Podcasts about his ma

Gazi Mizanur Rahman's In the Malay World: A Spatial History of a Bengali Transnational Community (Cambridge University Press, 2024) offers the first sustained historical study of Bengali migration to British Malaya from the mid-nineteenth century to the late twentieth. Drawing on archival research in South and Southeast Asia, as well as oral histories and travel accounts, Rahman reconstructs the formation of a transnational Bengali presence that has been largely overlooked in the broader literature on Indian migration. The book argues that Bengali migrants—across class, religion, and occupation—constituted a distinct group within the South Asian diaspora in the Malay world. Colonial administrators often reduced them to the generic category of “Indian,” but Bengalis in Malaya included plantation workers, lascars, domestic servants, professionals, and traders. They moved through varied migration routes and formed diverse community institutions, including mosques, cultural associations, and legal aid networks. Rahman introduces the concept of “space-making” to show how Bengali migrants created social, institutional, and urban spaces that allowed them to adapt and persist in new settings. These spaces were not only material (homes, neighbourhoods, workplaces) but also relational, sustained by kinship ties, religious practice, and civic engagement. Particularly important are the chapters on Bengali medical professionals and maritime labour, which demonstrate how this group contributed to colonial infrastructure while navigating systemic racial and occupational hierarchies. The book also engages with the postcolonial period, tracing the arrival of Bangladeshi workers in the 1980s and 1990s and the new forms of marginality they encountered. These later migrants, often undocumented or temporary, faced challenges similar to those of their predecessors but within different political and economic regimes. Rahman's study challenges the dominant focus on Tamil and Sikh diasporas in Southeast Asia and contributes to a growing body of scholarship that disaggregates the “Indian” category in colonial and postcolonial contexts. It is a methodologically rigorous and empirically rich work that will interest historians of migration, labour, and the Indian Ocean world. Soumyadeep Guha is a third-year graduate student in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production in late colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making.

Gazi Mizanur Rahman's In the Malay World: A Spatial History of a Bengali Transnational Community (Cambridge University Press, 2024) offers the first sustained historical study of Bengali migration to British Malaya from the mid-nineteenth century to the late twentieth. Drawing on archival research in South and Southeast Asia, as well as oral histories and travel accounts, Rahman reconstructs the formation of a transnational Bengali presence that has been largely overlooked in the broader literature on Indian migration. The book argues that Bengali migrants—across class, religion, and occupation—constituted a distinct group within the South Asian diaspora in the Malay world. Colonial administrators often reduced them to the generic category of “Indian,” but Bengalis in Malaya included plantation workers, lascars, domestic servants, professionals, and traders. They moved through varied migration routes and formed diverse community institutions, including mosques, cultural associations, and legal aid networks. Rahman introduces the concept of “space-making” to show how Bengali migrants created social, institutional, and urban spaces that allowed them to adapt and persist in new settings. These spaces were not only material (homes, neighbourhoods, workplaces) but also relational, sustained by kinship ties, religious practice, and civic engagement. Particularly important are the chapters on Bengali medical professionals and maritime labour, which demonstrate how this group contributed to colonial infrastructure while navigating systemic racial and occupational hierarchies. The book also engages with the postcolonial period, tracing the arrival of Bangladeshi workers in the 1980s and 1990s and the new forms of marginality they encountered. These later migrants, often undocumented or temporary, faced challenges similar to those of their predecessors but within different political and economic regimes. Rahman's study challenges the dominant focus on Tamil and Sikh diasporas in Southeast Asia and contributes to a growing body of scholarship that disaggregates the “Indian” category in colonial and postcolonial contexts. It is a methodologically rigorous and empirically rich work that will interest historians of migration, labour, and the Indian Ocean world. Soumyadeep Guha is a third-year graduate student in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production in late colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/southeast-asian-studies

Gazi Mizanur Rahman's In the Malay World: A Spatial History of a Bengali Transnational Community (Cambridge University Press, 2024) offers the first sustained historical study of Bengali migration to British Malaya from the mid-nineteenth century to the late twentieth. Drawing on archival research in South and Southeast Asia, as well as oral histories and travel accounts, Rahman reconstructs the formation of a transnational Bengali presence that has been largely overlooked in the broader literature on Indian migration. The book argues that Bengali migrants—across class, religion, and occupation—constituted a distinct group within the South Asian diaspora in the Malay world. Colonial administrators often reduced them to the generic category of “Indian,” but Bengalis in Malaya included plantation workers, lascars, domestic servants, professionals, and traders. They moved through varied migration routes and formed diverse community institutions, including mosques, cultural associations, and legal aid networks. Rahman introduces the concept of “space-making” to show how Bengali migrants created social, institutional, and urban spaces that allowed them to adapt and persist in new settings. These spaces were not only material (homes, neighbourhoods, workplaces) but also relational, sustained by kinship ties, religious practice, and civic engagement. Particularly important are the chapters on Bengali medical professionals and maritime labour, which demonstrate how this group contributed to colonial infrastructure while navigating systemic racial and occupational hierarchies. The book also engages with the postcolonial period, tracing the arrival of Bangladeshi workers in the 1980s and 1990s and the new forms of marginality they encountered. These later migrants, often undocumented or temporary, faced challenges similar to those of their predecessors but within different political and economic regimes. Rahman's study challenges the dominant focus on Tamil and Sikh diasporas in Southeast Asia and contributes to a growing body of scholarship that disaggregates the “Indian” category in colonial and postcolonial contexts. It is a methodologically rigorous and empirically rich work that will interest historians of migration, labour, and the Indian Ocean world. Soumyadeep Guha is a third-year graduate student in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production in late colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Gazi Mizanur Rahman's In the Malay World: A Spatial History of a Bengali Transnational Community (Cambridge University Press, 2024) offers the first sustained historical study of Bengali migration to British Malaya from the mid-nineteenth century to the late twentieth. Drawing on archival research in South and Southeast Asia, as well as oral histories and travel accounts, Rahman reconstructs the formation of a transnational Bengali presence that has been largely overlooked in the broader literature on Indian migration. The book argues that Bengali migrants—across class, religion, and occupation—constituted a distinct group within the South Asian diaspora in the Malay world. Colonial administrators often reduced them to the generic category of “Indian,” but Bengalis in Malaya included plantation workers, lascars, domestic servants, professionals, and traders. They moved through varied migration routes and formed diverse community institutions, including mosques, cultural associations, and legal aid networks. Rahman introduces the concept of “space-making” to show how Bengali migrants created social, institutional, and urban spaces that allowed them to adapt and persist in new settings. These spaces were not only material (homes, neighbourhoods, workplaces) but also relational, sustained by kinship ties, religious practice, and civic engagement. Particularly important are the chapters on Bengali medical professionals and maritime labour, which demonstrate how this group contributed to colonial infrastructure while navigating systemic racial and occupational hierarchies. The book also engages with the postcolonial period, tracing the arrival of Bangladeshi workers in the 1980s and 1990s and the new forms of marginality they encountered. These later migrants, often undocumented or temporary, faced challenges similar to those of their predecessors but within different political and economic regimes. Rahman's study challenges the dominant focus on Tamil and Sikh diasporas in Southeast Asia and contributes to a growing body of scholarship that disaggregates the “Indian” category in colonial and postcolonial contexts. It is a methodologically rigorous and empirically rich work that will interest historians of migration, labour, and the Indian Ocean world. Soumyadeep Guha is a third-year graduate student in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production in late colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/geography

Please join us for the most popular of our re-runs thus far. It's the return of Episode 55 with Professor Christopher Snyder on Tolkien and Virtue Ethics! In this episode, I am joined by ⁠⁠Christopher Snyder⁠⁠, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics.  We discuss Tolkien's background , training, ⁠⁠academic work⁠⁠ and influences, how to think about his fiction and its enduring value, and what role virtue plays in ⁠⁠The Hobbit ⁠⁠and ⁠⁠The Lord of the Rings⁠⁠.  Drawing on arguments from his latest book, ⁠⁠Hobbit Virtues⁠⁠, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020) . Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is the incoming inaugural dean of the Honors College at the University of Tulsa. Through Spring of 2023, she served as Associate Professor of Philosophy at the University of South Carolina and as a fellow of the Institute for Human Ecology at the Catholic University of America. She also previously served as a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. Frey holds a PhD from the University of Pittsburgh and a B.A. from Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology (Routledge, 2018). Her writing has also been featured in First Things, Fare Forward, Image, Law and Liberty, Plough, The Point, and USA Today. You can follow her on Twitter ⁠@ jennfrey⁠. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is inaugural dean of the Honors College at the University of Tulsa. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

Please join us for the most popular of our re-runs thus far. It's the return of Episode 55 with Professor Christopher Snyder on Tolkien and Virtue Ethics! In this episode, I am joined by ⁠Christopher Snyder⁠, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics.  We discuss Tolkien's background , training, ⁠academic work⁠ and influences, how to think about his fiction and its enduring value, and what role virtue plays in ⁠The Hobbit ⁠and ⁠The Lord of the Rings⁠.  Drawing on arguments from his latest book, ⁠Hobbit Virtues⁠, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020) . Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is the incoming inaugural dean of the Honors College at the University of Tulsa. Through Spring of 2023, she served as Associate Professor of Philosophy at the University of South Carolina and as a fellow of the Institute for Human Ecology at the Catholic University of America. She also previously served as a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. Frey holds a PhD from the University of Pittsburgh and a B.A. from Indiana University-Bloomington. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology (Routledge, 2018). You can follow her on Twitter ⁠@jennfrey⁠.  Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is inaugural dean of the Honors College at the University of Tulsa. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

Retired in 2018 from a career in the U.S. Department of State and the Defense Department, where he was primarily responsible for nuclear weapons policy and nonproliferation issues. During his career, he negotiated nuclear arms control agreements with Russia, Belarus, Kazakhstan, and Ukraine, he participated in several inspections of Russian nuclear weapon facilities, and was the State Department's representative to the ABM Treaty commission when the U.S. withdrew from that treaty. Dr. Kartchner led the team that drafted the 2004 joint Secretary of State and Secretary of Defense statement on the need for strategic nuclear modernization. He was the State Department representative to the 2009 congressionally charted Strategic Posture Review Commission, chaired by former Secretaries of Defense William J. Perry and James R. Schlesinger. As senior foreign policy advisor at the Defense Threat Reduction Agency, he organized and participated in nuclear dialogues with numerous countries. He is the co-editor and contributor to several books on U.S. national security. His co-edited 2014 book, On Limited Nuclear War in the 21st Century is widely read today in the strategic nuclear community, and has been translated into Korean for use in the South Korean senior officer's education program. His MA and PhD in international relations are from the University of Southern California, and his BA is from Brigham Young University.

In this episode, I am joined by Christopher Snyder, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics. We discuss Tolkien's background , training, academic work and influences, how to think about his fiction and its enduring value, and what role virtue plays in The Hobbit and The Lord of the Rings. Drawing on arguments from his latest book, Hobbit Virtues, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020). Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Jennifer Frey is an associate professor of philosophy and Peter and Bonnie McCausland Faculty Fellow at the University of South Carolina. She is also a fellow of the Institute for Human Ecology at the Catholic University of America and the Word on Fire Institute. Prior to joining the philosophy faculty at USC, she was a Collegiate Assistant Professor of Humanities at the University of Chicago, where she was a member of the Society of Fellows in the Liberal Arts and an affiliated faculty in the philosophy department. She earned her Ph.D. in philosophy at the University of Pittsburgh, and her B.A. in Philosophy and Medieval Studies (with a Classics minor) at Indiana University, in Bloomington, Indiana. She has published widely on action, virtue, practical reason, and meta-ethics, and has recently co-edited an interdisciplinary volume, Self-Transcendence and Virtue: Perspectives from Philosophy, Theology, and Psychology. Her writing has also been featured in Breaking Ground, First Things, Fare Forward, Image, Law and Liberty, The Point, and USA Today. She lives in Columbia, SC, with her husband, six children, and chickens. You can follow her on Twitter @ jennfrey. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is an associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

In this episode, I am joined by Christopher Snyder, professor of history and director of British Studies at Mississippi State University, to discuss J.R.R. Tolkien's fiction and virtue ethics. We discuss Tolkien's background , training, academic work and influences, how to think about his fiction and its enduring value, and what role virtue plays in The Hobbit and The Lord of the Rings. Drawing on arguments from his latest book, Hobbit Virtues, Chris and I discuss the role of imagination in the moral life and why Tolkien isn't just or even primarily for children. As always, I hope you enjoy our conversation. Christopher Snyder became the first dean of the Shackouls Honors College at Mississippi State University in 2011. He is Professor of History and Director of British Studies at MSU, an affiliated faculty member in the Department of English, and was a History Research Fellow at the University of Oxford from 2014 to 2019. His MA and PhD in Medieval History are from Emory University, and in addition to Emory he has taught at the College of William and Mary and at Marymount University, where he served for nine years as Chair of the Department of History and Politics and five years as Director of the Honors Program. He is a member of Phi Beta Kappa and a Distinguished Alumnus of the Eberly College of Arts and Sciences at West Virginia University, where he majored in Medieval and Renaissance Studies. Dr. Snyder has authored ten books and numerous articles in the fields of archaeology, history, literary criticism, ethics, and medieval studies. His most recent book is Hobbit Virtues: Rediscovering Virtue Ethics through J.R.R. Tolkien's The Hobbit and Lord of the Rings (New York and London: Pegasus/ Simon & Schuster, 2020) . Dr. Snyder has also lectured frequently at the Smithsonian Institution and has appeared on the History Channel, The Learning Channel, the National Geographic Channel, and BBC television and radio. He is a Fellow of the Society of Antiquaries of Scotland and sits on the editorial boards of several academic journals and internet projects in medieval and Arthurian studies. Sacred and Profane Love is a podcast in which philosophers, theologians, and literary critics discuss some of their favorite works of literature, and how these works have shaped their own ideas about love, happiness, and meaning in human life. Host Jennifer A. Frey is an associate professor of philosophy at the University of South Carolina. The podcast is generously supported by The Institute for Human Ecology at the Catholic University of America and produced by Catholics for Hire.

Our sponsor for this episode is Momence, the booking system we use for yoga classes, workshops, events, etc.  From independent teachers wanting to take bookings and payments online to multi-site studios wanting to replace outdated and expensive systems, Momence is easy to use for you and your customers.  It reduces hours of admin and offers live chat help.  For a 2-month free trial, click the link:  https://momence.com/lp/keen-on-yoga  James Mallinson is Senior Lecturer in Sanskrit and Classical and Indian Studies at SOAS, University of London. His interest in yoga grew out of a fascination for India and Indian asceticism – he spent several years living with Indian ascetics and yogis, in particular Rāmānandī Tyāgīs. His MA thesis, part of a major in ethnography, was on Indian asceticism. He became frustrated, however, with (to quote Sheldon Pollock) the “hypertrophy of method” that afflicts much of the humanities, and anthropology in particular, so sought to ground his future research in philology. The one aspect of ascetic practice that is well represented in Sanskrit texts is yoga, so for his doctoral thesis he chose to edit an early text on haṭhayoga, the Khecarīvidyā, which teaches in detail khecarīmudrā, one of traditional haṭhayoga's most important practices, and he used fieldwork among traditional yogis in India to shed light on the text's teachings. As he worked on his thesis he became more and more unsure that the received wisdom on the origins of haṭhayoga (whose practices form the basis of much of modern yoga) was correct, in particular its blanket attribution to the Nāth sect, based as that wisdom was on a very small selection of the available texts and modern oral history (which is rarely a reliable source in India). But it was clear that to put his work in the broader context was going to be impossible while working on his thesis. When he was revising it for publication a few years after completing it, he was asked to contribute to a volume on the Nāths and their literature. He agreed and decided to concentrate on the corpus of texts of haṭhayoga. It soon became apparent that this was going to be too big a task for a single chapter of a book and he apologised to the volume's editor but continued with his research. Four years on he has identified a corpus of eight works that teach early haṭhayoga and about a dozen more that contribute to its classical formulation in the Haṭhapradīpikā. With this philological basis established it has been possible at last to put all of haṭhayoga's aspects into context, which is what he is doing in the monograph on which he is currently working, Yoga and Yogis: The Texts, Techniques and Practitioners of Early Haṭhayoga. Many of the conclusions that can be drawn from the corpus and the other sources he uses (from Mughal miniatures to his fieldwork amongst traditional yogis) overturn what was previously thought about yoga's formative period. Although he has decided to present the bulk of the findings in a single monograph (because its parts are all so interdependent), in the course of working on it he has written various spin-off articles and reviews on specific aspects of haṭhayoga. Between September 2015-2020, Mallinson was the Principle Investigator of The Haṭha Yoga Project (HYP), a five-year research project funded by the European Research Council and based at SOAS, University of London which aims to chart the history of physical yoga practice by means of philology, i.e. the study of texts on yoga, and ethnography, i.e. fieldwork among practitioners of yoga. From January 2021, Mallison has been the lead on three year project entitled “Light on Hatha Yoga: A critical edition and translation of the Haṭhapradīpikā, the most important premodern text on physical yoga” funded by the Arts and Humanities Research Council (AHRC) and the German Research Foundation Deutsche Forschungsgemeinschaft (DFG). He has been interviewed on yoga for BBC Radio on Beyond Belief and for the Secret History of Yoga. More information about Dr Mallinson's work, his CV and publications, many of them downloadable, can be found here, and on his website: www.khecari.com ************************************************************************ SUPPORT US Donate: https://keenonyoga.com/donate/ Buy us a coffee: https://www.buymeacoffee.com/infoRf CONNECT WITH KEEN ON YOGA Instagram Keen on Yoga: https://www.instagram.com/keen_on_yoga/ Instagram Adam Keen: https://www.instagram.com/adam_keen_ashtanga/ Website: https://keenonyoga.com/ Workshops: https://keenonyoga.com/workshops/ MEMBERSHIP https://keenonyoga.com/membership/ Exclusive content, yoga & lifestyle tips, live Zoom meet ups with Adam & more. €10 per month, cancel at any time.

Aman loves his red T-shirt, because it is so bright and so soft. His Ma hates it, because it is old and has holes in it. She wants to throw it away. He wants to keep it. What is Aman going to do? Original story My Red T-shirt by Pratham Books, Written by Rohini Nilekani, Illustrated by Megha Vishwanath, मेरी लाल टी-शर्टTranslated by Sandhya Narrated by Asawari Doshi Source: मेरी लाल टी-शर्ट on Storyweaver Story's Video : https://youtu.be/MySZN2P7bK8 Listen to the podcast: iTunes : https://podcasts.apple.com/us/podcast/books-that-speak/id1287357479 Google Podcast : http://bit.ly/2JQq2Xo Watch Videos: YouTube: https://www.youtube.com/booksthatspeak Twitter: https://twitter.com/booksthatspeak Website: http://www.booksthatspeak.com/ Email: contact.booksthatspeak@gmail.com

This Week's Guests: Lecturer - John Gibbs Comedian - Derek Humphery The World's Famous comedy Cellar presents "Live From America Podcast" with Noam Dworman and Hatem Gabr. The top experts and thinkers of the world and the best comics in the Nation get together weekly with our hosts to discuss different topics each week, News, Culture, Politics, comedy & and more with an equal parts of knowledge and comedy! About John Gibbs: Over 30 years lecturing and teaching in colleges and schools of further education in the UK. His teaching has mostly been concerned with explaining US culture and politics to British students. His academic field also included international relations and cultural studies. He also taught for one year in the USA, in a small high school and community college in Oregon, where he taught AP American history. His MA dissertation was on the origins of the US/UK 'Special Relationship'- a concept more apparent to the British than Americans. Now mostly retired from teaching and pursuing interests in writing and podcasting. He is Podcast host of 'The Spinoza Triad' three academics who try to show how philosophy can help us understand the world we live in. Follow Live From America YouTube www.youtube.com/channel/UCS2fqgw61yK1J6iKNxV0LmA Twitter twitter.com/AmericasPodcast www.LiveFromAmericaPodcast.com LiveFromAmerica@ComedyCellar.com Follow Hatem Twitter twitter.com/HatemNYC Instagram www.instagram.com/hatemnyc/ Follow Noam Twitter twitter.com/noamdworman?lang #JohnGibbs #USANDUKRELATIONSHIP #BRITISHPOLICY

Dr Nick Pollard is a senior lecturer in occupational therapy at Sheffield Hallam University, teaching occupational therapy students at undergraduate and post graduate level, and course leader of the MSc pre-registration programme. He was previously professional lead in occupational therapy, vocational rehabilitation and dietetics on an interim basis for 23 months, and before that team leader and research co-ordinator for occupational therapy also at senior lecturer grade. His MA explored internal migration and mental health; His MSc explored occupations in creative writing groups, and his PhD the political implied in occupational therapy. Dr Pollard has written and presented extensively on community based rehabilitation and on critical explorations of occupational therapy. You may know Dr Pollard for having coedited several landmark occupational therapy texts, notably the Occupational Therapy without Borders books, with a new edition published in 2016. This episode we explore the need for OT's to understand and take a more active role in being political within the spaces that we work. Look after yourself, look after others, and always keep Occupied Brock@brockcookOTbrock.cook@me.com If you want even more valuable content join for bonus podcast episodes, resources, mentorship and much much more!

Arya is fed up with his family's South Asian traditions being the reason he is bullied at school. He just wants to fit in. His Ma tries to help by giving him their family's copy of the Ramayana, India's ancient history text. Arya begrudgingly opens it and finds himself enraptured by the stories filled with powerful gods, heroes, demons, and epic battles. He is also reminded of his recent dreams of the demon king, Ravana and what the connection may be between his dreams and his mom giving him the Ramayana.  Despite the feelings of clarity and centeredness that he experiences while reading, Arya doubts the gods' powers and how they can help him fit in at school. When Elias, leader of The Boys, invites Arya to a Halloween party, he is eager to go, despite Ma's warnings about the trouble it will bring.    IN THIS EPISODE:  [00:01] Previously on Shadow Realm  [00:33] Arya and his mom disagree about value of culture  [03:34] After reading the Ramayana, Arya and his mom talk about the meaning of the story and characters [07:54] Arya dreams he is fighting in one of the ancient battles in the Ramayana [08:34] Arya is invited to a halloween party by Elias, leader of The Boys [10:08] How to support and connect with The Arya Chronicles  [06:00] Next episode teaser   SYNOPSIS:  Arya disagrees with Ma about the value of preserving traditions and culture Ma gives him the family copy of the Ramayana to read  Arya is filled with clarity and peace of mind while reading the Ramayana but doubts how this old book can help with bullies Despite Arya's doubt, Ma explains how the gods still intervene in the world Arya is invited to Jackson's Halloween party by Elias, leader of The Boys. Ma sees trouble ahead and warns Arya not to go to the party On the next episode: Arya goes to Jackson's Halloween party, despite his mother's warnings.   Visit: thearyachronicles.com   CREDITS Shadow Realm was written and executive produced by Reenita Hora.  Based on her middle grade novel When Arya Fell Through the Fault,  this story constitutes ‘Part 1 of The Arya Chronicles.'    An original soundtrack was composed for this story by Kanniks Kannikeswaran (http://www.kanniks.com/). Audio adaptation by Shane Sakhrani. Audio Direction and Production by Daniel Gonzalez and Gabe Mara.  The narrative for the trailer was voiced by Carnie Wilson (https://en.wikipedia.org/wiki/Carnie_Wilson)   The podcast features  Arya Vir Hora as ‘Arya'    (https://www.imdb.com/name/nm7845578/) (https://www.backstage.com/u/aryavirhora/) Vishesh Chachra as Rishiji, Pa, Nicolas, Ranga, and Surayu (https://www.imdb.com/name/nm5189387/) Reenita Hora as Ma, Medicine Woman - (reenita.com) Danish Farooqui as Chimpu, Ravana, and Elias (https://www.imdb.com/name/nm7211550/) Laura Smith as Balchorni, Athena, the Doctor, and Jackson's mom (https://www.imdb.com/name/nm2269470/) Kal Monsoor as Buddha, Head of School, and Hanumana (https://www.imdb.com/name/nm0543964/) Avinash Muddappa as Pandu, Gopu, and Raja (https://www.imdb.com/name/nm8765273/) Asha Noel as Female Vanara, Nurse, and Adriana (https://www.imdb.com/name/nm6340920/)   Recorded at Studio City Sounds and The Room at Melrose. Chapter 13 uses “Lake Waves Hjalmaren” by Owl Chapter 17 uses “New Holland Honey Eaters 32x Slower” by digifishmusic Chapter 18 uses “New Holland Honey Eaters 32x Slower” by digifishmusic   Episodes are available on Spotify, Apple Podcasts or wherever you get your podcasts. Music is available on Spotify. If you are already a fan of the show, tap the share button in your podcast player and post this trailer on Facebook or Twitter.  Or text it directly to someone you know who'd love to journey through the Arya Chronicles. For more information visit thearyachronicles.com   

Coen van der Kroon was born in Utrecht, The Netherlands in 1962. He has an academic background in Greek and Latin Languages and Culture. His MA thesis was on ancient Greek gynecology with a comparison between Hippocratic and Ayurvedic Medicine. This was the start of his interest in and study of ayurveda. Coen van der Kroon has dedicated his life to understanding the Indian health science of ayurveda. It has been his mission to clarify the ancient Eastern advice for disease prevention and day-to-day health and well-being so that the implications can be understood by the modern Western mind. He is making this happen through his writing for magazines and books – including an international bestseller – and his teaching, centered around The Academy of Ayurvedic Studies (AAS) in the Netherlands, which he founded in 2005. He himself was privileged to have studied with the most renowned and inspirational teachers in the field of ayurveda and yoga, including Dr. David Frawley, Dr. Sunil Joshi, Dr. Robert Svoboda, Atreya Smith and Dr. Vijith Sasidhar (who are all visiting faculty at the AAS), as well as 3 years at the Ayurvedic Institute with Dr. Vasant Lad, in the USA and hands-on experience in India.

Advances in science and technology are creating healthier and longer lives. Our guest today has referred to it as a Longevity Dividend. But increased longevity leads to many questions. How can you maintain health and fitness in this era of longevity? How does longevity affect your retirement planning, and how will you grow and protect your non-financial assets? How will you invest your extra years? And how can you experiment with new ways of living and working that are evolving?   Andrew Scott, is the co-author of the new book The New Long Life with Lynda Gratton. In their first book, The 100-Year Life, they laid out the sweeping changes that longer lives are introducing that will lead individuals governments, educational institutions, and corporations to adapt in innovative ways. Their new book is a practical guide on how to navigate and thrive in an era of longer lives. They introduce a new framework for a multi-stage life, encompassing working longer (and differently), ageing well, cultivating good health and meaningful relationships. We discuss with Andrew: How we should be thinking about ageing in this era of longevity How a multi-stage life unfolds How people can create a new map of life - and get better at navigating transitions With lifelong learning becoming more important, what makes for a supportive learning environment The impact that technology and AI will have on longer lives How governments, educational systems and corporations need to change with longer lives How he sees intergenerational relationships evolving in the future What are we learning from COVID-19 that relates to longer lives - and what he's doing differently in the pandemic Andrew joins us from London. ________________________ Bio Andrew J Scott is Professor of Economics, former Deputy Dean at London Business School and Research Fellow at the Centre for Economic Policy Research.  His research focuses on longevity, an ageing society, and fiscal policy and debt management and has been published widely in leading journals. His book with Lynda Gratton, The 100-Year Life, has been published in 15 languages, is an Amazon bestseller and was runner up in the FT/McKinsey Business Book of the Year Award 2016 and Japanese Business Book of the Year Award 2017. His recent 2020 book, The New Long Life, considers how the challenges and opportunities of social and technological ingenuity might shape a new age of longer lives. He was Managing Editor for the Royal Economic Society’s Economic Journal and Non-Executive Director for the UK’s Financial Services Authority 2009-2013. He has been an advisor on policy to a range of governments and government departments. He is currently on the advisory board of the UK’s Office for Budget Responsibility, the Cabinet Office Honours Committee (Science and Technology), co-founder of The Longevity Forum, a member of the UK government’s Longevity Council and the WEF council on Japan and a consulting scholar at Stanford University’s Center on Longevity. With a unique perspective as a global economist, professor, and government advisor, he draws upon a range of disciplines. His ground-breaking work on longevity, economics, and the value and effect technology and longevity combined, will have on the wider society, is shaped by his professional connections to academia, industry, social pioneers and policymakers around the world. Andrew previously held positions at Oxford University, London School of Economics and Harvard University. His MA is from Oxford, his M.Sc. from the London School of Economics and his D.Phil from Oxford University. __________________________ Wise Quotes On the Longevity Dividend "...we discovered to a new degree, that age is malleable. There are things we can do to help how we age, how we exercise, how[ we change] our environment, how we live our life. And that means we're aging differently. Yes, there are more older people,

Welcome to SEASON 5 of Weird Web Radio! I'm honored to have you all here still listening. I'm equally excited for all of you that are arriving new with each episode. Great news too! ALL episodes are now available on YouTube! Like and Subscribe! I want to introduce you all to Dr. Mathias Nordvig!  Mathias is a wonderful human being helping all of us in Modern Heathenism navigate the ever unwinding history of our ways.  His academic reputation in Norse Mythology is impressive while he also has a lifetime of living Heathen practice. He's also a kind and generous soul with all his expansive understanding of history and myth.  He is the co-host of The Nordic Mythology Podcast alongside Daniel Farrand from Horns of Odin. I highly recommend that show! Mathias also has a new book out titled Ásatrú for Beginners: A Modern Heathen's Guide to the Ancient Northern Way which I had the honor to review prior to publication and also highly recommend. Dr. Nordvig's Bio: Dr. Mathias Nordvig is a visiting assistant professor of Nordic and Arctic studies at the Department of Germanic and Slavic Languages and Literatures at University of Colorado Boulder (CU Boulder). He teaches subjects on Viking history, Nordic mythology, folklore, Arctic culture and society, and Danish language. Dr. Nordvig earned his PhD in Nordic mythology in 2014 at Aarhus University in Denmark, his native country. He moved to Colorado in 2015. Dr. Nordvig has a BA. degree in Nordic languages and literatures with a minor in Viking Studies. His MA. degree includes studies in medieval Icelandic history and saga literature, Viking Age archaeology, Nordic mythology, and Old Norse language. He wrote his PhD dissertation on the relationship between Old Norse myth and the Icelandic environment. The dissertation is titled: Of Fire and Water. The Old Norse Mythical Worldview in and Eco-mythological Perspective. He has taught in Danish primary and middle school, high school, Scandinavian folk high school (folkehøjskole), open university, and in college. College courses he has taught include: The Reception of Nordic Mythology, Viking Age Religion and Myth, and The Harvard Viking Summer School at Aarhus University. At CU Boulder, he has taught Vikings, Norse Mythology, Scandinavian Folk Narrative, Medieval Icelandic Sagas, Scandinavian Culture and Society, 19th and 20th Nordic Literature, and Arctic Culture and Society. His research interests include: myth and environment, pre-Christian Scandinavian religion and mythology, Old Norse memory culture, indigenous studies, Inuit, and Sámi folklore, mythology, and religion. He also takes an interest in contemporary cultural use of Nordic mythology and the Viking Age in media, music, and Neo-paganism. Dr. Nordvig has lived most of his life in Denmark, but spent a considerable part of his childhood in Greenland. He has also lived in Iceland, and frequently travels to Iceland, Denmark, and Norway. Find Dr. Mathias Nordvig On The Web: Facebook Instagram University of Colorado Boulder Official Website Amazon Author Page YouTube Channel Enjoy the show! Stay Weird, My friends! Want to know what Dr. Nordvig and I Talk about in the bonus portion?! We go DEEP into RUNES and our thoughts on Modern Esoteric Rune Usage! All that and more in the members only bonus audio extended interview! Join here! It's time to sport a new look? Hell yes! Check out the Official Weird Web Radio Store for Shirts, Hoodies, Hats, and more! Real quick! Do you want a Tarot Reading from an international award winning professional? Look no more! I'm here! Go to my site http://tarotheathen.com to reserve your reading today!   Are you dealing with Stress & Anxiety? I'm a Certified Professional Hypnotist, NLP Practicioner, and Meditation Coach with solutions to help you take back your mind! Find out more at https://althypnosis.com You can also come join the Facebook discussion group here: https://www.facebook.com/groups/weirdwebradio/ New Instagram for Weird Web Radio! Follow for unique content and videos! https://www.instagram.com/weirdwebradio/ You can make a One-Time Donation to help support the show and show some love! Is this show worth a dollar to you? How about five dollars? Help support this podcast! That gets you into the Weird Web Radio membership where the extra goodies appear! Join the membership at patreon.com/weirdwebradio or at weirdwebradio.com and click Join the Membership! SHOW NOTES: SUBSCRIBE ON iTunes, Stitcher, and Spotify! Also streaming on mobile apps for podcasts! Intro voice over by Lothar Tuppan. Outro voice over by Lonnie Scott Intro & Outro Music by Nine Inch Nails on the album ‘7’, song title ‘Ghost’, under Creative Commons License.

Czech Contemporary Art in Berlin with Hošek Contemporary This time we present with Czech Contemporary Art in Berlin not an artist, but a Czech gallery owner. Petr Hošek, founder of Hošek Contemporary, relocated to Berlin in 2014 and opened a little gallery in Berlin-Mitte, close to the theatre Volksbühne. In 2018 he moved to a special place - an old freighter, where his gallery Hošek Contemporary still resides. Petr Hošek was born in 1988 in the Czech republic, he studied art history and the theory of art in Prague and Madrid before he received his MA at Charles’ University in Prague. His MA thesis explored a possibility of presenting Post-Internet Art within the Physical Gallery Spaces. After curatorial residency in New York City with Residency Unlimited in 2012, he worked in cooperation with Prague based gallery Futura and later he co-founded Gallery Plevel which focused on presenting on-line art in a refurbished 19th century industrial space. After his move to Berlin in 2014 he founded the gallery Hošek Contemporary, which we focus on in our talk, this time in English. Find out more about the gallery on their website, Facebook or Instagram or in this Short End Podcast. Czech Contemporary Art in Berlin is an online series by the Czech Centre Berlin about contemporary art in times of Corona. We present artists with Czech and/or Slovak roots, living in Berlin. The format is 3x3: 3 minutes about the place, where the artist works, 3 minutes about what keeps them busy right now and 3 minutes about themselves. In order for you to also see some of their work, they take over the Czech Centre’s Instagram account on the afternoon after 2 pm on the day, the podcast is published.

Day of Encouragement, Video Games, Chocolate Milkshake and Report Medicare Fraud Day Seymour was addicted to video games. His Ma tried daily to encourage him to put down the game controller and get out of the house. Hosted by Sean Michael Beyer and starring the voices of Nick Pasqual, Adam Carbone, and Susan Pasqual.

In this episode, I am hosting Sercan Çınar. We will talk about the construction of socialist masculinities in the 1970s at the height of socialist-Marxist political mobilization in Turkey. Sercan asks a very powerful question: how could socialist-Marxist men justify and reproduce gender inequalities and power relations as natural while, at the same time, remaining extremely critical of the naturalization of, for example, property relations? Sercan will argue that the practices of social mobilization during 70s, especially in response to political violence that marked the decade played an important role in constructing socialist masculinities. Sercan conducted oral history interviews and archival research concerning the decade and, with the help of his findings, he will provide examples of how responses to political violence on the street were utilized to justify and reproduce the dichotomy of man/woman and masculinity/femininity.Sercan will also elaborate on two important factors in the construction of socialist masculinities as a distinct category from hegemonic masculinities.He will first reveal the effects of feminist women sharing political space with socialist men in regards to socialist masculinities.Secondly, he will detail the effects of Global Cold War Politics on the construction of socialist masculinities in Turkey. One of the most striking examples Sercan provides is the border crossing essentialized images and discourses of “Soviet immoral sexualities” which aimed to create moral panic in localities and hoped to fuel anti-communist sentiments. Finally, Sercan will talk about how the socialist-Marxist scene in Turkey simply played into these discourses by pursuing a conservative politics of sexuality.Sercan Çınar is a Ph.D. candidate in the Department of Gender Studies at CEU. He received his BSc in Political Science from Middle East Technical University. He holds an MA in European Women’s and Gender History from CEU. His MA thesis is on socialist masculinities in Turkey in the 1970s, and he is currently working on his Ph.D. dissertation about Turkish migrant left-feminism in Western Europe during the late Cold War. His research interests include gender and women’s history, the history of masculinities in Turkey and the transnational history of communism and anarchism.

In this episode Lyman Gamberton explores the cultural connotations and political construction of the Science Museum's display of 'Bowl from Hiroshima, Japan'. We discuss which identites are represented and which are hidden through object selection and positioning, and consider and their framing of the event in relation to other events showcased in the Making the Modern World Gallery. Lyman Gamberton is a PhD candidate in Social Anthropology at the School of Oriental and African Studies (SOAS) in London. His area of specialisation is the body and material culture in Japanese social contexts, with a particular focus on gender, disability, pathology, and performance. His MA dissertation was an historical-ethnographic study of the role gender played in the self-perceptions of Nagasaki's atomic bomb survivors, 1945-1990. He continues to work in the intersection of Gender, Disability, and Nuclear Studies

In episode 21 of Music Therapy Conversations Luke Annesley talks to Andy Lale. Andy has worked as a music therapist for twenty years. He has been employed by CNWL NHS Trust, in this capacity, since 1999. He manages a team of arts psychotherapists for South Westminster and specialises in music psychotherapy with psychotic states. His clinical work, with this client group, focuses on transference and insight. His MA dissertation on Countertransference Enactment is available in the Tavistock Library. He has taught on the MA in Music Therapy at Roehampton University and now supervises other clinicians in this compound intervention. He also contributes to the ICAPT evening lecture series. Andy has created a series of online videos explaining the key ideas of this way of working. This study is an attempt to encourage interest more widely, in psychoanalytically informed music psychotherapy, for psychosis. Andy presented this study at the BAMT conference, 2018.​ In this interview, Andy talks about the origin of the term 'psychodynamics', and in some detail about how he applies psychodynamic theory to his work as a music psychotherapist with psychotic patients. What is the relationship between music and psychodynamic theory? We also discuss the anti-psychiatry movement, and the difficulties of research and evaluation of music psychotherapy with this client group. And what about 'music psychotherapy' itself? Why is there not yet a well-established post-qualification training in music psychotherapy in the UK?

This is not the usual guest I have on the show. I don't do celebrity interviews but when this guest's agent reached out to me I knew I had to interview him. Why? Because I had such a huge crush on him when I was a much younger girl! My guest is Michael Cole from the TV series The Mod Squad. As his book title says, "I Played The White Guy". ANd what a book it is. WHen I read the book to prepare for the interview I was surprised how candid and introspective the book was. As I read it I had so many questions I wanted to ask as what excited to get to interview him. Sometimes the crush isn't worthy of the crush when you get to "meet" them in person. That was not the case when I started speaking with Michael. The interview was everything I could have hoped for and so much more. No topic was off limits and Michael shared his journey to 23 years sober, finding redemption and how learning to make loneliness his friend created an opening for internal peace and joy and getting sober. It was great to "meet" my crush AND discover he is a wonderful man who wants his story to help others. One of my favorite quotes from his book and the interview is this one, "Make loneliness your friend. It will always be there." Michael Cole was born on the cusp of the Depression and the Second World War, on July 3, 1940, on the blue-collar side of Madison, Wisconsin. He never met his biological father, who abandoned his mother, brother Ted, and him when he was born. With no home of their own, they lived with his grandmother, in a house with no running hot water and a single commode in the basement. His “Ma,” Kathleen Hyland, whom he deeply loved, was forced to work several jobs to keep food on the table.  As a kid, Michael often ran the streets, wild and rebellious, pretty much on his own. He quit school in the ninth grade, and was married at seventeen, a teenage father of a beautiful baby girl.  The young marriage couldn’t survive the pressures, and ended after four years. Michael, an alcoholic by age thirteen, was alone and lost. He set out at the age of twenty, making his way to the streets of San Francisco, tended bar in Las Vegas, and then in 1963 moved to Los Angeles, where he joined the acting workshop of renowned coach Estelle Harmon.  Casting agents began to hear about his talent and he started to get work. In 1968, after guest shots in Gunsmoke and Run for Your Life, he landed the role of Pete Cochran in Aaron Spelling’s The Mod Squad. The show dealt with contemporary and controversial subjects—issues very close to Michael’s heart—racism, child abuse, Viet Nam veterans, and drugs. It became a smash hit, resonating with the counterculture of the times, and it made Michael an international celebrity. He was the recipient of four Logie Awards, Australia’s version of the Emmy Awards.  At the height of his success, Michael married Paula Kelly Jr., whose parents formed the famous musical group “The Modernaires." They had a daughter, but again, alcohol and Michael’s rise to stardom destined the marriage to failure.   In 1989, after years of isolation, despair, and the bottle, Michael met the woman who would change his life forever. With Shelley’s love and encouragement, Michael got sober. He completed the program at Betty Ford Center in 1994, and began to work again with guest starring roles on ER, Diagnosis Murder, Mystery Woman, and in Kevin Costner’s feature film Mr. Brooks. That said, Michael considers his greatest accomplishments his twenty-one-year marriage and his twenty-one years of sobriety. 

Peter Rabbit Welcome to 2018! This is the start of the second year for the podcast! As a recap from last year we put out 44 episodes. Almost an episode a week. We had two interviews. One with a Japanese exchange student (Yudai Tanabe), and one with Susie at Laughing Orange Studios. We covered about 23 different rabbit breeds, and three hares, so it looks like every other episode is about a breed. My favorite three episodes from last year were the Space rabbit episode, the Jack-a-lope, and Halloween Rabbits. What was your favorite episode? Post in the comments for the show! I would like to thank those that purchased through Amazon to support the show. It looks like Amazon is not seeing enough activity, and is threatening to shut down the account.  "We are reaching out to you because we have not seen qualified sales activity on your account." Remember it does not cost anything extra to use the link on the hareoftherabbit.com website.  I appreciate the support! Today we are going to check out Peter Rabbit! Peter Rabbit is a fictional animal character in various children's stories by Beatrix Potter. He first appeared in The Tale of Peter Rabbit in 1902 and subsequently in five more books between 1904 and 1912. Spinoff merchandise includes dishes, wallpaper, and dolls. He appears as a character in a number of adaptations. This weeks item is A Peter Rabbit Book! The rabbits in Potter's stories are anthropomorphic and wear human clothes: Peter wears a jacket and shoes. Peter, his widowed mother, Mrs. Josephine Rabbit, as well as his sisters, Flopsy, Mopsy, and Cotton-tail live in a rabbit hole that has a human kitchen, human furniture, as well as a shop where Josephine sells various items. Peter's relatives are Cousin Benjamin Bunny and Benjamin's father Mr. Bouncer Bunny. Helen Beatrix Potter, known as Beatrix, was born on 28 July 1866 to Rupert and Helen Potter in Kensington, London, and she is one of the most beloved children's authors of all time. She was the daughter of Rupert and Helen Potter, both of whom had artistic interests. Her father trained as a lawyer, but he never actually practiced. Instead he devoted himself to photography and art. Her mother Helen was skilled at embroidery and watercolors. Beatrix got to know several influential artists and writers through her parents, including painter John Everett Millais. Her younger brother Walter Bertram was born six years after her birth. Both Beatrix and Bertram loved to draw and paint, and often made sketches of their many pets, including rabbits, mice, frogs, lizards, snakes and a bat. Beatrix was always encouraged to draw, and she spent many hours making intricate sketches of animals and plants, revealing an early fascination for the natural world that would continue throughout her life. Although she never went to school, Beatrix was an intelligent and industrious student, and her parents employed an art teacher, Miss Cameron, and a number of governesses, including Annie Moore, to whom she remained close throughout her life. Two of Beatrix’s earliest artist models were her pet rabbits. Her first rabbit was Benjamin Bouncer, who enjoyed buttered toast and joined the Potter family on holiday in Scotland where he went for walks on a lead. Benjamin was followed by Peter Piper, who had a talent for performing tricks, and he accompanied Beatrix everywhere. The most exciting time of the year for Beatrix was the summer, when the family traveled north to spend three months in Scotland. The children had the freedom to explore the countryside, and Beatrix learned to observe plants and insects with an artist’s eye for detail. When Beatrix was sixteen, the family stayed instead at Wray Castle, overlooking Lake Windermere, where Beatrix began a lifelong love of the countryside and of the Lake District. Botanist, Artist and Storyteller Beatrix was invited to study fungi at the Royal Botanical Gardens in Kew, and she produced hundreds of detailed botanical drawings and investigated their cultivation and growth. Encouraged by Charles McIntosh, a revered Scottish naturalist, to make her fungi drawings more technically accurate, Beatrix not only produced beautiful watercolors but also became an adept scientific illustrator. By 1896, she had developed her own theory of how fungi spores reproduced and wrote a paper, ‘On the Germination of the Spores of Agaricineae’, which was initially rejected by William Thiselton-Dyer, director of the Royal Botanical Gardens. Undeterred, Beatrix continued her research, and after a year George Massee, a fungi expert who worked at the Kew gardens, agreed to present her paper to the Linnean Society of London, as women at that time were not permitted to do so. Although the paper was never published, scientists still recognize her contribution to mycological research today. Long before she was a published author, Beatrix Potter drew illustrations for some of her favorite stories, including Alice’s Adventures in Wonderland and Cinderella, as well as her sketches from nature. Her imaginative art led to the publication of her earliest works – greeting-card designs and illustrations for the publisher Hildesheimer & Faulkner. There followed more publications, including a series of frog illustrations and verses for Changing Pictures, a popular annual offered by the art publisher Ernest Nister, which cemented Beatrix’s desire to publish her own illustrated stories. Potter first tasted success as an illustrator, selling some of her work to be used for greeting cards. The story was inspired by a pet rabbit Potter had as a child, which she named Peter Piper. Yes, there was a real Peter Rabbit. He was a Belgian buck rabbit named Peter Piper. He was actually the second rabbit that Potter kept as a pet—the first was Benjamin Bouncer, who was the inspiration for Benjamin Bunny. They were part of a menagerie of animals that Potter and her brother adopted as children, which also included birds, lizards, mice, snakes, snails, guinea pigs, bats, dogs, cats, and even hedgehogs. Potter was especially fond of Peter Piper, and would take him on walks on a leash. She later described in a letter how he liked to lie in front of the fire “like a cat. He was clever at learning tricks, he used to jump through a hoop, and ring a bell, and play the tambourine.” In one of her personal editions of Peter Rabbit, Potter wrote an inscription dedicated to “poor old Peter Rabbit, who died on the 26th of January 1901. … An affectionate companion and a quiet friend.” Through the 1890s, Potter sent illustrated story letters to the children of her former governess, Annie Moore. The first Peter Rabbit story, The Tale of Peter Rabbit, was originally created in 1893, when Potter was 26 years of age, sent a letter to Noel Moore, the five-year-old son of Potter's former governess, Annie Moore. The boy was ill and Potter wrote him a picture and story letter to help him pass the time and to cheer him up. The letter included sketches illustrating the narrative. Transcript Eastwood Dunkeld Sep 4th 93 My dear Noel, I don't know what to write to you, so I shall tell you a story about four little rabbits whose names were – Flopsy, Mopsy, Cottontail and Peter. They lived with their mother in a sand bank under the root of a big fir tree. "Now my dears," said old Mrs Bunny "you may go into the field or down the lane, but don't go into Mr McGregor's garden." Flopsy, Mopsy & Cottontail, who were good little rabbits went down the lane to gather blackberries, but Peter, who was very naughty ran straight away to Mr McGregor's garden and squeezed underneath the gate. First he ate some lettuce, and some broad beans, then some radishes, and then, feeling rather sick, he went to look for some parsley; but round the end of a cucumber frame whom should he meet but Mr McGregor! Mr McGregor was planting out young cabbages but he jumped up & ran after Peter waving a rake & calling out "Stop thief"! Peter was most dreadfully frightened & rushed all over the garden, for he had forgotten the way back to the gate. He lost one of his shoes among the cabbages and the other shoe amongst the potatoes. After losing them he ran on four legs & went faster, so that I think he would have got away altogether, if he had not unfortunately run into a gooseberry net and got caught fast by the large buttons on his jacket. It was a blue jacket with brass buttons, quite new. Mr McGregor came up with a basket which he intended to pop on the top of Peter, but Peter wriggled out just in time, leaving his jacket behind, and this time he found the gate, slipped underneath and ran home safely. Mr McGregor hung up the little jacket & shoes for a scarecrow, to frighten the blackbirds. Peter was ill during the evening, in consequence of overeating himself. His mother put him to bed and gave him a dose of camomile tea, but Flopsy, Mopsy, and Cottontail had bread and milk and blackberries for supper. I am coming back to London next Thursday, so I hope I shall see you soon, and the new baby. I remain, dear Noel, yours affectionately Beatrix Potter After Potter sent the Moore children (including Noel's siblings Norah and Eric) two more illustrated letters, one about a squirrel named Nutkin and another about a frog named Jeremy Fisher, the children's mother, Annie, suggested she turn them into children’s books. In 1900, Moore, realizing the commercial potential of Potter's stories, suggested they be made into books. Potter embraced the suggestion, and, borrowing her complete correspondence (which had been carefully preserved by the Moore children), selected a letter written on 4 September 1893 to five-year-old Noel that featured a tale about a rabbit named Peter. Potter biographer Linda Lear explains: "The original letter was too short to make a proper book so [Potter] added some text and made new black-and-white illustrations...and made it more suspenseful. These changes slowed the narrative down, added intrigue, and gave a greater sense of the passage of time. Then she copied it out into a stiff-covered exercise book, and painted a colored frontispiece showing Mrs Rabbit dosing Peter with camomile tea". Potter’s beautiful illustrations came from her interest in the natural world. As a child, she would draw and sketch animals around her with a sharp, observing eye. She could be quite ruthless about it, in fact. When a pet died, she would skin and boil its body so she could use the skeleton for anatomical sketches. She studied the plant world as well, producing over 300 paintings of mushrooms by 1901. (Her study of mushrooms led Potter to submit a paper on spore reproduction to the Linnean Society of London. But it had to be read by botanist George Massee because women weren't allowed at the meetings.) All this practice and close observation led to her elegant style, where animals look real even though they’re wearing top hats and petticoats. As Lear explains, Potter titled The Tale of Peter Rabbit and Mr. McGregor's Garden and sent it to publishers, but "her manuscript was returned ... including Frederick Warne & Co. ... who nearly a decade earlier had shown some interest in her artwork. Some publishers wanted a shorter book, others a longer one. But most wanted colored illustrations which by 1900 were both popular and affordable". The several rejections were frustrating to Potter, who knew exactly how her book should look (she had adopted the format and style of Helen Bannerman's Little Black Sambo) "and how much it should cost". She decided to publish the book herself, and on 16 December 1901 the first 250 copies of her privately printed The Tale of Peter Rabbit were "ready for distribution to family and friends". So Potter reworked Peter Rabbit, doubling its length and adding 25 new illustrations. Six publishers rejected the story, in part because they didn’t agree with Potter’s vision for the work. She wanted the book to be small for children’s hands, and the publishers wanted it to be bigger, and therefore more expensive. Potter refused, explaining that she would rather make two or three books costing 1 shilling each than one big book because “little rabbits cannot afford to spend 6 shillings on one book, and would never buy it.” In December 1901, she self-published Peter Rabbit. The 200 copies sold out in a few months and she ordered a reprint. Meanwhile, Potter continued to distribute her privately printed edition to family and friends, with the celebrated creator of Sherlock Holmes, Arthur Conan Doyle, acquiring a copy for his children. When the first private printing of 250 copies was sold out, another 200 were prepared. She noted in an inscription in one copy that her beloved pet rabbit Peter had died. To help Peter Rabbit get published, a friend rewrote it as a poem. While Potter was self-publishing, Canon Rawnsley, a family friend, rewrote the story in rhyming couplets in an attempt to get publishers interested again. His version began: “There were four little bunnies/ no bunnies were sweeter/ Mopsy and Cotton-tail,/ Flopsy and Peter.'' Rawnsley submitted his text with Potter’s illustrations to the publishers Frederick Warne & Co. They agreed to publish the book, but with one stipulation—they wanted to use Potter’s simpler language. In 1901, as Lear explains, a Potter family friend and sometime poet, Canon Hardwicke Rawnsley, set Potter's tale into "rather dreadful didactic verse and submitted it, along with Potter's illustrations and half her revised manuscript, to Frederick Warne & Co.," who had been among the original rejecters. Warne editors declined Rawnsley's version "but asked to see the complete Potter manuscript" – Warne wanted color illustrations throughout the "bunny book" (as the firm referred to the tale) and suggested cutting the illustrations "from forty-two to thirty-two ... and marked which ones might best be eliminated". Potter initially resisted the idea of color illustrations, but then realized her stubborn stance was a mistake. She sent Warne "several color illustrations, along with a copy of her privately printed edition" which Warne then handed to their eminent children's book illustrator L. Leslie Brooke for his professional opinion. Brooke was impressed with Potter's work. Fortuitously, his recommendation coincided with a sudden surge in the small picture-book market. Their interest stimulated by the opportunity The Tale of Peter Rabbit offered the publisher to compete with the success of Helen Bannerman's wildly popular Little Black Sambo and other small-format children's books then on the market. When Warne inquired about the lack of colour illustrations in the book, Potter replied that rabbit-brown and green were not good subjects for coloration. Potter arrived at an agreement with Warne for an initial commercial publication of 5,000 copies. Negotiations dragged on into the following year, but a contract was finally signed in June 1902. Potter was closely involved in the publication of the commercial edition – redrawing where necessary, making minor adjustments to the prose and correcting punctuation. The blocks for the illustrations and text were sent to printer Edmund Evans for engraving, and she made adjustments to the proofs when she received them. Lear writes that "Even before the publication of the tale in early October 1902, the first 8,000 copies were sold out. By the year's end there were 28,000 copies of The Tale of Peter Rabbit in print. By the middle of 1903 there was a fifth edition sporting colored end-papers ... a sixth printing was produced within the month"; and a year after the first commercial publication there were 56,470 copies in print. Over the years, The Tale of Peter Rabbit has sold more than 40 million copies worldwide and as of 2008, the Peter Rabbit series has sold more than 151 million copies in 35 languages. Peter Rabbit made his first appearance in 1902 in The Tale of Peter Rabbit. The story focuses on a family of anthropomorphic rabbits. The widowed mother rabbit cautions her young against entering the vegetable garden of a man named Mr. McGregor, telling them: "your Father had an accident there; he was put in a pie by Mrs. McGregor". Her three daughters obediently refrain from entering the garden, going down the lane to pick blackberries, but her rebellious son Peter enters the garden to snack on some vegetables. Peter ends up eating more than is good for him and goes looking for parsley to cure his stomach ache. Peter is spotted by Mr. McGregor and loses his jacket and shoes while trying to escape. He hides in a watering can in a shed, but then has to run away again when Mr. McGregor finds him, and ends up completely lost. After sneaking past a cat, Peter sees the gate where he entered the garden from a distance and heads for it, despite being spotted and chased by Mr. McGregor again. With difficulty he wriggles under the gate, and escapes from the garden, but he spots his abandoned clothing being used to dress Mr. McGregor's scarecrow. After returning home, a sick Peter is sent to bed by his mother, while his well-behaved sisters receive a sumptuous dinner of milk and berries as opposed to Peter's supper of chamomile tea. In The Tale of Benjamin Bunny, first published in 1904, Peter's cousin Benjamin Bunny brings him back to Mr. McGregor's garden and they retrieve the clothes Peter lost in The Tale of Peter Rabbit. But after they gather onions to give to Josephine, they are captured by Mr. McGregor's cat. Bouncer arrives and rescues them, but also reprimands Peter and Benjamin for going into the garden by whipping them with a switch. In this tale, Peter displays some trepidation about returning to the garden. In The Tale of The Flopsy Bunnies, first published in 1909, Peter has a small role and appears only briefly. He is grown up and his sister Flopsy is now married to their cousin Benjamin. The two are the parents of six little Flopsy Bunnies. Peter and Josephine keep a nursery garden[a] and the bunnies come by asking him for spare cabbage. In The Tale of Mr. Tod, first published in 1912, Benjamin and Flopsy's children are kidnapped by notorious badger Tommy Brock. Peter helps Benjamin chase after Brock, who hides out in the house of the fox, Mr. Tod. Mr. Tod finds Brock sleeping in his bed and as the two get into a scuffle, Peter and Benjamin rescue the children. Peter makes cameo appearances in two other tales. In The Tale of Mrs. Tiggy-Winkle, first published in 1905, Peter and Benjamin are customers of Mrs. Tiggy-Winkle, a hedgehog washerwoman. The two rabbits are depicted in one illustration peeping from the forest foliage. In The Tale of Ginger and Pickles, first published in 1909, Peter and other characters from Potter's previous stories make cameo appearances in the artwork, patronising the shop of Ginger and Pickles. To mark the 110th anniversary of the publication of The Tale of Peter Rabbit, Frederick Warne & Co. commissioned British actress Emma Thompson to write The Further Tale of Peter Rabbit, in which Peter ends up in Scotland after accidentally hitching a ride on Mr. and Mrs. McGregor's wagon. The book was released on 18 September 2012. In autumn 2012, it was reported that Thompson would write more Peter Rabbit books. Her next tale, The Christmas Tale Of Peter Rabbit, was released in 2013, followed by The Spectacular Tale Of Peter Rabbit in 2014. “Once upon a time there was a serious, well-behaved young black cat, it belonged to a kind old lady who assured me that no other cat could compare with Kitty.” Thus begins the newly discovered children’s story by renowned British author Beatrix Potter. In 2016, Beatrix Potter fans received welcome news. A previously unpublished story, The Tale of Kitty-in-Boots, would be making its way to bookstore shelves that fall. An unedited manuscript for the work had been discovered by children's book editor Jo Hanks. Potter had only done one illustration for the book so Quentin Blake created the images to accompany this tale. Peter is said to be in the newly rediscovered book, The Tale of Kitty-in-Boots. According to the publisher, Peter is now older, “full-of-himself” and has “transformed into a rather portly buck rabbit." Now, Penguin Random House has announced the story, which was written over a century ago, will be published in September, 2016, in conjunction with celebrations being planned to celebrate the 150-year anniversary of Potter’s birth. ‘The Tale of Kitty-In-Boots’ tells the story of a cat who’s leading a double life. Jo Hanks, a publisher with Penguin Random House, discovered the 1914 manuscript two years ago after he came across a mention of it in an obscure literary history of Potter which sent him to London’s Victoria and Albert Museum and knee-deep into the Potter archives. It appears the author was intending to publish the story; she had written and revised it twice, and after rewriting it for a third time she had it typeset. The author had even begun the process of laying out a proof dummy. The only thing left were the illustrations. Then life interrupted her; World War I started, a new marriage and a new farming business among her distractions. Whatever the reason, she never completed the manuscript, which has been described as possibly her best work – filled with humor, rebellious characters and even a couple of intriguing villains. Some old favorites also make an appearance; Peter Rabbit of course, although older, and everyone’s favorite hedgehog: Mrs Tiggywinkle. The author had completed just one drawing to accompany the story, so Quentin Blake, who provided the illustrations for Roald Dahl’s books, has been selected to complete the illustrations for The Tale of Kitty-In-Boots. Merchandising Peter Rabbit was the first character to be fully merchandised, and it was Beatrix Potter’s idea. In 1903, seeing the popularity of Peter Rabbit, she began to sew a doll version for Warne’s niece, writing, “'I am cutting out calico patterns of Peter, I have not got it right yet, but the expression is going to be lovely; especially the whiskers—(pulled out of a brush!)” She patented the doll, making Peter Rabbit the oldest licensed character. Potter was one of the first to be responsible for such merchandise when she patented a Peter Rabbit doll in 1903 and followed it almost immediately with a Peter Rabbit board game. She also invented a Peter Rabbit board game for two players in 1904, a complex version of which was redesigned by Mary Warne and came to market thirteen years later. In addition to toys and games, Beatrix published books, including Peter Rabbit’s Almanac and painting books for Peter Rabbit and Jemima Puddle-duck. She felt passionately that all merchandise should remain faithful to her original book illustrations and be of the highest quality. The merchandising helped make Peter Rabbit into a popular icon and turned The World of Beatrix Potter into one of the biggest literature-based licensing organizations of its day. The character has been depicted in a multitude of spinoff merchandise such as porcelain figurines and dishes. Peter Rabbit had also appeared on the packaging of the infant formula Enfamil. Frederick Warne & Co owns the trademark rights of the Beatrix Potter characters. However, most of the stories are in the US public domain, as they were published before 1923. American copyright Warne's New York office "failed to register the copyright for The Tale of Peter Rabbit in the United States", and unlicensed copies of the book "(from which Potter would receive no royalties) began to appear in the spring of 1903. There was nothing anyone could do to stop them". To her dismay, the firm failed to register copyright in the United States, leading to piracies and loss of revenue. Although she helped save the company in 1917, after embezzlement by another Warne brother nearly bankrupted it, she scolded them on quality, condemning a copy of Peter Rabbit’s Almanac for 1929 as “wretched.” She wrote sharply, “It is impossible to explain balance & style to people, if they don’t see it themselves.” While she enthusiastically crafted her own unique merchandise prototypes — including an extraordinarily soulful Peter Rabbit doll — she could have had no idea of the extent of commodification to come. The enormous financial loss ... [to Potter] only became evident over time", but the necessity of protecting her intellectual property hit home after the successful 1903 publication of The Tale of Squirrel Nutkin when her father returned from Burlington Arcade in Mayfair at Christmas 1903 with a toy squirrel labelled "Nutkin". Potter asserted that her tales would one day be nursery classics, and part of the "longevity of her books comes from strategy", writes Potter biographer Ruth MacDonald. She was the first to exploit the commercial possibilities of her characters and tales; between 1903 and 1905 these included a Peter Rabbit stuffed toy, an unpublished board game, and nursery wallpaper. Considerable variations to the original format and version of The Tale of Peter Rabbit, as well as spin-off merchandise, have been made available over the decades. Variant versions include "pop-ups, toy theaters, and lift-the-flap books". By 1998, modern technology had made available "videos, audio cassette, a CD-ROMs, a computer program, and Internet sites", as described by Margaret Mackey writing in The case of Peter Rabbit: changing conditions of literature for children. She continues: "Warne and their collaborators and competitors have produced a large collection of activity books and a monthly educational magazine". A plethora of other Peter Rabbit related merchandise exists, and "toy shops in the United States and Britain have whole sections of [the] store specially signposted and earmarked exclusively for Potter-related toys and merchandise". Unauthorized copying of The Tale of Peter Rabbit has flourished over the decades, including products only loosely associated with the original. In 1916, American Louise A. Field cashed in on the popularity by writing books such as Peter Rabbit Goes to School and Peter Rabbit and His Ma, the illustrations of which showed him in his distinctive blue jacket. In an animated movie by Golden Films, The New Adventures of Peter Rabbit, "Peter is given buck teeth, an American accent and a fourth sister Hopsy." Another video "retelling of the tale casts Peter as a Christian preacher singing songs about God and Jesus." The Peter Rabbit (rather than other Beatrix Potter characters) stories and merchandise are very popular in Japan: many Japanese visit the Lake District after becoming familiar with Potter's work at an early age at school. There is an accurate replica of Potter's house and a theme park in Japan, and a series of Mr McGregor's gardens in one of the largest banks. Merchandisers in Japan estimate that 80% of the population have heard of Peter Rabbit. In 2016, Peter Rabbit and other Potter characters appeared on a small number of collectors' 50p UK coins. Movie Adaptations In 1938, shortly after the success of Snow White and the Seven Dwarfs, Walt Disney became interested in making an animated film based on The Tale of Peter Rabbit. Potter refused. Some accounts say this was because she wanted to remain in control of the rights to her work. Others suggest that she didn’t think her drawings were good enough for large-scale animation, which she thought would reveal all their imperfections. However, most likely Beatrix Potter refused to give the rights to Disney because of marketing issues. In 1935, the story was loosely adapted in the Merrie Melodies short film, Country Boy. It shows some modifications in relation to Beatrix Potter's original story, most notably the Rabbit family surname is changed to "Cottontail" and Peter having two brothers and a sister rather than 3 sisters. In 1971, Peter Rabbit appeared as a character in the ballet film The Tales of Beatrix Potter. In late 1991, HBO aired an animated musical adaptation of The Tale of Peter Rabbit, narrated by Carol Burnett, as part of the network's Storybook Musicals series, which was later released to VHS by Family Home Entertainment under HBO license. Several of the stories featuring Peter Rabbit were also animated for the 1992 BBC anthology series, The World of Peter Rabbit and Friends and two edutainment titles published by Mindscape The Adventures of Peter Rabbit & Benjamin Bunny in 1995 and Beatrix Potter: Peter Rabbit's Math Garden in 1996. Both of which have since been released on VHS and DVD. In 2006, Peter Rabbit was heavily referenced in a biopic about Beatrix Potter entitled Miss Potter. In December 2012, a new CGI-animated children's TV series titled Peter Rabbit premiered on Nickelodeon, with a full series run beginning in February 2013. Peter was voiced by Colin DePaula throughout Season 1 and recanted by L. Parker Lucas for Season 2 in the US version. In the U.K. version he is voiced by Connor Fitzgerald. Also in 2012, Quantum Theater produced a new stage adaptation of the tales of Peter Rabbit and Benjamin Bunny. Written by Michael Whitmore the play toured the UK until 2015. More recently, John Patrick is adapting a number of Beatrix Potter's tales into an upcoming live-action/animated musical feature film for his brand-new film studio, called Storybook Studio. The film will be titled Beatrix Potter's The Tales of Peter Rabbit and Friends. One of the stories adapted for the film is The Tale of Peter Rabbit. Peter will be voiced by child actress Sienna Adams. John Patrick has released a preview clip of the film to YouTube. An animated/live-action adaptation, Peter Rabbit, produced by Sony Pictures Animation, is scheduled to be released on 9 February 2018. James Corden will voice Peter Rabbit and Rose Byrne will star in the live-action role of the lead female named Bea. Other cast members include Margot Robbie, Daisy Ridley and Elizabeth Debicki. Will Gluck is directing and producing the film and Zareh Nalbandian is also producing, while Lauren Abrahams is overseeing the project for Sony Pictures Animation. Peter Rabbit's feud with Mr. McGregor reaches new heights as both compete for the affections of a kind animal lover who lives next door. Cast Domhnall Gleeson as Mr. Thomas McGregor, a farmer and exterminator who seeks to be rid of Peter Rabbit and his mischievous acts. Rose Byrne as Bea, a kind animal lover who Thomas meets next door. Sam Neill as Old Farmer McGregor. The film is scheduled to be released on February 9, 2018. The Lake District When Peter Rabbit came out, Potter was 36 years old. She worked closely with her editor, Norman Warne, on it and several other books. The two became very close and in July 1905, Warne proposed marriage, even though Potter’s parents objected to his social position. They didn’t want their upper-class daughter to marry a man who worked in a “trade.” Still, Potter accepted his proposal. One month later, Warne fell sick and died of a blood disorder that was probably un-diagnosed leukemia. She bought Hill Top Farm in the Lake District that same year and there she wrote such books as The Tale of Tom Kitten (1907) and The Tale of Samuel Whiskers (1908). Beatrix loved the Lake District, and it became her solace after the death of her beloved Norman. Afterward, Potter remained unmarried for many years. Finally, in 1913, she married William Heelis, a lawyer. Her family objected to him, too. Income from her books enabled her to invest in farmland, including Hill Top Farm, which would become a feature in many of her tales. As she invested in the Lake District, she developed a relationship with William Heelis, a local solicitor who assisted her property dealings. William proposed to Beatrix in 1912, and they were married in London the following year. In 1913, Potter married local lawyer William Heelis. She only produced a few more books after tying the knot. Potter published The Fairy Caravan in 1926, but only in the United States. She thought the book was too autobiographical to be released in England. The Tale of Little Pig Robinson (1930) proved to be her final children's book. They lived together at Castle Cottage in their beloved Lake District until her death in 1943. Beatrix was a staunch supporter of the National Trust, having been impressed on meeting its founder Hardwicke Rawnsley from her first visit to the Lake District at sixteen. She followed its principles in preserving her buildings and farms in keeping with the rural culture of the area, and she saved many farms from developers. Instead of writing, Potter focused much of her attention on her farms and land preservation in the Lake District. She was a successful breeder of sheep and well regarded for her work to protect the beautiful countryside she adored. During her lifetime, Beatrix bought fifteen farms and took a very active part in caring for them. Dressed in clogs, shawl and an old tweed skirt, she helped with the hay-making, waded through mud to unblock drains, and searched the fells for lost sheep. Beatrix bred Herdwick sheep on her farms in the Lake District, and said she was at her happiest when she was with her farm animals. She won a number of prizes for her sheep at local shows, and became the first elected female President of the Herdwick Sheep Breeders’ Association in 1943. Legacy Beatrix died in 1943 Potter died on December 22, 1943, in Sawrey, England. In her will, she left much of her land holdings to the National Trust to protect it from development and to preserve it for future generations. leaving fifteen farms and over four thousand acres of land to the National Trust. In accordance with her wishes, Hill Top Farm was kept exactly as it had been when she lived in it, and receives thousands of visitors every year. Potter also left behind a mystery—she had written a journal in code. The code was finally cracked and the work published in 1966 as The Journal of Beatrix Potter. To this day, generation after generation are won over by her charming tales and illustrations. After Potter died in 1943 at the age of seventy-seven, Warne cast itself as the guardian of her legacy. But eventually the guardian began behaving badly, seeking to wring profits from its most famous long-eared property. In 1983, Warne was acquired by Penguin, itself owned by the international conglomerate Pearson, the largest book publisher in the world. Then, as scholar Margaret Mackey chronicles in The Case of Peter Rabbit: Changing Conditions of Literature for Children, Warne embarked on the expensive process of remaking printing plates for Potter’s books. While the new reproductions were a welcome improvement, Warne festooned them with what Mackey terms “aggressive” assertions of copyright, although Peter was already in the public domain. (In the UK, copyright protection lapsed but was then extended until 2013 when the European Union “harmonized” copyright law.) Warne seized on its “re-originated” illustrations to declare itself “owner of all rights, copyrights and trademarks in the Beatrix Potter character names and illustrations,” going so far as to attach a “tm” to the scampering Peter on the cover. Back in 1979, the publisher had sued a competitor, claiming trademark rights to eight images from Potter’s books that, it argued, were identified in the public mind with Warne alone. The case was settled out of court, but Viva R. Moffat, a legal scholar who teaches at the University of Denver, has called Warne’s claims (in a paper on “Mutant Copyrights”) a “stretch.” Warne has applied for trademarks in the US, and in the EU for every imaginable Peter Rabbit–related item that might feasibly be sold, from “books and texts in all media” to “toilet seat covers” and “meat extracts.” Moffat assails the practice of forcing trademarks to pinch-hit for lapsed copyright, while another legal expert, Jason Mazzone (who teaches intellectual property law at Brooklyn Law School), defines the placement of misleading warnings on public domain works as “copyfraud” in his book by the same name. Warne’s zealous pursuit of its rights has not deterred it from crass acts of its own. In 1987, the same year it published its painstakingly remade edition, the firm allowed Ladybird Books, a purveyor of cheap paperbacks owned by the parent company, Pearson, to market The Tale of Peter Rabbit with bowdlerized text, eliminating Potter’s dry wit, dispensing with the pie made of Peter’s father (Mrs. Rabbit instead explains that Mr. McGregor just “doesn’t like rabbits”), and replacing Potter’s illustrations with photos of stuffed animals. Warne was excoriated in The Times of London, which condemned the new edition as “Hamlet without the ghost, Othello without the handkerchief.” Undaunted, a few years later Warne took out an advertisement in The Bookseller — “Peter Rabbit Packs a Powerful Punch” — threatening those who wandered into its garden with “expensive legal action” One last question: why do so many Japanese tourists visit Potter's Lakeland cottage? According to the man from the Cumbrian tourist board interviewed on Radio 5 earlier this week, it is because Japanese children use her books to learn English. I love the idea of a nation mislearning another through such a distorting lens. To the people of Japan, I say this: your delightfully outré Edwardian syntax will do you no good in modern Britain, nor will your bizarre Potterian ideas about our dress codes and ethical views http://mentalfloss.com/article/75173/9-facts-about-peter-rabbit https://www.peterrabbit.com/about-beatrix-potter/ http://www.hbook.com/2013/05/choosing-books/horn-book-magazine/peter-rabbit-and-the-tale-of-a-fierce-bad-publisher/ http://www.lettersofnote.com/2012/04/tale-of-peter-rabbit.html https://www.biography.com/people/beatrix-potter-9445208 https://www.theguardian.com/books/2006/dec/07/booksforchildrenandteenagers http://www.newhistorian.com/peter-rabbit-returns-for-potters-150th-birthday/5869/ https://en.wikipedia.org/wiki/Peter_Rabbit_(film)   © Copyrighted

"A goofy nerd with elegant style and confidence… is that a real thing? Don’t let the jokes and laughter distract you, one minute talking with Grant McNamara about fashion and style is all it takes to see how passionate and talented he is. As one of Chicago’s top stylist for both men and women, he doesn’t see any client as a challenge, just an opportunity to have fun. Now, Grant is beginning to design his own line, G ALXNDR. Not having any formal background in fashion, he went from the consulting and corporate world to being named one of Chicago’s most stylish men in just a couple years. What does he attribute it to? His Ma making him iron his clothes when he was younger. That, caring, and telling his personal story through style and living happy. It might help that he won a nationwide model search contest and has been seen in numerous publications and videos, including a cover of Chicago Style Weddings magazine, the face of LYFE Kitchen ads, and the face of a local custom clothing company."

Todd Finley East Carolina University Todd Finley, PhD, is tenured professor of English Education at East Carolina University. He has taught elementary and 8-12th grade English and co-developed the Tar River Writing Project. His BA in Elementary Education and Secondary English was earned at the University of Puget Sound. His MA in English and PhD in C&I were earned at the University of Minnesota. Dr. Finley teaches, researches, works with schools and publishes in the field of composition, curriculum, instruction, technology, and collaboration. Todd's Edutopia blog posts Todd's Twitter      In this episode you will learn: Where he's traveled and taught in his teaching career What helped him write his dissertation for his PhD How to submit to the work of a teacher Why he struggled his first year of teaching How to understand your students and connect with them Why his pre-service teachers make home visits What he means when he says there are no shortcuts in education How the first 60 seconds matter when working with an audience What students respond to in the classroom Why teaching is harder than you think How naming emotions can improve your classroom atmosphere Why social and emotional learning deserves as much attention as rigor What it takes to improve student writing                                        The post #48 Submit to the Work: Todd Finley appeared first on Talks with Teachers.

David Robert Loy is a professor, writer, and Zen teacher in the Sanbo Kyodan tradition of Japanese Zen Buddhism. He is a prolific author, whose essays and books have been translated into many languages. His articles appear regularly in the pages of major journals such as Tikkun and Buddhist magazines including Tricycle, Turning Wheel, Shambhala Sun and Buddhadharma, as well as in a variety of scholarly journals. Many of his writings, as well as audio and video talks and interviews, are available on the web. He is on the editorial or advisory boards of the journals Cultural Dynamics, Worldviews, Contemporary Buddhism, Journal of Transpersonal Psychology, and World Fellowship of Buddhists Review. He is also on the advisory boards of Buddhist Global Relief, the Clear View Project, Zen Peacemakers, and the Ernest Becker Foundation. David lectures nationally and internationally on various topics, focusing primarily on the encounter between Buddhism and modernity: what each can learn from the other. He is especially concerned about social and ecological issues. A popular recent lecture is “Healing Ecology: A Buddhist Perspective on the Eco-crisis”, which argues that there is an important parallel between what Buddhism says about our personal predicament and our collective predicament today in relation to the rest of the biosphere. Presently he is offering workshops on “Transforming Self, Transforming Society” and on his most recent book, The World Is Made of Stories. He also leads meditation retreats. (To find out about forthcoming lectures, workshops and retreats, please see the Schedule page.) Loy is a professor of Buddhist and comparative philosophy. His BA is from Carleton College in Northfield, Minnesota, and he studied analytic philosophy at King’s College, University of London. His MA is from the University of Hawaii in Honolulu and his PhD is from the National University of Singapore. His dissertation was published by Yale University Press as Nonduality: A Study in Comparative Philosophy. He was senior tutor in the Philosophy Department of Singapore University (later the National University of Singapore) from 1978 to 1984. From 1990 until 2005 he was a professor in the Faculty of International Studies, Bunkyo University, Chigasaki, Japan. In January 2006 he became the Besl Family Chair Professor of Ethics/Religion and Society with Xavier University in Cincinnati, Ohio, a visiting position that ended in September 2010. In April 2007 David Loy was visiting scholar at the University of Cape Town, South Africa. From January to August 2009 he was a research scholar with the Institute for Advanced Study, the Hebrew University, Jerusalem. From September through December 2012 he was in residence at Naropa University in Boulder, Colorado, with a Lenz Fellowship. David is married to Linda Goodhew, a professor of English literature and language (and co-author of The Dharma of Dragons and Daemons). They have a son, Mark Loy Goodhew. An artist and healer by nature, Igor has been sharing his revelations into the essence of Being since 2002. His approach, in the form of intimate gatherings, silent transmissions, and private correspondence, is based on spontaneous and intuitive insight which allows him to empathize with the uniqueness of each individual conditioning. Igor Kufayev was born in Tashkent, Uzbekistan. In his childhood, he had many episodes associated with awakening. At the age of thirty-six, Igor underwent a radical transformation of consciousness which subsequently blossomed into spontaneous unfoldment of Grace. Website: igorkufayev.com YouTube Channel: Flowing Wakefulness Wikipedia Page Other BatGap events with Igor: Igor Kufayev with Jac O’Keeffe, and Francis Bennett Igor Kufayev, in Panel Discussion with John Hagelin and Mark McCooey Igor Kufayev, in Panel Discussion on Kashmir Shaivism Interview recorded 10/28/2012. Video and audio below.