Podcasts about free arts

Art is the doorway, mentorship is the key, and together, they unlock resilience. In this episode, Sharlee Dixon is joined by Matt Sandoval, CEO of Free Arts for Abused Children of Arizona, an organization transforming trauma into resilience through the healing power of art and mentoring relationships. With more than 15 years of experience in nonprofit leadership, operations, and community engagement, Matt is a passionate advocate for mental health and trauma-informed care. Under his guidance, Free Arts supports children, teens, and families impacted by abuse, neglect, and homelessness through innovative, equity-centered programming rooted in creativity, choice, and connection. Matt is also a sought-after speaker and trainer, bringing his insight on mental health and resilient living to communities across the country. In this conversation, we explore the origin and evolution of Free Arts, the role of trauma-informed practices, and how art can open the door to agency, identity, and healing, especially for youth navigating complex emotional landscapes.   For more information about Free Arts AZ, please visit: https://freeartsaz.org For more information about the Resilient Hearts Symposium, please visit: https://freeartsaz.org/symposium-2025/ For more information about Canvas of the Heart podcast series brought to you by Free Arts, please visit: https://freeartsaz.org/podcast/ If you would like to support Free Arts with a donation, please visit: https://freeartsaz.org/?form=Donate If you would like to get involved with Free Arts, please visit: https://freeartsaz.org/volunteer/ Connect with Free Arts on Instagram at: https://www.instagram.com/freeartsaz/ Connect with Free Arts on Linkedin at: https://www.linkedin.com/company/free-arts-of-arizona/ Connect with Free Arts on Facebook at: https://www.facebook.com/freeartsaz

On this week's episode of Out and About, Dr. Mae Gilliland of ArtsPartners of Central Illinois chats with Shannon Cox, Executive Director of the Peoria Art Guild, about "Art Without Boundaries." This bold new initiative provides free arts education to all youth under 18 across central Illinois, removing financial and transportation barriers.

Episode Title: "It Only Takes One Adult to Make a Difference."Season 3, Episode 41In this powerful episode of Resilient Voices & Beyond Podcast, host Michael D. Davis-Thomas welcomes Jacob Holley, a Certified Trauma-Informed Trainer, Lived Experience Leader, and passionate foster care advocate. With firsthand experience navigating 27 different placements within Arizona's foster care system, Jacob shares his deeply personal journey of resilience, advocacy, and the impact of trauma-informed care.Jacob opens up about his challenging upbringing in foster care, including his struggles in group homes, being written up for crying, and the lack of support from caseworkers—until one case manager, Rebecca, changed his life. Her guidance helped Jacob excel academically and in extracurricular activities, proving that just one caring adult can make all the difference.Now a youth board member at Fostering Advocates Arizona and certified trauma trainer with the Arizona ACEs Consortium, Jacob works tirelessly to promote trauma-informed policies, extended foster care programs, and better resources for older foster youth. He discusses his role in shaping policy, training nonprofits, and collaborating with organizations like Free Arts of Arizona to bring systemic change.In this deeply insightful conversation, Michael and Jacob discuss:The impact of cycling through 27 foster care placementsWhy trauma-informed care is essential in child welfareHow one caseworker changed Jacob's life and led him to advocacyMisconceptions about foster care and the stigma youth faceBalancing personal healing while advocating for othersThe power of community, mentorship, and giving foster youth a voiceJacob's story is a testament to resilience, hope, and the power of just one caring adult to change the trajectory of a young person's life. Whether you're a foster care professional, advocate, or someone seeking to better understand the foster care system, this episode provides invaluable insights into the realities of foster youth and the changes needed to support them.Ways to Connect with Jacob Holley:Instagram: @cajuncowboy99Facebook: Jacob HolleyLinkedIn: Jacob Holley

On today's show, we're chatting with Anne and Nashalae. Anne Whiting is an upcycled fashion designer, sustainable fashion activist, and writer. She is also a longtime volunteer and mentor for young people with Free Arts NYC, an organization that provides arts programming for youth – including arts internship placements.  Through Free Arts NYC and her upcycled brand, Anne James New York, Anne has worked with several high school and college-aged interns teaching them about the pillars of sustainable fashion and upcycling. She loves helping her interns create their own capsule collections using NYC secondhand shops like Goodwill and BigReuse as their source materials.  So, she reached out to do an episode with one of her former interns, Nashalae Martin, and suggested we could chat about how Gen-Z and the next generations learn about sustainable fashion. Nashalae is a recent graduate of FIT, and has held several fashion-related internships, including with Anne and Anne James New York. I loved hearing how she thinks about thrifting, where she learned about sustainable fashion in the first place, and how she thinks we need to expand the definition of sustainable fashion education.  This is such an interesting chat about how this movement connects with younger audiences  – so, let's dive right into it! DISCUSSED IN THE EPISODE: [4:01] While Anne grew up during the fast fashion boom, she also loved thrifting with her grandmother.  [7:57] Nashalae found an eventual love of fashion design through a love of art. [10:38] Anne works with Free Arts NYC, an organization that provides arts programming for youth – including arts internship placements.  [20:23] How young people like Nashalae get their sustainable fashion education. [23:48] The two truths that young people love to thrift and they also love fast fashion. [27:18] Expanding the idea of sustainable fashion education. [35:33] Personal style and favorite pre-loved pieces. EPISODE MENTIONS:  Anne Whiting Anne James New York Free Arts NYC Threads of Habit Recylpt @brianna.who Pre-Loved Podcast with Alissa Westervelt Andrea Reyes of NYC Fair Trade Coalition LET'S CONNECT: 

The Mayor's Office announced a list of arts and cultural events happening every weekend at City Hall Plaza. For more, ask Alexa to play WBZ NewsRadio on #iHeartRadio.

Emily sits down with founder and director of Free Arts NYC, Liz Hopfan as she preapres for their anual auction. Free Arts NYC empowers youth from underserved communities through art and mentoring programs to develop their creativity, confidence, and skills to succeed. "Since inception, Free Arts NYC has provided high-quality arts programming for youth in underserved communities, with 1:1 mentorship as a core pillar of our mission. Rooted in the heart of NYC's vibrant creative community, we are propelled forward by a dynamic network of creatives who share our passion. Students join our programs through over 30 partnerships held with schools, community centers, and NYC's Department of Homeless Services throughout the five boroughs. We strive to level the playing field by creating access, opportunities, and equity for the next generation." -FREE ARTS, NYC https://www.freeartsnyc.org/ @freeartsnyc

March is Colon Cancer Awareness Month. Incidence of the disease has been rising for the past 2 decades. Colorectal cancer is the deadliest cancer for men under age 50, and the second deadliest cancer among women in the same age group. With Dr. Frederick Ruymann.FREE Arts & Entertainment Lecture, part of the Series with Workshops from Arts Empowering Life hosted at the NEW Performing Arts Center in Brewster, MA . Paul Tingley, Program Coordinator about this series and Beauty, Truth and Faith in the Arts discusses the program with Dan.WBZ NewsRadio's Emma Friedman found a Derry Girls Pop Up Bar in Boston.And Dr. Adam Hartstone-Rose Animal Behavior during a Total Solar Eclipse –  Been found to act out of character - Solar Eclipse Safari, a citizen project aiming to collect observations from people viewing the eclipse.

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Bitcoin ist elektronisches Bargeld, Peer-to-Peer-Geld, Hodl, Spend, Replace beschreibt den Weg der Adaption im Alltag. Bitte unterstütze unseren Podcast indem du die Seiten unserer Sponsoren besuchst: BitBox02 Bitcoin-only: https://bitbox.swiss/zsb 5% Rabatt mit Code ZSB Pleb Style Titan Wallet: https://pleb.style/zsb 5% Rabatt mit Code ZSB PODCAST LINKS Alle Folgen: https://zeitsprungbitcoin.de/ RSS: https://zeitsprung.podcaster.de/bitcoin.rss Apple Podcasts: https://podcasts.apple.com/us/podcast/zeitsprung-bitcoin/id1656541715 Spotify: https://open.spotify.com/show/4SMk1lU9OUGKa9AbskDE4D YouTube Folgen: https://www.youtube.com/@zeitsprungbtc/podcasts YouTube Livestreams: https://www.youtube.com/@zeitsprungbtc/streams KONTAKT & SUPPORT Email: podcast@zeitsprungbitcoin.de X (Twitter): https://x.com/zeitsprungbtc Instagram: https://www.instagram.com/zeitsprungbtc/ Nostr: npub1hwwpvhdeml9vgywkwsnxnw3v6t3ruhlr9enhhwy9w5f0vr8k3j0qr9h4zh Value4Value Lightning: zeitsprungbitcoin@getalby.com FOLGEN ÜBERSICHT (00:00) - Einleitung (4:45) - hodln, spendln, ersetzen (7:00) - Held im Bitcoinspace, Laslo Hanyecz (8:15) - open source internet money (11:00) - Satoshi Nakamoto (13:20) - Food Tour mit Daniel Wingen und Julius Thiele (17:15) - Free Arts of Movement, Andreas Ruby (18:40) - Niko Zeilinger aus dem Fei Scho (22:25) - Jeremy Sturdivant (29:25) - Bearmarkets are for building (30:05) - Marc vom Hotel Princess in Plochingen (35:25) - CBDCs (37:50) - Bewohner von Liberland (40:30) - Doku von Drew Binsky über Liberland (51:45) - Ed von Marlas Abenteuer/ Satoshis Kidzz (56:30) - Adlerhorst in Ybrig

 On this episode of Women on the Line we chat with Anna Weekes, an organiser from the Fossil Fuel Free Arts Northern Territory Campaign. The Fossil Fuel Free Arts NT crew have been campaigning for the Darwin Arts Festival to break up their long-term partnership with fossil fuel corporation Santos. We discuss their recent wins, artwashing, as well the impact of Santos in the Northern Territory. 

About This Episode: Jonathan Goldsmith is an actor who began his career on the New York stage, then started a career in film and television. He appeared in several TV shows from the 1960s to the 1990s. Before becoming the Most Interesting Man in the World, Jonathan worked as a garbage collector, crashed in bug-infested apartments, and snuck into strangers' bar mitzvahs for free food. He appeared in hundreds of plays, movies, and TV shows, including Dallas, Gunsmoke, and the Clint Eastwood film Hang 'Em High (1968). After he retired from his showbiz career, he found success in a network marketing company for waterless car-wash products – but after his business partnership went bad, he lost it all. It was that loss that pushed him back to Hollywood and helped him to find his defining role as “The Most Interesting Man in the World.” Jonathan has been an advocate for landmine victim support and has assisted the Morris Animal Foundation in their efforts to prevent and cure cancer in dogs. He also supported the S.A.B.R.E Foundation, Free Arts for Abused Children, which pairs artists with children in protective custody, and the Stella Link Foundation, a group calling attention to child sex trafficking in Cambodia. For Jonathan, a large part of his life is about giving back. Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Life: https://getextraordinarybook.com/ Find out more about Grant at: LinkedIn: https://www.linkedin.com/in/jayson-waller Twitter: https://twitter.com/jaysonwaller?lang=en Instagram: https://www.instagram.com/jaysonwallerbam/?hl=en Facebook: https://www.facebook.com/JaysonWallerBAM/ Power Home: https://www.powerhome.com/ Check out our YouTube Channel: Jeremyryanslatebiz See the Show Notes: www.jeremyryanslate.com/1002 Sponsors: LinkedIn Jobs: Post your first job for free linkedin.com/cyol MyPillow: Use the promo code: CYOL to get up to 60% off https://www.mypillow.com/ Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading " Bad News How Woke Media Is Undermining Democracy" by Batya Ungar-Sargon www.jeremyryanslate.com/book  

About This Episode: Jonathan Goldsmith is an actor who began his career on the New York stage, then started a career in film and television. He appeared in several TV shows from the 1960s to the 1990s. Before becoming the Most Interesting Man in the World, Jonathan worked as a garbage collector, crashed in bug-infested apartments, and snuck into strangers' bar mitzvahs for free food. He appeared in hundreds of plays, movies, and TV shows, including Dallas, Gunsmoke, and the Clint Eastwood film Hang 'Em High (1968). After he retired from his showbiz career, he found success in a network marketing company for waterless car-wash products – but after his business partnership went bad, he lost it all. It was that loss that pushed him back to Hollywood and helped him to find his defining role as “The Most Interesting Man in the World.” Jonathan has been an advocate for landmine victim support and has assisted the Morris Animal Foundation in their efforts to prevent and cure cancer in dogs. He also supported the S.A.B.R.E Foundation, Free Arts for Abused Children, which pairs artists with children in protective custody, and the Stella Link Foundation, a group calling attention to child sex trafficking in Cambodia. For Jonathan, a large part of his life is about giving back. Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Life: https://getextraordinarybook.com/ Find out more about Grant at: LinkedIn: https://www.linkedin.com/in/jayson-waller Twitter: https://twitter.com/jaysonwaller?lang=en Instagram: https://www.instagram.com/jaysonwallerbam/?hl=en Facebook: https://www.facebook.com/JaysonWallerBAM/ Power Home: https://www.powerhome.com/ Check out our YouTube Channel: Jeremyryanslatebiz See the Show Notes: www.jeremyryanslate.com/1002 Sponsors: LinkedIn Jobs: Post your first job for free linkedin.com/cyol MyPillow: Use the promo code: CYOL to get up to 60% off https://www.mypillow.com/ Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading " Bad News How Woke Media Is Undermining Democracy" by Batya Ungar-Sargon www.jeremyryanslate.com/book  

Acknowledgement of Country// News Headlines// 7:15am - Barbara Shaw (IRAG) - Karrinjarla Muwajarri Mparntwe Rally//Arrernte activist Barbara Shaw from the Intervention Rollback Action Group or IRAG spoke at a rally on Saturday the 18th of June in Mparntwe Alice Springs calling for Karrinjarla Muwajarri, no guns in community. The Karrinjarla Muwajarri campaign, organised by members of the Yuendumu community, demands a ceasefire and the restoration of self-determination to Aboriginal communities in the Northern Territory. In this speech, Barbara Shaw connects the 15th anniversary of the Northern Territory Intervention with state violence in Aboriginal communities. Our thanks to the Punk Tree Hour crew on 8CCC Community Radio Alice Springs and Tennant Creek for sharing this recording with us! You can find out how to support the Karrinjarla Muwajarri campaign at karrinjarlamuwajarri.org, and more information about IRAG is available via their Facebook page - Intervention Rollback Action Group.// 7:30am - Music and Promotion//Event promotion: Emerging Writers Festival and Schizy Inc: Gnarly Writers, showing tonight at EWF Thursday 23rd of June from 7:30-8:30PM at Loop Project Space & Bar// Gnarly Writers celebrates storytellers who've been in the public mental health system for decades. These artists will bring you insights into the system and into healing, which might just come in handy to anyone starting out on a mental health lived experience apprenticeship or seeking validation for a lifetime of service. This event emphasizes that writing one's own story can be more than a chance to impart words of wisdom: it's also an act of freedom from a lifetime of being recorded. Find out more here // Radiothon promotion: Thursday Breakfast is raising money for 3CR's 2022 Radiothon!//Donate over the phone: CALL 03 9419 8377 OR SMS 0488 809 855//Donate online at 3cr.org.au/donate, or via our CrowdRaiser at givenow.com.au/cr/breakfast.//Don't forget to nominate Thursday Breakfast when you make your donation!// 7:45am - Zianna Fuad - Blockade Australia//Then we are joined by Zianna Fuad, a member of the climate activist group Blockade Australia. To speak on the heavily armed police raid at a NSW property on Sunday the 19th of June. The raid was triggered after activists spotted camouflaged, unmarked police officers filming them. Followed by dozens of police storming the site and detaining protesters. 7 protesters were charged on Sunday with a range of offences, 5 of them have been slammed with extremely punitive conditions such as being denied bail and maximum sentences of 10 years. Join their event on Monday 27th of June in Sydney DAY ONE here// 8:00am - Anna Weekes//We also speak to Anna Weekes from Frack Free Arts NT about the continued sponsorship of arts programming from fossil fuel giants such as Santos who is a sponsor of the upcoming Darwin Festival. Anna is a community cultural artist who has worked within Australia and internationally on community directed arts projects for social justice. Anna has a passion for the creation of personal and group expression through the arts with a focus on art as a passage for social commentary to provoke thought and change. Anna has also received the Kirk Robson Community Cultural Arts Development award for her work over the past 10 years in the field. Sign the open letter to end funding by Santos here// 8:15am - Mammad Aidani//Finally, we are joined by Mammad Aidani, who is a human rights advocate, poet, playwright, theatre director and psychosocial resarcher. He speaks with us today about the play 'I said this to the bird', which is currently showing at the Institute of Postcolonial Studies with upcoming performances from the 24th to 26th of June.Ticket details are available here.//Mammad's research investigates the violence, torture, trauma and suffering experienced by Iranian and Middle Eastern immigrants, refugees and asylum seekers who have resettled in Australia and the West. He is currently the vice president of PEN International Melbourne. He teaches Hermeneutics and Phenomenological philosophy at the Melbourne School of Continental Philosophy, and his writings have been banned in Iran. You can read an essay by Mammad on exile, '300 words for truth,' here in Overland.// Songs//R U My Love - ParvynNilotic - Elsy WameyoKush (Amadou Suso Replay) - SO.Crates//

This episode is also available as a blog post: https://thecitylife.org/2022/05/19/kaws-laurie-anderson-lead-artist-lineup-at-2022-hirshhorn-ball-to-support-free-arts-programming-on-the-national-mall/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/citylifeorg/message Support this podcast: https://anchor.fm/citylifeorg/support

Nonprofit founders are the heroes of the nonprofit world. Yet some fail to recognize when it's time to step aside. In today's podcast episode, our panel takes a look at the lifecycle of the nonprofit founder, how founders and their boards can best avoid "founder's syndrome," and what it takes to prepare and execute a successful leadership succession plan. Free 30-minute consultation for NPFX listeners: http://www.ipmadvancement.com/free Want to suggest a topic, guest, or nonprofit organization for an upcoming episode? Send an email with the subject "NPFX suggestion" to contact@ipmadvancement.com. Additional Resources IPM's free Nonprofit Resource Library: https://www.ipmadvancement.com/resources Building Leaderful Organizations: Succession Planning for Nonprofits https://www.aecf.org/resources/building-leaderful-organizations Susan Kenny Stevens, Nonprofit Lifecycles Institute https://nonprofitlifecycles.com/founder/ Stephanie Small specializes in building the organizational capacity of mission-driven organizations in a “meet them where they are” lifecycles framework that ensures her services are tailored specifically to organizational needs. Having served as the founding executive director of Free Arts of Arizona for over 14 years, she recognizes the opportunities and challenges that face organizational leaders. BoardSource certified, Stephanie is authorized and qualified to utilize all BoardSource curricula, conduct the board self-assessment process, and provide consulting in all areas of governance. https://synergypartnersconsulting.com/ https://www.linkedin.com/in/stephanie-small-a453594/ Patrick McWhortor is CEO of Arizona Citizens for the Arts, an advocacy organization dedicated to advancing arts and culture in Arizona and supporting public investment in the arts. He has been involved in nonprofits and public affairs in Arizona for nearly four decades, including ten years as founding President and CEO of the Alliance of Arizona Nonprofits. As a consultant, Patrick provides leadership, strategy, and team building services for his clients. He also serves nonprofit organizations of all sizes in the role of a professional interim executive. In addition, Patrick teaches philanthropy, nonprofit, public policy, and political science courses at Arizona State University. https://azcitizensforthearts.org/ https://www.linkedin.com/in/mcwhortor/ Rich Frazier has worked in the nonprofit sector for over 30 years. In his role as senior consultant with IPM Advancement, Rich offers extensive understanding and knowledge in major gifts program management, fund development, strategic planning, and board of directors development. Russ Phaneuf, a co-founder of IPM Advancement, has a background in higher education development, with positions at the University of Hartford, Northern Arizona University, and Thunderbird School of Global Management. As IPM's managing director & chief strategist, Russ serves as lead fundraising strategist, award-winning content creator, and program analyst specializing in applied system dynamics. 

What you'll learn in this episode: The history of Sculpture to Wear and how Lisa maintains its legacy Why editorial and media coverage is crucial for getting art jewelry recognized as a fine art What the role of a jewelry gallery is Why Lisa always advises artists to keep good records of their work How the bold brooches of the 80s paved the way for today's art jewelry About Lisa M. Berman Lisa M. Berman is an internationally recognized “Ambassador of Wearable Art.” Based in Southern California, her expertise extends to major manufacturing and retail markets, museums and corporations in the United States, Canada, Mexico, Asia and Europe. Lisa is the owner of the iconic gallery Sculpture to Wear, which was instrumental in launching the studio jewelry movement in the United States. The gallery offers an eclectic array of art, jewelry and unique objects to discerning collectors, media producers and institutions, which have been featured in film, television and publications. Her recently launched Berman Arts Agency offers artist representation, career management, corporate acquisition, sponsorship advisement, museum placement, exhibition curation and education services on the disciplines of fine art, jewelry, design and fashion. Lisa holds degrees in Plastics Manufacturing Technology from California State University Long Beach, Product & Jewelry Design from Otis College of Art & Design and Merchandising/Marketing from Fashion Institute of Design and Merchandising (FIDM). She has served on the Board of Governors for OTIS College of Art & Design; as Public Relations Chair for the Textile and Costume Council at the Los Angeles County Museum of Art (LACMA); and on the Museum Collection Board at FIDM. She volunteers for Free Arts for Abused Children, STEAM projects and Art & Fashion Councils. Additional Resources: Sculpture To Wear Website Sculpture To Wear Instagram Sculpture To Wear Facebook Berman Arts Agency Instagram Photos: Lisa M. Berman wearing Archival 18k gold plate PEBBLES Necklace by Robert Lee Morris, her own sterling silver pendant by K. Lamberti, Issey Miyake coat and holding a signed ARTWEAR Catalog (RLM). Photo by Daniel Oropeza NUE Magazine Holiday 2020  Model Neva Cole, Photo by Daniel Oropeza  ICE Collar by Greg Orloff, 2018, $15,000 Creative Director / styled by: Lisa M. Berman  NUE Magazine Holiday 2020  Feature article "Powerful Woman of Dissent" from the "Feel the Frill" Exhibition honoring RBG curated by L.M. Berman.  Sculpture: LUX MAXIMUS, Winner of ARTPRIZE 2017 by Daniel Oropeza $350,000.  Model Neva Cole wears Emancipation Collar by 2Roses, 2020, $1,500.  Photo by Daniel Oropeza  Creative Director / styled by: Lisa M. Berman  Cover of IONA Magazine  Model wears Beaded Galaxy by 3 Tribes, from our Timeless Measures Exhibition 2006, curated by Lisa M. Berman & Pamela McNeil  1 year collaboration with women from 3 tribes in Africa - elders teaching the younger generation how to bead.  Cuffs (sterling Silver & Copper) by Tana Action  IONA Magazine  Models wears pieces by Jan Mandel: “REVEALED” Collar $50,000 (worn to the EMMY Television Academy's Governors Ball) and “POIGNET” (French meaning Wrist) $25,000 - both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine, 2001. IONA Magazine  Models wears pieces by Jan Mandel: Earrings - 18k gold & aqamarine (NFS), “TRANSITION” Collar, 18k gold, Onyx, Aquamarine $20,000  and “GOLDEN” Cuff, 18k gold, $10,000, made in 2001. Niche Magazine - TOP RETAILER SPIKED, red collar (Collection of Myra Gassman) & Cuffs on left side by Michelle Ritter  “POIGNET” (French meaning Wrist) $25,000 -  both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine. Bouquet Ring, Stainless steel & garnet by Wendy Gwen Hacker $800 Collaboration with Sculpture To  Wear Designer Gina Pankowski & MOEN Facet manufacturer. Utlilitary into Wearable Art Cover of W Magazine  - January Jones wears LATTICE necklace (oxidized Sterling Silver) by Gina Pankowski, $4,000 And Bridge Bracelet sterling silver by Sergey Jivetin, SOLD in Private Collection    The images below are from a PHOTO shoot based in the music video Rico Mejia Photography Fashion Beauty Celebrity Lifestyle Mobile number: 323-370-0555 https://www.behance.net/ricomejia https://twitter.com/RicoMejiaFoto https://www.instagram.com/ricomejiaphoto/ Perpetual Light in Motion - editorial photography by Rico Meija for Costumes bResin and Diamond Bangle by Cara Croninger from 24K Show, 1979, $4,000 Citrus Collar of acrylic, stainless steel & magnetic closure $650, and Bracelet $300 by Adriana Del Duca of Genos Jewelry  Vintage Earrings- acrylic, one of a kind by Frank & Anne Vigneri, 1984, $350 Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  Resin DROP earrings by Cara Croninger $200 REGINA Collar of acrylic, stainless steel & magnetic closure $800 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Bracelet by Genos, NFS in collection of Julie Laughton Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  BLUE DROP earrings Teri Brudnak $98 HEDGEHOG Collar of acrylic, stainless steel & magnetic closure $850 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Clear CUFF by Cara Croninger, NFS collection of L.M. Berman        Cover of Vogue with Cherize Theron     Transcript: Lisa Berman, owner of art jewelry gallery Sculpture to Wear, has been a figure in the art jewelry world for over 20 years, and she has a wealth of insight to share with fellow jewelry lovers. For her second appearance on the Jewelry Journey Podcast, she talked about how she's maintained relationships with hundreds of designers and collectors over the years, what advice she offers the designers she works with, and why art jewelry is coming into its own as a fine art collected by museums. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, my guest is Lisa Berman. Although we share the same last name, I'm not related to Lisa; however, over the years she has become a friend and a trusted dealer. Lisa has been a guest on the show before. Today, we'll have a wide-ranging discussion with less of a focus on a particular piece, more talking about her experience in the jewelry and fashion world. Per our practice, the podcast is audio only. We will be posting photos of many of the pieces Lisa mentions today on our website, which is JewelryJourney.com. This is also a two-part podcast, so please keep your eyes open for our second episode which will air later this week. Please make sure you're a member of our jewelry community by subscribing to the Jewelry Journey Podcast. That way you can listen to both episodes hot of the presses, so to speak. With that, I'd like to welcome Lisa to the program.   Sharon: When you say editorial—you talked about editorial versus advertorial—what do you mean?   Lisa: Years ago, we had magazines like W and Vogue and Vanity Fair, and the word advertorial did not exist. You had true editorial, where you were a new designer, you were creating something different, you had a new statement necklace, and they wanted to feature it. By the way, the vernacular “statement jewelry” wasn't in vogue 25 years ago. We talked about it. Now you see something on the cover and people talk about. From a marketing and selling point, it's a statement piece. That's something we were using in studio jewelry decades ago.    Let's see, we were talking about editorial, working with creative directors of publications. You have a timeline that's three months in advance because you didn't have digital. You had film; you had slides; you had all these timelines that were completely different. Then publications changed. They had to find a way to stay afloat, to stay in business, and like any other business they said, “Look, if you buy an ad, we'll promote you in an editorial article.” That's why you have some galleries now charging artists to physically have their work on the walls, which is something we didn't do, of course.   Sharon: That's interesting. Then you have people like me who walk into a gallery—I didn't know a lot—but depending on the gallery, they might pay to have their work on the wall. Having come from public relations, I immediately look at something to see whether they paid for that article or if it was chosen. I think it's important to point out—people might say, “Well, it sounds dated to be talking about all this print stuff,” but that goes immediately online. All the print is immediately online. There may be some things that never make print that are online, but it's important because whatever you see in print is going to be online.    Lisa: Well, I'll tell you why it's important and relevant. It actually goes back to catalogues and museums. I will get to museums in a second. As much as we want to save the planet and save paper and all of that, museums still demand catalogues for their major exhibitions. That's an important part of collecting. An important part of an artist's career is to have that physical catalogue, that tangible item that can be placed on a bookshelf, or talked about, or brought to a dinner party or a lecture series or whatever it may be. That's really important. An editorial and a printed editorial are the same. Obviously, there are more online publications and it's literally just flipping through the images.    For example, we just filmed a music video with Linda Hikel. We used a number of pieces from Sculpture to Wear in the music video. People loved it. They will use it for promotion, but she called me and said, “We want to capitalize on the fact that you brought such extraordinary work to the video. We want to capture those for editorial.” Then she called me and said, “We actually want to take it a step further. We're thinking about a book,” so these are the conversations. Printed materials are not a thing of the past, thankfully; they're an important element of documentation. That's why I tell artists, when I'm on an artist's tour or in their studio or we're having a conversation, “Please, if you're not a good note taker or you're not good about keeping files, literally keep a box on your desk, and anything—a summary or a note or something in regard to that project—keep it in there. This is so important for telling the story for an exhibition in a museum or just a gallery or online show.”   Sharon: Lisa, you mentioned that makers, jewelers, artists don't understand the role of a gallery. They think, “What am I paying you for?” in a sense. Tell us what your response to that is.   Lisa: I no longer have a physical, permanent location, but I do curate exhibitions. I will collaborate with fine art galleries or other locations to host exhibitions within their space. Even if a show is online, you still get the attachment of being in an exhibition that is part of Sculpture to Wear history and legacy. You have the exposure that I bring to that particular artist, whether it be through my website, through the newsletters I send out, through Art Jewelry Forum, through Indelible, which is my new column for older jewels. That's under the umbrella of Artistar Jewels.   Sharon: Artistar Jewels?   Lisa: Artistar Jewels; I'll tell you about that. Also, there's the collector base. A lot of artists think they pick up the phone and it just happens. Well, it does in some instances. It happens because I've cultivated a relationship for five to eight to 10 years. Yes, I can ask for a favor. Yes, I can propose an idea and I will be taken seriously because there's a track record of credibility. That's important for artists to understand. I think a lot of them coming from major schools do understand that. That is something that's part of their curriculum.    Sharon: You mentioned the importance of keeping all your sketches and notes and everything like that because it helps the gallerist tell a story.   Lisa: Right. In my garage, I literally have over two decades of artists' submissions. I know it sounds crazy. I have artists' submissions that were done on slides and then zip drives. I don't even know how I will convert those images, but I was so afraid of throwing away some of the most magnificent images I've ever seen and shown. Then each one of my exhibitions is in chronological order in a binder with the title and if there's any traveling accompanying that exhibition. I think I learned that from my days in the fashion industry, because you had to document, document, document. That has served me well, because if you don't document it, it never happened. So, you've got the documentation of the visuals and the notes and the advertising, and those are really important. Of course, now artists are saving all of that online, but hopefully there's still something tactile to incorporate.   Sharon: It's so important for credibility, whether it's online or not. Ideally, it's legitimizing it. I know for me, when I'm considering a piece of jewelry, if I know the artist has been in this museum or that museum or it's in the writeup, that makes a difference to me. It weighs more in favor of purchasing something, that credibility.   Lisa: Yes, and that's a whole round robin of a conversation. For example, the pieces I placed in LACMA on behalf Lynn Altman—unfortunately, Lynn is deceased. She was one of my favorite and dearest people on the planet. The three pieces that LACMA acquired were actually owned by me first, so it tells me I have a good eye, and it will also tell a collector I have a good eye. I know the process; I know what museums might be interested in. Mostly whatever I thought was interesting or fascinating, that's what I would collect, but it does matter. It plays a role in credibility in the conversation, if I'm going to be working with a client for consulting, either with a one-on-one client, with an artist or with a company or museum. By the way, one of the misnomers with museums and donations is that people think, “Oh, I have these amazing pieces and I want to donate them.” That's a very long process.   Sharon: From what I've heard, it's a challenge.   Lisa: It's a challenge because good museums will only accept pieces they can properly store. Of course, everyone wants them to be on display 100 percent of the time, but you can't do it. That's a conversation as well. You've got museums looking to acquire pieces, but they need funding for it. There's a whole program with their donors and collectors; “How do we buy this?” Then there are pieces they want that are being donated to them, but maybe they're going under renovation. Whatever the story may be, they want to make sure they're going to acquire them and be able to sort them, so that during their downtime another museum doesn't take them. It's really testing out there.   Sharon: When I've heard of collectors who have donated their collections, it sounds like it's been a long process. It's been something that took years before they even decided to do it. They were being wooed, or they would ask the museum, “What should I buy? What would you like to see in the collection?” that sort of thing. It doesn't sound like you just drive up and unload your station wagon.   Lisa: Oh, no.   Sharon: Do people have station wagons anymore?   Lisa: I don't know. They're called SUVs.   Sharon: Yes, SUVs.   Lisa: At least at a reputable location, that is definitely not the case. I think it's a very exciting time because you have people creating these secondary market pieces, people auctioning them, collecting them, and then you have some of the most dynamic makers. What's interesting to me is also the variations of ages from very young, 19 to 20, and then you have some jewelers I've met that were famous. They were architects or sculptors, and they wanted to change direction.    I've also talked to some of them in regards to ageism. They can't apply for certain grants because they're too old for one at 66. There are a lot of new conversations, like how we've had to learn to communicate with this new technology in Zoom. Life throws us curve balls and we go with it, and there are different trends, too. Brooches were so important probably 20 years ago and they still are, but you had it peak with the “Brooching it Diplomatically” book and Madeline Albright. For many years, large-scale collars were important. You have the Susan Lewin book that just came out and the exhibition book about rings. It's exciting. This field is constantly growing, constantly renewing itself, and I'm always inspired by it.    Sharon: I think we had a conversation once where you told me that brooches helped people segue to art jewelry. People could understand those and wear an avant garde brooch before they would wear something in their hair or an earring or something like that.   Lisa: Yes. People won't believe this, but fashion also played a role in that. For example, 25, 30 years ago, you had women entering the workforce—I know I'm going to get backlash on this—but they were wearing these blazers. So, they can't wear a large collar, plus they're downplaying it. They still want to make a nonverbal statement, and the easiest thing is to put a large-scale piece on a lapel. The ideal wall to place a brooch was on a blazer. For example, I'm wearing a Miyake shirt today. You can't put anything heavy through that. These blazers and large-scale shoulders, that was a perfect wall space to wear these pieces. For makers, these are the easiest way for them to literally make sculpture to wear. It was in a format that made sense to them, a smaller-scale sculpture that was on the left shoulder most often, but there are no rules now. Literally everything goes.    I happen to personally enjoy large-scale collars, just because I like to be hands free and my hands are always moving when I'm talking. I don't wear a lot of rings. When I had much shorter hair, I wore giant earrings. Now I don't, but it's all about personal preference. It was also interesting with the gallery. Someone would see a necklace or a piece in a feature editorial in the Los Angeles Times or W or whatever it may be, and they would call and say, “That's the piece I want.” Then, ultimately, they would come to the gallery and try it on, and they thought, “You know what? This just doesn't sit right on me. I want to look at something else,” or we would specifically have the artist there to meet with them and talk with them.   Sharon: You've talked about the fact that relationships are so important. I know what you mean. It's not just a matter of calling up Sally Smith who you've never talked to before and doesn't know you from Adam, versus calling somebody you've worked with or who knows you always bring her great pieces or something interesting. I want people to understand what you do and why they should call you, because you have your fingers in so many different areas.   Lisa: You know what's interesting about your statement, Sharon, is that I do. I am that person who will call anyone. I have the zero-fear factor.   Sharon: That's great.   Lisa: Completely, because the fact is the worst they can say is no. I'm on a phone call and I present the idea. I think it makes sense, otherwise I wouldn't call them or present them with the idea or exhibition or whatever it may be. I literally will pick up the phone, or I have a crazy idea and I will create a way to connect the dots. Most people think, “Oh my gosh! I would have never thought about that.” Often it's thinking about who's in that particular trade industry, how can we possibly get sponsorships, what's a different avenue. Let's think out of the box. We always hear that: let's think out of the box. I like to be creative, and I like communication. I literally will pick up the phone, and I always like to have a conversation.    So many people hide behind this little mouse on their computer or Facebook or Instagram or private messages. I say if we're going to work together or any of this, I have to have a conversation. Let's go on WhatsApp. If you're in a different time zone, a different county—it doesn't matter if they're speaking Latvian and they're mumbling through a translator, you just get their essence. That's really important, especially now with the lack of human interaction. I'm always an advocate for having a conversation because you never know where it's going to lead, that next step, that next unturned stone. You learn so much more when you have the conversation with the person.   Sharon: I always envy you people who have zero fear factor. I don't fall in that category, so I think it's great. Why should people call you today? To curate an exhibition?   Lisa: Thank you. I do a number of things. Obviously, first and foremost, I do represent certain artists' careers on an ongoing basis, whether it's curating exhibitions for their particular body of work. I can also host a show where we would sell work, because that's the fuel that makes the engine go: selling artists' work, curating exhibitions, connecting them to editorial, getting them placement for exposure. I would say 50 percent of what I do is a PR agency. That is the bulk of most of my day. It's writing articles, sending out newsletters, Instagram, Facebook posts, calling institutions or perhaps sponsors who are creating an exhibition, and creating those business alignments to further these ideas. Whenever I'm on Zoom conferences, I'm taking notes. Editorial, promotional, selling—it's like an ad agency as well.   Sharon: And when you say artists, that's bench jewelers, retailers, makers and fine artists.   Lisa: Yes, now I have branched out with the Berman Art Agency. That umbrella encompasses the very few select sculptors and photographers I've worked with throughout the years. For example, Bonnie Schiffman, she's a very well-known, iconic photographer in 16 museums worldwide. She came to me to make a commission piece in a gallery with Claudia Endler. That was an heirloom piece, and she wears it every day. Now we have this relationship where I'm working with her photographs. We've done shows throughout LA. I picked up the phone and created a museum exhibition for her back east. Some of these artists have had a rich career, and then they either hit a lull or they're on hiatus. How do I resurrect this? It's looking at those types of people. Like Marc Cohen—   Sharon: We just had Marc Cohen on the podcast with his box jewelry, which is so unique.   Lisa: I've known Marc for almost 35 years. I'm working with him on his 40 years of archives to make sense of them and understand how to present wearable art box sculptures, which are little, unique maquettes of a stage, like a Broadway stage. He incorporates iconic photography, and each of those tells a story. I'll be wearing one, and from across the room, someone will point at me and say, “That's the box man.” He's done a lot of much larger installations at the Museum of Jerusalem and some other work. So, presenting that work, how do we package that? How do we package it for a museum exhibition, for a gallery exhibition? Of course, we want to do a book.   Then I was working with Teri Brudnak. She was Karen McCreary's partner for Star Trek. We met 35 years ago in a plastics technology class. She and Karen were making work for Star Trek: The Next Generation, the television show. We were the only three women in this class, and people were making fun of us until they would see their pieces on television within the two-week period. They stopped the teasing and said, “O.K., this is something.” For example, the Skirball Museum has a Star Trek exhibition. How do we incorporate the legacy of what Terry and Karen created with their jewelry? It's always about peeking around the curve and finding a placement that makes sense. It is in alignment in an authentic way with their artist's voice and what they've created; not necessarily a stretch, but completely in alignment with their work and their creativity.   Sharon: Lisa, thank you so much. I learned so much today about how an artist has to sell their work. I know that's where so many get caught. Thank you so much for being here today.   Lisa: I appreciate the opportunity to tell your audience about this. It's very important. Thank you, Sharon.   Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.

What you'll learn in this episode: The history of Sculpture to Wear and how Lisa maintains its legacy Why editorial and media coverage is crucial for getting art jewelry recognized as a fine art What the role of a jewelry gallery is Why Lisa always advises artists to keep good records of their work How the bold brooches of the 80s paved the way for today's art jewelry About Lisa M. Berman Lisa M. Berman is an internationally recognized “Ambassador of Wearable Art.” Based in Southern California, her expertise extends to major manufacturing and retail markets, museums and corporations in the United States, Canada, Mexico, Asia and Europe. Lisa is the owner of the iconic gallery Sculpture to Wear, which was instrumental in launching the studio jewelry movement in the United States. The gallery offers an eclectic array of art, jewelry and unique objects to discerning collectors, media producers and institutions, which have been featured in film, television and publications. Her recently launched Berman Arts Agency offers artist representation, career management, corporate acquisition, sponsorship advisement, museum placement, exhibition curation and education services on the disciplines of fine art, jewelry, design and fashion. Lisa holds degrees in Plastics Manufacturing Technology from California State University Long Beach, Product & Jewelry Design from Otis College of Art & Design and Merchandising/Marketing from Fashion Institute of Design and Merchandising (FIDM). She has served on the Board of Governors for OTIS College of Art & Design; as Public Relations Chair for the Textile and Costume Council at the Los Angeles County Museum of Art (LACMA); and on the Museum Collection Board at FIDM. She volunteers for Free Arts for Abused Children, STEAM projects and Art & Fashion Councils. Additional Resources: Sculpture To Wear Website Sculpture To Wear Instagram Sculpture To Wear Facebook Lisa Berman Instagram Photos: Lisa M. Berman wearing Archival 18k gold plate PEBBLES Necklace by Robert Lee Morris, her own sterling silver pendant by K. Lamberti, Issey Miyake coat and holding a signed ARTWEAR Catalog (RLM). Photo by Daniel Oropeza NUE Magazine Holiday 2020  Model Neva Cole, Photo by Daniel Oropeza  ICE Collar by Greg Orloff, 2018, $15,000 Creative Director / styled by: Lisa M. Berman  NUE Magazine Holiday 2020  Feature article "Powerful Woman of Dissent" from the "Feel the Frill" Exhibition honoring RBG curated by L.M. Berman.  Sculpture: LUX MAXIMUS, Winner of ARTPRIZE 2017 by Daniel Oropeza $350,000.  Model Neva Cole wears Emancipation Collar by 2Roses, 2020, $1,500.  Photo by Daniel Oropeza  Creative Director / styled by: Lisa M. Berman  Cover of IONA Magazine  Model wears Beaded Galaxy by 3 Tribes, from our Timeless Measures Exhibition 2006, curated by Lisa M. Berman & Pamela McNeil  1 year collaboration with women from 3 tribes in Africa - elders teaching the younger generation how to bead.  Cuffs (sterling Silver & Copper) by Tana Action  IONA Magazine  Models wears pieces by Jan Mandel: “REVEALED” Collar $50,000 (worn to the EMMY Television Academy's Governors Ball) and “POIGNET” (French meaning Wrist) $25,000 - both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine, 2001. IONA Magazine  Models wears pieces by Jan Mandel: Earrings - 18k gold & aqamarine (NFS), “TRANSITION” Collar, 18k gold, Onyx, Aquamarine $20,000  and “GOLDEN” Cuff, 18k gold, $10,000, made in 2001. Niche Magazine - TOP RETAILER SPIKED, red collar (Collection of Myra Gassman) & Cuffs on left side by Michelle Ritter  “POIGNET” (French meaning Wrist) $25,000 -  both with created from Stainless steel mesh, outlined with 18k gold wire, Citrine. Bouquet Ring, Stainless steel & garnet by Wendy Gwen Hacker $800 Collaboration with Sculpture To  Wear Designer Gina Pankowski & MOEN Facet manufacturer. Utlilitary into Wearable Art Cover of W Magazine  - January Jones wears LATTICE necklace (oxidized Sterling Silver) by Gina Pankowski, $4,000 And Bridge Bracelet sterling silver by Sergey Jivetin, SOLD in Private Collection    The images below are from a PHOTO shoot based in the music video Rico Mejia Photography Fashion Beauty Celebrity Lifestyle Mobile number: 323-370-0555 https://www.behance.net/ricomejia https://twitter.com/RicoMejiaFoto https://www.instagram.com/ricomejiaphoto/ Perpetual Light in Motion - editorial photography by Rico Meija for Costumes bResin and Diamond Bangle by Cara Croninger from 24K Show, 1979, $4,000 Citrus Collar of acrylic, stainless steel & magnetic closure $650, and Bracelet $300 by Adriana Del Duca of Genos Jewelry  Vintage Earrings- acrylic, one of a kind by Frank & Anne Vigneri, 1984, $350 Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  Resin DROP earrings by Cara Croninger $200 REGINA Collar of acrylic, stainless steel & magnetic closure $800 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Bracelet by Genos, NFS in collection of Julie Laughton Perpetual Light in Motion - editorial photography by Rico Meija for Costumes by Swinda Reichelt  BLUE DROP earrings Teri Brudnak $98 HEDGEHOG Collar of acrylic, stainless steel & magnetic closure $850 by Adriana Del Duca of Genos Jewelry for "Feel the Frill" exhibition honoring RBG, curated by L.M. Berman. Clear CUFF by Cara Croninger, NFS collection of L.M. Berman        Cover of Vogue with Cherize Theron     Transcript: Lisa Berman, owner of art jewelry gallery Sculpture to Wear, has been a figure in the art jewelry world for over 20 years, and she has a wealth of insight to share with fellow jewelry lovers. For her second appearance on the Jewelry Journey Podcast, she talked about how she's maintained relationships with hundreds of designers and collectors over the years, what advice she offers the designers she works with, and why art jewelry is coming into its own as a fine art collected by museums. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. Today, my guest is Lisa Berman. Although we share the same last name, I'm not related to Lisa; however, over the years she has become a friend and a trusted dealer. Lisa has been a guest on the show before. Today, we'll have a wide-ranging discussion with less of a focus on a particular piece, more talking about her experience in the jewelry and fashion world. Per our practice, the podcast is audio only. We will be posting photos of many of the pieces Lisa mentions today on our website, which is JewelryJourney.com. This is also a two-part podcast, so please keep your eyes open for our second episode which will air later this week. Please make sure you're a member of our jewelry community by subscribing to the Jewelry Journey Podcast. That way you can listen to both episodes hot of the presses, so to speak. With that, I'd like to welcome Lisa to the program. Lisa: Thank you, Sharon. I'm so delighted to be back here again. Sharon: It's great to have you. For those who don't know your background, can you give us a brief overview of your background? Lisa: Of course. I grew up in the fashion industry and had a career in fashion design. I had an accessory business for many, many years, and then I acquired the name of Sculpture to Wear Gallery in 1998. Of course, that was originally launched in 1973 in New York City in the Park Plaza Hotel. I launched my first exhibition at Bergamot Station Art Center, which I'll tell you about in a second, on January 16, 1999. I'm proud to be the second owner of Sculpture to Wear Gallery. Now, location is important. Location, location, location, you've heard a million times in real estate. Bergamot Station Art Center is in Santa Monica, California, Southern California, and it was formerly the home to 25 thriving contemporary galleries and the Santa Monica Museum of Art. It was, I believe, a five-acre complex. Now the Red Line runs through it. Sharon: The Red Line being the Metro. Lisa: Yes, the metro. Anyway, that's where I started my journey. I actually met my former husband, Robert Berman, there as well. It was the heyday. It was like Soho. It was the happening place on the West Side; it was a lot of fun. Every Thursday, Friday and Saturday night for 10 years, there were gallery openings. There was constant influx of artists and jewelers and collectors and educators and writers, so it was definitely the place to be. Sharon: What was groundbreaking about—first, it was groundbreaking that Sculpture to Wear was on the West Coast, but what was groundbreaking about the original Sculpture to Wear? Lisa: The owner, Joan Sonnabend, was basically located in Boston, but she had a tiny, little, postage-stamp gallery. Robert Lee Morris told me it was only about 400 square feet. The delineation was that she only showed work by signed artists. For example, you had Alexander Calder making jewelry, and he actually made his jewelry. There were pieces by Picasso; those were in addition to the series and those were made by other craftsmen. Of course, you have people like Robert Lee Morris, whose entire career was launched at the original Sculpture to Wear. The idea was that she was selling one-of-a-kind, sculptural jewelry made by fine artists, not by jewelry artists. That was the idea. Sharon: From what I've heard, nobody else was doing that then. This was unusual. Lisa: It was extremely unusual. The only person that was doing something similar was in Philadelphia. That's our beloved Helen Drutt, who is about to turn 91. She was also very monumental and important in bringing studio jewelry and wearable art to the United States, but she worked with jewelers and makers, mostly in Europe. Sharon: How did you know the Sculpture to Wear license was available? How did you find out about that? Lisa: I was introduced to the idea through Cindy Forbes, who's now Cindy Brown. She ultimately ended up being my gallery manager. We had a conversation, one thing led to another, and that was kind of it. It was available, so I capitalized on that and the domain and the name. When I acquired the name, I felt it was very important that every decision I made was legacy-driven, because it was a very important part of history. This is not something I just launched; they had an important history and legacy on the East Coast. That's why for my business card, I purposely selected the title of “visionary proprietor,” because it kept me on point and on target. At first, I got a little flak from it, but as I explained, that kept me on point to do my best. That was it. Sharon: Flak because people said, “Oh my gosh—”  Lisa: A lot of gumption that I would profess to be this visionary proprietor. Now, everyone on social media is a visionary and all the museum collectors' groups are visionaries. I don't know; I guess I was ahead of the curve. Sharon: You are a visionary. Lisa: This was 23 years ago. There you go.  Sharon: So, you opened at Bergamot Station and then you moved the gallery to Montana Avenue in Santa Monica? Well, they're both in Santa Monica. Lisa: I was in Bergamot Station from 1999 until 2003. In Bergamot Station, I had two separate little locations. In 2003, I moved to a much larger location. That was on Montana Avenue at the cross street of 11th Street. I moved there knowing I was a destination, that I had built a brand with Sculpture to Wear and with the artists through a number of different ideologies and media and exposure. We'll get into that in a second, but I knew I was a destination. I was not going to rely on walk-in traffic on Montana Avenue, like so many of the other stores did. That was really important, that I had built up that mailing list, the collector base. People would be traveling, or friends would be coming in from out of town and our collectors would pick them up at the airport and say, “We have to take you to Sculpture to Wear first.” It was those kinds of relationships we had built there. Sharon: Did people stumble on your gallery in Bergamot Station? How did they find you? Lisa: Bergamot had 25 galleries, so at any given day at any given moment, you had tons of people walking around. It's completely different than it is today; of course during the pandemic, but completely different. There was no problem reaching collectors, and I was the complete anomaly. You have this sculptural jewelry, and it was an education to a new audience. A lot of these people weren't necessarily open to the idea of jewelry not having diamonds or gold. People that had an educated eye in regard to design, like architects, were some of our first clients because they understood the design. It literally was a small-scale sculpture.  I think my passion for that and some of the artists were also incorporated into that conversation. I made a request of any artists that were local to the gallery that they do three things: they had to work in the gallery, they had to come and help set up an exhibition that wasn't theirs, and they had to attend an opening that wasn't theirs. I wanted them to understand the role of a gallery and what we did. At first it was, “Well, why I would give you 50 percent of the retail price?” This was a demonstration for them to learn why. There wasn't any artist who partook in those three requests that came to me and said, “No, this isn't right.” They all were shocked at what we did on a daily basis. Robert Lee Morris, I told him about that, and he was shocked. He said, “You did that?”  Sharon: You mentioned Robert Lee Morris. A lot of people will know who he is, especially New Yorkers or fashionistas, but tell us who he is and why he's important. Lisa: Robert Lee Morris is an icon. He's been designing jewelry for over 50 years. He's the only designer to earn the Coty Award for his jewelry design an unprecedented three times. He was the designer who made the big, bold, gold jewelry in conjunction with Donna Karan's black cashmere new work uniform in the late 80s, early 90s. Digressing to understand why he's important in my world, our world of art jewelry, is that he was one of the most important and prolific designers at the original Sculpture to Wear in New York.  He was self-taught. He was literally found at a tiny, little show in an offbeat path. He was immersed in this incredible work from Alexander Calder, Salvador Dalí, Louise Nevelson—amazing artists who already had these incredible careers, and as it turns out, people loved Robert's work. He outsold all the other artists combined at Sculpture to Wear. Then he launched his own gallery. After Sculpture to Wear closed, he launched Artwear. That launched a number of careers from a lot of famous artists, jewelers, studio jewelers, some of whom are still with us and some are not. That's his legacy; first at Sculpture to Wear, then Artwear. He has these amazing archives, and we'll talk about how editorial and prior images play a role in the secondary market. That might be a good place to talk about that. Sharon: O.K., please. Lisa: What's a phenomenon for me is that when I started and someone would ask if I sold jewelry, I knew the context. They would immediately think of CZ or— Sharon: Engagement rings. Lisa: Engagement rings. I said, “No, that's not at all what I do,” and I would always be wearing a piece. I was always wearing largescale pieces of jewelry. At that time when I first opened my gallery, I had very short hair; I think it was two inches long. People may not have remembered my name, but they would point at me from across the room and say, “Oh, that's the jewelry lady. That's the Sculpture to Wear lady,” and that was just fine.  This type of work, like photography 80 or 60 years ago, was not accepted in the realm of a fine art museum. Now you see photography auctioned at over $1 million, and some of the most incredible collections in the world are simply photography. Art jewelry is now collected in some specific fine art institutions, and that is for a number of reasons. First of all, it's because of exposure from editorial and media, and also because of the stewardship of specific collectors and designers like Helen Drutt, who bequeathed her collection to the Houston Fine Art Museum. I think it was almost a decade ago, and there's an incredible book. It's on my bookshelf. I can see it from here; it's very orange and large. She wanted her collection to be viewed at a fine arts museum versus a craft museum, and that started that conversation.  Lois Boardman on the West Coast donated her collection to LACMA, LA County Museum of Art, I believe five years ago. Also, for example, the Renwick Gallery at the Smithsonian has been collecting this work for a lot longer. For example, Jen Mandel and I were there for her induction into the Smithsonian. That was incredible. We were standing right next to a piece made by Alexander Calder, and that's where her vitrine was placed. It's really about this conversation, and I think it's a conversation of education.  As for the secondary market, we were just attending the Bonhams preview for the Crawford Collection. That's an unprecedented phenomenon, to have a collection of that level, of that stature, being auctioned by Bonhams without diamonds, without gold. There are a few elements and pieces to that, but you're looking at Art Smith pieces, modernists, studio jewelers. This is a very exciting and fertile time to be involved in studio and art jewelry. This is what I've been doing for the last 22, 25 years. We're at a very exciting place and there are a number of forums, especially with Covid and Zoom, with Art Jewelry Forum having open conversations about this, introducing collectors to artists and, of course, your podcast. There are a lot of variations and factors for the secondary market. Sharon: Lisa, because your jewelry and art jewelry in general is still avant garde—although it's coming into its own—do you think collectors or people like you are going to say, “O.K., what's next? What's on the horizon now? That's become old hat.” It hasn't, but do you think people are going to move on? Lisa: Sharon, I hope not. Within the genre of studio jewelry and wearable art, it has progressed and become so sophisticated. There are so many different makers out there, especially with the internet connecting us. When I first started in 1999, we didn't really have the internet; we barely had email, and now that's how everyone communicates. I think that people's creativity, the way people wear pieces and where they wear them—the reality is that we're not going anyplace right now during the pandemic, and I'm looking at different generations and how to include that next generation in collecting. For example, some of my first clients were in their 60s and 70s when they started collecting, and some are no longer with us. So, how do we engage their family members? You're our most recent convert to art jewelry. My gallery was so close to your house, yet you would have had no interest in what we did. I think it's a journey. Can you say someone's going to have a different trend? No.  I also think technology has played an important role not only in studio jewelry and the exposure, but also the techniques. People are using laser cutting, 3D printing. Technology has also been accepted into fine arts institutions and it has blurred the lines of the conversation of craft and fine art. Even five years ago, there was a delineation that was very distinct. There are still institutions that are not interested in immersion, but I think technology has been a friend, not a foe, to studio jewelers and the paths they can cross. Sharon: I do have to tell a story. Lisa and I were laughing because I lived close to where her gallery used to be. I lived not so far in the Valley, 10 miles away. I was never in your gallery, but I remember seeing an ad one day and thinking, “Who is going to wear this stuff?”  Lisa: And now the Jewelry Journey Podcast. Sharon: It was way out. When you say that people who were older started collecting it, that's the sort of people who don't automatically say, “Wow, that's so new and so cool.” Lisa: My collectors—and I'm sure a number of the gallerists across the United States who have been around for decades would say the same—our clientele, they're not interested in trends. If they open a Vogue, they might see a dress they like, but they're not going to buy it because it's on trend or in fashion. All my clientele, they're well-traveled; they're well-heeled; they're generally educated. They're willing to be avant garde. They don't want to wear the same thing everyone else is wearing, so it's a little bit different. The whole conversation now is that there are younger generations. I just met an incredible student at USC at the Bonhams preview. She's running this entire magazine department in her off time while she's full-time at USC. That's to reach a new collector base and new makers, but that's exciting. That's what makes it viable. Sharon: Yes, it keeps on going. Lisa: Right. That was one of the things I wanted to talk about in regards to when I first started in 1999: it was not only the relationships we built with the artists and the collectors, but we also had our version of social media, which was just printed publications. We didn't have social media, so building relationships with well-known stylists, who were either Emmy award winners or high-profile people that worked with celebrities, that was really important. We got to the point where they would literally call me up with the theme, tell me what it was, and I would already pull the pieces and have a box ready for them. We had a shorthand. That was, again, a relationship that would have to be cultivated. It was very exciting, and that's part of building the legacy of why this work is important. For example, Robert Lee Morris is pulling out his archives. Part of the excitement of these presentations is showing some of the editorial, these great magazine covers and shows that these pieces were included in. I have two decades of binders of images. So, that's very exciting, to show the relevance 20 years ago to now.

#jontalarico #mindset #changingyourreality Today on the show, we get to speak with Jon Talarico about shifting our mindsets to help create the life we want. Jon is widely regarded as one of the top business, mindset, and networking coaches in the world. He teaches his clients how to build and create the exact relationships they need to connect to their dreams, their message, and their marketplace. For the last decade, he has studied the science of achievement, having been personally mentored by the legendary Les Brown. He is currently the host of The Million In YOU Podcast, dedicated to helping people uncover their inner greatness. He has worked with some of the world's most powerful celebrities, influencers, thought leaders, millionaires, and billionaires all looking for ways to use the power of connection to create the life of their dreams. He also devotes himself to other causes. He was a Big Brother for 2 years, a volunteer for Free Arts for Abused Children, and for the past 4 years has volunteered for the Starkey Hearing Foundation, giving the gift of free hearing aids around the globe. He is also the father of two beautiful children, Gianna and Michale. Jon's clients have included Les Brown, AKON, Bob Proctor, Brian Lara, Salman Khan, Blackburn Rovers, Sonia Ricotti, Anik Singal, Neil Patel, Daymond John, Kevin Harrington, and students from across five continents. He's also the producer of two feature-length films and former co-owner of the cricket franchise, Trinbago Knight Riders. To learn more from Jon or to simply connect with him: Website: jontalarico.com Facebook: https://www.facebook.com/jon.talaricoInstagram: https://www.instagram.com/jontalarico/ Twitter: https://twitter.com/JonTalaricoref_src=twsrc%5Egoogle%7Ctwcamp%5Eserp%7Ctwgr%5Eauthor And be sure to connect with the show on IG at: https://www.instagram.com/theblackphoenixshow/ And our host at: Trish Strong Talk - https://www.instagram.com/str0ngtalk/ Jay Reace - https://www.instagram.com/findingjayreace/ Time Stamp: 00:00 - Countdown 00:26 - Intro 02:40 - Jon Talarico 03:08 - Defining Paradigm Shift 04:30 - Thinking your way into results 06:36 - Paradigm Shifting is changing your lifestyle 07:20 - The 4 D's 12:39 - Create a Self Image Board 13:12 - Jon's Power of Connection Story 18:30 - Don't worry about the how & set a goal you want 24:24 - How to not plateau or level off 27:00 - Get your Goal Card 28:30 - Hot Seat

Hello and welcome to episode 68 of Sing! Dance! Act! Thrive!I wanted to start this episode with some gratitude. I’ve been creating this podcast for over 2 years and it is nearing 8,000 downloads. That may not be a lot in comparison to many others out there but I’m always coaching artists about how slow and steady growth is longer-lasting growth. I wanted to take a moment to recognize some listeners who took the time to leave a review for the show. It means so much to me each and every time someone tells me that they either learned something new or were inspired by an episode.The first one comes from Nella Marina who says about the show “What a wonderful resource to have in your pocket! So many amazing tips from an industry expert. Thank you for all of the amazing free information that you put out there!” Nella, thank you so much for your kind words and because I google everyone, I know that Nella Marina is an Australian actress from Melbourne, Victoria, Australia, who has relocated to Vancouver, BC, Canada. That is very cool. I love Australians and grew up in Vancouver.Another recent review was from a previous guest of the show. Vocal coach Judy Rodman says “This podcast is a quality audio experience that doesn't waste time getting to the heart of matters of interest to singers, dancers, actors, and other artists. I had the honor of being interviewed and found Diane's experience in the field of the arts made her an insightful interviewer who knows how to dig into the good stuff!”That is so sweet and I loved my conversation with Judy so if you missed it definitely visit episode 66 and hear all about her 50-year career in the music industry. I love seeing where people are from that are downloading the show. The number one country now is India. I have no idea why but that is fantastic. USA and Canada are next. I also want to shout out listeners from France, Senegal, UK, Australia, Brazil, and Spain. How cool is that? I would absolutely love to hear from you all. It would mean the world to me if you could leave a review on itunes. Take a screenshot and tag me @dianefoypr and I’ll be sure to share it and give you a shout-out on a future episode. May is mental health awareness month in the US and my guest today X. ARI is an LGBTQIA+ Alt-Pop singer, writer, and mental health advocate from Toronto. Her life motto is all about turning “Pain Into Power” through art and self-care. Having comorbid Dis-Orders is not her identity, but her superpower. X. ARI’s visceral lyrics transmit messages of hope as often as they ponder tragedy. Her sound comes to life in the middle. Her upcoming EP “Anja”, dedicated to her first-ever girlfriend, is being released this June to celebrate their newfound love & Pride Month.It is X. ARI’s mission to use creativity to empower and raise awareness by using her platform to encourage others to turn their Pain into Power by finding their conduit for healing. Her goal is to make a global impact as an artist, songwriter, advocate, and public speaker to spread her message, light, and self-care tips to help heal the world.For the entire month of May, she’s hosting “Mental Health Month with X. ARI”. It is a FREE online festival with workshops & talks by healers, teachers, advocates, artists, and organizations such as National Alliance on Mental Illness (San Fernando Valley & Westside LA), Jack.org, Be There, Free Arts, VRY, and Pause+Expand. Throughout the month they are featuring powerful stories, Yoga, Guided Meditations, Sound-Baths, Coping Skills with NAMI, Emotional Freedom Technique, Radical Acceptance, LGBTQIA+ x Mental Health, Sleep Hygiene, Crystal Healing, Cultural Diversity, Mindful Mantras, Intention Setting, and more!X. ARI aims to spark open conversation, connect like-minded people and provide healing support throughout the month that participants can utilize in the future. She hopes to normalize mental health and create an environment where everyone feels accepted, supported, and seen.For Links & a Transcript visit singdanceactthrive.com/068

DATE: May 13, 2021 SHOW: Prelude to Positivity Producer: Tommy Geraci HOST: Tommy Geraci GUEST: X. Ari Mini Bio: Tommy Geraci: As an entertainment, social media and pop culture expert whose clients include celebrities, television shows, film producers and mainstream media,Tommy Geraci has provided social media coverage for the BAFTAS, Britannias, Emmys, Oscars, Golden Globes, Erase MS, and more. He has worked on the red carpet for movie premiers, including Transformers, White Rabbit, and the One Direction Movie as well as the BAFTAS, Erase MS, and the Golden Globes. Tommy also provided social media coverage for the convention circuit, including EyeCon and DragonCon. In addition, he writes for Addicted Magazine. Tommy's blog, Teeco71.com, highlights his interviews with celebrities, indie filmmakers and musicians, and the events he attends. X. Ari: X. ARI is a LGBTQIA+ Alt-Pop singer, writer, and mental health advocate from Toronto. Her life motto is all about turning “Pain Into Power” through art and self-care. Having comorbid Dis-Orders is not her identity, but her superpower. X. ARI’s visceral lyrics transmit messages of hope as often as they ponder tragedy. Her sound comes to life in the middle. Her upcoming EP “Anja”, dedicated to her first ever girlfriend, is being released this June to celebrate their newfound love & Pride Month. It is X. ARI’s mission to use creativity to empower and raise awareness by using her platform to encourage others to turn their Pain into Power by finding their conduit for healing. Her goal is to make a global impact as an artist, songwriter, advocate, and public speaker to spread her message, light, and self-care tips to help heal the world. For the entire month of May, she’s hosting “Mental Health Month with X. ARI”. It is a FREE online festival with workshops & talks by healers, teachers, advocates, artists, and organizations such as National Alliance on Mental Illness (San Fernando Valley & Westside LA), Jack.org, Be There, Free Arts, VRY, and Pause+Expand. Throughout the month we will be featuring powerful stories, Yoga, Guided Meditations, Sound-Baths, Coping Skills with NAMI, Emotional Freedom Technique, Radical Acceptance, LGBTQIA+ x Mental Health, Sleep Hygiene, Crystal Healing, Cultural Diversity, Mindful Mantras, Intention Setting, and more! X. Ari has a Pride Concert June 22nd to celebrate Pride & her "Anja" EP - at El Cid (in person!!) in LA with Ryan Cassata and more! show details/ticket link to come. LINKS: Tommy X. Ari SOCIAL MEDIA: Tommy: Twitter Instagram LinkTree Facebook YouTube Clubhouse X. Ari: Instagram Twitter Clubhouse TikTok Facebook Spotify

ในช่วงไม่กี่ปีที่ผ่านมานี้มีศิลปินละครเวทีที่ทำงานสะท้อนสังคมจำนวนไม่น้อยถูกคุกคาม ซึ่งชวนให้ตั้งคำถามถึงเสรีภาพทางความคิดและการแสดงออกในการสร้างสรรค์งานศิลปะว่ามีจริงหรือไม่ เราจึงชวน 4 ศิลปินที่เคยมีประสบการณ์ตรงในประเด็นนี้ ได้แก่ กอฟ - อรอนงค์ ไทยศรีวงศ์ จาก B-Floor Theatre, กรอฟ - ภรณ์ทิพย์ มั่นคง อดีตสมาชิกกลุ่มประกายไฟการละคร, กอล์ฟ - นลธวัช มะชัย จากลานยิ้มการละคร และเอ๋ - ภาวิณี สมรรคบุตร จากกลุ่มศิลปะปลดแอก Free Arts และ Democrazy Theatre Studio มาร่วมพูดคุยแลกเปลี่ยนมุมมองและความรู้สึกเกี่ยวกับการถูกเซนเซอร์ การเซนเซอร์ตัวเอง รวมถึงเสรีภาพในการเป็นศิลปินในไทย . In the past few years, a number of theatre artists whose works tackle political issues have faced some form of censorship or another. So in this episode, we speak with four artists—Ornanong Thaisriwong of B-Floor Theatre, Prontip Mankhong, formerly of Prakai Fai Karnlakorn (or Sparking Fire Theatre), Nontawat Machai from Lanyim Theatre, and Pavinee Samakkabutr of Free Arts and Democrazy Theatre Studio—who have had direct experience with free-speech violation. They recount some of their experiences and share their thoughts and feelings about state and institutional censorship, self-censorship, and freedom as artists in Thailand.  . เอพิโสดนี้เป็นภาษาไทย This episode is in Thai. Translated excerpts in English will be available soon on www.bangkokoffstage.com . #BangkokOffstage #BangkokOffstagePodcast

X. ARI is a LGBTQIA+ Alt-Pop singer, writer, and mental health advocate from Toronto. Her life motto is all about turning “Pain Into Power” through art and self-care. Having comorbid Dis-Orders is not her identity, but her superpower. X. ARI’s visceral lyrics transmit messages of hope as often as they ponder tragedy. Her sound comes to life in the middle. Her upcoming EP “Anja”, dedicated to her first ever girlfriend, is being released this June to celebrate their newfound love & Pride Month. It is X. ARI’s mission to use creativity to empower and raise awareness by using her platform to encourage others to turn their Pain into Power by finding their conduit for healing. Her goal is to make a global impact as an artist, songwriter, advocate, and public speaker to spread her message, light, and self-care tips to help heal the world. For the entire month of May, she’s hosting “Mental Health Month with X. ARI”. It is a FREE online festival with workshops & talks by healers, teachers, advocates, artists, and organizations such as National Alliance on Mental Illness (San Fernando Valley & Westside LA), Jack.org, Be There, Free Arts, VRY, and Pause+Expand. Throughout the month we will be featuring powerful stories, Yoga, Guided Meditations, Sound-Baths, Coping Skills with NAMI, Emotional Freedom Technique, Radical Acceptance, LGBTQIA+ x Mental Health, Sleep Hygiene, Crystal Healing, Cultural Diversity, Mindful Mantras, Intention Setting, and more! X. ARI aims to spark open conversation, connect like-minded people and provide healing support throughout the month that participants can utilize in the future. She hopes to normalize mental health and create an environment where everyone feels accepted, supported, and seen. Check out the full calendar and get ready for a month of healing together and learn more on Dreams Not Memes.  https://xariofficial.com/ https://xariofficial.com/mental-health-month-with-x-ari/ --- Support this podcast: https://anchor.fm/dreamsnotmemes/support

On the second episode of season two, we are joined by Don Pangman. Don is the Founder of ArtHouse, a Halton based charitable organization which provides FREE Arts programs for vulnerable children and youth.Celebrating its 11th Anniversary in June 2020, ArtHouse has served over 9,000 young people with 634 programs at 90 safe and accessible locations throughout Halton. On the podcast, we discuss  Don's professional career, which includes 30 years on Bay Street and over the last 20 years he has been involved in the charitable sector as a fundraiser and consultant.Members of the Chamber was created thanks to the strong support of Piper Foods and the podcast is fuelled by McCafé! The podcast is recorded at Staples Studio Oakville located at 320 North Service Road West. This episode is presented by the Hynek Financial Group and the Chambers of Commerce Group Insurance Plan.

Shamus Toomey, Editor in Chief and co-founder of Block Club Chicago, joins Bob Sirott to share the latest Chicago neighborhood stories. Shamus shares information on a free arts center, a Culver’s plan to open in Wrigley comes to an end, and more!

About This Episode: Jonathan Goldsmith is an actor who began his career on the New York stage, then started a career in film and television. He appeared in several TV shows from the 1960s to the 1990s. Before becoming the Most Interesting Man in the World, Jonathan worked as a garbage collector, crashed in bug-infested apartments, and snuck into strangers' bar mitzvahs for free food. He appeared in hundreds of plays, movies, and TV shows, including Dallas, Gunsmoke, and the Clint Eastwood film Hang 'Em High (1968). After he retired from his showbiz career, he found success in a network marketing company for waterless car-wash products – but after his business partnership went bad, he lost it all. It was that loss that pushed him back to Hollywood and helped him to find his defining role as “The Most Interesting Man in the World.” Jonathan has been an advocate for landmine victim support and has assisted the Morris Animal Foundation in their efforts to prevent and cure cancer in dogs. He also supported the S.A.B.R.E Foundation, Free Arts for Abused Children, which pairs artists with children in protective custody, and the Stella Link Foundation, a group calling attention to child sex trafficking in Cambodia. For Jonathan, a large part of his life is about giving back. Find out more about Jonathan at: Stay Interesting: I Don't Always Tell Stories About My Life, but When I Do They're True and Amazing Instagram See the Show Notes: www.jeremyryanslate.com/748 Sponsors: Gusto: This episode is sponsored by Gusto. Run your payroll the easy way, the same way we do at Command Your Brand. You'll get a. $100 Amazon Gift Card just for running your first payroll! www.jeremyryanslate.com/gusto Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading "The Science of Getting Rich,"by Wallace D. Wattles, about building real wealth. www.jeremyryanslate.com/book  

About This Episode: Jonathan Goldsmith is an actor who began his career on the New York stage, then started a career in film and television. He appeared in several TV shows from the 1960s to the 1990s. Before becoming the Most Interesting Man in the World, Jonathan worked as a garbage collector, crashed in bug-infested apartments, and snuck into strangers' bar mitzvahs for free food. He appeared in hundreds of plays, movies, and TV shows, including Dallas, Gunsmoke, and the Clint Eastwood film Hang 'Em High (1968). After he retired from his showbiz career, he found success in a network marketing company for waterless car-wash products – but after his business partnership went bad, he lost it all. It was that loss that pushed him back to Hollywood and helped him to find his defining role as “The Most Interesting Man in the World.” Jonathan has been an advocate for landmine victim support and has assisted the Morris Animal Foundation in their efforts to prevent and cure cancer in dogs. He also supported the S.A.B.R.E Foundation, Free Arts for Abused Children, which pairs artists with children in protective custody, and the Stella Link Foundation, a group calling attention to child sex trafficking in Cambodia. For Jonathan, a large part of his life is about giving back. Find out more about Jonathan at: Stay Interesting: I Don't Always Tell Stories About My Life, but When I Do They're True and Amazing Instagram See the Show Notes: www.jeremyryanslate.com/748 Sponsors: Gusto: This episode is sponsored by Gusto. Run your payroll the easy way, the same way we do at Command Your Brand. You'll get a. $100 Amazon Gift Card just for running your first payroll! www.jeremyryanslate.com/gusto Audible: Get a free 30 day free trial and 1 free audiobook from thousands of available books. Right now I'm reading "The Science of Getting Rich,"by Wallace D. Wattles, about building real wealth. www.jeremyryanslate.com/book  

Free free free arts District downtown Los Angeles virtual reality game is worth $100 free while supplies last amazing creative neighborhood has the most fun exciting high-tech games in the world worth $100 free to Corey Chambers Tam clients, free to LA loft Blogger Raiders, free to Corey Chambers at Facebook friends, Reserve your space now 213-8809910 coreychambers@yahoo.com

Lisa Berman* is an internationally recognized “Ambassador of Wearable Art.” Based in Southern California, her expertise extends to major manufacturing and retail markets, museums and corporations in the United States, Canada, Mexico, Asia and Europe. Lisa is the owner of the iconic gallery Sculpture to Wear, which was instrumental in launching the studio jewelry movement in the United States. The gallery offers an eclectic array of art, jewelry and unique objects to discerning collectors, media producers and institutions, which have been featured in film, television and publications. Her recently launched Berman Arts Agency offers artist representation, career management, corporate acquisition, sponsorship advisement, museum placement, exhibition curation and education services on the disciplines of fine art, jewelry, design and fashion. Lisa holds degrees in Plastics Manufacturing Technology from California State University Long Beach, Product & Jewelry Design from Otis College of Art & Design and Merchandising/Marketing from Fashion Institute of Design and Merchandising (FIDM). She has served on the Board of Governors for OTIS College of Art & Design; as Public Relations Chair for the Textile and Costume Council at the Los Angeles County Museum of Art (LACMA); and on the Museum Collection Board at FIDM. She volunteers for Free Arts for Abused Children, STEAM projects and Art & Fashion Councils. *No relation to host Sharon Berman What you’ll learn in this episode: How Lisa introduced wearable art into major fashion magazines and helped it gain traction with the public. The history of Sculpture to Wear and how Lisa came to own the gallery. Why architects were some of the first people to buy art jewelry. The influence of Helen Drutt on art jewelry in the United States. The challenges that galleries are facing with new consumers. The process for collectors to donate or sell their collections to museums. The mission and current projects for Sculpture to Wear and Berman Arts Agency. Additional resources: Berman Arts Agency Facebook Sculpture To Wear Gallery Facebook Sculpture To Wear Gallery Instagram

Everyday 87% of the population lives under some kind of stress. Studies show that the average teen of today has the stress and anxiety level of a psychiatric patient in the 1950’s. 49 percent of high school students reported feeling “a great deal of stress” on a daily basis. What can we do about this? How can we help our children and ourselves? ----more----Our expert teen guest, Brian Chao, is a student at the University of Pennsylvania. He previously attended Mira Costa High School and is from Manhattan Beach, CA. He is currently studying Cognitive Science and is very interested in pursuing a potential career in clinical psychology, experimental psychology, or mental health policy. He is currently involved in multiple mental wellness organizations at Penn. My guest co-host, Anna Pirkl, began her journey in 2005 into the field of helping professionals as a volunteer for Free Arts for Abused Children. She now specializes in addiction and recovery work, complex trauma, and anxiety.   She’s a Licensed Marital and Family Therapist and Registered Art Therapist.   Her overall approach is grounded in Humanistic philosophy. ................................................................................................................................................. Click on this link https://goo.gl/Hx92H1 to get my Amazon #1 Bestselling book titled “Your Amazing Itty Bitty™ Family Leadership Book: 15 Simple Tips Successful Companies Use That Families Can Implement At Home” Go to www.ParentPumpRadio.com to leave your questions, comments, and suggestions for future shows.  Be sure to subscribe to our RSS feed so you will be automatically notified of new shows.  #HowcanIbeabetterparent #whatshouldIavoidtobeabetterparent #consciousparenting #howcanIcommunicatewithmychildren  #happyfamily #harmoniousfamily, #parentpumpradio #integrativeminds #Jacquelinetdhuynh #Jacquelinehuynh #BrianChao #AnnaPirkl #LearningfromStress #TeenageStress

Could there be another reason why you may be suffering from obesity, addiction or other health-related diseases? How much does your childhood experiences affect your adult outcome? What does neuroscience say about your level of life success compared to others? The Adverse Childhood Experiences Study (ACEs) is a retrospective and prospective study of over 17,000 adults matching their health status and well being against childhood abuse and household dysfunction. Be shocked, inspired and really committed to taking action to make that change for yourself and your family with new knowledge and expansion of awareness after listening to our show.----more---- Our 1st guest, Anna Pirkl, began her journey in 2005 into the field of helping professionals as a volunteer for Free Arts for Abused Children. She now specializes in addiction and recovery work, complex trauma, and anxiety.   She’s a Licensed Marital and Family Therapist and Registered Art Therapist.   Her overall approach is grounded in Humanistic philosophy. Our 2nd guest, Brian Chao, is heading into his junior year at the University of Pennsylvania. He previously attended Mira Costa High School and is from Manhattan Beach, CA. He is currently studying Cognitive Science and is very interested in pursuing a potential career in clinical psychology, experimental psychology, or mental health policy. He is currently involved in multiple mental wellness organizations at Penn. ACE Study Preview: https://goo.gl/ZAuUaf Take the ACE Quiz: https://goo.gl/oQNQpt Nadine Burke Harris talk: https://goo.gl/Q6Uksf TedTalk: Stop Childhood Adversity https://goo.gl/KQzHHp David Foster "This is Water” speech: https://goo.gl/XQhRTa "This is Water" PDF: https://goo.gl/fHjcDy …………………………………………………………………………………………………………Join us in our "HARMONIOUS FAMILY BLUEPRINT: The On-line 3-Month Program That Will Forever Change Your Family”. You will learn how to create a system and foundation that will bring more harmony, happiness, and excitement as well as instill boundaries, balance, and values to the family unit. Email us at Info@IntegrativeMinds.com for a private complimentary interview. Go to www.ParentPumpRadio.com to leave your questions, comments, and suggestions for future shows.  Be sure to subscribe to our RSS feed so you will be automatically notified of new shows. #childhoodtrauma #childhoodabuse #householddysfunction #adversechildhoodexperience #ACE #obesity #adiction #annapirkl #brianchao  #harmoniousfamily, #parentpumpradio #integrativeminds #Jacquelinetdhuynh #Jacquelinehuynh

Anna Pirkl is a Licensed Marital and Family Therapist, CCAPP RADT-1 and Registered Art Therapist. In 2005 she began her journey into the field of helping professionals as a volunteer for Free Arts for Abused Children. She now specializes in addiction and recovery work, complex trauma, and anxiety.  Anna uses a variety of therapeutic tools and approaches to assist her clients, such as Mindfulness Practices, Cognitive Behavioral, Educational and Psychodynamic. Anna’s overall approach is grounded in a Humanistic philosophy.----more---- Anna Pirkl, M.A., LMFT (BBS # 89201), ATR, CCAPP: RADT-1 2100 N Sepulveda Blvd. Suite 27, Manhattan Beach, CA 90266 (323) 642-8408 Email:annanpirkl@gmail.com    http://www.oneheartcounselingcenter.com/ Children’s books on Bullying:  http://www.oneheartcounselingcenter.com/resources/ Resources and information on Bullying: http://www.southbayfamiliesconnected.org/help-kid-cope-with-bullying School-Based solutions to Bullying:  http://www.challengeday.org/ Beach Cities Prevention Community Council Meetings http://www.southbayfamiliesconnected.org/events/2016/2/24/beach-cities-prevention-community-council-meeting Resource for Understanding and building Teenage Girl’s Self Esteem Reviving Ophelia: Saving the Selves of Adolescent Girls Paperback by Mary Pipher --------------------------------------------------------------------------------------------------------------------------------------------- Join us in our "HARMONIOUS FAMILY BLUEPRINT: The On-line 3-Month Program That Will Forever Change Your Family”. You will learn how to create a system and foundation that will bring more harmony, happiness, and excitement as well as instill boundaries, balance, and values to the family unit. Email us atInfo@IntegrativeMinds.com for a private complimentary interview. Click on this link https://goo.gl/Hx92H1 to get my Amazon #1 Bestselling book titled “Your Amazing Itty Bitty™ Family Leadership Book: 15 Simple Tips Successful Companies Use That Families Can Implement At Home” Go to www.ParentPumpRadio.com to leave your questions, comments, and suggestions for future shows.  #happyfamily #harmoniousfamily, #parentpumpradio #integrativeminds #Jacquelinetdhuynh #Jacquelinehuynh #annapirkl #fortifyingchildrenagainstbullying #cyberbullysafety

In this week’s episode of the ArtTactic Podcast, we’re joined by Liz Hopfan, founder and Executive Director of Free Arts NYC, a non-profit organization dedicated to providing under-served children and families with a unique combination of educational arts and mentoring programs. First, tells us about Free Arts NYC and the current programming they provided to children, teens and families. Then, Liz reveals how some recognizable fine artists have take part in Free Arts NYC’s programming with children, including: Dan Colen, Rashid Johnson and Rob Pruitt. Also, in light of Free Arts NYC’s upcoming benefit auction, she shares with us the process of organizing such an event as well as asking contemporary artists to donate artworks for the evening. Additionally, Liz explains the ways in which the growth of the art market has positively impacted Free Arts NYC. Lastly, Liz elaborates on some of the current challenges facing arts organizations in New York City.

From the Best of State of the Arts (Originally broadcast October 2, 2014) - Broadway and Motion Picture star John Lloyd Young (Jersey Boys) is interviewed for the hour about his multi-award winning career including his current CD My Turn and his upcoming concerts at Sterling's Upstairs at The Federal in North Hollywood, CA October 13 and 14. The Live Arts Calendar highlights the Sustaining Sound Theatre Company’s production of the hit musical You’re a Good Man Charlie Brown in association with LA’s Chromolume Theatre in benefit of Free Arts for Children. Young recalls an embarrassing career moment.

From the Best of State of the Arts (Originally broadcast October 2, 2014) - Broadway and Motion Picture star John Lloyd Young (Jersey Boys) is interviewed for the hour about his multi-award winning career including his current CD My Turn and his upcoming concerts at Sterling's Upstairs at The Federal in North Hollywood, CA October 13 and 14. The Live Arts Calendar highlights the Sustaining Sound Theatre Company’s production of the hit musical You’re a Good Man Charlie Brown in association with LA’s Chromolume Theatre in benefit of Free Arts for Children. Young recalls an embarrassing career moment.

Doreen Bennett Ngati Tuwharetoa, Ngati Raukawa, Te Arawa and Te Wainuiarua. My life’s work is reflected my belief to restore traditional values, beliefs and practices as the basis for our Maori families to forward in today’s world. Mashu White Feather of the Chickamauga, Ani Gaduwa Tsalagi (Cherokee) and also Osage.  Our guest tonight - Melanie Tallmadge Sainz Melanie Tallmadge Sainz (Ho-Chunk Nation of Wisconsin) is a visual and performing artist, cultural arts presenter, and social justice advocate. She currently holds the title of Founding Director of Little Eagle Arts Foundation, an incubator for new and emerging Native artists that promotes the arts, creativity, and community. Melanie’s professional experiences include Education Specialist at The Heard Museum, Education Assistant at the Arizona Community for the Arts, Art Department Chair at Phoenix Country Day School, and professional teaching artist for Free Arts for Abused Children of Arizona. Melanie is married to jazz bassist Felix Sainz, Jr. and mother to their two adult children, Amado and Felisia Sainz. Melanie held the title of Miss Indian America XXVI in 1980, and she earned her BFA and post-graduated coursework in Art Education from Arizona State University, and a Minority Business certificate degree from the University of Wisconsin-Madison. Her art has received awards at the University of Wisconsin, The Heard Museum, William King Regional Arts Center, Southern Highland Craft Guild, American Indian Contemporary Arts Gallery, and The Eiteljorg Museum. Her work is dedicated to the human virtues of physical, mental, spiritual and emotional balance and encourages others live in harmony with all living things.

Broadway and Motion Picture star John Lloyd Young (Jersey Boys) is interviewed for the hour about his multi-award winning career including his current CD My Turn and his upcoming concerts at Sterling's Upstairs at The Federal in North Hollywood, CA October 13 and 14. The Live Arts Calendar highlights the Sustaining Sound Theatre Company’s production of the hit musical You’re a Good Man Charlie Brown in association with LA’s Chromolume Theatre in benefit of Free Arts for Children. Young recalls an embarrassing career moment.

Broadway and Motion Picture star John Lloyd Young (Jersey Boys) is interviewed for the hour about his multi-award winning career including his current CD My Turn and his upcoming concerts at Sterling's Upstairs at The Federal in North Hollywood, CA October 13 and 14. The Live Arts Calendar highlights the Sustaining Sound Theatre Company’s production of the hit musical You’re a Good Man Charlie Brown in association with LA’s Chromolume Theatre in benefit of Free Arts for Children. Young recalls an embarrassing career moment.

Denise chats with the folks from "Free Arts for Abused Children" about how art can provide therapy for children in need.

Denise chats with the folks from "Free Arts for Abused Children" about how art can provide therapy for children in need.

Finnish and French born, Michelle Karén holds a master's degree in philosophy as well as a diploma from the Faculty of Astrological Studies in London. She was selected to be the Astrologer to the Stars at the 78th Academy Awards in Hollywood. She is the author of 5 books in French, English and Finnish on astrology, living food nutrition, yoga and spiritual novels. She is also a red belt in Tae Kwon Do, a certified yoga teacher and volunteers with Free Arts for Abused children in L.A. where she now resides. She is also a shaman trained by the indigenous Q'eros in Peru where she has lived many months, and the indigenous Arhuacos in the sacred mountain of the Sierra Nevada in Colombia. She travels the world with her special Master cat Rafayel, offering seminars and conferences. She has clients in over 54 countries on all 5 continents.