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Happy New Year!  This is our 2025 recap episode.  In this case, we actually are recapping a fair bit more than just the year, going over the previous evolution of the Yamato state up to the period of the Great Change, or Taika, which we covered this past year.  There's a lot more that we expect to get into this next year, and this will hopefully tee us up for what is to come. For more, including a full list of our previous references, check out: https://sengokudaimyo.com/podcast/episode-newyear2025   Rough Transcript Shinnen Akemashite!  Happy New Year and Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is the New Year's Recap episode for 2025! It's that time again:  we are going to look back at what happened in the episodes this year.  That was only episodes 101 to 117—we'll skip the travelogue episodes for the time being.  This covered the years of the early to mid-7th century, from roughly 613 to 659.  That is easily within the lifetime of a single individual, and yet a lot was going on. At the start of this year, we were at the height of Soga power. In 2023, we covered how back in 587, Soga no Umako had wrested power away from the powerful Mononobe clan, defeating Mononobe no Moriya.  As you may recall, the sovereign known to posterity as Jimmu Tennou was the descendant of the Heavenly Grandchild known as Ninigi no Mikoto, at least according to the Nihon Shoki.  The Mononobe clan claimed descent from none other than Nigi Hayahi, the Other Heavenly Grandchild, whose offspring were said to have been defeated by Jimmu. You may recall that scholars generally consider the story of Jimmu, and the nine sovereigns that immediately followed him, as almost certainly a later addition to the story of the royal lineage. So when did the story of Nigi no Hayahi's defeat enter the picture? And was its inclusion perhaps related to the defeat of the Mononobe by the Soga family?  A family that successfully intermarried with the Royal House, themselves, such that all later sovereigns would trace their ancestry back to the Soga house? Of course, under Soga dominance we saw the rise of figures like the Soga descended Kashikiya Hime, aka Suiko Tenno.  During her reign, major reforms were carried out, Buddhism became fully established by the State, and ties with the continent were strengthened.  Politics would continue to be dominated by Soga, even after the death of Soga no Umako and Kashikiya Hime, with Soga no Emishi taking up the mantle of Prime Minister, working closely with his son, Soga no Iruka.  The Soga family was so entwined with the politics of rulership that the main rivals of the Soga were… the Soga.  That is to say different Soga-descended lineages, like that of the Prince Umayado, aka Prince Shotoku. Rather than supporting Umayado's son, Prince Yamashiro no Oe, Soga no Emishi backed another candidate to the throne, Prince Tamura.  , of the royal Okinaga lineage. Tamura came to power as Jomei Tenno, but there is little doubt that Soga no Emishi was the one in control. Later, when Tamura passed away in 641, Yamashiro no Oe continued to be passed over.  In fact, Soga no Emishi supported the ascension of Tamura's wife, Takara hime, over Yamashiro no Oe, and there is evidence that he supported a prince known as Furubito no Oe as the Crown Prince and eventual successor.  All of the evidence—which, to be honest, is rather biased—suggests that the Soga family were setting up a series of puppet rulers who would do their bidding, or at least be pliable to their suggestions. There must have been some pushback, though, especially when one considers how strong the cult of Prince Shotoku, aka Umayado, would eventually become.  One imagines that Prince Yamashiro was another pole around which those who opposed the Soga family could rally.  After all, he was the son of Crown Prince Umayado, and likely had just as much of a claim as Tamura and his children.  And so, to counter this threat, Soga no Emishi's son and successor, Soga no Iruka, took matters into his own hands. In a brazen display of the violence of court politics, Soga no Iruka had Yamashiro no Oe accused of plotting against the throne and took an army to arrest him—no doubt in the hope that the prince would resist.  Eventually they cornered Yamashiro and his family, who committed suicide rather than submit. This attack was likely targeted to take out the rival to the Soga family's preferred Crown Prince, Prince Furubito no Oe, but rather than quell any dissent, the move seems to have enflamed the passions of those who wanted to see an end to the Soga house.  Those passions took particular root in none other than Furubito no Oe's younger brother, Prince Naka no Oe.  Together with the support of his uncle, Prince Karu; the head of the Nakatomi house, Nakatomi no Kamatari; as well as another scion of the Soga house, Soga no Kuroyamada, Prince Naka no Oe staged a coup d'etat.  Using the death of Prince Yamashiro no Oe as an excuse, they engineered a plot to assassinate Soga no Iruka in court, in front of Naka no Oe's own mother, Takara Hime no Oho-kimi.  After Iruka's death, Naka no Oe and his supporters then took the fight to Soga no Emishi, who committed suicide and set his own house on fire in what came to be known as the Isshi Incident. This shocking assassination caused Takara hime to step down.  The Soga-backed Prince Furubito no Oe, rather than stepping up and taking the throne, retreated to a Buddhist temple and took holy orders, effectively retiring and theoretically taking himself out of court politics.  That left Prince Naka no Oe and his uncle, Prince Karu, as possible candidates. We are told that Prince Naka no Oe declined to take the throne himself, instead supporting his uncle, Prince Karu.  Prince Karu took the throne, and is known to us as Kotoku Tenno, today.  Prince Naka no Oe stepped up as the Crown Prince, and with the help of his co-conspirators, such as Nakatomi no Kamatari, Soga no Kurayamada, and others, they began a project to remake the Yamato government, using continental models—specifically the Sui and Tang courts, which were also influencing the governments of the Korean peninsula, such as those of Baekje and Silla. This is known as the Taika, or Great Change, era.    There had been previous movements to adopt some of the continental trends, but nothing to this extent, which culminated in a tremendous palace complex built in Naniwa—modern Ohosaka.  Governors were sent out to the east of the country. The old, decentralized system was being replaced by a centralized bureaucracy. And yet this wasn't entirely a smooth transition.  Early on there was a threat by supporters of the previous Crown Prince, Furubito no Oe.  He was killed to put down any possible revolt.  Later, Naka no Oe was hoodwinked into going after his own co-conspirator, Soga no Kurayamada, resulting in Kurayamada's death and the punishment of his entire family.  A few years later, Naka no Oe moved back to Asuka, taking most of the royal family and the court with him, abandoning the grand government complex that they had built in Naniwa for reasons that remain unclear. Shortly thereafter, Karu, aka Kotoku Tenno, passed away.  But rather than Naka no Oe taking the throne—or even Karu's son, Prince Arima—the throne went back to Naka no Oe's mother, Takara Hime.  This is the only case we have of a single sovereign reigning twice, and the Chroniclers gave her two separate regnal names—Kogyoku Tenno to refer to her first reign and Saimei Tenno to refer to her second. And this is the reign that we are going to start the new year with. Beyond what was going on on the archipelago, there was also plenty that we covered on the continent.  We started the year with the Sui dynasty having consolidated control and working to continue to expand their territory north, south, and west, while also connecting the economic areas of the Yangzi and Yellow rivers. Unfortunately, through their wars and public works projects they overextended themselves, and the dynasty fell, replaced, in 619, with the Tang dynasty.  The Tang continued to expand, taking control of important points on the Silk Road and becoming a hub of trade and commerce.  At the same time, they were contesting their borders with the Goguryeo, who, themselves, had come under the control of Yeon Gaesomun, an infamous noble and anti-Tang hard-liner, who had staged a coup, murdered the Goguryeo king and any who stood against him, and who had installed a puppet king on the throne.  It is little wonder that the Tang dynasty was courting Goguryeo's enemy, Silla, to pressure them from the other side.  This eventually kicked off the Tang-Goguryeo war, with the loosely allied Tang and Silla fighting on and off with Goguryeo and their ally, Baekje, who was also invested in stifling Silla's ambitions on the peninsula. So that's where we are:  The Korean peninsula is currently embroiled in conflict between the three kingdoms on the peninsula and the nearby superpower, the Tang Dynasty.  Meanwhile, Yamato, on the archipelago, is going through a whole… thing.  What that is, we'll try to get into over the next year. Given all of this, let's go over some of the themes from the past year.  To start with, let's talk about expanding Yamato influence. From what we can tell, Yamato's influence in the archipelago had peaked around the 5th century, between the creation of giant Daisen Ryo kofun and the reign of Wakatake no Ohokimi, aka Yuryaku Tenno.  Wakatake no Ohokimi had courtiers from as far away as Kyushu and the Kanto plain.  However, from what I can tell, Yamato's influence appears to have temporarily waned, possibly coinciding with the end of Wakatake's own dynasty, with a new dynasty coming to power in the 6th century. It is possible that Wakatake was simply never quite as powerful as the Chronicles make out, but there are a few other things that make me think that the end of the 5th and early half of the 6th century were a low point in Yamato's power.  For one thing, we see a drop off in interactions with the continent after 479—or at least anything beyond the tip of the Korean peninsula.  In addition, we see smaller rooms built in the region of the Nara Basin and the Kawachi plain, while more “royal” tombs continue to appear elsewhere in the archipelago.  It isn't that they stopped, but the size decreased, suggesting that Yamato didn't have the same labor pool it used to. On top of that, we have the dynastic change.  We are told that the line related to Wakatake died out and they had to bring in someone from Afumi and Koshi, who traced their lineage back to the legendary Homuda-wake, aka Ōjin tennō, some five generations back.  Many scholars suggest that this connection was a later merging of the lineages, suggesting that, in reality, an entirely new branch of sovereigns had come to power. Finally, we can see the Chronicles focusing more and more on the areas near to Yamato, the area known as the Home Provinces, possibly because Yamato only held direct control over these areas, while control beyond that was only nominal.  Local elites in those regions had a lot of autonomy, and if Yamato did not have anything in particular to offer them, they would not have a reason to necessarily go along with Yamato's requests. This may have even been part of the impetus for the so-called “rebellion” by Iwai, in Kyushu.  As you may recall, in the early 6th century Iwai attempted to ally with Silla against Yamato and Baekje, with the idea of cutting off Yamato's access to the continent.  This ultimately failed, and Yamato ended up creating what would become the Dazaifu near modern Fukuoka, but the fact that Iwai could contemplate it and gather such support would suggest that Yamato was at least perceived as vulnerable. Now up to this point, we see several different policies that were used for increasing the court's control.  Early on, this was done by doling out various elite goods.  We also see Yamato soft power in the form of spiritual authority and the expansion of local Yamato cultic practices out into the other lands of the archipelago.  There was also the tradition of monumental tombs, and especially the royal keyhole style tombs, which spread out from Yamato and was likely as much an indication that those regions saw Yamato practices as worthy of emulation, at the least, and perhaps saw Yamato as a cultural nexus on the archipelago. To all of this, they eventually added the “Be” system.  This appears to have been copied from systems being used on the Korean peninsula, and it focused on creating familial units to organize various industries, with family heads responsible for reporting and funneling necessary goods up to the court.  This eventually included the noble “uji” clans, with their power bases in various geographic regions. Yamato extended its influence through a variety of methods, including various public works projects.  These included things like the building of ponds, or reservoirs, which would have been critical to the wet-rice paddy agriculture that was the economic backbone of the Yamato government.  Another means of extending government control was the “miyake”, or Royal Granaries.  Originally we see these set up in the Nara basin, but during the current dynasty they had been extended all the way out to Kyushu. Ostensibly, they were there to collect rice for taxes, but they appear to have acted as government offices, providing a presence for Yamato even out in the hinterlands.  Eventually they would turn the area in Kyushu, the Dazai, into its own, semi-autonomous extension of the Yamato government, as well. In the past year of the podcast, we've seen many of those older forms of government control replaced with a new bureaucratic system.  This included an upgrade to the rank system, which was a way for the government to both organize the bureaucracy while also creating a means to award individuals.  Early rank systems had initially been granted at the family level, but following a continental model meant that the new system was based solely on the individual.  Thus they could hand out rank to various kings and chieftains across the archipelago and entice them into the Yamato orbit, a trick they had been doing previously as well with various types of recognition.  Those that took the titles and rank that Yamato handed out gained a certain amount of legitimacy, locally, but since that legitimacy was tied to the Yamato court, it also helped solidify Yamato's own influence on those areas. That doesn't mean that all expansion was peaceful.  Yamato contested on their eastern and northern border with the people referred to as the Emishi, which eventually included contests as far north as the island of Hokkaido with the Mishihase people. There was another form of soft power used by the court in the way that it supported Buddhism, which was still a new religion at this point, having arrived in the early part of the 6th century.  Patronage of Buddhism would lead to the building of temples and otherwise claiming some authority in the spiritual realm, beyond simply the court's control of the Mt. Miwa site.  Furthermore, the state itself took particular interest in Buddhist institutions, and cracked down heavily on the clergy, ensuring that they reported up to the court, formally solidifying the connection between temples and the State. But then they went a bit further and instituted actual governors.  They were appointed by the Yamato government, and they were particularly installed in the Eastern lands—referred to as provinces.  These governors reported to the court, and appear to have initially been separate from locally recognized elites, who were known as the Kuni no Miyatsuko.  The governors were to take stock of the areas under their authority and report up information such as a summary of the lands and local census information.  This meant that Yamato did not need to rely on local elites to administer an area, they would have greater insight into what was actually going on. This was all combined with the institution of new laws on taxes, corvee labor, and more, while eliminating traditional practices such as the Miyake and even royal tomb-building.  The latter was likely affected by the various public works projects, but also the fact that more work was going into the building of things like Buddhist temples. As we noted back in the previous year, Buddhist temple building appears to have had a hand in the end of the prolific kofun building, at least in Yamato proper.  Kofun were memorials—meant to carry on the memory of an individuals well after their death.  They were ritual sites, and families were set up to care for them. Temples, likewise, were erected with certain memorial qualities.  Donating to build a temple was thought to increase one's karma, and thus do wonders for your next life.  Temple patrons would be remembered, and services were carried out, but temples also had a certain public aspect to them, as well.  On top of that, they were new, and no doubt exotic, with their tiled rooves, intricate carvings, and colorful buildings.  Much of the labor that would have built tombs appears to have been co-opted, instead, to build temples. Some of the temples founded in this period include Asuka dera, aka Hokoji, built on or near the Soga family compound, as well as other Asuka temples, such as Yamadadera, Kawaradera, Toyouradera, and Kudaradera.  There was also Houryuji, erected by Prince Umayado near his house, and the ancient temple of Shitennouji, erected in Naniwa.  Of these, both Horyuji and Shitennoji continue, today, at or near their original with some of the oldest extant buildings in Japan.  Asukadera was moved to its modern site of Gangoji, in Nara city proper, but there is still a smaller Asukadera on the original site, with what may be one of the original images, though the buildings have been rebuilt after numerous fires and disasters over the years. Of course, a big part of all of these foreign ideas, such as Buddhism but also Confucian thought as well, was the growing influence of the continent, whether in the form of Baekje, Silla, Goguryeo, or beyond.  While there had been influence ever since the Yayoi period—and arguably even during the Jomon, in some instances—there seems to have been an acceleration once Yamato began to import Buddhism, which was likely connected with all of the learning and texts that were also being imported around that time.  Then, during the Sui and Tang dynasties—both of which the Chronicles simply label as the “Great Tang”—the court sent several embassies to the Sui and Tang emperors, bringing back individuals with actual experience in the way things were happening outside of the archipelago. And we should not discount the various embassies to and from the Korean peninsula.  Yamato was increasing its involvement in peninsular affairs.  They continued to be concerned with the state of Nimna, also known as Imna or Mimana, which had been assimilated by Silla, along with the rest of Gaya, or Kara, by the early to mid-6th century, with many accounts dealing with attempts to reinstate Nimna as a separate and sovereign entity. Along with this, Yamato continued their relationship with Baekje, who sent Prince Pung to reside at the Yamato court.  This continued a long-standing tradition that is portrayed as a type of diplomatic hostage, though there have been several times that princes at the Yamato court came back to Baekje to rule after the king died or was killed.  All of this to say that not only did ambassadors from Yamato go to these countries, but ambassadors also traveled to Yamato, while various immigrants from these areas of Baekje, Silla, and even Goguryeo occasionally settled in Yamato.  This further increased the number of individuals with knowledge and experience of continental concepts and technology, and we can see their influence in numerous different ways. This was all part of what led to the Yamato government's adoption of Tang style law codes, though it should be noted that the law codes were not taken wholecloth.  Rather, they were adapted specifically to the issues of the archipelago.  This was the beginning of what came to be known as the Ritsuryo system, literally the system of laws and punishments. Under this system, the government went from a single Oho-omi, or great minister, to two Great ministers, one of the left and one of the right.  These would come to be known as the Sadaijin and the Udaijin.  Nakatomi no Kamatari was afforded a special place as the third minister, the minister of the center, or Naidaijin, possibly referring to his responsibilities with the interior of the royal household, while the ministers of the left and right would have had particular ministries beneath them - eight ministries in total, with various departments underneath them.  They would be assigned to report either to the Minister of the Left or the Minister of the Right, each one overseeing, effectively, half of the government portfolio. This system, combined with the governors and the Tomo no Miyatsuko in the provinces, meant that Yamato had much more granular control over the workers and the means of production.  They organized households into villages, and villages into districts.  There were lower level officials who reported up the chain all the way to the great ministers, the Daijin, or Oho-omi.  This meant that they effectively abolished the Be and Uji system, at least as it had been set up.  These familial groups continued to operate as families, or perhaps more appropriately as “clans”, given how the groups had come to be. These officials were granted rank and, more importantly, stipends from the government.  A portion of taxes, which were paid in rice, went to various officials.  This meant that officials not only relied on the government for their status, but for their incomes as well. This went along with an attempt to implement something known as the “equal field system”, imported, again, from the continent.  This determined who would work what fields, and was another way that the government was involved down to the actual labor producing the rice that was the economic engine of the State. And that covers most of what we've been up to this past year.  There have been individual accomplishments that we didn't get into, but there is plenty there if you want to listen to it. So that covers the past year in the podcast—a little over half of the 7th century.  It really was a time of dramatic change—whether or not “Taika” was the name given to part of it, it certainly feels appropriate.  Even though the court eventually moved to Naniwa, this is the height of the Asuka period, and the start of the Ritsuryo state.  It would form the foundations for what was to come, and themes from this period will continue to show up again and again. In this next year, we are going to continue to look at Takara Hime's reign and beyond.  We'll see the resolution of the Tang-Goguryeo war, and the impact of all the continental fighting on the archipelago.  We'll also see continued developments within the archipelago itself, hopefully getting through to the end of the 7th century. We are actually reaching the end of the material in the Nihon Shoki.  This does not mean that we are running out of material, though.  The Chronicles end in 697—less than 40 years out from our current place in the Chronicles.  From there, we have the Shoku Nihongi, which covers 95 years, until 797 CE.  Translation of much of the Shoku Nihongi is available through the work of Dr. Ross Bender, and you can find his work online if you want to get a leg up on the reading, though that is a ways out.  For now, we can still comfortably continue with the Nihon Shoki, at least through the reign of Temmu Tennou. Until then, Happy New Year!  As usual, thank you for listening and for all of your support.  Thanks also to my lovely wife, Ellen, for her continued work at helping to edit these episodes! Remember, if you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

O desenvolvimento de lideranças é um desafio que exige ferramentas eficazes e personalizadas para atender às demandas técnicas e comportamentais do ambiente corporativo. Com base em um estudo realizado pelo Insper em parceria com a Robert Half, exploramos as práticas mais efetivas, como coaching, mentoria e alocação em projetos, além de discutir como alinhar objetivos de aprendizado à formação de líderes autênticos e confiantes. A conversa traz insights valiosos sobre o equilíbrio entre teoria e prática, desafios geracionais e a importância do autoconhecimento no papel de liderança.Participantes:Tatiana Iwai, professora e pesquisadora de comportamento e liderança do Insper, Insper.Host(s):Mario Custódio, diretor associado, Robert Half.Maria Sartori, diretora associada, Robert Half.Lucas Nogueira, diretor associado, Robert Half.Faça o download do estudo: https://www.roberthalf.com/br/pt/insights/carreira/formacao-de-lideres-insper-robert-half

US Golf: Iwai Keeps Lead in Suspended Final Round of LPGA Final Qualifying

It's time for WEE Nation Reads with UMBC, starting our 2nd year of partnership with the Diverse Books Project. Today's interview is with Author Melissa Iwai, author of "Soup Day." Website: https://www.melissaiwai.com and IG @melissaiwai1. This segment is sponsored by UMBC's Sherman Center for Early Learning in Urban Communities, which serves as a resource to participating teachers and families in their Diverse Books Projects (DBP).  This project aims to ensure that early childhood educators at their partner schools have access to high-quality, diverse children's books and opportunities to share ideas and insights about their use. Books identified by UMBC will be featured in our WEE Nation Reads with UMBC segment, which includes a reading of each of the selected books, children's music related to each book, and an interview with the author or publisher. Go to WEE Nation Radio for more information, or download our mobile app on Android and iPhones by searching "WEE Nation Radio" in your App Store. www.WEENationRadio.com.

Golf Women: Iwai Takes Lead in LPGA Final Qualifying R4, Followed by Yamashita

30 Minutes Over Oregon tells the true, powerful story of reconciliation after war. In WWII, a Japanese pilot bombed the continental U.S.—the only enemy to do so—and returns 20 years later to offer a heartfelt apology. This children's nonfiction book, illustrated by author and illustrator Melissa Iwai, blends history with beautiful watercolor artwork where she captures the moments of healing and forgiveness. She shares insights into the creation process from her research trip to the Oregon Coast  to the challenges of bringing this significant story to life. Stay connected with Melissa: https://www.melissaiwai.com/ https://www.facebook.com/melissaiwaiart/ https://www.instagram.com/melissaiwai1/ https://www.youtube.com/channel/UCWPIzfR-7pior9INqQQtESg ------------------------------------------------- This podcast is produced by Dirty Freehub, a nonprofit organization that publishes hand-curated (and great!) gravel cycling Ride Guides. Our mission is to connect gravel cyclists to where they ride through stories about culture, history, people, places, and lands with the hope that they will become involved as advocates, volunteers, or donors with organizations that protect and preserve recreation spaces. Our Podcast Channel  / ⁠⁠⁠The Connection ⁠⁠⁠ Our Ride Guides / ⁠⁠⁠Dirty Freehub⁠⁠⁠ Our Ask / ⁠⁠Donate⁠⁠

Join the full squad with KC, Damon, Pro Joe, and Ryan as they delve into Tokyo Disneyland and the Japanese Otaku culture. Visit Yamagata in the prefecture of the week on our Tohoku swing. Lots of discussion with tour news including ZOZO's best and worst hair, the Iwai twins back to winning ways, and Ryan preparing to make his playing debut at the MK cup. Today's Podcast is in association with Titleist:https://golf-in-japan.com/titleist-fitting-experienceFeatured: Yamagata prefecture:https://golf-in-japan.com/courses/yamagata

Welcome to the tenth episode of our new series Japan Scalers. In this series, we will only interview guests who have surpassed 100 million yen in revenue annually. In this tenth episode, we are joined by Erika Iwai and Allen Wong, co-founders of Sollective, which is a Japan based corporation that is re-inventing freelance in Japan by changing the views of companies towards freelancers. Join us as Erika and Allen explains the stages of their buisness progression that led them to be recognized as one of Japan's best 100 startups in 2023 by the Toyo Keizai magazine. --- Time Stamps : 0:00 Introduction3:35 About Sollective4:44 How Does Sollective Help Freelancers?6:04 What is “High-Level Talent”10:35 What is Sollective's Competitive Advantage for Getting Into the Industry?12:35 The Stages They Have Developed as a Company and How Many Users They Have Now14:06 Stage 1: The Beginning16:38 What Is the difference between an HR Generalist and an HR BP?19:59 Does Sollective find that to be a Huge Advantage in Developing the Product?21:29 How Did Sollective Gain their Initial Users?28:26 Tips on How to Progress from the Starting Stage in the Japanese Market31:56 Business Models Changes in the Earlier Stages35:43 How Sollective Adapted their Personalities and Business Style in the Beginning38:27 Stage 2: The Investment39:43 How the Managed the Challenge of handling and balancing Companies and Freelancers in a Two-Way Marketplace44:44 Stage 348:41 How Work Contracts and the Qualified Invoice System Impacted their Business54:19 Tips on How to Progress to Round 2 from Round 159:37 About the Trust between Them and Their Clients and Final Thoughts  ---Links from Guest Appearance : Erika's LinkedIn | Allen's LinkedIn | Sollective's Website ---The Japan Scalers Podcast is produced by our companies Scaling Your Company & Launch LabScaling Your Company offers several services Scaling Your Company : 1 on 1 advisory on sales, marketing, management Scaling Your Sales : Courses to increase your sales in Japan. Scaling Your Marketing : Creating websites in English or Japanese + SEO + MEO Launch Lab : Japan Incorporation Services Discover how Launch Lab can simplify your journey and fuel your growth in Japan : ⁠https://launch-lab.jp/⁠ --- Send in a voice message: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/scalingjapanpodcast/message⁠⁠⁠

Ito-koku and Na-koku were the next two countries on the path of the Wei envoys noted in the Gishiwajinden.  They likely refer to the areas known today as Itoshima and Fukuoka, so what do we know about these places in the Yayoi period, and how is it that by the 3rd century Yamato seemed to have taken the foremost position on the archipelago and not one of these other countries, where wet paddy rice agriculture and other continental technologies first arrived in the archipelago. For more see our podcast blog post at: https://sengokudaimyo.com/podcast/itoandna Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is Gishiwajinden Part Five: Ito-koku and Na-koku This episode we are finishing up our Gishiwajinden Tour, focusing on our journey to Ito-koku and Na-koku, or modern day Itoshima and Fukuoka. We'll talk about what we know from the records of these two areas in the Yayoi and early Kofun periods, and then look at some of the later history, with the development of the Dazaifu, the build up of Hakata and Fukuoka, and more.  A key thread through all of this will be our discussion about why it was Yamato, and not these early states, who eventually became paramount.  If this is where things like wet paddy rice agriculture started, and they had such close ties to the continent, including sending a mission to the Han dynasty, why did the political center shift over to Yamato, instead?  It is certainly something to wonder about, and without anything written down by the elites of Na and Ito we can only really guess based on what we see in the histories and the archaeological record. We ended our tour in Na for a reason: while the Gishiwajinden—the Japanese section of the Wei Chronicles—describes the trip from the continent all the way to Yamatai, the locations beyond Na are largely conjecture.  Did ancient travelers continue from Na along the Japan Sea coast up to Izumo and then travel down somewhere between Izumo and Tsuruga to the Nara Basin?  Or did they travel the Inland Sea Route, with its calmer waters but greater susceptibility to pirates that could hide amongst the various islands and coves?  Or was Yamatai on the island of Kyushu, and perhaps the name just happens to sound similar to the Yamato of Nara?  Unfortunately, the Wei Chronicles have more than a few problems with accuracy, including problems with directions, meaning that at most we have some confidence in the locations out to “Na”, but beyond that it gets more complicated.  And even “Na” has some questions, but we'll get to that later. Unlike the other points on our journey, we didn't stay overnight at “Ito-koku”, , and we only briefly stayed at Na—modern Fukuoka, but I'll still try to give an account of what was going on in both places, and drawing on some past visits to the area to fill in the gaps for you.   Both the Na and Ito sites are believed to be in the modern Fukuoka prefecture, in Itoshima and Fukuoka cities.  Fukuoka prefecture itself actually spans all the way up to the Shimonoseki straits and includes the old territory of Tsukushi—Chikuzen and Chikugo—as well as the westernmost part of Buzen, the “closer” part of the old land of “Toyo” on the Seto Inland Sea side of Kyushu.  When it comes to locating the country of Ito-koku, we have lots of clues from current place names.  The modern Itoshima peninsula, which, in old records, was known as the country of Ito, and was later divided into the districts of Ito and Shima.  Shima district, at the end of the peninsula, may have once been an island—or nearly so.  It is thought that there was a waterway between the two areas, stretching from Funakoshi bay in the south to Imazu Bay, in the north, in Fukuoka proper.  Over time this area was filled in with deposits from the local rivers, making it perfect for the Yayoi style wet rice paddy agriculture that was the hallmark of the growth in that period.  And indeed there are certainly plenty of Yayoi and Kofun era ruins in the area, especially in eastern reaches of the modern city of Itoshima, which reside in the valley that backs up to Mt. Raizan.  There you can find the Ito-koku History Museum, which tells much of the story of Ito. The Weizhi, or the Wei Chronicles, note that Ito-koku had roughly a thousand households, with various officials under their own Queen, making it one of the few Wa countries that the Chroniclers specifically noted as being a “kingdom”, though still under the nominal hegemony of the queen of Yamatai or Yamateg.  If you continue eastward along the coast from Itoshima, you next hit Nishi-ku, the Western Ward, of modern Fukuoka city, which now continues to sprawl around Hakata Bay.  Nishi-ku itself used to also be known as “Ito”, though spelled slightly differently, and you can still find Ito Shrine in the area. So was this part of Ito-koku also? It's very possible.   Na-koku, or the country of Na, was probably on the eastern edge of modern Fukuoka, perhaps around the area known as Hakata down to modern Kasuga.  Much like in Karatsu, this area features some of the earliest rice fields ever found in Japan – in this case, in the Itazuke neighborhood, just south of Fukuoka airport.  The land here is mostly flat, alluvial plains, formed by the rivers that empty out into Hakata Bay, another great area for early rice agriculture. Locating the country of Na is interesting for several reasons.  For one, unlike all of the other Wei Chronicles sites we've mentioned, there is no clear surviving placename that obviously matches up between “Na” and the local area.  It is a short enough name that it may simply be difficult to distinguish which “Na” is meant, though there is a “Naka” district in Kasuga that may show some promise.  There certainly is evidence for a sizeable settlement, but that's much more tenuous than the placenames for other areas, which remained largely in use in some form up to the modern day, it would seem. The name “Na” shows up in more than just the Weizhi, and it is also mentiond in the Houhan-shu, or the Record of the Later Han, a work compiled later than the Weizhi, but using older records from the Late Han dynasty period.  There it is asserted that the country of Na was one of the 99 some-odd countries of Wa, and they sent an embassy to the Later Han court, where they received a gold seal made out to the “King of Na of Wa”.  We talked about this in Episode 10: The Islands of the Immortals: That seal, made of gold, was seemingly found in the Edo period—1784, to be precise.  A farmer claimed to have found it on Shika island, in Hakata Bay, which is quite prominent, and connected to the mainland with a periodically-submerged causeway.  The description of the find—in a box made up of stones, with a large stone on top that required at least two men to move it—seems like it could have been an old burial of some kind.  The island certainly makes sense as an elite burial site, overlooking Hakata Bay, which was likely an important feature of the lifeways of the community.  While there have been questions about the authenticity of the seal, if it is a forgery, it is quite well done.  It looks similar to other Han era seals, and we don't really have a way to date the gold it is made of.  Without the actual context we can't be quite sure. This certainly seems like pretty strong evidence of the country of Na in this area, somewhere – probably not on the island itself, then close by.So unless something else comes along, I think we can say that this is at least the vicinity of the old country of Na.  Okay, so now that we've talked in general about where these two places were, let's go back and look at them in more detail. The Ito-koku site is just up the coast from where we stayed for Matsuro-koku, in Karatsu, which all makes sense from the position of the Chronicles in that it says the early envoys traveled overland from one place to the other.  Of course it also says they traveled southeast, which is not correct as the route is actually northeast.  However, they had traveled southeast from the Korean peninsula to Tsushima and then Iki and Matsuro, so that direction was well established, and this is an easy enough error that could have been made by the actual envoys or by later scribes, as it would be a one character difference. For Ito-koku, as with Matsuro-koku, we have no large, reconstructed sites similar to Harunotsuji on Iki or Yoshinogari, further inland in Saga prefecture, where we have an entire, large, so-called “kingly” settlement.  There is evidence of settlements, though, both near the major burial sites as well as around the peninsula.  And as for those burial sites, well, Ito has a few, and they aren't merely important because of their size.  Size is often an indication of the amount of labor that a leader must have been able to mobilize, and so it can be used to get a general sense of the power that a given leader or system was able to wield, as they could presumably turn that labor to other users as well. However, it is also important to look at other factors, like burial goods. What kind of elite material was the community giving up and placing with the deceased? That is the case with the first site we'll discuss, the Hirabaru burial mound.  At first glance it isn't much—a relatively unassuming square mound, about 12 by 14 meters, and less than 2 meters in height.  It was discovered in 1965 by a farmer who started digging a trench to plant an orchard and started pulling up broken pieces of a bronze mirror, one of the first clues that this was someone important.  They later found various post holes around the site, suggesting that it was more than just an earthen mound, and as they excavated the site they found pottery, beads, mirrors, and more. Let's start with those post-holes.  It looks like there was at least one large pillar set up due east of the burial.  We don't know how tall it was, but it was likely of some height given the size of the pillar hole—I've seen some estimates that it could have been up to 70 meters tall.  A tall pole would have provided visibility, and it may also be significant that it was east, in the direction of the rising sun.  We know that the ancient Wa had a particular connection with the sun, and this may be further evidence of that.  There are other holes that may be a gate, and possible a storehouse nearby, presumably for various ritual items, etc.  Suddenly, even without knowing exactly what was there, we start to see a picture of a large, manmade complex that seems to be centered on this burial and whomever is there. On top of that, there was a mirror in the tomb that was larger than any other ever found in Japan at that time—certainly the largest round mirror of that period.  It is not one of the triangular rimmed mirrors that Yamato is known for, but may have been part of another large cache brought over from the mainland.  About 40 mirrors in total, many of them very large, were found buried in the tomb, some of which appear to have been broken for some reason.  Furthermore, the large mirrors appear to fit within the dimensions given the Great Mirror—the Yata no kagami—housed at the sacred Ise Shrine.  There is a document in 804, the “Koutai Jingu Gishiki Chou”, detailing the rituals of Ise shrine, which describes the sacred mirror sitting in a box with an inner diameter of 1 shaku, 6 sun, and 3 bu, or approximately 49.4 centimeters, at least using modern conversions.  The same measurements are given in the 10th century Engi Shiki.  So we can assume that the mirror in Ise, which nobody is allowed to actually see, let alone measure, is smaller than that, but not by much, as the box would have been made to fit the mirror, specifically.  It isn't like you can just grab a box from Mirror Depot.  The mirrors found at Hirabaru Mound measure 46.5 centimeters, and have a floral pattern with an eight petaled flower on the back.  Could this mirror be from the same mold or the same cache, at least, as the sacred mirror at Ise?  At the very least, they would seem to be of comparable value.   In addition, there were many beads, jars, etc.  Noticeably absent from the burial were swords and weapons.  Based on this, some have argued that this was the burial of a queen of Ito-koku.  There is evidence that this may be the case, but I don't think the presence of weapons, or the lack thereof, is necessarily a good indicator. After all, we see in the old stories that women were also found wielding swords and leading troops into battle. So it's dangerous to make assumptions about gender based on this aspect alone. I wonder if the Hirabaru tomb assemblage might have more to do with something else we see in Yamato and which was likely applicable elsewhere in the archipelago: a system of co-rulership, where one role might have to do more with administrative and/or ritual practice, regardless of gender. This burial assemblage or mirrors and other non-weapons might reflect this kind of position. The Weizhi often mentions “secondary” or “assistant” positions, which may have truly been subordinate to a primary ruler, or could have just been misunderstood by the Wei envoys, who saw everything through their particular cultural stratification.  In a similar fashion, early European explorers would often name people “king”—from the daimyo of Sengoku era Japan to Wahunsenacawh, known popularly as “Powhatan” for the name of his people, on what would become known as North America.  That isn't to say that these weren't powerful individuals, but the term “king” comes with a lot of Eurocentric assumptions and ideas about power, stratification, etc.  Is there any reason to believe that the Wei envoys and later chroniclers were necessarily better at describing other cultures? And of course we don't have any physical remains of the actual individual buried there, either. However, there is a good reason to suggest that this may have been a female ruler, and that *is* because of something in the Weizhi, which specifically says that the people of Ito lived under the rule of a female king, aka a queen, using a description not unlike what is used for Queen Himiko.  In fact, Ito gets some special treatment in the record, even though it isn't the largest of the countries.  Let's look at those numbers first: Tsushima is said to have 1,000 households, while Iki is more like 3,000.  Matsuro is then counted at 4,000 families, but Ito is only said to have 1,000, similar to Tsushima.  Just over the mountains and along the Bay, the country of Na is then counted at a whopping 20,000 households, so 20 times as many.  These numbers are probably not entirely accurate, but do give an impression of scale, at least. But what distinguishes Ito-koku in this is that we are told that it had a special place for envoys from the Korean peninsula to rest when they came.  It makes you wonder about this little place called Ito. Hirabaru is not the only kingly tomb in the area.  Walk about 20 to 30 minutes further into the valley, and you might just find a couple of other burials—in particular Mikumo-Minami Shouji, discovered in 1822, and Iwara-Yarimizo, which includes artifacts discovered in the 1780s in the area between Mikumo and Iwara as they were digging a trench.  Based on evidence and descriptions, we know that they pulled out more bronze mirrors and other elite goods indicative of the late Yayoi paramounts. In these areas they have also found a number of post holes suggesting other buildings—enough to perhaps have a relatively large settlement. As noted earlier, we do not have a reconstructed village like in Harunotsuji or Yoshinogari, given that these are private fields, so the shape of the ancient landscape isn't as immediately impressive to people looking at the area, today.  The apparent dwellings are largely found in the triangle created between two rivers, which would have been the water source for local rice paddies.  The tombs and burials are found mostly on the outskirts, with the exception of the kingly burial of Mikumo-Minami Shouji.  This is also interesting when you consider that the later Hirabaru mound was situated some distance away, raising a bunch of questions that we frankly do not have answers for. The area of these ruins is not small.  It covers roughly 40.5 hectares, one of the largest Yayoi settlements so far discovered.  Of course, traces of other large settlements—like something in the Fukuoka area or back in Yamato—may have been destroyed by later construction, particularly in heavily developed areas.  This is interesting, though, when you consider that the Weizhi only claimed some 1,000 households. There are also other graves, such as various dolmens, across Ito and Shima, similar to those found on the peninsula, and plenty of other burials across both ancient districts.  And as the Yayoi culture shifted, influence of Yamato can be seen.  While Ito-koku clearly had their own burial practices, which were similar to, but not exactly like, those in the rest of the archipelago, we can see them start to adopt the keyhole style tomb mounds popular in Yamato. During the kofun period, the area of Itoshima built at least 60 identified keyhole shaped tombs, with a remarkable number of them from the early kofun period.  Among these is Ikisan-Choushizuka Kofun, a large, round keyhole tomb mound with a vertical stone pit burial, estimated to have been built in the latter half of the 4th century.  At 103 meters in length, it is the largest round keyhole tomb on the Genkai coast—that is to say the northwest coast of Kyushu. All of these very Yamato-style tombs would appear to indicate a particular connection between Ito and  Yamato—though what, exactly, that looked like is still up for debate.  According to the various early Chronicles, of course, this would be explained because, from an early period, Yamato is said to have expanded their state to Kyushu and then even on to the Korean peninsula.  In particular, the Chronicles talk about “Tsukushi”, which is both used as shorthand for the entirety of Kyushu, while also indicating the area largely encompassing modern Fukuoka prefecture.  On the other hand, this may have been a sign of Ito demonstrating its own independence and its own prestige by emulating Yamato and showing that they, too, could build these large keyhole tombs.  After all, the round keyhole shape is generally thought to have been reserved, in Yamato, for members of the royal family, and Ito-koku may have been using it similarly for their own royal leaders.  It may even be something in between—Ito-koku may have recognized Yamato's influence and leadership, but more in the breach than in actuality.  Afterall, until the standup of things like the various Miyake and the Dazai, we aren't aware of a direct outpost of the Yamato government on Kyushu.  The Miyake, you may recall, were the ”royal granaries”, which were basically administrative regions overseeing rice land that was directly controlled by Yamato, while the Dazai was the Yamato government outpost in Kyushu for handling continental affairs.  On top of a lack of local control in the early Kofun, the Weizhi appears to suggest that the Yamato paramount, Himiko, was the “Queen of the Wa” only through the consensus of other polities, but clearly there were other countries in the archipelago that did not subscribe to her blog, as it were, as they were in open conflict with Yamato.  This all leads into something we've talked about in the main podcast at various times, but it still bears discussing:  How did Yamato, over in the Nara Basin, become the center of political life in the Japanese archipelago, and why not somewhere in Kyushu, like ancient Na or Ito?  While we don't entirely know, it is worth examining what we do and some of the factors that may have been in play.  After all, Kyushu was the closest point of the main Japanese islands to the mainland, and we see that the Yayoi culture gets its start there.  From there, Yayoi culture spread to the east, and if we were to apply similar assumptions as we do on the spread of the keyhole shaped kofun, we would assume that the culture-givers in the west would have held some level of prestige as groups came to them to learn about this new technology, so why wasn't the capital somewhere in Kyushu?  We likewise see other such things—Yayoi pottery styles, fired in kilns, rather than open fired pottery; or even bronze items brought over from the continent.  In almost every instance, we see it first in Kyushu, and then it diffuses eastward up to the edge of Tohoku.  This pattern seems to hold early on, and it makes sense, as most of this was coming over from the continent. Let's not forget, though, that the Yayoi period wasn't simply a century: by our most conservative estimates it was approximately 600 years—for reference, that would be roughly equivalent to the period from the Mongol invasions up to the end of the Edo period, and twice as long as the period from Mimaki Iribiko to the Naka-no-Oe in 645, assuming that Mimaki Iribiko was ruling in the 3rd century.  So think about all that has happened in that time period, mostly focused on a single polity, and then double it.  More recent data suggests that the Yayoi period may have been more like an 1100 to 1300 year range, from the earliest start of rice cultivation.  That's a long time, and enough time for things in the archipelago to settle and for new patterns of influence to form.  And while Kyushu may have been the first region to acquire the new rice growing technology, it was other areas around the archipelago that would begin to truly capitalize on it. We are told that by the time the Wei envoys arrived that the state of Yamato, which we have no reason not to believe was in the Nara Basin, with a focus on the area of modern Sakurai, had approximately 70,000 households.  That is huge.  It was larger than Na, Ito, and Matsuro, combined, and only rivaled in the Weizhi by Touma-koku, which likely referred to either the area of Izumo, on the Japan Sea coast, or to the area of Kibi, along the Seto Inland Sea, both of which we know were also large polities with significant impact in the chronicles.  And here there is something to consider about the Yayoi style agriculture—the land determined the ultimate yield.  Areas with more hills and mountains are not as suited to wet rice paddy agriculture.  Meanwhile, a flat basin, like that in Yamato, which also has numerous rivers and streams draining from the surrounding mountains into the basin and then out again, provided the possibility for a tremendous population, though no doubt it took time to build. During that time, we definitely see evidence of the power and influence of places like Na and Ito.  Na sent an embassy to the Han court—an incredible journey, and an indication of not only their interest in the Han court and continental trade, but also their ability to gather the resources necessary for such a journey, which likely required some amount of assistance from other, nearby polities.  Na must have had some sway back then, we would assume. Meanwhile, the burial at Ito shows that they were also quite wealthy, with clear ties to the continent given their access to large bronze mirrors.  In the absence of other data, the number and size of bronze mirrors, or similar bronze items, likely only useful for ritual purposes, indicates wealth and status, and they had some of the largest mirrors as well as the largest collection found for that period.  Even into the stories in the Nihon Shoki and the Kojiki we see how mirrors, swords, and jewels all are used a symbols of kingship.  Elite status was apparently tied to material items, specifically to elite trade goods.  Assuming Yamato was able to grow its population as much as is indicated in the Weizhi, then by the 3rd century, they likely had the resources to really impress other groups.  Besides things like mirrors, we can probably assume that acquisition of other goods was likewise important.  Both Ito and Yamato show evidence of pottery shards from across the archipelago, indicating extensive trade networks.  But without any other differentiating factors, it is likely that Yamato, by the 3rd century, at least, was a real powerhouse.  They had a greater production capacity than the other states listed in the Weizhi, going just off of the recorded human capital. And this may answer a question that has been nagging me for some time, and perhaps others:  Why did other states acquiesce to Yamato rule?  And the answer I keep coming back to is that it was probably a combination of wealth, power, prestige, ritual, and time. For one thing, wealth: Yamato had it.  That meant they could also give it.  So, if Yamato was your friend, you got the goods, and you had access to what you need.  You supported them, they could help you with what you needed.  These transactional alliances are not at all uncommon, and something I think most of us can understand. There is also power—specifically military power.  With so many people, Yamato would likely have been a formidable threat should they decide that violence was the answer.  That said, while we read of military campaigns, and no doubt they did go out and fight and raid with the best of them, it's expensive to do so.  Especially exerting control over areas too far out would have been problematic, especially before writing AND horses.  That would be costly, and a drain on Yamato's coffers.  So while I do suspect that various military expeditions took place, it seems unlikely that Yamato merely bested everyone in combat.  Military success only takes you so far without constant maintenance. And so here is where I think prestige and ritual come into play.  We've talked about how Yamato did not exactly “rule” the archipelago—their direct influence was likely confined to the Kinki region for the longest period of time.  And yet we see that they influenced people out on the fringes of the Wa cultural sphere: when they started building large, keyhole shaped kofun for their leaders, and burying elites only one to a giant mound, the other areas of Japan appear to have joined in.  Perhaps Yamato was not the first to build a kofun for a single person, but they certainly were known for the particular shape that was then copied by so many others.  But why? We don't know for certain, but remember that in Yamato—and likely the rest of the Wa cultural sphere—a large part of governance was focused on ritual.  The natural and what we would consider the supernatural—the visible and invisible—worked hand in hand.  To have a good harvest, it required that workers plant, water, harvest, etc. in the right seasons and in the right way.  Likewise, it was considered equally important to have someone to intercede with the kami—to ensure that the rains come at the right time, but not too much, and a host of other natural disasters that could affect the crop. And if you want to evaluate how well ritual works, well, look at them.   Are you going to trust the rituals of someone whose crops always fail and who barely has a single bronze mirror?  Or are you going to trust the rituals of someone with a thriving population, multiple mirrors, and more?  Today, we might refer to this as something like the prosperity gospel, where wealth, good health, and fortune are all seen as stemming from how well one practices their faith, and who's to say that back in the day it wasn't the same?  Humans are going to human, after all. So it makes sense that one would give some deference to a powerhouse like Yamato and even invite their ritualists to come and help teach you how it is done.  After all, the local elites were still the ones calling the shots.  Nothing had really changed. And here is where time comes in.  Because over time what started as an alliance of convenience became entrenched in tradition.  Yamato's status as primus inter pares, or first among equals, became simply one of primus.  It became part of the unspoken social contract.  Yamato couldn't push too hard on this relationship, at least not all at once, but over time they could and did demand more and more from other states. I suspect, from the way the Weizhi reads, that Yamato was in the early stages of this state development.  The Weizhi makes Queen Himiko feel like something of a consensus candidate—after much bickering, and outright fighting, she was generally accepted as the nominal paramount.  There is mention of a male ruler, previously, but we don't know if they were a ruler in Yamato, or somewhere else, nor if it was a local elite or an earlier paramount.  But not everyone in the archipelago was on board—Yamato did have rivals, somewhere to the south (or north?); the directions in the Weizhi are definitely problematic, and it may refer to someone like the Kuma or Kumaso people in southern Kyushu or else people that would become known as the Emishi further to the east of Yamato. This lasted as long as Yamato was able to continue to demonstrate why they were at the top of this structure.  Theoretically, anyone else could climb up there as well, and there are certainly a few other powerful states that we can identify, some by their mention and some by their almost lack of mention.  Izumo and Kibi come to mind almost immediately. The Weizhi makes it clear that Himiko's rule was not absolute, and part of her reaching out to the Wei in the first place may have been the first attempt at something new—external validation by the continent.  A large part of international diplomacy is as much about making people believe you have the power to do something as actually having that power.  Getting recognition from someone like the Wei court would further legitimize Yamato's place at the top of the heap, making things easier for them in the long run. Unfortunately, it seems like things did not go so smoothly, and after Himiko's death, someone else came to power, but was quickly deposed before a younger queen took over—the 13 year old Toyo.  Of course, the Wei and then the Jin had their own problems, so we don't get too many details after that, and from there we lose the thread on what was happening from a contemporary perspective.  Instead, we have to rely on the stories in the Nihon Shoki and Kojiki, which are several hundred years after the fact, and clearly designed as a legitimizing narrative, but still present us something of a picture.  We don't see many stories of local elites being overthrown, though there do seem to be a fair number of military campaigns.  Nonetheless, even if they were propped up by Yamato, local elites likely had a lot of autonomy, at least early on, even as they were coopted into the larger Yamato umbrella.  Yamato itself also saw ups and downs as it tried to figure out how to create a stable succession plan from one ruler to the next.  At some point they set up a court, where individuals from across the archipelago came and served, and they created alliances with Baekje, on the peninsula, as well as with another polity which we know of as Nimna.  Through them, Yamato continued to engage with the continent when the dynastic struggles there allowed for it.  The alliance with Baekje likely provided even more legitimacy for Yamato's position in the archipelago, as well as access to continental goods. Meanwhile the court system Yamato set up provided a means for Yamato to, itself, become a legitimizing factor. Hierarchical differences in society were already visible in the Yayoi period, so we can generally assume that the idea of social rank was not a new concept for Yamato or the other Wa polities.  This is eventually codified into the kabane system, but it is probably likely that many of the kabane came about, originally, as titles of rank used within the various polities.  Yamato's ability to claim to give—or even take away—that kabane title, would have been a new lever of power for Yamato.  Theoretically, other polities could just ignore them and keep going on with their daily lives, but if they had already bought into the social structure and worldview that Yamato was promoting, then they likely would have acquiesced, at least in part, to Yamato's control. Little by little, Yamato's influence grew, particularly on those closer to the center.  Those closer, and more affected, started to listen to Yamato's rules about kofun size and shape, while those further on the fringes started to adopt Yamato's traditions for themselves, while perhaps maintaining greater independence. An early outlier is the Dazai.  It is unclear whether this was forcibly imposed on the old region of Na and nearby Ito, or if it was more diplomatically established.  In the end, though, Yamato established an outpost in the region early on, almost before they started their practice of setting up “miyake”, the various royal granaries that appear to have also become local Yamato government offices in the various lands.  The Dazai was more than just a conduit to accept taxes in the form of rice from various locals—it was also in charge of missions to the continent.  Whether they were coming or going, military or diplomatic, the Dazai was expected to remain prepared.  The early iterations were likely in slightly different locations, and perhaps not as large, but still in roughly the area near modern Fukuoka and Dazai.  This was a perfect place not only from which to prepare to launch or receive missions from the continent, but also to defend the nearby Shimonoseki straits, which was an important entryway into the Seto Inland Sea, the most direct route to Naniwa and the Yamato court. The first iterations of direct Yamato control in Tsukushi—modern Fukuoka—claim to have been focused largely on being a last point to supply troops heading over to fight on the peninsula, not unlike the role of Nagoya castle on the Higashi-Matsuura peninsula in the 16th century.  Over time, though, it grew into much more.  The Weizhi, for its part mentions something in the land of Ito, where there were rooms set up for envoys from the continent, but the Dazai was this on steroids. Occasionally we see evidence of pushback against Yamato's expansion of powers.  Early on, some states tried to fool the envoys into thinking that they were Yamato, perhaps attempting to garner the trade goods for themselves and to take Yamato's place as the interlocutor between the Wa polities and the continent.  We also see outright rebellions—from Iwai in Kyushu, in the 6th century, but also from various Emishi leaders as well.  The Iwai rebellion may have been part of the impetus for setting up the Dazai as a way to remotely govern Tsukushi—or at least help keep people in line.  For the most part, though, as time goes by, it would seem that Yamato's authority over other polities just became tradition, and each new thing that Yamato introduced appears to have been accepted by the various other polities, over time.  This is likely a much more intricate process than even I'm describing here, but I'm not sure that it was necessarily a conscious one; as the concept of Yamato as the “paramount” state grew, others ceded it more and more power, which only fed Yamato's self-image as the paramount state.  As the elites came under the Yamato court and rank system, they were more closely tied to it, and so Yamato's increased power was, in a way, passed on to them as well.  At least to those who bought in. By the 5th century, we know that there were families sending people to the court from as far away as Hi no Kuni in Kyushu—near modern Kumamoto—and Musashi no Kuni in the east—including modern Saitama.  All of that said, while they may have subordinated themselves to Yamato in some ways, the various polities still maintained some independent actions and traditions.  For example, whatever their connection to Yamato, the tombs at Itoshima also demonstrate a close connection to the peninsula.  The horizontal entry chamber style of tomb—something we saw a lot in Iki, and which seems to have been introduced from the continent—started to become popular in the latter half of the 4th century, at least in the west of the archipelago. This is well before we see anything like it in Yamato or elsewhere, though it was eventually used across the archipelago.  Itoshima appears to have been an early adopter of this tomb style, picking it up even before the rest of the archipelago caught on, making them the OG horizontal chambers, at least in Japan. Ultimately, the image we have of Ito-koku is of an apparently small but relatively influential state with some influence on the cross-strait trade, with close ties to Yamato. The history of the region seems a bit murky past the Kofun period.  There are earthworks of an old mountain castle on Mt. Raizan that could be from the Asuka period, and in the 8th century the government built Ito castle on the slopes of Mt. Takaso, possibly to provide some protection to the Dazaifu, which was the Yamato outpost in Kyushu, and eventually became the main administrative center for the island.  It seems, then, that whatever power the country of Ito may have once had, it was subsumed by the Dazai, which was built a little inland, east of the old Na territory.  Furthermore, as ships grew more seaworthy over time, they could make the longer voyages straight to Iki or Tsushima from Hakata.  For the most part, the area of the Itoshima peninsula seems to have been merely a set of districts in the larger Tsukushi and then the Chikuzen provinces.  The area of Na, meanwhile, which is said to have had 20,000 households in the 3rd century—much larger than nearby Ito—was completely eclipsed by the Dazaifu after the Iwai rebellion.  After the fall of Baekje, the Dazaifu took on even greater administrative duties, and eventually took over all diplomatic engagement with the continent.  They even set up a facility for hosting diplomatic envoys from the continent.  This would come to be known as the Kourokan, and they actually found the ruins of it near the site where Maizuru castle was eventually built in what is now Chuo-ku, or the central ward, of Fukuoka city. From the Heian period onwards, the Harada family eventually came to have some power in the area, largely subordinate to others, but they built another castle on Mt. Takaso, using some of the old Ito Castle earthworks, and participated in the defense of the nation during the Mongol invasions. The Harada family rose briefly towards the end of the Sengoku Period, pushing out the Otomo as Hideyoshi's campaign swept into Kyushu.  They weren't quite fast enough to join Hideyoshi's side, though, and became subordinate to Kato Kiyomasa and eventually met their end during the Invasions of Korea. The Ito district at some point after that became part of the So clan's holdings, falling under Tsushima's purview, along with a scattering of districts elsewhere, all likely more about the revenue produced than local governance.  In the Edo period, there were some efforts to reclaim land in Imazu bay, further solidifying links with the Itoshima peninsula and the mainland, but that also fits in with the largely agricultural lifestyle of the people in the region.  It seems to have remained largely a rural backwater up into modern times, when the Ito and Shima districts were combined into an administrative district known as “Itoshima city”. Meanwhile, the Dazaifu continued to dominate the region of modern Fukuoka.  Early on, worried about a Silla-Tang alliance, the Yamato state built massive forts and earthworks were built around the Dazaifu to protect the region from invasion.  As the Tang dynasty gave way to the Song and Yuan dynasties, however, and the Heian court itself became more insular, the Dazaifu's role faded, somewhat.  The buildings were burned down in the 10th century, during the failed revolt of Fujiwara no Sumitomo.  The government never rebuilt, and instead the center of regional government shifted to Hakata, closer to the bay. Appointed officials to the Dazai were known as the Daini and the Shoni.  Mutou Sukeyori was appointed as Dazai Shoni, the vice minister of the Dazaifu, in the late 12th century.  Though he had supported the Taira in the Genpei wars, he was pardoned and made the guardian of Northern Kyushu, to help keep the region in check for the newly established Kamakura Bakufu.  He would effectively turn that into a hereditary position, and his family became known as the “Shoni”, with their position eventually coming to be their family name.  They would provide commendable service against the Mongol invasion, and eventually became the Shugo Daimyo over much of western Kyushu and the associated islands, though not without pushback from others in the region. Over time, the power of the Shoni waned and various other daimyo began to rise up.  The chaos of the Sengoku period saw the entire area change hands, back and forth, until Hideyoshi's invasion of Kyushu.  Hideyoshi divided up control of Kyushu, and Chikuzen, including the areas of Hakata and modern Itoshima, was given to Kobayakawa Takakage.  Hideyoshi also began to redevelop the port of Hakata.  After the battle of Sekigahara, Kobayakawa Hideaki, Takakage's adopted son and nephew to the late Hideyoshi, was transferred to the fief of Okayama, and the area of modern Fukuoka city was given to Kuroda Nagamasa, creating the Fukuoka Han, also known as the Kuroda Han. Nagamasa would go on to build Maizuru Castle on the other side of the Naka river from the port of Hakata, creating two towns with separate administration, each of which fell under the ultimate authority of the Kuroda.  Hakata, on the east side of the river, was a city of merchants while Fukuoka was the castle town, and largely the domain of samurai serving the Kuroda.  The Kuroda would remain in control of the Fukuoka domain through the Edo period, and only lost control at the very start of the Meiji, as the domain system in general was dissolved. Over that time, Hakata remained an important port city, and the samurai of Fukuoka were known for maintaining their martial traditions. In the Meiji era, samurai from the Kuroda Han joined with other Kyushu samurai, rising up during Saigo Takamori's rebellion.  Later, it would be former samurai and others from Fukuoka who would form the Gen'yosha, an early right wing, nationalist organization that would greatly influence the Japanese government heading into the latter part of the 19th and early 20th century. But that is getting well into more modern territory, and there is so much else we could discuss regarding the history of this area, and with any luck we will get to it all in time.  For now, this concludes our Gishiwajinden Tour—we traveled from Kara, to Tsushima and Iki, and then on to Matsuro, Ito, and Na.  From here the envoys traveled on to Fumi, Toma, and then Yamato.  Fumi and Toma are still elusive locations, with various theories and interpretations as to where they were.   For us, this was the end of our journey. Next episode we will be back with the Chronicles and getting into the Taika era, the era of Great Change.  There we will really see Yamato starting to flex its administrative muscles as it brings the various polities of the archipelago together into a single state, which will eventually become known as the country of Nihon, aka Japan. Until then, thank you for listening.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to us at our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

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Women's Golf: Chisato Iwai Achieves 6th Japan Tour Victory

Japan is an uncommon blend of known and unknown: I drive a Nissan, you might drive a Toyota, my TV is a Sony, and since my time in Hong Kong, my go-to beer on hot days is an ice-cold pint of Asahi... but I don't think I could name a Japanese FinTech. In fact, I don't think I could name a foreign FinTech that was getting traction there. Enter Morris Iwai, a seasoned business executive with 20+ years of experience in the credit card, consumer lending, and payments industries of the US, Taiwan, Singapore, and, of course, Japan.Morris shares that experience - and some hard numbers - as we cover:An overview of the credit card and payments markets in Japan Tokyo, the new Fintech Hub in AsiaDigital Payment trends and the push towards cashless Insight on the Japanese consumer mindset The rise of BNPL and leading players in Japan Acceleration of e-commerce spend Challenges with the credit underwriting process The state of Open Banking in Japan The impact of Digital Wallets and QR payment providers Future of payments in Japan and new opportunities You can find Morris on LinkedIn at https://www.linkedin.com/in/morris-iwai/And while you're there, come and find and connect at https://www.linkedin.com/in/brendanlegrangeOr see this all happening in the flesh by attending one of these great upcoming events: Japan Fintech Festival, Sushi Tech Tokyo, or Fintech SummitMeanwhile, my action-adventure novels are on Amazon, some versions even for free, and my work with ConfirmU and our gamified psychometric scores is discussed at https://confirmu.com/ and on episode 24 of this show https://www.howtolendmoneytostrangers.show/episodes/episode-24If you have any feedback or questions, or if you would like to participate in the show, please feel free to reach out to me via the contact page on this site.Keep well, Brendan Hosted on Acast. See acast.com/privacy for more information.

This boy loves pizza day at his house and tells us how to make pizza.

It's the last episode of 2023, and our 100th episode!  But despite that, we keep on moving through the period, hitting a bunch of smaller stories from the Nihon Shoki about this period. We talk about Zentoku no Omi, the temple commissioner of Hokoji, as well as the trouble they went through to get the Asukadera Daibutsu in place to begin with.  We have the first instance of the Dazai--as in the Dazaifu of Kyushu--as well as the first instance of the holiday that would eventually become Children's Day, Kodomo no Hi.  There are various immigrants, bringing painting, handmills, and even a new kind of musical dance theater known as gigaku.  And that's just some of what we'll cover. For more, check out our website at https://sengokudaimyo.com/podcast/episode-100 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 100: Sacred Tetris and Other Tidbits First off:  woohoo!  One hundred episodes!  Thank you to everyone who has been listening and following along on this journey so far.  When I started this I had no idea how long I would be able to keep up with it, but I appreciate everyone who has encouraged me along the way.  This all started in September of 2019, and we are now four years in and we have a ways to go.  While I'm thanking people, I'd also like to give a big thank you to my wife, Ellen, who has been helping me behind the scenes.  She's the one who typically helps read through what I'm going to say and helps edit out a lot of things, and provides reminders of things that I sometimes forget.  She really helps to keep me on track, and I always appreciate the time she puts into helping to edit the scripts and the questions she asks. Now, we are still talking about the 6th and early 7th centuries during the reign of Kashikiya Hime, aka Suiko Tenno.  We've talked about a lot of different aspects of this period—about the conflicts over Nimna on the peninsula, about the rise of the Sui dynasty on the continent, and the importation of various continental goods, including animals, immigrants, and knowledge.  That knowledge included new ideas about governance as well as religious practices such as Buddhism—and possibly other religious practices as well, as many of the stories that we saw in the Age of the Gods may have analogs on the continent and may just as easily have been coming over with the current crop of immigrants, though it is hard to say for certain.  At the heart of these changes are three individuals.  Obviously there is Kashikiya Hime, on the throne through a rather intricate and bloody series of events.  Then there is Soga no Umako, her maternal uncle, who has been helping to keep the Soga family on top.  And of course, the subject of our last couple episodes, Prince Umayado, aka Shotoku Taishi.  He, of course, is credited with the very founding of the Japanese state through the 17 article constitution and the promulgation of Buddhism. This episode, I'd like to tackle some of the little things.  Some of the stories that maybe didn't make it into other episodes up to this point.  For this, we'll mostly look at it in a chronological fashion, more or less. As you may recall, Kashikiya Hime came to the throne in about 593, ruling in the palace of Toyoura.  This was around the time that the pagoda was erected at Houkouji temple—and about the time that we are told that Shitennouji temple was erected as well.  Kashikiya Home made Umayado the Crown Prince, despite having a son of her own, as we'd mentioned previously, and then, in 594, she told Umayado and Umako to start to promulgate Buddhism, kicking off a temple building craze that would sweep the nation—or at least the areas ruled by the elites of Yamato. By 596, Houkouji was finished and, in a detail I don't think we touched on when talking about Asukadera back in episode 97, they appointed as commissioner one Zentoku no Omi—or possibly Zentoko, in one reading I found.  This is a curious name, since “Zentoku” comes across as a decidedly Buddhist name, and they really liked to use the character “Zen”, it feels like, at this time.  In fact, it is the same name that the nun, the daughter of Ohotomo no Sadehiko no Muraji, took, though the narrative is very clear about gender in both instances, despite them having the exact same Buddhist names.  This name isn't exactly unique, however, and it is also the name recorded for the Silla ruler, Queen Seondeok, whose name uses the same two characters, so it is possible that at this time it was a popular name—or perhaps people just weren't in the mood to get too creative, yet. However, what is particularly interesting to me, is that the name “Zentoku” is then followed by the kabane of “Omi”.  As you may recall from Episode XX, a kabane is a level of rank, but associated with an entire family or lineage group rather than an individual.  So while there are times where we have seen “personal name” + “kabane” in the past, there is usually a surname somewhere in there.  In this case, we aren't told the surname, but we know it because we are given the name of Zentoku's father: we are told that he was the son of none other than the “Oho-omi”, the Great Omi, aka Soga no Umako.  So, in summary, one of Soga no Umako's sons took the tonsure and became a monk. I bring this little tidbit up because there is something that seems very odd to me and, at the same time, very aristocratic, about taking vows, retiring from the world, and yet still being known by your family's title of rank. Often monks are depicted as outside of the civil rank and status system—though there were certainly ranks and titles within the priesthood.  I wonder if it read as strange to the 8th century readers, looking back on this period.  It certainly seems to illustrate quite clearly how Buddhism at this point was a tool of the elite families, and not a grass-roots movements among the common people. This also further strengthens the idea that Houkouji was the temple of the Soga—and specifically Soga no Umako.  Sure, as a Soga descendant, Prince Umayado may have had some hand in it, but in the end it was the head of the Soga family who was running the show, and so he appoints one of his own sons as the chief commissioner of the temple.  They aren't even trying to hide the connection.  In fact, having one of his sons “retire” and start making merit through Buddhist practice was probably a great PR move, overall. We don't hear much more from Zentoku after this point, and we really know very little about him.  We do know something about the Soga family, and we know that Soga no Umako has at least one other son.  While we've yet to see him in the narrative—children in the Nihon Shoki are often meant to be neither seen nor heard, it would seem—Umako's other son is known to us as Soga no Emishi.  Based on when we believe Soga no Emishi was born, however, he would have been a child, still, when all this was happening, and so Zentoku may have actually been his father's eldest son, taking the reins at Houkouji temple, likely setting him up to claim a role of spiritual leadership in the new religion of Buddhism.  Compare this to what we see later, and also in other places, such as Europe, where it is often the second son that is sent into religious life, while the eldest son—the heir—is kept at hand to succeed the father in case anything happens.  On the other hand, I am unsure if the monks of this time had any sort of celibacy that was expected of them, and I suspect that even as the temple commissioner, the tera no Tsukasa, Zentoku was keeping his hand in.  After all, the Soga family head appears to have been staying near the temple as well, so it isn't like they were packing him off to the high mountains. Moving on, in 601 we are told that Kashikiya Hime was in a temporary palace at a place called Miminashi, when heavy rains came and flooded the palace site.  This seems to be referring to flooding of Toyoura palace, which was, we believe, next to the Asuka river.  I wonder, then, if that wasn't the impetus for, two years later, in 603, moving the palace to Woharida, and leaving the old palace buildings to become a nunnery.  That Woharida palace is not thought to have been very far away—traditionally just a little ways north or possibly across the river. In 604, with the court operating out of the new Woharida palace, we see the institution of more continental style traditions.  It includes the idea of bowing when you entered or left the palace grounds—going so far as to get on your hands and knees for the bow.  Even today, it is customary to bow when entering a room—particularly a traditional room like in a dojo or similar—and it is also customary to bow when passing through a torii gate, entering into a sacred space.  Of course, that is often just a standing bow from the waist, and not a full bow from a seated position. In 605, with more continental culture being imported, we see it affecting fashion.  In fact, in this year we are told that Prince Umayado commanded all the ministers to wear the “hirami”.  The kanji simply translates to “pleats”, but in clothing terms this refers to a pleated skirt or apron.  We see examples of this in courtly clothing going back to at least the Han dynasty, if not earlier, typically tied high above the waist and falling all the way down so that only the tips of the shoes are poking out from underneath.  We have a bit more on this in the historical clothing section of the Sengoku Daimyo website, sengokudaimyo.com.   I wonder if these wrapped skirts aren't some of what we see in the embroidered Tenjukoku mandala of Chuuguuji.  Court women would continue to wear some kind of pleated skirt-like garment, which would become the mo, though for men they would largely abandon the fashion, except for some very specific ritual outfits.  That said, there is still an outfit used for some imperial ceremonies.  It is red, with many continental and what some might consider Taoist symbols, such as dragons, the sun and moon, etc..  That continuation of tradition gives us some idea of what this was and what it may have looked like back in the day.  It is also very neat that we are starting to get specific pieces of potentially identifiable clothing information, even if it is only for the court nobles. The year following that, 606, we get the giant Buddha image being installed at Houkouji, aka Asukadera.  Or at least, we think that is the one they are talking about, as we can't be one hundred percent certain.  However, it is traditionally thought to be one and the same.  The copper and gold image was commissioned a year prior, along with an embroidered image as well, but when they went to install it they ran into a slight problem:  The statue was too large to fit through the doors of the kondo, the golden image hall.  No doubt that caused some embarrassment—it is like ordering furniture that won't fit through the doorway, no matter how you and your friends try to maneuver it around.  They were thinking they would have to cut through the doors of the kondo to create more room, and then fix it afterwards.  Nobody really wanted to do that thought—whether because they thought it would damage the structural integrity of the building or they just didn't want to have to put up with an unsightly scar, it isn't clear.  Finally, before they took such extreme measures, they called on the original artist, Kuratsukuri no Tori.  He is said to be the son of the famous Shiba Tattou, and so his family was quite close with the Soga, and he seems to have had quite the eye for geometry as we are told that he, “by way of skill”, was able to get it through the doors and into the hall.  I don't know if that meant he had to some how turn it on its side and walk it through, or something else, but whatever it was, it worked.  Tori's mad Tetris skills worked, and they were able to install the giant Buddha in the hall without cutting through the doorways. For his efforts, Tori was rewarded, and he was raised up to the rank of Dainin, one of the 12 new ranks of the court.  He was also given 20 cho worth of “water fields”—likely meaning rice paddies.  With the income from those fields, we are told that he invested in a temple of his own:  Kongoji, later known as the nunnery of Sakata in Minabuchi. For all that Buddhism was on the rise, the worship of the kami was still going strong as well.  In 607 we are told that there was an edict that everyone should worship the kami of heaven and earth, and we are told that all of the noble families complied.  I would note that Aston wonders about this entry, as the phrasing looks like something you could have taken right out of continental records, but at the same time, it likely reflects reality to some extent.  It is hard to see the court just completely giving up on the traditional kami worship, which would continue to be an important part of court ritual.  In fact, it is still unclear just how the new religion of Buddhism was viewed, and how much people understood the Buddha to be anything more than just another type of kami. Later in that same year was the mission to the Sui court, which we discussed in Episode 96.  The year after, the mission returned to Yamato with Sui ambassadors, and then, in 609, those ambassadors returned to the Sui court.  These were the missions of that infamous letter, where the Yamato court addressed the Sui Emperor as an equal.  “From the child of heaven in the land where the sun rises to the child of heaven in the land where the sun sets.”  It is still one of my favorite little pieces of history, and I constantly wonder if Yamato didn't understand the difference in scale or if they just didn't care.  Either way, some really powerful vibes coming off that whole thing. That same year that the Sui ambassadors were going back to their court there was another engagement with foreigners.  In this case the official on the island of Tsukushi, aka Kyuushuu, reported to the Yamato court that 2 priests from Baekje, along with 10 other priests  and 75 laypersons had anchored in the harbor of Ashigita, in the land of Higo, which is to say the land of Hi that was farther from Yamato, on the western side of Kyuushuu.  Ashigita, you may recall, came up in Episode 89 in reference to the Baekje monk—and I use that term loosely—Nichira, aka Illa.  There, Nichira was said to descend from the lord of Ashigita, who was said to be Arisateung, a name which appears to be a Korean—possibly Baekje—title.  So now we have a Baekje ship harboring in a land that once was ruled by a family identified, at least in their names or titles, as having come from or at least having ties with Baekje.  This isn't entirely surprising, as it wouldn't have taken all that much effort for people to cross from one side to the other, and particularly during the period before there was a truly strong central government it is easy to see that there may have been lands in the archipelago that had ties to Baekje, just as we believe there were some lands on the peninsula that had ties to Yamato. One more note before get to the heart of the matter is the title of the person who reported all these Baekje goings-on.  Aston translates the title as the Viceroy of Tsukushi, and the kanji read “Dazai”, as in the “Dazaifu”, or government of the “Dazai”.  There is kana that translates the title as Oho-mikoto-Mochi—the Great August Thing Holder, per Aston, who takes this as a translation, rather than a strict transliteration.  This is the first time that this term, “Dazai” has popped up in the history, and it will appear more and more in the future.  We know that, at least later, the Dazaifu was the Yamato court's representative government in Kyuushuu.  The position wasn't new - it goes back to the various military governors sent there in previous reigns - but this is the first time that specific phrasing is used—and unfortunately we don't even know much about who it was referring to.  The position, however, would become an important part of the Yamato governing apparatus, as it provided an extension of the court's power over Kyuushuu, which could otherwise have easily fallen under the sway of others, much as Iwai tried to do when he tried to ally with Silla and take Tsukushi by force.  Given the importance of Kyuushuu as the entrypoint to the archipelago, it was in the Court's best interest to keep it under their control. Getting back to the ship with the Baekje priests on it:  the passengers claimed they were on their way to Wu, or Kure—presumably headed to the Yangzi river region.  Given the number of Buddhist monasteries in the hills around the Yangzi river, it is quite believable, though of course by this time the Wu dynasty was long gone.  What they had not prepared for was the new Sui dynasty, as they said there was a civil war of some kind going on, and so they couldn't land and were subsequently blown off course in a storm, eventually limping along to Ashigita harbor, where they presumably undertook rest and a chance to repair their vessels.  It is unclear to me exactly what civil war they were referring to, and it may have just been a local conflict.  There would be rebellions south of the Yangzi river a few years later, but no indication that it was this, just a bit out of context.  We know that the Sui dynasty suffered—it wouldn't last another decade before being dismantled and replaced by the Tang dynasty in about 618.  There were also ongoing conflicts with Goguryeo and even the area of modern Vietnam, which were draining the Sui's resources and could be related to all of these issues.  If so, though, it is hard to see an exact correlation to the “civil war” mentioned in the text. Given all this, two court nobles:  Naniwa no Kishi no Tokomaro and Fumibito no Tatsu were sent to Kyuushuu to see what had happened, and, once they learned the truth, help send the visitors on their way.  However, ten of the priests asked to stay in Yamato, and they were sent to be housed at the Soga family temple of Houkouji.  As you may recall, 10 monks was the necessary number to hold a proper ordination ceremony, funnily enough. In 610, another couple of monks showed up—this time from Goguryeo.  They were actually sent, we are told, as “tribute”.  We are told that one of them was well read—specifically that he knew the Five Classics—but also that he understood how to prepare various paints and pigments.  A lot of paint and pigments were based on available materials as well as what was known at the time, and so it is understandable, to me, why you might have that as a noted and remarkable skill.  We are also told that he made mills—likely a type of handmill.  These can be easily used for helping to crush and blend medicines, but I suspect it could just as easily be used to crush the various ingredients for different pigments.  A type of handmill, where you roll a wheel in a narrow channel, forward and back, is still in use today throughout Asia. In 611, on the 5th day of the 5th month, the court went out to gather herbs.  They assembled at the pond of Fujiwara—the pond of the wisteria field—and set out at sunrise.  We are told that their clothing matched their official cap colors, which was based on their rank, so that would seem to indicate that they were dressed in their court outfits.  In this case, though, they also had hair ornaments mad of gold, leopard's tails, or birds.  That leopard's tail, assuming the description is accurate, is particularly interesting, as it would have had to have come from the continent. This ritual gathering of herbs would be repeated on the 5th day of the 5th month of both 612 and 614.  If that date seems familiar, you might be thinking of the modern holiday of Tango no Sekku, aka Kodomo no Hi.  That is to say:  Boy's Day or the more gender neutral “Children's Day”.  It is part of a series of celebrations in Japan known today as “Golden Week”, when there are so many holidays crammed together that people get roughly a week off of work, meaning that a lot of travel tends to happen in that period.  While the idea of “Boy's Day” probably doesn't come about until the Kamakura period, Tango no Sekku has long been one of the five seasonal festivals of the court, the Gosekku.  These included New Year's day; the third day of the third month, later to become the Doll Festival, or Girl's Day; the seventh day of the seventh month, during Tanabata; and the 9th day of the 9th month.  As you can see, that is 1/1, 3/3, 5/5, 7/7, and 9/9.  Interestingly, they skipped over 11/11, possibly because that was in the winter time, based on the old calendar, and people were just trying to stay warm. Early traditions of Tango no Sekku include women gathering irises to protect the home.  That could connect to the practice, here, of “picking herbs” by the court, and indeed, many people connect the origins of Tango no Sekku back to this reign specifically because of these references, though there is very little said about what they were doing, other than picking herbs in their fancy outfits. We are given a few more glimpses into the lives of the court in a few other entries.  In 612, for instance, we have a banquet thrown for the high functionaries.  This may have been a semi-regular occasion, but this particular incident was memorable for a couple of poems that were bandied back and forth between Soga no Umako and Kashikiya Hime.  He toasted her, and she responded with a toast to the sons of Soga. Later that year, they held a more somber event, as Kitashi Hime was re-interred.  She was the sister to Soga no Umako, consort of Nunakura Futodamashiki no Ohokimi, aka Kimmei Tenno, and mother to both Tachibana no Toyohi, aka Youmei Tennou, and Kashikiya Hime, Suiko Tennou.  She was re-buried with her husband at his tomb in Hinokuma.  During this period, various nobles made speeches.  Kicking the event off was Abe no Uchi no Omi no Tori, who made offerings to her spirit, including around 15,000 utensils and garments.  Then the royal princes spoke, each according to rank, but we aren't given just what they said.  After that, Nakatomi no Miyatokoro no Muraji no Womaro gave the eulogy of the Oho-omi, presumably speaking on Umako's behalf, though it isn't exactly clear why, though Umako was certainly getting on in years.  Then, Sakahibe no Omi no Marise delivered the written eulogies of the other families. And here we get an interesting glimpse into court life as we see a report that both Nakatomi no Womaro and Sakahibe no Marise apparently delivered their speeches with great aplomb, and the people listening were quite appreciative.  However, they did not look quite so fondly on the speechifying of Abe no Tori, and they said that he was less than skillful.  And consider that—if you find public speaking to be something you dread, imagine if your entire reputation hung on ensuring that every word was executed properly.  A single misstep or a bad day and suddenly you are recorded in the national history as having been just the worst.  In fact, his political career seems to have tanked, as we don't hear much more about him after that. 612 also saw more immigrants bringing more art and culture.  The first was a man from Baekje.  He did not look well—he had white circles under his eyes, we are told, possibly indicating ringworm or some other infection.  It was so bad that the people on the ship with him were thinking about putting him off on an island to fend for himself.  He protested that his looks were not contagious, and no different that the white patches of color you might see on horses or cattle.  Moreover, he had a talent for painting figures and mountains.  He drew figures of the legendary Mt. Sumeru, and of the Bridge of Wu, during the period of the Southern Courts, and the people were so taken by it that they forestalled tossing him overboard.  He was eventually known as Michiko no Takumi, though more colloquially he was known as Shikomaro, which basically was a nickname calling him ugly, because judging people based on appearance was still totally a thing. The other notable immigrant that year was also a man of Baekje, known to us as Mimachi, or perhaps Mimashi or Mimaji.  He claimed to know the music and dancing of the Wu court—or at least some continental dynasty.  He settled in Sakurawi and took on students who were basically forced to learn from him.  As if a piano teacher appeared and all the children went to learn, but now it isn't just your parents and their high expectations, but the very state telling you to do it.  So… no pressure, I'm sure.  Eventually, Manu no Obito no Deshi—whose name literally means “student” or “disciple”—and Imaki no Ayabito no Seibun learned the teachings and passed them down to others.  This would appear to be the masked dances known as Gigaku. If you know about early Japanese music and dance you may have heard of Gagaku, Bugaku, and Noh theater.  Gagaku is the courtly music, with roots in apparently indigenous Japanese music as well as various continental sources, from the Korean peninsula all the way down to Southeast Asia.  Indeed, the musical records we have in Japan are often the only remaining records of what some of the continental music of this time might have sounded like, even though the playing style and flourishes have changed over the centuries, and many scholars have used the repertoire of the Japanese court to help work backwards to try and recreate some of the continental music. The dances that you often see with Gagaku musical accompaniment are known as Bugaku, and most of that was codified in the latter years of the Heian era—about the 12th century.  Then there is the famous masked theater known as Noh, which has its origins in a variety of traditions, going back to at least the 8th century and really brought together around the 14th century.  All of these traditions, however, are preceded by Gigaku, this form of masked dance that came over in the 7th century, and claims its roots in the area of “Wu” rather than “Tang”, implying that it goes back to traditions of the southern courts of the Yangzi river region. Gigaku spread along with the rest of continental culture, along with the spread of Buddhism and other such ideas.  From what we can tell, it was a dominant form of music and dance for the court, and many of the masks that were used are preserved in temple storehouses such as the famous Shosoin at the Todaiji in Nara.  However, as the centuries rolled by, Gigaku was eventually replaced at court by Bugaku style dances, though it continued to be practiced up through at least the 14th century.  Unfortunately, I know of no Gigaku dances that survived into the modern day, and we are left with the elaborate masks, some illustrations of dancers, and a few descriptions of what it was like, but that seems to be it. From what we can tell, Gigaku—also known as Kure-gaku, or Kure-no-utamai, meaning Music or Music and Dances of Wu—is first noted back in the reign of Nunakura Futodamashiki, aka Kimmei Tennou, but it wasn't until the reign of Kashikiya Hime that we actually see someone coming over and clearly imparting knowledge of the dances and music—Mimashi, mentioned above.  We then see the dances mentioned at various temples, including Houryuuji, Toudaiji, and others.  Of course, as with many such things, Shotoku Taishi is given credit for spreading Gigaku through the Buddhist temples, and the two do seem to have gone hand in hand. We know a little bit about the dances from the masks and various writings.  The masks are not random, and a collection of Gigaku masks will have generally the same set of characters.  These characters appear to have been organized in a traditional order.  A performance would start with a parade and a sutra reading—which I wonder if that was original or if it was added as they grew more connected to the Buddhist temple establishment.  And then there was a lion dance, where a young cub would pacify an adult lion.  Lion dances, in various forms, continue to be found throughout East Asia. Then the characters come into play and there are various stories about, for example, the Duke of Wu, and people from the “Hu” Western Regions—that is to say the non-Han people in the Western part of what is now China and central Eurasia.  Some of these performances appear to be serious, while others may have been humorous interludes, like when a demon assaults the character Rikishi using a man's genitals while calling for the “Woman of Wu”.  That brings to mind the later tradition of ai-kyougen; similarly humorous or lighthearted episodes acted out during Noh plays to help break up the dramatic tension. Many of aspects of Gigaku would go on to influence the later styles of court music and dance.  Bugaku is thought to have some of its origins in masked Gigaku dancers performing to the various styles of what became known as Gagaku music.  There are also examples of some of the characters making their way into other theatrical traditions, such as Sarugaku and, eventually, Noh and even folk theater.  These hints have been used to help artists reconstruct what Gigagku might have been like. One of the key aspects of Gigaku is that for all they were telling stories, other than things like the recitation of the sutras, the action of the story appears to have been told strictly through pantomime in the dances.  This was accompanied by the musicians, who played a variety of instruments during the performance that would provide the musical queues for the dancers-slash-actors.  There was no dialogue, however, but the names of the various characters appear to have been well known, and based on the specifics of the masks one could tell who was who and what was going on. This is similar to how, in the west, there were often stock characters in things like the English Mummers plays or the Comedia dell'arte of the Italian city-states, though in Gigaku those characters would not speak at all, and their story would be conveyed simply through pantomime, music, and masks. There have been attempts to reconstruct Gigaku.  Notably there was an attempt in the 1980s, in coordination with a celebration of the anniversary of Todaiji, in Nara, and it appears that Tenri University may continue that tradition.  There was also another revival by famed Kyougen actor Nomura Mannojo, uncle to another famous Kyougen actor turned movie star, Nomura Mansai.  Mannojo called his style “Shingigaku”, which seems to be translated as either “True Gigaku” or “New Gigagku”, and he took that on tour to various countries.  You can find an example of his performance from the Silk Road Theater at the Smithsonian Folklife Festival in Washington, DC back in 2002, as well as elsewhere.  It does appear that he's changed things up just a little bit, however, based on his layout of the dances, but it is an interesting interpretation, nonetheless. We may never truly know what Gigaku looked and sounded like, but it certainly had an impact on theatrical and musical traditions of Japan, and for that alone it perhaps deserves to be mentioned. And I think we'll stop right there, for now.  There is more to get through, so we'll certainly have a part two as we continue to look at events of this rein.  There are stories of gods and omens.  There is contact with an island off the southern coast of Kyuushuu.  There are more trips to the Sui court.  Much of that is coming.  Until then, I'd like to thank you once again.  I can hardly believe we reached one hundred episodes!  And it comes just as we are about to close out the year. As usual, I'll plan for a recap episode over New Year's, and then I'll plan to get back into everything the episode after that, but this closes out the year. I hope everyone has a wonderful new year, however you celebrate and, as always, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.  

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Fresh off the killing of Anahobe and the destruction of the Mononobe, Soga no Umako is riding high as a new sovereign, Prince Hasebe, takes the throne.  Surely things will have finally settled down, won't they have done? For more, check out our podcast page at: https://sengokudaimyo.com/podcast/episode-92 Rough Transcription: Welcome to Sengoku Daimyo's Chronicles of Japan. My name is Joshua and this is Episode 92: Death or Taxes, aka Don't Piss Off Umako. Before we get going, a quick recap: we are still in the late 6th century, and since the death of Nunakura Futodamashiki, aka Bidatsu Tennou, things have been a bit crazy.  The number of apparently legitimate heirs was rather impressive.  There were the various siblings of Nunakura, both full and half-siblings, and there were his children and his siblings' children.  On top of that, there were some truly tense politics amongst some of the most powerful families in the realm, particularly the ancient Mononobe and the more recent Soga family, who had tied themselves so closely with the royal family through marriage that at this point just about every possible heir to the throne was in some way a Soga descendant.  The stories of this era have been filled with stories of death, war, and struggles for the throne.  Finally, there is the tension between Buddhism, which was first introduced in the early 6th century, and the established worship of the various kami, which also speaks to the tensions between various sources of spiritual political authority. As we discussed int the last two episodes, when Nunakura passed away, Prince Anahobe tried to take the throne, and he was initially thwarted by Miwa no Kimi no Sakahe, aka Sakahe no Kimi.  Anahobe, possibly with the assistance of his brother, Prince Hasebe, as well as Mononobe no Ohomuraji no Moriya, killed Sakahe no Kimi, pissing off Nunakura's former Queen, Kashikiya Hime.  Next, Nakatomi no Muraji no Katsumi, in support of Mononobe no Moriya, attempted to curse several of the candidates with stronger claims on the throne, and when that didn't work, he just out and out killed Crown Prince Hikobito, getting offed himself in the process.  Throughout all of this, another prince, Tachibana no Toyohi, apparently ascended, briefly, but seems to have died of natural causes.  In the process, however, he provided legitimacy for his own children as Royal Princes and Princesses to also contest for the throne. Moriya's support of Anahobe led to the death of Prince Anahobe, Prince Yakabe, and Moriya and his family—and many of his supporters, as well.  And yet, despite the loss of the Mononobe and Prince Anahobe, the next heir to the throne, with the approval of Queen Kashikiya Hime, was none other than Prince Hatsusebe, aka Hasebe, a full brother to the rebel Prince Anahobe and the focus of this episode.  If this all seems a bit confusing regarding the individuals and different factions, then congratulations, you've been paying attention.  The narrative certainly seems to be missing some key information, likely lost in the attempt to either whitewash some of the more contentious historical records, or simply due to the Chroniclers' attempts to create a more straightforward narrative out of a complex era which probably saw various courts competing to be recognized as the court that was actually making the decisions—something that doesn't exactly fit in with the attempt to tell the story of a relatively unbroken royal line. And yet, despite the chaos, we do see a solidification of power and control in general, as evidenced by the shift in late 6th century tomb structures.  As I may have mentioned in previous episodes, the Yamato area continued to build monumental round keyhole shaped tombs, but that shape of tomb simultaneously declined in nearby regions, which saw more round or square shaped—or even square keyhole shaped—tombs instead.  On the other hand, at the periphery, at the farthest reaches of the archipelago, we continue to see round keyhole shaped tombs in the Yamato style. This is all likely due to a consolidation of Yamato's power and authority.  Previously we had seen that start with the proliferation of the Yamato style tomb, but even from early times those round keyhole tombs were interspersed with other, typically smaller tombs.  The general assumption, based on the size, grave goods, and other archaeological features, is that the round keyhole tomb, at least in a Yamato context, was reserved for the Yamato royal family and only those of the most elite status.  In the Yamato and Kawachi regions, this seems to have held true, but further afield, local magnates adopted the round keyhole tombs for themselves, perhaps even appropriating some of the prestige of that tomb shape for themselves.  Similarly, it is very likely that Yamato did not have the power to stop local rulers from building whatever the heck they wanted, despite the impression given by the Chroniclers that all was hunky-dory as soon as Mimaki Iribiko and Ikume Iribiko sent out people to subdue the four corners of the archipelago. Whether because of an increased military might, or because of a cultural change in accepting Yamato's leadership, more and more lands seem to have been more directly under Yamato's sway, following their customs and accepting their position in the Yamato hierarchy.  To put it another way: in many parts of the archipelago, particularly those closer to Yamato, we do not see continued claims of “kingship” by the local elite.  They have accepted a lower status in the evolving hierarchy, presumably gaining some security and access to resources of the entire Yamato polity in the process, though that isn't entirely clear to me based purely on the archaeological evidence.  But according to our tomb theory, those on the periphery, where Yamato's control remained the weakest, continued to build their own round keyhole tombs, indicating they still considered themselves somewhat independent, even as they remained influenced by Yamato's overall cultural affectations. Into this world, Prince Hasebe ascended the throne.  Prince Hasebe was another half-brother to Nunakura Futodamashiki.  Like his full brother, Prince Anahobe Hasetsukabe, he was a Soga descendant through the maternal line.  We are told that his ascension was endorsed by Kashikiya Hime, his half-sister, and another Soga-descended royal.  He assumed the throne almost immediately following the turmoil that resulted in Anahobe's death and the destruction of Mononobe no Moriya.  This was in 587, and for the next five years, the reign appeared to be similar to any other, but I suspect that things hadn't quite settled, yet.  How could they?  It seems clear that it was way too easy for political violence to break out, and despite the Chronicles' insistence that everything was fine, many of the systemic issues that led to the violence in the first place were still there. To start with, you still had all of those potential heirs to the throne, and no clear succession tradition or precedence.  On top of that, each household, while created to serve the Court, had grown into its own political entity, vying for their own level of power and control.  No doubt some of this was exacerbated as Yamato's influence grew, bringing more people directly under Yamato's authority. I also can't help but notice that there appears to be a lack of any kind of clear justice system.  In fact, laws in general at this time appear to be based on precedent and tradition, likely oral tradition: although we have writing, we don't have a written system of laws just yet.  We have artifacts with writing on them.  We also have records of books coming over from the continent, which presumably people were able to read.  However, what was writing being used for?  It appears to have been used for communication—for example, diplomatic missions, or to send instructions and receive information back from the various lands under Yamato's rule.  David Lurie notes that this was a kind of practical writing, and it wasn't the same as the kind of extensive journaling that we would see later. It makes sense that much of the laws and traditions at this time were probably based on memorized precedent.  Groups like the Kataribe were organized around an oral tradition, and even the Kojiki was based on a tradition of oral recitation that was still in place by the late 7th century.  I suspect that different families maintained their own memories of precedence and tradition, collectively advising on what should be done in any given situation. This isn't exactly the kind of legal system with firm and fast rules, with everyone equal under the law, and some sort of immutable code.  That wasn't solely because it wasn't written down, mind you—there are plenty of cultures with oral traditions that maintain very clear sets of laws.  However, in this case it was not written down and given what we see and what we know about later court, legal precedent was kept in the memories of various individuals in different families, all of whom were competing for their place in the hierarchical structure that had been created.  Therefore, as long as you could get enough people on your side, then you determined what was just and what was not.  And of course it was the winners who wrote—or at least remembered—the history.   Strong leadership may have been able to keep things stable, but during any change things could get messy, as we've seen time and again.  And had Anahobe and the Mononobe been triumphant we'd likely be reading a very different telling of events. Hasebe's ascension didn't really change any of that, other than the person at the head of the system.  Still, things seemed to hold together alright, and with the recent purges, hopefully things would settle out after a while. The reign started with the standard ceremonies.  Soga no Umako was confirmed as Oho-omi, and though other “Ministers and Daibu”, or high officials, were confirmed, nobody else is named.  Hasebe's palace was set up at Kurahashi, presumably in the hills south of modern Sakurai.  His wife was Koteko, daughter of Ohotomo no Nukade. In his first year, Baekje sent envoys that included Buddhist priests and relics, along with various Buddhist artisans.  We'll probably touch on them more at a later date, but for now I'll note that with their coming, Soga no Umako consulted with them on several matters regarding Buddhism, and then he went ahead and pulled down the house of a man named Konoha and started work on another temple.  This one was known as Hokoji, though it is more popularly known to us by its common name:  Asukadera. Asukadera is perhaps the oldest purpose-built Buddhist temple commissioned by the state, and I think we can do an entire episode just on that temple alone.  The Chronicles make out that it was built to commemorate the supernatural support granted to Umako in his battle against Mononobe no Moriya, though it is impossible to know for certain how much of that is true.  What we can say is that this time there were no dissenting voices from the Mononobe nor the Nakatomi, and Asukadera would become one of the major temples of the Asuka period.  Later, when the capital was built up at Heijo-kyo, in modern Nara, the temple was moved to the new capital, and the complex in Asuka dwindled in importance.  Today you can still visit a temple at the site of Asukadera, but it is a shell of its former self, having been rebuilt on a much smaller footprint than before.   You can, however, go and see the original Buddha statue—or at least the reconstructed form of it, as the original icon was severely damaged in a fire at one point. But building up a proper temple and pagoda in the continental fashion would all take time—for now it appears that they were just breaking ground on a new construction, rather than just repurposing a part of an existing house into the temple, as they had seemingly done in the past.  This was going to take some time.  At the same time, it wasn't just buildings that were needed, and we are told that several Buddhists returned to Baekje along with the envoys.  We are told that they were going to Baekje to gain further instruction in Buddhist teachings. This was the nun Zenshin, daughter of Shiba Tattou, and her companions, who had been ordained at the order of Soga no Umako to help staff his first attempt at building a worship site at his house. The following year, in 589, we are told that there were three “inspections” that were sent out along the various circuits, or roadways, of eastern Honshu.  These circuits were regions of Japan, and come from a continental tradition that would be formalized in the law codes of the early 7th century.  Generally speaking there are usually 7 circuits—8 once Hokkaidou comes into the picture—and then the capital region, often known as the home territories around Yamato and the Nara basin.  Kyushu and Shikoku were each covered by their own circuits:  The Saikaidou, or Western Sea Circuit, covered all of Kyushu, and eventually the Ryukyu islands as well, while the Nankaidou, or Southern Sea circuit covered from the south of the Kii peninsula and the island of Shikoku.  Western Honshu was covered by another two circuits—there was the San'indou, the Mountain Yin Circuit, and the San'yodou, the Mountain Yang Circuit.  Yin being related to the dark and the north, the San'indou covered the areas to the north of the Western mountain range along the Japan Sea coast, from the land of Tanba west to Iwami, including the lands of Inaba and Izumo.  In contrast, Yang was related to the south, and so the San'yodou covered the regions from Harima, next to the land of Settsu, part of modern Ohosaka, and stretched along the southern side of the mountains to the Seto Inland sea to the western land of Nagato, part of modern Yamaguchi Prefecture, and included the ancient land of Kibi. Finally, there were the three circuits of Eastern Honshu, which were the subject of the Chronicles entry in 589.  First off was the Tousando, or the Eastern Mountain Circuit.  Whereas western Honshu can be largely divided by the mountains into a northern and southern region, eastern Honshu was a little different, as the Japanese alps created difficulties that meant that the Tousandou covered the inland regions, starting at Afumi, around lake Biwa, out to Kenu—modern Gunma and Tochigi prefectures, north of Tokyo.  It would eventually include the distant regions of Dewa and Mutsu, which covered much of the Tohoku region up to Hokkaido, although those were still largely outside of the area of Yamato influence, and home to those that the Yamato court called Emishi.  The man sent to inspect this region was named Afumi no Omi no Kamafu—fitting given that Afumi was at the western end of the circuit. Next they sent Shishibito no Omi no Kari to inspect the Toukaidou, or Eastern Sea circuit.  This circuit proceeded from Iga, Ise, and Owari, eastward along the Pacific coast to Hitachi, in modern Ibaraki prefecture.  It includes much of modern Tokyo, and is likely one of the more well known, if only for things like the JR Tokaido line.  This route became well traveled in the Edo period both for the daimyo processions of the sankin-kotai as well as the pilgrimages from Edo to Ise, and onward to points even further west. Finally, we have a member of the Abe no Omi heading out to inspect the Hokurikudou, the Northern Land Circuit.  This was largely the area known in the Chronicles as Koshi, along the Japan Sea Coast.  The Abe family may have had some influence in that region, though it is said that they originally came from the land of Iga, just east of Yamato.  However, we aren't given a specific individual's name—Abe no Omi is just the family name and their kabane rank, and could indicate any member of the Abe family.  This may have to do with the actions of Abe no Hirafu in the late 7th century, but at this point in the story it is unclear.  We are provided the given names of the other inspectors, however—Kamafu and Kari—so it stands out that we have nothing for the inspector of the Hokurikudou other than their family name. Other than the mention of the circuits, and the inspections that the court was conducting, this seems to be a fairly mundane entry—though it does link to some later events.  Still, it provides a little more evidence for the expansion of Yamato's direct control.  The idea that there were court inspectors checking up on these territorial circuits suggests that they were a somewhat active part of the bureaucracy of the court.  Previously the court had set up the Miyake, or royal granaries, which were extensions of royal authority in various areas.  Now we see an additional layer of government that would have been going through the areas and making sure that things were being administered as Yamato believed.  It also suggests that there were those in these circuits who were beholden to Yamato in that they were required to produce some kind of evidence for what they were up to. The year after, in 590, the big news was apparently the return to Japan of Zenshin and others, and we are told that they took up residence at a temple in Sakurai – very possibly a reference to Hokoji or Asukadera, the newly-founded temple we just discussed.  Asuka is outside of the modern bounds of Sakurai city, but at this time the name Sakurai may have referred to a slightly larger and more nebulous area.  On the other hand, they could have settled at another temple in the area that just wasn't part of the state funded program.  In that same vein, later in 590 we are told that people went up into the hills to get timber for building Buddhist temples, and many more people, most of them with connections to the mainland, and especially the Korean peninsula, were ordained.  Buddhism was starting to grow more popular and it was being better patronized by the elites, and soon we will start to see more and more temples popping up. In 591, we see the final burial of Nunakura Futodamashiki, aka Bidatsu Tennou.  This was now many years since his death, but that isn't entirely surprising given the fighting and general turmoil that followed his death.  Building a tomb mound was not exactly a simple feat, and if one wasn't already prepared by the time he passed away, then it would have taken a while to prepare it—and even more time if much of your labor force was being split and repurposed in the fights for the throne.  As you may recall, Nunakura died of a disease, so it is unlikely that there had been a lot of preparation for his death, so we can assume that his body, after resting in the palace of temporary interment for a while, was eventually given a temporary burial and then they likely were reburying the bones several years later.  This isn't exactly unheard of, but it does seem that this was an exceptionally long period between death and final burial. The location of his tomb is said to be on the western side of the mountains, outside of the Nara Basin, in the area  of modern Taishi, in the south of Ohosaka.  This seems to have been a new region for royal burials, from what I can tell, but there would be several important Asuka era burials located in this region. Later in that same year, Hasebe and the court indulged themselves in something that was becoming almost a tradition:  Wondering aloud if they should go marching over to the peninsula and re-establish Nimna.  There's apparently no thought the fact that Nimna had not been a going concern for quite some time now, and this may have just been the popular casus belli of the Yamato court.  Of course, all of the ministers were for it, agreeing that it would be just the best if they could go over there and get Nimna started again. And so they set in motion the necessary work of gathering an army.  This wasn't a simple task and would take quite some time to get the word out, gather men together, and then have them all meet down in Tsukushi at the court's outpost down there.  Not only that, but there would need to be boats made, and armor and weapons would have to be ready.  This was quite the undertaking.  We are told that they eventually gathered over 20,000 men, though that could easily be an exaggeration.  They named five generals, or Taishogun.  This is different from the “Shogun” of later years—the Sei-I Taishogun, or General for Subduing Barbarians.  This is just the title of general, Taishogun, and there were apparently five people who were running things—possibly referring to five different forces that were going to go over, or it may have been a political thing to ensure that people of rank were given opportunities.  It is interesting to see the names, as we have heard some of the family names, at least, before. The five generals were:  Ki no Womaro no Sukune, Kose no Omi no Hirafu, Kashiwade no Omi no Katafu, Ohotomo no Kuhi no Muraji, and Katsuraki no Wonara no Omi.  Then various other Omi and Muraji level individuals were placed in charge below them.  They were all stationed in Tsukushi and two men, Kishi no Kana and Kishi no Itahiko were sent to Silla and Nimna respectively, presumably to try to work something out before things got ugly. That was all listed in the 11th month of 591, and preparations were still ongoing by the time of the next entry, in the 10th month of 592. So remember how I mentioned at the top of the episode about how many of the systemic issues that had led to so much war and bloodshed were still a thing?  Yeah—despite the seemingly rosy and downright mundane picture of the last five years, things were apparently not quite as stable as they may have appeared.  And I say that because of what happened in the 10th month of 592. We are told that this was the winter, possibly around late November or December according to our modern calendar—trying to map ancient lunar calendar dates to modern solar dates are a whole thing, trust me.  Anyway, it was during this season that someone brought in a wild boar and presented it to the sovereign.  And there was nothing too sus going on there—it wasn't a white boar or some kind of unusually large animal.  No, what was remarkable wasn't the presentation at all, but what it kicked off, because apparently Hasebe looked at the boar and made an off-hand comment, which Aston translates as: “When shall those to whom We have an aversion be cut off as this wild boar's throat has been cut.” Just in case you didn't get the allusion, he was basically wondering when those people whom he didn't like would be killed—though possibly he meant cut off in another sense, I think it is pretty clear that he wanted some people taken care of, if you know what I mean.  I would liken it to a phrase attributed to King Henry II of England, who is said to have wondered aloud, “Will no one rid me of this turbulent priest”, which led to several men heading out and eventually killing Thomas Becket, the then Archbishop of Canterbury.  While Henry may not have actually ordered the killing of Thomas Becket, with whom he'd been in something of a power struggle, his words certainly ended up being the catalyst that led to the archbishop's eventual demise. Similarly here, that certainly seems to have been the intent, or at least that is how it was taken.  Word of the sovereign's outburst made it back to none other than Soga no Umako, the Oho-omi himself, who grew more than a little bit worried.  It didn't help that word was also coming that the royal household was apparently stockpiling weapons—more than usual. Soga no Umako came to believe that Hasebe was talking about him, and though there wasn't a particular reason given, it suggests that there were some things going on below the surface detailed by the Chronicles, and we can speculate on a few of them. First off, Hasebe had not been the first choice for sovereign, and he didn't really enter the picture until after the death of his brother, Prince Anahobe. Anahobe had, of course, believed that he should take the throne himself, but then he was killed.  It is possible that Hasebe was appointed sovereign to appease some of Anahobe's supporters against the wishes of those such as Soga no Umako. Second, it is clear that Umako was immensely influential and powerful, and he probably had more influence than the sovereign himself.  Always remember that if someone raises an army and helps put you on the throne, rather than themselves, they usually have the ability to do the same thing in reverse.  Or, as so many parents are fond of saying: I brought you into this world, I can take you out!  So it may be that Hasebe felt threatened by Umako's own power and felt he needed to be dealt with before Soga no Umako decided that he'd rather have someone more pliable on the throne.  Of course, in another time it might have been enough to just demote him, but it is unclear if Hasebe actually had the power to do that—and if he did, would it stick. There is also another option as well—Hasebe may not have said anything at all, and it is possible that this was a story concocted to explain Umako's own reaction.  This is hinted at, somewhat, in another account that basically comes in once again with the tired “blame the woman” trope.  It suggests that Ohotomo no Koteko, Hasebe's consort and the mother to his two children, started the whole thing as a rumor.  According to this account, she was “declining in favor”—although it is unclear just whom else she was competing against.  If that record is correct, she was the one who told Umako about what Hasebe was purportedly saying, knowing that it would cause problems for her husband because she was unhappy with him.  Even if that were true, we don't know whether or not Hasebe actually said what is attributed to him. Again, regardless of what Hasebe actually said, all of this suggests that things were not as solid and stable as they might otherwise appear to be, and suggests just how literally cut-throat the politics of the Yamato court could get. And so, Soga no Umako took this threat quite seriously, and he engaged the services of one Yamato no Aya no Atahe no Koma. We don't know much about Koma.  The Yamato no Aya were one of several Aya families, and their name suggests that they were descended, at least in part, from ethnic Han Chinese weavers—or at least traced their lineage back to the continent with claims to the Han dynasty, just as the Hata family claimed ties back to the Qin dynasty.  They had been in Japan for generations, but are still often associated with various technologies that came over from the continent. There is also a record, we are told, that says Koma's father was Yamato no Aya no Iwai—whose name is suspiciously similar to that of the Iwai in Tsukushi, or Kyushu, who had allied with Silla and tried to block trade and military support between Yamato and Baekje.  It is possible, and even probable, that this was just a coincidence—after all, why would the son of a rebel who had so aggravated Yamato be in the court at all?  But it was considered significant enough for the Chroniclers to mention it at the same time, and that may be because of the relationship back to that other rebel. Now, for Koma to take action, he and Umako would need to act quickly.  Soga no Umako sent a message to the court ministers and claimed that he was sending someone to present the taxes of the Eastern provinces.  As you may recall from earlier in this episode, a few years earlier inspectors had been sent out along the three eastern circuits.  It would have taken them time to survey, compile their information, and collect any taxes owed, and bring that back to the court.  Umako lied to the other ministers and said that the taxes were ready, and he was sending someone to the sovereign to present the taxes. Of course, he was really sending Yamato no Aya no Koma, and in lieu of taxes he brought death—somewhat fitting if you think about it.  Koma killed the sovereign and then, somehow, made his escape.  Unlike some of the other killings we aren't given too many details of the deed itself. What we are given is the aftermath.  For later in that same month, Soga no Umako had Koma himself killed.  And this is where I find it really weird, or perhaps the Chroniclers were just in denial.  They claimed that Soga no Umako had learned that Koma had been having a clandestine relationship with Kawakami no Iratsume, herself a consort of the sovereign and Soga no Umako's own daughter.  Koma had apparently taken her back to his place to live and made her his wife in secret—basically saying that they had carnal relations together as man and wife, though it is not clear whether or not they were consensual.  Umako thought that his daughter was dead, but when he learned that Yamato no Aya no Koma had taken her, he had Koma killed. And that just all seems so very convenient.  So Soga no Umako has enough influence over Koma to get him to assassinate the sovereign, but somehow misses that his co-conspirator in this has eloped with his daughter, and then kills him out of apparently justified rage?  Uh-huh.  Nothing fishy about that at all. I suspect that what happened at the time versus what was later recorded differed slightly.  Assuming that most of it was accurate, I wouldn't be surprised if Umako got Koma to do the dirty deed, and then offed him, possibly so that he would not be immediately implicated.  Even so, what were the laws around such events?  With Hasebe gone, and nobody else in power to challenge him, Soga no Umako was one of the most powerful people around.  He just didn't have the parental qualifications to take the throne himself. And that is probably what saved him from being labeled a rebel, himself.  After all, you don't get much more rebellious than killing the king.  But is it rebellion when it is self-defense?  Here is where the lack of a strict law code likely came down on the side of Soga no Umako, because despite his involvement, nobody seems to have gone after him or taken him to task.  In fact, he would remain a powerful figure in the Yamato court for years to come. There are also several figures who seem to have remained absent from all of this, but it would be interesting to know where they came down.  The first was Prince Umayado, aka Shotoku Taishi.  Did he sanction or even take part in this plot?  Umayado was still somewhat young, so he may not have had much to say at this point.  Then there was Kashikiya Hime, Nunakura's queen.  Presumably, she had been the one to recommend Hasebe to the throne, but we also see her hand in the decision to punish Anahobe and the Mononobe, which we discussed over the last couple of episodes.  She is often kept at arms length in the narrative, however, which may be because of what the Chroniclers already knew.  With the court once more in need of an heir they searched high and low, and the assembled ministers finally settled on the candidate they thought would be the best of all of them:  Kashikiya Hime herself.  It makes sense: Kashikiya Hime, who is known today as Suiko Tennou, clearly knew how the court operated.  She had sanctioned, if not outright directed, the deaths of Anahobe and Mononobe no Moriya. On the other hand, the patriarchal society of the day—and even that of modern day scholars—questioned her fitness for the job.  Many have pointed to the strongman tactics of Soga no Umako, as well as the focus on Prince Umayado, whom she made her Crown Prince and whom, we are told, assisted in all areas of government.  In fact, it often seems as though Umayado and Umako are the ones actually running things, with Kashikiya Hime as a puppet.  On the other hand, perhaps there was something even more complex—a conspiracy between Umako, Umayado, and Kashikiya Hime.  She may have also been something of a compromise candidate, someone that all of the different factions could get behind. We'll explore all of that and more as we get into her reign in the coming episodes, along with the role played by Prince Umayado.  We'll also look more in depth at the spread of Buddhism, and the temple building that would pick up shortly after Kashikiya Hime came to power.  Until then, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan. 

This episode we examine some of the other things during the reign of Nunakura, including the relationship with Baekje--which, despite all of the Buddhist materials they had received, seems to be a bit more fragile than one might have guessed. For more, check out https://sengokudaimyo.com/podcast/episode-89 Rough Transcript   Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua and this is Episode 89:  Baekje and Yamato on the Rocks Last episode we covered the continued rise of Buddhism.  From the enigmatic Prince Ohowake, and his importation of experts and texts to found a temple in the Naniwa region, to the more well-documented case of Soga no Umako, who continued his father's efforts to establish a temple at their home in the Asuka area, going so far as to have three women inducted as nuns—the first clergy we know of to have been ordained in the archipelago, even though it may have been less than perfectly orthodox in the manner of ceremony.  We also talked about how a coalition of other court nobles, led by the Mononobe family, were undermining the Soga and accused their new-fangled religious ideas of bringing plague to the people—plague that, even though the Soga's temple was destroyed to prevent it, nonetheless took the life of the sovereign, Nunakura Fotadamashiki, aka Bidatsu Tennou. And for many, that's probably the highlight of this reign, which was deeply involved in the spread of Buddhism, as well as providing the roots of the conflict between the old guard of the Mononobe and the newly risen Soga family.  However, it isn't as if that is all that was happening.  There were continued international developments, among other things, and these were intertwined with everything else—nothing was happening in a vacuum.  For example, the country of Baekje was the source of many of the early Buddhist texts and professionals, with Buddhist gifts becoming a part of the “tributary diplomacy” that is depicted in the Chronicles at this time.  Whereas earlier diplomatic gifts may have included bronze mirrors, many embossed with figures such as the Queen Mother of the West, in the 6th century Buddhist icons and imagery seem to hold a similar currency. I'd also note that giving Buddhist images and texts as gifts or tribute held an added layer of meaning, at least from a Buddhist interpretation.  After all, not only were you providing prestige goods, which then helped boost the status of one's diplomatic partners, but it also earned merit for the person gifting such things, as they were then able to make the claim that they were helping to spread the teachings of the Buddha.  This provided an appeal to such gifts on multiple levels, both within and without the growing Buddhist world. At the same time that Baekje and Yamato continued to advance their ties, Silla continued to grow.  Since absorbing the states of Kara, or Gaya, including the Yamato-allied state of Nimna, Silla had grown and was consolidating its power.  Silla itself had started out as a coalition of six city-state-like polities that came together in a union.  They were one of the main targets of early Yamato aggressions on the Korean peninsula, with numerous discussions of raids by “Wa” sailors, though little is typically seen of the reverse.  The Chronicles make the claim that early Silla was a subordinate tributary state of Yamato, which modern historians regard as little more than fiction—likely part of the propaganda campaign of the Yamato court attempting to place themselves in the superior position.  Still, it does seem reasonable that prior to the 6th century Silla had remained a relatively minor state, occasionally allying with—or against—the states of Baekje and Goguryeo, as well as the other independent polities that were once present but have largely been obscured by the uncertain mists of the past.  The fact that they survived as long as they did, and thus had so much written material, speaks to why they loom so much larger in the early histories, but such things are always hard to judge when all of your material basically comes from the quote-unquote “winners”, historically speaking.  Just think how, if Kibi or Tsukushi, or even Izumo had become the dominant polity in Japan, our Chronicles would focus much more on what happened there rather than just covering what was happening in the Nara basin and adjacent Kawachi plain all the time. And then there is the state of Goryeo, known to us today as Goguryeo, or Old Goreyo—in many ways the granddame of the Three Kingdoms of ancient Korea, with the greatest claim to the territory of ancient Gojoseon and Buyeo culture.  Back in Episode 86 we saw a few of their attempts at diplomatic relations with Yamato landing along the Japan Sea side of Honshu—possibly a side effect of the path they were taking, sailing down along the eastern coast of the Korean peninsula, rather than via the Bohai Sea in the west.  This may also have been indicative of the relatively friendly relations between Goguryeo and the expanding state of Silla. Silla also offered up a normalization of relations, though it was met with mixed results—and even those mixed results are, well, mixed in terms of just what was really happening versus what was being projected back by Chroniclers writing a century or two later.  Back in the previous reign, that of Ame Kunioshi, aka Kimmei Tennou, Silla envoys had also been received some time after their conquest of Nimna, and the Chronicles, at least, indicate that Yamato was less than enthusiastic to receive them, indicating that tensions remained high, and Ame Kunioshi took every opportunity to admonish Silla and to request that Nimna be reestablished as an independent entity, or so we are told. Similarly, in the 11th month of 574, Silla sent another embassy, but we have very little information on it—given the timing it may have been intended to express their condolences on the death of Ame Kunioshi and their congratulations to Nunakura for ascending to the throne.  About four months later, in 575, Baekje also sent an embassy, and we are told that this one sent more “tribute” than normal, possibly as a congratulations to Nunakura and an attempt to strengthen the Baekje-Yamato alliance.  There may have also been a request for more specific assistance, since Nunakura apparently took the time to remind the Imperial Princes, as well as the new Oho-omi, Soga no Umako, to remain diligent regarding the matter of Nimna. As Aston translates it, he specifically said “Be not remiss in the matter of Imna”.  Yamato was still apparently displeased with the fact that Nimna, which was once an ally, was now under Silla control. Following that, the Yamato court sent their own envoys to Baekje and then Silla—though specifically they sent the embassy to Silla controlled Nimna, according to the Chronicles.  A couple of months later, Silla sent an embassy back, including more tribute than normal, though the only hint of why, beyond the previous mention of Nimna, is that Silla was including tribute for four more townships, which seems kind of a weird flex, but may have been an indication of their growth, as well as a diplomatic notification that these four areas were part of what Silla now considered their territory. The full reasons Baekje and Silla sent more tribute than normal are unclear; it could have been part of a recognition of Nunakura's coronation and an attempt to butter up the new administration.  It is possible that both Baekje and Silla were vying for Yamato favoritism, as well.  Silla may also have been trying to basically pay off Yamato and get them to forget the whole thing with Nimna—something that, as we shall see, was not going to happen quickly. Yamato sent another mission to Baekje in 577, two years later.  This was the mission of Ohowake no Miko and Woguro no Kishi to Baekje, from which Ohowake brought back various accoutrements and set up a temple in Naniwa—modern Ohosaka.  We discussed this, as well as our ignorance over the actual person of Ohowake no Miko, in our last episode, episode 88.  It is interesting, however, if Ohowake no Miko was the actual individual who went to Baekje—mostly we see lower ranking men; those from Kishi level families, or similar.  Occasionally a “muraji” or “omi” level family sends someone, particularly at the head of a military force, but not so often do we see a prince of the blood making the dangerous journey across the seas.  I have to assume that this was an important mission, and that seems to have been borne out when you consider just what was brought back.  Despite all of that, the details are frustratingly vague—worse than trying to find and put together the oldest episodes of Dr. Who and the First Doctor. We do know that the whole trip took about six months, which gives a sense of what it meant to undertake one of these journeys.  Most of that would have been living at the distant court.  They didn't have phones, let alone email, so they couldn't really send word ahead with exact details—although there may have been informal communication networks via the many fishermen who regularly worked the straits.  More likely, an embassy would simply show up in a boat one day and start asking the locals to “take me to your leader”. Once you got there, they hopefully had room for you—they might even have a special location for you and your entourage to stay while they went through the formalities.  After all, someone had to get you on the schedule, and any diplomatic gifts… ahem, “tribute”… should be catalogued and written down before the meeting.  That way the host country could figure out just what they were going to reciprocate with.  There is also possible training in any local ceremony and customs as you couldn't assume that foreign dignitaries necessarily know what is expected.  And then there would be the translating, likely through a shared language, possibly Sinic characters if everyone is literate. Also, during that time, the mission would probably have been hosting guests or being invited out by some of the local elites.  They were both guests and curiosities.  And there might have been some personal trading and bartering going on off to the side—after all, you have to pay the bills somehow, and as long as nothing eclipsed the diplomatic mission, then I suspect there were some other “trade goods” that these ambassadors brought to help barter with locals and ensure they could bring back various goods and souvenirs. In some cases, and it is unclear if it was by choice or not, ambassadors might be invited to stay longer, even settle down with a local wife and family.  There are several examples of this that we see in the Chronicles, so it wasn't all that rare. So that was the mission from Yamato to Baekje.  The next mission from Silla came in 579, some four years later, and we are told they brought “tribute” that included a Buddhist image.  And then, only a year after that we have another mission, but it was dismissed before it could ever be received. And that is a bit odd.  Why would Yamato not receive the embassy?  We aren't given a reason, and it is pretty short, all things considered.  We do know the names of the envoys.  Indeed, the same two envoys:  Ato Nama and Chilsyo Nama tried again two years later, but they were again dismissed, without accepting the tribute.  This is all quite odd, but it does go to show the fickle nature of foreign relations. One possibility may have to do with the way that “tribute diplomacy” appears to have worked.  We know that in the case of the Han, Wei, and even the Tang and later dynasties, states were encouraged to come as tributaries, bringing goods as part of their diplomatic embassy, and then the receiving state was expected to provide items of even greater value in return.  In the 16th century, various daimyo, or Japanese warlords, would use this to their advantage, representing themselves as legitimate emissaries in order to get the Ming dynasty court to give them even greater gifts in return.  As multiple embassies showed up, all claiming to be the Japanese representatives, the Ming court started a policy of only accepting the first one that came, as they had no way to tell who was the legitimate ruler during the chaos of the Warring States period. I bring that up because I notice that the first mission by Ato Nama and Chilsyo Nama took place only 8 months or so after the one in 579, which brought the Buddhist image.  Given the typical time between embassies, that seems very short, and it seems quite possible that the Yamato court didn't believe that the embassy was real, and that it was too soon after the previous one.  Or it could even have been even more mundane—it is possible the court didn't have the stores to pay out against the tribute, though that isn't the reason that they would have given for turning them away.  After all, it was not exactly a safe journey to cross the ocean and make your way to Japan.  Whether you hopped down the island chain or took a more direct route, using the island of Okinoshima as a guide post in the middle of the strait, it was not particularly easy and many embassies never made it across or back. I suspect, however, that there was something else going on, and that is in part because it seems to be the same two individuals coming back two years later, and they were once again turned away.  It is possible that Nunakura and the Yamato court had a specific beef with these two individuals, but in that case they probably would have sent word to Silla to tell them to send someone else.  This probably is indicative of the growing tensions between Yamato and Silla.  From a narrative sense, it would make sense for Yamato to accept envoys just after a new sovereign came to power.  It would help legitimize the sovereign, and it also offers a chance to reset and reestablish the relationship.  The second envoy, bringing a Buddhist image, would certainly be something that the Chroniclers would find historically interesting and would bolster their own thoughts about the rising importance of Buddhism in the period.  However, as we see in an episode from 583, Nunakura was still concerned about trying to re-establish Nimna.  I suspect that this may have been a condition the Yamato court placed on Silla and the envoys, and it is possible that they weren't willing to discuss anything without at least discussing that. Or perhaps that is at least the impression the Chroniclers wish to give.  They are still referring to it as “Mimana” or “Mimana no Nihonfu”, making claims that it was the Yamato government's outpost on the peninsula, and therefore something of a personal blow to the Yamato court for it to have been overrun.  Trying to re-establish Nimna would become something of a rallying cry; think of it like “Remember the Alamo” or “Remember the Maine”; regardless of the truth behind either incident, they were both used as justifications for war at the time.  The case of Mimana was used to justify Yamato actions on the peninsula, and it would continue to be brought back up until modern times, including helping to justify Japan's invasion of Korea in the early 20th century. Here I'll interject with the possibility that there could also have been some internal issues that the court was dealing with.  Specifically, in between these two missions by Ato Nama and Chilsyo Nama, there was a bit of a disruption on the northeastern frontier, as the people known to the court as the Emishi rose up in rebellion. We aren't given the details, but we are told that several thousand Emishi “showed hostility”.  The Chronicle then claims that the sovereign simply summoned the leaders, including a chief named Ayakasu, who may have been a chief of chiefs, and then reamed them out, suggesting that he would put the leaders—i.e. Ayakasu and the other chieftains—to death.  Of course, the rebellious chieftains immediately had a change of heart and pledged an oath to support Yamato. Much more likely, I suspect, there was rising tension and hostility in the frontier regions, and Yamato likely had to raise a force to go face them.  Assuming that was the case, it would have taken time to travel out there, subdue any uprising, and then drag the leaders back to the court to make of them an example to others.  If that was the case, then it may have been that Yamato simply did not feel they had the time to deal with Ato Nama and his crew. For a bit clearer reference, from the 8th through 11th years of the reign, there are simply relatively short entries.  So in 579 there is the mission of ChilCheulchong Nama, who brought the Buddhist image.  Then, in 580, we have Ato Nama and Chilsyo Nama attempt to offer tribute.  Then, in 581, there is a rebellion of the Emishi, followed, in 582, by another attempt by Ato Nama and Chilsyo Nama to offer tribute.  That's about all that we have to go on. In any case, though, we have a very clear indication in 583, only 9 months after again refusing the tribute from Ato Nama and crew, that Nimna was once again on the Court's mind.  Nunakura apparently went on a rant about how Silla had destroyed Nimna back in the days of his father, Ame Kunioshi.  Nunakura claimed he wanted to continue his father's work, but it was unclear just where to get started.  And so they decided to consult an expert. His name appears to have been something like Nichira—possibly something like Nila, depending on the pronunciation of the Sinic characters, or Illa in modern Korean, which is Aston's preferred reading.  It is said that he is the son of “Arishito” or “Arisateung”, the “Kuni no Miyatsuko”, or local ruler, of Ashikita, in the land of Hi, in Kyushu, and that he lived in Baekje, holding the rank of “Talsol”, the second official rank in the Baekje court.  Ashikita was mentioned as far back as Episode 33, during the reign of Oho Tarashi Hiko, aka Keikou Tennou, as he was trying to subdue the Kumaso, and was likely a later addition to Yamato's sphere of influence. Nichira only makes a brief appearance here in the Nihon Shoki, but he is something of an enigma.  He is presented as a citizen of Yamato, but his name appears to be from the Korean peninsula and even his father's name hearkens back to another Arishito, who may have been the king of Kara or one of the associated polities.  And yet here, this Arishito is the local ruler in Ashikita, in the land of Hi—later divided into Hizen and Higo.  Given that he is referenced as “Hi no Ashikita no Kuni no Miyatsuko” this has been suggested as indicating that he was a member of the “Hi no Kimi”, the family that descended from the Lords of Hi.  And this may connect to something later in the story. There do appear to be some later documents that reference Nichira.  Some claim that he was a Buddhist priest, and he's even connected with the famous Shotoku Taishi in some stories, where he is depicted as a wise priest who recognizes Shotoku Taishi's own Buddha nature.  Of course, at this point, the prince would only have been about 10 years old, assuming the dates around his birth are at all accurate—a subject we'll save for a later podcast, as there is just so much around Shotoku Taishi to cover. As for the current story, however:  Nichira was over in Baekje, at the court of the Baekje king, and so it wasn't just a small matter of asking him to come to court.  Ki no Kuni no Miyatsuko no Oshikatsu and Kibi no Amabe no Atahe no Hashima were sent on the dangerous mission of crossing the straits and bringing him back from Baekje.  Their mission was for naught, however.  Three months later they returned, empty-handed, with the unfortunate news that the king of Baekje had refused to let Nichira leave.  Apparently his presence in Baekje was highly prized, and the Baekje king wasn't willing to part with him so easily. Yamato wasn't deterred, however, and Nunakura sent Hashima back to Baekje.  This time, Hashima went straight to Nichira's house before any audiences at court.  When he arrived, he heard a woman calling out in the local language a phrase which Aston found salty enough to throw into Latin:  “Let your root enter my root!”  Despite the implied sexual innuendo of such a statement, Hashima quickly understood what she meant and he followed her inside.  She led him to Nichira, and there Hashima was asked to take a seat. Nichira acknowledged that the Baekje king was not likely to let him go if he had a choice.  The King was likely afraid that if Nichira went to Yamato then he'd never be allowed to return back to Baekje.  Therefore, Hashima had to summon all of the authority vested in him by the sovereign of Yamato to demand Nichira's release in no uncertain terms. Sure enough, Hashima took the bold approach and demanded Nichira's release, and the King of Baekje finally relented and allowed him to return.  He wouldn't go alone, however.  Nichira was accompanied by other high officials from Baekje, including several men of the 3rd and 4th ranks, and a number of sailors to transport them. They first arrived in the land of Kibi, Hashima's own home base, and then headed on to Naniwa, where Nichira was greated by Ohotomo no Nukadeko no Muraji, likely a descendent of Ohotomo no Kanamura, the former top dog in the Yamato court.  He offered Nichira condolences for the long trip he'd had to endure, and set him up in an official residence there in the port city. Later there were daibu—high officials—who were sent to the residence to attend on Nichira. After he'd had time to freshen up, Nichira headed off to the court.  When he drew near, he donned a suit of armor and mounted a horse, and in such a fashion he rode right up to the Audience Hall of the sovereign.  There he bowed before kneeling down.  He then recounted how his forefathers had been sent to the Korean Peninsula up in the first place back in the reign of Senka Tennou, aka Takewo Hiro Kunioshi Tate, in the early part of the 6th century.  After explaining who he was and where he came from, he took off the armor and offered it as a gift to the sovereign himself. Off to such a great start, the sovereign had a residence constructed for Nichira in the area of Kuwanoichi, in Ato—likely meaning an area of modern Ohosaka, near Naniwa.  Later, with all of the ritual pleasantries out of the way, a war council was sent to ask Nichira just how they could move forward on the question of Nimna.  This war council included Abe no Me no Omi, Mononobe no Niheko no Muraji, and Ohotomo no Nukadeko no Muraji. Nichira provided them a plan to go to war, but it wasn't simple nor was it quick.  First he suggested that they spend the first three years building up the prosperity of Yamato, and getting all of the people behind the government.  Next, he suggested building up a massive number of ships, such at that any visitors would be impressed to see them all in the harbor, and thus word would get out and it would project Yamato's military power. Finally, once that was done, Nichira suggested inviting the King of Baekje—or at least a royal representative in the form of a high prince or similar—be invited to Yamato, where they would see all of the power and good governance.  They could then be taken to task for why Nimna had not yet been reestablished. After the war council, Nichira sent a letter to the sovereign, Nunakura.  In it he let Nunakura know that Baekje was going to send a request to relocate 300 ships worth of people to Tsukushi to settle there.  Here things turned rather dark as Nichira suggested that they would see the ships filled with men, women, and children hoping to establish a Baekje colony in the archipelago.  Nichira suggested setting up an ambush around Iki and Tsushima and that they should slaughter everyone.  Then Yamato should build up fortifications of their own—probably as coastal defenses in case Baekje decided to retaliate. And here I'm going to interject that this seems just really odd and strange.  First, Nichira and Nunakura were talking about trying to reestablish Nimna with their ally, Baekje, and suddenly Nichira is suggesting that Baekje might try to establish a colony in their territory, and therefore it should be wiped out.  That all feels very extreme, and this whole passage has puzzled commenters, especially when you consider the reputation Nichira later has as some kind of holy priest or monk. Apparently this was the kind of advice, though, that may have been why Baekje did not want Nichira to come back in the first place.  In fact, as the Baekje envoys themselves began to head out to return to Baekje, they left a couple of people in Yamato with a sinister plot of their own: as soon as the ships had sailed off and made considerable distance on the way back home, those left behind were to assassinate Nichira.  In return, they were told that they would be given a higher rank and that their families would be looked after, in the very real possibility that they found out and killed themselves.  A not insubstantial promise at the time. With the official residence in Naniwa vacated after the departure of the rest of the Baekje delegation, Nichira decided to move back in, rather than staying in the home made for him in Kuwanoichi.  The would-be assassins tried to approach him, and hatched plot after plot.  However, they were stopped because apparently Nichira had some ancient superpowers.  Indeed, his body apparently glowed brightly, like a flame of fire, and so the assassins could not get anywhere near him.  They had to wait until the end of the 12th month, when Nichira's own radiance faded, and they were then able to slay him. This whole thing about radiance is intriguing, and may have several origins such that even if it isn't factually accurate, it may have something more to say about just who Nichira was or might have been. First off, there is the obvious.  “Nichi”, in “Nichira”, means the “sun”, and so it could have been a direct allusion to Nichira's name.  This strikes me as also intriguing because the 12th month indicates the end of the year, usually  meaning that it is darker.  While the Winter Solstice would not have necessarily been in the old twelfth lunar month, those would have been the days when the suns light was least seen.  Add to this that it was at the end of the month, and based on a lunar calendar, the end and beginning of the month would have been the times of the new moon, when it was not visible in the sky.  And so we come to what most likely was the darkest night of the entire year. There is also the fact that he is from Hi no Kuni—he is even considered a member of the ruling family of the land of Hi.  The character of “Hi” in this instance is fire.  Michaeol Como notes that the Hi no Kimi appear to have been associated with fire cults, as well as with rites of resurrection.  “Hi no Kimi” could also be translated as “fire lord”.  There may be some connection there with the story. Finally, we can't ignore the Buddhist context.  Holy individuals are often said to radiate light from their bodies.  For example, we have the story about Nichira meeting the young child that would be known as Shotoku Taishi, found in the Konjaku Monogatari, or “Tales of Now and Then”, a 12th century collection of various stories, many focused on Buddhist stories.  In that story, Nichira radiates a light and the Shotoku radiates a light of his own in response.  In fact, Buddhist images often depict holy figures with halos, or even wreathes of flames around them, likely a depiction or literal interpretation of what we find in the Buddhist texts, which may have originally been meant more metaphorically. Oh, and notice how I talked about resurrection?  Maybe you thought we'd just let that one slide.  Well, apparently there was a brief zombie moment, as Nichira suddenly came back to life after he had been killed just to implicate the men from Baekje who had stayed back, and then he died again.  Supposedly this is because there was a Silla envoy in port, and he didn't want them to take the blame. That resurrection piece, well, it isn't the first time we've seen that, and it isn't entirely uncommon to hear about something along those lines.  In the Harima Fudoki there is another story of resurrection, and it involves a member of the “Hi no Kimi”, or lords of Hi.  In that story, a member of the Hi no Kimi came to a center of Silla immigrants and married a young woman whom he had brought back from the dead.  Another connection between the country of Hi and some of what we see attributed to Nichira. At the same time, Saints in ancient England would occasionally rise from their deathbeds for one last piece of wisdom or to admonish someone before laying back down into that sleep of death.  At the same time, it is possible that diagnosing death, versus, say, a coma or other unconscious state with very shallow breathing, wasn't always a clear thing. In the west, as recently as at least Victorian times people were so afraid of being buried alive that there were tombstones created with bells that went to a pull down in the coffin, just in case.  There have also been practices of pricking a corpse with a needle or similar to try to get a response.  So I could believe that every once in a while a person who was declared deceased wasn't quite ready to start pushing up daisies, and it is possible that this is more of a deathbed accusation than any kind of resurrection. Still, the story clearly depicts it as a brief, but true resurrection.  From his words, the court arrested the envoys who had remained behind and threw them into some kind of confinement while they figured out what to do with them.  Nichira's wife and children were moved to Kudaramura, or “Baekje Village”, in the area of Ishikawa, while the sailors who had been part of Nichira's household were settled in nearby Ohotomo no mura.  It is unclear if they were given leave to return to Baekje if they wanted, or if that was even on the table. As for the murderers themselves, they weren't punished by the Court.  Rather the court handed them over to Nichira's family, the Ashikita, for them to deliver justice.  I believe this is the first time we've really seen this kind of justice in the Chronicles, with the familial groups taking such a direct role. Now why is this story important, and what does it tell us? Well, nominally, this says something about the continuing struggle by Yamato to reestablish Nimna, but I'm not sure how much of that is accurate.  Though the story starts out about consulting Nichira about Nimna, there is nothing more to say on that topic, and it quickly becomes something that is almost more about the seemingly fragile Baekje-Yamato alliance. There is also an interesting side note that through all of this there were apparently Silla emissaries there in Yamato, even though the Chronicle claims that the last two were sent away, so what's up with that?  It could be that the story is anachronistic—that is, it isn't recorded in the right year.  Or there was a mission that just didn't rise to the level of being noticed by the Chroniclers.  One other thought is that the formal diplomatic ties were only some of the traffic flowing back and forth.  This seems the most likely, to me.  By this point there was no doubt a desire for trade goods on both sides of the strait, and no matter where people came from, the merchant ships were likely plying the waters back and forth.  So it is quite possible that the men of Silla who were in port were part of a trade mission, not necessarily diplomats. Michael Como suggests some other reasons why this whole thing was considered important.  He notes that there are several things here that connect this to the Abe family.  It is unclear where this family comes from, but they have been mentioned here or there throughout the Chronicles, and by this point are at least are fairly high up in the court.  Their name is a bit of an enigma for me, and I'll have to do more research.  I just want to note that they use a different “Be” than the Mononobe or similarly created corporate families.  It is unclear to me why this would be the case, unless this is just where the two seem similar. It should be noted that we should be careful not to assume too much about this early Abe family from one of its most famous Heian era descendants, Abe no Seimei, known as a famous Onmyoji, or master of Yin-Yang divination.  I'm not entirely sure that the Abe were any more or less court ritualists than any other family, especially this early.  Rather, it is their influence over certain geographic regions that is more immediately of interest. We noted that as the son of a “Hi no Ashikita no Kuni no Miyatsuko”, Nichira was likely a member of the Hi no Kimi clan.  They were originally based in southern Kyushu, and Como notes that they may have been under the sway of the Abe clan, at least by the 7th century, along with other notable families of Tsukushi, which is to say, modern Kyushu.  There are a lot of connections between Ashikita, Hi, and Silla that are telling.  In the Harima story, it is a Silla wife that the Hi no Kimi marries.  When Nichira resurrects, it is specifically to ensure that the Silla envoys who were present would not take the blame.  Then there is his father's name—or more likely title—of Arishito.  A term seen used for the King of Nimna at one point, but also for the ancient Tsunoga, who is said to have been an ancient prince from the continent.  Como suggests that Hi no Kuni—and thus their lords, the Hi no Kimi, may have played a part in the rebellion of Iwai, when Iwai attempted to ally Kyushu with Silla to break off contact between Yamato and Baekje.  It is even possible that this was one of the reasons that Nichira was basically being held hostage in Baekje—perhaps he and his family had been exiled after the rebellion, or else left before any harm could come to them. It would make some sense as to why the court sought him out in the first place.  If he and his family were familiar with Silla, perhaps the court thought he would have particular insights.  It might also suggest some of his motives regarding Baekje as well.  Still, the picture is far from clear. Although the Chronicle says that Nichira was taken back to Ashikita and buried, other sources suggest that he was entombed  in Naniwa at Himejima, near Himegoso shrine.  This, in turn, was the home of a sub-lineage of the Abe family, known as the Himegoso Abe.  Como suggests that by the 7th century, the Abe were appropriating various Hi no Kimi cultic centers, to the point that by the time the Chronicles were written, the Abe no Omi and the Hi no Kimi were claiming common ancestry and jointly participating in various rites. Como then links the timing of the death of Nichira to certain court rituals of fire pacification and purification.  And so there may have been much more at play here than simply the story of Nimna and the attempts to reestablish that country. As for the envoys who sailed off and left their lackeys to do their bidding?  Apparently they were struck with a bout of karma on the way back, and their boat foundered and sank.  This was likely seen as proof that their deeds had been committed with evil intent, at least by later readers, interpreting everything through a Buddhist lens that likely saw Nichira as more saintly than it seems he truly was. After all of that, though, there is no evidence that the court really pulled it off.  Instead, in 584, the year after everything had gone down with Nichira, the court sent Naniwa no Kishi no Kitahiko off to Nimna, now controlled by Silla, presumably to negotiate for some kind of reinstatement. That doesn't appear to have happened, however, and the year after that, in 585, there was one more attempt, this time by Sakata no Mimiko no Miko.  Sakata had previously been sent on a mission to request Silla reestablish Nimna in 571, only months before the sovereign, Ame Kunioshi, died.  Now, as he was about to set out, the sovereign and the powerful Mononobe no Moriya came down with a pestilence, and were ridden with sores, such that they called off preparations for the mission.  And sure enough, later that year, Ame Kunioshi's successor, Nunakura Futadamashiki, likewise passed away. I guess the rule here is don't send Sakada no Mimiko to try to demand anything about Silla. Of course, I have to also wonder if there wasn't something else going on.  It's suspicious that the Chroniclers recorded two missions to Silla, both led by the same guy, both about reestablishing Nimna, and both happening just before the Sovereign passed away.  Maybe history really repeated itself like this, or maybe the Chroniclers just knew that such a mission was sent in the last year of one of these reigns, and then put it in bothAnd we don't hear anything more about Mimiko after that, either. We also don't hear anything else about the unfortunate envoy, Sakada no Mimiko, either.  The other interesting thing to note is that, like Ohowake no Miko, Mimiko is a certified royal prince, though I don't see any immediate name to connect him with, at least in the immediate lineage.  It has been suggested that this is one of the sons of Wohodo no Ohokimi, aka Keitai Tennou, though even that feels tenuous to me. Either way, both he and Nunakura, as we noted last episode, passed away from the disease sweeping the land. And that concludes the reign of Nunakura.  Next, we'll get into what happened after his death as we start to see the Soga influence become pre-eminent.  There is more to say about the growth of Buddhism and about the clash between the Soga and the Mononobe, one of the formative conflicts from this early period.  And of course, we've already caught glimpses of Prince Umayado, aka Shotoku Taishi, who had quite the impact on the court—assuming he even existed.  But that's a discussion for another episode. Until then, thank you for listening and for all of your support.  If you like what we are doing, tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website, SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to Tweet at us at @SengokuPodcast, or reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan.

A brand new superhero manga called Vibration Man is here from Tohki Iwai! Will this quivering hero shake things up? Music: Kind of Like Chill Award Music by The A.C. Be sure to follow me on all my social medias, too: https://theacstories.wixsite.com/theacstories https://twitter.com/theacstories https://www.facebook.com/theacstories https://www.instagram.com/the_ac_stories/ https://www.twitch.com/theacstories https://discord.gg/bTeZUmXv https://www.patreon.com/theacstories Or, email me at: theacstories@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/theacstories/support

The NOT-to-be-forgotten Orkney Distillery: Scapa! We discuss all things Scapa during this episode. Even though it can be a difficult malt to find, if you do see it, order it and take some time to sit with it. These are thinker whiskies. We also go through all of our adventures over the past few weeks in Kentucky and New York City. The holidays are here and the bottles keep comin'! Please leave us a review wherever you are listening as well. We appreciate you! Cheers! New Bottles to the shop: Found North 8YR Batch 5 & 17YR batch 6 Castle & Key Batch 6 Bourbon New Riff & Blue Note Single Barrels Store Picks! Douglas Laing Rock Oyster Mezcal Cask Nulu Small Batch Bourbon Toasted French Oak Staves Nulu Single Barrel 8YR 61.3% ABV Nulu High Malt 9YR Bourbon -- so, so good. King's Thrice Barreled Ryeconic - Toasted King's Tennessee Whiskey Garrison Brother's Single Barrel Penderyn Hiraeth Single Malt Wild N Wicked Single Grain - Midleton finished in Madeira Casks Mars — YA #1, Komagatake 2022 Edition Rolling Fork Rums: Barbados & Jamaican Single Casks For more information on IWAI check out this link. We mentioned it in the podcast. >> https://www.nomunication.jp/distillery/tsunuki/ Our Podcast Name: It's Whiskey #FFS (For F****'s Sake!) #FirstFillSpirits @firstfillspirits www.firstfillspirits.com Podcast Music: Isaac Joel, Goldenseal

We head back over to Japan with a look at Mars Distilleries including Shinshu and Tsunuki. Both Charles and I have visited Shinshu and had different experiences but all in all, this is a distillery worth the 4 hours one-way on public transit. We also would like to hear from all of you about our 2023 whiskey travel plans. Charles owns a company called Rascal + Thorn which is a culinary and whiskey tour company. He has led trips to Japan, Scotland, Kentucky, Ireland, and other destinations with groups looking to hunt down the most immersive and fun whiskey experiences! We discuss some of our travel ideas and want to hear from all of you on what you would like to see and maybe you can join us on some of these travels. Write to us at info@firstfillspirits.com with your comments & ideas. Please leave us a review wherever you are listening as well. We appreciate you! Cheers! New Bottles to the shop: Distiller's Art Tamdhu 14YR Sherry Butt Matured Craigellachie 13YR Sherry Butt Matured Dailuaine 21YR Hogshead Matured Tamnavulin 11YR Hogshead Matured Macduff 14YR Hogshead Matured Blair Athol 11YR Bourbon Barrel Matured Blackadder Peat Reek - Sherry & Amontillado & Re-charred Cask 32YR Wardhead Teaspooned Blended Malt ( Google Wardhead ;) ) Old Man of Hoy 16YR Highland Park Raw Cask Macduff Raw Cask 14YR Raw Cask Bunna 16YR Moine Miltonduff 10YR PX Cask Tomatin 10YR PX Sherry Cask Matured The Legendary 10YR Single Malt Keeper's Heart - Brian Nation Irish + American Whiskey Bourbon + American Whiskey Penderyn 10YR Ruby Port Single Cask English Whisky Filey Bay Flagship Welsh Whisky Kilchoman Loch Gorm & Sanaig Castle & Key Bourbon Batch 4 For more information on IWAI check out this link. We mentioned it in the podcast. >> https://www.nomunication.jp/distillery/tsunuki/ Our Podcast Name: It's Whiskey #FFS (For F****'s Sake!) #FirstFillSpirits @firstfillspirits www.firstfillspirits.com Podcast Music: Isaac Joel, Goldenseal

❤️ Love and Peace ☮️4478

In May 2022, Jocelyn Romero Demirbag, Ed.D., Director of Development, Maui Nui at The University of Hawaii Foundation, completed a storytelling training alongside 12 extraordinary individuals led by SMALL TOWN * BIG ART artist Leilehua Yuen. Our team paired each participant with an intergenerational partner to engage in a 40-minute, audio-recorded "Talk Story" session, with the goal of capturing an authentic moment of connection. Here, Jocelyn speaks with Caroline Kahoʻiwai Belsom at Hale Hōʻikeʻike at the Bailey House / Maui Historical Society. This recording will become part of a collection from which artists will base a proposed work of public art through the upcoming SMALL TOWN * BIG ART 2022 RFP (request for proposals). Learn more at smalltownbig.org/talk-story.

A promoção é um objetivo de muita gente. Acontece que, como muitas outras coisas na carreira, existem os dois lados da moeda quando se fala de promoção. Uma pesquisa do Insper com a Robert Half mostra que subir um degrau na carreira também significa ganhar preocupações e até medos.Com: Tatiana Iwai, professora e pesquisadora de comportamento e liderança do Insper e Mario Custódio, diretor associado da Robert Half.Apresentação: Cassio Politi Download do estudo "Perspectivas Sobre os Desafios do Pipeline de Liderança" em PDF: https://www.roberthalf.com.br/sites/roberthalf.com.br/files/documents/Robert%20Half_Insper_Pipeline%20da%20Lideran%C3%A7a_2022.pdf.

Corey was involved with Firecracker Pizza and Atomic Cowboy until COVID-19 hit.Team members referenced from The Lucky Accomplice: Will Brawley, Kelsey McClure, Chef Logan ElyThe early bar program at TLA was in part built by the team of Anvil in Houston. Early cocktails included classics like Jungle Bird and Sidecar.  Tools that Corey mentions: Sous Vide circulator, Gastrovac, fat separatorRecipes: Blue Cheese washed vodka, Fake lime juice, Pineapple pulp syrup, citrus stockChicago bars Corey mentions: Lost Lake, Billy Sunday, The Violet HourBooks: Death & Co, Meehan's Bartender Manual, The Bar Book Gins to check out: 1220 Origin, YuzuAccording to Corey, you should be drinking more highball cocktails. In their simplest expression, goo booze is served over ice and topped with club soda. He specifically mentions St. George's Baller Single Malt Whiskey and Iwai 45. Pour 1 oz of each into a glass filled with ice, and gently stir, top with 4-5 oz of cold club soda This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit decodingcocktails.substack.com

On this episode, we had another podcast panel to do at a con called Anime Iwai, located in Fort Lauderdale, Florida. We talked about our mission with the podcast, interacted with the guests, made comments about the loud music in the background and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/southfloridagamerspodcast/support

Thats right CP² was at anime iwai and oh boy do we have some storys to tell you. Hosts- Chris, Cody

Illustrator and author, Melissa Iwai, talks to Giuseppe Castellano about the meandering journey that led her to becoming an illustrator and author—with a little help from Richard Scarry; how she reclaimed her identity, her joy, and her drawing hand; why it's a good idea to create art—not for a portfolio piece or social media—but for yourself; and more.

This month, the Ampliverse Book Club reads what they call a "portrait of grief" with the subtle book THE PHONE BOOTH AT THE EDGE OF THE WORLD by Laura Imai Messina. Our next book club selection will be DETRANSITION, BABY by Torrey Peters! Grab all of our book club selections from our Bookshop! https://bookshop.org/shop/theampliverse Help Support The Ampliverse!https://ko-fi.com/theampliverse Learn more about The Ampliverse and join our mailing list: http://theampliverse.com Follow us on social media to learn more about upcoming shows and exciting new content!Instagram: http://Instagram.com/theampliverse Twitter: http://Twitter.com/theampliverse

Yuki Iwai - Museum Limp Bizkit - Stereotype Me

For weekend sips number Twelve we are sipping the Mars Whisky - Iwai Bourbon Barrel Blended Whisky. Fantastic! Let's have a small conversation on treating yourself

Artist Leslie Iwai joins Melissa as they discuss Leslie's path toward becoming an installation artist, the themes and concepts in her work, and art's relationship to faith and culture. For more on Leslie, including information on her installations, see her personal website. Upper House's ongoing exhibition through May 6, which includes Leslie's "Share Table," is titled UNVEILED Prayers of the People. Send us a message at podcast@slbrownfoundation.org. Credits: music by Micah Behr, audio engineering by Andy Johnson, graphic design by Madeline Ramsey.

For weekend sips number Ten (Wooo!) we are sipping the Mars Whisky - IWAI Tradition Japanese Blended Whisky. And yeah.. it's just incredible, no doubt! Also, the European Super League has come and gone, and let's just talk about that fiasco for a bit. What a farce!

A few months back we featured a Japanese whiskey from Trader Joe’s, the Meikakuna, on one of our podcasts. It has been viewed over 1600 times on our YouTube channel with mostly positive reviews. It was the second Japanese whiskey we had tried and the second one that we really liked, so of course we were excited to try a third. As seems to be happening a lot lately, Andrew found an article that suggested a few to try. While he was not able to find the exact one listed, he found another from the same distillery. For this episode we will be trying the Mars Shinshu Distillery Iwai Tradition Japanese Whisky. It comes from Japan’s highest distillery and features a unique grain bill of lightly peated malt, rye, and corn. It is aged in four different types of wood and all of the whiskies used in the blend are between 3-20 years of age. What did we think? What do you think? Let us know in the comments below or join us live on Thursday nights to give us your feedback while we are live streaming on Twitch.

Hoje é dia de Destaque ABC² - com Leo Iwai, pesquisador do Instituto Butantan e imunologista. PhD pela Unifesp, ele trabalhou em pós-doutorado no MIT e em Harvard. E também temos as notícias científicas:

Siska Hutapea (our first female guest), graces our Minty Fresh studio with her positive vibes, signature laughter, a bottle of Iwai whiskey, and brings the 411 on the local dirt! Real estate is her game, and she's the star player! Siska is the founder, president and chief appraiser of Cornerstone Valuation, the region's leading firm for real estate analysis. Siska shares her thoughts on the pandemic economy and offers her unique insight to life, death and the pursuit of yoga. So go and get into your downward dog position and join us for a quick ride to dirtville! Studio notes: Recorded LIVE on October 8, 2020. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/mint-talks/message Support this podcast: https://anchor.fm/mint-talks/support

Link to bioRxiv paper: http://biorxiv.org/cgi/content/short/2020.07.29.227298v1?rss=1 Authors: Bova, A., Gaidica, M., Hurst, A., Iwai, Y., Leventhal, D. Abstract: Brain dopamine is critical for normal motor control, as evidenced by its importance in Parkinson Disease and related disorders. Current hypotheses are that dopamine influences motor control by 'invigorating' movements and regulating motor learning. Most evidence for these aspects of dopamine function comes from simple tasks (e.g., lever pressing). Therefore, the influence of dopamine on motor skills requiring multi-joint coordination is unknown. To determine the effects of precisely-timed dopamine manipulations on the performance of a complex, finely coordinated dexterous skill, we optogenetically stimulated or inhibited midbrain dopamine neurons as rats performed a skilled reaching task. We found that reach kinematics and coordination between gross and fine movements progressively changed with repeated manipulations. However, once established, rats transitioned abruptly between aberrant and baseline reach kinematics in a dopamine-dependent manner. These results suggest that precisely-timed dopamine signals have immediate and long-term influences on motor skill performance, distinct from simply 'invigorating' movement. Copy rights belong to original authors. Visit the link for more info

Melissa Iwai has wanted to be a children's book author and illustrator as far back as she can remember. She has illustrated more than 30 picture books, beginning with Night Shift Daddy published in 2000. Melissa also wrote and illustrated Soup Day and Pizza Day. And speaking of soup and pizza - when she's not creating visual art, Melissa can be found in her kitchen, cooking, baking and developing new recipes. In fact, she was a 2010 Cooking Light Reader Recipe winner. We're so glad Melissa took a break from creating visual and culinary art to have a conversation with us!

Estamos de regreso con un nuevo Justice FM, en esta ocasión les traemos una Playlist especial con 10 excelentes tracks de una de mis compositoras de música de videojuegos favorita, Yuki Iwai. Esperamos que sea de su agrado. Pueden seguirnos en: https://www.facebook.com/overdrivemediaprod

Leslie Iwai is an installation artist from Middleton, WI. She approaches her work with two questions: How Is It? and What Is It? She shares with us about her creative process and the surprising way she discovered that she was called to be an artist. Leslie has several installations that have been on display in various venues. To preview her work visit: https://www.leslieiwai.com

Melissa Iwai has wanted to be a children's book author and illustrator as far back as she can remember. She has illustrated more than 30 picture books, beginning with Night Shift Daddy published in 2000. Melissa also wrote and illustrated Soup Day and Pizza Day. And speaking of soup and pizza - when she's not creating visual art, Melissa can be found in her kitchen, cooking, baking and developing new recipes. In fact, she was a 2010 Cooking Light Reader Recipe winner. We're so glad Melissa took a break from creating visual and culinary art to have a conversation with us!

Originally published: November 19, 2018 Recently, Geek Tank took a trip to Fort Lauderdale in South Florida to attend Anime Iwai, a small Florida anime convention. On this episode, they discuss their party shenanigans there, the people they met, their overall experience at Iwai, and more! If you attended Iwai, or if you have anything to add to the conversation about anime conventions in general, feel free to share your thoughts and feelings in the comments below! Anime Iwai is based in Southeast Florida. They are a non-profit organization, funded by their own attendees and board of directors. They are staffed by amazing people, who work very hard to host this wonderful convention, which this year, was held the weekend of November 9 through the eleventh. If you'd like to know more about the convention, you can check out their website: https://animeiwai.com/ Also mentioned in this video: 3000 Brigade - http://3000brigade.com/ djrnzo - https://www.instagram.com/djrnzo/ Rhythm Bastard - https://www.instagram.com/rhythmbastard/ Paul St. Peter - https://www.imdb.com/name/nm0170555/ Krystal LaPorte - https://www.imdb.com/name/nm6872220/ Karaoke Kola - https://www.instagram.com/karaoke_kola/ 

Show notes: In the show, The BioBusters professors, Dr. A and Dr. C, discuss the science behind the 2018 Nobel Prize in Physiology or Medicine. The BioBusters Docs discuss checkpoint control in immune responses, as well as activating and inhibitory receptors on T cells. The Docs discuss the various FDA approved checkpoint inhibitor drugs and the cancers they treat. Keep the discussion and comments going on the iTunes review section, or feel free to e-mail the podcast with future show ideas and thoughts on the current show. Music by Bahaa Naamani Email us at thebiobusters@gmail.com   References: Freeman, G.J., Long, A.J., Iwai, Y., Bourque, K., Chernova, T., Nishimura, H., Fitz, L.J., Malenkovich, N., Okazaki, T., Byrne, M.C., Horton, H.F., Fouser, L., Carter, L., Ling, V., Bowman, M.R., Carreno, B.M., Collins, M., Wood, C.R. & Honjo, T. (2000). Engagement of the PD-1 immunoinhibitory receptor by a novel B7 family member leads to negative regulation of lymphocyte activation. J Exp Med, 192(7), 1027–1034. Hodi, F.S., Mihm, M.C., Soiffer, R.J., Haluska, F.G., Butler, M., Seiden, M.V., Davis, T., Henry-Spires, R., MacRae, S., Willman, A., Padera, R., Jaklitsch, M.T., Shankar, S., Chen, T.C., Korman, A., Allison, J.P. & Dranoff, G. (2003). Biologic activity of cytotoxic T lymphocyte-associated antigen 4 antibody blockade in previously vaccinated metastatic melanoma and ovarian carcinoma patients. Proc Natl Acad Sci USA, 100(8), 4712-4717 https://www.nobelprize.org/prizes/medicine/2018/press-release/ https://blog.dana-farber.org/insight/2015/09/what-is-a-checkpoint-inhibitor/ https://www.cancer.org/treatment/treatments-and-side-effects/treatment-types/immunotherapy/immune-checkpoint-inhibitors.html https://www.science.org.au/curious/people-medicine/releasing-immune-systems-brakes-fight-cancer https://www.wired.com/story/cancer-immunotherapy-has-arrived-but-not-for-everyone/ https://www.sciencedaily.com/releases/2018/10/181009102517.htm

This week on Antique Black, Adam & Chris give Iwai-inspired takes on current events, sports and their daily lives.

Everyone's favourite fungus is the topic of this week’s episode – Batrachochytrium dendrobatidis, otherwise known as Bd or Chytrid. We discuss some of the ways it spreads and a little about the frogs it affects. Species of the Bi-week is back and this time coming out of Amazonia. FULL REFERENCE LIST AVAILABLE AT: herphighlights.podbean.com Main Paper References: Kolby, Jonathan E., Sara D. Ramirez, Lee Berger, Kathryn L. Richards-Hrdlicka, Merlijn Jocque, and Lee F. Skerratt. 2015. “Terrestrial Dispersal and Potential Environmental Transmission of the Amphibian Chytrid Fungus (Batrachochytrium Dendrobatidis).” PLoS ONE 10 (4): 1–13. Barrio-Amorós, César L., Christoph I. Grünwald, Héctor Franz-Chávez, Ángela María Mendoza, and Brandon Thomas La Forest. 2016. “Notes on Natural History and Call Description of the Critically Endangered Plectrohyla Avia (Anura: Hylidae) from Chiapas , Mexico.” Amphibian and Reptile Conservation 10 (2): 11–17. Species of the Bi-Week: Peloso, Pedro L.V., Victor G.D. Orrico, Célio F.B. Haddad, Geraldo R. Lima-Filho, and Marcelo J. Sturaro. 2016. “A New Species of Clown Tree Frog, Dendropsophus Leucophyllatus Species Group, from Amazonia (Anura, Hylidae).” South American Journal of Herpetology 11 (1): 66–80. Other Mentioned Papers/Studies: Arnold, S.J., 1976. "Sexual behavior, sexual interference and sexual defense in the salamanders Ambystoma maculatum, Ambystoma tigrinum and Plethodon jordani." Ethology, 42(3): 247-300. Blooi, Mark, An Martel, Francis Vercammen, and Frank Pasmans. 2013. “Combining Ethidium Monoazide Treatment with Real-Time PCR Selectively Quantifies Viable Batrachochytrium Dendrobatidis Cells.” Fungal Biology 117 (2): 156–62. Gower, D.J., Doherty-Bone, T., Loader, S.P., Wilkinson, M., Kouete, M.T., Tapley, B., Orton, F., Daniel, O.Z., Wynne, F., Flach, E. and Müller, H., 2013. "Batrachochytrium dendrobatidis infection and lethal chytridiomycosis in caecilian amphibians (Gymnophiona)." EcoHealth, 10(2):173-183. Iwai, N., 2013. "Morphology, function and evolution of the pseudothumb in the Otton frog." Journal of Zoology, 289(2): 127-133. Kolby, Jonathan E., Sara D. Ramirez, Lee Berger, Dale W. Griffin, Merlijn Jocque, and Lee F. Skerratt. 2015. “Presence of Amphibian Chytrid Fungus (Batrachochytrium Dendrobatidis) in Rainwater Suggests Aerial Dispersal Is Possible.” Aerobiologia 31 (3): 411–19. doi:10.1007/s10453-015-9374-6. Liew, Nicole, Maria J. Mazon Moya, Claudia J. Wierzbicki, Michael Hollinshead, Michael J. Dillon, Christopher R. Thornton, Amy Ellison, Jo Cable, Matthew C. Fisher, and Serge Mostowy. 2017. “Chytrid Fungus Infection in Zebrafish Demonstrates That the Pathogen Can Parasitize Non-Amphibian Vertebrate Hosts.” Nature Communications 8 (April). Nature Publishing Group: 15048. Lips, Karen R. 2016. “Overview of Chytrid Emergence and Impacts on Amphibians.” Philosophical Transactions of the Royal Society B: Biological Sciences 371 (1709): 20150465. Longcore, J.E., Pessier, A.P. and Nichols, D.K., 1999. "Batrachochytrium dendrobatidis gen. et sp. nov., a chytrid pathogenic to amphibians." Mycologia: 219-227. Olson, Deanna H., David M. Aanensen, Kathryn L. Ronnenberg, Christopher I. Powell, Susan F. Walker, Jon Bielby, Trenton W.J. Garner, George Weaver, and Matthew C. Fisher. 2013. “Mapping the Global Emergence of Batrachochytrium Dendrobatidis, the Amphibian Chytrid Fungus.” PLoS ONE 8 (2). Van Rooij, Pascale, Frank Pasmans, Yanaika Coen, and An Martel. 2017. “Efficacy of Chemical Disinfectants for the Containment of the Salamander Chytrid Fungus Batrachochytrium Salamandrivorans.” PloS One 12 (10): e0186269. Other Links/Mentions: Video of Plectrohyla Avia from Barrio-Amorós et al. (2016) - https://www.youtube.com/watch?v=aa2O-BguqOY&feature=youtu.be Salamander courtship with pheromone transmission - http://plethodon.science.oregonstate.edu/video/shermani%20slapping.avi HARCC are mid fundraiser - go to frogrescue.com Music – Treehouse by Ed Nelson

Melissa Iwai (@meliwai), author and illustrator of Pizza Day, stops by the podcast to talk about a past life full of syllable structure, learning from Marla Frazee, and having a different world to explore. 

Olá papudos! No nosso Sarau Fotográfico desse mês, convidamos o fotógrafo Flávio Iwai (o judoca da imagem) e o cinegrafista Fábio Nomura (o ninja da steadcam), para falar sobre um dos temas mais polêmicos do mundo do casamento. Se você pensou que o tema era sobre as luzes do DJ, está enganado! No bate-papo dessa […] O post Fotógrafos vs Cinegrafistas! apareceu primeiro em Papo de Fotógrafo | Um bate-papo descontraído sobre Fotografia!.

You've Made it though all the obstacles this stage has thrown at you, but now your skill are going to be taken to the ultimate test as you take on the stage boss! You you think you have what it takes to overcome the odds and come out victorious? This Particular STAGE is all about BOSS MUSIC, so lets hope you have Plenty of Energy Tanks stored, because this will be a fight to the finish! Track List: Game - Composer - Title - Year - Company - System *mega man 9 - Ippo Yamada, Yū Shimoda, Ryō Kawakami & Hiroki Isogai - "Wily Machine” - 9/22/2008 - Inti Creates/CAPCOM - WiiWare, PSN, Xbox Live *Tales of Symphonia - Motoi Sakuraba, Shinji Tamura & Takeshi Arai - "Beat The Angel” - 8/29/2003 - NAMCO - Gamecube & PS2 *Donkey Kong Country - David Wise, Eveline Fischer & Robin Beanland - "Gangplank Galleon” - 11/21/94 - Rare/Nintendo - SNES *Final Fantasy 4(final Fantasy 2 outside of japan) - Nobuo Uematsu - "Zeromus Battle (final boss)” - jp 7/19/91- na 11/23/91 - Square - SNES *Kingdom Hearts 2 - Yoko Shimomura - "Rage Awakened” - 12/22/05 - Square Enix - PS2 *Final Fnatasy 7 - Nobuo Uematsu - "One Winged Angel” - jp 1/31/97-na 9/7/97 - Square - PS1 *Castle Crashers - Real Faction (Christian Krogsvold)- "Simple Sight(necromancer theme)” - 8/27/08 - The Behemoth - Xbox Live, PSN & PC *Sonic The Hedgehog 2006 - Tomoya Ohtani, Mariko Nanba, Hideaki Kobayashi, Taihei Sato, Jun Senoue & Takahito Eguchi - "Solaris Phase 2” - 11/14/06 - Sonic Team/SEGA - Xbox 360/PS3 *Final Fight 2 - Mari Yamaguchi, Yuki Satomura (yuki Iwai), Tetsuya Nishimura, Yuko Takehara, Setsuo Yamamoto & Yasuaki Fujita (bun Bun) - "Hong Kong / Final Boss” - jp 5/22/93-na 8/15/93 - CAPCOM - SNES *Contra: Hard Corps - Hiroshi Kobayashi, Michiru Yamane, Akira Yamaoka, Hirofumi Taniguchi & Aki Hata - "Last Springsteen” - 8/8/94 - KONAMI - Genesis *Sonic 3 - Brad Buxer, Cirocco Jones, Sachio Ogawa, Masaru Setsumaru, Yoshiaki Kashima, Tatsuyuki Maeda, Tomonori Sawada, Masayuki Nagao, Jun Senoue, Miyoko Takaoka, Masanori Hikichi & Michael Jackson (uncredited) - "Final Boss” - 2/2/94 - Sonic Team/SEGA - Genesis *Teenage Mutant Ninja Turtles (arcade) - Mutsuhiko Izumi, Miki Higashino & Kozo Nakamura - "Boss theme” - 1989 - KONAMI - Arcades/NES *Mega Man 2 - Takashi Tateishi & Manami Matsumae - "Boss Theme” - 12/24/88 - CAPCOM - NES *Super Mario Bros. 2 - Koji Kondo - "Boss Theme” - 10/10/88 - Nintendo - NES *Chip n’ Dales: Rescue Rangers - Harumi Fujita - "Zone Boss” - 6/8/90 - CAPCOM - NES *Talespin - Minae Fujii - "Boss Theme” - 1991 - CAPCOM - NES *Scott Pilgrim VS the World - Anamanaguchi - “Skate or live (Lucas lee boss theme)” - August 2010 - Ubisoft Montreal/ Ubisoft & Universal studios - XBLA & PSN *Lufia 2: Rise of the Sinistrals - Yasunori Shiono - "Sinistral boss” - jp 2/24/95- na 8/31/96 - Neverland/Natsume - SNES *Super Mario RPG - Yoko Shimomura, Koji Kondo & Nobuo Uematsu - “Fight against culex” - jp 3/9/96- na 5/13/96 - Square/Nintendo - SNES *Dynamite Headdy - Katsuhiko Suzuki, Koji Yamada, Aki Hata & Norio Hanzawa - "Dark Demon" [Final Boss] - 8/4/94 - Treasure/SEGA - Genesis *Streets of Rage 2 - Yuzo Koshiro & Motohiro Kawashima - “revenge of Mr. X “ - 12/20/92 - SEGA - Genesis *Pulseman - Junichi Masuda - “Shut Down” - 7/22/94 - Game Freak/SEGA - Genesis