Podcast appearances and mentions of mark radulich

Tron: Ares (stylized as TRON: Ares) is a 2025 American science fiction action film that is the third installment in the Tron series, following Tron: Legacy (2010). Directed by Joachim Rønning, it features an ensemble cast including Jared Leto, Greta Lee, Evan Peters, Jodie Turner-Smith, Hasan Minhaj, Arturo Castro, and Gillian Anderson, with Jeff Bridges reprising his role as Kevin Flynn from the previous films.Development of a sequel to Tron: Legacy began in October 2010 by franchise creator Steven Lisberger. In March 2017, Walt Disney Pictures shifted plans toward a soft reboot with Leto playing a new character. Garth Davis was set as director in August 2020 when Wigutow was working on the script, but stepped down in January 2023. Rønning replaced him a month later. Production was expected to begin in August 2023 but was delayed by the 2023 Writers Guild of America and SAG-AFTRA strikes. Filming ultimately began in January 2024 in Vancouver and wrapped in May. By August, industrial rock band Nine Inch Nails was announced to be composing the score. The band's members, Trent Reznor and Atticus Ross, served as executive producers on the film, alongside Legacy director Joseph Kosinski.Tron: Ares premiered in Los Angeles on October 6 and was released in the United States by Walt Disney Studios Motion Pictures on October 10, 2025. The film grossed $60.5 million worldwide and received mixed reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Anne Rice's Interview with the Vampire, or simply Interview with the Vampire, is an American gothic horror television series developed by Rolin Jones for AMC, based on The Vampire Chronicles by Anne Rice, named after the first book. Starring Jacob Anderson as Louis de Pointe du Lac and Sam Reid as Lestat de Lioncourt, it begins with the vampire Louis recounting his past and tumultuous relationship with the vampire Lestat.The series embraces the queer elements of Rice's work, which are only insinuated in the 1994 film adaptation, and deals with themes such as race and abuse. It is the first series set in the Immortal Universe, a shared universe based on Rice's novels. A series order was made in June 2021, after AMC Networks purchased the rights to intellectual property encompassing 18 of Rice's novels in 2020.The series premiered on October 2, 2022, with the first two seasons covering the events of the novel.The series was renewed for a third season in June 2024 and is slated to return in 2026 with the title The Vampire Lestat, covering the second book in the novel series. The series received positive reviews, with praise for its writing, costumes, soundtrack, production design, lead performances and their chemistry. It has received nominations at the Critics' Choice Television Awards and GLAAD Media Awards among others.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Maximum Overdrive is a 1986 American horror film written and directed by Stephen King, in his only directorial effort. The film stars Emilio Estevez, Pat Hingle, Laura Harrington, John Short, Yeardley Smith and Christopher Murney. The screenplay was inspired by and loosely based on King's short story "Trucks", which was included in the author's first collection of short stories, Night Shift, and follows the events after all machines (including trucks, radios, arcade games, vending machines, etc.) become sentient when Earth crosses the tail of a comet, initiating a worldwide killing spree.The film is King's only directorial effort, though dozens of films have been based on his novels or short stories. It contained black humor elements and a generally campy tone, which contrasts with King's somber subject matter in books. The film has a mid-1980s hard rock soundtrack composed entirely by the group AC/DC (King's favorite band), whose album Who Made Who was released as the Maximum Overdrive soundtrack. It includes the best-selling singles "Who Made Who", "You Shook Me All Night Long", and "Hells Bells".Maximum Overdrive was theatrically released on July 25, 1986, to critical and commercial failure. It was nominated for two Golden Raspberry Awards including Worst Director for King and Worst Actor for Estevez in 1987, but both lost to Prince for Under the Cherry Moon. King disowned the film, describing it as a "moron movie", and considered the process a learning experience, after which he intended never to direct again.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Monster: The Ed Gein Story is the third season of the American biographical crime drama anthology series Monster, created by Ian Brennan for Netflix. The season focuses on convicted murderer, graverobber, and suspected serial killer Ed Gein (Charlie Hunnam). The cast also includes Suzanna Son, Vicky Krieps, Laurie Metcalf, and Tom Hollander. The season incorporates meta commentary on the cultural obsession with true crime, exploring Gein's influence on Hollywood and pop culture.It is the third installment in the Monster anthology series, following Dahmer – Monster: The Jeffrey Dahmer Story (2022) and Monsters: The Lyle and Erik Menendez Story (2024). A season based on Ed Gein was announced to be in development on September 14, 2024. It is the first season not helmed by Ryan Murphy, with Brennan serving as the sole creator and writer.Upon its premiere on October 3, 2025, the season received negative reviews and was deemed inferior to its predecessors, with critics panning its meta commentary, subplots, runtime, excessive graphic violence, and factual inaccuracies, while opinions on Hunnam's performance were divided.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Smashing Machine is a 2025 American biographical sports drama film written, directed, co-produced, and edited by Benny Safdie. Based on the 2002 documentary The Smashing Machine: The Life and Times of Extreme Fighter Mark Kerr, it stars Dwayne Johnson as former amateur wrestler and MMA fighter Mark Kerr, alongside Emily Blunt as Kerr's girlfriend Dawn Staples, with Ryan Bader, Bas Rutten and Oleksandr Usyk in supporting roles.The film had its world premiere in the main competition of the 82nd Venice International Film Festival on September 1, 2025, where it won the Silver Lion. It was released in the United States by A24 on October 3, 2025. The film received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

When TRON: Legacy hit theaters in December 2010, Disney wasn't just reviving an old IP—they were resurrecting one of the strangest, most ambitious sci-fi concepts ever made. The original TRON from 1982 was a groundbreaking attempt to visualize the inside of a computer at a time when most people hadn't even touched one. It imagined programs as people, code as architecture, and morality as circuitry. It was visionary—and it bombed.By the 2000s, though, culture had caught up. The Matrix had turned cyberpunk into mainstream mythology, and the neon-noir look of Blade Runner had become visual shorthand for the future. Enter Joseph Kosinski—a former architect with a designer's precision—who re-engineered TRON not as a hacker fantasy, but as a digital myth about creation, perfection, and control.Garrett Hedlund plays Sam Flynn, son of Kevin Flynn, the hero from the first film, who vanished decades earlier. Sam follows a mysterious signal and is pulled into the Grid—his father's virtual world, now ruled by CLU, a digital clone obsessed with “perfection.” Within minutes, we're deep in a story that mirrors Star Wars: the fallen apprentice turned tyrant, the exiled master, the reluctant heir, and a world that must be remade. Kevin Flynn is both Obi-Wan and Yoda—haunted and withdrawn. CLU is his Darth Vader, a creation corrupted by its maker's arrogance.But the movie also borrows Matrix DNA. The Grid works like a virtual prison where sentient programs fight and dream of freedom. Quorra, played by Olivia Wilde, is the last of the “isomorphic algorithms,” lifeforms that evolved on their own—straight out of Ghost in the Shell's questions about digital souls. The film isn't about coding; it's about consciousness.Kosinski builds this world like a cathedral. Production designer Darren Gilford fills it with clean geometry and luminous voids. The suits by Michael Wilkinson and Christine Bieselin Clark refine Syd Mead's 1982 designs into sculpted futurism. And Daft Punk's score—half orchestra, half circuitry—turns the film into an electronic symphony. Even those who forgot the plot still remember that sound.Critics complained it was cold, that the script sounded like it was written by people who'd never heard of Google. My son Jonas nailed it: “This sounds like nobody who wrote it had heard of the internet.” And he's right. The film imagines computers as isolated kingdoms, not the networked web we actually live in. It's a pre-internet vision dressed in post-Matrix clothing.Yet that's what makes it fascinating. TRON: Legacy isn't really about technology—it's about fathers, sons, and the danger of mistaking perfection for love. Kevin Flynn's failure isn't technical; it's paternal. He built a world in his image and abandoned it. CLU inherited his father's obsession with order, and Sam inherited his resentment. The conflict isn't between man and machine—it's between generations.Kosinski would revisit that theme in Oblivion and Top Gun: Maverick: the architect of the system confronting the cost of control. TRON: Legacy is the prototype—a meditation on beauty, regret, and the limits of design.Fifteen years later, it feels almost prophetic. CLU's dream of a flawless system sounds uncomfortably close to the rhetoric of Silicon Valley. The movie's warning—that perfection becomes tyranny—lands harder in an age of algorithms, A.I., and curated identities. Its message is simple: imperfection is the only thing that makes us human.So tonight, as we gear up for TRON: Ares, we're putting Legacy on trial—not as a sequel that glitched, but as a digital myth that might've been too early for its own time. It's Star Wars rewritten by a coder, The Matrix without the leather, and Ghost in the Shell with a heartbeat.Load the disc. Power up the light cycles. Let's head back to the Grid.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight's Triple Feature is a director spotlight on Michael Mann, a filmmaker who has built his career around professionals under pressure and the costs of living by codes.We begin with Ferrari (2023) — a film Mann spent decades trying to make. Starring Adam Driver as Enzo Ferrari, the movie takes place in the summer of 1957, when Ferrari's company was facing bankruptcy, his marriage was crumbling, and the infamous Mille Miglia race loomed large. It's not just a biopic but a portrait of obsession: the relentless drive to build something lasting, even as personal and public tragedies pile up.From there we move to Heat (1995), Mann's defining crime epic. Al Pacino plays Vincent Hanna, an LAPD detective, while Robert De Niro plays Neil McCauley, a career thief. Both men are at the top of their respective crafts, and both are consumed by their work to the point of personal ruin. The film's legacy is monumental—praised for its authenticity, its attention to detail in portraying criminal life, and of course, the first face-to-face meeting of Pacino and De Niro on screen.Finally, we close with Collateral (2004), a lean, modern thriller shot largely on digital cameras when that technology was still new. Tom Cruise plays Vincent, a contract killer who hires Jamie Foxx's cab driver, Max, to ferry him around Los Angeles during a night of assassinations. It's a film about chance encounters, moral choices, and the ways ordinary lives are disrupted by the professional ruthlessness of others.Together, these films illustrate Mann's enduring obsessions: characters defined by their craft, stories where professionalism is both armor and curse, and worlds where the pursuit of excellence isolates people from human connection. Whether it's a race car mogul, a master thief, or a contract killer, Michael Mann's protagonists live—and often die—by the codes they set for themselves.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Upload is an American science fiction comedy drama television series created by Greg Daniels for Amazon Prime Video. The first season premiered on May 1, 2020, and consists of ten episodes. In May 2020, the series was renewed for a second season, which premiered on March 11, 2022, and consists of seven episodes. In May 2022, the series was renewed for a third season, which premiered on October 20, 2023, and consists of eight episodes. In March 2024, the series was renewed for a fourth and final season, which premiered August 25, 2025, and consists of four episodes.In 2033, humans can "upload" themselves into a virtual afterlife of their choosing. When computer programmer Nathan Brown dies prematurely, he is uploaded to the very expensive Lakeview, but then finds himself under the thumb of his possessive, still-living girlfriend Ingrid. As Nathan adjusts to the pros and cons of digital heaven, he bonds with Nora, his living customer service rep. Nora struggles with the pressures of her job, her dying father who does not want to be uploaded, and her growing feelings for Nathan while slowly coming to believe that Nathan was murdered.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

One Battle After Another is a 2025 American action thriller film co-produced, written, and directed by Paul Thomas Anderson, inspired by the 1990 novel Vineland by Thomas Pynchon. It stars Leonardo DiCaprio, Sean Penn, Benicio del Toro, Regina Hall, Teyana Taylor, and Chase Infiniti, and follows an ex-revolutionary who must rescue his daughter from a corrupt military official.One Battle After Another had its world premiere in Los Angeles on September 8, 2025. It was theatrically released in the United States by Warner Bros. Pictures on September 26. Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Welcome, everyone, to tonight's episode. We're diving into A Simple Favor and its sequel Another Simple Favor — two stylish, twisty thrillers that sit at the intersection of dark comedy, mystery, and melodrama. But behind the glamour and plot turns lies an interesting story of studio strategy, financial risk, and evolving distribution models.Let's start with the original. A Simple Favor (2018) is directed by Paul Feig, from a screenplay by Jessica Sharzer, and stars Anna Kendrick as Stephanie and Blake Lively as Emily. The film is based on the 2017 novel by Darcey Bell. Its budget was modest — around 20 million dollars — and it went on to gross nearly 98 million worldwide. Critics generally responded well, with a Metacritic score in the high 60s and audiences giving it a CinemaScore of B+. Rotten Tomatoes praised it as “twisty, twisted, and above all simply fun.” Part of the allure is the tone: it plays like a “mommy noir” — elegant, sharp, with sharply drawn characters and unpredictable turns. It was a strong showing for a midtier studio film, and helped cement A Simple Favor as a cult favorite in the thriller and women-driven mystery niche.Fast forward to 2025, and we have Another Simple Favor. This sequel is not based on a book — unlike the original, it's an original screenplay by Jessica Sharzer and Laeta Kalogridis. The production is a co-venture: Lionsgate still participates, but distribution shifted. Another Simple Favor was released on Amazon Prime Video rather than in theaters, with Amazon MGM handling distribution. Filming took place in 2024, in locations like Capri and the Villa Adriana in Italy. Critically, the sequel has earned mixed reviews. Some praise Lively's magnetic presence, gorgeous costumes, and the ambition of the story's escalation. But others argue it feels overstuffed, that pacing sags in parts, and that it lacks some of the tightness or novelty of the first film. One reviewer summed it up: “It works better when its characters are just allowed to be marvelous instead of mysterious.” It also premiered at SXSW in March 2025 before its streaming release on May 1. The fact that its home is Prime Video, rather than a theatrical run, signals some of the shifting business realities behind studio films — especially for sequels that may carry higher risk.These two films provide an ideal case study in how creative ambition, risk, and studio strategy collide. The first film was a midbudget gamble that paid off. The second gives us lessons in modern distribution, content partnerships, and the pressures on midsize studios to share risk or cede control with streaming giants.Tonight, we're going to compare the narratives, the characters, the successes and stumbles — but also look behind the curtain: how studios like Lionsgate are navigating a volatile business environment, why a sequel would skip theaters, and whether the shift in approach gives Another Simple Favor an edge or a handicap.So grab your martini, or mocktail — let's get into A Simple Favor and Another Simple Favor.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The second season of the science fiction television series Stranger Things, marketed as Stranger Things 2, was released worldwide on the streaming service Netflix on October 27, 2017. The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy, Dan Cohen and Iain Paterson.This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Noah Schnapp, Sadie Sink, Natalia Dyer, Charlie Heaton, Joe Keery, Dacre Montgomery, Cara Buono, Sean Astin and Paul Reiser. Brett Gelman, Linnea Berthelsen, Matthew Modine, and Priah Ferguson also appear in recurring roles. The season received highly positive reviews, particularly for its story, character development, production values, visual effects, performances (particularly those of Harbour, Brown, Schnapp, Keery, and Astin), and darker tone compared to the previous season.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

The Long Walk is a 2025 American dystopian survival thriller film directed and produced by Francis Lawrence from a screenplay by JT Mollner. It is based on the 1979 novel of the same name by Stephen King (under his pseudonym Richard Bachman). The film stars Cooper Hoffman, David Jonsson, Garrett Wareing, Tut Nyuot, Charlie Plummer, Ben Wang, Roman Griffin Davis, Joshua Odjick, Judy Greer, and Mark Hamill.The Long Walk was released in the United States by Lionsgate on September 12, 2025. The film received generally positive reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature, we peel back more than just plot—this episode explores how each film was built, the bold choices behind them, and what makes them tick both on screen and in the cutting room.First, Sinners, the ambitious 2025 hybrid of Southern Gothic horror, musical, and supernatural thriller from Ryan Coogler. Coogler not only directed but wrote and produced, putting this deeply personal project through his Proximity Media banner. It was rumored to have sparked a fierce studio bidding war early on. The film was shot over spring and summer 2024 on location in Louisiana, and it pushed technical boundaries by being shot on 65 mm film—including IMAX 15-perf and Ultra Panavision 70 formats—allowing Coogler and cinematographer Autumn Durald Arkapaw to shift between widescreen and immersive aspect ratios. Coogler also consulted real-life twins to help Michael B. Jordan ground his dual roles—Smoke and Stack—with distinct emotional and physical nuances. The production even reused costumes originally designed for Blade after that project shifted direction, thanks to designer Ruth E. Carter.Sinners is more than a genre film: it's built with weight, history, and intention, demanding you think about racially charged myth, redemption, and community as much as it scares you.Next up is Drop, directed by Christopher Landon and co-written by Jillian Jacobs & Chris Roach. On paper, it's a taut thriller: a widowed mother on her first date in years suddenly receives chilling anonymous messages via “DigiDrop” threatening the lives of her son and sister unless she follows orders—including committing murder. But behind that premise, the film draws from a real-life anxiety: the idea of unexpected AirDrops in public spaces. Production began in Ireland in April 2024, and the movie's contained setting (almost entirely within a restaurant and tied intimately to a digital device) turned constraint into tension. The director even explained that the final act's identity reveal and pivot underwent dramatic changes deep into post-production. The villain behind “Let's Play” commands the narrative with digital terror—a modern twist on classic “phone call from nowhere” horror tactics.Lastly, Echo Valley brings us out of the city and into Pennsylvania farmland, where Julianne Moore plays a horse trainer whose life becomes entwined with the state of her daughter, played by Sydney Sweeney. The screenplay, penned by Brad Ingelsby, layers in addiction, familial secrets, and the quiet violence that festers in isolated communities. Moore anchors the emotional ground, imbuing her character with both grief and steely resolve, while Sweeney provides the restless, volatile counterpart. The tension in Echo Valley often breathes through landscape and silence—what's not said becomes as dangerous as what is. The film has been praised for allowing Moore and Sweeney to take the emotional reins and carry scenes with minimal exposition, trusting the actors and the visuals to convey the weight.Three films. Three different modes of storytelling: Sinners with its genre-bending ambition and technical daring; Drop with its high-concept, digital-age suspense and careful spatial design; Echo Valley with its character-driven brood and sense of place. All three ask us to lean in—not just watch, but feel the mechanics behind them. Strap in.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on The IndySiders, we're taking a closer look at WWE Wrestlepalooza — the Premium Live Event that aired last Saturday on ESPN — and then shifting gears for our indie spotlight on Beyond Wrestling's Americanrana.Wrestlepalooza marked WWE's first major show on the ESPN platform, held at Gainbridge Fieldhouse in Indianapolis. John Cena vs. Brock Lesnar opened the card, with Lesnar dominating in a ruthless return. In tag action, Bron Breakker & Bronson Reed — The Vision — took down the reunited Usos, with guest ref LA Knight playing a role in the outcome. Stephanie Vaquer edged out Iyo SKY to capture the Women's World Title, while AJ Lee made her long-awaited return, teaming with CM Punk to defeat Seth Rollins & Becky Lynch in a mixed tag. The night closed with Cody Rhodes retaining the Undisputed WWE Championship over Drew McIntyre, though the match drew criticism for being short and feeling more like a TV main event than a PLE closer.Critical reception was mixed. Some fans praised the historic ESPN debut and Vaquer's title win, while others saw the card as underwhelming, with only a few standout moments.So, was Wrestlepalooza the triumphant ESPN debut WWE hoped for — or a misstep in execution? We'll unpack that in tonight's review. Then we'll contrast it with Americanrana, where indie wrestling thrives on long-term storytelling, rising stars, and match-driven narratives.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Him is a 2025 American horror film directed by Justin Tipping, co-written by Skip Bronkie, Zack Akers, and Tipping, and produced by Jordan Peele's Monkeypaw Productions. The film stars Marlon Wayans, Tyriq Withers, Julia Fox, and Tim Heidecker. Its plot follows the trials of a young up-and-coming football player (Withers) training at the isolated compound of an aging, nearly retired quarterback (Wayans).Him was first released in Mexico on September 18, 2025, and was released in the United States by Universal Pictures on September 19, 2025. The film received generally negative reviews from critics and has grossed $13.9 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Paradise Lost formed in Halifax, England, back in 1988, and from the start they carved out a reputation as pioneers of the death-doom sound. Their second record, Gothic, released in 1991, reshaped heavy music by weaving melody, keyboards, and gothic atmosphere into the slower, heavier framework of doom metal. That album set the stage for an entire subgenre, and over the next three decades Paradise Lost would keep evolving—sometimes experimenting with electronic elements, sometimes returning to pure heaviness, but always circling around the same dark, melancholy gravity. Their mid-nineties high point, albums like Draconian Times, showed how their knack for blending soaring melody with bleak subject matter could reach both critics and a wider audience. Through lineup changes and shifts in the metal scene, the core of Nick Holmes, Gregor Mackintosh, Aaron Aedy, and Steve Edmondson has stayed intact, giving the band remarkable stability over nearly forty years. With more than two million albums sold worldwide, their influence runs deep across doom, gothic, and extreme metal.That long history sets the stage for Ascension, the band's seventeenth studio album, released September 19th, 2025, on Nuclear Blast Records. It's their first collection of new material since Obsidian in 2020, making this the longest wait between original albums in their career. The release also marks a turning point, as it is the final record with drummer Guido Montanarini, who departed earlier in the year. Produced by guitarist Gregor Mackintosh and mixed and mastered by Lawrence Mackrory, the album was recorded at Black Planet Studios in Yorkshire and in Swedish studios for drums and vocals. The cover art is The Court of Death by George Frederic Watts, a Victorian painting steeped in allegory, perfectly in line with the album's themes of mortality and despair.Ascension offers ten tracks, beginning with “Serpent on the Cross” and including “Tyrants Serenade,” “Lay a Wreath Upon the World,” and the lead single “Silence Like the Grave.” It balances crushing riffs and dense atmospheres with gothic grandeur, delivering what Paradise Lost have always done best. Critics across the board have praised the record. Tuonela Magazine called it one of the strongest in their catalogue, while Angry Metal Guy highlighted the consistency and lack of weak songs, even if “Sirens” didn't land as powerfully as the rest. GhostCult singled out Nick Holmes' performance and the sheer force of the rhythm section. Most agree the band hasn't reinvented themselves here, but instead delivered a refined, cohesive statement of what Paradise Lost represent in 2025.The significance of Ascension is that it feels less like a radical new chapter and more like a powerful reaffirmation. After almost four decades, Paradise Lost remain vital. They don't need to chase trends or reinvent themselves; they simply have to continue walking the path they created in the first place. With Ascension, they prove they're still doing it with conviction, consistency, and the same bleak sense of grandeur that has kept their music resonant for so long.Videoshttps://www.youtube.com/watch?v=2M1yG0qmT0QAt The Gates - Blinded by FearCooperhttps://www.youtube.com/watch?v=GpxFUo7oxWMPowerwolf - We Drink Your BloodMikhttps://www.youtube.com/watch?v=JvuCvGUpFpARoyal Republic - Stayin' Alive (Official Video)Jesse Starcherhttps://www.youtube.com/watch?v=17lFxyH4YE0Fra Diavlo - Every Irish Song EverMarkhttps://www.youtube.com/watch?v=C1_kMRiyt5wPARADISE LOST - Tyrants SerenadeDisclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present out review of Star Trek - Strange New Worlds (season 3)!The third season of the American television series Star Trek: Strange New Worlds follows Captain Christopher Pike and the crew of the starship Enterprise in the 23rd century as they explore new worlds and carry out missions during the decade before Star Trek: The Original Series (1966–1969). The season was produced by CBS Studios in association with Secret Hideout, Weed Road Pictures, H M R X Productions, and Roddenberry Entertainment, with Akiva Goldsman and Henry Alonso Myers as showrunners.Anson Mount, Ethan Peck, and Rebecca Romijn respectively star as Pike, Spock, and Number One, along with Jess Bush, Christina Chong, Celia Rose Gooding, Melissa Navia, Martin Quinn, and Babs Olusanmokun. Many of the regular actors and several guest stars portray younger versions of characters from The Original Series. Planning for a third season of Strange New Worlds began by June 2022, and it was officially announced in March 2023 ahead of an intended filming start that May. Production was delayed by the 2023 Hollywood labor disputes and instead started in December 2023. Filming took place at CBS Stages Canada in Mississauga, Ontario, until May 2024. The showrunners continued the series' episodic storytelling approach, giving each episode a different genre and tone.The season premiered on the streaming service Paramount+ on July 17, 2025, with its first two episodes. The rest of the 10-episode run was released weekly until September 11. A fourth season was ordered in April 2024.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight's Triple Feature brings together three wildly different but thematically connected films: Happy Gilmore 2, Heads of State, and The Thursday Murder Club. Netflix leads with Happy Gilmore 2, directed by Craig Gillespie (I, Tonya) and marking Adam Sandler's return to his most iconic role in a sequel that blends nostalgia with heart. Amazon Prime counters with Heads of State, an action-comedy from Ilya Naishuller (Nobody) starring John Cena and Idris Elba as unlikely political partners, mixing campaign satire with explosive buddy-movie energy. Rounding things out is Netflix's adaptation of Richard Osman's bestseller The Thursday Murder Club, helmed by Chris Columbus and headlined by Helen Mirren, Pierce Brosnan, and Ben Kingsley in what looks to be the start of a cozy-crime franchise. Critics call Happy Gilmore 2 a fun if uneven revival, Heads of State a brash but entertaining streaming-era crowd-pleaser, and The Thursday Murder Club charming and faithful, if leisurely paced. Together, these films explore the comedy and drama of second chances and reinvention—whether it's Sandler's aging golfer taking another swing, Cena and Elba finding common ground in chaos, or a group of retirees proving that friendship and wit never go out of style.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our reviews of Nimona the comic and the movie!Nimona is a science fantasy graphic novel by American cartoonist ND Stevenson. The story follows the title character, a shapeshifter who joins the disgraced knight Ballister Blackheart in his plans to destroy the over-controlling Institute. Blackheart's intent to operate under his code of ethics contrasts with Nimona's natural impulsivity.Stevenson began working on Nimona while attending the Maryland Institute College of Art, revisiting a character he had created in high school. Stevenson published Nimona as a webcomic from 2012 through 2014, initially through Tumblr, developing the story and the art style as time progressed. The finished work ultimately doubled as his senior thesis. After an agent reached out to Stevenson, HarperCollins released Nimona in print form in 2015. It has been translated into at least 16 other languages and adapted into an audiobook.Nimona's accolades include an Eisner Award, a Cybils Award, and a Cartoonist Studio Prize. Reviews and academic analyses have highlighted themes of queerness and fluidity of identity and how they oppose and subvert traditional controlling institutions and exclusionary systems.Nimona is a 2023 American animated science fantasy action-adventure film directed by Nick Bruno and Troy Quane from a screenplay by Robert L. Baird and Lloyd Taylor, based on the 2015 graphic novel of the same name by ND Stevenson. Set in a medieval-futuristic kingdom, the film features the voices of Chloë Grace Moretz as the eponymous shapeshifting character and Riz Ahmed as her boss and former knight Ballister, with Eugene Lee Yang and Frances Conroy voicing supporting roles.Originally a production of Blue Sky Studios, it was set to be directed by Patrick Osborne, with an initial release date of 2020. Following the Walt Disney Company's acquisition of 21st Century Fox, the parent company of Blue Sky, it was delayed multiple times before being canceled due to Blue Sky's closure in April 2021. However, Annapurna Pictures revived the project the following year, with Bruno and Quane announced as directors, DNEG Animation providing animation, and Netflix acquiring worldwide distribution. Christophe Beck was hired to compose the film's rock-inspired score.Nimona had its world premiere at the Annecy International Animation Film Festival on June 14, 2023, was released in select cinemas on June 23, and made its streaming debut on June 30. The film received critical acclaim and was nominated for Best Animated Feature at the Critics' Choice, Annie Awards and Academy Awards.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Steel Magnolias is a 1989 American comedy drama film directed by Herbert Ross and starring Sally Field, Dolly Parton, Shirley MacLaine, Daryl Hannah, Olympia Dukakis, and Julia Roberts. The screenplay by Robert Harling is based on his 1987 play of the same name about the bond a group of women share in a small-town Southern community, and how they cope with the death of one of their own. The supporting cast features Tom Skerritt, Dylan McDermott, Kevin J. O'Connor, and Sam Shepard. Harling based the story in part on his sister, Susan Harling Robinson, who died in 1985 of complications from type 1 diabetes. In the film, Roberts plays Shelby, the character based on Susan.The film was released on November 15, 1989, and received mixed reviews from critics, who praised the humor and performances but criticized its portrayal of the South. Roberts, Field and MacLaine earned nominations for their performances; Roberts (who won Best Supporting Actress) and Field at the 47th Golden Globe Awards and MacLaine at the 44th British Academy Film Awards. At the 62nd Academy Awards, Roberts earned a nomination for Best Supporting Actress (her career-first nomination)Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight's triple feature is about bodies turned into currency — fought over, driven to the edge, and sculpted into impossible ideals.We open with Queen of the Ring — Ash Avildsen's new biopic of Mildred Burke, starring Emily Bett Rickards. Burke wasn't just a wrestler, she was the first million-dollar female athlete, the longest-reigning women's world champion, and a single mother who forced her way into a sport that didn't want her. Rickards trained with real wrestlers like Kamille and Toni Storm to capture not just the bumps and holds, but the physical revolution Burke embodied. It's a film about blood, sweat, and every ounce of will it takes to demand equality through violence in the ring.From there, we slide into Joseph Kosinski's F1 — a story of speed, ego, and mortality. If Burke's ring was four ropes, Mann's arena is the racetrack, where every corner can kill you and every victory requires putting body and machine in perfect sync. It's about men who turn themselves into missiles, knowing one wrong turn means fire and death.We close with Magazine Dreams — Jonathan Majors' portrait of a bodybuilder dissolving under the weight of his own ambition. His body is a weapon, his physique his calling card, but the more he sculpts himself into perfection, the further he drifts from humanity. It's a movie about the cost of being seen — and what happens when recognition never comes.Taken together, these films form a grim but riveting arc: the wrestler, the racer, the bodybuilder. Three people who make their bodies into tickets — to fame, to survival, to love — only to discover the price is higher than they ever imagined.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight's Triple Feature takes us across three very different animated landscapes: Predator: Killer of Killers, The Witcher: Sirens of the Deep, and Love Me. At first glance, they don't seem to belong together—sci-fi bloodsport, dark fantasy folklore, and surreal romance. But when you strip them down, they share a common pulse.Each film uses animation not just as a style but as a weapon. Predator turns combat into operatic spectacle, the Witcher refracts violence through moral ambiguity, and Love Me translates intimacy into something jagged and strange. They're all asking the same question: how do you capture the extremes of human experience when realism isn't enough?These stories lean on mythology and the superhuman—hunters, monsters, and lovers blown up into archetypes. And they all circle around alienation. The Predator is literally alien, Geralt is permanently the outsider, and Love Me lingers on the alienation baked into desire itself. What unites them is the uncanny, the surreal, the sense that the only way to tell the truth about violence and intimacy is to exaggerate it until it breaks.So that's the throughline tonight: three animated visions that turn estrangement, myth, and brutality into something bigger than life—and maybe, because of that, closer to the truth.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight we celebrate the career of Terry Gilliam!What happens when the animator from Monty Python decides to direct movies? You get Terry Gilliam — an American who somehow made the most British films imaginable.Gilliam's fingerprints are all over Monty Python's Flying Circus — those cut-out animations, the grotesque faces, the surreal leaps between worlds. And when he moved into directing, he carried that style with him: cluttered sets, exaggerated characters, satire of authority, and a constant blur between dream and reality.You see it evolve across three films. Time Bandits — childhood fantasy meets biting satire, a boy escaping his consumer-obsessed parents to loot history with dwarves. The Adventures of Baron Munchausen — a sprawling tale of impossible adventures, about how imagination itself becomes resistance in a world closing in. And Fear and Loathing in Las Vegas — Hunter S. Thompson's American nightmare, filtered through Gilliam's absurd, grotesque lens, with Johnny Depp mumbling like a Monty Python character for two straight hours.Gilliam's films are infamous for their production disasters — blown budgets, lawsuits, near career-enders. But that's exactly why he matters. In an age of safe blockbusters, Gilliam shows what happens when you chase imagination at any cost. His movies are messy, personal, and unforgettable.Terry Gilliam isn't just a filmmaker. He's the warning and the inspiration — proof that cinema can still be wild.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Let the games begin! Alexis Hejna from Honeysuckle Rose Creations joins Jayson Teasley to look at the second season of the hit adaptation of the video game franchise. Let's see some carnage, cars, and of course, clowns!Twisted Metal is an American post-apocalyptic action comedy television series developed by Rhett Reese, Paul Wernick and Michael Jonathan Smith. Based on the vehicular combat video game franchise published by Sony Interactive Entertainment, the series stars Anthony Mackie, Stephanie Beatriz, Joe Seanoa, Will Arnett, Thomas Haden Church, and Anthony Carrigan.In a post-apocalyptic wasteland, John Doe (portrayed by Mackie), a talkative milkman with amnesia, is given a mission to traverse the desolate United States to deliver a mysterious package with unknown contents. He faces a life-altering opportunity but must confront ruthless marauders in deadly and destructive vehicles to secure a chance at a better future.Development by Sony Pictures Television and PlayStation Productions began in May 2019 with a full season being ordered by Peacock in February 2022. The first season was released on Peacock with all ten episodes on July 27, 2023. In December 2023, the series was renewed for a second season which premiered on July 31, 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of The Toxic Avenger (2023 film)!The Toxic Avenger Unrated is a 2023 American superhero black comedy splatter film written and directed by Macon Blair. It is the fifth installment, a reboot of The Toxic Avenger film series, and a remake of the 1984 film. The film stars Peter Dinklage as the title character, alongside Jacob Tremblay, Taylour Paige, Julia Davis, Jonny Coyne, Elijah Wood, and Kevin Bacon.The Toxic Avenger premiered as the opening film of Fantastic Fest on September 21, 2023, with a wider theatrical release followed by Cineverse and Iconic Events Releasing in the United States for August 29, 2025. The film has received positive reviews from critics. It grossed $754,578 on its opening night in the U.S.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Paris Has Fallen (Season 1)!Paris Has Fallen is a 2024 French and English-language action television series. It is written by Howard Overman and directed by Oded Ruskin and Hans Herbots. The cast is led by Tewfik Jallab, Ritu Arya and Sean Harris.Set in the Has Fallen universe, a disillusioned former French Foreign Legion soldier launches a revenge attack against the French government.The eight-part series is written by Howard Overman and produced by StudioCanal, Urban Myth Films, and Millennium Media and G-BASE, the two companies that produced the Has Fallen film franchise. Eclectic Pictures is also attached. Johnny Capps, Julian Murphy, and Howard Overman are producers for Urban Myth, whilst Gerard Butler and Alan Siegel produce for G-Base. For Millenium Media Avi Lerner is a producer along with Jeffrey Greenstein, Jonathan Yunger, and Yariv Lerner as well as Heidi Jo Markel from Eclectic Pictures. Lati Grobman is an executive producer. The lead directors are Oded Ruskin and Hans Herbots. Filming took place in October 2023 with filming locations including Paris and London.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Born in 1984 from the demented minds at Troma Entertainment, The Toxic Avenger was part parody superhero, part splatter comedy, and all gross-out rebellion. What began as a cheap exploitation gag — a mop-wielding mutant janitor fighting crime in Tromaville — somehow spawned three sequels, a Saturday morning cartoon, comic books, action figures, and now, decades later, a big-budget remake.Across four films — The Toxic Avenger (1984), Part II and Part III in 1989, and Citizen Toxie in 2000 — we'll trace how this franchise evolved from grindhouse trash to meta-satire, all while swimming in buckets of slime, gore, and politically incorrect humor.These aren't polished Hollywood blockbusters. They're outrageous, juvenile, and often disgusting — but they've endured because they tap into something deeper: our culture's weird love affair with the gross, the transgressive, and the so-bad-it's-good.Tonight on Long Road to Ruin, it's time to talk cult cinema, Troma style — this is the rise, fall, and mutation of The Toxic Avenger.”Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight, Mark Radulich and Harry Broadhurst break down AEW Forbidden Door 2025, the annual crossover spectacle where worlds collide. We'll cover the biggest matches, shocking moments, and long-term implications for AEW.Next, we pivot to WWE with a preview of Clash in Paris, the international premium live event bringing WWE's biggest stars to France for the first time. What storylines are peaking, and what should fans expect?Finally, the Indie Spotlight shines on a wild collision: GCW vs Juggalo Championship Wrestling – 2 Day War 2025. Expect chaos, hardcore mayhem, and plenty of character-driven insanity as two underground wrestling worlds clash.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on Triple Feature we are doing a director focus on Joel Schumacher. We are reviewing The Lost Boys, Falling Down and 8mm!Most people only remember Joel Schumacher for Batman & Robin. Neon lights, Bat-nipples, toy commercials. He did what Warner Bros. told him to do, and he got crucified for it. But if you actually look at his career, Schumacher wasn't a hack. He was a stylist with something to say—especially about male power.Take The Lost Boys. It looks like a teenage power fantasy—motorcycles, leather jackets, eternal youth. But it's really about the seduction of that brotherhood, and how it traps you.Then Falling Down. A middle-aged man, angry at the world, trying to take back control. It feels like vigilante wish-fulfillment, but Schumacher shows it as a breakdown. Male power here isn't noble—it's pathetic and dangerous.And finally 8MM. The darkest version: power as voyeurism, where wealthy men turn suffering into a commodity. No fantasy, no cool factor—just exploitation laid bare.Put together, these three films form Schumacher's real trilogy. They're about how men chase power, how it seduces them, and how it destroys them. And that's a far richer legacy than just being the guy who put nipples on the Batsuit.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our Resident Alient Season 4 review!Resident Alien is an American science fiction comedy-drama television series created by Chris Sheridan, based on the comic book by Peter Hogan and Steve Parkhouse, that aired for four seasons from January 2021 to August 2025 on Syfy. It stars Alan Tudyk in the title role as an extraterrestrial who crash-lands on Earth with the intent to destroy the planet but develops a moral dilemma. In July 2025, it was confirmed that the fourth season would be its last.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Night Always Comes from Netflix!Night Always Comes is a 2025 American crime thriller drama film directed by Benjamin Caron from a script by Sarah Conradt, adapting the 2021 novel The Night Always Comes by Willy Vlautin. It stars Vanessa Kirby (who is also a producer on the film), Jennifer Jason Leigh, Zack Gottsagen, Stephen James, Randall Park, Julia Fox, Michael Kelly, and Eli Roth.Night Always Comes was released by Netflix on August 15, 2025.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/raduli...FB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1... Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Babymetal - Metal Forth and more!Babymetal's Metal Forth, released August 8th, 2025, on Capitol Records. It's officially their fourth canonical album — they set The Other One aside as a concept project — and it's the first full record to feature Momometal as a permanent member alongside Su-metal and Moametal.The title is a play on words: “Metal Forth” as in moving forward, and “Metal Forth” as in pushing beyond the genre itself. And that's exactly what they try to do. This record is built almost entirely on collaborations. Only three of the ten tracks are just Babymetal. Everywhere else you've got guests: Poppy, Spiritbox, Polyphia, Electric Callboy, Slaughter to Prevail, Bloodywood, even Tom Morello dropping in with that unmistakable guitar attack.Clocking in at just over 35 minutes, it's lean, polished, and loud. You get flashes of nu-metal, deathcore, alt-metal, even EDM crossover, all stitched together by Babymetal's trademark pop-metal energy. It's maximalist by design — a chaos of styles colliding with choreography and gloss.Critics were split but mostly positive. Clash called it “unrelentingly maximalist” and gave it a 7 out of 10. Blabbermouth went higher with an 8, praising it as their snappiest record to date. Kerrang! and Dork both landed at 4 out of 5, while NME and Sputnikmusic were less impressed, arguing that some collabs drowned out the band's core identity. Louder Sound described it as “a high-stakes experiment in what heavy music could become if it stopped worrying about authenticity and genre loyalty.”And that's the big takeaway: Metal Forth isn't about purity, it's about possibility. Babymetal has always been divisive, but here they lean into that division as a statement. The album says metal can be pop, it can be global, it can be hybridized beyond recognition — and still be metal. Love it or hate it, Metal Forth proves that Babymetal aren't just survivors of their own gimmick. They've turned into disruptors, forcing the genre to ask what comes next.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Weapons (2025)!Weapons is a 2025 American mystery horror film written, co-composed, co-produced and directed by Zach Cregger. The film stars Josh Brolin, Julia Garner, Alden Ehrenreich, Austin Abrams, Cary Christopher, Benedict Wong and Amy Madigan. Its plot follows the seemingly inexplicable case of seventeen children from the same classroom who mysteriously run away on the same night at the same time, having been apparently abducted by an unseen force.Weapons was released in the United States by Warner Bros. Pictures on August 8, 2025. The film received critical acclaim and has grossed $101 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Stranger Things (Season 1)!The first season of the American science fiction, horror drama television series Stranger Things premiered worldwide on the streaming service Netflix on July 15, 2016.[1] The series was created by the Duffer Brothers, who also serve as executive producers along with Shawn Levy and Dan Cohen.This season stars Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, and Matthew Modine, with Noah Schnapp, Joe Keery, and Shannon Purser in recurring roles. The first season of Stranger Things was widely praised, in particular for its originality, homages to the 1980s, characterization, tone, visuals, and acting (particularly those of Ryder, Harbour, Wolfhard, Brown and Modine).Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight we conclude our monthly look back at The West Wing by reviewing Season 7.The seventh and final season of the American political drama television series The West Wing aired in the United States on NBC from September 25, 2005, to May 14, 2006, and consisted of 22 episodes. The series changed time slots from Wednesdays at 9:00 pm to Sundays at 8:00 pm, and the series struggled in its new time slot against ABC's Extreme Makeover: Home Edition and CBS's Cold Case.The seventh and final season principally follows Santos and Vinick on the campaign trail, while also addressing the aftermath of the space shuttle leak investigation. The Bartlet administration's last year in office is featured, but not prominently. Toby admits to leaking the story about a military spacecraft and President Bartlet is forced to fire him. Later, Toby refuses to name his recently deceased brother as the source of the classified information, despite being urged to by his ex-wife, his lawyer and a federal prosecutor, as he feels it would be wrong to dishonor his brother's memory. C.J.'s tenure as Chief of Staff becomes more stressful as she deals with the war between Russia and China over Kazakhstan. The presidential race tightens up when Vinick's lead is dampened by an accident at a nuclear plant he had championed. Leo suffers a heart attack and dies on the night of the election, reflecting the death of actor John Spencer. Santos wins the election, and the last few episodes show the final days of the Bartlet administration and Santos' transition. In the series finale, Santos is sworn in as president.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of War of the Worlds (2025 film)War of the Worlds is a 2025 American screenlife science fiction thriller film based on H. G. Wells's 1898 novel The War of the Worlds. The film was directed by Rich Lee with a screenplay by Kenneth A. Golde and Marc Hyman from a story by Golde. It stars Ice Cube, Eva Longoria, Clark Gregg, Andrea Savage, Henry Hunter Hall, Iman Benson, Devon Bostick, and Michael O'Neill.War of the Worlds was released by Universal Pictures on Amazon Prime Video on July 30, 2025. The film received negative reviews from critics.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of the 28 Days Later Film Series!The 28 Days Later series consists of post-apocalyptic horror films, based on a concept conceived by Alex Garland. The series includes three released films, with two sequels in various stages of development. The franchise depicts the outbreak of the Rage Virus, a contagious disease that induces homicidal rage in those infected. Following the virus's accidental release from a laboratory in the United Kingdom, the resulting epidemic causes widespread societal collapse. The films focus on the impact of the outbreak, and the efforts of survivors to endure both the infected and the consequences of a rapidly disintegrating society.The first film, 28 Days Later, was well received by critics, and was a box office success. It has been called a horror classic and has a cult following. It has also been credited with redefining, as well as influencing, and expanding the popularity of the zombie horror genre. The 2007 sequel, 28 Weeks Later, was a financial success but had an average critical reception, with a 73% from critics and a much lower 66% audience rating, according to review aggregator website Rotten Tomatoes.The series is set to continue with a trilogy of sequels in various stages of development, all distributed by Sony Pictures Releasing through its Columbia Pictures label. The first sequel, 28 Years Later, was released in 2025, with a follow-up, 28 Years Later: The Bone Temple, slated for release on 16 January 2026. A third film was announced.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Monsters: The Lyle and Erik Menendez Story!Monsters: The Lyle and Erik Menendez Story is the second season of the American biographical crime drama anthology television series Monster, created by Ryan Murphy and Ian Brennan for Netflix. The season centers on the 1989 parricides of José (Javier Bardem) and Kitty Menendez (Chloë Sevigny), who were killed by their sons, Lyle (Nicholas Alexander Chavez) and Erik (Cooper Koch). It uses the Rashomon effect as a narrative device by presenting key events through multiple perspectives and unreliable narrators, leaving the "truth" open to interpretation.It is the second season in the Monster anthology series, following Dahmer – Monster: The Jeffrey Dahmer Story. Having initially ordered the program in 2020 as a limited series, Netflix announced in 2022 that it had been renewed as an anthology series, with two further editions based on the lives of "other monstrous figures". The second season, which focuses on the Menendez brothers, was announced to be in development on May 1, 2023.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Together (2025)!Together is a 2025 supernatural body horror film written and directed by Michael Shanks, in his directorial debut. The film stars real-life married actors Dave Franco and Alison Brie as a couple who move to the countryside and find themselves encountering a mysterious force that horrifically causes changes in their bodies.Together premiered at the 2025 Sundance Film Festival on January 26, 2025 and was released in the United States by Neon on July 30, 2025, and in Australia by Kismet Movies on July 31. It received positive reviews from critics and has grossed $12.2 million against a $17 million budget.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of The Naked Gun 2025!The Naked Gun is a 2025 American crime action comedy film directed by Akiva Schaffer and written by Schaffer, Dan Gregor and Doug Mand. The fourth film in The Naked Gun franchise, it stars Liam Neeson in the main role, with Pamela Anderson, Paul Walter Hauser, Kevin Durand, and Danny Huston starring in supporting roles. It follows the son of Lt. Frank Drebin who must succeed in his father's footsteps to prevent the closure of Police Squad.A fourth The Naked Gun film was originally announced in 2009, as a direct-to-TV sequel starring Leslie Nielsen. However, the film languished several years of development, including being redeveloped as a reboot starring Ed Helms in 2013. It was later officially announced in January 2021 that Seth MacFarlane had been hired to develop the project, and he expressed interest in casting Neeson in the main role. Although MacFarlane was hired to direct, Schaffer replaced him after the film was greenlit in October 2022, and Neeson was officially cast in the main role. Anderson was cast in April 2024, and further casting took place the following month. Filming began in Atlanta that month and wrapped in June.The Naked Gun premiered at the SVA Theater in Manhattan on July 28, 2025, and was released in the United States and United Kingdom by Paramount Pictures on August 1, 2025. The film received positive reviews from critics and has grossed $28.3 million worldwide against a $42 million budget.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of the Naked Gun Trilogy!The Naked Gun, also known as Police Squad!, is a media franchise consisting of several American crime spoof-comedies, created by the comedy filmmaking trio Zucker, Abrahams and Zucker. The installments include one television series, four theatrical films, and a video game. The plot centers on a police detective who has a lot of heart, despite having many innocent but comical mishaps. Leslie Nielsen stars in the television series and the first three films as the protagonist Detective Sergeant Frank Drebin; a fourth film starring Liam Neeson as Frank Drebin Jr. is scheduled for release in 2025. The franchise was met with a mixed-to-positive critical reception, and the films were a financial box office success.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Tonight on The IndySiders, we pay tribute to the immortal Hulk Hogan following the news of his passing. Love him or hate him, there's no denying his impact on the wrestling world. We'll reflect on his legacy, controversies, and the mark he left on the business.We also preview Summer Slam!Then, we break down both nights of the Scenic City Invitational—who stood out, who flopped, and who's got next in the world of indie wrestling.It's a night of legends and rising stars. Don't miss it.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present out review of KPop Demon Hunters!KPop Demon Hunters is a 2025 American animated musical fantasy film produced by Sony Pictures Animation and released by Netflix. It was directed by Maggie Kang and Chris Appelhans from a screenplay they co-wrote with the writing team of Danya Jimenez and Hannah McMechan, based on a story conceived by Kang. The film stars the voices of Arden Cho, Ahn Hyo-seop, May Hong, Ji-young Yoo, Yunjin Kim, Daniel Dae Kim, Ken Jeong, and Lee Byung-hun. It follows a K-pop girl group, Huntr/x,[a] who lead double lives as demon hunters; they face off against a rival boy band, the Saja Boys, whose members are secretly demons.KPop Demon Hunters originated from Kang's desire to create a story inspired by her Korean heritage, drawing on elements of mythology, demonology, and K-pop to craft a visually distinct and culturally rooted film. The film was reported to be in production at Sony Pictures Animation by March 2021, with the full creative team attached. The film was animated by Sony Pictures Imageworks and was stylistically influenced by concert lighting, editorial photography, and music videos as well as anime and Korean dramas. The soundtrack features original songs by several talents, and a score composed by Marcelo Zarvos.KPop Demon Hunters was released on June 20, 2025, on Netflix, to critical acclaim, with praise for its animation, visual style, voice acting, story, humor, emotional weight and music. The film's soundtrack album also saw major success, reaching top ten positions on multiple music and streaming charts.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59

The Fantastic Four: First Steps is a 2025 American superhero film based on the Marvel Comics superhero team the Fantastic Four. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the 37th film in the Marvel Cinematic Universe (MCU) and the second reboot of the Fantastic Four film series. The film was directed by Matt Shakman from a screenplay by Josh Friedman, Eric Pearson, and the team of Jeff Kaplan and Ian Springer. It features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach, and Joseph Quinn as the titular team, alongside Julia Garner, Sarah Niles, Mark Gatiss, Natasha Lyonne, Paul Walter Hauser, and Ralph Ineson. The film is set in the 1960s of a retro-futuristic world which the Fantastic Four must protect from the planet-devouring cosmic being Galactus (Ineson).20th Century Fox began work on a new Fantastic Four film following the failure of Fantastic Four (2015). After the studio was acquired by Disney in March 2019, control of the franchise was transferred to Marvel Studios, and a new film was announced that July. Jon Watts was set to direct in December 2020, but stepped down in April 2022. Shakman replaced him that September when Kaplan and Springer were working on the script. Casting began by early 2023, and Friedman joined in March to rewrite the script. The film is differentiated from previous Fantastic Four films by avoiding the team's origin story. Pearson joined to polish the script by mid-February 2024, when the main cast and the title The Fantastic Four were announced. The subtitle was added in July, when filming began. It took place until November 2024 at Pinewood Studios in England, and on location in England and Spain.The Fantastic Four: First Steps premiered at the Dorothy Chandler Pavilion in Los Angeles on July 21, 2025, and was released in the United States on July 25, as the first film in Phase Six of the MCU. The film received generally positive reviews from critics and has grossed over $216 million worldwide. A sequel is in development.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Welcome to tonight's Triple Feature, where we're diving deep into three searing portraits of adolescent collapse: Bad Boys (1983), The Basketball Diaries (1995), and Over the Edge (1979). These films don't just shock or provoke—they document. They document a particular strain of American decay that metastasized during the twenty-year stretch from 1959 to 1979—a period when the traditional family structure, once upheld as a Cold War ideal, began to fracture under economic pressure, suburban disillusionment, and institutional mistrust. This wasn't a clean break. It was a slow corrosion. The result? A generation of young men left untethered—adrift in a world that could neither protect them nor punish them fast enough to matter.We begin with Over the Edge, a 1979 cult classic that captured the disaffected spirit of middle-class youth like few films ever have. Set in a prefabricated suburb designed more for investment than living, the kids here are not impoverished—but they are neglected. Their world is one of false promises and fenced-in futures. There are no fathers, not really—just overworked salesmen and checked-out authority figures. The emotional distance is palpable. This is what happens when you build communities as holding pens, not homes. The result is explosive. These teens aren't rebelling against strict parents or moral codes—they're lashing out at an emotional void.Next, we jump to The Basketball Diaries—a harrowing look at addiction and alienation set against the backdrop of 1990s New York but rooted in a true story from the ‘60s. Jim Carroll's descent into heroin addiction is often read as a personal tragedy, but in context, it's emblematic of something larger: the erosion of protective adult guidance and the seductive power of oblivion when reality offers nothing back. His mother, present but overwhelmed, is powerless to stop the spiral. Authority comes too late and in the wrong form. There's no community here, only institutions—and institutions don't love you. They process you. In many ways, this film picks up the thread left dangling by Over the Edge: What happens when the fallout of that suburban collapse reaches the inner city and there's no illusion of a future left?Finally, Bad Boys—a film that doesn't blink. Released in 1983, it thrusts us into the juvenile detention system and strips away every layer of protection we pretend still exists for troubled youth. Sean Penn's character is a product of pure hardening. There's no fantasy, no poetry, no redemption arc—only survival. The family here is nonfunctional to the point of irrelevance. The state is a gladiator pit. Violence isn't dramatic—it's pragmatic. What Bad Boys does so brutally well is force us to confront what happens when boys become men too early, too alone, and too angry.What ties these three films together is not just their focus on troubled youth, but their implicit accusation: We made them this way. Through neglect, economic expediency, and the slow abandonment of any consistent moral or emotional scaffolding, American society left millions of young people to fend for themselves. These aren't just stories of crime or rebellion. They're stories of abandonment. And that's why they matter—especially in 2025. Because while the details have changed, the pattern remains. We live in a world where young men are still falling through the cracks—only now the cracks are digital, pharmacological, or ideological.Watching these films today isn't about nostalgia. It's about recognition. It's about asking how many more generations we can afford to lose before we start reckoning with the systems that keep producing them. So let's talk about it.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our Ocean's Trilogy review!Ocean's is a series of heist films. Beginning with the 1960 Rat Pack film Ocean's 11, the series has seen mixed to favorable critical reception and substantial commercial success. After the 1960 film, a reboot trilogy was released from 2001 to 2007, often cited as defining its genre and leading to a proliferation and commercialization of heist films throughout the world. The most commercially successful was the first film, Ocean's Eleven (2001). It established the ensemble cast of George Clooney as Danny Ocean, Matt Damon as Linus Caldwell, and Brad Pitt as Rusty Ryan. A long list of supporting cast members maintain the trilogy. The first sequel, Ocean's Twelve, was released in 2004, with the final film, Ocean's Thirteen, following in 2007. An all-female spin-off titled Ocean's 8 was released in 2018.Ocean's Eleven is a 2001 American heist comedy film directed by Steven Soderbergh and written by Ted Griffin. A remake of the 1960 film of the same name, it serves as the first installment in the Ocean's franchise. The film features an ensemble cast including George Clooney, Matt Damon, Andy García, Brad Pitt, Julia Roberts, Casey Affleck, Don Cheadle, Scott Caan, Elliott Gould, Bernie Mac, and Carl Reiner. Its plot follows Danny Ocean, a recently paroled con artist who orchestrates a complex scheme to simultaneously rob the vaults of three major Las Vegas casinos owned by Terry Benedict, the current partner of Ocean's ex-wife, Tess.Ocean's Twelve is a 2004 American heist comedy film directed by Steven Soderbergh and written by George Nolfi. Serving as the second installment in the Ocean's film trilogy, it is a direct sequel to Ocean's Eleven (2001). The film features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Catherine Zeta-Jones, Andy García, Don Cheadle, Bernie Mac, Julia Roberts, Casey Affleck, Scott Caan, Vincent Cassel, Eddie Jemison, Carl Reiner, and Elliott Gould. Its plot follows Danny Ocean and his crew as they are forced to regroup for a series of elaborate heists across Europe after being targeted by Terry Benedict and a mysterious rival thief known as the Night Fox.Ocean's Thirteen is a 2007 American heist comedy film directed by Steven Soderbergh and written by Brian Koppelman and David Levien. It is the third in the Ocean's film trilogy and features an ensemble cast including George Clooney, Brad Pitt, Matt Damon, Andy García, Don Cheadle, Bernie Mac, Ellen Barkin and Al Pacino. Its plot centers on Danny Ocean and his team as they seek revenge against ruthless casino owner Willy Bank after he double-crosses one of their own.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of The Bear (Season 4)! The fourth season of the American comedy-drama television series The Bear premiered with all 10 episodes on June 25, 2025, on FX on Hulu. Christopher Storer and Joanna Calo return as showrunners for the season. Jeremy Allen White reprises his role as Carmy Berzatto, an award-winning chef who returns to his hometown of Chicago to manage the chaotic kitchen at his deceased brother's sandwich shop.Ebon Moss-Bachrach, Ayo Edebiri, Lionel Boyce, Liza Colón-Zayas, Abby Elliott, Matty Matheson, and Edwin Lee Gibson return from the previous season as the supporting cast. In March 2024, FX renewed The Bear for a fourth season, which began filming with the third season in February 2024, and was completed in early 2025. The season premiered to positive reviews from critics, though reception was more muted than prior seasons.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our I Know What You Did Last Summer (2025) Review!I Know What You Did Last Summer is a 2025 American slasher film directed by Jennifer Kaytin Robinson, who co-wrote the screenplay with Sam Lansky from a story by Leah McKendrick and Robinson. It is the fourth installment in the I Know What You Did Last Summer franchise and the sequel to I Still Know What You Did Last Summer (1998).[a] The film stars Madelyn Cline, Chase Sui Wonders, Jonah Hauer-King, Tyriq Withers, Sarah Pidgeon, Billy Campbell, Gabbriette Bechtel, and Austin Nichols, with Freddie Prinze Jr., and Jennifer Love Hewitt. Sarah Michelle Gellar and Brandy from the first two films, respectively, appear in cameos. The plot takes place 27 years after the Tower Bay murders, when another hook-wielding killer appears and begins targeting a group of friends one year after they covered up a car crash in which they supposedly killed someone.Plans for a fourth film in the franchise started in 2014, when Mike Flanagan and Jeff Howard signed on to write a reboot with no connection to the previous installments. However, this version ultimately fell through. Following the cancellation of the 2021 television series adaptation, the project was relaunched when Robinson pitched her version to Sony Pictures. The film was put into early development in February 2023, with producer Neal H. Moritz returning. Prinze Jr. and Hewitt were confirmed to be returning in 2024, with the new cast members joining throughout the year. Filming took place between October 2024 and March 2025 in New South Wales and Los Angeles.I Know What You Did Last Summer premiered at The United Theater on Broadway in Los Angeles on July 14, 2025, and was theatrically released by Sony Pictures Releasing in the United States on July 18. The film received mixed reviews from critics. It grossed $24.6 million worldwide.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

We present our review of Black Mirror season 7!Season 7 of Black Mirror feels like a return to form—but it's not a step backwards. What we get here is a fusion: the show reclaims its original soul as a commentary on technology and society, while folding in the emotional depth and genre range introduced in Season 6.This season doesn't abandon experimentation—but now, it's anchored. Each episode is either built around a speculative piece of future tech or aimed squarely at how that tech refracts our behavior. The emotional core? Still there. But it's no longer floating in genre drift. It's grounded in editorial intent.Critics are picking up on this shift. The Guardian calls it the “warmest, most human season ever,” but still sees it as “thrilling satire.” Rotten Tomatoes and The Ringer both point to a return to “dystopian sci-fi” and say Brooker “was listening” after Season 6's detour. Even Tom's Guide praises the way Season 7 hits harder—calling episodes like Common People and Eulogy some of the show's most emotional yet.The balance is back. Technology is no longer just a backdrop or a gimmick. It's the central metaphor again. And Brooker—now more curator than sole voice—lets the anthology breathe without losing grip on the message.Black Mirror Season 7 finally answers the question Season 6 left hanging: Can this show evolve without losing itself?The answer is yes. Because this time, the tech doesn't just twist the plot—it reveals the truth.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59