Podcasts about stand losing you

Recibimos al músico oscense Javier Almazán, conocido como Copiloto, para conocer los detalles de su nuevo disco “interior/noche”.También charlamos con el músico barcelonés Lalo López sobre su nuevo trabajo “Todo Por Hacer” un día antes de su presentación en directo en Aragón.Además hablamos de Rufus T Firefly (La Plaza), Los Estanque y El Canijo de Jerez (El Murmullo De Los Perros), Sara Gale Band (Day After Day), The Novus Band (United FEAT Leyre Arrazola), Guitarricadelafuente (Tramuntana), Jimmy J Moore (Aragón), The Police (Can't Stand Losing You) y Los Bengala (Peligro De Extinción).

Pop Rock Time  "The Greatest Pop Rock Hits of all Time" avec JIHEM #387 Part 01. 11 - Knox - Pick your poison #2025 12 - Green Day - Smash it like belushi #2025 13 - The Beatles - Here comes the sun #1969 14 - Nicky Youre - Tease Me #2024 Part 02. 21 - ENHYPEN - Loose #2025 22 - The Police - Can't Stand Losing You #1978 23 - Knox - The DJ #2025 24 - Dinosaur Pile-Up - My way #2025 25 - Anna Lille - Hospitals #2025 Part 03. 31 - jxdn - Yellow #2024 32 - Knox - She's not okay #2025 33 - Evan Honer Feat Cameron Whitcomb - My expense #2025 34 - Depeche Mode - Never Let Me Down Again #1987 Part 04. 41 - David Archuleta - Crème brulée #2025 42 - Henry Moodie - Indigo #2025 43 - Sum 41 - Paint It Black #2024 44 - Knox - Going going gone #2025  

Simple Minds - Sanctify Yourself Teddy Swims - The Door No Doubt - It's My Life Depeche Mode - Master And Servant Jimmy Somerville Feat. June Miles - Comment Te Dire Adieu ? The Smashing Pumpkins - 1979 Empire Of The Sun - Music On The Radio Elton John & Dua Lipa - Cold Heart (Pnau Remix) Dasha - Austin Frankie Goes To Hollywood - Relax INXS - What You Need Blondie - Heart Of Glass Propellerheads Feat. Miss Shirley Bassey - History Repeating (Knee Length Remix) Amy Winehouse - Rehab Airmods - Under The Sun Soft Cell - Tainted Love Supergrass - Alright Bruno Mars Vs The Police - Locked Out Of Heaven Vs Can't Stand Losing You

Send us a message, so we know what you're thinking!Every band/artist has to have a first album.  Sometimes those albums are good, sometimes they're not, and sometimes they just show potential.  This episode, we look at some first albums over the gamut of the rock era that we regard as great, including some Australian albums. You've probably heard of most, but not all. In rock news, we look at Neil Young, The Wiggles (yes!), Joe Bonamassa, Jethro Tull and Billboard's new list – The Top 200 Albums of the 21st Century.  Our Album You Must Hear before You Die is Paris 1919 by John Cale. Mick regards this elegant 1973 album from the Velvet Underground co-founder as a stunning listen, and a great intro to John Cale.  Chris Thomas' production is, as usual, precise, while Cale presents some wonderful imagery in the lyrics.   References:  John Cale, Paris 1919, “A Child's Christmas in Wales”, Fragments of a Rainy Season, Brian Wilson, UCLA Symphony Orchestra, Words for the Dying, Dylan Thomas, Chris Thomas, Roxy Music, Eno, Sex Pistols, Pretenders, INXS, Bowie, Lou Reed, Queen, The Police, Outlandos d'Amour, “Can't Stand Losing You”, “Roxanne”, Stewart Copeland, Sting, Rod Stewart, The Tubes, “White Punks on Dope”, “What do you want from life?”, “a baby's arm holding an apple”, Kate Bush, The Kick Inside, David Gilmour, “Wuthering Heights”, Wuthering Heights Day, Roxy Music, Kari-Ann Moller, Chris Jagger, Andy Mackay, saxophone, “Re-make / Re-model", Bryan Ferry, Steely Dan, Can't Buy a Thrill, Jeff (Skunk) Baxter, “Do it Again”, “Reelin' in the Years”, “Only a fool would say that”, John Lennon, Imagine, Robert Dimery, 1001 Albums You Must Hear Before You Die, Peter Gabriel, The Cure, Three Imaginary Boys, Boys Don't Cry, "10:15 Saturday Night", Robert Smith, Television, Marquee Moon, Devo, Q: Are We Not Men? A: We Are Devo!, Rolling Stones, "Satisfaction", Mark Mothersbaugh, Violent Femmes, "Kiss Off", "Add It Up", “Glister in the sun”, "Blister in the Sun", Sex Pistols, Never Mind the Bollocks Here's the Sex Pistols, Marlon Brando, The Wild One, Malcolm McLaren, The Great Rock'n'Roll Swindle, “Ever get the feeling you've been cheated?”, Ramones, Mi-Sex, Graffiti Crimes, Midnight Oil, “Run by Night”, 2JJ, Cold Chisel, Khe Sanh, Skyhooks, Living in the 70's, “You just like me ‘cos I'm good in bed”, Neil Young, Oceanside Countryside, Joe Bonamassa, Adele, Taylor Swift, Jethro Tull, Donald Trump  Playlist – Everything we talked about in this episode The Wiggles' new album (snippet) Donald Trump strikes again! 

Mit "Reggatta De Blanc" bauen The Police 1979 auf dem Erfolg ihres Debütalbums "Outlandos d'Amour" auf. Sie finden ihren einzigartigen Sound, indem sie Elemente von Rock, Reggae und Punk miteinander verbinden. Auf "Reggatta De Blanc" sind einige der bekanntesten und erfolgreichsten Songs von The Police wie die Hitsingle "Message In A Bottle" oder "Walking On The Moon". Es ist ein Bandalbum mit den mindestens ebenbürtigen Genies Andy Summers und Stuart Copeland, wie Musikexperte und Schlagzeuger André Pittelkau auch nochmal betont. Der Titeltrack des gleichnamigen Albums "Reggatta De Blanc" gewann 1980 sogar den Grammy Award für das beste Rock-Instrumental, was die musikalischen Fähigkeiten des Trios unterstreicht. Der Mut zum Verzicht auf die Lyrics hatte sich ausgezahlt. "Reggatta De Blanc" ist eine Wortschöpfung und bedeutet so viel wie "weißer Reggae" und steht für den Sound der Band. __________ Über diese Songs vom Album "Reggatta De Blanc" wird im Podcast gesprochen (12:28) – "Message In A Bottle"(28:10) – "Reggatta De Blanc"(35:10) – "Deathwish"(39:12) – "Bring On The Night"(49:19) – "Walking On The Moon"(01:05:12) – "The Bed's Too Big Without You"__________ Über diese Songs wird außerdem im Podcast gesprochen (33:15) – "Can't Stand Losing You" von The Police(41:58) – "Carrion Prince" von Sting & The Last Exit(45:03) – "Edge Of Seventeen" von Stevie Nicks(46:18) – "Bootylicious" von Destiny's Child(47:48) – "Prélude n°4" von Heitor Villa-Lobos(01:09:27) – "Locked Out Of Heaven" von Bruno Mars __________ Alle Shownotes und weiterführenden Links zur Folge "Reggatta De Blanc" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/swr1-meilensteine-the-police-reggatta-de-blanc-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

A (relatively) in-depth analysis of The Police in just under 20 minutes.Their 1978 debut album, Outlandos d'Amour, reached No. 6 on the UK Albums Chart on the strength of the singles "Roxanne" and "Can't Stand Losing You". Their second album, Reggatta de Blanc (1979), became the first of four consecutive No. 1 albums in the UK; its first two singles, "Message in a Bottle" and "Walking on the Moon", became their first UK number ones. Their next two albums, Zenyatta Mondatta (1980) and Ghost in the Machine (1981), led to further critical and commercial success with two songs, "Don't Stand So Close to Me" and "Every Little Thing She Does Is Magic", becoming UK number-one singles and Top 5 hits in other countries; the former album was their breakthrough into the US reaching number five on the US Billboard chart.Their final studio album, Synchronicity (1983), was No. 1 in the UK, Canada, Australia, Italy and the US, selling over 8 million copies in the US. Its lead single, "Every Breath You Take", became their fifth UK number one, and only US number one. I hope you enjoy the podcast and do leave feedback if you like what you have heard.Mathew Woodall

The Richard Syrett Show August 14th, 2024 Subscribe to Richard's newsletter, "Why I Fight" Scroll to bottom of page https://sauga960am.ca/programs/the-richard-syrett-show Canada's politics are growing more and more Americanized—and Trudeau's Liberal Party is the worst offender https://thehub.ca/2024/08/09/elie-cantin-nantel-trudeaus-liberals-are-americanizing-canadas-politics  Elie Cantin-Nantel- Ottawa Correspondent for The Hub Canada KEEPING AN EYE ON YOUR MONEY Hidden gas taxes drive up pump prices across Ontario: Report https://www.taxpayer.com/newsroom/hidden-gas-taxes-drive-up-pump-prices-across-ontario-report  Jay Goldberg, Ontario Director of The Canadian Taxpayers Federation Taxpayer.com https://www.taxpayer.com THE CULT OF CLIMATE CHANGE NOAA Declares Record Temperature for Africa The oceans are weirdly hot. Scientists are trying to figure out why  https://www.npr.org/2024/08/14/nx-s1-5051849/hot-oceans-climate-science  Tony Heller – Geologist, Weather Historian, Founder of https://realclimatescience.com Trump alleges Harris uses AI to produce fake crowd images https://www.westernstandard.news/news/trump-alleges-harris-uses-ai-to-produce-fake-crowd-images/56839 Angry Peterson submits to mandatory retraining after legal loss but says 'the gloves are off' https://www.westernstandard.news/news/watch-angry-peterson-submits-to-mandatory-retraining-after-legal-loss-but-says-the-gloves-are-off/56899  Lee Harding - Senior Saskatchewan Contributor Western Standard Plot Blamed On 2012 Cabinet https://www.blacklocks.ca/plot-blamed-on-2012-cabinet/  Question $214M Security Fail https://www.blacklocks.ca/question-214m-security-fail/ Appointee Regretted Lecture https://www.blacklocks.ca/appointee-regretted-lecture/  ‘I'm No Anarchist': Blacklister https://www.blacklocks.ca/im-no-anarchist-blacklister/  Tom Korski, Managing Editor Blacklock's Reporter SUBSCRIBE: https://www.blacklocks.ca THIS DAY IN ROCK HISTORY Music: The Who – Won't Get Fooled Again The Police – Can't Stand Losing You Michael Jackson and Paul McCartney – Say, Say, Say Freddie Mercury – Living on My Own   On August 14, 1971, The Who released their fifth studio album, Who's Next, considered by many critics to be their best record and one of the greatest rock albums of all time. Featuring songs that were initially intended for Lifehouse, an unreleased rock opera and follow-up to the band's 1969 album, Tommy, the LP included such hits as “Behind Blue Eyes,” and “Won't Get Fooled Again.” In addition to appearing on countless “Best Of” lists over the decades, the album was inducted into the Grammy Hall of Fame in 2007.   1978 - The Police released their third single 'Can't Stand Losing You' as the follow-up single to 'Roxanne' which when released the following year peaked at No.2 on the UK chart. Written by singer and bassist Sting as a song about suicide, the song gained minor controversy for its single cover art, featuring Stewart Copeland hanging himself.  In 1985, Michael Jackson won a bid over Paul McCartney and Yoko Ono to own ATV Music's publishing catalog, which boasted the rights to more than 4000 songs – roughly 250 of which were Beatles compositions, penned by Lennon and McCartney.  In 1993, less than two years after his death, Freddie Mercury scored his first solo No.1 hit with a remix of his 1985 single, “Living on My Own.” Jeremiah Tittle, Co-Host of “The 500 with Josh Adam Myers” podcast and CEO/Founder of Next Chapter Podcasts Learn more about your ad choices. Visit megaphone.fm/adchoices

Nuestro poeta, Mario Obrero, ha decidido que "Lo que toca" hoy es hablar Douscentos gramos de patacas tristes (Ed. Espiral Maior), el primer poemario en gallego que publica el leonés Juan Carlos Mestre. Después, en "El consulado" de Aitor Caminero, conversamos con Luis Manuel Fernández Iglesias, director de Radio Exterior de España (REE). Y finalizamos con "Las mil y una músicas" y "La playlist de Maika Makovski", que esta semana dedica a algunas de las grandes canciones que se publicaron en 1978: Roll With The Changes (REO Speedwagon), Every Fallen In Love With Someone You Shouldn't've (Buzzcocks), Shadow Dancing (Andy Gibb), Shake Your Groove Thing (Peaches & Herb), Can’t Stand Losing You (The Police) y Dance, Dance, Dance (Chic).Escuchar audio

Y finalizamos con "Las mil y una músicas" y "La playlist de Maika Makovski", que esta semana dedica a algunas de las grandes canciones que se publicaron en 1978: Roll With The Changes (REO Speedwagon), Every Fallen In Love With Someone You Shouldn't've (Buzzcocks), Shadow Dancing (Andy Gibb), Shake Your Groove Thing (Peaches & Herb), Can’t Stand Losing You (The Police) y Dance, Dance, Dance (Chic).Escuchar audio

Sintonía: "Summertime" - Sublime"Alive Is Where We've Been" - La Chapelle; "Who Was In My Room Last Night" - Butthole Surfers; "Break Your Ankle" - Mephiskapheles; "Birds of a Feather" y "Bittersweet Surrender" - La Chapelle; "Ababajoni" - Don Carlos; "Rock The Nation" - Michael Franti; "Can´t Stand Losing You" (The Police) - La ChapelleTodas las músicas seleccionadas y presentadas por Erik Peter La Chapelleeriklach@gmail.comInstagram: @lachapelleband Escuchar audio

For this episode of Influenced, we're tackling the iconic New Wavers, The Police. Formed in late 70s London initially as a punk band, the group fronted by Sting and backed by Stewart Copeland and Andy Summers would quickly digest the sounds of new to the scene artists like Bob Marley and The Wailers and an appreciation for Jazz and Fusion music, began crafting hits like "Can't Stand Losing You" and "Roxanne" which quickly catapulted the band to stardom. Continuing for 5 massive albums, 4 of which would go straight to Np. 1 in the UK along with a number of Grammys, the band left behind a legacy as one of the most popular bands of the time and would go on to inspire acts as diverse as the iconic Joni Mitchell, all the way to modern indie rock in Vampire Weekend and even massive stars like the modern icon Dua Lipa. 

偶尔会发现一些知名歌手的非典型作品，那种夹杂着似非而是的熟悉感，真是让人感到快乐：探索的重点永远在于“我不知道什么”，而不是“我知道”。 本辑收录的都是近期爱不释耳的歌曲，除了一反常态的“胖白家族”、“警察”和“野兽男孩”，还有一组和 Portishead 有关的作品：经典现场专辑《Roseland NYC Live》迎来了25周年纪念、Beth Gibbons 即将带来生涯的第一张个人专辑，还有网易云上最离谱的以讹传讹（之一），也与他们有关。 曲目单： (01:06) Maria Chiara Argiró - Closer (05:04) Bullion feat. Carly Rae Jepsen - Rare (09:15) Porij - My Only Love (12:10) Roxy Music - Same Old Scene (16:14) Fat White Family - Bullet of Dignity (19:01) Arlo Parks - For Violet (23:38) Beth Gibbons - Floating On A Moment (29:43) Natalie Imbruglia - Leave Me Alone (34:04) Gloria de Oliveira & Dean Hurley - All Flowers in Time (38:13) Kim Gordon - I'm A Man (42:40) Mount Kimbie - Fishbrain (48:12) The Police - Voices Inside My Head (51:49) Steel Pulse - Can't Stand Losing You (56:47) Beastie Boys - Something's Got To Give → 选曲/撰稿/配音/制作/包装：方舟 → 主题音乐：Yu Su → 题图版式：六花 → 私信/合作联络： 微博/网易云/小宇宙/汽水儿 @线性方舟 → 《周末变奏》WX听友群敲门群主：aharddaysnight

No novo episódio do Irritações, Luís Pedro Nunes não esconde a sua perplexidade ao comentar a notícia sobre a percentagem de alunos do 5.º ano de escolaridade que soube identificar a Península Ibérica, numa prova de aferição de 2023: "Ainda vão dizer, no futuro, que esta geração que aí vem vai ser das mais preparadas". José de Pina faz atualizações aos assuntos IKEA e lixo visual político, com Luana do Bem a discutir o porquê de haver pessoas que se irritam com o 'sol de inverno'. Já Carla Quevedo chateia-se com a 'falácia' do chocolate branco. Com moderação de Pedro Boucherie Mendes, o Irritações foi emitido a 26 de janeiro, na SIC Radical, e terminou com o tema 'Can't Stand Losing You', dos The Police.See omnystudio.com/listener for privacy information.

Sting & P!nk & Marshmello - Dreaming Empire Of The Sun - Walking On A Dream (RKL Remix) Gregory Porter - Revival (Roman Kouder Remix) Rag'N'Bone Man & Calvin Harris - Giant (Purple Disco Machine Remix) Ed Sheeran - Celestial London Grammar - Hey Now (Tensnake Remix) Tate McRae - Greedy Gnarls Barkley - Crazy Lenny Kravitz - TK421 The Weeknd - Secrets Shake Shake Go - Come Back To Me The Avener - Fade Out Lines (Synapson Remix) Parcels - Somethinggreater Måneskin - Honey (Are U Coming?) U2 - Atomic City Curtis Harding - Need Your Love OneRepublic - I Ain't Worried Coldplay - Viva La Vida Bruno Mars Vs The Police - Locked Out Of Heaven Vs Can't Stand Losing You

This week's guest is Zach Jones. Zach is a is a drummer, singer, songwriter, and producer from Brooklyn, NY. Zach has performed and recorded with artists such as Sting, Ingrid Michaelson, A Great Big World, Elle King, and many more. He also writes and records music with his own group, Zach Jones & the Tricky Bits. He's the kindest dude ever; I was smiling the whole time. We could all benefit from being a little more like Zach on and off the kit so I know you'll enjoy my chat with Zach Jones about the 5 records that helped shape into the player he is today. Cheers! SUBMIT YOUR LISTENER PICKS HERE   ZACH'S BIG FAT FIVE 

Stewart Copeland is the founder and drummer for The Police, one of the greatest bands of the rock era, consisting of Stewart together with Sting and Andy Summers. Their hits included "Roxanne", "Can't Stand Losing You", "Message In A Bottle", "Walking On The Moon" and "Every Breath You Take".  He's a member of the Rock And Roll Hall Of Fame and a 7x Grammy winner. And he's also a world class composer for films, TV, video games, ballet, opera and orchestral music. My featured song is my reimagined version of Jimi Hendrix's “Fire” from the album Made In New York by my band Project Grand Slam. Spotify link.---------------------------------------------BECOME A PREMIUM SUBSCRIBER TO THE PODCAST!We need your support! By becoming a Premium Subscriber you will allow the podcast to continue to remain independent, ad-free and sponsor-free, and also continue to bring you the interviews and Special Episodes that you love. Premium Subscribers will get Bonus Content, Early Access, Unreleased Songs, Virtual Events and Much More! A worthy cause and a great deal!PLEASE CLICK HERE—----------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.“Dream With Robert”. Click here.—----------------------------------------‘THE SINGLES PROJECT” is Robert's new EP, featuring five of his new songs. The songs speak to the ups and downs of life. From the blissful, joyous “Saturday Morning” to the darker commentary of “Like Never Before” and “The Ship”. “This is Robert at his most vulnerable” (Pop Icon Magazine)Reviews: “Amazing!” (Top Buzz Magazine)“Magical…A Sonic Tour De Force!” (IndiePulse Music)“Fabulously Enticing!” (Pop Icon Magazine)“A Home Run!” (Hollywood Digest)Listener Reviews:Saturday Morning:”A neat and simply happy song!””It's so cute and fun. It's describing a world I wish I lived in every day!”Like Never Before:”Great message!””Great song, very perceptive lyrics!” Click here for all links.“IT'S ALIVE!” is Robert's latest Project Grand Slam album. Featuring 13 of the band's Greatest Hits performed “live” at festivals in Pennsylvania and Serbia.Reviews:"An instant classic!" (Melody Maker)"Amazing record...Another win for the one and only Robert Miller!" (Hollywood Digest)"Close to perfect!" (Pop Icon)"A Masterpiece!" (Big Celebrity Buzz)"Sterling effort!" (Indie Pulse)"Another fusion wonder for Project Grand Slam!" (MobYorkCity)Click here for all links.Click here for song videos—-----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with Stewart:Website www.Stewartcopeland.netInstagram @stewart_copelandTikTok @stewart_copelandTwitter @copelandmusic Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comPGS Store - www.thePGSstore.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Allen, Ski, and Brent recap and review The Golden Palace, Episode 6, ”Can't Stand Losing You."  Roland is a workaholic and the Girls think he needs a date.  Will Roland rekindle his romance with Trisha, aka Kim Fields?  Will Sophia sabotage Chuy's appearance on Good Morning Miami?  Is Allen as handsome as a young Brian Posehn?!?  Listen now to find out!

01. The Police - Next To You 02. The Police - Truth Hits Everybody 03. The Police - So Lonely  04. The Police - Roxanne 05. The Police - Can't Stand Losing You 06. The Police - Message In A Bottle 07. The Police - The Bed's Too Big Without You  08. The Police - It's Alright For You 09. The Police - Bring On The Night  10. The Police - Walking On The Moon 

1978 was an interesting time for music. Bigger 70s acts like Aerosmith, Led Zeppelin, Black Sabbath & Deep Purple were breaking up or having issues. Punk was the hottest thing in the music industry. New wave was on the horizon as was the real game changer in 1981, MTV. Bands that would forge their way to superstardom in the 80s via MTV released their debuts in 1978 - Van Halen, Dire Straits, The Cars and The Police. WIth a young songwriting genius on the bass in Sting, a sturdy veteran of the road & the studio in Andy Summers and an intellectual drumsmith in Stewart Copeland, they were too good to be just another punk band. So they blended reggae, punk, and rock with relatable lyrics and built the foundation on which their sound would grow and take them to immense success. The subjects of the 10 songs on Outlandos D'Amour vary from prostitution (Roxanne), suicide (Can't Stand Losing You), fame (Peanuts) and even a blow-up sex doll (Be My Girl - Sally). And yet it all comes together as a fresh sound that is still identifiable to The Police. These three make a lot of noise but it's mostly upbeat, jump up and down fun, especially on the crescendo building (and The Wolf's personal favorite) So Lonely. The album went platinum in the US & UK (and Canada, France, Australia, etc) and gave The Police the foothold they needed to eventually become the biggest band in the world in 1983 with Synchronicity. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

1978 was an interesting time for music. Bigger 70s acts like Aerosmith, Led Zeppelin, Black Sabbath & Deep Purple were breaking up or having issues. Punk was the hottest thing in the music industry. New wave was on the horizon as was the real game changer in 1981, MTV. Bands that would forge their way to superstardom in the 80s via MTV released their debuts in 1978 - Van Halen, Dire Straits, The Cars and The Police. WIth a young songwriting genius on the bass in Sting, a sturdy veteran of the road & the studio in Andy Summers and an intellectual drumsmith in Stewart Copeland, they were too good to be just another punk band. So they blended reggae, punk, and rock with relatable lyrics and built the foundation on which their sound would grow and take them to immense success. The subjects of the 10 songs on Outlandos D'Amour vary from prostitution (Roxanne), suicide (Can't Stand Losing You), fame (Peanuts) and even a blow-up sex doll (Be My Girl - Sally). And yet it all comes together as a fresh sound that is still identifiable to The Police. These three make a lot of noise but it's mostly upbeat, jump up and down fun, especially on the crescendo building (and The Wolf's personal favorite) So Lonely. The album went platinum in the US & UK (and Canada, France, Australia, etc) and gave The Police the foothold they needed to eventually become the biggest band in the world in 1983 with Synchronicity. Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch! Visit RareVinyl.com and use the NEW code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

For præcis 40 år siden udkom The Polices album ”Synchronicity”, som skulle vise sig at blive trioens sidste. I den anledning har Jan Eriksen inviteret musikeksperten Thomas Ulrik Larsen i POVs studie, hvor han splitter "Synchronicity" ad og forklare alt det, der ligger bag et af musikhistoriens mest intellektuelle rockalbum. The Police forstod at få hitliste tilgængelig pop, dissonans, personlig fremmedgjorthed og dybdepsykologi til at hænge sammen. ”Fuck” ”Off” ”You” ”Cunt” stod der på Copelands fire tam-tammer (trommer). På den måde var det let for ham at forestille sig, at han hamrede løs på Sting, når han slog på sine trommer. Ja, det slog gnister, når The Police spillede og indspillede. 0- ”Det var måske The Polices største succes – at de havde det så svært med hinanden, at deres spændinger udløste nogle fantastiske plader. Og det mest anspændte af dem var "Synchronicity", fordi det var det mest uafklarede. Det er en psykologisk rejse ned ikke bare i en enkelt persons bevidsthed – men også for at se, om der fandtes noget fælles kollektivt ubevidst, der kan holdes os sammen på et tidspunkt, hvor alt var splittet.” I podcasten fortælles historien om Gordon Sumners, Stewart Copeland og Andy Summers trio. Efter Summer havde erstattet den oprindelige guitarist, korsikaneren Henri Padovani. Musikerne havde baggrund i pomprock, psykedelisk rock, folk og jazz, men begyndte at spille new wave - på falske forudsætninger. "Med ”falske forudsætninger” menes, at gruppen, alders- og miljømæssigt intet har med punken at gøre. De bliver også derfor ugleset af de autentiske punkbands,” siger Thomas Ulrik Larsen i podcasten. ”Selvom der er knald på, selvom der er baglæns rytmer, er der også en litterat og en stor tænker inde i The Police,” siger han. I podcasten inviterer Thomas lytteren ind i The Polices øverum. Hvad var det, der skabte den evigt fornemmelse af kant og uro i deres musik. "Jeg kan ikke komme i tanke om et eneste langsomt Police-nummer. Der er en konstant uro, rastløshed og hyppig dissonans i deres musik. Som i høj grad var motiveret i Stings kroniske flugt fra sin dysfunktionelle arbejderklassebaggrund." Hvad var gruppens vision. Hvem skrev musikken – hvor kom reggae-inspirationen fra. Hvad med Stings sang, der, som Thomas siger, især i begyndelsen lød som Mickey Mouse i et ondt lune. Hvordan opstod kommende klassikere som ”Roxanne”, ”Message in a Bottle”, ”So Lonely”, ”Can't Stand Losing You”? The Police var jaget vildt i den engelske musikpresse – og blandt musikere. ”Man skal ikke underkende at mange af de musikere, der har street credibility har fået deres instrumenter af mor og far. VI andre har måttet arbejde for føden, som Stewart Copeland har sagt. The Police havde en professionel selvsikkerhed,” siger Thomas Ulrik Larsen. Han går i dybden med "Synchronicity" og fortæller om inspirationen fra især den skoledannende psykolog C.G. Jungs teori om det kollektive ubevidste - og forfatteren Arther Koestler. "Synchronicity" er et album med mange, mange lag.

For præcis 40 år siden udkom The Polices album ”Synchronicity”, som skulle vise sig at blive trioens sidste. I den anledning har Jan Eriksen inviteret musikeksperten Thomas Ulrik Larsen i POVs studie, hvor han splitter "Synchronicity" ad og forklare alt det, der ligger bag et af musikhistoriens mest intellektuelle rockalbum. The Police forstod at få hitliste tilgængelig pop, dissonans, personlig fremmedgjorthed og dybdepsykologi til at hænge sammen. ”Fuck” ”Off” ”You” ”Cunt” stod der på Copelands fire tam-tammer (trommer). På den måde var det let for ham at forestille sig, at han hamrede løs på Sting, når han slog på sine trommer. Ja, det slog gnister, når The Police spillede og indspillede. 0- ”Det var måske The Polices største succes – at de havde det så svært med hinanden, at deres spændinger udløste nogle fantastiske plader. Og det mest anspændte af dem var "Synchronicity", fordi det var det mest uafklarede. Det er en psykologisk rejse ned ikke bare i en enkelt persons bevidsthed – men også for at se, om der fandtes noget fælles kollektivt ubevidst, der kan holdes os sammen på et tidspunkt, hvor alt var splittet.” I podcasten fortælles historien om Gordon Sumners, Stewart Copeland og Andy Summers trio. Efter Summer havde erstattet den oprindelige guitarist, korsikaneren Henri Padovani. Musikerne havde baggrund i pomprock, psykedelisk rock, folk og jazz, men begyndte at spille new wave - på falske forudsætninger. "Med ”falske forudsætninger” menes, at gruppen, alders- og miljømæssigt intet har med punken at gøre. De bliver også derfor ugleset af de autentiske punkbands,” siger Thomas Ulrik Larsen i podcasten. ”Selvom der er knald på, selvom der er baglæns rytmer, er der også en litterat og en stor tænker inde i The Police,” siger han. I podcasten inviterer Thomas lytteren ind i The Polices øverum. Hvad var det, der skabte den evigt fornemmelse af kant og uro i deres musik. "Jeg kan ikke komme i tanke om et eneste langsomt Police-nummer. Der er en konstant uro, rastløshed og hyppig dissonans i deres musik. Som i høj grad var motiveret i Stings kroniske flugt fra sin dysfunktionelle arbejderklassebaggrund." Hvad var gruppens vision. Hvem skrev musikken – hvor kom reggae-inspirationen fra. Hvad med Stings sang, der, som Thomas siger, især i begyndelsen lød som Mickey Mouse i et ondt lune. Hvordan opstod kommende klassikere som ”Roxanne”, ”Message in a Bottle”, ”So Lonely”, ”Can't Stand Losing You”? The Police var jaget vildt i den engelske musikpresse – og blandt musikere. ”Man skal ikke underkende at mange af de musikere, der har street credibility har fået deres instrumenter af mor og far. VI andre har måttet arbejde for føden, som Stewart Copeland har sagt. The Police havde en professionel selvsikkerhed,” siger Thomas Ulrik Larsen. Han går i dybden med "Synchronicity" og fortæller om inspirationen fra især den skoledannende psykolog C.G. Jungs teori om det kollektive ubevidste - og forfatteren Arther Koestler. "Synchronicity" er et album med mange, mange lag.

For the penultimate episode of Policepril, we get ultra-incel with the emotionally manipulative Can't Stand Losing You. And this time.... we brought a friend! Mike Kiniry joins us to take a deep hard look at this one. A pop hit about making someone feel bad for breaking up with you by killing yourself? Sure... why not? Special Guest: Mike Kiniry.

H. Alan and Kerri watch The Golden Palace season 1 episode "Can't Stand Losing You," where they discuss the return of competitive Rose, their obsession with Roy, and sharty parties (or is it "chardy"?) Listen on WhoHaha or wherever you get your podcasts, and for more Golden Girls greatness follow Out on the Lanai on Instagram (@outonthelanaiofficial), Twitter (@goldengirlspod) and Facebook (goldengirlspodcast). Stay Golden!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

25-JUST ROCK > "Viking Rock Vol 1" > > Hola amigos de JUST ROCK. > Para esta nueva edición presentamos > la primera parte Viking Rock, un especial de bandas y solistas de los países > Escandinavos como Suecia, Finlandia, Noruega y Dinamarca. > Espero que sea de vuestro agrado y lo disfruteis .Un saludo de Antonio & Family y de > toda la familia que realiza JUST ROCK.. > Puedes comentar y pedir canciones > en el Chat de IVOOX y a través de Facebook. > También puedes suscribirte ,es gratis > y estarás al día cuando se suba > cada PostCast Semanalmente . > Y recuerda ,Si te gusta “No seas egoísta y comparte”, Rock On !! > > Y de nuevo agradececer a todos las personas, > que se acuerdan de nosotros y nos mandan > sus Saludos. > ¡¡¡¡ Todos somos JUST ROCK !!! > > > ¡¡¡Viking Rock Vol 1!!! > > 01.EUROPE-Halfway To Heaven. > 02.RAT BAT BLUE- Jack Is Back. > 03.SKAGARACK-Take Me Home Tonight. > 4.P.J. RAUTIAINEN-Hey Brother. > 05.MARC QUEE- Queen Of The Night. > 06.GENOROUS MEN Men- My Love. > 07.H.E.A.T-Beg Beg Beg. > 08.ROXETTE-Church Of Your Heart. > 09.FATE- (I Can't Stand) Losing You. > 10.JAN HOLBERG PROJECT-Sense Of Time. > 11.SHA-BOOM-The Wild Ones. > 12.ALIEN-Tears Don't Put Out The Fire. > 13.PRETTY MAIDS-Hell On High Heels. > 14.TNT-10.000 Lovers (In One). > 15.YNGWIE J. MALSMSTEEN'S RISING FORCE-Heaven Tonight. > 16.GRAND DESIGN-Love Sensation. > 17.WORK OF ART-Another Night. > 18.TALISMAN- I'll Be Waiting.

Track listing: John Strauss - Car 54, Where Are You? (0:28) Inner Circle - Bad Boys (3:48) KRS One - Sound Of Da Police (4:14) Ice Cube - Straight Outta Compton/F*** The Police (Live) (3:35) The Clash - Police On My Back (Live) (3:28) Dead Kennedys - Police Truck (2:25) The Police - Don't Stand So Close To Me (4:03) The Police - Can't Stand Losing You (3:01) UB40 - Every Breath You Take (3:55) Ra - Every Little Thing She Does Is Magic (3:46) Matthew Good Band - Advertising on Police Cars (7:09) Long Tall Texans - Even The Cops Cried (The Day Elvis Died) (3:32) Primer 55 - Pigs (3:26) The Script - The Man Who Can't Be Moved (4:01) Nirvana - The Man Who Sold The World (Unplugged) (4:20) Johnny Cash - Bridge Over Troubled Water (3:55) Fastball - Warm Fuzzy Feeling (1:55) We've Got A Fuzzbox And We're Gonna Use It - You Got Me (3:32) Jerry Reed - Eastbound And Down (2:49) Radiohead - Karma Police (4:21) Cheap Trick - Dream Police (3:54)

La Mélodie du Bonheur, c'est un podcast consacré à l'actualité musicale. Toutes les deux semaines, un album passe dans le viseur de l'équipe. Et chaque mois, on vous propose en plus un hors-actu choisi par un membre de l'équipe ! L'album de la semaine : Cette semaine, Flavien, Loïc et Michaël vous parlent d'After Hours, album de The Weeknd sorti le 20 mars 2020. Les recommandations : • Flavien : The White Door, jeu vidéo développé par Second Maze Studios• Loïc : Les Choses de la vie, film réalisé par Claude Sautet• Michaël : une conférence de Laurie Anderson, Brian Eno et Ebe Oke, disponible sur Youtube Tracklist : • Générique de début : Michel Polnareff – Une simple mélodie ; Star Academy – La Musique• Album de la semaine : The Weeknd - Wanderlust ; The Weeknd - Alone Again ; The Weeknd - Heartless• Quiz : Skrillex - Right In ; Elton John - Rocket Man (I Think It's Going to Be a Long, Long Time) ; Ariana Grande - Blazed (feat. Pharrell Williams) ; Sébastien Tellier - Fingers of Steel ; Kavinsky - Rampage ; Portishead - Cowboys ; Sia - Clap Your Hands ; SZA - Advil ; Ty Dolla $ign - Famous Lies ; Kanye West - On Sight ; Tears for Fears - Broken ; Lana Del Rey - Bartender ; Oneohtrix Point Never - Ouroboros ; Future - Low Life (feat. The Weeknd) ; Police - Can't Stand Losing You ; Lorie - Week-end• Morceau de fin : Paul McCartney - Talk More Talk• Générique de fin : Pet Shop Boys – Hit Music ; ABBA – Thank You for the Music ; Ulver – Like Music ; Kraftwerk – Musique Non Stop ; Serge Gainsbourg – Ballade de Melody Nelson Retrouver le podcast : XSilence | Facebook | Twitter | Apple Podcasts | Podcloud

It's time for the first Strong Songs listener Q&A of 2020, so let's get into it! Kirk answers listener questions on topics like Zeppelin and Cake counting, the decline (and rise) of the saxophone, Muse's approach to vocal processing, whether piano is an "easy" instrument, Bruno Mars's musical magpieism, and in a first, a listener's request that Strong Songs help him solve a mystery. Update 2/25/20: Mystery solved! Fabian's mystery song is "Me, Myself, I" by Joan Armatrading. Thanks to everyone who wrote in with the answer, and thanks as well to Fabian, who did a pretty great job re-creating it from memory. REFERENCED ON THIS EPISODE: “The Ocean” by Led Zeppelin from Houses of the Holy, 1973 “Closer (feat. Halsey)” from Collage - EP by The Chainsmokers, 2016 “What’s Up Danger” by Blackway and Black Caviar from the Spider-Man: Into The Spider-Verse Soundtrack, 2018 “Overture” by Martin O’Donnell and Michael Salvatori from the Halo: Reach soundtrack, 2010 “Married Life” by Michael Giacchino from the Up soundtrack, 2009 “Song For My Father” by Horace Silver from Song for My Father, 1964 “So What” and “Freddie Freeloader” by Miles Davis from Kind of Blue, 1959 “Shake, Rattle and Roll” by Big Joe Turner from Shake, Rattle & Rock, 1958 “Baker Street” by Gerry Rafferty from City to City, 1978 “Run Away” by SunStroke Project & Olia Tira, 2010 “One Shining Soul” by Joshua Redman from Freedom in the Groove, 1996 “Muscle Museum” by Muse from Showbiz, 1999 “Nugget” by Cake from Fashion Nugget, 1996 “Ain’t That Easy” by D’Angelo and the Vanguard from Black Messiah, 2014 “Locked out of Heaven” by Bruno Mars from Unorthodox Jukebox, 2012 “Finesse” by Bruno Mars from 24k Magic, 2016 “Can’t Stand Losing You” by Sting and the Police from Outlandos D'Amor, 1978 “Poison” by Bell Biv DeVoe from Poison, 1990 “On Our Own” by Bobby Brown from the Ghostbusters II soundtrack, 1989 OUTRO SOLOIST: Galen Clark Galen Clark plays keyboard and organ and acts as bandleader for the soul jazz group Trio Subtonic; you can find playing regularly around Portland, Oregon and occasionally on tour. Find more information at their website, https://www.triosubtonic.net. 'GRAM BY 'GRAM If you're interested in occasional music and Portland-related photos and videos, follow Kirk on Instagram @kirk_hamilton. https://www.instagram.com/kirk_hamilton/ NEWSLETTER/MAILING LIST Sign up for Kirk's mailing list to start getting monthly-ish newsletters with music recommendations, links, news, and extra thoughts on new Strong Songs episodes: https://tinyletter.com/KirkHamilton STRONG PLAYLISTS You can find playlists containing every Strong Song as well as all of Kirk's weekly music picks from his other podcast, Kotaku Splitscreen, on both Spotify and Apple Music. SUPPORT STRONG SONGS ON PATREON! A huge thank-you to all of Strong Songs's Patreon patrons! If you want to support Kirk making the show, do so here: https://Patreon.com/StrongSongs FEBRUARY 2020 WHOLE-NOTE PATRONS AccessViolation andrew walters CALEB ROTACH Chad Barnard Craig J Covell Dan Apczynski Dave Florey Glenn Jared Norris Mark Schechter Merlin Mann Ryan Torvik FEBRUARY 2020 HALF-NOTE PATRONS AJ Schuster Alex Singer Alexander Polson Amanda Furlotti Andre Bremer Andrew Baker Andrew Lee Arjun Sharma Bill Thornton Brett Douville Brian Amoebas Brooke Wilford Chas Lednicky Chris Brown Christer Lindqvist Cyrus N. White Darryl Stewart David Stroud Earl Lozada Eero Wahlstedt Elliot Jay O'Neill Emily Williams FlSHBONES Forrest Chang Gavin Doig Jacob Dye Jaehoon Jeong James Johnson Jeffrey Olson Jennifer Bush Jeremy Dawson John and Sharon Stenglein Jon O’Keefe joujou Juan Carlos Montemayor Elosua Jules Bailey Justin Liew Justin McElroy Kate Albury Kevin Morrell Kevin Pennyfeather Mark Steen Markus Koester Matt Gaskell Max Schechter Melanie Stivers Michael Blackwell Miriam Juskowicz Mueller Nate from Kalamazoo Nicholas Schechter Richard Toller Robbie Ferrero Sam Fenn samuel gardner Shane DeLeon Shaun Wiese SP Tanner Morton Tom Clewer Tom Lauer Toni Isaacson

Hay un grupo que, en sus inicios, coqueteó con el Punk pero que, afortunadamente para todos, derivó hacia otros estilos dejando para la posteridad un montón de grandes canciones: The Police The Police fue un importante e influyente trío británico de rock, que estuvo activo desde finales de la década de 1970 hasta mediados de la década de 1980, siempre con formato de trío. Su estilo musical estuvo marcado por influencias del rock, reggae y jazz. Se formó en 1977 en Londres, tocaron oficialmente hasta 1986, con una pausa entre marzo de 1984 hasta julio de 1986 y nunca emitieron un comunicado sobre su disolución. La banda ha vendido casi 200 millones de copias por todo el mundo. Liderados por Gordon Matthew Sumner, de nombre artístico Sting ("aguijón" en inglés, mote que le viene de un jersey de rugby a rayas amarillas y negras, estilo avispa, que el bajista siempre llevaba puesto en su juventud), Andy Summers en la guitarra, y Stewart Copeland como batería, The Police fue el conjunto New Wave más popular de los años 80. Su música se caracteriza por ser un impetuoso pop-rock "new wave" enriquecido con algunas dosis de reggae, virtuosismo instrumental y con espléndidas composiciones. En sus inicios, el trío, además del cantante y bajista Sting, estaba compuesto por el batería Stewart Copeland y el guitarrista de origen francés, Henry Padovani, quien pronto sería sustituido por Andy Summers. En enero de 1977, Copeland, Sting y Padovani comenzaron a intentar abrirse paso en el género punk. Su debut discográfico se produjo con el sencillo «Fall Out», una canción compuesta por Copeland y editada en el sello independiente IRS. El tema tuvo un relativo éxito pero no fue suficiente para el despegue de la banda. El primer problema que se le presentó al grupo fue la poca habilidad de Padovani como guitarrista, un asunto que limitaba enormemente las expectativas del grupo. En aquel momento el líder de la banda era Copeland, componía y hasta tocaba la guitarra (de hecho, «Fall Out» fue íntegramente grabada con Copeland en la guitarra). Copeland insistía en que el grupo tenía que seguir la corriente del punk y quería, a toda costa, mantener a Henry en la formación. Sting no estaba conforme ya que no le gustaba el punk por la asimpleza de su estructura y estaba frustrado al no poder desplegar sus capacidades. Por esa época, Andy Summers, un destacado guitarrista, con una gran experiencia, que, no en vano, el tipo ya se había codeado con todos los músicos de su época (Eric Clapton, Jimi Hendrix o Jimmy Page), ya estaba en la órbita del grupo y pensaba que algo podría conseguir con esta banda. Solo había un problema, Padovani, con su estilo punki no encajaba. Mientras tanto, Copeland empecinado con mantener a Padovani en la banda sugirió probar con un cuarteto pero la diferencia entre los dos guitarrista era abismal. Aquello no tiraba. Así que Summers les da un ultimátum a Sting y Copeland: "quiero que el grupo sea un trío". Summers relataba en su libro "El tren que no perdí" esa situación diciendo que "me sentía mal porque le estaba quitando el empleo a otra persona, pero ¿de qué empleo hablo, el del guitarrista de una banda que no es nada y no ha llegado a ninguna parte?". Sting finalmente pidió a Padovani que dejase la banda y quedó la formación que los hizo legendarios. Al poco tiempo, Sting compuso una canción en un ritmo bossa nova; después junto a Stewart Copeland deciden realizarle unas modificaciones: ponerle ritmo reggae y un coro punk. El resultado se llamó «Roxanne». El resultado de esa grabación le pareció excelente a Miles, hermano de Copeland y mánager de la banda, quien, hasta ese entonces, no le veía futuro al grupo y dijo que los llevaría al sello A&M. En su primera edición, «Roxanne» no consiguió llamar la atención. La canción se incluyó en su primer álbum, Outlandos d'Amour (1978), uno de sus mejores trabajos y el más enérgico e inmediato, en donde sonaban temas clásicos del grupo como «So Lonely», «Can't Stand Losing You», o «Next to you». Hemos escuchado So Lonely, ahora oiremos “Can’t Stand Losing You”, otra joyita. Y no podemos dejar de escuchar la potente “Next to you” Este brillante inicio de su discografía se confirmaría con discos que copaban las listas de ventas de toda Europa como Reggatta de Blanc (1979), álbum que incluye canciones muy conocidas como «Message in a Bottle» o «Walking on the Moon». Efectivamente, Message in a Bottle, muy bien. Ahora escucharemos Walking on the Moon. Otro temazo. Zenyattà Mondatta (1980) fue el álbum que coronó a la banda en los Estados Unidos y que alcanzó el número 5 en la lista Billboard gracias a canciones como «Don't Stand So Close to Me» o «De Do Do Do, De Da Da Da». Estos dos últimos discos fueron co-producidos con la banda por Nigel Gray quien había ocupado puesto de ingeniero de sonido de su debut. Vamos a escucharlos, son buenísimos. Hemos escuchado Don’t Stand So Closet o Me, ahora le toca el turno a De Do Do Do, De Da Da Da. Zenyattà Mondatta fue el tercer álbum de The Police, editado en 1980. Como curiosidad, incluye tres temas instrumentales, algo no muy habitual. Como despedida vamos a escuchar uno de ellos; el ganador de un Grammy: “Gehind My Camel”. Y con esto hemos llegado al final del programa. Police fue un grupo muy prolífico, tanto es así que volveremos con ellos la próxima semana. Nos queda mucha buena música por escuchar. Hasta entonces, ¡¡¡BUENAS VIBRACIONES”

Hay un grupo que, en sus inicios, coqueteó con el Punk pero que, afortunadamente para todos, derivó hacia otros estilos dejando para la posteridad un montón de grandes canciones: The Police The Police fue un importante e influyente trío británico de rock, que estuvo activo desde finales de la década de 1970 hasta mediados de la década de 1980, siempre con formato de trío. Su estilo musical estuvo marcado por influencias del rock, reggae y jazz. Se formó en 1977 en Londres, tocaron oficialmente hasta 1986, con una pausa entre marzo de 1984 hasta julio de 1986 y nunca emitieron un comunicado sobre su disolución. La banda ha vendido casi 200 millones de copias por todo el mundo. Liderados por Gordon Matthew Sumner, de nombre artístico Sting ("aguijón" en inglés, mote que le viene de un jersey de rugby a rayas amarillas y negras, estilo avispa, que el bajista siempre llevaba puesto en su juventud), Andy Summers en la guitarra, y Stewart Copeland como batería, The Police fue el conjunto New Wave más popular de los años 80. Su música se caracteriza por ser un impetuoso pop-rock "new wave" enriquecido con algunas dosis de reggae, virtuosismo instrumental y con espléndidas composiciones. En sus inicios, el trío, además del cantante y bajista Sting, estaba compuesto por el batería Stewart Copeland y el guitarrista de origen francés, Henry Padovani, quien pronto sería sustituido por Andy Summers. En enero de 1977, Copeland, Sting y Padovani comenzaron a intentar abrirse paso en el género punk. Su debut discográfico se produjo con el sencillo «Fall Out», una canción compuesta por Copeland y editada en el sello independiente IRS. El tema tuvo un relativo éxito pero no fue suficiente para el despegue de la banda. El primer problema que se le presentó al grupo fue la poca habilidad de Padovani como guitarrista, un asunto que limitaba enormemente las expectativas del grupo. En aquel momento el líder de la banda era Copeland, componía y hasta tocaba la guitarra (de hecho, «Fall Out» fue íntegramente grabada con Copeland en la guitarra). Copeland insistía en que el grupo tenía que seguir la corriente del punk y quería, a toda costa, mantener a Henry en la formación. Sting no estaba conforme ya que no le gustaba el punk por la asimpleza de su estructura y estaba frustrado al no poder desplegar sus capacidades. Por esa época, Andy Summers, un destacado guitarrista, con una gran experiencia, que, no en vano, el tipo ya se había codeado con todos los músicos de su época (Eric Clapton, Jimi Hendrix o Jimmy Page), ya estaba en la órbita del grupo y pensaba que algo podría conseguir con esta banda. Solo había un problema, Padovani, con su estilo punki no encajaba. Mientras tanto, Copeland empecinado con mantener a Padovani en la banda sugirió probar con un cuarteto pero la diferencia entre los dos guitarrista era abismal. Aquello no tiraba. Así que Summers les da un ultimátum a Sting y Copeland: "quiero que el grupo sea un trío". Summers relataba en su libro "El tren que no perdí" esa situación diciendo que "me sentía mal porque le estaba quitando el empleo a otra persona, pero ¿de qué empleo hablo, el del guitarrista de una banda que no es nada y no ha llegado a ninguna parte?". Sting finalmente pidió a Padovani que dejase la banda y quedó la formación que los hizo legendarios. Al poco tiempo, Sting compuso una canción en un ritmo bossa nova; después junto a Stewart Copeland deciden realizarle unas modificaciones: ponerle ritmo reggae y un coro punk. El resultado se llamó «Roxanne». El resultado de esa grabación le pareció excelente a Miles, hermano de Copeland y mánager de la banda, quien, hasta ese entonces, no le veía futuro al grupo y dijo que los llevaría al sello A&M. En su primera edición, «Roxanne» no consiguió llamar la atención. La canción se incluyó en su primer álbum, Outlandos d'Amour (1978), uno de sus mejores trabajos y el más enérgico e inmediato, en donde sonaban temas clásicos del grupo como «So Lonely», «Can't Stand Losing You», o «Next to you». Hemos escuchado So Lonely, ahora oiremos “Can’t Stand Losing You”, otra joyita. Y no podemos dejar de escuchar la potente “Next to you” Este brillante inicio de su discografía se confirmaría con discos que copaban las listas de ventas de toda Europa como Reggatta de Blanc (1979), álbum que incluye canciones muy conocidas como «Message in a Bottle» o «Walking on the Moon». Efectivamente, Message in a Bottle, muy bien. Ahora escucharemos Walking on the Moon. Otro temazo. Zenyattà Mondatta (1980) fue el álbum que coronó a la banda en los Estados Unidos y que alcanzó el número 5 en la lista Billboard gracias a canciones como «Don't Stand So Close to Me» o «De Do Do Do, De Da Da Da». Estos dos últimos discos fueron co-producidos con la banda por Nigel Gray quien había ocupado puesto de ingeniero de sonido de su debut. Vamos a escucharlos, son buenísimos. Hemos escuchado Don’t Stand So Closet o Me, ahora le toca el turno a De Do Do Do, De Da Da Da. Zenyattà Mondatta fue el tercer álbum de The Police, editado en 1980. Como curiosidad, incluye tres temas instrumentales, algo no muy habitual. Como despedida vamos a escuchar uno de ellos; el ganador de un Grammy: “Gehind My Camel”. Y con esto hemos llegado al final del programa. Police fue un grupo muy prolífico, tanto es así que volveremos con ellos la próxima semana. Nos queda mucha buena música por escuchar. Hasta entonces, ¡¡¡BUENAS VIBRACIONES”

It's the episode before the big episode, the ReFlicktions before the Celebration of Mikey, Dave, and #TwitterlessDrEarl at 400! But first, all the movies seen in the last month or so, both old and new and in the middle.  Discussions on racism in New York... Rambo films... more Rich Mullins... Dave reading John Grisham... Mikey's Nic Cage Kiss flick... an insane magical documentary... Elle Yes!!... Michael Mann's Vice... and the brouhaha around The Joker. Movies discussed: Diamonds are Forever... Do the Right Thing (re-watch)... Last Blood... Rich Mullins: The Ragamuffin Legacy (doc)... The Chamber... Ad Astra... Can't Stand Losing You... Dragged Across Concrete... Vampire's Kiss... They Shall Not Grow Old (doc)... The Amazing Johnathan (doc)... High Life... The Death of Dick Long... Galveston... Wonder Park... Miami Vice... Joker

On this episode: I answer some burning questions from the Gram & I play the most expensivest record in my collection! Tracklist: Prince "In Love" Mayer Hawthorne "Physicality" Blood Orange "Orlando" The Internet "Come Together" Nick Hakim "Cuffed" Major Lee Vincente "You and Me" Marvin Gaye "All The Way 'Round" Lara Saint Paul "Come L'Amore" Odyssey "Don't Tell Me, Tell Her" Placebo "Humpty Dumpty" Cloud One "Dust To Dust" The Police "Can't Stand Losing You" Boy Dude "Modern Day Confusion" Lord Echo "Just Do You" Charles Aznavour "Parce Que"

Smashing Pumpkins, Faith No More, The Clash, Red Hot Chili Peppers, A Sea of Leaves, Bob Mould, Arctic Monkeys, The Ed Sons, Far From Alaska, The Police e muitas outras bandas em nossa Mixtape 63, faça o download agora. (clique com o botão direito e selecione salvar). Para ouvir outras músicas do artista clique nos links. 01 – The Guns of Brixton – The Clash 02 – Can’t Stand Losing You – The Police 03 – Melô do Marinheiro – Os Paralamas do Sucesso 04 – By The Way – Red Hot Chili Peppers 05 – Follow the Leader – A Sea Of Leaves 06 – Eddie Shumway is Dead – Lava Divers 07 – You Say You – Bob Mould 08 – Geek U.S.A. – Smashing Pumpkins 09 – Find Me – The Ed Sons 10 – R U Mine – Arctic Monkeys 11 – Your Touch – The Black Keys 12 – What Do You Wanna Be – Slash’s Snakepit 13 – Monkey – Far From Alaska 14 – Superhero – Faith No More 15 – Sex Type Thing – Stone Temple Pilots 16 – Just Because – Jane’s Addiction A próxima mixtape vai pro ar no dia 06/09/2017.

Andy Summers rose to fame in the early 1980’s as the guitarist with the multi-million record selling rock band The Police. The Police were the number one band of the time and dominated the music scene and the media in the eighties with several number albums and singles including Every Breath You Take, Roxanne, Don’t Stand So Close to Me, Every Little Thing She Does Is Magic, Invisible Sun, and Message in a Bottle. The band was the recipient of several Grammys and awards too numerous to mention.Andy Summers innovative guitar playing created a new paradigm for guitarists in this period and has been widely imitated ever since. Prior to the Police Andy Summers played with various bands in the London scene including the Soft Machine, Kevin Coyne and also Kevin Ayers.Post Police Andy has made thirteen solo records, collaborated with many other musicians and toured the world as a solo artist. In addition he has composed film scores, and along with many photo gallery exhibitions published books of his photography.In 2006 his autobiography One Train Later was released to great success and was voted the number one music book of the year in the UK. The film Can’t Stand Losing You based on the book saw it’s theatrical release in the US by Cinema Libre in March 2015. The DVD of the film will be released on July 14th 2015, along with Andy’s latest CD – Metal Dog.Recent projects include the record Circus Hero from his new band Circa Zero released in April 2014, touring in Brazil with Rodrigo Santos and scoring music for the Turkish film And the Circus Leaves Town.Current photo exhibition have been at the Leica gallery in Los Angeles, Paris/LA Independent Photo Show, Kunst, Licht gallery in Shanghai, CCC Gallery in Beijing and Photokina in Cologne, Germany.Upcoming photography exhibitions are scheduled for August in Sao Paulo Brazil and Rio de Janeiro with Globo newspaper.Andy is in the Rock and Roll Hall of Fame, the Guitar Player Hall of Fame, has the keys to New York City! He has been awarded the Chevalier De L’Ordre Des Arts et Des Lettres by the Ministry of Culture in France.

Legendary guitarist Andy Summers of The Police joins Eric in conversation.   We talk about his time before forming the band, about his new documentary Can't Stand Losing You, international touring, the failed follow-up to Synchronicity, his latest CD Metal Dog and basically all things Police and beyond.

26. ROX DIAMOND -Heart Of Mine 27. FROM THE FIRE -Spark And... 28. TOWER CITY -Closer to the heart 29. HOUSTON -Justice For One 30. H.E.A.T -Downtown 31. MR.BIG -Fragile 32. RICHARD MARX -Angelia 33. WILD ROSE -Another Day 34. STATE OF SALAZAR -I Believe in you 35. ECLIPSE -About to break 36. SHADOW KING -Russia 37. FATE-I can't Stand Losing You

26. ROX DIAMOND -Heart Of Mine 27. FROM THE FIRE -Spark And... 28. TOWER CITY -Closer to the heart 29. HOUSTON -Justice For One 30. H.E.A.T -Downtown 31. MR.BIG -Fragile 32. RICHARD MARX -Angelia 33. WILD ROSE -Another Day 34. STATE OF SALAZAR -I Believe in you 35. ECLIPSE -About to break 36. SHADOW KING -Russia 37. FATE-I can't Stand Losing You

Matthew presents #LondonGP - your weekly motor sport and music extravaganza on ZoneOneRadio. This week from Autosport International at the NEC in Birmingham. In what is becoming a bit of a #LondonGP tradition, regular contributor Autosport Editor-in-Chief Andy van de Burgt gives us his predictions for the motor sport year ahead. And we have a quick look back at his predictions from last year to see how he did. That, of course, leaves our regular “Letter from the Editor” slot without a contributor. But fortunately, for the second year in a row, Damien Smith Editor of Motor Sport magazine fills in. #LondonGP’s intrepid roving reporter Rupert Suren will be speaking to him in about five minutes. If you want watch a video of Rupert being hurled around donut-style at the Caterham Experience in the Indoor Arena or want to have a look at some of the most beautiful cars at the show, pictures are on the facebook page - http://facebook.com/ZoneOneRadio. Music this week from Daft Punk, Black Sabbath and Thelma Houston amongst others. -- http://www.twitter.com/radio_matthew and http://www.twitter.com/z1radio http://www.ZoneOneRadio.com http://www.facebook.com/ZoneOneRadio Pharrell Williams - Happy Intro Thelma Houston - Jumpin’ Jack Flash The Rolling Stones - Honky Tonk Woman Letter from the Editor - with Motor Sport Editor Damien Smith Daft Punk - Get Lucky 2014 Preview - with Autosport Editor-in-Chief Andy van de Burgt - part 1 of 2 The Police - Can’t Stand Losing You 2014 Preview - with Autosport Editor-in-Chief Andy van de Burgt - part 2 of 2 Black Sabbath - God is Dead Outro Stevie Wonder - Isn’t She Lovely

Matthew presents #LondonGP - your weekly motor sport and music extravaganza on ZoneOneRadio. This week from Autosport International at the NEC in Birmingham. In what is becoming a bit of a #LondonGP tradition, regular contributor Autosport Editor-in-Chief Andy van de Burgt gives us his predictions for the motor sport year ahead. And we have a quick look back at his predictions from last year to see how he did. That, of course, leaves our regular “Letter from the Editor” slot without a contributor. But fortunately, for the second year in a row, Damien Smith Editor of Motor Sport magazine fills in. #LondonGP’s intrepid roving reporter Rupert Suren will be speaking to him in about five minutes. If you want watch a video of Rupert being hurled around donut-style at the Caterham Experience in the Indoor Arena or want to have a look at some of the most beautiful cars at the show, pictures are on the facebook page - http://facebook.com/ZoneOneRadio. Music this week from Daft Punk, Black Sabbath and Thelma Houston amongst others. -- http://www.twitter.com/radio_matthew and http://www.twitter.com/z1radio http://www.ZoneOneRadio.com http://www.facebook.com/ZoneOneRadio Pharrell Williams - Happy Intro Thelma Houston - Jumpin’ Jack Flash The Rolling Stones - Honky Tonk Woman Letter from the Editor - with Motor Sport Editor Damien Smith Daft Punk - Get Lucky 2014 Preview - with Autosport Editor-in-Chief Andy van de Burgt - part 1 of 2 The Police - Can’t Stand Losing You 2014 Preview - with Autosport Editor-in-Chief Andy van de Burgt - part 2 of 2 Black Sabbath - God is Dead Outro Stevie Wonder - Isn’t She Lovely

NEW FOR JUNE 1, 2011 Podcast Watch: Conditions are right for a perfect swath of great music . . . Heat's On - The Best Radio You Have Never Heard Vol. 159 1. Death Of Mother Nature Suite - Kansas Buy From iTunes 2. Blue Wind - Jeff Beck Buy From iTunes 3. Supertwister (live) - Camel Buy From iTunes 4. Stormy Monday (live) - The Allman Brothers Band Buy From iTunes* 5. Tornado (live) - The Black CrowesBuy From iTunes* 6. Nature's Way - Spirit Buy From iTunes 7. Turning Tables (live) - Adele Buy From iTunes* 8. Incubi - Bad Pollyanna Buy From iTunes 9. Had To Cry Today (live) - Eric Clapton and Steve Winwood Buy From iTunes 10. King Kong - Jean-Luc Ponty Buy From iTunes 11. Unobstructed Views - Death Cab For Cutie Buy From iTunes 12. Smells Like Teen Spirit - Tori Amos Buy From iTunes* 13. Can't Stand Losing You (deranged) - Stewart Copeland / The Police Buy From iTunes* 14. Holdin' On To Black Metal - My Morning Jacket Buy From iTunes 15. The Revolution Will Not Be Televised (live) - Gil Scott-Heron Buy From iTunes The Best Radio You Have Never Heard. Ready to take cover at its earliest convenience . . . Accept No Substitute