Podcasts about Geraldine Page

Today, I'm thrilled to announce my episode with two-time Tony winner Judith Ivey. Tune in to hear some of the stories of her legendary career, including singing A LITTLE NIGHT MUSIC for Stephen Sondheim, how Carol Woods gave her dinner eight times a week during FOLLIES, how her performance in STEAMING led to three feature film roles, finding the comedy in THE HEIRESS, meeting Neil Simon at the Tony Awards, performing BLITHE SPIRIT after Geraldine Page passed away, a memorable night out with Mike Nichols while working on HURLYBURLY, being directed by Zoe Caldwell in PARK YOUR CAR IN HARVARD YARD, acting opposite Jason Robards, acting with the audience in THE LADY WITH ALL THE ANSWERS, listening to Margaret Thatcher while performing in THE AUDIENCE, being directed by Edward Albee in THE AMERICAN DREAM, making the audience gasp during VOICES IN THE DARK, the difficulty of performing in GREATER CLEMENTS, developing a one-woman musical with George Furth, how Peter Hall chose her for BEDROOM FARCE, laughing with Eileen Heckart during THE FIVE MRS. BUCHANANS, bringing VANITIES off-Broadway, finding her own take on the leading role in PIAF, and so much more. Don't miss this honest conversation with one of Broadway's greatest stars.

Após percorrer os palcos brasileiros, o ator Ivo Müller traz "Rilke, One Million Words” (“Rilke, Um Milhão de Palavras", em tradução livre para o português) para uma turnê em Nova York. A produção off-Broadway é uma adaptação do monólogo do artista, que ficou em cartaz no Brasil durante cinco anos e promete provocar reflexões sobre identidade, imigração e outras questões que ecoam ao longo dos séculos. O espetáculo estreia em 3 de janeiro. Cleide Klock, correspondente em Los AngelesA peça cria uma ponte entre o ator do presente e o poeta do passado. Esse poeta é Rainer Maria Rilke (1875-1926), escritor que nasceu em Praga, na República Tcheca, numa época em que a cidade vivia sob a dominação do Império Austro-Húngaro. Para alguns, Rilke é considerado austríaco, por outros é visto como alemão."Eu aproveitei que já trabalhava com o Rilke para trazer isso para minhas questões de identidade nos Estados Unidos", diz Ivo Müller. "Eu tenho um nome muito alemão, só que eu não sou alemão, eu sou brasileiro. Aqui nos Estados Unidos você ouve muito 'você não tem cara de brasileiro', porque o brasileiro é um estereótipo", conta o ator.No enredo está a história de um escritor que luta para criar suas poesias e só consegue se expressar por meio de cartas. É por elas que o ator navega para enfrentar os próprios desafios em terras estrangeiras e trazer questões universais e atemporais, como o processo criativo e a sensação de não pertencimento.“Rilke tinha essa questão de identidade e se confundia muito, claro. Aquele era um período que envolvia guerras e ele viveu a Primeira Guerra Mundial. Mas parece que essas histórias se repetem. Agora, com o governo Trump querendo mandar milhões de imigrantes de volta, esse amálgama todo que faz a gente ser imigrante e eu uso isso", explica o ator brasileiro. "Esse poeta que nasceu no século retrasado, mas que a obra reverberou no século passado, se encontra com este ator que está vivendo no presente, para falar de questões de amor, do processo artístico, sobre identidade, que são tópicos que continuam ressoando no mundo de hoje", destaca Müller.A fascinação do brasileiro por Rilke começou quando lecionava em uma escola pública no Brasil. Na biblioteca, ele descobriu vários exemplares do livro "Cartas a um Jovem Poeta", publicado em 1929. Müller começou a usar os textos em suas aulas e, mais tarde, criou dois shows: "Cartas a um Jovem Poeta", que percorreu o Brasil de 2010 a 2013, e uma versão revisada intitulada "Rilke", que ficou em cartaz entre 2018 e 2020. Agora, "Rilke, One Million Words” é uma readaptação para o público dos Estados Unidos.“No Brasil, nos anos 50, teve o movimento do Augusto de Campos que trouxe Rilke de uma maneira muito forte, de volta com a tradução da Clarice Lispector, do Paulo Rónai Cecí. As escolas de teatro, todas mandam ler 'Cartas a um Jovem Poeta', e Rilke é muito conhecido no Brasil por isso, é incrível. Aqui nos Estados Unidos, ele é menos conhecido. Então, existe um trabalho maior para divulgar. Uma diferença também é que eu estou me colocando mais na peça. Aqui é Rilke e Ivo e Ivo e Rilke", diz o ator.Ivo Müller nasceu em Santa Catarina, mas construiu a maior parte de sua carreira na dramaturgia no eixo Rio-São Paulo, onde, além de teatro, fez filmes, séries e novelas. Há cinco anos, o ator mora em Los Angeles e viaja com frequência ao Brasil para participar de produções audiovisuais. Neste ano, fez parte do elenco do longa “Barba Ensopada de Sangue", de Aly Muritiba, e, em 2023, estreou "Proof Sheet", do diretor Richard Kilroy, ainda sem título em português e inédito no Brasil.A peça "Rilke, One Million Words” ficará em cartaz em Nova York de 3 a 25 de janeiro, de quinta a sábado, no Torn Page, um edifício histórico que já foi lar dos atores hollywoodianos Geraldine Page e Rip Torn. Sem patrocínio para a produção, o ator recorreu à prática comum nos Estados Unidos de levantar recursos para projetos culturais em plataformas de financiamento coletivo, conhecidas no Brasil como vaquinhas virtuais. O catarinense ganhou o apoio de artistas que, assim como ele, tentam a carreira em Hollywood. Uma das doações veio do consagrado ator Wagner Moura.Mas, mesmo sem ainda alcançar o valor mínimo para o resgate, Müller já garante a turnê em Nova York e planeja levá-la para outras cidades americanas, como Los Angeles. Em agosto de 2025, ele se apresenta em Edimburgo, na Escócia, onde acontece o maior festival de teatro do mundo.

Após percorrer os palcos brasileiros, o ator Ivo Müller traz "Rilke, One Million Words” (“Rilke, Um Milhão de Palavras", em tradução livre para o português) para uma turnê em Nova York. A produção off-Broadway é uma adaptação do monólogo do artista, que ficou em cartaz no Brasil durante cinco anos e promete provocar reflexões sobre identidade, imigração e outras questões que ecoam ao longo dos séculos. O espetáculo estreia em 3 de janeiro. Cleide Klock, correspondente em Los AngelesA peça cria uma ponte entre o ator do presente e o poeta do passado. Esse poeta é Rainer Maria Rilke (1875-1926), escritor que nasceu em Praga, na República Tcheca, numa época em que a cidade vivia sob a dominação do Império Austro-Húngaro. Para alguns, Rilke é considerado austríaco, por outros é visto como alemão."Eu aproveitei que já trabalhava com o Rilke para trazer isso para minhas questões de identidade nos Estados Unidos", diz Ivo Müller. "Eu tenho um nome muito alemão, só que eu não sou alemão, eu sou brasileiro. Aqui nos Estados Unidos você ouve muito 'você não tem cara de brasileiro', porque o brasileiro é um estereótipo", conta o ator.No enredo está a história de um escritor que luta para criar suas poesias e só consegue se expressar por meio de cartas. É por elas que o ator navega para enfrentar os próprios desafios em terras estrangeiras e trazer questões universais e atemporais, como o processo criativo e a sensação de não pertencimento.“Rilke tinha essa questão de identidade e se confundia muito, claro. Aquele era um período que envolvia guerras e ele viveu a Primeira Guerra Mundial. Mas parece que essas histórias se repetem. Agora, com o governo Trump querendo mandar milhões de imigrantes de volta, esse amálgama todo que faz a gente ser imigrante e eu uso isso", explica o ator brasileiro. "Esse poeta que nasceu no século retrasado, mas que a obra reverberou no século passado, se encontra com este ator que está vivendo no presente, para falar de questões de amor, do processo artístico, sobre identidade, que são tópicos que continuam ressoando no mundo de hoje", destaca Müller.A fascinação do brasileiro por Rilke começou quando lecionava em uma escola pública no Brasil. Na biblioteca, ele descobriu vários exemplares do livro "Cartas a um Jovem Poeta", publicado em 1929. Müller começou a usar os textos em suas aulas e, mais tarde, criou dois shows: "Cartas a um Jovem Poeta", que percorreu o Brasil de 2010 a 2013, e uma versão revisada intitulada "Rilke", que ficou em cartaz entre 2018 e 2020. Agora, "Rilke, One Million Words” é uma readaptação para o público dos Estados Unidos.“No Brasil, nos anos 50, teve o movimento do Augusto de Campos que trouxe Rilke de uma maneira muito forte, de volta com a tradução da Clarice Lispector, do Paulo Rónai Cecí. As escolas de teatro, todas mandam ler 'Cartas a um Jovem Poeta', e Rilke é muito conhecido no Brasil por isso, é incrível. Aqui nos Estados Unidos, ele é menos conhecido. Então, existe um trabalho maior para divulgar. Uma diferença também é que eu estou me colocando mais na peça. Aqui é Rilke e Ivo e Ivo e Rilke", diz o ator.Ivo Müller nasceu em Santa Catarina, mas construiu a maior parte de sua carreira na dramaturgia no eixo Rio-São Paulo, onde, além de teatro, fez filmes, séries e novelas. Há cinco anos, o ator mora em Los Angeles e viaja com frequência ao Brasil para participar de produções audiovisuais. Neste ano, fez parte do elenco do longa “Barba Ensopada de Sangue", de Aly Muritiba, e, em 2023, estreou "Proof Sheet", do diretor Richard Kilroy, ainda sem título em português e inédito no Brasil.A peça "Rilke, One Million Words” ficará em cartaz em Nova York de 3 a 25 de janeiro, de quinta a sábado, no Torn Page, um edifício histórico que já foi lar dos atores hollywoodianos Geraldine Page e Rip Torn. Sem patrocínio para a produção, o ator recorreu à prática comum nos Estados Unidos de levantar recursos para projetos culturais em plataformas de financiamento coletivo, conhecidas no Brasil como vaquinhas virtuais. O catarinense ganhou o apoio de artistas que, assim como ele, tentam a carreira em Hollywood. Uma das doações veio do consagrado ator Wagner Moura.Mas, mesmo sem ainda alcançar o valor mínimo para o resgate, Müller já garante a turnê em Nova York e planeja levá-la para outras cidades americanas, como Los Angeles. Em agosto de 2025, ele se apresenta em Edimburgo, na Escócia, onde acontece o maior festival de teatro do mundo.

***This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month.*** We finish all the major pre-PLAY MISTY Clint films with Don Siegel's 1971 Southern gothic psychosexual chamber piece, THE BEGUILED. Thanks as always to Jetski for our theme music and Jeremy Allison for our artwork. Follow Pod Casty For Me: https://www.podcastyforme.com/ https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Music by Jetski: https://jetski0.bandcamp.com Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This November the New Beverly proudly presents a cinematic feast on film! We celebrate the 30th anniversary of Pulp Fiction with screenings of a sumptuous, newly struck 35mm print of Tarantino's Palme d'Or-winning landmark. We pay tribute to Kris Kristofferson, highlight the work of writer-director Nicole Holofcener, spotlight a pair of pre-codes shot in two-color Technicolor, plus showcase the legendary Geraldine Page, animation from Hayao Miyazaki and Don Bluth, and much more! Elric, Brian and Phil return to discuss all of it! As mentioned in the episode, Mark Borchardt's follow-up to COVEN - THE DUNDEE PROJECT is available here: https://store.foundfootagefest.com/search?type=product&q=dundee%20project And the new HEAVENLY BODIES Blu-ray is available here: https://www.funcityeditions.com/shop Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts

Bride of Frankenstein (1935):  Directed by James Whale, this classic horror film stars Boris Karloff as the Monster and Colin Clive as Dr. Henry Frankenstein. The story follows Henry Frankenstein, who is coerced by his former mentor, Dr. Pretorius (played by Ernest Thesiger), and his original creation, the Monster, to create a mate for the Monster. Despite his initial reluctance, Henry eventually constructs the Bride (portrayed by Elsa Lanchester). However, the Bride rejects the Monster, leading to a tragic and fiery conclusion. The Bride (1985):  Directed by Franc Roddam, this film reimagines the Frankenstein story and stars Sting as Baron Charles Frankenstein and Jennifer Beals as Eva. Unlike the original Monster, Eva is physically perfect and human-like. However, she is repulsed by the Monster (played by Clancy Brown) and rejects him, leading to a series of dramatic events. The cast also includes Geraldine Page and David Rappaport. To check out more information about That Horrorcast, take a look at our website: ⁠⁠⁠⁠https://thathorrorcast.com⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠https://twitter.com/horrorpod666⁠⁠⁠⁠ Art and other work done by host, Dmitry Samarov can be found on his site: ⁠⁠⁠⁠https://www.dmitrysamarov.com⁠⁠⁠⁠ Mallory Smart's writing and random publishing projects can be checked out here: ⁠⁠⁠⁠https://mallorysmart.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thathorrorshow/support

This week Justin Henson of THE MOVIE WIRE and I tackle THE BRIDE from 1985. The Bride is a 1985 period horror film directed by Franc Roddam, and starring Sting, Jennifer Beals, Geraldine Page, and Clancy Brown. Based on Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, the film follows Baron Charles Frankenstein who creates a woman, Eva, while his original monster—believed to have been killed in a laboratory accident—escapes into the countryside.The film, an international co-production between the United Kingdom and the United States, was released theatrically on August 16, 1985 by Columbia Pictures to generally negative reviews from critics. It was a commercial failure, grossing only $3.6 million. We analyze the film - which we desperately wanted to love - but both realize we are only in love with half of it. Now while we enjoyed it more than our respected critics - we agree with many of their complaints...HOWEVER - This did not belong on the WORST OF THE YEAR LIST!! Don't forget to subscribe to the channel, subscribe to the podcast on your favorite platform - AND SHARE!!Be sure to subscribe on your favorite pod platform and our YOUTUBE channel!Visit thecultworthy.comVisit https://www.themoviewire.comVideo: https://www.youtube.com/@back2thebalcony

On this episode of The Snub Club, the trio becomes a duo to discuss 1978's Interiors. Directed by Woody Allen and starring Diane Keaton and Geraldine Page, Interiors was nominated for five Academy Awards but secured zero Oscars. In this episode, Danny and Caleb discuss family dramas, Maureen Stapleton, and vetoes.    The Snub Club is a biweekly podcast about cinema history where we discuss the film from every year's Academy Awards with the most nominations but no wins. Hosted by Danny Vincent, Sarah Knauf, and Caleb Bunn!   Follow us everywhere! Twitter: https://mobile.twitter.com/SnubClubPod Instagram: https://www.instagram.com/thesnubclubpodcast/ Facebook: https://m.facebook.com/permalink.php?story_fbid=108436691341808&id=108435618008582&substory_index=0   Theme music: Here It Comes by Tracktribe

EPISODE 16 - “Beginner's Luck” - 01/01/2024 To win an Oscar sometimes takes decades of hard work and dedication to your craft — just ask PAUL NEWMAN, GERALDINE PAGE, and JESSICA TANDY. In fact, when Newman finally won the Oscar in 1987 for “The Color of Money,” after being nominated six times previously, he didn't even bother to show up to the ceremony. “It's like chasing a beautiful woman for 80 years,” he told the Associated Press. “Finally, she relents and you say, ‘I'm terribly sorry. I'm tired.'” However, there is a small group of actors who didn't have to chase that beautiful Oscar for 80 years. They won for their very first film. This week we take a look at this rarified group. SHOW NOTES:  Sources: Inside Oscar: The Unofficial History of the Academy Awards (1986), by Mason Wiley and Damien Bona The Real Oscar: The Story Behind The Academy Awards (1981), by Peter H. Brown Seventy-Five Years of the Oscars: The Official History of The Academy Awards (2003), by Robert Osborne Oscar Dearest (1987), by Peter H. Brown and Jim Pinkston The Film Encyclopedia (1994), By Ephraim Katz Leonard Maltin's Movie Encyclopedia (1994), by Leonard Maltin IMDBPro.com Wikipedia.com Stars/Movies Mentioned:    GALE SONDERGAARD — The Wizard of Oz (1939), Anthony Adverse (1936), The Mark Of Zorro (1940), The Letter (1940), Sherlock Holmes and the Spider Woman (1943), The King of Siam (1946); KATINA PAXINOU — For Whom The Bell Tolls (1943), Mourning Becomes Electra (1947); HAROLD RUSSELL — The Best Years of Our Lives (1946), Inside Moves (1980); MERCEDES McCAMBRIDGE — All The King's Men (1949), Lightning Strikes Twice (1951), Johnny Guitar (1954), Giant (1956), Touch Of Evil (1958), The Exorcist (1973); SHIRLEY BOOTH — Come Back Little Sheet (1952), About Mrs. Leslie (1954); EVA MARIE SAINT — On The Waterfront (1955), A Hatful of Rain (1957), Raintree County (1957), North By Northwest (1959); JO VAN FLEET — East of Eden (1955), The Rose Tattoo (1955), I'll Cry Tomorrow (1955), Four Queens and a King (1956), Gunfight At The Okay Corral (1957), Wild River (1960), Cool Hand Luke (1967); JULIE ANDREWS — Mary Poppins (1964), The Sound Of Music (1965), Thoroughly Modern Millie (1967), Darling Lil (1970), The Pink Panther (1967), The Pink Panther Strikes Again (1976), 10 (1979), Victor/Victoria (1982);   BARBRA STREISAND — Funny Girl (1968), Hello Dolly (1969), On A Clear Day You Can See Forever (1970), The Owl and the Pussycat (1970); --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're re-examining and redeeming the genre of films lovingly (and somewhat controversially) called "Hagsploitation" or "Psycho Biddy" films, including 1964's Strait-Jacket (with Joan Crawford) and 1969's What Ever Happened to Aunt Alice? (starring Geraldine Page and Ruth Gordon). Mike and Eric also discuss the qualities these movies have in common with another shocking flick, 1965's Who Killed Teddy Bear? (with Sal Mineo).

This week on And the Runner-Up Is, Kevin welcomes back Izzy from Be Kind Rewind to discuss the 1985 Oscar race for Best Actress, where Geraldine Page won for her performance in "The Trip to Bountiful," beating Anne Bancroft in "Agnes of God," Whoopi Goldberg in "The Color Purple," Jessica Lange in "Sweet Dreams," and Meryl Streep in "Out of Africa." We discuss all of these nominated performances and determine who we think was the runner-up to Page.  0:00 - 8:51 - Introduction 8:52 - 27:30 - Anne Bancroft 27:31 - 49:54 - Whoopi Goldberg 49:55 - 1:08:42 - Jessica Lange 1:08:43 - 1:23:30 - Meryl Streep 1:23:31 - 1:38:46 - Geraldine Page 1:38:47 - 2:34:50 - Why Geraldine Page won / Twitter questions 2:34:51- 2:40:04 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Izzy on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Interiors is the 7th film written and directed by Woody Allen, first released in 1978. Diane Keaton, Mary Beth Hurt and Kristin Griffith play three sisters who barely get along. Their parents (father Arthur played by E.G. Marshall and mother Eve, played by Geraldine Page) have recently separated, leaving the daughters to deal with their family, their partners, their ambitions and their lives. Interiors is Woody Allen's first serious work – a quiet drama about a family. It's not only his first dramatic film – it's his first dramatic ANYTHING. Years of stand up, playwriting, acting and writing comic short stories was put aside for 100 minutes. Not in a bad way- but there is nothing funny about ‘Interiors‘. Welcome to the Woody Allen Pages podcast. This week we look at 1978's Interiors. How it was conceived, how it was made, and how it's so unlike any of Allen's other work. Spoilers are everywhere so watch the film and then come back. So much more at our website – Woody Allen Pages. Find us at: Facebook Instagram Twitter Reddit Support us Patreon Buy a poster or t-shirt at Redbubble Buy out books – The Woody Allen Film Guides Buy Me A Coffee You can write to us at woodyallenpages [at] gmail [dot] com

This week on And the Runner-Up Is, Kevin welcomes writer and programmer Jorge Molina to discuss the 1978 Oscar race for Best Actress, where Jane Fonda won for her performance in "Coming Home," beating Ingrid Bergman in "Autumn Sonata," Ellen Burstyn in "Same Time, Next Year," Jill Clayburgh in "An Unmarried Woman," and Geraldine Page in "Interiors." We discuss all of these nominated performances and determine who we think was the runner-up to Fonda.  0:00 - 13:23 - Introduction 13:24 - 35:15 - Ingrid Bergman 35:16 - 52:45 - Ellen Burstyn 52:46 - 1:12:57 - Jill Clayburgh 1:12:58 - 1:31:08 - Geraldine Page 1:31:09 - 1:48:45 - Jane Fonda 1:48:46 - 2:27:44 - Why Jane Fonda won / Twitter questions 2:27:45 - 2:35:53 - Who was the runner-up? Buy And the Runner-Up Is merch at https://www.teepublic.com/stores/and-the-runner-up-is?ref_id=24261! Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Jorge Molina on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

This gothic classic is identical to its 2018 Sophia Coppola remake except with more melodrama, brighter lights, theatrical acting, and ten times the horniness. The Beguiled (1971) Dir. Don Siegel. Adapted from the novel by Thomas P. Cullinan, and it's complicated. Starring Clint Eastwood, Geraldine Page, Elizabeth Hartman, Jo Ann Harris, Mae Mercer, and Pamelyn Ferdin. That's So Gothic releases episodes on the first and third Thursday every month. Email sogothicpod@gmail.com. Follow Chance and Amanda on Letterboxd @mrchancelee and @mcavoy_amanda. Instagram @sogothicpod Closing music "Gothic Guitar" by Javolenus 2014 - Licensed under Creative Commons Attribution Noncommercial (3.0)

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] NEW EPISODE ALERT - The year is 1963 and the nominees are: Anne Bancroft - The Miracle Worker Bette Davis - Whatever Happened to Baby Jane? Katharine Hepburn - Long Day's Journey into Night Geraldine Page - Sweet Bird of Youth Lee Remick - Days of Wine and Roses - In 1963 Bette Davis was odds on favourite to win her third Oscar and become the first actor to have three for her performance in Whatever Happened to Baby Jane. However on Oscar night Davis famously lost to Anne Bancroft for her physically demanding role playing Annie Sullivan in The Miracle Worker. To add salt in the wounds her on-screen (and allegedly off-screen) enemy Joan Crawford took to the podium to accept the award on Bancroft's behalf. It was viewed as a petty act of revenge toward Davis and to the Academy for not being nominated for Jane. Crawford also allegedly actively campaigned against Davis to ensure her loss. This was definitively a juicy year! You can't really talk about Bancroft's win without talking about the infamous feud between Davis and Crawford. Others nominated were Katharine Hepburn, Geraldine Page, and Lee Remick. This year really came down to Davis vs. Bancroft in our opinion. Listen to our new episode as we discuss! Join host Kyle Brownrigg with guest host Viza Decline as they discuss.

[ For full episode catalogue please subscribe to our Patreon at Patreon.com/BestActress ] The year is 1934 and the nominees are: Sophia Loren - Two Women Audrey Hepburn - Breakfast at Tiffany's Piper Laurie - The Hustler Geraldine Page - Summer and Smoke Natalie Wood - Splendour in the Grass - In 1962 Sophia Loren became the first Best Actress winner to win for a performance in a foreign language film playing Cesira in Two Women. Two Women is the story of a widow (Loren) and her lonely daughter seeking distance between them and the horror of WWII. This was a very stacked year. Audrey Hepburn's performance in Breakfast at Tiffany's is arguably one of the most iconic films in movie history. Piper Laurie gives a devastating performance playing opposite Paul Newman in The Husler as an alcoholic struggling with mental health issues. Geraldine Page plays the very-conservative-girl-next-door in Summer and Smoke. Finally Natalie Wood is “obsessed” with Warren Beatty and her “urges” that eventually cause her to go insane (was a bit confused by this) in Splendor in the Grass. Wood gives a fine performance I just found the ultra-conservative plot/circumstance a bit confusing. Either way! Amazing year with amazing performances! Who do you think should have won? Join host Kyle Brownrigg with guest host Selena Vyle as they discuss.

The game is afoot as we kick off a month looking at four films featuring Sir Arthur Conan Doyle's consulting detective, Sherlock Holmes. One of the most adapted characters in the history of cinema, we've all grown up with a variety of actors and interpretations of Holmes. In this series we're looking at four from the 1970s and, in this episode, we are discussing Billy WIlder's 1970 film The Private Life of Sherlock Holmes.The film stars Robert Stephens as Holmes and Colin Blakely as Watson along with Christopher Lee as Mycroft Holmes and Geraldine Page as the mysterious Gabrielle Valladon.Aaron Peterson (The Hollywood Outsider) and playwright and author David MacGregor join Mike all month for some Sherlockian talk.Become a supporter of this podcast: https://www.spreaker.com/show/the-projection-booth-podcast_2/support.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5513239/advertisement

The game is afoot as we kick off a month looking at four films featuring Sir Arthur Conan Doyle's consulting detective, Sherlock Holmes. One of the most adapted characters in the history of cinema, we've all grown up with a variety of actors and interpretations of Holmes. In this series we're looking at four from the 1970s and, in this episode, we are discussing Billy WIlder's 1970 film The Private Life of Sherlock Holmes.The film stars Robert Stephens as Holmes and Colin Blakely as Watson along with Christopher Lee as Mycroft Holmes and Geraldine Page as the mysterious Gabrielle Valladon.Aaron Peterson (The Hollywood Outsider) and playwright and author David MacGregor join Mike all month for some Sherlockian talk.

With a diverse career in the film industry, Carolyn McDonald continues to expand her creative disciplines. Some of her recent endeavors include, executive producing, co-writing and directing P.N.O.K., a short film featuring Irma P. Hall, Danny Glover, Robert Ri'chard and Elle Fanning, executive producing Country artist Big Kenny Alphin's (Big & Rich) documentary "Bearing Light" which aired on National Geographic Channel, directing the Shannon Sanders music video "Run" and co-writing the comedy "Return of the Sweetbirds" from her story for 20th Century Fox.  As partner of Danny Glover at Carrie Productions, she executive produced the Emmy & Image Award nominated TNT civil rights saga, "Freedom Song". Written and directed by Oscar® nominee Phil Alden Robinson ("Field of Dreams"), the film features Vondi Curtis-Hall, David Strathairn and Loretta Devine. Carolyn also co-produced the critically acclaimed Western "Buffalo Soldiers". Earlier at Carrie, she executive produced the prestigious HBO trilogy "America's Dream". Comprised of powerful short stories by celebrated African-American authors, Maya Angelou, Richard Wright & Dr. John Henrik Clarke, the film featured Wesley Snipes, Danny Glover & Jasmine Guy, with segments directed by Bill Duke, Kevin Sullivan & Emmy-winner Paris Barclay. The program won 4 Cable Aces and an NAACP Image Award for Best Made-for-TV Movie.  Prior to joining Carrie, Carolyn served as a Creative Executive at Cinecom Entertainment Group, where she was involved in various stages of development & production on such films as "The Handmaid's Tale", "Once Around", "Mississippi Masala" and "Tune in Tomorrow".  Fresh out of NYU's Dramatic Writing Program, Carolyn joined the East Coast advertising/publicity division of Warner Bros. Television in New York. There she ran buyer screenings and developed network publicity campaigns for such films as "The Road Warrior, "Chariots of Fire" and "Blade Runner", and conceived marketing campaigns for the Warner Bros. cartoon catalogue.  Committed to giving back to youth and community, Carolyn produced and directed the documentary and short film "Who's Real" for Nashville Film Festival's Youth Outreach Film Program. She continues to produce the program, comprised of inner city teens generating short films based on their own lives. In 2011, she produced and directed the documentary "Design Your Neighborhood" for the Nashville Civic Design Center, a program also supporting youth education.  Carolyn was a consultant for the American Film Institute's Digital Content Lab, a mentor for FilmIndependent's Project: Involve, studied acting with Uta Hagen and Geraldine Page, and is an alumni of Judith Weston's Actor/Director Lab.You can also check out Carolyn in Film Festival Radio about her new book “Light Needs Night” which she will be shooting a short film adaptation for in April. Connect with her on Instagram at https://www.instagram.com/createdbycarolyn/ Credits Include...Buffalo Soldiers starring Danny GloverAmerica's Dream starring Wesley SnipesFreedom Song starring David StrathairnFly starring Bruce BoxleitnerPlease like and subscribe, it helps us out a lot.Music is Snowbound by Dennis Mitcheltree.Episode still image is from the film Buffalo Soldiers, owned by Turner Pictures and TNT, Director of Photography William Wages.Follow Us on Social Media!Greater & Grander on YouTube - Support the show

This week on And the Runner-Up Is, Kevin welcomes writer and podcaster Josh Parham to discuss the 1962 Oscar race for Best Actress, where Anne Bancroft won for her performance in "The Miracle Worker," beating Bette Davis in "What Ever Happened to Baby Jane?," Katharine Hepburn in "Long Day's Journey Into Night," Geraldine Page in "Sweet Bird of Youth," and Lee Remick in "Days of Wine and Roses." We discuss all of these nominated performances and determine who we think was the runner-up to Bancroft. 0:00 - 10:42 - Introduction 10:42 - 44:11 - Bette Davis 44:12 - 1:07:35 - Katharine Hepburn 1:07:36 - 1:27:09 - Geraldine Page 1:27:10 - 1:45:19 - Lee Remick 1:45:04 - 1:59:16 - Anne Bancroft 1:59:17 - 2:28:30 - Why Anne Bancroft won / Twitter questions 2:28:31 - 2:34:46 - Who was the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Josh Parham on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Tyler Strandberg joins Brian for a discussion of Pete 'n' Tillie, starring Carol Burnett, Walter Matthau, and Geraldine Page, in an Oscar-nominated role! They also talk about Page's fantastic career and pick her three best movies. PETE 'N' TILLIE is available on YouTube: https://www.youtube.com/watch?v=JES1JQMODFUFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts.

(sorry about the spiking audio on my end, had a mic issue!) This week on And the Runner-Up Is, Kevin welcomes writer, podcaster, and YouTuber Juan Carlos Ojano to discuss the 1961 Oscar race for Best Actress, where Sophia Loren won for her performance in "Two Women," beating Audrey Hepburn in "Breakfast at Tiffany's," Piper Laurie in "The Hustler," Geraldine Page in "Summer and Smoke," and Natalie Wood in "Splendor in the Grass." We discuss all of these nominated performances and determine who we think was the runner-up to Loren. 0:00 - 13:16 - Introduction 13:17 - 40:33 - Audrey Hepburn 40:34 - 1:04:52 - Piper Laurie 1:04:53 - 1:22:52 - Geraldine Page 1:22:53 - 1:45:03 - Natalie Wood 1:45:04 - 2:04:36 - Sophia Loren 2:04:35 - 2:31:03 - Why Sophia Loren won / Twitter questions 2:31:04 - 2:37:01 - Who was the runner-up? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter Follow Juan Carlos Ojano on Twitter Follow And the Runner-Up Is on Twitter and Instagram Theme/End Music: "Diamonds" by Iouri Sazonov Additional Music: "Storming Cinema Ident" by Edward Blakeley Artwork: Brian O'Meara

Tom and Jenny talk about this critically panned but still oddly enjoyable 1985 film, a sort of sequel to James Whale’s 1935 Bride of Frankenstein. It was directed by Franc Roddam (of Quadrophenia fame) and stars Sting, Jennifer Beals, Geraldine Page, and Clancy Brown. Audio version: Video version: Please support us on Patreon! Don't forget to … Continue reading Matinee LIVE: The Bride (1985)

This week's podcast stars Geoffrey Horne: actor, director, teacher and movie star! Geoffrey is an original member of Lee Strasberg's Actor's Studio where he studied alongside Marilyn Monroe and Paul Newman. He starred in The Bridge on the River Kwai, was directed by Elia Kazan and worked with everyone from Geraldine Page to Jane Fonda, Geoffrey continues to teach acting at The Lee Strasberg Theater and Film Institute and direct Theater at Shakespeare Downtown.Co-Host - Author of Diary of an Actress - Executive Producer: Rachel BailitEditor - Producer : Max Bugrov

En nuestro Ep. 224 Megan, Gabriel y El Watcher hablan sobre su experiencia con el huracán Fiona y las últimas Películas y Series de Televisión que han visto en el segmento "Wachin' con Wacho", el libro "Five Tribes" escrito por Brian Nelson en el segmento "Book Rewind", la trayectoria de las actrices Geraldine Page, Marlee Matlin, Shirley MacLaine y Sally Field en el segmento "Awards Spotlight" y conversan sobre la quinta temporada de "Cobra Kai" (2022). ¡Apoya nuestro contenido uniéndote a nuestro Patreon! Visita: https://www.patreon.com/CulturaSecuencial ¡Síguenos y Suscríbete a nuestro canal de Twitch! Visita: https://www.twitch.tv/culturasecuencial ¡Síguenos en Twitter! Visita: https://twitter.com/CultSecuencial ¡Síguenos en Instagram! Visita: https://www.instagram.com/culturasecuencial ¡Síguenos en Facebook! Visita: https://www.facebook.com/CulturaSecuencial ¡Subscríbete a nuestro canal de YouTube! Visita: https://www.youtube.com/culturasecuencial --- Send in a voice message: https://anchor.fm/culturasecuencial/message Support this podcast: https://anchor.fm/culturasecuencial/support

Best Play "Summer and Smoke" May 22, 1953 NBC starring Geraldine Page and Richard Kiley

The year is 1986 and the nominees are: 1. Whoopi Goldberg - The Color Purple 2. Meryl Streep - Out of Africa 3. Jessica Lange - Sweet Dreams 4. Geraldine Page - The Trip to Bountiful 5. Anne Bancroft - Agnes of God - In 1986 Geraldine Page finally won her Oscar after being nominated 8 times over the course of 3 decades (similar to Glenn Close - 8 nominations over the course of 4 decades). When she won she was met with thunderous applause and a standing ovation. The industry felt she was overdue and wanted to celebrate her big moment, which is great, but was she the best actress that year? The Color Purple was nominated for 11 Oscars and won 0 and Steven Spielberg was even snubbed as Best Director. Many people thought Whoopi should have won for playing Celie -a black southern woman who struggles to find her identity after suffering abuse from her father and others over four decades. You also have Meryl Streep at her finest in the cinematic epic (and best Picture Winner) Out of Africa. This is a very stacked year. Jessica Lange gave an amazing performance as country singer Patsy Cline. Anne Bancroft played Mother Miriam Ruth in Agnes of God defending the possibility of an immaculate conception of one of her nuns (a role which Geraldine Page originated on Broadway and was nominated for a Tony). Much to discuss on this episode! Join host Kyle Brownrigg with guest host Mayce Galoni as they discuss.

The Beguiled is a tense story of an injured man who is brought back to health by a group of women and girls. It has been adapted twice, once with Clint Eastwood and Geraldine Page, then again with Colin Farrell and Nicole Kidman. But does either film do the book justice? Get a free audiobook by signing up for audible! https://www.audibletrial.com/whythebookwins https://www.youtube.com/c/whythebookwins https://whythebookwins.com/

The release of Whatever Happened to Baby Jane in 1962 was followed by a decade of so-called Hagsploitation movies, in which former female Hollywood stars went at each others' throats as hair-raising psycho biddies. The genre has been highly controversial for its depiction of older women and therefore exposing ageism in Hollywood, but Andy and Sam have also found much cult potential and camp in the examples they have watched for this episode: Besides the Bette Davis/Joan Crawford classic, they discuss Tallulah Bankhead's turn in Fanatic! (1965), Debbie Reyolds and Shelley Winters in What's the Matter with Helen? (1971), as well as Ruth Gordon and Geraldine Page battling it out in Whatever Happened to Aunt Alice? (1968). Join our latest episode for some full-throated enthusiasm about the power of old ladies in 60s Hollywood and their legacy in cinema until today.

While eating your Saturday brunch, or perhaps an early lunch, tune in for CDST's "It's McDavid's world, and we're just eating in it " show. We'll check out the hockey sensation north of the border, that's driving the Oilers' stock, up up up. It's Connor McDavid, the fastest man with the puck you'll ever see. Plus, ChabDog would never miss a chance like this to show his undying Celtic Pride, as we get ready for a Boston Massacre of Jimmy Buckets and Spoelstra's scrubs on Saturday night.And if all this talk about Israeli burger chains is making you a bit hungry, we've got a prime cut from Dick Butkus' "Hamburger, The Movie", along with double doses of Geraldine Page and Geraldine Wilson that will make you flip out. Then we'll top things off in hour 2 with Melony Barber of Back Bay Funding, and of course, the awesome horsepower of Abe Miranda's racing update.

Sachi Parker Has Changed Her Luck Trekkies will remember Sachi Parker as Dr. Tava from the "Star Trek: The Next Generation" episode "First Contact" (no, not the movie), but her career and life go far beyond the stars… although in her case, it was a bit closer to stars than most of us. The daughter of legendary Hollywood actress Shirley MacLaine and Steve Parker, Sachi had a tumultuous childhood and a fractured relationship with her mother, which culminated in her writing a tell-all book about the two of them called "Lucky Me: My Life With – and Without – My Mom, Shirley MacLaine." Fast forward to almost a decade after Sachi wrote that book, and her perspective has changed in a big way. We discuss growing up in Japan and her eventual arrival in LA to reconnect with her mom, who in turn helped her daughter discover her talent for acting, what she learned under the tutelage of Peggy Feury, her first professional gig on "Riders to the Sea" with Geraldine Page and Amanda Plummer in Ireland, "Back to the Future" with Michael J. Fox, "Peggy Sue Got Married," "Scrooged" and how much of Bill Murray's speech at the end was improv, and her episode of the sci-fi series "Alien Nation" with Gary Graham and Eric Pierpoint. From there, it's time for some Trek talk, and Sachi explains how she got the role, the makeup, and prosthetics, working with Jonathan Frakes, memories of Bebe Newirth's guest spot in the same episode, and more from her time on set.  We also spend much of the episode discussing her mom, coping with feelings of isolation while growing up under a public microscope, why she kept her mother a secret while she was in Hollywood, figuring out who she is and dealing with her generational trauma, and how Sachi has changed to make her life better today for herself and her family. ·      Check out Sachi's book on Amazon using this link here - https://amzn.to/38UFHRy Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!       Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.   The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates. 

Trekkies will remember Sachi Parker as Dr. Tava from the "Star Trek: The Next Generation" episode "First Contact" (no, not the movie), but her career and life go far beyond the stars… although in her case, it was a bit closer to stars than most of us. The daughter of legendary Hollywood actress Shirley MacLaine and Steve Parker, Sachi had a tumultuous childhood and a fractured relationship with her mother, which culminated in her writing a tell-all book about the two of them called "Lucky Me: My Life With – and Without – My Mom, Shirley MacLaine." Fast forward to almost a decade after Sachi wrote that book, and her perspective has changed in a big way. We discuss growing up in Japan and her eventual arrival in LA to reconnect with her mom, who in turn helped her daughter discover her talent for acting, what she learned under the tutelage of Peggy Feury, her first professional gig on "Riders to the Sea" with Geraldine Page and Amanda Plummer in Ireland, "Back to the Future" with Michael J. Fox, "Peggy Sue Got Married," "Scrooged" and how much of Bill Murray's speech at the end was improv, and her episode of the sci-fi series "Alien Nation" with Gary Graham and Eric Pierpoint. From there, it's time for some Trek talk, and Sachi explains how she got the role, the makeup, and prosthetics, working with Jonathan Frakes, memories of Bebe Newirth's guest spot in the same episode, and more from her time on set.  We also spend much of the episode discussing her mom, coping with feelings of isolation while growing up under a public microscope, why she kept her mother a secret while she was in Hollywood, figuring out who she is and dealing with her generational trauma, and how Sachi has changed to make her life better today for herself and her family. ·      Check out Sachi's book on Amazon using this link here - https://amzn.to/38UFHRy Please subscribe to our YouTube channel and hit the notifications button to be updated when we go live or upload our next video! Support Trek Untold by checking out our merchandise at https://teespring.com/stores/trekuntold or become a Patreon at Patreon.com/TrekUntold. Trek Untold is sponsored by Triple-Fiction Productions, a US-based company that 3-D prints Trek-inspired prop replicas for fan films and cosplayers, as well as accessories and playsets for all iterations of Trek figures through the years. Visit them at Triple-Fictionproductions.net.   Don't forget to subscribe to the show and leave a rating if you like us!       Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter:  Twitter.com/NerdNews2Day Instagram: Instagram.com/NerdNewsToday Facebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

"Hondo" 1953 is a 3D western directed by John Farrow with John Ford directing the final scenes because Mr. Farrow had to leave to complete another film. The movie was shown in 3D, but many smaller theaters showed it in the traditional format. The story takes place in 1870 when the Army invalidates a treaty obligation that leads to a conflict with the Apache Nation.Hondo Lane played by John Wayne is a dispatch rider and scout for the Army who arrives at the remote Arizona homestead of Angie Lowe played by Geraldine Page and her young son Johnny played by Lee Aaker. Leo Gordon is Ed Lowe who has abandoned his family. In this first rate film Michael Pate gives a strong performance as the Apache leader Vittoro.Here's the IMDb page for “Hondo”Check us out on Patreon at www.patreon.com/classicmoviereviews for even more content and bonus shows.

The year is 1991 and the nominees are: 1. Whoopi Goldberg - Ghost 2. Lorraine Bracco - Goodfellas 3. Annette Bening - The Grifters 4. Mary McDonnell - Dances With Wolves 5. Diane Ladd - Wild at Heart - In 1991 Whoopi Goldberg became the first black woman to win the Academy Award for Best Supporting Actress in nearly 50 years, and the second black woman to win an Academy Award for acting (the first being Hattie McDaniel for Gone with the Wind in 1940). Many argued she should have won for The Colour Purple losing out to Geraldine Page in 1986. In 2002 Whoopi sent her Oscar statue to be replated only to have it intercepted and go missing. It was later found in a trash can in a Los Angeles airport and Whoopi has since said she will never part with Oscar again. Her competition included Lorraine Bracco for Goodfellas who frankly should have been a lead but category fraud means nothing to the Academy (as I've learned with this podcast). Annette Bening gave one of her best and funniest performances in The Grifters. Mary McDonnell was in mourning in Dances with Wolves opposite Kevin Costner. Finally, Diane Ladd was nominated for one of the strangest movies I have ever seen, Wild at Heart. A film that I think you either love or you hate. Join host Kyle Brownrigg with guest host Kate Davis as they discuss.

Intro: Mummies vs. Zombies, cancer doulasLet Me Run This By You: Gina has projection issues. Interview: We talk to Joe Mantegna about Morton College, The Goodman School of Drama, Arthur Lessac, starting his career with HAIR, Dr. Charles McGaw, The Shubert Theater, Morton West High School, André De Shields, Jonathan Banks, Carrie Snodgrass, his close relationship with Bella Itkin, Geraldine Page, Eugenie Leontovich, Patrick Henry, playing Judas in Godspell, Organic Theater,  the Grease premiere at Kingston Mines theater, Jack Wallace, Medusa Challenger,  Stuart Gordon, the sci-fi play Warp!, One Flew Over the Cuckoo's Nest, Dennis Franz,  John Heard, Richard Gilliland, Meshach Taylor,  The Wonderful Ice Cream Suit, Esai Morales, Edward James Olmos,  Bleacher Bums, Robert Smigel, winning the Tony, Mandy Patinkin, his approach to ensemble acting, breaking news about  Criminal Minds!, House of Games, dealing with David Mamet's language, American Buffalo, Sexual Perversity in Chicago, A Life in the Theatre, William H. Macy, going up on his lines on opening night of Glengarry Glen Ross, Lindsay Crause, Nan Cibula-Jenkins, Vincent Gardenia, and why JOE MANTEGNA PREFERS TALKING TO US OVER THE NEW YORK TIMES! Hopefully, next time we'll get into the Jim Clemente of it all, about Southern Italian miners migrating to the American Southwest, and Wait Until Spring Bandini

Vuelve por aquí uno de nuestros formatos favoritos, en el que comparamos una película con una nueva versión más moderna. Si además no son muy conocidas "miel sobre hojuelas" que nos gusta decir por aquí. En este caso os proponemos un registro de Clint Eastwood no muy habitual, el del manipulador cabo del ejército de la Unión John Mc Burney, quien se enfrenta interpretativamente a una fabulosa Geraldine Page. El director fue el imprescindible Don Siegel, quien declaró que era su peli favorita. Como replicante, la versión de Sofia Coppola, ganadora de la Palma de oro en Cannes en 2017, protagonizada en este caso por Nicole Kidman y Colin Farrell. Cual será en este caso la favorita en nuestra Fortaleza Secreta, ¿la original o la replicante? ¿Y la vuestra? De cualquier manera, con muchas risas como siempre. ¡Esperamos que os guste! La música presente en el programa tiene licencia Creative Commons ("Into the Storm" por Brandon Lew) o está cedida (cierre por el gran Almirante Stargazer del fantabuloso podcast "Torpedo Rojo"). Puedes seguir nuestras andanzas y participar en nuestra web, el portal cultural podcaliptus.com ; en nuestro canal de YouTube "Podcaliptus Bonbon", en nuestro muro de Facebook y en Twitter donde estamos como @podcaliptus. También en Instagram ¡Os esperamos! :-)

The Olympics are still going and 'Merca is doing very well.  Grayson standing next to Chris Hemsworth- Grayson is less than a man.  Can the Gran Tourino script still work today?  Chris is rewatching Falcone and the Winter Soldier.  Hawkeye is on the Horizon-November 24th.  Disney has so much coming up.  Be excited! 0:07:10 - Box-office, upcoming releases 0:14:35 - *** WHAT'S STREAMNG*** DISNEY+ THE SWORD AND THE STONE, Dir. Wolfgang Reitherman, Clyde Geronimi, David Hand - Rickie Sorensen, Sebastian Cabot, Karl Swenson, Junius Matthews, Ginny Tyler, Norman Aiden. 1963   THE RESCUERS, Dir. John Loundsbery, Wolfgang Reitherman and Art Stevens - Bob Newhart, Eva Gabor, Geraldine Page, Joe Flynn, Jeanette Nolan, Pat Buttram. 1977   Snow White AND THE SEVEN DWARFS, Dir. William Cottrell, David Hand and Wilfred Jackson - Adriana Caselotti, Harry Stockwell, Lucille La Verne, Roy Atwell, Stuart Buchanan, Candy Candido, Eddie Collins. 1937   0:23:55 - Trailers - NO TIME TO DIE / GHOSTBUSTERS: AFTERLIFE / KING RICHARD 0:35:05 - TED LASSO, S2:E2 0:38:00 - OLD, Dir. M.Night Shyamalan (3-5/10) 1:04:30 - SNAKE EYES, Robert Schwentke (5/10) Hosted, produced and mixed by Grayson Maxwell and Roger Stillion.  Music by Chad Wall. Guest appearance by Chris Boughan.  Quality Assurance by Anthony Emmett. Visit the new Youtube channel, "For the Love of Cinema" to follow and support our short video discussions.  Roger wears aviators!  Please give a like and subscribe if you enjoy it.   Follow the show on Twitter @lovecinemapod and check out the Facebook page for updates.  Rate, subscribe and leave a comment or two.  Every Little bit helps.  Send us an email to fortheloveofcinemapodcast@gmail.com Thank you for Listening!  :)

Leon Russell [00:17] "Roll Away the Stone" Leon Russell Shelter Records SHE 8901 1970 Leon with his disciples Charlie Watts, Bill Wyman, and Steve Winwood. Duke Jordan [03:26] "The Feeling of Love No. 2" Les Liaisons Dangereuses Charlie Parker Records PLP-813 1962 Music from the "scandalous" Roger Vadim interpretation of the 1782 novel of the same name. Evidently much of the film in the music was performed by Thelonius Monk. Here, Jordan is accompanied by Eddie Kahn on bass, Art Taylor on drums, Charlie Rouse on tenor sax, and Sonny Cohn on trumpet. The Beatles [06:52] "Get Back" Let It Be Apple Records AR 34001 1970 Featuring Billie Preston on keys, and John Lennon handled lead guitar because George had briefly quit the band during the well-documented recording process. Rolling Stones [10:00] "Monkey Man" Let It Bleed London Records NPS-4 1969 Hey... more Stones! And you know I love songs about monkeys. Bill Wyman plays vibes on this track as well as bass. David Bowie [15:29] "Shake It" Let's Dance EMI America SO-17093 1983 Since we've heard both of the big hits from this album in seasons 2 and 4 of Vinyl-O-Matic, I'm going with this kinda goofy track that closes the album. Marvin Gaye [19:16] "Let's Get It On" Let's Get It On Tamla T329V1 1973 When in doubt, go with the hit. And what a hit it is. Sure that initial skip ruins the mood a bit, but that groove gets right back in there! Guided by Voices [24:07] "The Unsinkable Fats Domino" Let's Go Eat the Factory Guided by Voices, Inc. GBVI 16 2012 One of the classic iterations of the band, and their very first release on Guided by Voices, Inc. Bonnie 'Prince' Billy [26:00] "I Called You Back" The Letting Go Drag City dc420 2006 A fine slow jam that closes out this mid-Aughties Will Oldham album. Recorded in Reykjavik, featuring the core lineup of brother Paul on bass, Emmett Kelly on guitar, Jim White on drums, and the always astounding Dawn McCarthy on vocals. ABC [33:14] "Poison Arrow" The Lexicon of Love Mercury SRM-1-4059 1982 A heavy rotation early 80s classic that reached number 25 on the Hot 100. Lemonheads [36:36] "Mallo Cup" Lick Taang! Records 32 1989 Not a fan of the actual Mallo Cup, but I am a fan of this song. Did you know that everyday, someone is born who has never heard Lemonheads cover Suzanne Vega's "Luka" (https://youtu.be/CW9Pv0WT2K0). The Red Clay Ramblers [38:48] "Killing Floor" A Lie of the Mind Sugar Hill Records SH-8501 1986 Music to accompany Sam Shephard's 1986 Off-Broadway play A Lie of the Mind, which featured a cast of James Gammon, Harvey Keitel, Geraldine Page, Will Patton, Amanda Plummer, Aidan Quinn, Ann Wedgeworth, and Karen Young. Leonard Cohen [40:45] "Tonight Will Be Fine" Leibestraume - Leonard Cohen singt seine schönsten Lieder CBS CBS 84718 1980 Sadly, just the original English language versions of Leonard's hits. Taurus [45:55] "Life (Part I)" Life Self Released 2012 Doomy goodness from Portland duo Stevie Floyd and Ashley Spungin in an outstanding box set featuring multicolor splatter vinyl, photographs, back patch, sticker, screen-prints in a custom box. Music behind the DJ: "Another Girl" by George Martin and his Orchestra

"Hice dos películas en inglés que se filmaron en Puerto Rico, dirigidas por Torre Nilsson en 1967. La chica del lunes donde trabajé con Geraldine Page y Arthur Kennedy; y Los traidores de San Ángel con Ian Hendry y Lautaro Murúa."

Keith Phipps (former editor of The A.V. Club and author of the upcoming book Age of Cage, all about the films of Nicolas Cage) joins Brian for a discussion of THE BEGUILED, starring Clint Eastwood and Geraldine Page and directed by Don Siegel. They also talk about Siegel's long career and pick his three best films!THE BEGUILED is available on Amazon Prime: https://amzn.to/3lVrma8Read more about Keith Phipps' book AGE OF CAGE: https://bit.ly/3svZuf6Follow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts. You can also email the podcast at fiftyyearsagoinfilm@gmail.com!/// SUPPORT FILM AT FIFTY ///Check out our Patreon page at patreon.com/filmatfifty to unlock two or more bonus episodes a month not available on the regular podcast. We'd love your support!

We will not sing that theme song but we are here with television icon, Mindy Cohn. You Might Know Her From The Facts of Life, Violet Tendencies, Scooby Doo, The Secret Life of the American Teenager, and A Nice Girl Like You. Mindy talked to us about her deep ties to the LGBTQ community, taking on the iconic voice role of Velma Dinkley in Scooby Doo, and, of course, Facts of Life talk (from her casting to the final seasons with Cloris Leachman). This one was chock-full of goodies! Happy New Year, bbs! Follow us on social media: @damianbellino || @rodemanne  Damian watched all of The Flight Attendant with Kaley Cuoco, Rosie Perez, and Ann Harada (!) Ann Harada full episode of YMKHF We both watched The Wilds Sakina Jaffrey has a role in Soul (full YMKHF episode wiith Sakina)  Annaleigh Ashford in The Undoing (full YMKHF with Annaleigh) Mary Kay Place in The Prom, of course! (full YMKHF with Mary Kay) Tracey Ullman is 10 years younger than her best friend, Meryl Streep Mindy watches Real Housewives (Kim Fields was on Atlanta) and Survivor (Lisa Whelchel was on Phillippines) Mindy has famous gay friends like Isaac Mizrahi (designer), Mickey Boardman (Editorial Director at Paper Magazine), Simon Doonan (Barney’s) Violet Tendencies (Mindy’s first sex scene) Charlotte Rae and Normal Lear discovered her at her real school, Westlake High School  Natalie loses her virginity to her boyfriend ‘Snake’ (this was originally Blair’s storyline but Lisa Whelchel vetoed it because of her religion) on S9, ep16: “First Time” Fabian and Bobby Rydell on The Facts of Life (ep 62: Pick Up Story) Table Settings with Stockard Channing, Dinah Manoff and Eileen Heckart (Robert Klein played her dad)  Loved Ruth Gordon, Geraldine Page, and Cloris Leachman Was the voice of Velma Dinkley (!) from Scooby-Doo for 15 years Worked with an all-star voiceover cast Frank Welker, Casey Kasem, and Grey DiLisle Velma is a lesbian!  In 2017 she came forward with the fact that she battled cancer for five years  Bret and Josh Beekman 1802 Were Cloris Leachman and Charlotte best friends or rivals? Cloris came on when Charlotte left the show. Both were at Northwestern but were not friends there because Charlotte was younger Marion Ross got the job, but Cloris called Norman Lear because she needed the gig! Marion was replaced before she even did an episode.  Cloris is a class act and wrote all the girls letters as Beverly Ann Stickle stationary before joining the show Mindy participated in Worst Cooks in America, What Not to Wear, Celebrity Ghost Stories, Long Island Medium David Boreanz is a dick and doesn’t do coverage Mindy bowed out of the first season of The Surreal Life and offered up Gabrielle Carteris in her stead  Refuses to discuss whether or not she is godmother to Brad Pitt and Angelina Jolie’s kids.  Fuck Marry Kill: Brian Setzer Orchestra (“Jump Jive an Wail”), Cherry Poppin Daddies (“Zoot Suit Riot”), Squirrel Nut Zippers (“Put a Lid On It”) Mindy sang background vocals on Michael Jackson’s “PYT” and is good friends with Janet Mindy Cohn was in an episode of Suddenly Susan with Brooke Shields, who was in The Other Guys with next week’s guest Meryl Streep sings too much: Postcards from the Edge, Ricki and the Flash, Death Becomes Her, Mamma Mia, A Prairie Home Companion (not mentioned: Into the Woods eek) Mandy Patinkin spit on Toni Collette in the Broadway production of The Wild Party and she slapped him. She said she’ll never do Broadway again :( 

Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast NOVEMBER 22 Teachers' Day Andrzej Zulawski , Scarlett Johansson, Jamie Lee Curtis , Mads Mikkelsen, Michael Kenneth Williams, Mark Ruffalo, Alden Ehrenreich , Jamie Campbell Bower , Terry Gilliam , Richard Kind , Adèle Exarchopoulos, Robert Vaughn , Mariel Hemingway , Jacob Cohen, Rodney Dangerfield, Geraldine Page , Tom Conti , Allen Garfield , Charles André Joseph Marie de Gaulle . --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message

Michael Lee Merrins is my guest.Michael is an Actor with a love of all things James Dean, who grew up in Pier Angeli’s former Westwood home and studied with Geraldine Page (Jimmy’s close friend) in New York. His father is Golf legend Eddie “The Little Pro” Merrins.We sat down to discuss Michael’s life, Acting and Film career, the time he spent in New York studying with Geraldine Page, Spirituality, the home he grew up in that once housed Pier Angeli, Spirituality, His Fathers legacy,past lives, and more!Support the show (https://www.patreon.com/callingoldhollywood)

This week, I’m super excited to introduce my guest: Geoffrey Horne. He studied acting and directing with Lee Strasberg, became a member of the Actor’s Studio where he was influenced by incredible actors, appeared in the first Actor’s Studio production with Geraldine Page and Jane Fonda. He guest-starred on The Green Hornet alongside Bruce Lee, and performed in various plays both on- and off-Broadway. And, Geoffrey Horne was my very first acting teacher. Throughout our conversation, Geoffrey discusses the lessons he’s learned as a working actor, student, and teacher about honing the craft of acting, how to utilize your sensitivity in front of the camera, and why your childhood memories are the perfect fodder to fuel your skills. Tune in to learn more about Geoffrey Horne’s career and the lessons he’s learned over the years. Some Questions I Ask: What do you remember from the first class I took with you? (4:02)What’s your Hollywood story? (8:04)How do you cope with fear and anxiety as an actor? (16:29)How has transitioning to online teaching been for you? (39:18) In This Episode You Will Learn: The most valuable lesson Geoffrey learned as a student of Lee Strasberg. (10:34)Why sensitivity is a valuable trait to have as an actor. (16:50)Geoffrey’s advice to young actors to help them work on their craft. (25:15)How to utilize your childhood memories to fuel your acting. (27:28)Why Geoffrey is so passionate about teaching the craft. (36:14)Resources:Notes on Directing by Frank Hauser and Russell ReichLet’s Connect! Manhattan Actor Studio See acast.com/privacy for privacy and opt-out information.

SHOWS: City of Angels, Chicago, I Love My Wife He is suave. He is sophisticated. He is two time Tony Award winner James Naughton. Mr. Naughton joins Rob and Kevin from his Maine summer home to look back on his career which includes Long Day's Journey Into Night, I Love My Wife, Whose Life Is It Anyway, City of Angels, Four Baboons Adoring The Sun, Chicago, Prymate, Democracy, and so many more. James pulls back the curtain on his career to discuss how he directed Paul Newman in Our Town, what it was like working with the one and only Cy Coleman on two shows, and why he decided to invest in Chicago: The Musical....literally! Also, James shines the spotlight on Geraldine Fitzgerald, Geraldine Page, and John Kander and Fred Ebb! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1979 Jane Fonda, aka Hanoi Jane (at the time (or maybe to some still)), took home her second Oscar for Coming Home. This was a monumental win not only for Fonda but also her career. Much of America believed her to be a traitor to her own country due to bad selfie stick moments in Vietnam #oops. As a result, she didn’t work in any major motion pictures for years after the incident and her movie career kind of tanked… I really have so much respect for this woman, not just as an actress but also as a brand reinvigorator. She completely remedied her public image over time and won an Oscar, not bad. Other nominees that year included Geraldine Page for Interiors, Ingrid Bergman in Autumn Sonata, Ellen Burstyn in Same Time, Next Year, and Jill Clayburgh for An Unmarried Woman. Who do you think should have won? Join host Kyle Brownrigg with guest host Dan Dillabough as they discuss.

ABOUTSofia and Jessica fall in love at Miami University in the early 1080s, graduate from college, and settle down in the country with their daughter until tragedy strikes and the courts get involved.WRITER/DIRECTORBernadette Armstrong moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated). ACTORSGoreti da Silva has had the pleasure of working on several of Bernadette Armstrong’s plays: Dark Stage, Unheard Voices, Simple Lives, and Joan. Goreti has won The Michael Grossman Most Inspirational Award for her work in the Desert, and the Valley Theatre Award for her work in “Park Plays: Portland”.Anne Cooper has acted under the direction of influential Film and TV directors such as Sam Raimi, Paul Schrader, and Kat Coiro. She has performed with Angela Lansbury, Mary Beth Hurt, William Hurt, Danny DeVito, Lee Remick, and Geraldine Page and most recently in the new film MARRY Me with Jennifer Lopez and John Bradley of House of Thrones. Sound Production:Mercury Sound Studios Recorded and Mixed by: Paul Ratajczak and Hall CantrellSound Editor: Hall CantrellOriginal Music "melody" written and performed by Tatiana VinciSupport the show (https://fundraising.fracturedatlas.org/open-door-playhouse)

Matthew the Christmas Guy is here! So is Truman Capote, Geraldine Page, clay dinosaurs, Jesus, Catholicism, Bart Simpson, Donald Trump, Gwen Stefani's brother, bad driving, and a doggo named Santa's Little Helper. This Christmas, we're talking about A Christmas Memory, that Claymation Christmas thing, and "Simpsons Roasting on an Open Fire." Click play! Merry Everything! Have some egg nog! Hug your mom! If she's dead, hug your dad! If he's dead, hug your friends! If they're dead, hug yourself! If you have no arms, nuzzle your chin against your chest lovingly! Please do me a favor this holiday season and embrace your beautiful life! It's not so bad! Ho ho ho!  booyahpodcast@gmail.com // 857-626-6924

If you love the holidays because you get to spend time with your grandmother, you're going to love this month's episode! Of course, if your grandmother is anything like Bette Davis, Geraldine Page, or Shelley Winters, you may not want to spend the holidays with her... Learn all about "Hagsploitation," a beloved (by some people, especially Jeff) sub-genre, as Jeff and Richard discuss the movies What Ever Happened to Baby Jane (1962), What Ever Happened to Aunt Alice (1969), and Whoever Slew Auntie Roo (1971). You're going to love it... ya' ahrrr, Blanche, ya' ahrrr! Send us your feedback! You can call: (616) 649-2582 That's (616) 649-CLUB or email: classichorrorsclub@gmail.com, or... ...join us in our clubhouse at: https://www.facebook.com/groups/classichorrors.club/ We'd also appreciate if you'd give us an honest rating on Apple Podcasts or SoundCloud. Thank you! Plugs: Find Jeff at Classic Horrors Club: http://classichorrors.club Find Richard at Kansas City Cinephile: http://www.kccinephile.com/ or... Monster Movie Kid: https://monstermoviekid.wordpress.com/ Order Into the Velvet Darkness: A Celebration of Vincent Price

Episode 43 of the Mavens Do It Better Podcast features Gina Belafonte, artist, producer, artivist and executive director of Sankofa.org. Sankofa.org is an organization in service of artists and grassroots movements and equitable change in the world using art and culture as a healing opportunity to express fear, anger and frustration, empowering people and organizations to find non-violent ways for response and for everyone to have a whole human experience in our lives.TranscriptGina and Heather caught up virtually in Los Angeles, CA.Listen in as Gina and Heather talk about:Being an artivist at the intersection of art and activism to open hearts and minds using art as a tool to communicate thoughts and ideas.How as the executive director of Sankofa.org, an organization founded by her Father, Harry Belafonte, they educate, motivate, and activate artists and allies, supporting grassroots movements and equitable change by developing cultural content in partnership with community partners. Sanokfa.org started five years ago, activating fully after the Trayvon Martin murder and verdict along with many other organizations like Black Lives Matter, Movement 4 Black Lives, The Justice League.Growing up with two parents, Harry and Julie Belafonte, who were and are today, deeply rooted in the Civil Rights Movement having the likes of Dr. Martin Luther King Jr., Shirley Chisolm and others around her kitchen table inspiring, shaping, and developing her artivist roots and way she moves in the world.A discussion of many social justice issues and organizations that are making a change in the world, looking at how we are only as good in our society as the most marginalized citizens. And a look into how movements are built, strategized and the responsibility we have as human beings being beneficiaries of the legacy and work of those that came before us.How one dinner with her friend Stacy Lynch, daughter of East Coast political strategist, Bill Lynch, became more dinners and has developed into a group of women, working, dreaming, and activating together. The group includes: Gina Belafonte, daughter of Julie and Harry Belafonte; Suzanne Kay, daughter of Diahann Carroll; Stacy Lynch, daughter of Bill Lynch; Dr. Hasna Muhammad, daughter of Ossie Davis and Ruby Dee; Ilyasah Shabazz, daughter of Malcolm X and Dr. Betty Shabazz; Dominique Sharpton, daughter of Reverend Al Sharpton; and Keisha Sutton-James, granddaughter of Percy Sutton. The daughters explore how their shared memories growing up watching their parents at work overlap and intertwine, as did the lives of their parents—activists, artists, politicians, political strategists, religious leaders, and founders of the civil rights movement. The group is calling themselves Daughters of the Movement, taking their stories to a broader audience through panel discussions, speaker series and an upcoming new podcast.To follow Gina Belafonte: LinkedIn | Instagram | TwitterGina Belafonte Bio:Born and raised in New York City, Gina Belafonte has spent her life in the arenas of entertainment and activism where her professional work thrives today. As the youngest child of Julie and Harry Belafonte, whose impact in these fields is among the most influential and progressive in the world, Gina’s passions come as no surprise. Gina was the lead producer on the internationally acclaimed documentary film, SING YOUR SONG, exploring the extraordinary life and legacy of Harry Belafonte that was selected as the opening film for the Sundance Film Festival in 2011.After many years working as actress in NYC, with several off broadway and touring companies like The National Shakespeare Company and The Mirror Reparatory Company in NYC, under the Artistic Direction of John Strasberg, alongside greats such as Geraldine Page, F. Murray Abraham, Anne Jackson and Elisabeth Franz, a series of opportunities to work in film and television moved her to Hollywood, where she appeared in several guest-starring roles, and landed a television series called THE COMMISH. After two formative years on screen with the series, her lifelong passion for stage production ultimately led her to produce theater in Los Angeles. Gina’s technical expertise and insight into the world of film and television production were developed while working with Paula Weinstein and Barry Levinson at Baltimore Spring Creek/Warner Brothers.After becoming a mother, Gina followed her early childhood environment by immersing herself in activism. Collaborating with leading gang interventionist, Bo Taylor, Gina developed a deeper understanding of gang culture by working in the California prison system and co-founded a non-profit organization called The Gathering For Justice. This multi-cultural, multi-generational organization focuses on youth incarceration and the criminalization of poverty. She currently sits on the Board of 2nd Call a community-based organization designed to save lives, by reducing violence and assisting in the personal development of high-risk individuals, proven offenders, ex-felons, parolees and others who society disregards and the internationally acclaimed Actors Gang Theatre founded by Tim Robbins.After dedicating over a decade to addressing gang intervention and incarceration, Gina traveled around the world with her father to bring together two inspiring generations of art and activism with the critically acclaimed HBO film SING YOUR SONG.Today, Gina lives in LA and New York and is working with diverse artists, activists, and organizations worldwide to promote cultural and civic engagement in the 21st century. Ms. Belafonte is currently involved in many artistic ventures, such as producing a documentary film titled Another Night In The Free World that explores the lives of three young women activists, their struggles and challenges and the difference they are making in the world, developing alongside her father with Martin Scorsese on a television mini-series about the colonization of the Congo by King Leopold the 2nd, and the staged version of the Grammy nominated 6 CD box set anthology of black music The Long Road To Freedom. She and her father are the executive producers of Lyrics from Lockdown - a hip-hop theater, multimedia production addressing the impact of wrongful imprisonment and mass incarceration. Driven by her passion for the arts and activism, Gina reflects: "After we finished Sing Your Song, I knew then as long as my dad had an idea, I would do whatever I could to help bring those ideas to fruition, continue the best of my elders’ traditions, and preserve our family’s legacy."Organizations:Sankofa.org: Founded by Harry Belafonte, Sankofa.org educates, motivates, and activates artists and allies in service of grassroots movements and equitable change. Sankofa.org is fiscally sponsored by the New World Foundation, a 501c3 public charity. Sankofa.org addresses injustice and creates change at multiple levels. In support of our grassroots partners, Sankofa. Org enlists artists, performers, and prominent individuals to deliver messages of moral and political consequence. We stage a wide range of events to amplify our message further and elevate the voices of those already doing this critical work. Additionally, we employ online and offline media to increase the awareness and spirit of activism. Money raised by Sankofa.org is re-granted to our coalition partners working on the ground for lasting change and towards building a self-sustaining endowment to continue our work.To connect with Sankofa: Website | Facebook | Instagram | TwitterDaughters of the Movement: We are legacy holders. A group of women who sat at the feet of those who were on the front lines of the civil rights movement. We carry the oral history, cultural values, and wisdom passed down to us by some of the revolutionary leaders who turned the tide of American history. We are the Daughters of the Movement. This unique sisterhood is a podcast and a speaker series with a target audience of women of all ages and advocates for social justice. Through the lens of living in the Movement, we take deep dives into critical and controversial topics. Lessons From the Daughters of the Civil Rights Movement, Elle Magazine, by Brea Baker.To connect with Daughters of the Movement: Facebook2ndcall.org: 2nd Call is a community-based organization designed to save lives by reducing violence and assisting in the personal development of high-risk individuals, proven offenders, ex-felons, parolees and others who society disregards.To connect with 2ndcall.org: Website | Facebook | TwitterFor Freedoms: Where Do We Go From Here?: A visual art exhibit curated by Ava Hess, in collaboration with For Freedoms, that explores the role of art and visual representation in American civic life. The exhibition features a series of photographs that re-envision American artist Norman Rockwell’s paintings of the "Four Freedoms" articulated by Franklin D. Roosevelt in his 1941 State of the Union Address.

One of modern drama's most prolific playwrights, Terrence McNally, sits down with Rob and Kevin to look at his upcoming production of Frankie and Johnny In The Clair De Lune, as well as taking a look back on his incredible career which includes such shows as Love! Valor! Compassion! Master Class, It's Only a Play, The Ritz, and writing the book to such musicals as The Rink, Ragtime, A Man of No Importance, and many more. Terrence pulls back the curtain on his career to discuss how he first met muses Nathan Lane and James Coco, what it was like second acting during the Golden Age of Broadway, and why playwrights must look backward to look forward. Also, Terrence shines the spotlight on Audra McDonald, Zoe Caldwell, and Geraldine Page! Become a sponsor of Behind The Curtain and get early access to interviews, private playlists, and advance knowledge of future guests so you can ask the legends your own questions. Go to: http://bit.ly/2i7nWC4 To book a room at Shetler Studios, head on over to: https://www.shetlerstudios.com

As we discuss White Nights (1985), Polina goes in deep about her experience living in and leaving the former Soviet Union. Having never seen nor heard of this movie before, Diana is mesmerized by Polina's stories and traumatized by the plane crash sequence. A defector (Mikhail Baryshnikov) and an expatriate American dancer (Gregory Hines) plan to escape from Russia. Also stars Helen Mirren, Isabella Rossellini, Jerzy Skolimowski, Geraldine Page, John Glover, Stefan Gryff, William Hootkins, and Shane Rimmer. (from Amazon Prime Video and IMDb.com) Find other amazing podcasts by searching #ladypodsquad on Twitter, Facebook, and all the social media platforms. Tweet us @HEAMCast, like us on Facebook @HappilyEverAftermath, and e-mail us at contact@heamcast.com.

How about a John Wayne classic? We discuss The Duke in Hondo (1953) as well as costar Geraldine Page, author Louis L'Amour, 3D film, and more! If you enjoy Film Frontier, follow Clarence, Felicity, and the show on social media!

If you had a favorite television show growing up, there’s a pretty good chance Pamelyn Ferdin appeared on it. In addition to several series of her own, Pamelyn made memorable guest appearances on such programs as Star Trek, The Brady Bunch, The Monkees, Bewitched, Gunsmoke, Family Affair, and The Flying Nun. She played Felix Unger’s daughter, Edna, on multiple episodes of The Odd Couple, and is perhaps best known as the voice of Lucy Van Pelt in Peanuts TV specials and the feature film, A Boy Named Charlie Brown. Pamelyn was the busiest child actor in Hollywood for the better part of a decade, performing in more than 200 television episodes, about 30 feature films and made-for-TV movies, and hundreds of television commercials, nearly all of them before she was out of her teens. As an actress, she performed with some of the legends of show business, acting alongside Jack Benny, Walter Brennan, John Cassavetes, Bing Crosby, Clint Eastwood, Gene Kelly, Elsa Lanchester, Shirley MacLaine, Dean Martin, Ray Milland, Maureen O’Sullivan, Geraldine Page, Vincent Price, Tony Randall, Cliff Robertson, and Jonathan Winters; as a singer, she introduced songs by such celebrated songwriters as Burt Bacharach and Hal David, Sammy Cahn and Burton Lane, Rod McKuen, and Richard and Robert Sherman; and as a dancer, she performed on stage and screen with Buddy Ebsen, Jerry Lewis, and Debbie Reynolds. She enjoyed the experience of working in one capacity or another with entertainment icons Walt Disney, Steven Spielberg, Charles M. Schulz, Dr. Seuss, Chuck Jones, Bill Hanna and Joe Barbera, and the world’s most famous four-legged TV star, Lassie. Pamelyn began doing commercials at the age of three and graduated to feature films at the age of four, playing Shirley MacLaine’s and Dean Martin’s daughter in the hit comedy What a Way to Go! By the age of six she was the busiest child actor in the business. 

In this weeks episode we chat with activist and actor Eileen Grubba. Eileen Grubba's memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. She is a lifetime member of the world renowned Actors Studio where she is known as a "force" on stage, and often compared to theatre greats Geraldine Page and Kim Stanley. Eileen was born in Anchorage, Alaska into a family of eight children. She grew up in Ft. Lauderdale, Florida, then moved to Atlanta, Georgia where she trained at the Alliance Theater, sang in a choir, performed in musicals, and worked in commercials and Independent films. She next moved to New York City where she trained at HB Studios, sang cabaret, and worked in TV and Film before moving to Los Angeles. In LA she works mostly in television and constantly trains at The Actors Studio under the tutelage of Martin Landau, Allan Miller, Barbara Bain, Lou Antonio, Mark Rydell, Catlin Adams. Her past films and Television series, include: NBC's Game of Silence (2016), Criminal Minds (2005), Bones (2005), Sons of Anarchy (2008), Hung (2009), Enlightened (2011) CSI: Miami (2002), The Mentalist (2008) Cold Case (2003), Nip/Tuck (2003), The Closer (2005), Monk (2002), and more. On stage, she has tackled challenging roles in plays by Arthur Miller, Tennessee Williams, David Mamet and on many new plays with emerging playwrights. She was the lead in multiple musicals including "Cinderella", "The Little Shop of Horrors" and "Dracula". Perhaps what is most unique about Eileen is her extreme life experience and what she does with it. Her adventures are much like the stories only seen on the silver screen. She has overcome numerous, unimaginable challenges and has the scars to prove it. Her indomitable spirit is a constant inspiration to others. A fighter all her life, she refuses to give up her quest to make her mark on the Entertainment Industry. She is an advocate for children with disabilities, families with genetic cancers, and fights for the inclusion of performers with disabilities in film and television. Eileen Grubba is also a writer, director, producer, and has an extensive resume in casting, working for network shows and feature films. She has been hired to write screenplays with strong women characters, and has produced several films and a pilot. She draws on her heavy life experience to create dramatic characters with gut-wrenching emotional depth and compassion, on stage, onscreen, and in her writing. Please visit us on the socials as we'd love to hear from you! https://www.instagram.com/goguerillafilm www.twitter.com/goguerillafilm goguerillafilm@gmail.com

Sissy Spacek was a girl from Texas with a guitar who just wanted to sing. But after spending some time as a teenager living in New York City with her relatives, Rip Torn and Geraldine Page, Sissy got the acting bug. She talks with Marc about the life-changing moment when she made Badlands, how the studio didn't want her in Carrie, what it was like going on the road with Loretta Lynn for Coal Miner's Daughter, and a lot more about her life and prolific career, including her new film with Robert Redford, The Old Man and the Gun. This episode is sponsored by New Mexico, Squarespace, and Casper. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

Coming Home                                                                           Luke 7:36-50                          A Sermon preached by Rev. Malcolm Frazier, Foundry United Methodist Church August 5, 2018 One of our most endearing sentiments is that of “Coming Home.”  It has a universal appeal and touches us in a special way.  Some of our most popular movies are about coming home.  You might recall some of these:  Movies: Argo – Ben Affleck plays a CIA agent who launches a plan to rescue six Americans in Tehran during the US hostage crisis in Iran in 1979. Lion – starring Dev Patel and Nicole Kidman. The story of a 5-year old Indian boy who gets lost in the streets of Calcutta, thousands of kilometers from home.  He survives many challenges before being adopted by a couple in Australia.  25 years later he sets out to find his lost family. The Martian – Matt Damon and Jessica Chastian.. Matt plays an astronaut who becomes stranded on Mars after his team assumed he was dead. The Trip to Bountiful – stars the late Geraldine Page as a woman who wants to return to her home during the post-World War II 1940s. When she gets there she finds that the town is deserted. She is moved to tears as she surveys her father’s land and the remains of the family home. Accepting this reality she is at peace – she had gone back home before she died. Lassie Come Home – starring Roddy McDowall, Elizabeth Taylor, and the canine actor, Pal. The movie is set in Depression-era Yorkshire, England.  Lassie’s owners are poor, so they sell their dog to a rich Duke.  His granddaughter knows that the dog is unhappy so arranges for her to escape. Lassie sets off to go home and escapes many dangers before returning to her home. 12 Years A Slave – Chiwetel Ejiofor plays Solomon Northrup, a free African-American man who is 1841 is kidnapped in Saratoga Springs, New York and enslaved again. After some intervention by key people, he is restored to freedom and returns to his family after 12 years. As he walks into his home, he sees his wife with their son and daughter (fully grown) and her husband, who present him with his grandson and namesake, Solomon Northrup Staunton.  Northrup apologizes for his long absence while his family comforts him. Rabbit-Proof Fence – an Australian film set in 1931, about 3 mixed-race Aboriginal young girls who are kidnapped and placed in a camp where they are to be trained to be servants to white families. The three girls escape, one is captured again, and the other two follow a rabbit-proof fence and walk 1500 miles in nine weeks to get back home.  Personal stories of coming home When I came home from college Coming home from England as a first-year student Homecoming in the Black Church Homecoming on Howard’s campus 50-year high school reunion Whenever I came home for the holidays I would drive through my hometown.  Sharon Daloz Parks writes in Big Questions Worthy Dreams that it has been said that home is the most powerful word in the English language.  It is where we start from.  It is what we aspire to.  To be at home is to have a place where we are comfortable; know that we belong, can be who we are; and can honor, protect, and create what we truly love.  To be home within one’s self, place, community, and the cosmos is to feel whole and centered in a way that yields a sense of power and participation.  (To be at home is to be in a special rhythm of life, engaging in patterns of work, play, and diverse relationships.  We have a support system, etc)  Diana Butler Bass in Grounded writes that home happens in numerous geographies and in a number of different dwellings. Home is more than a house. It is a sacred location, a place of aspiration and dreams, of learning and habit, of relationships and heart. People are out of place.  Transient moderns make their homes in new places.  I have been a transient.  When I accepted a position with Global Ministries in New York, I sat in an empty apartment in Maryland the day before and cried and cried and cried.  When the Board moved its headquarters from New York to Atlanta, I moved with it and sat in an empty apartment prior to leaving and cried and cried and cried.  When I was informed that my appointment with the Board was ending, I accepted an appointment in Washington, DC.  The day before I left Atlanta, I sat in an empty apartment and cried and cried and cried.  I cried because I had established a strong relationship in each place and the people had made me feel at home.   TRANSITION  Diana reminds us that home can be a place of horror as well. Too many people have experiences of a home that shelters sickness and addiction, of homes that deteriorate from carelessness and neglect, or homes broken apart through willful violations of the relationships in them, resulting in reports of domestic violence.  I would add reports of incest.  Some social scientists refer to home-centered violence as intimate terrorism.   Those who have no home: The homeless in our midst – mention the ID ministry Those kids kicked out of their homes because they are LGBQT Those who are part of the global migration crisis A recent report from the GBCS share that an estimated 65.3 million people were displaced from their homes by conflict and persecution. Tens of thousands of unaccompanied children are annually apprehended at U. S. borders. For refugees Church World Service reports that the wait in a refugee camp is at least 10 years. Church World Service reports that the vetting process for refugees can take up to two years. Only the most vulnerable are referred, accounting for less than 1% of refugees worldwide being resettled.  TRANSITION  Now let’s look at the Lucan passage that was read this morning. Explore with me how this text informs our theme of Coming Home. While the themes of sin and forgiveness are important, I will focus on how the three main characters relate to each other. This story is set in Galilee early in Jesus’ ministry. Simon the Pharisee – a member of the group of Jewish people who followed a strict code of religious laws. They play the role of Jesus’ opponents, practicing a lifestyle of separation from unbelievers or Jews outside of their own group. The word Pharisee means “separated.” They consider themselves more holy and righteous than ordinary men. In fact, Luke reports in the 30th verse that the Pharisees refused to be baptized by John and rejected God’s purpose for themselves. So why did the Pharisee invite Jesus to his house for dinner? Let’s begin with the fact he could. He had the wealth and thus the power to do so. And he could be selective about who he invited. His attitude is ambivalent – he addresses Jesus as Teacher but did not show hospitality. Why not? Perhaps because he was busy hosting his other guests that he was trying to impress. Simon was perhaps giving Jesus an assessment, trying to determine his credentials. The Pharisee, with his arrogance, represents those who look down on others. (talk about the scene in “Philadelphia” when the librarian looks with disdain on Tom Hanks’ character) The woman – who is referred to as a sinner Elisabeth Schussler Fiorenza in an essay from In Memory of Her points out that the story does not say what kind of sinner the woman was. A sinner could be a criminal, a ritually unclean or a morally bad person, a prostitute, or simply the “wife of a notorious sinner.”  (Jesus was always in the company of people like her and others) Look at her actions – she enters the dinner scene uninvited, ignoring the boundaries of class and patriarchy. She washes Jesus’ feet and dries them with her hair. Touching or caressing a man’s feet could have sexual implications, as did letting one’s hair down in public. She created quite a scene. Jesus – so what does he do? Jesus challenges us to confront the Pharisees in our society. He exposes Simon’s lack of hospitality (he did not greet him with a kiss, offer him water to wash his feet, or offer to put oil on his head) In the Middle East the importance of honor and shame is very high. Jesus showed bad table manners by insulting his host and in doing so becomes the host, as evidenced by his encounter with the woman. I would like to suggest that Jesus presents a model for how we should confront people and structures that prevent everyone from being included, feel wanted, affirmed and protected. We say NO to immigration policies that prevent us from welcoming the neighbor. We say NO to the Book of Discipline that would deny T. C. Morrow the privilege of serving as an elder. We say NO to institutions that tolerate the abuse of the elderly, the mentally challenged or other vulnerable We say NO to the racism in our penal system, causing a disproportional number of black and brown persons in mass incarceration. We say NO to sexism in Corporate America and our churches. We say NO to white supremacists, participating in love rallies. We say NO to racial profiling. We say NO to schools that pass kids through who cannot read.  TRANSITION  As I approach my conclusion, let’s look at the importance of the scene being one of a dinner. I frame this again around the work of Diana Butler Bass, who writes in Grounded about John Wesley’s emphasis on holy habits and declares: Home is a training ground for spiritual and ethical habits that we take out into the world, with the door and table being the school for holy habits. It is around tables where we learn what to eat and how, ways to set a table for special meals or guests, how to share customs and traditions, and how to serve others. (share personal story about Cambodia or China) The table is the earthly manifestation of God’s presence, the “heavenly feast,” where all are fed and sustained and no one suffers from the lack of anything. This closely aligns with the Pacific Islanders practices of reciprocity and mutuality. Times of fellowships and meals are inherently spiritual as they promote the body’s growth by making the mundane sacred. Meals are never just a time of eating, it is always a time of sharing the journey. Meal times are times of celebration and feasting. The abundant display of food affirms the bountiful providence of God, a celebration of what God is able to do in the midst of scarcity. (share about my meals with them)  As I reflect on this text, I marvel at how Jesus, by assuming the role as host, transforms this home into a sacred place where all are welcome. All means all. Larry Stookey writes in Eucharist that Jesus’ fellowship is a manifestation of a new creation, which embraces all who are discriminated against in the course of human activity. To this feast, all are invited by God on equal terms. No one approaches the feast by means of merit, but all are invited by grace. There no one can boast or dominate or exclude, for this is Christ’s feast.  Christ is the host and the one who sets the rules (of acceptance, mutuality, and inclusion). Maya Angelou writes that the ache for home lives in all of us, the safe place where we can go as we are and not be questioned. Foundry UMC, as I come home to my annual conference, I will partner with you to welcome anyone who wants to join our family – anyone who wants to make Foundry UMC their home.  No one will be excluded.  

Eileen Grubba, Actor/Activist known for her memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. In this interview, originally recorded live at Digital Hollywood in L.A. this year, she dishes with us about her work as a disability activist and about how she alchemizes her own harrowing life experiences into her creative work in this powerful episode that will leave you asking, “What would I stand up and speak for . . . even if no one else would?” This is the premiere of a new episode series, Women In Hollywood: Warriors from Within, a series of captivating bite-sized profiles of the luminous and courageous women making Hollywood great here and now.Find out more about Performers & Creators Lab >>Eileen Grubba's memorable, edgy characters in shows like Sons of Anarchy (2008), NBC's Game of Silence (2016), and HBO's Hung (2009) have gained her a reputation for courageous character work. She is a lifetime member of the world renowned Actors Studio where she is known as a "force" on stage, and often compared to theatre greats Geraldine Page and Kim Stanley. In LA she works mostly in television and constantly trains at The Actors Studio under the tutelage of Martin Landau, Allan Miller, Barbara Bain, Lou Antonio, Mark Rydell, Catlin Adams. Eileen Grubba is also a writer, director, producer, and has an extensive resume in casting, working for network shows and feature films. She has been hired to write screenplays with strong women characters, and has produced several films and a pilot. She draws on her heavy life experience to create dramatic characters with gut-wrenching emotional depth and compassion, on stage, onscreen, and in her writing.Eileen on IMDb>>About Your Host, Holly ShawHolly Shaw, CHT is a performance coach, creativity researcher and stand up comedian. Growing up in Indianapolis, IN she convinced her parents she needed to go to Chicago to get her own agent when she was 14 years old and has spent a lifetime in film, T.V. and on professional stages all over the world as an actor, dancer, and director.Now she shares her passion for the problems that artists face as a Creativity Coach and a Certified Hypnotherapist and has helped hundreds of artists, from Emmy award winning and Grammy nominated artists to world class choreographers overcome their anxiety, stage fright, impostor syndrome, and creative blocks so that they can create original work and totally kill it onstage again and again without feeling like they're selling out or losing their sanity.In 2016, Shaw wrote and released her book, The Creative Formula: Compose, Choreograph, and Capture Your Masterpiece which has become an Amazon bestseller. In 2018 she launched the Performers & Creators Lab podcast which was named one of 2019's most outstanding podcasts by Databird Research. She teaches regularly at the SAG/AFTRA offices in L.A. and SF and runs creative laboratory workshops like the Comedy Lab Open Mic once a month at Monaghan's on the Hill in Oakland. Follow her on Instagram @hollyshawspritely

Discutimos as diferenças entre as duas adaptações para o cinema de "O Estranho que Nós Amamos" (The Beguiled, Estados Unidos), livro de Thomas Cullinan: a primeira, de 1971, dirigida por Don Siegel, com Clint Eastwood, Geraldine Page e Elizabeth Hartman no elenco; e a mais recente, de 2017, dirigida por Sofia Coppola, com Nicole Kidman, Kirsten Dunst, Elle Fanning e Colin Farrell. Nossos comentários sobre os dois filmes contém spoilers! O cinematório café é um podcast produzido e apresentado por Renato Silveira e Raquel Gomes. A cada episódio, nós propomos um debate em torno de temas relacionados ao cinema e às suas áreas correlatas, sempre em um clima de descontração, mas buscando, acima de tudo, reflexões sobre imagens que estão presentes no nosso dia a dia. - Confira o post no site com materiais extras sobre o filme! - Apoie o Cinematório e receba conteúdo extra exclusivo!

Discutimos as diferenças entre as duas adaptações para o cinema de "O Estranho que Nós Amamos" (The Beguiled, Estados Unidos), livro de Thomas Cullinan: a primeira, de 1971, dirigida por Don Siegel, com Clint Eastwood, Geraldine Page e Elizabeth Hartman no elenco; e a mais recente, de 2017, dirigida por Sofia Coppola, com Nicole Kidman, Kirsten Dunst, Elle Fanning e Colin Farrell. Nossos comentários sobre os dois filmes contém spoilers! O cinematório café é um podcast produzido e apresentado por Renato Silveira e Raquel Gomes. A cada episódio, nós propomos um debate em torno de temas relacionados ao cinema e às suas áreas correlatas, sempre em um clima de descontração, mas buscando, acima de tudo, reflexões sobre imagens que estão presentes no nosso dia a dia. - Confira o post no site com materiais extras sobre o filme! - Apoie o Cinematório e receba conteúdo extra exclusivo!

Tony Spiridakis Episode 22 Welcome back to Nothing Shines Like Dirt Empowering Actors to Create episode 22. Elise and Lesley sit down with writer/director/producer Tony Spiridakis. A seaside conversation about knowing film history, finding the story no matter your title and all the writing advice. Ever... Tony Spiridakis graduated from Albany University and immediately began teaching English at his old high school in Queens. At night, he pursued acting. He joined Circle in the Square’s Professional Workshop, which led to roles at the Williamstown Theater Festival, then his acceptance to the prestigious Yale School of Drama. From Yale, he was cast in the television series, BAY CITY BLUES, created by legendary producer Stephen Bochco, alongside Sharon Stone. Acting took him to Europe, where he starred in HAREM with Omar Sharif, THE AMERICAN WAY with Dennis Hopper, DEATHWISH III with Charles Bronson, and in director Stanley Kubrick’s FULL METAL JACKET. Mr. Kubrick inspired him to try his hand at writing. In his first screenplay, QUEENS LOGIC, Tony co-starred with Kevin Bacon, John Malkovich, Joe Mantegna and Jamie Lee Curtis. Suddenly, he was writing scripts for powerhouse producers Scott Rudin, Laura Ziskin, John Davis and Harvey Weinstein. Known for creating great roles for actors, he wrote for Academy Award winners Dustin Hoffman, Diane Keaton and Richard Dreyfuss, as well as Eddie Murphy, Chazz Palminteri and Giancarlo Giannini. He co-wrote the romantic comedy IF LUCY FELL, with Ben Stiller and Sarah Jessica Parker. His first film as writer-director, THE LAST WORD, starred Academy Award winner Timothy Hutton. He directed the indie-winning film NOISE, with Giancarlo Esposito (“Breaking Bad”); TINSELTOWN, with Ron Perlman and Emmy winner Joe Pantoliano; BEYOND THE ASHES, with Tony Goldwyn and Janeane Garofalo; his documentary, DRIVING TO GROUND ZERO, captured a road trip from Los Angeles to lower Manhattan during the terrifying week of 9-11. In television, he co-created the series THE HEIGHTS with Eric Roth, Academy Award for “Forrest Gump” and Aaron Spelling, which ran on FOX network. The Heights earned a gold record and a number one single on Billboard, “How Do You Talk To An Angel.” He had the honor of writing with FBI Agent Joe Pistone, the real-life “Donnie Brasco”, for the CBS series, FALCONE. On stage, his plays were produced at the Mark Taper Forum, the Odyssey and Open Fist theaters in Los Angeles. He also produced and acted in Academy and Tony Award winner Doug Wright’s first play, CALLBACKS, with his dear friend, three-time Emmy winner Michael E. Knight. Tony attributes his accomplishments to the quality of teachers, and friends: Uta Hagen, Nikos Psacharopoulos, Geraldine Page, Michael Kahn, Larry Moss and the incomparable Bob Krakower. He’s been a screenwriting mentor at the Hamptons Film Festival, taught film production at Chapman University’s Dodge College of Film, and co-founded the Manhattan Film Institute, a boutique conservatory, alongside his life partner Lisa Gillooly. Currently, he is writing a new series, OLIVER’S ARMY, for TNT network, and a screenplay, INAPPROPRIATE BEHAVIOR, under option to Weintraub Films. Tony is the proud father of two – Nikos and Dimitri – and with Lisa and her four – Richard, Lauren, Lianne and Elizabeth – they divide their time between Orient, New York and Sherman Oaks, California. Facebook: @ManhattanFilmInstitute Tony Spiridakis Instagram: mfifilm

Surprise! Happy Friday to ya, here's a new episode! I know we told you we weren't going to record every week for a while, but sometimes you guys need a treat. So, open wide ...  Episode 30 is here! News highlights this week: Giancarlo Esposito is bringing Gus Fring to "Better Call Saul." Lifetime is creating an unauthorized biopic about Britney Spears. Bryan Singer says FX’s "Legion" will be a part of the X-Men universe and may tie-in with future movies. The online feud between Vin Diesel and The Rock may be an elaborate setup for the next Wrestlemania. MTV is giving Kanye West four minutes to do whatever he wants at Sunday’s VMAs. Sarah Paulson has signed up to play Geraldine Page in the new Ryan Murphy series, “Feud.” The show will tell the behind the scenes story of Joan Crawford and Bette Davis’ feud during the filming of “Whatever Happened to Baby Jane.” Jessica Lange will play Joan Crawford and Susan Sarandon will play Bette Davis. AARON’S LOSERS: "I Love Dick," "The Tick" and "The Nightly Show" JACK’S LOSERS: "The Tick" and "Jimmy Kimmel Live" AARON’S FENCERS: "Halt and Catch Fire" and "Mr. Robot" JACK’S FENCERS: "The Nightly Show," "Mr. Robot," "Not Safe With Nikki Glaser" and "Casual" AARON’S WINNERS: "Vice Principals," "The Night Of," "Black Market," "Gaycation" and "Jean Claude Van Johnson" JACK’S WINNERS: "Jean Claude Van Johnson," "Outcast" and "Re:Zero - Starting Life In Another World" Be sure to subscribe on iTunes and comment! Find us on Twitter at: @PunchDrunk_TV, @flatlinejack and @aaronflux Join the conversation on Facebook.

Warner Bros. released Hondo to theaters on November 27, 1953. John Farrow directs the film which stars John Wayne, Geraldine Page, and Ward Bond. The post Hondo (1953) appeared first on Movie House Memories.

Emmy Award-winning and internationally acclaimed film and television actor ERIC BRAEDEN is a television icon and arguably the most popular character in daytime history.  For over 36 plus years, he has portrayed “Victor Newman” on the #1 rated daytime drama series The Young and the Restless, which has over 120,000,000 daily viewers around the world.  The show is syndicated in over 30 foreign countries including Australia, Belgium, Canada, France, Greece, India, Israel, Italy, the Middle East, New Zealand, Romania, Slovenia, South Africa, Switzerland and Turkey.Additionally, Braeden has one of the highest TVQ's on television, according to A.C. Nielsen, and is one of the most recognized actors in the world.  On July 20 2007, Braeden was the recipient of a Star on The Hollywood Walk Of Fame and become the first German born actor since Marlene Dietrich to receive such an honor.In 2008, Braeden executive produced and starred in the Lionsgate feature film The Man Who Came Back, a western set in the 1870's against one of the worst labor strikes in American History and starred opposite Billy Zane, Armand Assante, George Kennedy, Sean Young, Carol Alt, Jennifer O'Dell, Peter Jason and James Patrick Stuart.This year marks Braeden's 51st  year in film and television, where he has starred with such luminaries as Marlon Brando, Bette Davis, Leonardo DiCaprio, Geraldine Page, Burt Reynolds, Dennis Hopper, James Earl Jones, Curt Jurgens, Raquel Welch, Tyne Daly, James Arness, Mary Tyler Moore, Dennis Weaver and Jack Lord among others.. Braeden has also appeared in over 120 television series and feature films.  He starred as Captain Hans Dietrich in the classic ABC primetime series, The Rat Patrol.Braeden also starred as Charles Forbin in the science fiction classic, Colossus: The Forbin Project, directed by Joe Sargent; and he portrayed John Jacob Astor in James Cameron's epic Academy Award winner, Titanic.Braeden's other credits include starring in 100 Rifles, Morituri, Escape From the Planet Of The Apes, Operation Eichmann, The Ultimate Chase, The Ultimate Thrill, Herbie Goes To Monte Carlo, Meet The Deedles Dayton's Devils and many others.Braeden's numerous primetime series credits include guest-starring on the CBS series How I Met Your Mother as the father of actress Cobie Smulders as well as the telefilms Jackie Collins' Lady Ice, Lucky Chances, The Judge And Jake Wyler, How The West Was Won and Perry Mason: The Case Of The Wicked Wives.In addition, he has guest-starred on such shows as Gunsmoke, The Mary Tyler Moore Show, Combat, Diagnosis Murder, The Nanny, Mission Impossible, McCloud, The Night Stalker, The Man From U.N.C.L.E., Vegas,, The Six Million Dollar Man, Hawaii 5-0,  Perry Mason, Mannix, Murder She Wrote, Matt Helm and The Gallant Men.Braeden was born Hans Gudegast in Kiel, Germany, a port city near the Baltic Sea.  In 1958, he won the German Youth Team Championship in Discus, Javelin and Shot put. In 1959, Braeden immigrated to the United States, working in the University of Texas medical school lab before moving to Missoula, Montana where he received a track and field scholarship at The University of Montana. He went on to conquer the River of No Return (aka The Salmon River) in Idaho and made a documentary of his journey prior to moving to Los Angeles.In 1972-73 he won the U.S. National Soccer Championship for the Los Angeles Maccabees and, in 1989, Braeden was chosen as the only actor on the newly formed German American Advisory Board. The illustrious group has included Dr. Henry Kissinger, Katherine Graham, Alexander Haig, Steffi Graff and Paul Volcker. In 1995, Braeden received the highest honor in Italian Television from Prime Minister Berlusconi and in 1998 was honored at the 38th Annual Monte Carlo TV Festival.In 1998, Braeden received The People's Choice Award as Favorite Actor in a Daytime Drama Series and in 1998 was the recipient of an Emmy Award as Outstanding Actor In A Daytime Drama Series.In 2004, Braeden joined Prime Minister Ariel Sharon at the Annual Tourism Conference in Israel and the following year he joined Ariel Sharon, Elie Weisel and the Prime Ministers of Poland and Hungary at Auschwitz for “The March Of The Living” along with 20,0000 Christian and Jews.Braeden has twice received the Federal Medal Of Honor by the President of Germany for his contributions to German American Relations.In May 2007, Braeden was honored with a Lifetime Achievement Award from the nationally renowned organization The Pacific Pioneer Broadcasters Association in Los Angeles. Braeden was also the recipient of The 2007 Ellis Island Federal Medal Of Honor.In September 2008, Braeden was honored by the City Of Hamburg and the Senate of Germany for his humanitarian contributions.During Braeden's free time, he is an avid sportsman and plays in celebrity tennis tournaments around the world, while continuing to play soccer.  He also does Olympic weight lifting.He resides in Los Angeles, and has been married for over 40 years to Dale Gudegast and has a son, Christian Gudegast, who is a screenwriter and director.

Hondo is a 1953 Western film starring John Wayne and directed by John Farrow. The screenplay is based on the July 5, 1952 Collier's short story "The Gift of Cochise" by Louis L'Amour. The book Hondo was a novelization of the film also written by L'Amour, and published by Gold Medal Books in 1953. The supporting cast features Geraldine Page as Wayne's leading lady, Ward Bond, James Arness and Leo Gordon.Louis L'Amour's Hondo.mp4

Meet Mike Lawler, professional actor in Phoenix, AZ. He's a member of Actors' equity and SAG-AFTRA, and has worked in television and film. His IMDb credits include productions seen on BBC television and Lifetime. He is an award winning performer and as of May 2017, he took the leap later in life and moved to NYC to expand his opportunities as a working artist. This guy's an inspiration!   Find out more about Mike -  Mike on Facebook Mike on Twitter Mike on IMDb     More Cool Stuff We Mention -  Goodman Theatre - Chicago Shelley Berman, Geraldine Page, Jose Ferrer Actors' Equity URTA - University Resident Theatre Association Arizona Theatre Company Phoenix Theatre SAG-AFTRA Inside Acting Podcast  

Celebrate Valentine's Day with Angelica Page who joins Robin Milling for Let's Do Lunch! at the Lambs Club Restaurant in New York City.  Starring Off-Broadway in Psycho Therapy as a fun-loving woman who takes both men she's dating to couples therapy is a hilarious physical comedy where Angelica shines. Angelica brightly shares stories with Robin about love, marriage, and bad boys; she's comfortable being a MILF and a cougar! In fact Page is so secure with her womanhood, she is embarking on playing Richard III. Amongst her many projects in the works, Angelica willl honor the love and strength she got from her mother, the late great Geraldine Page in a one-woman show she wrote based on her book.

Eric Braeden, who plays the role of Victor Newman on CBS Daytime's The Young & the Restless, will be making a return visit to BuzzWorthy Radio. Braeden has the highest TVQ in daytime television according to A.C. Nielsen and is one the most recognized actors in the world. July 20 2007, Braeden was the recipient of a Star on The Hollywood Walk Of Fame and become the first German born actor since Marlene Dietrich since 1960 to receive a Hollywood Star on The Walk Of Fame. 2009 marks Braeden’s 50th Anniversary in film and television where he has starred with the likes of Marlon Brando, Bette Davis, Leonardo DiCaprio, Geraldine Page, Burt Reynolds, Dennis Hopper, Jame Earl Jones, Curt Jurgens, Raquel Welch, Tyne Daly, James Arness, Mary Tyler Moore, Dennis Weaver and Jack Lord among others. Braeden just completed executive producing and starring in the feature film The Man Who Came Back, a western set in the 1870’s against one of the worst labor strikes in American History where he stars opposite Billy Zane, Armand Assante, George Kennedy, Sean Young, Carol Alt, Jennifer O’Dell, Peter Jason and James Patrick Stuart and was directed by Glen Pitre and was released recently from Lionsgate and is on the highest rentals and sellers in the country for non-theatrical releases. Braeden was born as Hans Gudegast in Kiel, Germany, a port city near the Baltic Sea. In 1958, he won the German Youth Team Championship in Discus, Javelin and Shot put. In 1959, Braeden immigrated to the United States. Braeden worked in the University of Texas medical school lab before moving to Los Angeles, where he attended Santa Monica College. In 1972-73 he won the US National Soccer Championship for the Los Angeles Maccabees and in 1989, Braeden was chosen as the only actor on the newly formed German American Advisory Board. The illustrious group has included Dr. Henry Kissenger, Katherine Graham, Alexander Haig, Steffi Graff and Paul Volcher.

During her month in the cast of the Off-Broadway comedy "Love, Loss and What I Wore", Shirley Knight discusses the appeal of the "stool and music stand" style of presentation while pointing out that she had the only continuing narrative among the many interwoven stories. She also explains why she considers her every appearance on stage to be a rehearsal, not a performance; her attraction to the groundbreaking play "Dutchman" by LeRoi Jones (now Amiri Baraka), which she did in Los Angeles and on film; how she shifted from a planned career in music to acting and her trek out west to the Pasadena Playhouse to pursue that new goal; the extraordinary experience of appearing as Irina in "The Three Sisters" in her Broadway debut, with Geraldine Page and Kim Stanley as her siblings under the direction of Lee Strasberg -- and why she chose that role over playing Ophelia to Richard Burton's "Hamlet"; her years working in England, notably in plays by her husband John Hopkins, which she continued to perform upon their return to the U.S.; her memorable role in Robert Patrick's "Kennedy's Children"; what it was like to have Tennessee Williams write a role expressly for her in "A Lovely Sunday for Creve Coeur"; her affinity for the plays of fellow Kansan William Inge and her role in creating the ongoing Inge Festival; and her affection for the work of Horton Foote, which marked her most recent Broadway appearance, in the Pulitzer-winning "The Young Man from Atlanta". Original air date - April 28, 2010.

During her month in the cast of the Off-Broadway comedy “Love, Loss and What I Wore”, Shirley Knight (1976 Tony Award winner for Best Performance by an Actress in a Featured Role in a Play for “Kennedy’s Children”) discusses the appeal of the "stool and music stand" style of presentation while pointing out that she had the only continuing narrative among the many interwoven stories. She also explains why she considers her every appearance on stage to be a rehearsal, not a performance; her attraction to the groundbreaking play “Dutchman” by LeRoi Jones (now Amiri Baraka), which she did in Los Angeles and on film; how she shifted from a planned career in music to acting and her trek out west to the Pasadena Playhouse to pursue that new goal; the extraordinary experience of appearing as Irina in “The Three Sisters” in her Broadway debut, with Geraldine Page and Kim Stanley as her siblings under the direction of Lee Strasberg -- and why she chose that role over playing Ophelia to Richard Burton's Hamlet; her years working in England, notably in plays by her husband John Hopkins, which she continued to perform upon their return to the U.S.; her memorable role in Robert Patrick's “Kennedy's Children”; what it was like to have Tennessee Williams write a role expressly for her in “A Lovely Sunday for Creve Coeur”; her affinity for the plays of fellow Kansan William Inge and her role in creating the ongoing Inge Festival; and her affection for the work of Horton Foote, which marked her most recent Broadway appearance, in the Pulitzer-winning “The Young Man from Atlanta”.

During her month in the cast of the Off-Broadway comedy "Love, Loss and What I Wore", Shirley Knight discusses the appeal of the "stool and music stand" style of presentation while pointing out that she had the only continuing narrative among the many interwoven stories. She also explains why she considers her every appearance on stage to be a rehearsal, not a performance; her attraction to the groundbreaking play "Dutchman" by LeRoi Jones (now Amiri Baraka), which she did in Los Angeles and on film; how she shifted from a planned career in music to acting and her trek out west to the Pasadena Playhouse to pursue that new goal; the extraordinary experience of appearing as Irina in "The Three Sisters" in her Broadway debut, with Geraldine Page and Kim Stanley as her siblings under the direction of Lee Strasberg -- and why she chose that role over playing Ophelia to Richard Burton's "Hamlet"; her years working in England, notably in plays by her husband John Hopkins, which she continued to perform upon their return to the U.S.; her memorable role in Robert Patrick's "Kennedy's Children"; what it was like to have Tennessee Williams write a role expressly for her in "A Lovely Sunday for Creve Coeur"; her affinity for the plays of fellow Kansan William Inge and her role in creating the ongoing Inge Festival; and her affection for the work of Horton Foote, which marked her most recent Broadway appearance, in the Pulitzer-winning "The Young Man from Atlanta". Original air date - April 28, 2010.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.THIS EPISODE:May 17, 1945. Mutual network. "Mr. Ten-Percent". Sustaining. A good story about a Hollywood agent who finally finds a movie star to manage...and how he contributed $1 million dollars to the war effort! Mary Jane Croft, Bob Bailey, Earle Ross, Harry Lang, Everett Allen, Arch Oboler (writer), Bruce Elliott, Roseanne Murray, Evelyn Scott. 1/2 hour.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: July 29, 1939. NBC network. "Another World". Sustaining. An eerie story about a woman's battle with the voice inside her...trying to take over her body! The story is also known as, "The Voice Within Me." Arch Oboler, Arnold Moss, Betty Garde, Frank Lovejoy, Gilbert Mack, Hester Sondergaard, John Brown. 29:28.

Arch Oboler's Plays was a radio drama series written, produced and directed by Arch Oboler. Minus a sponsor, it ran for one year, airing Saturday evenings on NBC from March 25, 1939 to March 23, 1940 and revived five years later on Mutual for a sustaining summer run from April 5, 1945 to October 11, 1945. Leading film actors were heard on this series, including Gloria Blondell, Eddie Cantor, James Cagney, Ronald Colman, Joan Crawford, Greer Garson, Edmund Gwenn, Van Heflin, Katharine Hepburn, Elsa Lanchester, Peter Lorre, Frank Lovejoy, Raymond Massey, Burgess Meredith, Paul Muni, Alla Nazimova, Edmond O'Brien, Geraldine Page, Gale Sondergaard, Franchot Tone and George Zucco. THIS EPISODE: June 7, 1945. Mutual network. "Night". Sustaining. An excellent, beautiful radio montage in the central theme of "night." Arch Oboler, Barney James, Bruce Elliott (narrator), David Raxon and His Orchestra, Dorothy Scott, Edmond MacDonald, Everett Allen, Frank Martin (announcer), Gloria Blondell, Griff Barnett (Swan Soap commercial), Joseph Granby, Roseanne Murray, Theodore Von Eltz, Therese Lyon. 1/2 hour.

With more than 200 years of combined theatre experience among them, our guests - stage veterans Philip Bosco, John Cullum, Marian Seldes and Carole Shelley - discuss the breaks that got each of their careers started; how they handle the situation on stage when they or their co-stars forget their lines; how they feel about serving as understudies; the audition process; their successes and failures; and they share stories of working with such other legends as Sir John Gielgud, Joseph Papp, Morris Carnovsky, Lee J. Cobb, George C. Scott, Geraldine Page, George Cukor, Myron McCormick and Ruth Gordon. "Stage Veterans 2009" also includes a short tribute to the late Robert Prosky, who appeared on the prior "Stage Veterans" edition of "Working in the Theatre" in 2005.