Podcasts about orchestre m

Daniela Candillari grew up in Serbia and Slovenia.  She holds a Doctorate in Musicology from the Universität für Musik in Vienna, a Master of Music in Jazz Studies from the Indiana University Jacobs School of Music, and a Master of Music and Bachelor's degree in Piano Performance from the Universität für Musik in Graz. She is also a Fulbright Scholarship recipient.Daniela is in her fourth season as principal conductor at Opera Theatre of Saint Louis. In celebration of its 50th anniversary season, she is conducting the company's 44th world premiere, This House, with music by Ricky Ian Gordon and libretto by Pulitzer Prize-winner Lynn Nottage and her daughter, Ruby Aiyo Gerber.Daniela made her New York Philharmonic debut in its inaugural season in the new David Geffen Hall, conducting cellist Yo-Yo Ma in Elgar's Cello Concerto.  And she made her “Carnegie Hall Presents” debut leading the American Composers Orchestra in a program of premieres.  Other engagements include debuts with the Metropolitan Opera and Deutsche Oper Berlin, and productions with Lyric Opera of Chicago, Minnesota Opera, Detroit Opera, Orchestre Métropolitan Montreal, and Classical Tahoe Festival.Finally, Daniela has been commissioned by established artists including instrumentalists from the Boston, Cleveland, Detroit, and Pittsburgh Symphonies, as well as the three resident orchestras of Lincoln Center: the Metropolitan Opera Orchestra, the New York Philharmonic, and the New York City Ballet. She is deeply involved with Music Academy of the West's programming for young artists and she recently participated in master classes and discussions at DePaul University, Chicago Humanities Festival, and Valissima Institute.It's a pleasure to have her with me on this episode.

Le rock est mort, vive ROCKLAND ! Mardi 21h-22h sur Attitude. 98.3 / 90.7 / attitudefm.com Greedy Guts - Video killed the radio star Sum 41 - Over The Edge Sum 41 - Paint It Black Sum 41 - You Wanted War Choking Victim - In Hell Choking Victim - Suicide Choking Victim - In My Grave Garbage - Only Happy When It Rains Marcel et son Orchestre - Ma soeur (en public) Marcel et son Orchestre - Médiseuse (en public) Les Fatals Picards - Seul et célibataire (en public) Les Fatals Picards - Djembé man (en public) Brian May & Roger Taylor - We will rock you (live at Rock and Roll Hall of Fame 2001) Pink Floyd - Sorrow (live) The Presidents of the United States of America - Video Killed The Radio Star

Three-time Grammy Award-winning pianist and conductor Yannick Nézet-Séguin is the Music and Artistic Director of the Philadelphia Orchestra, Artistic Director and Principal Conductor of the Orchestre Métropolitain, and Music Director (aka David's boss) at The Metropolitan Opera where he's just the third person to hold this position in the company's long 140-year history. In the episode—recorded backstage at Carnegie Hall—Yannick discusses the primary role of a conductor, his calm and friendly demeanor while on the podium (spoiler: he doesn't know how to be mean!), how he became inspired to conduct at age 10, and why he reclaimed his love for the piano during the pandemic. Yannick shares the importance of taking every opportunity to perform seriously and his deep belief that music can connect and transform anyone who listens.Check out Yannick Nézet-Séguin on Instagram, Facebook, Twitter, Spotify, Apple Music, or the web.Follow Speaking Soundly on Instagram.Follow David on Instagram.You can find out more about Artful Narratives Media on Instagram and the web.Photograph of Yannick by George Etheredge.The Speaking Soundly theme song is composed by Joseph Saba/Stewart Winter and used by permission of Videohelper.Speaking Soundly was co-created by David Krauss and Jessica Handelman. This interview has been edited and condensed to fit the time format.Episode copyright © 2023 Artful Narratives Media. Hosted on Acast. See acast.com/privacy for more information.

Interpreten: The Philadelphia Orchestra, Yannick Nézét-Séguin Label: DG EAN: 0028948647750 Yannick Nézét-Séguin gehört zu den wichtigsten Dirigenten Generation (noch) unter Fünfzig. Als Chefdirigent des Philadelphia Orchestra und des kanadischen Orchestre Métropolitain sowie Musikdirektor der Metropolitan Opera in New York spielt sich sein berufliches Leben, abgesehen von diversen Gastspielen in Europa, vorwiegend jenseits des „großen Teiches“ ab. Mit seinem Philadelphia Orchestra ist er kürzlich auch wieder auf CD in den Mittelpunkt gerückt, mit den Symphonien zwei und drei auf seiner neuen Rachmaninow Doppel-CD. Yannick Nézét-Séguin dürfte an Sergej Rachmaninow, wie man auf gut Wienerisch so schön sagt, einen Narren gefressen haben. 2015 begleitete er erstmals den Pianisten Daniil Trifonov bei den Rachmaninow Variationen, mit dem er sich dann ab 2018 auf zwei CDs auch der Destination Rachmaninow annäherte. 2021 erschien dann mit der ersten Symphonie und den symphonischen Tänzen die erste CD mit reinen Orchesterwerken und nun legt Nézét-Séguin mit den Rachmaninow'schen Symphonien zwei und drei, sowie der Tondichtung „Die Toteninsel“ nach. Mein erster Gedanke beim Anhören dieser CD war, wieso reden eigentlich immer alle nur von Rachmaninows Klaviermusik, wenn er doch eigentlich auch so geniale Orchestermusik geschrieben hat. Tiefgründig, schwermütig und vorwiegend düster die zweite Symphonie.  Von der russischen Presse nach der Uraufführung mit dem Untertitel „Mütterchen Russlands gesammelter Weltschmerz in e-Moll“ versehen. Schwermut ja, aber auch absoluter Schwung, orchestrale Rafinesse und dann ein Adagio, das dann ja doch auch wieder spätromantisch versöhnlich klingt. Mit kräftigem Zugriff, aber nie ins Brutale abgleitend, sattem Streicherklang und wohl dosiertem, jedoch auch manchmal losgelassenem Blech auch die Dritte. Ein Werk, das Rachmaninow Mitte der 30er Jahre im Exil am Vierwaldstätter See skizzierte. Uraufgeführt wurde sie dann übrigens vom Philadelphia Orchestra, unter Leopold Stokowski und ist somit fest in der DNA des Orchesters verankert. Das ist spannende Musik allererster Güte, die einen nicht so schnell loslässt. (mg)

Yannick Nézet-Séguin, Music Director of New York's Metropolitan Opera, The Philadelphia Orchestra and Montreal's Orchestre Métropolitain, makes his solo piano debut on record for DG with an album entitled 'Introspection'. Recorded during lockdown near his home in Montreal, the album is dedicated to his late piano teacher Anisia Campos. James Jolly spoke to Yannick Nézet-Séguin about 'Introspection' but also about his relationship with the piano from his early years studying it to how he can keep it part of his busy schedule as one of the world's most sought-after conductors. This solo album follows a recent recording of Schubert's Winterreise with the mezzo Joyce DiDonato (who also spoke to us about the project for another Gramophone Podcast). The Philadelphia Orchestra is currently Gramophone's Orchestra of the Year. 

The fine folks at WNYC's fabulous opera podcast Aria Code recently reached out about doing a cross-promotion with Strong Songs, and now here we are, running an episode of their show in the Strong Songs feed. If you enjoy it, you should definitely go check out the show - Aria Code is very easy to find on all major podcast platforms. ORIGINAL SHOW NOTES (via Aria Code) Aired: March 10, 2021 Sometimes, the only thing that gets us through the darkest moments is knowing that the sun will rise again on a new day. Puccini's final opera, Turandot, is about courage in the face of adversity, and love triumphing over fear. In other words, it is exactly what the world needs right now.  The aria “Nessun dorma” is Prince Calaf’s declaration of love and resounding victory cry. In this episode, host Rhiannon Giddens and three guests explore what makes this aria so popular even beyond the opera house, and how it became an anthem of resilience and hope during the COVID-19 pandemic. This episode features Italian tenor Franco Corelli in a Metropolitan Opera performance from the Before Times (a.k.a. 1966). The Guests: Conductor Yannick Nézet-Séguin is the Music Director of the Metropolitan Opera, Philadelphia Orchestra, and the Orchestre Métropolitain in Montreal.  He loves conducting Puccini’s biggest, most majestic opera, but his favorite moments are the intimate arias like “Nessun dorma.” Writer Anne Midgette is the former classical music critic for The Washington Post. She first heard the aria on a Book of the Month Club cassette tape in college, and thinks the secret sauce for “Nessun Dorma” is in its climactic underdog declaration of “Vincerò” -- “I will win.” Dr. Michael Cho is a pulmonary and critical care physician at Brigham and Women’s Hospital in Boston, and has been on the frontlines of the COVID-19 pandemic. He’s also a violist, and has been playing with the Longwood Symphony Orchestra for more than 15 years. Recently, he joined the National Virtual Medical Orchestra, a group that formed during COVID to give people in the medical field a chance to play together. Watch their performance of "Nessun Dorma" here: https://www.youtube.com/watch?v=FOKW42q7HWE&feature=emb_logo In April of 2020, 700 children across Europe sang a virtual performance of "Nessun dorma" as a message of hope and solidarity, from Europa InCanto. You can meet two of the stars in this episode, and watch their performance here: https://www.youtube.com/watch?v=MZWmikiJVIQ&feature=emb_logo  

The fine folks at WNYC's fabulous opera podcast Aria Code recently reached out about doing a cross-promotion with Strong Songs, and now here we are, running an episode of their show in the Strong Songs feed.If you enjoy it, you should definitely go check out the show - Aria Code is very easy to find on all major podcast platforms.ORIGINAL SHOW NOTES (via Aria Code)Aired: March 10, 2021Sometimes, the only thing that gets us through the darkest moments is knowing that the sun will rise again on a new day. Puccini's final opera, Turandot, is about courage in the face of adversity, and love triumphing over fear. In other words, it is exactly what the world needs right now. The aria “Nessun dorma” is Prince Calaf’s declaration of love and resounding victory cry. In this episode, host Rhiannon Giddens and three guests explore what makes this aria so popular even beyond the opera house, and how it became an anthem of resilience and hope during the COVID-19 pandemic. This episode features Italian tenor Franco Corelli in a Metropolitan Opera performance from the Before Times (a.k.a. 1966).The Guests:Conductor Yannick Nézet-Séguin is the Music Director of the Metropolitan Opera, Philadelphia Orchestra, and the Orchestre Métropolitain in Montreal.  He loves conducting Puccini’s biggest, most majestic opera, but his favorite moments are the intimate arias like “Nessun dorma.”Writer Anne Midgette is the former classical music critic for The Washington Post. She first heard the aria on a Book of the Month Club cassette tape in college, and thinks the secret sauce for “Nessun Dorma” is in its climactic underdog declaration of “Vincerò” -- “I will win.”Dr. Michael Cho is a pulmonary and critical care physician at Brigham and Women’s Hospital in Boston, and has been on the frontlines of the COVID-19 pandemic. He’s also a violist, and has been playing with the Longwood Symphony Orchestra for more than 15 years. Recently, he joined the National Virtual Medical Orchestra, a group that formed during COVID to give people in the medical field a chance to play together. Watch their performance of "Nessun Dorma" here: https://www.youtube.com/watch?v=FOKW42q7HWE&feature=emb_logoIn April of 2020, 700 children across Europe sang a virtual performance of "Nessun dorma" as a message of hope and solidarity, from Europa InCanto. You can meet two of the stars in this episode, and watch their performance here: https://www.youtube.com/watch?v=MZWmikiJVIQ&feature=emb_logo 

Sometimes, the only thing that gets us through the darkest moments is knowing that the sun will rise again on a new day. Puccini's final opera, Turandot, is about courage in the face of adversity, and love triumphing over fear. In other words, it is exactly what the world needs right now.  The aria “Nessun dorma” is Prince Calaf’s declaration of love and resounding victory cry. In this episode, host Rhiannon Giddens and three guests explore what makes this aria so popular even beyond the opera house, and how it became an anthem of resilience and hope during the COVID-19 pandemic. This episode features Italian tenor Franco Corelli in a Metropolitan Opera performance from the Before Times (a.k.a. 1966). The Guests: Conductor Yannick Nézet-Séguin is the Music Director of the Metropolitan Opera, Philadelphia Orchestra, and the Orchestre Métropolitain in Montreal.  He loves conducting Puccini’s biggest, most majestic opera, but his favorite moments are the intimate arias like “Nessun dorma.” Writer Anne Midgette is the former classical music critic for The Washington Post. She first heard the aria on a Book of the Month Club cassette tape in college, and thinks the secret sauce for “Nessun Dorma” is in its climactic underdog declaration of “Vincerò” -- “I will win.” Dr. Michael Cho is a pulmonary and critical care physician at Brigham and Women’s Hospital in Boston, and has been on the frontlines of the COVID-19 pandemic. He’s also a violist, and has been playing with the Longwood Symphony Orchestra for more than 15 years. Recently, he joined the National Virtual Medical Orchestra, a group that formed during COVID to give people in the medical field a chance to play together. Watch their performance of "Nessun Dorma." In April of 2020, 700 children sang a virtual performance of "Nessun Dorma," as a message of hope and solidarity to the world, from Europa InCanto.

Conductor Mark Gibson, the current Director of Orchestral Studies at the University of Cincinnati College-Conservatory of Music (CCM), invited Lefebvre to participate in a CCM summer program in Luca, Italy.Gustav Meier was a Swiss conductor and professor of orchestral conducting at the Peabody Institute of Johns Hopkins University.Elisabeth Schwartzkopf was a German-born soprano and is considered one of the top singers of the 20th century. In her performing career, she specialized in German-language art song (lieder) and Viennese operetta; later in life, she became an international renowned voice teacher.Nana Mouskouri is a popular Greek singer whose extensive discography includes over 200 albums in at least twelve different languages.English-Italian conductor Annuzio Mantovani led his own orchestra (the Mantovani Orchestra) in the mid-20th century and became famous in the “light music” style.Mario Bernardi was a Canadian conductor and pianist.Dale Bartlett was a Canadian pianist, educator, and collaborative pianist.Vladimir Horowitz was a renowned Russian-born classical pianist who spent most of his life in the U.S.“Il mio tesoro” is a famous tenor aria from W.A. Mozart’s opera Don Giovanni.Beverly Sills was one of the most notable sopranos of the 20th century and, after retiring from singing, became the General Manager of the New York City Opera and later the Metropolitan Opera.Renée Fleming is an actively performing American operatic soprano and the current Creative Consultant at the Lyric Opera of Chicago.Franco Zeffirelli was an Italian director and producer of opera, films, and television. Many of his opera productions are still in use today around the world.Yannick Nézet-Séguin is a Canadian conductor and pianist. Currently, he is the Music Director of the Metropolitan Opera, Philadelphia Orchestra, and Orchestre Métropolitain in Montréal.Hungarian pianist Franz Liszt set three sonnets by Italian Renaissance poet Petrarch to music in the collection “Tre sonetti di Petrarch” (“Three Petrarch Sonnets”).The Brooklyn Academy of Music (BAM) is a performing arts center based in Brooklyn, New York.Françoise Frenkel’s memoir A Bookshop in Berlin follows her escape from the rise of fascism in Germany and, later, her evasion from Nazi occupation in war-torn France.Grey’s Anatomy is an American medical drama television series.Kanopy is an online film streaming service specializing in classic, independent, and foreign films.Duolingo is a Google-owned mobile application and website for studying foreign languages.WhatsApp is a Facebook-owned mobile application for messaging and calling over the Internet.Lefebvre enjoys eating at restaurant Red Feather Kitchen in Cincinnati.Nico Castel was a tenor and notable language and diction coach.Oscar Peterson was a famous Canadian jazz pianist and composer.

WQXR and WRTI, Philadelphia’s classical music and jazz station, have come together to launch “This Week with Yannick,” an eight-week radio series hosted by acclaimed conductor Yannick Nézet-Séguin. Nézet-Séguin – Music Director of the Metropolitan Opera, The Philadelphia Orchestra, and the Orchestre Métropolitain of Montreal – has spent his career building connections between orchestras, singers, and audiences. Yannick now brings his passion for building connections through music outside of the concert hall and onto the airwaves. This Week With Yannick will air on WQXR and WRTI in Philadelphia every Sunday at 12pm, launching July 12th. 

060 Marc-André Hamelin: Musical Offering In this episode, I discuss with international piano soloist and composer Marc-André Hamelin! Among many other topics, we discuss his philosophy about performing, how he approaches solving problems, the wonderful reason he prefers to play by memory, how important curiosity has been in his career, and the importance of living a full life and be exposed to culture. Marc-André also elaborates on: The practicing habits he had at a young age The importance of developing the aptitude to solve problems of becoming your own teacher His advice on memorization Score or no score, that is the question His simple practice “priming” His current interest in Faure's music and how he dives in the topic His favorite tool in the practice room: the score! His idea of the ideal concert: you will all agree with him! Why he strongly believes in practicing slowly Marc-Andre is an incredible artist and human being and I am so very happy and honored to have him on the podcast today! I know that you'll be inspired by his insight and wisdom!     Don't forget to visit the Mind Over Finger Resources' page to check out amazing books recommended by my podcast guests, as well as my favorite websites, cds, the podcasts I like to listen to, and the practice and podcasting tools I use everyday!  Find it here: www.mindoverfinger.com/resources!   And join the Mind Over Finger Book Club in the Tribe!  We meet HERE, and we'll begin 2020 with The Inner Game of Golf by Tim Gallwey!   Don't forget to sign up for my newsletter to get your free guide to a super productive practice using the metronome!  This guide is the perfect entry point to help you bring more mindfulness and efficiency into your practice and it's filled with tips and tricks on how to use that wonderful tool to take your practicing and your playing to new heights! TURN THE METRONOME ON AND START PRACTICING BETTER AND LEARNING FASTER RIGHT NOW!  GET YOUR FREE METRONOME GUIDE TODAY AT www.mindoverfinger.com!!!!     MORE ABOUT MARC-ANDRÉ: Website: https://www.marcandrehamelin.com/   YouTube: Click here to catch amazing performances and interviews with Marc-André Facebook: https://www.facebook.com/marcandrehamelinpiano/   “A performer of near-superhuman technical prowess” (The New York Times), pianist Marc André Hamelin is known worldwide for his unrivaled blend of consummate musicianship and brilliant technique in the great works of the established repertoire, as well as for his intrepid exploration of the rarities of the 19th, 20th, and 21st centuries – in concert and on disc – earning him legendary status as a true icon of the piano. Mr. Hamelin begins the 19/20 season performing the Brahms Piano concerti with the Orchestre Métropolitain and Yannick Nézet-Séguin at Le Festival de Lanaudière, and the world premiere of Ryan Wigglesworth's piano concerto at the BBC Proms, led by the composer. Other summer appearances include recitals at the Schubertiade, Helsingborg Piano Festival, Mänttä Music Festival, Domaine Forget, Orford Music Festival, the Newport Music Festival, and at the Rosendal Chamber Music Festival with friend and regular collaborator, Leif Ove Andsnes. Recital appearances this season include a return to Carnegie Hall's Stern Auditorium/Perelman Stage on the Great Artists Series. He also performs at Wigmore Hall, the George Enescu Festival, Ascona (Switzerland), Prague, Munich, Alte Oper Frankfurt, Stuttgart, Moscow State Philharmonic, at the Elbphilharmonie for the Husum Rarities of Piano Music Festival, Monte Carlo, and the Heidelberg Festival, among other dates. Mr. Hamelin is the inaugural guest curator for Portland Piano International, where he opens the season with two solo recitals. He returns to San Francisco Performances – a series with whom he has a long and deeply supportive artistic relationship – as a Perspectives Artist for their 40th Anniversary Season, performing a solo recital; Die Winterreise with tenor Mark Padmore; and the world premiere of his own Piano Quintet, commissioned by SFP and performed by himself and the Alexander String Quartet. An exclusive recording artist for Hyperion Records, in 19/20, Hyperion releases two albums by Mr. Hamelin – one a solo disc and the other with the Takács Quartet. He recently released a disc of Schubert's Piano Sonata in B-Flat Major and Four Impromptus; a landmark disc of Stravinsky's The Rite of Spring and Concerto for Two Pianos with Leif Ove Andsnes; Morton Feldman's For Bunita Marcus; and Medtner's Piano Concerto No. 2 and Rachmaninov's Piano Concerto No. 3 with the London Philharmonic Orchestra and Vladimir Jurowski. His impressive Hyperion discography of more than 60 recordings includes concertos and works for solo piano by such composers as Alkan, Godowsky, and Medtner, as well as brilliantly received performances of Brahms, Chopin, Liszt, Schumann, and Shostakovich. He was honored with the 2014 ECHO Klassik Instrumentalist of Year (Piano) and Disc of the Year by Diapason Magazine and Classica Magazine for his three-disc set
of Busoni: Late Piano Music and an album of his own compositions, Hamelin: Études, which received a 2010 Grammy nomination and a first prize from the German Record Critics' Association. Mr. Hamelin was a distinguished member of the jury of the 15 th Van Cliburn International Piano Competition in 2017 where each of the 30 competitors in the preliminary round performed Hamelin's Toccata on L'Homme armé; this was the first time the composer of the commissioned work was also a member of the jury. Mr. Hamelin has composed music throughout his career, with nearly 30 compositions to his name. The majority of those works – including the Études and Toccata on L'Homme armé – are published by Edition Peters. Mr. Hamelin makes his home in the Boston area with his wife, Cathy Fuller. Born in Montreal, Marc-André Hamelin is the recipient of a lifetime achievement award from the German Record Critics' Association and has received seven Juno Awards and eleven GRAMMY nominations. He is an Officer of the Order of Canada, a Chevalier de l'Ordre du Québec, and a member of the Royal Society of Canada.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

In this episode, we're ending Season 1 of The Mind Over Finger Podcast with a truly spectacular artist!  I speak with violin sensation Kerson Leong about his terrific YouTube series The Art of the Etude, his wise and meaningful practicing methods, and how he approaches violin mastery, and musical expression. Kerson has an amazingly authentic and profound approach to music making and I KNOW you will love this episode! SEASON 2 COMING YOUR WAY ON FRIDAY, SEPTEMBER 6, 2019!  STAY TUNED! In the show, Kerson elaborates on: His journey from starting at the age of four and a half to winning the Menuhin Competition at the age of 13 How winning Menuhin was the start of a very long process that lead to him exploring and finding his independence in terms of how to think about music, devise his own solutions to technical problems, and develop his instinct The importance of knowing about the tradition and thinking for ourselves His incredible YouTube series “The Art of the Etude” How etudes allow us to develop our technique and musicality, and teach us so much about how to learn and how to practice How etudes were a real grounding force in his development How we can use etudes to develop musicality How etudes are our “playground” to work on all aspect of performing – technical and musical alike His practicing processes Knowing exactly what his goal is when he enters the practice room Having a clear idea in his head of what he wants to execute on the instrument Keeping the transitions between notes executed as if they were at full speed when practicing slowly Never neglect the right hand when working on difficult left-hand passages How important it is for him to focus on how relaxed and efficient his body is at all times when he practices – analyzing motions and figuring out what works best How letting go of the shoulder rest lead him to a depth of analysis in his physical approach to playing the violin His approach to mental practice   More about Kerson: Website: http://kersonleong.com/ YouTube channels: https://www.youtube.com/channel/UC8nlRLl9jFBGaPGWMbJ5bvQ Facebook page: https://www.facebook.com/kersonleong/ Instagram: https://www.instagram.com/kersonleong/ Violin Channel Young Artist page: https://theviolinchannel.com/vc-young-artist-kerson-leong-violin/ Violin Channel Facebook artist page: https://www.facebook.com/watch/?v=2129174167156547   Biography Kerson Leong first took the music world by storm in 2010 by winning the coveted Junior First Prize at the prestigious Menuhin Competition. Ever since, the young Canadian violinist has astonished and won over both fellow musicians and audiences alike the world over with his rare and innovative mastery of his instrument, his natural ability to convey the subtlest of emotions, and the colossal scope of his live performances. Having been called “Canada's next great violinist” (Ludwig van Toronto), he has distinguished himself with his unique approach as one of the most brilliant musicians of his generation. In the 2018/2019 season, Kerson is Artist-in-Residence with the Orchestre Métropolitain de Montreal under Yannick Nezet-Seguin. Other highlights to look forward to this season include his debuts with the Sinfonieorchester Wuppertal, Liège Royal Philharmonic, Vancouver Symphony Orchestra, and London Symphonia. Kerson has played in some of the most prestigious concert venues around the world from Carnegie Hall's Stern Auditorium and the Auditorium du Louvre to Wigmore Hall and the National Center for the Performing Arts in Beijing. He is in regular demand as a soloist, having performed with such ensembles as the Royal Philharmonic Orchestra, the Oslo Philharmonic, the Vienna Chamber Orchestra, the Stavanger Symphony Orchestra, the Orchestre National de Lorraine, the Kansai Philharmonic Orchestra, the Orchestra Gulbenkian, the Stockton Symphony Orchestra, the Toronto Symphony Orchestra, the Montreal Symphony Orchestra, the Orchestre Metropolitain de Montreal, the Quebec Symphony Orchestra, and the National Arts Centre Orchestra of Canada, as well as numerous other orchestras in his home country. Kerson is also an avid and passionate chamber musician. Since his debut at the Gstaad Menuhin Festival in Switzerland in 2011, he has been featured at many renowned international festivals and concert series, including the Verbier Festival, Rheingau Musik Festival, Festspiele Mecklenburg-Vorpommern, Fraenkische Musiktage, Flâneries musicales de Reims, Bergen International Festival, Trasimeno Music Festival, Schiermonnikoog Chamber Music Festival, Toronto Summer Music Festival, Ottawa International Chamberfest, Music and Beyond, Montreal Symphony Orchestra's Virée classique, and Domaine Forget International Music Festival among others. Kerson released Bis, his first album for Analekta showcasing a collection of encore pieces, to critical acclaim.  He recorded John Rutter's Visions with the composer himself and the Aurora Chamber Orchestra for Collegium Records, after giving its world premiere in London, UK.  He has also been invited by Canadian composer Francois Dompierre to record his piece, Les Diableries. Kerson can also be heard on CBC Television, CBC/Radio Canada, the BBC Radio 3, Radio France, Radio Television Suisse, American Public Media's SymphonyCast, NRK, RAI, Deutschlandradio Kultur, and Czech Radio. He has been a recipient of many awards such as the Sylva Gelber Music Foundation Award (2015-2017) and the Young Soloist Prize 2015 by the Radios Francophone Publiques, as well as having received a Mentorship Award from the Lin Yao Ji Music Foundation of China for inspiring younger generations. He was named Revelation Radio-Canada 2014-2015 for classical music. Since 2015, Kerson has been an Artist-in-Residence at the Queen Elisabeth Music Chapel in Belgium, mentored by Augustin Dumay. Teaching is becoming a growing passion for Kerson, having given masterclasses and taught at various festivals and universities including the Indiana University Jacobs School of Music, the University of Ottawa, and Memorial University in St. John's, Newfoundland. He has always been keen on making connections between music and other fields. Ever since his dad started introducing him to physics concepts about string resonance, they have strongly influenced his playing and philosophy on sound production. Together with his dad, he has given lectures about this subject in places such as the Central Conservatory of Music in Beijing, the Barratt-Due Music Institute in Oslo, and various universities in California. Kerson performs on a 1741 Guarneri del Gesu courtesy of Canimex Inc, Drummondville (Quebec), Canada     If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. Join the Mind Over Finger Tribe here!  https://www.facebook.com/groups/mindoverfingertribe/     THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a HUGE thank you to my fantastic producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.instagram.com/mindoverfinger/    

  Today, I'm really excited to have Canadian pianist David Jalbert on the show!  David is an extraordinary person, a brilliant artist, and a very dear friend!   We have a great conversation and cover many topics, from finding yourself as an artist, to the importance of confidence in our progress, and how to learn and memorize music.  David is incredible (and hilarious!) and I know you will really enjoy his approach to all things music and find tons of value in this episode!  In this episode, David talks about: His musical journey, from a small town in the province of Quebec studying at the Conservatoire, the University of Montreal, the Toronto Royal Conservatory in Toronto, and Juilliard, leading to his professional career The wonderful musical program he took part in at the Conservatoire de Musique du Quebec The Canadian Music Competition and how competitions were a source of motivation for him How his curiosity and the fact that he “thrived on the forbidden” really helped him develop his technical skills How having many teachers taught him so much, but left him somewhat confused How he found himself back His learning process and how he realized that he could learn faster The importance of confidence in the learning process Memorizing music The importance of being organized How being interested in expanding our cultural horizon can positively affect our growth as an artist and give us “a leg up”   En français, nous discutons de : Son parcours musical, des débuts à aujourd'hui, en touchant à ses moments au Conservatoire de Musique de Rimouski, ses expériences au Concours de Musique du Canada, et ses études à l'Université de Montréal, la Glenn Gould School, et à Juilliard La motivation et l'inspiration qu'il a retiré de sa participation au Concours de Musique du Canada L'approche de la technique de Marc Durand qui a eu une grande influence dans sa vie Sa période à la Glenn Gould School et l'impact d'étudier avec plusieurs professeurs Son expérience avec Jérome Lowenthal et comment il a développé sa voix authentique À quoi sa pratique ressemble o   L'importance de la précondition – de se mettre dans le bon « espace mental » o   L'importance d'avoir un plan Son processus d'apprentissage et de mémorisation du répertoire   More Information about David Jalbert: Website: http://davidjalbert.com/ YouTube channel: https://www.youtube.com/user/davidjalbertpiano/videos Johannes Brahms: A Biography by Jan Swafford   Biography A virtuoso with a warm and elegant style and a wide-ranging repertoire, pianist David Jalbert has established himself among the elite of a new generation of classical musicians, and was named by the CBC among the 15 best Canadian pianists of all time. With his personal style, incomparable stage presence, and refined ear, he has wowed audiences and critics everywhere: “a deeply musical pianist” (Cleveland Plain Dealer), “a virtuoso in the best sense of the word” (La Presse), “…wide-ranging musical imagination, phenomenal technique, and an unerring lightness of being” (The Toronto Star). His first solo disc, dedicated to the works of Corigliano and Rzewski (in preparation for which he worked with both composers), was launched to great applause on Endeavor in 2004 and was followed in 2006 by a recording of Fauré's complete Nocturnes (a winning selection on La Tribune des Critiques de Disques, France-Culture). His 2008 release on the ATMA label, Shostakovich: 24 Preludes and Fugues opus 87, drew rave reviews, won an Opus Award, and was nominated for a Juno Award. He followed it up with an album dedicated to works by minimalist greats John Adams and Philip Glass (2010), and his 2012 recording of Bach's Goldberg Variations was met with unanimous praise. He recorded works by Poulenc and Satie on “Le Comble de la Distinction” (2015) and virtuosic transcriptions of Russian ballets by Stravinsky and Prokofiev in 2017, which earned him another Juno nomination. An accomplished chamber musician in both the hall and the studio, his releases include Poulenc's music for winds and piano (with the woodwind quintet Pentaèdre) as well as the Rachmaninov and Chopin Cello Sonatas with his long-standing musical partner Denise Djokic. With violinist Jasper Wood and cellist Denise Djokic, he is also a member of Triple Forte, a piano trio whose first recording was awarded a 2014 Prix Opus (Album of the Year). Jalbert has also collaborated with violinist Rachel Barton Pine, the Cecilia and Alcan string quartets, double-bassist Joel Quarrington (on another Opus-winning collaboration, the album Brothers in Brahms as well as a Schubert album) and with pianists Anton Kuerti, Wonny Song and Jean-Philippe Collard. As guest soloist, Jalbert has appeared with many orchestras, including the Montreal Symphony Orchestra, Vancouver Symphony Orchestra, Toronto Symphony Orchestra, Calgary Philharmonic, Orchestre Métropolitain, Winnipeg Symphony Orchestra, National Arts Centre Orchestra, CBC Radio Orchestra, Bielefelder Philharmoniker, Gauteng Philarmonic and National Symphony of Ireland and others. He has collaborated with conductors Yannick Nézet-Séguin, Christoph Campestrini, Skitch Henderson, Jacques Lacombe, Bramwell Tovey, Mario Bernardi, Peter Kuhn, David Currie, Marc David, Dinuk Wijeratne and others and has performed in Canada, the United States, Mexico, South Africa and Europe. Jalbert's repertoire is expansive, and he plays Bach, Brahms, Stravinsky or Ligeti with equal pleasure. David Jalbert can be heard regularly on CBC Radio and Radio-Canada broadcasts, not only as a pianist, but also as a guest commentator. A national and international prize-winner, David Jalbert was the 2007 winner of the prestigious Virginia Parker Prize of the Canada Council for the Arts, has been awarded five Prix Opus by the Conseil Québécois de la Musique, was nominated for four Juno Awards, and is now an Associate Professor of piano at the University of Ottawa. He holds two Artist Diplomas: one from the Juilliard School in New York, the other from the Glenn Gould Professional School (Toronto). He received his Master's Degree from the Université de Montréal at age 21, winning the Governor General's Gold Medal (awarded yearly to the top graduate student of the University). His main teachers have been Jerome Lowenthal, Marc Durand, André Laplante, and Pauline Charron. He has also worked with Leon Fleisher, John Perry, Claude Frank, Gilbert Kalish, and Marylin Engle.   If you enjoyed the show, please leave a review on iTunes!  I truly appreciate your support! Visit www.mindoverfinger.com for information about past and future podcasts, and for more resources on mindful practice. THANK YOU: Most sincere thank you to composer Jim Stephenson who graciously provided the show's musical theme!  Concerto #1 for Trumpet and Chamber Orchestra – Movement 2: Allegro con Brio, performed by Jeffrey Work, trumpet, and the Lake Forest Symphony, conducted by Jim Stephenson. Also a huge thank you to my producer, Bella Kelly!   MIND OVER FINGER: www.mindoverfinger.com https://www.facebook.com/mindoverfinger/ https://www.facebook.com/groups/mindoverfingertribe/

In this episode, I chat with Marina Thibeault, solo violist and chamber musician.  We discuss mindfulness, presence, and efficiency in the practice room, the importance of letting the music sing when we play, and her upcoming new recording featuring works by women composers.  Her and I also have a little surprise for our French speaking listeners: we will continue the discussion in French following the English!  Marina's approach to music making is authentic and fresh, and her insight on musicality is spot on!  I'm sure you will enjoy her point of view and get a lot of value from this episode! Marina elaborates on: Her beginnings on the violin, deeply rooted in French Canadian folk music How yoga was an integral part of her violin routine from the very beginning Her studies, from the Quebec Conservatory to the Curtis Institute, studying with Michael Tree When and why she switched to viola Her work with a sport psychologist How she plans her practice How knowing yourself is important in planning your work How planning helps her being more present in her practice and keeps her focused What being present in the practice room means to her: listening and singing Her advice on how to start listening to ourselves How working on musicality is more like “option adventure” rather than “problem-solving” How it was to work with Michael Tree – how he trusted and nurtured all of his students, and how he was teaching “a lifestyle” How she picked the pieces for her upcoming album: all written by female composers How she feels there's a need for more room for female composers How she practiced creativity and feeling free in the practice room in preparation for her first album How being a good human is good!

Nathalie Bonin is a multi-faceted artist who lives through music and art and thus has explored many expression forms from live performance, recording, composing, conducting and even aerial acrobatics. She splits her time between Los Angeles, New York and Montreal for her numerous ongoing projects. As an award-winning composer, Nathalie has cumulated numerous credits for Canadian network national and international television series as well as composed and produced soundtracks for the Best-Selling show “Messmer: Intemporel” which has been touring since 2012 in Quebec and all over Europe. She was one of the 10 selected composers for the Los Angeles Live Score Film Festival 2018 during which her score was performed live to picture by the Helix Collective. She is working on numerous feature projects as composer and performer for Music Package (France), CrimeSonics and MPATH Music Library (Los Angeles) the latter being curated by Michael A. Levine with whom she completed an Internship in 2016. She was Finalist in the Oticons International Film Music Competition 2014 and won Best Sound Design and Audience Award during 24Hour Film Race 2014. Nathalie is an alumni of ASCAP NYU Hollywood Filmscoring Worshop, SCL NY Composers Mentorship Program, BMI Filmscoring Mentorship (New York), BMI/NYU Television Scoring and Adds Workshops, and a Fellow of the Filmscoring Conducting Intensive program in 2017 at Warner Bros Studios in Burbank, CA. Nathalie is also a professional feature violinist both on the local and international scene and has been guest soloist with Wynton Marsalis and the Jazz at Lincoln Center Orchestra, a member of the New York based Jazz quintet: Ted Nash and ODEON, guest soloist of the Société de Musique Contemporaine du Québec (SMCQ) directed by Walter Boudreau, Concertmaster for the Ensemble Contemporain de Montréal for their West Canada Tour in 2007, and plays regularly as section violinist in the Orchestre Métropolitain and l’Opéra de Montréal. Asides from her numerous contributions as soloist in contemporary, jazz, tango and world music ensembles, Nathalie has also performed or recorded with: Stevie Wonder, YES, Bran Van 3000, Moist, DeadMau5, Alan Parson, Chance The Rapper, Peter Cetera, Luciano Pavarotti, Charles Aznavour, Gino Vannelli, Salvatore Adamo, Gage, Henri Salvador, Nanette Workman, Cirque du Soleil and Cirque Éloize as well as recorded on numerous movie and television soundtracks. She is Concertmaster of La Voix (The Voice) in Montreal where she has performed on most prime-time network television variety shows as lead or feature violinist. Nathalie is also a daredevil and has been performing her gravity-defying Aerial Violin act that she created 10 years ago for world class events including: NHL All-Star Game, NHL Oiler’s Opening Season Ceremony, Loréal, Toyota World Conference, SNC-Lavalin, Genivar, Desjardins Financial Security, COOP Desjardins, Air Medic and numerous television shows including: La Vie est un Cirque (TV5Monde), L’Heure de Gloire (SRC) and Star Academy Finals (SRC). Nathalie thanks the Canada Arts Council, the Conseil des Arts et des Lettres du Québec, SOCAN Foundation and YAMAHA Canada for their support. kinemuse.com imdb.me/nathaliebonin soundcloud.com/nathalie-bonin-1

Jonathan sits down with Jacques Marquis to discuss his journey from a piano major to Orchestre Métropolitain to Jeunesses Musicales Canada to the Cliburn, the melding of international pianistic styles, and hockey. Musical interludes: Maurice Ravel - Scarbo - performed by Haochen Zhang at the 2009 Cliburn Competition Gyorgy Ligeti - L'escalier du diable - performed by Sean Chen at the 2013 Cliburn Competition

Cette semaine à l'émission: Son album Marée haute:Entrevue avec le chanteur Émile Proulx-Cloutier ; L'actualité culturelle avec Jean Barbe et Sonia Sarfati ; La vie culturelle à Rome avec Ariel Dumont:Un robot réceptionniste ; La pièce Vu du pont:Entrevue avec le comédien François Papineau ; Critiquede livre:De l’influence de David Bowie sur la destinée des jeunes filles ; Orchestre Métropolitain en Europe:Le point avec le journaliste Mario Girard ; Le documentaire Bye:Entrevue avec Jean-Philippe Dion et Frédéric Nassif ; La vie culturelle à New York avec Marie Bourreau:Abolition de l’interdiction de danser dans les bars ; Suggestions musicales de Nabi Chartier et d'Alain Trudel ; Critique de film avec René Homier-Roy:Jeune femme, de Léonor Serraille.

Cette semaine à l'émission: Son album Marée haute:Entrevue avec le chanteur Émile Proulx-Cloutier ; L'actualité culturelle avec Jean Barbe et Sonia Sarfati ; La vie culturelle à Rome avec Ariel Dumont:Un robot réceptionniste ; La pièce Vu du pont:Entrevue avec le comédien François Papineau ; Critiquede livre:De l’influence de David Bowie sur la destinée des jeunes filles ; Orchestre Métropolitain en Europe:Le point avec le journaliste Mario Girard ; Le documentaire Bye:Entrevue avec Jean-Philippe Dion et Frédéric Nassif ; La vie culturelle à New York avec Marie Bourreau:Abolition de l’interdiction de danser dans les bars ; Suggestions musicales de Nabi Chartier et d'Alain Trudel ; Critique de film avec René Homier-Roy:Jeune femme, de Léonor Serraille.

I programmet diskuteras Planeterna av Holst med ungdomsorkester, Monte Piano Trio spelar Beach, Klouda och Clara Schumann, operaduetter samt verk av Tommie Haglund. Johan väljer ur diger Karajan-box. I panelen Hanna Höglund, Niklas Lindblad och Tithi Hahn som tillsammans med programledaren Johan Korssell betygsätter följande skivor:  GUSTAV HOLST RICHARD STRAUSS Planeterna Also sprach Zarathustra CBSO Youth Chorus National Youth Orchestra of Great Britain Edward Gardner, dirigent Chandos CHSA 5179 TRIPTYCH Musik av Amy Beach, Natalie Klouda och Clara Schumann Monte Piano Trio Genuin GEN 17449 DUETS Duetter ur operorna Pärlfiskarna, Mefistofeles, Faust, Carmen m.fl. Rolando Villazón, tenor, Ildar Abdrazakov, bas Orchestre Métropolitain de Montréal Yannick Nézet-Séguin, dirigent DGG 4796901 FLAMINIS AURA Verk av Tommie Haglund Ernst Simon Glaser, cello Göteborgs symfoniorkester David Afkham, dirigent ZilliacusPerssonRaitinen, Julia Kretz-Larsson, violin Malmö symfoniorkester Joachim Gustafsson, dirigent Bis SACD 2025 Johans val Johan berättar om och spelar valda delar ur en diger monumentalbox innehållande hela 330(!!!)CD, 24 DVD samt 2 Blue-ray. Boxen är utgiven på DG och är betitlad Herbert von Karajan - Complete Recordings on Deutsche Grammophon and Decca d v s, alla Herbert von Karajans inspelningar på skivmärkena DGG och Decca.  Referensen x två: Strauss och Bizet I Johans val refereras till och jämförs med en annan av Karajans inspelningar av Richard Strauss tondikt Also sprach Zarathustra tillsammans med Berlins filharmoniker och inspelad på Deutsche Grammophon 1984 samt under rubriken Referensen jämförs det med den klassiska inspelningen av Pärlfiskar-duetten av Bizet med Robert Merrill och Jussi Björling, inspelad 1951 på skivmärket RCA. Andra i programmet nämnda eller rekommenderade inspelningar: Strauss Also sprach Zarathustra med Berlins filharmoniker och dirigenten Herbert von Karajan på DG; Los Angeles filharmoniker under ledning av Zubin Mehta på Decca. Duetten ur Bizets opera Pärlfiskarna med Jussi Björling och Robert Merrill tillsammans med RCA-Victors orkester, New York, ledd av Renato Cellini inspelad 1951 på RCA (Referensen).  Svepet Johan sveper över den välfyllda boxen utgiven på DG; Herbert von Karajan - Complete Recordings on Deutsche Grammophon and Decca med Karajans samtliga inspelningar på DG och Decca.

Émission n.33 Aujourd'hui à l'émission: Grand retour sur les demi-finales des Francouvertes avec Mathieu, Maude, Gabrielle et Will, Élisabeth nous parle du dernier show des Hôtesses d'Hilaire avec les Abdigradationnistes, Mathieu est allé faire un tour à l'Orchestre Métropolitain et est retombé en enfance lors du Carnaval des animaux et Gabrielle est allée passer son samedi à l'Espace pour la vie.  EN ENTREVUE + PERFO: Mon Doux Saigneur! En musique: Philémon CImon, Laura Sauvage, Les Hôtesses d'Hilaire, La famille Ouellette, Charlie Hilton et The Goon Sax.

Émission n.33 Aujourd'hui à l'émission: Grand retour sur les demi-finales des Francouvertes avec Mathieu, Maude, Gabrielle et Will, Élisabeth nous parle du dernier show des Hôtesses d'Hilaire avec les Abdigradationnistes, Mathieu est allé faire un tour à l'Orchestre Métropolitain et est retombé en enfance lors du Carnaval des animaux et Gabrielle est allée passer son samedi à l'Espace pour la vie.  EN ENTREVUE + PERFO: Mon Doux Saigneur! En musique: Philémon CImon, Laura Sauvage, Les Hôtesses d'Hilaire, La famille Ouellette, Charlie Hilton et The Goon Sax.

Émission n.33 Aujourd'hui à l'émission: Grand retour sur les demi-finales des Francouvertes avec Mathieu, Maude, Gabrielle et Will, Élisabeth nous parle du dernier show des Hôtesses d'Hilaire avec les Abdigradationnistes, Mathieu est allé faire un tour à l'Orchestre Métropolitain et est retombé en enfance lors du Carnaval des animaux et Gabrielle est allée passer son samedi à l'Espace pour la vie.  EN ENTREVUE + PERFO: Mon Doux Saigneur! En musique: Philémon CImon, Laura Sauvage, Les Hôtesses d'Hilaire, La famille Ouellette, Charlie Hilton et The Goon Sax.

I programmet diskuterar panelen bl.a. Weinbergs opera Idioten samt Mahlers 10e symfoni med Nézet-Séguin. Dessutom har Sofia Nyblom intervjuat dirigenten och violinisten Nikolaj Znaider. I panelen Alexander Freudenthal, Johanna Paulsson och Måns Tengnér som tillsammans med programledaren Johan Korssell betygsätter följande skivor:FELIX MENDELSSOHN Stråkkvartetter nr 1 och 4 Escher-kvartetten Bis BIS 1960GUSTAV MAHLER Symfoni nr 10 Orchestre Métropolitan Yannick Nézet-Seguin, dirigent Atma ACD 2 2711PROKOFJEV TJAJKOVSKIJ Pianokonsert nr 2 Pianokonsert nr 1 Beatrice Rana, piano Santa Cecilia-akademins orkester Antonio Pappano, dirigent Warner Classics 0825646009091MIECZYSLAW WEINBERG Idioten Juhan Tralla, Steven Scheschareg m.fl. Mannheims nationalteaters orkester Thomas Sanderling, dirigent PanClassics PC 10328Sofia möter Sofia Nyblom träffade den danskfödde violinisten och dirigenten Nikolaj Znaider då han gästspelade i Stockholms konserthus och dirigerade Dvoraks sjätte symfoni.Mendelssohns stråkkvartetter med Emerson-kvartetten på skivmärke DG; Mosaïque-kvartetten på Astrée samt med Talich-kvartetten på Calliope. Bruckners sjunde symfoni med Stuttgart-radions symfoniorkester ledd av Kurt Sanderling på Hänssler jämfördes med Orchestre Metropolitan och dirigenten Yannick Nézet-Seguin på Atma. Mahlers tionde symfoni med Berlins symfoniker ledd av Kurt Sanderling på Berlin Classics; Polska radions symfoniorkester dirigerad av Robert Olson på Naxos; Junge Deutsche Philharmonie under Rudolph Barshai på Brilliant Classics; Simon Rattles två inspelningar gjorda på EMI med Berlins filharmoniker respektive Bournemouths symfoniorkester samt med Berlin-radions symfoniorkester under ledning av Riccardo Chailly på Decca. Prokofjevs pianokonsert med Yuja Wang tillsammans med Simón Bolívars symfoniorkester ledd av Gustavo Dudamel på DG. Tjajkovskijs pianokonsert Svjatoslav Richter och Tjeckiska filharmonin under ledning av Karel Ancerl på märke Supraphon. Weinbergs opera Idioten jämfördes med Wagners Parsifal. Båda arbetar med ledmotiv-teknik.Johan sveper över den nyutkomna utgåvan med violinisten Vilde Frang som solist i Korngolds och Brittens violinkonserter tillsammans med Hessiska radions symfoniorkester i Frankfurt, ledda av James Gaffigan. Utgiven på Warner Classics. 

Il y a des jours où l'on se sent las et vieux.... Alors on attrape son chat, ses aiguilles à tricoter et on se cale dans un bon gros fauteuil. Attention de ne pas vous égarer entre l’opéra et les urgences ! Aujourd'hui, on se fait une émission Cosy Mamie . Réalisation et Présentation : Anna Massé, Gautier Piatek /// Reportages :  Sophie Poisson; Emilie Pommereau ///  Création sonore: Gautier Piatek, Anna Massé/// Habillage Sonore : James Van Der Bicky /// Illustration : Jacques Le Bourgeois /// Musique : Arolde - Comme une vieille femme; Les Elles - Armand /// Opéra : Nabucco de Verdi;  Francesco Maria Colombo, Thaddeus Strassberger, Leigh Holman, Choeur de l'Opéra de Montréal, Orchestre Métropolitain

Lorraine Desmarais version légèreLorraine Desmarais et son Big Band, version corsée...---------------------------------------------- Gadget Google - Dewplayer volume - ------------------------Lorraine Desmarais,Guy Nadon, Michel Cusson,Michel Donato, Paul Brochu, Jean St-Jacques, Sylvain Bolduc, l'ensemble de cuivres St-Laurent et bien d'autres.Lorraine Desmarais,pianiste de jazz et compositrice est reconnue aux États- Unis, en Europe en Asie et en Afrique pour ses prestations en solo, en trio et avec big band. Elle s’est également produite avec plusieurs orchestres symphoniques dont l’Orchestre symphonique de Montréal, l’Orchestre Métropolitain du Grand-Montréal, l’Orchestre symphonique de Laval et l’Orquesta Sinfonica de Galicia, en Espagne. C’est en 1984 qu’elle a pris son envol sur la scène du jazz au pays alors que le Festival International de jazz de Montréal lui décernait un premier prix. Elle compte maintenant à son actif neuf albums de compositions originales, incluant parfois quelques standards de jazz. Deux de ces albums (Trio Lorraine Desmarais et Jazz pour Noël) ont remporté des Félix. Lorraine Desmarais s’est produit en concert avec des artistes de renommée internationale comme Oliver Jones, Chick Corea, Joanne Brackeen, Marian Mc Partland, Tiger Okoshi, Paquito D’Rivera, Guido Basso, Jane Bunnett, Alain Caron, François Bourassa, Michel Cusson et le Big Band Diva de New York. D’une très grande polyvalence musicale, elle a également collaboré avec des artistes de la scène classique dont Angèle Dubeau et La Pietà ainsi que des artistes de la scène populaire québécoise tels Ariane Moffat, Martin Deschamps, Jim Corcoran, Michel Rivard et Bruno Pelletier et Sylvain Cossette....lire la suite du texte→ Par ici!On peut écouter son nouvel album→ Par là!Visitez son site web→ Par ici!