Podcasts about wolfgang fl

Send us a textWOLFGANG FLÜR (EX-KRAFTWERK)- FOLGE 86 -  Wir klären in dieser Folge ein für alle Mal:Wie kam es zu Wolfang Flürs neuestem Album Times und all den Kooperationen u.a. mit Boris Blank (Yello), Peter Hook (Joy Division/Ex-New Order), U96, und Juan Atkins (Mitbegründer des Detroit Techno)Wie war das jetzt genau mit der vermeintlichen Kooperation für das Album Times mit Ex-Daft PunkMitglied Thomas Bangalter, die durch alle Medien ging?Wie steht Wolfgang Flür zu künstlicher Intelligenz?Wie ist Wolfgangs Verhältnis zu seiner Zeit bei Kraftwerk heute?Was ist die möglicherweise einzig gute Vorliebe des reichsten Manns der Welt, Elon Musk? -       Fun facts, hard facts & Nerd FactsDen legendären Auftritt von Kraftwerk in der Kultursendung Aspekte von 1973 mit dem von Wolfgang Flür gebauten und miterfundenen E-Drums findet ihr hier:  https://www.youtube.com/watch?v=UIbSkw4yvecHier findet ihr die Biografie von Wolfgang Flür in der Neuauflage: https://bit.ly/4dlriLCWolfgang Flürs aktuelles Album Times findet ihr hier als CD, Vinyl oder Download: https://bit.ly/3YLF2ctUnd hier das Video zu Posh: https://www.youtube.com/watch?v=l0sZyaClu_QUnd hier noch ein Backlash zur ersten Yamo Veröffentlichung Stereomatic, die dank der Emi leider unterging: https://www.youtube.com/watch?v=S1h-W4yLfkwDer nächste Auftritt von Wolfgang Flür findet anlässlich des 25 jährigen Expo 2000 Jubiläums im Peppermint Pavillon in Hannover statt: https://www.expo-park-hannover.eu/expo2000revisited/ -       LinksWolfgang Flür Youtube: https://www.youtube.com/@WolfgangFlurFanArchivePodcast Disko 80: https://disko80.buzzsprout.comRSS-Feed: https://feeds.buzzsprout.com/1754816.rssDisko 80 bei Replay.fm: listen.replay.fm/tunein-aac-hdHomepage: http://www.purwienundkowa.comAktuelle CD von Purwien & Kowa: https://ffm.to/puk5Musik von Purwien & Kowa: https://purwienkowa.bandcamp.comBücher von Purwien & Kowa: https://amzn.to/2W9Ftj8Videos von Purwien & Kowa: https://bit.ly/3QVfTbRFollow us on Facebook: https://www.facebook.com/purwienundkowaSpotify Playlist Folge 86: https://bit.ly/4mkNBVC - Copyright Covershort: Tom Steinseifer

Esta semana, en una nueva sesión de Rebelión Sónica, los invitamos a escuchar material de “Times”, el nuevo álbum del músico germano e integrante de los años más importantes de Kraftwerk, Wolfgang Flür. Lanzado por el sello Cherry Red Records el 28 de marzo, al igual que su predecesor “Magazine 1” de 2022, el LP muestra a Flür trabajando con Peter Hook ,(Joy Division, New Order) y el DJ Juan Atkins, a quienes se unen en el nuevo álbum Boris Blank de Yello, Thomas Vangarde (ex-Daft Punk), Anthony Rother y el colaborador de Kraftwerk, Emil Schult. "Los tiempos reflejan tanto la rápida aceleración del cambio en nuestro mundo como el poder duradero de la creatividad humana", señaló Flür acerca del disco. "Quería que este álbum conectara con los oyentes tanto a nivel musical como emocional, combinando la nostalgia con una visión del futuro". Al final del programa, viajamos al pasado en la historia de Flür, para escucharlo como miembro de Kraftwerk, con música del álbum “Computer World” de 1981. Semana a semana, Rebelión Sónica se emite por radio Rockaxis los jueves a las 10 y 22 horas, con la conducción y curatoría de Héctor Aravena.

Wolfgang Flür, Kraftwerk's rhythm architect back when their beats still had human fingerprints, revisits his journey from sticks The post Wolfgang Flür – Ex Kraftwerk appeared first on The Strange Brew .

Wolfgang Flür was born in Frankfurt in 1947 but moved to Düsseldorf in the early ‘50s, which has been home ever since. As a young man he played in the band The Sprits Of Sound, and studied to be an architect, hoping to get into interior design. Wolfgang joined Kraftwerk in 1973 and plays on one of the most remarkable album runs in pop music history; “Autobahn”, “Radioactivity”, “Trans Europe Express”, “The Man Machine”, and “Computer World”. He left the band in the mid-80's and his relationship with his former bandleader Ralf Hütter has been somewhat acrimonious over the past few decades. Wolfgang has just released a new record entitled “Times”, which you'll hear clips from during our conversation. The album features collaborations from Peter Hook (formally of Joy Division and New Order of course), and Daft Punk's Thomas Bangalter. The day before the interview I was informed that Wolfgang's musical partner Peter Duggal would be sitting in on the call too. Peter is a musician and producer based in Hebden Bridge, and is very amenable company. This was a fun chat. Wolfgang is really funny and interesting. It probably goes without saying that I absolutely love Kraftwerk, and although I sensed it would not be wise to focus on them too much, it's still a thrill to have them represented on the podcast.   Instagram: @sendingsignalspodcast

Wolfgang Flür, formerly of Kraftwerk, and musical collaborator Peter Duggal, discuss musical journeys, memories from the Kraftwerk years, collaborating with members of Daft Punk and Joy Division for the new LP "Times" and much more. Topics Include: Introduction of new album "Times" release details First 200 vinyl copies include signed postcards Peter's role as Wolfgang's longtime collaborator since 2015 Peter's musical background in 1980s electronic music Previous collaboration on album "Magazine" released in 2022 Collaborators on "Times" including Boris Blank and Daft Punk Modern vs. old technologies for music production Wolfgang's frustration with German music industry Cherry Red Records supporting Wolfgang's career in England EMI's mishandling of Wolfgang's earlier album "Time Pie" Peter's personal relationship with vinyl records Production quality of the vinyl pressing in Czechoslovakia Mastering process with different approaches for vinyl vs. CD Collaborating with Emil Schult, former Kraftwerk visual artist The track "Planet in Fever" originally written in 1993 Wolfgang's approach to revisiting and evolving older songs How Peter and Wolfgang know when a song is "done" Comparing music creation to cooking a meal Process of collaborating with Boris Blank on "Global Youth" Wolfgang's childhood in post-WWII Germany First record purchase: Khachaturian's "Sabre Dance" at age 10 Musical influences from his mother and grandmother First musical instrument was a mouth organ Discovering drums at school at age 16 Designing electronic drum pads for Kraftwerk Wolfgang's friendship with Florian Schneider until his passing Their emotional final meeting at a brewery Working with Thomas from Daft Punk Planned joint appearance at a Chicago film festival Live performance concept "Musiksoldat" as anti-war statement Wolfgang and Peter completed their 60th show together Wolfgang's last visit to Australia in 1981 Karl Bartos' importance to Kraftwerk's musical compositions Plans for future performances and promoting the album EXTENDED, Commercial free, high resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

With Peter Duggal & collaborators U96, Boris Blank, Thomas Vangarde, Juan Atkins, Anthony Rother, Emil Schult, Peter Hook! More interviews at http://www.popthehistorymakers.comWolfgang Flür, former member of Kraftwerk, who has worked with collaborator Peter Duggal since 2015, is set to release his new album, Times, on March 28, 2025, and a new single with Juan Atkins - the Detroit godfather of Techno, on Tuesday 11th March.If you want to watch this on YouTube go here;Wolfgang Flür drops TIMES. Massive electronic names work with ex-Kraftwerk drummerhttps://youtu.be/uXetTet3kJUTrack Listing;POSH (featuring Juan Atkins) Released Tuesday 11th MarchPLANET IN FEVER (featuring U96 & Emil Schult)CINEMA (featuring Fabrice Lig)FAR AWAYFUTURE ONE (featuring NEWMEN)ÜBER_ALL (featuring Peter Hook & Thomas Vangarde)MAGAZINE (Imppu Rework)PROPERTY (featuring Anthony Rother)TIMESGLOBAL YOUTH (featuring Boris Blank & Emil Schult)SEXERSIZER (featuring U96)HILDEBRANDLIED (featuring U96)MONDAY TO THE MOON (featuring Peter Hook & Thomas Vangarde)Times reflects Flür's evolution, blending his electronic roots with contemporary influences. Hosted on Acast. See acast.com/privacy for more information.

The story of an unforgettable techno anthem! U96; the German band that commercialized techno with their anthem Das Boot!To watch on YouTube go here;https://youtu.be/_kXrac0By2wU96 is a German electronic music project best known for their 1991 hit Das Boot, a techno adaptation of the theme from the 1981 war film of the same name. Originally the band were Alex Christensen, Hayo Lewerentz, Ingo Hauss & Helmut Hoinkis, but today consist of Hayo and Ingo, and continue to make music.Their sound has developed from their techno and Eurodance days, and they continue to explore different electronic styles while maintaining their signature atmospheric sound, recently working with Wolfgang Flür (ex-Kraftwerk)This is Ingo and Hayo's story, of a band that exploded onto the music scene with one of the memorable tracks of the 90s. Hosted on Acast. See acast.com/privacy for more information.

This week on Line Noise a genuine legend makes his return to the show: Wolfgang Flür, who was an integral member of Kraftwerk, during the group's glory yeas and is now an inspired solo artist. In a wide-ranging conversation, we spoke about his new solo album, Times, which is released in March 2025; about working with Daft Punk's Thomas Bangalter and former New Order bass player Peter Hook on the record; we spoke about humour and optimism (and why Kraftwerk could do with a bit more of the former); about pacifism, Yello, Emil Schult and much more. Line Noise comes to you with the support of Cupra. Photo by Dan Carty.

This week on Line Noise a genuine legend makes his return to the show: Wolfgang Flür, who was an integral member of Kraftwerk, during the group's glory yeas and is now an inspired solo artist. In a wide-ranging conversation, we spoke about his new solo album, Times, which is released in March 2025; about working with Daft Punk's Thomas Bangalter and former New Order bass player Peter Hook on the record; we spoke about humour and optimism (and why Kraftwerk could do with a bit more of the former); about pacifism, Yello, Emil Schult and much more. Line Noise comes to you with the support of Cupra.

My guests, for the first episode of 2024, are Wolfgang Flür and Peter Duggal Wolfgang Flür, a true legend of electronic music, needs little introduction. He was a member of Kraftwerk, one of the most influential acts of all-time, from 1973-1987.  He played electronic drums on Kraftwerk's best known albums, including ‘Autobahn', ‘Trans Europe Express' and ‘The Man Machine'   Peter, who has worked with a number of artists over the years, including Apache Indian and electronic musician, MAPS is a musician and producer based in Hebden Bridge, West Yorkshire. Peter's first single ‘‘Psyche' released in 1990 achieved chart success in the UK Dance and Indie charts  Peter and Wolfgang talk to me about the making of their album ‘Magazine 1' which came out in 2022 on Cherry Red Records. This excellent album features a number of guest musicians, including Claudia Brücken from Propaganda and legendary bassist, Peter Hook (Joy Division/New Order  For more information on Peter Duggal's work visit: https://www.peterduggal.com

Dieter Meier from YELLO talks about how YELLO came about, his long-term partner in the band - Boris Blank, the departure of Carlos Peron, the hits, about his love of Billy Mackensie's voice, and of course their Rhythm Divine track with Shirley Bassey. And he talks about the role co-incidence has played in his life, the highs and the lows, his art, his ranch in Argentina, and his latest venture - chocolate.⁠The interview took place a in 2021 and coincided with the release of the limited vinyl run of all six YELLO albums from the 80s. Every album comes with a bonus 12'‘ including rare live recordings and extended versions. ⁠And if you like this interview, check out others from Wolfgang Flür from Kraftwerk, or Man Parrish - a wild ride through New York of the 1980s.Support this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

This very special edition of Electronically Yours to celebrate 1 million listens features an all-time legend of electronic music, one of the ‘famous four' members of Kraftwerk, Wolfgang Flür. Apart from his stellar work on the greatest Kraftwerk albums, he continues to create great electronic music, most recently the excellent Magazine 1 with Peter Duggal, Peter Hook, Maps, Carl Cox, Claudia Brucken and Midge Ure, and is currently working on a brand new album… Ladies and gentlemen, he was a robot, the incomparable Wolfgang Flür and his creative partner Peter Duggal... If you can, please support the Electronically Yours podcast via my Patreon: https://www.patreon.com/electronicallyours

Chris Huelsbeck remains one of the most important composers in the area of computer games music. He was influenced by Tangerine Dream, Kraftwerk, and other experimental electronic bands of the 1970s. His sounds for Turrican, Star Wars, and The Great Giana Sisters rank amongst his most famous compositions but he has in total written music for over 100 games in his career. Born in Kassel in Germany, he was brought up near Frankfurt. At 17, he won a competition for the 64er magazine for his composition Shades, leading to a job at Rainbow Arts in music production.His story is about genius, talent, aspiration, and hard work. He currently lives in the States but remains an understated, humble individual who, through this interview, gives us an insight into how it is to compose music for computer games.His Patreon page will allow you at a small cost to use his music as long as he is credited: https://www.patreon.com/chris_huelsbeckAnd his Bandcamp can be found here; https://chrishuelsbeck.bandcamp.com/If you like the interview with Chris Huelsbeck, and maybe electronic is your thing then look back over my catalog of interviews for the ones with Martyn Ware (Heaven 17), and Wolfgang Flür (Kraftwerk).Connect with me on Instagram; steve.blameAnd check out the videos at YouTube@popthehistorymakersSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

⁠Born in 1947 in post-war Germany, Wolfgang Flür made his name in the Kraftwerk, a band that was formed in Düsseldorf where he has spent most of his adult life. The last time I met him was in 1997 when he released his first post-Kraftwerk album with his band Yamo. His latest album, released last year, Magazine 1, is a masterpiece, a mixture of old and new, a commentary on today's world, and also that of post-war Düsseldorf, from Flür's perspective. In this interview, we talk about his own personal history, about his plea for pacifism in Say No! through the Wolfgang Borchert poem of the same name, and the track Birmingham, the home base of his main collaborator on this album, Peter Duggal. He also talks about how Trans Europe Express inspired him to make his track Night Drive, and his emotional final meeting with ex-Kraftwerk bandmate, Florian Schneider, in Düsseldorf where he continues to reside today.⁠More info about Flür here: ⁠https://www.facebook.com/WolfgangFlur1⁠Connect with me on Instagram; steve.blameAnd follow me on YouTube - where you see many of these interviewsyoutube@popthehistorymakersSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

Im zweiten Teil der Interview-Highlights 2022 präsentiert Olaf Zimmermann Parts aus den Sendungen mit Rosa Anschütz, Efdemin, Hold, Mario Schönwälder, Bodi Bill, Alexander von Borsig (Alexander Hacke), Wolfgang Flür und LoYoTo.

Chris Huelsbeck remains one of the most important composers in the area of computer games music. He was influenced by Tangerine Dream, Kraftwerk, and other experimental electronic bands of the 1970s. His sounds for Turrican, Star Wars, and The Great Giana Sisters rank amongst his most famous compositions but he has in total written music for over 100 games in his career. Born in Kassel in Germany, he was brought up near Frankfurt. At 17, he won a competition for the 64er magazine for his composition Shades, leading to a job at Rainbow Arts in music production.His story is about genius, talent, aspiration, and hard work. He currently lives in the States but remains an understated, humble individual who, through this interview, gives us an insight into how it is to compose music for computer games.His Patreon page will allow you at a small cost to use his music as long as he is credited: https://www.patreon.com/chris_huelsbeckAnd his Bandcamp can be found here; https://chrishuelsbeck.bandcamp.com/If you like the interview with Chris Huelsbeck, and maybe electronic is your thing then look back over my catalog of interviews for the ones with Martyn Ware (Heaven 17), and Wolfgang Flür (Kraftwerk).Connect with me on Instagram; steve.blamePhoto (c) Andreas WallströmSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

Dieter Meier from YELLO talks about how YELLO came about, his long-term partner in the band - Boris Blank, the departure of Carlos Peron, the hits, about his love of Billy Mackensie's voice, and of course their Rhythm Divine track with Shirley Bassey. And he talks about the role co-incidence has played in his life, the highs and the lows, his art, his ranch in Argentina, and his latest venture - chocolate (he's sending me some - jealous?)⁠⁠The interview coincides with the release of the limited vinyl run of all six YELLO albums from the 80s. Every album comes with a bonus 12'‘ including rare live recordings and extended versions. ⁠And if you like this interview, check out others from Wolfgang Flür from Kraftwerk, or Man Parrish - a wild ride through New York of the 1980s.Connect with me on Instagram; steve.blameSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

Rusty Egan's influence on New Romantic music is often overlooked and underplayed. He was the drummer in Rich Kids where he met Midge Ure, and after collaborating in a few other bands, he eventually formed Visage with him. He brought on board Steve Strange and Billy Currie who was in Ultravox with Midge joined. They were the seminal fashion/music band of the early 80s, combining a heavily styled look and electronic music. Their hits included ‘Fade to Grey', ‘The Dancer', and ‘Night Train'. When Visage was in their early phase, Rusty and Steve Strange opened 'Blitz', the legendary London club which became the focal point of the New Romantic movement. Boy George worked on the coat check, Steve Strange on the door, and the later fashion and film director luminaries were the regulars, who used to dance to Egan's choice of music that in itself had an impact on the music that was to come to prominence and be influential in Britain during that era.Rusty is a fascinating, entertaining, and opinionated character. He doesn't hold back on his views of that time, and his role in the music of the 1980s.Rusty Egan's; Blitzed - an album of tracks that reference that time, written for a 2021 documentary about the club for Sky Arts is here:https://www.junodownload.com/products/rusty-egan-rusty-egan-presents-blitzed/5009773-02/Connect with me on Instagram; steve.blameIf you like this podcast then look out for the interviews with Kevin Hegge on his documentary Tramps about the New Romantic era, and also an interview with Sue Tilley.Also, the interview with Wolfgang Flür, formerly of Kraftwerk, might interest you. And thanks to POP; The History Makers insanely wonderful talent booker: #ArchieCMichaelSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

HiFi Sean (Sean Dickson) was the singer and main writer of The Soup Dragons, who charted in Europe in 1990 with 'I'm Free', an indie dance cover of the Rolling Stones hit. Later, in 1992, their track 'Divine Thing' was a top 40 hit on the Billboard chart in America. After their first album, 'This is Our Art', the band developed their sound in a more dance and less indie direction. Ten years after the band was founded in 1985, it disbanded. Sean Dickson came out as gay, an event that led to a breakdown, he formed The High Fidelity and. after DJ-ing already earlier in his life, became successful under the name HiFi Sean.Today, he continues to DJ, and make music. HiFi Sean's album Ft. includes tracks by Crystal Waters, Yoko Ono, Dave Ball, Billie Ray Martin (check out her podcast), and David McAlmont, with whom he has already recorded an album that will be released next year.His story is fascinating, and he's able to relate the events in his life with a healthy distance, as someone who is now a happily married gay man.If you like Hifi Sean why not check out these interviews:Billie Ray Martin, the Electronic Series which includes Wolfgang Flür & Martyn Ware, Man Parrish, Dave Dorrell.Connect with me on Instagram; steve.blameFor more on HiFi Sean check out his SoundCloud; https://soundcloud.com/hifi-sean And thanks to POP; The History Makers insanely wonderful talent booker: #ArchieCMichaelSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

⁠On Electronic Music Cities week - today, Wolfgang Flür. He spent most of his adult life in Düsseldorf. ⁠⁠Born in 1947 in post-war Germany, Wolfgang Flür made his name in the band Kraftwerk, a band that was formed in Düsseldorf. The last time I met him was in 1997 when he released his first post-Kraftwerk album with his band Yamo. His latest album, Magazine 1, is a masterpiece, a mixture of old and new, a commentary on today's world, and also that of post-war Düsseldorf, from Flür's perspective. In this interview, we talk about his own personal history, about his plea for pacifism in Say No! through the Wolfgang Borchert poem of the same name, and the track Birmingham, the home base of his main collaborator on this album, Peter Duggal. He also talks about how Trans Europe Express inspired him to make his track Night Drive, and his emotional final meeting with ex-Kraftwerk bandmate, Florian Schneider, in Düsseldorf where he continues to reside today.⁠⁠⁠Electronic Cities - Podcast Interview with Sébastien Darchen is also online.⁠As well as with Martyn Ware, Mark Reeder, and WestBam from the Electronic Cities of Europe.More info about Flür here: ⁠https://www.facebook.com/WolfgangFlur1⁠Connect with me on Instagram; steve.blameSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

On Electronic Music Cities week - Martyn Ware, who was born and brought up in Sheffield. ⁠⁠In this podcast interview, Martyn talks about growing up in Sheffield, his family, and Meatwhistle - the youth club where he met Ian Craig-Marsh, and their first experimental beginnings which were to turn in the Human League. Martyn Ware talks about the early days of the British Electric Foundation (BEF) and Heaven 17, with Glenn Gregory. He also talks about how he was instrumental in resurrecting Tina Turner's career, his life today, and how architecture affects life in cities.⁠⁠Look out for the other ⁠Electronic Cities Podcast Interviews!Sébastien Darchen - author of the Electronic Cities book.On Berlin - a podcast interview with Mark Reeder.⁠Also on Berlin - a podcast interview with Westbam.⁠And on Düsseldorf - a podcast interview with Wolfgang Flür.⁠⁠Martyn Ware's biography is out at the moment on all platforms. He makes a fascinating listen, so look out for his book too.⁠And thanks to POP; The History Makers insanely wonderful talent booker: #ArchieCMichaelConnect with me on Instagram; steve.blameSupport this podcast at — https://redcircle.com/pop-the-history-makers-with-steve-blame/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy Hosted on Acast. See acast.com/privacy for more information.

Magz FM radio / philadelphia / 348Boogsworld - Lose Control ft King Ray Tucker Pink $ock - I Love It Very Chocolate - LabyrinthSAUL - Coalesce (ft Natty Wylah) MarcusMixxShannon x DrakeHolloway - DestinyAnushka - 4AM feat. Wolfgang Flür (The Magnetic Machines Remix) Al Groove - Come On,Get Up,Dance! Natalie Duncan - Hearts In a Cage (4hero Remix) KingKlavé - Dejate De Gracia Conmigo FRITZWA - One Way Ticket Hollie Cook - PrayingAngelo Outlaw - Silent Horizon Ben Franklin - Holler(The Cycle)Homeboy Sandman - Flat Pockets yBocky - Top Side (HOT Remix) w- P.FiggazJohnny Tra$h - Break A Leg Johnny Tra$h - Cash Cow Rich Jones & Iceberg Theory - Party Time (ft Defcee)Honor Flow Productions - The Life (ft. Luna) Monsta Zero Flips Angel & D Ma x Shall I Bruk Itwww.maggysrooftopaerial.com

Magz FM radio / philadelphia / 348 Boogsworld - Lose Control ft King Ray Tucker Pink $ock - I Love It Very Chocolate - Labyrinth SAUL - Coalesce (ft Natty Wylah) MarcusMixxShannon x Drake Holloway - Destiny Anushka - 4AM feat. Wolfgang Flür (The Magnetic Machines Remix) Al Groove - Come On,Get Up,Dance! Natalie Duncan - Hearts In a Cage (4hero Remix) KingKlavé - Dejate De Gracia Conmigo FRITZWA - One Way Ticket Hollie Cook - Praying Angelo Outlaw - Silent Horizon Ben Franklin - Holler(The Cycle) Homeboy Sandman - Flat Pockets yBocky - Top Side (HOT Remix) w- P.Figgaz Johnny Tra$h - Break A Leg Johnny Tra$h - Cash Cow Rich Jones & Iceberg Theory - Party Time (ft Defcee) Honor Flow Productions - The Life (ft. Luna) Monsta Zero Flips Angel & D Ma x Shall I Bruk It

On this episode: Я твой слуга, я твой работник. The lyrics reference the revolutionary technique of robotics, and how humans can use them as they wish. The Russian lines "Я твой слуга" (Ya tvoy slugá, "I am your servant") and "Я твой работник" (Ya tvoy rabótnik, "I am your worker") (also on the rear sleeve of the album) during the intro and again during its repetition at the bridge are spoken in a pitched down voice, the main lyrics ("We're charging our batteries and now we're full of energy...") are "sung" through a vocoder. Wolfgang Flür, a member of Kraftwerk at the time of the single's release, later wrote, "ich war ein roboter" (I Was a Robot in English), with his title referencing the lyrics of "The Robots".

Episode 70 The Sonic Origins of Electronic Dance Music Trying to understand the evolution and history of electronic dance music (EDM) is a daunting task. We'll explore some of the sonic roots to see how we got to EDM—a beat-driven music powered by electronics and often focused on creating a trancelike musical state. Playlist Jesse Saunders, “On And On” from On and On (1984 Jes Say Records). Possibly the first DJ-created album created as a commercial public release. Produced, Performed, Arranged By Jesse Saunders; written by Jesse Saunders, Vince Lawrence. 8:02 Armin Van Buuren, “Sail” from Sail (2006 Armind). This 12” original mix was written by and produced by Armin van Buuren. 7:29 Amelie Lens, “Linger On” from Let it Go (2016 Second State). EDM performer and producer from Antwerp, Belgium. 7:41 Timmy Thomas, “Why Can't We Live Together,” from Why Can't We Live Together (1972 Glades). Timmy Thomas, Hammond organ and drum machine. Note the rapid-fire drum sequences sprinkled in here and there, a premonition around the future sound of drum machines. 4:38 Kraftwerk, “Uranium” from Radioactivity (1975 Kling-Klang). Not so much a danceable turn, but the choir sample was later repurposed by New Order in Blue Monday, so a worthy acknowledgement to Kraftwerk. 1:26 Kraftwerk, “Transistor” from Radioactivity (1975 Kling-Klang). Electronic percussion, Karl Bartos, Wolfgang Flür; Voice, Electronics, Florian Schneider, Ralf Hütter. 3:43 Kraftwerk, “Europe Endless” from Trans Europe Express (1977 Kling-Klang). Electronic Drums, Karl Bartos, Wolfgang Flur; Electronics, Voice, Florian Schneider, Ralf Hutter. 9:38 Biddu Orchestra, “Bionic Boogie” from Bionic Boogie (1976 Epic). A 45 RPM single from the disco era, featuring some electronics in the form of synthesizers. Biddu was an Indian-British music producer, composer, songwriter and singer. This was a departure for the Biddu Orchestra, which was normally engaged in full disco orchestrations, not the sonic textures of synthesizers, which are heard here, if somewhat overlayed by the other instruments. 2:59 Donna Summer, “I Feel Love” from I Remember Yesterday (1977 Casablanca). Written and sung by Donna Summer; produced by and Moog Synthesizer, Giorgio Moroder; Moog Synthesizer, Robby Wedel; Moog Bass, Thor Baldursson; Drums, Percussion, Keith Forsey; Bass, Les Hurdle.5:52 Space, “Save Your Love For Me” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli, acclaimed for their 1977 UK disco hit "Magic Fly." 5:45 Space, “Final Signal” from Just Blue (1978 Vogue). Space was a French group, created around Didier Marouani (aka Ecama) and Roland Romanelli. 4:21 Yellow Magic Orchestra, “Computer Game (Theme From The Invader)” from Yellow Magic Orchestra (1978 Horizon). Japanese techno band, parallel to later Kraftwerk. Drums, Percussion, Other Electronics, Vocals – Yukihiro Takahashi; Keyboards, Other [Electronics], Percussion, orchestrated by Ryuichi Sakamoto; Produced by Harry Hosono; Micro Composer programmer, Hideki Matsutake. 4:28 Mandré, “M3000 (Opus VI)” from M3000 (1979 Motown). Produced and Arranged By Andre Lewis. Lewis was a keyboardist who went on to collaborate with many artists, not the least of which for Frank Zappa for whom he played keyboards for The Mothers of Invention after the departure of George Duke. 5:43 New Order, “Blue Monday” from Blue Monday/The Beach (1983, Factory). This was a 12-inch 45 RPM single of the song which became a top seller. New Order was firmly entrenched in the synth-pop dance/crossover genre at that time and this song with its funky samples, mechanical progression and even references to Kraftwerk (the vocal choir heard is indeed a sample from Kraftwerk's “Uranium” released in 1975 effectively put a few more bricks in the bridge to electronic dance music. 7:27 Michel Huygen, “Take Now Music (Extended Instrumental Version)” from Capturing Holograms (1984 jive Electro). Recorded early 1984 in Barcelona (Spain). Composed, performed, produced, and programmed by Belgian born synthesist Michel Huygen, a member of the Spanish group Neuronium in 1976. 5:34 Kraftwerk, “Der Telefon Anruf (German Version)” from The Telephone Call (1987 EMI). Listen to this track and you will hear similarities in later work by New Order, particularly the comping synth chords and pattern. 3:47 New Order, “World (The Price Of Love) (Radio Edit)” from World. (The Price Of Love) (1993 London Records). CD single of the track also found on the album Republic (1993 London Records). This sounds as if New Order is still thanking Kraftwerk for their inspiration. 3:39 Opening background music: New Order, “Confusion (Instrumental)” (1983 Streetwise). Mixed by Arthur Baker and John "Jellybean" Benitez. New Order's sixth single and their first collaboration with Arthur Baker. Released August 22, 1983.   Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog, Noise and Notations.

Der Ex-Kraftwerk-Musiker Wolfgang Flür hat mit "Magazin 1" ein neues Album veröffentlicht. Hochkarätig sind auch die beteiligten Gäste zu denen Midge Ure, Claudia Brücken, Carl Cox, Juan Atkins, Maps und U96 zählen. Gemeinsam mit Olaf Zimmermann wird das neue Album in der ersten "elektro beats"-Stunde ausführlich vorgestellt. Themen sind u.a. die Zusammenarbeit mit Peter Duggal und den zahlreichen Musiker*innen, ihre Arbeitsweise, die Erklärung des Plattentitels und des Artworks und nicht zuletzt diverse, spannende Making-Of-Geschichten. Nach elf Jahren Pause, in der jeder der Musiker andere Projekte verfolgte, veröffentlichen Bodi Bill mit "I Love U I Do" ein neues Album. Bevor sie auf eine ausgedehnte Tournee gehen, schauten sie in der zweiten "elektro beats"-Stunde im Studio vorbei und stellten sehr ausführlich ihre neuen Titel vor und sprachen über deren Entstehung.

Born in 1947 in post-war Germany, Wolfgang Flür made his name in the band Kraftwerk. The last time I met him was in 1997 when he released his first post-Kraftwerk album with his band Yamo. His latest album, Magazine 1, is a masterpiece, a mixture of old and new, a commentary of today's world from Flür's perspective. In the first part of this two-part interview, we talk about his own personal history, about his plea to pacifism in Say No! through the Wolfgang Borchert poem of the same name, and the track Birmingham, the home base of his main collaborator on this album, Peter Duggal. See acast.com/privacy for privacy and opt-out information.

Part two of this interview with Wolfgang Flür looks at more tracks on his album Magazine 1, and how Trans Europe Express inspired him to make his track Night Drive, and he talks about an emotional final meeting with ex-Kraftwerk bandmate, Florian Schneider. See acast.com/privacy for privacy and opt-out information.

Die Männerausgabe von Pop nach 8! Ed Sheeran muss sich darin vor Gericht verteidigen, Til Lindemann von Rammstein wird im Zug, im Fitnessstudio und im Restaurant beobachtet. Bandkollege Flake bekommt Besuch in seiner Wohnung im Prenzlauer Berg, schlecht geredet wird außerdem über die Eagles und Wolfgang Flür von Kraftwerk. Schon wieder Kraftwerk? Ja, denn wenn man schon mal die Gelegenheit bekommt, seine Idole persönlich zu sprechen, dann gehört das auch in den Pop-Podcast aus Berlin! Sex darf in einer Männerausgabe natürlich auch nicht fehlen - wir sagen nur: V-U-L-V-A!

Edición Limitada - 14 de Marzo del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Nick Cave and Warren Ellis, Amenra, Depeche Mode, Thom Yorke, Radiohead, Son Lux, Mitski, David Byrne, Belle and Sebastian, Aldous Harding, Placebo, Peter Doherty & Frédéric Lo, Florence + The Machine, Spiritualized, Pavement, The Black Keys, M!R!M, The Linda Lindas, Rolling Blackouts Coastal Fever, The Boo Radleys, Pixies, Automatic, Cold Gawd, bdrmm, Rammstein, Fantastic Negrito, Art d'Ecco, Propellerheads, Moderat, Jenny Hval, Everything Everything, James Krivchenia, The Smile, Mall Grab, Oliver Sim, Bodega, Wolfgang Flür, Night Sins, Rue Oberkampf, Tourist y Sven Väth.

Edición Limitada - 14 de Febrero del 2022. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Caroline Spence with Matt Berninger, Alt-J, Andy Bell, Fawns of Love, Big Thief, Stray Fossa, Tallies, Death from Above 1979, Foals, Ed Schrader's Music Beat, Midnight Oil, Spoon, Wings of Desire, Portugal. The Man, Superchunk, Glacier Veins, The Beths, Secret Shame, The Linda Lindas, 50 Foot Wave, Liam Gallagher, Jack White, Idles, Author & Punisher, A Place to Bury Strangers, Killing Joke, Horace Andy, Telefís with Jah Wobble, Dot Allison, Matmos, New German Cinema, Moderat, Peter Bjorn and John, Dubstar, Duran Duran, Wolfgang Flür featuring Claudia Brücken & Peter Hook, Boy Harsher, Primal Wound, Sally Shapiro, Röyksopp & Alison Goldfrapp y Adult.

Today we have an exceptionally distinguished guest on Line Noise in the form of Wolfgang Flür, a German musician who was LITERALLY in Kraftwerk. He has a fantastic new solo album coming out on March 4, called Magazine 1, and he talked to us about recording with Juan Atkins, his parents' views on Kraftwerk, acting and singing; Magazine 2 and a whole load more. And he ends with a lovely and very moving story about an unexpected meeting with Florian Schneider in a Düsseldorf cafe in 2016. Enjoy what we humbly think is a very special episode of Line Noise.

Today we have an exceptionally distinguished guest on Line Noise in the form of Wolfgang Flür, a German musician who was LITERALLY in Kraftwerk. He has a fantastic new solo album coming out on March 4, called Magazine 1, and he talked to us about recording with Juan Atkins, his parents' views on Kraftwerk, acting and singing; Magazine 2 and a whole load more. And he ends with a lovely and very moving story about an unexpected meeting with Florian Schneider in a Düsseldorf cafe in 2016. Enjoy what we humbly think is a very special episode of Line Noise.

Playlist Chamberlin Rhythmate Two Times The Trauma, “Freak Show” from I Fell In Love With An Ocean (2006 Starfly). There is an original Chamberlin Rhythmate at Roth Händle Studios in Stockholm, plus some other precious vintage equipment used in the making of the first album by Two Times The Trauma. Double Bass, Vocals, Magnus Eugensson; Drums, Percussion, Optigan, Mellotron, Tin Whistle, Turntables, Chamberlin Rhythmate, Mattias Olsson; Electric Guitar, Eric Fallope; Mellotron, Orchestron, Tobias Ljungkvist; Tuba, Fredrik Wennström; Vocals, Cecilia Åhlfeldt; Vocals, Acoustic Guitar, Mattias Eriksson; Xylophone, Daniel Kåse. Recorded at Roth Händle Studios 3 & 4, Stockholm. Mellotron bee tape set used with kind permission from Gaby Stenberg. Yamaha GX-1 used with kind permission from Benny Andersson. Orchestron French Horn disc on 'In Your Eyes' used thanks to Zac Rae. All Optigan, Mellotron and Chamberlin Rhythmate service and maintenance was performed way beyond the call of duty by Markus Resch. Wurlitizer Side Man and Swingin' Rhythm LCD Sound System, “Somebody's Calling Me” from This Is Happening (2010 Parlophone). Somebody's Calling Me; Finger Snaps Snaps, Matt Thornley; Finger Snaps Snaps, Synthesizer Casio MT-68, Wurlitzer Sideman, EMS VCS3 Putney, Korg Poly Ensemble, Bass, Piano Acoustic, Keyboards Roland System 100, Vocals, James Murphy; Mixed By, DS; Trombone, Jason Disu; Written-By, J. Murphy. Glenn Derringer, “The Girl From Ipanema” from Wurlitzer Swingin' Rhythm (1968 Wurlitzer). Glenn Derringer at the Wurlitzer electronic organ, demonstrating the Wurlitzer Electronic Swingin' Rhythm attachment with an unspecified Wurlitzer electronic organ. Each track on this demonstration disc explains the Swingin' Rhythm settings that were used. For “The Girl From Ipanema,” the settings were: “Moderate Bossa Nova. The Swingin' Rhythm was set at Latin, tempo control set to 1 o'clock.” What more can I say? Dick Hyman, “Strobo” from the single Strobo/Lay, Lady, Lay (1969 Command). Dick told me about this track, which was one of his Moog experiments that didn't make it onto his two albums around this time. Normally, he produced his Moog tracks with the help of synthesizer programmer Walter Sear. But in the case of this single, he did all the programming. For “Strobo,” he used a drum machine. It sounds like a Swingin' Rhythm. Jean-Pierre Sabar, “Fool on the Hill” from Super-Danse/Les Orgues Électroniques De Jean Pierre Sabar (1969 Sava). French LP of instrumental cover versions of popular music, all played on the Wurlitzer 4300 electronic organ with integrated Multi-Matic Percussion unit and Swingin' Rhythm, which was also sold as a standalone drum machine. In this case, I'm having a little trouble telling the difference between the drum machine and what sometimes sounds like a drum set with bass and toms. The settings on the organ indicate that the pedals can be used to play “drum” and “cymbal” sounds, and the Swingin' Rhythm unit had buttons for drum, brush, snare, block, and cymbal. Still, I can't account for the tambourine sound but so much of this rhythm section sounds like a drum machine repeating sounds robotically that I must assume that this is a combination of live drummer and drum machine. Jerry Styner And Larry Brown, “Dock of the Bay” from Orbit III (1971 Beverly Hills). Album produced to showcase the sounds of the Wurlitzer Orbit III organ, the “orbit” portion being a a third, two-octave keyboard that was a monophonic synthesizer. The instrument was equipped with the latest Wurlitzer rhythm machine built in. On this track, you not only hear sounds of a drum machine that sounds similar to the Wurlitzer Swingin' Rhythm machine introduced in 1969. Although the liner notes suggest that all of the sounds were created using the organ, there appears to be a regular human drummer playing along (probably percussionist and co-producer Larry Brown). I say this because there is a hit hat heard throughout and although Swingin' Rhythm had setting for a Snare, Brush and Cymbal sounds, as fills for the rhythm settings, they really did not reproduce the hit hat sound that is heard here. That and the miscellaneous drum fills added throughout sound more “played” than mechanized. Anyway, that's my take after examining this recording as compared to the actual sounds of the Swingin' Rhythm unit. Thomas Organ Byron Melcher, “Spanish Flea” from The Entertainers (1966 Thomas Organ Co.). Thomas Organ was one of the leading makers of electronic organs for the home. On this track, you can hear the Playmate rhythm component, a drum machine with 15 preset rhythms. The Thomas organ drum machine, circa mid-1960s. Thomas Organ was another maker of electronic organs for the home market. By 1966 they had created the Playmate rhythm component, a drum machine with 15 preset rhythms and a standalone device called the Band Box that had 10 preset rhythms. These were often sold as part of their Color-Glo line of transistorized organs. Color-Glo helped amateur musicians by lighting up the keys for preprogrammed melodies and chords to guide them along. Lowrey Organ Johnny Kemm “Taboo” from Latin Days (1970 Concert Recording). This album was created using the Lowrey Theater Console Deluxe organ model H25R-2 equipped with the built-in Automatic Rhythm drum machine feature. Not Sure Which Drum Machine Robin Gibb, “Mother and Jack” from the single Saved by the Bell/Mother and Jack (1969 Polydor). There was brief period in 1969 when the Brothers Gibb, otherwise known as the Bee Gees, had a sibling riff and Robin went off on his own to record some solo projects while Barry and Maurice completed a two-man Bee Gee album called Cucumber Castle. Perhaps because he was working along, Robin used a drum machine to mark time while recording various tracks and in the case of a few songs, he kept the mechanical rhythm as part of the finished recording. This might be the earliest purposeful use of a drum machine on a pop hit. I include it hear because it is probably a Swingin' Rhythm, although it might also be a Seeburg Select-A-Rhythm, also available at the time. Bruce Haack “Saint Basil” from The Electronic Record For Children (1969 Dimension 5). Tape composition, drum machine, and synthesis by Bruce Haack; Directed by P. Pandel; Performer, The Children Of Holy Trinity Cathedral School. Bruce used an unidentified drum machine on this album of children's music. Roland (Various) Michael Iceberg, “Mexican Hat Dance” from Does It Live: 100th Week At Walt Disney World (1977 Hihomusic). This album was only sold to tourists as a souvenir at Walt Disney World during the Michael Iceberg residency as a performer at Tomorrowland Terrace during the late 70's through the late 80's. Unknown drum machine, but likely a Roland Rhythm TR-55. Miha Kralj, “Apokalipsa” from Andromeda (1980 PGP). Yugoslavian record from synthesist Miha Kralj features a Roland CompuRhythm CR-78. Composer, producer, Synthesizer, Vocoder, Sequencer, Drum Machine, Effects, Miha Kralj. Gary Numan, “Slowcar To China” from Dance (1981 Atco). Bass , Mick Karn; Percussion, Gary Numan, Tim Steggles; Polymoog, Prophet 5, Roland JP 4, CP30, Claptrap, Electronic Drums Roland CR78, Gary Numan; Viola, Chris Payne. The Noyes Brothers, “Byte to Beat” from Sheep From Goats (1980 Object Music). Synthesizer and electronic drums, Solamar. The Noyes Brothers had two members, Steve Miro and Steve Solamar. They were from the UK and Solamar seems to be the only artist on this track and uses an non-specific Roland drum machine. This track is taken from a double LP, the only record I know of for the Noyes Brothers. Comateens, “Ghosts” from Comateens (1981 Cachalot Records). Here is a group who's unofficial fourth member was a Roland Compu-Rhythm CR-78. The inner notes for the album featured profiles of all of the artists, including Lyn Byrd on synthesizers and vocals, Oliver North on guitar and vocals, Nic North on bass, and vocals and the Roland machine, which was described as having a square black head, no body, with red, blue, and yellow buttons. In addition, the notes state that the Roland drum machine was born in Japan and existed as 3,468 separate pieces before assembled and called upon to serve with the Comateens. Joël Fajerman, “Espace – Oiseaux” from Azimuts (1981 PSA). French record by Fajerman featuring a Roland TR 808 Rhythm composer, and instruments such as the Multimoog, Prophet 5, Korg polyphonic 3100, Clavinet D6, ARP sequencer, Oberheim module. SPK (System Planning Korporation), “Emanation Machine R. Gie 1916” from Information Overload Unit (1981 Side Effects). Australian industrial sounds released in the UK. Guitar, Bass, Tape, Vocals, Mike Wilkins; Synthesizer, Roland Drum Programming, Effects, Vocals, Graeme Revell; Synthesizer, Effects, Dominic Guerin. Rüdiger Lorenz, “Out of the Past” from Invisible Voices (1983 Syncord). This late pharmacist/synthesist from Germany played all the instruments on this album, including Korg Polysix, Formant Synthesizer, Roland Vocoder VC 10, Roland TR-808 Rhythm Composer, Moog Sample & Hold, MXR Stereo Chorus, Electro-Harmonix Flanger, PPG Sequencer, Elektor Ringmodulator, and Pearl Vorg Echo-Orbit. Other analog drum machines Bob Hacker, “Careless Hands” from One Man Opry: Bob Hacker Plays The Yamaha Electone D (1980 Yamaha). This album, produced by Yamaha, features some of the wacky analog synth effects it could produce as well as its built-in drum machine. This was a spinet style organ, a small upright keyboard with pedals for the home market. Arthur Brown and Kingdom Come, “Time Captives” from Journey (1973 Polydor). Brown used Bentley drum machine to provide drums on this track. The Bentley was actually a UK version of the Roland TR-77 which was the very first product Roland released under they own name. In the US this same unit was sold by Hammond as the Auto-Vari 64. The unit has 5 faders for Volume, Tempo, Cymbal/HH/Maracas, Guiro, Snare, Bass Drum. The TR-77 has 6 faders for Tempo, Fade Time, Volume, Bass D, Snare D, Guiro & Hi-Hat/Cymbal/Maracas. Bass, Percussion, Vocals, Phil Shutt; Bentley Rhythm Ace, Vocals, Arthur Brown; Electric Guitar, Vocals – Andy Dalby; Mellotron, Synthesizer [Arp 2600, Vcs3], Piano, Theremin, Percussion, Vocals, Victor Peraino. Kraftwerk, “Radioactivity” from Kraftwerk – Radio-Activity (1975 Capitol).Electronics, Florian Schneider, Ralf Hütter; Lyrics by Emil Schult, Florian Schneider, Ralf Hütter; music by Florian Schneider, Ralf Hütter; Electronic Percussion Karl Bartos, Wolfgang Flür; Vocals, Florian Schneider, Ralf Hütter. Schoolly D, “P.S.K.-What Does It Mean? (instrumental version)” from‎ P.S.K.-What Does It Mean? / Gucci Time (1986 Schooly D Records). A remix of this track that features only the drum sounds of the The Roland TR-909 Rhythm Composer. This drum machine was one of the first Roland instruments to be equipped with MIDI, and was the first analog/digital hybrid machine, combining analog circuits for its drums with digital samples for its cymbal and hi-hat sounds. You can hear how Schooly D isolated the cymbals and drums on this track. Pixie Ninja, “Leng Plateau” from Colours Out Of Space (2020 Apollon Records). Another recording using the Chamberlin Rhythmate in the Roth Händle Studio in Stockholm. Roth Händle studios is run by producer and musician Mattias Olsson who collects, restores, and offers vintage musical gear for use by visiting bands. There is so much to listen to here with Pixie Ninja's hard-driving and somewhat deranged mix of vintage, cranky electronic instruments and modern guitars and synthesizers. You can hear the Chamberlin Rhythmmate in this track, a Bandmaster Powerhouse Drum Machine (the one that used 8-track tapes), and an Electro-Harmonix DRM-16 Drum Machine. Godin Shifter 4 Bass, Korg Krome 61, Korg Volca Keys, Korg Monotribe, Nord Lead A1, Glockenspiel, Polar Circle Bells, Kalimba, Marius Leirånes; Drums, Percussion, Mother Modular System, Mellotron M400, Philicorda Organ, Chamberlin Rhythmate, Fender Rhodes, Hohner Clavinet, Blind Typemachine, EMS VCS3, Casio PT-88, Roland JV-8080, Roland SH-101, Electro-Harmonix DRM-16 Drum Machine, Moog Taurus, Korg MS-10, Optigan, Roland VP-330+, Bandmaster Powerhouse Drum Machine, E-Bow (Bass Gizmotron), Jenco Celeste, Grand Piano, Mattias Olsson; Fender Stratocaster, Gretsch G5320T, TC Electronic AEON Infinite Sustainer, Korg Krome 61, Korg microKORG, Nord Lead A1, Arturia Microbrute, Stylophone 350s, Glockenspiel, Jostein Haugen; Rickenbacker 12 String Electric Guitar, Fender Rhodes, Philicorda Organ, Mellotron M400, Hampus Nordgren-Hemlin. Background Sounds Opening: Negativland, “Side 1, Track 3” from Negativland (1980 Seeland). An unidentified drum box is heard throughout this track. It sounds a lot like the Wurlitzer Swingin' Rhythm. Recorded Dec. 1979-April 1980. This privately release album had a hand-made sleeve made of cut-and-paste artwork assembled with xerox, wallpaper, black construction paper, and magazine photos. Beneath these pasted portions, the cover itself is spray painted and stenciled with parts of the band name, as well as hand-numbered. Synthesizer, edited by, voice, tape, David Wills; Tape, Electronics, drum machine rhythms, Booper (an electronic oscillator), Clarinet, Organ, Viola, Loops, Guitar, Mark Hosler, Richard Lyons. Description of previous way of producing drum sounds: George Wright, “Happy Talk” from Goes South Pacific (1958 HiFi Records). George Wright on the Mighty Wurlitzer theater organ, an electronic organ popular in the 1950s. Introductory dialog: Johnny Kemm “I Say a Little Prayer” from Latin Days (1970 Concert Recording). This album was created using the Lowrey Theater Console Deluxe organ model H25R-2 equipped with the built-in Automatic Rhythm drum machine feature. Description of Chamberlin Rhythmate: Audio track demo of the  Chamberlin Rhythmate  from the YouTube video posted by instrument collector Dan Hicks (aka Peahix), a collector in California. Description of Wurlitzer Side Man: Audio track demo of the Wurlitzer Side Man from the YouTube video posted by instrument collector Dan Hicks (aka Peahix), a collector in California. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. For additional notes, please see my blog Noise and Notations.  

Edición Limitada - 14 de Setiembre del 2020. Producción, realización y conducción: Francisco J. Brenes. Presentando música de Adrianne Lenker, Margo Price, Hennessey, U2, The Flaming Lips, PJ Harvey, Sintia, Archie Sagers, Catholic Block, Django Django, A Certain Ratio, Doves, New Order, Gorillaz featuring Robert Smith, Peter Hook & The Light, Fontaines D.C., The Hives, Nothing, Bad Religion, Bob Mould, Shame, Arab Strap, Adult. & Planet B, Evian Christ, Darkstar, Daniel Avery, Bebel Gilberto, Insides, Eartheater, Yelle, Róisín Murphy, Geiz, Yelle, Aurora, Abel featuring Sabrina Chyld, A Certain Ratio, Chk, Chk, Chk (!!!), U96 & Wolfgang Flür y Depeche Mode.

Confira a play deste PROG #0016 The First Rebreather – Big Big Train English Electric – 2012 Big Big Train é uma banda inglesa de rock progressivo formada em Bournemouth em 1990. English Electric Part One é o sétimo álbum de estúdio da banda inglesa de rock progressivo Big Big Train. Foi lançado em 3 de setembro de 2012, pela English Electric Recordings e GEP Heart of Lothian – Marillion Misplaced Childhood – 1985 "Heart of Lothian" é uma canção da banda britânica de rock neo-progressivo Marillion. É a quinta faixa do álbum conceitual de 1985, Misplaced Childhood. A canção foi lançada como o terceiro single do Misplaced Childhood em 18 de novembro de 1985 no Reino Unido, Holanda, Alemanha Ocidental, Canadá (pela Capitol Records), África do Sul e Austrália. "Heart of Lothian" se tornou o terceiro single Top 30 do Reino Unido de Misplaced Childhood, chegando ao número 29. A canção também alcançou a posição 51 na parada de singles alemã. The Deadly Dream of Freedom – Triumvirat Álbum Spartacus – 1975 Tarde Vazia – Irá! - ÁlbumClandestino – 1990 Em 1981, Nasi chamaria o amigo Edgard para tocar num show na PUC-SP e ali surgiria o Ira, ainda sem o ponto de exclamação. Completavam a formação o baterista Fábio Scattone e o baixista Adilson Fajardo. Embora muitos acreditem que o nome "Ira" fosse inspirado no Exército Republicano Irlandês, ele nada mais do que remete ao sentimento de ira. Como houve muitos enganos sobre o nome, foi incrementado um ponto de exclamação na tentativa de acabar com outras interpretações, alterando, assim, para "Ira!". Tour de France – Kraftwerk - Tour de France -2003 Kraftwerk é um influente grupo musical alemão de música eletrônica. O grupo foi formado por Ralf Hütter e Florian Schneider em 1970, em Düsseldorf e liderado por ambos até a saída de Schneider, em 2008.[5][6] A formação mais conhecida, duradoura e bem sucedida foi aquela que se consolidou entre 1975 e 1987 e que incluía os percussionistas Wolfgang Flür e Karl Bartos. Em 2014 o Kraftwerk recebeu, junto aos Beatles, o prêmio Grammy Lifetime Achievement, pelo conjunto de suas obras. Lá Villa Strangiato – Rush - Hemispheres – 1978 Rush foi uma banda canadense de rock formada em agosto de 1968 na cidade de Toronto, Ontário. A banda era composta pelo baixista, tecladista e vocalista principal Geddy Lee, pelo guitarrista e backing vocal Alex Lifeson e pelo baterista, percussionista e letrista Neil Peart. A formação original da banda passou por algumas modificações entre 1968 e 1974, alcançando sua formação definitiva com Peart em julho de 1974, duas semanas antes da primeira turnê nos Estados Unidos, devido a problemas de saúde de John Rutsey, antigo baterista da banda. Hemispheres é o sexto álbum de estúdio da banda canadense Rush, lançado em 28 de Outubro de 1978. Neste disco, pode-se notar que a banda volta a trabalhar com o tema "Cygnus X-1" Anote aí: TODA TERÇA - 17:00 Entre no modo 107 9.

D_Hanger is alchemy of sounds. It is music that does not need a form and does not look for definitions: pure groove, what else. Since 2000 he began his activity as a DJ in southern Italy, and then continued in Rome, where he's now based. Since 2009, thanks to the collaboration with Amigdala and Glamda, he has shared the console with some of the protagonists of the European nightlife and with the big names in the electronic and techno scene, such as Stereototal, Kap Bambino, Marcus Meinhardt (Panorama Bar Berlin), Fukkk Off, Make The Girl Dance, Etienne De Crécy, Wolfgang Flür (Kraftwerk), Hintergrundrauschen (Tresor Berlin), Answer Code Request, Azari & III, Jessica 6, Kim Ann Foxman, Bart B More, The Hacker, Peaches, Jess Rose, St. Vincent , Giorgio Moroder, Felix Da Housecat, Miss Kittin, Ellen Allien and many others. Tracklist 1) Superlover – Love Machine 2) The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix) 3) Purple Disco Machine – Play (Superlover Remix) 4) Le le Sacchi - Dreaming Won't Do (Tiger & Woods Nightmare Mix) 5) Nader Razdar & Kevin McKay - Get Ur Freak On 6) SuperNova - Deep Mamba 7) Whitesquare - Visual Distortion of Reality 8) KH - Only Human 9) SIS - The Blind Side (Rodriguez Jr. Remix) 10) Goom Gum - It's a Lot 11) Madonna - I Don’t Search I Find (Honey Dijon CLUBMIX) 12) Hot Since 82 – Rise 13) Evan Duthie – You Got Lucky 14) Marie Davidson – Work It (Soulwax Remix)

D_Hanger is alchemy of sounds. It is music that does not need a form and does not look for definitions: pure groove, what else. Since 2000 he began his activity as a DJ in southern Italy, and then continued in Rome, where he's now based. Since 2009, thanks to the collaboration with Amigdala and Glamda, he has shared the console with some of the protagonists of the European nightlife and with the big names in the electronic and techno scene, such as Stereototal, Kap Bambino, Marcus Meinhardt (Panorama Bar Berlin), Fukkk Off, Make The Girl Dance, Etienne De Crécy, Wolfgang Flür (Kraftwerk), Hintergrundrauschen (Tresor Berlin), Answer Code Request, Azari & III, Jessica 6, Kim Ann Foxman, Bart B More, The Hacker, Peaches, Jess Rose, St. Vincent , Giorgio Moroder, Felix Da Housecat, Miss Kittin, Ellen Allien and many others. Tracklist 1) Superlover – Love Machine 2) The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix) 3) Purple Disco Machine – Play (Superlover Remix) 4) Le le Sacchi - Dreaming Won't Do (Tiger & Woods Nightmare Mix) 5) Nader Razdar & Kevin McKay - Get Ur Freak On 6) SuperNova - Deep Mamba 7) Whitesquare - Visual Distortion of Reality 8) KH - Only Human 9) SIS - The Blind Side (Rodriguez Jr. Remix) 10) Goom Gum - It's a Lot 11) Madonna - I Don’t Search I Find (Honey Dijon CLUBMIX) 12) Hot Since 82 – Rise 13) Evan Duthie – You Got Lucky 14) Marie Davidson – Work It (Soulwax Remix)

D_Hanger is alchemy of sounds. It is music that does not need a form and does not look for definitions: pure groove, what else. Since 2000 he began his activity as a DJ in southern Italy, and then continued in Rome, where he's now based. Since 2009, thanks to the collaboration with Amigdala and Glamda, he has shared the console with some of the protagonists of the European nightlife and with the big names in the electronic and techno scene, such as Stereototal, Kap Bambino, Marcus Meinhardt (Panorama Bar Berlin), Fukkk Off, Make The Girl Dance, Etienne De Crécy, Wolfgang Flür (Kraftwerk), Hintergrundrauschen (Tresor Berlin), Answer Code Request, Azari & III, Jessica 6, Kim Ann Foxman, Bart B More, The Hacker, Peaches, Jess Rose, St. Vincent , Giorgio Moroder, Felix Da Housecat, Miss Kittin, Ellen Allien and many others. Tracklist 1) Superlover – Love Machine 2) The Shapeshifters - Lola's Theme Recut (Purple Disco Machine Remix) 3) Purple Disco Machine – Play (Superlover Remix) 4) Le le Sacchi - Dreaming Won't Do (Tiger & Woods Nightmare Mix) 5) Nader Razdar & Kevin McKay - Get Ur Freak On 6) SuperNova - Deep Mamba 7) Whitesquare - Visual Distortion of Reality 8) KH - Only Human 9) SIS - The Blind Side (Rodriguez Jr. Remix) 10) Goom Gum - It's a Lot 11) Madonna - I Don't Search I Find (Honey Dijon CLUBMIX) 12) Hot Since 82 – Rise 13) Evan Duthie – You Got Lucky 14) Marie Davidson – Work It (Soulwax Remix)

收听提示 1、Kraftwerk乐队如何影响了当代流行音乐？ 2、德国青年的集体反叛是怎么回事？ 3、什么是"你们不问，我们不说"？ 4、德国电子音乐先驱是如何兴起的？ 本集相关 Kraftwerk发电站乐队 发电厂乐团于2008年在乌克兰基辅的演出 德国传奇先锋电子乐队Kraftwerk（发电站）的创始成员一Florian Schneider于2020年5月6日去世，享年73岁。Kraftwerk（德语发音：[ˈkʁaftvɛɐk]，中文意为"发电厂"，中国大陆多译作"发电站"）是德国的电子音乐团体，在电子音乐开疆拓土的历史中扮演十分关键的角色。乐团在1970年的创始团员为Florian Schneider与Ralf Hütter，他们在杜塞尔多夫建立乐队。广为众人熟悉的四人组合的其他两人 Wolfgang Flür 与 Karl Bartos 则是稍晚加入。 Kraftwerk所引进的技巧以及发展出来的装备，已成为现代音乐的必备常识。他们对二十世纪下半叶电子音乐的影响力是顶级的。 披头士乐队 1964年的披头士乐队 披头士乐队（英语：The Beatles）是1960年在利物浦组建的一支英国摇滚乐队，在华语地区亦称为"甲壳虫乐队"、"披头四乐队"等。乐队成员为约翰·列侬、保罗·麦卡特尼、乔治·哈里森和林戈·斯塔尔。他们被广泛承认为史上最伟大、最有影响力的摇滚乐队。根植于噪音爵士乐和50年代摇滚，披头士探索了各种音乐类型，从流行谣曲到迷幻摇滚，经常创新地运用经典元素。1960年代早期，他们的极度流行产生了披头士狂热（Beatlemania）现象。随着日后创作的成熟，他们被视为当时反文化运动理想的化身。 图灵测试 图灵测试（英语：Turing test，又译图灵试验）是图灵于1950年提出的一个关于判断机器是否能够思考的著名思想实验，测试某机器是否能表现出与人等价或无法区分的智能。测试的谈话仅限于使用唯一的文本管道，例如计算机键盘和屏幕，这样的结果不依赖于计算机把单词转换为音频的能力。 卡尔海因茨·施托克豪森 卡尔海因茨·施托克豪森（德语：Karlheinz Stockhausen，1928年8月22日－2007年12月5日），德国作曲家，音乐理论家，音乐教育家。 本集歌曲 Stockhausen《Gesang der Jünglinge》 Kraftwerk《The Model》 本集推荐 李如一 | 20世纪十大唱片里程碑：作为乐器的录音室 《八分》每周三、周五晚8点更新 欢迎留言和我们互动

收听提示 1、Kraftwerk乐队如何影响了当代流行音乐？ 2、德国青年的集体反叛是怎么回事？ 3、什么是"你们不问，我们不说"？ 4、德国电子音乐先驱是如何兴起的？ 本集相关 Kraftwerk发电站乐队 发电厂乐团于2008年在乌克兰基辅的演出 德国传奇先锋电子乐队Kraftwerk（发电站）的创始成员一Florian Schneider于2020年5月6日去世，享年73岁。Kraftwerk（德语发音：[ˈkʁaftvɛɐk]，中文意为"发电厂"，中国大陆多译作"发电站"）是德国的电子音乐团体，在电子音乐开疆拓土的历史中扮演十分关键的角色。乐团在1970年的创始团员为Florian Schneider与Ralf Hütter，他们在杜塞尔多夫建立乐队。广为众人熟悉的四人组合的其他两人 Wolfgang Flür 与 Karl Bartos 则是稍晚加入。 Kraftwerk所引进的技巧以及发展出来的装备，已成为现代音乐的必备常识。他们对二十世纪下半叶电子音乐的影响力是顶级的。 披头士乐队 1964年的披头士乐队 披头士乐队（英语：The Beatles）是1960年在利物浦组建的一支英国摇滚乐队，在华语地区亦称为"甲壳虫乐队"、"披头四乐队"等。乐队成员为约翰·列侬、保罗·麦卡特尼、乔治·哈里森和林戈·斯塔尔。他们被广泛承认为史上最伟大、最有影响力的摇滚乐队。根植于噪音爵士乐和50年代摇滚，披头士探索了各种音乐类型，从流行谣曲到迷幻摇滚，经常创新地运用经典元素。1960年代早期，他们的极度流行产生了披头士狂热（Beatlemania）现象。随着日后创作的成熟，他们被视为当时反文化运动理想的化身。 图灵测试 图灵测试（英语：Turing test，又译图灵试验）是图灵于1950年提出的一个关于判断机器是否能够思考的著名思想实验，测试某机器是否能表现出与人等价或无法区分的智能。测试的谈话仅限于使用唯一的文本管道，例如计算机键盘和屏幕，这样的结果不依赖于计算机把单词转换为音频的能力。 卡尔海因茨·施托克豪森 卡尔海因茨·施托克豪森（德语：Karlheinz Stockhausen，1928年8月22日－2007年12月5日），德国作曲家，音乐理论家，音乐教育家。 本集歌曲 Stockhausen《Gesang der Jünglinge》 Kraftwerk《The Model》 本集推荐 李如一 | 20世纪十大唱片里程碑：作为乐器的录音室 《八分》每周三、周五晚8点更新 欢迎留言和我们互动

Kraftwerk- Computer Love1981年个人电脑还没有普及，当时computer不过是个概念，是在实验室里摆放的一个大型计算机，更没有网络和网恋这个词Kraftwerk推出专辑Computer World里边的一首作品Computer Love来描写人类在未来只是通过计算机和电脑来寻找爱情这首作品影响英国摇滚乐队Coldplay的Chirs Martin创作了Talk，在他录制完这首作品后战战兢兢的写了一封信给Kraftwerk希望能够得到允许使用这首歌曲当中的经典旋律，几个星期之后他收到了回信，打开信封信纸上只有一个用手写的单词—YesColdplay– Talk1975年的一张具有历史性意义的专辑Radio-ActivityRadio-Activity:Kraftwerk当年一首描写人类通过空中电波相互沟通和交流1979年英国利物浦的电子乐团OMD他们的Electricity主唱AndyMcCluskey曾经说这首作品是深受KraftwerkRadio Activity的影响，很多年以后他来到德国，受到Kraftwerk成员Wolfgang Flür来到Wolfgang Flür的家里边，看到墙上挂着Radio-Activity的金唱片的时候他跟Wolfgang Flür说：你知道吗？其实我们那首Electricity就是受到你们的Radio-Activity的影响，不过我们只是把速度放快了，Wolfgang Flür回答说，oh,yes, we know thatOMD在16岁时候创作的受到Radio Activity影响的ElectricityElectricity- OMD

Kraftwerk- Computer Love1981年个人电脑还没有普及，当时computer不过是个概念，是在实验室里摆放的一个大型计算机，更没有网络和网恋这个词Kraftwerk推出专辑Computer World里边的一首作品Computer Love来描写人类在未来只是通过计算机和电脑来寻找爱情这首作品影响英国摇滚乐队Coldplay的Chirs Martin创作了Talk，在他录制完这首作品后战战兢兢的写了一封信给Kraftwerk希望能够得到允许使用这首歌曲当中的经典旋律，几个星期之后他收到了回信，打开信封信纸上只有一个用手写的单词—YesColdplay– Talk1975年的一张具有历史性意义的专辑Radio-ActivityRadio-Activity:Kraftwerk当年一首描写人类通过空中电波相互沟通和交流1979年英国利物浦的电子乐团OMD他们的Electricity主唱AndyMcCluskey曾经说这首作品是深受KraftwerkRadio Activity的影响，很多年以后他来到德国，受到Kraftwerk成员Wolfgang Flür来到Wolfgang Flür的家里边，看到墙上挂着Radio-Activity的金唱片的时候他跟Wolfgang Flür说：你知道吗？其实我们那首Electricity就是受到你们的Radio-Activity的影响，不过我们只是把速度放快了，Wolfgang Flür回答说，oh,yes, we know thatOMD在16岁时候创作的受到Radio Activity影响的ElectricityElectricity- OMD

Kraftwerk- Computer Love1981年个人电脑还没有普及，当时computer不过是个概念，是在实验室里摆放的一个大型计算机，更没有网络和网恋这个词Kraftwerk推出专辑Computer World里边的一首作品Computer Love来描写人类在未来只是通过计算机和电脑来寻找爱情这首作品影响英国摇滚乐队Coldplay的Chirs Martin创作了Talk，在他录制完这首作品后战战兢兢的写了一封信给Kraftwerk希望能够得到允许使用这首歌曲当中的经典旋律，几个星期之后他收到了回信，打开信封信纸上只有一个用手写的单词—YesColdplay– Talk1975年的一张具有历史性意义的专辑Radio-ActivityRadio-Activity:Kraftwerk当年一首描写人类通过空中电波相互沟通和交流1979年英国利物浦的电子乐团OMD他们的Electricity主唱AndyMcCluskey曾经说这首作品是深受KraftwerkRadio Activity的影响，很多年以后他来到德国，受到Kraftwerk成员Wolfgang Flür来到Wolfgang Flür的家里边，看到墙上挂着Radio-Activity的金唱片的时候他跟Wolfgang Flür说：你知道吗？其实我们那首Electricity就是受到你们的Radio-Activity的影响，不过我们只是把速度放快了，Wolfgang Flür回答说，oh,yes, we know thatOMD在16岁时候创作的受到Radio Activity影响的ElectricityElectricity- OMD

Today's Bombshell (Bombshell Radio)Bombshell Radio# Addictions and Other Vices PodcastADDICTIONS AND OTHER VICESAddictions and Other Vices PodcastToday 2pm-4pm and 8pm-10pm EST bombshellradio.comRepeats Tuesday 8am-10am and Saturday 11am-1pm ESThttps://tunein.com/radio/Bombshell-Radio-s257426/#indie #rock #alternative #Synthpop #indierock #community #radio #BombshellRadio #DJ #AddictionsPodcast #NewMusic#DaysLikeThese #NowPlayingIt’s showtime and it’s time to check out & play submissions from our overflowing Addictions Inbox and a few new discoveries we felt the urge to share. Thanks to all the Labels, Artists and PR companies that sent in tracks this week.Plus we’ve added a new feature to Addictions shows This Week with David Rovics. Each one is between 5 to 7 minutes long and includes an audio essay about a recent event, or an especially relevant event in world history, followed by an original song on the subject.Then we will likely expand on that theme. This Week with David Rovics Episode 13: The Corbyn Factor t's well-known among those who follow the international press that the far right is growing in Europe. What's less well-known, for some reason, is that the left is growing, too. And nowhere is that more evident than in England.1. Vincent Come on Down / Brainiac​2. Shattered Dreams / Johnny Hates Jazz​3. Keep It in Line / BRONCHO​4. Long Time Coming / CHARIOTS​5. Can't You See / FIDLAR​6. Radio On / Tiny Magnetic Pets​ feat. Wolfgang Flür​7. Caspian / Silent War​8. Atlas Please / Gengahr​9. Woke Up Haunted / Over Sands​10. Psycho Killer / Talking Heads (official)​11. Puppet / The venus fly trap​12. Stick Up / grandson​13. On The 5 / Winnetka Bowling League​14. Leaves Of Grey / Para Lia​15. Your Car / Red Ribbon16. Numb / SOMBRE Moon​17. Episode 13: The Corbyn Factor / This Week with David Rovics​18. Something About England / The Clash​19. A New England/ Billy Bragg​20. England / Ilanaj​21. The Rose Of England / Nick Lowe​22. Oh England My Lionheart / Kate Bush​23. England / The National​24. Old England / The Waterboys​25. Magic / The Frixion​26. Everything Will Work Out / Empathy Test​27. Scream in Silence / Church of Trees​28. Nova Heart / Spoons​29. Vincent ( Starry, Starry Night) / Don McLean​Shoutout'sShameless Promotion PR​Glass Records Modern​Happy Robots Records​AnalogueTrash​

Considerados los Beatles de la música electrónica, los alemanes son una banda de culto que hace cuarenta años predijo la relación de la tecnología y el hombre en la vida cotidiana. ¿Pueden las máquinas hacer música? Para Ralf Hütter, Florian Schneider, Karl Bartos y Wolfgang Flür esta pregunta tiene una sola respuesta. Y la contestaban cuando la computación y la robótica sonaban a cuento de ciencia ficción. Son Kraftwerk, los Beatles de la electrónica. "Die mensch maschine", en alemán; "The man machine", en inglés; o "El hombre máquina", en español, es el séptimo disco de Kraftwerk, un manifiesto futurista que fue lanzado el 19 de mayo de 1978, en plena explosión del punk, y los 36 minutos que duran los seis temas del album están entre los más influyentes de la historia de la música contemporánea. "The man machine" fue grabado en Kling Klang, los estudios de la banda en Düsseldorf, utilizando en su totalidad instrumentos electrónicos, nada de guitarras, bajos ni baterías. Muchos eran casi desarrollos experimentales, como el vocoder, un sintetizador con el que trataban las voces. En la tapa del album los músicos aparecen de perfil y en escalera ascendente, en blanco y negro y con las camisas rojas y corbatas negras coloreadas. Una suerte de robots o maniquíes con estética soviética para criticar al comunismo que dominaba la parte oriental de Alemania en plena Guerra Fría. Sin embargo, algunos la interpretaron como una apología del totalitarismo. Con Alemania devastada tras la guerra, Hütter y Schneider creyeron que su país debía reinventar su cultura. Para hacerlo no partieron de las raíces afroamericanas del rock sino de la música clásica. Los rayos de influencia que lanzó Kraftwerk alcanzaron dimensiones insospechadas. Desde las experiencias de Alan Parsons Project (el ingeniero de sonido de Pink Floyd) al synth-pop de Ultravox y Gary Numan; pasando por la new wave de Devo, la trilogía berlinesa de David Bowie (los discos Low, Heroes y Lodger) y el post punk de Joy Division , hasta llegar al hip hop y la electrónica de discoteca. Los Kraftwerk son parte de la movida denominada "komische musik", una variante prototecno más conocida con el inicialmente despectivo término " Krautrock", que se transformaría en la base para la electrónica, la música industrial y el ambient rock. Luego de un impasse de más de una década, Kraftwerk volvió solo con uno de los integrantes originales (Ralf Hütter) y convertido casi en una pieza de arte. En 2012 inauguraron una muestra autobiográfica y dieron ocho recitales 3D en el prestigioso MOMA de New York, después siguieron por el Tate Modern de Londres, la Neue Nationalgalerie de Berlín y el Guggenheim de Bilbao. El efecto Kraftwerk llegó a la Argentina en 2009, cuando telonearon a Radiohead y para 2019 tienen programada una gira con recitales en países de Asia y Europa. A poco más de 40 años de "The man machine", esa suerte de humanoides que cantaban sobre radioactividad, robótica y ecología son considerados la banda que predijo el futuro de la música y que, con su profecía de que la tecnología y el hombre se darían la mano, anticiparon los cambios de nuestra vida cotidiana.

Kraftwerk is considered one of the most innovative and influential groups in music history, yet rarely give interviews. Today Wolfgang Flür shares stories of his time in the band, the recordings, the tours, the personalities and his solo career with Yamo and Musik Soldat. Plus a new track for the Vinyl Guide audience to enjoy. If you like records, just starting a collection or are an uber-nerd with a house-full of vinyl, this is the podcast for you. Nate Goyer is The Vinyl Guide and discusses all things music and record-related. Web  |  Facebook  |  Instagram  |  YouTube

A Godfather, pioneer, and visionary of electronic music, Wolfgang Flur is this episode's very special guest on The StageLeft Podcast. From his time with Kraftwerk – cited by David Bowie as his favourite band, to his solo work and collaborations. An artist who began his beginnings with a band who would influence generations to come with their music, and on stage distinct uniformity, Wolfgang Flur breaks free with an open and frank discussion of his singularity and individualism. Wolfgang discusses creativity, how being lucky in love keeps him young, and the difficult transformation from being a Keith Moon-esque drummer, to his own evolution as Kraftwerk percussion/ drummer. This interview is as much about the man as his music, and he talks passionately about his upbringing, the fascinating, almost pre-destined moment of finding a drum set in the school basement, and how playing in the rubble and bombsites of post-war Dusseldorf shaped his future. He gives an honest and compelling insight into the inner dynamics of Kraftwerk, how he looks to the future based on his own endeavours, and the emotional reunion with Florian Schneider after 30 years. #kraftwerk #edm #electronica #EDM #drums #drumming #drum #drummer #music #musicnews #interview

ELEKTRODOS show of the 9th November 2015, dedicated to new electro songs from producers, such as Wolfgang Flür, Fleck ESC, Dr Floyd, MetaComplex, Julietta and the Jackdows, Noamm & Miss Noir, James Reeno, Geovane Porto and Hitachi II. With DJ Set from DJ Marcelo K2 (Marcelo Lazzari) ELEKTRODOS show del 9 de noviembre del 2015, dedicado a novedades de artistas como Wolfgang Flür, Fleck ESC, Dr Floyd, MetaComplex, Julietta and the Jackdows, Noamm & Miss Noir, James Reeno, Geovane Porto Y Hitachi II Con DJ Set de DJ Dusko Marcelo K2 Tracklist: 01. Wolfgang Flür - Cover Girl 02. Wolfgang Flür - Moda Makina (Fashion Machine) 03. Fleck E.S.C. - Estimation 04. David Boura - 313k7R0 05. Amnesia - Ibiza (Dr Floyd Konstruktion) 06. MetaComplex - Android DNA 07. Julietta and the Jackdaws - Under The Sevens 08. Noamm & Miss Noir - Miaplacidus 09. James Reeno - Synthman- Synth in the Jungle 10. Geovane Porto - Velocity Speed Force 11. Hitachi II - Bougeois (feat Lara Ramos) 12. DJ Marcelo K2 DJ Set

In November 1974, West German band Kraftwerk released their seminal album Autobahn. They would go on to become one of the world's most influential bands. Witness listens to BBC archive interviews with Kraftwerk frontman Ralf Hütter and former drummer Wolfgang Flür, along with Kraftwerk biographer David Buckley. (Photo: Kraftwerk perform Autobahn during the Kraftwerk Retrospective at the Museum of Modern Art, New York, 2012. Credit: Mike Coppola/Getty Images)

Marc Riley presents the story of Kraftwerk, arguably one of the most influential bands of the 20th century and certainly one of the most enigmatic. Former Kraftwerk member Wolfgang Flür and fans including including Gary Numan, John Foxx, The Smiths’ Johnny Marr and writer Paul Morley offer their impressions of the band without whom modern music would sound very different. Part of Radio 4 on Music, re-releasing the best of Radio 4's music back catalogue.