Podcasts about Rochambeau

Luke had an encounter at an airport bar that has Andrew ON EDGE. They also discuss the “world's largest litter box” that Luke has accidentally built in his back yard. And they get a big update on the famous billboard along I-5 that has displayed wackadoo conservative messages for decades. 

Hosted by The Lower Manhattan Historical Association, Sons of the Revolution in the State of New York, Inc. and its Fraunces Tavern Museum, and cultureNOW. Each October the Lower Manhattan Historical Association celebrates two of the Continental Army's most decisive Revolutionary War victories, the battles of Saratoga and Yorktown. Both General Horatio Gates, the commanding general at the Battle of Saratoga, and Alexander Hamilton, a key aide to General George Washington and the leader the climactic charge against redoubt 10 at the Battle of Yorktown, are buried at Trinity Churchyard. Additionally, the Battle of Yorktown is symbolic of the United States of America's oldest military alliance. Powerful French land forces, commanded by the Comte de Rochambeau, and an equally important and sizable French fleet, commanded by the Comte de Grasse, played a crucial role in the defeat and capitulation of the British army. Participants include the Sons of the Revolution in the State of New York, Inc. Color Guard; Abby Suckle, Vice President Lower Manhattan Historical Association & President cultureNOW; Ambrose Madison Richardson III, President, Lower Manhattan Historical Association; James S. Kaplan, Former President/co-Founder Lower Manhattan Historical Association; Elizabeth Kahn Kaplan, The Alexander Hamilton Awareness Society; Camille Letournel, French Cadet, United States Military Academy at West Point; Alain H. Dupuis, President of the Federation of French War Veterans, 2nd Vice President & Deputy General Delegate, Le Souvenir Francais in the United States. Also includes the inaugural presentation of the Frederic P. Vigneron Award to the Federation of French War Veterans.* This program was recorded on Saturday, October 19, 2024. *The views of the speakers are their own and do not necessarily represent the views of Sons of the Revolution℠ in the State of New York, Inc. or its Fraunces Tavern® Museum.

Esto es HistoCast. No es Esparta pero casi. Empezamos hoy una nueva serie sobre el legado del imperio español en los Estados Unidos de la mano de @cerveranavas. En esta ocasión, nos detenemos en la ayuda de España a la independencia de los Estados Unidos, a menudo desconocida o infravalorada. Participan también en esta serie de dos capítulos @danigalpe, @HugoACanete y @goyix_salduero.Secciones Historia: - Resumen de la primera parte - 00:11:20 - Las negociaciones diplomáticas de Franklin con Vergennes y el conde de Aranda en París en diciembre de 1776 - 00:33:55 - El viaje de Lee a España y la reunión con Grimaldi y Gardoqui en Burgos a comienzos de 1777 - 00:33:50 - Gálvez recibe un envío de ayuda para los rebeldes en Nueva Orleans en abril de 1777 - 00:36:28 - El Congreso Estadounidense escribe a Bernardo de Gálvez como a un aliado - 00:42:00 - Entrevista a Manuel Olmedo Checa sobre Bernardo de Gálvez - 00:45:07 - España manda un embajador informal a George Washington, Juan de Miralles, y espías a las colonias rebeldes - 1:14:58 - Las operaciones militares del año 1777, la toma de Filadelfia por los ingleses y la batalla de Germantown - 1:19:33 - La campaña de Burgoyne y la victoria estadounidense en Saratoga gracias a la ayuda organizada por Beaumarchais - 1:22:51 - Las razones de la entrada de Francia en la guerra a comienzos de 1778 - 1:38:14 - El infierno del general Washington en Valley Forge - 1:43:34 - La Gran Bretaña se da cuenta de sus errores militares y se dispone a luchar contra los Borbones - 1:47:50 - Clinton evacua Filadelfia y la confusa batalla de Mount Mouth - 1:52:25 - El conde D'Estaign sale de Toulon, intenta sorprender a los ingleses en Nueva York y fracasa frente en Newport - 1:55:00 - España sondea la posibilidad de mantenerse neutral a cambio de Gibraltar, se propone como mediador y negocia con Francia la entrada en la guerra - 1:59:18 - Las victorias de Cornwallis en las colonias del sur, la guerra en el mar y la entrada de España en la guerra en junio de 1779 - 2:03:38 - La fracasada invasión franco-española de la Gran Bretaña - 2:11:25 - Entrevista a Miguel Ángel Gálvez, presidente de la Asociación Bernardo de Gálvez - 2:19:32 - Bernardo de Gálvez ayuda a Washington antes de la entrada de España en la Guerra - 2:33:07 - Oliver Pollock - 2:36:54 - Entrevista a Teresa Valcarce - 2:39:36 - Gálvez y los Saint-Maixent - 3:10:04 - La Marcha de Gálvez - 3:15:04 - El “toma y daca” naval de 1779 - 3:32:17 - La historia del Galveztown, el bergantín de Bernardo de Gálvez - 3:35:11 - La Habana se resiste a mandar refuerzos a Gálvez y conquista la Mobila sin ayuda - 3:39:37 - Don Luis de Córdova y la acción del 9 de agosto de 1780 - 3:45:07 - La expedición particular de Rochambeau y Lafayette, la derrota de Horatio Gates en Camden - 3:50:29 - El sitio y la toma de Panzacola - 3:58:44 - Las victorias de Nathaniel Greene en las Carolinas y - 4:15:56 - El conde de Grasse, Francisco Saavedra y la campaña de Yorktown - 4:24:07 - La guerra sigue fuera del teatro americano - 4:36:49 - Conclusiones - 4:42:00 - Bibliografía - 5:28:46

Today's SceneStop brings us the Hill Propellers in Santa Ana, CA! Well, it brings us to the building formerly known as that. What is Hill Propellers? How is it important to hardcore music you ask? Do you like Farside? Do you like RIGGED, ROCHAMBEAU, THE MONROE DOCTRINE and all of the other great songs this seminal band made? Well, Hill Propellers is where Farside practiced courtesy of their drummer, Bob Violence, who worked there. Enjoy! These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochs Or, pick up the Orange County Hardcore Scenester DVD here: https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvd?_pos=2&_sid=683ac2ce9&_ss=r Subscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimited See FARSIDE at Hill Propellers here: https://www.instagram.com/xtidbitsx/p/C-bvxTbpeZf/?locale=hi_IN%2F&hl=am-et Need propellers? Check out HILL MARINE (formerly HILL PROPELLERS) here: https://hillmarine.com/ #farside #revelationrecords #rigged #rochambeau #themonroedoctrine #emo #hardcorepunk #punkrock #santaana #orangecountypunkrock #orangecountyhardcore #ochs #ochardcore

Discover when the first report of Charleston's fall officially made its way to Philadelphia. Find out if any resentment behind Charleston's falling weighed heavily within Congress's hallways. Learn whom replaced General Lincoln as new Southern Department Commander. Learn if General Lincoln requested a formal hearing in the aftermath of Charleston's falling. Determine if General Lincoln was granted parole status following Charleston's Surrender. Discover what takes place between September-November 1780 involving Lincoln and William Phillips, a British Officer. Determine if there was a presence of French Forces stationed up north prior to 1780 ending. Get a timeline of where General Lincoln gets sent between March-July 1781. Discover which French Officer was most influential in persuading Generals Washington & Rochambeau to look elsewhere per launching an attack by land and sea against the British. Get an in depth analysis report behind why General Washington sought secrecy for intended destination. Learn exactly when the official siege operation began including its final ramifications. Hosted on Acast. See acast.com/privacy for more information.

Chaque mois, Virginie ADANE du CRHIA accueille à son micro des historiens et historiennes pour nous guider vers un sujet du passé, qui parfois, peut éclairer notre présent.Aujourd'hui, nous allons traverser l'Atlantique, parler d'espionnage, de guerre de course, de coups de pression… le tout à la fin du XVIIIe siècle. Car si, quand on pense à l'indépendance des États-Unis, on pense souvent à l'aide française, incarnée par Lafayette et Rochambeau, on oublie un peu facilement que ces deux pays ont bien failli être en guerre dans les années 1790. Pour en parler, Virginie ADANE du CRHIA reçoit Eric Schnakenbourg, professeur en histoire moderne à Nantes Université, et directeur du Centre de Recherche en Histoire Internationale et Atlantique, spécialiste d'histoire diplomatique et des relations internationales,.

This week I am joined by Popeye Vogelsang and Garrett Rothman of the band Calling Hours to discuss the bands new album Say Less, signing with Revelation Records, working with Brian McTernan, how writing for Calling Hours differs from how Popeye wrote for Farside and much moreCALLING HOURShttps://callinghours.bandcamp.comhttps://bio.site/CallingHourshttps://www.instagram.com/callinghoursmusichttps://www.instagram.com/popeyevogelsanhttps://www.instagram.com/garrett.rothmanPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Tiff and Dana walk through what onboarding is, and how to utilize your team to update and carry out the methods. The consultants touch on how to prioritize the onboarding schedule, what often is missed in the onboarding process, and why it's so critical to be systems-dependent instead of people-dependent. Episode resources: Reach out to Tiff and Dana Watch DAT Podcasts on YouTube Practice Momentum Group Consulting Subscribe to The Dental A-Team podcast Become Dental A-Team Platinum! Review the podcast Transcript: The Dental A Team (00:00.174) Hello, Dental A Team. We are so excited to be here with you today. I have Dana with me. She is my favorite person for this kind of topic. She's my favorite person to podcast with. Don't tell everybody else that, but I love podcasting with you, Dana. So thank you for being here, Dana. I'm going to pick your brain a ton on this subject. So I'm super excited. How are you today?   I'm doing good. Excited to be here. I love the podcast. You know what, Tif? I will be honest to say podcasting was always something that made me super nervous in the beginning. And I've grown to love it so much. And part of that is because I get to do it with you. thank you. I appreciate that. I really do enjoy it. I think I love getting my time in with you. And this is the best way that we can do it in our virtual company right now. So I love it. Thank you.   All right, Dana, today we are talking about some onboarding tips, which I think we have talked about this a lot. We just said that. We talked about onboarding a lot this year. There's a lot of podcasts that have gone out on onboarding or building out your operations manual. But today I kind of wanted to spin it. We won't take a whole super long time kind of diving into the operations manual side of it. But I really wanted to spin it today and talk.   about some systems that you've used Dana for practices. And I say this every time Dana is my operations manual guru. So I lean on you pretty heavily. I want to talk about first, I want to define onboarding. Number one, like what is it? What is it not? And then number two, I really want to talk about how we can utilize the team to effectively update onboarding and really carry it out because I think leadership or doctors like   they get a little stressed out about it. And I sometimes wonder if it's because we feel the weight of the new hire on us and we think we have to do everything. And it's just not always the case. So first, Dana, what would you define onboarding a team member into a dental practice as? Yeah, I think onboarding is the complete process of bringing on a new team member and training them from start to finish on all of their tasks, their job responsibilities, their job descriptions.   The Dental A Team (02:16.238) and culture pieces in the practice. So I always want to include that mission, the vision, the core values and onboarding them culturally too. And it includes all of the HR pieces. So are they attached to their benefits? Have we done their employment eligibility? All of those pieces are included in onboarding. Yeah, totally, totally. And I think you said like the successful part of it, right? And that really truly means   within that onboarding time period, whatever you choose that to be, we typically will say like a 30, 60, 90, so you have a 90 day onboarding protocol. But whatever that length of time is, that person, whoever it is that's onboarding, whatever position it is, should be able to carry out 80 at the low end, but I would say at least 90 % of that position's duty and be able to carry the KPIs that go along with that position to success. So successfully onboarding,   Like you, I love that word because it really, it really pulls out the trigger point of the onboarding. Cause I think often, well, number one in dentistry, how do we, how do we typically onboard? We're like, my gosh, you're a dental assistant. Fantastic. You have two weeks of experience. It's totally fine. Don't worry. Go sit in that room and he'll tell you what to do. You're going to be totally fine. Cause I've got five patients I need to go work with. So bye. It's just like, it's just training by fire and.   Sometimes it works and oftentimes it really doesn't. And I think you said something in your definition about culture and core values. And I think that right there creates a culture. I think it creates a culture of having to move too fast for one, like this rush, this sense of rush. And I think it creates a culture of not always getting the support.   that you might want or need and it can make someone feel that I'm just like surmising and making assumptions, but I can only assume that it could make someone feel a little less than, like inadequate because they're like, I'm supposed to know these things, but I don't. So successful onboarding, I love that. Dana, what do you define for your clients that you do this with? How do you help them, I guess not define, but how do you help them figure out   The Dental A Team (04:38.029) what goes into those months? Because we do typically do a 30, 60, 90. And I think everyone in the dental industry is like, you have your 90 days. If we don't like them, we got to get rid of them before 90 days. And I think somewhere along the way, somebody just made this up. But how do you create that with them in that 30, 60, 90, depending on the position that they're taking on? Yeah. Well, I talk about this a lot right now because I feel like   Dental teams right now are already understaffed. And so then when they get a new team member finding the capacity within the team to train, having this onboarding system really helps because once it is done and built successfully, that team member should have a resource to do some independent training too, and not feel like they just have to be thrown in, that there are support pieces in place for them too. So usually what I do is, okay, let's take everything that this position does and what is essential.   for that team member to know within the first 30 days, then 60 days, then 90 days. So you're basically prioritizing the order in which you train things based on necessity of what are the things. So let's use a front office team member, right? If we have a check -in person, we want them to know how to greet a patient. We want them to know how to confirm an appointment. And we want them to know how to take a phone call and schedule, right? Like those would be the first essential pieces. We would want them to do that way before we would want them to maybe learn how to present a treatment plan.   Right? They're the greeter. So what is essential for them to learn in the first 30 days, 60 days and 90 days that then really kind of starts mapping out your training plan? Yeah. Yeah, I love that. I love what you said. I love the essential pieces like what is essential for that person. And then those tie back then to basically the goal of that position. So if you're like, what's the goal of your check in your greeter? What's the goal of your billing department? Because if you can see that clearly, if you're like,   check -in greeter, you want them to create the warmest welcome and create the atmosphere that you guys are portraying as your patient experience and that it's the first phase of the practice, the first phone call answered. Like now you know, okay, I've got to dial in, not necessarily even the system, like the operating software. I'm going to spend some time there, but more importantly, they need to know how to present themselves.   The Dental A Team (06:58.125) They need to know how to speak to people and how to engage. So I love that the essentials. And so then we've got the essentials, maybe I would say, and maybe you can tell me what you would do. I think if I was looking at essentials for the first month, because they're also learning, they're always learning our practice. They're learning our culture. They're learning our team members and our patients. So maybe like three to five items that would be essential for them to get really good at. So then by that 30 days.   they should be masters at those three to potentially five. I think three probably feels the best, but they should be masters at those three things. So this person that you have described should be fantastic at making eye contact and greeting the patient as soon as they come in. They should be fantastic at answering the phone and helping at least figure out where that phone call needs to go and be able to speak to the patients. And they should be fantastic at calling to confirm appointments that have been unconfirmed on the schedule. Yeah.   Yeah, no. How do you how do you set up? So okay, so we've got our essentials. How do you set up from there? So then from there it is just really what's the next layer? What is the next level of things for them to learn that are their responsibilities? Then that goes in your 60 days. And that is probably a longer list, I'd say more of like, like 10 things, right, but then go on the 60 day portion. But it's just what is the next layer for them to know and aren't maybe necessarily the most essential.   but are still pretty important for them to own at that 60 day mark. Yeah, I love that. I love that. Okay, so we've defined your onboarding. We've kind of talked about how do we get there. I love the idea of taking their duties, their goals and their duties of the job position. So you can pull your job descriptions if you guys have our version of the operations manual you guys know, or maybe you don't know and you need to know. If you download those in your back office, then   You have a table of content for every single position within the practice that we've created. And you can pull that and utilize that in the job flow to pull these, to extract these duties out to create that 3060. There's also a 306090 in there, but you can make it your own and figure out what you want it to be. Something that I love doing with practices is really attaching a trainer to a duty.   The Dental A Team (09:22.477) So it doesn't have to be one person. I remember when I was in office, I was like, gosh, I love the idea of not being short staffed and having someone to help, but I hate the idea of me having to train them start to finish because I don't have the time for it. So I have a lot of practices and Dana, I think you do this too with your clients that will look at, okay, well, I need you to learn how to greet the patients. Who's gonna be the best person?   to teach you what that looks like because they're really good at it. And I'll have practices go through and it might be a dental assistant that's teaching a front office hire on how to present themselves in front of patients because she might be my best at that specific thing. So sometimes it's like completely feeling outside the box, but it's satisfying and fulfilling the training. And then also when you tag that in the 30, 60, 90 breakdown that you give them, they know   who they can go to for that thing. And then that person knows what they're responsible for. So when you do your check -ins, when you do your 30 day check -in or if you're doing weekly check -ins, I have a lot of practices doing that for the first 30 days, you have that trainer there to say, yes, they're passed off. Yes, they did it. And you have the trainee there to say that person helps me. So I love doing it that way. Now that's one way I think to get the team more invested and involved in the onboarding.   so that it's not all on one person, but refining the onboarding. Dana, I know you, again, you do this constantly with teams. You work with a lot of teams in general. How do you get the teams involved in the refinement process and the creation of that onboarding for those new positions?   Yeah, and I think that this is probably not the best part of this topic, but the part that gets missed often that I think like this podcast is unique on is that usually offices is like, yeah, well, we created our training plan. Here it is. And they never touch it again. Yeah. And now they're trying to onboard someone five years later and they no longer have this patient communication system. They no longer have this.   The Dental A Team (11:32.205) software system, they no longer put their x -rays in this system, right? And so then it's like, well, you spent all this time and yeah, that's great. But now we decided we're gonna pull it back out to use it. And it's not really that usable because we haven't updated it. So I think for the team getting buy -in in that when these things are updated and they are easily usable, it makes it so much more streamlined when we do bring on a new team member.   So just like when I do a lot of operations menu and we say, hey, update your operations menu every year, don't forget your onboarding pieces because a lot of things can change in a practice in a year's time. And so making sure that when you bring on a new team member going down through the 30, 60, 90 and like, do we still do that? Do we still do an automated read care system? Do we still send out reactivation letters? Do we still send out postcards?   Like those things that constantly change, we want to make sure that that's not still on our onboarding card because we don't want to spend time training or hunting or having a new team member hunt for resources on something that we don't do anymore. Yeah, that's brilliant. That's brilliant. And I love the idea you said.   As we're updating our operations manual yearly, having those people within that position go through the 30, 60, 90, which kind of feels weird, right? As a team member, like I'm updating what would onboard for my position. So like it feels weird and it feels like am I setting myself up for somebody to take my job? which is a scary space. I know we all live there within our, within our positions of wherever you're at. So caveat there, don't stress out. It's just to make sure that everything's, everything's always duplicatable.   And one, you should never be content with where you are. You should always be looking for growth. Like a human nature is to grow. Human nature is to learn. Human nature is to become something different than you are today. When we get content or complacent in life, we tend to not be as happy, joyful, or like moving forward. So always be looking for that next step. Now,   The Dental A Team (13:40.781) If that's the case and you're checking or insurance verification or whatever in your practice, could you learn TC? What would that look like? What is that onboarding, right? And then guess what? Maybe you level up and you start learning to treatment coordinate in your practice. Somebody's gotta fill your shoes, right? And also,   Maybe the practice grows, you guys. I see this constantly where the practice is in growth mode, major growth mode, and we've got to add another person that does maybe another treatment coordinator. We've got one rock star treatment coordinator. She's not going anywhere, but I need someone who can do what she does. And if we haven't updated her 30, 60, 90, she's training that person, period, I'm done. I'm not touching it. If she hasn't updated it, for lack of us knowing we needed to or for   fear of being replaced, she's got to train this person on her own now because nobody else knows those pieces. She's the only one that holds it. So I think Dana, kind of what you're speaking to, and maybe, maybe you can pull out better words, but I think what we're speaking to here and what you're saying is don't be people dependent, be systems dependent. And so to the doctors, don't be people dependent, be systems dependent, because you just never know.   Right, Dana? You've seen that, right? We've seen a lot of turnover this year. We've seen a lot of turnover. We've seen a lot of need for cross -training because of turnover. And let's face it, we want our team members to be able to maybe take a vacation and emergencies happen and things come up and people somehow sometimes have to be replaced or shifted in those times, especially now more than ever. Yeah. Yeah, I totally agree with that. I totally agree with that. And I've got a practice we talked to.   Nicole, one of our, one of our prized possessions here on our team, we had a call yesterday with a client and his goal, he is a young, like driven doctor. And I love my calls with him because he is just passionate about what he's doing. And he's like, I want to make 10 million in 10 years. That's what he wants his.   The Dental A Team (15:52.301) practices to collect. So he's, he's got a couple of practices now he's buying more, he's vetting associates and then figuring out where they want to be and buying a practice where they want to be. I thought that was brilliant. side note, but he's looking to grow. And I'm like, if we don't have these positions, so if the practices you have don't have these manuals dialed in the 30, 60, 90 dialed in, it's going to be really difficult.   to transplant, pick up and transplant into that next practice or to grow. We've got one practice that they're like, we're adding more operatories to it. Well, guess what? You add more operatories, you add more assistance, you add more hygiene, you need to add more front office too. So some positions are going to be potentially duplicated.   within your practice. And I think too, you know, there's practices that I know Dana, you work with some too, that have extended hours. So they've got like two shifts of team members. So there's literally two people doing the same job sometimes in the same day and they just kind of like pass it off. So I think that's brilliant to make sure that it's done. So getting the team invested in refining is like you said, having them go through their jobs.   and making sure that everything's updated, making sure that 30, 60, 90 is also updated. And then Dana, do you ever have, when they're refining these, because I know we do it in the beginning when you first built your operations manual, but do you, when they're refining them, have them trade their operations manual portion with a different employee or team member in the practice? Do you do that? Yeah, I do that all the time. And that really just says, oftentimes team members don't understand how much we have to break things down, right? Because   their experience now they've been in the practice they know the system inside and out. So then when they go to document it, it is a more simplified version of that if I walked in with no experience, and can I do the task? So I have them trade so that can somebody who doesn't know your position do that tray setup or   The Dental A Team (17:47.757) present that treatment plan or schedule that type of appointment in a different department to truly say, do I have this broken down enough that if I had to independently hand this to an assistant while I hopped into due chair side with doctor, they can do the task independently. Yeah, yeah, that makes sense. And then I bet when that happens, there's holes to be found. Yeah, because I know if I went, you know, into any practice right now, I'm a trained dental assistant, and I might think I know how to do it. But I might   totally bought to trace that up and have all kinds of questions even based on a picture that I saw like can't find this instrument and I have no idea what this is. I remember when I was first learning to dental assist and my doctor was like give me the plastic. I'm like these are all metal, what are you talking about? But it's the like flat end composite one for anteriors and he just kept giving me the plastic. I'm like why are you calling it that? It is not plastic.   And so there's just like so many misunderstood words that to someone and I do that a lot where I'm like, I can't wrap my mind around how you're not understanding what I'm saying because I don't know any other way to say it. So sometimes just allowing the other another person, another point of view to look at something and say, this is how I'm interpreting this. And if you're wanting something different, maybe we should word it this way helps me a ton, a ton. And I know as we're onboarding, even in our company,   there's been a lot of times where it's like, Hey, if it looks like this, it might help this. I'm like, great, great. I love that. So, okay. So Dana, I want to talk about just some like pros and cons real quick. So what are some things that you've seen fall apart for practices that didn't have onboarding tools ready when they hired? What would that look like? So if our dentists today were like,   I'm not, you guys are crazy. I'm not doing this. I'm not putting the work in. What could they, what could they expect? So usually what I see is just a much lengthier onboarding process. So we've got team members that are onboarding and it's at six months and they're like, they still don't know how to do this, this, this, and this. Well, were they ever trained on this, this, this, and this? Because sometimes in, in dentistry, right? We might do one thing and then we don't do that thing again for months.   The Dental A Team (20:13.293) right, or we don't touch it for weeks. And so for a new person to watch something one time and then remember how to do it and do it independently six weeks later when we're asking them to do that, it will feel as if they aren't making any progress or they only know half of their job. My hunch is they were probably only trained consistently on half their job because we don't have a list of things that we're keeping track of that we know.   This person has been taught this. They were trained on it by this person on this date and they said they could do it independently. Yeah. So we're missing that accountability piece. Yeah. I think you're right. It made me think too of how many times I've had doctors say she just sucks. She sucks. She can't do it. I'm like, well, what isn't she doing? Like, what's just nothing. She just, she's not doing anything. I'm like, well, what, what are you expecting her to do? Well, show up. Okay. What does that mean? So it's like almost like   without the onboarding processes, without thinking about the onboarding processes and really defining what that looks like, it's almost impossible to say if that person is truly working or not. If their personality is not working and they're just a lump on a log and it's just, you know it's not gonna work, I think that's very different. But if you're trying to say that somebody's not fulfilling the roles of that position, but you're not even super clear on it, it makes it really hard to be able to say. And I think, Dana, when you said it makes it a lot longer,   Right. That's where doctors come to us and they're like, how long, how long should I keep someone before I know that it's time to get rid of them? And I think that helps clarify it as well. So doctors, I would say based on what Dana said, what I'm getting out of that is if you're in that situation, look at your onboarding. If you've ever had that situation and you have onboarding, look at your onboarding. If you don't have onboarding, go do your onboarding. because I think the flip side of that Dana, and maybe you agree is.   like ease of accountability. It's easier on the team. And I think splitting it up, splitting the training up between the team members makes it easier on the team. And I think that it, I think it truly helps the culture fit of that individual for your practice. So they become a better team member than maybe they would have before. They may have worked out either way, but I think they become a better team member all the way around.   The Dental A Team (22:28.845) I agree, I think you can think of like any position that you've had where the onboarding process isn't that smooth. It's like, I don't know how I can win, I don't know what I'm supposed to do, and it's super stressful. Even for the new team member. So yes, it is stressful for the team and finding time to train and finding time to follow an onboarding system, but it is just as stressful for a new team member to come into a practice and try to learn all of their systems within that first 90 days.   So it sets clear expectations for both sides and it also reduces stress for both sides too. Yeah, I love that. Good. Okay, Dana, this was huge. Thank you for all of that information. I knew you'd have the tips that I needed. So Dana, add if you think of any too, but I'm thinking, I did write down, break down what's essential. So I think first and foremost, you said to...   pull out your operations manuals, look at what it is that that position does, so what's the goal of their position, what are the duties that they do, and then pull out like three, five tops, but probably about three things that need to be done essentially first. So what are those first essentials, that's your 30 days, and then layer on from there. So if you don't have an onboarding process already, I would have your team members start pulling their operations manuals for their positions.   and going through that, what's essential for this position to learn and then how do we layer on top of that? That's how you get your team involved. If you have these onboarding processes already, get your team involved and maybe like Rochambeau and just what you have now, give your position to someone who doesn't typically do your position and then flip -flop and see where those gaps are because that's where you're gonna be like, they'll say, well, well.   What's weave? You're like, my God, we haven't used weave in years. We have Modento. Or what's this? What's that? And you're like, my gosh, OK, got that, got that. So you can highlight those areas. So I think pull those operations manuals, pull those 30, 60, 90s, and have the team start helping to refine them so that you know your systems and processes are correct. So Dana, you're incredible. Thank you for being my onboarding and operations manual guru. Our team really honestly relies on you a lot for that. So thank you. I appreciate you.   The Dental A Team (24:36.621) Yeah. All right, everyone, go do your things. Go do all the things. Let us know how it goes. We'd love to hear from you. If you need help, if you need an operations manual, you don't have one, you don't know how to get a hold of one, Hello @ TheDentalATeam .com. We can send you the resources and links on how to find our operations manual and what it looks like to have that. So if you need help with it, reach out, Hello @ TheDentalATeam .com. And we have...   consultants that are ready to help you get the best operations manual of your life. We appreciate you, we value you, we value your feedback, so leave us a five -star review below so we can hear how implementable this was for you and we'll catch you next time.

Travel back to Colonial Virginia with site interpreter Nate McDonald as we tour Rippon Lodge, a historic home dating back to 1747 in Prince William County, just outside Washington, D.C. Discover how the Blackburn family, prominent during the American Revolution, shaped the region's history. Explore the significance of Rippon Lodge along the King's Highway and its role in supporting the American and French armies on their march to Yorktown.  Delve into the Blackburns' political and military contributions, and wander through the preserved rooms adorned with family portraits. Learn about Rippon Lodge's place on the Washington Rochambeau National Historic Trail and its resilience through challenges like the War of 1812 and the Civil War.  Join us on this journey through time in a special episode of "Travels with Darley," as we uncover Rippon Lodge's rich heritage and celebrate its enduring legacy. Thank you for joining us as we preserve history for future generations. Watch for this content in video format in the "Travels with Darley" TV series on PBS and streaming.

Discover a national park where spies once trained, a brewery with a spy theme and Turkish simit, all within a short drive of Washington, D.C. in Prince William County in Virginia. Explore the intriguing history of Prince William Forest Park with Ranger Brendan Bonner, including its role in military intelligence operations during WWII. Journey along the trails where General Washington and his troops marched during the American Revolution along the Washington-Rochambeau Revolutionary Route National Historic Trail. Head to spy-themed Eavesdrop Brewery in Manassas, Virginia, where entrepreneur Sam Madden shares the brewery's unique story and diverse beer offerings during Darley's 10am beer tasting. Have a Turkish meal in Manassas complete with simit, Turkish bagels, with Serhat Yildizci at My Cravingz, a family-owned bakery and restaurant.  Experience a delightful blend of history, culture, and craft beer as PBS TV host Darley Newman joins locals to uncover the hidden treasures of Prince William County in Northern Virginia

The Continental and French Armies lay siege to the British Army at Yorktown. Blog https://blog.AmRevPodcast.com includes a complete transcript, as well as pictures, and links related to this week's episode. Book Recommendation of the Week: The Battle of Yorktown, 1781: A Reassessment, by John D. Granger. Online Recommendation of the Week: March to Victory: Washington, Rochambeau and the Yorktown Campaign of 1781: https://history.army.mil/html/books/rochambeau/CMH_70-104-1.pdf Join American Revolution Podcast on Reddit: https://www.reddit.com/r/AmRevPodcast Ask your American Revolution Podcast questions on Quora: https://amrevpod.quora.com Join the Facebook group, American Revolution Podcast: https://www.facebook.com/groups/132651894048271 Follow the podcast on Twitter @AmRevPodcast Join the podcast mail list: https://mailchi.mp/d3445a9cd244/american-revolution-podcast-by-michael-troy  ARP T-shirts and other merch: http://tee.pub/lic/AmRevPodcast Support this podcast on Patreon https://www.patreon.com/AmRevPodcast or via PayPal http://paypal.me/AmRevPodcast Learn more about your ad choices. Visit megaphone.fm/adchoices

Time travel, and Dean gets to meet a personal hero in the flesh, while Sam and Jody have to save his ass from 1944. I love watching them all work at the same problem from opposite directions, and are able to make everything come together in the end. Plus who can resist Dean in that suit? Or resist just how much Dean loves that suit? Plus he's absolutely brilliant throughout this one (thank you Robbie Thompson, yet again!), and brilliantly queercoded. I could talk about this one for ages, but I already did... Fine, just enjoy this one. I know we all will. LINKS! The Superwiki Page My tag My Dean is a Genius post from July 2020 Lizbob's Dean and Cas are In Love series (yes, the same one as for the last few episodes) Lizbob's post about the final deleted scene from this episode My rewatch notes from May 2017 My post about Sam and Dean's Rochambeau history --- Support this podcast: https://podcasters.spotify.com/pod/show/spngeorg/support

Welcome to the Instant Trivia podcast episode 1044, where we ask the best trivia on the Internet. Round 1. Category: 18 Years Of Leftovers 1: From Season 3:This "Pretty Baby" once suggested wearing red mascara, because it's "perfect for the disco". Brooke Shields. 2: From Season 14:21-year-old Frances Folsom married 49-year-old Grover Cleveland in this "colorful" room. the Blue Room. 3: From Season 12:Horace's quote "Permitte divis cetera" means "Leave the rest to" these beings. the gods. 4: From Season 11:British nonsense poet who wrote the 1877 poem "The Courtship of the Yonghy-Bonghy-Bo". Edward Lear. 5: From Season 10:This count who commanded a French force at Yorktown had almost become a priest. Rochambeau. Round 2. Category: Failed Constitutional Amendments 1: The "Every Vote Counts" amendment tried to abolish this "College" but went nowhere. the Electoral College. 2: After a Kentucky congressman shot and killed a rep. from Maine in 1838, an amendment against this practice was proposed. dueling. 3: The Crittenden Compromise of 1860 suggested 6 amendments to protect this institution. slavery. 4: In 2017, 35 years after its congressional deadline had passed, Nevada ratified this failed amendment. the ERA (the Equal Rights Amendment). 5: An amendment replacing the 23rd Amendment with a grant of statehood to this area expired in 1985. District of Columbia. Round 3. Category: Ripley'S Believe It Or Not! 1: B.I.O.N., Texan David Pay has written over 300 alphabetic characters on a single grain of this!. rice. 2: B.I.O.N., herpetologist Bill Haast has been bitten over 150 times by these deadly creatures!. snakes. 3: B.I.O.N., every year a Filipino village recreates this event of around 30 A.D. using nails. the crucifixion. 4: B.I.O.N., because he believes it's possessed by his dead fiancee, a man married one of these dolls!. a Barbie doll. 5: B.I.O.N., a 3-year old Ugandan boy was adopted and raised for 4 years by a colony of these human-like apes!. chimps. Round 4. Category: Is It Safe? 1: A parasite spread by this insect sickens 300 million people a year and kills almost 3 million. the mosquito. 2: Christmas will not be jolly if you happen to eat the red berries from this evergreen holiday bush. holly. 3: This is in the top 3 of the most dangerous professions in the U.S.; most of the fatalities are from drowning. fishing. 4: Though the pygmy and river varieties look comical, Africans consider this 8,000-lb. mammal extremely dangerous. the hippopotamus. 5: This homophonic drug cocktail was a '90s weight-loss dream but was later discovered to be a health nightmare. Fen-phen. Round 5. Category: Now You Know 1: Chopping an onion releases a compound that causes these glands to produce tears. the lachrymal glands. 2: The best result in this lakeside game also called "ducks and drakes" is with a flat projectile thrown at a 20-degree angle. skipping stones. 3: As we humans get older, less and less of this pigment is added to beginning hair cells, leading to gradual graying. melanin. 4: This type of "burn" happens when water molecules escape from food preserved there and begin to migrate. freezer burn. 5: The world's smallest flowers, Wolffia globosa, each consist of 1 pistil and 1 this, the pistil's male counterpart. the stamen. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

When we talk about Rochambeau's French army marching across CT on its way to Virginia during the Revolutionary War, have you ever stopped to think what that was really like – the complexities, the logistics, the massive coordination, the hurdles to overcome? The movement of 5,000 men, 4,000 animals, and tons of food, ammunition, and supplies on wagons on muddy dirt paths and across rivers was an incredible undertaking. We'll hear the inside scoop from the chief consultant to the National Parks Service for the Rochambeau Trail, Dr. Robert Selig.

In the 1990s if you were a band wanting to make a record then the dream was to do it at For the Record studios. Bands like Outspoken, Farside, Gameface, Eleven-Thirty Four, Adamantium and many others recorded there. In this interview he talks about late 80s-early 90s bands, technology, rituals that singers have in the studio, thoughts on recording Farside's ROCHAMBEAU, Greg Ginn/SST, and more! Oftentimes, the person behind the console producing your record was none other that Eric Garten aka E. His goal was transfer whatever a band was to a recording that would best represent them. In this interview we are reunited in real time, we discuss analog gear, and we take a tour through this incredibly important Orange County recording studio! Interested in recording in a legendary studio that just celebrated its 35th year? Give E and the fine folks a call at (714) 771-1410. These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochs Or, pick up the Orange County Hardcore Scenester DVD here: https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvd?_pos=2&_sid=683ac2ce9&_ss=r Subscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimited See E's rich recording history here: https://www.discogs.com/artist/1491459-Eric-Garten Contact the Orange County Hardcore Scenester Podcast here: anhedenia@hotmail.com Orange County Hardcore Scenester: Aftermath music provided by Dear Furious. The songs is "r/Complex”. #E #ForTheRecordstudio #orangecounty

On the 4th episode of Jam Mechanics, Matt shares a man vs nature story for the ages and Bug goes outside his comfort zone. So, so far outside his comfort zone. Don't listen to this if you can't take criticism! We warned you! Jam Mechanics is a podcast hosted by Matt (The Narcissist Cookbook) and Bug (Bug Hunter) where we challenge each other to write a song demo from scratch every episode. If you'd like downloadable files for this episode (and the demos we showed off), ⁠⁠⁠⁠you can go to our Bandcamp⁠⁠⁠⁠ or ⁠⁠⁠website⁠⁠⁠ to pay-what-you-want to support us! Our Music: ⁠⁠⁠⁠The Narcissist Cookbook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠Bug Hunter⁠⁠⁠⁠ and follow us on Instagram, YouTube, etc! Please share the show (and our music) with friends! -- SPOILERS FOR THIS EPISODE BELOW -- ---------- BUG'S SONG Matt's challenge: Stone. Cold. Diss. Track. Title: Dissin' all my Listeners Lyrics: Look at you, bet you're thinking that you're all that “lately I've been really into indie rock and podcasts” Chronically online, paying top dollar for broadband people show you memes, you're thinkin “I already saw that” Cool headphones! You're right to keep it quiet cuz if I had your music taste I'd also try to hide it The crew is in the car, nows your chance to make it awkward the nights already over when its your turn for the Aux Chord I tried to warn you but I'm done with taking prisoners You're in my target demo and I'm dissin' all my listeners Hey cool tune, how'd you find it, kid? Did you pop into a record shop and dig for it? oh you let an algorithm make a playlist? cool you and every other zoomer in your local middle school and hey maybe they're a talent and they kill it live oh, their show has the production of an open mic? we paid 25 bucks and you had to drag me, too to sit criss-cross and listen in a living room? Its not hard but I'll try to make it simpler you're in my target demo and I'm dissin all my listeners I hear you thinking that I'm comin off a bit harsh a little bit ungrateful to the one that got me this far should I apologize to all my audience or double down? this wouldn't be a diss if I didn't try to pop your bubble now You're terrible! (at making me feel like I'm alone) You're Awful! (cuz you drained your data playin' me on your phone) You the worst at being critical when feedback's all I want You're mean (I mean you mean the world to me so thanks a lot) You needed me to knock you off your silly little perch you spend too damn much on my silly indie merch You're enabling a dream, its irresponsible a grown ass man thinks that anything is possible?? call a cease fire, its all for show cuz I play until I win like this is rochambeau and I'm a rocker and your peace sign looks exactly like scissors you're gonna get crushed cuz I'm dissin all my listeners ------- MATT'S SONG Bug's Challenge: You see that guy in the corner? He seems like a... Lion Title: We're all Enemies Here Lyrics: hey welcome settle in i won't ask how you found the place we were are all blown here by different winds don't give me your name don't give me your story i've seen your face already that's all that's important pull up a chair i'll pour you a drink and i'll keep my eyes on the door that's what i do here i watch your back so you don't have to for a while don't give me your card don't give me your money i've seen your face already that's all that's important see that guy in the corner looks like a lion he fights for a living and he fights like he's dying you wanna have bad time tonight trying sneaking up behind him he took a dislike to a friend of mine, now i don't even recognise him you see that girl over there no, you didn't and if anyone ever comes asking bout a friend or daughter missing you just shake your head and send them over my way i'll make sure that nobody ever comes here asking round again don't give me that look like you're your own man i've seen your face already that's all that's important don't get any ideas we're all enemies here --- Send in a voice message: https://podcasters.spotify.com/pod/show/jammechanicspodcast/message

What would you do with your best day ever if it was decided by chance? Well, today through the magic of Rock Paper Scissors we're gonna see what A & R would do when put to the task. Whose day will take the Mickey waffle? you gotta tune in to find out! Drunk Distory, The Dark Ride, Funny, Comedy, Comedians, Adult Disney Podcast, Adult Universal Podcast, Adult Themepark Podcast, Vacation, Universal Studios Orlando, Disney Vacation, queues, tournement, Bracket, lines, wait time, champ is here, Disney Hollywood Studios, Magic Kingdom, EPCOT, epcot, Animal Kingdom, Rides, History, booze, Theme Park Podcast, Orlando, Amusement Park, Drinking Game Podcast, Universal Studios, Islands of Adventure

Dans La Matinale de ce jour, animée par Théo Monteil, nous accueillons (à distance) Carine Thibault, directrice d'Amnesty Belgique. Dans un échange mené par Théo et Constantin Jallot, Carine Thibault revient sur la COP28 aux Emirats arabes unis, et sur toutes les incohérences d'un tel événement dans ce pays. Ensuite, dans notre interview Zoom, Camille Scali reçoit l'artiste Ugo Del Rosso pour la sortie de son single "Rochambeau" !  Une heure d'émission agrémentée d'une chronique humoristique signée Gauthier ! Présentation : Théo Monteil / Interview : Théo Monteil et Constantin Jallot / Zoom : Camille Scali / Chronique : Gauthier / Réalisation : Jeanne Thevenot et Joey Coupé / Coordination : Héloïse Robert 

Dans La Matinale de ce jour, animée par Théo Monteil, nous accueillons (à distance) Carine Thibault, directrice d'Amnesty Belgique. Dans un échange mené par Théo et Constantin Jallot, Carine Thibault revient sur la COP28 aux Emirats arabes unis, et sur toutes les incohérences d'un tel événement dans ce pays. Ensuite, dans notre interview Zoom, Camille Scali reçoit l'artiste Ugo Del Rosso pour la sortie de son single "Rochambeau" !  Une heure d'émission agrémentée d'une chronique humoristique signée Gauthier ! Présentation : Théo Monteil / Interview : Théo Monteil et Constantin Jallot / Zoom : Camille Scali / Chronique : Gauthier / Réalisation : Jeanne Thevenot et Joey Coupé / Coordination : Héloïse Robert 

Hey!  What's up everyone!!!  Hope you guys have been having a great couple of weeks!!  Came up with a little jingle to open the show, with Amelia on the wave drum! We Rochambeau to see WHO gets to PRAY. Tune in to see WHO won? Movie trivia?? Can Kat Stump The Drew! We talk about how GOD sits us down sometimes.  Drew's recent surgery had him home in the Word for three weeks. He talks about how it's moved him. We took the kids to see Back to the FutuRe in the theaters!  That was a Blast!! Did you get to go, too? We watched Five Nights of Freddy! Kat fell asleep and Drew thought it kinda fell flat, like half our jokes bwhahahaWe took the kids to see After Death. A new movie about after death experiences, HEAVEN AND HELL!!! GO SEE THIS MOVIE!!!! We check in with our recent TV viewings. What are you watching? What SHOULD we watch NEXT and REVIEW?? Comment below ….. Second season of LOKi Is so good! We get to see a nicer more deep Loki. They take the series on a supernatural journey of wonderment, and there's also a love story which makes Kat happy!  Bwhahaha The Sylvester Stallone Documentary SLYwas heartfelt, moving and eye opening! Worth watching along side the Arnold Schwarzeneggers life story. Very interesting back stories. Chosen has been fun to watch with the kids. A personal walk encountering Jesus and teaching his beautiful messages and showing us the miracles and HIS amazing Godly Love and humanness at the same time. Pretty Rad! AND What's UP RANGERS, CONGRATS on The World Series WIN! Wow!!! 

Starting the show with a little Rochambeau!  Tune in, see who wins..stay around for some Dad jokes, a movie trivia game, where Kat tries to stump “The D-Rew”Special News: Kat became an Ordained Minister last week!! So exciting! AND Drew's new song debuts at the end of THIS episode! You heard it HERE first! We rabbit hole once or twice but mostly we stick to the notes! We review the movie The Creator, which was just out in the theaters this weekend.  Fall is here and we started with the classic movie, Halloween. What's your favorite Halloween movie? We review the new movie on Hulu, No One Will Save You, which Drew though was eh, but Stephen King seemed to like..

In this episode we Rochambeau, for who is going to pray, giving the podcast to God.  Drew tells more Dad jokes! We review the movies, Boogie Man, 1408, Elemental, and the classic, Stand by Me! We review the show Severance and Secret Invasion…Our boy, Jack comes on the podcast and does a kid movie review or two! Kat gets surprised attacked by a sink fail, while she's cleaning, a video for your enjoyment half way through the episode! Humble yourselves, therefore, under God's mighty hand, that he may lift you up in due time. Cast all your anxiety on him because he cares for you. —1 PETER 5:6–7In his heart a man plans his course, but the LORD determines his steps. —PROVERBS 16:9Commit your way to the LORD, trust also in Him, and He shall bring it to pass. —PSALM 37:5 NKJVCome hang out with us! We love you for listening #prayfist #Rochambeau #funnypodcast  #letspardeeprayerandpunkrock  #holyspirit #elemental #proverbs16 #jesus #jesuslovesyou #funny #dadjokes #moviereviews #tvreviews #happymarriage

No cenário político e militar do final do século XVIII, poucos nomes brilham tão intensamente quanto o de Marie-Joseph Paul Yves Roch Gilbert du Motier, mais conhecido como o Marquês de Lafayette. Nascido em 6 de setembro de 1757, em Auvergne, uma província no centro-sul da França, Lafayette desempenhou um papel fundamental em duas revoluções históricas que moldaram o curso da história mundial: a Revolução Americana e a Revolução Francesa. A carreira militar de Lafayette começou cedo, quando ingressou no exército francês com apenas 13 anos. No entanto, sua busca pela liberdade e pela oportunidade de lutar por uma causa justa o levou a cruzar o Atlântico em direção aos Estados Unidos em 1777. Lá, ele se juntou ao Exército Continental sob o comando do ilustre General George Washington. Lafayette provou ser um líder corajoso e habilidoso. Durante a Batalha de Brandevin, ele foi ferido, mas sua determinação e coragem o levaram a organizar uma retirada bem-sucedida. Sua contribuição para a Revolução Americana foi significativa, e ele serviu com distinção na Batalha de Rhode Island. No auge da guerra, ele retornou à França para garantir um maior comprometimento francês na luta americana. De volta aos Estados Unidos, Lafayette desempenhou um papel crucial na Batalha de Yorktown, onde bloqueou as tropas britânicas lideradas por Cornwallis. Enquanto isso, os exércitos de Washington e do Conde de Rochambeau se preparavam para a batalha decisiva contra os britânicos. A vitória em Yorktown foi um momento crítico na luta pela independência dos Estados Unidos e testemunhou o papel vital de Lafayette nessa conquista. Após a bem-sucedida campanha americana, Lafayette retornou à França em 1788. No entanto, a França estava à beira de uma revolução própria devido a uma crise fiscal insustentável. Lafayette emergiu como uma figura chave nesse contexto, propondo a convocação dos Estados Gerais franceses, que representariam as três classes tradicionais da sociedade francesa: o clero, a nobreza e os plebeus. Como vice-presidente dos Estados Gerais, Lafayette apresentou um projeto importante, a Declaração dos Direitos do Homem e do Cidadão. No entanto, a Revolução Francesa se tornou cada vez mais radical, e as posições moderadas de Lafayette o colocaram em conflito com os jacobinos. Ele foi perseguido e, em 1791, tentou fugir para os Estados Unidos, mas foi capturado pelos austríacos e passou quase cinco anos na prisão. Lafayette retornou à França em 1797, libertado por Napoleão Bonaparte. Sua vida política continuou com sua eleição para a Câmara dos Deputados em 1815 durante os Cem Dias. Após a Restauração Bourbon, ele se tornou um membro liberal da Câmara dos Deputados, cargo que ocupou até sua morte em 1834. Em 1824, Lafayette foi convidado pelo presidente James Monroe a visitar os Estados Unidos como "convidado da nação." Durante essa visita, ele viajou por todos os então vinte e quatro estados, recebendo honras e homenagens em todo o país. Muitas cidades e monumentos nos Estados Unidos levam seu nome em reconhecimento de suas contribuições para a independência americana. Marie-Joseph Paul Yves Roch Gilbert du Motier, o Marquês de Lafayette, foi um herói em duas revoluções, um homem cujo compromisso com os ideais de liberdade e justiça moldou o destino de nações. Sua vida e legado continuam a ser uma inspiração para aqueles que buscam lutar por um mundo mais justo e livre. Lafayette permanece como uma figura imortal na história das revoluções que forjaram os fundamentos das democracias modernas. --- Send in a voice message: https://podcasters.spotify.com/pod/show/malhete-podcast/message

Rock paper scissors... a poem about dreams, casting votes and casting doubts. Read it on Becoming The Muse

Welcome to the Instant Trivia podcast episode 903, where we ask the best trivia on the Internet. Round 1. Category: one word off 1: Oh, to be in Yonkers,/now that April's there. Yonkers (for England). 2: Had we but world enough, and time,/This coyness, baby, were no crime. baby (for lady). 3: An earnest man's the noblest work of God. earnest (for honest). 4: I should have been a pair of ragged jaws/scuttling across the floors of silent seas. jaws (for claws). 5: Made weak by time and fate, but strong in will/to strive, to seek, to dive and not to yield. dive (for find). Round 2. Category: hall of famer by position 1: Joe Namath,Joe Montana. quarterback. 2: Bill Russell,Bill Walton. center. 3: Bob Feller,Bob Lemon,Bob Gibson. pitcher. 4: Jack Lambert,Jack Ham. linebacker. 5: Gump Worsley,Shrimp Worters,Rat Westwick. hockey goalie. Round 3. Category: a world of beer 1: Foster's. Australia. 2: Beck's. Germany. 3: Asahi. Japan. 4: Moosehead. Canada. 5: Harp. Ireland. Round 4. Category: bobs and roberts 1: Since 1960 this comedian's Desert Golf Classic has raised more than $20 million for charity. Bob Hope. 2: He's the national poet of Scotland. Robert Burns. 3: In June he captured a Tony Award for his performance in "Tru". Robert Morse. 4: The original Clarabell on "Howdy Doody", he later became "Captain Kangaroo". Bob Keeshan. 5: In 1986 he was elected Florida's first Hispanic governor. Bob Martinez. Round 5. Category: 18 years of leftovers 1: From Season 3:This "Pretty Baby" once suggested wearing red mascara, because it's "perfect for the disco". Brooke Shields. 2: From Season 14:21-year-old Frances Folsom married 49-year-old Grover Cleveland in this "colorful" room. the Blue Room. 3: From Season 12:Horace's quote "Permitte divis cetera" means "Leave the rest to" these beings. the gods. 4: From Season 11:British nonsense poet who wrote the 1877 poem "The Courtship of the Yonghy-Bonghy-Bo". Edward Lear. 5: From Season 10:This count who commanded a French force at Yorktown had almost become a priest. Rochambeau. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

For Americans, the name Rochambeau is synonymous with the French helping the young United States win its battle for independence against the British. The French general and his 5,000 soldiers worked with George Washington to win the final battle at Yorktown in 1781. And yet, for the French, the American revolution is not as meaningful as their own revolution, which was brewing simultaneously. Plus, the American's support of France during World War II holds even more significance to many of them. In this 100th episode of Amazing Tales from Off and On Connecticut's Beaten Path, hear from a direct descendant of Rochambeau – Raphael de Gouberville.

Picture it, the turn of the millennium, and the dawn of the online music revolution. jD just shelled out his last few dollars on The Tragically Hip's seventh studio record, Music at Work, unaware that it would mark the end of an era for him - his final first-day purchase. From there we take a deep dive into the album's reception, its relevance today, and the debate if it was a step out of The Hip's comfort zone.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today! https://bit.ly/GHTTHTicketsTranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weir

TranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weird that I did not expect to where I'm at so far in the discography of this band for him to slowly become one of my almost favored guitar players. And this guy that I never knew before. I fucking love his fucking guitar playing, dude. It's fucking awesome. Track 1:[1:38:09] Yeah, he's really good. Track 3:[1:38:11] That's an amazing gift for you, bro. What's that? So that's an amazing gift for you to have this discovery of a new influence. Track 2:[1:38:19] Totally, absolutely Tim, absolutely. Track 3:[1:38:22] So Train Overnight, the next

Managers often don't know how much effort their workers are putting into a job. Technology offers a way to solve this problem by monitoring those workers automatically. But do all workers put in more effort when they are monitored? Golvine de Rochambeau talks to Tim Phillips about what happened when Liberia's truck drivers had GPS trackers fitted to their trucks.

Rochambeau's French Army helped the Americans win the fight for independence against Britain in 1781. Yet, they had to overcome multiple cultural and economic hurdles to do so. Among the issues: Hussar Soldiers wore colorful and distinctive uniforms and were brave fighters, but they only spoke German and occasionally pillaged livestock and crops from the citizens of rural, English-speaking Lebanon, CT where they spent the winter of 1780. Yet, the locals were happy to have the money they spent on supplies. Revolutionary War expert Dr. Robert Selig explains this oft-forgotten aspect of the Revolutionary War and Connecticut's role in it.

Learn how radiation assaults can be used to implement hyperfocused results - this is important to know if you're being gaslit about your pain // www.Cointelpro2zero.com //

M: 3. E: 4.

What did the French hope to gain by siding with the Americans in the Revolution?  We talk with Norman Desmarais, Professor emeritus  from Providence College, about his book America's First Ally:  France in the Revolutionary War, and we hear other stories of this fraught alliance.  Norm Desmarais has also translated the Gazette Francois, a newspaper the French forces published in Newport, and has written a six-volume Guide to the Revolutionary War, and Battlegrounds of Freedom, a guide to Revolutionary-war battlefields. 

New Englanders will gather today for another Thanksgiving, but many may be unaware of the origins and history of the annual American tradition. Paul Robinson and John Brown III recently gave a presentation at the Rochambeau community library in Providence called “The Myths of Thanksgiving.” John Brown is the Narragansett Indian Tribe's Medicine Man and Tribal Historic Preservation Officer. Paul Robinson is the former state archeologist for Rhode Island and retired part-time professor at Rhode Island College. Artscape producer James Baumgartner and morning host Luis Hernandez talked with Paul in our studio and John joined us by phone.

New Englanders will gather today for another Thanksgiving, but many may be unaware of the origins and history of the annual American tradition. Paul Robinson and John Brown III recently gave a presentation at the Rochambeau community library in Providence called “The Myths of Thanksgiving.” John Brown is the Narragansett Indian Tribe's Medicine Man and Tribal Historic Preservation Officer. Paul Robinson is the former state archeologist for Rhode Island and retired part-time professor at Rhode Island College. Artscape producer James Baumgartner and morning host Luis Hernandez talked with Paul in our studio and John joined us by phone.

Michaela Quinlan, certified sommelier, joins Robert Tas to explore the wine list at Rochambeau, a classic French brasserie with a contemporary twist. The vibe here is vibrant, fun and young. French wines dominate the wine list, and you can explore wines from various regions to sample the nuances of each distinct terroir  Wines reviewed include: 2020 Jadix Picpoul de Pinet, Languedoc 2018 Chateau des Jacques, Morgon, Burgundy 2019 Domaine Serge Laporte Sancerre Rouge, Loire Valley For more information on today's episode, and the wines you love to love, visit www.corkrules.

Melvyn Bragg and guests discuss the treaties France entered into with the United States of America in 1778, to give open support to the USA in its revolutionary war against Britain and to promote French trade across the Atlantic. This alliance had profound consequences for all three. The French navy, in particular, played a decisive role in the Americans' victory in their revolution, but the great cost of supporting this overseas war fell on French taxpayers, highlighting the need for reforms which in turn led to the French Revolution. Then, when France looked to its American ally for support in the new French revolutionary wars with Britain, Americans had to choose where their longer term interests lay, and they turned back from the France that had supported them to the Britain they had just been fighting, and France and the USA fell into undeclared war at sea. The image above is a detail of Bataille de Yorktown by Auguste Couder, with Rochambeau commanding the French expeditionary force in 1781 With Frank Cogliano Professor of American History at the University of Edinburgh Kathleen Burk Professor Emerita of Modern and Contemporary History at University College London And Michael Rapport Reader in Modern European History at the University of Glasgow Producer: Simon Tillotson

Bonjour et bienvenue dans cet épisode actu du mois d'aout 2022 du podcast « Parlons livres photos ». Dernière épisode avant septembre ! Je vais moi aussi faire une petite pause estivale pour le mois d'août. Je vous retrouve à la rentrée le 5 septembre avec l'épisode actu du mois de septembre. Nous enchaînerons le lundi 12 septembre avec un nouveau photographe à vous présenter : Sébastien ROIGNANT. Nous parlerons de son parcours, de son travail mais surtout, de son livre « Jessica ». Pour les photographes qui souhaitent auto-éditer leur livre ou tout simplement pour les curieux, Il nous parlera aussi de sa belle campagne de crowdfunding pour financer le livre. En effet, il a atteint la somme à 5 chiffres de 49 000 € ! En attendant septembre je vous rappel l'actu des photographes qui sont déjà passé dans le podcast : Maxime ALIAGA, invité en octobre 2020 dans le podcast expose une série de photographies au festival photographique de Moncoutant-sur-Sèvre jusqu'au 2 octobre. L'exposition grand format est gratuite et en plein air ! Marjolaine VUARNESSON, invité du podcast en avril 2022, expose sa série Apparitions avec 24 tirages et 15 Polaroïds originaux aux Promenades Photographiques de Vendôme, dans le manège Rochambeau. Son livre Apparitions paru aux Editions Bessard sera également disponible sur place. James CHEVREUIL dont vous avez pu écouter l'interview dans le podcast en juin dernier expose actuellement une série de photographies issues de son livre « Chevaux du vent » à Egletons en Corrèze avec Egletons photos nature. L'expo sera visible jusqu'au 18 septembre. Sylvain SESTER expose sa série « Sahara, rêve éveillé ! » au 7ème Festival photo de nature à L'île d'Olonne jusqu'au au 16 octobre. Pour les alsaciens ou les vacanciers qui auront la chance de découvrir cette belle région cet été, ne manquez pas non plus le 20ème Festival des Jardins Metissés à Wesserling jusqu'au 9 octobre. Sylvain SESTER y expose une série de photos relative aux voyages de Marco-Polo, en compagnie de 2 autres photographes, dont Alexandre Sattler. Quand à moi, je serais présent à Perpignan lors du Festival Visa pour l'image. N'hésitez pas à me contacter si vous y êtes également, nous pourrons enregistrer un épisode ensemble ! Vous pourrez retrouver toutes les interviews des photographes cités précédemment dans le podcast, je vous met les liens dans les notes de l'épisode. Bon mois d'août à tous, que vous soyez en vacances ou que vous ayez repris le travail ! Liens de l'épisode Festival photographique de Moncoutant-sur-Sèvre Promenades Photographiques de Vendôme Egletons photos nature 20ème festival des Jardins Métissés à Wesserling Déjà paru dans le podcast : Interview de Maxime ALIAGA, Interview de Marjolaine VUARNESSON, Interview de James CHEVREUIL, Interview de Sylvain SESTER. Soutenez gratuitement le podcast  Si vous aimé ce podcast, vous pouvez le partager sur les réseaux sociaux avec le hashtag #parlonslivresphotos. Pour suivre mon travail, retrouvez moi sur :  www.juliengerard.com  Pour soutenir le podcast vous pouvez participer à mon Tipeee. Vous pouvez également laisser une note, 5 étoiles ça serait top, ou un commentaire sur Apple Podcast ou Spotify. Cela favorisera le référencement.

I'm trying to find waterman tavern uh which is uh his historic house I'm on my way to try to find an encampment of Russian army been looking already for an hour for this place and the directions addresses given were false the waterman's tavern was built in 1747 by john waterman and he was licensed to operate tavern Russian bus army stopped by during its march from providence to Yorktown in 1781 had to interview some locals and i believe i have found the place, wow that is it and the main army camped right near the tavern and the officers were quartered right in tavern itself there is two very old historical cemeteries very close by so i am here ladies and gentlemen waterman tavern the place where Rochambeau's army on its way to white plains new york camped between june 18 and june uh 22nd of 1781 and they play they were right here in the tavern uh somebody lives there so i don't really want to show it too much but they were right here at the camp in that tavern uh for between those four days it's a very interesting interesting place uh this whole area is very interesting it's it's a residential area right now if you enjoy this program please like it subscribe it and share it i wonder if some of these soldiers perhaps died during this day very old cemetery as you can see is marked by a RI historical cemetery town of coventry. let's take a closer look what we can find some dates in memory of samuel boring game who died june 26 1844 this is certainly historical i just wonder if there are any older graves here you certainly are unmarked unmarked graves i wonder if there is any fallen soldiers from a revolutionary era interesting to know what looks like all the graves the inscriptions are no longer readable there are definitely definitely graves here from earlier times 1700s for sure right across there is another cemetery also very very old let's take a closer look i don't know if we'll be able to read any inscriptions these seem to be very very old yeah this is unreadable yeah 1874 1756 difficult to read this one looks like it broke off but we definitely had this particular grave in 1700 hundreds there is four more gravestones that survived let's take a closer look 1879. yeah looks like they are similar it looks like a family we seem a little older this um is definitely readable it's a little bit earlier 1816. if you enjoy this program please like it subscribe it and share it --- Support this podcast: https://anchor.fm/treasure-revealed/support

In this episode, Dr. Snyder discusses having a defined business model for success and holding yourself, your employees, and the companies that work for you accountable to lofty and measurable goals.Listen in!Thank You for enjoying this episode of Delusional: Winning the Weekly War of Dentistry

In this lecture, recorded January 13, 2022, Norman Desmarais will discuss recent discoveries about the Count de Rochambeau's army that counter popular assumptions—focusing primarily on the recently published diary of the Count de Lauberdière, which includes details that are not covered in any other French diaries. Serving as an aide-de-camp on General Rochambeau's staff, the young and well-educated Lauberdière provided a unique perspective of the war, including descriptions of the French army's camp in Newport, the long march to Yorktown, the siege and capture, and a fascinating examination of the people and their distinctive colonial culture.

This episode brought to you by the color brown.Lisa hikes into the outback to find Australia's newly sighted Yowies.Carina cashes in her fake money in the sandy ex-town of Singapore, Michigan.Whitney makes a bet with the Comte de Rochambeau.

Jean Baptiste Donatien de Vimeur, Comte de Rochambeau was a French nobleman and military commander of all French forces in America during the Revolutionary War.

Need to decide something between you and someone else?  Forget flipping a coin.  Use Rochambeau... or the more common name Rock Paper Scissors.  But how did this extremely simple problem solver come to be you ask?  Well, it started about 2,000 years ago and paper has been beating rock ever since.  In just twenty minutes you have all the answers, AND tips to help you win.  You're welcome.Thanks for listening and if you have any comments, please feel free to email me at doug@20minutespodcast.com. If you want to stay informed of when a new episode launches, follow me on Instagram at @20MYNGB.

O comandante Donatien de Rochambeau e seus homens, esgotados por quase dois anos de Guerra de Independência e dizimados pela febre amarela, capitulam diante das forças revolucionárias haitianas em 18 de novembro de 1803. O general Jean-Jacques Dessalines, sucessor de Toussaint Louverture proclamaria a independência da ilha em 1º de janeiro de 1804, após as guarnições napoleônicas terem se rendido. Saint Domingue retomaria o nome dado por seus primeiros habitantes, os indígenas Arawaks: Haiti.Veja a matéria completa em: https://operamundi.uol.com.br/historia/7659/hoje-na-historia-1803-tropas-francesas-sao-derrotadas-por-revolucionarios-haitianos----Quer contribuir com Opera Mundi via PIX? Nossa chave é apoie@operamundi.com.br (Razão Social: Última Instancia Editorial Ltda.). Desde já agradecemos!Assinatura solidária: www.operamundi.com.br/apoio★ Support this podcast ★

What led to the British defeat in North America? Was it a battle at Yorktown in Virginia, brilliantly won by George Washington and the Count of Rochambeau's American and French armies? And did that victory at Yorktown immediately lead to US independence? This episode sets out to give the context to Yorktown and reinterpret the common narrative about the Franco-American victory. Essential to a new understanding is to take into account that Britain was no longer fighting just a war in America, but another world war, after the Seven Years' War. This time, though, a decade and a half of ill-planned economy measures had left the country desperately badly prepared to fight it. That, more than any one battle, even as disastrous a defeat as Yorktown, made it inevitable that Britain would lose its American colonies. Illustration: The Battle of the Chesapeake (sometimes called the Battle of the Virginia Capes). Public domain. Music: Bach Partita #2c by J Bu licensed under an Attribution-NonCommercial-No Derivatives (aka Music Sharing) 3.0 International License

In this first SceneStop, Popeye takes us a little deeper into the garage that provided us the back cover for the Rochambeau 12". Later, he takes us out to the location where the front cover for Outspoken's revered The Current 7" was shot. These videos are part of an ongoing video series chronicling the hardcore punk music scene. They are an addendum to the film Orange County Hardcore Scenester. This is a documentary I made that chronicles the 1990s hardcore punk scene. You can watch ORANGE COUNTY HARDCORE SCENESTER here: https://vimeo.com/ondemand/ochs Or, pick up the Orange County Hardcore Scenester DVD here: https://revhq.com/products/evanjacobs-orangecountyhardcorescenester-dvd?_pos=2&_sid=683ac2ce9&_ss=r Subscribe to ANHEDENIA FILMS UNLIMITED and watch every Anhedenia Film as many times as you like for $2 a month: https://vimeo.com/ondemand/afunlimited Check out Farside's Rochambeau 12" here: https://www.youtube.com/watch?v=T6CwMSA5CjA Listen to Outspoken's The Current 7" here: https://www.youtube.com/watch?v=-MuXXBqSwaM Contact the Orange County Hardcore Scenester Podcast here: anhedenia@hotmail.com Orange County Hardcore Scenester: Aftermath music provided by Dear Furious. The songs is "r/Complex"

“I only regret that I have but one life to lose for my country.” The last words of Nathan Hale, an American patriot sent to spy on New York by George Washington, but captured by the British and hanged. George Washington was hit hard and resolved never to use amateurs to do his spying for him again. Instead, he set up the United States' first professional spy network - the Culper Ring. They saved the critical fort at West Point, uncovered the treachery of Benedict Arnold, saved the newly arrived French under Rochambeau, the new American economy and George Washington himself. I think, they saved the Revolution, and the new United States with it.   Subscribe to us here on your favourite podcast channel, visit us at www.bitesizebattles.com, and follow us on Instagram and Facebook @bitesizebattles. Thanks for listening.

Today is Tuesday, May 18 and we have some Real.Fun.DC. headlines to share from the updated mask mandates to the 2 DC sports teams that are in the playoffs. Also Tommy goes down a rabbit hole on the decline in lesbian bars. Caps fall to Boston last night in overtime, 4-3 tying up the series 1-1 and they head to Boston for Game 3 on Wednesday. Wizards are also in the playoffs and face off the Celtics tonight. And because we love the Nats, they play the Boston Red Sox but not until the home closer on October 3. Broadway is coming back to DC! National Theatre announced their Broadway series kicking off in December of 2021 and it includes Pretty Woman: The Musical, Come From Away, and Rent. The Metropolitan Washington Airports Authority concluded that the Amazon “Helix,” exceeds Federal Aviation Administration height standards near Reagan National Airport. Mayor Muriel Bowser announced that vaccinated people in DC no longer need to wear masks indoors or outdoors, in accordance with CDC guidelines. With the exception that if businesses have signage requiring you to wear a mask, you must comply and wear one, regardless of vaccination status. Lafayette Park by the White House re-opened last week, and there is another French guy statute - his name is Rochambeau. We learn about his role in American history. There has been a steady decline of lesbian bars, in the late 1980s, an estimated 200 lesbian bars existed in the United States. By 2019, researchers believed only 15 remain. The Lesbian Bar Project has been supporting and bringing awareness to this decline. DC does have a lesbian bar in Adams Morgan called a League of Their Own. From Real.Fun.DC. “The Tommy + Kelly Show” is produced in Washington, DC providing news, culture, playful conversation, positive energy, and a dose of morning fun any time. Download the Real.Fun.DC. APP to check out our wide array of programming app.RealFunDC.com Follow Kelly Collis Instagram and Twitter: @CityShopGirl LinkedIN: Kelly Collis Follow Tommy McFLY Twitter: @TommyMcFLY Instagram: @MrTommyMcFLY LinkedIN: Tommy McFLY

Melvyn Bragg and guests discuss the treaties France entered into with the United States of America in 1778, to give open support to the USA in its revolutionary war against Britain and to promote French trade across the Atlantic. This alliance had profound consequences for all three. The French navy, in particular, played a decisive role in the Americans’ victory in their revolution, but the great cost of supporting this overseas war fell on French taxpayers, highlighting the need for reforms which in turn led to the French Revolution. Then, when France looked to its American ally for support in the new French revolutionary wars with Britain, Americans had to choose where their longer term interests lay, and they turned back from the France that had supported them to the Britain they had just been fighting, and France and the USA fell into undeclared war at sea. The image above is a detail of Bataille de Yorktown by Auguste Couder, with Rochambeau commanding the French expeditionary force in 1781 With Frank Cogliano Professor of American History at the University of Edinburgh Kathleen Burk Professor Emerita of Modern and Contemporary History at University College London And Michael Rapport Reader in Modern European History at the University of Glasgow Producer: Simon Tillotson

Melvyn Bragg and guests discuss the treaties France entered into with the United States of America in 1778, to give open support to the USA in its revolutionary war against Britain and to promote French trade across the Atlantic. This alliance had profound consequences for all three. The French navy, in particular, played a decisive role in the Americans’ victory in their revolution, but the great cost of supporting this overseas war fell on French taxpayers, highlighting the need for reforms which in turn led to the French Revolution. Then, when France looked to its American ally for support in the new French revolutionary wars with Britain, Americans had to choose where their longer term interests lay, and they turned back from the France that had supported them to the Britain they had just been fighting, and France and the USA fell into undeclared war at sea. The image above is a detail of Bataille de Yorktown by Auguste Couder, with Rochambeau commanding the French expeditionary force in 1781 With Frank Cogliano Professor of American History at the University of Edinburgh Kathleen Burk Professor Emerita of Modern and Contemporary History at University College London And Michael Rapport Reader in Modern European History at the University of Glasgow Producer: Simon Tillotson

Welcome to Episode 025 where we get to our first of several releases by Orange County, CA legends Farside! This was such a fun conversation to have with vocalist / guitarist Popeye as well as a special appearance from Jeff Gameface who did the artwork for the album and has a deep history with Farside. If this conversation doesn't put a smile on your face, we don't know what will.

Tout est dans l'exécution : vous connaissez l'adage. Vous pouvez avoir la meilleure idée pour entreprendre, si vous échouez à exécuter sa mise en œuvre, le travail accompli sera vain. C'est donc une qualité essentielle à acquérir dans tout projet. Georges Washington avait sa vision des Etats-Unis d'Amérique mais il avait besoin de soutiens. La France lui a donné les moyens mais surtout elle lui a confié un CEO, à savoir le Comte de Rochambeau. Un général ayant une grande expérience qui a su déployer la stratégie militaire demandée, commander les 5000 Français et même les Insurgés Américains à un moment décisif pour la victoire. Quelles qualités avait-il ? Comment s'est-il positionné face à Gorges Washington ? Pourquoi est-il tombé dans l'oubli alors que le Marquis de Lafayette, bien plus jeune, est passé à la postérité ? Si vous allez aux Etats-Unis, vous serez surpris de la notoriété de ce personnage Français considéré comme l'un des artisans de l'Indépendance Américaine. L'art de la guerre est l'art de l'exécution et son histoire le prouve.

The Steelers play to the level of their competition, but they still might go 16-0... or beyond. The Ravens will make the playoffs, won't they? The Wizards and the Rockets make a trade that seems like a kick in the nuts to both teams. Texas beats UNC in the Maui final, and Bill Walton gets crushed by a sports writer.

In which I order myself to get the fuck out.Stop staaaaaalling, dude, the only one stopping you from leaving is YOU.Go, already.Alex, go.Are you listening?[sigh]

We step back in time and venture back to the Bronx, NY, circa 1960-64, when Freedomland USA historian & author Mike Virgintino comes back to the Lounge! They guys had some follow-up questions from the first time Mike hung out, and he did NOT disappoint! He REALLY knows his stuff, and it is always a GREAT conversation! Mike also talks about the 60th-anniversary celebration that he ran, virtually, this past summer, and how he tries to keep Freedomland USA on everyone's minds! He recently was gifted a collection from someone who had collected items from Freedomland USA every season it was open, and every year since, and he talked about the wealth of items he has discovered almost daily going through! He's also going to send a gift to the guys, and they are all VERY excited! Freedomland USA isn't the only thing Mike dabbles in, either! He is working to restore and preserve the Odell House, which is the house, in New York state, where General George Washington and French general Rochambeau met to talk about the colonists' plan of attack, during the Revolutionary War, which ultimately led to the surrender of the British at Yorktown! Mike also talks about going to Normandy and how moved he was going there, and how he thinks it is a very important place for people to visit! Lastly, Mike is working with www.hearabouthere.com, which is a site that you can visit while you are at certain places of historical significance and hear MORE about what took place! Mike continues to amaze the Lounge with great conversation each time he visits! Be sure to get his book, Freedomland USA: The Definitive History here! So, Loungers, sit back, relax & listen to the RETURN of Mike Virgintino! #grabablisten --- Send in a voice message: https://anchor.fm/500section/message Support this podcast: https://anchor.fm/500section/support

Bob, Cory, and Nick rant and rave about the infinite mysteries of the human body, Nick’s country music uvula, and being frozen and shot into deep space.   Send your comments and existential questions to Schnozzcast@gmail.com.   Discuss the show with the #schnozzcast hashtag on Twitter. Follow us on Instagram @Schnozzcast and on Facebook @Schnozzcast1. And don't forget to rate, review, and listen on Apple Podcasts, PodBean, Spotify, YouTube, Google Play Music, iHeartRadio, Stitcher, MixCloud, or your favorite podcast app.   Special thanks to Jack Moran for the intro, outro, and interlude music. Follow him on Instagram @ thejackmoran.

Rōze Traore maintains quite the balancing act. He’s a personal chef and owner of the eponymous New York City bespoke events company, Rōze Traore, LLC. Prior to that he cut his teeth alongside acclaimed chef Daniel Humm at Eleven Madison Park and the Nomad. In addition to his work in the kitchen, Rōze’s been known to walk the runways, and over the years has modeled for the likes of Nike and Rochambeau.Our musical guest, Sean McGuiness, has also made a reputation of keeping multiple plates spinning at time. We’ve known Sean since our middle school days in Philly, and he’s still crushing it in our hometown. He’s most known as the drummer for Pissed Jeans, and over the years he’s also played with Utensil, The Great Collector, Bazhena, Technician, Navies, Go to Sleep, Like Language, Ready Set, Air Conditioning and more. Besides being a prolific musician, Sean’s the co-owner of the Lunar Inn, a restaurant and bar, and Tinys Bottle Shop, a beer, cider and natural wine shop. Sean shares live tracks with us from his solo project, Sean on Drums. In exciting news, our very first book, Snacky Tunes: Music is the Main Ingredient, Chefs and Their Music (Phaidon), is available now for preorder. It features 77 of the world’s top chefs who share personal stories of how music has been an important, integral force in their lives. The chefs also give personal recipes and curated playlists too. It’s an anthology of memories, meals and mixtapes. Snacky Tunes hits shelves in North America, October 14; globally, September 3.Snacky Tunes is powered by Simplecast.    

Ashley joins us to discuss this week's very important topics.  We cover what it might look like if the Presidential debates were done WWE style, how you know you've made it in the world depends on ownership of a bidet, and who would win - robots or zombies.  We also find out that Joe is a terrible art critic, Ashley knows a Marie from New York, and Lisa wants a Eufy.  Be sure to follow the advice of "Spokesy McTalk Guy-the-Tramp" and decide everything with Rochambeau.  Stay safe, and stay Politically Corrected. #IAmRobot #PoliticallyCorrectedAfterDark #Spain #Florida #Texas #MessWithTexas #Michagan #NewYork #Portland #Rochambeau #2020Debates #DwayneJohnson #Bidet #Eufy #Pandemic #RecluseRacoons #HulkHogan #WWE

By Joe Wiegand, Medora's TR 5/23/2020 Speaking of Rochambeau & the French Navy At Sea & Washington, DC – May 23 & 24, 1902 & Remarks to the Arctic Brotherhood and at an Alaska Reception - Seattle, WA – May 23, 1903 Medora, ND: https://www.facebook.com/MedoraND Teddy Roosevelt Show: https://www.facebook.com/TeddyRooseveltShow Executive Producer: Joe Wiegand Editor: Dillon Olson Additional Production: Justin Fisk ©, 2020, all rights reserved. Wiegand's Victory Enterprises, Inc. and the Theodore Roosevelt Medora Foundation

On October 14, 1781, Washington and French General Comte de Rochambeau attacked on October 14th, capturing two British defense. British Gen. Cornwallis surrendered two days later.

durée : 00:55:04 - LSD, La série documentaire - par : Perrine Kervran, Johanna Bedeau - «Nous ne sommes pas là pour retirer des vies.» Bertrand de Rochambeau, président du Syndicat des gynécologues - réalisation : Angélique Tibau

Art meets streetwear at the hand of Laurence Chandler, through the sophisticated menswear pieces from Rochambeau, where he serves as co-founder and creative director. The award-winning brand has successfully mastered the tricky marriage of artistic expression and wearability season after season, and in an exclusive conversation with Verishop, Laurence opens up about the brand’s design process.Listen to the episode, then shop the looks discussed on the show with free one-day shipping on Verishop.Laurence has been able to walk the thinnest of lines, combining art and commerciality, and do it with the highest honors. He’s collaborated with globally respected artists, and his work has graced the galleries of the New Museum -- and the iconic frames of model Cara Delevingne, musician Quavo and NBA star Carmelo Anthony.It’s his ability to absorb disparate ideas and the cultural ethos around him and turn them into the luxe streetwear designs that have earned Rochambeau the prestigious Woolmark Prize and the honor of being a CFDA/Vogue Fashion Fund finalist.Plus, at the end of the show, catch a special bonus clip taped in front of a live audience of retail insiders at Project Vegas, one of the biggest men’s streetwear and contemporary trade shows. Alex sat down with Karl Kani, known as the Godfather of Urban Streetwear, who’s dressed greats like Tupac and the Notorious BIG, and with Jeff Staple, the man behind brand Staple Pigeon, who brought streetwear collabs mainstream.And just for "Finding Inspo" listeners, first-time shoppers can take 20% off their purchase with the code INSPOPODCAST (expires 4/4/2020).

This week Jacob and Ryan discuss bathroom talkers, search for the origins of Rock-Paper-Scissor, read about General Rochambeau, groin attacks, recreational leaders, as well as some fresh installments of Ryan's Weeb Corner AND Jacob and Ryan's Search of the Week!

Welcome to the first-ever shoppable podcast, brought to you from Verishop. These are the kind of folks whose brains we’re all dying to pick, and pick them, we will. You’ll hear from award-winning designers, fabulous first-time founders and even the conversations from live-event tapings. They’ll sit down each week with host Alex Barinka, head of external affairs and executive team member at Verishop, and former national TV and print journalist.Think of this as your audio inspo board -- a place to discover new brands and products, as well as new ideas to use in your own life. Because let’s be real, there are so many products out there and sometimes we want to know more about what makes them special. The guests’ expert backgrounds and the inspiration they harness are what help make their creations fabulous, and maybe even worth opening up your pocketbook for. And every single episode will be shoppable, with items selected by Alex and the guests based on their conversation.In season two, you’ll hear from guests like celebrity facialist Joanna Vargas, who took a break from awards season to dish on how she gets stars like Julianne Moore and Elizabeth Moss looking so fresh, and what you can do at home to get that movie star glow. We’ll have award-winning designer, Laurence Chandler, will take us behind the scenes on where he is finding inspo for his streetwear brand Rochambeau.You’ll also hear from a former pro snowboarder-turned skincare founder, an award-winning beauty brand maker and the Grandfather of Streetwear himself, in conversation with me at Project Vegas, one of the biggest men’s streetwear and contemporary fashion trade shows.Tune in every week, and we’ll make sure you’re finding inspo on what you should buy next. And shop every episode at Verishop.com/inspo.

On October 14, 1781, Washington and French General Comte de Rochambeau attacked on October 14th, capturing two British defense. British Gen. Cornwallis surrendered two days later.

We talk with one of favorites Chef Nick Calias from Boston's Rochambeau. Nick talk about the ins and outs of an opening from a chef persepective as well as operating perspective. Chef is one of the best in the world at what he does so pay attention to this one! Plus we talk all about game meats you can buy online and more!

Anny Duperey, grande dame du cinéma national s’expose en mode « longue focale » au micro d’En Roues Libres après une signature au marché couvert de Vendôme lors des 15èmes promenades photographiques. Dans son livre autobiographique paru au Seuil en 1992, « Le voile noir » , elle racontait son drame familial, la mort par intoxication au monoxyde de carbone dans leur salle de bains de ses deux parents Lucien et Ginette Legras, alors qu’elle n’avait que 8 ans et sa sœur Patricia juste 5 mois. Décédée il y a 10 ans Patricia elle aussi a été photographe ; « aussi », car Anny toute sa vie le fut, dans les traces invisibles de son père Lucien. Le travail de tous les trois est offert au public des promenades photographiques, dans l’espace enchanté du manège Rochambeau, véritable épicentre du festival. http://promenadesphotographiques.com/project/anny-duperey http://promenadesphotographiques.com/project/lucien-legras http://promenadesphotographiques.com/project/patricia-legras

Anny Duperey, grande dame du cinéma national s’expose en mode « longue focale » au micro d’En Roues Libres après une signature au marché couvert de Vendôme lors des 15èmes promenades photographiques. Dans son livre autobiographique paru au Seuil en 1992, « Le voile noir » , elle racontait son drame familial, la mort par intoxication au monoxyde de carbone dans leur salle de bains de ses deux parents Lucien et Ginette Legras, alors qu’elle n’avait que 8 ans et sa sœur Patricia juste 5 mois. Décédée il y a 10 ans Patricia elle aussi a été photographe ; « aussi », car Anny toute sa vie le fut, dans les traces invisibles de son père Lucien. Le travail de tous les trois est offert au public des promenades photographiques, dans l’espace enchanté du manège Rochambeau, véritable épicentre du festival. http://promenadesphotographiques.com/project/anny-duperey http://promenadesphotographiques.com/project/lucien-legras http://promenadesphotographiques.com/project/patricia-legras

A small boy by the name of Dan slipped through enemy lines and carried a note from General Washington to the French Gen. Rochambeau to alert him of a change in the direction of the Army’s. This action was crucial in defeating Britain's General Charles Cornwallis at Yorktown in the last days of the Revolutionary war.

Farside was an Orange County, CA punk band Farside formed in 1989, comprising frontman Popeye, guitarist Kevin Murphy, bassist Brian Chu and drummer Bob Beshear. Upon landing a deal with Revelation Records, the quartet issued their debut Rochambeau in 1992, followed a year later by Rigged; in the wake of a self-titled 1995 EP Farside was largely silent for the remainder of the decade, finally resurfacing in 1999 with The Monroe Doctrine. (thank you Revelation Records for having that write up for me to snag) Below is what we talked about: His brief stint with the Aquabats His career as a voice over due to many years of singing and smoking His band’s reaction when auditioning to be the singer Zach De La Rocha being in the band for a hot second What it was like being on Revelation Records Staying at Walter Schreifels and Civ’s apartment Not caring about major labels Going on a tour that wasn’t booked The Monroe Doctrine going way over budget The song I Hope You're Unhappy Having massive stage fright And a ton more Popeye will be opening for Hot Water Music on their 25th anniversary tour. Friday, May 17 in Santiago, Chile Saturday, May 18 in Sao Paulo, Brazil Check out my comic and my book. If you’d like to support the podcast you can donate as little as $1 a month through Patreon by going to thiswasthescene.com and click on the button at the top of the page that says Click HERE FOR BONUS MATERIAL. As a Patron, you get access to bonus material that regular podcast subscribers do not.  OR you can do a one-time donation by click the DONATE button. OR you don’t have to donate shit and just keep listening each week.  

The crew is privileged to welcome in Jessie O'Donnell for some frank talk about height challenges, her upcoming blog project and why DnD is still relevant... --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/40ish/support

Pour ce trente-huitième épisode,  on se penche sur un sujet grave, à la fois intime et politique : l'avortement. Légal en France depuis le 17 janvier 1975, l'avortement connaît de nombreuses attaques politiques et médiatiques depuis plusieurs semaines. Dernière en date, le Docteur Bertrand de Rochambeau, président du syndicat national des gynécologues-obstétriciens, qui a déclaré à la télévision ne pas vouloir pratiquer l'avortement, invoquant sa clause de conscience. A l'autre bout du monde, c'est le Sénat argentin qui a voté contre la légalisation de l'avortement, le 9 août dernier. On écoute Clémence, une franco-argentine, qui nous raconte son inquiétude et les avortements clandestins pratiqués dans son pays. Des actes dangereux pour les corps des femmes, et extrêmement traumatisants. Notre invitée, Danielle Gaudry, gynécologue et militante au Planning familial, analyse cette poussée réactionnaire afin de comprendre pourquoi l'avortement a subi tant d'attaques dernièrement. Elle évoque notamment le rôle joué par des sites de "pro-life", très bien référencés sur internet et qui sont de réels instruments de propagande anti-avortement. Quelle contraception pour quelle femme ?  Avec Danielle Gaudry, on évoque aussi la question de la contraception. Le choix de la bonne contraception pour chaque femme est essentiel pour vivre une sexualité libre et épanouie. Que faire lorsque gynécologues et patientes ne se comprennent plus ? Danielle Gaudry nous explique le fossé générationnel qui existe parfois entre les patientes et leur médecin, notamment au sujet de la pilule. Critiquée pour ses effets secondaires sur la santé, la pilule est sous le feu des projecteurs depuis plusieurs années. Nos chroniqueurs chéris seront aussi de la partie : Cha Postroff pousse un coup de gueule contre le féminisme marketée, Barbiche nous livre des conseils culture à dévorer sous la couette. Claire, notre nouvelle venue, analyse le regard des autre sur son corps de femme enceinte. Des regards pas toujours bienveillants et qui révèlent encore une fois le contrôle que la société cherche à exercer sur le corps de la femme.  Enfin, notre macho Matthieu nous livre quelques réflexions sur la contraception masculine. Car une question demeure : pourquoi serait-on les seules à s'y coller ?  Sur ces bonnes paroles, on vous embrasse et on vous dit à la prochaine ! Thelma et Louise  

L'avortement est-il un homicide ? Dans un précédent épisode de "Que dit la Bible", le Dr Vincent Rebeillé Borgella part du principe que c'est le cas, mais il n'explique pas pourquoi. Mais très récemment, Bertrand de Rochambau, président du syndicat national des gynécologues obstétriciens de France, a suscité la polémique en affirmant que l'avortement est assimilable au fait "d'ôter une vie", ce qui déclenché une levée de boucliers. Pour reprendre les termes précis du Dr Rochambeau : "Je fais un métier avec mes tripes, je fais des opérations très difficiles avec les tripes. Et donc, aux choses auxquelles je ne crois pas, je ne les fais plus. Nous ne sommes pas là pour retirer des vies". D'un point de vue biblique, l'avortement est-il un homicide ? Existe-t-il un cas biblique qui puisse nous permette de statuer sur cette question ? Dans ce 122ème épisode, Guillaume répond par l'affirmative, et le cas en question est détaillé en Exode 21.22-25 : "Si des hommes se querellent, et qu’ils heurtent une femme enceinte, et la fassent accoucher, sans autre accident, ils seront punis d’une amende imposée par le mari de la femme, et qu’ils paieront devant les juges. Mais s’il y a un accident, tu donneras vie pour vie, œil pour œil, dent pour dent, main pour main, pied pour pied, brûlure pour brûlure, blessure pour blessure, meurtrissure pour meurtrissure." Voici les différents points abordés dans ce podcast : (1) Quel est le contexte du cas précis présenté dans Ex 21.22-25 ? (2) S'agit-il réellement d'un cas de blessure infligé à un foetus, comme certains le pensent ? (3) Que doit-on en déduire quant à l'application de la loi morale dans le cas d'un foetus ? (4) Existe-t-il d'autres passages qui présente le foetus comme une personne à part entière ? Bonne écoute ! -- "Que dit la Bible ?" est l'émission hebdomadaire du blog Le Bon Combat + de ressources : www.leboncombat.fr

Just in time for the Fourth of July, Podcast Like It's 1999 brings you 1999's Most American film!   Phil Iscove, Kenny Neibart and TV Writer Jim Campolongo (Station 19, White Collar) take a big, old Red, White and Blue dive into the world of... snuff films? Wait, what? We're releasing the snuff movie on Independence Day?    (Well, let's see if we can make this work using my questionable understanding of the American Revolution almost entirely gleaned from Lin-Manuel Miranda's Hamilton..)   Nicolas Cage plays a private detective. He's kind of like the... George Washington (?) of this movie.    He's tasked with helping an old lady (Martha Washington -- or maybe she represents the Colonies themselves?) with figuring out whether her husband (easy, King George III) had a young woman raped and murdered on film (okay, the young woman represents the collective victims of the Boston Massacre?!).   On Cage's journey (Washington's March from Newport to Yorktown), he encounters many colorful characters (Rochambeau, Lafayette, other Hamilton references) and finds one odd fellow played by Joaquin Phoenix, willing to be his unlikely Right-Hand Man (HAMILTON HIMSELF! THIS IS WORKING!!!).    Together they enter the dark, sordid world of underground fringe porn and snuff film (New Jersey) where they find the man responsible for the snuff film, Peter Stormare (General Howe). Joaquin meets his untimely end (not gonna gloat or anything, but...) and Cage, like Washington, wins the day, but loses a bit of himself in the process.    Then he becomes President. 

Le photographe Pierre Faure nous présente ici son travail récompensé par le Prix des amis du Musée Albert Khan sur la montée de la pauvreté en France avec « France Périphérique ». Un sujet en noir et blanc qui pointe du doigt un phénomène croissant et révoltant. Les chiffres font froid dans le dos : La France compte 8,9 millions de pauvres. Sur les dix dernières années, le nombre de personnes concernées a augmenté de près d'un million. Son exposition est visible au Manège Rochambeau.

C'est au Manège Rochambeau que nous retrouvons le travail de Caty Jan, du collectif Tendance Floue, qui suite à un accident a été contrainte d'arrêter la photographie il y a 15 ans. Sa série Cabaret Cubain a été réalisée en 1995, elle est présentée entre quatre murs noirs. Ses images se confrontent au son de la voix et des mots d'Alexandre Héraud, un écho à leur rencontre au coeur des entrailles de ces nuits tropicales.

Alex est arrivé aux 14èmes promenades photographiques de Vendôme, En Roues Libres et il est tout essoufflé... Mais dans la cité du marquis de #Rochambeau il sait que la fête photographique ne fait que commencer. Accrochez vous.

Alex est arrivé aux 14èmes promenades photographiques de Vendôme, En Roues Libres et il est tout essoufflé... Mais dans la cité du marquis de #Rochambeau il sait que la fête photographique ne fait que commencer. Accrochez vous.

To the rebelling colonies, French assistance made the difference between looming defeat and eventual triumph. Even before the Declaration of Independence was issued, King Louis XVI and French foreign minister Vergennes were aiding the rebels. After the Declaration, that assistance broadened to include wages for our troops; guns, cannon, and ammunition; engineering expertise that enabled victories and prevented defeats; diplomatic recognition; safe havens for privateers; battlefield leadership by veteran officers; and the army and fleet that made possible the Franco-American victory at Yorktown. Nearly ten percent of those who fought and died for the American cause were French. Those who fought and survived, in addition to the well-known Lafayette and Rochambeau, include François de Fleury, who won a Congressional Medal for valor, Louis Duportail, who founded the Army Corps of Engineers, and Admiral de Grasse, whose sea victory sealed the fate of Yorktown. This illuminating narrative history vividly captures the outsize characters of our European brothers, their battlefield and diplomatic bonds and clashes with Americans, and the monumental role they played in America’s fight for independence and democracy. Tom Shachtman has written or co-authored more than thirty books, as well as documentaries for ABC, CBS, NBC, PBS, and BBC, and has taught at New York University and lectured at Harvard and Stanford. He is currently a consultant to the Alfred P. Sloan Foundation's science and technology initiatives. Description courtesy of St. Martin's Press.

Do you know who your competition is? How about who it might be in the future?   During this episode of Startup Hustle, we talk about competition and what you should pay attention to, not care about and why it's sometimes not bad to have competition.   Learn more about:   Full Scale: https://fullscale.io/   Stackify: https://stackify.com/   GigaBook: https://gigabook.com   Follow us on Instagram: https://www.instagram.com/startuphustlepodcast/   Subscribe to our YouTube channel: https://www.youtube.com/channel/UCDXy14X95mzCpGSHyDvvoVg   Follow us on TikTok: https://www.tiktok.com/@startuphustle

Fashion Tech journalist Amanda Cosco speaks with Julie Vargas of Avery Dennison and Andy Hobsbawm of EVRYTHNG. For years, Avery Dennison has been known for their labels and tags. Now, they're collaborating with smart products platform EVRYTHNG to push apparel into the digital age. Using RFID, mobile, and sensor-based technology, Avery Dennison has publically announced ambitions to digitze ten billion items of apparel and footwear in the next few years. This initiative, called "Born Digital" enables us to rethink the relationship between clothing, content, and consumers. In collaboration with Hobsbawm's IoT team, the company has worked with fashion designers such as NYC-based Rochambeau to produce connected jackets that unlock different city-based experiences.Tune in to learn more about their brave new vision for the future of fashion.

Most people know the Webb-Deane-Stevens Museum as the place where George Washington and French comte de Rochambeau planned the campaign that won the American victory in the Revolutionary War. This year, a new  museum exhibit  commemorates another important event, one that happened there 100 years ago in 1916. That's when the minister, photographer, antiques expert, and marketing entrepreneur Wallace Nutting made Webb-Deane-Stevens one of the very first historic house museums in America. Museum Executive Director Charles Lyle tells us the amazing story about an amazing man who was the Martha Stewart of his generation and more, in episode 11 of Grating the Nutmeg. 

In 1781, the American Revolutionary War had been going on for over six years with more defeats for George Washington and the cause of American independence than victories.  The British army under the command of Sir Henry Clinton, based in New York, together with a large fleet commanded by Admiral Thomas Graves, appeared impregnable and invincible.  The British could strike anywhere, anytime along the extended American coastline bringing overwhelming military power to bear.  In the last year, Clinton had again demonstrated this power as his army swooped in from the sea, annihilated a large American garrison at Charleston, South Carolina, and then returned to New York leaving a large occupying force there under the command of Charles, Lord Cornwallis.  As another winter faded into Spring, Cornwallis was moving north from the Carolinas to establish another base midway between Charleston and New York in Virginia, scattering smaller American forces under Lafayette as he went.  Yet new hope sprang up with the arrival of a French expeditionary force of 6,000 men under the command of the Compte de Rochambeau in Rhode Island coupled with the possibility of naval support from the French admiral de Grasse in the Caribbean.  This is the story of a remarkable combination and coordination of sea and land forces that Washington managed patiently and brilliantly, decisively defeating a major part of the British army which finally compelled Britain to grant independence to the new American Republic, changing the course of history 

The boys are at it again after what seems like forever.  They get right down to the nitty gritty with talk of work, relationships, and underrated actors. Craig's NYE was rather low key, but Jeremy spent the holiday in New Orleans, so much is said about this. Somehow a conversation about graffiti artists reveals scandalous details about regular, every day doors. Just so everyone knows: If you didn't gain any weight during the holidays then you are ahead of the game.  This is what you pay us for, folks!  #Tagline Social Media - Twitter Craig: @anaveragegatsby Jeremy:  @aintnoswayze Show:  @eurekapodcast   The closing song is "My Dad Says That's for Pussies" by Bloodhound Gang. Point of order:  A "stone" is 14 pounds.

Danscussions à la radio, SAISON 4 - Émission 8 (116e émission). Avec à l'honneur aux micros : - Caroline St-Laurent et Teoma Naccarato, pour la Soirée Triple, Numérique et Danse Contemporaine à Tangente du 12-15 novembre 2015: http://www.tangente.qc.ca/index.php… - Anne-Flore de Rochambeau pour Dynamique des Fluides, finaliste du concours Parcours Scène le 7 novembre 2015 : https://www.facebook.com/events/793061587469135/ Belle écoute!

Danscussions à la radio, SAISON 4 - Émission 8 (116e émission). Avec à l'honneur aux micros : - Caroline St-Laurent et Teoma Naccarato, pour la Soirée Triple, Numérique et Danse Contemporaine à Tangente du 12-15 novembre 2015: http://www.tangente.qc.ca/index.php… - Anne-Flore de Rochambeau pour Dynamique des Fluides, finaliste du concours Parcours Scène le 7 novembre 2015 : https://www.facebook.com/events/793061587469135/ Belle écoute!

EPISODE SPONSOR:   The Whiskey Off-Road - April 24-26, Prescott, Arizona The Grand Junction Off-Road - May 29-31, Grand Junction, Colorado Epic Rides     In this episode, Andrea, Kenny, and Matt get caught up after a week off of the regular show, including a discussion about Andrea's trip with 92Fifty to Moab, Matt chats about his team win at a local 6 hour race, and Kenny is still just trucking along. Before hitting up several listener questions, Kenny and Andrea take the show over with 1x discussion. The longest show yet. A huge thanks to this week's supporters! Ryan Rekers of California supported by giving $50 Dean Jensen of Minnesota supported by giving $25 We want to hear from you! If you have any questions, comments, or ideas for the next episode, contact us at info@mountainbikeradio.com.    SHOW SEGMENTS:   Listener Emails: Spencer from California asks about a fork pump and fork pressure. Chris from Michigan asks about Taiwanese wheels. Scott asks about his Norco Jubei Hardtail 29er. Kevin from Colorado asks about a Specialized Stumpjumper Marathon Carbon.   Matt's Pissed Scale:  Matt is HAPPY but Kenny and Andrea are cranky.     RELATED SHOW LINKS:   Chris's Taiwanese wheels from his question - http://www.velobuildmall.com/ Norco Jubei Hardtail 29er - https://www.norco.com/archives/2011/?id=jubei-2 Support Just Riding Along - http://store.mountainbikeradio.com/category/just-riding-alonghttp://store.mountainbikeradio.com/category/just-riding-along 2015 Endurance Calendar - http://www.endurancecalendar.com Buy a Just Riding Along Tshirt - http://store.mountainbikeradio.com/category/just-riding-along-shirts Buy a Just Riding Along Mug - http://store.mountainbikeradio.com/category/just-riding-along-mug Become a Mountain Bike Radio member - http://store.mountainbikeradio.com/category/mbr-memberships 92Fifty - http://92fifty.com/ Brickhouse Racing Website - http://www.brickhouseracing.com/ Brickhouse Racing Facebook Page - https://www.facebook.com/BrickhouseRacing Brickhouse Racing Instagram - https://instagram.com/brickhouseracing/ Mountain Bike Radio Facebook Page - https://www.facebook.com/MountainBikeRadio Andrea's Twitter - https://twitter.com/BrickhouseMTB Matt's Twitter - https://twitter.com/Beanpolematt Kenny's Twitter - https://twitter.com/NoFullFaceKenny  

Rock, Paper, Scissors, Computational Linguist, Nasal-Ingressive Voiceless Velar Trill, Chomsky—A New Game for Every Linguist; by Phlange Kadigan; From Volume CLVII, Number 3, Speculative Grammarian, November 2009 — We are almost all quite familiar with the game commonly known as Rock-Paper-Scissors (also known in some circles as Rochambeau), in which two opponents face off, simultaneously choosing a hand shape to represent one of the three eponymous “weapons”. The interest in the game stems from the non-transitivity of the superiority of the weapons. (Read by Trey Jones.)

  Danscussions, Nos invités de la semaine seront : - Johanne Madore, conceptrice et metteur en piste de Croisé, L'Atelier de recherche et de création des finissants et des diplômés de l'Ecole nationale de Cirque de Montréal- Anne-Flore de Rochambeau, Sens dessus dessous, Passerelle 840- Frédérique Forget, Maud Gobeil, Sandrine Gobeil, Laurence Rondeau L'Écuyer, Laisse moi tomber, Passerelle 840, du vendredi 2 novembre au dimanche 4 novembre, Piscine Théâtre

  Danscussions, Nos invités de la semaine seront : - Johanne Madore, conceptrice et metteur en piste de Croisé, L'Atelier de recherche et de création des finissants et des diplômés de l'Ecole nationale de Cirque de Montréal- Anne-Flore de Rochambeau, Sens dessus dessous, Passerelle 840- Frédérique Forget, Maud Gobeil, Sandrine Gobeil, Laurence Rondeau L'Écuyer, Laisse moi tomber, Passerelle 840, du vendredi 2 novembre au dimanche 4 novembre, Piscine Théâtre

Rochambeau artist Constance Muller joins Rebecca to chat about her work and creative life.

Rochambeau artist Constance Muller joins Rebecca to chat about her work and creative life.

Tony's got the low-down on stalling in MTT's, low stakes NLHE cash games and Rochambeau, all in this edition of Killer Poker Anaylsis on Rounders Radio.

Tony's got the low-down on stalling in MTT's, low stakes NLHE cash games and Rochambeau, all in this edition of Killer Poker Anaylsis on Rounders Radio.