Podcasts about Storm King Art Center

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

In this week's episode of the ArtTactic Podcast, host Adam Green speaks with Nora Lawrence, Executive Director of Storm King Art Center. With the museum set to reopen in May following a transformative $53 million capital project, Nora shares what visitors can expect and how these changes will impact the experience of seeing art across Storm King's 500-acre landscape. They discuss the balance between honoring the institution's iconic permanent collection and supporting new voices in sculpture, the challenges and rewards of running an entirely outdoor museum, and current trends in large-scale outdoor sculpture. Nora also offers insights for collectors who may be considering outdoor works for their own collections and what might give them the confidence to take that step.

Episode Page The latest episode of the Ecosystem Member podcast is with the amazing interdisciplinary artist and environmental activist, Jenny Kendler. Many of you listening are probably familiar with Kendler's work thanks to her most recent solo project on Governors Island being reviewed and featured on the front page of The New York Times. The exhibition included nine sculptures that used materials from the ocean itself to raise awareness about endangered marine ecosystems. In the episode we talk about the piece “Other of Pearl”, which is made up of 12 oyster half shells where the oyster shell was grown around a bio-based figures of Greek and Roman antiquities. The exhibition is a perfect example of Kendler's work, which aims decenter the human to make space for the full biodiversity of Earth. Some of the other pieces we discuss include 'Birds Watching', which inverts the gaze of birdwatching using the eyes of endangered and/or threatened birds due to climate change, and 'Music for Elephants', which uses a player piano with ivory keys playing music created from data on elephant poaching that is driven by the ivory trade. As a podcast that aims to examine the relationship humans have with nature and the more-than-human world, her work is an incredible example of how art can ask big questions about that relationship. While the conversation focuses on her artistic work - which has been shown around the world at London's Hayward Gallery, Storm King Art Center, the Smithsonian Museum of Natural History, the MCA Chicago and public locations as diverse as urban riverwalks, remote deserts and tropical forests - we also talk about her own relationship with nature and the more-than-human world. The topic being particularly relevant as she was just named an Artistic Fellow for the Center for Humans and Nature after spending 10 years as the artist-in-residence with the environmental non-profit NRDC, the Natural Resources Defense Council. She also sits on boards for 350.org and artist residency ACRE, and is a co-founder of Artists Commit, an artist-led effort to raise climate-consciousness in the art world. We talk a lot about specific pieces in this episode, so make sure to visit the podcast episode page at ecosystemmember.com/podcast, or watch the episode on Spotify or YouTube to see the work we're discussing. Thanks to Jenny for taking time to chat openly about her work and background, and thanks to you for listening. If you enjoy this episode, please make sure to subscribe on your preferred podcast platform and if you are so inclined leave us a five star review. These are signals to the platform that the podcast has value and increases its visibility to potential listeners. Links Jenny Kendler's Website Jenny Kendler's Instagram Jenny Kendler in The New York Times Thomas Nagel / What is it like to be a bat? Billion Oyster Project Dr Ayana Elizabeth Johnson's Climate Action Venn

Episode No. 670 features artist Arlene Shechet.  Storm King Art Center in New Windsor, NY is showing "Arlene Shechet: Girl Group" through November 10. The exhibition joins Shechet's recent work exhibited in a typical gallery setting to six new monumental sculptures Shechet  created for installation at Storm King. The exhibition was co-curated by Nora Lawrence and Eric Booker, with Adela Goldsmith.  On September 27 and 28, a group of six women will gather to dance at dusk in the midst of Shechet's outdoor sculptures. The performances are choreographed by Annie-B Parson in collaboration with the dancers: Cecily Campbell, Elizabeth DeMent, Natalie Green, Kashia Kancey, Brooke Ashley Rucker, and Jin Ju Song-Begin. Costumes for the performances were designed by Shechet. Tickets are available through Storm King's events page.  Shechet's work is also on view at many art museums around the United States, including at deCordova Sculpture Park and Museum, Lincoln, Mass., in "Disrupt the View: Arlene Shechet at the Harvard Art Museums," and more. Shechet is one of the nation's greatest living sculptors. Among the institutions that have presented solo exhibitions of her work are The Phillips Collection, Washington, DC; The Frick Collection, New York; and the Joslyn Art Museum, Omaha. In 2015 the Institute of Contemporary Art, Boston presented a mid-career survey. (On the occasion of that exhibition, Shechet was a guest on Episode No. 194 of The MAN Podcast.)  Instagram: Arlene Shechet, Tyler Green.

“The client's role is not to solve the problem — it's to state the problem.”What's the client's perspective in major cultural projects? What are “client user groups?” What's the difference between advocating for the client, and advocating for the project? How do you “inhabit your project?” How might a single gender-inclusive restroom project change an entire institution? Should every project have a “super contingency” in the budget?Amy Weisser (Deputy Director for Strategic Planning and Projects at Storm King Art Center) joins host Jonathan Alger (Managing Partner, C&G Partners) to discuss “The Client Side of Major Projects.”Along the way: P.P.E., trusting the hiring decisions, and a 2,000-year-old Roman theory that still works today.Talking Points:1. The Three-Legged Stool: Vision, Schedule, Budget 2. Client Advocate, Project Advocate, User Advocate 3. Museum Building Projects are Linear, Not Cyclical 4. All Projects are Transformational 5. Project Phases: Watercolors to Hard Hats 6. Disasters DO Happen 7. Build Your ValuesHow to Listen: Apple Podcastshttps://podcasts.apple.com/us/podcast/making-the-museum/id1674901311 Spotifyhttps://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G Everywherehttps://makingthemuseum.transistor.fm/ Guest Bio:Amy Weisser is Deputy Director, Strategic Planning and Projects at Storm King Art Center, where she incubates projects focused on strategic growth. Weisser has spent 30 years supporting cultural institutions undergoing profound development. Prior to Storm King, Weisser led exhibition development for the National September 11 Memorial Museum from 2005 to 2017 and helped open the contemporary art museum Dia:Beacon and the American Museum of Natural History's Rose Center for Earth and Space. She has taught Museum Studies at New York University. Weisser holds a doctorate in Art History from Yale University. She is a co-author of Martin Puryear: Lookout (GRM/SKAC, 2024). About MtM: Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. This podcast is a project of C&G Partners | Design for Culture. Learn about the firm's creative work at: https://www.cgpartnersllc.com Links for This Episode: Amy's Email: as.weisser@stormkingartcenter.org Amy's LinkedIn:https://www.linkedin.com/in/amysweisser/ Storm King: www.stormking.org Storm King's Capital Project:https://stormking.org/capitalproject/Building Museums Symposium, a project of the Mid-Atlantic Association of Museums: https://midatlanticmuseums.org/building-museums/Links for MtM: https://www.makingthemuseum.com/contact https://www.linkedin.com/in/jonathanalger alger@cgpartnersllc.com https://www.cgpartnersllc.com Newsletter: Like the show? Try the newsletter. Making the Museum is also a one-minute email, three times a week, on exhibition planning and design for museum leaders, exhibition teams and visitor experience professionals. (And the best way to find out first about new episodes of the podcast.)Subscribe here: https://www.makingthemuseum.com 

Join art advisor Megan Fox Kelly for a special podcast episode in which she shares three titles from her must-read list of recent art books and provides insights into how these fascinating publications inspire our experience of art. To hear interviews with top authors of other great new art books, don't miss an episode of “Reading the Art World”.SHOW NOTESEpisode Timestamps:00:26 - My Must-Read List01:20 - Fashioned by Sargent04:02 - Georgia O'Keeffe: My New Yorks05:52 - Martin Puryear: Lookout07:46 - Coming Up! “Writing After Art” with Richard ShiffPURCHASE THESE BOOKSFashioned by Sargent published by Museum of Fine Arts BostonGeorgia O'Keeffe: My New Yorks published by The Art Institute of ChicagoMartin Puryear: Lookout published by Storm King Art Center and Gregory R. Miller & CoSUBSCRIBE, FOLLOW AND HEAR INTERVIEWSFor more information, visit meganfoxkelly.com, hear our past interviews, and subscribe at the bottom of our Of Interest page for new posts.Follow us on Instagram: @meganfoxkelly"Reading the Art World" is a live interview and podcast series with leading art world authors hosted by art advisor Megan Fox Kelly. The conversations explore timely subjects in the world of art, design, architecture, artists and the art market, and are an opportunity to engage further with the minds behind these insightful new publications. Megan Fox Kelly is an art advisor and past President of the Association of Professional Art Advisors who works with collectors, estates and foundations.Music composed by Bob Golden

Episode No. 662 features artists Sarah Sze and Zoë Charlton. The Nasher Sculpture Center in Dallas is showing "Sarah Sze," a presentation of new works that explore how memory marks time and space, and how art negotiates image and object. The exxhibition is on view through August 18. Sze represented the United States at the 2013 Venice Biennale. Other -ennials at which her work has been featured include the Whitney (2000), Carnegie (1999), Berlin (1998), Guangzhou (2015), Liverpool (2008), and Lyon (2009). She has made public artworks for sites such as LaGuardia Airport in New York, and Storm King Art Center. Charlton is included in "A Movement in Every Direction: Legacies of the Great Migration" at the Berkeley Art Museum and Pacific Film Archive, University of California, Berkeley. The exhibition presents impressions of the Great Migration as considered by a dozen contemporary artists. The exhibition, which was co-curated by Ryan N. Dennis and Jessica Bell Brown, was organized for Berkeley by Anthony Graham with Matthew Villar Miranda. It's on view through September 22. Charlton's work often addresses culturally loaded landscapes and histories. It has been included in exhibitions at museums such as the Studio Museum in Harlem and Crystal Bridges Museum of American Art, Bentonville, Ark. Her work is in the collection of museums such as The Phillips Collection, Washington, DC, the Birmingham (Ala.) Museum of Art, and the Baltimore Museum of Art. Instagram: Zoe Charlton, Tyler Green.

Before Stacy and Eric even introduce the program, they go off on an eggs-cellent tangent about their recent run-ins with birds. They highlight Audiobook Appreciation and Lemon months with stories about each (PSA: don't listen to Jay Shetty while driving). Eric admits surfing won't be happening even on the Summer Solstice and downward facing dog would be extra special when you bring your dog to work. They both agree Brian Wilson was a genius and feel like Cyndi Lauper is too young for a farewell tour. In discussing this week's topic, they agree of history/quirky museums are better than art museums which can be overcrowded and hard to see. Although Stacy does love good outdoor sculpture parks like the Olympic Sculpture Park in Seattle and the Storm King Art Center in New York. DAMTT is on Facebook and Instagram @dontaskmetotalk Next time: Song to sing in the shower

Ep.198 Allison Janae Hamilton (b. 1984 in Kentucky, raised in Florida) has exhibited widely across the U.S. and abroad. Her work has been the subject of institutional solo exhibitions at the Georgia Museum of Art, the Joslyn Art Museum, Massachusetts Museum of Contemporary Art (MASS MoCA), and Atlanta Contemporary, as well as a commissioned solo project with Creative Time. Her sculpture, Love is like the sea… (2023) is currently on view in the Poydras Corridor Sculpture Exhibition, presented by The Helis Foundation in New Orleans, LA. Select recent group exhibitions include The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse, Virginia Museum of Fine Arts; Shifting Horizons, Nevada Museum of Art; Enunciated Life, California African Art Museum; More, More, More, TANK Shanghai; and Indicators: Artists on Climate Change, Storm King Art Center. Work by the artist is held in public collections such as the Studio Museum in Harlem, the Hood Museum of Art, The Menil Collection, Nasher Museum of Art, Nevada Museum of Art, and Speed Museum of Art, among others. Hamilton has participated in a range of fellowships and residencies, including at the Whitney Independent Study Program, New York, NY; the Studio Museum in Harlem, New York, NY; and Fundación Botín, Santander, Spain. She is the recipient of the Creative Capital Award and the Rema Hort Mann Foundation Grant. Hamilton holds a PhD in American Studies from New York University and an MFA in Visual Arts from Columbia University. She lives and works in New York. Portrait: Heather Sten Artist https://www.allisonjanaehamilton.com/ Marianne Boesky Gallery https://marianneboeskygallery.com/artists/60-allison-janae-hamilton/press/ Storm King Art Center https://indicators.stormking.org/allison-janae-hamilton/ Georgia Museum of Art https://georgiamuseum.org/exhibit/allison-janae-hamilton-between-life-and-landscape/ University of Georgia https://www.wuga.org/show/museum-minute/2022-10-28/museum-minute-allison-janae-hamilton Nasher Museum of Art https://nasher.duke.edu/stories/allison-janae-hamilton-floridawater-ii-sisters-wakulla-county-fl-and-when-the-wind-has-teeth/ Helis Foundation https://www.thehelisfoundation.org/pcse/love-is-like-the-sea... Pippy HouldsworthGallery https://www.houldsworth.co.uk/exhibitions/140-tales-of-soil-and-concrete-brett-goodroad-allison-janae-hamilton-yun-fei-ji-arturo/works/ The Highline https://www.thehighline.org/art/projects/allison-janae-hamilton/ Contemporary Art Library https://www.contemporaryartlibrary.org/artist/allison-janae-hamilton-6327 Artpil https://artpil.com/allison-janae-hamilton/ The Clark https://www.clarkart.edu/microsites/humane-ecology/about-the-artists/allison-janae-hamilton UGA Today https://news.uga.edu/nature-is-at-the-center-of-allison-janae-hamiltons-work/ Rema Hort Mann Foundation https://www.remahortmannfoundation.org/allison-janae-hamilton/ Ogden Museum https://ogdenmuseum.org/event/florida-stories-a-conversation-with-author-lauren-groff-and-visual-artist-allison-janae-hamilton/ Kids Kiddle https://kids.kiddle.co/Allison_Janae_Hamilton WWD https://wwd.com/feature/allison-janae-hamilton-marianne-boesky-gallery-art-exhibition-1234792142/ Whitewall Art https://whitewall.art/art/allison-janae-hamilton-interrogates-myths-around-landscape-and-stories-of-paradise/ Whitewall Art https://whitewall.art/whitewaller/allison-janae-hamilton-a-romance-of-paradise/ Where y'at https://www.whereyat.com/allison-janae-hamilton-lauren-groff-florida-new-orleans The Bitter Southerner https://bittersoutherner.com/summer-voices/aunjanue-ellis/allison-janae-hamilton C& https://contemporaryand.com/exhibition/allison-janae-hamilton-a-romance-of-paradise/ The University of Texas at Austin https://repositories.lib.utexas.edu/items/3f37e356-f2a7-4f3b-a9d4-7614ddfac848 Urban Milwaukee https://urbanmilwaukee.com/people/allison-janae-hamilton/

Molly Lowe (b. 1983, Palo Alto, CA) received her MFA from Columbia University and her BFA from Rhode Island School of Design (RISD). She has had solo exhibitions and performances at the Hammer Museum, Los Angeles, CA; Lilith Performance Studio, Malmo, Sweden; Pioneer Works, Brooklyn, NY; Anat Ebgi, Los Angeles CA; Suzanne Geiss Company, New York, NY; SculptureCenter, Long Island City, New York; and Performa 13, New York, NY. Her films have screened at the Museum of Modern Art, New York, NY and JOAN, Los Angeles, CA. Lowe has participated in residencies at the Shandaken Project, Storm King Art Center, New Windsor, NY; Pioneer Works, Brooklyn, NY; Recess Art, New York, NY; and the Skowhegan School of Painting and Sculpture, Skowhegan, ME. In 2015, she received the New York Foundation for the Arts interdisciplinary artist fellowship award, and she was recently nominated for a Louis Comfort Tiffany Foundation award. Lowe lives and works in New York. Molly Lowe, Wrestle in the Grass, 2023, Oil on canvas, 68 x 80 in, 172.7 x 203.2 cm Molly Lowe, Domestic Embrace, 2023, Oil on canvas. 48 x 56 in, 121.9 x 142.2 cm. Molly Lowe, 2024, LAP, 83 x 66 in.  

In 2023, Frieze Masters fair sought to break the artist's studio open to a new audience with a new section, Studio, curated by Sheena Wagstaff – the former Chairman of the Department of Modern and Contemporary Art at the Met and now Met's Chair Emerita. In On Studios, Wagstaff talks with one of the Studio artists, Arlene Shechet, exploring how central the place and space of making is to her work, as well as its significance in the realm of creativity. 'It's not a genius move, it's just hard work. It just means that you know that you want something more, you know that you want something different. You follow the work always in terms of form, you follow the work in terms of idea, and you definitely follow the work in terms of solving any technical problems.' – Arlene Shechet Arlene Shechet is a sculptor working in New York City and the Hudson Valley. In 2023, Shechet was elected as a member of the American Academy of Arts and Letters. In 2024, the Storm King Art Center will stage a major exhibition of Shechet's work. Sheena Wagstaff was Chair of Modern and Contemporary Art at The Metropolitan Museum of Art, New York from 2012-22, and is now vested as Met's Chair Emerita. Wagstaff was appointed Creative Advisor for Frieze Masters in November 2023. Find images of the artwork discussed here. About Frieze Masters Podcast Series two of the Frieze Masters Podcast is now available, bringing you our annual programme of live talks – the Frieze Masters Talks programme – curated by the Director of the National Portrait Gallery, Dr Nicholas Cullinan. These eight conversations between leading artists, writers, museum directors and curators all reflect the ethos of the Frieze Masters fair: looking at the past with a contemporary gaze. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill, the foremost British luxury menswear house. This podcast is a Reduced Listening production. The producer was Silvia Malnati and sound engineer was Andy Fell. About Frieze Frieze is the world's leading platform for modern and contemporary art, dedicated to artists, galleries, collectors and art lovers alike. Frieze comprises three magazines –

Musician and composer Michelle Agnes Magalhães worked with visual artist Clarissa Tossin to create a new work for “Shifting Center,” the upcoming exhibition at EMPAC. She spoke with Sina Basila Hickey for Hudson Mohawk Magazine about collaboration, working with archival instruments, and using the EMPAC sound space. “Shifting Center” will be at EMPAC from November 3–18, 2023. Prior to the exhibition opening, Beatriz Cortez's sculpture “Ilopango, the Volcano that Left” departs Storm King Art Center, the site of its current exhibition, to embark on a three-day performative journey along the Hudson River to Troy. The volcano can be witnessed as it sails upriver from various viewing points on both shores and online through a livestream. There will be a welcoming reception at the Sanctuary on October 28.

Maurice Louca is an Egyptian musician and composer whose been commissioned for new work for "Shifting Center," the upcoming exhibition at EMPAC. Louca's work often engages microtonality. He spoke with Sina Basila Hickey for Hudson Mohawk Magazine about his plans for the installation, influences in his work, location-based work. "Shifting Center" will be at EMPAC from November 3–18, 2023. Prior to the exhibition opening, Beatriz Cortez's sculpture "Ilopango, the Volcano that Left" departs Storm King Art Center, the site of its current exhibition, to embark on a three-day performative journey along the Hudson River to Troy. The volcano can be witnessed as it sails upriver from various viewing points on both shores and online through a livestream. There will be a welcoming reception at the Sanctuary on October 28.

“Fallen Sky,” a work of installation art at New York's Storm King Art Center, is like a moon map etched into a hillside. On this episode, Tamar Avishai explores how Sarah Sze's striking sculpture helps visitors pay attention to the world around us — and the world inside our heads. This is a guest episode from The Lonely Palette, a podcast that returns art history to the masses, one object at a time. NEW KIDS' PODCAST: Once Upon a Meadow is set to launch in February 2023 SUPPORT OUT THERE: Become a patron Out There is a proud member of Hub & Spoke.

Elaine Cameron-Weir, photo by Isabel Asha Penzlien    Elaine Cameron-Weir (b. 1985, Red Deer, Alberta, Canada). Elaine Cameron-Weir's contemplative objects made from carefully sourced materials allow us to consider the ways in which artifice and spectacle have been used to perpetuate systems of belief. Her major installation from the most recent Venice Biennale in 2022 invoked sites of provisional operations and religious reflection by transforming the gallery with modular steel subflooring, neon and electric flicker lights, and repurposed objects previously used for military and industrial purposes. In addition to the Venice Biennale, Cameron-Weir recently opened a solo exhibition at Hannah Hoffman in Los Angeles, CA. Other solo shows from the past two years include the SCAD Museum of Art (2022) and the Henry Art Gallery University of Washington (2021). Recently her work was on view at the University of California, Berkeley Art Museum as part of an important exhibition titled “New Time: Art and Feminisms in the 21st Century.” Other select solo exhibitions include "exhibit from a dripping personal collection," Dortmunder Kunstverein (2018); “Outlooks: Elaine Cameron-Weir,” Storm King Art Center, New York (2018) where the artist installed a steel mesh sphere for motorcycle stunts known as “globe of death” on the top of a hill; and “viscera has questions about itself,” New Museum, New York (2017). She has shown both in the U.S. and abroad, in group exhibitions at the Philadelphia Museum of Art; Remai Modern, Saskatoon; GAMeC, Bergamo; FUTURA, Prague; among many others. installation view, The Milk of Dreams, curated by Cecilia Alemani, 59th International Art Exhibition of La Biennale di Venezia, Venice, IT, April 23 - November 27, 2022 Photography by Andrea Rosetti Elaine Cameron-Weir Low Relief Icon (Figure 1), 2021 (detail) US military body transfer cases, aluminum, flicker bulbs, electrical wiring, conveyor belt, pewter, chain, pulleys, aircraft cable, hardware overall dimensions: 281 × 202 × 28 1/2 in (713.7 × 513.1 × 72.4 cm); case with candles: 26.5 × 89 × 28.5 in (67.3 × 226.1 × 72.4 cm) Elaine Cameron-Weir Right Hand Left Hand, Grinds a Fantasizer's Dust, 2021 (detail) concrete textile, funerary backdrop stand, neon tubing, transformers, spot lights, silk gauze 85.5 x 112 x 24 in 217.17 x 284.48 x 60.96 cm

Lately, I've been considering the impact that engaging in creative practices can have on our daily lives. As we create we are regenerating our aliveness and exploring beyond the mind of what it means to be human. Some ways I've been leaning into more creativity in my life. Writing simple haiku's. 5/7/5 Wandering through the incredible Storm King Art Center in the Hudson River Valley of New York was awe inspiring.  A fortunate synchronicity that led to attending the recent opening in NYC (and meeting) globally acclaimed sculptor Ursula von Rydingsvard reminds us miracles are real and you CAN meet your heroes. Listen as I riff on how creativity is a way home to better understanding ourselves and the world. Art is a refuge. Love and light,

Portrait by Simon Burstall Dana Sherwood received her BFA from the University of Maine, Farmington. In 2022, Sherwood installed her first solo museum exhibition at Florence Griswold Museum, CT. Sherwood has exhibited in dOCUMENTA 13, Mass MoCA, Storm King Art Center, Nassau County Museum of Art, FluxFactory, Socrates Sculpture Park, Tanya Bonakdar Gallery, and Marianne Boesky Gallery. Sherwood has had solo exhibitions at Denny Dimin Gallery (New York, 2016, 2019), Kepler Art Conseil (Paris, 2017), and Nagel-Draxler Reisbureau Galerie (Cologne, 2015). Her work has been featured or reviewed in publications including The New York Times, Forbes, Hyperallergic, Surface, The Village Voice, Food & Wine, The Huffington Post, Art F City, and the Miami Rail. Sherwood has received several prestigious residencies including Swing Space by LMCC, Pilchuck Glass School, and OMI International Arts Center. Sherwood has further upcoming exhibitions at the Berkshire Botanical Garden and Tanya Bonakdar Gallery. To learn more, here is Dana Sherwood's catalogue from her museum retrospective at the Florence Griswold Museum and a link to the museum itself. Other Dessert Landscapes (still), 2021, digital video, courtesy of Dana Sherwood and Denny Dimin Gallery Inside the Belly of the Reindeer, 2022, Oil on panel, courtesy of Dana Sherwood and Denny Dimin Gallery. Pollinator Urn, 2022, Ceramic, courtesy of Dana Sherwood and Denny Dimin Gallery

What goes up into the sky must come down into the earth, and fortunately for us we've got Sarah Sze, mistress of materials, memory, and meaning, helming the journey. This episode was produced with support from Storm King Art Center. See the images: https://bit.ly/3NRnGmr Music used: Django Reinhardt, “Django's Tiger” The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Plate Glass,” “Leatherbound,” “The Onyx,” “Silent Ocean,” “ZigZag Heart,” “Curious Case,” “On Top of It” Evan Blanch, “Where The Streets Have No Name (Instrumental)” (U2 cover) Episode sponsor: www.visualartspassage.com Support the show: www.patreon.com/lonelypalette

Can art save the world? Join a team of three incredible Artists for the Earth, plus Nora Lawrence of Storm King Art Center and EARTHDAY.ORG's own Shelley Rogers, to discuss the ways that moving, educational art can make our planet more sustainable. --- Support this podcast: https://anchor.fm/earth-day-live/support

In this episode, we hear from artist Sharon Hayes, who is currently exhibiting her work, My Little Corner of the World, Anyone Would Love You at the Philadelphia Museum of Art as part of its New Grit Art in Philly Now show. Hayes is connected to Philadelphia by virtue of her professorship at the University of Pennsylvania. Her work uses photography, film, video, sound performance and text to interrogate the intersection between the personal and the collective. Her work has been shown at the Whitney Biennial, Documenta and the Venice Biennale. She's interviewed by artist James Allister Sprang, whose own work combines elements of photography, sound installation and poetry. He tells stories that draw from black, radical and experimental traditions. He has shown work or performed at the kitchen, the Brooklyn Museum, Storm King Art Center, the Public Theater, Baryshnikov Art Center, the Apollo Theater and many other institutions.

Jane Pek reads an excerpt from her story “Portrait of Two Young Ladies in White and Green Robes (Unidentified Artist, Circa Sixteenth Century)," backed by an original Storybound remix with Daniel Frankhuizen, and sound design and arrangement by Jude Brewer. Jane Pek was born and grew up in Singapore, and now lives in New York. She has a BA in History from Yale University, a JD from the New York University School of Law, and an MFA from Brooklyn College. Her short fiction has been anthologized in "The Best American Short Stories," and her debut novel, "The Verifiers," is forthcoming from Vintage/Knopf in February 2022. Daniel Frankhuizen has performed throughout the United States and abroad as a soloist, chamber musician, and in several pop groups. He has performed in venues from Alice Tully Hall and Carnegie Hall, to the Corcoran Gallery of Art, and Storm King Art Center. He has served as principal cellist for the Empire Chamber Orchestra and Opera in the Ozarks Festival Orchestra. Daniel is also a founding member of the Orvieto Piano Trio, a group that over the last ten years, has performed classical piano trio literature throughout the United States, Canada, and Italy. Support Storybound by supporting our sponsors: Chanel's J12 watch is continuing to revolutionize watches. Learn more about the J12 watch at Chanel.com. Norton brings you Michael Lewis' The Premonition: A Pandemic Story, a nonfiction thriller that pits a band of medical visionaries against a wall of ignorance as the COVID-19 pandemic looms. Scribd combines the latest technology with the best human minds to recommend content that you'll love. Go to try.scribd.com/storybound to get 60 days of Scribd for free. Finding You is an inspirational romantic drama full of heart and humor about finding the strength to be true to oneself. Now playing only in theaters. Acorn.tv is the largest commercial free British streaming service with hundreds of exclusive shows from around the world. Try acorn.tv for free for 30 days by going to acorn.tv and using promo code Storybound. Storybound is hosted by Jude Brewer and brought to you by The Podglomerate and Lit Hub Radio. Let us know what you think of the show on Instagram and Twitter @storyboundpod. *** This show is a part of the Podglomerate network, a company that produces, distributes, and monetizes podcasts. We encourage you to visit the website and sign up for our newsletter for more information about our shows, launches, and events. For more information on how The Podglomerate treats data, please see our Privacy Policy.  Since you're listening to Storybound, you might enjoy reading, writing, and storytelling. We'd like to suggest you also try the History of Literature or Book Dreams. Learn more about your ad choices. Visit megaphone.fm/adchoices

We are so happy to let you in on some amazing programming coming this summer, both in person and virtual, for our patrons. Plus did you know we have discount tickets to some great attractions? Listen and find out. Read about all the programs mentioned in this episode here: http://www.mcplibrary.org/wp-content/uploads/MCPL_Quarterly.pdf See where you can get discounted attraction tickets here: https://www.mcplibrary.org/discount-tickets-area-attractions-mcpl/ Here's the information on where Nicole took a nice walk, Storm King Art Center.

Alice Aycock has lived in New York City since 1968. She received a B.A. from Douglass College and an M.A. from Hunter College. She was represented by the John Weber Gallery in New York City from 1976 through 2001 and has exhibited in major museums and galleries nationally as well as in Europe and Japan. Currently she is represented by Marlborough Gallery, New York and Galerie Thomas Schulte, Berlin. She had her first solo exhibition of new sculptures with Marlborough in the fall of 2017. Her works can be found in numerous collections including the Museum of Modern Art, the Whitney Museum, the Brooklyn Museum, the LA County Museum, the National Gallery of Art, the Sheldon, Storm King Art Center, the Louis Vuitton Foundation, and the Sprengel Museum in Hannover, Germany. She exhibited at the Venice Biennale, Documenta VI and VIII and the Whitney Biennial. She has had three major retrospectives. The first was in Stuttgart in 1983 ,the second retrospective entitled “Complex Visions” was organized by the Storm King Art Center in Mountainville, NY. In 2013, a retrospective of her drawings and small sculptures was exhibited at the Parrish Art Museum in Water Mill, New York coinciding with the Grey Art Gallery in New York City.From March 8th through July 20th 2014, a series of seven sculptures were installed on the Park Avenue Malls in New York City, entitled Park Avenue Paper Chase, in collaboration with Galerie Thomas Schulte, Berlin. Alice’s public sculptures can be found in many major cities in the U.S. Some of her public commissions include a roof top sculpture for the 107th Police Precinct House in Queens, NY, associated architects Perkins, Eastman (1992); and East River Roundabout (1995/2014) for the East River Park Pavilion at 60th Street in New York City. Star Sifter, a large architectural sculpture for the rotunda of the Terminal One at JFK International Airport was completed in 1998 and resited above the entrance to the security zone in 2013. Other public installations include a suspended work for the Philadelphia International Airport (2001).She has received numerous awards including four National Endowment for the Arts Fellowships. Aycock was a member of the New York City Design Commission from 2003 to 2012 and she has also been appointed to the GSA’s National Register of Peer Professionals. She received the Americans for the Arts Public Art Award in 2008 for Ghost Ballet for the East Bank Machineworks in Nashville, Tennessee. She was inducted into the National Academy, New York City, in 2013. Aycock has taught at numerous colleges and universities including Yale University (1988-92) and as the Director of Graduate Sculpture Studies (1991-92). She has been teaching at the School of Visual Arts in NY since 1991, and was a visiting artist Maryland Institute College of Art in Baltimore from 2010 to 2014. The International Sculpture Center presented her with a Lifetime Achievement Award in Contemporary Sculpture in 2018, and she received an Academy of the Arts Achievement Award in Visual Arts from Guild Hall in March 2019. Sound and Vision is supported by the New York Studio School, where drawing, painting and sculpture are studied in depth, debated energetically, and created with passion. The School’s full-time programs: a two-year MFA and a three-year Certificate prioritize experimental learning and perception. Beginning in Fall 2021, the Studio School welcomes artists from around the world to join its inaugural Virtual Certificate Program. Combining the studio-centric emphasis of the School’s teaching methods with an individual, real-time approach to online learning, this full-time program is designed for serious artists, and dedicated aspiring artists, who seek to cultivate the studio skills and methods that will prepare them for a lifetime of art-making. The priority application deadline is April 30th, 2021 - apply online today at nyss.org.

Storm King Art Center https://stormking.org/DIA: Beacon https://www.diaart.org/Stay in the knowhttps://www.instagram.com/curatedchatter/https://www.curatedchatter.com/

Recap of our Storm King Art Center trip and Monday motivation. --- Send in a voice message: https://anchor.fm/catrevzon/message

第182回NYこりんごラジオ、今更、オンエアされました！修学旅行最終日 (online-audio-converter.com).mp3もう、既に、第183回、第184回がオンエアされているのに・・・実は、第182回が、まだオンエアされていませんでした。NYこりんごラジオ、新学期スペシャル、秋の修学旅行最終日！Storm King Art Centerに行ってきました！動画でもご覧いただけます！

Judith Sánchez Ruiz habla con Grazia Giuliani sobre su viaje desde bailarina a coreógrafa, improvisadora, educadora y fundadora de la JSR Dance Company - Un viaje a través de su vida desde Cuba a Nueva York y Berlín - viviendo distintas realidades como ambos 'international performer' y como mujer en países extranjeros. A lo largo de 27 años la carrera de Judith se extiende por todo el planeta: Danza Abierta Company, Cuba, Mal Pelo Company, España, Trisha Brown Dance Company, Nueva York, US, y Sasha Waltz & Guests, Berlín, Alemania. Judith estableció la JSR Company en la ciudad de Nueva York para promocionar sus actividades coreográficas. Como compañía, JSR receibió soporte para su puesta en marcha del Storm King Art Center, NY así como de la Works & Process Performing Arts Series del museo Guggenheim.

Today's guest is Christopher K. Ho a speculative artist based in New York, Hong Kong, and Telluride, Colorado. He received his BFA and BS from Cornell University and his MPhil from Columbia University. He is known for materially exquisite objects that draw equally from learned material about, and lived encounters with, power and otherness in an unevenly de-colonialised, increasingly networked world. He has exhibited at Storm King Art Center, the Queens Museum, Cranbrook Art Museum, Para Site, MASSMoCA, and Socrates Sculpture Park, among other venues. He was included in the Incheon Biennial and the Busan Bienniale, and is currently working on solo projects for the Bronx Museum and for the Brooklyn Academy of Music. Artforum, Art in America, ArtReview, Modern Painters, LEAP and the New York Times have featured his solo exhibitions. Christopher is here to talk more about his work, Always Leave The Table a Little Hungry which is one of the featured works for ASHK's Next Act Contemporary Art from Hong Kong. Next Act: Contemporary Art from Hong Kong features research-based works by 10 local artists that respond to the shared history and collective memories of Hong Kong. Throughout the creative process, each artist focused on different research methodologies as a starting point for their inspiration and thinking process. This process culminates in a collection of exciting works that are visually impactful, interactive, and performative. We encourage visitors to open their senses and imagination when viewing the works by delving into the past to form new perspectives, savor the present, and contemplate what the future holds. Next Act highlights a critical dimension of these creative practices by pivoting away from the conventional perception that art is a sensual form of truth. Instead, the final works make the creation of art a journey of critical thinking. The exhibition also opens up new areas of possible arts and culture programs that are immersive and educational. Whatever the future holds, we remain passionate about moving forward to provide an inclusive platform that encourages collaboration across different disciplines.

Travel Expert Stephanie Abrams takes listeners to visit with: John Finneran, co-owner of Caldwell House B&B in Salisbury Mills, New York, just 40 miles north of NYC and close to West Point, Bear Mountain State Park and Storm King Art Center. Al Heminger, co=owner of Huron House B&B and Hotel Saugatuck in Michigan and Carol Davis, owner of Blisswood B&B Ranch in Cat Spring, Texas where guests have their own cabin/bungalow for their own exclusive use! Visit sAbrams.net for details.

Images of dancers or sculptures don't leap to mind with the mention of climate change. But artists are increasingly using the carbon conundrum as a creative lens, using their mediums to design cultural moments that bring people together. Storytellers and artists are reaching people on a deeper and more emotional level than the cerebral facts and charts often used to shape the climate narrative. Can art reach and activate people on climate in new and compelling ways? How can art convey the joy of nature and the grief of how humans are destroying it? Join us for a conversation about art, beauty and humanity in the age of climate disruption with celebrated choreographer Alonzo King, whose new dance is inspired by the beauty and tragedy unfolding in the Arctic. The world premier will be held in San Francisco later this year. Also joining is senior curator Nora Lawrence, whose 2018 exhibition at New York's Storm King Art Center, Indicators: Artists on Climate Change, was one of the first major museum exhibitions to address climate change. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we are on tour “al fresco” with John Stern, President of Storm King Art Center, located in New York’s Hudson Valley, where visitors experience large-scale sculpture and site-specific commissions under open sky. John tells the fascinating stories about the history of the place and of the many installation by artist like Mark di Suvero, Maya Lin, Andy Goldsworthy, Richard Serra, Joel Shapiro, Alexander Liebermann, Isamu Noguchi and many more.  Storm King - “one of the most significant sculpture gardens in the world,” according to Adam D. Weinberg, director of the Whitney Museum of American Art – is celebrating 60 years of nurturing a vibrant bond between art, nature, and people, creating a place where discovery is limitless. John Stern with Mark di Suvero's "Pyramidian" in the background. Photo credit: Eva Deitch.       

Josephine Halvorson makes paintings on-site, face to face with an object in its environment. Often no more than an arm’s length away, she detects variations in texture, light, and temperature, transcribing these perceptions through the medium of paint. The result is an intimate portrait of the object, capturing both a natural likeness as well as the often unseen or overlooked character of her chosen subject. Halvorson holds a BFA from The Cooper Union (2003) and an MFA from Columbia University (2007). She is the recipient of a Fulbright Fellowship to Vienna (2003 - 4), a Louis Comfort Tiffany Foundation Grant (2009), and was a fellow at the French Academy in Rome (2014 - 15). This fall, her work is on view at The Institute of Contemporary Art in Boston as part of The James and Audrey Foster Prize Exhibition. Halvorson’s work has appeared in many solo and group exhibitions throughout the United States, Europe, and Asia. This past spring, Halvorson made a body of work in Matanzas, Cuba which was exhibited a part of the Havana Biennial. In 2016, she exhibited large scale sculptures at Storm King Art Center and in 2015 had her first museum survey exhibition, "Slow Burn" at the Southeastern Center for Contemporary Art in Winston-Salem, NC. Her work is represented by Sikkema Jenkins and Co. in New York and has been written about widely in a variety of art publications. Halvorson is also a teacher and holds the position of Professor of Art and Chair of Graduate Studies in Painting at Boston University. She has also taught at the Skowhegan school of painting and sculpture (2018), Yale University school of art (2010-2016), Paint School (2018), among many other institutions. Josephine Halvorson, Ground View: Debris, Gouache and site material on panel, 32 x 32 inches, 2019, Photo by Stewart Clements Photo Captions Josephine Halvorson Posed, Oil on linen, 25 x 17 inches, 2017, Photo by Stewart Clements

Stephen is a Partner of Cornell Capital. He has over 25 years of private investing experience across a broad array of sectors. Prior to joining the firm in 2018, Stephen worked as a Portfolio Manager at Avenue Capital, focused on public and private equity investing. Previously, he served as a member of the Management Committee and Global Co-Head of Morgan Stanley’s Merchant Banking Division and Private Equity Group. Stephen began his career at Goldman Sachs, where he worked in the Investment Banking Division’s Energy and Power Group in New York and Corporate Finance Group in Hong Kong before moving to the Merchant Banking Division in Hong Kong and London where he Co-Headed the Industrials investing effort and was a member of the Investment and Operating Committees. Stephen formerly served on the board of various Goldman Sachs portfolio companies, including Berry Plastics, Capmark Financial, Cobalt, Cognis, Deutsche Kabel, Messer Griesheim and Wincor Nixdorf, among others. Stephen is a Director of Knowlton Development Corporation. Stephen was a member of the United States Olympic Fencing Teams in 1984 and 1988. He is also a member of the Board of Trustees of Columbia College and Storm King Art Center.

Mark Dion is an American artist whose work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge and the natural world. Mark talks about participating at the first incarnations of The Armory Show during the mid-1990’s, remembering Pat Hearn and Colin de Land, collecting objects and his curiosity cabinet installations, a forthcoming project at Storm King Art Center and working as an artist as a long, complex and ongoing endeavor. This episode was recorded on location at The Armory Show, as it celebrates its 25th Anniversary.

In this episode of Talking Practice, host Grace La interviews Gary Hilderbrand, founding principal and partner at Reed Hilderbrand, and Peter Louis Hornbeck Professor in Practice of Landscape Architecture at the GSD. Discussing his deep engagement with living systems, Gary describes the intrinsic properties of landscape architecture that differentiate it from the other design disciplines, and the significance of treating temporality as a medium for design. Commenting on the trajectory of landscape urbanism, he highlights the ways in which new modes of representation have impacted the scope and capacity of landscape architecture to imagine larger systems, and to engage with pressing problems of equity and climate change. Gary also reflects on the organization of his own firm as a cultural practice, its benchmarks, periods of stability, and growth, as well as the need for flexibility within the practice of negotiated boundaries. Gary asserts the importance of trust in practice and the ways in which the pressing questions found in practice inform his efforts in the academy. For more information about Gary’s work with landscape urbanism and living systems, check out his Fall 2018 option studio, Now Arriving: A Manhattan Transit Landscape. Gary Hilderbrand is the founding principal and partner of Reed Hilderbrand, and the Peter Louis Hornbeck Professor in Practice of Landscape Architecture at the GSD.  As a practitioner, academic, and writer, Gary works at the confluence of landscape architecture, infrastructural design, and sustainable urbanism. His projects range from university campus design, to the intimate landscapes of residences, and to the prominent landscape renewal and design for major cultural institutions such as the American Museum of Natural History, the Dallas Museum of Art, the Clark Art Institute, as well as the Harvard Business School, the sculpture park at the Storm King Art Center, and the expansion of the Boston Public Library. Gary is the recipient of the 2017 ASLA Design Medal, and is currently teaching a studio at the GSD entitled “Now Arriving: A Manhattan Transit Landscape,” which focuses on the redesign of New York City’s Penn Station. About the Show Developed by Harvard Graduate School of Design, Talking Practice is the first podcast series to feature in-depth interviews with leading designers on the ways in which architects, landscape architects, designers, and planners articulate design imagination through practice.  Hosted by Grace La, Professor of Architecture and Chair of Practice Platform, these dynamic conversations provide a rare glimpse into the work, experiences, and attitudes of design practitioners from around the world. Comprehensive, thought-provoking, and timely, Talking Practice tells the story of what designers do, why, and how they do it—exploring the key issues at stake in practice today. About the Host Grace La is Professor of Architecture, Chair of the Practice Platform, and former Director of the Master of Architecture Programs at Harvard University Graduate School of Design.  She is also Principal of LA DALLMAN Architects, internationally recognized for the integration of architecture, engineering and landscape. Cofounded with James Dallman, LA DALLMAN is engaged in catalytic projects of diverse scale and type.  The practice is noted for works that expand the architect's agency in the civic recalibration of infrastructure, public space and challenging sites. Show Credits Talking Practice is produced by Ronee Saroff and edited by Maggie Janik. Our Research Assistant is Jihyun Ro and John Wang.  The show is recorded at Harvard University's Media Production Center by Multimedia Engineer Jerry MacDonald. Contact For all inquiries, please email practicepodcast@gsd.harvard.edu.

Tom Russo is the Managing Member of Gardner Russo & Gardner, where he manages $11 billion in a long only, global value strategy. Tom buys the stock of global consumer businesses with great brands and holds them for a really long time. He looks for businesses with a capacity to reinvest free cash flow and a capacity to suffer through short-term pain in order to achieve long-term gain. Tom started his investment career at the Sequoia Fund in New York, where he worked from 1984 to 1988. His first partnership, Semper Vic Partners, has compounded at 14.6% per year for 33 years, besting the S&P 500 by 3.6% per annum. Tom is a graduate of Dartmouth College (B.A., 1977), and Stanford Business and Law Schools (JD/MBA, 1984). He has served on Dean's Advisory Council for Stanford Law School, Dartmouth College's President's Leadership Council, and the Advisory Board for the Heilbrunn Center for Graham & Dodd Investing at Columbia Business School, as well as on the boards of the Winston Churchill Foundation of the U.S., Facing History and Ourselves, and Storm King Art Center. Our conversation covers how Tom created an investment strategy by personalizing early lessons from Warren Buffett, the capacity to re-invest, the capacity to suffer, and what it takes to own a stock for decades.  Tom’s time horizon and fortitude as an investor parallels those of institutions with permanent capital. Listeners will get a fresh perspective on what it means to be a long-term investor Learn More   Discuss show and Read the Transcript   Join Ted's mailing list at CapitalAllocatorsPodcast.com   Join the Capital Allocators Forum   Write a review on iTunes   Follow Ted on twitter at @tseides   For more episodes go to CapitalAllocatorsPodcast.com/Podcast

Gettin' the Gobble on!  Arturo Ui, Mike Birbiblia, Lee Israel/Melissa McCarthy.  The Amazing History of the Potato.  Tips from Terry on Talking.  DIY Aston Martin.  H. Peter Stern and Storm King Art Center.  Stan Lee. Hal. Credits: Talent:  Tamsen Granger and Dan Abuhoff Engineer:  Ellie Suttmeier Art:  Zeke Abuhoff  

Joe and Matthew take on artist evolution and even institutionalism in this extra special, extra lengthy episode. It kicks off with a brief review of a Todd Rundgren concert and moves into something that borders on institutional critique. Storm King Art Center and DIA:Beacon get more than just mentions. Alex Katz quotes inspire healthy discussion. […] The post Armchair Anthropology From Behind The Line | Episode 41 appeared first on Brain Fuzz.

In this episode, Natalia, Niki, and Neil discuss the history of high school yearbooks, how the Trump administration is defining immigrants as “public charges,” and the awful misogyny of Barstool Sports. Support Past Present on Patreon: https://www.patreon.com/pastpresentpodcast Here are some links and references mentioned during this week’s show:  High school yearbooks have been in the spotlight during the investigation of Brett Kavanaugh. Niki cited this Atlantic article that historicizes yearbooks and Natalia recommended historian Paula Fass’ book Outside In: Minorities and the Transformation of American Education for its use of yearbooks as historical sources. President Trump came to power promising to tighten immigration legislation, and a recent proposal promises to deny citizenship to those who make use of public services. Natalia recommended this Atlantic interview with historian Hidetaka Hirota about how today’s policies are rooted in 19th-century policies that targeted the Irish. If sports has always been a “boys’ club,” Barstool Sports has taken this sexism to new levels. Natalia recommended this Daily Beast article on the controversial website. In our regular closing feature, What’s Making History: Natalia shared her experience visiting the Storm King Art Center in Cornwall, NY. Neil commented on touring the Georgia O’Keeffe Museum in Abiquiú, New Mexico. Niki discussed historian Sarah Milov’s Washington Post piece, “Like the Tobacco Industry, E-Cigarette Manufacturers Are Targeting Children.”

Anna and Marissa talk about the role that art plays in raising our climate consciousness. They review several specific artists including Xavier Cortada, Jason deCaires Taylor, the Storm King Art Center and many more. They also talk about how and why art can play an important part in climate action. The last link below, for artistsandclimatechange.com, has a really great list of lots of other arts and climate projects and groups. http://stormking.org/ https://www.ted.com/talks/jason_decaires_taylor_an_underwater_art_museum_teeming_with_life https://www.youtube.com/watch?v=_0Q_uWDTVWw https://artistsandclimatechange.com/2018/06/24/90n-north-pole-installations/ https://gulfnews.com/culture/arts/artists-on-climate-change-1.2243041 https://artistsandclimatechange.com/writers/

Josephine Halvorson grew up on Cape Cod, where she first studied art on the beaches of Provincetown and at the School of the Museum of Fine Arts in Boston. She received her BFA from The Cooper Union in 2003, she attended Yale Norfolk in 2002, and got her MFA from Columbia University in 2007. Josephine has been awarded a number of prestigious residencies including a Fulbright Fellowship to Austria, a Harriet Hale Woolley Scholarhip at the Fondation des États-Unis in Paris, Moly-Sabata in Sablons, France, and the Robert Rauschenberg Foundation in Captiva, Florida. She was also the first American to receive the Rome Prize at the French Academy at the Villa Medici, Rome, Italy.   Halvorson’s work has been exhibited widely. In 2015 she presented her first museum survey exhibition, Slow Burn, at the Southeastern Center for Contemporary Art in Winston-Salem, NC, curated by Cora Fisher. In 2016 she exhibited large-scale painted sculptures at Storm King Art Center, as part of the “Outlooks” series curated by Nora Lawrence. Her work has been written about extensively in various publications and she is one of the subjects of Art21's documentary series, New York Close Up.   Josephine Halvorson has taught at The Cooper Union, Princeton University, the University of Tennessee Knoxville Columbia University, and Yale University. In 2016 Halvorson joined Boston University as Professor of Art and Chair of Graduate Studies in Painting. She lives and works in Western Massachusetts. Brian met Josephine at the site of her solo show at Sikemma Jenkins and they spoke about her youth in Cape Cod, hip hop and grunge, painting in plein air and much more.

Thomas A. Russo joined Gardner Russo & Gardner LLC as a partner in 1989. In 2014, he became the Managing Member of the firm. Gardner Russo & Gardner LLC is a registered investment adviser under the Investment Advisers Act of 1940, and is not associated with any bank, security dealer or other third party. Mr. Russo serves as Managing Member of Gardner Russo & Gardner LLC and of Semper Vic Partners GP, LP, which oversees two “global value”, long-only, equity investment partnerships, the first of which Mr. Russo founded in 1983. Mr. Russo oversees more than $12 billion distributed between Semper Vic partnerships and separate accounts managed in parallel fashion. Mr. Russo looks for companies with strong cash-flow characteristics that generate large amounts of “free” cash flow. These industries typically have included branded food and beverage, tobacco, and advertising-supported media. Mr. Russo's portfolio companies tend to produce high rates of return on their assets and have strong balance sheets. The challenge comes in finding these obviously desirable investments at compelling valuations. Mr. Russo commits capital to leading global consumer products companies whose brands enjoy growing market shares in parts of the world undergoing economic growth and enjoying increasing political stability. He prefers companies with sufficient cash flows from existing operations, combined with balance-sheet strength, to underwrite investments designed to activate emerging markets. Mr. Russo backs rare management teams willing to invest to secure robust future returns even when such investments burden current reported profits. Mr. Russo believes that managements of family-controlled companies have the “capacity to suffer” when investments intended to build long-term wealth are ill-received by short-term focused Wall Street analysts. Mr. Russo believes that such “capacity to suffer” leaves family-controlled companies often uniquely well positioned to bear short-term burdens on reported profits in pursuit of long-term gains in intrinsic value. Accordingly, he often invests in public companies where founding families still retain control and significant investment exposure, to reduce management agency costs and to align owner interests. Mr. Russo's goal is one of an absolute return rather than a relative return. He pursues a long-term investment objective of compounding assets between 10 and 20 percent per year without great turnover, thereby deferring capital gains tax on unrealized gains. Thomas Russo is a graduate of Dartmouth College (BA, 1977), and Stanford Business and Law Schools (MBA/JD, 1984). Memberships include Dean's Advisory Council for Stanford Law School, Dartmouth College's President's Leadership Council, and California Bar Association. Mr. Russo is a charter member of the Advisory Board for the Heilbrunn Center for Graham & Dodd Investing at Columbia Business School. He serves on the boards of the Winston Churchill Foundation of the U.S., Facing History and Ourselves, and Storm King Art Center. In May 2017, he was awarded The Graham & Dodd, Murray, Greenwald Prize for Value Investing.

Tom Russo is the Managing Member of Gardner Russo & Gardner, where he manages $11 billion in a long only, global value strategy. Tom buys the stock of global consumer businesses with great brands and holds them for a really long time. He looks for businesses with a capacity to reinvest free cash flow and a capacity to suffer through short-term pain in order to achieve long-term gain. Tom started his investment career at the Sequoia Fund in New York, where he worked from 1984 to 1988. His first partnership, Semper Vic Partners, has compounded at 14.6% per year for 33 years, besting the S&P 500 by 3.6% per annum. Tom is a graduate of Dartmouth College (B.A., 1977), and Stanford Business and Law Schools (JD/MBA, 1984). He has served on Dean's Advisory Council for Stanford Law School, Dartmouth College's President's Leadership Council, and the Advisory Board for the Heilbrunn Center for Graham & Dodd Investing at Columbia Business School, as well as on the boards of the Winston Churchill Foundation of the U.S., Facing History and Ourselves, and Storm King Art Center. Our conversation covers how Tom created an investment strategy by personalizing early lessons from Warren Buffett, the capacity to re-invest, the capacity to suffer, and what it takes to own a stock for decades.  Tom’s time horizon and fortitude as an investor parallels those of institutions with permanent capital. Listeners will get a fresh perspective on what it means to be a long-term investor For more episodes go to CapitalAllocatorsPodcast.com/Podcast Write a review on iTunes Follow Ted on twitter at @tseides Join Ted’s mailing list at CapitalAllocatorsPodcast.com   Show Notes 3:20 – How the spark got lit for Tom to become a value investor             3:54 – The Sharpe Ratio  6:26 – Family and personal background 8:03 – Move to consumer brands 12:06 – Key tenants to investing in consumer brands             12:26 – Family controlled             14:04 - Capacity to reinvest             15:17 - Capacity to suffer 19:10 – Portfolio turnover and the investment in Heineken 22:46 – Position sizing when portfolio turnover is so low 25:08 – Opportunity costs and behavioral finance 28:58 – Benefits of insider insights 31:02 – The capacity of Tom's investors to suffer 34:00 – What is happening today with the investor base and their capacity to suffer 36:07 – The structure of Tom's strategy vs. a more a diversified portfolio 37:28 – Sitting on investment committees 38:02 – Comparing Tom's decision-making process to Warren Buffett's 40:29 – Case study of Wells Fargo 44:21 – Does reputational damage impact the ability to reinvest 47:04 – Tom's research process and the importance of listening 49:46 – How Tom keeps track of nuggets in everyday conversations 51:00 – Closing questions