Podcasts about james gammon

Drew Brody is an award-winning writer and producer whose films, web series, stage plays, and other live events in Los Angeles and New York have featured Ed Harris, Amy Madigan, Jenny O'Hara, Bill Pullman, Sara Rue, Martin Sheen, James Gammon, and French Stewart, among many others. Drew has produced dozens of world premieres for the stage including two plays by Pulitzer Prize winning playwrights: It Wasn't Proust by Sam Shepard, and Tight Pants by Beth Henley. Drew won back-to-back “Excellence in Producing” awards at the New York International Fringe Festival, where his production of Fluffy Bunnies in a Field of Daisies also earned an award for Best Ensemble and was named Best of Fringe.Among the movies Drew has produced is the horror film, Desert of Blood. I've seen Desert of Blood and can tell you it's a sexy, noirish, fun vampire thriller that isn't for the faint of heart.In addition to writing and producing, Drew has worked as a story consultant and coach to Hollywood writers for more than two decades. For six years, he was a thesis advisor for MA students in the Humanities department at Mount Saint Mary's University in L.A., where he taught classes in screenwriting and playwriting and helped develop and launch the university's MFA in Screenwriting program. Writers who've worked with Drew have collectively written dozens of published novels, scores of paid screenplays, hundreds of hours of Emmy-award-winning TV, and studio movies that have grossed more than $100 Million worldwide. Drew Brody on IMDB   https://www.imdb.com/name/nm2027470/?ref_=ttfc_fc_crTheInfinitemonkeyProject.comhttps://www.instagram.com/infinitemonkey.mov/https://www.facebook.com/theinfinitemonkeyproject/

When Hazel's mom, Carolyne, requests Cabin Boy, you get on that! Nathanial Mayweather (Chris Elliot) is a snob and a real jerk. But, he is a fancy lad. After he boards the wrong boat, he is trapped amongst the crew (Ritch Brinkley, James Gammon, Brian Doyle-Murray and Brion James) who despise him. Nathanial desperately wants to get to Hawaii to meet up with his richy-rich father. Along the way, the crew pick up Trina (Melora Walters), and Nathanial is insta-smitten. With a little luck, this cabin boy will become a cabin man. RTS searches the seas for love and wigs. Hazel, Jeremy and Collin fight an ice monster and a giant. When you have a moment of downtime, sample some fish stick kitties. 

Directed by Brad Bird (in his directorial debut), The Iron Giant is the animated science fiction film based on the 1968 novel The Iron Man by Ted Hughes. Luke and Nathan revisit this 1999 classic which stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. A giant alien robot (Vin Diesel) crash-lands near the small town of Rockwell, Maine, in 1957. Exploring the area, a local 9-year-old boy, Hogarth, discovers the robot, and soon forms an unlikely friendship with him. When a paranoid government agent, Kent Mansley, becomes determined to destroy the robot, Hogarth and beatnik Dean McCoppin (Harry Connick Jr.) must do what they can to save the misunderstood machine.

RMR 0270: Special Guest, Quinn Que, joins your hosts Lizzy Haynes and Russell Guest for the Retro Movie Roundtable as they revisit The Iron Giant (1999) [PG] Genre: Animation, Action, Adventure, Science Fiction Starring: Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, Christopher McDonald, John Mahoney, Eli Marienthal, M. Emmet Walsh   Director: Brad Bird Recorded on 2024-05-29

On today's episode, the guys review 1994's Cabin Boy starring Chris Elliott, Ritch Brinkley, James Gammon, Brian Doyle-Murray, and Brion James. Nathaniel Mayweather is a Fancy Lad of the highest order, but his world is turned upside down when he accidentally boards the wrong ship in an attempt to return to his pampered lifestyle. Now aboard a ship named "The Filthy Whore", Nathaniel must chip in his fair share of the workload as their vessel cruises through the fierce and unpredictable conditions of Hell's Bucket!Support the Show.Catch new episodes of the Where to Stick It Podcast every Tuesday and Thursday. If you like the show, please consider supporting us on Patreon where we upload exclusive content each month for only $3 a month.

“Yes! Bring me more of that sharp profanity!” - Andrew on the Major League script On this week's episode, we're kicking off SHEENPRIL here on We Hate Movies with a chat about the beloved sports comedy, Major League! How bonkers is it that Tom Berenger's Jake Taylor is straight-up stalking Rene Russo's Lynn Wells throughout this whole movie? Was the real Willie Mays Hayes murdered by Wesley's character and this guy just took his place at the tryouts? How many pounds of gravel did James Gammon have to eat throughout his life to get that majestic voice? And who knew Sheen's Ricky “Wild Thing” Vaughn was going to be such a huge sensation? PLUS: Who wins in a fight between James Gammon and Rip Torn?!  Major League stars Tom Berenger, Charlie Sheen, Corbin Bernsen, Margaret Whitton, James Gammon, Rene Russo, Wesley Snipes, Charles Cyphers, Chelcie Ross, Dennis Haysbert, and Bob Uecker as Harry Doyle; directed by David S. Ward. This episode is brought to you in part by Rocket Money. Stop wasting money on things you don't use. Cancel your unwanted subscriptions by going to RocketMoney dot com slash WHM. That's RocketMoney dot com slash WHM. RocketMoney dot com slash WHM. And also by Astepro! Get fast-acting nasal allergy symptom relief with Astepro. Go to Astepro allergy dot com for a discount so you can Astepro and Go! today. A-S-T-E-P-R-O allergy dot com. Astepro and Go! Use as directed for relief of nasal congestion, runny nose, sneezing and itchy nose due to allergies. Be sure to catch us on tour this spring, y'all! We'll be in Atlanta on 4/25 (Gamer), Houston on 5/14 (Robocop 2), and Austin on 5/15 (From Dusk Till Dawn)! Tickets are on sale now and meet & greets are happening at all shows, so head to our website and pick up your tix today—we wanna see you out there! Make the WHM Merch Store your one-stop shop for all your We Hate Movies merch-related needs! Including new NIGHT VISION, Too Old For This Shit and Time Runner designs!

As we approach Baseball Opening Day 2024, what better way to celebrate than to revisit one of the more beloved baseball films of the 1980's, a comedy with heart focusing on a true underdog franchise, the Cleveland Indians?  Directed by David S. Ward, the story focuses on one Cinderella season for the ballclub which is now under the control of a new owner (Margaret Whitton) who is determined to have them lose enough games to kill attendance so that she can move the franchise to Miami.  Lead by a new manager (James Gammon) and mostly populated with untested rookies, this rag-tag bunch ends up surprising a lot of folks by competing for the American League Pennant.  The roster includes Tom Berenger, Charlie Sheen, Wesley Snipes, Corbin Bernsen, and Rene Russo among several others.....PLAY BALL!Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

The Torchy's boys are back after a long absence to ride, do some hard drugs and reminisce with a legendary gunfighter. We join Bill, Jane and array of Walter Hill regulars as he struggles to keep a hold on his addictions, his women, his struggling eyesight and his past catching up to him. This features Jeff Bridges as the titular Wild Bill, Ellen Barkin, James Gammon, David Arquette, John Hurt and James Remar. ★ Support this podcast on Patreon ★

The Torchy's boys are back after a long absence to ride, do some hard drugs and reminisce with a legendary gunfighter. We join Bill, Jane and array of Walter Hill regulars as he struggles to keep a hold on his addictions, his women, his struggling eyesight and his past catching up to him. This features Jeff Bridges as the titular Wild Bill, Ellen Barkin, James Gammon, David Arquette, John Hurt and James Remar. The post Last Call At Torchy's #16 : Wild Bill (1995) first appeared on LegionPodcasts.

Jim discusses a classic "Werewolf" tale based on a Steven King novella - 1985's "Silver Bullet" starring Corey Haim, Gary Busey, Megan Follows, Everette McGill,Terry O'Quinn, Robin Groves, Leon Russom, Lawrence Tierney and James Gammon. A small town in Maine is terrorized by a beast who is killing off its citizens. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Jim discusses a classic “Werewolf” tale based on a Steven King novella – 1985’s “Silver Bullet” starring Corey Haim, Gary Busey, Megan Follows, Everette McGill,Terry O’Quinn, Robin Groves, Leon Russom, Lawrence Tierney and James Gammon. A small town in Maine is terrorized by a beast who is killing off its citizens. Find out more on … Silver Bullet | Episode 393 Read More » The post Silver Bullet | Episode 393 appeared first on The ESO Network.

Major League is a 1989 American sports comedy film produced by Chris Chesser and Irby Smith, written and directed by David S. Ward, that stars Tom Berenger, Charlie Sheen, Wesley Snipes, James Gammon, Bob Uecker, Rene Russo, Margaret Whitton, Dennis Haysbert, and Corbin Bernsen.Telling the story of a single regular season of a fictionalized version of the Cleveland Indians baseball team, Major League grossed $75 million worldwide from an $11 million budget and spawned two sequels (Major League II and Major League: Back to the Minors), neither of which repeated the success of the original film.Social media Links:GervaisDemon - TwitchSteven Gervais (@gervaisdemon) | Instagram profileSteven Gervais (@gervaisdemon) | TikTokYouTube.com/@TheGervaisPodcasthttps://discord.gg/FwsTy839PBShyninsWorld - Twitch

En este episodio conversamos sobre "The Iron Giant" (El Gigante de Hierro) de Brad Bird.

We once again return to the well of James Gammon and discuss Major League II! That's right everyone. Trace is back on the podcast which means it's another Sportcastio Extravaganza. Now before you skip this episode, please note that we also talk about different types of cakes for a few minutes. The Moustachioed Podcastio is the weird uncle of the wonderful PodMoth Media Network. Check out more PodMoth podcasts here: https://podmoth.network/ TW: @PodMothNetwork IG: @PodMoth Feat. Podcast: https://podcasts.apple.com/us/podcast/cruel-tea/id1588660497

It started in May, in a small town. And every month after that, whenever the moon was full... It came back.Silver Bullet is a 1985 American horror thriller film based on the 1983 Stephen King novella Cycle of the Werewolf. It stars Corey Haim, Gary Busey, Everett McGill, Megan Follows, Terry O'Quinn, Lawrence Tierney, Bill Smitrovich, Kent Broadhurst, David Hart, and James Gammon. The film is directed by Dan Attias, written by King and produced by Martha De Laurentiis.In a small town, brutal killings start to plague the close knit community. Marty Coslaw, a paraplegic boy, is convinced the murders are the doings of a werewolf.00:00 Intro06:14 Horror News 23:35 What We've Been Watching37:24 Film Review1:33:30 Name Game1:36:38 Film Rating1:40:53 OutroPodcast - https://podlink.to/horrorhangout​​​Patreon - https://www.patreon.com/horrorhangoutFacebook - https://www.facebook.com/hawkandcleaverTwitter - https://twitter.com/hawkandcleaver​​​Website - http://www.hawkandcleaver.com​​​Ben - https://twitter.com/ben_errington​​​Andy - https://twitter.com/AndyCTWritesJanine Pipe is a full-time Splatterpunk Award nominated writer, whilst also being a mum, wife and Disney addict. Influenced by the works of King from a young age, she likes to shock readers with violence and scare them with monsters - both mythical and man-made.https://twitter.com/JaninePipe28amzn.to/3OurFqshttps://www.youtube.com/channel/UC32B_iUm0Kxy95mcsPfr-QQAudio credit - Taj Eastonhttp://tajeaston.comSupport this show http://supporter.acast.com/thehorrorhangout. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Sportsballcastio Special Edition Episode! That's right if you like balls and balls going into holes and balls getting caught and stuff, then this episode is for you. If you don't like all these things maybe skip the first hour and some change. I brought on my homie Trace Levos, former co-host of Superhero Soup and sportsball extraordinaire to discuss Major Leage. It was a jolly good time. The Moustachioed Podcastio is the weird uncle of the wonderful PodMoth Media Network. Check out more PodMoth podcasts here: https://podmoth.network/ TW: @PodMothNetwork IG: @PodMoth Feat Podcast - Addicted to Crime Podcast https://podcasts.apple.com/us/podcast/addicted-to-crime-podcast/id1548397017 Superhero Soup - https://www.podchaser.com/podcasts/superhero-soup-1403613

On this week's episode we are discussing the underappreciated 1999 animated film The Iron Giant. We discuss 1950s America, the fear of outsiders, gun control, the changing face of the villain in American cinema, why Indy doesn't like Mark Sinclair (Vin diesel), wisdom of the innocent, putting yourself back together after failure, Happy Gilmore, the controversy of non-violence, self-made heroes, and how The Iron Giant would be received today. Give it a listen. You don't have anything better to do, right? The Iron Giant is a 1999 American animated science fiction film produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel The Iron Man by Ted Hughes (which was published in the United States as The Iron Giant) and was scripted by Tim McCanlies from a story treatment by Bird. The film stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. Set during the Cold War in 1957, the film centers on a young boy named Hogarth Hughes, who discovers and befriends a giant alien robot. With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant. The Iron Giant on Tubi: https://tubitv.com/movies/589394?utm_source=justwatch-feed&tracking=justwatch-feed The Iron Giant on Hoopla: https://www.hoopladigital.com/title/14428392

This week the AMPM VIDEO crew learns how to be more than just a podcast by watching The Iron Giant a 1999 American animated science fiction film produced by Warner Bros. Feature Animation and directed by Brad Bird in his directorial debut. It is based on the 1968 novel The Iron Man by Ted Hughes (which was published in the United States as The Iron Giant) and was scripted by Tim McCanlies from a story treatment by Bird. The film stars the voices of Jennifer Aniston, Harry Connick Jr., Vin Diesel, James Gammon, Cloris Leachman, John Mahoney, Eli Marienthal, Christopher McDonald, and M. Emmet Walsh. Set during the Cold War in 1957, the film centers on a young boy named Hogarth Hughes, who discovers and befriends a giant alien robot. With the help of a beatnik artist named Dean McCoppin, Hogarth attempts to prevent the U.S. military and Kent Mansley, a paranoid federal agent, from finding and destroying the Giant. You can watch the video podcast on YouTube, listen on Spotify or Apple Music, & catch us next week live on twitch.tv/ampmvideo & pleeeease drop a comment, like & hit the subscribe button Give us a follow @ampm.video & @goteamvideo BIG shoutout to @gubbsmusic for our sick intro/outro music & BIG shoutout to @shotfromthepit for our fun promo photos! ⚡️ If you would like to support @ampm.video & @goteamvideo for all we do & so that we can keep creating more content, check out patreon.com/ampmvideo

Or geet. 2 giant sweet teas from Mickey Ds. 4 is like 2 but more. Croissants barter system. Huge Turkey penis. Jesse the Carcass Ventura. Wet applesaucey fart. Is he a genius or an idiot? Shirt so tight my lymph nodes hurt. Video game updates. 2/3 of a movie update. Depressed rodeo clown. James Gammon had a rock cock that haunts Brandon's dreams. Pasties on a cardboard person. 

This is Blacklisted Cinema, where you are encouraged to talk during the movie. The movie this episode Silver Bullet is a 1985 American horror film based on the 1983 Stephen King novella Cycle of the Werewolf. It stars Corey Haim, Gary Busey, Everett McGill, Megan Follows, Terry O'Quinn, Lawrence Tierney, Bill Smitrovich, Kent Broadhurst, David Hart, & James Gammon.In a small town, brutal killings start to plague the close knit community. Marty Coslaw, a paraplegic boy, is convinced the murders are the doings of a werewolf.Subscribe to us on itunes rate 5* @ https://itunes.apple.com/us/podcast/blacklisted-podcast/id1058504075?mt=2PodOmatic http://blacklisted.podomatic.com/Stitcher http://www.stitcher.com/podcast/blacklisted?refid=stprGoogle Play https://podcasts.google.com/feed/aHR0cHM6Ly9ibGFja2xpc3RlZC5wb2RvbWF0aWMuY29tL3JzczIueG1s IHeartRadio https://www.iheart.com/podcast/256-blacklisted-podcast-30972563/Spotify https://open.spotify.com/show/01L8OZCsaKQZrN2Lm2vb22Amazon Music https://music.amazon.com/podcasts/56990534-aeAudible https://www.audible.com/pd/Blacklisted-Podcast-Podcast/B08K57VXZCOr wherever you steal your free podcast.

#394 - Put on your panties and get ready for some sea shanties as we discuss 1994's Cabin Boy! Starring Chris Elliot, Rich Brinkley, James Gammon, Brian Doyle-Murray, Brion James, Melora Walters, Andy Richter, and David Letterman. Category: Movies HSF Rating Alex-3, Scott-2, Jeff-3  Please follow and contact us at the following locations: Patreon: http://patreon.com/hansshotfirst Facebook: Hans Shot First Twitter: http://twitter.com/hansshot1st Email: hansshotfirst@outlook.com iTunes: https://itunes.apple.com/us/podcast/hans-shot-first/id778071182 Google Play: https://play.google.com/music/m/I5q2th5tzsucvpzgmy3kmzgtd44?t=Hans_Shot_First iHeartRadio: https://www.iheart.com/podcast/256-hans-shot-first-30934202/ Spotify: https://open.spotify.com/show/0ityvhlXhdtoXFJFOO1cvA

Zach & Zo takes you out to the ballpark as they talk about the LOL comedy Major League. The MLB team that was, back then, known as the Cleveland Indians are in big trouble and our faithful podcast hosts talk about how they get out of it!www.backlookcinema.comEmail: fanmail@backlookcinema.comTwitter: @backlookcinemaFacebook: The Back Look Cinema Podcast Instagram: backlookcinemapodcast

Major League is a 1989 American sports comedy film produced by Chris Chesser and Irby Smith, written and directed by David S. Ward, that stars Tom Berenger, Charlie Sheen, Wesley Snipes, James Gammon, Bob Uecker, Rene Russo, Dennis Haysbert, and Corbin Bernsen. Made for $11 million, Major League grossed $75 million worldwide.

Major League is a 1989 American sports comedy film produced by Chris Chesser and Irby Smith, written and directed by David S. Ward, that stars Tom Berenger, Charlie Sheen, Wesley Snipes, James Gammon, Bob Uecker, Rene Russo, Dennis Haysbert, and Corbin Bernsen. Made for $11 million, Major League grossed $75 million worldwide.

Sean Comer and Mark Radulich review another movie based on a Disney theme park attraction, The Country Bears starring Christopher Walken, Daryl Mitchell, Diedrich Bader (in a dual role), Alex Rocco, and Haley Joel Osment as the voice of Beary Barrington with the voice talents of Candy Ford, James Gammon, Brad Garrett, Toby Huss, Kevin Michael Richardson, and Stephen Root. The Country Bears is a 2002 American musical road comedy[2] film directed by Peter Hastings, produced by Walt Disney Pictures, and based on the Disney theme park attraction Country Bear Jamboree Grammarly Ad: 52:30 Amazon Music Ad: 53:00 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. To check us out on the player of your choice click here https://linktr.ee/markkind76

Sean Comer and Mark Radulich review another movie based on a Disney theme park attraction, The Country Bears starring Christopher Walken, Daryl Mitchell, Diedrich Bader (in a dual role), Alex Rocco, and Haley Joel Osment as the voice of Beary Barrington with the voice talents of Candy Ford, James Gammon, Brad Garrett, Toby Huss, Kevin Michael Richardson, and Stephen Root. The Country Bears is a 2002 American musical road comedy[2] film directed by Peter Hastings, produced by Walt Disney Pictures, and based on the Disney theme park attraction Country Bear Jamboree Grammarly Ad: 52:30 Amazon Music Ad: 53:00 For a 30 Day Free Trial of Amazon Music Unlimited head to http://getamazonmusic.com/w2mnetwork. Amazon Music is free. Amazon Music Unlimited is not. And for the Grammarly special offer, go to http://getgrammarly.com/w2mnetwork. To check us out on the player of your choice click here https://linktr.ee/markkind76

Eminent Law scholar Meg is back for Jude-Ly with her pick, the epic war romance Cold Mountain (2003). Despite the main characters being apart for the vast majority of the film, there is opportunity for rich discussion about their emotions and motivations. With this being Diana's first watch, she agrees that this is an expertly crafted movie, but didn't fully appreciate its relentless nature. Check out Meg's podcasts Indoorswomen and Pod Appétit: Gourmet Takes and learn more about all her projects from her website. Find her on Twitter @MegWritesWords @indoorswomen & @pod_appetit & on Instagram @megmezeske @indoorswomenpodcast & @pod_appetit In the waning days of the American Civil War, a wounded soldier embarks on a perilous journey back home to Cold Mountain, North Carolina to reunite with his sweetheart. Stars Jude Law, Nicole Kidman,Renée Zellweger, Eileen Atkins, Brendan Gleeson, Philip Seymour Hoffman, Natalie Portman, Giovanni Ribisi, Donald Sutherland, Ray Winstone, Kathy Baker, James Gammon, Charlie Hunnam, Jack White, Ethan Suplee, and tiny roles for Jena Malone, Lucas Black, James Rebhorn, Emily Deschanel, and Cillian Murphy. (from IMDb.com) Find other amazing podcasts by searching #ladypodsquad on Twitter, Instagram, Facebook, and all the social media platforms. Follow us on Twitter and Instagram @HEAMCast, like us on Facebook @HappilyEverAftermath, and e-mail us at contact@heamcast.com.

This week's Throwback Thursday episode we review I Love You To Death! Starring Kevin Kline, Tracey Ullman, Joan Plowright, River Phoenix, James Gammon, Keanu Reeves, and William Hurt.

Seth and Michael provide their terrible review of the classic sports comedy Major League starring Charlie Sheen, Tom Berenger, Corbin Bernsen, Wesley Snipes, Dennis Haysbert, Rene Russo, James Gammon, Bob Uecker and Chelcie Ross. Recorded March 7, 2021 Please rate and review. Follow us on Twitter @TerribleReviews Follow us on Instagram @TerribleReviewsPod

Leon Russell [00:17] "Roll Away the Stone" Leon Russell Shelter Records SHE 8901 1970 Leon with his disciples Charlie Watts, Bill Wyman, and Steve Winwood. Duke Jordan [03:26] "The Feeling of Love No. 2" Les Liaisons Dangereuses Charlie Parker Records PLP-813 1962 Music from the "scandalous" Roger Vadim interpretation of the 1782 novel of the same name. Evidently much of the film in the music was performed by Thelonius Monk. Here, Jordan is accompanied by Eddie Kahn on bass, Art Taylor on drums, Charlie Rouse on tenor sax, and Sonny Cohn on trumpet. The Beatles [06:52] "Get Back" Let It Be Apple Records AR 34001 1970 Featuring Billie Preston on keys, and John Lennon handled lead guitar because George had briefly quit the band during the well-documented recording process. Rolling Stones [10:00] "Monkey Man" Let It Bleed London Records NPS-4 1969 Hey... more Stones! And you know I love songs about monkeys. Bill Wyman plays vibes on this track as well as bass. David Bowie [15:29] "Shake It" Let's Dance EMI America SO-17093 1983 Since we've heard both of the big hits from this album in seasons 2 and 4 of Vinyl-O-Matic, I'm going with this kinda goofy track that closes the album. Marvin Gaye [19:16] "Let's Get It On" Let's Get It On Tamla T329V1 1973 When in doubt, go with the hit. And what a hit it is. Sure that initial skip ruins the mood a bit, but that groove gets right back in there! Guided by Voices [24:07] "The Unsinkable Fats Domino" Let's Go Eat the Factory Guided by Voices, Inc. GBVI 16 2012 One of the classic iterations of the band, and their very first release on Guided by Voices, Inc. Bonnie 'Prince' Billy [26:00] "I Called You Back" The Letting Go Drag City dc420 2006 A fine slow jam that closes out this mid-Aughties Will Oldham album. Recorded in Reykjavik, featuring the core lineup of brother Paul on bass, Emmett Kelly on guitar, Jim White on drums, and the always astounding Dawn McCarthy on vocals. ABC [33:14] "Poison Arrow" The Lexicon of Love Mercury SRM-1-4059 1982 A heavy rotation early 80s classic that reached number 25 on the Hot 100. Lemonheads [36:36] "Mallo Cup" Lick Taang! Records 32 1989 Not a fan of the actual Mallo Cup, but I am a fan of this song. Did you know that everyday, someone is born who has never heard Lemonheads cover Suzanne Vega's "Luka" (https://youtu.be/CW9Pv0WT2K0). The Red Clay Ramblers [38:48] "Killing Floor" A Lie of the Mind Sugar Hill Records SH-8501 1986 Music to accompany Sam Shephard's 1986 Off-Broadway play A Lie of the Mind, which featured a cast of James Gammon, Harvey Keitel, Geraldine Page, Will Patton, Amanda Plummer, Aidan Quinn, Ann Wedgeworth, and Karen Young. Leonard Cohen [40:45] "Tonight Will Be Fine" Leibestraume - Leonard Cohen singt seine schönsten Lieder CBS CBS 84718 1980 Sadly, just the original English language versions of Leonard's hits. Taurus [45:55] "Life (Part I)" Life Self Released 2012 Doomy goodness from Portland duo Stevie Floyd and Ashley Spungin in an outstanding box set featuring multicolor splatter vinyl, photographs, back patch, sticker, screen-prints in a custom box. Music behind the DJ: "Another Girl" by George Martin and his Orchestra

Andy and Mike P. give the 1989 classic movie Major League the Movie Deep Dive treatment. Relive the best moments of your favorite baseball movie, learn scintillating facts about the cast and the shooting, and wait until you hear about how they used to figure out how fast pitchers were throwing. Seriously, it's insane. You'll learn fascinating stuff like: why was everybody wearing shorts and tank tops in Cleveland in October? Why aren't there any libraries in Milwaukee? How did Willie know not to run on the first bunt attempt? Did Dusty Baker learn his bullpen management form Lou Brown? And did Cleveland not know Toledo was their triple-A affiliate?So gird up your loins for a look back at the Charlie Sheen, Tom Berenger, Corbin Bernsen, James Gammon, President David Palmer, the "guy gets naked and runs out in the snow and barks at the moon, and the guy does the same thing in your living room" guy from Hoosiers, Nico Brown, Rene Russo and Bob Uecker tour de force. It's a long one. So pace yourself. --- Send in a voice message: https://anchor.fm/desipio/message

Hello and welcome to Cabin Boy Minute: Minute 20! In this very special minute we are joined by the great Chad Opitz, stand-up comedy-man extra-ordinaire, as we consider the events of the quarter-pole minute of the movie. Mother Goose makes an appearance, we react to the reactions of the crew as Cappy confronts Nathanial, we attempt to learn about christening wigs, successfully learn about peckerheads, and marvel as our research takes us from Hawaii to Benignia, by way of London. Chad blesses us with his musings on Nathanial’s manliness, a dead-on James Gammon impression and his knowledge of Oingo Boingo. During our analysis we introduce some new questions in which we ideate on a Cabin Boy video game, come up with a Call to Action and discuss what a class based on Cabin Boy would look like. But don’t worry, we still answer the classic questions: who won the scene, GPM and funny/not funny! You can learn about the origins of the term peckerhead here or snag yourself a pound of chocolate covered macadamian nuts here. Don’t let your linguistic wigs float away, ‘cause you’ll need them for next week's Cabin Boy Minute: Minute 21! Opening music is Take a Chance by Kevin MacLeod (modified) and licensed under CC BY 4.0. Closing music is No Means No by The Freak Fandango Orchestra (modified) and licensed under CC BY-SA 3.0. To watch and/or own the Cabin Boy movie, follow one of the links  below (Cabin Boy Minute will get a cut of the proceeds if you purchase through these links) To Order Cabin Boy:  Kino Lorber Special Edition Blu Ray DVD  Cabin Boy: Regular DVD Cabin Boy: Regular HD Online Version To Rent Cabin Boy: Regular Online Version Stream for free by some public libraries through Hoopla Petition Netflix to add Cabin Boy to their catalog here. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cabin-boy-minute/message Support this podcast: https://anchor.fm/cabin-boy-minute/support

Show Notes: Episode 9 James Gammon is an Iraq War Veteran who found his way to Cook and Boardman. The Cook & Boardman family of companies is the largest distributor of commercial doors, frames & hardware, electronic access control equipment and specialty (Division 10) products in the U.S. They also provides full systems integration services through its A3 Communications division - including physical security, access control, wireless networking, low voltage cabling, audio/visual and managed information technology products.James’ LinkedIn Profile https://www.linkedin.com/in/james-gammon-3829258b/Learn more about Cook and Boardman at https://www.cookandboardman.com/Open Positions at the company https://jobs.jobvite.com/cookandboardmanLearn how James ended up as the Corporate Technology manager.In addition to Bluebeam Revu, the company uses Comsense – Software for Architectural Opening Distribution https://www.comsenseinc.com/Entire branches going paperless.  The branches were Incentivized with 55” monitors for their workstations.Find out more about Division 8 (Door frames and hardware) , Division 10 (bathroom accessories) touchless systems, as well as Division 27 and 29 (Access controls)James talks about how Covid changed their product offerings.They’ve taken “one stop shop” to the extreme by covering everything in their bids.  James answers some questions about the immediate future.What tech is going to exist in commercial establishment in 3 years that may not exist now?  What’s going away due to technology advances and Covid concerns?How will working from home affect Tenant Improvement opportunities for construction professionals? The number of employees working from home has tripled demand for the Bluebeam Revu inside the Company. Given that we recorded this episode right at lunch time, we discuss the finer points of Memphis vs Carolina Style BBQ.  We wrap up this episode with Natalie’s Tech Corner as Natalie Delacruz gives us her take on Bluebeam Revu 20. New Features, enhancement, fixes, and more.If you’d like to see what Bluebeam Revu and Bluebeam Studio can do for you, let us know. We can be reached at podcast@uscad.comDo you have a compelling story to tell about Bluebeam Revu? Let us know.

The Country Bears is a 2002 American family musical comedy film, directed by Peter Hastings, produced by Walt Disney Pictures, and based on the Disney theme park attraction Country Bear Jamboree. The film stars Christopher Walken, Daryl Mitchell, Diedrich Bader (in a dual role), Alex Rocco, and Haley Joel Osment as the voice of Beary Barrington with the voice talents of Candy Ford, James Gammon, Brad Garrett, Toby Huss, Kevin Michael Richardson, and Stephen Root. It was Disney's second theatrical film based on an attraction at one of its theme parks and the third overall film based on an attraction following the television film Tower of Terror (1997) and the theatrically-released Mission to Mars (2000). Its world premiere was on July 21, 2002, at the El Capitan Theater in Hollywood, California. After that, it was released to theaters nationwide on July 26, 2002, and was a box office bomb, grossing $18 million of its $35 million budget. www.ObscureDisneyPodcast.com www.DisneyPatch.com www.Obscuri-D.com

Well, here we are again, another 100 movies reviewed on JFD. And as we do with every 100th movie reviewed, we do a full-length audio commentary on a movie voted on by you, the JFD listeners. And this time you guys overwhelmingly chose 1994's Cabin Boy! So, grab you copy of Cabin Boy and watch along with us as we set sail with Chris Elliott, Ritch Brinkley, James Gammon, Brian Doyle-Murray, Brion James, Andy Richter, Melora Walters and Russ Tamblyn as Chocki the Shark Boy!All this plus some ghost hunting experiences, minor league baseball chat, drive-in memories and the hunt for Popeyes chicken sandwiches.LISTEN NOW: MP3 Direct DonloydGot a movie suggestion for the show, or better yet an opinion on next week's movies? Drop us a line at JFDPodcast@gmail.com. Or leave us a voicemail: 347-746-JUNK (5865). Add it to your telephone now! JOIN THE CONVERSATION!Also, if you like the show, please take a minute and subscribe and/or comment on us on iTunes, Stitcher, Blubrry or Podfeed.net. Check us out on Facebook and Twitter! We'd love to see some of your love on Patreon - it's super easy and fun to sign up for the extra bonus content.Our pipes will be cleaned by your love and support.And if you're not a baby, go buy one of these hot new Ghoul Summer 2019 shirts from our friends at Hide The Bodies!

It's a movie that has never really left our radar for 30 years, but we caught some things we didn't expect when watching it with pen and paper in hand. Join us as we spend 77 minutes with relentless stalker Jake Taylor, Wild Thing Vaughn, Pedro Cerrano, Wille Mays Hayes, Roger Dorn, Harris, Lou Brown and Harry Doyle. It's Major League, starring Tom Berenger, Charlie Sheen, Rene Russo, Dennis Haysbert, Wesley Snipes, Corbin Bernsen, James Gammon, Chelcie Ross and Bob Uecker. www.thethrowbackshow.com (Here's the link to the McDonald's pizza ad we mentioned)

País Estados Unidos Dirección Lawrence Kasdan Guion Lawrence Kasdan, Dan Gordon Música James Newton Howard Fotografía Owen Roizman Reparto Kevin Costner, Dennis Quaid, Gene Hackman, Michael Madsen, Joanna Going, Linden Ashby, David Andrews, Mare Winningham, Mark Harmon, Tom Sizemore, Jeff Fahey, Catherine O'Hara, Bill Pullman, Isabella Rossellini, Randle Mell, JoBeth Williams, Todd Allen, Annabeth Gish, Jim Caviezel, Adam Baldwin, James Gammon, Rex Linn, Tea Leoni Sinopsis Nacido en una granja de Iowa, Wyatt Earp (Kevin Costner) huye de su hogar, en plena Guerra Civil (1861-1865), para alistarse en el ejército de la Unión, pero su padre (Hackman) lo obliga a volver a casa porque es todavía demasiado joven. Decide entonces estudiar leyes y casarse con Urilla Sutherland (Annabeth Gish), que muere de fiebre tifoidea antes de que puedan tener hijos. Completamente abatido, Earp se da a la bebida y se dedica a robar ganado, pero su padre lo encuentra y lo devuelve al camino recto.

My number one recommendation isn’t going to have anything to do with plug-ins or software. No techniques, not tricks… There’s no secret sauce in this podcast.   The best thing you can do right now to improve your mixes is to fix your monitoring. You have to be able to hear your mix as it actually exists in order to mix well.   So what can you do to make sure that you are monitoring correctly?   Take your room out of the equation. If that means treating your room with acoustic panels, bass traps, diffusers, etc, then go do it. I recommend GIK acoustics for packages that are designed for your room. If you can’t afford to do that, get a reasonably decent pair of headphones or earbuds.   Learn how your chosen monitors or headphones or earbuds sound. Spend a lot of time listening to a lot of different music of different styles on them and learn what frequencies get boosted or lowered by them. Compare the same music on another set of headphones.   Always listen at the same low volume level when you mix. When I first met James Gammon way back in 2008, he recommended that I pick up an SPL meter to make sure I wasn’t listening to my mixes too loud. You need to find a level you can listen at for long periods of time. You can find apps that will do this.   Pick a handful of songs that you think sound great or grab a song that is similar to what you are mixing. Drop that song into your mix session and regularly switch back and forth as you try to make you mix sound similar to that song. Do your drums hit as hard? Does your lead vocal sit on top of everything else. Do you have holes in your mix?   Take your mix and listen to it in the car or on some standard ear buds to hear if your mix works on different speakers.   So thanks for joining me today. If you liked what you heard today, please drop by iTunes and subscribe and while you’re there, leave me a review. And please if you like the show, please share an episode with your friends and other a cappella fans. I really appreciate you taking time out of your busy week to listen to me talk about recording a cappella and I hope that I’m helping you on your journey. Recording A Cappella Mastermind - https://recordingacappella.com/mm   Ultimate Pre-Production Checklist - https://recordingacappella.com/checklist   Interested in a coaching session? -  https://recordingacappella.com/coaching Video Courses -  https://recordingacappella.com/shop

San Francisco's Magic Theatre Artistic Director Loretta Greco talks about her friendship and work with the late playwright, actor, author, screenwriter and director, Sam Shepard, who passed away on July 27, 2017 at the age of 73.Transcript:Speaker 1: Method to the madness is next. You listening to method to the madness, a public affairs show on k a l x Berkeley Celebrating Bay area innovators. I'm your host, Lisa Keifer. And today I'm speaking with Loretta Greco, the artistic director of San Francisco's magic theater. We'll be talking about Sam Shepherd, one of America's greatest playwrights who passed away this year, July 27th, 2017 at his [00:00:30] home in Kentucky due to complications of Lou Gehrig's disease at the age of 73. Sam Shepard spent a decade as playwright in residence at San Francisco's magic theater. Loretta, thank you for coming over here. My pleasure. And I just want to talk about Sam shipSpeaker 2: because I feel like if people pass away and then it's over, I have to talk about his work. And you actually worked with him for several years. How did you [00:01:00] meet? Well, I should back up and say that I had been reading about the magic theater in San Francisco my whole life. I grew up in Miami, went to school in New Orleans, Washington, New York. And it was because of Sam, uh, you know, uh, John Lyon gave Sam a residency there for 10 years, starting when starting in 74 to about 84. But that's where he wrote bury child and full for love and true West family trilogy, family trilogy, and probably [00:01:30] well undoubtedly plays that are going to go on forever. And, uh, and so when I got here 10 years ago, I started looking for Sam and he, he was, he, when you say you were looking for him drop, what do you mean?Speaker 2: Well, I mean, literally I got there and there was like no number, no, like it was there. It was a lot of fun tracking them down. And I finally, um, I went through his agent and Judy Dolan and she sort of was a great like guard dog. So I had to meet her and then she said, [00:02:00] Oh yeah, yeah, Sam will love you. And so, but you said you're on your own, you know, here's this number. You have my blessings, good luck. And, um, when we finally reached each other about five years ago, six years ago, he just, he was incredible. He was just so real. And so we, I was reaching it because I wanted to celebrate him while I was still around and you had just taken over the magic taken over. And I wanted [00:02:30] to do a shepherding America where we went through all of his major plays and, um, but I didn't want to do it if he didn't want to be a part of it.Speaker 2: And, um, so that's why I was reaching out to him. Boy, it was just something meeting him. He came out and he did an evening where he just read from his work and Lisa, it was incredible. And that's when we spent about five days together. And then, you know, he, he surprised me several times in San, like he'd just show [00:03:00] up. Um, and then if he was in New York and I was in New York, we would see each other there. So he was just, he was so incredibly kind and generous and I think, um, a lot of other things as well. But I think those are the things that you don't hear about him as much. Um, he's just incredible. Let's talk about his work just a bit because I feel like he's one of our greatest absolute rights. What is it that you find or found in his work that made you want to seek him out?Speaker 2: [00:03:30] Well, they're inexplicably, they are, um, not, they are plays that are not meant to be understood, fully digested, wrapped up in a big bow. They're works that are there to make you feel and to lean in. They're muscular, they're visceral, they're active, they are totally active. And um, I just, I got in a huge argument once with the patron, cause I said [00:04:00] Shepard is without a doubt our greatest American. Dramatist and um, you know, she took me on. What about Miller? What about Alby? And I said shepherd has been writing. He's, he wrote into his six decade, he wrote, since he was a little, you know, late teens, he wrote 55 plays. He wrote screenplays. He has five collections of pros, like the sheer magnitude and depth of that work. I mean there isn't [00:04:30] a canon like it. Actors kill to play these roles. I mean, you know you fell in love with them. I do. You know, through his work. I mean you can't, my introduction was true west and I was so blown over and then that led me down the path.Speaker 3: Are you crazy? You went to college [inaudible] you're rolling in the docks floating up and down in elevators and you want to learn how to live on the yaks. Yeah, I do [00:05:00] lake. Hey, there's nothing down here for me. There never was when we were kids here was different. There was a lights here then. No, no. I keep coming down here like it's the 50s or something. I get off the freeway and familiar landmarks. They turn out to be unfamiliar on my way to do these, these appointments. I wondered on the streets, I thought I recognized they turned out to be replicants as traits. I remember streets I mr member streets. I don't know if I lived out of her. If I saw [00:05:30] him in a scary field, the just don't exist. There is no point in crying about that as not been rammed down their lien. Please dear mommy, I can't save you and you can let me come with you guys. Let me come with the weight that I choose to live in the middle of nowhere. Huh? You think [00:06:00] it's some kind of philosophical decision I took. Boy, I live out there. Be Cold. I can't make it here.Speaker 2: Jessica Lange said that no man she had ever met compared to Sam. In terms of maleness, what do you think about that statement? You know, um, he had it going on until the last time I saw him and I saw him when he was sick. I said, what do you think she meant by this wellness? He is [00:06:30] profoundly male. He is. Um, first of all, he was a long, tall drink of water, man. He just, I'm, I'm five, nine and he made me feel small and that's great. And he's just, I mean, come on. He hunts. I, I can't, it's so [inaudible] reminds me of, he reminds me a lot of William Faulkner, the way they live, the way they drank their maleness. And what they said about [00:07:00] the myth of the American dream? Well, exactly. I mean, I think the thing about Sam was he was the iconic marble man.Speaker 2: I mean, he, he hunted, he, he, he smoked, he drank. He, um, he rode horses. He loved his horses, he loved his dogs. He, um, he was just incredible and he lived so long that he really did experience the west, that old mythic west and [00:07:30] the promise of the American dream. And then lived to see that promise reneged, you know? And so I think that, um, he also, he turned heads everywhere. He went. I mean, we'd be sitting in a diner and people would come up and say, are you Sam Shepard? And they'd be in their teens all the way to women, much more mature. Um, what was it like for actors to work under his direction? Did you [00:08:00] observe that? I knew several, and I think that actors loved him because, because a, he was an actor and a fine one, and he understood and respected the craft.Speaker 2: And so he guided with a loving, gentle hand, but he didn't get in people's way. He knew that if he laid a little path that people would find their own way. And so he wasn't a micromanager. He really [00:08:30] let people soar and find their own, their own journey to his characters. And he said once that he assumed that if you are, if you're doing this, and you must understand what I'm saying. Yes, yes. And speaking Sam's words like that's come on. Malcovich um, James Gammon, um, uh, uh, ed Harris, Kathy Baker. Um, these are people that were drawn to that [00:09:00] muscularity and lived for it. And it, I think that Sam and that work baked a kind of muscularity into the magic into Steppenwolf so that then it set the bar high in terms of what theater really was and what you needed to feel across the boards for it to be viable. And he never stopped writing.Speaker 1: If you're just tuning in, you're listening to method to the madness. Public Affairs [00:09:30] show on k a l x Berkeley Celebrating Bay area innovators. Today we're remembering Sam Shepard and talking with Loretta Greco, San Francisco's magic theaters, artistic director, Sam Shepard's association with the Magic Theater included 24 productions in total. He spent a decade as playwright in residence where he premiered his master works buried child, true west and fool for love. He returned in the year 2000 [00:10:00] to direct the world premier of his work, the late Henry Moss. And he had just written a fictional [inaudible]Speaker 2: book, which is kind of autobiographical in his last year. The one inside was published last January and he wrote it while he was sick, but he wrote it and it's astounding. The particle of dread was published a [00:10:30] couple months later. That was his re dreaming of Oedipus. And he did it in dairy Ireland with Steven Ray. It's an incredible script and his latest spy of the first person has just come out. It's being published months after his death. He was working on this as he was sick. He was recording it and he was dictating to Roxy and sandy has two sisters. And um, and it's my understanding [00:11:00] then his daughter. And, um, and then Patty Smith worked with them on both the last two novels to help that it, they go way back and they remained such close friends. And so, I mean, who does that? I mean I just, I opened this book, I wanted to look at the letters between Sam and Joe Chaikin before I came here and look at what he opens this with.Speaker 2: It's a Brecht who he loved Brecht and Beckett. This is [00:11:30] his opening quote. You can make a fresh start with your final breath. Oh, that's, that kills me. Yeah. He never stopped. The last time I saw him was the day before he left for Kentucky. I sat with Sandy and Roxie and Sam and my partner mark in Healdsburg. And um, Sam was writing, we talked about Beckett. We talked about where do you think the Beatles came up with the lyrics for blackbird? He was contemplating all these things [00:12:00] and he said to me, can you believe it? I'm still writing. I'm not stopping. I can't stop. I mean, I think this is the thing about Sam. He was profoundly himself from the beginning until the end. Flawed and damaged and chasing a dream of America that did not exist any longer and chasing the tail of his father.Speaker 2: And he did it honestly, humbly and painfully. And I love him for that. [00:12:30] He never made facades. He never hid. He was profoundly himself till the end. Yeah. What was your favorite of his works? Well, you know, it's funny, I would have, if we had talked a year and a half ago, I would've said Barry Child, because I have, I have loved that place since I read it 1978 and didn't know what the heck to make of it. And I kept reading and reading and I finally directed it and I thought, oh my gosh, it's like king lear. It's like you could direct it five times. Yeah. [00:13:00] Just start to, to grasp the, the depths of the meaning of that play. But I did full for love last year and I have to say, Lisa, it was like working on a Beckett play. When you work on Beckett, you think you know a little something and then you get in rehearsal and you realize you know nothing.Speaker 2: And every day it's like an archaeological dig and you learn a little more and you make a discovery and that leads to 17 other big deep questions. Working [00:13:30] on fool for love was one of the joys of my life because it was also, I mean, Sam never shied away from taboo. Right. So it's a love story about siblings and um, see this is where I see the Falkner connection. Yeah. Because the more you read say an Absalom, Absalom, you know, it's about incessant and family. It's about miscegenation. I mean it's about all these things and every time you read it you see something else, [00:14:00] a real artist. That's what you feel when you read it. It's new every time. Every time, every 10, it will be a new play. I really do feel like fool and berry child and true west, if there's a bottle that gets dug up centuries from now, those are going to be in it.Speaker 2: I mean, they're going to talk about who this country was and what, what our goals were, what our aims were and how broken hearted and yet undaunted the human American [00:14:30] spirit thing is. He got to appreciate the world's appreciation of him pretty early on. Like you say, when you met him, you sensed the honesty and the appreciation. He was one of the shyest people I'd ever met for him to do an interview for me to convince him to do an interview with Rob Harwood at the SF chronicle. I had to agree to come and sit with him and he, he detested post show talk backs. [00:15:00] He didn't want to talk about the work. He didn't, you know, if you asked him what is it about, he would say, Oh, if I knew I wouldn't have to. Right. And so he, he was uncomfortable in a way with the kind of fame, but I, you know, like [inaudible] I think he appreciated, the thing is he got that Pulitzer early, that was 79 for a play he wrote in 78 and [00:15:30] I think, you know, it's funny because he said to me once, I don't know what all the fuss is about those plays, they're just plays.Speaker 2: I wrote when I was a kid, you know, [inaudible] you know, but, but that wasn't him being self-deprecating. That's really what's really lad. And I mean he was so comfortable in his skin as a human being and as a male. But as a, as an actor, as a, as someone who was famous, I never saw him and joy that in the way [00:16:00] I did. Interesting that he moved easily between his literature and film and his acting and acting. You know, that's not easy for a lot of people to go in between those. I know. And, and it's interesting because he was up for an academy award the same year that he won the Pulitzer. And I think that the acting informed the writing and the writing informed the acting. And that's the thing about the writing. There's [00:16:30] not an extra syllable. I mean there just really isn't. And he wrote Paris, Texas and many other Oh, absolutely.Speaker 2: Films. So he really knew both sides of the camera. And I have to say the pros, his five collections of pros, um, motel chronicles and, and cruising paradise and dad of days and, and great dreams of heaven. Those, we would read them every day. Every time I was in rehearsal for live the mind for Barry Child for fool, for love, [00:17:00] for a big Sam Festival we did on a 70th birthday, we would start every day by opening the books and reading his prose, short little pieces that were all about this country and they are magnificent and a completely different discipline. That's one of the hardest, you know, that's one of the hardest short stigma. And I think, I think if there was one thing he wouldn't mind me saying is that he wanted [00:17:30] to crack the long form novel and he felt like he never did. He wanted to write something that was longer form and it just kicked his booty.Speaker 2: You know? And, and he talked about that several times with this before or after he had written the, the, the novel, the fictional, the novel, the, I'm one inside, and I haven't read this by the first person, but, or spy of the first person. But the one inside is like a little novella. It's, it's [00:18:00] naked. It is so unbelievably transparent about him and his dad, him and his dad, him and his women, him and his drinking. Maybe our listeners don't know about his relationship with his father. Maybe you can tell it was, um, I learned part of this from Sam. The last time I saw him. I didn't know that his dad was a Fulbright scholar. He told me his dad was a, was an absolute learn it man. And [00:18:30] he knew he was a bomber pilot. He went to war and he came back and, um, he, he was lost it to his dad and it really destroyed him.Speaker 2: Sam's, you know, his family was, you know, his mom was a rock and his, you know, his home was full of violence and alcoholism. His Dad, I mean, if, you know, lie of the mind, you know, it's a pretty, pretty, uh, close to Real, you know, [00:19:00] portrayal of how his dad died in the middle of a highway, run down drunk. And, um, and Sam will talk about it, you know, um, in, in, uh, in a variety of ways. But I think that his dad's heart ache and his dad's being destroyed and, and that being present in his household. I mean, Sam writes about finance and m knows it firsthand and I think that he wanted more time [00:19:30] with his dad. His Dad was a man of very few words and I think that Sam spent his entire life trying to figure him out.Speaker 4: Yeah. I grew up in this, this World War Two world where the women were continually trying to heal up the man, you know, and, and suffering horribly behind it. Now, I don't know why that came about, but I have a strong thing that had to do with World War II. These men returned from this sheer ROIC [00:20:00] victory of one kind or another, and entered this Eisenhower age and were devastated in some basic way. You know, I mean, almost all those men that, uh, that, that were of my father's generation seemed like they were devastated in a way that, that it's mysterious still and the women didn't understand it and the men didn't understand it. So the, the, the, uh, the medicine was booze for the most part. Boots. It suddenly occurred [00:20:30] to me that I was maybe avoiding a territory that I needed to investigate, which is a family and add voided for, for quite a while. Because to me it was, it was, it was a danger in, in, I was a little afraid of it, you know, particularly around my own man and all of that emotional territory. You know, I w I didn't really want to tip toe in there and then I said, well, maybe a better,Speaker 2: and he, he also [00:21:00] wrote about how you really never escape the past, the history. No, and I think that, you know, sometimes people think about him and his images stick dialogue, which is absolutely unparalleled. But for me, in all of these mediums, Sam is digging up our primordial pasts. He knows that you can't take a step forward without the ghosts of what came before. And he knew that as a young writer [00:21:30] and he never forgot it.Speaker 4: I do honor the ones that have come before me, you know? I mean, you know, it's ridiculous to think that you're, uh, you're, you're, you were born out of thin air. There's, there's, there's things that, uh, there's ancestors, you know, and uh, if you don't honor your ancestors in the real sense, [00:22:00] you, uh, you're committing a kind of suicide. Yeah.Speaker 2: Do you have a story that you can tell us about you and Sam that you wouldn't mind sharing maybe no one else in the world knows about? I'll tell you two things. One is that I had loved his writing for so long and when we finally met, I picked him up at the cleft. It's funny because I got him this beautiful sweet that was basically like an apartment [00:22:30] with views, almost three 60 of the city at the top of the cliff hotel. And I picked him up there and met him in the lobby and I was taking him to see a show and we would then spend almost a week together and get to know each other. But I was so nervous and he was nervous. He said he, he's, he was late and he said, I got in the elevator and I just couldn't figure out all those buttons.Speaker 2: And he said, next time I do not want to be in a fancy hotel, I want [00:23:00] to put me up in a Ho motel, right by the water, by the magic or just on the other side. And I was so nervous, Lisa driving him that I turned the wrong way on Franklin. I've been driving on Frank Lennon golf since I moved here. I knew one goes north and one goes south. I turned onto oncoming traffic. I was just beside myself. I was so nervous. There was no one in my life that I would have been more nervous about meeting. [00:23:30] And you know, we hung out in the theater and just talked and talked one day and I'll tell you, I just, I grew to love him and, and he, the thing about him is he was just profoundly real and he wanted to make sure I was too.Speaker 2: And so one time in New York I met him and I was supposed to go to a matinee and he just, we were supposed to have a quick tea. We ended up having lunch and just, and I asked him about Joe Chaikin and he started to talk about [00:24:00] making tongues and savage lab, which made it at the magic and with Joe and Lisa, his eyes brimmed with tears talking about how humbled he was to be in a room with Joe, let alone making something with Joe. And if you read their letters back and forth, you know, they had an extraordinary relationship. Betty talked about that time and then he, he started [00:24:30] talking about back at any, started reciting back at just off the, I mean off the cuff. And I was sitting there listening to his stories and I just, I thought, I don't ever want to get up. Like I just don't want to leave him. He loved making theater so much and he remained in awe of the masters and in awe of all those Irish cats. And [00:25:00] um, but him reciting back at that was, that was a highlight for me. Yeah, that's pretty great.Speaker 4: It's very interesting to me, aloneness. Very interesting. Because it's always this balance between aloneness and being a part of a community or a part of, you know, it's always been interesting from the very start is this exile. That's what Beckett is so powerful. I said, [00:25:30] you know, he's bad. It's all about Exxon. It's about banishment about being cut away. Uh, and then at the same time having to take part in it.Speaker 2: Since he had kind of a, well, he had a bad relationship with his father. Was he able to bridge that and get past that and have a good relationship with his own kids? I wish that I could speak to that personally. What I'll tell you is, man, he loved Jesse and Jesse loves him and I know all of his kids, [00:26:00] Anna and Walker. I mean they were there the whole time. And, and what I know is Sam speaking of them and he often said, it's, it's a wonder that Jessica and I turned out to have the greatest, most sane human beings ever and a miracle that Jesse is as extraordinary a man and father as he is. And Sam once said to me that just hearing the sound of his daughter's voice set him right every time. So I know, I mean, I [00:26:30] think that he was just, that he was mythic, that he was interested in things larger, you know, than a kitchen table story.Speaker 2: And I think, um, the size of him, the size of his is gonna live on. And I think that people are going to, when they think about the American spirit, I really do think they're going to call upon his, his Canon of work, which is unparalleled. Again, 55 plays five collections of prose. And he played [00:27:00] over 50 roles on film. Yeah, I mean it's just, there hasn't been an artist like him and I, I really don't think there'll be one. Again, are you going to be doing anything coming up? We're going to do something at the very end of the season to commemorate him. Mike, a big Rawkus memorial and when you say end of the season, but it would be in May. And then we're going to set an annual celebration of Sam on his birthday at the magic every November [00:27:30] 5th, and we're hoping it'll be like Bloom's day. Like everybody getting together to read Joyce on, uh, on Bloom's Day. We want to get together and just have a community where people just pick up Sam's work and read it aloud and that every year we can hear his words hit the air and be reminded of their power. Loretta, it's so great to talk to you about Sam Shepherd. Thank you so much for coming on method to the madness. You are so welcome.Speaker 5: When you die,Speaker 2: [00:28:00] go straight to heaven or hell.Speaker 5: When you die,Speaker 2: disintegrate into energy.Speaker 5: When you die, who are reborn into another body. When you die, you turn dished. When you die, you travel to other [inaudible]Speaker 2: planets.Speaker 5: When you die,Speaker 2: you get to start all over.Speaker 5: When [00:28:30] you die, get marked in the book. When you dry,Speaker 2: rejoined with your ancestors.Speaker 5: Where'd you die?Speaker 2: Oh, your dreams will come true.Speaker 5: When you die,Speaker 2: you speak to the angels.Speaker 5: When you die, he'll get what you deserve when [00:29:00] you die. It'sSpeaker 2: absolutely the finalSpeaker 5: when you die and never come back. When you die, you die forever. When you die,Speaker 2: it's the end of your life. You've been listening to method to the madness. A public affairs show on k a [00:29:30] l x Berkeley Celebrating Bay area innovators today show was all about Sam Shepherd. You can find all of our podcasts on iTunes university. We'll seeSpeaker 6: you in two weeks. [00:30:00] [inaudible]. See acast.com/privacy for privacy and opt-out information.

Major League takes us back to a time when baseball was hot, actresses were sex objects, and Charlie Sheen was likable. And despite some racist overtones and plot holes, this 1989 comedy still holds up. Bob Uecker is still the best play-by-play on film. James Gammon is still the most believable baseball manager in Hollywood. And a shockingly young Wesley Snipes still dazzles in every scene. Rog loved it. Gene Shat on it, and Dick knows far too much about baseball. Check it out! Leave a Review - http://shatthemovies.com/review Subscribe & Social Media - http://shatthemovies.com/subscribe-and-follow Website - http://shatthemovies.com Email - mailto:hosts@shatthemovies.com Our TV Podcasts - https://shatontv.com/shat-on-podcasts Theme Song - Die Hard by Guyz Nite

Título original In the Electric Mist Año 2009 Duración 102 min. País Estados Unidos Estados Unidos Director Bertrand Tavernier Guión Jerzy Kromolowski, Mary Olson-Kromolowski (Novela: James Lee Burke) Música Marco Beltrami Fotografía Bruno de Keyzer Reparto Tommy Lee Jones, John Goodman, Peter Sarsgaard, Ned Beatty, James Gammon, Levon Helm, Kelly Macdonald, Justina Machado, Mary Steenburgen, Pruitt Taylor Vince, Buddy Guy, Julio Cedillo, Alana Locke Productora Image Entertainment Género Intriga | Drama sureño. Asesinos en serie. Sobrenatural. Fantasmas Sinopsis Dave Robicheaux (Tommy Lee Jones), un detective del estado de Louisiana, sigue la pista de un asesino en serie responsable de la muerte de varias jóvenes. Tras el brutal asesinato de la última víctima, Robicheaux se desplaza a la escena del crimen. Allí coincide con la estrella de cine Elrod T. Sykes, que casualmente se encuentra rodando en el lugar de los hechos. Elrod le confiesa que ha visto el cadáver de un hombre negro flotando en medio del pantano. Ese hallazgo trae a su memoria dolorosos recuerdos de un caso anterior, lo que le lleva a sospechar que los dos casos están en cierto modo relacionados.

In this episode: What Ever Happened To? (Ross Perot), the upcoming movie Yogi Bear (2010) starring Dan Aykroyd and Justin Timberlake, the upcoming cartoon show Transformers: Prime starring Peter Cullen and Frank Welker, the upcoming cartoon show G.I. Joe: Renegades, Steve Carell leaving The Office, Extras starring Ricky Gervais, the razor blade scam, counterfeit money detection pens, celebrity deaths (George Steinbrenner and James Gammon), the Major League movies, our movie review of Whatever Works (2009) starring Larry David, our hatred of Woody Allen, The Jerky Boys, and Greg's problem selling things on the Amazon Marketplace. 37 minutes - http://www.paunchstevenson.com