balancing stylistic differences The collaborative bond this crew built across 10+ years and two Bosch series Along the way, they reflect on the show's emotional arc, where it fits within the Bosch universe, and how Bosch: Legacy became a proving ground for tight collaboration, creative flexibility, and below-the-line excellence.

Stephen Murphy is a cinematographer known for his work on MR. & MRS. SMITH, ATLANTA, and HEART EYES. In 2025, Murphy received a BAFTA TV Craft nomination for Photography & Lighting in Fiction for the mini-series SAY NOTHING, as well as a nomination for Best Cinematography from the Irish Film and Television Awards for the same project. He currently presides on the Board of Governors for the British Society of Cinematographers and is the former president of the Irish Society of Cinematographers. In this interview, we talk about prep vs. spontaneity in cinematography, how he got involved in ATLANTA and MR. & MRS. SMITH, changes in the industry, and much more! Want more? Steal my first book, INK BY THE BARREL - SECRETS FROM PROLIFIC WRITERS, right now for free. Simply head over to www.brockswinson.com to get your free digital download and audiobook. If you find value in the book, please share it with a friend as we're giving away 100,000 copies this year. It's based on over 400 interviews here at Creative Principles. Enjoy! If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts? It only takes about 60 seconds, and it really helps convince some of the hard-to-get guests to sit down and have a chat (simply scroll to the bottom of your iTunes Podcast app and click “Write Review"). Enjoy the show!

Discussing the 1949 adaptation of The Fountainhead from director King Vidor and written by Ayn Rand. If you would like to pick our next movie for the show, join us in the Listener Sponsored tier. Michael Louis Hassiepen is a Director, Producer, Musician, Actor, Podcast Host, Editor, and Cinematographer from Bear, Delaware. Hosted on Acast. See acast.com/privacy for more information.

Alex Zakrzewski and Dave Thompson discuss their experiences shooting Homicide: Life on the Street, from improvisational camerawork to behind-the-scenes tensions, offering insight into the show's groundbreaking style, collaborative culture, and the unique challenges of creating vérité-style television drama. Connect with us on Social Media BlueSky https://bsky.app/profile/homicidepod.bsky.social Instagram https://www.instagram.com/homicidepod/ Threads https://www.threads.net/@homicidepod X https://twitter.com/homicidepod The Podcast is also available on YouTube https://www.youtube.com/@HomicideLifeOnTheSet Music for the podcast by Andrew R. Bird Graphics by Luna Raphael Edited and Produced by Films & Podcast LTD

In this episode, I speak with filmmaker Rachel Mason about her documentary Last Take*: Rust and the Story of Halyna*, which explores the death of cinematographer Halyna Hutchins on the set of Rust. On October 21, 20221, Alec Badwin, who starred in the film, pulled the trigger on a gun he thought was not loaded, killing Halyna and injuring director Joel Souza. Through the lens of grief, media spectacle, and justice. Rachel, a close friend of Halyna's, offers an intimate perspective on the aftermath of the incident and how it was experienced by those who knew Halyna beyond the headlines. We also talk about Rachel's recent docuseries, An Update on Our Family, which investigates the world of family vlogging on YouTube—particularly the story of Myka and James Stauffer, whose decision to rehome their adopted son sparked public outrage and raised ethical questions about online parenting content. Toward the end of our conversation, Rachel talks about her next project, a collaborative effort to unravel a legendary unsolved murder case in Los Angeles. It's a wide-ranging and thought-provoking conversation that touches on art, ethics, personal loss, and the complexities of telling true stories in a digital age. I hope you enjoy it as much as I did. GUEST BIO Rachel Mason is a Los Angeles-based filmmaker. She received an Emmy Nomination for her Netflix Original Documentary Circus of Books, based on her biographical telling of growing up the child of owners of an adult bookstore that was a fixture of the gay community during the height of the AIDS era. In 2025 a series Mason directed called “An Update on Our Family” was released on HBO MAX and has been cited in legal arguments proposing legislation changes regarding children on the internet. Following that, Hulu released the authorized documentary about her friend Halyna Hutchins death on the Alec Baldwin film Rust. She is currently completing a documentary about the murder of a young gay man in 1990 named Billy London, which was until 2022 a cold case. The film is being made independently and has been a volunteer effort from the community, who helped to solve the crime. Last Take: Rust and the Story of Halyna- Hulu An Update on Our Family- HBO Max Circus of Books- Netflix Want to hear the whole conversation? Upgrade your subscription here. HOUSEKEEPING

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto