Podcasts about exhibition design

What are the (top) secrets of better collaboration?Is collaboration like a game of ping pong? Or more like ballroom dancing? Is there a better way to disagree? Does having constraints make design ... better? How is an exhibition like a film? And what happens when your project feels — in this case, even literally — like “Mission: Impossible”?Barbara Miller (Deputy Director for Curatorial Affairs, Museum of the Moving Image) and Danae Colomer (Director of Exhibition Management and Design, Museum of the Moving Image) discuss “Mission: Collaboration” with host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: zombies, skateboards, and messages that self-destruct.Talking Points:1. A Moving Experience2. What is Collaboration? 3. Is It Ping Pong ... or Ballroom Dancing? 4. Constraints Make a Stronger Design 5. Sometimes It's Mission: Impossible How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bios:Barbara Miller is Deputy Director for Curatorial Affairs at Museum of the Moving Image in New York, where she organizes exhibitions and directs the content of the Museum's permanent collection of material culture related to film, television and digital media. Major projects at MoMI include The Jim Henson Exhibition; Deepfake: Unstable Evidence on Screen; and Born Digital: Pathways Towards Preservation, an Andrew W. Mellon-funded initiative to institute sustainable collection and exhibition practices related to digital media. Prior to joining MoMI in 2009, Miller's wide-ranging research and storytelling projects included work on the nationally broadcast PBS documentary American Roots Music, for which she earned an Emmy nomination. She holds a Ph.D. in Cultural Anthropology from New York University.Danae Colomer is an architect and exhibition designer with over 15 years of experience across museum, architecture, and film design. She is passionate about the power of storytelling and how it can be translated into physical space to create meaningful, immersive experiences. Originally from Spain, Danae discovered her passion for exhibition design at the Centre Georges Pompidou in Paris. Since relocating to New York in 2009, she worked at Ralph Appelbaum Associates on award-winning museums worldwide. In 2021, she joined the Museum of the Moving Image as Director of Exhibition Management and Design. She holds a Master's in Architecture from the Escuela Técnica Superior de Arquitectura de Madrid and a Master's in Exhibition Design from FIT in New York. When she's not designing exhibitions, Danae explores the world through the curious eyes of her children — which currently means mastering the rules of soccer and decoding the unique language of skateboarding.About Making the Museum:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Barbara by Email:bmiller@movingimage.org Barbara on LinkedIn:https://www.linkedin.com/in/barbara-miller-8b788b13b/ Danae by Email:dcolomer@movingimage.org Danae on LinkedIn:https://www.linkedin.com/in/danaecolomer/ Museum of the Moving Image (MoMI):https://movingimage.org/ “Mission: Impossible — Story and Spectacle” (Exhibition at MoMI):https://movingimage.org/event/mission-impossible-story-and-spectacle/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

How can architects redefine experience through storytelling and space?This week on Practice Disrupted, Evelyn Lee talks with Kate Aoki, architect, educator, and founding partner of Golden Egg Creative, to explore how designers can blend architecture, storytelling, and community to create immersive, intentional experiences. With a career path that's taken her through fine arts, museum design, architecture firms, and now entrepreneurship, Kate shares what it means to craft spaces not just for use, but for memory, meaning, and delight.Kate opens up about her nonlinear journey, starting with a degree in textile design, before eventually returning to her lifelong goal of becoming an architect. Along the way, she worked in galleries, lived abroad, and built a foundation in public and nonprofit spaces. Her deep love for fine art and interpretive design led her back to the Dallas Museum of Art as Head of Exhibition Design, fulfilling a long-held dream. But after four years, she realized the bureaucracy of nonprofit work wasn't a long-term fit. What came next was a leap into co-founding Golden Egg, a firm focused on designing transformative experiences rooted in cultural storytelling and visitor connection.Evelyn and Kate discuss what it takes to launch a niche practice, how to build authentic partnerships with architects and civic institutions, and why experience design is growing in relevance across sectors. Whether developing mobile exhibits for aerospace education or reimagining museum installations, Kate brings a holistic and thoughtful approach to every detail, from lighting and circulation to the words on the wall.“This felt like putting on a pair of shoes that fit perfectly. It's the kind of work I've always been meant to do - blending fine art, architecture, and storytelling into experiences that connect people to something larger than themselves.” – Kate AokiThe episode concludes with reflections on growth, creative courage, and how designers can prototype career pivots by following their curiosity and leaning into interdisciplinary collaboration.Guest:Kate Aoki, AIA, NOMA, is an architect and founding partner at Golden Egg Creative, a design firm specializing in exhibition and experience design. With a background in fine arts, architecture, and interpretive planning, Kate's work bridges storytelling, culture, and space. She previously served as Head of Exhibition Design at the Dallas Museum of Art and has over a decade of experience working across firms and institutions. Her practice centers on community engagement, accessible design, and building memorable experiences for public audiences.Is This Episode for You?This episode is for you if: ✅ You're a designer interested in museum, exhibition, or experience design ✅ You're navigating a nonlinear or interdisciplinary career path ✅ You want to integrate storytelling and interpretation into your design work ✅ You're thinking about starting a small practice aligned with your valuesWhat have you done to take action lately? Share your reflections with us on social and join the conversation.

The Media Arts & Technology department at New Mexico Highlands University is a one-of-a-kind program. Students not only learn about technology and design, but they get to implement their ideas, working from brainstorming and mind mapping to exhibition design and installation, interactive displays, and so much more. NMHU professors Lauren Addario and Becca Sharp join Emily Withnall to talk about their program and their 20-year partnership with the New Mexico Department of Cultural Affairs, including their exhibition design at many of DCA's Historic Sites. This partnership and internship program is one way students from rural parts of the state can learn about various jobs in the arts and develop their skills in design, interpretation, cultural technology, and so much more. Mentioned in this Episode: NMHU Media Arts & Technology Los Luceros Historic Site Jemez Historic Site Coronado Historic Site Bosque Redondo Memorial at Fort Sumner Historic Site New Mexico State Land Office Returning Home article by DezBaa' about the NM State Land Office's land exchange program Mineral Hill (Lauren's band!) We'd love to hear from you! Let us know what you loved about the episode, share a personal story it made you think of, or ask us a question at elpalacio@dca.nm.gov. You can write an email or record a short voice memo and attach it for us to listen to.  Visit newmexicoculture.org for info about our museums, historic sites, virtual tours, and more.  Our favorite way to fully experience everything they have to offer is with the New Mexico CulturePass. Reserve yours online!   If you love New Mexico, you'll love El Palacio Magazine! Subscribe to El Palacio today. Encounter Culture, a production of the New Mexico Department of Cultural Affairs, is produced and edited by Andrea Klunder at The Creative Impostor Studios.  Hosted by Emily Withnall, editor at El Palacio MagazineExecutive Producer: Daniel Zillmann Technical Director & Post-Production Audio: Edwin R. RuizRecording Engineer: Collin Ungerleider and Kabby at Kabby Sound Studios in Santa FeEditor & Production Manager: Alex RieglerAssociate Producer & Editor: Monica Braine (Assiniboine/Lakota) Theme Music: D'Santi Nava Instagram: @newmexicanculture and @elpalaciomagazine

In this episode, host Beth Cougler Blom talks with Jessica Lane and Jacob McMurray from the Museum of Pop Culture (MoPOP) in Seattle, Washington, about how they create engaging learning experiences through exhibits and programs. Jacob, the Chief Collections and Exhibitions Officer, and Jessica, the Director of Education and Programs, share their perspectives on the museum's unique approach to pop culture. Beth, Jessica, and Jacob also talk about: Using pop culture to build connections and inspire creativity Engaging youth and families in interactive and meaningful ways The process of exhibit design, from conception to continuous updates How MoPOP uses its exhibits as springboards for deeper learning through education programs Designing for inclusivity, including sensory-friendly experiences and universal design principles Engage with Jessica, Jacob, and the Museum of Pop Culture MoPOP website: www.mopop.org Jacob McMurray on LinkedIn: https://www.linkedin.com/in/jacobmcmurray/ Connect with the Facilitating on Purpose podcast: Follow Facilitating on Purpose on Instagram, LinkedIn, or YouTube Show notes and transcripts available at facilitatingonpurpose.com Connect with Host Beth Cougler Blom: Give feedback or suggest upcoming show topics or guests at hello@bcblearning.com Visit bcblearning.com to explore Beth's company's services in facilitation and learning design Purchase a copy of Beth's book, Design to Engage Follow Beth on Instagram or LinkedIn   Podcast production services by Mary Chan of Organized Sound Productions  

What if temporary buildings could be as sustainable as permanent ones? In this episode, we talk with Thomas Hundt, co-founder of Jangled Nerves, about the sustainable future of exhibitions and architecture. Thomas shares fascinating stories, including the Mercedes-Benz Red Pavilion, where nearly all materials were reused or resold, making it a model of sustainability in temporary construction. He also explains how working under tight restrictions - like time and budget - can actually boost creativity, leading to some of his most innovative designs. Here's what you'll learn in this episode: The power of modular systems, where reusable building blocks create flexibility and reduce waste. How digital tools are transforming exhibitions, allowing for immersive experiences without the need for extensive physical builds. Whether you're into design, sustainability, or curious about how constraints spark creativity, this episode is packed with insights that will leave you thinking differently about temporary architecture. To explore more about Thomas Hundt and his work, you can follow him on Linkedin and Instagram @janglednerves or visit his websitejanglednerves.com. Join me, Ladina, on this green journey, and don't forget to subscribe for more insightful conversations about sustainable living and architecture and drop us a review. If you have suggestions for future guests or topics, I'd love to hear from you on my socials! Let's explore the world of green architecture, one conversation at a time. Contact:  Ladina ⁠⁠@ladinaschoepf⁠⁠ Website: ⁠⁠⁠⁠buildinggreenshow.com Produced by: ⁠⁠flyinmedia.com⁠

The Museum Worker is a subseries of CAA Conversations about pathways to careers in museums, featuring candid conversations with professionals in the field. Museum workers share how they got where they are today, what they do, and the role of diversity, equity, access, and inclusion in day-to-day work, as well as hopes for the future of the field. In this episode, Cynthia Cao, Matt Isble, and Leticia Pardo discuss the challenges facing those working in museum exhibition design and installation as well as their dedication to making museums more accessible. Cynthia Cao is an artist and freelance art installer in San Jose, California. Matt Isble is an exhibition Designer and Chief Preparator at the Crocker Art Museum in Sacramento, California as well as the founder of museumtrade.org. Leticia Pardo is the Creative Director of Exhibition Design at the Art Institute of Chicago. Samantha Hull is a member of the CAA Museum Committee and the Museum Engagement and Operations Coordinator at the de Saisset Museum at Santa Clara University in California.

In Episode 28/3 of A is for Architecture, architect, curator and educator Laurence Lord speaks about his practice AP+E, which he founded with Jeffrey Bolhuis, and their civically-minded work in Ireland and Holland, his work at the 2023 Venice Biennial's The Laboratory of the Future show, as Assistant to the Curator, Exhibition Design, and lecturer at Queen's University Belfast. Laurence can be found at the AP+E website, at QUB, on LinkedIn, X/ Twitter and Instagram. Find it where the beautiful people listen to such things, and also those places they would really rather not. Thanks for listening. +  Music credits: Bruno Gillick

The#DesignInspire in Motion Tokyo exhibition – "#DesignThroughHeritage" – held at RAND Omotesando and its creative mission achieved resounding success earlier this year. In addition to showcasing remarkable design projects from #HongKong designers, the event featured a range of activities, including business matching sessions, networking events, and company visits. These meaningful exchanges and collaborations helped foster innovation and creativity between designers from both cities.

Science is vastly more impactful if it is shared, and this week Dr Euan, Dr Jen, and Dr Shane look at the connections between policy, science, and community. Have you ever wondered how science is translated into interactive, inspiring exhibitions? Melbourne Museum's Experience Developer Mei Liu joins the show to expand on the intersection of science and experience (while also previewing her latest project: Air Playground at Scienceworks). If that doesn't get you out of bed, imagine if you medically couldn't.Myalgic Encephalomyelitis or what's named 'Chronic Fatigue Syndrome' has been met with stigma and controversy since its discovery. In fact, recent studies show that even doctors can have negative attitudes about it. Professor Ros Gleadow (Head, Plant Ecophysiology Research Group) and her daughter Eliza Charley (who lives with the condition) have teamed up to identify knowledge gaps; investigate treatment options; and highlight this very underfunded area of research.Program page: Einstein-A-Go-GoFacebook page: Einstein-A-Go-GoTwitter: Einstein-A-Go-Go

Rachel Seligman, the Assistant Director for Curatorial Affairs and the Malloy Curator at the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, will discuss her work to improve communication accessibility in exhibition design and the museum space, and her curatorial work with Berlin-based contemporary artist Christine Sun Kim. She shares:-The mission of the Tang Museum to reflect the richness and diversity of the human experience;-The details about American Sign Language that hearing-typical people often get wrong;-Conceptual frameworks and themes in Christine Sun Kim's work that reveal the relationship of sound to structures and systems of power in the world;-Christine Sun Kim's strategic tool to work across difference;-Where our society regularly misdirects the work of improving accessibility. (See Episode Website link below for full transcript, background info. & links)About Us Follow Us On InstagramWe invite you to share your thoughts with us and suggestions for future episodes!Contact Us: podcast@kinderpublic.com

Listen to Alex Stoller describe her career path and current role. She received her bachelor's degree from Davidson College in Art History and Studio Art and her master's in Exhibition Design from George Washington University. She has worked as a Lead Designer for the Sweetlife Music Festival, as a Designer and Project Manager for the Royal Danish Embassy in Washington DC, as a Store Designer and Project Associate for Sweetgreen, and as a Director of Art for Swatchroom. She is currently an Art Consultant for LK Art Consultants. We discuss: 0:39: What she does as an Art Consultant 1:41: Her main roles and responsibilities 4:15: How much traveling she does in her role 5:37: The purpose of travel in her role 5:55: The difference between her role and an art broker 7:16: Examples of types of projects she does and the steps they entail 11:56: What she likes and finds challenging about the role 14:00: Opportunities for moving up 14:57: The biggest points in her career path that led her to this role 16:15: Why she went to grad school for design 17:18: Her jobs before her current role 19:27: Career advice 19:47: Other job opportunities within art 21:22: Whether graduate school is necessary to move up 22:01: How she started her own company 23:49: Ways to prepare now for a career in art 25:24: Advice on how to get experience in the art world 26:51: Advice on persistence

Links:Art & Nature: https://lagunaartmuseum.org/art-nature/ Website: https://lagunaartmuseum.org/  Instagram: https://www.instagram.com/lagunaartmuseum/ Facebook: https://www.facebook.com/LagunaMuseum/ Twitter: https://twitter.com/LagunaArtMuseumThe theme of Art & Nature speaks particularly to the identity of Laguna Beach, which for over a hundred years has fostered art, the love of nature, and environmental awareness. In 1929, when the Laguna Beach Art Association built a gallery to show and sell their work, they chose a commanding location on the coastline, close to the natural wonders they loved to paint. The present museum occupies the same site. There could be no more appropriate venue in which to explore the art-nature connection.Julie Perlin Lee joined Laguna Art Museum as Executive Director in May 2021. Previously she was Executive Director at the Catalina Island Museum, and Vice President of Collections and Exhibition Development at the Bowers Museum.At Catalina Island Museum from 2016 to 2021, Lee led a period of growth including high-profile exhibitions and educational programs, and the completion of a capital project for the museum's new permanent facility which opened in 2016. At the Bowers Museum from 2008 to 2016, she procured acquisitions for the museum's permanent collection, directed research and preservation, organized exhibitions, and contributed to publications. She holds a BA in Art History, MFA in Exhibition Design, and Certificate in Museum Studies from California State University, Fullerton.

The new Milwaukee Public Museum is slated to open in 2026, with its groundbreaking expected late next year. For its interior design, the museum created a public survey to explore ideas for exhibitions and experiences.

Sabino Maria Frassà"La caduta"Come cadere in altoPremio CramumIl libro "La caduta", è la nona pubblicazione annuale di Cramum. E' stato concepito come una riflessione corale su cosa significhi cadere partendo dal romanzo di La caduta scritto da Albert Camus nel 1956.Come nei primi anni della Guerra Fredda riviviamo in un crescendo di tensione per cui la caduta sembra incombente, inesorabile e inevitabile. Cosa fare: chiudere gli occhi, registrare ciò che accade o intervenire?Questo volume non fornisce buone risposte, ma spunti di riflessione per buoni dubbi attraverso i testi di Raffaella Ferrari e del curatore del volume, Sabino Maria Frassà, il quale ha invitato trenta artisti a completare l'analisi del tema con le proprie opere.Gli artisti invitati sono artisti di fama internazionale (Letizia Cariello, Stefano Cescon, Franco Fontana, Franco Guerzoni, Peggy Kliafa (Grecia), H.H. Lim, Franco Mazzucchelli, Fulvio Morella, Luca Pignatelli e Francesca Piovesan.) i finalisti della nona edizione del premio cramum tra cui verrà proclamato il vincitore/vincitrice (Marta Abbott, Anouk Chambaz, Benedetto Ferraro, Gaetano Frigo, Simone Giai, Rossana La Verde, Giovanni Longo, Martina Merlini, Giulia Nelli, Lucrezia Zaffarano) e gli artisti che hanno vinto la menzione “artisti in evidenza” (Francesco Angioloni, Rossella Barbante, Gabriele Biondi, Nicolò Bruno, Mattia Ferretti, Deborah Graziano, Maria Palena, Vale Palmi, Mila Sambre, Andrea Schifano).Giulia Nelli è la vincitrice del 9° Premio Cramum. Giulia Nelli (Legnano, 1992) si è laureata a Milano all'Accademia di Brera e consegue il Master Idea in Exhibition Design del Politecnico. Come spiega il direttore del Premio Cramum Frassà “ha vinto la sua poetica improntata sul complesso intreccio di legami che vanno a costituire l'identità di una persona e che si sviluppano dalle relazioni con il territorio di origine e con le persone che compongono la comunità di riferimento. Infatti, i legami conservati nella memoria diventano pensieri, significati e schemi mentali, costruendo un ponte tra passato e presente e delineando così la percezione individuale del tempo.”Seconda e terza classificate sono risultate essere rispettivamente: Marta Abbott e Anouk Chambaz.IL POSTO DELLE PAROLEAscoltare fa Pensarehttps://ilpostodelleparole.it/

Can't wait to share this chat with Sierra Holland with you!   Today, Kelsey interviews Sierra Holland. With degrees in Design Management and Interior Design, Sierra Holland has spent the better part of a decade cultivating her career within different facets of the creative industry. She's explored previous roles ranging from helping build a fashion start-up in New York, to later designing luxury retail environments in Denmark. Always looking for opportunities for adventure and personal growth, she made the leap across the globe in 2020 and founded her Portland-based studio @SierraHollandDesign, which focuses in artfully-simplistic and well-crafted residential and commercial spaces.      Today on Studio.chats: ➕ Trusting the Process & Embracing Change ➕ What it Took to Move Abroad & Become an International Designer ➕ Experience as an Exhibition Designer & now Opening her Own Studio   Connect with Sierra: Instagram: @SierraHollandDesign   Connect with Kelsey: Instagram: @studio.chats hellostudio.chats@gmail.com   Thank you for being here! Thank you for committing to your growth as a designer, architect and human

Elaine Lustig Cohen got an unconventional start as a graphic designer. After deciding not to pursue a career in art education, she began working as an assistant to her first husband, noted modernist designer Alvin Lustig. Her early work in the industry was far from glamorous, as she was mostly doing paste-up and assembling Alvin's designs. She described her position as more of an “office slave”. As Alvin began to lose his sight due to complications with diabetes, he began to rely on Elaine and his other assistants more and more. When Alvin passed away, Elaine took over the business. Her first commission was to complete the design for signage of the Seagram building in NYC working with architects Philip Johnson and Ludwig Mies van der Rohe. The success of this work turned into more commissions. She took on some of Alvin's other clients, leading to a close relationship with, and later marriage to Meridian books editor and founder Arthur Cohen. Elaine closed her studio in 1969 to focus on a career in art, but continued creating designs for Ex Libris, the antiquarian book business she started with Arthur, which imported rare books and documents of the European Avant Garde to America. Though she began her career with little formal training as a designer, Elaine designed over 150 book covers, a number of promotional and catalog designs for exhibitions, pioneered what she called Architectural Identification Design and has since had her work honored through many well-deserved exhibitions and awards.TIMELINE1927 – b 1927, Elaine Firstenberg1948 – Married Alvin Lustig1955 – Alvin Lustig Died1956 – Married Arthur Cohen (Meridian Books editor) 1969 – closed design studio to focus on art1972 – Started Ex Libris w/ Cohen1995 – retrospective at Cooper Hewitt curated by Ellen Lupton1998 -  Closed Ex Libris2011 – Awarded AIGA Medal2014 – P! show2015 – paintings shown at Philip Johnson's “Glass House”2016 – d 20162018  – Jewish Museum Show, exhibition of art and design workREFERENCEShttps://elainelustigcohen.com/Barron, M. (2013, May 8). Elaine Lustig Cohen Interview. Bomb Magazine. Retrieved August 7, 2019 from: https://elainelustigcohen.com/bomb-magazine-elaine-lustig-cohen-interview/Belen, P. & D'Onofrio, G. (2012) Elaine Lustig Cohen: The art of modern graphics. The Shelf Journal. Issue N. 2. Retrieved August 7, 2019 from: https://elainelustigcohen.com/the-art-of-modern-graphics/Campbell, A. (2015). Elaine Lusting Cohen. Art in America (1939), 103(8), 153.Gates, A. (2016). Elaine Lustig Cohen, Modernist Designer, Dies at 89. The New York Times, pp. The New York Times, 2016-10-09.Hagerty, J.. (2016). Elaine Lustig Cohen Designed Elegant Signage and Book Covers; Influenced by European avant-garde, she later turned to painting. The Wall Street Journal. Eastern Edition, pp. The Wall Street journal. Eastern edition, 2016-10-14.Heller, S. (2007). Modern pioneer. Print, 61(2), 14. Heller, S. (2011, December 5). Elaine Lustig Cohen. AIGA.org Retrieved August 7, 2019 from https://www.aiga.org/medalist-elainelustigcohenHeller, S., & Cohen, E. (2010). Born modern : The life and work of Alvin Lustig. Chronicle books.Lupton, E.  (1995). Elaine Lustig Cohen, Modern Graphic Designer. Eye Magazine Retrieved August 7, 2019 from: https://elainelustigcohen.com/modern-graphic-designer/MacAdam, B. (1995). Showcasing a New Type of Designer: Lustig Cohen's International Style at Cooper-Hewitt. Forward (New York, N.Y.), pp. Forward (New York, N.Y.), 1995-03-10.Sherin, A., & Cohen, E. (2014). Elaine Lustig Cohen : Modernism reimagined (Graphic design archives chapbook series; 5) RIT Press: Rochester, New York.And special thanks to Tamar Cohen, Elaine's daughter, for clarifying some additional details for us. Tamar's amazing work can be found at http://tamarcohen.com/

In this episode I talk to illustrator Maizie Clarke. We discuss all about her work as a watercolour illustrator and her thoughts on creativity. Listen in to find out what she means by "Solving problems beautifully." We talk about her work in detail and she provides some great advice and tips about building a creative practice. We also discuss how and why she now shares her experiences with others through her new brand 'Learn with Maizie'. It's a wonderful chat all about creativity. So grab a cuppa, sit back and relax and let's talk creativity! Show Notes The book recommended by Maizie is Real Artists Don't Starve by Jeff Goins About Maizie Maizie Clarke provides gifts that delight both the giver and the receiver. The namesake of the business, Maizie Clarke, has spent years honing her craft through her arts education and practice. Starting as a side business illustrating whimsical, custom house portraits, Maizie has grown and expanded her portfolio to include boutiques, hotels, and museums. She still finds joy in creating custom gifts, but has brought to life colorful wholesale collections and custom wholesale solutions for many different types of clients. Having always had a passion for design and all things beautiful, she went on to earn her degree in Interior Design from Marymount University and then her Master in Exhibition Design from the Corcoran College of Art + Design in Washington, D.C. Maizie genuinely loves her craft and the joy she sees it bring to her family, friends and clients. You can find Maizie online at www.maizieclarke.com and www.learnwithmaizie.com More Information For more information about this podcast please visit the Creativity Talks webpage here: www.creativitytalkspodcast.co.uk If you have enjoyed this podcast you can support me on KoFi here: https://ko-fi.com/susanyeates You can also find me online at www.susanyeates.co.uk or on Instagram @learninglinocut

This week we'll be talking with Galia Solomonoff, founder and creative director of SAS/Solomona Architecture Studio, in New York City. We will be speaking to her about the Philadelphia Art Alliance, which Galia completed in collaboration with JacobsWyper Architects in 2019. This project preserved and re-imagined a dilapidated building in the heart of Philadelphia and owned by the University of the Arts. Currently, it is a gathering spot for artists to share ideas and redefine the city's urban landscape. It is a profound misconception of our profession that the designs which are often most celebrated are the ones that are the most expensive. Galia shares her opinion on this topic and discloses how art can be made accessible to anyone, regardless of net worth. We will also learn more about the foundations of Galia's architectural journey and explore how she has incorporated this theme of accessibility into her work. About Galia SolomonaGalia Solomona is an award-winning and internationally recognized architect. Galia founded Open Office in 1999 and then SAS in 2004 and has been working in Art and Architecture ever since. Since 2004, the SAS/Solomona Architecture Studio has designed 97 built projects, an incredible number for a firm of six designers. The firm's work ranges from adaptive reuse projects to new construction, and from private townhouses to large museums for art. Beyond this, Galia is a winner of the National Endowment of the Arts grant and has previously worked at Rafael Viñoly Architects.About your host: Atif Qadir is the Founder & CEO of REDIST, a technology company making it easy for commercial real estate professionals to find and use the $100B of real estate incentives given out every year in the US.Resources & Links:Connect with Galia on LinkedInLearn more about SAS/Solomona Architecture StudioConnect with JacobsWyper Architects on LinkedInGrab our exclusive guide Seven Tips on How to Stand Out in Your FieldLearn more about the Philadelphia Art AllianceCheck out Michael Graves Architecture and DesignSubscribe to the Michael Graves Youtube Channel

Eszter, originally from Australia, solo traveled through India amongst other places since she was a teenager, before moving to New York to pursue a TV career. With her husband, David, they both traveled all over the world as acclaimed photographers specializing in commercial work. After life-changing moments in her personal and professional life, and help from incredible friends, she finally pursued her true calling. About the GuestEszter Matheson transforms peoples' personal stories into luxury, heirloom art-objects so they can be celebrated for generations to come.  Great-granddaughter of Hungary's first female Film-maker, Eszter is creator of That Book (thatbook.net) where  she and her team of award winning photographers, printers and designers use the finest materials and boundless imagination in the crafting the individually tailored books. Having enjoyed success in an array of creative fields, including Exhibition Design, Acting and Commercial Photography, Eszter now applies her creative vision and powerful storytelling skills to immortalizing the real-life stories of her clients.  Her recent book, Spider Lake, won Best Digitally Printed Book and Book of the Year at the British Book Design and Production Awards and THAT BOOK was included in the 2020 edition of Gwyneth Paltrow's Goop Gift Guide. ___________________________________ Get in Touch whether you have any comments or insights of your own on today's episode. Or whether you'd like to be a guest  on the show and allow your story to live on for the generations ahead:On instagram @thejourneyonwardspodcastBy email tjopodcast@gmail.com

#4 Matt Isble is the Director of Exhibition Design at the Crocker Art Museum in Sacramento California & is also the Founder of MuseumTrade.org: which is a cross-disciplinary resource for those in the Museum Trade. Today I had the pleasure of interviewing Matt on what it was like behind the scenes setting up a recent Richard Jackson exhibit at the Crocker Museum. In today's episode, you'll learn: The preparation that goes into setting up an exhibition What it is like to work with an artist on their exhibition Why Matt started Museum Trade and how it benefits museums as a whole. And much more! Find all the links and show notes at theartelevator.com.

Jerry Van Leeuwen is a native Californian. He was born in Artesia. His father, an immigrant from Holland, was a dairy farmer and Jerry’s first real employment was milking cows for his dad in Chino, CA at the age of 15. He received a Bachelor of Arts degree from Westmont College in Santa Barbara, California in 1972 and a Masters of Administration from the University of California, Riverside in 1975. Jerry began a career in local government by working for the City of Chino Police Department as a guidance counselor moving into a management position in 1978. He left the City of Chino to accept the position of Assistant Director of Community Services in Escondido in January 1987. He retired from the City of Escondido in December 2012. In June 2013 Jerry accepted the position of Executive Director for the California Center for the Arts, Escondido. In that role he oversees the Center’s operations that include 3 theaters, a visual arts museum, art education programs and a full service conference center.Beth Solomon Marino is proud to serve as the Associate Director of Museum and Visual Arts at the California Center for the Arts, Escondido. She received a Bachelor of Arts in Applied Design with an emphasis in Furniture Design & Construction in 1999 from San Diego State University. In 2007, she earned a Master of Fine Arts degree in Exhibition Design and a Certificate in Museum Studies from California State University, Fullerton. Beth strongly believes that exposure to art and exhibitions, of all types, can stimulate the imagination and foster creativity. Displaying engaging collections that are shared by a broad community encourages people to discover and learn together; opening a door that helps us to communicate our feelings, perspectives and values. Insight into cultures other than our own provides us with knowledge and helps us understand our global community and ourselves more deeply.Mikee Ferran began working in museums as a program assistant for the Smithsonian Museum on Main Street program at Utah Humanities in 2016. This experience (and an internship at a contemporary folk art museum) provided invaluable hands-on training in the museum field. She currently works as the Museum Exhibition and Visual Arts Supervisor at the California Center for the Arts, Escondido. Mikee is passionate about advocating for museums and the work that supports these institutions. Accessibility, transparency, and opportunity are the foundations of her personal work philosophy. She holds a Bachelor’s degree from Westminster College in History and a Master’s degree from the University of Utah in American History. She currently serves on the board of San Diego Emerging Museum Professionals as the Programming Co-Chair. Learn more about the California Center for the Arts Escondido at artcenter.org.Chapters is a multi-part series concerning the history and the lessons of civil rights violations or civil liberties injustices carried out against communities or populations—including civil rights violations or civil liberties injustices that are perpetrated on the basis of an individual’s race, national origin, immigration status, religion, gender, or sexual orientation.This project was made possible with support from Chapman University and The California Civil Liberties Public Education Program, a state-funded grant project of the California State Library.Guests: Jerry Van Leeuwen, Beth Solomon Marino, and Mikee FerranHosts: Jon-Barrett Ingels and Jonelle StricklandProduced by: Public Podcasting

About the guest: Shiva Nallaperumal @shiva_n_ is a Graphic Designer, Type Designer and Illustrator from Chennai, India. He graduated from DJAD, Coimbatore, before pursuing his MFA in Graphic Design from the Maryland Institute College of Art, Baltimore, USA. In 2016 he began his independent practice. Previously, he interned with Grandmother India (2012) and Pentagram (Abbott Miller's team, 2014). As a type designer, he has worked with ITF, Lost Type Co-Op and Typotheque. “I follow a research led, process driven work ethic to bring meaningful solutions to design problems. My practice has focused on Identity Systems, Publication and Exhibition Design, Custom Typefaces and Interactive Design for a wide range of international clients.” Currently he is a partner at November @nvmbr_in , a studio for Graphic Design founded by Juhi Vishnani and him. November works with cultural and commercial clients on Identity Systems, Editorial & Publication Design, Art Direction, Interactive and Typeface design projects. Follow @shiva_n_: https://www.instagram.com/shiva_n_/ Hosted by Surya Haridasan Follow @surya.haridasan : https://www.instagram.com/surya.haridasan/ Presented by Baatein: Baatein, which translates to ‘a conversation' is the National Institute of Design's unique interactive platform to learn and share. From telling us about your experiences and passions to showcasing what you do; it can be anything you want it to be! Find us on: Spotify: https://open.spotify.com/show/6CuRgj1hS3yBOhT6WvF7eX Google podcasts: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3IuZm0vcy8zZWI2NDZlYy9wb2RjYXN0L3Jzcw== Apple podcasts: https://podcasts.apple.com/in/podcast/baatein/id1539943127 Follow us on Instagram @baatein.nid: https://www.instagram.com/baatein.nid/ Subscribe to our YouTube channel: www.youtube.com/c/BaateinNID Follow us on LinkedIn: https://www.linkedin.com/company/baatein-nid

About the guest: An Exhibition Design graduate from the National Institute of Design, Ahmedabad, Wasim Khan is a Director at Lemon Design - 20-year-old premier cross-disciplinary design studio, with over 120 global clients. Wasim passionately seeks connections between design, business, brands, services, technology, culture, society and people. Follow @wasimkahn : https://www.instagram.com/wasimkahn/ About the host: Vivek is the founding & creative director of The Designship, a design & artistic development consulting firm specialising in experiential spatial design. As a design professional and an academic, Vivek constantly seeks a pedagogic relationship in between the two. Vivek aims at taking his inquiries further as a dialogue through tools of scenographic expression. Follow @viveksheth: https://www.instagram.com/viveksheth/ Presented by Baatein: Baatein, which translates to ‘a conversation' is the National Institute of Design's unique interactive platform to learn and share. From telling us about your experiences and passions to showcasing what you do; it can be anything you want it to be! Follow @baatein.nid: https://www.instagram.com/baatein.nid/

Larry Kulchawik has been working in the #tradeshow industry, specializing in international trade show marketing for 45 years.He has recently published a book entitled“Trade Shows from One Country to the Next”- a review of doing face to face business and exhibit design in 45 different countries. One size does not fit all. Recalculating a companies marketing strategy is critical when marketing across borders. Recognizing cultural differencesis key to achieving success when marketing internationally.With the coming of COVID19, many changes will be made regarding trade show marketing methods going forward. Stay tuned! Larry studied #Design under world designer Buckminster Fuller at Southern Illinois University in the early 70’s where his design thinking was influenced the most. “It took me 30 years to recognize this!” Larry has worked with three of the top exhibit design companies in the USA (Exhibitgroup/Derse/ 3D Exhibits) and served as President of EDPA (Exhibit Designers & Producers Association) USA, and IFES (International Federation of Exhibition Design) 45 country companies & world associations. Larry was honored to receive the Hazel Hays Award at EDPA, and the Roger Tarrant Award at IFES. Today Larry is semi-retired and continues to stay active in the industry as a consultant. He speaks at industry association on international trade show differences and supports college-level training for exhibit design at Bemidji State and FIT/ NYC. Larry also writes a regular article on #International topics for Exhibit City News for the past ten years. It is not unusual that those who have discovered this industry to stay involved for 20+ years. Making money and having fun in the process really matters when it comes to workplace satisfaction. We all have fumbled into this magical industry in one way or the other and have grown to develop a passion for what we now do for a living. As I ride off into the sunset here in Colorado, my passion for the industry remains strong, and I wish you all happy trails on your journeys ahead! ....... Larry Kulchawik www.larrykulchawik.com larrykulchawik@gmail.com You can check out more here http://www.toufic.blogSubscribe to my channel here : https://www.youtube.com/channel/UCa2l... See acast.com/privacy for privacy and opt-out information.

This chat has good information for art students and professionals looking to show their work in galleries and for people who may have never set foot in a gallery. Jeannie Denholm has been active in the art business for over 30 years and has an extensive background assisting corporations and private collectors with art acquisitions and curatorial services. Jeannie Denholm worked with The Broad Art Foundation (Santa Monica, CA) for over 9 years. It was through her work with The Broad Art Foundation that she became the corporate art curator for AIG-SunAmerica, Inc., and KBHome. She takes pride in developing long term relationships with her clients and continues to work with many in an ongoing collection management capacity. She earned a BA in Art History at Colorado State University and a MA in Museum Studies and Exhibition Design from California State University, Fullerton, CA. You can learn more about her and her gallery at https://scapesite.com/ or follow her on Instagram by searching "Scapegallery" --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/creativecourage/support

National Institute of Design (NID) is a premier and the first design institute which has been declared as the Institute of National importance. NID offers the best student-centric learning environment which includes experiential and explorative learning so that students understand and achieve a high degree of creative and innovative competence. NID offers courses in the various design disciplines like Ceramic & Glass Design, Furniture & Interior Design, Product Design, Animation Film Design, Exhibition Design, Film & Video Communication, Graphic Design, Textile Design, Strategic Design Management, New Media Design, Photography Design, Toy & Game Design, Transportation & Automobile Design, Design for Retail Experience, Digital Game Design, Information Design, Interaction Design, Universal Design. Get yourself introduced to this great institution. --- Send in a voice message: https://anchor.fm/vijay-sonawane/message

On 15 June 2019 the Museum of Modern Art in New York closed its doors ahead of a four month refurbishment and the final stage of a $400 million overhaul. When it re-opens its doors in October, MoMA will not only have reconfigured its galleries but also rehung the entire collection on show. In this special edition of In The Studio, Paul Kobrak follows Ramona Bronkar Bannayan, Senior Deputy Director of Exhibitions & Collections, and Lana Hum, Director of Exhibition Design & Production, as they oversee this epic feat of creativity and choreography. This time, instead of moving to a temporary space as they did for MoMA's last renovation 15 years ago, they are deinstalling and reinstalling nearly 170,000 square feet of gallery space in just under 4 months. Roughly 10,000 art moves are being undertaken between conservation, storage, and the galleries; and around 2,000 individual works of art are going into the frame shop - with 1,550 new frames having to be constructed. But it is not just the logistical nightmare that is keeping Ramona, Lana and the Museum’s curators and staff awake at night. With 40,000 square feet of additional space, as a result of expanding into a new residential skyscraper, they also aim to rethink the way the story of modern and contemporary art is presented to the public – balancing the presentation of Claude Monet’s crowd-pleasing Water Lilies and Vincent Van Gogh’s The Starry Night, with lesser known works covering the full range of MoMA’s massive collection, including photography, sound works, performance, moving image and art forms not yet imagined. With exclusive access over an eight month period, Paul Kobrak traces the team's progress as they prepare for the Museum’s closure and the subsequent re-opening on 21 October 2019. Presented by Paul Kobrak. Produced by Paul Kobrak , Ella-mai Robey and Emma Kingsley for the BBC World Service. North/south section-perspective through the new gallery spaces at The Museum of Modern Art, looking east along Fifty-third Street.

Once you hear Maizie’s story, you will realize she was always meant to be an entrepreneur, because she’s been practicing for this role since she was a child. I think you will find great inspiration from Maizie’s journey, because even she can’t believe some of the amazing things she already been able to accomplish.Maizie Clarke provides gifts that delight both the giver and the receiver. The namesake of the business, Maizie Clarke, has spent years honing her craft through her arts education and practice. Starting as a side business illustrating whimsical, custom house portraits, Maizie has grown and expanded her portfolio to include boutiques, hotels, museums, golf courses and more! She still finds joy in creating custom gifts, but has brought to life colorful wholesale collections and custom wholesale solutions for many different types of clients.Maizie Clarke is headquartered in Louisville, Kentucky, where Maizie lives with her four-legged good luck charm, Hattie. Originally hailing from Virginia, Maizie is a graduate of the Episcopal High School. Having always had a passion for design and all things beautiful, she went on to earn her Bachelor's Degree in Interior Design from Marymount University and then her Master in Exhibition Design from the Corcoran College of Art + Design in Washington, D.C. Maizie genuinely loves her craft and the joy she sees it bring to her family, friends and clients! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/selfishthepodcast/message Support this podcast: https://anchor.fm/selfishthepodcast/support

When you walk through an exhibition at MoMA, every step you take is part of deliberate design that takes you from piece to piece in just the right way. And it all starts with a dollhouse-like version the gallery and teeny tiny art replicas called “chips”. In this episode, Jordan talks to to Lana Hum (Director) and Mack Cole-Edelsack (Senior Design Manager) of MoMA’s Exhibition Design & Production Department. Lana and Mack talk about what it’s like to take the big ideas of curators and artists and turn them into reality. You can email us at working@slate.com. Podcast production by Jessamine Molli. Learn more about your ad choices. Visit megaphone.fm/adchoices

When you walk through an exhibition at MoMA, every step you take is part of deliberate design that takes you from piece to piece in just the right way. And it all starts with a dollhouse-like version the gallery and teeny tiny art replicas called “chips”. In this episode, Jordan talks to to Lana Hum (Director) and Mack Cole-Edelsack (Senior Design Manager) of MoMA’s Exhibition Design & Production Department. Lana and Mack talk about what it’s like to take the big ideas of curators and artists and turn them into reality. You can email us at working@slate.com. Podcast production by Jessamine Molli. This episode is brought to you by the following advertisers:  Merrill Lynch. Get started today at ML.com/you. American Express. Don’t do business without it. Citrix. Start working smarter today at citrix.com/slate.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This episode is brought to you in collaboration with Kultureshop.in About Shiva, Shiva is a Graphic Designer, Type Designer and Illustrator from Chennai, India. He follows a research led, process driven work ethic to bring meaningful solutions to design problems. He has been awarded by Forbes for 30 under 30. Shiva’s practice has focused on Identity Systems, Publication and Exhibition Design, Custom Typefaces and Interactive Design for a wide range of international clients. He graduated from DJAD, Coimbatore, and then did MFA in Graphic Design from the Maryland Institute College of Art, Baltimore, USA. He has won many awards and recognition for his work in Type Design. What do you do and whats your journey like? Where do you draw inspiration for your typefaces & projects in general? What are the peculiar characteristics of Indian type faces? In one of your talks at Design Fabric, you drew a brilliant analogy of type faces are like real human faces. Each have distinct features. Is there a saturation point while designing? In one of your interviews you mentioned that Type is subliminal. What the are the challenges in making it so? Where do you see the Indian landscape of Font and type faces in next 10 or 20 years where we have technology in one hand and illiteracy on other?

Denise Foley, previously Visual Merchandising Manager of the Americas for Moncler USA, has worked in the field of Visual Presentation for over 25 years. After a 13-year career at Lord & Taylor throughout the Tri-state area, she worked for New York industry leaders such as Bergdorf Goodman, Saks Fifth Avenue and Bloomingdale’s. She currently holds various consulting positions with several prestigious luxury brands. She has extensive experience and is well versed in the practice of luxury branding and product presentation. Denise also taught at the Fashion Institute of Technology in New York in the Visual Presentation department, helping to develop new course studies. Denise holds degrees in Display and Exhibition Design from the Fashion Institute of Technology in New York City; as well as Business Administration and Management from Fisher College in Boston. We spoke about visual merchandising tips for both small and large stores and various budgets. For more information or to connect with Denise Foley please visit her online at: www.denise-foley.com, email at: dcf_fly@yahoo.com, Twitter at: https://twitter.com/displayartist, LinkedIn at: www.linkedin.com/pub/denise-foley/14/1ba/3a, Instagram at: http://instagram.com/displayartist, or Pinterest at: https://www.pinterest.com/dfdisplay/. For more information on Laura, you can visit her at: www.laurapowers.net. You can also follow her on twitter @thatlaurapowers or on Instagram @laurapowers44.

Maia Aziz, Social Worker (PSW) and Certified Humor Professional (CHP) writes and speaks on living a life of love and laughter.  Assistant Administrative Chief of Allied Health Services at the Montreal Children's Hospital, contributing writer to The Positive Psychology People and active member of The Association for Applied and Therapeutic Humor, Maia spends her Sunday mornings sharing 3 of her favorite things with someone who is out there pushing the positive- a fresh cup of coffee, a heartfelt conversation and some spontaneous laughter. These are conversations about love, laughter, leadership and well, life!  http://www.withloveandlaughter.ca/ Joan Accolla is a living example of what can happen when creativity meets empathy.  Joan holds a Bachelor of Fine Arts, with a major in Interior Design from New York Institute of Technology and an Associate Degree in Exhibition Design from Fashion Institute of Technology. She has recently been certified as a Laughter Leader (CLL) through Steve Wilson's World Laughter Tour and currently teaches design at New York Institute of Technology. After twenty years of experience in brand identity, both inside a house or inside the body, Joan founded Growing into Health, a creative business and brand marketing organization that helps clients build healthy and meaningful connections between themselves and their environment.  Most recently, Joan is the Co-Founder and creative director for Healing Headbands Project, a non-profit organization that inspires others to develop a healing mindset by integrating laughter with art. http://www.healingheadbands.com/  

Presentations for Service Design 2016

Join Sean Makin in the 35th episode of the twohundredby200 creative podcast. Sean thanks everyone who took part in our recent survey covering the topic of regional differences in creative support from local government bodies. The results of the survey has given us a clearer idea of what we can may do to help support the creative community in future. Sean shares the news that Fabriano Boutique Covent Garden is celebrating National Stationery Week with a 'Quote of the Day' exhibition and competition. Visitors to Fabriano Boutique Covent Garden (21 Neal Street, London WC2H 9PU) are invited to create a handwritten quote using the Italian stationery store's fabulous papers and pens for an exhibition during National Stationery Week (25 April - 5 May).  UK quote creators can also enter a free Facebook competition with an opportunity to win a set of 5 vibrant EcoQua notebooks inscribed with their quote by a master calligrapher. The Facebook competition runs until the end of June, with a prize winner each month. twohundredby200 will be starting a new spin off venture soon which aims to support start-up businesses. We have been working hard behind the scenes and we are hoping to launch in May and to celebrate this we will be running a competition. More news soon. Questions this week cover justifying pricing of work, exhibition design, how we approach the design of interactive kiosks and a web designer asks if she should be assisting her clients with their email issues.

Why do museums continue to struggle with implementing universal design? The Americans with Disability Act is twenty-five years old, yet we still find exhibitions that are inaccessible for one reason (or many reasons). Join Janice Majewski, Director of Inclusive Cultural and Educational Projects at the Institute for Human Centered Design and Clare Brown, Professor of Exhibition Design at George Washington University for a discussion about the importance of incorporating universal design in all exhibitions intended for people and how we are training a new generation of designers to understand that addressing ADA issues is a central part of their design process.

Museum exhibits are like no other storytelling medium. But what does that mean? What assumptions are implicit when we define exhibits as storytellers? How can we push the boundaries of this medium? How can we make the most of its assets? Exhibition designer and professor Clare Brown will share her views and thoughts on this subject.

Exhibitions designed by the British Ministry of Information exhibitions branch during World War Two as official propaganda: their methods and impact.

Exhibition Design is a specific discipline requiring a balance between message and content, skills in spatial design, and clear communication of a narrative. Designing for temporary and permanent exhibitions requires different approaches, from something that is of the moment and perhaps can take some design risks, to an exhibition with lasting design quality that will still look good in 25 years time. Gary Shelly, from the Exhibition Design firm Casson Mann, discusses the process of designing the hugely successful V&A exhibition, Hollywood Costume, as well as the V&A’s permanent galleries, with Glenn Adamson and Moira Gemmill from the V&A.

Julia Hoffmann is the creative director for The Department of Advertising and Graphic Design at the Museum of Modern Art in New York City. In other words, she leads an in-house design team that designs exhibits in the museum for you to interact with. On this show, I talk to her about what an in-house design studio is and how it's different, how identity systems come to be, and the transformation of communication for us as designers. http://www.listencloseshow.com/

Alex Cooper, NPG lighting designer, on lighting the exhibition "Calder's Portraits: A New Language."