Podcasts about indonesian institute

In today's episode we chart the debate surrounding Gunung Padang, an enigmatic site in Indonesia, and its implications for the possibility of ice age civilization. Our guide, Dr. Danny Hillman Natawidjaja, an Indonesian geologist specializing in earthquake geology and geotectonics at the Indonesian Institute of Sciences (LIPI) Research Center for Geotechnology, walks us through the difficulties of dating archaeological structures with tools like seismic imaging and LiDAR, particularly in a region shaped by natural upheavals. We unpack how environmental changes have influenced historical narratives and the survival of early sites. We also critique the institutional barriers and interpretative conflicts that shape modern archaeology, including the suspect retraction of Danny's seminal work on Gunung Padang - an interdiction not based on allegations of data manipulation, but rather on account of the conclusions drawn by its authors. PATREON: get episodes early + join our weekly Patron Chat https://bit.ly/3lcAasB MERCH: Rock some DemystifySci gear : https://demystifysci.myspreadshop.com/ AMAZON: Do your shopping through this link: https://amzn.to/3YyoT98 (00:00) Go! Gunung Padang's Archaeological Controversy (00:06:28) Indonesian Archaeology and Geology (00:13:16) Natural Disasters & Social Transformations (00:19:30) Geoscience Meets Archaeological Research (00:24:34) Identifying Potential Archaeological Sites (00:27:36) Megalithic Sites in Indonesia (00:32:07) Problems Dating Megalithic Sites (00:37:47) Interpreting Archaeological Data (00:44:46) Archaeology as Archtypical Conservative Science (00:49:55) Retraction of paper over conclusions? (00:58:11) Study Details and Initial Findings (01:02:48) Archaeological Evidence (01:11:28) Site Controversy and Future Research (01:16:40) Ancient Civilizations and Structures (01:24:11) Debates on Archaeological Interpretations (01:29:04) Cyclical Views of Civilization (01:35:11) Impact of Changing Sea Levels on Civilizations (01:39:16) Ancient Indonesian Civilization and Geography (01:43:07) Underwater Archeological Evidence (01:46:11) Ancient Artifacts and Challenges (01:50:09) Earthquake Research and Hazard Mapping (01:58:30) Prehistoric Cave Paintings (02:03:19) Neanderthals & Speciation #Archaeology, #AncientHistory, #MegalithicStructures, #IndonesianHeritage, #GunungPadang, #AncientCivilizations, #Geoscience, #HistoricalResearch, #PrehistoricSites, #CulturalHeritage, #AncientMysteries, #ArchaeologicalDiscoveries, #AncientMonuments, #HistoricalControversy, #AncientArtifacts, #LostCivilizations, #AncientStructures, #HistoricalDebate, #AncientSites, #ArchaeologicalResearch, #sciencepodcast, #longformpodcast Check our short-films channel, @DemystifySci: https://www.youtube.com/c/DemystifyingScience AND our material science investigations of atomics, @MaterialAtomics https://www.youtube.com/@MaterialAtomics Join our mailing list https://bit.ly/3v3kz2S PODCAST INFO: Anastasia completed her PhD studying bioelectricity at Columbia University. When not talking to brilliant people or making movies, she spends her time painting, reading, and guiding backcountry excursions. Shilo also did his PhD at Columbia studying the elastic properties of molecular water. When he's not in the film studio, he's exploring sound in music. They are both freelance professors at various universities. - Blog: http://DemystifySci.com/blog - RSS: https://anchor.fm/s/2be66934/podcast/rss - Donate: https://bit.ly/3wkPqaD - Swag: https://bit.ly/2PXdC2y SOCIAL: - Discord: https://discord.gg/MJzKT8CQub - Facebook: https://www.facebook.com/groups/DemystifySci - Instagram: https://www.instagram.com/DemystifySci/ - Twitter: https://twitter.com/DemystifySci MUSIC: -Shilo Delay: https://g.co/kgs/oty671

According to Natawidjaja, the data that supports their findings shows that the Gunung Padang pyramid is a bit like a three-layer cake, and each layer was built thousands of years apart. He says the most recent layer, known as Unit-1, was constructed about 3,000 years to 4,000 years ago. The next oldest, Unit-2, was built around 7,500 years to 8,000 years ago. The oldest part of the structure, Unit-3, could be as ancient as 16,000 years to 27,000 years. This supports the research done by B.M Kim, which suggested the pyramid dates back to between 300 and 2,000 B.C.E.Interestingly, Natawidjaja says, “Unit-2 may potentially be a stepped pyramid."In his 2023 study of the site, he explains that Gunung Padang is more than just an old stone terrace; it's a complex structure buried underground featuring large chambers and hollow spaces. The carbon dating suggests that the initial construction could have taken place during the last Ice Age, in the Paleolithic era, and was later modified in the Holocene or Neolithic era.Natawidjaja's team came to these conclusions by comparing the ages of samples from the volcanic base layer (which is millions of years old) and the three layers of construction.“In contrast [to the volcano], soil samples taken from between fragmented rocks have been dated to only a few thousand to a few tens of thousands of years old, which presents an enigma in natural geological processes," says Natawidjaja. "Geological principles dictate that soils cannot migrate from the near-surface layers to deeper depths over time. Hence, the juxtaposition of relatively young soils between ancient rock layers poses a significant geological challenge.”The conclusion: Only a technologically advanced culture during the Ice Age could have positioned those stones. Recognizing the impact of the findings, Natawidjaja once told The Sydney Morning Herald, “It's crazy, but it's data.Danny Hilman Natawidjaja is an Indonesian geologist specializing in earthquake geology and geotectonics at the Indonesian Institute of Sciences (LIPI) Research Center for Geotechnology.In Indonesia, Natawidjaja has contributed to research on local tectonic plates. Since 2000, he has made predictions regarding the earthquake on the west coast of Sumatra Islan.Become a supporter of this podcast: https://www.spreaker.com/podcast/earth-ancients--2790919/support.

Pemberitaan tentang kehidupan pribadi para public figure di berbagai platform media sangat mudah kita temukan. Masalah pribadi termasuk masalah perceraian dan perselingkuhan dikupas dengan mengungkap berbagai informasi termasuk informasi pribadi. Ini tidak hanya kita temukan di media yang berbasis internet tetapi juga media penyiaran seperti televisi dan radio. UU No 32 Tahun 2002 tentang Penyiaran menyatakan lembaga penyiaran punya peran penting dalam kehidupan sosial, budaya, politik, dan ekonomi, memiliki kebebasan dan tanggung jawab dalam menjalankan fungsinya sebagai media informasi, pendidikan, hiburan, serta kontrol dan perekat sosial. Bagaimana memastikan peran penting media penyiaran dalam kehidupan sosial ini bisa berjalan? Kita bahas hal ini di Ruang Publik KBR bersama para narasumber: Aliyah, Anggota Komisi Penyiaran Indonesia (KPI) dan Dewi Rahmawati Nur Aulia, Peneliti Bidang Sosial, The Indonesian Institute, Center for Public Policy Research (TII). *Kami ingin mendengar saran dan komentar kamu terkait podcast yang baru saja kamu simak, melalui surel ke podcast@kbrprime.id

This insight episode is from full episode 048, Stefan's conversation with Irina Rafliana.  Irina is a science communication officer at the Indonesian Institute of Sciences (LIPI), and is also currently a PhD candidate at the German Development Institute in Bonn, Germany, where her research is focused on disaster sociology.  In this episode, Irina discusses the importance of language with Stefan in allowing for innovation and research to occur.    Indonesian Institute of Sciences (LIPI): http://lipi.go.id/  In Common website: https://www.incommonpodcast.org  Connect with us on Twitter: https://twitter.com/InCommonPod  Support us on Patreon: https://www.patreon.com/incommonpodcast 

Episode 23: It's no news that the Covid-19 pandemic has profoundly changed our lives, but how do international students cope with unfortunate news from home while continuing their studies abroad? Irine Hiraswari Gayatri, a student from Indonesia (the most recent pandemic hotspot in Asia) who is currently studying in Australia (a country known for its tough lockdown and border controls) answers this and other difficult but important questions in this episode. Irine is a PhD candidate at the Gender, Peace and Security (GPS) Centre, School of Sciences, Faculty of Arts, Monash University, supported by an Australia Award Scholarship. She is also a Senior Researcher at the Centre for Political Studies, Indonesian Institute of Sciences (LIPI) and writes regularly about security issues in Indonesia. Her latest article is for the Australian Outlook about terrorism in Indonesia during the pandemic. You can find her other articles here or follow her on Twitter (@gayatriveda) for updates. Support this project by subscribing to our newsletter and joining our Facebook Group. Also available on iTunes, Spotify, and YouTube. Music by Lava Koirala --- Send in a voice message: https://anchor.fm/scholars-unbound/message

Meet this week's guest before the episode airs! Dr Bruce M. Beehler (born October 11, 1951 in Baltimore) is an ornithologist and research associate of the Bird Division of the Smithsonian Institution's National Museum of Natural History. Prior to this appointment, Beehler worked for Conservation International, the Wildlife Conservation Society, Counterpart International, and the National Fish and Wildlife Foundation. Bruce Beehler graduated from Williams College and received his Masters and PhD studying the behavioral ecology of the birds-of-paradise at Princeton University.[1] He has been an authority on New Guinea birds for several decades, having authored or co-authored several major works on the biodiversity this, the largest tropical island, including The Birds of Paradise (1998), The Birds of New Guinea (1986, 2015) and the two-volume Ecology of Papua (2007). To the general public, Beehler is best known for having co-led a widely published rapid assessment survey on biological diversity in 2005 to the Foja Mountains, Papua, where he, together with an international team of 11 scientists, the majority from the Indonesian Institute of Sciences (LIPI), made a number of scientific discoveries. The findings on this survey expanded on previous research conducted in the region by Dr. Jared Diamond in the late 1970s and early 1980s. Beehler and colleagues, however, returned with the first ever photographs of two species of birds, the bronze parotia (Parotia berlepschi) and the golden-fronted bowerbird (Amblyornis flavifrons), that previously were known only from a few specimens. Additionally, a previously unknown species of honeyeater was discovered, it being scientifically described in 2007 as the wattled smoky honeyeater (Melipotes carolae). The specific epithet, carolae, commemorates Carol Beehler, the wife of Bruce Beehler. Together with a team from 60 Minutes, Beehler returned to the Foja Mountains in 2007, resulting in the first ever filming of several of the species discovered in 2005, as well as encounters with an undescribed giant rat (Mallomys sp.) and a tiny pygmy possum (Cercartetus sp.) https://charity.gofundme.com/o/en/donate-widget/30694 (Make a donation to our 501(c)3 organization) https://blog.us1.list-manage.com/subscribe?u=2305d8aac3a24b336b10d645eandid=6915ba78da (Sign up for our Newsletter!) https://www.patreon.com/thewildlife (Become a Member-Supporter) https://linktr.ee/TheWildLifePod (Follow us on all of our platforms) Support this podcast

International Women’s Day was celebrated on 8 March. It aims to commemorate the cultural, political, and socioeconomic achievements of women and bring attention to issues such as gender equality, reproductive rights, and violence against women. Since the fall of Soeharto, the Indonesian women's movement has been instrumental in pushing for affirmative action policies that have promoted women's participation in politics, and have successfully advocated for policies to protect the rights of women, such as the 2004 Law on Domestic Violence. At the same time, however, major challenges remain, particularly in maternal health, violence against women and discrimination. In Indonesia, as elsewhere, women are raising their voices and calling for improvements to women’s safety and equality. What has been achieved in terms of women’s rights and equality in the post-authoritarian era in Indonesia? Are more women entering politics and what impact are they having? What are the issues driving the women’s movement today? In Talking Indonesia this week, Dr Jemma Purdey speaks to Dr Kurniawati Hastuti Dewi a senior researcher at the Indonesian Institute of Sciences (LIPI), about Indonesia’s women’s movement and its role in bringing about social and political change. Kurniawati Hastuti Dewi is a senior researcher at Center for Political Studies, Indonesian Institute of Sciences (LIPI). Her research interests are in the areas of gender and politics, women and politics, gender and decentralization. She received her MA in Asian Studies from the Australian National University (2007) and PhD from the Graduate School of Asian and African Area Studies (ASAFAS) Kyoto University Japan (2012). Her doctoral dissertation was published as a book, Indonesian Women and Local Politics: Islam, Gender and Networks in Post-Suharto Indonesia (Singapore: National University of Singapore Press & Kyoto University Press, 2015). Her latest research explores the usage of motherhood identity in the 2019 Indonesian presidential election was published as ‘Motherhood Identity in the 2019 Indonesian Presidential Elections: Populism and Political Division in the National Women’s Movement’, Contemporary Southeast Asia vol. 42, no. 2 (2020): 224-250. She is Secretary General of Asian Association of Women's Studies (AAWS, 2020-2022). © 2018 BAY ISMOYO/AFP/Getty Images

Melati Suryodarmo, (b. 1969, Solo, Indonesia) graduated from the Hochschule für Bildende Künste Braunscheweig, Germany under the tutelage of Marina Abramović and Anzu Furukawa with a Meisterschüler qualification in Performance Art. Her practice is informed by Butoh, dance and history, among others. Her work is the result of ongoing research in the movements of the body and its relationship to the self and the world. These are enshrined in photography, translated into choreographed dances, enacted in video or executed in live performances. Suryodarmo is interested in the psychological and physical agitations that may be from the self or the world but somehow result in lasting change the individual. This belief in change or growth through bodily action belies her early induction in meditation, which she continues to practice. The body is the home for memories and the self, rather than the individual itself, and the body's system. The way the body translates internal and external ideas enriches the attitude and thoughts of the self. Meeting Furukawa, an accomplished Butoh practitioner, had opened her eyes on the expressive qualities of the body, a form of communication that transcends verbal language. This experience has motivated her lifelong studies into Butoh and other artistic forms concerned with the human body. As a trained performance artist, presence is integral to the accomplishment of Suryodarmo's work in all mediums. The senses picks up non-verbal inputs and receive them as communication of intent, emotion, energy or identity. These non-verbal inputs open the door to sensitive and individual perception and the creation of presence. However, everyone processes these inputs differently and interpret them differently based on their unique consciousness. By compiling, extracting, conceptualising and translating some of these factors of presence that she recognises into her work, she intends to tease open the fluid border between the body and its environment. These movements are understood through the metaphor of poets, who similarly assembles words and spaces to create their poetry. Suryodarmo draws inspiration from her real experiences in the world. The path of history informs her perception of the everyday and the now. Her works often reflect the process that lead to current events, be it political, global or highly personal. In her abstracted gestures and poetical acts, the presence of each work is brought to a concentrated level of intensity. In abstracting these acts from their common context, they are made to correspond with new associations and sometimes identify radically with different meanings. The works' abstract narrative throws the spotlight on the audience's bodily response. This often results in a level of factual absurdity in the work, which is acknowledged and welcome. Suryodarmo has presented her work in various international festivals and exhibitions, including Reanacting History: Collective Actions and Everyday Gestures (2017), National Museum of Contemporary Art Korea, Gwacheon, South Korea; SUNSHOWER: Contemporary Art from Southeast Asia 1980s to Now (2017), National Art Centre Tokyo & Mori Art Museum, travelled to Fukuoka Art Museum, Japan; AFTERWORK (2016), Para Site, Hong Kong, travelled to (2017) Ilham Gallery, Kuala Lumpur, Malaysia; East Asia Feminism: FANTasia (2015), Seoul Museum of Art, Seoul, South Korea; 8th Asia Pacific Triennale (2015), Queensland Art Gallery & Gallery of Modern Art, Queensland, Australia; 5th Guangzhou Triennale (2015), Guangzhou, China; The Roving Eye: Contemporary Art from Southeast Asia (2014), Arter, Istanbul, Turkey; Medium at Large (2014), Singapore Art Museum, Singapore; Luminato Festival (2012), Toronto, Canada; Beyond the Self: Contemporary Portraiture from Asia (2011), National Portrait Gallery, Canberra, Australia; Marina Abramović Presents… (2009), Manchester International Festival, Manchester, U.K.; Incheon Women Artists' Biennale (2009), Incheon, South Korea; Manifesta 7 (2008), Bolzano, Italy; Wind from the East: Perspectives on Asian Contemporary Art (2007), Kiasma, Helsinki, Finland. Since 2007, Suryodarmo has been organizing an annual Performance Art Laboratory and Undisclosed Territory, a performance art festival, in Solo, Indonesia. In 2012, she founded “Studio Plesungan”, an art space for performance artists to use as a laboratory. In 2017, she served as Artistic Director for Jiwa, the 17th Jakarta Biennale. She currently lives and works between Gross Gleidingen, Germany and Solo, Indonesia.Artist StatementThe world that inspires me to move my thoughts is the world inside me. The body becomeslike a home which functions as container of memories, living organism. The systeminside the psychological body that changes all the time has enriched my idea to developnew structures of attitude and thoughts. I try to perceive my surroundings as the fact ofthe real presence of now, but considering the path of its history. I try to understand thelanguage that are not spoken, and opens the door of perceptions. I respect the freedom inour minds to perceive things coming through our individual sensory register system.Crossing the boundaries of cultural and political encounters has been a challenge thatstimulates me discovering new identification. An effort to find identity is yet a dangerousact of losing the ground of origin. For me, the process of making artwork is a life long researchthat never stops me to put myself inside the metamorphic constellation. I intend totouch the fluid border between the body and its environment through my art works. I aimto create a concentrated level of intensity without the use of narrative structures. Talkingabout politics, society or psychology makes no sense to me if the nerves are not able todigest the information. I love it when a performance reaches a level of factual absurdity.Melati Suryodarmo's performances have been dealing with the relationship between ahuman body, a culture in which it belongs to and a constellation where it lives. Through thepresence, she compiles, extracts, conceptualized and translates some phenomenon orsubjects into movement, actions, and gestures that are specified to her performance. MelatiSuryodarmo´s performances concern with cultural, social and political aspects, inwhich she articulates through her psychological and physical body. Her performances featureelements of physical presence and visual art to talk about identity, energy, politics andrelationships between the body and its environments.Melati Suryodarmo studied at the Hochschule für Bildende Künste Braunschweig, Germanyunder Marina Abramovic.Suryodarmo has presented her works in various internationalfestivals and exhibitions since 1996, including the 50th Venice Biennale 2003, Marking theterritory, IMMA Dublin. e.t.c. In 2005, Melati Suryodarmo has performed at the Van GoghMuseum Amsterdam, during the Exhibition of the Life of Egon Schiele in 2005; VideobrasilSao Paolo (2005), Haus der Kulturen der Welt Berlin, 52nd Venice Biennale dance Festival(2007), KIASMA Helsinki (2007), Manifesta7, in Bolzano, Italy (2008),and In Transit festival,HKW Berlin (2009), Luminato festival of the arts, Toronto, (2012), Asia Pacific Triennale,Qagoma Brisbane (2015), Guangzhou Triennale, Guangdong, China (2015); SingaporeBiennale, Singapore, (2016). Since the last six years, Suryodarmo has been presenting herworks in Indonesia and other South East Asian countries. For the Padepokan Lemah PutihSolo Indonesia, she has been organizing an annual Performance Art Laboratory Projectand “undisclosed territory” performance art event in Solo Indonesia since 2007. In 2012,she founded “Studio Plesungan” an art space for performance art laboratory. She wasworking as the Artistic Director of the Jakarta Biennale 2017, one of the core visual artsbiennale in South east Asia.Melati Suryodarmo CV info@melatisuryodarmo.comMelati Suryodarmoinfo@melatisuryodarmo.comwww.melatisuryodarmo.comSTUDIO PLESUNGANDesa Plesungan RT03 RW02Plesungan, GondangrejoKaranganyar 57773Jawa TengahIndonesia--------------------------------------------------------------------------------------------------Born 12. July 1969 in Surakarta IndonesiaLives and works in Surakarta, IndonesiaEducation2016 - PhD Candidate in Artistic Research / Art as Practice Phd. at the Institute of theArts Surakarta Indonesia2001 - 2002Postgraduate Program (Meisterschule) in Performance Art at the Hochschulefuer Bildende Kuenste, Braunschweig, Germany, under prof. Marina Abramovic1994- 2001Study of performance art and sculpture under Prof.Anzu Furukawa, and Prof.Marina Abramovic. Degree in Fine Art at the Hochschule fuer Bildende Kuenste,Braunschweig, Germany1993Degree in International Relations Studies, Faculty of Politic and Socio Sciences,UniversitasPadjadjaran Bandung, IndonesiaExhibitions and Festivals |selections|2020- Marina Abramović + MAI Akış / Flux, Akbank Sanat Exhibition Program, Istambulk,Turkey- “Why Let the Chicken Run?”, Solo Exhibition at Museum of Modern Art and ContemporaryArt Nusantara (MACAN), Jakarta2019- “Memento Mori”, Solo Exhibition at Singapore Tyler Print International (STPI)Singapore- “Gandari”an opera by Tony Prabowo, as director and choreographer, Graha BaktiBudaya, Taman Ismail Marzuk, Jakarta- “Contemporary World”, Naional Gallery of Australia, Canberra, Australi- “Orfeus”, dance choreography, Komunitas Salihara, Jakarta- “Kontraksi: Pasca Traditionalisme”, pameran besar Nusantara, National Gallery ofIndonesia, Jakarta- “Arus Balik”, Centre of Contemporary Arts, Gilmann Barracks, Singapore- “All About Eve”, 2nd Women show at the Indonesia Luxury, Jakarta- “+63 / +62”, Silverlens Gallery, Manila, the Philippines2018- “Luminous Emptiness”, dance choreography in collaboration with Katsura Kan(Japan), Bo- robudur Writers and Cultural festival, Borobudur, Indonesia- “Sakhsat”, dance choreography, Solo International Performing Arts (SIPA) Festival,Solo, Indonesia- “Sweet Dreams Sweet”, performance, Hamburger Bahnhof - Museum for ContemporaryArts, Berlin, Germany- “I Love You”, Solo exhibition, Shanghart Gallery, Beijing, China- “Dance in Asia”, Osaka Creative Center, Osaka, Japan- “Timoribus” , Solo Exhibition, Shanghart Gallery , Singapore2017- “Amnesia” , Performance Klub, Europalia 2017, at S.M.A.K, Gent, BelgiumMelati Suryodarmo CV info@melatisuryodarmo.com- “Tomorrow As Purposed”, Dance Performance, Flammish Royal Theatre, KVS, Brussels,Belgium- “Self Portrait”, group exhibition, Mind Set Art Centre, MSAC, Taipei, Taiwan- “Re-enacting History: Collective Actions and Everyday estures”, National Museum ofModern and Contemporary Art (MMCA), Gwacheon Seoul, South Korea.- “First Sight” at Museum Museum, Jakarta- “Political Acts”, AsiaTopa, Melbourne Art Center, Melbourne, Australia- “Sunshower” - Contemporary Art in South East Asia - National Art Centre Tokyo, Japan- “Vertical Recall” dance performance, as choreographer at the Helatari, Salihara, Jakarta- “After Works”, Ilham Museum, Kuala Lumpur2016- “Behind the Light”, Singapore Biennale, SAM Singapore- “Transaction of Hollows”, Lilith Performance Studio Residency , Malmo, Sweden- “Your Otherness, I've never been so East”, dance piece, Hexentanz Festival, Sophiensale,Berlin- “Tomorrow as Purposed”, as choreorapher and director of dance production and researchinvolving dancers, musicians, at Indonesian Dance Festival, Jakarta- “Melati Suryodarmo” Solo Exhibition at Il Ponte Contemporanea, Rome, Italy- “undisclosed territory#10” as Facilitator at Studio Plesungan- “ In Silence”, a group exhibition at Pearl Lam Gallery in Singapore- “Amnesia” - Solo performance and exhibition, Galerie Ark, Jogyakarta, Indonesia- Paper Trail - South East Asia Works on Paper. Galery Sangkring, Jigyakarta, Indonesia- After Works, Para-Site, Hongkong- Costume National : Contemporary Art from Indonesia, Gallerie SAW Ottawa, Canada2015- Asia Pacific Trienial 8, Qagoma, Brisbane, Australia- I See You See Me, Treshold Gallery, New Delhi, Indiea- Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at DeSIngel, Antwerp, Belgium. Sisyphus, a dance piece choerographed and directed by Melati Suryodarmo at FrankfurtLab, Frankfurt, Germany- 5th Guangzhou Trienial and 1st Asia Bienial, Guanzhou, Guangdong, China- Oz Asia Festival , Adelaide, Australia- Melati Suryodarmo's Video Works, solo exhibition, Contemporary Art Centre of SouthAustralia (CACSA), Adelaide- FantAsia, Seoul Museum of Art, Seoul, South Korea- ArtJog 2015, In FLux, Yogjakarta, Indonesia- Tokyo International Performing Arts Meeting, Yokohama, Japan2014- “APBF Signature Award 2014 Exhibition” , Singapore Art Museum, Singapore- “Indonesian Dance Festival 2014”, Teater Kecil Taman ismail Marzuki, Jakarta- “Marina Abramovic Performance Exhibition”, Fondation Beyeler, Basel, Switzerland- “Rowing Eye- Contemporaray art from South East Asia”, Arter, Istanbul, Turkey- “Domestication”, Kayu, Lucie Fontane Foundation, Bali, Indonesia- “Sensorium 360°”, Singapore Art Museum, Singapore- - ArtJog 2014, Taman Budaya Yogyakarta- “Video Art at Loop”, Loop, Casa Asia, Barcelona- “ArtJog”, Taman Budaya Yogyakarta, Yogjakarta, Indonesia- “Fokus+Indonesia”, Muzeum Narodowe w Szczecinie, Szcezin, Poland- “K.R.O.P.P”, Uppsala Konsert & Kongress, Uppsala, Sweden- “China Festival”, Haus am Ufer HAU 2, Berlin- “Medium at Large”, Singapore Art Museum, Singapore- “Today and Tomorrow: Indonesia Contemporary Art”, Yallay Galery, HongkongMelati Suryodarmo CV info@melatisuryodarmo.com2013- Gambar idoep- video art exhibition, galeri Semarang, Semarang Indonesia- „development“ group exhibition, at TNS Foundation, Gdansk, Poland- ArtJog 2013, Taman Budaya Yogyakarta- „undisclosed territory #7“ padepokan Lemah Putih, Solo, Indonesia- „ Slapstick“, Performance Program, Kunst Museum Wolfsburg, Germany- re-act feminism #2, Fundació Antoni Tàpies, Barcelona, Spanien; Akademie der Künste,Berlin, Deutschland- „Die auf dem Boden Liegenden, liegen gelassen - The lying on the floor, abandoned tolie“, Künstlervereinigung MAERZ, Linz, Austria.- „Pressing“ Fondazzione @videoinsight, Turin, Italy- „Market Forces“, Osage Gallery, Hong Kong2012„I am a ghost in my own house“, Solo exhibition at Lawangwangi Art foundation, Bandung,Indonesia„Transart 2012 Festival“, performing John cage‘s Songs Books,in colaboration with NataliaPschenitschnikova, MAS Museum Ötztal, Bolzano, Italy„Homoludens“, group exhibition at Galeri Emmitan; Surabaya„Tai Ping Quo“, Parasite and Spring Workshop, Hongkong.„Performance Platform Lubiln 2012“, Galeria Labirynt, Lublin Poland„Insight“, Group exhibition at Kuntraum, Vaduz, Lichtenstein„Beethoven Marathon-in collaboration with Stewart Goddyear“, Luminato Festival, KoernerHall RCM, Toronto„Flow“, group exhibition, Gallery Michael Janssen, Berlin„domestic stuffs“, group exhibition at Galeri Salihara, Jakarta; Cemeti Art House Yogyakarta.„ZEITGEIST“- Galeri Seni Bataviasche Kunstkring, Jakarta„Reclaim.doc“, group exhibition at Jakarta National Gallery, Jakarta„re.act.feminism #2“ - a performing archive at the Galerija Miroslav Kraljević in Zagreb,Croatia, Museet for Samtidskunst Roskilde, Denmark; Galerija Miroslav Kraljević Zagreb,Croatia; Instytut Sztuki Wyspa Gdańsk, Poland; Tallinna Kunstihoone Tallinn, Estonia„Beyond the Self“,McClelland Gallery and Sculpture Garden, Langwarrin, Victoria; theAnne and Gordon Samstag Museum of Art, Adelaide, Australia„Acts of Indecency“, solo exhibition at Art Dept, VWFA Jakarta, Indonesia2011„Bienalle Jogja XI“, Jogjakarta, Indonesia„Beyond Pressure IV“ performance art festival; Yangoon and Mandalay, Myanmar„Beyond the East: Indonesian Contemporary Art“ Museo d‘arte Contemporanea Roma,Rome, Italy„Performance Hautnah“, Kunstlerforum, Bonn„Performance I Bibliotek“, Kunstbanken Hedmark Kunstsenter, Hamar, Norway„Kunst Hier und Jetzt“, Algemeine Konsumverein, Braunschweig„re.act Feminism vol. II“, 2011 -2013, Centro Cultural Montehermoso, Vitoria-Gasteiz,Spain„Between Sky and Sea III“ Hergla Island, Norway„hijacking TV“ video exhibition at Gallery Salihara, Jakarta„Beyond the Self“, National Portrait Gallery, Canberra; Australia“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Villa Tobler, Zürich, Switzerland.„Absence“, Manila Contemporary, Manila, the Philippines„Almost There“, a dance choreography piece, World Dance Day Festival, at Teater BesarInstitut Seni Indonesia Surakarta, Indonesia„A Feather Fell down from the Silence“, at R.I.T.E.S, Substation, Singapore„Negotiating Home, History and Nation“ Two Decades of Contemporary Art from SouthEast Asia 1991 - 2010, Singapore Art Museum, Singapore„undisclosed territory#5“, Padepokan Lemah Putih, Solo IndonesiaMelati Suryodarmo CV info@melatisuryodarmo.com„Performance Art Laboratory (PALA) Project“, Padepokan Lemah Putih, Solo Indonesia2010“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, theNetherlands“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland„Ugo“ for One Night Stand, curated by Myriam Laplante, Fundazione Volume, Rome, Italy“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Tanz Im August, Berlin“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Alcantara Festival, Lisabon, Portugal"Lilith Performance event", Lilith Performance Studio, Malmoe, Sweden“Grenzart”, Kirschau, Germany“Exergie- butter dance – extended” , Asian Body festival, Moderna Dans Teatern, Stockholm“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and SimoneAughterlony, Maisson des Arts de Schaerbek, Brussels“trouble-festival”, Les Halles, Brussels„Indonesian Contemporary art Showcase“ Art Paris - Grand Palais, Paris“undisclosed territory #4”, Padepokan Lemah Putih, Solo, Indonesia“PALA Project 2010”, Padepokan Lemah Putih, Solo, Indonesia“Ugo” solo performance at „mobilized Performance Series“, Mobius, Boston, MA, USA2009“On the Way”, Artrend, Taipeh, Taitung (Dulan), Kaoshiung, Tainan; Taiwan“Asiatopia 11th”, Bangkok Center for Art and Culture, Bangkok, Thailand“Kunstbanken”, Kunsthalle, Hamar, Norway"International Incheon Women Artists Biennale", Incheon, South Korea“European Performance Art Festival”, Centre for Contemporary Art, Warsaw“Farewell Angel”, Lilith Performance Studio, Malmoe, Sweden“International Performance Art Festival”, Turbinen Halle, Giswill, Switzerland“East West Project via Belfast”, Platform Art, Bbeyond, Belfast, Northern Ireland“East West Project”, Kaskaden Kondensator,Basel, Switzerland"CUT - South East Asian Contemporary Photography", Kuala Lumpur, Singapore, Manila“Art of the Encountering”, Gebläser Halle, Ilsede and Hildesheim, Germany“Marina Abramovic Presents…”, Whitworth Gallery, Manchester International Art Festival,Manchester, UK“InTransit 09”, Haus der Kulturen der Welt, Berlin, Germany“Momentum”, Le Bain Connective, Brussel“Performance Art Laboratory Project” 2009, Bali, Indonesia“undisclosed territory#3- performance art event” Solo, Indonesia“Pathological Aesthetic” symposium at HAN, Nijmegen, Holland2008„Ex-teresa Arte Actual“, International Performance Art Festival, Mexico City, Mexico“Intimate Strangers”, with the Damaged Goods Company, Brussels.“Asiatopia 10 – international performance art festival” Bangkok“Future Of Imagination 5” Sculpture Square, Singapore“ZOOM” performance Art Festival, IPAH, St. Jacobi Kirsche, Hildesheim“Memorabilia”, performance project, TBS, Solo, Indonesia“Between Sky and Sea-II” Herdla Island, Norway“Tanz im August/sommer.bar,” Podewil, Berlin, Germany“Sincere Subject”, SIGIARTS Gallery, Jakarta, Indonesia“Emerging discourse- performance mimicry II”, Bodhiart, New York City“Manifesta7”, European Biennial, Ex-Alumix, Bolzano, Italy“Friktioner”, at City Gallery, Uppsala Art Museum, Uppsala, Sweden“MADE Festival”, Nordlandsoperan, Umea, Sweden“Solitaire”, Solo exhibition, Valentine Willie Fine Arts at Annexe, Kuala Lumpur, MalaysiaMelati Suryodarmo CV info@melatisuryodarmo.com“undisclosed territory#2”, Padepokan Lemah Putih Solo, Indonesia2007“Perception of Patterns in Timeless Influence”, Lilith Performance Studio, Malmö, Sweden.“eBent 07 Festival”, off*ample, Passage de la Paz, Barcelona“Insomnia”, Nuit Blanche, Le Gènerateur, ParisTravelogue “Flying Circuss Project”, Theatreworks, Singapore and Ho Chi Minh City, Vietnam“Performance Intermedia”, Sczecin, Poland and Berlin“The Curtain Opens: Indonesian Women Artists”, National Gallery, Jakarta, Indonesia“Anti Aging”, Gaya Fusion Gallery, Bali, Indonesia“Erotic Body”, Venice Biennale Dance Festival, Venice, Italy“15th Performance art Conference”, Bali, Indonesia“undisclosed territory”, performance art event, Solo, Indonesia(N)ever Mind, Video Exhibition, Viavia, Jogjakarta, Indonesia“Wind from the East - Perspectives on Asian Contemporary Art”, National Gallery/Museumof Contemporary art, KIASMA, Finland2006“Disposal on Arrival- Indonesian Contemporary Arts”, Grace exhibition Space, New York,USA“Exergie-butter dance”, Performance Space, Sydney, Australia“Deformed Ethic of a Relationship 3.0 for DormArt” with Oliver Blomeier, Depot, Dortmund“Accione 06”, Madrid, Spain“Deformed Ethic of a Relationship 1.0”, with Oliver Blomeier, Galerieturm, HelmstedtGipfeltreff, Kaskaden Kondensator, Basel, Switzerland“Loneliness in the Boundaries”, Solo Exhibition, Cemeti Art House Jogjakarta, Indonesia.“Exegie – Butter Dance”, Goethe Institut, Jakarta, Indonesia2005“Räume und Schatten”, Haus der Kulturen der Welt, Berlin“Kunst Forum Berlin”, Art.es, Berlin“15th International Electronic Art Festival – Video Brasil”, Sao Paolo, Brasil“ 19th Festival Grad Teatar Budva”, Budva, Serbia and Montenegro“Navigate – live art”, BALTIC & Stubnitz, Gateshead Newcastle, UK“La Galleria dell'Amore”, Galleria Civica Trento, Italy“Gifted Generation”, HAU1 Hebbel Theater Berlin, Germany“International Performance Festival Salzau”, Schloss Salzau, Germany“Retrospective of the work of Egon Schiele – the SHELF” – in collaboration with MarinaAbramovic, Van Gogh Museum Amsterdam, Holland.“Der Sekundentraum – opening of Kunstmuseum Stuttgart”, Wüttembergischem KunstvereinStuttgart, Germany2004“Nude with skeleton”, MARTa Herford, Germany“Retrospective” Galerie der HBK Braunschweig, Germany“7a*11d”, International Performance Art Festival, Toronto, Canada“Leidenschaft Junge Kunst”, Allgemeine Konsum Verein, Braunschweig“FAXE KONDI- unzipped time”, Gallery Futura, Prague, Czech Republik“Cleaning The House -performance Loop”, NMAC Foundation, Jerez Dela Frontera, Spain“RISK”, Landesmuseum Braunschweig, Braunschweig2003„4th International Performance Festival Odense”, Odense“Live Art brrr”, Teatro Carlos Alberto/Teatro Nacional de São joão, Porto Portugal“Student Body”, Centro Galego de Arte Contemporanea, Galicia, Spain“Performance in der Kunsthalle”, Fridericianum , Kassel,“Performance art NRW 2003”, Healing Theater, Köln“Recycling the future”, group event, Venice Biennale 2003, ItalyMelati Suryodarmo CV info@melatisuryodarmo.com“As soon as possible” Performance and Exhibition, PAC Milano, Italy“Performance Art Nord Rhein Westfalen”, Maschinenhaus, Essen2002“Body Power Power Play“, Wüttenbergischer Kunstverein, Stuttgart“The Promise“, Solo Exhibition, Gallerie Gedok, Stuttgart“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig“Pret â Perform“, Gallery Via Farini, Milano, Italy“Body Basic“, Trans art 02, Franzenfestung, Brixen, Italy“Common Ground“, Landesvertretungshaus Niedersachsen –Schleswig Holstein, Berlin2001“Festa dell´arte“, Aquario diroma, Rome, Italy“Marking the territory“, Irish Museum of Modern Art, Dublin, Ireland“Get That Balance”, National Sculpture Factory, Opera House, Cork, Ireland“A little bit of History Repeated“, Kunst Werke, Berlin“Indonesian Live Art“, Gallerie Mein Blau, Berlin“Polysonneries, 2nd International Performance Festival“, Lyon, France “von weiß-rosa zurot“, Luther Turm, Cologne“Lullaby for the ancestors“, Solo Performance, LOT Theater, Braunschweig“Fingerspitzengefühle“, Group exhibition, Galerie der Stadt Sindelfingen2000“Performance Passing Through“, Gedok, Stuttgart“Anableps“, Group exhibition, Galery Miscetti, Rome, Italy“ins“, Maximillian Forum, Munich“Visible Differences - an event“, Hebbel Theater, Berlin“Spot + Places“, Performance Congress, Healing Theater, Cologne1999“Fresh Air“, Group-exhibition, E-Werk, Weimar“Performance Festival Odense“, Odense, Danmark“Cardiff Art in Time“, UWIC, Cardiff, Wales, GB“Unfinished Business“, Group exhibition, Gallery am Lützow Platz, Berlin“Der Sekundentraum“, Solo Performance, Healing Theater, Cologne“Braunschweiger Kulturnacht“, LOT Theater, Braunschweig1998“Finally“, Group exhibition, Kunstverein Hannover, Hannover1997“Braunschweiger Kulturnacht“, FBZ, Braunschweig1996Dance Performance “Kashya-kashya Muttiku“ with Yuko Negoro (Japan), FBZ, Braunschweig1988 -1995 various dance and theatre performances in Indonesia and GermanyUp COMING Project/Exhibition2019- If We Were XYZ, Creative Common Ground Project, Asia Society, New York City- Working as Director and choreographer for Opera Gandari by Tony Prabowo, GrahaBakti Budaya, Jakarta- Solo Exhiibition, Singapore Tyler Print International, Singapore- As Panelist at the Ubud Writer Festival, Ubud, BaliMelati Suryodarmo CV info@melatisuryodarmo.comHonors/ Grants2017 Art Stage Jakarta Award, Best Artist, Jakarta, Indonesia2015 Signature Art Prize Asia Pacific Brewery Foundation, Jurors ChoiceAwardVisual Artist of the Year 2015, Tempo Magazine's choice.Research Grant for the project “Sisyphus” from the Ministery of Cultureof South Korea2011 Icon of the Year 2011,in Arts and Culture; Gatra Media Indonesia2008 Grant for Innovative Art Project “Memorabilia” from Kelola Arts Foundation,Jakarta, Indonesia2008 Jahresstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,(Grant from the Ministry of Culture and Science NiedersachsenGermany)2006 Arbeitsstipendium Stiftung Kunsfonds, Bonn, Germany2002 - 2003 Graduierten Stipendium, Hochschule für Bildende Künste Braunschweig2003 Arbeitsstipendium der Niedersächsische Ministerium für Kultur und Wissenschaft,Braunschweig (Grant from the Ministry of Culture and ScienceNiedersachsen Germany)Other Projects2019- As Jury for the Bandung Contemporary Art Competition, Lawangwangi Foundnation,Bandung-2018- Critical Responder for the Asia Dramaturgy Network (ADN), Jogjakarta, Indonesia- Facilitator for D-LAP II, Studio Plesungan, Karanganyar- Lecture at the Städelschule, Frankfurt.- Keynote Speaker at “Conversation” Art Basel Hongkong, Hongkong- Facilitator for Artists Platform, Goethe Insitute , Bangkok, Thailand- Facilitator for Platform for Women Artists, Kelola Foundation, Yogyakarta, Indonesia2017- Keynote speaker at Museum Summit, Asia Society, Manila, Philippines- Artistic Director of the Jakarta Biennale 2017, Jakarta, Indoensia- Guest Lecturer at the NAFA (Nanyang Academy of Fine Arts) Singapore2016Melati Suryodarmo CV info@melatisuryodarmo.com- Art Summit Indonesia , as performance workshop tutor, Padang, Indonesia- As Curator and facilitator of the “undisclosed territory #10” performance art event at theStudio Plesungan, Solo, Indonesia- Keynote Speaker at the International Seminar at the post Graduate Program IndonesianInstitute of the Arts, Padang Panjang- Keynote Speaker at Seminar on “Artistic reserach” at the Indonesian Institute of the ArtsSurakarta- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta2015- Guest Lecturer at the Post Graduate Program, Indonesian Insitute of the Arts, Jogjakarta- As panel speaker at the Workshop for young curators in the performing arts at theSingapore International Festival of the Arts- As mentor for Double Dance, Dare! Workshop for dance and performance art, SaskiKirana Dance Camp, Bandung, Indonesia- Public Lecture at the PKKH, Universitas Gajah Mada, Yogyakarta- Public Lecture at the National Gallery of South Australia, Adelaide, Australia- Public Lecture at the Parliement House of Australia, Canberra- As Curator and facilitator of the “undisclosed territory #9” performance art event at theStudio Plesungan, Solo, Indonesia- As Instructure for Lab “Translate,Intertwine, Transgress” Symposium at Moderna Museet,Stockholm, Sweden- As Instructure for Workshop at Fort Rotterdam Makassar, South Sulawesi, indonesisa- As Instrcture for Workshop at the Oksigen Jawa, ITB Bandung, Indonesia- Project House Club, HAU3, Hebbel Am Ufer , Berlin2014- Project House Club, China Festival, HAU2, Hebbel Am Ufer , Berlin- As curator for „undisclosed territory #8“ performance art event atStudio Plesungan, Solo, Indonesia.2013- As curator for „undisclosed territory #7“ performance art event at Studio Plesungan,Solo, Indonesia.- „Pseudopartisipatif Project“, with Cemeti Art House, Jogjakarta, Indonesia- Performance Art Workshop „beetwen the space“ at the Bangkok Arts andCulture Centre, Bangkok, Thailand.- „D-Lap“ dance laboratory, as facilitator, collaboration between PadepokanLemah Putih and CCAP Stockholm.„between the space“, performance art class for graduate and post graduateprogram at Umea Konsthogskolan, Umea, Sweden2012- Curator for „undisclosed territory #6“ performance art event at Padepokan Lemah Putih,Solo, Indonesia.- Facilitator for P_LAP,a performance Laboratory Project, collaborative project betweenPadepokan Lemah Putih Solo Indonesia with Galeria Labirynt Lublin Poland; as curator- Performance art wokshop II at the Padepokan Lemah Putih, Solo, Indonesia2011- Residency at Manila Contemporary, Manila, the Philipines- Mentor for EUFRAD (the European Forum for Research Degrees in Art and Design,Stockholm, Sweden. Workshop for european Phd candidates in artistic research.- Lecture for the Master Program at University of Dance and Circus,Stockholm- Workshop in Mandalay School of Arts during the Beyond Pressure festival,Mandalay, MyanmarMelati Suryodarmo CV info@melatisuryodarmo.com- Performance art wokshop I at the Padepokan Lemah Putih, Solo, Indonesia2010- Lecture and Workshop at the School of the Museum of Fine Arts, boston MA, USA- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Artist in Residence at IASPIS Residency in Umea and Saxnas, Sweden2009- Workshop at the Academy of Fine Arts - University of Umeå, Sweden- Panelist for Panel Discussion on Women artists in the era of Post_feminism; IncheonWomen Artists‘ Biennale 2009; at Chinese Center Incheon, South Korea- Lecture at the Chiangmai University, Faculty of Fine arts, Chiangmai, Thailand- Lecture at the WIlliam Waren Library, Jim Thompson Foundation, Bangkok, Thailand.- Lecture at the Dongmen Museum, Tainan, Taipei2008- “Is everything performance, is performance everything?”, panel member for Dans Biennal,Umea, Sweden- Workshop at the ZOOM Inetrnational performance art Festival Hildesheim, Germany- Lecture about Organizing Performance Art Labiratory Project, Asiatopia 10th, BangkokArt and Culture Centre, Bangkok, Thailandsince 2007- PALA (Performance Art Laboratory) Project, and “undisclosed territory #1 - #5, performanceart event”as Project manager, Padepokan Lemah Putih, in Tejakula, Bali, and Solo,Java,Indonesia.2007- Lecture at the Malmö School of Arts.- Artist in Studio, December 2007 at Lilith Performance Studio Malmö, Swedia- “Flying Circus Project” – Travelogue – Superintense- Singapore- Ho Chi Minh City, curatedby Ong Ken Seng, Theatreworks, Singapore- “15 International Performance Art Conference”, as project manager, in Bali, Indonesia2006- Faciilitator for the “Time_Place_Space 5”, at the Queensland University of technology(QUT) Brisbane, curated and organized by the Performance Space Sydney Australia- Residency at Grace exhibition Space, New York2005- “Focusing the day”, Project with youths in Berlin, HKW Berlin.Bibliographie |selected|- “Elements and Principles of 4D Art and Design”, Ellen Mueller, Oxford UniversityPress, New York, 2017; pg. 20-21- “Political Acts - Pioneers of Performance Art in South East Asia”, exh. Catalogue;Victorian Arts Centre Trust; Melbourne; 2017; pg. 26 -27- “Reenacting History” , exh. Catalogue, National Museum of Modern andContemporary Art, Seoul, South Korea, 2017; pg 78 - 81Melati Suryodarmo CV info@melatisuryodarmo.com- “Sunshower - Contemporary Art from South East Asia 1980s to Now “,exh. Catalogue; National Art Centre Tokyo, Mori Museum, Japan Foundation;Tokyo Japan; 2017; pg. 110 - 111- “Atlas of Mirrors”, Singapore Biennale 2016, exh. Catalogue, Singapore ArtMuseum; SIngapore; 2016; pg. 54 - 55- “Asia Pacific Triennale” Exh. Catalogue, CAGOMA, Brisbane, 2015- “GuangZhou Trienale”, Exh. Catalogue, Guang Dong Museum of Art, China2015- Rebecca Russo; „Pressing“ exh. Catalogue; Fondazzione @videoinsight,Turin, Italy; 2013- Dominique Lora, „Beyond the East“, Glocal Porject and MACRO, 2011- Serenella Ciclitira, „Indonesian Eye Contemporary Indonesian Art “ Saatchi,Thames and Hudson, London 2011- Prof. Achile Bonito Oliva, „Art Beyond the Year of Two Thousand“, BiasaArtSpace Little Library, Bali; 2010- Elin Lundgren + Petter Pettersson,“Lilith Performance Studio“, lilithperformancestudio,Malmö, 2010, pg: 82 - 85- Agung Hujanitkajennong + Enin Supriyanto,“The Grass Looks greenerwhere you water it“ Indonesian Contemporary art Showcase at Art Paris2010, exhibition Catalogue; Indonesian Platform/Dedy Kusuma, Jakarta2010; pg: 96, 97, 98, 144, 145, 146- Krisna Murti,“Essays on Video Art and New Media: Indonesia andbeyond“, Indonesian Visual Arts Archive (IVAA) Jogjakarta, 2009, pg. 185 -189- Paula Orrell (editor),“Marina Abramovic + The Future of performanceArt“,Prestel Munich-Berlin-London-New York, pg 125; pg 159- Dr. Yang Eunhee (editor),“2009 Incheon Women Artists‘ Biennale- mainexhibition“ , Exhibition Catalogue, Incheon Women Artis‘ Biennale OrganizingCommittee South Korea, 2009; pg: 184 - 185- Manifesta7, “The Rest Of Now”, Exhibition Catalogue, 2008- Carla Bianpoen, “Indonesian Women Artists: The Curtain Opens”, TheIndonesian Arts Foundation, 2007- “Loneliness in the Boundaries”, Works catalogue, Cemeti Art House forMelati Suryodarmo, Jogjakarta 2006- Räume und Schatten, exh. Catalogue, Haus der Kulturen der Welt Berlin,2005, pg 180, 192, 213.- 15th Festival internacional de arte electronica Video Brasil, Associacao,cultural videobrasil, Sao Paolo, 2005, pg.148-153, 170-175.- Emanuela Nobile Mino, “Faxe kondi”, exh. Catalogue, Futura o.s, Prague,2005.- Jane Kallir, “ Egon Schiele Love and Death”, Van Gogh Museum Amsterdam,Exh. Catalogue, Hatje Cantz Publishers Germany, 2005, pg 169 &171- Marina Abramovic, “Student Body”, Edizione Charta, Milan, Italy 2003,pg. 390 – 401- Else Jespersen, “4th Performance Festival Odense 2003“, exh. catalogue,International Performance Festival Odense, 2003, pg. 24- Francesco Bonami, “Dreams and Conflicts – the dictatorship of the viewer,50th International art exhibition, La Biennale di Venezia”, Exhibition catalo-Melati Suryodarmo CV info@melatisuryodarmo.comgue, Grafiche Peruzzo, Vegianno for Marsilio Editori s.p.a in Venice, pg.497- Jens Hoffmann, “ A little bit of history repeated”, exh. Catalogue, KunstWerke Berlin e.V, Berlin, 2001, pg.36,37- Boris Nieslony , “E.P.I Zentrum NRW”, ASA-European, Cologne- Michael Glasmeier und die Meisterschüler 2002,”Meisterschüler 2002 –Zeichnungen” exh. Catalogue, © Michael Glasmeier und die MeisterschülerHBK 2002, pg. 91-96- Mario Candia and Stefania Miscetti, “ANAPBLEPS“, exh. catalogue, GalleryMiscetti, Rome, 2000, pg. 38, 116- Else Jespersen, “Performance Festival Odense 1999“, exh. catalogue,Performance Festival Odense, 1999, pg. 44- Hannes Malte Mahler für Agora, “Fresh Air“, exh. catalogue ,Salon Verlag,Cologne, 1999, pg. 96-98Melati Suryodarmo CV info@melatisuryodarmo.comHier die von Melati im Podcast erwaehnten Künstlerinnen: Cindy Sherman:https://de.m.wikipedia.org/wiki/Cindy_Sherman Hito Steyerl: https://de.m.wikipedia.org/wiki/Hito_Steyerl

Dr Ines Atmosukarto - COVID-19 and the vaccine Over the past few months, the Covid-19 crisis in Indonesia has escalated, with daily case numbers and deaths from the virus hitting record levels week after week. Without strict lockdowns, government efforts to encourage the public to comply with social distancing and masking advice has not been effective in controlling the spread of the disease.   On 13 January, President Joko "Jokowi" Widodo received the first dose of the CoronaVac vaccine, manufactured by Chinese firm Sinovac, after interim data from phase III trials in late 2020 found that the vaccine is 65.3% effective. The vaccine trials and rollout across the world has been shrouded in some controversy, and the vaccine's reception in Indonesia has been mixed. As the government embarks on one of the largest vaccination programs in its history, what are the challenges? Is it taking the right approach, and will the vaccine do its job and arrest the pandemic in Indonesia?   To explore these questions and more, Dr Jemma Purdey chats to Dr Ines Atmosukarto, a molecular biologist from the John Curtin School of Media Research at the ANU’s College of Health and Medicine. Ines is CEO of Lipotek Pty Ltd which develops vaccines and cancer treatments, and was previously project leader at the Research Centre for Biotechnology at the Indonesian Institute of Science (LIPI).  To shed light on these questions and more I am joined by Dr Ines Atmosukarto a molecular biologist from the John Curtin School of Media Research at the ANU’s College of Health and Medicine. Ines is CEO of Lipotek Pty Ltd which develops vaccines and cancer treatments and she was previously Project Leader at the Research Centre for Biotechnology at the Indonesian Institute of Science (LIPI). PHOTO: ANTARA FOTO

It took a little longer than expected but we finally know who the next American president will be: Democratic candidate Joe Biden. The Trump era is drawing to a close then, though some of his policies' repercussions in Asia may well last longer than their instigator. The heightened tensions with China, and his unprecedented one-on-one meetings with North Korea's Kim Jong-un, are perhaps the most memorable. His presidency was also characterised by a lack of engagement with regional multilateral forums like ASEAN. So what sort of situation will the future President Biden inherit in the region - what will he choose to change - or indeed what might he decide to keep? In this episode, we've partnered with the IAFOR research centre at Osaka University in Japan to investigate what the US election outcome means for East and South East Asia. We're joined by a stellar group of guests - from Seoul, Jaewoo Choo, professor of Chinese foreign policy at Kyung Hee University; from Jakarta, Dewi Fortuna Anwar, research professor at the Indonesian Institute of Sciences; and from London Yuka Kobayashi, who’s an assistant professor in China and International Politics at SOAS. For more on this episode, including a reading list, please go to our website asiamatterspod.com, where you can also give us feedback and subscribe to our mailing list.

When Joko Widodo, widely known as Jokowi, became president of Indonesia in 2014, it completed a stunning rise for a political outsider who had spent much of his previous life running a furniture making company.With his mastery of retail politics and business know-how, Jokowi seemed set to cut through the bureaucracy and corruption that have bedevilled the development of Indonesia, one of the world’s most populous nations with around a quarter of a billion people.Six years on, and now into his second term as president, it’s time for a report card on Jokowi’s presidency. In this episode, we are joined by Ben Bland (@benjaminbland), a long time journalist and now director of the South East Asia programme at the Lowy Institute. Ben’s recently published book ‘Man of Contradictions’ charts Jokowi’s rise and assesses his presidency to date, explaining why he has disappointed so many expectations both at home and abroad. Later in the programme Dewi Fortuna Anwar, a former senior official and research professor at the Indonesian Institute of Sciences, gives us the view from inside the country of why it has been so hard for Jokowi to achieve his goals. For more on this episode, including a reading list, please go to our website asiamatterspod.com, where you can also give us feedback and subscribe to our mailing list.

Human rights student Kyra Jasper sits down with experts Arsil and Azhe from the Indonesian Institute for an Independent Judiciary, or LEiP, who discuss their experiences and challenges in their work in Indonesia. LEiP is a leading NGO in judicial reform in Indonesia and one of the Center from Human Rights and International Justice's partners in the region. The views reflected in this podcast do not necessarily represent the views of the Center for Human Rights and International Justice.Show NotesLeIP's website: https://leip.or.id/A Jakarta Post article about Indonesia's overcrowded prisons: https://www.thejakartapost.com/news/2020/04/07/activists-experts-caution-against-slapdash-reform-to-tackle-prison-overcrowding.htmlBlasphemy Law Interpretation project: https://humanrights.stanford.edu/publications/interpretations-article-156a-indonesian-criminal-code-blasphemy-and-religiousPamgaea by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4193-pamgaeaLicense: http://creativecommons.org/licenses/by/4.0/ Hosted on Acast. See acast.com/privacy for more information.

In this episode, Stefan interviews Irina Rafliana. Irina is a science communication officer at the Indonesian Institute of Sciences (LIPI), and is also currently a PhD candidate at the German Development Institute in Bonn, Germany. Irina’s research is focused on disaster sociology, where she is examining the social construction of knowledge and technology in the implementation of a tsunami warning system in Indonesia aided by German partners. Irina has extensive experience working within the Indonesian science system, but also internationally. In the podcast we discuss disaster risk in Indonesia around earthquakes and tsunamis, and the challenges surrounding the implementation of a tsunami warning system. Irina is studying the sociology of this process, how knowledge is constructed among the individual and organization involved, as well as the challenges with communicating this knowledge with local communities in Indonesia. Indonesian Institute of Sciences (LIPI) http://lipi.go.id/ Germany Development Institute, Bonn, Germany https://www.die-gdi.de/en/ Finding Sustainability Podcast @find_sust_pod https://twitter.com/find_sust_pod Environmental Social Science Network https://essnetwork.net/ https://twitter.com/ESS_Network @ESS_Network

Dr Senia Febrica, author of ‘Maritime Security and Indonesia’, a researcher at the American Studies Centre, University of Indonesia and the Director of the Maritime Affairs Programme at the Indonesian Institute of Advanced International Studies discusses unresolved tension between Indonesia and China over the waters of the Natuna Islands. - Dr Senia Febrica, penulis buku ‘Keamanan Maritim dan Indonesia’, seorang peneliti di Pusat Kajian Studi Amerika di Universitas Indonesia dan Direktur Program Studi Hubungan Kelautan di Institut Studi Internasional Universitas Indonesia, membahas ketegangan yang belum terselesaikan antara Indonesia dan Cina terkait dengan perairan Kepulauan Natuna.

Political researcher from the Indonesian Institute for Sciences, and PhD candidate at the University of Queensland, Mardyanto Wahyu Tryatmoko, talks about tensions in Papua and the roles of some outside players. - Mardyanto Wahyu Tryatmoko, peneliti politik di LIPI dan kandidat PhD di Universitas Queensland, berbicara tentang ketrgangan di papua dan peran dari beberapa pemain luar.

The past few years have seen repeated questioning of the independent workings of police, the prosecutors and the courts in Indonesia, ranging from accusations that prosecutions have been used to limit opposition or coerce support for the government, to suspicions that the outcome of high profile cases such as the blasphemy prosecution against then Jakarta governor Basuki Tjahaja Purnama had as much to do with societal pressure and political considerations, as it did with the letter of the law. Are such perceptions justified regarding the politicisation of law enforcement, and how do the government and other external parties intervene in legal cases? What are the implications for the rule of law in Indonesia? In this week's Talking Indonesia podcast, ] Dr Dave McRae discusses these issues with Dian Rositawati, Chair of the Board of the Indonesian Institute for an Independent Judiciary (LeIP). Dian has been closely involved in judicial reform in Indonesia for two decades, and is currently also undertaking a PhD at Tilburg University. The Talking Indonesia podcast is co-hosted by Dr Dave McRae from the University of Melbourne’s Asia Institute, Dr Jemma Purdey from Monash University, Dr Charlotte Setijadi from the Singapore Management University and Dr Dirk Tomsa from La Trobe University. Look out for a new Talking Indonesia podcast every fortnight. Catch up on previous episodes at the Indonesia At Melbourne blog, or listen via your favourite podcasting app. Photo credit: Reno Esnir for ANTARA FOTO

Researchers discovered 103 new species of beetles on the Indonesian island of Sulawesi [soo-lah-WEY-see]. Sulawesi, with its lush rainforests, hosts a variety of exotic wildlife. Many insects are also found on the island, but many of them remain unidentified. This prompted researchers from the Natural History Museum Karlsruhe [KAHRLS-roo-uh] in Germany and the Indonesian Institute of Sciences to survey the area. The researchers collected thousands of beetles from the rainforests of Sulawesi. After conducting DNA analyses, they found out that the beetles were all weevils, which are tiny insects that grow only up to three millimeters long. At first glance, the beetles looked similar in appearance, but they turned out to be different kinds of weevils. Dr. Alexander Riedel, lead author of the research, explained that finding the weevils was no mean feat because of the beetles' miniature size. But telling the weevils apart proved to be even more challenging to the researchers. This is because they needed to employ special methods that were not easily accessible to scientists in Indonesia. After identifying the different weevils, the researchers moved on to the tedious task of naming all 103 new species. While some species were named according to their characteristics, others were given more unique names. One species was named after the Star Wars character Yoda, and some were named after famous scientists. Brett Ratcliffe, an entomologist who did not take part in the research, commended the researchers' efforts. He explained that with the decrease of insect population, identifying new species is valuable. According to Dr. Riedel, he intends to continue doing his work and keep finding new species of weevils.

On 17 April, 190 million Indonesians will vote for their president and parliament in one of the largest single-day elections the world has ever seen. Incumbent President Joko Widodo and rival Prabowo Subianto are facing off in a replay of the bitterly-fought 2014 campaign. Indonesia has become a vibrant and competitive democracy. But human rights activists are worried about the government’s use of legal tools against its opponents and the exploitation of heated religious rhetoric as a campaign tool. Meanwhile, vested interests in the armed forces, bureaucracy, and established political parties are stymying much-needed reforms. Eminent Indonesian political expert Professor Dewi Fortuna Anwar, and Director of Lowy Institute’s Southeast Asia Project Ben Bland, discussed the elections, the state of democracy in Indonesia, and the implications for Indonesia’s international relations. Professor Dewi Fortuna Anwar is a Research Professor at the Centre for Politics at the Indonesian Institute of Sciences. She previously served as Deputy Secretary in the Vice President’s office from 2010-2017 and as a senior foreign affairs official from 1998-1999. She has also advised many international organisations and is currently a governing board member of the Stockholm International Peace Research Institute. Professor Dewi Fortuna Anwar’s visit to Australia is part of the ASEAN-Australia Visiting Fellows Program at the Lowy Institute, which is supported by the Australian Government through the Australia-ASEAN Council of the Department of Foreign Affairs and Trade.

The mass demonstrations against former Jakarta Governor Basuki "Ahok" Tjahaja Purnama in 2016 and 2017, and rising intolerance against religious and sexual minorities have raised concerns about the growing influence of more conservative forms of Islam in Indonesia. The popularity of radical and conservative clerics such as Islamic Defenders Front (FPI) leader Rizieq Shihab and celebrity preacher Felix Siauw have also led to questions about new forms of religious authority in contemporary Indonesian Islam. Amid these trends, mainstream Islamic organisations such as Nadhlatul Ulama (NU) and Muhammadiyah have been criticised for not speaking out enough against rising conservatism and radicalism. Are we seeing a conservative turn in Indonesian Islam? What are some examples of new Islamic organisations, and what challenges do they pose to well established Islamic organisations such as NU and Muhammadiyah? What is the role of television and social media in this new contestation for religious authority? Dr Charlotte Setijadi discusses these questions with Dr Ahmad Najib Burhani, a senior researcher at the Indonesian Institute of Sciences (LIPI) and visiting fellow at ISEAS-Yusof Ishak Institute in Singapore.

It has been nearly two years since Joko Widodo was elected president of Indonesia. Though he has launched an ambitious domestic reform agenda, critics claim that Jokowi has overseen an erosion of Indonesia's international influence, and has strained relations with its neighbours through nationalist policies on drug trafficking and illegal fishing. Others argue that Jokowi is merely seeking to put Indonesia first after 10 years under SBY, a period during which Indonesia focused more on its image abroad than reform at home. On 21 June, the Lowy Institute hosted a conversation with Lowy Institute Research Fellow Aaron Connelly and Dewi Fortuna Anwar. Professor Anwar is among Indonesia's leading scholars and practitioners of foreign policy. She has served as the chief foreign policy advisor to both the current vice president and his predecessor. Professor Anwar previously served as a top foreign policy advisor to President BJ Habibie, and as the first director of the Habibie Center in Jakarta. She is a professor of the Indonesian Institute of Sciences (LIPI), and completed doctoral studies at Monash.

Dr Reshmi Banerjee speaks at the South Asia seminar. Borders have always witnessed social and cultural interaction. They are dynamic trans-national zones/spaces which have seen both cooperation and conflict. They are treated as 'margins' of societies and economies and have hardly figured in the national consciousness and policies. The Indo-Myanmar border is a challenging area as it faces multiple issues of illegal migration, trafficking of drugs and people, armed conflicts, ecological devastation, movement of non-state actors and insurgent groups etc. The Mizos and the Chins who have shared common ancestral roots, religion, cultural and ethnic linkages etc are divided by a border which is creating differences. The presentation would aim to not only narrate a story of the history of these two communities but will also dwell into the current disputes that have arisen. Emotions have ranged from that of solidarity and toleration to hostility and animosity. The aim would be to give a glimpse of the region's 'contested' past and present in order to understand the intriguing power equations, complicated social relations and perennial xenophobia. Politics of exclusion and competition for livelihoods has interfered with the maintenance of durable peace. Understanding of these processes and giving a 'voice' to the voiceless is crucial for a better future in the region. Dr Reshmi Banerjee is currently a visiting scholar in the Asian Studies Centre in St. Antony's College. She was previously a research associate in the Centre of Southeast Asian Studies (CSEAS) in SOAS, University of London where she worked on land conflicts in Myanmar and on the political economy of the Indo-Myanmar frontier. She has been a post-doctoral fellow in the Department of International Relations in the University of Indonesia (UI) and was a researcher in the Economic Research Center, Indonesian Institute of Sciences (LIPI) in Jakarta. Reshmi has worked as a fellow in the Rajiv Gandhi Institute for Contemporary Studies (RGICS, New Delhi), has been a Visiting Professor in the Centre for North East Studies and Policy Research (Jamia Millia Islamia University, New Delhi) and has taught in Delhi University and in the University of Indonesia. She is a political scientist with specialisation in food security and agricultural policies and has an MPhil and PhD in the subject from the Centre for Political Studies (CPS), Jawaharlal Nehru University, New Delhi. Her edited book Climate Change in the Eastern Himalaya: Impact on Livelihoods, Growth and Poverty was published in February 2015.