Podcasts about Knife

In part two of our conversation with Dr. Sarah and Heather Knife Chief, we discuss informed consent, alternative approaches to health, natural remedies, and ancient wisdom. We also get into fasting, toxins, and why simpler is sometimes better when it comes to treatments. Give it a listen, it's a good one. #wolfband #pawnee #NativeAmerican #nativemedicine ##medicineman #hallucinogen 

Mac the Knife, terror of the London criminal underworld, is a character paradoxically best known to many as the subject of the upbeat, bubbly eponymous 1955, 1959, and 1960 hit single.  However, his fictional roots go much deeper, to a nearly 300-year old opera called The Beggar's Opera.  From here, Mac's trail led to 1928's The Threepenny Opera, by Bertolt Brecht and Kurt Weill, that is the subject of today's episode.  Join Pat and guest Maria Coulter for a conversation about this opera, which is as atypical as it was popular. A classically trained soprano, Maria is able to provide special insights, having performed the role of Lucy Brown in 2022.

Today's NBA Straya digs into the Weekend's games including two awesome #NBACup semi finals with Jalen Brunson looking like an MVP candidate and Victor Wembanyama returning with a SPLASH. Plus, all the other news and results from the NBA weekend! We break down and wrap up all the games from the weekend – including those two NBA Cup semis – today in the NBA Straya Game Wraps and give out some DAILY NBA AWARDS: That's Not a Knife, Old Mate Not Mates, Spud of the Night and Better Than Lonzo Ball.  Also, YEAH NAHs, Unpopular Opinion of the Day and OUTBACK TAKEHOUSE where we're serving up a flame-grilled take. There's an ANDREW GAZE GREY MAMBA Award to give out too. Plus a pick & preview for ALL the NBA games on Monday December 15.Plenty to cover & talk about, strap in, lean back & enjoy! … and remember to rate, review & subscribe! Cheers legends, and thanks for tuning in to the best NBA podcast in the world!!Onyas...  Love ya guts ledges!!

In this episode of The Knife Junkie Podcast, Bob "The Knife Junkie" DeMarco sits down with custom knife maker and designer Calvin Richardson. Calvin is the creative mind behind the Steadfast, a popular design produced by Work Tuff Gear. They talk about how this blade updates the classic combat utility knife for modern users and discuss the release of the new Steadfast Large model.Calvin explains his old-school approach to design, revealing that he doesn't use computers but draws everything by hand with pencil and paper. He shares his "radius rule" and focuses heavily on how a handle feels so that you will actually want to keep using the knife. He also describes the "meditative flow state" he gets into when grinding and shaping his custom pieces.Later in the show, the conversation turns to the specific steels Calvin prefers for his handmade custom knives, like Nitro-V and CPM-154. He explains why he prefers making fighting knives over kitchen knives and gives a preview of upcoming projects inspired by military history, including his take on the MacV SOG Bowie and the Mark 3 Fighting Knife.Guest Links:Instagram: @calvinrichardson.1981Facebook: Calvin Richardson CustomShow Links & Sponsors:Support the Show on Patreon: theknifejunkie.com/patreonBattlBox: theknifejunkie.com/battlboxLaunch Cart: theknifejunkie.com/launchWatch on YouTube: theknifejunkie.com/youtubeWebsite: theknifejunkie.comBe sure to support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details. You can also support The Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives.Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review Behind the Knife in Español - repaso para el examen de certificación en cirugía general: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general

Today's NBA Straya picks our All-Star Teams for so far this season –  who makes it in the East & West… and WHY are we still breaking it up into East & West!?!? –  then digs into the WEEK 8 NBA POWER RANKINGS! Plus NBA trade chatter and the #NBACup semi-final previews for Knicks vs Magic and Spurs vs Thunder!  We also break down and wrap up all the games from today in the NBA Straya Game Wraps and give out some DAILY NBA AWARDS: That's Not a Knife, Old Mate Not Mates, Spud of the Night and Better Than Lonzo Ball.  Also, YEAH NAHs, Unpopular Opinion of the Day and OUTBACK TAKEHOUSE where we're serving up a flame-grilled take. There's an ANDREW GAZE GREY MAMBA Award to give out too. Plus a pick & preview for ALL the NBA games over the weekend, including those NBA Cup semis! Plenty to cover & talk about, strap in, lean back & enjoy! … and remember to rate, review & subscribe! Cheers legends, and thanks for tuning in to the best NBA podcast in the world!!Onyas...  Love ya guts ledges!!

Welcome back, friends! In this episode we finalise what I feel is the setup for Knife of Dreams and we are poised for action!Elayne is under siege, literally and figuratively. She is swamped with responsibilities while being completely molly coddled. And then her sister has to leave!At least Aviendha has figured out a cool new skill, but she leaves for Arad Doman with the rest of the Aiel in Andor.And Elayne has a new pet cut-purse.Then we check in with Rand who is still on the estate in Tear surrounded by friends, followers and enemies.Let us know what you thought using the links below:X - @BloodAndAshPodBluesky - @bloodandashes.bsky.socialEmail - moritz@bloodandashespodcast.comYouTube - Blood and AshesFacebook - BloodAndAshesPodcastWeb - www.bloodandashespodcast.com (Now with voicemail capabilities!)Discord - Blood and Ashes (If the link doesn't work, drop me a message and I'll email you a fresh one)Merch - Blood and Ashes Merch! (If you send in some good ideas, we'll use them too!)Enjoy!Mo, Willie and Jody

Audience favorite Dr. Sarah Knife Chief returned for the latest episode, bringing her sister Heather with her. In a wide ranging conversation, we discussed the Outsiders, native healing, the need to be close to our food, speaking to our water, and why mosquitos might serve a purpose. Give it a listen, it's a good one.  #nativeamerican #nativehealing #pawnee #wolfband #NaturalHealing 

Morse code transcription: vvv vvv Humans cuddle up to meerkats in the monogamy rankings US could ask tourists for five year social media history before entry Kate Winslet says her family never, ever watch The Holiday Teaching assistant told Newport pupils he had killed 250 people as a sniper Supercars removed from outside Mayfair hotel after complaints How long Britain could really fight for if war broke out tomorrow Madeleine McCanns father calls for more scrutiny of press Sperm from donor with cancer causing gene was used to conceive almost 200 children My dad abused 130 boys learning the truth was horrifying Knife threats and racial abuse all in a days work, say bus drivers

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Not even a wisper of collision penetrates explicitly this inclusion; Segmented and represented this disarray of miserable approval, And, abject, Or i object, I guess To that which is to say Today is in between the ordinary and disarray, To make arrangements; A solemn display of effect and intent of regression, And yet without all clear disrespect to port or establishment; Still here are there words and where there was love, no more— none for her but then around, within arousal stands as that, to which has since been lost, If not to time, another concept thus by force unknown, to with and withstand habitat for circumstantial evidence of coincidence, But yet arbitrary and then dismayed for short or arc, There this, no more her words for flower, more of words to thus embark. Still time, Very well, my breath, for I have opened a foreign chapter— Then with the way you say, you wore our out, In time you are uncovered for her drugs and left to smuggle over-under— Therefore when that said time has come, you know to form the drift to wait, And yet lack still this patience I have tamed you many acres since the ancients fell upon there ails; There pitting since sunk and crucial to this, and our time is not lost nor won, disheveled making prayers for sense and dollar signs; No have no more barren chest and thought of songs, much less a found the words for songs as though my love has crept upon the rock, That dusk and dawn, the ocean licks with parched tongue. Scare her dry and feast and fragile and evidence remained as these as words and thoughts, The truths would tell the tale for every way. With each drift scattered mark, upon those boats with sails above known not as white but also many colors of the brethren cut from clothes of all apart and none of one, for this, her maritime. {Enter The Multiverse} I opened right to Debbie downer; I got medicine for your habit (I got the remedy in the form of a secret, But the misery is in keeping it) I got a kind heart, I did some mai tai, Should have learned some thai chi As if I took some matcha Or chai tea Caffeine Adrenaline I got a kind heart Adderall instead of Ritalin Entry level access Salary yellow fashion, Intercept, invest Inception, redirect Service elevator, eh; She don't live here no more But where she is? Couldn't tell you. What's the story On a ten star war. No more Harvard, Purple hearted general, General admission to a festival? Just miss me that that bullshit. For your pleasure, Every crevice just has pressure in it— Now I get it I hypnotized myself, I guess The ribbon Blue belt I should be cleaning instead of half sleeping; I keep explaining myself thinking somebody can hear me When they obviously can't. I've been screaming silently for seven seconds, Several years I think on other planets Pull your hair back in a bun And then you'll learn, I guess I passed out cold upon the stand That was the plan, I guess Much slower to close than to open, Although, I know I pop-button broke the code before But still no low moral summoning (Sorry, product) Still no low road or mud throwing No more home She's 32 and 3 months older But looks much longer And harder, tired Must have body or Motive Must have body Or bad intentions Take a man, and write a book about it Take a man, and write a book about it I call that a thirst trap I call that a thirst trap. She must no longer Prim and proper But the work is never over, Show us all the roots, and know the knowledge But don't talk or comment on it I was “almost” once And I was honest twice Three times, you're a liar Mister, honor, pleasure, Fisher wife And never leather, Tipping tethered, Tied to rock and kite And lock and key For here and there Forbearance, rather Here for never ever after Amen and then some L E G E N D S I told you Jimmy Fallon was a Skrillex. I know. What's worse: Skrillex is a Jimmy Fallon. Oh, that is worse. yO iT iS pRoGrEsSiVeLy WOrSE: Is this what you wanted? The awful destruction of constructs— Click, boom— Knife, gun, Add an axe, Bind the axel, Excellent, Put the prejudice inside your head ahead (We brought it back) Put the Edipus complex To this effect Upon a platter Silver as the gun at stake, And raise the hand that shouldn't matter After that? You won. Four tries; Six goons, Four Gods, One white ther I have Two white coats and misters, hot coals Dark fires, have ones, Six mazes, one center On your mark “The Dark Forest” Ugh I hate this one, Get set Don't forget, we all died here. We all crisis, We all Christ. Goosebumps, right? Gimmie that kite! You dumb son of a bitch! GO! Check it out! I look like Kim Kardashian. But you smell like Kim Chi. Yooo that joke took me like 2 months to write down! I know huh! [The Festival Project ™] I looked for something on Hulu to watch for so long that I almost ate my entire dinner without clicking on something. Finally, I find something that interests me, which is just a graphic of a television set and some color palette by now that is somewhat of a calling card for me. So I get there, And it is of interests, And yet of course the unexplainable anomaly of this, is that, no matter how far I try to run l He just keeps coming back. ‘Like this is crazy.' I never found myself agreeing with Louis C.K. about anything at all, and personally and particularly, I never found him funny, until, that was the sudden realization that the same array of betrayal, anger, and agony fueled by rage and jealousy had taken over he and I and many others probably, when introduced to the possibility of having to share the same reality with a head of hair and a face like that. I might have mustered a “my sentiments exactly” though silently before taking in to my own wonder and amazement that twice in one week, besides skipping over the algorithmic traps in my sidebar which I treated like little land mines or time bombs, but mostly allotted to my own Internet history of my uninhabited viewing, as it seemed I'd been most preoccupied in rerouting this energy into a fascination with TV programming, giving me the satiety for the comfort and familiarity in something; and I was with some some kind of certainty I knew alluded to the old adage of mother knowing everything. Even if everything hadn't happened yet, actually, or maybe it had. This strange sort of desire however was some sort of weakness, with the ability to have a fixation for a desire without any way of actually getting it. As she used to say. “Having champagne taste, but beer money.” [so I avoid it because it makes me angry.] Sometimes even, tearfully angry, and it made me feel so uncontrollably adolescent that I would have equated it to the hysteria of beetlemania; screaming and clawing and aching and chasing for this being that was so notably out of reach. Worse off, I'd realized in this running from what seemed was chasing me was how common I was in this feeling, [] To my demise. In this sense, the safety of this entire being and any alike, was that I could seek logic in my jealousy by rationalizing not attaching to a certain subject sexually or otherwise. But this basis in the contempt of familiarity was really rather irritating, in that it seemed as simple as having an awareness of this seeing all the time, to the point that I became a subconscious aching for [something], blossoming into the actual conscious awareness out of the repressive need for something I no longer had and always wanted: [The Festival Project ™] And for for this, I considered it a sort of sickness that I couldn't seem to tear away from it, but also something that had happened very naturally, and now had unearthed an entire cavern of secrets I could be found no where writing or even very rarely thinking them. Thoughts or ideas worth protecting and the kind of code that goes about saying nothing, looking the other way, keeping your mouth shut and hiding or guarding with your life. But media, or the eye that seems to see all lately had been poking at it, maybe because I wasn't. Maybe because I spent an hour at a time four day a week with [a less than separate set of characters] —or big brother, if you will, in a safe and respectable distance and admiration [] Where I could at a certain pace study this sort of programming without anything having to be reflective of the life I wasn't living— the sex I wasn't having. Watching the ABC version of late night programming was allowing me to focus on the other things I needed— being very skinny, and crossing one leg over the other and sitting pretty; while also showing me another side of a suit and tie that was interesting— The ability to be invisible, and also say many things without talking, for anyone paying attention to the complex series of things very often overlooked by a normal onlooker or audience, Which I was, and wasn't— because I was looking for something. The mind boggling thing to me was, by watching, I was actually finding it. [The Festival Project ™] —Death of a Superstar DJ As Seen on TV The Television People “Puzzle Pieces” I don't want anything I don't want anyone Conflated circumstance Oh, it was was just a nut— Got it and now it's gone Pulled it all off at the thought It was Thunderous But now I got it together I don't want anyone Especially not a poor boy No I'm not alone, boy I got my kitty Pet the cat and love my pussy, So it's really not a mystery I don't need him, or anybody really Miss me with that shit That's a pretty promise and a big redaction Deadass I stepped into my ballet shoe And onto shards of glass I guess that's on pointe But off topic Co-ed saunabody shopping I show up at Equinox But only when I want (On proxy) I protect my heart (On God) I don't want nobody really. One one-off on Wall Street, brother Don't bother calling back Don't got my number, Not a problem Not my name Or my address Cause if you did You'd be depressed like I am. Now we're getting dressed You take a cab I take the train Just another day of training But my life. Is steady draining There's no use in even explaining myself I guess I'm selfish Like dental floss for Christmas Or shellfish for the kitty But for me just friuits and veggies You don't notice? I love nobody, Cause nobody could love me Now I'm over it Now I'm over it Now I'm over it But you know the cost I was nothing Now I want Nothing Nobody love me I don't want nobody, No I'm not sorry How they're swarming on my GPS location With these second rate bit glitches I stay sleeping in my kitch But I'll never rest, I guess Until theirs justice Said that. {Enter The Multiverse} Excerpt: The Television People (TVP) Season 4 © The Complex Collevtivd [The Festival Project, Inc. ™] All rights Reserved REGINALD Would you kill your prostitute for one million dollars? PATRICK Why would you ask me that? REGINALD That's an odd answer. I'd expect your response to be somewhere along the lines of denial of— ever having a prostitute. PATRICK I'm a talk show host. REGINALD Is that supposed to mean something? PATRICK There are certain societal assumptions. REGINALD Do you find yourself—befitting to any of those stereotypes? PATRICK I don't find myself “befitting” at all. REGINALD You know, local [charters of our office] — (But Patrick speaks quickly and with dominance to cut him off.) PATRICK Now that I know what you are— REGINALD You mean “who”? PATRICK I mean “what”; why make and owl's cry in response to a dog's bark? [a realization between the both of them is immidiately found; this sort of language has implied they are belonging to the same branch of THE EYE which acts above the law; it is a fair fight— and now they this phrase has been established, there are now rules written or unspoken which can be applied here.] REGINALD cocks his head and forces an awkward smirk. REGINALD Very well. I am quite the trouble maker; I am mischief, I am danger, I am Chaos, I am leveled I am honored, I am damned I am also coming making day of peace and hallowed are you; I am also coming waves of needing peace to which I bound to. So sparrow coming grace and peace and giving, Made and tied, Though had you not the ever presence or the record for the time, So then you too shall wander, mercilessly to and fro and all about, And here and there but never where my value has been gathered. So for that, the dust is set, And said and twisted, never making bread for peace And dead for death, and craving this, to set of force her Having made my honor there, and lying in the wit and willow, weathered veins and weathervane, And twisting wind of fate and fortune. So, my mind and tressure buried there for gains and white, her shadow Barren in the east, and in the west her mortuary; Seeking sane and crypt but tied and kept for thithered foust and fouling, Butter turned to brittle, May, September, Then another serpent— More to moulf and wept her slated dream for keeping broken bear in, There the wake had frozen into lake and also leather boxes, For what will of what I am and is her fare not wearing any; Though the mister winds of east and west had set her onward any. Lemons and limes, though— Taking my time, soured Never with water, sugar But chest without pride; There in the wake marked and marched o. Her army, Not to yawn or buyoer billow, Porridge feathered, Cream and none for part her hunger There though, then were the marks And the found of the wicked past; Ties there and fire would have her mark upon the dungeon throne, Weeping here though on the floor for flour Every hour passed as I, come creeping with the forest feathered, dimmed the basket having cut from tethered grass, I. And now we wait though them, here, The marshmellow and willow not having woken, Though Monday, for total control of her honor, Contorted. Then came, seeking guild and weight and force, The fear and wind though wish to pull apart the storm had gathered, fell apart itself, Though sit not back and then became as strong, a pebble which from dust became an avalanche at once, through windows past, I— Marked one forest, and one warm summer, And one forest, and good quilt, did slither, and then making in the forest, I, for did I run As yet to suffer also. Yo where the fuck am I going. Alright, airtight we want and something foraged from nothing in her name, And this the time that tells itself for life and health In other ways besides your own. Don't cough. For those who either suffering or lost know of your forces and so sure does come the rock that turned from stone in forests over, So you sure too shall come another, Poor and hurt but soon to suffer, Also. tisk- tisk The risk my friends is running wise, The coyotes running wild for find that lone and feathered friend, To which has flight with all the know that he, and friends are feasts of foe and so these might and waves of time are sure to grow into another. Right on. So I write on and then, the missed and uninformed becomes again the death I recommended. Ten till ten tales and also please give, and whistle whalfolks under our time which has lost mine and all others. So tempted there come gathered, weeping Feathers at her slaughtered as palms, Weight beyond the brow and below the belt to which that called her— Devil's mate and crater for the fate but fame at heart earned, casting shadows over which has lost its appetite, for now becalmed her hunger. Her hunger. Her hunger. REGINALD's tone changes entirely— if at first it may have been a playful game (and it wasn't) now it is serious— crucial, even. REGINALD Why did you do it? PATRICK I wouldn't do something like that… REGINALD —something like what? PATRICK realizes quickly he's been playing over in his mind that has not yet fully been realized on the surface of the conversation— it was an honest answer, but still implicit, and so in this moment of self awareness and realization, also of stunning showman and marksmanship, a certain light comes on as if the camera has been directed at him; his entire mask comes on at once, and no longer can the reminisce of an honest thought be detected. He has become a wall. PATRICK To follow up on your first question. Which was odd— REGINALD About killing your prostitute. (He means to intimidate, but PATRICK is a stone.) PATRICK You must not watch my show at all. REGINALD takes a moment to collect himself, with even just the slightest and temporary glimpse of fear in that he may have met his mental match, and has already lost the fight, also collecting his briefcase before he I told you no more trains. At the risk of sounding obnoxious, I've started ignoring all the voices in my head— Even though they're always right. fuck! REGINALD pauses, takes a deep breath while opening the door before looking back over his shoulder. REGINALD I must not. He walks out and immediately slams the door behind him. PATRICK, as if still in the eye of the camera remains calm, although, just the glimmer of fire in his eyes reflect the battle has yet been won. But as we all know by now, He will win the fight. The television people, season four I can't stand these fuckin hoes; Two days off in your hole Offers you a whole new perspective Of your own God complex; You're better off alone, Dead, Or on prescription medicines For all those thoughts in your head Like the bullet holes left from the gun That is poor and alone And just not having money. Confidence lost with a look, And you're sure you just should have gone come But the court office closes its doors at 4:30 And you've been done wrong Four long lost lovers over, It not about that, but motorcycles It's not about reps, It's about cycles I'm one our Peloton down And a whole world to go While you morons just on and on Won't stop talking Here's to disturbing your peace at the equinox And anywhere else you rest your rotten core, You dirty who're— What's it costs for love? Not a whole lot, Don't you see that I'm struggled in Brooklyn? Fuck this whole raw sewage garbage bucket If I gargle hard enough I'll just throw up But you push all the bottles and straws to the end of the curb And the colored sand blacks to the outskirts So we work harder It's a ocean of no But you know not what it does not to know me So below your own suffering goes the call of the crow just before dawn Mx To drop out Cool I don't want to be here I just want a surfboard Apparently it's your year But I'd slit my wrists for Harvard Yeah, it is— that kind of hurt Yes, it is that kind of pain The corvette stole your very favorite colors And your name That sort of wickedness, Just before it ends The candles flickers and the winter's coming in atop the l marble kitchen counters All right, all yours Patched up, or in the poorhouse Compliments to the chef, of course, compliments to the chef. Gotta go to the court house Of course cause I'm black So it's automatically implied I just don't work hard enough Or just ain't made the cut My momma was a dancer, not an athlete My momma made me fat and now I can't do that either If I'm the other black girl In a room full of white men I automatically become “The ugly one” So then I'm off. What's the point of coming here? A black book? A black box? Try to run me off out of the equinox on Walter Well done. I should not have wrote about it Lil bitz My son accused me of being in the Illuminati. He's 9. How do you even respond to that? I love my son, He's like really, really… fat. It's okay— I kinda like it; he's fat, I used to be fat; So we talk about fat people shit. Like McDonald's. And ham. lol This lady on the subway leaned on my hand on the pole. And I mean like really leaned into it, With her whole body weight. I just came from the gym, I been up all night, And she like— Leaned. Like, you know I didn't say shit, I just let it happen, But inside I'm like, WHY ARE YOU TOUCHHING MEEEEEEEEE?!!?!? WHY ARE YOU TOUCHING ME?! This train is not full. I don't think you understand. I just came out the steam room. I am the equivalent of fresh and pressed. Then she's just gon Leeeean. FUCK THAT. STOP TOUCHING MEEEEE. but like irl I'm just standing there like, No protest. Inside: NOOOOOOOOOOOOO!! STOP IT! Outside: [nothing] Chroma111. Copyright © The Complex Collective 2025 The Festival Project, Inc. ™ All rights reserved. Chroma111. Copyright © The Complex Collective 2025. [The Festival Project, Inc. ™] All rights reserved. UNAUTHORIZED REPRODUCTION OR DISTRIBUTION IS STRICTLY PROHIBITED BY LAW. INFRIGMENT IS PUNSHABLE BY FEDERAL LAW

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review Behind the Knife in Español - repaso para el examen de certificación en cirugía general: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general

Russ Bierke joins us to go deep on his mind melting new film, Inner Mechanics. See omnystudio.com/listener for privacy information.

This episode is presented by Create A Video – The criminal illegal alien who stabbed a man on Charlotte's light rail train last week was cited for carrying a knife at a train station back in October. He was given a citation and released. Subscribe to the podcast at: https://ThePetePod.com/ All the links to Pete's Prep are free: https://patreon.com/petekalinershow Media Bias Check: GroundNews promo code! Advertising and Booking inquiries: Pete@ThePeteKalinerShow.com Get exclusive content here!: https://thepetekalinershow.com/See omnystudio.com/listener for privacy information.

What makes a production folder a modern classic? In Episode 646 of The Knife Junkie Podcast, host Bob DeMarco shares his personal list of 10 modern classic production folders that changed the knife industry.These are not custom pieces or vintage collectibles. These are factory-made knives you can buy today. They are designs that set new standards, influenced other makers, and earned their place in knife history through proven performance and lasting popularity. From tactical workhorses to refined gentleman folders, each knife on this list made an impact that still echoes through the knife world today.Bob opens with a pocket check featuring four very different folders: the Kansept Deadite, Jack Wolf Knives Little Bro, Hogtooth NoVA-2, and Cold Steel Vaquero XL.The Knife Life News segment covers a new Civivi hobo knife, the Buck 117 Mini, and a collaboration between Melissa Backwoods and Jack Wolf Knives.The First Tool explores the legendary KA-BAR combat knife, while State of the Collection features a Wild Turkey Western Bowie.Then comes the main event: Bob's list of 10 modern classic folders. The list includes the Buck 110, Chris Reeve Knives Sebenza, Emerson Commander, Microtech SOCOM Elite, Spyderco Paramilitary 2, Hinderer XM-18, Cold Steel Recon 1, Benchmade Bugout, Zero Tolerance 0640, and Spartan Harsey Folder. Bob explains what each knife brought to the market, why it influenced other makers, and how it earned its place as a modern classic.Whether you are new to knives or a longtime collector, this episode offers a guide to the production folders that shaped the modern knife industry. Listen to learn why these 10 knives became classics and what makes them worth owning today.Find the list of all the knives shown in the show and links to the Knife Life news stories at https://theknifejunkie.com/646.Support the Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives. You can also support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

Use code emily at the link below to get an exclusive 60% off an annual Incogni plan: https://incogni.com/emily  Thanks to Incogni for sponsoring this video. Watch the full coverage of the live stream on The Emily D. Baker YouTube channel: https://youtu.be/Fq8DmRShojk  Day 6 of the Brian Walshe Trial happened on December 8, 2025. It brought forward crucial scientific and circumstantial evidence. In this Case Brief, we break down the shocking testimony that covered the Medical Examiner's testimony on preserved evidence—including blood-soaked hair, tissue, and carpet pieces—despite Ana Walshe's body never being recovered. Plus, the debate over a recovered Gucci necklace toggle. Witness testimony from Ana Walshe's HR Director details her call with a "polite and calm" Brian Walshe after Ana was reported missing, and the crucial clue found outside her DC residence: a wet Nespresso delivery box. We break down the timeline of Brian Walshe's frantic purchases at Lowe's, including the hacksaw, buckets, and cleaning supplies, and his attempts to evade surveillance cameras. The defense focuses on the lack of blood evidence found in the master bedroom subfloor and the "natural causes" argument, while the prosecution highlights Brian Walshe's Google searches on cleaning blood from a knife and the timing of his Band-Aid purchase. Was it a sudden death followed by a panic, or a premeditated murder? We discuss the jury's key task: deciding on the First-Degree Murder charge. RESOURCES Brian Walshe Case Overview - https://youtu.be/VbbXdPf4aXY  MA v Brian Walshe Trial Playlist - https://www.youtube.com/playlist?list=PLsbUyvZas7gK0wNHtj-4Xm0KF84vD6VIW  Brian Walshe Trial Daily Case Brief Playlist - https://www.youtube.com/playlist?list=PLFdNnRZUqH63SQSsTnj7ofHMBjdhgSEfKBrian Walshe's Mother Sued - https://youtu.be/ie7Lv1BTNFg Learn more about your ad choices. Visit podcastchoices.com/adchoices

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review

Doctor stories are always insane, yet I still want prepared for stories from the Emergency Room… my jaw was on the floor! A huge thanks to my new friend who made me laugh, made me cry, and educated me thoroughly on medical facts! Dr. J Mack is such a gem of a human being, his patients are so incredibly lucky to have them as their provider. Shop the SKIMS Fits Everybody collection at https://www.skims.com/rebecca Follow Rebecca: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rrogersworld⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To watch the podcast on YouTube:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/RebeccaRogersYouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to subscribe to the podcast for free wherever you're listening or by using this link:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/WouldYouBelievePodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend:  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/WouldYouBelievePodcast⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

We discuss the latest from the Championship, where Partick Thistle and St Johnstone remain tied at the top and Leagues One and Two, with Andy Burke, Craig Telfer and Ryan Flynn.

In this episode of Behind the Knife, the minimally invasive surgery (MIS) team dives deep into the evolving field of common bile duct exploration (CBDE). From the historical context of laparoscopic approaches to the latest advances including robotic-assisted techniques, Drs. Shaina Eckhouse, James Jung, Zachary Weitzner, and Joey Lew discuss key evidence shaping modern practice. Listeners will learn about indications and anatomy guiding trans-cystic versus trans-choledochal approaches, practical tips for safe stone clearance, and critical considerations around learning curves and team coordination for robotic procedures. The episode also highlights important studies comparing single-stage laparoscopic CBDE with staged ERCP and cholecystectomy, emphasizing outcomes such as stone clearance, pancreatitis rates, and hospital length of stay. This comprehensive overview is a must-listen for MIS and acute care surgeons interested in optimizing the management of choledocholithiasis and streamlining patient care with minimally invasive techniques. Hosts:  - Shaina Eckhouse, MD, Bariatric Surgery Medical Director and Vice Chair of Clinical Operations, Department of Surgery, Duke University - James Jung, MD, PhD, Assistant Professor of Surgery, Duke University - Zachary Weitzner, MD, Minimally Invasive and Bariatric Surgery Fellow, Duke University, @ZachWeitznerMD - Joey Lew, MD, MFA, Surgical resident PGY-3, Duke University, @lew__actually Learning Goals:  By the end of this episode, listeners will be able to: -  Describe the historical approaches to managing choledocholithiasis, including staged interventions and the evolution toward single-stage laparoscopic common bile duct exploration (CBDE). -  Summarize key clinical evidence comparing CBDE and ERCP, including landmark studies and meta-analyses evaluating outcomes, complications, and trends over time.​ - Distinguish between transcystic and transcholedochal approaches to CBDE, explaining indications, contraindications, and technical nuances for each technique.​ -  Identify appropriate candidates for transcystic exploration based on cystic duct anatomy and stone characteristics.​ - Recognize the impact of newer surgical technologies—such as digital choledochoscopy, Spyglass, and robotic platforms—on CBDE practice, efficiency, and safety.​ - Discuss the importance of multidisciplinary teamwork, preparation, and perioperative planning for successful CBDE, particularly in complex or altered anatomy cases.​​ - Appraise the learning curve and quality of evidence for new CBDE procedures, outlining the need for mentorship, ongoing training, and knowing when to collaborate with GI or hepatopancreaticobiliary (HPB) surgery.​ - Outline approaches and bailout strategies for challenging cases, including patients with surgically altered anatomy and use of adjuncts such as intraoperative cholangiography (IOC), feeding tube placement, and Fanelli stents.​​ - Evaluate safety outcomes and limitations associated with robotic-assisted CBDE and single-stage management, incorporating recent data from population-based studies.​ -  Reflect on strategies for tailoring CBDE techniques to individual patient anatomy, surgeon experience, and available resources, advocating for evidence-based practice and continuous learning. References: -  Giurgiu DI, Margulies DR, Carroll BJ, et al. Laparoscopic Common Bile Duct Exploration: Long-term Outcome. Arch Surg. 1999;134(8):839-844. doi:10.1001/archsurg.134.8.839 https://pubmed.ncbi.nlm.nih.gov/10443806/ -  Lyu Y, Cheng Y, Li T, Cheng B, Jin X. Laparoscopic common bile duct exploration plus cholecystectomy versus endoscopic retrograde cholangiopancreatography plus laparoscopic cholecystectomy for cholecystocholedocholithiasis: a meta-analysis. Surg Endosc. 2019;33(10):3275-3286. doi:10.1007/s00464-018-06613-w https://pubmed.ncbi.nlm.nih.gov/30511313/ - Bekheit M, Smith R, Ramsay G, Soggiu F, Ghazanfar M, Ahmed I. Meta‐analysis of laparoscopic transcystic versus transcholedochal common bile duct exploration for choledocholithiasis. BJS Open. 2019;3(3):242-251. doi:10.1002/bjs5.50132 https://pubmed.ncbi.nlm.nih.gov/31183439/ - Cironi K, Martin MJ. Reclaim the duct! Laparoscopic common bile duct exploration for the acute care surgeon. Trauma Surg Acute Care Open. 2025;10(Suppl 1). doi:10.1136/tsaco-2025-001821 https://pubmed.ncbi.nlm.nih.gov/40255986/ - Zhang C, Cheung DC, Johnson E, et al. Robotic Common Bile Duct Exploration for Choledocholithiasis. JSLS J Soc Laparosc Robot Surg. 2025;29(1):e2024.00075. doi:10.4293/JSLS.2024.00075 https://pubmed.ncbi.nlm.nih.gov/40144383/ - Kalata S, Thumma JR, Norton EC, Dimick JB, Sheetz KH. Comparative Safety of Robotic-Assisted vs Laparoscopic Cholecystectomy. JAMA Surg. 2023;158(12):1303-1310. doi:10.1001/jamasurg.2023.4389 https://pubmed.ncbi.nlm.nih.gov/37728932/ Ad Disclosure: Visit goremedical.com/btkpod to learn more about GORE® SYNECOR Biomaterial, including supporting references and disclaimers for the presented content. Refer to Instructions for Use at eifu.goremedical.com for a complete description of all applicable indications, warnings, precautions and contraindications for the markets where this product is available. Rx only  Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review Download our App: Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

¡Envíanos tus comentarios por aquí!En este nuevo episodio, Alejandro Mejía AMC comparte su experiencia filmando In the Summers y The Knife.Alejandro habla del proceso, de las decisiones visuales y de cómo encontrar la sensibilidad justa para acompañar la historia.crew /colaboradores@alfredoaltamirano @adriandeleon @ricargorres @isabella_adulfo @andressaldanar @csilem#cinefotolatino #direcciondefotografiaPatrocinadores@arrilatinamerica @efdstudiosmx @cinesonica @band_pro@angenieuxlensesAlejandro Mejía AMC - CinefotolatinoGracias a nuestros patrocinadores :ARRIEFD STUDIOSBAND PRO - ANGENIEUX AMERICASSONYCINESONICACinefotolatino es contenido on demand producido por CINESONICARealización e idea original : Alfredo AltamiranoProducido por Andres Saldaña y Alfredo AltamiranoProducción en línea y Sonido : Isabel AdulfoCámara, Edición y Post producción : Adrian de León y Ricardo GómezPágina web y Redes Sociales : Milton Barrera Redacción de textos de Redes y páSupport the show

What happens when a knife reviewer gets tired of waiting for the perfect blade? He designs it himself. This week on The Knife Junkie Podcast, host Bob DeMarco talks with K.C. Spiron, the founder of Tempest Knives and host of the popular KnivesFAST YouTube channel. Spiron shares how reviewing hundreds of production folders taught him exactly what he wanted in an EDC knife and how that knowledge turned into a thriving knife company.The conversation covers how Spiron started KnivesFAST to create shorter, more focused knife reviews for people who did not have time for long-form content. But as he handled more knives, patterns emerged."As I saw more, it became clear to me what I really liked and what I did not like," Spiron explains. That led him to start designing knives that matched his ideal specifications, with a heavy focus on ergonomics and practical features like contoured handles and nested liner locks.Spiron also reveals a new collaboration with Kubey, which is producing a fixed-blade version of his popular Microburst design in 14C28N steel. He teases upcoming releases, including the Tornado model in mid-January.The episode also touches on the manufacturing debate, with Spiron explaining how his business model supports American workers and companies even while using overseas production facilities. Most importantly, he shares the pure joy of seeing his designs become real products that people carry every day.Visit the full show notes and links at https://www.theknifejunkie.com/645.Connect with K.C. Spiron and Tempest Knives at https://tempestknives.com, on Instagram at https://www.instagram.com/tempestknivesus, and subscribe to the KnivesFAST YouTube channel at https://www.youtube.com/@KnivesFAST. You can also follow KnivesFAST on Instagram at https://www.instagram.com/knivesfast.Be sure to support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details.You can also support The Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives.Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions.To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

Michael Wolff joins Joanna Coles to discuss a president oscillating between boredom and sudden, theatrical fury; a man who now demands ever-greater flattery from aides who are running out of new ways to praise him. Joanna presses into the Hegseth Venezuela debacle that Trump is suddenly trying to disown, the strange Kushner–Witkoff Moscow overture supposed to “solve” Ukraine, and the inner-circle panic over Trump's fixation with who is—and isn't—sufficiently servile. Along the way, they track the “moronocracy” shaping U.S. policy and ask: if flattery no longer works, what happens next? Hosted on Acast. See acast.com/privacy for more information.

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review

Knife work is the foundation of cooking, and most chefs never learn it correctly. In this episode of Chef's PSA, Andre Natera sits down with Don Smolik (Study The Blade) and knife maker Kolter Livengood to break down knife maintenance, sharpening technique, steel selection, blade geometry, stone care, and how to choose the right knife for your work.They cover personal stories from the kitchen, common mistakes, and the real method behind effective knife care. If you're a chef, line cook, or culinary student, this is essential listening.Links & ResourcesSubscribe on Substack → https://chefspsa.substack.com/Shop Chef's PSA Merch → https://shop.chefspsa.com/Visit Chef's PSA → https://chefspsa.com/Chef Works → https://www.chefworks.com/ — Code chefspsa20Study The Blade on Instagram → https://www.instagram.com/studytheblade/Kolter Livengood on Instagram→ https://www.instagram.com/livengood_grindhouse/

In this Thoracic Surgery episode of Behind the Knife we enjoy a conversation with world-renowned thoracic surgeon and educator, Dr. Stephen Yang, as he takes us through 30 years of experience divulging his personal tips, tricks, and pitfalls to avoid when tackling the technical nuances of mastering robotic segmentectomies. Hosts:  Dr. Stephen C. Yang, MD -  professor of surgery and medical oncology The Johns Hopkins Hospital Dr. Kyla D. Rakoczy, MD - PGY3 General Surgery Resident at The Johns Hopkins Hospital Learning Objectives: Understand the utility of segmentectomies for peripheral T1N0 non-small-cell-lung cancer  How to prepare for robotic segmentectomy using CT scans and 3D reconstructions  Learn where to place your ports and how to optimize intra-operative techniques to minimize complications after robotic segmentectomy  References: Kang MW. Evolution of Lung Cancer Surgery: Historical Milestones, Current Strategy, and Future Innovations. J Chest Surg. 2025 May 5;58(3):79-84. doi: 10.5090/jcs.25.025. Epub 2025 Apr 15. PMID: 40230346; PMCID: PMC12066400. https://pubmed.ncbi.nlm.nih.gov/40230346/ Ginsberg RJ, Rubinstein LV. Randomized trial of lobectomy versus limited resection for T1 N0 non-small cell lung cancer. Lung Cancer Study Group. Ann Thorac Surg. 1995 Sep;60(3):615-22; discussion 622-3. doi: 10.1016/0003-4975(95)00537-u. PMID: 7677489. https://pubmed.ncbi.nlm.nih.gov/7677489/ Pastorino U, Valente M, Bedini V, Infante M, Tavecchio L, Ravasi G. Limited resection for Stage I lung cancer. Eur J Surg Oncol. 1991 Feb;17(1):42-6. PMID: 1995356. https://pubmed.ncbi.nlm.nih.gov/1995356/ Liu L, Aokage K, Chen C, Chen C, Chen L, Kim YH, Lee CY, Liu C, Liu CC, Nishio W, Suzuki K, Tan L, Tseng YL, Yotsukura M, Watanabe SI. Asia expert consensus on segmentectomy in non-small cell lung cancer: A modified Delphi study. JTCVS Open. 2023 Apr 7;14:483-501. doi: 10.1016/j.xjon.2023.03.013. PMID: 37425437; PMCID: PMC10328970. https://pubmed.ncbi.nlm.nih.gov/37425437/ Galvez C, Bolufer S, Lirio F, Recuero JL, Córcoles JM, Socci L, Cabañero A, López I, Sánchez D, Figueroa S, Salcedo JG, Campo-Cañaveral JL, Genovés M, Hernando F, Moldes M, Blanco A, Azcarate L, Rivo E, Viti A, Mongil R. "Complex segmentectomies: Comparison with simple and effect of experience on postoperative outcomes". Eur J Surg Oncol. 2025 Jul;51(7):109748. doi: 10.1016/j.ejso.2025.109748. Epub 2025 Mar 5. PMID: 40064065. https://pubmed.ncbi.nlm.nih.gov/40064065/ Perroni G, Veronesi G. Robotic segmentectomy: indication and technique. J Thorac Dis. 2020 Jun;12(6):3404-3410. doi: 10.21037/jtd.2020.02.53. PMID: 32642266; PMCID: PMC7330783. https://pubmed.ncbi.nlm.nih.gov/32642266/ Montagne, F., Dhainaut, C., & Benhamed, L. M. (n.d.). Pre-operative 3D reconstruction—let's first anticipate the surgical procedure. Video-Assisted Thoracic Surgery. Retrieved November 13, 2025, from https://vats.amegroups.org/article/view/7889/html Shimizu K, Nakazawa S, Nagashima T, Kuwano H, Mogi A. 3D-CT anatomy for VATS segmentectomy. J Vis Surg. 2017 Jul 1;3:88. doi: 10.21037/jovs.2017.05.10. PMID: 29078650; PMCID: PMC5637987. https://pubmed.ncbi.nlm.nih.gov/29078650/ Zhang O, Alzul R, Carelli M, Melfi F, Tian D, Cao C. Complications of Robotic Video-Assisted Thoracoscopic Surgery Compared to Open Thoracotomy for Resectable Non-Small Cell Lung Cancer. J Pers Med. 2022 Aug 12;12(8):1311. doi: 10.3390/jpm12081311. PMID: 36013260; PMCID: PMC9410342. https://pubmed.ncbi.nlm.nih.gov/36013260/ Lee BE, Altorki N. Sub-Lobar Resection: The New Standard of Care for Early-Stage Lung Cancer. Cancers (Basel). 2023 May 25;15(11):2914. doi: 10.3390/cancers15112914. PMID: 37296877; PMCID: PMC10251869. https://pubmed.ncbi.nlm.nih.gov/37296877/ Zhang Y, Liu S, Han Y, Xiang J, Cerfolio RJ, Li H. Robotic Anatomical Segmentectomy: An Analysis of the Learning Curve. Ann Thorac Surg. 2019 May;107(5):1515-1522. doi: 10.1016/j.athoracsur.2018.11.041. Epub 2018 Dec 19. PMID: 30578780. https://pubmed.ncbi.nlm.nih.gov/30578780/ Peeters M, Jansen Y, Daemen JHT, van Roozendaal LM, De Leyn P, Hulsewé KWE, Vissers YLJ, de Loos ER. The use of intravenous indocyanine green in minimally invasive segmental lung resections: a systematic review. Transl Lung Cancer Res. 2024 Mar 29;13(3):612-622. doi: 10.21037/tlcr-23-807. Epub 2024 Mar 27. PMID: 38601441; PMCID: PMC11002498. https://pubmed.ncbi.nlm.nih.gov/38601441/ Altorki N, Wang X, Damman B, Mentlick J, Landreneau R, Wigle D, Jones DR, Conti M, Ashrafi AS, Liberman M, de Perrot M, Mitchell JD, Keenan R, Bauer T, Miller D, Stinchcombe TE. Lobectomy, segmentectomy, or wedge resection for peripheral clinical T1aN0 non-small cell lung cancer: A post hoc analysis of CALGB 140503 (Alliance). J Thorac Cardiovasc Surg. 2024 Jan;167(1):338-347.e1. doi: 10.1016/j.jtcvs.2023.07.008. Epub 2023 Jul 18. Erratum in: J Thorac Cardiovasc Surg. 2025 Apr;169(4):1181. doi: 10.1016/j.jtcvs.2024.12.011. PMID: 37473998; PMCID: PMC10794519. https://pubmed.ncbi.nlm.nih.gov/37473998/ Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   If you liked this episode, check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review Download our App: Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Android/Google Play: https://play.google.com/store/apps/details?id=com.btk.app&hl=en_US

This week, Zachary and Jeremi revisit the ongoing Russian invasion of Ukraine, discussing recent developments and potential diplomatic solutions. They are joined by Michael Kimmage, Professor of History at the Catholic University of America, who offers insights into the complex political landscape, the roles of Putin and Zelensky, and the intricate US-European alliance. Zachary begins the episode by reading "Knife", a poem by Ukrainian author, Lyuba Yakimchuk. Michael Kimmage is a professor of history at the Catholic University of America, and the director of the Kennan Institute. From 2014 to 2017, he served on the Secretary's Policy Planning Staff at the U.S. Department of State, where he held the Russia/Ukraine portfolio. His latest book is Collisions: The War in Ukraine and the Origins of the New Global Instability.

From throwing knives through a painting to surviving a grocery store parking lot accident, this week on The Jubal Show, the crew shares their wildest personal moments. Hear about pregnancy class mishaps, home decorating adventures with command strips, and corporate chaos that proves not everyone is cut out for leadership. You can find every podcast we have, including the full show every weekday right here…➡︎ https://thejubalshow.com/podcasts The Jubal Show is everywhere, and also these places: Website ➡︎ https://thejubalshow.com Instagram ➡︎ https://instagram.com/thejubalshow X/Twitter ➡︎ https://twitter.com/thejubalshow Tiktok ➡︎ https://www.tiktok.com/@the.jubal.show Facebook ➡︎ https://facebook.com/thejubalshow YouTube ➡︎ https://www.youtube.com/@JubalFresh Support the show: https://the-jubal-show.beehiiv.com/subscribeSee omnystudio.com/listener for privacy information.

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review

With the news that Zion Williamson is injured, again, today's NBA Straya digs into the Top 5 Injury ‘What If' Players of the past 25 years… PLUS… does Giannis want out of Milwaukee? Who could trade for him? We also break down and wrap up all the games from today in the NBA Straya Game Wraps and give out some DAILY NBA AWARDS: That's Not a Knife, Old Mate Not Mates, Spud of the Night and Better Than Lonzo Ball.  Also, YEAH NAHs, Unpopular Opinion of the Day and OUTBACK TAKEHOUSE where we're serving up a flame-grilled take. There's an ANDREW GAZE GREY MAMBA Award to give out too. Plus a pick & preview for ALL the NBA games for Thursday December 4!! Plenty to cover & talk about, strap in, lean back & enjoy! … and remember to rate, review & subscribe! Cheers legends, and thanks for tuning in to the best NBA podcast in the world!!Onyas...  Love ya guts ledges!!

Episode 644 of The Knife Junkie Podcast celebrates the tanto blade shape. Host Bob DeMarco presents some of the coolest tanto designs in modern knife making. This blade style combines Japanese tradition with contemporary performance.The episode covers tanto blades across different categories. From tactical automatics to fixed-blade hunters, Bob shows how makers interpret this angular geometry. He explains the practical benefits that make tantos more than just good looks. The reinforced tip provides extra strength. The multiple cutting edges within one blade offer versatile performance.Bob shares his pocket check featuring the Spyderco Police, Jack Wolf Knives Gateway Equal End Jack, TKell Agent 001, and Cold Steel Voyager Vaquero XL. Knife Life News covers GiantMouse working with Pro-Tech on an automatic, TOPS releasing a slip joint Tex Creek, and Kizer's take on a utility knife design. And the First Tool segment celebrates the sodbuster pattern.The main topic showcases tanto blades from Microtech, Fisher Blades, 3 Dog Knife, Hogtooth, TKell Knives, Two Sun, Reate, Civivi, and Cold Steel. Each knife demonstrates different approaches to this distinctive blade shape. Bob explains what makes each piece special and how tanto geometry serves different purposes.This episode helps collectors understand why tanto blades remain popular. Bob's selection spans various price points and styles. Whether you collect tactical folders or outdoor fixed blades, this episode provides helpful details regarding an important blade design.Find the list of all the knives shown in the show and links to the Knife Life news stories at https://theknifejunkie.com/644. Support the Knife Junkie channel with your next knife purchase. Find our affiliate links at https://theknifejunkie.com/knives. You can also support The Knife Junkie and get in on the perks of being a patron, including early access to the podcast and exclusive bonus content. Visit https://www.theknifejunkie.com/patreon for details. Let us know what you thought about this episode and leave a rating and/or a review. Your feedback is appreciated. You can also email theknifejunkie@gmail.com with any comments, feedback, or suggestions. To watch or listen to past episodes of the podcast, visit https://theknifejunkie.com/listen. And for professional podcast hosting, use our podcast platform of choice: https://theknifejunkie.com/podhost.

Join me as I review The Search for Magic edited by Margaret Weis and Tracy Hickman live! Share your thoughts on this first Tales of the War of Souls anthology, released by Wizards of the Coast on October 1, 2001. You can buy a copy here: https://amzn.to/3LVbXrD  https://youtube.com/live/JZ6gg6EWS2I About The Search for Magic This is the first anthology to tie in to the bestselling War of Souls trilogy by Margaret Weis and Tracy Hickman. It contains 11 stories, written by well-known Dragonlance authors, that elaborate on the characters and locations from the War of Souls trilogy. The stories link to the ongoing saga through the time frames of the main characters. Contents: Introduction “All for a Pint” by Brian Murphy “The End” by Nancy Varian Berberick “The Lost Sea” by Linda P. Baker “Some Assembly Required” by Nick O’ Donohoe “Go with the Floe” by Paul B. Thompson “The Great Gully Dwarf Climacteric of 40 S.C.” by Jeff Crook “Bond” by Kevin T. Stein “A Twist of the Knife” by Jean Rabe “Hunger” by Richard A. Knaak “Product Given for Services Rendered” by Don Perrin “Dragon’s Throat” by Donald J. Bingle Review Intro Welcome to another DragonLance Saga review episode. It is Kirinor, Frostkolt the 3rd. My name is Adam and today I am going to give you my review of The Search for Magic edited by Margaret Weis and Tracy Hickman. I would like to take a moment and thank the DLSaga members and Patreon patrons, and invite you to consider becoming a member or patron. You can even pick up Dragonlance media using my affiliate links. This is my perspective only, and if you have any thoughts or disagree with mine, I invite you to share them in YouTube chat. Review All For a Pint by Brian Murphy Stynmar, wizard, White robe Grantheous, wizard, Red robe Fetlin, apprentice Gerald, archmagus, Black robe This was a delightful tale about two mages, former white and red robes, who decided to make a profile, and improve the nature of those who consumed it, by casting a spell on beer. This spell is meant to improve one’s disposition, but they had to test various strengths of the spell. One had minotaurs tickle fighting each other. Another had a aman mooning them then running down the street. They finally perfected the spell, and it was stolen from them that night! THey chased who they believed stole it and it led to a warehouse where the thief talked with a black robed wizard and entered it. The two wizards and their apprentice went into a nearby tavern and had a frew pints before bursting into the door, but the beer they were drinking was their own. They felt wonderful, and after kissing the barmaid, they left ready to break down the warehouse door. As they charged the door, the wizard opened it, causing them to run and roll into the warehouse. The old wizard ended up being their former master, and he scolded them for using the remaining magic to effect beer. To punish them he cast the spell over Palanthas' well, and the entire city had a full day of peace, happiness, and brotherly love. The two mages seemed to learn their lesson, and that was the story. It reminded me of an old short story from the original Tales collection where a kender puts a love potion into Otik's ale and it ends with a love fest in the Inn of the Last Home. It was a nice entry into this collection. The End by Nancy Varian Berberick Jai Windwild, apprentice librarian Annalisse Elmgrace, librarian Marshall Medan Gilthas, puppet king Emeth Windwild, Jai's father, member of the resistance Marise Windwild, Jai's mother Stanach Hammerfell This is about the final days of the Qualinesti. It is focused on a librarian’s assistant Jai, who has spent his young career reading and cataloging the histories of the Quelinesti nation. His master, librarian Annalisse, sees Jai as the best of her assistants. He leaves one night for dinner when his father tells him that they must leave Qualinost. Their relatives are dying and they should all travel to them. In truth, he is part of the resistance and the Dark Knights are close to capturing him, so he arranged this trip. Jai doesn't want to go, but sees no option of staying because he would be caught, tortured and killed. He returns to this library and tells Annalisse where he’s going but that he will be back. When they leave that night, they are stopped as a Dark Knight is waiting on the road. They are teleported and wake in a dwarven tunnel. Stanach Hammerfell greets Jai and leads him down the tunnel toward Thorbadin. He is alone, and doesn't know where everyone else is. Stanach tells him they are with the dwarves, and explains these tunnels were the idea of the Thane and Gilthas. Qualinost is going to fall, sooner rather than later, and the people need safe passage out of Qualinesti. Jai doesn't care and insists on leaving to record the end of Qualinost. Eventually Sanach relents and lets the young elf go, as they are nearing the exit of the tunnel, Annalise's voice is heard directing Dark Knights. It turned out that she bargained for the safety of the library and gave up the plan of the elves leaving and the tunnels under Qualinesti. Stanach and Jai fight them, capture Annalisse and Stanach says that he will wait for Jai. Jai ends up heading home. It reminds me of World War 2 when Nazi Germany was rounding up Jews, Gays, Blacks and anyone they deemed weak. That is what the Dark Knight represents and while going back to Qualinost to witness its end sounds like the height of foolishness, I can understand one’s passion for their home and wanting to be there, even as the world falls apart. The Lost Sea by Linda P. Baker Captain Effram I am torn about this story. For one, it’s written really well. But for another, I don't like the main character at all. This is about Captain Effram, he lives in Tarsis and has built a boat. Tarsis has been landlocked since the Cataclysm, so he is ridiculed by everyone in town for building a ship. The children come and taunt and tease him, and he runs them off, further ruining his reputation among the townsfolk. Then one day a storm came, and it kept raining, and only Effram wore the appropriate clothing for a rain storm and was mocked for it. Then the water began to build on the ground, and soon his ship began to float! He took it out in this massive blinding night storm and was nearly swept out to sea, but managed to turn it back toward Tarsis to see people climbing the ships in the old bay that were repurposed for homes, trying to survive the weather and oncoming seawater. They leapt down toward Effram's ship, and slowly, reluctantly, he turned to bring more people onto his ship. Even as there were more to save, he raced the boar to the docks, and in the massive storm told them to get out. When he turned back to the sea, he saw a woman leap into the ocean, screaming for help, he turned away from her, and sailed into the sea. This character who wanted to be respected and appreciated by the townsfolk, didn’t even want to save them, then abandoned others. His cruelty in their fate was less human and more monstrous. Something I didn't enjoy reading at all. The strength of our species is that when push comes to shove, regardless of any other factor, we help one another. Survival is built into our DNA. It is the aberrant among us that would turn and walk away from someone facing death, when you could save them, yet Effram did just that. The people jibing him did not equal a justified death, and it simply bothered me. Some Assembly Required by Nick o'Donohoe Sorter, gnome Franni, kender The story begins with a gnome named Sorter working in the great repository, sorting the thousands of volumes of gnomish manuals. It showcases a typical day in Mount Nevermind for gnomes, and leads to a Kender named Franni asking a series of questions to Sorter about the books. Later there is a book avalanche and they are afraid the kender was under them, but after clearing it up, they saw no kender, but a few books were missing. So Soter decided he would go after the Kender. He packed traveling clothing and headed out to the closest town with smoke ascending to the sky. A warehouse was burned down and children who were working the warehouse were having a grand time. THey said a Kender came by and burned the warehouse down. The elders told him that the kender left toward their neighboring town, and that the kender should stay there. The gnome went on to the next town which was covered in mud. Its children were also enjoying the destroyed warehouse. Apparently there is fierce trade competition so all these villages suggest visiting the next, to recreate the destruction they experience. The gnome continued on to find the kender in the third village constructing a siege machine. The gnome ended up helping him and it summarily destroyed the town, as all gnome inventions are prone to do. The town leadership paid them to go to the next few towns and create some machines for them and off the gnome and kender went with an idea for a massive Solamnic knife machine. It was a silly story that illustrated the dire consequences of gnomish technology and the curiosity and free spiritedness of Kneder and the wildly dangerous combination of them both together. Go with the Floe by Paul B. Thompson Raegel Mixun, mixundantalus Balic Persayer, captain Wheeler, gnome Slipper, gnome Excellent Continental Ice Project Artagor, pirate captain This was a fun story about two snake oil salesmen who regularly conned people and were caught in a con by a ship captain and marooned on the icewall. Destined to die there, with the cold nearly doing the task, they were awoken by the terrible and loud sound of gnomish machinery! The gnomes took them aboard their great ice cutting wheels and entered Nevermind South. A temporary camp where the gnomes could cut miles of glacier ice and transport it to Sancrist. Stunned by the audacity of the gnomes but happy to be alive, the two men go with the gnomes. They end up breaking the miles size glacier off and use the wheel machines to paddle it north. As they pass Enstar, pirates come about and try to rob them, but the gnomes have no treasure, only tools and the two con men have nothing of value. Frustrated, the pirate captain decides to kill the two, but a cyclone is building off the coast and hits suddenly. The iceberg is dashed to the shore of Enstar and breaks to pieces. Ruining the gnomes’ plans, but industrious as ever, they get back to work, collecting gear and coming up with new plans. The con men approach a town, talk about the ice that’s on the shore and sell it, and they convince the people to pay for the ice! Then they decide to help the gnomes and make a living selling ice across Ansalon. Again, just a silly and fun story that was way more entertaining than I expected it to be. The Great Gully Dwarf Climacteric of 40 S.C. by Jeff Crook Dr. Palaver, gnome Morgrify Pinchpocket, kender Whortleberry Pinchpocket, kender, Morgrify's cousin Gulps Bulps Shadow Dragon The story begins with two Kender running from a mob. They break into the gnomish district and burst into a gnomes home where he was staying late. The gnome, Dr. Palaver is asked to cure Morgrify's cousin, Whortleberry. He is an afflicted kender and it seemed to have come upon him very recently in a tunnel under Palantha filled with Gully Dwarves. The gnome said that he can cure his cousin but they need to face the fear that caused the affliction. They must return to the sewers post haste! The kender and gnome all head to the sewer. They eventually discovered gully dwarves and a massive hole that was supposed to be scary, but it just contained another gully dwarf from the Bulp clan, rather than the Gulps from earlier. He led them to the scariest place he knew of, a shadow dragon! The dragon had been making the Aghar make smoke for it to consume, or it would consume them. It breathed its terrifying smoke, blinding and disorienting everyone, and the kender quickly had Whort drink the heroic potion that doctor gnome said would cure his fright. He drank it and sunbeams, rainbows and spring flowers sprang from every orifice on his body, forcing the dragon back into its lair. He began taunting it finally able to speak, and his fear subsided, he dragged the gnome and Mordrify to the surface, but the spring scented flowers were too much for the Aghar and they fled in mass into the city, killing pets and one homeless man before running off into the docks, sinking ships and killing themselves and fish. It was a massive cacophony, and in the end Whort brought the gnome doctor and his uncle to another gnome doctor to cure their blindness. This was a silly story, but I am now thinking this whole collection is just about Kender, Gully Dwarves or Gnomes. Bond by Kevin T. Stein Karn, scout Blood, Karn's Wulfbunde Brek Arana Canus, bond between wolf and man Jaren Syllany The Forsaken, former Wulfbunde from previous story This is a disjoined tale that is a sequel to an even more disjointed tale about the Wulfbunde, apparently in the Age of Might, The Dark Queen gave power to men who followed Canus? And could form bonds with wolves. In the aftermath of the Chaos War, they hunted teh agents of chaos. The previous story has a Wulfbunde kill his wolf rather than see him consumed by Chaos and he became The Forgotten, though in that story he was condemned to the Abyss, if memory serves. Now he is out and terrorizing the land around the Lords of Doom. The five scout Wulfbunde are now hunting him, though he is incredibly powerful. We are presented with Karn, a scout and his wolf blood. They have an uneasy relationship, and he actually beats the wolf, which bugs the shit out of me. If you share a bond with something, you don't physically assault or abuse that something. Period. And in general, violence against animals is verboten for most people. So they go after the Forgotten, have bunch of awkward moments between Blood and Karn that I do not fully understand as the writing is not much better than the last short story, and Blood ends up breathing in The Forgottens face, making him kinda go crazy then start crying, I imagine for the absence of his wolf. And Karn reflects that the Dark cannot break the bond between a man and his wolf. This could all have been so much better if they were more clear in the writing about what the hell is going on. It's frustrating. A Twist of the Knife by Jean Rabe Shiv, male assassin, Safford Risana, woman, Solamnic Knight Redlant Fever This is a wonderful short story about an assassin named Shiv that was hired by Dark Knights to find and eliminate a Solamnic knight that is healing plagued villagers around Neraka. The former knight, a woman named Risana, actually deserted the knights after they were ambushed by dark knights. She was thought to be killed, and just walked away. Decided to heal others rather than kill them. This however created a myth in the area about Solamnic Knights and has some locals leaving to join them, and turn against the Dark Knights. So Shiv was t o eliminate her. He saw her tend wounded and saw that she truly cared about this, and it endeared her to him. They continued from village to village traveling together, even fighting off assassins that were sent to kill her, thinking Shiv was dead or taking too long. He would fight for her at first because she was his mark, but later because he respected her. In the end, he deserted his contract and swore to protect her until he died. I really loved that this old assassin could be touched by a woman who had a singleminded purpose, not for gods or oaths, but because it’s what she was passionate about. I really enjoyed the story. Jean Rabe is really growing on me with these short stories of hers. Hunger by Richard A. Knaak Master Brudas, Bozak Ruins of Krolus Sable, Black Dragon Drek, Baaz Molgar, Baaz Gruun, Baaz Oh man, this was fun. It's about the souls of the dead who were stealing magic from magical items and casters before the War of Souls on behalf of Takhisis. A Bozak and three baaz were searching for magical artifacts for Sable, the black dragon overlord in a sunken ruined city of Krolus. The Baaz were excavating the site as the Bozak was dreaming of finding items of power that he could leave Sable’s service. He tries to emulate the Aurak draconians he admired and relished his ability to cast spells even though they have been failing recently. The bozak returns with knowledge of a cavern and Brudas the bozak goes to investigate. He finds a bracelet of Chemosh with two black gems. It allows him to see the undead ghosts that are all around him, begging for power. Over the next few days it drives him near insane. Whenever he tries to cast a spell to banish or dispel the undead, they take the power, ruining the spell. He orders the Baaz to throw the gems away that were in the bracelet and it makes him unable to see the ghosts. But he can still imagine them, and feel them. How oh so many of them were around him, pleading. He chases the gems down and drowns. The baaz return to Sable and deliver the bracelet, and Sable is pleased, but cannot see the hoards of spirits around her, taking her magic as well as the bracelets. It’s so wonderfully creepy to think of the unseen spirits stealing your essence, and that of your items. Such a cool set up for the War of Souls. Knaak did a great job with this story. Product Given for Services Rendered by Don Perrin Gnash, dark knight brothers, disserters Yarl, dark knight brothers, deserters Flannery, old man in robes Digger Cutterstone, dwarf This was a wonderful tale about two brothers who turned in their parents, who were clerics of Paladine, to the Knights of Takhisis and came upon an old man in robes and a dwarf. They were burying the dead and taking their weapons and armor. They offered to share their supper with the brothers and told them that they commended the souls of the dead to the gods and in return took the swords and armor and melted them into steel coins for the bank of palanthas. They wanted to do the same for the Knights of Takhisis but did not know the burial rites. The brothers pulled weapons on them and started to rob them, but the old man offered to split the money with them if they helped by telling them how to comment the souls to Takhisis. The brothers flippantly told them, and then the priest did it to them, and they dropped dead. It turned out that they were skeletons the old man was trying to destroy and take their armor. Once he learned the rite, he could do the same to others. Such an interesting twist and tale about the aftermath of battle and the creation of steel as a currency. Dragon's Throat by Donald Bingle Finderkeeper Rumpleton, kender Gimmie Glacier Vern Hasterck, Knight of Takhisis Commander Bodar, Ice Nomad Thrak D.Nar, Ice Nomad Garn, Ice Nomad This is an interesting tale about the Icewall Glacier being the primary character, and everyone else secondary. The glacier grows north, then melts south revealing objects that were left in the ice from wars or travelers who never made it across. This ends up being a pilgrimage site for Kender, but in the Age of Mortals, Dark Knights also would travel the area in southern Plains of Dust. One day a kender named Finderkeeper Rumpleton passed through and found a strangely shaped object, instantly claiming it as Irda Magic. This sent the other kender in a frenzy of questions and nearby Dark Knights demanding the object. THey chased the Kender across the glacier till he believed he lost them, and stumbled across an ice nomad and his sons who were hunting wooly mammoths. They helped the kender for the night then when the dark knights showed up again, helped him run from them. They led them to a valley that would floor periodically and one of the sons went to help it along as the Dark knights were camping in the valley during their pursuit. It flooded the valley, consuming the son as well, but the Dark Knight Commander escaped and continued pursuit, eventually catching up to the kender and nomads. They fought as best they could but the Dark knight overwhelmed the nomads, killing them, but eventually got stuck in some mud, freezing to death as he was trying to cut his own legs off to get out. This was all relayed to the nomad clan by a bard, who was the kender. It’s more of an environmental tale of the natural dangers of a living glacier, and I for one enjoyed that approach. This was an interesting collection, with a few really good stories. If you are a Dragonlance fan, I would recommend you taking the time to read this anthology. Outro And that's it for my review of The Search for Magic edited by Margaret Weis and Tracy Hickman. What did you think of the anthology? Did you connect with any of these stories? And finally, what is your favorite anthology in Dragonlance? Feel free to email me at info@dlsaga.com or leave a comment below. I would like to thank Creator Patron Aaron Hardy and Developer Patron Chris Androu! I would also like to take a moment and remind you to subscribe to this YouTube channel, ring the bell to get notified about upcoming videos and click the like button. This all goes to help other Dragonlance fans learn about this channel and its content. This channel is all about celebrating the wonderful world of the Dragonlance Saga, and I hope you will join me in the celebration. Thank you for watching, this has been Adam with DragonLance Saga and until next time Slàinte mhath (slan-ge-var).

Behind the Knife ABSITE 2026 – Up-to-date and high yield learning to help you DOMINATE the exam. Don't forget to check out our ABSITE Podcast Companion Book available on Amazon: https://www.amazon.com/Behind-Knife-ABSITE-Podcast-Companion/dp/B0CLDQWZG3/ref=monarch_sidesheet Be sure to check out our free study aid, which includes all 32 review episodes, brief written summaries, high yield images, and flash cards. Simply create an account on our iOS or Android app or on our website and you will find the entire course in your Library.  Apple App Store: https://apps.apple.com/us/app/behind-the-knife/id1672420049 Google Play App Store: https://play.google.com/store/apps/details?id=com.btk.app Behind the Knife would like to sincerely thank Medtronic for sponsoring the entire 2026 ABSITE podcast series.  Medtronic has a rich history of supporting surgical education, and we couldn't be happier that they chose to partner with Behind the Knife.  Learn more at https://www.medtronic.com/en-us/index.html If you like the work that Behind the Knife is doing, please leave us a review wherever you listen to podcasts.   Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.   Check out our recent episodes here: https://behindtheknife.org/listen Behind the Knife Premium: General Surgery Oral Board Review Course: https://behindtheknife.org/premium/general-surgery-oral-board-review Trauma Surgery Video Atlas: https://behindtheknife.org/premium/trauma-surgery-video-atlas Dominate Surgery: A High-Yield Guide to Your Surgery Clerkship: https://behindtheknife.org/premium/dominate-surgery-a-high-yield-guide-to-your-surgery-clerkship Dominate Surgery for APPs: A High-Yield Guide to Your Surgery Rotation: https://behindtheknife.org/premium/dominate-surgery-for-apps-a-high-yield-guide-to-your-surgery-rotation Vascular Surgery Oral Board Review Course: https://behindtheknife.org/premium/vascular-surgery-oral-board-audio-review Colorectal Surgery Oral Board Review Course: https://behindtheknife.org/premium/colorectal-surgery-oral-board-audio-review Surgical Oncology Oral Board Review Course: https://behindtheknife.org/premium/surgical-oncology-oral-board-audio-review Cardiothoracic Oral Board Review Course: https://behindtheknife.org/premium/cardiothoracic-surgery-oral-board-audio-review

A former Marine recruiter drops to his knees in a Michigan courtroom to beg for forgiveness after nearly killing an eleven-year-old girl during a home invasion in the middle of the night. A Georgia couple now faces criminal charges after investigators say they abandoned their dog just before leaving the state for a Hawaiian vacation. Drew Nelson reports. See omnystudio.com/listener for privacy information.

The Roman was an original screenplay adapted to theater and written and directed by Tyler Angier. The dark comedic thriller was composed by Jeffrey Dean Moran and Connor Bullock and performed in Los Angeles, California to audiences everywhere. Here are the 36 original tracks written and extended for your listening pleasure, we hope you enjoy.

Send a message to the JestersThe crew gets a slight respite as secrets are spilled, navigating goes poorly, and drinking games are played!Starring: Anders the Pirate (Narrator), Rachel Kordell (Brigit Jones), Andrew Frost (Gerard "Steady Gerry" Fournier), Seth Coveyou (Captain Edgar Kelley), Sky Swanson (Sergei), Grace (Compass).Edit Team: Casey Reardon, Sky Swanson [EQ], & Andrew Frost [Sound Design]Shoutouts! Need more game modules? Check out https://hatdbuilder.com for some fantastic new content to bring to your games! Use the code 'RPJESTERS' for 20% off your order, and to support the show!Want to see more of Ders? Check out https://thestorytellersquad.com/Want some cool RP Jesters Merch? Check out our website https://rpjesters.com/pages/storeSupport the show directly and get hours of bonus content over at https://www.patreon.com/c/rpjesters/membershipMusic courtesy of Epidemic Sound:Riding the Waves Bulgar by Valeria's Klezmer ChariotIntro/Outro Music by Seth Coveyou.Additional Music by Monument Studios and YouTube Audio Library.Game System: 7th Sea Support the showCheck our socials!

Enlace del curso: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general Behind the Knife es el podcast quirúrgico líder en el mundo y una plataforma de educación quirúrgica. Nuestra misión es crear contenido innovador de educación quirúrgica que sea accesible para todos. Estamos muy emocionados de expandirnos al público hispanohablante y ofrecerles 4 episodios de muestra de nuestro Curso de Repaso para el examen de certificación de Cirugía General. Hoy, escucharás un caso de muestra de este curso de repaso en audio, que incluye 100 escenarios. El curso tiene un formato emocionante y completamente único. Cada uno de los 100 caso consta de dos partes. La primera parte es un caso oral perfectamente ejecutado que imita la realidad. Cada caso tiene una duración de cinco a siete minutos e incluye una variedad de tácticas y estilos. Si logras alcanzar este nivel de desempeño en tu preparación, seguramente aprobarás el examen de certificación con éxito. La segunda parte introduce comentarios de alto rendimiento para cada escenario. Estos comentarios incluyen consejos y trucos para ayudarte a dominar los escenarios más desafiantes, además de una enseñanza práctica y fácil de entender que cubre los temas más confusos que enfrentamos como cirujanos generales. Estamos seguros de que encontrarás este enfoque único de doble formato como una forma altamente efectiva de prepararte para el examen. Nuestro contenido está disponible en nuestras aplicaciones para iOS y Android y en nuestro sitio web (behindtheknife.org). Por favor, consulta las notas del programa para más información. Nos encantaría escuchar tus comentarios sobre este episodio enviando un correo electrónico a hello@behindtheknife.org y apreciamos tu ayuda para difundir la palabra entre tus colegas si disfrutas del material. Este contenido incluye 97 descripciones operatorias para todos los procedimientos comunes —y la mayoría de los poco comunes— incluidos en el Currículo de Cirugía General SCORE. Cada descripción está diseñada para ayudar a los candidatos a prepararse de manera eficaz para el Examen de Certificación en Cirugía General. presentadores de podcast: - Auri P. Garcia Gonzalez, MD PhD nació en San Juan, Puerto Rico, y se trasladó a los Estados Unidos en el 2012 para sus estudios graduados. Actualmente, es estudiante de post-grado en cirugía general en Duke University. - Diego Schaps, MD, MPH es un residente de cirugía general en Duke y nació en Miami, en el estado de la Florida. Sus padres nacieron en El Salvador. Disclaimer: Los productos de contenido de Behind the Knife son únicamente para fines educativos. No diagnosticamos, tratamos ni ofrecemos consejos específicos para pacientes. ------ Behind the Knife is the world's leading surgical podcast and surgical education platform.  Our mission is to create innovative surgical education content that is accessible to all.  We are very excited to expand into the spanish audience and bring you 4 sample episodes of our General Surgery Oral Board Review Course which will be released over the course of the next week. Today, you'll hear a sample scenario from this comprehensive audio review course which includes 100 scenarios.  The course has an exciting and entirely unique format. Each of the 100 scenarios includes two parts. The first part is a perfectly executed oral board scenario that mimics the real thing. Scenarios are five to seven minutes long and include a variety of tactics and styles. If you're able to achieve this level of performance in your preparation, you are sure to pass the oral exam with flying colors. The second part introduces high yield commentary to each scenario. This commentary includes tips and tricks to help you dominate the most challenging scenarios in addition to practical, easy to understand teaching that covers the most confusing topics that we face as general surgeons. We are confident you will find this unique dual format approach a highly effective way to prepare for the test. The course contains crisp, concise operative descriptions that cover all SCORE common topics and and most SCORE uncommon topics. Our content is available on our iOS and Android apps and website (behindtheknife.org).  Please check the show notes for more information. We would love to hear your feedback by emailing hello@behindtheknife.org and appreciate your help spreading the word to your colleagues if you enjoy the material. Hosts: - Auri P. Garcia Gonzalez, MD PhD was born and raised in San Juan, Puerto Rico and moved to the US in 2012 for graduate studies. At present, she is a surgical resident at Duke University. - Diego Schaps, MD, MPH is a general surgery resident at Duke and was born in Miami, Florida. His parents were born in El Salvador. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more. If you liked this episode, check out our recent episodes here: https://app.behindtheknife.org/listen

Enlace del curso: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general Behind the Knife es el podcast quirúrgico líder en el mundo y una plataforma de educación quirúrgica. Nuestra misión es crear contenido innovador de educación quirúrgica que sea accesible para todos. Estamos muy emocionados de expandirnos al público hispanohablante y ofrecerles 4 episodios de muestra de nuestro Curso de Repaso para el examen de certificación de Cirugía General. Hoy, escucharás un caso de muestra de este curso de repaso en audio, que incluye 100 escenarios. El curso tiene un formato emocionante y completamente único. Cada uno de los 100 caso consta de dos partes. La primera parte es un caso oral perfectamente ejecutado que imita la realidad. Cada caso tiene una duración de cinco a siete minutos e incluye una variedad de tácticas y estilos. Si logras alcanzar este nivel de desempeño en tu preparación, seguramente aprobarás el examen de certificación con éxito. La segunda parte introduce comentarios de alto rendimiento para cada escenario. Estos comentarios incluyen consejos y trucos para ayudarte a dominar los escenarios más desafiantes, además de una enseñanza práctica y fácil de entender que cubre los temas más confusos que enfrentamos como cirujanos generales. Estamos seguros de que encontrarás este enfoque único de doble formato como una forma altamente efectiva de prepararte para el examen. Nuestro contenido está disponible en nuestras aplicaciones para iOS y Android y en nuestro sitio web (behindtheknife.org). Por favor, consulta las notas del programa para más información. Nos encantaría escuchar tus comentarios sobre este episodio enviando un correo electrónico a hello@behindtheknife.org y apreciamos tu ayuda para difundir la palabra entre tus colegas si disfrutas del material. Este contenido incluye 97 descripciones operatorias para todos los procedimientos comunes —y la mayoría de los poco comunes— incluidos en el Currículo de Cirugía General SCORE. Cada descripción está diseñada para ayudar a los candidatos a prepararse de manera eficaz para el Examen de Certificación en Cirugía General. presentadores de podcast: - Auri P. Garcia Gonzalez, MD PhD nació en San Juan, Puerto Rico, y se trasladó a los Estados Unidos en el 2012 para sus estudios graduados. Actualmente, es estudiante de post-grado en cirugía general en Duke University. - Diego Schaps, MD, MPH es un residente de cirugía general en Duke y nació en Miami, en el estado de la Florida. Sus padres nacieron en El Salvador. Disclaimer: Los productos de contenido de Behind the Knife son únicamente para fines educativos. No diagnosticamos, tratamos ni ofrecemos consejos específicos para pacientes. ------ Behind the Knife is the world's leading surgical podcast and surgical education platform.  Our mission is to create innovative surgical education content that is accessible to all.  We are very excited to expand into the spanish audience and bring you 4 sample episodes of our General Surgery Oral Board Review Course which will be released over the course of the next week. Today, you'll hear a sample scenario from this comprehensive audio review course which includes 100 scenarios.  The course has an exciting and entirely unique format. Each of the 100 scenarios includes two parts. The first part is a perfectly executed oral board scenario that mimics the real thing. Scenarios are five to seven minutes long and include a variety of tactics and styles. If you're able to achieve this level of performance in your preparation, you are sure to pass the oral exam with flying colors. The second part introduces high yield commentary to each scenario. This commentary includes tips and tricks to help you dominate the most challenging scenarios in addition to practical, easy to understand teaching that covers the most confusing topics that we face as general surgeons. We are confident you will find this unique dual format approach a highly effective way to prepare for the test. The course contains crisp, concise operative descriptions that cover all SCORE common topics and and most SCORE uncommon topics. Our content is available on our iOS and Android apps and website (behindtheknife.org).  Please check the show notes for more information. We would love to hear your feedback by emailing hello@behindtheknife.org and appreciate your help spreading the word to your colleagues if you enjoy the material. Hosts: - Auri P. Garcia Gonzalez, MD PhD was born and raised in San Juan, Puerto Rico and moved to the US in 2012 for graduate studies. At present, she is a surgical resident at Duke University. - Diego Schaps, MD, MPH is a general surgery resident at Duke and was born in Miami, Florida. His parents were born in El Salvador. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more. If you liked this episode, check out our recent episodes here: https://app.behindtheknife.org/listen

Enlace del curso: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general Behind the Knife es el podcast quirúrgico líder en el mundo y una plataforma de educación quirúrgica. Nuestra misión es crear contenido innovador de educación quirúrgica que sea accesible para todos. Estamos muy emocionados de expandirnos al público hispanohablante y ofrecerles 4 episodios de muestra de nuestro Curso de Repaso para el examen de certificación de Cirugía General. Hoy, escucharás un caso de muestra de este curso de repaso en audio, que incluye 100 escenarios. El curso tiene un formato emocionante y completamente único. Cada uno de los 100 caso consta de dos partes. La primera parte es un caso oral perfectamente ejecutado que imita la realidad. Cada caso tiene una duración de cinco a siete minutos e incluye una variedad de tácticas y estilos. Si logras alcanzar este nivel de desempeño en tu preparación, seguramente aprobarás el examen de certificación con éxito. La segunda parte introduce comentarios de alto rendimiento para cada escenario. Estos comentarios incluyen consejos y trucos para ayudarte a dominar los escenarios más desafiantes, además de una enseñanza práctica y fácil de entender que cubre los temas más confusos que enfrentamos como cirujanos generales. Estamos seguros de que encontrarás este enfoque único de doble formato como una forma altamente efectiva de prepararte para el examen. Nuestro contenido está disponible en nuestras aplicaciones para iOS y Android y en nuestro sitio web (behindtheknife.org). Por favor, consulta las notas del programa para más información. Nos encantaría escuchar tus comentarios sobre este episodio enviando un correo electrónico a hello@behindtheknife.org y apreciamos tu ayuda para difundir la palabra entre tus colegas si disfrutas del material.  Este contenido incluye 97 descripciones operatorias para todos los procedimientos comunes —y la mayoría de los poco comunes— incluidos en el Currículo de Cirugía General SCORE. Cada descripción está diseñada para ayudar a los candidatos a prepararse de manera eficaz para el Examen de Certificación en Cirugía General. presentadores de podcast: - Auri P. Garcia Gonzalez, MD PhD nació en San Juan, Puerto Rico, y se trasladó a los Estados Unidos en el 2012 para sus estudios graduados. Actualmente, es estudiante de post-grado en cirugía general en Duke University. - Diego Schaps, MD, MPH es un residente de cirugía general en Duke y nació en Miami, en el estado de la Florida. Sus padres nacieron en El Salvador. Disclaimer: Los productos de contenido de Behind the Knife son únicamente para fines educativos. No diagnosticamos, tratamos ni ofrecemos consejos específicos para pacientes. ------ Behind the Knife is the world's leading surgical podcast and surgical education platform.  Our mission is to create innovative surgical education content that is accessible to all.  We are very excited to expand into the spanish audience and bring you 4 sample episodes of our General Surgery Oral Board Review Course which will be released over the course of the next week. Today, you'll hear a sample scenario from this comprehensive audio review course which includes 100 scenarios.  The course has an exciting and entirely unique format. Each of the 100 scenarios includes two parts. The first part is a perfectly executed oral board scenario that mimics the real thing. Scenarios are five to seven minutes long and include a variety of tactics and styles. If you're able to achieve this level of performance in your preparation, you are sure to pass the oral exam with flying colors. The second part introduces high yield commentary to each scenario. This commentary includes tips and tricks to help you dominate the most challenging scenarios in addition to practical, easy to understand teaching that covers the most confusing topics that we face as general surgeons. We are confident you will find this unique dual format approach a highly effective way to prepare for the test. The course contains crisp, concise operative descriptions that cover all SCORE common topics and and most SCORE uncommon topics.  Our content is available on our iOS and Android apps and website (behindtheknife.org).  Please check the show notes for more information. We would love to hear your feedback by emailing hello@behindtheknife.org and appreciate your help spreading the word to your colleagues if you enjoy the material.  Hosts: - Auri P. Garcia Gonzalez, MD PhD was born and raised in San Juan, Puerto Rico and moved to the US in 2012 for graduate studies. At present, she is a surgical resident at Duke University. - Diego Schaps, MD, MPH is a general surgery resident at Duke and was born in Miami, Florida. His parents were born in El Salvador. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more.  If you liked this episode, check out our recent episodes here: https://app.behindtheknife.org/listen

Enlace del curso: https://app.behindtheknife.org/premium/repaso-para-el-examen-de-certificaci-n-en-cirug-a-general Behind the Knife es el podcast quirúrgico líder en el mundo y una plataforma de educación quirúrgica. Nuestra misión es crear contenido innovador de educación quirúrgica que sea accesible para todos. Estamos muy emocionados de expandirnos al público hispanohablante y ofrecerles 4 episodios de muestra de nuestro Curso de Repaso para el examen de certificación de Cirugía General. Hoy, escucharás un caso de muestra de este curso de repaso en audio, que incluye 100 escenarios. El curso tiene un formato emocionante y completamente único. Cada uno de los 100 caso consta de dos partes. La primera parte es un caso oral perfectamente ejecutado que imita la realidad. Cada caso tiene una duración de cinco a siete minutos e incluye una variedad de tácticas y estilos. Si logras alcanzar este nivel de desempeño en tu preparación, seguramente aprobarás el examen de certificación con éxito. La segunda parte introduce comentarios de alto rendimiento para cada escenario. Estos comentarios incluyen consejos y trucos para ayudarte a dominar los escenarios más desafiantes, además de una enseñanza práctica y fácil de entender que cubre los temas más confusos que enfrentamos como cirujanos generales. Estamos seguros de que encontrarás este enfoque único de doble formato como una forma altamente efectiva de prepararte para el examen. Nuestro contenido está disponible en nuestras aplicaciones para iOS y Android y en nuestro sitio web (behindtheknife.org). Por favor, consulta las notas del programa para más información. Nos encantaría escuchar tus comentarios sobre este episodio enviando un correo electrónico a hello@behindtheknife.org y apreciamos tu ayuda para difundir la palabra entre tus colegas si disfrutas del material. Este contenido incluye 97 descripciones operatorias para todos los procedimientos comunes —y la mayoría de los poco comunes— incluidos en el Currículo de Cirugía General SCORE. Cada descripción está diseñada para ayudar a los candidatos a prepararse de manera eficaz para el Examen de Certificación en Cirugía General. presentadores de podcast: - Auri P. Garcia Gonzalez, MD PhD nació en San Juan, Puerto Rico, y se trasladó a los Estados Unidos en el 2012 para sus estudios graduados. Actualmente, es estudiante de post-grado en cirugía general en Duke University. - Diego Schaps, MD, MPH es un residente de cirugía general en Duke y nació en Miami, en el estado de la Florida. Sus padres nacieron en El Salvador. Disclaimer: Los productos de contenido de Behind the Knife son únicamente para fines educativos. No diagnosticamos, tratamos ni ofrecemos consejos específicos para pacientes. ------ Behind the Knife is the world's leading surgical podcast and surgical education platform.  Our mission is to create innovative surgical education content that is accessible to all.  We are very excited to expand into the spanish audience and bring you 4 sample episodes of our General Surgery Oral Board Review Course which will be released over the course of the next week. Today, you'll hear a sample scenario from this comprehensive audio review course which includes 100 scenarios.  The course has an exciting and entirely unique format. Each of the 100 scenarios includes two parts. The first part is a perfectly executed oral board scenario that mimics the real thing. Scenarios are five to seven minutes long and include a variety of tactics and styles. If you're able to achieve this level of performance in your preparation, you are sure to pass the oral exam with flying colors. The second part introduces high yield commentary to each scenario. This commentary includes tips and tricks to help you dominate the most challenging scenarios in addition to practical, easy to understand teaching that covers the most confusing topics that we face as general surgeons. We are confident you will find this unique dual format approach a highly effective way to prepare for the test. The course contains crisp, concise operative descriptions that cover all SCORE common topics and and most SCORE uncommon topics. Our content is available on our iOS and Android apps and website (behindtheknife.org).  Please check the show notes for more information. We would love to hear your feedback by emailing hello@behindtheknife.org and appreciate your help spreading the word to your colleagues if you enjoy the material. Hosts: - Auri P. Garcia Gonzalez, MD PhD was born and raised in San Juan, Puerto Rico and moved to the US in 2012 for graduate studies. At present, she is a surgical resident at Duke University. - Diego Schaps, MD, MPH is a general surgery resident at Duke and was born in Miami, Florida. His parents were born in El Salvador. Please visit https://behindtheknife.org to access other high-yield surgical education podcasts, videos and more. If you liked this episode, check out our recent episodes here: https://app.behindtheknife.org/listen

As part of our Hidden Killers 2025 Year in Review series, we're revisiting one of the most chilling — and hauntingly bizarre — developments in the ongoing Bryan Kohberger case: the alleged “selfie of satisfaction” and the disturbing digital trail that may reveal the psychology of a killer. Newly surfaced evidence points to a digital footprint as unsettling as the crime itself — including an Amazon order history allegedly showing a combat knife, matching sheath, and sharpener purchased months before the Idaho student murders. And then, the image: a post-crime selfie of Kohberger, freshly showered, clean-shaven, giving a thumbs-up in a bright white shirt. Was it arrogance? A trophy? Or the hollow ritual of someone reliving what they'd just done? In this Hidden Killers special, Tony Brueski is joined by retired FBI Special Agent Jennifer Coffindaffer and former FBI Behavioral Unit Chief Robin Dreeke to break down how both the digital evidence and the alleged photo may expose Kohberger's deeper pathology. Coffindaffer unpacks the forensic side — why a knife sharpener might have been part of the prep, and how such a detail reflects a disturbing level of forethought. Dreeke dives into the behavioral side, exploring how narcissism, ritual, and the need for control manifest in offenders like Kohberger. Together, they ask the question no one wants to answer: could he have been planning for more? We also explore how the selfie itself might play in court — not as a smoking gun, but as a powerful psychological weapon. Could prosecutors use it to humanize the horror for jurors? Could the surviving roommates recognize it as a chilling echo of the man they may have glimpsed that night? From his alleged shopping habits to his eerie self-portrait, this is the story of a man who may have thought he could control every variable — except his own digital reflection.

As part of our Hidden Killers 2025 Year in Review series, we're revisiting the shocking new evidence and eerie imagery redefining the case against Bryan Kohberger, the man accused of murdering four University of Idaho students in one of the most haunting crimes of the decade. In this special combined episode, Tony Brueski is joined by Defense Attorney Bob Motta (Defense Diaries) and former prosecutor Eric Faddis to dissect the revelations that turned a complex case into a potentially airtight one. First, the receipts — literally. Prosecutors say Kohberger bought the exact model of knife and sheath found at the crime scene months before the murders. The order allegedly came straight from Amazon, complete with a matching knife sharpener that looks suspiciously like a vacuum attachment. It's the kind of detail that might sound absurd if it weren't so chilling. Tony and Motta break down how this discovery — paired with the bizarre thumbs-up bathroom selfie allegedly taken hours after the killings — creates a psychological portrait of someone who wasn't just methodical, but disturbingly proud. Was the selfie a trophy? A taunt? Or the self-satisfied smirk of a man who believed he'd gotten away with it? Then, Faddis brings the legal heat — explaining why this evidence could be devastating for the defense, how the alleged receipts demolish claims of “planted evidence,” and what the prosecution will do with a timeline that screams premeditation. Could Kohberger's team still angle for a plea deal to avoid the death penalty? Or has this case already crossed the line into the inevitable? Beyond the evidence, Tony and his guests explore the deeper question: Why document your own destruction? From online purchases to photos, the alleged digital breadcrumbs reveal a mindset obsessed with control — and undone by it.

As part of our Hidden Killers 2025 Year in Review series, we're revisiting one of the most chilling — and hauntingly bizarre — developments in the ongoing Bryan Kohberger case: the alleged “selfie of satisfaction” and the disturbing digital trail that may reveal the psychology of a killer. Newly surfaced evidence points to a digital footprint as unsettling as the crime itself — including an Amazon order history allegedly showing a combat knife, matching sheath, and sharpener purchased months before the Idaho student murders. And then, the image: a post-crime selfie of Kohberger, freshly showered, clean-shaven, giving a thumbs-up in a bright white shirt. Was it arrogance? A trophy? Or the hollow ritual of someone reliving what they'd just done? In this Hidden Killers special, Tony Brueski is joined by retired FBI Special Agent Jennifer Coffindaffer and former FBI Behavioral Unit Chief Robin Dreeke to break down how both the digital evidence and the alleged photo may expose Kohberger's deeper pathology. Coffindaffer unpacks the forensic side — why a knife sharpener might have been part of the prep, and how such a detail reflects a disturbing level of forethought. Dreeke dives into the behavioral side, exploring how narcissism, ritual, and the need for control manifest in offenders like Kohberger. Together, they ask the question no one wants to answer: could he have been planning for more? We also explore how the selfie itself might play in court — not as a smoking gun, but as a powerful psychological weapon. Could prosecutors use it to humanize the horror for jurors? Could the surviving roommates recognize it as a chilling echo of the man they may have glimpsed that night? From his alleged shopping habits to his eerie self-portrait, this is the story of a man who may have thought he could control every variable — except his own digital reflection.

As part of our Hidden Killers 2025 Year in Review series, we're revisiting the shocking new evidence and eerie imagery redefining the case against Bryan Kohberger, the man accused of murdering four University of Idaho students in one of the most haunting crimes of the decade. In this special combined episode, Tony Brueski is joined by Defense Attorney Bob Motta (Defense Diaries) and former prosecutor Eric Faddis to dissect the revelations that turned a complex case into a potentially airtight one. First, the receipts — literally. Prosecutors say Kohberger bought the exact model of knife and sheath found at the crime scene months before the murders. The order allegedly came straight from Amazon, complete with a matching knife sharpener that looks suspiciously like a vacuum attachment. It's the kind of detail that might sound absurd if it weren't so chilling. Tony and Motta break down how this discovery — paired with the bizarre thumbs-up bathroom selfie allegedly taken hours after the killings — creates a psychological portrait of someone who wasn't just methodical, but disturbingly proud. Was the selfie a trophy? A taunt? Or the self-satisfied smirk of a man who believed he'd gotten away with it? Then, Faddis brings the legal heat — explaining why this evidence could be devastating for the defense, how the alleged receipts demolish claims of “planted evidence,” and what the prosecution will do with a timeline that screams premeditation. Could Kohberger's team still angle for a plea deal to avoid the death penalty? Or has this case already crossed the line into the inevitable? Beyond the evidence, Tony and his guests explore the deeper question: Why document your own destruction? From online purchases to photos, the alleged digital breadcrumbs reveal a mindset obsessed with control — and undone by it.

As part of our Hidden Killers 2025 Year in Review series, we revisit one of the most jaw-dropping chapters in the ongoing Bryan Kohberger case — the digital trail that may have done what he allegedly couldn't avoid in person: exposing him completely. Investigators say Kohberger, the Ph.D. criminology student accused of killing four University of Idaho students in November 2022, may have left behind more than DNA on a knife sheath — he may have left a shopping list. A damning set of online purchases allegedly includes a K-Bar knife, matching sheath, and sharpening tool — all conveniently ordered from Amazon. In this Hidden Killers breakdown, Tony Brueski teams up with retired FBI Special Agent Robin Dreeke and defense attorney Bob Motta (Defense Diaries) to dissect the chilling implications of the so-called “Amazon Evidence.” If true, this isn't just forensic coincidence — it's a psychological signature. Dreeke dives into what these purchases reveal about a possible obsessive, methodical mindset: someone fascinated by control, process, and precision. But in his precision, perhaps also arrogant — believing intellect could outsmart technology. Then, Motta joins Tony to examine how this alleged evidence fits into the broader defense battle. Could the prosecution argue that Kohberger's shopping habits show premeditation? Or can the defense spin it as circumstantial — just a “collector's curiosity” in military blades? And yes — that infamous thumbs-up shower selfie allegedly taken hours after the murders makes its appearance. Motta and Brueski unpack the surreal combination of vanity, detachment, and potential trophy-taking behavior. It's the kind of moment that would be laughable, if it weren't so horrifying. Together, they explore the haunting question that lingers behind every piece of evidence: Was this a one-time act of obsession, or a rehearsal for something darker?

As part of our Hidden Killers 2025 Year in Review series, we revisit one of the most jaw-dropping chapters in the ongoing Bryan Kohberger case — the digital trail that may have done what he allegedly couldn't avoid in person: exposing him completely. Investigators say Kohberger, the Ph.D. criminology student accused of killing four University of Idaho students in November 2022, may have left behind more than DNA on a knife sheath — he may have left a shopping list. A damning set of online purchases allegedly includes a K-Bar knife, matching sheath, and sharpening tool — all conveniently ordered from Amazon. In this Hidden Killers breakdown, Tony Brueski teams up with retired FBI Special Agent Robin Dreeke and defense attorney Bob Motta (Defense Diaries) to dissect the chilling implications of the so-called “Amazon Evidence.” If true, this isn't just forensic coincidence — it's a psychological signature. Dreeke dives into what these purchases reveal about a possible obsessive, methodical mindset: someone fascinated by control, process, and precision. But in his precision, perhaps also arrogant — believing intellect could outsmart technology. Then, Motta joins Tony to examine how this alleged evidence fits into the broader defense battle. Could the prosecution argue that Kohberger's shopping habits show premeditation? Or can the defense spin it as circumstantial — just a “collector's curiosity” in military blades? And yes — that infamous thumbs-up shower selfie allegedly taken hours after the murders makes its appearance. Motta and Brueski unpack the surreal combination of vanity, detachment, and potential trophy-taking behavior. It's the kind of moment that would be laughable, if it weren't so horrifying. Together, they explore the haunting question that lingers behind every piece of evidence: Was this a one-time act of obsession, or a rehearsal for something darker?

If you've ever wondered what really happens behind the scenes of the most popular cosmetic surgeries, this episode is a must-listen. Dr. Anthony Youn pulls back the curtain on procedures like facelifts, eyelid surgery, breast augmentation, breast lifts, tummy tucks, and even the ever-controversial Brazilian Butt Lift. But this isn't a sales pitch — it's the honest, clear-eyed guidance you wish every surgeon would give. Dr. Youn breaks down how these surgeries actually work, what recovery really feels like, the risks people don't always talk about, and the myths he wishes would disappear forever. You'll also hear about the latest implant tech, when insurance may step in to help, and smart safety tips that can save you from making a decision you regret. Whether you're just curious, seriously considering a procedure, or supporting someone who is, this episode gives you the grounded, empowering information you need to make confident, informed choices.

Hey folks. I whipped up another solo show, because my guest did not show up for our interview, and then became unreachable. I was well prepared, and I like his ideas, so I opted to present it all myself after repeated attempts to reconnect. There will be more of these solo presentations in the future, […] The post Plus Member Bonus Show: Cattle Mutilations & The Knife Of God appeared first on The Higherside Chats.