Podcast appearances and mentions of phil morris

Join us for the watch party on YouTube LIVE AT FIVE (PT) on episode release day: https://www.youtube.com/@birdsandbeesdontfck Phil Morris is an actor best known as Jackie Chiles on Seinfeld and John Jones on Smallville who grew up in Los Angeles and Beverly Hills, where the closest thing to sex education was basic health class, a little anatomy, and figuring out the rest through growing up in Hollywood. In this episode we talk about Good Vibes Breakfast Club, the beautiful way community can create space for men to be vulnerable, and why real connection so often happens when people drop the performance and just show up as themselves. Phil shares what it was like growing up in Beverly Hills as the son of original Mission: Impossible star Greg Morris, how early exposure to fame shaped the way he sees the world, and why curiosity, humility, and authenticity matter so much more than status. We also get into marriage, intimacy, what it actually takes to stay connected over decades, and Phil's simple but powerful advice to stay attractive, stay attracted, stay interesting, and stay interested. Phil and I are getting real honest with Reddit stories. Join Patreon and dive in! https://www.patreon.com/cw/birdsandbeesdontfck Get everything you need to Fck Like The Movies _____________________________________________________________ Where to find Phil: Instagram: @thephilmorris Where to find Arielle: Instagram: @birdsandbeesdontfck TikTok: @birdsandbeesdontfck Patreon: https://www.patreon.com/cw/birdsandbeesdontfck   Bonus stories found exclusively on Patreon STORY 1: AITA for ignoring my wife for throwing away my late wife video tapes? STORY 2: My 18M son says my brother's wife (30F) crossed boundaries with him and now my family says I'm overreacting (46F) STORY 3: Do I (F 26) tell my boyfriend (M 26) his ex cheated on him?   Like my cuffs AND my vibrator necklace? Me too. Get $15 Off Crave Pleasure Jewelry Here: https://lovecrave.com/arielle   Episode Cheat Sheet: 02:47 Good Vibes Breakfast Club, car culture, and finding community in Los Angeles 05:14 Male vulnerability, brotherhood, and emotional intimacy during the pandemic 07:39 Why real connection happens when people drop the filter 09:50 Community, commonality, and why we are more alike than we are different 12:10 Why big conversations happen best on a beautiful drive 14:30 Intimacy meetings, relationship check-ins, and how to communicate with your partner 16:54 Emotional intelligence, curiosity, and what makes relationships actually work 19:20 Marriage advice, acceptance, and why you cannot carry someone else's water 21:35 Stay attractive, stay attracted, stay interesting, stay interested 23:52 Novel thinking, personal growth, and accepting the peaks and valleys of life 26:13 Why relationships, friendships, and community all need curiosity and effort 28:28 Good Vibes, masculine friendship, and non-sexual touch between men 30:41 Growing up in Los Angeles and Beverly Hills as Greg Morris' son 31:42 Fame, Hollywood, Beverly Hills, and what Phil learned early about success 34:01 Black representation in Hollywood and being raised around groundbreaking artists 35:25 How community showed up in grief, loss, and the final days of a loved one 37:48 Grace, gratitude, and why pain does not have to define your story 40:05 Falling down, getting up, and deciding how to write your own life 42:27 Career pivots, producing, creativity, and doing the work that actually lights you up 44:48 Why Phil stopped hustling and started creating 47:13 Acting, storytelling, and what comic conventions reveal about human connection 49:40 Leadership, gender dynamics, and domestic labor in relationships 52:03 Growing up with basic sex education, Hollywood freedom, and getting married young 54:22 Marriage, desire, fidelity, and how to stay connected over time 56:43 Long-term relationships, teamwork, and the three energies inside a partnership 59:04 Relationship advice, acceptance, and what it means to stay on the same team

Best known for his unforgettable turn as Jackie Chiles, the fast-talking, high-powered attorney Kramer turns to in Seinfeld, actor Phil Morris joins us for a thoughtful, funny, and full-circle conversation about legacy, identity, and the unexpected paths that lead to a life in show business!Phil shares how his portrayal of the character, famously inspired by Johnnie Cochran, took on a life of its own, leading to national commercial campaigns and even a memorable Honda spot directed by the Coen Brothers. He recalls his Seinfeld audition, in Jerry's office with Johnnie Cochran's  rhythms and intonations fresh in his mind since they shared the same barbershop!But as Jackie Chiles' spotlight brightened, the line between inspiration and frustration blurred, culminating in an unexpected cease and desist letter from Johnnie Cochran himself and an awkward barbershop encounter in which Johnnie had to concede that Phil is very funny!Our conversation also explores Phil's remarkable Hollywood lineage. As the son of Greg Morris, star of the original Mission: Impossible, Phil reflects on how his father's network TV starring role suddenly transformed their family's life, and handed them all the weight of being a uniquely high profile example of black representation on television at the time. He shares how a single appearance by his father on The Dick Van Dyke Show helped pave the way for what would eventually become The Cosby Show, and how his own path into acting began almost by accident while working on set as a production assistant.Phil went on to work alongside his father in the Mission: Impossible reboot, and today continues to bring depth to his roles across mediums, from live action to voice work. A devoted comic book fan with an extensive collection, he discusses how his love of superheroes informs performances like his portrayal of Silas Stone in Doom Patrol.Phil also offers a behind-the-scenes look at the unique process of voice acting, whether collaborating in a room full of actors or performing solo, “opposite” himself, plus the emotional impact of meeting fans at conventions who credit his work with making a real difference in their lives. Then we get into an IMDB Roulette that delves deep into some roles while requiring discretion in discussing others!In current recommendations --Weezy: Movie, Remarkably Bright Creatures in theaters and streaming on NetflixLisa: Netflix documentary series, Should I Marry A Murderer?Path Points of Interest:Phil Morris IMDBPhil Morris on WikipediaPhil Morris on InstagramPhil Morris on FacebookPhil Morris on CameoRemarkably Bright CreaturesShould I Marry A Murderer?

The benevolent spaceman himself, Phil Morris, joins us again to chat about his final episode of season 8. We get into the Martian's humanity, the missed buddy cop spinoff opportunity, and how an episode that came out 17 years ago remains relevant today. In the episode, powerless John Jones is a detective for Metropolis PD. When he goes down in the line of duty, Clark goes undercover as a cop and finds out the dark truth about the department. Join us as we unpack the season wrap on the wise, compassionate Martian Manhunter, who also played a lawyer in a popular sitcom. ... ❤️ Find support and have someone with you in therapy—sign up and get 10% off at https://betterhelp.com/TALKVILLE

We found the original Time Machine with director Simon Wells…We brought the great grandson of HG Wells to the Warner Bros archives to see this timeless set piece for the first time in 25 years.Actor Phil Morris joins to chat Star Ttrek, “Jackie Chiles” his iconic lawyer character from Seinfeld and also being a legacy to his acting father Greg Morris (from the original “Mission Impossible” series.Our purple-headed Producer Arielle is out on assignment but Gibson is here to run the show.Chat will be up all show long. Feel free to jump in and J will get to your comments LIVE from the desk.Thank you for being with us!#latenightplayset #talkshowpodcast #simonwells #philmorris

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Farewell General Zod, you were quite the idiot!Clark now has the Book of Rao, but only to find out it will teleport every Kryptonian to their "paradise" world to start fresh. Since that includes Clark, he decides to lead his people to their new lives and has to say goodbye to his loved ones. Chloe gets pissed, Oliver doesn't care, and Lois gets told she needs to pick Africa over love. BUT, before Clark can do anything, Zod and his Kandorians begin committing gang violence across the globe because that's how you take over the world (apparently). Britt Irvin, Michael Shanks and Alaina Huffman all return as DC Comics original characters Courtney Whitmore ("Stargirl"), Carter Hall ("Hawkman") and Dinah Lance ("Black Canary"), respectively. Phil Morris and Lee Thompson Young make their final appearances as DC Comics original characters John Jones (“Martian Manhunter”) and Victor Stone (“Cyborg”), respectively. As always, enjoy the show and LEAVE THOSE FIVE STARS!

Live from Los Angeles.... it's Late Night Playset!Michael Merritt is in the playset for the first time and he's brought toys. Lots of old money and rare antiquities. Why? This is his business. The people from Antiques Roadshow worked for him!Then, Arielle joins to tell us about their experience at this year's Monterey Car Week.Then, fresh from LA Traffic... show-regular, Phil Morris joins and the love-fest begins...We'll be taking your questions, comments & suggestions all show long, so join in the chat anytime.As always, Manuel Carillo is in studio and, fresh off her 2025 Gentleman's Drive, @babesinclassics too.We love you at home. Thank you for being with us.

His Father's Son As we celebrate the 59th anniversary of Star Trek, we sit down with legend Phil Morris. From his childhood debut on The Original Series to Star Trek III: The Search for Spock, DS9, and Voyager, Phil shares stories from a lifetime in the Trek universe. We also dive into his storied career as DC superheroes, his turn as an infamous TV lawyer (Seinfeld), and his inspiring podcast with sister, Iona. Follow Phil Morris https://www.instagram.com/thephilmorris? https://www.facebook.com/philmorrisfanpage

 Check out “The Vison is Possible” with Iona and Phil Morris
https://www.youtube.com/@TheVisionIsPossible Associate Producers: Sailor Marj, Karen Dramera, and Stephanie Baker Thank you to Dena Massenburg for our dope logo: @blackbeanz70 Music: “Poppin off the Rip”
 Artist: RAGE
Source: YouTube Audio Library SUPPORT US ON PATREON:
https://www.patreon.com/syfysistas SUBSCRIBE > LIKE > SHARE:
https://linktr.ee/syfysistas You can find the SyFy Sistas and our family of podcasts on The Trek Geeks Podcasts Network: https://trekgeeks.com 

 FANSETS - Our pins... have character. Thank you to our friends at FanSets for being the presenting sponsor of the Trek Geeks Podcasts. Tune in to this episode to get an exclusive code and score 10% off your entire purchase! https://fansets.com STRANGER COMICS - THE BEST IN FANTASY COMICS! Tune in to this episode to get an exclusive code and score 10% off your entire purchase! http://www.strangercomics.com/

"You are of value, Clark Kent."After part one, Clark and his worst friends all get together to team-up with some of the J.S.A. members. The heroes go after The Icicle once they find out his weaknesses, with some sacrifices along the way (R.I.P. Kent Nelson). Unknown to them, The Icicle was hired by Amanda Waller, an agent of a group called Checkmate. Waller, a.k.a. "The White Queen", lures Lois into her schemes, while Tess seems to be super jealous and continues to do things that make no sense.Pam Grier (Jackie Brown, The L Word) makes her debut appearance as DC Comics original character Amanda Waller.Phil Morris, Wesley MacInnes, Britt Irvin, Michael Shanks and Brent Stait all return as DC Comics original characters John Jones ("Martian Manhunter"), Cameron Mahkent ("The Icicle"), Courtney Whitmore ("Stargirl"), Carter Hall ("Hawkman") and Kent Nelson ("Dr. Fate"), respectively. As always, enjoy the show and LEAVE THOSE FIVE STARS!

His Father's Son As we celebrate the 59th anniversary of Star Trek, we sit down with legend Phil Morris. From his childhood debut on The Original Series to Star Trek III: The Search for Spock, DS9, and Voyager, Phil shares stories from a lifetime in the Trek universe. We also dive into his storied career as DC superheroes, his turn as an infamous TV lawyer (Seinfeld), and his inspiring podcast with sister, Iona. Follow Phil Morris https://www.instagram.com/thephilmorris? https://www.facebook.com/philmorrisfanpage

 Check out “The Vison is Possible” with Iona and Phil Morris
https://www.youtube.com/@TheVisionIsPossible Associate Producers: Sailor Marj, Karen Dramera, and Stephanie Baker Thank you to Dena Massenburg for our dope logo: @blackbeanz70 Music: “Poppin off the Rip”
 Artist: RAGE
Source: YouTube Audio Library SUPPORT US ON PATREON:
https://www.patreon.com/syfysistas SUBSCRIBE > LIKE > SHARE:
https://linktr.ee/syfysistas You can find the SyFy Sistas and our family of podcasts on The Trek Geeks Podcasts Network: https://trekgeeks.com 

 FANSETS - Our pins... have character. Thank you to our friends at FanSets for being the presenting sponsor of the Trek Geeks Podcasts. Tune in to this episode to get an exclusive code and score 10% off your entire purchase! https://fansets.com STRANGER COMICS - THE BEST IN FANTASY COMICS! Tune in to this episode to get an exclusive code and score 10% off your entire purchase! http://www.strangercomics.com/

Phil Morris, Derek Lane Powell and new @sheffield_allsport_watches LIVE tonight @ 5P on @latenightplayset

Martian Manhunter himself PHIL MORRIS is in the house to help us close out Season 6 with a bang as we dive into the finale… episode 22… PHANTOM! Before chatting with Phil we talk about Lana's emotional ‘departure' from Smallville, Lex doing more unspeakable atrocities, and the shock of Chloe's super-empathy. Later, Phil gushes about being a kid in a candy store after being case as Martian Manhunter and why Superman reigns supreme in his scifi resume. Thank you to our sponsors:

All eyes of the speedway world fall on Britain this week as Manchester hosts 2 rounds of Speedway GP for the first time! Phil Morris, Premiership CEO and FIM Race Director looks ahead to this massive event, and gives some insights of what to expect. He also looks at British Speedway at the halfway stage, and the challenges the sport needs to tackle in the coming months. Learn more about your ad choices. Visit podcastchoices.com/adchoices

8 Hours of rotating guests including: Emelia HartfordSam FaneJay LenoSpike Feresten w Paul ZuckermanChristian James HandTati ReedJonny LiebermanElana ScherrJF MusialLarry ChenVin AnatraRon ZarasJ Ryan (Unofficial Good Vibes founder)Phil Morris (actor)Marco Gerace (TLG Auto)Hanna FarahSara Stringfellow Recorded March 31, 2025 Proper Cloth: Use code TIRE for 10% off your first order bit.ly/pc-smokingtire Get TWENTY PERCENT off your DeleteMe plan when you go to https://www.joindeleteme.com/TIRE and use promo code TIRE at checkout. To listen to DRIVE with Jim Farley, just search for “DRIVE with Jim Farley” in your podcast app. https://www.youtube.com/@Jim.Farley New merch! Grab a shirt or hoodie and support us! https://thesmokingtireshop.com/ Want your question answered? To listen to the episode the day it's recorded? Want to watch the live stream, get ad-free podcasts, or exclusive podcasts? Join our Patreon: https://www.patreon.com/thesmokingtirepodcast Use Off The Record! and ALWAYS fight your tickets! Enter code TST25 for a 10% discount on your first case on the Off The Record app, or go to http://www.offtherecord.com/TST. #cars #comedy #podcastTweet at us!https://www.Twitter.com/thesmokingtirehttps://www.Twitter.com/zackklapman Instagram:https://www.Instagram.com/thesmokingtirehttps://www.Instagram.com/therealzackklapman Click here for the most honest car reviews out there: https://www.youtube.com/thesmokingtire Want your question answered? Want to watch the live stream, get ad-free podcasts, or exclusive podcasts? Join our Patreon: https://www.patreon.com/thesmokingtirepodcast Use Off The Record! and ALWAYS fight your tickets! Enter code TST10 for a 10% discount on your first case on the Off The Record app, or go to http://www.offtherecord.com/TST. Watch our car reviews: https://www.youtube.com/thesmokingtire Tweet at us!https://www.Twitter.com/thesmokingtirehttps://www.Twitter.com/zackklapman Instagram:https://www.Instagram.com/thesmokingtirehttps://www.Instagram.com/therealzackklapman

Law & Order: Smallville Victims UnitDetective John Jones makes his return only to get shot, while on duty, in the first five minutes. After Clark finds out it was an inside job he decides to go undercover as a cop named Joe Fordman (Top 10) in order to find the culprit. Meanwhile, Lana is still here, back as the lead terrorist, and now fighting with Tess about Lex and the famous art of Wushu.Phil Morris returns for another special guest appearance as DC Comics original character John Jones ("J'onn J'onzz"), a.k.a Martian Manhunter.

This week Ian Brannan speaks to the man at the top of British Speedway's top league, ROWE Motor Oil Premiership CEO Phil Morris. Looking back at the 2024 season, and how to continue the positive momentum into 2025. Topics discussed include the TV deal with TNT and how this can bring new fans to the sport, agreeing a deal with Poland to allow Thursday night racing to continue hopefully with no impact on British racing, and how fans can interact with their favourite riders this weekend during the media day. Phil is also FIM Race Director for the Speedway GP series so we look at the changes for 2025, and how British Riders could have a key advantage qualifying for the world U21 championship SGP2. plus we hear from Ryan Douglas ahead of his testimonial in Leicester, and Brady Kurtz after retaining the Peter Craven Memorial title. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tonight: Actor Phil Morris (Seinfeld, Fire Country) is here to share his perspective on LA's horrific wildfires, the aftermath & current energetic temperature of Los Angeles. What are your thoughts? Feelings? Have a story to share? Countless friends have lost everything… how are you holding up? Let us know in the comments below, This episode also corrects misconceptions about GVBC, discusses new projects & Phil shares some memorable moments from the final week of New Life of old Nicole. Plus your comments and questions answered LIVE. Thanks for being with us. Hang in there Los Angeles. We ❤️ LA. Please love one another. J & Phil Follow us on IG: @thephilmorris @porschelife111 @latenightplayset Don't forget to like, subscribe and share (Kick the thing

Folks, we're getting one more episode in this year. Kyle Ayers has never seen Holiday Touchdown: A Chiefs Love Story, the Hallmark movie centered around The Kansas Chiefs, but he rewrote it. It's TOO long, TOO specific, and potentially for nobody in the world. Kyle is joined by Danny Jolles, Bailey Norton, and Phil Morris (and producer Jake Robinson for the games!) Happy Holidays, everyone. I am thankful for you. Hope you are the best you can be, doing what you need to do through the holidays. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Susan & James team up with actor Phil Morris (aka: Vandal Savage) to dig into the 2-parter "Hereafter". "Hereafter" originally aired November 29th, 2003. Follow Phil Morris - https://www.instagram.com/thephilmorris/ Follow Susan Eisenberg -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://susaneisenbergvoice.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow James Enstall -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠http://geektomeradio.com/⁠⁠⁠⁠

World's Collide, When Seinfeld's Jackie Chiles Meets Seinfeld's Lloyd Braun on Monstrosity with David Race!  Another great episode of Monstrosity with in-studio guest Phil Morris (lawyer "Jackie Chiles" from Seinfeld), and Matt McCoy (George's arch enemy "Lloyd Braun" from Seinfeld), appear together for the first half of the show. There are great inside Seinfeld stories, and general merriment, between Phil, Matt, and David Race. Phil Morris also talks about his appearances on nearly every version of Star Trek, starting with the original show in 1966! Later in the episode comedian Joey Gaynor pops on, to discuss his first-hand witnessing of the ghosts of "The Comedy Store" Make sure you never miss an episode of Monstrosity, by subscribing for free in whatever platform you listen on. Also share the episode with your friends on social media and visit and buy from our advertisers. You can find everything you need to know about Monstrosity on MonstrosityPodcast.com 

Smallville Presents: C.K. vs Doctor C.K.The Battle of the Immortals is here!Dr. Curtis Knox, a famous neurosurgeon, is introduced this week as an immortal man curing the meteor-infected. But Curtis seems to have his own agenda: taking the organs of certain patients in order to make his wife immortal. Before Chloe even does any research, she decides to ditch Jimmy to go get the cure from Dr. Knox. Clark sets out to stop her...with Lex's help?! Lana makes herself at home (gross) by continuing her web of lies. Martian Manhunter and Kara finally meet again at the House of Kent. Dean Cain (Lois & Clark: The New Adventures of Superman) special guest stars as Doctor Curtis Knox, a character originally intended to be Smallville's version of DC Comics original character Vandal Savage. Phil Morris returns for another special guest appearance as DC Comics original character John Jones ("J'onn J'onzz"), a.k.a Martian Manhunter.Don't forget to leave those five stars!

New season, new Bizarro problems...?The era of Seventh Heaven Season begins. We continue the fight between Clark and Bizarro Clark that lasts the entire episode. John Jones comes to Clark to talk nonsense. Bizarro Clark becomes a kryptonite addict. Lois takes Chloe to the hospital to die and be resurrected. Lex gets saved and decides to prepare his legal defense for Lana's "murder". Phil Morris returns for another special guest appearance as DC Comics original character John Jones ("J'onn J'onzz"), a.k.a Martian Manhunter.Tom Welling continues his double role appearance as DC Comics original character Bizarro.Don't forget to leave those five stars!

Town of Smallville v Phantom of QuebecSeason 6 is officially a wrap, bringing us the last phantom and this one is quite...bizarre.John Jones, a.k.a. Martian Manhunter, finally makes his return only to get severely wounded by the last phantom near a village in Quebec. Lex has been attempting to capture the phantom in order to take its DNA for his super army. Lana decides to leave Lex, and Clark…? Clark teams up with John Jones and Lionel to defeat the phantom. Chloe finally shows us her power! And finally, Lois rides into battle, welcoming sweet death like it's an old friend.Phil Morris returns for another special guest appearance as DC Comics original character John Jones ("J'onn J'onzz"), a.k.a Martian Manhunter.Tom Welling makes his first double role appearance as DC Comics original character Bizarro.Don't forget to leave those five stars!

0:00  SEG 1 Phil Morris talks about his acting career, the sitcom Marblehead Manor, his father Greg Morris starring in the Mission Impossible TV series, working with his father in The New Mission Impossible, getting bit by the acting bug, making friends with Thaao Penghlis, commercials for Capital One and Seinfeld's movie Unfrosted, having good karma, auditioning, and playing a different version of Vandal Savage in the LEGO properties. https://www.instagram.com/thephilmorris  24:11 SEG 2 Phil Morris talks about his 20,000+ comic book collection, being friends with the characters in the comic books, and working on Doom Patrol. 35:42 SEG 3 Phil Morris talks about working with Gregg Berger, working in animation, being prepared to perform, working with Andrea Romano, what made Seinfeld characters so memorable, and auditioning for Jackie Chiles.  Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague  Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223), Kokomo Toys (https://www.kokomotoys.com/)  Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl  Patreon -   https://www.patreon.com/GeekToMeRadio  Website -   http://geektomeradio.com/    Podcast -   https://anchor.fm/jamesenstall  Facebook -   https://www.facebook.com/GeekToMeRadio/   Twitter -   https://twitter.com/geektomeradio   Instagram -   https://www.instagram.com/geektomeradio/  Producer - Joseph Vosevich https://twitter.com/Joey_Vee  --- Support this podcast: https://podcasters.spotify.com/pod/show/jamesenstall/support

"You're not crazy, Kal-El"Smallville finally jumps back into its Phantom Zone(rs) plot as Clark gets ambushed into an alternate reality within his own mind. A man known as Dr. Hudson attempts to convince Clark that he is a human with mental illness and that his entire alien life is a made-up fantasy. In this new world Martha is married to Lionel, Lex lost his legs in the car accident with Clark and Lana somehow stayed 14 years old in the Kent barn. With only Chloe and a fellow patient (from Mars?) here to help, how will Clark find his way back to his reality? HINT: Ask Shelby!Phil Morris makes his official first appearance as DC Comics original character John Jones ("J'onn J'onzz"), a.k.a Martian Manhunter. Don't forget to leave those five stars!

Phil Morris, the voice of Vandal Savage, joins us to discuss "The Savage Time", the 3-part season-1 finale of Justice League. It first aired on November 9, 2002. Follow Phil Morris - https://www.instagram.com/thephilmorris/ Follow Susan Eisenberg -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠https://susaneisenbergvoice.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow James Enstall -⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠http://geektomeradio.com/⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/justiceleague/message

Please join actors Mariann Aalda, Jonelle Allen, Lauren B. Martin, Iona Morris, Phil Morris and Jim Reynolds in The Locher Room for a tribute to One Life to Live's legendary Ellen Holly who challenged racial barriers on daytime television in the 1960's.Ellen was one of the first black actors to play a lead role on daytime television, she broke barriers and sparked controversy with her iconic portrayal of “Carla Gray.” Carla, pretending to be white becomes involved in a love triangle with a White doctor and a Black intern.As Mariann Alda stated after Ellen's passing in December, the success of that story and the popularity with audiences opened doors for other Black actors to walk through. I was fortunate to be one of them, beginning with the fact that seeing her on One Life to Live made me believe that it would also someday be possible for me.”Mariann originated the role of “Didi Bannister” on The Edge of Night and is currently playing “Violet Givens” on The Bay, Joenelle Allen portrayed “Doreen Jackson” on Generations, Lauren B. Martin played "Camille Bennett" on As the World Turns, Iona Morris Jackson played “Fiona Griffin” on As the World Turns and Passions, Phil Morris played “Tyronne Jackson” on The Young and the Restless and James Reynolds currently portrays Abe Carver on Peacock's Days of Our Lives.” Don't miss the chance to hear from this talented group of actors on how Ellen and the “Carla Gray” storyline paved the way for black characters and actors to move from the background to front burner storylines. We'll also hear their feelings on how Black representation has evolved over the past six decades.

Actor Phil Morris is on with Fonseca he's played Jackie Chiles on Seinfeld, John Jones on The CW series Smallville and voiced Doc Saturday on The Secret Saturdays. He is also the voice of Dr. Joshua Strongbear Sweet in the franchise of Atlantis: The Lost Empire and currently plays Silas Stone in Doom Patrol.

Tuesday October 3, 2023 - Guest: actor Phil Morris From Seinfeld, Star Trek and everything on IMDB, actor and friend of the show PHIL MORRIS drops by to talk about his latest automotive purchase, yes it's from Stuttgart

Tom Thakkar has never seen Memento, but he rewrote it and we read his script. Script start about 30 minutes in, we had a little catching up to do. Kyle and Tom are joined by Phil Morris. After the script, some games. Thank you for listening! Learn more about your ad choices. Visit megaphone.fm/adchoices

With the WGA and SAG-AFTRA members on strike for the first time together since 1960, an entire industry has shut down, with massive implications for jobs beyond TV & film. Join Armin Shimerman, Kitty Swink, Phil Morris, Lisa Klink, Bertila Damas, and Tim Lounibos as we unpack and explain what's happening in Hollywood right now. This roundtable discussion breaks down critical issues like base pay, residuals, and healthcare, addresses the misinformation the average person may have about the strike, why the growing threat of AI is such a danger to their work and everyone else, what actors and writers can and can't do during this strike, and much more. This diverse group with Star Trek on their lengthy resumes pulls back the curtain on the negotiations with the AMPTP and what has to be done to resolve this conflict.  There's a lot to understand about this very complicated situation. This chat will clear up your confusion about the strike, help you understand why it's happening and, why it's so important, and how critical it is to make serious changes before things get worse. Support the people on strike by donating to: SAGAFTRA FOUNDATION https://sagaftra.foundation ENTERTAINMENT COMMUNITY FUND https://entertainmentcommunity.orgMOTION PICTURE TELEVISION FUND https://mptf.com Learn more general info about the strike with my article here - https://rageworks.net/everything-you-need-to-know-about-the-hollywood-strike-and-how-it-affects-what-you-watch/ More info on which shows and films are affected by the strike - https://www.bbc.com/news/entertainment-arts-66196019 Details on the demands and counter-proposals from the new contracts - https://gizmodo.com/sag-aftra-contract-demands-negotiations-amptp-response-1850651186Visit:  https://sagaftra.foundation/ Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold . There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the podcast and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

The Cerritos crew may be Grounded, but Jaxilly positively SOARS whenever the PD Crew gets back together!  That's right, friends, you finally have in your ear buds something almost as legendary as Zephram Cochrane's first warp flight: Jaxilly eps about Lower Decks SEASON THREE, miraculously even before season four has started.  Thrill to the gang waxing nostalgic over First Contact, confusing Phil Lamarr and Phil Morris, relitigating proper grape growing techniques, making Kev write new songs, and so much more. Make 125th Contact… with FUN!

On this week's 2nd episode we have a long time awaited guest on: Jason Shawn Alexander!  He is the artist for Killadelphia & Nita Hawes' Nightmare blog with writer Rodney Barnes.  He also does art for Dark Horse, D.C. & Todd McFarlane's Spawn.  Plus he's a comic collector of the 90's.  Tune in as he tells us about his Image book Empty Zone and about his life with fine art and comic art.  Also in this episode, will you turn into Alex Mack if you drink Capri Sun?  How does smoking marijuana play a role in Alex's creative process?  How does sketching help Alex's artistic talent?  Does Jason confirm a long held belief by Anthony that James Sangster Sr. from Killadelphia is modeled after actor Phil Morris?  Did Jason enjoy killing off Drake in Killadelphia?  What is Rodney & Jason's creative process like?  How did Spawn enter the Killadelphia Universe?  How many projects is JSA currently working on?  Is Anthony going to be the model of John Adams' son?  Tune in tomorrow to find out the answers and more with this interview we're incredibly excited to put out!! Check out our Patreon: https://www.patreon.com/ComicsandChronic Check out our website: ⁠⁠⁠⁠⁠⁠⁠https://www.comicsandchronic.com/⁠⁠⁠⁠⁠⁠⁠ New episodes every THURSDAY Follow us on social media! Instagram // Twitter // TikTok : @comicsnchronic YouTube: www.youtube.com/channel/UC45vP6pBHZk9rZi_2X3VkzQ E-mail: comicsnchronicpodcast@gmail.com Cody Twitter: @Cody_Cannon Instagram: @walaka_cannon TikTok: @codywalakacannon Jake Instagram: @jakefhaha Anthony Instagram // Twitter // TikTok : @mrtonynacho YouTube: youtube.com/nachocomedy

Christian Duguay (Valley Heat) has never seen The Godfather 3, but he rewrote it and we read his script. We talk Chris' love for the other films, play some games, and wander down this road that we call life, just some boys meeting the world. Enjoy the episode! Kyle and Christian are joined by comedian Phil Morris. NOTE: This episode was recorded in a VERY temporary studio space, apologies for any recording quality issues. This was in between Starburns shutting down and Kyle finding his new space. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to another magical episode of Not A Bomb. This is the podcast where we go back and reexamine some of the biggest bombs in cinematic history and see if they deserve a second chance. On this week's episode, the guys, once again, find themselves tackling an early 2000's Walt Disney animated film. This time, it's the 2001 adventure film- Atlantis: The Lost Empire. Both a financial and critical flop, Atlantis: The Lost Empire is noted for an amazing voice cast and its mixture of traditional animation and CGI. Does Atlantis: The Lost Empire. stand the test of time? Were the critics correct with their initial assessment? Listen and find out!Timestamps: Intro - (1:10), Box Office Results, Critical Response, and Movie Guide - (16:38), Behind the Camera - (27:24), Voice Cast - (30:31), Production and Development - (42:16), Commercial Break - (49:34), Atlantis Discussion - (51:34), Is it a Bomb? - 84:27, and Outro - (93:11)Atlantis: The Lost Empire is directed by Gary Trousdale and Kirk Wise and stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton, and Leonard Nimoy.If you want to leave feedback or suggest a movie bomb, please drop us a line at NotABombPod@gmail.com or Contact Us - here. Also, if you like what you hear, leave a review on Apple Podcast.Cast: Brad, Troy

Episode 179 brings back Phil Morris! Up for grabs this week, cinnamon toast crunch bars - king sized! Gene Hackman joins us as an honorary guessy and we all get a lesson on fracking. When David's here, he's a demon. Foster's getting a solid deal on the Terminator franchise. Phil learns an important fact about making friends. Enjoy. #JerkyCellarReveal

History is irrelevant this week on "Voyager"...or is it? First up, what feels like a Tom episode is actually a Chakotay episode until it turns into a "let's teach Seven something about humanity" episode when spaceman Phil Morris gets eaten by space food (your view of which may depend on your background) and becomes jerky by the 24th century in "One Small Step"! After that, Seven is auditioning to be the worst kind of "news" host when her brain makes connections that make sense if you don't think very hard in "The Voyager Conspiracy"! Also this week: guest dog, space Canadians, and EV fashions! [timestamps: One Small Step: 1:34; Voyager Conspiracy: 25:31; EV Suits: 50:48] [tumbl: https://at.tumblr.com/sshbpodcast/i-am-just-going-outside-and-may-be-some-time-star/m9o7y0l7h8dc]

MotorTrend's Ed Loh & Jonny Lieberman chat with actor Phil Morris! Phil discusses his career on screen, his love for cars, car collection over the years, and thoughts on the future of mobility!

Rebinging Star Trek DS9: Rocks and Shoals Hello Star Trek fans! Welcome to Rebinge Deep Space Nine S6E2: Rocks and Shoals! In the aftermath of a dangerous mission, Sisko and crew are stranded on a planet where they are not alone. This week's guest stars include Christopher Shea as Keevan and Phil Morris as Remata'Klan. Rocks and Shoals After last week's successful mission, the crew crashes their Jem'Hadar ship on a supposedly deserted planet! But you know it's not deserted! There's some crazy Jem'Hadar also stranded there - and no planet is big enough for both Starfleet and the Dominion. Meanwhile back at the station, Major Kira is having a crisis of conscience and is starting to feel like a traitor to her own people. Lots of drama! What's this rebinge thing? It's a re-watch of a thing you've already seen but love to watch and talk about. We go deep with every episode, walking you through every scene and analyzing all of the characters and story lines. Please listen to some of our favorite episodes like Duet, The Visitor or Rejoined or our VERY SPECIAL episode: Star Trek First Contact. And be sure to listen to our previous episode S6E1: A Time to Stand. Next time... Join us next week for Season 6, episode 3: Sons and Daughters! Be sure and join our Facebook group and Follow Rebinge It on Twitter! Email us at rebingeit@gmail.com.

Greg and Chico's livewatches of the original Star Trek movies continue as they join Kirk and company in The Search for Spock. In this journey to the Genesis planet we meet Klingon Doc Brown, Captain James B. Sikking and Phil Morris (wait, what?). Enjoy as we see the events that made John Schuck say that those Starfleet regulations were outrageous!

Greg and Chico's livewatches of the original Star Trek movies continues as they join Kirk and company in The Search for Spock. In this journey to the Genesis planet we meet Klingon Doc Brown, Captain James B. Sikking and Phil Morris (wait, what?). Enjoy as we see the events that made John Schuck say that those Starfleet regulations were outrageous!

The milestone 300th episode of the Hall of Justice podcast features actor Phil Morris. Morris is best known for playing lawyer Jackie Chiles on Seinfeld. He has over 200 credits in his career. In addition to being an accomplished performer, he is also a massive fan of the superhero genre. He owns over 20,000 comic books and brings his passion for them to his work in the genre. In the genre, Morris played J'onn J'onz on Smallville, Vandal Savage on Justice League, Silas Stone on Doom Patrol, General Zod on Young Justice, and countless others. He's been on multiple Star Trek series. He was on Knight Rider and Cheers. That barely covers 2%. In the episode, he talks about his roles in various series. Morris also offers his thoughts on Marvel and DC. He also shows his passion for the genre, debating various comic book movies, and discusses his love of the genre.

Actor Phil Morris will join Mick and Mook on the August 17th podcast. The talented Morris played Jackie Chiles on Seinfeld, John Jones on The CW series Smallville and Silas Stone in Doom Patrol. He also played Zendaya's, Dad, Dr, Rocky Blue in the hit Disney Channel series, Shake It Up.  Phil can currently be seen in the streaming series, Bosch Legacy..Morris's first acting role was as a child when he appeared in the 1966 Star Trek episode “Miri,” and he made his feature film debut in Star Trek III: The Search for Spock in a small role. Morris's first acting role was as a child when he appeared in the 1966 Star Trek episode “Miri.” He later guest starred on Babylon 5, Star Trek: Deep Space Nine, and Star Trek: Voyager.Morris is a member of a very talented family. He's the son of actor Greg Morris (1933–1996), who was best known for starring in the TV series Mission: Impossible during the show's full run from 1966 to 1973. Phil's dad was notable to be the first black actor ever star in the # 1 series in the world.  to His paternal grandfather was jazz trumpeter Francis Williams.  Phil has two siblings, one of whom is actor Iona Morris.Morris has been married to interior designer Carla Gittelson since 1983. Together they have two children.Be sure to join Billy and Frank on August 17th to meet the exceptionally talented and interesting Phil Morris.

In this episode, Adam and Eric interview Phil Morris. Phil played the legendary Jackie Chiles in five episodes of the series. If you have any questions or comments, feel free to email us at theplacetobeseinfeld@gmail.com. You can also follow us on Facebook at The Place to Be: A Seinfeld Podcast, Twitter @tptbseinfeld, and Instagram @theplacetobe.podcast.

Phil Morris - Trek Untold Encore One of the folks on my big list of guests to get when I first started this podcast included this man, Phil Morris. Last week, we flashed back to what was originally the fifth episode of this podcast with an interview with his sister Iona. This week we jump ahead to episode 26, where we spoke with this incredibly accomplished character actor whose resume speaks for itself. Enjoy this classic episode you may have never heard before: Phil Morris is another of those actors whose face you've seen many times (200 to be exact) but whose name you may not have known until today. His father is the famous Greg Morris from the original "Mission: Impossible" show, and we spoke with his sister Iona Morris a few months back on this show, so acting is in his family's blood! Phil has been in the Star Trek franchise FIVE times, starting when he was a child in the original series in the season 1 episode "Miri." He explains how he got cast on the show and the scene they didn't warn any of the kids about! Over 20 years later, Phil returned to Trek and worked face to face with William Shatner in "Star Trek 3: The Search for Spock" and recalls the brilliant piece of direction Leonard Nimoy told him before his scene. Fast forward a few years later, and Phil made his way to DS9 in "Looking for Par'Mach in All The Wrong Places," where he tells us about becoming a Klingon, learning to fight with a batleth against Armin Shimmerman, and being directed by Andrew Robinson AKA Garak. One season later, he returned as the Third Remata Klan in "Rocks and Shoals" as a Jem'Hadar, and Phil tells us what it's like to work with the imposing Avery Brooks.  Finally, his "Star Trek Voyager" appearance as Lt. John Kelly in "One Small Step," what it was like being directed by his acting school classmate Robert Picardo, and what big emotions came up filming this episode. Plus, being Jackie Chiles on "Seinfeld," working with Angela Lansbury on "Murder, She Wrote" and Will Smith on "Fresh Prince of Bel-Air," what he learned from his famous father and how the two of them got along on set for the "Mission: Impossible" reboot in 1988, Vandal Savage in Justice League animated series, and being on Doom patrol as Cyborg's dad, Silas Stone, and the story of the worst day he ever had on the job! Follow Phil on social media •        https://twitter.com/thephilmorris •        https://instagram.com/thephilmorris Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!       Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates.    

One of the folks on my big list of guests to get when I first started this podcast included this man, Phil Morris. Last week, we flashed back to what was originally the fifth episode of this podcast with an interview with his sister Iona. This week we jump ahead to episode 26, where we spoke with this incredibly accomplished character actor whose resume speaks for itself. Enjoy this classic episode you may have never heard before: Phil Morris is another of those actors whose face you've seen many times (200 to be exact) but whose name you may not have known until today. His father is the famous Greg Morris from the original "Mission: Impossible" show, and we spoke with his sister Iona Morris a few months back on this show, so acting is in his family's blood! Phil has been in the Star Trek franchise FIVE times, starting when he was a child in the original series in the season 1 episode "Miri." He explains how he got cast on the show and the scene they didn't warn any of the kids about! Over 20 years later, Phil returned to Trek and worked face to face with William Shatner in "Star Trek 3: The Search for Spock" and recalls the brilliant piece of direction Leonard Nimoy told him before his scene. Fast forward a few years later, and Phil made his way to DS9 in "Looking for Par'Mach in All The Wrong Places," where he tells us about becoming a Klingon, learning to fight with a batleth against Armin Shimmerman, and being directed by Andrew Robinson AKA Garak. One season later, he returned as the Third Remata Klan in "Rocks and Shoals" as a Jem'Hadar, and Phil tells us what it's like to work with the imposing Avery Brooks.  Finally, his "Star Trek Voyager" appearance as Lt. John Kelly in "One Small Step," what it was like being directed by his acting school classmate Robert Picardo, and what big emotions came up filming this episode. Plus, being Jackie Chiles on "Seinfeld," working with Angela Lansbury on "Murder, She Wrote" and Will Smith on "Fresh Prince of Bel-Air," what he learned from his famous father and how the two of them got along on set for the "Mission: Impossible" reboot in 1988, Vandal Savage in Justice League animated series, and being on Doom patrol as Cyborg's dad, Silas Stone, and the story of the worst day he ever had on the job! Follow Phil on social media •        https://twitter.com/thephilmorris •        https://instagram.com/thephilmorris Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!       Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

David's off this week and Foster goes in studio with returning guests Paige Lockhart and Phil Morris! Also Marvin. This week, we enjoy the beauty of podcast editing and up for grabs: Spaghetti O's and a poster. Phil perfects his miming. Paige explains blinkers. Foster scares people with his birth. Enjoy. #MarvinSpeak https://www.youtube.com/playlist?list=PLnRVkFtifk40Q6sr5ux4a3oeYHiKJWlpN (Reveal) https://www.audioobscurapod.com/listen (Follow) Audio Obscura on your pod-catcher of choice so you never miss an episode! Leave us a review on https://podcasts.apple.com/us/podcast/audio-obscura/id1449162828 (Apple Podcasts) and let us know what you think, it really helps us out. Check us out on the web and listen to our back catalog: https://www.audioobscurapod.com/ (audioobscurapod.com) Support the show and get access to bonus content and unedited episodes by visiting https://www.patreon.com/audioobscurapod (patreon.com/audioobscurapod) Social Media: http://facebook.com/audioobscurapod (Facebo)http://twitter.com/audioobscurapod (ok) http://twitter.com/audioobscurapod (Twit)http://instagram.com/audioobscurapod (ter) Instagram If you have any feedback or your own suggestion of a unique piece of audio that you'd like to see included in a future episode, drop us a line at audioobscurapodcast@gmail.com.

From SeinfeldTV, #GVBC and every single thing on IMDB, actor Phil Morris is LIVE in Studio 11 to talk Cars (he drives an Audi R8) Bosch Legacy (available now on Amazon) and dissecting his iconic Seinfeld character: Jackie Chiles #whotoldyoutoputthebalmon Lots and lots of good vibes! - PLUS: an extended edition of "Getting Real with Nicole" Please subscribe, share and review on iTunes... thank you for watching!

David's mysteriously out this week and Foster's got some folks with him! For episode 131 we have returning guests Anna May Smith and Phil Morris of episode 60 notoriety, as well as Rocky Chase Alterman! This week up for grabs is a Foster-paid trip to Denny's or iHOP. We're loving each other and our guests gives us the laugh track we all wanted. Foster does Bruce Springsteen does Neil Diamond. Anna hates it here. Rocky was recorded 3 months ago. Phil knows a bathroom when he hears one. David's fine. Enjoy. #ImprovIsMagic https://www.youtube.com/watch?v=6v0Q-2IhqrE (Reveal) https://www.audioobscurapod.com/listen (Follow) Audio Obscura on your pod-catcher of choice so you never miss an episode! Leave us a review on https://podcasts.apple.com/us/podcast/audio-obscura/id1449162828 (Apple Podcasts) and let us know what you think, it really helps us out. Check us out on the web and listen to our back catalog: https://www.audioobscurapod.com/ (audioobscurapod.com) Support the show and get access to bonus content and unedited episodes by visiting https://www.patreon.com/audioobscurapod (patreon.com/audioobscurapod) Social Media: http://facebook.com/audioobscurapod (Facebo)http://twitter.com/audioobscurapod (ok) http://twitter.com/audioobscurapod (Twit)http://instagram.com/audioobscurapod (ter) Instagram If you have any feedback or your own suggestion of a unique piece of audio that you'd like to see included in a future episode, drop us a line at audioobscurapodcast@gmail.com.

Phil Morris returns to the show and is very contemplative. Happy Thanksgiving! Gather around the hearth, digest that bird, and play the mystery together! Up for grabs this week is your very own homemade Davy Jones tentacle beard. We confuse Mank for Dead Man's Chest and invent Kenny, the suburban and paternal Jigsaw. Foster embraces the 'regular season'. David fondly recalls Dick Clark. Phil brings personality. Enjoy. #SchmoForSho https://blackcatfireworks.com/category/podcast/ (Reveal) https://www.audioobscurapod.com/listen (Follow) Audio Obscura on your pod-catcher of choice so you never miss an episode! Leave us a review on https://podcasts.apple.com/us/podcast/audio-obscura/id1449162828 (Apple Podcasts) and let us know what you think, it really helps us out. Check us out on the web and listen to our back catalog: https://www.audioobscurapod.com/ (audioobscurapod.com) Support the show and get access to bonus content and unedited episodes by visiting https://www.patreon.com/audioobscurapod (patreon.com/audioobscurapod) Social Media: http://facebook.com/audioobscurapod (Facebo)http://twitter.com/audioobscurapod (ok) http://twitter.com/audioobscurapod (Twit)http://instagram.com/audioobscurapod (ter) Instagram If you have any feedback or your own suggestion of a unique piece of audio that you'd like to see included in a future episode, drop us a line at audioobscurapodcast@gmail.com.