Podcasts about paper mache

Join Mary Jo (Pines) and Kellie (Pluto) as they discuss the first episode of Pinky and The Brain's second season, It's Only A Paper World! In this season opener, Brain suffers from conqueror's block. He tries to get ideas from Pinky until he glances at a crafting show on television and becomes inspired to make a 1:1 scale replica of the earth from Paper-Mache and lure all of humanity to Chia Earth by giving away free T-shirts.Contact Us!Email: thepoitcast@gmail.comTwitter: @poitcastTumblr: poitcast.tumblr.comCover Art by @mygames19Opening Theme Song  arranged by ComposerrClosing Theme Song arranged by Ian Knowles

ahhh. Wee mummies. Found all over the world. All turned out to made of Paper Mache and chicken bones. Until now.The mini mummies from Peru have been in and out of the news for a while now. Well they are back. A new set of tests and examinations have revealed a shocking truth: We aint never been alone, sucka.thanks for listening!!!www.thewhatcast.comwww.patreon.com/thewhatcastwww.ko-fi.com/thewhatcast

Who knew the person who can't be seen would be so sleepy?Check out Park Stop's online charity event, raising money to support LGBT Youth through the Trevor Project. Start a 7 day FREE trial of Sleep With Me Plus- The ultimate way to listen to show, based on how YOU listen! Get your Sleep With Me SleepPhones. Use "sleepwithme" for $5 off!!Learn more about producer Russell aka Rusty Biscuit at russellsperberg.com and @BabyTeethLA on IG.Show Artwork by Emily TatSupport our AAPI communityBlack Lives Matter. Here is a list of anti-racism resources.Support the people in Ukraine.Going through a hard time? You can find support at the Crisis Textline and see more global helplines here.CLARITIN - Nip your allergy symptoms in the bud this spring with Claritin D. Head to claritin.com to learn more and Live Claritin Clear.DUSKER - Turn your pillow into the comfiest earphone ever with Dusker's advanced under-pillow speaker, the Sleepbar. Head to dusker.com and use code SLEEPWITHME20 for 20% off.HELIX SLEEP - Take the 2-minute sleep quiz and they'll match you to a customized mattress that'll give you the best sleep of your life. Visit helixsleep.com/sleep for up to $200 off and 2 free pillows! ODOO - Simplify and connect every aspect of your company with this easy-to-use, all-in-one management platform software. Learn more at www.odoo.com/withme AIR DOCTOR PRO - Get a professional air purifier with a medical-grade UltraHEPA filter that's 100x more effective than ordinary HEPA filters. Visit airdoctorpro.com and use code SLEEP for up to $300 off!AQUATRU - AquaTru is a 4-stage countertop purifier that works with NO installation or plumbing. Use promo code SLEEP for 20%!!! off at aquatru.com. ZOCDOC - With Zocdoc, you can search for local doctors who take your insurance, read verified patient reviews and book an appointment, in-person or video chat. Download the Zocdoc app to sign-up for FREE at zocdoc.com/sleep PROGRESSIVE - With the Name Your Price tool, you tell Progressive how much you want to pay for car insurance, and they'll show you coverage options that fit your budget. Get your quote today at progressive.com

The Seguin Art League welcomes members of the community, ages 10 and older, to attend its Introduction to Clay class on Tuesdays, July 16 and 30, from 10 a.m. to noon at 104 S. Austin St. in Seguin. Students will create their own plate and bowl during the beginning class and texture the clay pieces using natural objects. The second class will be devoted to glazing. The cost is with supplies included. Paper Mache Screamers class will be offered as well on Tuesdays, July 23 and 30, from 1 to 4 p.m. at the Seguin Art League. Students are...Article Link

We are getting back into the groove Lowlife's. We have movie reviews, phone notes from obscurity, margarita's and them Rando's. We are bohemians on a mission. Grab yourself a marg and join us at the Lowlife Social Club. Enjoy! 

I talk about UFO's and aliens in Mexico, this week's Nintendo Direct and Playstation State of Play, and my thoughts on video game remakes/spinoffs. 

NSFW, Not safe for children, nor for people that have no sense of humor and gets easily offended. - Mexican Alien bodies? - - Weird Hawaii aftermath. - - Fake climate agenda. - - Cooties returns? Do not comply. - - Limit your internet. - - Do not comply. - - Reach the show at BalloonKnotRadio@gmail.com . - twitter @MrBalloonknot . Follow @Archonlobo & @Freespewchvidshare .

Apparently aliens were unveiled in a congressional session in Mexico. But, they look like typical aliens? Is this how Aliens really look? So close to humans? Jen Lada joins the program to talk about the alien discovery, if it

Trav is off on a secret mission while D and Banks got to sit down with the legendary Dorothy Fahn. You have heard Dorothy behind the voice of Konan, Meryl Stryfe, Kamiya Kaoru, Nina Purpleton and so many others! Learn more about Dorothy as she talks about her life, love for theater, being married to another voice actor and so much more.As always make sure you support the podcast by giving us a 5 star rating and subscribing to us on Apple Podcast, it really helps us out in the algorithms. You can also listen on all other podcast platforms by clicking the link below:https://pod.link/levelingupbanksAlso, make sure you subscribe to the YouTube channel where we post a brand new video everyday and upload the video portion of this episode on Friday. You can find that by clicking the link below:https://www.youtube.com/c/LevelingUpwithBenjaminBanksSupport the show

Why Make Podcast, Wendy Maruyama Episode Part 1 Transcript Time Code00:00 Robb HelmkampHello and welcome to Why Make, where we talk to makers from different disciplines about what inspires them to make.With your hosts Robb Helmkamp and, Erik Wolken Erik Wolken. If you would like to learn more about the makers we interview on Why Make please go our website why-make.comRobb HelmkampAnd please help support the Why Make podcast and Why Make productions by making a tax refundable donation to us on Fractured Atlas.Erik WolkenFractured Atlas is our new non profit fiscal sponsor which allows us to access a wide range of funding possibilities including funding available only for non-profits Robb HelmkampVisit https://fundraising.fracturedatlas.org/the-why-make-project or go to the donate to Why Make page on Why-Make.com 01:01 Robb HelmkampWelcome to our first podcast of the 2023 season of Why Make. This episode is part one of our in depth conversation with the artist Wendy Maruyama.Erik Wolken Wendy Maruyama is a furniture maker, sculptor and retired educator who resides in San Diego California. Wendy's work has tackled a wide scope topics from traditional furniture forms to exploring her Japanese heritage and the imprisonment of Japanese Americans during WW2 to the issue of endangered species.Robb HelmkampAs we discuss later in the podcast Wendy was born with significant hearing loss and cerebral palsy and at her request, to aid our listeners, we have included a full transcript of our conversation on our web page for this episode which can be found on the podcast page of why-make.com It can also be found in the episode notes on Apple podcastsErik WolkenPlease join us and take a listen to our wide ranging discussion with one of the more amazing artists in the woodworking field, Wendy Maruyama.02:03 Erik Wolken Okay, are we ready to have a very serious conversation about nothing?Wendy MaruyamaOh, yeah that will be fine by my book.Erik Wolken We'd like to welcome Wendy Maruyama to the Why Make? Podcast.Robb Helmkamp Welcome Wendy. Welcome to Why Make!Wendy MaruyamaThank you! Thank you for having me, you guys.Erik Wolken The question we always start the podcast with is: What is your first memory of making something?02:00 Wendy MaruyamaWell, you know, I can remember when I was maybe four or five years old, my mom used to bring home these little art kits, craft kits, maybe not coloring books. But things that you had to like put together. And I remember very distinctly a paper cutout book where we had to fold them and they were sort of kinetic. I remember I was more interested in the whole fabrication process verses drawing and painting. Although I did draw and paint when I was little, but I preferred punching holes in paper and you know that sort of thing. So I would say that would be my earliest recollection of making stuff.Erik Wolken Right. So you are an active maker. You liked to be involved in the making. You weren't a passive maker.03:47 Wendy Maruyama Right. Got to be more than just a piece of paper and crayons. I want to ...Even if it meant crumpling paper up or stabbing a piece of paper with a dowel rod, or...Robb Helmkamp Not just making marks but making holes in things too, changing the shape of it.Wendy MaruyamaRipping things apart. I remember needle craft stuff too. Like working with yarn and string. And of course you know back in the 50s the kinds of toys one would get would be very much based on gender and I never got the little hammers and the screwdriver kits for kids, you know. I got the sewing kit and the dolls and that kind of thing. So hopefully that changed a little bit now, but I do remember that pretty clearly because I would go to my cousin's house. I had male cousins and they all had the really cool cars (coins?). That wasn't made available to me because I guess mom felt like I needed more of a Homemaking Type Kit.Erik Wolken What was your first introduction and attraction to furniture and woodworking when did that come?05:12 Wendy MaruyamaWell, you… if you want the earliest: I remember in 6th grade camp, we got sent away to some mountain retreat. When we were all in 6th grade and I really kind of hated it because I hate camping and I hate hiking. I am just not into the outdoor scene. But the most fun things I remember… we had to find a piece of wood in the woods and bring it back to craft room and sand it. Make it all pretty and put oil on it. And I remember the transformation of the wood once I sanded it and made it all pretty and put oil on it, kind of magical. I think my mom still has this piece of wood somewhere. I think I saw it on her dresser a couple of years ago. But anyway, so that would be my earliest memory. But then my first piece of furniture happened when I was 19. I was taking a craft class at a junior college that was in San Diego called Southwestern College and they had an excellent craft program. And this would be the 70s and craft was really enjoying a huge revival at that time and so I was taking jewelry and ceramics. The craft class, we didn't really have a woodworking program, but we had a craft class, which introduced us to all sorts of things, like batik and textiles. And so that we did a little bit of ceramics and weaving and then woodworking was the final project and I was really intrigued by the fact that, you know, I was able to use the machines. And the other good thing was that the woman that was teaching class also made furniture. So kind of like wow, you know, Joanne can work in wood! You know, I'm going to learn how to work in wood. So anyway... I made a three legged chair that was really kind of organic, kind of poorly made, but I didn't know what I was doing. We didn't have any machines for doing mortise and tenon and she (Joanne) didn't use joinery in her work. It was kind of a California thing. We used a lot of dowels you know, and I think that was inspired by Sam Maloof who used a lot of dowels to fabricate his furniture and the dowels were decorative of course too. You know were you use contrasting woods with dowels. And back in those days, we were using a lot of leather so I had leather seat and it was uh pretty hippy influenced work. And its funny because I have the chair in my studio now and I want to replace the seat and maybe clean it up a little bit, you know. But anyway, that was my first piece of furniture. That would be 1971 maybe seven? Yeah '71.Robb Helmkamp That's great that you still have it.Erik WolkenYou'll have to send us a picture of that piece. And if it was truly hippie Wendy, you would have macramé the seatWendy MaruyamaOh, maybe.09:26 Erik Wolken Did you know who Sam Maloof was when you were 1909:30 Wendy MaruyamaUm. No I didn't actually. But you know looking back, I remember thinking, "Why did I use dowels?" Oh and it was screwed together. Screws and the dowels were really there too hide the screw head. Anyway, I didn't know Sam's work until I went to San Diego State. I transferred from Southwestern to San Diego State. Now Larry Hunter was my teacher there and he was the one who kind of exposed me to a lot of makers at the time. Wendell (Castle) well, of course, was a biggie and he had a huge Influence on California woodworkers and we had some really amazing woodworkers in California too. Larry Hunter being one of them and Jack Rogers Hopkins who I think is greatly under appreciated for his work. He did some massive stack lamination pieces. Personally I think that he I think he was really the first person to really incorporate stack lamination into furniture. And I think that Wendell started using the same techniques, around the same time, but my feeling is that Jack was really the early pioneer for that method of working.One day I remember seeing a movie not a video, but it was a movie, you know we he had a movie of him building a music stand from start to finish. It was a much different method of construction and stack lamination. That movie was probably made in the late 60's, 67 maybe. B ut my main influence at that time was Tommy Simpson. I was really just wowed by Tommy's work at that time, you know? So sculptural. And it wasn't merely about woodworking, it was more about fantasy forms that one could make. I think all of his work was made with wood. But, I think could have been interpreted into Paper Mache, plaster, with the kind of forms he was creating with wood. And of course it was all painted. So my first piece of furniture that I did for Larry Hunter was a desk that was very inspired by Tommy Simpson. But it's all made out of chicken wire, plywood and Paper Mache.Erik WolkenAnd this was in a woodworking class you did that? 12:40 Wendy MaruyamaYeah this was a woodworking class. And so I think maybe it was like an introduction and maybe I showed this piece and Larry might have said well it would be faster if you made it out of chicken wire and plywood. You know, you might be able to achieve the form more quickly. So maybe he was trying to you know encourage me to create that form with the little knowledge that I had in woodworking. It was beginning class so it's interesting how he let me do that. If I was teaching a beginning class, I probably would not have said, "Oh make it out of Paper Mache." But uh in hindsight, I wish maybe I could have encouraged that. But, I think I was to deprogramed by the time I started teaching out. I had too many educators that, you know, dictated what woodworking should be and how it should be taught.Erik WolkenSo what were those first what pieces you actually created for him like?14:02 Wendy MaruyamaWell let me tell you, the assignments that I got were so totally different from what most of us are familiar with. And you have to remember this is the early 70's! One assignment was to go out into the woods and be with nature, look around and find something beautiful that was natural. And thinking about it now sounds so crazy. But anyway, so I found a seedpod out in the woods and decided to make a carved hand mirror that was inspired by this seedpod. But that was one assignment. And the second one, was um, I decided to make a music stand or a book stand and I wanted it to emulate a whales tail. You know, when a whale breaches in the ocean and it dives you see that beautiful tail coming out. Well the upper part of my bookstand had a lamp and the tail was really part of that lamp. You know, looking back I'm kind of glad I had those kinds of experiences when I was more naive and perhaps a little more open minded about what furniture could be. There were fewer limitations, if I remember, back in those days.Robb Helmkamp It's really neat to see you incorporating nature into your work already with the whale. I mean, how prescient is that about work that we're going to talk about later in the podcast. But, I think that was one of my most favorite things about living in California was being able to see the whales out in the ocean and go whale watching.16:08 Wendy MaruyamaI agree. Talking about California after having been on the east coast for a while. And then coming back to California the plants are so different here, you know, just sort of otherworldly. The cactus, you know, even the more tropical looking plants that you see, the colors are so different. And I think that had a profound effect on my work. When I returned to California in the in the 80's I really started splashing that paint around. Well, you know, I was free from the indoctrination of the east coast woodworking scene.Robb Helmkamp Ha ha ha haErik WolkenLet's keep on moving on. And let's talk about Mickey Mackintosh. I think that's the first piece that I saw. Was that the first piece you saw Robb?Robb Helmkamp I think it was. When I started at Haywood Community College. My teacher Wayne Rabb talked about and presented some of your work in his slideshows. I remember seeing Mickey Macintosh and just being blown away. You know, not initially, not knowing what to think, but then reading into it and finding out the story behind it. And, you know, I think I tried to make up my own story about it when I first saw it, Erik WolkenSo what is the story behind Mickey Mackintosh?17:37 Wendy MaruyamaThat was made in 1980 or 1981 and I had just graduated from RIT, Rochester Institute of Technology. And I was free, gleefully, free from school and from assignments and the watchfull eyes of Bill Keyser and Doug Sigler. I felt like I could do anything I really wanted. So I decided that I have always loved Charles Rennie Mackintosh chairs. I love the tall back chairs, and I loved Disneyland as a kid. Any opportunity I could get to and get Mom and Dad to take me to Disneyland was just heaven and one of my favorite memories was having one of those Mickey Mouse hats where you would have the big black mouse ears. I think I have an old picture of me wearing that. I thought to myself that would interesting to mash up the two things into one piece. So I said why not and I wanted to take two iconic images and put it into one piece. And that's how Mickey Mackintosh was born. I know a lot of people didn't love it, think of it back in the 80's. I showed that piece at Pritam and Eames in '82 or '83 and it never sold and then it went to another gallery. 30 years later now there has been a lot of interest in the chairs and I have sold so many of them just in the last 10 years. And so I had established there would be an edition of 25 starting in 1981 and so slowly have been pumping out the chairs over the last 40 years, and I just finished the last 10 of the edition which is now in New York City at R and Company Gallery.Robb HelmkampWhen you first came up with the idea were you trying to achieve a mash up?20:20 Wendy MaruyamaI hate making chairs okay. I really hate them. Even now I've tried to make chairs and I keep coming up with the same shtick for years. You know it just is hard to break out of that ubiquitous chair form, with 4 legs and slats and a seat and I kept drawing it over and over and over again and I just couldn't make any progress. And then I was drinking coffee and I put the coffee cup down and it made like a ring on top of my drawing and I thought oh my God that is perfect. So I am going to put those ears and that is how that happened you know. Robb HelmkampThat's perfect!Wendy MaruyamaIt just worked out, it just looked so good, it was the first time I can say oh I loved that piece. I usually don't brag a lot about my work and say oh this is a piece I made I love it's an amazing piece it's the Mickey Mackintosh Chair. That doesn't happen very often you know. Erik Wolken Do you have the original drawing with a coffee cup stain? Erik Wolken One more question about the Mickey Mackintosh chair. You use that industrial Zolotone finish? Was that inspired by the coffee stain as well?21:45 Wendy MaruyamaYou Know, there's not a lot of resources in Smithville Tennessee, there was an auto body supply store on the main drag there, that's the first time I saw a can of um I guess it's called Zolotone. I think it was called splatter paint or truck paint. I think it was made by Napa and it was black with little red and blue speckles. And thought it was the perfect color combination for Mickey Mackintosh. You stepped back and you saw that basically a black chair but if you walked up very close to it you not only saw the red and the blue but you felt the texture. It was smooth. That is how I came up with that surface. It was just serendipity that I came across that paint. Interestingly around the same time one of my colleagues at that time who was Ed Zucca had also discovered that same paint but he was using it in a very different way.Erik Wolken Actually, one more thing about the I lied, I'm gonna ask one more question about the Mickey Mackintosh chair. Why do you think the chair wasn't accepted in the 80s but was much was accepted much later?23:25 Wendy MaruyamaI don't really know. I mean, I wish I knew because it was the coolest thing I thought, but it wasn't the price I remember how cheap it was, I sold the first few ones for 500 bucks that's basically almost the cost of materials. But you know, nowadays, but I guess maybe because it sort of had a vintage reference to it, it just became iconic over the years. I think it took a couple of museums to highlight it. I think um it really helps when a museum supports your work and that more people would notice it. I think one of the first museums to acquire this piece was the Victoria and Albert Museum in London and Glenn Adamson was the curator back then and he was creating a show about post modernism which of course this took place in the 80's. And so it was just sheer luck that Glenn wanted to utilize that chair for the collection and pushed it. Actually he pushed it from somebody else who bought it for hardly anything, and then like sold it for like a butt load of money. But I finally got my due after a bunch of... I was able to sell those chairs at a fair price, shortly after that. I hate talking about money, anyway.Robb Helmkamp It's kind of neat to see that they have a life that is now on to almost 42 plus years. Wendy MaruyamaYeah. Robb Helmkamp So you said you just made 10 More of them for the fall? What's it like making a piece after 42 years and I know you have made them, you know, on the way but 42 years after the first one. That's great.25:50 Wendy MaruyamaYeah. It's interesting because I've been invited to participate in a chair show here in San Diego. I was, oh God... I don't even know why I said yes. But I said yes. And I was back at the same place drawing the same stick chair over and over and over again. So finally just out of necessity I had to stop and I started ripping from three quarter inch square cherry stock and started making what looks like a ladder making a ladder but it's actually a ladder with the a little chair stuck on the bottom and the foot rail I made what looks like little mouse ears sitting at the top just because I needed to get it done you know, but it came out kind of cute. I mean it's cute. So I call it Matador because it looks like a little matador hat you know those little hats that bullfighters wear. That's kind of like a offshoot of Mickey Mackintosh in a way. Maybe I am doomed to that kind of chair design?Robb HelmkampI wouldn't call it doom. I mean, it's almost iconic now that you... you know, you know that you can incorporate that shape to your chairs.Wendy MaruyamaIt's doom, It's doom, I'm doomed. Robb HelmkampAh it's not Doom!Wendy MaruyamaI love that word "DOOMEDRobb HelmkampIt's a good word. Erik WolkenI think your next piece ought to be called "Mickey Macintosh Doomed" And you can riff off of that ideWendy MaruyamaYeah. Erik WolkenMaybe Mickey's ears fall off? So moving along past Mickey and through time. There is a wonderful episode of you on the Craft in America Series on PBS. And it is the Identity episode. And I think you do a wonderful job in that episode of explaining all of your different identities. And I was just sort of hoping that you would go back and sort of rehash that little piece for us?28:03 Wendy MaruyamaWell you know... I was born with a hearing deficiency, I am about 80% deaf and I also have cerebral palsy, which has not really limited me too much, but it does affect my motor control. So you know, as much as I didn't like that identity over the years, in the last 10 years maybe, I started to learn to embrace that identity. In the past I tried to ignore it. And not think about it so much. Then I realized maybe it was not a good idea because people may find it noticeable and I should be up front about it so that people maybe would feel less uncomfortable with hearing me or seeing me for the first time. And if I can embrace that I think it makes it easier for other people to embrace it as well. That is my theory anyway. And then there's the Asian identity. I probably didn't even know I was Asian until grade school. When people were asking me if I was Chinese or Japanese. I would go home and ask Mom, "Are we Chinese or Japanese?" or they would ask me if Dad knew how to do Judo. And you know that kind of thing and that's when I realized they were kind of, being Asian was, was a thing. And then of course I identify as being a maker that's a huge one for me. I am very proud to be a maker, I am very proud to be a crafts person and I am fortunate that I have that too. I guess it's kind of a form of therapy, maybe? I don't know what I would do without that skill. You know? Anyway, so those are my identities that you know some are less obvious than others, and oh being a woman, that's another oneRobb Helmkamp And so on being a woman, you were one of the very first women to graduate with a master's in furniture and design from RIT.30:54 Wendy MaruyamaKind of hard to believe! I can't even believe that's the big deal now, you know, but yeah I guess. There are plenty of other students female students in the program, but they were undergrads. And when they said, you know, you and Gail Smith (Gail Fredell) are going to be the first MFA students to graduate from RIT. I was like wow, you know, ok.Robb Helmkamp So what does this mean? Wendy MaruyamaI don't know. Who cares anyway? Robb HelmkampYeah, that's… a that's a great attitude to have about it. Yeah, it's like you are being an iconoclast without knowing it.31:48 Wendy MaruyamaMaybe that's a good way to put it. No, I was not really aware of that. And it was really funny because after I graduated there was kind of a slew of exhibitions that were called "woman woodworkers" and "women in wood". I guess that was a good thing? I know that a lot of other woman woodworkers feel kind of ambivalent about that, and I could understand that. I mean you want to be accepted as a woodworker regardless of whether your male or female. On the other hand you want to sort of prove something. I'm happy to be able to represent to put it that way. But I don't want it to be the only thing that kind of identifies my work I want to be acknowledged for what I can do and what I like to do. I suppose that would be a hard discussion in itself?Erik WolkenThis is the end of part 1 of our discussion with Wendy Maruyama. Please make sure to listen to part 2 as well

Why Make Podcast, Wendy Maruyama Episode Part II TranscriptTime Code00:00 Robb HelmkampHello and welcome to Why Make, where we talk to makers from different disciplines about what inspires them to make.With your hosts Robb Helmkamp and. Erik Wolken Erik Wolken. If you would like to learn more about the makers we interview on Why Make please go our website why-make.comRobb HelmkampAnd please help support the Why Make podcast and Why Make productions by making a tax refundable donation to us on Fractured Atlas.Erik WolkenFractured Atlas is our new non profit fiscal sponsor which allows us to access a wide range of funding possibilities including funding available only for non-profits Robb HelmkampVisit https://fundraising.fracturedatlas.org/the-why-make-project or go to the donate to Why Make page on Why-Make.com 01:03 Robb HelmkampWelcome to our first podcast of the 2023 season of Why Make. This episode is part two of our in depth conversation with the artist Wendy Maruyama.Erik Wolken Wendy Maruyama is a furniture maker, sculptor and retired educator who resides in San Diego California. Wendy's work has tackled a wide scope topics from traditional furniture forms to exploring her Japanese heritage and the imprisonment of Japanese Americans during WW2 to the issue of endangered speciesRobb HelmkampAs we discuss later in the podcast Wendy was born with significant hearing loss and cerebral palsy and at her request, to aid our listeners, we have included a full transcript of our conversation on our web page for this episode which can be found on the podcast page of why-make.com It can also be found in the episode notes on Apple podcastsErik WolkenPlease join us and take a listen to our wide ranging discussion with one of the more amazing artists in the woodworking field, Wendy Maruyama.02:06 Erik Wolken Moving along Wendy, let's talk about the next phase of your work. Because the next phase of your work use do start to tackle some of your identities in your bodies of work in Turning Japanese, Simple Pleasures and Indulgences & Men in Kimonos you do start to sort of not only address your heritage, but really start to use narrative in your work. What was what was behind all of that? I mean, what do you think was the inspiration behind that? The whole thing that started with Turning Japanese and Men in Kimonos exploring your cultural identity.02:42 Wendy MaruyamaI think the Turning Japanese series the Men in Kimono riff came from my first trip to Japan could be in '92 maybe I can't remember but I'd never been to Japan until the early 90's and like anybody else I was just amazed by what I was seeing over there especially the craft scene. There is such a strong craft heritage in Japan not only with woodworking, ceramics of different styles at the same time some of the fields like textiles really evolved into the modern times to use the unusual fibers and metal in weaving. And then of course, going to downtown Tokyo in the Shibuya District dominated with all this neon stuff, it was very much like Blade Runner if you've seen the movie Blade Runner? It was clearly based on Tokyo. And so there are these two very different aspects of Japan, the old and the very, very, very new high tech side of it. There is a little bit of conflict to you know, I'd be riding on the subway and you can see these Japanese business men reading these pornographic cartoons it was called Manga. I think it was it all these lady with big boobs, it's all cartoons. It was such a flurry of images and so I think some of that was mostly my personal response to what I saw in Japan and I realized that I didn't fit even though I was Japanese American. Japanese descent. I did not fit into that whole culture, I mean, even if I tried. I mean, I'm kind of proud of it from a distance but I realized I don't think like that. So, maybe that was kind of a mixture of sadness and relief in a way. It is a very patriarchal society so there was that and it was kinda just a response to my experiences going to Japan.05:44 Erik WolkenAnd the other interesting thing about that body of work is you begin to introduce using video and still images into it too. And you're really starting to truly experiment with your craft and and I thought that was absolutely wonderful. You know, you reached outside the box, which I think is what we all aim to do as artists. When you first started using video and still images? And where did that come from?06:11 Wendy MaruyamaI'm trying to think. Trying to remember if the Tasmanian Tiger piece was first, I think it was. But anyway, in the Turning Japanese series I started using photo's because I went to a flea market in Kyoto. It's one best thing about Japan! It's amazing what you can find at the flea market. Some love it. If you ever go to Japan, make sure that you go into a big flea market either in Kyoto or Tokyo. The stuff that you find is amazing, but anyway, I came across a box of old black and white photographs of Kabuki actors. And I found out later that in Kabuki theater, women were not allowed to perform. I don't know if that is the case now? But women were not allowed to perform in Kabuki and so the female characters in a Kabuki play were always played by men who were expert at mimicking the feminine movement of women in the story. So all these men I mean all these women in kimono were actually men and they were quite beautiful and alluring and I was just kind of fascinated by that, how these beautiful, these men were. And they were prettier than I was and I thought it be kinda fun to use some of these images. At the same time, I'm a big Japanese sci-fi fan I think that was because that was the first time I saw Japanese people in a movie. It was in a Godzilla movie where you see all these Japanese people running from Godzilla. In one of the Godzilla movies there's these twin fairies (the Shobijin). I don't know if you remember they were sidekicks to Mothra, who was another monster. So I wanted to create this sort of these twin geisha women in the image of this. Oh I don't know, it's amazing about Photoshop, I was taking Photoshop class, and it's amazing how you can make fantastical images using Photoshop. So that was an opportunity to experiment with different media. I tend to jump around from, you know, from subject to subject cause that's the way my life goes. I'm not one to stay with one idea for 40 years, I think I would be bored to death. So it's important for me to just kind of reflect my life through my work. And so hopefully you get an idea what I've been going through by seeing my work in a linear pattern.09:41 Erik Wolken Yes, you definitely see a progression of your work, because then the next body of work you move on to is Executive Order 9066. And the Tag Project. And of course this is referring to, and I'm going to use the correct terminology. This is referring to the incarceration and or imprisonment of the Japanese people on the West Coast of America during World War Two. Just to give you an idea of the scope of this project, and Wendy you can go on to talk about it more, but there were 120,000 Japanese, people of Japanese heritage, imprisoned during EO 9066. And the Tag Project, you printed out a replica of the original tags, these people wore as they were sent to their prison camps. 120,000 tags, that is a mind boggling number.10:38 Wendy MaruyamaThat's a lot of tags. I started this the body of work when I was an artist in residency at SUNY New York, SUNY Purchase that is State University of New York Purchase. I knew that I needed to do this work, but I wasn't really ready until then. I mean it's a really hard topic because my mother's side of the family was deeply impacted by Executive Order 9066 because they were in Los Angeles at the time when Pearl Harbor was bombed and all that happen. But what struck me and kind of made me sort of angry was I was really surprised at how many people didn't even know about this episode in American history, especially on the East Coast and in the south and even now sometimes you run into people who don't even know about it. I think people know, more people know about it now. But even 15 years ago, when I started this project I was running across a lot of people who didn't know, they kind of knew but they didn't really know. And when you tell them how many people were sent away to these prison camps but it's daunting to think about. And so I also thought a lot about the Holocaust too. It doesn't hold a candle to what happened here, but still the fact that Executive Order 9066 happened in this country, this country of freedom and all that. I just really wanted to bring that to the forefront with my work. And I also wanted to get to know more of the Japanese American community. And so one of the first things I did was that I reached out to the local San Diego Japanese American historical society to learn more about Executive Order 9066. And I started talking to a lot of other people who were sent to prison in Poston, which was in Arizona. Most people from San Diego were sent to prison camp in Arizona. And that's when I started to make it into a community project and I would host these tag writing parties we would have different chores people would stamp tags, they would write the names, they would tie, tie them together, there were a lot of processes in for each tag and the only way I was going to be able to do 120,000 tags was to make it a community project. But hopefully make it an educational project, but also social advocacy project. So that people can learn about what happened. And I would show a slide show before we would start working on the tags. I was going to temples and churches and high school classrooms, and college classes, and galleries and museums. So it was kind of a broad outreach and it took 4 years but we did manage to finish all the tags in time for the 70th anniversary of Executive Order 9066.Erik WolkenThat was a massive undertaking, what led you I mean, what led you at the beginning to first think of producing these 120,000 tags?14:54 Wendy Maruyama I must have been crazy, you know. I started out by making just a few tags of people that my family knew. And I was incorporating them into cabinet pieces and for instance this one cabinet had the image of a young Japanese American girl in the back. And the tags were all showed they were under the age of 10 and were sent to camp in 1942. But then a friend of mine, Christine Lee came to visit me in NY and she said, you know, it would be amazing if you could do all 120,000 tags. Now, Christine, kind of, she does this kind of work, you know that that very labor intensive. And at first I thought she was crazy. but then, you know, I thought about it and the impact it would have would be so much more powerful than just seeing a couple of tags here and there. And um I like the idea of art reaching in... You know, I am kind of a shy person and so it is really hard for me to like reach out to strangers and just interact. I think it has a lot to do with my hearing disability,, it kind of forced me to do that. 16:44 Erik Wolken Right. And, and I mean, we'll have pictures of all this up on our website. But um just to paint a picture. So there's two pieces to the Tag Project in EO 9066. So there is the Tag Project, which represents all 120,000 people that were imprisoned, and then... Robb HelmkampIn 10 camps I correct?17:03 Erik WolkenRight. Memorializes, the 10 camps that were mostly over the Southwest, and just amazing images of these places where people were housed for three, four years, and it's an equally intense part of the piece. You know, I would I would encourage people to look into it further. And also there is a great website called www.densho.org, which will help better inform you about the incarceration and imprisonment of people of Japanese, Japanese Americans remember these were Americans, Japanese Americans during World War Two.Robb HelmkampAnd then there's also you've kept quite a blog about the process of the project on your website.17:50 Wendy MaruyamaI did and I feel bad that I haven't really kept it up to date, but it was really to follow the whole process of the tag project. At the same time I wanted to share relevant news articles that were not only about the Executive Order 9066, but just discrimination. I remember working on the tags and this whole outcry with a woman at the UCLA library posted a video of herself complaining about Asian students in the library and she was making fun of the way they talked, shing shong chi chong. But video went viral, and it kind of backfired on her. Discrimination on that level is still alive and well, most people know now. Erik Wolken So moving on to your next advocacy project, because this really is a phase of your life where you're taking on a very much the role of an advocate is the Wildlife Project. Do you want to describe the Wildlife Project a little bit?19:07 Wendy MaruyamaLike I have said before, and I think you know this, I love animals more than people, who are just awful. I started reading too many articles about the demise of the elephant in particular. Poaching for the ivory and it's not only just the elephants, but rhinoceros and tigers, all for the sake of being able to show off someone's wealth. The elephant population was really precariously dropping to the point the danger of becoming extinct. So I wanted to do a whole series of work, kind of highlight this issue. And at the same time, I meet somebody, Elizabeth Kozlowski, who was an independent curator and she wanted me to do an exhibition at the Houston Center for Contemporary Craft, which is where she was working at the time. And so that was the incentive to make a whole body of work about wildlife. Again, you know elephants are big and I wanted to be able make these huge pieces and I had to figure out a way to make them big without making them heavy and difficult to manage. At the time, I was working in a very small studio. And so I came up with the idea of making them out of very thin pieces of wood and sewing them together. When I was in high school, I loved to sew and the fabrication of making a dress or an article of clothing, is very three dimensional and it could be applied very easily to other materials like cardboard and wood and paper. I guess it's like a form of origami, creating volume with these very flat surfaces. So that was how that work came about and then it was accompanied with a bunch of other pieces.Erik WolkenThe other thing that fascinated me about that show is that the other pieces were in different mediums. You did a huge rhinoceros in plaster and then you did a pangolin which I'm not really familiar with what a pangolin is, in rattan It was you still continue to experiment and I just find that wonderful.22:06 Wendy Maruyama It's fun, you know like I said I think wood working just doing woodworking would really bore me to death. Just some materials they have a different capacity to express a different idea. The thing about glass is that I was able to, I was offered a residency at Pilchuck so it is kind of funny how these opportunities come together and make it possible to integrate projects and so I was able to spend I think it was two weeks or three weeks at Pilchuck and I was given two amazing glass blowers to help me make these tusks and I mean obviously glass was the perfect medium. And it was kind of tricky because you know William Morris, William Morris was a hot glass blower, he's still blowing glass he became known for the very large blown primitive forms. But he also did elephant tusks but it was a different context. He presented them a just large sculptures of beautiful tusks and I wanted to portray the tusks as being bloody and taken from a living animal. So the glassblowers and I had a conversation about that you know I said I don't want to do it if you feel like it treads too closely to other glass blowers work. But my message is completely different and they agreed that it would work with kind of presentation that I was using. The tusks were created through the help of Dan Friday and Nancy Callan who are amazing glass blowers in the Seattle area.Erik Wolken Right and then of course there's the life size and burlap rhinoceros!Wendy MaruyamaWhat was I thinking, right um.24:38 Robb Helmkamp You were thinking about that old desk that you made a long long time ago with chicken wire and Paper Mache?Wendy MaruyamaI learned a lot from that Paper Mache piece, you know I thought about that Paper Mache piece when I was doing the plaster rhino. It's kind of funny how that comes around again. The rhino was necessary to make because I wanted to have I wanted to have that scale and I wanted it be made out of plaster because it was white and fragile and it was like a ghost. But now I need to find someone who needs a plaster rhino, so if you know anybody that wants it, and if you can pay for shipping you're welcome to have it.Erik Wolken I would take the plaster Rhino. But Robb will have to pay for the shipping!25:31 Robb HelmkampWe might be able to work something out. I mean, I could put it behind me here in my office but...Wendy MaruyamaIt's the size of the small Volkswagen bug that's how big it is. Robb HelmkampAll right, we're coming out to San Diego to get that.25:41 Erik Wolken Well speaking of the Wildlife Project one of the pictures will post on the website is a wonderful picture of Robb and I and Tommy Simpson in front of one of the elephant masks when we were filming the Tommy Simpson documentary and we didn't end up using it in the documentary but it's it was it was just a wonderfully sweet moment of talking about, about your piece Wendy with Tommy Simpson. As we were as we were filming for the Tommy Simpson documentary.Wendy MaruyamaTommy Simpson, like I said, you know he was a huge inspiration back in 1970-71. I still have the very first book that he did that got torn up from years of flipping through it and sharing with my students.Robb HelmkampIts well loved and well used.Wendy MaruyamaThat really makes me happyErik Wolken The was the book was published I think...Wendy MaruyamaI would never have known that I would cross paths with Tommy Simpson back then. I mean he was like a movie star back then in the 70's and then we he came to visit San Diego one year. Oh ahhhh He stayed at my house!27:06 Erik WolkenSo let's talk about your most recent bodies of work the Color Field pieces and Memory because you're sort of leaving advocacy and going back to your roots in color. I love the Color Field pieces there, you know you're just really exploring the basics of color which is I just find incredibly appealing and almost a 2D sense as opposed to a three dimensional sense although there's texture.27:34 Wendy MaruyamaI um, you know, after doing Executive Order 9066 and the Elephant Project I was kind of beat up emotionally. It was really tough working on those pieces and it was even tougher for me to talk about those pieces after being asked to give talks during shows, it was kind of difficult to hold myself together. but anyway I'm getting better at it now. I can start talking about these things without breaking out in tears, but I needed to do something that was not heavy I needed to go back to using color again in a very pleasant way. It was an invitation to show that got me started on the Color Field pieces. Somebody in Colorado was having an exhibition of Bauhaus inspired furniture. because I think it was like 100th anniversary of Bauhaus and there is a Bauhaus Institute in Aspen so they wanted to do an exhibition of furniture but the problem was I hated Bauhaus furniture it wasn't really my thing. all that metal tubing and whatever. But I loved Annie Albers, who was a weaver with the Bauhaus movement, and she had a wonderful use of color and so I modeled my work after Annie Albers. It was kind of down my alley in terms of exploring color again. That's why they became two dimensional because of the weavings they were inspired by.29:41 Robb Helmkamp Were the pieces that you created where they kind of modeled after tambours? Like on a piece of furniture...Wendy MaruyamaYeah that's true I forgot that... I'm glad you mentioned that because tambour pieces were one of my favorite things to make actually. I've made a lot of carcass pieces that have tambours and I love the textural qualities of tambours. Yeah, for sure that was an inspiration.Robb Helmkamp Your use of more muted colors. From the Bauhaus movement I guess Annie's kind of take on it is really nice. It's nice to see that side of Bauhaus.30:26 Wendy MaruyamaI usually like punch colors but I wanted to experiment with a different tone of colors.Robb HelmkampVery beautiful. So let's talk about a little bit about Memory, one of the last bodies of work that you've, you've completed. 30:43 Wendy MaruyamaLets see in 2018 my uncle died... I have an aunt and uncle I am very close to they were kind of like second mom and dad and my uncle had severe dementia and he finally passed. I think it was 2018. I'm trying to remember but so my aunt was living alone and turned out that she had dementia as well. She was such a brilliant women and was such a role model for me it was really tough to see her decline. So we made the decision at the end of 2019 put her into a memory care facility, and so... and then of course Covid hit so right after we put her there we weren't even able to visit her for about 6 months. There was a lot of guilt and concern and so that was kind of tough. Like I said your getting older and you go through these phases and then go through things with your parents. Some of your friends may die. You know some of this stuff that you're going through at my age anyway. So the memory series was first about her loosing her memory but it's also about memories that people keep and I think it's a very powerful thing. Memories kind of get reused in a way there kind of special after a while, you start thinking about dreams that you've had and they're very similar to many different things that are kind of not intangible things that you think about. In short the work of trying to make these intangible things tangible, relatable in a very tactile way. So the memory piece I did about my aunt has a black lacquered mirror that goes from completely reflective to becomes very distorted at the very end to where you don't recognize yourself anymore, and the case that it is in has a kind of Asian aesthetic to it, being Japanese American. But there is a dysfunctional door on the left side it moves but it really doesn't function to any degree. That was referencing lack of memory, her inability to solve problems. I think that black mirrors have a lot of meaning, you know the iPhone is a black mirror, a black mirror to technology. And in Japan, this is interesting because I think I need a black mirror, the geisha woman in Japan as they aged began to use black lacquer as a mirror because the black lacquer kind of made your wrinkles go away. So you couldn't see your wrinkles so the process of aging is sort of disguised in a black mirror. Yeah, anyway, so the whole black mirror series is about conveying depth. So deep looking into that black lacquer. It looks like you're looking into a deep dark hole. Well you're looking at a reflection. It's been a lot of fun working with you with the black lacquer and I've been really lucky, because um... I don't know if you know Greg Johnson? He's a finisher in upstate New York he has been doing the black lacquer mirrors for me and he does such a beautiful job.35:11Erik Wolken The Black Mirror is just an incredible metaphor. That's just incredibly powerful.35:16 Wendy MaruyamaIt's so rich you know it's interesting how the many things you think about when you look at it. Plus I love the TV series I've seen the Black Mirror. I love that TV show.Robb Helmkamp Isn't it great? I've watched it through and through. It makes you think!Erik Wolken So and starting to wrap this up, Wendy. What are you working on now? What's your what's your what's your next body of work or what are you what are you moving forward with now?35:48 Wendy MaruyamaI am still finishing up the Black Mirror (Memory) series and wrapping up that little chair (Matador) I was telling you about earlier. But I don't really know now what I am going to be making next but hopefully I have been talking to Tom Loeser about doing something together. We were talking about maybe showing together again? No, we haven't looked at the details yet. But it is always kind of fun to show with a good old friend.Erik Wolken Well, Wendy, I just want to wrap this up because this has been an absolutely wonderful conversation with you.Wendy MaruyamaOh, good. I'm glad I hope you can get at least 10 minutes out of it.Robb HelmkampOh, I think we can at least do 15. No Wendy it's been an absolute pleasure talking with youErik Wolken Right and we always end… by saying Why MakeRobb HelmkampWhy Make36:47 Wendy MaruyamaThank you very much. Why Make

Kid and Fiona in on this episode where we discuss jiz, first blowjobs, ice cream, yeast infection, negative gender stereotypes, Australians, Smells and putting food on your naked naughty parts. We hit censorship at the end and there's an interruption by a food delivery guy mid show.    DETAILED TIMELINE  1:00 Hunger pains and groans 2:00 First one you'd dig out  3:00 Can't even go for a run without throwing up  4:00 Add items to add to it to make it thicker  5:00 Play the video of jiz trees  6:00 Smells, Scents and odor  7:00 That sounds fake - not a real ad  8:00 Promoted negative gender stereotypes  9:00 Find the football game   10:00 Bringing him a protein shake  11:00 Fantastic - touch em all  12:00 Put food in her poon and eat it out  13:00 She wanted to do it but afraid of dick taste  14:00 Back in the day - courtesy tap  15:00 I never got a courtesy tap  16:00 Awesome rape 17:00 Putting these blanks in stories  18:00 Gangrape style  Go Deep.

Hello Sports fans. We have made it to finals footy. well 2 out of three of use did anyway. Smokes is still watching the woman's team so I guess we all made it to the finals! --- Send in a voice message: https://podcasters.spotify.com/pod/show/pubtalkrugbyleague/message

That's the JFK peephole... The wind that cools my balls... Parachute, 4th grade paper mache volcano or dress? ...More flour in my milk, please... How's she's supposed to finger her ass with those nails... And WHAT'S in that….DICK!? With guest Jon Shefsky. Check out Jon Shefsky on the Fantasy House podcast and Super Simple Real Estatehttps://www.youtube.com/c/SuperSimpleRealEstatehttps://podcasts.apple.com/us/podcast/fantasy-house/id1452740499

This week, Alexis tells Grace about a criminal couple who steal identities, jewels, and people all in the name of love.  Episode: Muriel Meets Her Match | Courage the Cowardly Dog | Season 3 | Episode 1a | 2001 | Directed by John R. Dilworth | Written by Katy McLaughlin and David Steven Cohen | Warner Bros. Follow SMM on Twitter and Instagram: @satmornmyst  Subscribe wherever you're listening so you never miss an episode!  Email us your show requests: saturdaymorningmysteries@gmail.com   Check us out on YouTube: https://tinyurl.com/satmornmyst (https://tinyurl.com/satmornmyst)  Music: Avis Akekee, https://avisakekee.bandcamp.com/ (https://avisakekee.bandcamp.com/)  Logo and design: Jenna Kendle, https://www.jennakendle.com/ (https://www.jennakendle.com/)

Lisa and Jeff discuss paper mache as a loose part and dig into their differing approaches to demonstration and child-initiated direct instruction.

Molly Hassler is an interdisciplinary artist, often embracing collaboration and primarily using drawing and fibers techniques to mine the complex relation between representation and identity as a queer person in the Midwest. Through printing, drawing, weaving and quilting, she is actively sewing up the past, literally and metaphorically mending. Her fine art practice rests most comfortably between peculiar three dimensional objecthood and semi-narrative works containing drawings and text that speak to the sweetness and trauma of queer and trans coming of age. Hassler is a 2022 recipient of the Mary L. Nohl Fellowship and 2021-2023 Springboard for the Arts: Rural Regenerator Fellowship. She has shown her work in exhibitions including Ortega Y Gasset Projects in Brooklyn, New York, The Jackson Dinsdale Art Center in Hastings, Nebraska as well as Portrait Society Gallery and Real Tinsel in Milwaukee, Wisconsin. Currently working as a teaching Artist in Residence with Lynden Sculpture Garden and Woodland Pattern Book Center, she carries out multiple community based projects in Milwaukee Public Schools. The book mentioned at the end of the interview was Johnny Appleseed. “I Keep My Feelings In My Chest”  Quilted Chest Binder;  Hand Dyed Cotton, Piecework, Thread, Fringe 2020 “She Was a Public House” : Detail of "Serving Fish", Ongoing Installation; Gouache Painting, Wood, Soft Sculpture, Paper Mache, Plaster, 2019 - 2020 

P3 Radio Ep 237 Paper Mache With Prisoners by Richard Mullikin and Josh Briley

We drink some Cold Shots and talk about ROH's Final Battle 2021

What made the internet angry this week?Derek has been watching a Red Bull documentary. It's been 2 years and we haven't gotten the sickness so we are obviously God's favorite children. Djokovic drama in australia. A loophole to get out of paying carbon tax on your race cars. Someone in Ontario made counterfeit toonies and they are the raddest thing ever. Kodak Black is a rapper and he got twerked on during a Panthers hockey game in the luxury suite. Dale recounts the time a danish exchange student grind danced him in grade 9 and he didn't know what to do. He also had a girl request he paper mache her legs in the closet… which he did and then left. Which Hockey game would we want to make whoopie in a luxury suite at.  Red Cross Donation: https://donate.redcross.ca/page/94172/donate/1?locale=en-CA Find us:Web outragefactory.comTwitter @OutrageFactPodInsta @outrage_factoryTik Tok @dalederuiterFacebook www.facebook.com/outragefactpodReddit r/OutragefactorypodEmail Outragefactpod@gmail.com Check out our redbubble swag https://www.redbubble.com/shop/ap/49661850

Ronan watched The Game (1997) and Holly watched Tremors (1990)Support this show http://supporter.acast.com/why-did-you-make-me-watch-that. Hosted on Acast. See acast.com/privacy for more information.

In this episode we discuss our dogs beef with my Dad, bringing your Mom to the next beach party, a suspicious death involving a paper mache dinosaur, boycotting all fish, and aliens. Make sure to subscribe to A Daughter and Her Dad. We release new episodes every Friday! Follow us on Instagram - @adaughterandherdad

We drink some Cold Shots and finish Cobra Vision's "Spring Explosion" checklist.

This week we're joined by the insightful Travis (@travisjohnson) to talk about The Apple, in which the TOS crews' visit to a paradise planet turns into a nightmare of redshirt death, colonialist tropes and god-killing. Kirk kills God. That's just another day in the office for him, though

I love how this collection not only reminisces on life and even clearly touches on women's history (appropriately so for March: Women's history month) but adds updated details and reflections. So no matter which side of the spectrum you're on, there's something to resonate and guide you. I also think that Maureen's voice is so incredibly clear and powerful that it is fitting for today as a whole. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sincerelybluejaypoetry/message Support this podcast: https://anchor.fm/sincerelybluejaypoetry/support

Joel Hernandez is back in the studio for a chat in Latinx!Listen in as Joel talks about how his parents enticed him to move to the states and how the promise of the American dream has changed. It all takes shape as the artist shares his trajectory from photography to sculpture and how he arrived at Masks and their meaning in his creative practice. Join us!Follow the art is on instagram at: @joelhernandezartSee more of the artists work on his website :https://www.joelhernandezart.com/ Joel Hernandez regresa al estudio para una conversación en Latinx!Joel nos platica cómo sus padres lo convencieron a venir a Los Estados Unidos y como la promesa de el sueño Americano a cambiado. Todo tomará forma cuando Joel comparte su trayectoria de fotografía a escultura y cómo llego a crear máscaras con propósito. Unete a la conversación. Sigue al artista en instagram aqui: @joelhernandezartVe más de las obras del artista en su pagina web aqui: https://www.joelhernandezart.com/

Sports have hit a bit of a dead point. With that, here's a conversation about boredom, Twitter, TikTok, TikTok females, Texas and snow, and a whole lot else.

In this album swap Nate gave Josh 2 King Gizzard and The Lizard Wizard albums to listen to. The albums in discussion are Paper Mache Dream Balloon and Fishing For Fishies. Give these albums a listen and then come join us for a conversation on the music!

Simonida Rajcevic was born in Belgrade on April 2nd, 1974. She graduated from the Faculty of Fine Arts in Belgrade in 1997 and in 1999 she received her Post Graduate's Degree and in 2015. she finished her PhD in Art at the Faculty of Fine Arts in Belgrade   . She obtained a DAAD stipend to do first year post-graduate studies in Berlin, Germany. Since 2000, she has herself been working as an associate professor at the Facutly of Fine Arts in Belgrade. From 2008 until 2010 she was working as a guest associate professor at the Faculty of Architecture, Belgrade. Simonida Rajcevic has exhibited her works independently and together with other artists, both at home and abroad. Fake Pain ,STEEL, STYRODUR, PAPER MACHE, 5,50 M X 2, 90 M, 2020 Strange waves 05,OIL ON LINEN, 203 X 160CM, 2016

How can a man who loves paper mache disappear and how can two men hope to find that man without knowing about paper mache? This week Clark and Owen interview Diana Fountain (Sarah Zimmerman, Bird Control), the Mid-Atlantic Paper Mache expert. Diana reveals to us the vows her and Brian broke in the throws of love and faith. Diana insists she could have killed Brian, but is adamant that she didn't. And she reports that Brian isn't the only lover that went missing. Plus Owen and Clark remain steadfast in their loyalty to The Rainforest Cafe.

We welcome GameXplain's Andre Segers (@andresegers) to the pod for the first time to chat about past, present and future of some video games. First up is the new Paper Mario game, The Origami King. It's a spoiler filled discussion, so if you haven't finished the game yet, this section starts around 03:10 and goes until 22:36. We discuss the story, the characters (old and new), the bosses, the game play, the music and how it compares to past games in the series, including the loved Thousand Year Door and no so loved Sticker Star. Then, we talk about the phenomenon that is Animal Crossing. Just how was this the perfect to be released when the world was sequestered in their homes and how even Andre's mom became an AC player. We talk about the updates, the ennui that sets in after playing daily for months and what might the future hold for the game. For context, we recorded the show the day before the August update came out. We discuss the next generation of consoles, did the recent trailers from Sony and Microsoft really make either of us want to get a Playstation 5 or Xbox X at launch and what if anything is coming for the Switch the rest of 2020. We close out with some retro gaming talk, including reminiscing about the Nintendo 64, Sony Dreamcast, text based game and getting Japanese imports. Andre also talked about the upcoming 200th episode of GameXplain's Real Talk podcast.

Last week's Treehouse Live presentation was so bad I was genuinely embarrassed on Nintendo's behalf. 0:23 - I liked the first episode of Carole & Tuesday. What did I think of the next four? 9:30 - Nintendo Treehouse Live was a technical failure and that Bakugan game looks so bad even the presenters didn't seem to want to talk about it. 30:32 - My adventures hunting Alatreon in Monster Hunter World Iceborne. If you missed Saturday’s live broadcast of Molehill Mountain, you can watch the video replay on YouTube.  Alternatively, you can catch audio versions of the show on iTunes. Molehill Mountain streams live at 7p PST every Saturday night on RandomTower! Credits: Molehill Mountain is hosted by Andrew Eisen.  Music in the show includes “Albino” by Brian Boyko. It is in the public domain and free to use. Molehill Mountain logo by Scott Hepting. Chat Transcript: matthew wilson​good on you, I cant live without ac matthew wilson​too hot where I live matthew wilson​did you see devolver's show? also their cool game (devolver expo) is one of the coolest gamming marketing things I have seen in a long time matthew wilson​yup today Warren Lewis​Hey Andrew! Warren Lewis​yep! jordan thompson​hi sorry I'm a bit late, watching the ladt minutes of Split (2016) so im halfway playing attention jordan thompson​Unbreakable Warren Lewis​glass? Warren Lewis​whooos Warren Lewis​whoops jordan thompson​how much would you freak if in nintendos next pre recorded direct they said it was for you Warren Lewis​XD jordan thompson​id freak if in the next stream nintendo just played hard ball and said they live streamed just for you matthew wilson​aparently there is no xp/ so matthew wilson​in new papper mario jordan thompson​I cant be the only one that needs Paper Mario for Smash jordan thompson​whats next Paper Mache emporis matthew wilson​bad a managing expwcations nintendo........ matthew wilson​its a childrens anime in japan if I recall jordan thompson​Bakugon was more sidelined than Digimon, id consider them cult anime jordan thompson​I find it hard to belive youve never heard of Bakugon, it was a minor success with toys and its anime though Cartoon Network in the early 2000s. its got a cult following I never got into it myself jordan thompson​it had this rip cord toy monsters if that brings anything to mind jordan thompson​Yo Kia Watch was fairly recent and a total rip off of Pokemon yet did decently jordan thompson​I cant wait to not watch the Monster Hunter Movie in theaters ohh 2020 you matthew wilson​so you cant where resistance gear matthew wilson​was there a rock or something to hide behind jordan thompson​[message retracted] Scrungle himmingworth​I'm LATE Scrungle himmingworth​what did I miss jordan thompson​when you said LATE my mind went somewhere else, good thing you clarified Scrungle himmingworth​I've been playing more dead by daylight Scrungle himmingworth​but I'm also not going outside period because it's been 105f for the past few days matthew wilson​[message retracted] Scrungle himmingworth​wouldn't you be able to negate the debuff if you brought a hunting horn? Scrungle himmingworth​actually wait what does the debuff do? I missed that jordan thompson​why am I picturing the WOW villain from South Park when you explain your game plan matthew wilson​so you failed a dps check got it Scrungle himmingworth​git gud nerd Scrungle himmingworth​but I'm the same when i was playing MHW lmao jordan thompson​I dont know monster hunter well enough have you been speaking English the past 5 minutes S.O. BEAST​yea you gotta break his horns in dragon mode matthew wilson​what about the grapping hock they added? jordan thompson​grappling hook has left the chat matthew wilson​so far sounds like a prity good boss fight honestly matthew wilson​hard, but good matthew wilson​wait what

Chris and Kristie are back talking #MasterchefAU - and in a week where Kristie is ranty, and Chris is miffed, we turn to Menulog and Snoop Dogg to provide the joy needed! Also in this episode, Paper Mache cooking, vague colours, and Jock is in need of a timeout. 

Episode 228 ~ June 25, 2020 Podcast Info / Topics Do you carry a knife while paddling? There a few varieties to choose from. Which do you carry? A really creative canoe build from New Zealand using paper mache When you plan out your paddling trip you fully expect to have a great time, but […]

Episode 228 ~ June 25, 2020 Podcast Info / Topics Do you carry a knife while paddling? There a few varieties to choose from. Which do you carry? A really creative canoe build from New Zealand using paper mache When you plan out your paddling trip you fully expect to have a great time, but […]

Beer & I Don’t believe that’s actually how you spell “mache”. Where’s the beer part? --- Send in a voice message: https://anchor.fm/obsbeers/message

Hey, ik hoorde dat jij je eindexamen wiskunde aan me opdroeg. Als jij nou een paard slaat kunnen we misschien wel een keer een terrasje bezoeken. Dan hebben we het onder andere over of Bart en Dylan meer dan vrienden zijn. Over onze eerste date in de fight or flight room of Portugal het recht heeft op een andere tijdzone en of je seks moet hebben met iemand die een slang voor je heeft gevoeld.

We are in the midst of Midweek madness as the prelude to the busy Christmas schedule begins.Mick kicks it off with a humble plug after the Jesus, then the boys dive straight into the Fixture Focus.Joff soars like and eagle to the Palace Wagon while Mick has declared the Spurs dumpster fire to be out.Harry is officially labeled as both a Defensive Midfielder and the Firmino of Spurs as Son, Delli & Aurier all look like better options.Our top transfer targets, Clean sheet & captain picks round out the heart of the episode.We round the pod off with a recap of the Undetaker from GW14: @FPL_Planner, The GW15 Undertaker: @FPLconnor & the GW16 Undertaker @KG_FPL.Thank you all for writing in.Thank you so much for listening.We will be back with our GW17 Podcast next week.Good luck in Gameweek 16, Hitter's.Always Remember to Stay Positive,Keep chasing them green arrows.Thank you for listening.Our full Hit squad Video can be found here >>>youtube.com/c/FPLTaketheHitIf you enjoyed this podcast, please head over to our YouTube channel and check out our videos.youtube.com/c/FPLTaketheHitPlease hit it that subscribe button so you don't miss any podcasts.Twitter: @Fpl_takethehitInstagram: Fpl_takethehitYouTube: https://www.youtube.com/channel/UC1Yyeu3ye9G8vF5G-Qu_pxwTo support us please head over to Patreon @ www.patreon.com/fpltakethehit#FPL #FANTASYFOOTBALL #FANTASYPL

EMOTIONS ARE LIKE PAPER MACHE If you’ve ever worked with paper mâché, you know that it involves dipping strips of paper into a thin paste and then layering the strips onto a form (such as a balloon or chicken wire). The end result is used to make sculptures such as masks, float decorations, etc. The lessons we learn in life are a little like paper mâché. We take each lesson and stick it to us like we’re creating a sculpture (and we are). The problem is, if we’re not careful, we can end up piling on so many layers that we don’t recognize ourselves any longer. If you want to experience TRUE healing, you have to remove the layers. (Watch Video) ….. [Essential Healing - Episode 15] #essentialhealing

The situation has somehow gotten worse. Will a thirst for vengeance be enough to get the remaining kids through a long night at school?

Welcome to season three of Studio Confessions! I am glad you are here. Do you have time to play for the joy of play?  If not,  what are you doing? Entertain my wax poetry as I share the role of play and its connection to ritual in my life and art practice. Learn about the shrines and alters that gave me soft power as a kid to cope with life's twist and turns both big and small.  Theme song: "Coffee" by Cameron Smith

After surviving the fight with the celestials, Anisette scrambles to save Rum Beard and Thirsty Whale as Mona and Sabux riffle through the pockets of the fallen angels. This search leads to more mysteries that our heroes must ponder as they settle in for some well-deserved R&R in the small Kassanian village of Navarine. What does it mean that angels were protecting dwarven airspace? Why were their eyes solid black? Does this inn have a bathtub? Find out the answers to these important questions in this verse of Weal or Woe! Thank you so much for listening and a super special thank you to all of our amazing Patrons. You’ve allowed us to continue doing this another year and for that we’re sorry! Lol! If you’d like to become a resident in Melach and support us, please visit out Patreon page here: https://www.patreon.com/wealorwoe or follow us on Instagram here: https://www.instagram.com/wealorwoepodcast/ Also, if you have the time and inclination, we’d totally appreciate a review left on any of the pod catchers you use to listen to us! Tell us how much you like the show or tell us how much you hate it. Either way, cheers to you and have a juicy-do of a day.    Sound Effects and Music provided by Epidemic Sound

As a child, it never occurred to Susan Baird that she might one day be a painter. She left school at 16 and, after a year of study, found a job working for a graphic designer who also enjoyed painting. It was through seeing him paint that the course of her life shifted entirely. By the age of 18 she'd exhibited in her first solo show in Sydney's premier art district. She went on to study in New York and Sydney and has been painting for over 35 years. She has exhibited in over a dozen solo shows, many more group shows and has been shortlisted in art prizes on over 20 occasions. Primarily working in landscape en plein air, Baird's works reflect the beauty peculiar to this country with colour used expertly through years of experience – using brushes, palette knives and even squeegees to transport us into the dreamlike world she portrays. Her solo show ‘All Around Me’, which opens at Flinders Lane Gallery in Melbourne on 15 October 2019, centres around a place she’s been visiting for over 10 years and where she now owns a home: the historic NSW town of Hill End. In this podcast episode we talk about creativity in childhood, the allure of Hill End, painting techniques, motherhood and much more. To hear the podcast episode click on 'play' beneath the above feature photo. A video filmed in Baird's home in Hill End will be posted on the Talking with Painters YouTube channel and this website by early October 2019. Above feature photo by photographer Sheridan Nilsson. Upcoming shows Solo show, 'All Around Me' at Flinders Lane Gallery, Melbourne, 15 October - 2 November 2019Solo show, Arthouse Gallery, Sydney Show Notes Susan BairdSusan Baird on InstagramSusan Baird at Flinders Lane GallerySusan Baird at Arthouse GalleryNew York Studio SchoolGraham NicksonKevin ConnorLloyd ReesHill EndLuke SciberrasJoanna LogueLewis Miller https://www.youtube.com/watch?v=c0_IZpOiHVE Susan Baird talks with Maria Stoljar in Hill End 'Bush Telegraph', 2019, oil on linen, 102 x 102cm 'Keeping Watch', 2018, oil on linen, 25 x 60cm 'Gentle Shift, Hill End', 2010, oil on linen, 25 x 30cmHonourable mention and winner of People's Choice award, Paddington Art Prize, 2010 'After the Rain', 2019, oil on linen, 140 x 140cm 'Studio Window, Bowman's Cottage', 2019, Oil on linen 137 x 97cm Finalist Calleen Art Award 2019 'Paper Mache', 2019, oil on linen, 102 x 102cm

We drink Cold Shots and talk about 1/18th of New Japan Pro Wrestling's G1 Climax 29.

Carmen and Bryan argue about how only some people look good when they smoke, Bryan expresses his love of trashy women and the band Korn. They discuss their friendship, the old people at Costco and the sports wage gap.  Gripe of the week goes to: Justin Marchert "I spend the day cleaning for company and then not one guest comments on how clean my place is"  Follow us: @nosirpod @thefunnycarmen @bryanjvokey Like the pod? Support us on Patreon! Listen here: Apple podcasts: https://itunes.apple.com/…/no-sir-i-dont-like…/id1220217369… Stitcher: http://www.stitcher.com/s?fid=136556&refid=stpr Laughable: https://laughable.app.link/aEzkVj3PyM Podbean: https://nosiridontlikeit.podbean.com Join the conversation in the group here: https://www.facebook.com/groups/161184674577328/ Email us: nosirpod@gmail.com We are also now on Spotify!!

 Thanks to The Cut's article, "How Many Bones Would You Break to Get Laid?" Tamu learns all about Incels and the lengths they will go to reach the impossible dream of being a "Chad". Moral to the Story: You are beautiful as you are unless you are a terrible person. Other Fun Topics Discussed: Getting to know us: What is your silly aspiration? For Tamu, it would be to marry Idris Elba. For Mallory it would be wine and cheese with Jeff Goldblum. Since that seemed realistic, she switched it to having Neil Patrick Harris's baby. #WePodcastLikeThis: It was butt-ass hot while recording,  but we managed to pull it off! What is an Incel? Dudes who self categorize as involuntarily celibate. Plastic surgery for men is frowned upon. These dudes have terrible self-esteem. They feel women don't pick them because they are ugly. "Chads" are the male beauty standard in the Incel community; they are either a lumberjack, a vampire or a pretty boy. There are Incel forums where they Photoshop one another's photos to look more "Chad-like". Basically they have body dysmorphia. Therapy is SO very important. Most Incels are not white men. The glass ceiling for Incels is the friend zone. There are no true 8-10s. Listen to episode 17 where we explain the science of sex appeal. We are all basically 3-5s These dudes probably don't wash their legs. It's all a power grab. Incels could overthrow the Chads and change/break the patriarchy. Maybe the strategy is like the Irish who assimilated in America by wearing blackface and making fun of black people...it is easier to go with the status quo and be accepted rather than a breaker of chains. Mallory loves Ringo Starr. Why do men want giant balls? Dr. Eppley - providing judgement-free surgery since 1993. Podcast Promo Shout Outs: Pickup Jules Hannaford's new book, "Fool Me Twice" and check out her podcast, Hong Kong Confidential. Women should be heard and not just read about, listen to NRI Woman Podcast.    

After a week away your favorite podcast is back! On this episode we speak praise and astonishment for the recent play of Karl Anthony Towns. Also, things to watch for in the final 17 games, Gorgui Dieng’s demotion, road woes, the Nike Prince tapes, a game about career highs and more. This episode of Wolvescast is sponsored by BSR Injury Law, SeatMeek, the US Bank Timberwolves Investment Portfolio and FitBit Neuro.

On this episode of the GizzVerse Podcast Tommy and Brian review the BEST acoustic album of all time!! Paper Mache Dream Ballon!! The boys go down each song and break down some great lyrics along side some catchy melodies. Paper Mâché Dream Balloon is the seventh studio album by King Gizzard & the Lizard Wizard. It was released on November 13th, 2015 on Bandcamp.com, and then a week later on Heavenly Records. The album was recorded with almost entirely acoustic instruments aside from the electric bass. Let us know in the comments what you think of this album too!!

In this Episode, Luke & Checks discuss the Twenty-first episode of The X-Files, "Tooms". The duo cover Excel Spreadsheets, Super duper FBI computer programs, Paper Mache and talk about which X-Files antagonist would we like to see again. If you have any thoughts about "Tooms" or any other episodes of this series, please drop us a message! Email: mostunwantedpodcast@gmail.com Facebook: fb.me/mostunwantedpodcast Twitter: Twitter.com/mostunwantedpod Instagram: instagram.com/mostunwantedpodcast The theme song is "Mulder and Scully" by Katie Pham and the Moonbathers recorded at Blancmange lounge 2016. You can find more from Katie Pham and the Moonbathers on facebook (facebook.com/katiephammusic) and Bandcamp (blancmangelounge.bandcamp.com) All episodes are recorded, produced and edited by Daniel Checkley and Luke Costin.

On this rainy, snowy, soulstice eve, we gots what’ll warm you, @Syd Straw, singing Casually, with @Louise Palanker on back-up, moving in to talk, Jack Straw who sang 7 1/2 Cents to Doris Day in Pajama Game, to Mr. Bill Thomas, a teacher who changed Syd’s life, right here in my hood, at my kid’s High School., a mother with a spine-tingling voice, to CBGBs where we must have banged into each other at least a gazillion times, to a happenstance at The Bitter End to meet Anton Fier, and join The Golden Palominos at the time with Jack Bruce and MIchael Stipe, WHAT… standing in line at The Comic Strip with Gilbert Gottfried and Jerry Seinfeld and singing back-up for Pat Benatar… there’s plenty of life lessons and soul attached. And, she sings us out with Paper Mache from Pink Velour https://sydstrawmusic.bandcamp.com/album/pink-velour-2009 Syd Straw on The Road Taken, Celebrity Maps to Success Wed, 3/21/18, 7 pm PT/ 10 pm ET With Louise Palanker Live on the Facebook Replay link here: http://bit.ly/2pvp2dR All BROADcasts, as podcasts, also available on iTunes apple.co/2dj8ld3 Stitcher bit.ly/2h3R1fl tunein bit.ly/2gGeItj This week's BROADcast is brought to you by Rick Smolke of Quik Impressions, the best printers, printing, the best people people-ing. quikimpressions.com And, Nicole Venables of Ruby Begonia Hair Studio Beauty and Products for tresses like the stars she coifs, and regular peoples, like me. I love my hair, and I loves Nicole. http://www.rubybegoniahairstudio.com/

#jesuswasababygirl and the Bread and Puppet Theatre. This week on The Earth Wants YOU! Reverend Billy and Savitri D bring their unique brand of environmental comedy to a discussion on the culture of hashtags, later they interview Maura Gahan from the Bread and Puppet theatre about the incredible work from the 50 year old organisation, and take a long and waywardy trip down The New Age Wormhole.

Resourcefulness and simplicity at its finest.

On this week's episode of This Week's Episode, the TWEPcasters return to Stars Hollow for the Gilmore Girls revival on Netflilx. Was it a trip worth taking? Plus, more ratings talk, Call the Midwife gets a big renewal, Lost in Space casting news, and more!Show NotesUseful LinksGilmore Girls: A Year in the LifeParker Posey Joins Netflix's Lost in Space as Dr. SmithMichelle Yeoh Joins Cast of STAR TREK: DISCOVERYCall the Midwife Renewed for 3 SeasonsMeet Baby Watson in these delightful new photos from 'Sherlock' Season 4Firefly star Ron Glass has diedScientologists demand A&E Network pull former disciple Leah Remini’s exposé from airFriday TV Ratings: Grinch Wins 8pm Holiday Special SmackdownTV shows are getting smacked by big viewership dropsManager: Florence Henderson, mom on "Brady Bunch," has diedFirst Promo for CW’s RIVERDALE Features a Brooding, Sexy ArchieOur theme song "Pressure" by Argyle JohansenSocial StuffTWEP FacebookTWEP TwitterFacebookTwitterInstagramYouTubeTumblrTwitchWebsiteContact Us

A New Zealand sci-fi comedy in which a group of fans find themselves in a real-life cheesey B-movie.

Did you have a good Fourth of July? Chris and Joe did, so prepare for some crazy show notes! Then, we talk about convention exclusives, Celebration Europe prep, Rogue One trailer rumors, and much, much more. How do paper mache heads fit in? Why Oppo matters in 2016, and just about anything else you might expect from a legendary episode of Brews and Blasters! Contact Us We want to hear from you - if you agree, disagree, or just have something cool to say, email us atbrewsandblasters@retrozap.com. Do you #NeedEmGotEm? Eating some awesome food? Want us to weigh in on something? Let us know! Hang Out Twitter | Facebook | Instagram Get your Brews and Blasters T-Shirt Show that you attend the Star Wars party every week with your exclusive Brews and Blasters T-Shirt! A variety of options are available, including an amazing Ki Adi Monday style for your favorite holiday! Support the Show If you like Brews and Blasters, the best way to support the show is to leave us an iTunes review. It helps, honestly, because more people will find the show. If you take the time, we'll really, really appreciate. Plus, you'll win an Oppo Award!

On the show tonight Laurie Anderson, Adam Green, John Foxx, Marvin Gaye & David Bowie.

Actor/Comedian Steve Agee (The Sarah Silverman Program) joins Gleib to discuss blimps, the hell of working on reality shows, if Chupacabras exist, Syria's Dictator and his wife getting their emails hacked, a study showing that women love drama, Utah trying to ban sex ed, needing to prove your impotent to get Viagra, world leaders giving each other gifts, oil spills in Brazil, Kim Kardashian not sleeping well, how being on TV doesn't mean you have money, Santorum saying he doesn't care about unemployment and still hating women, Occupy Wall St. protestors getting arrested again and Gleib's idea for a buddy party system, if distracted people have sharper brains, foreign countries getting involved in Syria, shooting The Polterguys, if giving up on your dreams makes you happier, Dr. Small Wood, how much AFTRA sucks, how Steve met Sarah, playing a gay character, Taco Salad, a ban on chesty chess players, the founder of Red Bull dying, how the rapper Ludacris is the Republican party, how Tim Tebow proves that God doesn't care about football, March Madness and annoying squeaky shoes, and Ashton Kutcher going into space. Plus, the THUNDER ROUND. Please support our sponsor ADAMANDEVE.COM Enter promo code "lastweek" at checkout to get 50% off most items, plus 4 free gifts and free shipping.

In which Freeland and Seth are joined by high school friend Chris Willis to piece together the tale of the paper mache duck.  Freeland creates a game called 4 Non-Fictions and a Fiction and we are all grossed out. Artwork by Devin Symons

Derek and Adam discuss HP's open source roadmap, Enyo everywhere, Jon Rubinstein's departure, and apps - what else? We want you to introduce the PalmCast. Email us an audio introduction to podcast@webosnation.com Thanks to everybody for writing in! News webOS 3.0.5 now available for TouchPad webOS 3.0.5 update makes future built-in app updates more flexible Review: HP TouchPad Go CyanogenMod 9 to bring Android Ice Cream Sandwich to TouchPad CyanogenMod 9 Alpha 0 brings Android 4.0 in rough form to TouchPad webOS "deeply flawed"? Point fingers at the plan, not the code HP appoints Bill Veghte as new Chief Strategy Officer, to lead webOS open source initiative Jon Rubinstein, former Palm CEO, leaves HP Brian Hernacki, Chief Architect of webOS, leaves HP Whitman thinks webOS "has huge advantages" over iOS and Android HP's open source webOS roadmap HP announces Enyo 2.0 application framework, open sources 1.0 Open webOS 1.0, Enyo 2.0, and fulfilling the revised dream What is this Open webOS 1.0? Enyo is all up in your browsers, and there's nothing you can do about it First open source Enyo app jumping to other platforms: Paper Mache on Android, FlashCards everywhere Enyo goes Android: Paper Mache on ICS WebOS Internals releases Enyo for unloved webOS smartphones App Tuckerbox public release brings App Catalog feeds back to Preware Picsel expands Smart Office support to webOS 1.4.5, qualifies as awesome in our book Astraware reaches another sales mark as Sudoku HD gets released Project Macaw goes public in the webOS Nation Homebrew Gallery Auto-Update System Modification Technology to unite patches and themes in update glory February is fitness month at Mobile Nations Thanks again to everybody for writing in as well as everybody that participated live in person and in the chat! Credits Thanks to the webOS Nation Store for sponsoring the PalmCast. You can email the PalmCast at podcast@webosnation.com or leave us a voicemail at 800-557-6819 x222. Music comes from ccMixter.org, a great Creative Commons music site. Our specific music is the following: "The New Music" by Alex Beroza

Key Lesson: The only way to ever know, and thus help heal the pain that dwells in the heart of another which, incidentally, is the only way its secret cause can ever be corrected . . . is to agree to see and know that suffering as your own.

Key Lesson: The only way to ever know, and thus help heal the pain that dwells in the heart of another which, incidentally, is the only way its secret cause can ever be corrected . . . is to agree to see and know that suffering as your own.

It's easy and fun to cover paper mache with polymer clay and mixed media art designs. See the full project at www.polymerclayclassroom.com.

We discuss how we covered the paper mache torsos you will see next week on PCTV, Covering a sink with polymer clay tiles, the Polymer Clay Artists Guild of Etsy is 2 years old tomorrow, and the monthly challenge is now open for entries and voting from Guild members as well as the general public. So be sure to visit www.pcagoe.com to see details for how to enter and vote to win prizes!

Blair Tarr discusses a rarity in museum collections--a horse mannequin.