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As we celebrate JUNETEENTH, we must understand how Folklore and the Blues Narrative relate to this celebration. In this episode, I will discuss the celebration, what the celebration is actually about, and its connection to and significance of African American Folklore and traditional Black Music. Juneteenth should always be mentioned with “African American Traditional Music and Folklore!” Juneteenth is the celebration of the releasing of the last remaining slaves after the emancipation proclamation and civil war. In 1865, June 19 Union soldiers led by Major General Gordon Granger shared the news that the war is over and the slaves were now free, in Galveston, Texas. Ironically, this freedom came after the actual date of 1863, when Lincoln made his declaration. Though, the first documented celebration of emancipation dates back to March 2, 1807, when Congress passed a bill to halt the importation of “slaves” into the United States, effective January 1, 1808, which prompted Absalom Jones, a pastor at St. Thomas's African Episcopal Church in Philadelphia to call for a special commemoration of the ban. “Let January 1, the day of the abolition of the slave trade in our country, be set apart every year, as a day of public thanksgiving for that mercy,” he declared. The 1808 ban fueled annual public observances, primarily religious gatherings in northern cities such as New York, Boston, and Philadelphia, called Emancipation Day. Though the initial celebration of January 1, 1808, was the first recording of Emancipation Day, June 19 then took on the name Emancipation Day, as well as Jubilee Day, now known as Juneteenth. In 1866, during the first celebration of “Jubilee Day” aka Juneteenth, newly freed African Americans sang Black Spirituals such as “Go Down Moses,” and “Many Thousands Gone.” In resemblance to Independence Day, they released a barrage of fireworks. The fact is, Texas was the last to free the slaves... Read More Here: Get Merch here: --- Send in a voice message: https://podcasters.spotify.com/pod/show/jackdappabluesradio/message
With Passover upon us, we start off talking about Quad-A semi-legend OF John "Go Down" Moses. We then honor disabilities activist Eli Wolff, who helped MLB do the right thing by changing the name of the "DL" to the "IL" for injured players. Turns out Wolff's middle name was "Abarbanel," inspiring a dive into 15th century Rabbi Don Isaac Abarbanel and Torquemada, the Inquisition's Grand Inquisitor. Then, we get hungry thinking about the 1984 Summer Olympics and McDonald's "Scratch and Win" game and we finish with a story of redemption, eBay, and a Garrison Hearst 1998 Bowman's Best Atomic Refractor.
Hey, y'all! Welcome to the Gary Church Podcast . . . from Gary Church, here in Wheaton, IL. We would love to have you worship with us! You may find more information about our next worship service at www.garychurch.org. This is the scripture and message from February 11, 2024- "There's A Stirrin' In The Water"! Our scripture is read by Rev. Steve Conger (00:05) and the message is brought by the Festival Choir (Gary United Methodist Church Chancel Choir and 1st Presbyterian Church Wheaton Choirs, and members of the community) and entitled "There's A Stirrin' in the Water" (01:46). At Gary Church our mission through Christ is to grow in joyful faith and serve all in love! John 5:1-9Revised Common Lectionary"There's a Stirrin' in the Water"a celebration of African American spiritualsby Charles Myricks, Jr. and Jesse AyersFestival Choir and OrchestraDr. Alonza Lawrence, baritoneJennifer Whiting, conductorFeaturing African American spiritualsSteal AwaySometimes I Feel like a Motherless ChildDeep RiverGod's Gonna Set This World on FireI Am Determined to Walk with JesusAin't Got Time to DieInstrumental quotations:Go Down Moses, Keep Your Hand on the Plow, Give Me Jesus,and Symphony No. 9, From the New World, Antonin Dvorak
Today, we continue celebrating Black history and heritage with a special encore episode honoring an often forgotten civil rights leader. We take a look at the life and legacy of Bayard Rustin, a central figure in and the organizer of the 1963 March on Washington. Rustin was a trusted advisor to labor leader A. Phillip Randolph and Dr. Martin Luther King, Jr. Rustin's methodology for challenging racial inequality and imperialism centered on his intersectional perspective on race, class, gender, and sexuality. This episode combines film excerpts, insightful interviews and speeches from this important figure of the civil rights movement who envisioned and organized for the best future. Learn more about the story and find the transcript on radioproject.org. Special Thank You to Nancy Kates and Bennett Singer the producers/directors of Brother Outsider: The Life of Bayard Rustin and Sam Pollard, the executive director. And to the Pacifica Radio Archives for use of the Bayard Rustin archival materials. Making Contact is an award-winning, nationally syndicated radio show and podcast featuring narrative storytelling and thought-provoking interviews. We cover the most urgent issues of our time and the people on the ground building a more just world. EPISODE FEATURES: This episode features Bayard Rustin, the architect of the March on Washington for Jobs and Freedom; Ashon Crawley, University of Virginia Associate Professor of Religious Studies and African-American and African Studies; Nancy Kates, filmmaker and producer of Brother Outsider: The Life of Bayard Rustin; Bill Sutherland, Fellowship of Reconciliation; Reverend A.J. Muste, pacifist and mentor of Rustin; George Houser, Fellowship of Reconciliation; Louis John, nephew of Bayard Rustin; Devi Prasad, pacifist. MAKING CONTACT: This episode is hosted by Anita Johnson. It is produced by Anita Johnson, Lucy Kang, Salima Hamirani, and Amy Gastelum. Our executive director is Jina Chung. MUSIC: This episode includes "Medieval Tension" by Cory Gray; "This Way Joyous" by Ketsa; "Rally," "Rayling," and "3rd Chair" by Blue Dot Sessions; "Hold On" and "Go Down Moses" by Dee Yan-Key; and "Our Young Guts" by Andy G. Cohen. Learn More: Bayard Rustin Fund Bayard Rustin: Troubles I've Seen Martin Luther King, Jr. Papers PBS History AFL-CIO Washington Post NYTimes
HILARIOUS & POIGNANT FILM! Easy A Full Movie Reaction Watch Along: https://www.patreon.com/thereelrejects - THANKS TO OUR SPONSORS! Babbel: Visit https://www.babbel.com/Rejects to save 55% - BETTER HELP: Visit https://www.betterhelp.com/reelrejects for 10% off your first month! Easy A Reaction, Recap, Commentary, Analysis, & Spoiler Review for the 2010 teen comedy starring Emma Stone (Poor Things & The Curse), Penn Badgley (Gossip Girl & Podcrushed), Amanda Bynes (Hairspray), Lisa Kudrow (Friends), Thomas Hayden Church, Patricia Clarkson, Stanley Tucci (The Hunger Games), Malcolm McDowell, Cam Gigandet, & MORE. We watch & react to the best & funniest scenes / movie clips such as A Pocketful of Sunshine, Imaginary Scene, A Higher Power Tom Cruise, Daughter Of The Year, A Woodchuck Mascot, Can We Be Friends, Go Down Moses, Bad Reputation, I'm A Mess, the scarlet letter, & MORE. NOTE FOR YOUTUBE: All Footage Featured From "EASY A" Is From A FICTIONAL Teen Comedy. Any & All References To "mature content" is NOT Real. #EasyA #EmmaStone #PennBadgley #AmandaBynes #MovieReaction #FirstTimeWatch #firsttimewatchingmoviereaction #reaction #youtubersreact #Comedy #Hilarious #TryNotToLaugh #Funny #Comedy Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Aparrel! https://www.rejectnationshop.com/ POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG On INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Solo: "Go Down, Moses" arr. Harry T. Burleigh Soloist: Cynthia Mellon, Mezzo-Soprano Frank Zilinyi, Pianist
Solo: "Go Down, Moses" arr. Harry T. Burleigh Soloist: Cynthia Mellon, Mezzo-Soprano Frank Zilinyi, Pianist
Over the course of just one year in the early 1840s, Thomas Smallwood, a recently emancipated Black man, with the assistance of the New England educated white abolitionist Charles Torrey, arranged for around 400 enslaved people to escape the Baltimore and DC area for freedom in Canada. While the abolition movement was still debating the best path forward, Smallwood and Torrey put their beliefs into action, establishing the Underground Railroad, and using the press to taunt the slaveowners whose enslaved people they freed. Joining me in this episode to discuss Thomas Smallwood, Charles Torrey, and the Underground Railroad, is journalist Scott Shane, author of Flee North: A Forgotten Hero and the Fight for Freedom in Slavery's Borderland. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-episode audio is “Go Down Moses,” performed by the Tuskegee Institute Singers in 1914 and “Swing Low, Sweet Chariot,” performed by the Fisk University Jubilee Singers in 1909; both songs are in the public domain and available via the Library of Congress's National Jukebox. The episode image is "Crossing the river on horseback in the night," from 1872, available via the Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division, The New York Public Library; the image is in the public domain. Additional Resources: “A Narrative of Thomas Smallwood, (Coloured Man:) Giving an Account of His Birth--The Period He Was Held in Slavery--His Release--and Removal to Canada, etc. Together With an Account of the Underground Railroad. Written by Himself.” by Thomas Smallwood. “A Black Voice from the ‘other North”” Thomas Smallwood's Canadian Narrative (1851),” by Sandrine Ferré-Rode, Revue française d'études américaines, vol. 137, no. 3, 2013, pp. 23-37. “Slave Patrols in the President's Neighborhood,” by Penelope Fergison, The White House Historical Association. “What is the Underground Railroad?” National Park Service. “Home!, or, The pilgrim's faith revived / written during his incarceration in Baltimore Jail, after his conviction and while awaiting--his sentence [four lines of poetry] ; published for the benefit of his family.” by Charles Torrey, 1845. “Charles Torrey – The Most Successful, Least Celebrated Abolitionist,” New England HIstory Society. Learn more about your ad choices. Visit megaphone.fm/adchoices
Una familia judía marcó en la niñez la vida de Louis Daniel Armstrong, el trompetista y cantante norteamericano de jazz. Louis se destacó como una de las figuras más carismáticas e innovadoras en la historia del jazz y, sin duda, se erige como el músico más icónico de este género, quien logró transformar el jazz en un referente del arte popular. En su niñez fue adoptado por la familia Karnofsky, emigrantes judíos lituanos que llegaron a Estados Unidos con el ánimo de encontrar un lugar donde no fueran perseguidos. Ellos se compadecieron de Armstrong cuando lo conocieron en necesidad en la ciudad de New Orleans a la edad de 7 años, acogiéndole con amor y amabilidad en su hogar. Según contó el mismo artista, la sra Karnovski le cantaba canciones judías de cuna rusa, que le motivaron más tarde a cantar y tocar canciones rusas judías. El Sr. Karnofsky fue quien le compró su primer instrumento musical y lo apoyó desde siempre. Cuando Louis Armstrong se convirtió en músico y compositor profesional, utilizó melodías judías en composiciones como: “St. James's Hospital” y “Go Down Moses”. También, en agradecimiento escribió un libro sobre esta familia judía que lo acogió en 1907 y le dio una oportunidad. Louis Daniel Armstrong visitó Israel en 1959. Orgullosamente hablaba yiddish con fluidez, y en memoria de esta familia y hasta el final de su vida, llevó en su cuello la Estrella de David. El artista dijo que de su familia aprendió a vivir una vida real y con determinación. Finalmente su vida de éxitos, conciertos y canciones terminó en 1971. Te dejamos una parte de uno de sus grandes éxitos.
The true story of an amazing woman. --- Send in a voice message: https://podcasters.spotify.com/pod/show/chris-mcglynn/message
UNI Wildcast - The Wildcats Podcast from University High School Charter
A Negro spiritual, also known as a spiritual or a folk hymn, is a type of religious song that emerged from the African American community in the United States during the era of slavery. These songs were often sung by enslaved African Americans as they worked in the fields, and they served as a way to express their faith and provide hope in the face of oppression and hardship. Negro spirituals typically have a call-and-response structure, in which a leader sings a line and the congregation responds with a repeated refrain or chorus. The lyrics often draw on biblical themes and imagery, and may incorporate elements of African music and culture. The melodies are usually simple and repetitive, with a strong emphasis on rhythm and harmony. Some of the most well-known Negro spirituals include "Swing Low, Sweet Chariot," "Go Down Moses," and "Wade in the Water." These songs have been passed down through generations and have become an important part of African American musical heritage. They continue to be performed and celebrated today as a testament to the strength, resilience, and faith of the African American community.
Get down with your exodus self, man.
Since its birth in Antiquity, Ethiopia has claimed ties to the Biblical King Solomon, the Queen of the Sheba and the Holy Land in general. This may be true, but in the northern highlands of the this East African country, a community of Black Jews actually traces their lineage back to one of the famed Twelve Tribes of Israel. Join me for a look at the Beta Israel community of Ethiopia, a true story of tenacity and resilience. --- Support this podcast: https://anchor.fm/historylovescompany/support
Expressing more on how to manage the weight of life. Attempting to walk through this maze of thought in order to become more articulate and disciplined in my faith. I discuss the concept of duality and the topic of knowing God versus being naive of Him. These are just my thoughts in the moment so that I may learn how to understand more clearly as I find my way through this life.
Author Ann-Marie MacDonald noted, “It's important to attend funerals. It is important to view the body, they say, and to see it committed to earth or fire because unless you do that, the loved one dies for you again and again.” In “Go Down, Moses,” the final chapter of his novel Go Down, Moses, William Faulkner tells us the story about a funeral. The deceased is a young man executed in Chicago for murder. Home is back in Mississippi and his grandmother who raised him is determined to bring him back home to bury him. For that she'll need a great deal of help. Dr. Virginia Arbery gave the 2022 Wyoming School of Catholic Thought this introduction to Faulkner's story.
Recorded May 5 1991
As Passover has arrived, we welcome to the Chutzpod! Seder Table a very different Jewish background and perspective from Shira & Joshua. Rabbi Sandra Lawson is one of the world's first African American, queer, female rabbis. She works with Reconstructing Judaism to help it realize its deeply held aspiration of becoming an anti-racist organization and movement. Episode Timecodes: (03:51) Rabbi Sandra Lawson Interview (34:42) Rabbi Shira's Reads a Moving Speech from Alla Gutnikova
In this episode, Angela and Joshua welcome scholar, author, and renowned vocalist Robert Sims to discuss the life and legacy of Roland Hayes. An in-depth discussion reveals Sims' great care in charting Hayes' pioneering career pathway for Black male vocalists at the turn of the 20th century. Sims' research also brings to light Hayes' influence on subsequent generations of celebrated singers throughout the 20th and 21st century, including himself.Featured music:"Du bist die ruh," sung by Roland Hayes"Go Down Moses," sung by Roland Hayes"Little Boy," sung by Robert Sims"Oh My Lord, Keep Me from Sinking Down," sung by Roland Hayes and Robert SimsSupport the show (https://classicalmusicindy.org/support-classical-music-indy/)
Frank tells Kathryn that he wore a red Frank & Friends Show hoodie on the American Heart Association's National Wear Red for Women Day. He posted a photo on Instagram and Facebook. The Frank & Friends Show is a media sponsor of this year's Akima Cabaret, a fun night of musical comedy, presented by the Akima Club of Knoxville. This year's theme is “The Roaring ‘20s - When Decades Collide.” The Akima Cabaret is at the Mill & Mine on February 18 and 19. Proceeds benefit dozens of area charities. Get your tickets soon at https://www.akimaclub.org Frank and his wife were in the cast of the Front Page Follies for five years. In its 40th and final year, the Follies cast reprised some of the favorite parody songs from the previous 39 shows. Opera singer Maurice Hendricks sang a song to the tune of “Go Down Moses.” Kathryn's family members referred to Frank as “Uncle Frank” because he told her not to get overcommitted on opening night of Marble City Opera's next production. Tickets are available at https://www.marblecityopera.com/tickets PJ Parkinson's Support Group is holding a tribute to Matt Hinkin as a fundraiser on the same night as Marble City Opera's production. Frank originally wasn't available to emcee but he suggested that they sing some Front Page Follies style songs about Matt Hinkin. Without realizing the connection, they contacted Kathryn and asked her to sing the songs. Frank contacted former Front Page Follies cast members and found 16 willing to sing at the Matt Hinkin Tribute Party on Thursday, February 24 at The Press Room, 730 N. Broadway in Knoxville. Tickets are available at https://www.pjparkinsons.org/events-1/matt-hinkin-tribute-party A photojournalist from the News Sentinel came to a Marble City Opera rehearsal to take photos and record a video of Kathryn. He said most people are nervous about speaking on-camera. Kathryn mentioned that she wasn't nervous because she co-hosts a podcast with Frank. The photographer, Saul Young, was excited to hear it. He has taken several pictures of Frank over the years. Frank enjoys Saul Young's Instagram feed, especially when Uncle Saul takes his nieces to tourist attractions in the Smokies. Saul's Instagram account is at https://www.instagram.com/saulyoung/ Frank was a guest on a podcast called Quitters Never Give Up. The hosts, Lindsay, Jennifer, Edwin, and Christopher discuss the old Kevin & Bean Show and the podcasts hosted by Kevin, Bean, and some other former cast members. The podcast's homepage is https://anchor.fm/quitters-never-give-up This episode is sponsored by Steve's Tree Service. They have excellent ratings on Facebook, Google, Yelp, and neighborhood apps. Steve's Tree Service serves Knox, Sevier, Blount, Anderson, Loudon, and Jefferson Counties. Call 865-257-6214. Support the Frank & Friends Show by purchasing some of our high-quality merchandise at https://frank-friends-show.creator-spring.com Sign up for a 30-day trial of Audible Premium Plus and get a free premium selection that's yours to keep. Go to http://AudibleTrial.com/FrankAndFriendsShow Find us online https://www.FrankAndFriendsShow.com/ Please subscribe to our YouTube channel at https://YouTube.com/FrankAndFriendsShow and hit the bell for notifications. Find the audio of the show on major podcast apps including Spotify, Apple, Google, Audible, and now Facebook. Find us on social media: https://www.facebook.com/FrankAndFriendsShow https://www.instagram.com/FrankAndFriendsShow https://www.twitter.com/FrankNFriendsSh Thanks!
All the way down the Nile-ssissippi
Parshat Noach - Join Geoffrey Stern, Rabbi Adam Mintz and Pastor Dumisani Washington of IBSI - Institute for Black Solidarity with Israel and Christians United For Israel for a live recording of a discussion on Clubhouse Friday October 8th with the Pastor regarding his book Zionism and the Black Church: Why Standing with Israel Will Be a Defining Issue for Christians of Color in the 21st Century. We follow a less traveled path down Noah's family tree. We discover the Biblical Mission of Africa and the bond between the Children of Shem and the Children of Ham. Sefaria Source Sheet: www.sefaria.org/sheets/352058 Transcript: Geoffrey Stern 00:00 [To Reverend Dumisani Washington] Thank you so much for being with us. On on our clubhouse when you come up to the platform, we say first of all that you're coming up to the bimah [the podium or platform in a synagogue from which the Torah and Prophets are read from]. And then second of all, when we make you a presenter, we give you smicha... So that means that you are ordinated. So instead of Reverend, we'll call you Reb. Is that okay? Dumisani Washington 00:20 That sounds good to me. Sounds good, no problem. Geoffrey Stern 00:23 So anyway, welcome to Madlik. Madlik is every week at four o'clock, and we do record it and post it as a podcast on Sunday. And if you listen to it, and you'd like what you hear, feel free to share it and give us a few stars. And what we do is disruptive Torah. And what we mean by disruptive Torah is we look at the ancient text of the Torah, with maybe a new lens, or to see a new angle. And today, I'm delighted to say that we're not only looking at it through a new lens, but we're looking at it through another lens, a lens of a pastor, of a man of God, who we will learn about his mission. I heard about it on clubhouse one evening, I was scrolling, and I stumbled upon you Reverend, and you're on a mission and you see Judaism and you see Zionism from a whole new perspective. So I want to thank you for coming on. And I want to say that, as I told you, in my email that I sent you that you know, every week about Saturday on Shabbat, on Sunday, I start thinking about what I'm going to pick as a subject matter for the coming Madlik session. And I purchased your book maybe two months ago, and it was sitting by the side of my bed, and for some reason, and of course, I'm sure there are no coincidences in this world. I picked it up this Shabbat. And it starts with our portion of Noah, it starts by talking about the line less traveled by us Jews of Shem's son Ham. And I should say that nothing is written for no reason in the Bible. And when it gives you a genealogy, it's because of what comes in the future. And many of us Jews will look at the genealogy in Genesis 10. And focus on Shem... with Semites. And that's where the name comes from. And we go down that path, and your book starts. And of course, I should say that your book is called "Zionism and the Black Church, Why Standing with Israel will be a Defining issue for Christians of color in the 21st Century". And it begins by traveling down this path less taken, of Ham. Welcome to Madlik. But if you could begin by touching upon our portion of the week, no off and and and discussing what you see in it, and maybe your mission. Dumisani Washington 03:06 Absolutely. And thank you, again, Rabbi for having me on. Yes, there are six chapters in "Zionism in the Black Church". And the first chapter is entitled The African Biblical Tie to Israel. And so we as I say, in the book started the beginning, right, we start at the beginning of the Scriptures, and so as you know, between the two portions of "Bereshi" I believe whether the towards the end is when Noah was first introduced, but of course in "Noach" there's the explanation of the nations where all the nations of the earth come from, from Noah's three sons Shem, Ham, and Jafet. And so we recognize that in the Scriptures, it is said that Ham has four sons. And there's a couple of unique things as you know, you read the book, that the scriptures that in the law of Moses deals, Psalms and some of the prophets, there's a term that's given several times in the scripture about Ham's descendants harms the sentence differently, then either Jafet or Shem. The land of Ham is actually something that's in the scriptures. And I don't know what that Hebrew word is ... "Aretz Ham" ... I never looked at that part of it, Rabbi but it talks about that, which is really interesting because there's not, to my knowledge, and I've kind of looked at for a little while, a similar rendering like the Land of Japhet or Land of Shem. Right? We're obviously the genealogy is there, right? But there's not the same thing that deals with the land and the peoples .... interesting and we've come to know that of the four sides of Hem, which are in order Kush, which you know, is where obviously the Hebrew for later on Ethiopia I believe is a Greek word, but from that region Mitzrayim, which is Egypt. Fut or Put which is Libya, and then Canaan, which is Canaan, right? So those four sons who come from him. But interestingly in the scriptures when it says land of Ham, it almost exclusively refers to Egypt and Ethiopia, what we would call today, Africa, right? This region. And again, you're talking about an antiquity these regions were much broader in size. And they are today if you look at the map today, you see Egypt as a small state and go down to the south, west, south east, and you'll see Ethiopia then you see Yemen, you see Kenya, well, obviously all those states weren't there that happened much later in modernity is particularly after the colonial period where those nations were carved up by a few states in Europe, and they were given certain names everything right, but these were regions in the Bible. And so Kush, the land of Kush, and the land of Mitzrayim, they're actually dealt with many, many times. Right? After the words obviously "Israel" and "Jerusalem". You have the word Ethiopia, I believe one of the Ethiopian scholar says some 54 times or something like that the word Ethiopia actually comes up in the Bible, obviously not as many times as Israel or Jerusalem but more than virtually any other nation other than Egypt. Right? So Egypt obviously that we know too. Africa plays a huge role in Israel's story right? The 430 years in slavery is in Africa, right? The Torah was received at Sinai: Africa. All these things happen in Africa. At some point God tells Jeremiah during the time of the impending doom, the exile that will happen at the hand of of Nebuchadnezzar and God says to to the Israelites to the Judeans, and "don't run down into Egypt, Egypt won't be able to save you." Why does he say that? Well, because historically the Israelites would go to Egypt when it until it got safer, right? For those Christians who may be on the call, you'll know that in the New Testament, Jesus, his parents take him down into Egypt because Herod's gonna kill him. Right? So there's this ongoing relationship between Ham and Shem, that's very intertwined. Moses, his wife, or his second wife, depending on how you interpret it.... Some of the sages. She's Ethiopian, right? She's kushite. So you have this interchangeable thing all the time, throughout the scriptures, but actually starts with the genealogy. And I'll say just one last thing, rabbis ..... we're opening up. This is also unfortunately, as I mentioned, the book as you know, the misnomer of the quote unquote, "Curse of Ham", as we know in the text, Ham is never cursed for what happens with Noah it is Canaan that is cursed. And he actually says, a curse that Canaan become a servant of servants shall he be, even though it was Ham who however you interpreted.... I've heard many different interpretations of "uncovered the nakedness he saw his father, naked," but somehow, for whatever reason, Noah cursed Canaan, not Ham. Who is Canaan... is one of him so's, his fourth son, as we know those who are listening, you may know that it is The Curse of Ham, quote, unquote, that has been used sadly, unfortunately, among many other things as a justification of the slavery of Africans. Right? That somehow, Africans are quote, unquote, "Cursed of Ham", therefore, the transatlantic slave trade, the trans Saharan slave trade, those things are somehow... God prescribed these things in the Bible, the curse was making him black. That's why he's like all those things that are nowhere in the text whatsoever, right? skin color is not in the text. slavery as a descendant of Ham. None of those things are in the text. What's in the text? Is that Canaan is cursed for that? And so we start there, Rabbi, and from there trying to walk out this whole Israel Africa thing. Adam Mintz 08:47 First of all WOW... thank you so much. I just want to clarify in terms of color, I think that's a very interesting thing. It's very possible that in the biblical period, everybody was dark. Dumisani Washington 09:00 Yes, sir. I mentioned that in the book as well. But yes, sir. Yes, yeah. All right. Sorry, Adam Mintz 09:04 I didn't see that in your book. But that's important, you know, because a lot of people are caught up in this color thing. Did you know that there's a distinction, we don't know it for sure but it makes sense that everybody was dark in those periods. So that the difference in color was not significant. So when, when Moses marries goes to Ethiopia, maybe is king of Ethiopia, and marries an Ethiopian. And the idea is that he marries a foreigner. The fact that she's darker may or may not have been true. Dumisani Washington 09:39 Yes, absolutely. No, thank you Rabbi. And I do touch on that, as well. We say in the terms in this modern term, even in my book, I use the term Christians of color and I don't usually use those terms just in when I'm speaking. I did it that way in the title so that it would be presented in a way that is going to deal with some provocative things but hopefully the people that they read it they'll see what I mean by that and if you're talking about the Israelite people, the Hebrew people they are what I call an afro Asiatic people. Israel is still at that at the point of where those two continents meet right Southwest Asia northeast Africa is landlocked with Egypt I tell people God opened up the Red Sea because he wanted to right ... He's big and bad and he can do what he wants to do but you can literally; I wouldn't recommend it obviously, but you could literally walk from Egypt to Israel and you always have been able to for 1000s of years that has always been the case and so you have a people that in terms of skin tone or whatever... Yes, absolutely, they would be what we would call today quote unquote people of color right and so unfortunately particularly in our country we all know race and colorism is such a huge topic and it's often so divisive and it's used in so many different ways and we know much of that goes back to whether slavery, Jim Crow, people being assigned work obviously based on how dark or light they are all of those things but the problem as you all know is that those things aren't in the Bible right? There's no God likes this person doesn't like this person, this person's dark this person's like, that type of thing. But again, that's what men do, we are fallen creatures, we read what we want to read into the text, and then we use it unfortunately, in a way that's not helpful. Let me just say and pause here, I can tell you that as a Christian pastor, over the years of my just delving into what we often call the Jewish roots of our faith, by studying Torah with rabbis and with other Jewish scholars, my faith has been more important to me than ever in that it helps me understand even more so right, what is the Hebrew in this word here? What do the sages say about that, that's been a fascinating journey for me, over the last 30 some odd years since I've been doing this particular work. Geoffrey Stern 11:58 So I just want to jump in, you said so many things. But there is in this verse that we are reading today, the word "ashkenaz", he was one of the children of of Shem, and you quote, an Ethiopian Rabbi named Ephraim Isaac, and this is a sample of some of the humor in your book or the sense of discovery. And somebody said to him, You don't look Jewish. And he said:, "Ethiopia is mentioned the Bible over 50 times, but Poland not once." And I feel like that was, that was a great line. And what it really talks to is our preconceptions, and your book, and your vision, and your mission breaks preconceptions of what it is to be a Jew, what the mission of a Jew is, but most importantly, what the relationship is between the Jewish people and the African people. And one of the things that you touched upon was the sense of Mitzraim and Kush , and in your book, you really talk about how many times they're interchangeable, because really, it is the same area and those of us who think about Mitzrayim, or Egypt, we focus on the Exodus story, we focus on the pharaoh story. But as you mentioned, the prophets later on, we're having to talk to the Jews about not going back, because ultimately, the experience in Egypt was always favorable, it was our neighbor, and it was our place of refuge. Abraham goes down there with Sarah twice, Jacob sends his kids down there during a time of famine. The relationship and the reference to a Ham and to Mitzrayim and to Kush is a very positive one. And yes, it does say in our week's parsha of all of the children, it says, "b'artzetam v'goyehem" , that they have a special language, and they have a family and they have a land. So the fact that we are neighbors is so important in the biblical context. So I said if we were going to walk down this wonderful path, and I would love for a second to talk about your mission about reuniting our two peoples and some of the challenges that you have. Clearly you don't speak to groups like us very much, although I think that I'm going to have an opportunity later to say that I think you should, because there's so much that we can learn. But what is your mission? How did you discover it? And what are your challenges? Dumisani Washington 14:40 Well, I'll do it concise, just because I don't want to take up too much time to firstly touch as much as we can. I am the founder and CEO of an organization called The Institute for Black Solidarity with Israel. I started it in 2013 but for about nearly seven years, I was not as active I started it. I did a lot of touring and a lot of speaking throughout the United States, churches, sometimes synagogues as well. And with this mission, it was a mission that was really placed in my heart. Actually in 2012, my first trip to Israel, I went as a guest of Christians United for Israel, I would come later on to join the staff with CUFA. But I was a guest pastor, I knew some friends who were part of the organization. And the short version of that story was my first tip ever, I'm in Israel, I'm at the Western Wall of the kotel. And I have a very intense experience in which I feel although Africa and Israel were passions of mine already, but the fusing of those two things together and a real work in which we continue to strengthen the alliance between Israel and Africa. And then obviously, in the States in the black and Jewish community. And there and finished the first edition of the book now, what you have there Rabbi is the second edition. And we started this organization for that very purpose to do both of those things continue to strengthen the black Jewish relationship, and also the Israel Africa Alliance. And so the challenges have been probably more than any other thing disinformation, right? There's a lot of false information that's there, when it comes to those things that would seek to divide and separate when you're talking about whether Africa Israel, now we're talking about the modern state of Israel, obviously, the rebirth of Israel in 1948. Israel's close ties with African nations throughout the continent, starting especially with Golda Meir, the foreign minister, all the way up into the 70s, where you have, as I mentioned in the book, Israel has more embassies throughout Africa than any other nation other than the United States, African economy, some of them are thriving, a great deal. You have a lot of synergy between the African nations and Israel. And after the Yom Kippur War in 1973, like never before Israel's enemies target that relationship between Israel and its African neighbors for different reasons. One of those is voting in the United Nations, right? And that became very much of a challenge. So one of the greatest challenges is, is information. What we share in the book and when we do our organization, we teach what we call an organization "Authentic History” is really simply telling what happened, how did something [happen]. Whether we're talking about biblically, whether we're discussing the parsha or we're talking about historically, right? We're talking about what the relationship was, and is. Why those connections there? And I'll just give one quick example if you're talking about black Jewish synergy in the United States, not just Dr. King's relationship with Rabbi Abraham Joshua Heschel in the civil rights community, not that it happened, right? But why, what was that synergy about? Right? So we've delve into that. We share from the documents from the Rabbinical Assembly; Dr. King's most famous words regarding Israel that were recorded 10 days before he was killed, right, why? And as a pastor, what we call a prophetic moment. Why 10 days before he's taken from us, is he telling the black community in the world to stand with Israel with all of our mind and protect its right to exist? Why is he saying these things? What's so important about it. And even the generation before? Why was it a black and Jewish man who changed the trajectory of this nation, Booker T. Washington, and Julius Rosenwald; millions of now first and second generation, slave; free slaves, right? but who had no access to education, not in a broader sense, and why that synergy saw some 5400 Rosenwald schools built throughout the segregated south. We touch on those historical points, and we delve into why that black Jewish synergy has been so powerful for so many people for so long. So that is our mission to strengthen those ties, because we believe that there's a great future ahead. Geoffrey Stern 19:05 You did such amazing research. I mean, I can tell you I never knew that Herzl said about Africa, "that once I have witnessed the redemption of Israel, my people, I wish to assist in the redemption of the Africans." And that is taking a small quote out of a full paragraph where the histories of the two people are so similar. I mean, it comes to us as a pleasant surprise, these synergies but it shouldn't because both our peoples have really traversed and continue to reverse the same pathway. And you quote Marcus Garvey and even Malcolm X and William Dubois. Malcolm X says "Pan Africanism will do for the people of African descent all over the world, the same that Zionism has done for Jews. All over the world." there was a sincere admiration for this miracle of a people returning to its land, we were talking before you came on about this whole kind of image of an ark. And it reminds you of Odesyuss... and it reminds you of all of these stories of man going on this heroic journey to find their their roots to come back, gain, experience and come back to their homeland, to their Aretz.. On the one hand, your job should be very simple. I guess, like any other fights, the closer you are, the bigger the friction can be. And there's nothing bigger than the friction between brothers. But it's such a challenge to address, as you say the misinformation. Dumisani Washington 20:51 Absolutely. And this is, again, why that's our primary goal. And then as part of what our mission is, we have launched here just recently, an initiative called The PEACE initiative. And PEACE is an acronym for Plan for Education, Advocacy, and Community Engagement, and the short version of that, again: We recruit young, black American and African young people from certain cities throughout the United States, a group of them, they go to a 16 week study course having some of the same conversations we're having now, including the modern state of Israel, ancient Israel, the United Nations, all these things that intersect when it comes to the black Jewish relations, then they will travel to Israel for about 10 days, and returned to the cities from where they've been recruited, and be the hub of black Jewish synergy in their communities. We believe with our organization that one of the reasons for the synergy that we've seen in the past, whether it was at the turn of the century with Booker T Washington, and Julius Rosenwald, or the mid part of the century with Dr. King and Rabbi Heschel, right now we are in different challenges, there are challenges that face particularly the more vulnerable black communities. And we see that that synergy could really address so many issues, whether it's education, whether it's jobs, those types of things, they can be really be addressed in a very holistic way. And really harnessing that synergy between the black and the Jewish community. And this is what we are doing. An Israel advocacy that is also rooted in these communities. And it's amazing. We see already rabbis and black pastors are working together all over the country. So that continues to happen. But we want to highlight those things even more and go even further in meeting some of the challenges what we call MC ambassadors will be leading that in different cities across the country. Geoffrey Stern 22:02 That's amazing. I want to come back to this sense of self-discovery and pride. And we always talk about it from our own perspective. So if you're African American, you want to make sure that your children believe that black is beautiful, that they come from an amazing heritage to be proud of who they are. And if you're Jewish, you want the same thing. But it seems to me, and you kind of cage the question in this way, "Why standing with Israel will be a defining issue for Christians of color", when we as Jews can see ourselves in the black community as we did during the civil rights movement that redeems us. And that empowers us. And I think what you're saying, and I don't want to put words into your mouth, but the same thing works in reverse. That in a sense, when the African community can recognize in Israel, its own story. It also can find a part of itself. Is there any truth there? Dumisani Washington 23:50 I believe so Rabbi. I believe that that's exactly as a matter of fact, what we saw was the synergy. So let me use the example and go back to the early 1900s with Booker T. Washington, Julius Rosenwald. The way that story happens, as you may know is that Booker T Washington writes his seminal book "Up From Slavery". Julius Rosenwald, who lives in Chicago at the time, is very active in his community. As a matter of fact, he was active, using his wealth; of those of you who don't know of Sears Roebuck fame, he is the one who took his company to this whole different level, economically and everything. And so with his wealth as a businessman, he's helping the Jews who are being persecuted in Russia. And one of his own testimony, I don't say this part of the book, but I kind of alluded to it, that here he is driving to work from the suburbs to where his factory is where his store is, and he's passing by throngs of black people who've left the South, right? looking for a better life, but they're living in very, very bad conditions, a lot of poverty and everything. And he says to himself, basically, if I'm going to do all of this to help Russian Jews right, way over the other side of the world, and I have this human crisis right here, where I live, I want to be able to do that and his, his Rabbi was Emile Hirsch, one of the founding members of the NAACP. Right? So his Rabbi encourages him. And we see this with our Jewish brothers and sisters all the time, see yourself, do help, do use your wealth, use your ability, right? To help. And so he reads Booker T. Washington's book he's taken with him, they begin to correspond. And Booker T. Washington says, Here's how you can help me I'm trying to build schools for my people who don't have access. And Rabbi to your point. Here is this man, this Jewish man who is very well aware of his history, he knows his People's History of persecution and struggle and triumph, right? Very much sees himself in that black story, and then he uses his ability. It's amazing even what he does; there's a Rosenwald film about Rosenwald schools, I believe his children were the ones who produced it. And they were saying that what he actually did was pretty ingenious, he put up a third of the money, the black community raised a third of the money, and then he challenged the broader white community to partner with them and bring the last third and that is how those Rosenwald Schools began. Because what he wanted to do, he wanted to see people come together, he wanted to see them all work together. Even though Booker T. Washington passes away only three years into that, right, that venture continues on Julius Rosenwald goes and sits on the board of the Tuskegee college, Tuskegee University, right? There's this long connection that's there. So in that struggle, the black American community, and he connected with this black American leader, the one of the most prominent of the time, Booker T, Washington, and they, like I tell people, changed the world. Like, can we imagine what the United States would have been if you had those millions of now freed slaves, right? with no access, and particularly those who are living in the Jim Crow South, no access whatsoever to education, Would the Harlem Renaissance have become what it become, with the black Wall Street, whether it was in Tulsa, whether in Philadelphia, these things that explode because of the access to education to now these first and second generations of people coming out of slavery, right? So I believe that that's the case and which is why I'll say again, here today, some of those challenges are there, some of the challenges are different than they were, obviously 50, 60, 70, 80 years ago, but we believe in organization that those challenges can be met with that same amazing synergy between the black and the Jewish community. Geoffrey Stern 27:26 A lot of people would argue that the rift or the change of the relationship between the African American community and the Jewish community was when the Jews or Israel stopped being looked at as the David in the Goliath story and we won the Six Day War. And how do you ensure that the facts are told, but also as you climb out of the pit, and as you achieve your goals, you shouldn't be necessarily punished for being successful. Success is not a sin. It's an inspiration. But it seems to me that's one of the challenges that we have, especially in the Jewish community for our next generation of children, who really do see ourselves not as the minority and don't see ourselves anymore mirrored in the African American community. Dumisani Washington 28:25 But one of my favorite things about the Jewish tradition of the Seder, is that you all lean and recline in the Seder today, and you tell your children, when we had the first one, we sat with our sandals on, our staff, in our hand, our belts ....because we were slaves leaving slavery, but now we are no longer. And that whole ethos of telling children, right? There's a strong parallel in the black American community, right? The whole point of going from struggle to a place where you can live in peace or at the very least, you recognize and realize the sacrifice of the people who came before you right? And I won't step into the controversial for lots of different reasons, we'll be able to unpack it, but let me just say this, for the black American experience when you're talking I often teach this in our sermons and other things that arc .... and let me say again, no, people are monolith. Obviously we just kind of put that on the table, all the Jews arent' alike all black Americans aren't alike..... Having said that, there is an overarching story when you talk about black Americans, who, from slavery to Jim Crow, segregation, black codes, all of those types of things to the modern era. And that story cannot accurately be told without talking about God and His people. In other words, when you're talking about the spirituals "Go Down Moses". "Joshua Fit the Battle of Jericho" and I talked about that in the book, these songs that are rooted in the scriptures, most of the time in, in the Tanakh, our Jewish brothers and sisters' side of the Bible. I mean, sometimes in the New Testament, most of the time, these songs are being sung in hope. And that hope was realized, right? It's not an Negro spiritual song technically, but I put it in that category, part of the greatest one ever. I mean, how it culminates would be "Lift Every Voice and Sing" us a song that today has all these political things connected to it for lots of different unfortunate reasons. But when James Weldon Johnson wrote that song, wrote it as a poem? Those stanzas and anybody listening to this, I want to tell Google that Google Lift Every Voice and Sing"; just read the words. And this was a very powerful, very, very much God and God's love, and our hope and our faith and our trust, and our honoring the people who came before us; all of those things. And he talked about being free. Now, it's written in 1899. Right? You still have questions. I mean, there are no laws against lynching there going on, it's still crushing racism. However, he as a father in the black community is not only acknowledging what God has done, there's amazing things that are happening. One of the economist's that I quote, in my book, Thomas Sol said that the black community after slavery, and less than 50 years after slavery went from 0% literacy to almost 50% literacy, in that half a century, something economic historians say has never happened before. And now you're later on, you're talking about the black Wall Street, you're talking about black oil barons and landowners and factory owners, right? You're talking about this black middle class emerging. There's been no civil rights bill, right? There's been no Pell grants for school. These things don't even exist yet. We're talking about the 19 teens and the 1920s. You're talking about black people who had previously been slaves for hundreds of years. Why am I saying all that we as a people know full well; if we know our history, know full well what it is to come from all of those dire situations into a place of blessing, even though there may be struggles just like our Jewish brothers and sisters. We are convinced an organization that as we know, as a black community, particularly younger people that we are talking with, and teaching, as we know and appreciate our history, not the history that's regurgitated in terms of media and, and for political purposes. But truly our history, there is a great deal to be proud of about that. And to see, as I said in the sermon a couple of months ago, not only does it not a victim narrative, I descended from superheroes, my people went through slavery, Jim Crow, and still build on Wall Street still built the Tuskegee Institute. Still, we're soldiers who fighting for their own freedom in the Civil War. I mean, you're talking on and on and on things that they should have never been able to accomplish. When I consider what they accomplished with not very much help often. I recognize the greatness of the heritage that I come from, then that allows me to see an Israel rise like a phoenix from the ashes and not spurn that but recognize that our Jewish brothers and sisters have gone through millennia of this and Israel then to be celebrated, not denigrated. Adam Mintz 33:12 Thank you. We want to thank you. Your passion, and your insight is really brought a kind of a new insight to our discussion here. We really want to thank you, you know, we at Madlik we start on time and we end on time, Shabbat is about to begin in just a little while. Hopefully we'll be able to invite you back in the future as we continue this conversation. But I know I join Geoffrey and everybody on the call and everybody who's gonna listen to the podcast. Thank you for joining us and for really your insight and your passion. You really leave us with so much to think about as we begin the Shabbat. Dumisani Washington 33:51 Thank you. Thank you for having me. Adam Mintz 33:53 Thank you Geoffrey, Shabbat Shalom, everybody, Geoffrey Stern 33:55 Shabbat Shalom. And Reb Dumisani, you mentioned the songs. There's a whole chapter in your book about Negro spirituals. And as the rabbi said, w are approaching the Shabbat. And as you observe the Sunday we observed Saturday, but you know that the secret of living without a land or being on a difficult mission is that Sabbath, the strength of the Sabbath, and the connection between Noah and the word Menucha which is "rest" is obvious. And there was a great poet named Yehuda halevi. And he wrote a poem about the Yona; the dove that Noah sent out of the ark to see if there was dry land. And he he said that on Shabbat. Yom Shabbaton Eyn L'shkoach, "the day of Shabbat you cannot forget" Zechru l'reach Hanichoach" He also uses Reach Nichoach which is a pleasing scent,Yonah Matzah Bominoach, the yonah, the dove found on it rest v'shom ynuchu yegiah koach and there in the Shabbat , in that ark of rest on that ark of Sunday or Saturday is where we all gain strength. So I wish you continued success in all that you do. And that this Shabbat and this Sunday we all gather the strength to continue our mission. But I really do hope that we get another chance to study Torah together. And I really hope that all of the listeners go out and buy your book, Zionism in the Black Church because it is an absolute thrill. And I understand you're coming out with a new book that's going to talk more about the Jewish people and the various colors and flavors that we come in. Dumisani Washington 35:55 Hopefully to put that out next year sometime. Absolutely. Geoffrey Stern 35:59 Fantastic. Well thank you so much so Shabbat Shalom and we are we are in your debt. Dumisani Washington 36:05 Thank you. Shabbat Shalom and looking forward to bye bye Music: Lift Every Voice and Sing - Melinda Dulittle https://youtu.be/6Dtk9h1gZOI
Welcome to the CodeX Cantina where our mission is to get more people talking about books! We all want to know what's the best book to start with for William Faulkner? I remember asking Google what's the best William Faulkner book. But I saw a ton of answers and maybe there is no singular answer for everyone. Sometimes you want that personal touch such as if I knew you were super into crime noir, then perhaps "Sanctuary" is the best starting point. If Comedies are your favorite genre then I'd recommend "The Reivers." However, as a blanket statement, and for someone who wants to know what's the best books to get the taste of what Faulkner can do, then I'd recommend starting with this list here today. For reference, I've worked through most of Faulkner's books but not all: The Sound and the Fury, As I Lay Dying, Absalom, Absalom!, The Snopes Trilogy (The Town, The Hamlet, the Mansion), Light in August, Sanctuary, Go Down Moses, The Reivers, The Collected Short Stories, and the Uncollected Short Stories. They all have something to offer and all can be starting points for various people. Today we just want to look at a generic best starting point for getting that initial flavor of what is William Faulkner all about?
While live music was shut down during the pandemic, Cincinnati band Heavy Hinges didn't miss a beat when it came to writing songs. Over the past year, Heavy Hinges crafted enough new material to record a live album at Urban Artifact in Northside and still perform all new songs during their WCPO Lounge Acts recording at Northside Yacht Club. “We write songs very easily together. It's just a very organic process,” singer MayaLou Banatwala said while holding her purple Brazilian wood electric ukulele. “We all wore masks the whole time. Now we're all completely vaccinated.” Guitarist and singer Dylan Speeg said he enjoyed the extra time spent on songwriting. “It was interesting to write songs without any shows,” he said. “We really took a lot of time with our songwriting because we didn't have to get them done for anything.” Heavy Hinges consists of Banatwala and Speeg, along with Brian Williamson on drums, Kirk Hunter on guitar, and Andrew Laudeman on bass. At its heart, Heavy Hinges is a melting pot of influences. The band began by covering its members' favorite gospel standards like “Go Down Moses” and “Can't No Grave Hold My Body Down” with an updated alt-rock vibe. Since then, Heavy Hinges has found its own unique sound by exploring more genres. When pressed, names like Elvis Costello, Amy Winehouse, and 30s Italian jazz guitarist Django Reinhardt get dropped. “I like to try to get as many influences in as I can,” Speeg told me. “Because they say as long as you're ripping off three people at the same time, it's original.” Still, it's the band's collective love for Motown-era hits and Banatwala's self-described “obsession” with The Supremes keeps the band's sound consistent among so many influences. “We definitely have our feet in the history of music, in the past,” Speeg said. “We're not trying to be super-progressive or anything. But I think what we come up with is very unique, because we all come from different backgrounds.” Banatwala agreed. “It's from the heart,” she said. See omnystudio.com/listener for privacy information.
Sintonía: "Deep River" - Fats Waller "Skrontch", "I Simply Adore You", "The Sheik of Araby", "Hold My Hand", "There´s Honey On The Moon Tonight", "If I Were You", "To The Wide Open Place", "On A Bumpy Road To Love", "Fair And Square", "We, The People", "Don´t Try Your Jive On Me", "Ain´t Misbehavin´", "The Flat Foot Floogie", "Pent Up In A Penthouse", "Music, Maestro, Please", "A-Tisket, A-Tasket", Swing Low, Sweet Chariot" y "Go Down Moses". Todas las canciones interpretadas al piano/órgano y cantadas por Fats Waller Escuchar audio
Stephanie St. Clair had become one of the most successful policy bankers in 1920’s New York City. She made a fortune running a Harlem based numbers racket, gaining notoriety along the way. Using her power, wealth, and influence, Stephanie St. Clair built an empire. But change was creeping in from outside Harlem. As outside crime families turned their attention to Harlem, The Queen of the Policy Racket would have to defend her organization against all those looking to take over. Our Sponsors for this episode are: Blue Chew [code: MAFIA], Burrow, and IPVanish Mafia's theme is "Spellbound Hell" by Damiano Baldoni. Music in this episode is ”Misery" by Damiano Baldoni; "Dark Alleys" and "January" by Kai Engel; "Go Down Moses," "Go Down Moses Reprise," and "Longed For Destination" by Dee Yan-Key; "Covert Affair," "Echoes Of Time V2," "Backed Vibes Clean," "In Your Arms," and "Unanswered Questions" by Kevin MacLeod; "Smoke" by Rafael Archangel; “Battalion” by krackatoa. Licensed under Creative Commons: By Attribution 3.0 License.
Moshe was on Mt. Sinai when the Jews worshipped the Golden Calf, so why did he have to go down from his lofty level? This podcast is powered by JewishPodcasts.org. Start your own podcast today and share your content with the world. Click jewishpodcasts.fm/signup to get started.
Jazz Ahead 113 - Playlist: 1. Aero,Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..2. Calling James, Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..3. Fallow, Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..4. Una Ex Septem, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..5. Trapaniana, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..5. Michelangelo Viscusi, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..6. Isfahan, Archie Shepp/Jason Moran, Let My People Go, Archieball, 2021..7. Go Down Moses, Archie Shepp/Jason Moran, Let My People Go, Archieball, 2021
Jazz Ahead 113 - Playlist: 1. Aero,Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..2. Calling James, Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..3. Fallow, Timo Lassy/Teppo Makynen, Live Recordings 2019-2020, We Jazz Records, 2021..4. Una Ex Septem, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..5. Trapaniana, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..5. Michelangelo Viscusi, Stefano Costanzo Oportet, Scandala, Auand Fluid, 2021..6. Isfahan, Archie Shepp/Jason Moran, Let My People Go, Archieball, 2021..7. Go Down Moses, Archie Shepp/Jason Moran, Let My People Go, Archieball, 2021
Paco Espínola ha publicado un librisco sobre Paul Robeson en su editorial Allanamiento de Mirada, de Granada. Librisco es la contracción de libro y disco. Resumo su biografía y leo varios extractos del libro. Del cedé, que tiene 25 cortes, os pongo los siguientes: 01. Old Man River, voz y piano 02. Swing Low Sweet Chariot, voz y piano 03. Go Down Moses, voz y piano 04. Rocking Chair, con orquesta 05. Joshua Fit the Battle Of Jericho, voz y piano Para ver cómo algunas de las canciones que llevó en repertorio han evolucionado con las décadas os pongo tres, en sus grabaciones originales y luego según diversos artistas. 06. St Louis Blues, con orquesta 07. St Louis Blues por Dizzy Gillespie en el XV⁰ Festival Internacional de Jazz de San Sebastian. 25 julio 1980. Palacio Municipal de Deportes 08. Summertime, con orquesta 09. Summertime por Ximo Tebar Quartet, con Perico Sambeat al saxo, grabada el18 enero 1988 en el estudio Música 2, Casa de la Radio (Madrid) 10. Joe Hill, voz y piano 11. Joe Hill por Joan Baez en el festival de Woodstock el 15 agosto 1969 12. Going Home, voz y piano Mañana oiremos la versión de Santana de este tema y mas cosas que os sorprenderán. Escuchar audio
A song about Egypt carries a message to Americans like no other.
The Myth of Sisyphus. Pushing boulders forever uphill, the realities of political endeavor. Reviewing Homer's Odyssey and the interpretations of Albert Camus. But let us imagine Sisyphus happy, for it can never be any other way. Meanwhile, Rand Paul takes Stephanopoulos to school on Election Fraud. A courageous stand from Senator Paul, revealing the deep insecurities of our new tyrants. A clinical study of attempted Narrative Control, and how quickly it can fall apart with appropriate pushback. The Goal is Freedom. We are now awakened to the true wretchedness of our condition, as we seek a new home sweet home. Go Down Moses, Let My People Go. A new MAGA Party may be the way out of the desert. You cannot un-redpill a nation. You cannot "unsee" the strings on the Uniparty Marionettes. All in the name of Liberty. Plus, the joy of Danny's Song. Think I'm gonna have a son. Cuatro en route. With Listener Calls & Music via Louis Armstrong, Justin Moore, AC/DC and Kenny Loggins. See omnystudio.com/listener for privacy information.
Hello, everyone. If you've seen the movie, Harriet, this song would not be a surprise to you. If you've not, I recommend you do. This is my own version of the song, Go Down Moses. What do you think? --- Support this podcast: https://anchor.fm/temitope-adeoye/support
Sunday Service recording on June 14, 2020 for New Song Christian Fellowship in Carlsbad, NM. Topic: Go Down Moses Donate Online: https://newsongcarlsbad.churchcenter.com/giving Visit Us on FaceBook: https://www.facebook.com/NewSongCarlsbadNM/ --- Send in a voice message: https://anchor.fm/newsongcarlsbad/message Support this podcast: https://anchor.fm/newsongcarlsbad/support
Pastor Jimmy. Stand Firm: People Who Persevered - Perseverance is defined as “persistence in doing something despite difficulty or delay in achieving success.” It is a character trait necessary at all times but even more so in these days of upheaval due to the toll of the pandemic. We will look at people from Scripture & history that excelled in perseverance as examples for us today.
We are honoring Black History Month by celebrating Black Excellence in history and whiskey. Join us as we celebrate the life and accomplishments of one of the most kick a** ladies in herstory: Harriet Tubman. In this episode we discuss the scarcity of black winemakers in the U.S., how Fawn Weaver is the superhero of spirits, and the lasting legacy of the female Moses, all while sipping on some Uncle Nearest 1856 Premium Whisky. P.S. Who are you celebrating this Black History Month? Click on the links below for interviews with Fawn Weaver and the story behind Uncle Nearest:NYThttps://www.nytimes.com/2017/08/15/dining/jack-daniels-whiskey-slave-nearest-green.htmlEssencehttps://www.essence.com/lifestyle/food-drinks/meet-the-black-woman-who-is-honoring-the-legacy-of-enslaved-man-who-taught-jack-daniel-how-to-make-whiskey/Created, produced, & hosted by: Leslie Ann & Isabelle. Edited by: Isabelle. Artwork by: Marissa Hardy*Disclaimer: Nerds UnWINEd is not sponsored by Uncle Nearest or any of its affiliates.
Söngkonan Abbey Lincoln flytur lögin That's Him, Whe A Woman Loves A Man, Don't Explain, Strong Man, Happiness Is A Thing Called Joe, Porgy og I Must Have That Man. Kvartett Charles Lloyd flytur lögin The Water Is Wide, Go Down Moses, La Llorna, Mirror, Desolation Sound, Monk's Mood og Ruby My Dear. Tríó John Taylor leikur lögin Tramonto, The Bowl Song, Between Moons og Rosslyn.
The Carolina Shout - Ragtime and Jazz Piano with Ethan Uslan
Ethan plays an assortment of African-American spirituals and some songs inspired by them. Selections include: "Joshua Fit the Battle of Jericho," "Down by the Riverside," "Sometimes I Feel Like a Motherless Child," and "Go Down Moses" (which has a fascinating history behind it). Songs inspired by spirituals include Gershwin's "Summertime" and Creamer/Layton's "Dear Old Southland." Amen!
Go Down, Moses - Part 7 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 5 (Friday Class) by Literature as Prophecy
Go Down, Moses - Part 6 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 4 (Friday Class) by Literature as Prophecy
Go Down, Moses - Part 5 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 3 (Friday Class) by Literature as Prophecy
Go Down, Moses - Part 4 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 3 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 2 (Monday Class) by Literature as Prophecy
Go Down, Moses - Part 2 (Friday Class) by Literature as Prophecy
Maria and Didi discuss episode 2x06 of WGN's Underground called, Minty. Harriet Tubman had a lot to say during this one and so did we! Join the discussion @Roxie, @dustdaughter, and @blackgirlsquee. You can also email us at blackgirlsquee@gmail.com. Intro and Outro is "Go Down Moses" as heard on the show. Support the show on Patreon!
Go Down, Moses - Part 1 (Monday Class) by Literature as Prophecy
George Benson og Al Jarreau flytja lögin Breezin', Mornin', Four, Do't Start No Schtuff og Long Come Tutu. Al Jarreau og Kurt Elling syngja saman í Take Five. Kurt Elling syngur lögin Prayer For Mr. Davis, April In Paris, Nature Boy, Gingerbread Boy og Prelude To A Kiss. Að síðustu syngur gospelsöngkonan Gabrielle Goodman lögin Go Down Moses, Deep River, Swing Low Sweet Chariot, Hold On og Nobody Knows (The Trouble I've Seen).
We'd like to apologize to ghosts, Go Down Moses girl, the Scottish, the Irish, and the creators of all video games and video game music. Now that that's out of the way, enjoy this salad! Writing partners Shannon & Scott tempt the salad spinner of fate as they write a short song about a random topic in a random style of music.
Gospel vocal groups from 1914 to 1951. Artists include: The Golden Gate Jubilee Quartet, Ernest Phipps Holiness Singers, The Five Blind Boys of Mississippi, The Chuck Wagon Gang, the Rev. J. M. Gates and Smith's Sacred Singers. Songs include: Go Down Moses, Rock My Soul, I'm a Soldier In The Army Of My Lord, Antioch, Our Father and Gospel Train.
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Music produced by military bands and recorded by the V-Disc program in the 1940s. Songs include: Stairway to the Stars, Swingtime in the Rockies, Go Down Moses, Little Liza and Hungarian Dance #5
Нельшой re-work с добавлением басов для большей танцевальности!
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Новый House релиз от лейбла Clubmasters Records. В релиз вошли оригинальная и радио версия ремикса на «Louis Armstrong - Go Down Moses» от DJ Zed.
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Новый House релиз от лейбла Clubmasters Records. В релиз вошли оригинальная и радио версия ремикса на «Louis Armstrong - Go Down Moses» от DJ Zed.
Louis Armstrong - Go Down Moses (DJ Zed Remix)Дата релиза: 24.06.11Направление: House Формат: Free BootlegWEB: clubmastersrecords.comWEB: promodj.com/DJ-ZeD Новый House релиз от DJ Zed, популярного Российского диджея и саунд-продюсера, артиста Лейбла Clubmasters Records. Скачать Бесплатно:Extended: http://pdj.cc/fauSG Radio: http://pdj.cc/faqYx Club Mix Radio: http://pdj.cc/flo1tClub Mix Extended: http://pdj.cc/flo1u Видеоклип: http://pdj.cc/fav7k #House #Club #DJZed #Remix #ClubmastersRecords #LouisArmstrong #GoDownMoses
Listen to the sound of the Senior Choir singing: Go Down Moses, Go With a Song in Your Heart,Swingin' with the Saints, and The Best of Dirty Dancing.
This is the second of a 4 mix series of Old School Gospel House Classics! Time: 1 hour Playlist : Walkin - Frankie Knuckles feat. Adiva, Till I Found You - Jasper Street Company, Open My Heart - Yolanda Adams, I shall not be moved - Kenny Bobien, Don't give up - Michelle Weekes, Go Down Moses - Sharon Pass, Fly away - DJ Spen/Jasper Street Company, Got Me Going - Jasper Street Company, Let's Dance - Hezekiah Walker Shackles - Mary Mary
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Songs about Alabama and musicians from the yellowhammer state. Songs include: Alabama Jubilee, Go Down Moses, Alabama Strut and the Stars Fell On Alabama. Musicans include: Cow Cow Davenport, Guy Lombardo, the Tuskeggee Institute Singers and W.C. Handy.
Religious music from the teens and twenties. Performers include: The Calvary Choir, Blind Lemon Jefferson, The Edison Mixed Quartet, the Tuskegee Institute Singers and the Alabama Sacred Harp Singers. Songs include: Rock of Ages, Go Down Moses, Nearer my God to Thee and Jesus Make Up My Dying Bed.
Go down, Moses, way down in Egypt land Tell all Pharaoes, to let my people go When Israel was in Egypt land Let my people go Oppressed so hard they could not stand Let my people go So Moses went to Egypt land Let my people go He made all Pharaoes understand Let my people go Thus spoke the Lord, bold Moses said, Let my people go If not, I'll smite your firstborn's dead Let my people go