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Uma artista a falar das suas paixões, uma poeta a falar de arte. Quem conhece a Sónia enquanto leitora? Que boa conversa, cheia de entrega, pedaços de livros e óptimas recomendações de leitura.Os livros que a também actriz escolheu:Contos completos, Lydia Davis;O acto criativo, um modo de ser, Rick Rubin;A Papoila e o Monge, do José Tolentino Mendonça;Apenas Miúdos, da Patti Smith.Outras referências:Paulo Leminski;Fernando Pessoa;Cartas a um jovem poeta, Rilke.A colecção de poesia que a Sónia está a traduzir:Pieces of a song, Diane di Prima.Os livros que escreveu (Editora Mercúrio Ondulado):Constelação;Rosa.O que recomendei:Trevo, Amalia Bautista.O que ofereci:Vidro, ironia e Deus, Anne Carson.Os livros aqui:www.wook.pt
Escritora estadounidense, conocida por sus relatos extremadamente cortos en los que suele abordar temas cotidianos, aparentemente sencillos e irrelevantes, pero que, gracias a su ingenio y habilidad para captar emociones, logra darles una original y desconcertante profundidad. Hemos puesto voz a diez de estos breves relatos que aparecen en sus ‘Cuentos completos’ (Seix Barral). CRÉDITOS (Título/voz): 1. La madre / Lola Orti 2. El otro / Ika Ventura 3. Afinidad / Mingo España 4. El honor del subjuntivo / Manuel Alcaine 5. El Momento más feliz / José Luis Hernández 6. Un trabajo en la Universidad / María José Sampietro 7. Desde abajo, como vecina / Elena Parra 8. Idea para un cortoLydia documental / Manuel Alcaine Montaje y ambientación musical: Manuel Alcaine (IA-UDIO)
In the spotlight is Ran Walker, short fiction proponent and the author of more than 35 books, ranging from novellas, short stories and flash fiction to micro-fiction and poetry. Walker worked in magazine publishing and practiced law in Mississippi before fully committing himself to fiction writing. He is also at work on various short movie projects, with an eye toward films around one minute in length. Walker is also an associate professor of English and creative writing at Hampton University and teaches with Writer's Digest University. We discuss: >> Moving from novels to short fiction >> Flash fiction compared with micro-fiction >> Giving oneself the gift of time >> Growing up with books >> Micro-cinema >> Career turning points >> Lydia Davis >> Miles Davis >> Etc. Learn more about Ran Walker here: https://www.ranwalker.com Novelist Spotlight is produced and hosted by Mike Consol. Check out his novels here: https://snip.ly/yz18no Write to Mike Consol at novelistspotlight@gmail.com
Weihnachtszeit heißt: kaum Zeit zu lesen. Deshalb gibt es in den Literaturagenten heute u.a. Literatur in hohen Dosen: Bücher mit kurzen Texten, die es umso mehr in sich haben, wie die „Mikroromane“ von Christoph Ransmayr, die unnachahmlichen Kurztexte von Lydia Davis und das „Winterbuch der Liebe“ von Dora Kaprálová.
Kitsch oder nicht? Cornelia Geißler, Gregor Dotzauer und Klaus Nüchtern diskutierten vier auf der SWR Bestenliste im Dezember verzeichneten Werke im barocken Schießhaus in Heilbronn. Vor allem das erstplatzierte Prosawerk von Tezer Özlü gab Anlass für grundlegende Diskussionen. Die Anfang der 1980er Jahre geschriebene und jetzt wiederentdeckte „Suche auf den Spuren eines Selbstmordes“ führte zur Frage, ob der Text unter Kitsch zu subsumieren sei. Vor allem der aus Wien angereiste Literaturkritiker des Wiener Magazins Falter Klaus Nüchtern mokierte sich über Sachfehler und missglückte Formulierungen der „pathetischen und egozentrischen Prosa“. Gregor Dotzauer, Literaturredakteur des Tagesspiegel, verteidigte den hohen Ton und die existentielle Dringlichkeit der Prosa. Cornelia Geißler, Literaturredakteurin der Berliner Zeitung, erinnert an den biografischen Hintergrund des Buchs, an die Gewalterfahrungen und Todessehnsucht der Autorin, denen beglückende Lektüren und nahezu therapeutische Sex-Szenen gegenübergestellt werden. Die 1943 in Anatolien geborene Übersetzerin und Schriftstellerin Tezer Özlü gehörte in den 1980er Jahren zu den wichtigsten Vertreterinnen junger Literatur in der Türkei. Obwohl sie auch in Deutschland gelebt hat, ist sie hierzulande weitgehend unbekannt geblieben. Özlüs „Suche nach den Spuren eines Selbstmordes“ erscheint hierzulande zum ersten Mal, obwohl das Buch auf Deutsch verfasst und mit einem Literaturpreis ausgezeichnet wurde. Die Autorin reist nicht nur zu den Schauplätzen ihrer literarischen Heroen wie Kafka, Svevo und Pavese, sie erkundet in einer „apodiktischen Sprache“ (Nüchtern) auch eigene Sehnsüchte, Träume und Wünsche. Das Buch entwickelt sich damit zu einer literarischen Feier der „unbedingten Rebellion“ (Dotzauer). Auf dem Programm in Heilbronn standen außerdem: mit „Unser Ole“ der neue Roman von Katja Lange-Müller (Platz 2), die Prosaminiaturen “Unsere Fremden“ von Lydia Davis (Platz 3) sowie der aus dem Russischen von Olga Radetzkaja übertragene Roman „Der Ansprung“ von Maria Stepanova (Platz 4). Aus den vier Büchern lasen Isabelle Demey und Dominik Eisele. Durch den Abend führte Carsten Otte.
Davis ist ein Star der Short Story. Ihre Texte sind streng durchgearbeitet, formbewusst und radikal reduziert. 147 Stories komprimiert sie auf 300 Seiten. Ihr Blick für die Paradoxien des Alltags und auch für deren Komik ist frappierend.
This episode is *giving* millennial
En la Barra Libre de hoy Aloma Rodríguez nos sirve un coctel gustosísimo. 'Esa gente que no conocemos' de Lydia Davis. Esta colección de relatos breves que tratan la cotidianidad y el día a día se convierte en un universo donde cada conversación en un mundo a descubrir. Escuchar audio
Escritora de não-ficção que se estreou em ficção com o romance Teoria das Catástrofes Elementares (e não “Alimentares”... quem ouvir perceberá), que recebeu uma Menção Honrosa do Prémio Literário Alves Redol. Inspirada no papel e na conversa, fica aqui o convite para ouvirem este episódio com a Rita. Os livros que a tradutora e escritora escolheu: A Gorda, Isabela Figueiredo; A Importância do Pequeno-Almoço, Francisca Camelo; A Noite e o Riso, Nuno Bragança; Dano e Virtude, Ivone Mendes da Silva (editora Língua morta) Outras referências: Manual para mulheres de limpeza, Lucia Berlin; Contos completos, Lydia Davis; Cadernos de memórias coloniais, Isabela Figueiredo; O retorno, Dulce Maria Cardoso; Obra completa, Nuno Bragança; Poesia de André Tecedeiro. Alguns dos livros que escreveu: A Nuvem (Ilustrações de João Fazenda); Viver da Morte; Teoria das Catástrofes Elementares. Recomendei: A poesia de Cláudia Sampaio. O que ia oferecer mas já tinha: Ana Hatherly, Tisanas; André Tecedeiro, A axila de Egon Schiele. O que acabei por oferecer: “Uma mulher aparentemente viva”, Cláudia Sampaio. O podcast que referiu: Between the covers, David Nainom. Os livros aqui: www.wook.pt
Emily is back in Connecticut, which means she and Chris were able to record this episode together at Book Cougars HQ. We are grateful for long-distance recording technology, but talking about books in person is much more fun! Our special guest is Michael Kelleher, Director of the Windham Campbell Prizes. Mike explains that these awards are given to writers, not for a particular book, but in four categories: fiction, nonfiction, poetry, and playwriting. This year's festival dates are September 17-20 at Yale in New Haven, CT. If you can't make it to Connecticut, some events, like Lydia Davis's keynote and the awards ceremony, will be live-streamed (links in the show notes). The books and stories we read since the last episode include: Envy by Sandra Brown Just for the Summer by Abby Jimenez The Truth's We Hold: An American Story by Kamala Harris Mrs. Saint and the Defectives by Julie Lawson Timmer Big by Vashti Harrison “Disaster Stamps of Pluto” by Louise Erdrich from the collection The Best American Mystery Stories 2005 edited by Joyce Carol Oates and Otto Penzler “Double Birthday” by Willa Cather in The Best American Short Stories of the Century edited by John Updike As always, we also talk about what we're #CurrentlyReading, what we want to read, and Biblio Adventures. We hope you enjoy this episode as much as we enjoyed recording it. Happy Listening and Reading!
Rüdenauer, Ulrich www.deutschlandfunk.de, Büchermarkt
Fuhrig, Dirk www.deutschlandfunk.de, Büchermarkt
Reichart, Manuela www.deutschlandfunkkultur.de, Lesart
Reichart, Manuela www.deutschlandfunkkultur.de, Lesart
Lesart - das Literaturmagazin (ganze Sendung) - Deutschlandfunk Kultur
Reichart, Manuela www.deutschlandfunkkultur.de, Lesart
In this episode, Elizabeth, Hannah, and Steven are thinking about prose poems -- how do they differ from other short forms, like flash fiction or the micro-essay? Poets discussed include Baudelaire, Lydia Davis, Ross Gay, Joe Brainard, Russell Edson, Harryette Mullen, and more. Please take our survey here (https://www.surveymonkey.com/r/Poetry2024).
On today’s program, I am talking with Kerrie Willis, Andy Dahl, Cindy Chavez, Sarah Dawson, and Lydia Davis to get an update on PLANT Washington Orchard and Community Garden.
Today Spencer Ruchti of Third Place Books joins to chat about The Tanners by Robert Walser, translated by Susan Bernofsky. We actually recorded this back in November and are glad to get it out into the world. Early on Spencer dips out momentarily due to an alarm in the store, but all ended up being right with the world. At least in that instant.This is another wide-ranging chat as we dig into The Tanners and Walser's writing. Some notable—perhaps random, perhaps not—topics that came up: hiking, firefighters, Full House, and lucid dreaming.Lastly, Spencer is one of the founders of a newer literary prize, the Cercador Prize, which selected its first winner, Of Cattle and Men from Charco Press, back in the Fall. Do check them out and follow along as they get moving on the second year of the prize!Titles/authors mentioned:Of Cattle and Men by Ana Paula Maia, translated by Zoë PerryGirlfriends, Ghosts, and Other Stories by Robert Walser, translated by Tom Whalen, with Nicole Köngeter and Annette WiesnerLooking at Pictures by Robert Walser, translated by Susan Bernofsky, Lydia Davis, and Christopher MiddletonBuddenbrooks by Thomas MannClairvoyant of the Small: The Life of Robert Walker by Susan BernofskyBarry LopezAlexander von HumboldtHeinrich von KleistWalks with Walser by Carl Seelig, translated by Anne PostenSeptology by Jon Fosse, translated by Damion SearlsErik SatieWG SebaldThe Village on Horseback by Jesse BallTo hear more from Spencer follow him on Instagram: @spenruch and follow the Cercador Prize on Instagram, too: @cercadorprizeClick here to subscribe to our Substack and find us on the socials: @lostinredonda just about everywhere.Music: “The Low Spark of High-Heeled Boys” by TrafficLogo design: Flynn Kidz Designs
NO READING REQUIRED! Kimberly lays out a very persuasive argument for why reading is REALLY GOOD for you. Featuring wisdom from Virginia Woolf (and Maryanne Wolf), Jia Tolentino, Lydia Davis and Vladimir Nabokov, the lecture will give you all the rationale you need to read a LOT MORE THIS YEAR.
Popular author Lydia Davis decided that she no longer wanted her books sold on Amazon. So she tasked her agent with finding a publisher who could do this for her. Everyone said that it was impossible. But through a unique partnership between Microcosm and Bookshop.org, we found a way. And it wasn't even hard. This is how it turned out. Over 10,000 books sold in the first month and growing! ************Thank you for watching the People's Guide to Publishing vlogcast! Get the book: https://microcosmpublishing.com/catalog/books/3663Get the workbook: https://microcosmpublishing.com/catalog/zines/10031More from Microcosm: http://microcosmpublishing.comMore by Joe Biel: http://joebiel.netMore by Elly Blue: http://takingthelane.comSubscribe to our monthly email newsletter: https://confirmsubscription.com/h/r/0EABB2040D281C9CFind us on social mediaFacebook: http://facebook.com/microcosmpublishingTwitter: http://twitter.com/microcosmmmInstagram: http://instagram.com/microcosm_pub************
Lydia Davis has been called "one of the quiet giants in the world of American fiction." Her 2007 short story collection, Varieties of Disturbance, was a finalist for the National Book Award. Davis's newest title, Our Strangers, contains 144 short stories in 300 pages. Lydia Davis spoke to Eleanor Wachtel on stage at the Blue Metropolis International Literary Festival in Montreal. *This interview originally aired June 10, 2007.
'The writers that grab me these days are those who pull and push not only at the limits of language but at those of form. 'The writers that grab me these days are those who pull and push not only at the limits of language but at those of form. Lydia Davis takes the already chameleon short story and whittles it down to single paragraphs, stacking sentences into collages.
Kate Wolf speaks to author and translator Lydia Davis about her latest collection of stories, Our Strangers. The book, which is notably not available for sale on Amazon, includes well over 100 stories, with many measuring at just a few lines. The stories take a variety forms: sketches of interactions from daily life, letters of complaint, recorded anecdotes, sequential interludes, grammatical inquires, meditations on passing thoughts and fantasies, as well as more sustained looks at life in a small country town and the intimacies we share with neighbors. Davis returns to abiding themes of aging, friendship, illness, death, mutual care, melancholy, nature, and the life of women with singular insight, humor, rigor, and an ever-present curiosity. Also, Hilary Leichter, author of Terrace Story, returns to recommend Worry: A Novel by Alexandra Tanner.
Kate Wolf speaks to author and translator Lydia Davis about her latest collection of stories, Our Strangers. The book, which is notably not available for sale on Amazon, includes well over 100 stories, with many measuring at just a few lines. The stories take a variety forms: sketches of interactions from daily life, letters of complaint, recorded anecdotes, sequential interludes, grammatical inquires, meditations on passing thoughts and fantasies, as well as more sustained looks at life in a small country town and the intimacies we share with neighbors. Davis returns to abiding themes of aging, friendship, illness, death, mutual care, melancholy, nature, and the life of women with singular insight, humor, rigor, and an ever-present curiosity. Also, Hilary Leichter, author of Terrace Story, returns to recommend Worry: A Novel by Alexandra Tanner.
Lydia Davis knows that the small details that make up a life are fascinating. It's a matter of perspective.In "Our Strangers," Davis' seventh collection of fiction, peoples' lives intersect for brief moments on trains, in restaurants, and as neighbors. Conversations are overheard and misheard; a special delivery letter is mistaken for a rare white butterfly; toddlers learning to speak identify a ping pong ball as an egg; mumbled remarks become a series of moments of annoyance in a marriage.
Lydia Davis on the writing of Our Strangers.
Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry
Today's conversation with Lydia Davis about her latest story collection, Our Strangers, a collection of 143 stories, is a deep dive into storytelling. These stories, whether incredibly short or quite long, often eschew backstory, exposition, context, or psychological interiority. Sometimes they even comment on other stories within the collection, or revise themselves, becoming something else entirely. […] The post Lydia Davis : Our Strangers appeared first on Tin House.
How do we, as readers, detect new and emerging talent in writing? We can look at book sales or book prizes but young writers don't necessarily gain huge commercial success or awards early on in their careers. One list that has proved almost oracular in the last 40 years has been established by the venerable literary magazine Granta and that's the list of Best Young British Novelists. My guest today, Olivia Sudjic, is a young British writer, who was included on the latest lists published this year. She has now published two novels as well as an extended essay on the art & process of writing. Her first novel, “Sympathy” was published in 2017 and is a tale of obsession & connection in our ever-creeping technological age. This was followed by “Exposure”, an essay published in 2018, which allowed her to look back and reflect on this momentous step of writing and how that had impacted her. It was a great look into the mindset, approach and perception of a young female writer in today's world. This was then followed by another novel, “Asylum Road” in 2021, about the voyages of a young woman in the UK who is in a relationship on the brink. I was excited to speak to Olivia to learn about her journey as a writer, her inspirations, her voice and of course her recommendations. Books mentioned throughout the episode: Favourite book I've never heard of: “Confessions of a Justified Sinner”, by James Hogg. (1824) The best book Olivia read in the last 12 months: “My Phantoms” by Gwendoline Riley (2021) The book that she's embarrassed not to have read: “The Golden Notebook” by Doris Lessing (1962) The book that she would take to a desert island: “Super-Infinite” by Katherine Rundell (2022) The book that changed her mind: “The End of the Story” by Lydia Davis (1995) Find Olivia: Instagram: @olivia.sudjic Buy Asylum Road: https://amzn.eu/d/hiAKTJI Follow me @litwithcharles for more book reviews and recommendations!
Meg Wolitzer hands off to guest host Maulik Pancholy, who presents three stories about workers and the workplace—and "the daily grind." In a John Cheever classic, “Bayonne,” a busy waitress defends her territory. The reader is Mary Kay Place. The always succinct Lydia Davis gives us “Alvin the Typesetter,” in which a bohemian artist battles job conformity. The late David Rakoff performs. And in “OBF, Inc." by Bernice L. McFadden, an interviewee at a hip start-up learns about a secret organization that sells cultural capital. It's performed by Teagle F. Bougere.
100! Topics: 100 episodes, The National at Bearsville Theatre, Tinker Street Tavern, Bread Alone, The Mud Club, Best Pizza in New Paltz, I Get Wild at Littlefield 3/10, The Zolephants, Oliver 10th birthday, Titanic party, out of town guests, Orphan Guitars, Black Gold, Bar Great Harry, Ruthie's, Barely Disfigured, Brooklyn Social, non-alcoholic beer, 1973 Dead, Essays 1 by Lydia Davis, Screaming on the Inside by Jessica Grose, The Shortest History of the Soviet Union by Sheila Fitzpatrick.
继续回顾去年的阅读,本期聊一些女性作家的非虚构作品和与写作本身相关的写作,包括散文集、日记书信和传记回忆录。 Female writers writing about writing. :) 提到的书: Melissa Febos, Abandon Me (2:08) Virginia Woolf, A Writer's Diary (14:04) Virginia Woolf and Vita Sackville-West, Love Letters: Vita and Virginia (22:47) Nigel Nicolson, Portrait of a Marriage (26:25) Lydia Davis, Essay Two (30:50) Susan Sontag, Reborn: Journals and Notebooks, 1947-1963 (41:45) Ray Chow, Not Like a Native Speaker (46:48) Yiyun Li, Dear Friend, from My Life I Write to You in Your Life (48:47) --- Send in a voice message: https://anchor.fm/GFtherapy/message
Dins del programa "Els viatgers de la Gran Anaconda", amb Toni Arbon
Dins del programa "Els viatgers de la Gran Anaconda", amb Toni Arbon
Dins del programa "Els viatgers de la Gran Anaconda", amb Toni Arbon
Portraits of real people abound in books. There are novels that use transcribed conversations, like Sheila Heti's How Should A Person Be, or fiction based on historical or even living people, like Curtis Sittenfield's Rodham. Our guest this month is the writer Kathryn Scanlan who joined us from the States to talk about her riveting new novel, Kick the Latch, which is based upon a series of conversations that Kathryn had with a woman named Sonia about her joyful and brutal life as a trainer for racehorses. Lydia Davis called Kick the Latch a “magical act of empathic ventriloquy”, and this show is about literature that engages in similar ways with the lives of others. We'll be getting into things like the ethics of writing from another life in fiction, the art of biography, and our favourite literary portraits, plus all our usual reading recommendations. Recommendations on the theme, The Lives of Others: Octavia: Lincoln in the Bardo by George Saunders Carrie: Ragtime by E.L. Doctorow General recommendations: Octavia: Avalon by Nell Zink Kathryn: Guston in Time: Remembering Philip Guston by Ross Feld Carrie: Foster by Claire Keegan Find a list of all recommended books at: https://uk.bookshop.org/lists/jan-2023-the-lives-of-others-with-kathryn-scanlan Support us on Patreon: https://www.patreon.com/litfriction Email us: litfriction@gmail.com Tweet us & find us on Instagram: @litfriction
¿Cuánto hace que no trastocan lo que ven y lo que piensan? ¿Suelen sentir que prefieren su imagen mental que la real? Lydia Davis es una autora estadounidense conocida, entre otros escritos, por sus microrrelatos. Como tenía ganas de leerles algo suyo se me ocurrió ir por el texto conformado por 15 ocasiones en las que la narradora intervalos de extrañeza que interrumpen la linealidad de la vida. Puede ser que (¡eureka!) sientan muy confuso lo que les comparto, pero verán cómo toma forma una vez que escuchan (leen) el texto. +++++++++++++++++++++++++++ 📚 Qué es POR QUÉ LEER Por qué leer es un proyecto multiplataforma que promueve el placer por la lectura. La idea es contagiar las ganas de leer mediante recomendaciones, reseñas y debates. ¡Cada vez somos más! 📚 Sobre CECILIA BONA Soy periodista, productora y creadora de contenidos. Trabajé en radios como MITRE, VORTERIX y CLUB OCTUBRE. Amo leer desde pequeña, incentivada especialmente por mi mamá. En Por qué leer confluyen muchas de mis pasiones -la radio, la edición de video, la comunicación- y por eso digo que está hecho con muchísimo amor. ++++++++++++++++++++++++++++++++++ 💰 ¿Te gustaría patrocinar POR QUÉ LEER? 📙 PATREON: http://bit.ly/patreonporqueleerok (¡incluye recompensas!) 📙 MERCADO PAGO: Primer estante: https://mpago.la/1rk7hyY Pequeña biblioteca: https://mpago.la/1m4SFj7 Colección: https://mpago.la/2TE7pP4 Si escaneás el QR del video podés patrocinar por el monto que quieras. 📙 PayPal: https://paypal.me/porqueleerok
Del bolso de Inés Martín Rodrigo sacamos el 'Horas de invierno', de Mary Oliver, publicado por Errata Naturae, y 'El final de la historia', de Lydia Davis, publicado por Alpha Decay. Escuchar audio
En este episodio Tamara y Gino Cingolani conversan sobre una alternativa a las dating apps, una curiosa anécdota de la carrera espacial argentina y una de las autoras favoritas de Leila Guerriero.
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Lydia Davis is the author of Essays One, a collection of essays on writing, reading, art, memory, and the Bible. She is also the author of The End of the Story: A Novel and many story collections, including Varieties of Disturbance, a finalist for the 2007 National Book Award for Fiction; Can't and Won't (2014); and The Collected Stories of Lydia Davis, described by James Wood in The New Yorker as “a grand cumulative achievement.” Davis is also the acclaimed translator of Swann's Way and Madame Bovary, both awarded the French-American Foundation Translation Prize, and of many other works of literature. She has been named both a Chevalier and an Officier of the Order of Arts and Letters by the French government, and in 2020 she received the PEN/Malamud Award for Excellence in the Short Story.From https://us.macmillan.com/author/lydiadavis. For more information about Lydia Davis:The Cows: https://www.sarabandebooks.org/all-titles/the-cows-lydia-davis“Lydia Davis, The Art of Fiction No. 227”: https://www.theparisreview.org/interviews/6366/art-of-fiction-no-227-lydia-davis“Interview with Lydia Davis”: https://www.thewhitereview.org/feature/interview-with-lydia-davis/
di Matteo B. Bianchi | I primi ospiti di questa puntata di Copertina nella sua veste mensile sono Filippo Costantini e Elena Zuccaccia della libreria/polo culturale Pop Up di Perugia. Ma le storie più belle non sono sempre tra le pagine di un libro – fermi, prima di gridare all'eresia e cliccare “Unfollow” ascoltate la chiacchierata di Matteo con Claudia Landini e Giuliana Arena, curatrici della Libreria umana online di ExpatClic. Infine, per la nuovissima rubrica Esimio collega, l'autore, speaker radiofonico e podcaster Matteo Caccia ci consiglia un saggio rivoluzionario.Lista libri:OSSERVAZIONE SULLE FACCENDE DOMESTICHE di Lydia Davis, MondadoriLA SERA di Susan Mainot, PlaygroundUN'IDEA DI PARADISO di Joan Silber, 66 thand2ndFilippo Costantini Elena zuccaccia della libreria Pop up ci hanno consigliato:LE DIVORATRICI di Lara Williams, Blackie EdizioniCONTRO IL LAVORO, Giuseppe Rensi, Wom EdizioniClaudia Landini e Giuliana Arena curatrici della libreria umana on-line di Expat Click hanno consigliato:EUGENIA di Lionel Duroy, FaziMI SA CHE FUORI È PRIMAVERA di Concita De Gregorio, Feltrinelli.Infine il collega podcaster Matteo Caccia ci ha parlato del saggio rivoluzionario:L'ARTE DI RESPIRARE di James Nestor, Aboca
Pod45 has been on a short hiatus over the summer but we are delighted to be back and delighted to have you back with us. Today our discussion takes us to a cluster we published earlier in the summer, at the very end of June, on the writer and translator Lydia Davis. That cluster is edited by Julie Tanner and features, alongside a wonderful range of responses to Davis's work, previously unseen journal excerpts from Davis herself, which we were honoured to be given by Davis to publish. As Julie suggests in her introduction to the cluster, there is a seeming discrepancy between what we might call Davis's cult popularity and what remains a relative lack of scholarly attention paid to her. As Julie puts it, “Davis is strikingly singular, but it is perhaps the plurality of genres and modalities that repels categories, movements, and, often, syllabi.” Yet, to quote Julie again, “though a writers' writer to some, Davis is a readers' writer for us all.” That, I think, is what the discussion you're about to hear emphasizes most. For this discussion, Contemporaries co-editor Francisco Robles sat down with cluster editor Julie Tanner, alongside cluster contributors Jonathan Evans, Alice Blackhurst, and Lola Boorman. You can find the Lydia Davis cluster at post45.org/contemporaries now, and you can follow Contemporaries on Twitter at @AtPost45. If you enjoyed this episode, please subscribe on your podcast platform of choice, and if you'd like to leave us a positive rating and review that helps other people find the show.
I discuss Rosalind Miles's Who Cooked The Last Supper? A Women's History of the World. (I LOVED THIS BOOK), I also talk a bit about the who Bronte Sisters were, and the strange stories of Lydia Davis that are filled with symbolism. I perform some music by cool women. Prerecorded past midnight to be aired on my college's radio station on Thursday, this is a chill, late night discussion of awesome women writers. Hope you enjoy!
How does a poet see the world? How can we move past self doubt and keep writing after rejection? In this episode we talk to Anthony Anaxagorou about how his journaling practice helps him generate ideas for his work, what his editing process looks like, and why he might spend eight or nine hours working on a single poem. Anthony is candid about his experience of failure and rejection, shares why we should be wary of the temptations of ‘prize culture' (always seeking validation through the next prize), and why it's crucial to develop our own internal value system to sustain ourselves and our writing. He even reads us some of his poetry!*ABOUT ANTHONY ANAXAGOROUAnthony Anaxagorou is a British-born Cypriot poet, fiction writer, essayist, publisher and poetry educator. His second collection After the Formalities was shortlisted for the 2019 T.S Eliot Prize. He was awarded the 2019 H-100 Award for writing and publishing, and the 2015 Groucho Maverick Award for his poetry and fiction. He's the founder of one of London's leading poetry nights, Out-Spoken, and the independent publisher Out-Spoken Press.*SHOW NOTES[03:22] The experience of writing a book during the pandemic[04:41] Anthony talks about his uncle and how he influenced him as a writer[08:07] On failures and why it's important to ask yourself searching questions and see rejection as part of your job[11:48] What is prize culture and why does Anthony think it's dangerous?[14:06] Measuring success and creating your own value system[15:04] Anthony reads his poem, "Uber"[18:31] On being dissatisfied with his own work [21:53] On why he carrys a notebook with him all the time, and a writing habit he got from Lydia Davis[22:34] Anthony's morning writing exercise[24:15] Anthony talks about his writing process, including 7-8 hours of focusing on one poem[27:43] How do you stop feeling intimidated by the academic side of poetry?[31:32] Anthony reflects on what "pushing your writing as far as it can go" means to him[34:32] Anthony shares the exercises he gives to his students to help them in writing a poem[36:38] What is the loaf of bread analogy, and why is playing with timelines when you write essential?[37:40] Resolving the poem and the idea of leaving the reader with questions[39:15] How do you know when a poem is done? [43:33] On being in conversation with the reader and why the writer is only half the conversation[46:13] Anthony shares how he started his London-based Out-Spoken open mic nights [49:44] Anthony reads his poem, "After the Formalities"*QUOTES BY ANTHONY:“The more you read, the more you get a sense for how poems work. And it's literally just from reading and you get a sense of where things end and where is an interesting place to end. If you think along the lines of—if you think the word interesting as opposed to kind of definitive. Then it kind of—it swaps. I just want to be interesting on the page. I don't want to be correct. I don't want to be certain. I want to be interesting.”*RESOURCES:Connect with Anthony:Twitter: @Anthony1983Facebook: anthonyanaxWebsite: anthonyanaxagorou.com*Links from the show:After the Formalities by Anthony AnaxagorouHow To Write It by Anthony AnaxagorouSuppose a Sentence by Brian DillonUber by Anthony AnaxagorouAfter the Formalities by Anthony Anaxagorou*Authors/Poets mentioned:Don PatersonTa-Nehisi CoatesEmily DickinsonOcean VuongMatthew SweeneyJericho BrownFor show notes, transcripts and to attend our live podcasts visit: podcast.londonwriterssalon.comFor free writing sessions, join free Writers' Hours: writershour.com*FOLLOW LONDON WRITERS' SALONTwitter: twitter.com/WritersSalonInstagram: instagram.com/londonwriterssalonFacebook: facebook.com/LondonWritersSalon*CREDITSProduction by Victoria Spooner. Artwork by Emma Winterschladen
Gabriel Blackwell @gabeblackwell https://www.therupturemag.com http://www.gabrielblackwell.com https://www.thisissplice.co.uk By Doom Town Here : http://zerogrampress.com/2022/01/25/doom-town/ Gateway Books Mysteries of the Unknown Tales of the Cthulhu mythos - H.P. Lovecraft Grove / New Directions publishing Also mentioned - Against The World Against Life - Houellebecq Carte Blanche Authors Eliot Weinberger -Marie NDiaye Lawrence Weschler Garielle Lutz Brian Evenson Lydia Davis Current Reads / Looking forward Jon Fosse - Trilogy / Septology Dag Solstad Barbra Comyns - Sisters by a River American Stutter - Steve Erickson Top 10 The Manuscript Found in Saragossa - by Jan Potocki The Obscene Bird of Night - by José Donoso Gertrude Stein - The Autobiography of Alice B. Toklas The Castle - Kafka William Gaddis - JR Borges - Collected Fictions William. H. Gass - Omensetter's Luck The Piano Teacher - Elfriede Jelinek Flann O'Brian - The Third Policeman Proust - Swann's Way translated by Lydia Davis
Photo of Yanyi, taken by him In this episode I spoke with Yanyi about his new book, Dream of the Divided Field, and his newsletter, The Reading. Yanyi is the author of Dream of the Divided Field (One World Random House, 1 March 2022) and The Year of Blue Water (Yale University Press 2019), winner of the 2018 Yale Series of Younger Poets Prize. His work has been featured in or at NPR's All Things Considered, New York Public Library, Granta, and New England Review, and he is the recipient of fellowships from Asian American Writers' Workshop and Poets House. He holds an MFA in Poetry from New York University and was most recently poetry editor at Foundry. Currently, he teaches creative writing at large and gives writing advice at The Reading. Yanyi's website You can purchase Dream of the Divided Field here Yanyi's Twitter Yanyi's Instagram Various books, movies, podcasts, etc. mentioned in this episode: Algorithm crowd sounds Surviving R. Kelly docuseries Shakespeare's The Taming of the Shrew AI generated imagery @images_ai WOMBO Dream DALL-E Virgina Woolf's audio BBC interview When We Were Young Festival and its much parodied poster Black Mountain Poets Olson's "Projective Verse" manifesto, some explicit field talk Lydia Davis's "Hand" story (this is the whole story lol): "Beyond the hand holding this book that I'm reading, I see another hand lying idle and slightly out of focus — my extra hand." (more stories here) "The Cows" chapbook Yanyi's newsletter Letter on why he left Substack Yanyi at the Poetry Project discussing de las Rivas's "Black Sun" and fascist dogwhistling in contemporary poetry Ghost, the platform Yanyi uses to now send his newsletters bell hooks's Teaching to Transgress full PDF Tell Them Anything You Want: A Portrait of Maurice Sendak documentary Laura Engels Wilder's Little House on the Prairie series FEELING ASIAN podcast episodes: An Evening With Two Asian Therapists (feat. Peter Adams, Ph.D and Melissa Yao, Ph.D) Asian Seeking Asian (therapists) Editor and Social Media Manager: Mitchel Davidovitz Host and Producer: Avren Keating Sound of Waves Breaking: Sounds from this video of Merlin, my sweet 5-year-old Frenchie that died of a brain tumor in the time between recording and editing this episode. I love you, little bubs.
James Runcie discusses with Ivan six things which should be better known. James Runcie is an award-winning film-maker, playwright and literary curator. He is the author of twelve novels that have been translated into twelve languages, including the seven books in the Grantchester Mysteries series. He has been Artistic Director of the Bath Literature Festival, Head of Literature and Spoken Word at the Southbank Centre, London, and Commissioning Editor for Arts on BBC Radio 4. He is a Fellow of the Royal Society of Literature. He lives in Scotland and London. For more information on his latest novel, The Great Passion, please see https://www.bloomsbury.com/uk/great-passion-9781408885512/. Bach's Cantata 22 https://www.youtube.com/watch?v=xcflikYLk1w Ladi Kwali ceramics https://www.oxfordceramics.com/artists/107-ladi-kwali/overview/ Lydia Davis' short stories https://www.nybooks.com/articles/2010/04/29/horse-sense-heartache/ The Lacemaker https://www.rogerebert.com/reviews/the-lacemaker-1978 The Photos by The Photos https://www.allmusic.com/album/the-photos-mw0000495183 Fernet Branca https://spiritsreview.com/reviews/fernet-branca/ This podcast is powered by ZenCast.fm
Subscribe to Quotomania on Simplecast or search for Quotomania on your favorite podcast app!Lydia Davis is the author of Essays One, a collection of essays on writing, reading, art, memory, and the Bible. She is also the author of The End of the Story: A Novel and many story collections, including Varieties of Disturbance, a finalist for the 2007 National Book Award for Fiction; Can't and Won't (2014); and The Collected Stories of Lydia Davis, described by James Wood in The New Yorker as “a grand cumulative achievement.” Davis is also the acclaimed translator of Swann's Way and Madame Bovary, both awarded the French-American Foundation Translation Prize, and of many other works of literature. She has been named both a Chevalier and an Officier of the Order of Arts and Letters by the French government, and in 2020 she received the PEN/Malamud Award for Excellence in the Short Story.From https://us.macmillan.com/author/lydiadavis. For more information about Lydia Davis:“Lydia Davis, The Art of Fiction No. 227”: https://www.theparisreview.org/interviews/6366/art-of-fiction-no-227-lydia-davis“An Interview with Lydia Davis”: https://believermag.com/an-interview-with-lydia-davis/Varieties of Disturbance: https://us.macmillan.com/books/9780374281731/varietiesofdisturbance
A prolific translator, author, and former professor of creative writing, Lydia Davis's motivation for her life's work is jarringly simple: she just loves language. She loves short, sparkling sentences. She loves that in English we have Anglo-Saxon words like “underground” or Latinate alternatives like “subterranean.” She loves reading books in foreign languages, discovering not only their content but a different culture and a different history at the same time. Despite describing her creative process as “chaotic” and herself as “not ambitious,” she is among America's best-known short story writers and a celebrated essayist. Lydia joined Tyler to discuss how the form of short stories shapes their content, how to persuade an ant to leave your house, the difference between poetry and very short stories, Proust's underrated sense of humor, why she likes Proust despite being averse to long books, the appeal of Josep Pla's The Gray Notebook, why Proust is funnier in French or German than in English, the hidden wit of Franz Kafka, the economics of poorly translated film subtitles, her love of Velázquez and early Flemish landscape paintings, how Bach and Schubert captured her early imagination, why she doesn't like the Harry Potter novels—but appreciates their effects on young readers, whether she'll ever publish her diaries, how her work has evolved over time, how to spot talent in a young writer, her method (or lack thereof) for teaching writing, what she learned about words that begin with “wr,” how her translations of Proust and Flaubert differ from others, what she's most interested in translating now, what we can expect from her next, and more. Check out Ideas of India. Subscribe to Ideas of India on your favorite podcast app. Visit our website Email: cowenconvos@mercatus.gmu.edu Follow us on Twitter Follow us on Instagram Follow Tyler on Twitter Like us on Facebook Subscribe to our Newsletter: https://go.mercatus.org/l/278272/2017-09-19/g4ms
Mary and Wyatt settle in for a long and winding chat about childhood. They talk about the incredible wonders of language acquisition and psychological development, then get into the nitty gritty of cycles of trauma. Also on the agenda: bacon used as bandaids, Wyatt learns how to use sound effects, and poems by Sam Sax and Lydia Davis.