Podcasts about revulsion

In the Messiah Galatians 2:11-21 by William Klock We're all familiar with the image of the two masks, side-by-side, representing tragedy and comedy—one face frowning and the other smiling.  The image represents the theatre, whether it's on playbills, or carved on the outside of a building, or use to mark the location of a theatre on a map.  That image is something that goes all the way back to ancient Greece.  Back then all the actors were men, there was no makeup, and many people sat far enough away that it was hard to see who was who.  So that the audience would know who was on stage and what they were about, the actors held masks in front of their faces—a bit larger than life and with exaggerated features and expressions.  The Greeks had a name for this sort of acting and it's come straight into English: hypocrites—hypocrite, hypocrisy.  By St. Paul's day the word had evolved beyond describing actual actors in a play.  It still did, but it commonly referred to someone who was playing a deceitful game of false pretences and pretending to be someone they really weren't. As we move on in Galatians 2, Paul levels this charge at Peter.  Not very long before Paul got word of what was going on in the Galatian churches and wrote this letter, Peter had travelled up to Antioch from Jerusalem.  This was a church of both Jews and gentiles and hat may be why Peter visited.  As we saw last week, Peter and Paul had agreed that Peter had been sent to the Jews and Paul to the gentiles, so here's Peter going to visit the Jews in Antioch. You would think after what had happened when Paul visited Jerusalem, after he stood firm against the “circumcision party” and found that he and Peter were ultimately in agreement with each other, you would think this visit to Antioch by Peter would have gone smoothly, but it did not.  Look at what Paul write in Galatians 2:11-14. But when Cephas [again, that's Peter's Greek name just like Paul is Saul's Greek name] came to Antioch, I stood up to him face to face.  He was in the wrong.  Before certain persons came from James, Peter was eating with the gentiles.  But when they came, he drew back and separated himself, because he was afraid of the circumcision people.  The rest of the Jews did the same, joining him in this play-acting.  Even Barnabas was carried along by their sham.  But when I saw that they weren't walking straight down the line of gospel truth, I said to Cephas in front of them all: “If you're a Jew, but you've been living like a gentile, how can you force gentiles to become Jews?”   This issue of Jews and gentiles just wouldn't go away.  Paul thought it was settled after his visit to Jerusalem, but then it happened again when Peter came to visit in Antioch, and now, like a cancer, it's spread to the churches in Galatia.  No doubt, the agitators in Galatia had already told the churches there their version of what had happened in Antioch, so now Paul tells them what really happened. Before all this, Jewish and gentile believers in Antioch—and Galatia, for that matter—gathered as one people to worship, to pray, and maybe most importantly, to eat the Lord's Supper.  It helps to remember that in those early days, the Lord's Supper was part of or at least attached to an actual meal where the people would fellowship with each other.  This gathering together, this eating together was a profound living out of the power of the gospel.  When Jesus died and rose again, he dealt with sin and that put everyone, Jew and gentile alike, on an even footing.  There was no longer clean and unclean, just and sinner: all in Jesus were clean and just.  And this bringing together of the two peoples, it was God's new creation made visible in the life of the early church—a powerful witness of the gospel itself. We might not think much of it, but it was a big deal.  Jews had been raised, steeped in observance of the law.  Gentiles were sinners and their food was unclean—even their fellowship was unclean.  Think of Peter and his vision in Acts of the sheet let down from heaven full of unclean animals and the Lord telling him to eat.  Revulsion had been instilled in Peter from his birth.  There was a massive “ick” factor.  Our culture, in contrast, has become so accepting of everything that there's not much left we can compare it to, but maybe you can think of the current conspiracy theories about Klaus Schwab telling everyone to “Eat ze bugs”.  It gets people worked up, because of the deeply ingrained revulsion we have in our culture to eating bugs.  It would have been something like that for Jews to fellowship with, to eat with gentiles. On the other end of things, the gentiles knew full well about those Jewish weirdos and their over-the-top purity laws.  Jews were everywhere spread through the Greco-Roman world, so the pagans encountered them regularly in daily life and in business and were well aware of the revulsion they had to eating with them.  So, that the early Jesus people were not only gathering together to worship and pray, but also gathering together around the same table to share bread and wine.  It was a really big deal.  It got everyone's attention. And so Peter came to visit Antioch and, Paul says, he worshipped and he prayed and he came to the Lord's Table with his gentile brothers and sisters.  Everything was fine.  And then the cancer that Paul thought had been stomped out in Jerusalem, the cancer came to Antioch.  Certain people from James came.  Paul doesn't elaborate on what that means, since the Galatians probably knew who those people were.  Maybe they were sent by James.  Probably they came and claimed authority from James that they didn't really have.  Whatever the case, they carried the cancer with them.  Paul calls them “circumcision people”.  They had some connection with the pseudo-family members who had been smuggled into the meeting in Jerusalem and who had insisted that Titus be circumcised.  And Peter caved into their pressure.  He “drew back” and “separated himself” and then when the other Jews in Antioch saw Peter do that, they followed suit.  Even Barnabas.  We get a sense of Paul's shock and dismay that even his partner Barnabas whom he knew knew better, even he went along with this sham.  This is where Paul uses that play-acting term.  Peter and Barnabas and the other Jews acted like hypocrites.  They knew better.  But under pressure from these agitators they withdrew and gathered separately.  They put up masks to placate the agitators and in doing that—not realising what they'd done—they become the people-pleasers so despised by their tradition.  They were gospel people, but to keep the peace they held up anti-gospel masks in front of their faces. Paul knew that this wasn't the real Peter—or the real Barnabas for that matter. They knew better.  Peter had known this for years before Paul had.  The real Peter behind the mask, the real Peter knew in his bones that the good news of Jesus' death and resurrection created one family in which Jews and gentiles stood on equal footing in the Messiah.  This new reality wasn't easy for Jews steeped for a lifetime in torah to adjust to.  There was a massive “ick” factor to overcome.  But the gospel is a powerful thing and so is God's Spirit and adjust they had.  And now, inexplicably to Paul, Peter and the others were dividing what Jesus had made one. Paul says that they weren't walking the straight line of gospel truth.  The word is orthopodeo—where we get our word “orthodpaedic”.  The gospel draws a straight line and they should have been walking it, but they weren't.  So Paul says to Peter, “Look here, you're a Jew, but you've been living like a gentile.”  He means that Peter's been eating with gentile believers and that almost certainly also means that Peter's been eating gentile food that was off-limits to Jews.  “So then,” Paul asks, “How can you force gentiles to become Jews.” Peter probably would have answered that, no, he wasn't trying to force anyone to be a Jew.  They could each just do their own thing.  But that brings up images of the temple, where Jews could enter the temple court, while gentiles were stuck outside in the Court of the Gentiles—they weren't really members of the community, of God's people.  That's why Paul is so insistent here.  There is one people—and Peter knew this and Paul knew—there is one people in Jesus the Messiah, not two.  In the Messiah.  This new community is defined not by ethnicity or ethnic markers but messianically by faith in Jesus and nothing else.  If we're going to divide it up again, well, what's the point?  To do so undermines the gospel itself and we might as well just throw in the towel. So beginning at verse 15 Paul lays out the argument he gave Peter, because it's this same gospel-killing cancer that has infected the Galatian churches.  They need to hear it too.  So Paul writes in verse 15: We are Jews by birth, not “gentile sinners”. For Jews there were two groups of people on this earth: the just or righteous—the Greek word carries both those meanings—and sinners.  Jews were the just, the righteous, chosen by God and marked out by obedience to the torah.  Everyone else was a sinner and this is why they kept themselves separate.  But, Paul goes on: But we know that a person is not declared “righteous” by works of the [Jewish] law, but through the faithfulness of Jesus the Messiah.   So God had chosen the Jewish people and then gave them his law so that be living it, they'd be set apart.  It's what marked them out as different from gentile sinners.  And they expected that one day, the Lord would send his Messiah and the Messiah would vanquish the gentile sinners and lead the righteous into God's new age.  But instead—and this was what Paul had to work through after meeting the risen Jesus—instead, the Messiah came and sinners crucified him.  That wasn't how anyone thought the whole Messiah thing would go.  Ordinarily, being crucified would mean Jesus wasn't really the Messiah.  Other men claimed to be the Messiah, they were killed, and that was the end of their messianic claims.  But then God raised Jesus from death.  In doing that he overturned the charge of false messiah laid against him and proved that Jesus was, in fact, the real deal, the Messiah.  Jesus did, in fact, inaugurate God's new age, his new creation.  So why did he have to die?  That's when Paul—and the others—realised that as much as torah provided both a righteous way of living and a means of atonement when they failed to be 100% obedient—there was more to righteousness that torah could never provide.  The very fact that torah was necessary to set apart God's people, highlights that both Jew and gentile alike are subject to the slavery of sin and death.  So Jesus the Messiah let sin rise up and do its worst at the cross, then rose triumphant over it.  Jesus did something that torah could never but do, but in light of Jesus Paul realised, it was something torah had been pointing to all along. Now, there's an unspoken subtext going on here that we need to understand.  Remember that Messiah mean's God's anointed king—the king.  And for Jews, a king represented his people.  So what was true of a king is also true of his people.  This is why godly kings brought blessing on Israel and wicked kings brought curses and ultimately exile.  A king represents his people.  Paul likes to talk about being “in the Messiah” and when he says that, this is what he's getting at.  We'll need to know this as Paul goes on. So as much as Paul and his fellow Jews had always thought that righteousness came through the law, it turns out that God had something greater in store.  A greater righteousness, true righteousness comes through the faithfulness—through the faithfulness of the Messiah.  Jews had been faithful to torah and to the Lord's covenant and that faithfulness marked them out as the “righteous”, but their faithfulness to God was but a shadow of the loving, gracious, self-giving faithfulness to God that Jesus displayed on the cross.  That's the faithfulness that has created a new people of God, a new and “righteous” or “just” people defined by faith in Jesus.  So Paul goes on: That is why we too believed in the Messiah, Jesus: so that we might be declared “righteous” on the basis of the Messiah's faithfulness, and not on the basis of works of the [Jewish] law.  On that basis, you see, no creature will be declared “righteous”.   Peter and now the Galatians had forgotten what it was all about.  Peter seems just to have wanted to avoid conflict—which we see is a problem in other places in Peter's story, not least at Jesus' trial.  For the Galatians it was likely fear of persecution.  Remember that in the ancient word, “religion” wasn't some nice box you opened up on Sunday, and then closed up the rest of the week.  It wasn't something you did in private.  The gods were everywhere and a part of every aspect of life.  The fastest growing cult of the time was the cult of Caesar and if you weren't part of that, well, you were disloyal and unpatriotic.  Jews had a special exemption from all this pagan stuff, but these gentile converts to Christianity were in a tough spot.  When they became Christians they withdrew from all this paganism.  They stopped going to the temples and offering incense to Caesar and doing all the other little things people did throughout daily life and that got them into trouble.  So since Jesus was the Jewish Messiah and following him was sort of a new way of being Jewish, they claimed the Jewish exemption and pretty soon the “real” Jews were insisting that if they were going to call themselves Jews, they'd better at least by circumcised.  But once they did that and strayed off the straight line of gospel truth, they started to forget what the gospel was all about. So Paul reminds Peter and he reminds the agitators in Galatia: this greater righteousness found in the faithfulness of the Messiah, remember, this is why we believed in him!  In light of Jesus death for sins on the cross—remember?—we realised that in the end, torah won't cut it.  Righteousness is found in the faithfulness of King Jesus.  He goes on in verses 17 and 18: Well, then, if in seeking to be declared righteous in the Messiah, we ourselves are found to be sinners, does that make the Messiah an agent of sin?   This is the accusation of the agitators and of the “people from James”.  As part of living out the life of the gospel, Paul and Peter have been eating and fellowshipping with gentiles.  The agitators, stuck in the old, pre-Jesus and pre-gospel way of Jewish thinking, for them that makes Peter and Paul and all the others to be “sinners”—because they're disregarding torah and the boundary markers that have always been there.  If eating with gentile believers for the sake of the Messiah makes them sinners, then that would make the Messiah an agent of sin.  Paul's trying to show them how absurd their accusations are.  No, he's saying:   Certainly not!  If I build up once more the things which I tore down, I demonstrate that I am a lawbreaker. They've forgotten that Jesus has changed everything.  Jesus' death has dealt with sin—for both Jew and gentile.  Gentile believers are no longer sinners.  They're clean.  Paul's reminding them that the boundary markers of God's people have changed because of that.  What now counts is being “in the Messiah”.  They're trying to rebuild what the old walls and in doing so they're undermining the very saving gospel in which they've trusted.  It's a senseless thing to do.  It's like calling the police chief to help you bury the body of the guy you just killed.  It's not going to end well for you. So now, finally, we get to Paul's familiar and glorious text about incorporation into Jesus the Messiah.  Look at verse 19: Let me explain it like this: Through the law I died to the law, so that I might live to God.  I have been crucified with the Messiah.  I am, however, alive—but it is no longer I; it's the Messiah who lives in me.  And the life I do still live in the flesh, I live within the faithfulness of the son of God, who loved me and gave himself for me.   I think the best way to see this is as Paul telling the story of the Messiah's death and resurrection as his own story.  This is what it means to be “in the Messiah”. Notice how Paul doesn't just dismiss the law, torah.  One of the first heresies—and one that pops up perennially in church history—was the teaching of Marcion who dismissed the law and the whole Old Testament as irrelevant.  For Paul, though, you can't have the new covenant without the old.  Torah was building towards Jesus and the cross and the giving of the Spirit all along.  So Paul doesn't just say he died to law—which we might think means the law doesn't matter.  He says that through the law, he died to the law.  In Jesus the law fulfilled its purpose and so in Jesus, Paul is now fully alive to God.  How does that work.  Well, Jesus was crucified and in that he dealt with sin.  Remember, again, that the king represents his people.  So Paul says, he has been—in Greek it's literally—"co-crucified” with the Messiah.  Through faith in Jesus, through identification with the Messiah, Paul has died to sin.  And then he says, “I am—however—alive.”  Of course he is.  If he is in the Messiah, if he has been co-crucified with the Messiah, then he has also been co-raised with the Messiah.  I am alive—but—it is no longer I; it's the Messiah who lives in me. Brothers and Sisters, notice how Jesus has changed Paul's identity.  That's what he's getting at here.  By faith he has been incorporated into the Messiah so that even though he still lives in the flesh—that final day when we will be made completely new still awaits us—but even though Paul still lives in the flesh, because he is in the Messiah, he now lives within the faithfulness of the Messiah—the son of God—and now Paul makes it more personal—not just that the son of God died, but that he loved me and gave himself for me.  This isn't just abstract theology.  Jesus, the son of God, was faithful to fulfil torah, and gave himself not just generally for humanity (although that is true), but he gave himself for Paul—for me—for you—out of love, again for you, for me.  Sometimes we need that reminder.  All the theology, all the explanation, all the argumentation to bring false teaching and false gospels to heel is necessary, but in the midst of all that, never forget that Jesus died for you, for me, because  he loves us—not just that he loves humanity as a whole in some general sense, but that he knows and loves each one of us.  He died for you.  He rose for you.  And he's baptised you into his own Holy Spirit so that you can share in his resurrection life. Paul drives home this very personal aspect of the gospel.  Peter knew this.  The Galatians new this.  And that makes it all the more powerful when he ends his argument saying in verse 21: I don't set aside God's grace.  If “righteousness” comes through the law, then the Messiah died for nothing.”   He's reminded them that in his grace, God sent his son to die for you.  But if you start rebuilding that old wall, if you start acting like “righteousness”—he means membership in the community of God's people—if you start acting like “righteousness” comes through the law and the old boundary markers, then what you're really saying is that Jesus died for nothing.  Whether Jews and gentile would eat together might seem like a small thing, but it wasn't.  Eat separately undercut the very foundation of the gospel.  That's not really an issue for us today—although there are some modern-day groups that do add torah to Jesus.  But Paul would have the same thing to say to anyone today who would divide up the people of God or who would exclude these people or those people based on something added to the gospel.  Our identity, Brothers and Sisters, whatever it was in the past or whoever the world around us tell us we are, our real identity, the identity that matters is in Jesus the Messiah and nothing else.  We have died and now live in Jesus. This is especially relevant to us today in the mist of our post-modern culture.  Our world is rapidly tribalizing over identity: things like race and sex and sexual orientation.  The new thing is creating our own identities contrary to those that God had given us.  In other cases we've turned our sins into identities.  And we find these identities so powerfully defining that we bring them into the church and we hyphenate ourselves.  We're black-Christians or we're white-Christians.  There's an ongoing controversy about those who call themselves gay-Christians.  But Paul reminds us that if we are by faith in the Messiah, we have but one identity.  We have died with the Messiah and while we still live, it is no longer we—whatever our colour or language or sex or past sin—it is the Messiah who lives in us—because he loves each of us so dearly that he gave himself for us.  Brothers and Sisters, that's the straight line of the gospel.  Come to the Tablet this morning.  Eat the bread and drink the wine and be reminded that Jesus died and rose again for you and that in him, you have died and been raised.  His life, his faithfulness, his love and grace and mercy are now your identity.  No more masks, no more play-acting, just Jesus the Messiah. Let's pray again our Collect: Lord, give your people grace to withstand the temptations of the world, the flesh, and the devil, and with pure hearts and minds to follow you, the only God; through Jesus Christ our Lord, who lives and reigns with you and the Holy Spirit, one God, now and for ever.  Amen.

I no longer have sex because I sometimes feel: Irritability, Aggravation, Agitation, Annoyance, Grouchy, Grumpy, Crosspatch, Exasperation, Frustration, Rage, Anger, Outrage, Fury, Wrath, Hostility, Ferocity, Bitterness, Hatred, Scorn, Spite, Vengefulness, Dislike, Resentment, Disgust, Revulsion, Contempt, Loathing, Envy, Jealousy, Torment, Torture, Sadness, Suffering, Agony, Anguish, Hurt, Depression, Despair, Neglect, Alienation, Defeatism, Dejection, Embarrassment, Homesickness, Humiliation, Insecurity, Insult, Isolation, Loneliness, Rejection, Sympathy, Pity, Mono no aware, Fear, Horror, Alarm, Shock, Fear, Fright, Terror, Panic, Hysteria, Mortification, Nervousness, Anxiety, Suspense, Uneasiness, Apprehension (fear), Worry, Distress, and Dread.” -Antonio Myers. --- Support this podcast: https://podcasters.spotify.com/pod/show/antonio-myers4/support

A homicidal hologram that hates people. Dom Bettinelli, Jimmy Akin, and Fr. Cory Sticha discuss this psychological thriller of an emotionally fragile and homicidal alien hologram with a chilling intensity; as well as Harry Kim's cringeworthy attempted romance with Seven of Nine.

A homicidal hologram that hates people. Dom Bettinelli, Jimmy Akin, and Fr. Cory Sticha discuss this psychological thriller of an emotionally fragile and homicidal alien hologram with a chilling intensity; as well as Harry Kim's cringeworthy attempted romance with Seven of Nine. The post Revulsion (VOY) appeared first on StarQuest Media.

Disgust, often seen as a primal and universal emotion, can reveal a lot about our values, boundaries, and cultural norms. In this week's episode, both of our storytellers are confronted with something that grosses them out. Part 1: While on a school trip in Russia, Cassandra Hartblay's vegetarian dietary restrictions keep getting tested. Part 2: As a meat lover, Jenny Kleeman has high hopes for the world's first lab-grown chicken nugget. Dr. Cassandra Hartblay is an Assistant Professor at the University of Toronto, where she works with graduate students in Anthropology, European, Russian, and Eurasian Studies, Disability Studies and Sexual Diversity Studies, as well as undergraduates in Health Humanities. She is author of the 2020 book "I Was Never Alone or Oporniki" (University of Toronto Press 2020) and numerous articles, a documentary play, and co-curator of the #CripRitual art exhibition. If you can't find her, she's probably our running or swimming with her dog, an Aussie-Retriever mix named Arlo. Jenny Kleeman is a journalist, broadcaster and author. She writes for the Guardian, the Sunday Times and The New Statesman and makes radio and podcasts for the BBC and the Times. Her latest series for BBC Radio 4 and BBC Sounds, The Gift, tells the story of the remarkable truths that emerge when people take at-home DNA tests. On television, Jenny has reported for BBC One's Panorama, Channel 4's Dispatches and VICE News Tonight on HBO, as well as making 13 films from across the globe for Channel 4's Unreported World. Her first book, Sex Robots & Vegan Meat, was published in 2020 and has been translated into ten languages. Her second book The Price of Life, was published in March 2024. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Taboos. Intolerable foods. Sad songs. Sexy kinks. Candy that looks like poo. Let's get a little gross, shall we? The foremost expert in disgust, Dr. Paul Rozin, chats about the emotions related to revulsion – and BOY HOWDY do we cover some ground. Why do some things gross us out and others don't? Can we change that? Learn how research psychologists study disgust, from butterflies to bigotry, and from pranks to power dynamics. Maybe don't eat lunch while you listen, but definitely tune in to learn how to conquer some fears. Browse Dr. Rozin's publications on Google ScholarDonations went to InterAct Theatre Company and the International OCD FoundationMore episode sources and linksSmologies (short, classroom-safe) episodesOther episodes you may enjoy: Personality Psychology (PERSONALITIES), Scatology (POOP), Gelotology (LAUGHTER), Gustology (TASTE), Attention-Deficit Neuropsychology (ADHD) Part 1 & Part 2, Dipterology (FLIES), Chickenology (HENS & ROOSTERS), FIELD TRIP: Alie's Mystery SurgerySponsors of OlogiesTranscripts and bleeped episodesBecome a patron of Ologies for as little as a buck a monthOlogiesMerch.com has hats, shirts, hoodies, totes!Follow @Ologies on Instagram and XFollow @AlieWard on Instagram and XEditing by Mercedes Maitland of Maitland Audio Productions and Jake ChaffeeManaging Director: Susan HaleScheduling producer: Noel DilworthTranscripts by Aveline Malek and The WordaryWebsite by Kelly R. DwyerTheme song by Nick Thorburn

Eddie's back! And he's here to compare Orson Scott Card's 3 Types of Fear to a similar hierarchy of fear by Stephen King's reckoning. One key element is different. King recognizes a type of fear he calls "Revulsion", which represents gross-out horror. But is something nasty necessarily scary? Let's find out! Check out my website! EdwardVillanova.com (don't worry, it's not gross) --- Support this podcast: https://podcasters.spotify.com/pod/show/edward-villanova/support

Adam works with a client to introduce the emotions of disgust and repulsion into thoughts that facilitate the desire to move away from a toxic relationship rather than move toward it.  Adam harnesses disgusting smells, visual anchors and sounds to create an "away from" motivation strategy and to feel worthy to not need love or connection from unworthy sources.  DOWNLOADS: To thank you for being a listener to the show Adam is giving you 100% FREE hypnosis downloads worth up to £200/$250 using the coupon code FREE here: https://www.adamcox.co.uk/store/c15/FREE-Hypnosis  There is a 50% Discount on up to 10 other downloads using the coupon code hypnotist here: https://www.adamcox.co.uk/downloads.html  WORKING WITH ADAM DIRECTLY:  To book a free 30-minute consultation call to consider working with Adam go to: https://go.oncehub.com/AdamCox If you want to work with Adam on a one-to-one basis on hypnosis sessions, wealth coaching, or mentorship you can book sessions here: https://www.adamcox.co.uk/hypnotherapist.html  ABOUT ADAM Adam Cox is one of the world's most innovative hypnotists and is known for being the hypnotherapist of choice for Celebrities, CEO's and even Royalty. Adam's rates for hypnotherapy in pounds and US dollars are here: https://www.adamcox.co.uk/hypnotherapist.html  You can contact Adam at adam@adamcox.co.uk Further information on Adam is here: https://linktr.ee/AdamCoxOfficial  Tags: Adam Cox, the hypnotist, NLP, asmr, hypnosis, hypnotherapy, hypnotist, stress, sleep, worry, meditation, guided meditation, hypnotism, future, breakups, toxic, relationship, betrayal, lies, distrust, rejection, open loops, intrusive thoughts, 

The Doctor meets another sentient hologram, and tries to help the troubled program with his problems. In this episode of the podcast, Wes and Clay discuss "Revulsion" and Voyager's continued attempts at characterization. Plus! The guys chat about weirdo actors, having more questions than answers, and Seven being sexy in-universe. Are you looking for older episodes? Find this and every other episode at The Pensky Podcast! Thanks for listening. Stay connected: • https://thepenskyfile.com/links/ • e-mail: thepenskyfilevideo(at)gmail.com

Title: Will 2023 Be a Year of Revulsion, Revolution, or Revival? Description: America is at the crossroads of history in 2023. Never has our nation faced so many simultaneous existential threats. Nearly every country on the planet is plagued with similar situations in which cascading crises are tearing the fabric of our existence. Yet far too many, especially in America, have refused to see, recognize, or acknowledge these massive challenges, choosing instead to shelter in place rather than work to address these issues. We're waiting for someone to solve our problems, and unfortunately that means most are hoping government will step in and do something about it all.As a nation we were built on the concepts of freedom and self-reliance. The Constitution was designed to limit government and allow the people to flourish as a result. But for two-and-a-half centuries those freedoms have been steadily eroding. Government has grown. Self-reliance has diminished. Today's younger generations are made up of people who no longer want government to stay out of their way. They want solutions to problems that were largely created by the people who are supposed to offer the solutions. We're stuck in a feedback loop that has created a self-perpetuating Hegelian Dialectic.2023 is certain to bring conflicts both internal and external. We must make a personal choice about whether we're going to let the world deteriorate around us or if we're going to fight for it. We must also choose whether to fight the good fight for our nation or if we should abandon that dream and focus on ourselves, our families, and our communities. Will 2023 be a year of revulsion, revolution, or revival? Thankfully, these things are not mutually exclusive.On today's episode of The JD Rucker Show, I explained why revulsion will continue and get worse in 2023. I also explained why we are desperately in need of a revolution of truth, one that gets patriots back out their to protest, file lawsuits, and prepare for real battle should the powers-that-be really dig into our freedoms. Then, I described why it's necessary to have a different kind of Christian revival than we've seen in the past. We don't need to focus on getting higher numbers in churches on Sunday. We need to engage in hand-to-hand spiritual combat, changing hearts and minds one at a time if necessary. Recording: January 02, 2022

We are back in the Delta Quadrant with Voyager, and it's time to explore why holograms find organics revolting and why Seven finds Harry restless. Will we be revulsed of relieved when Revulsion goes into the Mission Log? Sponsored by - . Get three months free with one year subscription.

We are back in the Delta Quadrant with Voyager, and it's time to explore why holograms find organics revolting and why Seven finds Harry restless. Will we be revulsed of relieved when Revulsion goes into the Mission Log? Sponsored by - . Get three months free with one year subscription.

We are back in the Delta Quadrant with Voyager, and it's time to explore why holograms find organics revolting and why Seven finds Harry restless. Will we be revulsed of relieved when Revulsion goes into the Mission Log? Sponsored by - . Get three months free with one year subscription.

One day all of it will give way to the irresistible force of God's love.Tuesday • 10/24/2023 •Tuesday of the Twenty-first Week After Pentecost (Proper 24) This morning's Scriptures are: Psalm 26; Psalm 28; Lamentations 1:1–12; 1 Corinthians 15:41–50; Matthew 11:25–30 Reflections on Lamentations 1:1–12 here (Monday of Holy Week, 2020) This morning's Canticles are: following the OT reading, Canticle 13 (“A Song of Praise,” BCP, p. 90); following the Epistle reading, Canticle 18 (“A Song to the Lamb,” Revelation 4:11; 5:9–10, 13, BCP, p. 93) 

Tony Sindelar, your internet DM and Lego enthusiast, joins Scott to discuss “Revulsion)” (VOY S4E5). Topics include Tony’s Voyager epiphany, the poor treatment of Tuvok, and why anyone would design a tool that never leaves a room to have feelings. Watch Revulsion for yourself: Amazon Instant Video Paramount Plus DVDs Scott McNulty with Tony Sindelar.

Tony Sindelar, your internet DM and Lego enthusiast, joins Scott to discuss “Revulsion)” (VOY S4E5). Topics include Tony’s Voyager epiphany, the poor treatment of Tuvok, and why anyone would design a tool that never leaves a room to have feelings. Watch Revulsion for yourself: Amazon Instant Video Paramount Plus DVDs Scott McNulty with Tony Sindelar.

Such a fun topic, repulsion and revulsion It's the instinctive reaction we all have to some stuff, like rats or spiders, and the way that we think about certain things Like sexual abuse We can't help it, it's a repulsive topic but as survivors sometimes we must talk about it But it is the act that is repulsive and the perpetrator that is revolting, not the survivor That is important to remember, what happened to us was repulsive but that doesn't mean that we are --- Send in a voice message: https://podcasters.spotify.com/pod/show/kevin-bolger4/message Support this podcast: https://podcasters.spotify.com/pod/show/kevin-bolger4/support

In this episode of Displaced in Space, Angelina and Sam discuss "Revulsion" Season 4, episode 5 of Star Trek: Voyager! This week, Harry Kim has a storyline! We discuss whether it's the start of a needed turnaround for the character. Torres and Paris lock lips and now Angelina might just have to be hosed down. And give us evil A.I. over whiny A.I. all day!

All eyes are on Glasgow for the next notable hardcore festival. Mindforce, Gridiron, Age of Apocolypse, and Punitive Damage have made the trip across the Atlantic to share the stage with Revulsion, Blood Sermon, Mourning, Demonstration of Power, Pest Control, The Flex, Despize, Last Wishes, Speedway, Hellbound, Maligant Methods, T.S. Warspite and Nothin' But Enemies. To help us understand what Glasgow hardcore has gone through to get to this point, Craig and Scott from Nothin' But Enemies join the show to provide a history of some of the most important bands and aspects to the scene. Whether or not you will be there familiarize yourself with bands that have inspired Northern Unrest and understand what the eleven members of four bands do for their scene. Tracks Played:1.     Divide - "Opportunity"2.     Hellbound - "Victory Eternal"3.     Broken Oath - "Actions Speak Louder" 4.     Trial and Error - "Fighting to Survive"5.     Burning Scars of Betrayal - "Statement"6.     War Charge - "New World Justice"7.     Revulsion - "Cursed Earth"8.     By My Hands – “Hollow” Follow Nothin' But Enemies on IG: @nothinbutenemiesListen to their music and everything else from Northern Unrest on bandcamp.Check out the entire Burning Scars of Betrayal EP on Youtube. Listen to the cover of "Statement" by Pay the Price.

Writing "Star Trek" with Lisa Klink, Part 2 Lisa Klink wrote 15 episodes of Star Trek shows on DS9 and VOY and was the executive story editor for "Star Trek: Voyager," along with some other Trek projects. Across the entirety of this two-part interview, Lisa will break down all of her Star Trek scripts and demystify how to write for a television show. This week, we are breaking down the second half of Lisa's VOY credits, including "Favorite Son" and how that script went through significant changes over time, along with what she wished the crew could have done with Harry Kim's character, "Displaced," "Revulsion," "Scientific Method," "Message in a Bottle," the controversial "Retrospect," and "Omega Directive." We learn how Lisa deals with writer's block, writing season-long arcs versus episodic television, the plans for B'Elanna and Tom's relationship, Chakotay and Seven's romance, the evolution of the Borg, what didn't make it to air, and a few other important episodes she contributed to, including "Tuvix," "Threshold," and "The Year of Hell." Lisa also fills us in on some other Trek projects, like writing the "Star Trek Voyager: Retribution" video game and the immersive Star Trek Borg Invasion that was part of the Star Trek Experience in Las Vegas. Plus, writing for Gene Roddenberry's "Earth: Final Conflict" and producing "Martial Law," writing action scenes and the plans for the seasons that never happened, being a multiple-day winning contestant on "Jeopardy," stories about Majel Barrett, thoughts on the new Star Trek shows, and the criticism of their writing from a certain segment of the fandom. Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold. There you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future.  Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the show and leave a rating if you like us! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today. The views expressed on air during Trek Untold do not represent the views of the RAGE Works staff, partners, or affiliates.

Lisa Klink wrote 15 episodes of Star Trek shows on DS9 and VOY and was the executive story editor for "Star Trek: Voyager," along with some other Trek projects. Across the entirety of this two-part interview, Lisa will break down all of her Star Trek scripts and demystify how to write for a television show. This week, we are breaking down the second half of Lisa's VOY credits, including "Favorite Son" and how that script went through significant changes over time, along with what she wished the crew could have done with Harry Kim's character, "Displaced," "Revulsion," "Scientific Method," "Message in a Bottle," the controversial "Retrospect," and "Omega Directive." We learn how Lisa deals with writer's block, writing season-long arcs versus episodic television, the plans for B'Elanna and Tom's relationship, Chakotay and Seven's romance, the evolution of the Borg, what didn't make it to air, and a few other important episodes she contributed to, including "Tuvix," "Threshold," and "The Year of Hell." Lisa also fills us in on some other Trek projects, like writing the "Star Trek Voyager: Retribution" video game and the immersive Star Trek Borg Invasion that was part of the Star Trek Experience in Las Vegas. Plus, writing for Gene Roddenberry's "Earth: Final Conflict" and producing "Martial Law," writing action scenes and the plans for the seasons that never happened, being a multiple-day winning contestant on "Jeopardy," stories about Majel Barrett, thoughts on the new Star Trek shows, and the criticism of their writing from a certain segment of the fandom. Please subscribe to our brand new YouTube channel: www.youtube.com/@trekuntold There, you will see all the old episodes of this show, as well as new episodes and all of our other content, including shorts and some other fun things planned for the future. Visit my Amazon shop to check out tons of Trek products and other things I enjoy - https://www.amazon.com/shop/thefightnerd View the Teespring store for Trek Untold gear & apparel - https://my-store-9204078.creator-spring.com Support Trek Untold by becoming a Patreon at Patreon.com/TrekUntold. Don't forget to subscribe to the show and leave a rating if you like it! Follow Trek Untold on Social Media Instagram: http://www.instagram.com/trekuntoldTwitter: https://www.twitter.com/trekuntoldFacebook: https://www.facebook.com/trekuntold Follow Nerd News Today on Social Media Twitter: Twitter.com/NerdNews2DayInstagram: Instagram.com/NerdNewsTodayFacebook: Facebook.com/NerdNewsToday Trek Untold is sponsored by Treksphere.com, powered by the RAGE Works Podcast Network, and affiliated with Nerd News Today.

On this edition of Parallax Views, David Metcalfe, Santa Muerte researcher and Editor-in-Chief of Threshold: Journal of Interdisciplinary Consciousness Studies, joins us for a long, jam-packed discussion of the Morbid Anatomy online course he is teaching with Dr. Diana Pasulka entitled "Your Waking Nightmare: Exploring the UFO Through the Lens of Horror and Techno-Realism". The course will take a media studies approach that delves into understanding the phenomena of Unidentified Flying Object, or Unidentified Aerial Phenomena, by way of the themes explored in the horror genre. It will also feature guest speakers Amanda M. Radcliffe, the occult and ritual witchcraft advisor for the Nicolas Cage-starring H.P. Lovecraft movie The Color Out of Space, and Whitley Streiber, the world's most famous claimed alien abductee and a former horror author whose novels like The Hunger and Wolfen set him up to be a successor for Stephen King before he became famous in regards to the UFO/alien abduction subject. This isn't necessarily a conversation about believing  in the UFO phenomena or being skeptical of it, but rather what the horror genre can say about people who claim to have "paranormal" experiences and perhaps even what these experiencers can say about themes touched upon in horror that relate to philosophical and social issues. Among the topics discussed in the course of this conversation: - Whitley Streiber and his career as a horror author; his alien abduction memoir Communion (originally set to be titled, interestingly enough, Body Horror) and it's dealing with subject like the Self vs. the Other (and bridging the gap between the two); filmmaker Phillipe Mora's movie adaptation of Communion; Whitley Streiber and psychological/physical trauma; Whitley Streiber's relationship with William S. Burroughs - UFO researcher Jacques Vallee and Steven Spielberg's Close Encounters of the Third Kind; Valle served as the basis for the Francois Truffaut character in Close Encounters of the Third Kind; creatives who don't necessarily believe in the UFO phenomena taking an interest in the subject - The Texas Chainsaw Massacre (or The Texas Chain Saw Massacre as it was released) and it's invocation of astrology ("Saturn in Retrograde) that arguably adds a cosmic horror element to the story - The horror genre and catharsis; David's college horror binge that included a diet of Lucio Fulci, Dario Argento, and movies like Wes Craven's Last House on the Left (and why David pulled back on watching those movies before returning to them for the course) - Lucio Fulci's The Beyond, Don Coscarelli's Phantasm, and hell/other dimensions depicted in film; horror movies and ritual experience; Kenneth Anger's perspective on cinema - The art of the jump scare; the visceral nature of the horror genre; the intersection between horror and comedy - The Travis Walton alien abduction case and the movie depiction of it in the police-procedural-turned-full-on-horror-in-the-third-act Fire in the Sky; the depiction of alien abductions in cinema; intentional artificiality and theatricality in Phillipe Mora's Communion starring Christopher Walken as Whitley Streiber; Communion vs. Fire in the Sky and the ways in which Communion portrays the alien abduction experience in a stranger, harder-to-grasp way - Lovecraft, the encounter with the unknown in horror, and the inability to adequately express/fully comprehend alleged anomalous experiences - Clive Barker's 1987 cult classics Hellraiser, reframing the concept of the alien/extraterrestrial, and interdimensional beings; Alien amorality in Hellraiser; Cliver Barker's Cabal (later made into the movie Nightbreed) and sympathy for the Other; exploration of the anomalous rather than belief in the anomalous; the occult-tinged industrial music project Coil, led by Jhonn Balance and Peter Christopherson, and Hellraiser; Hellraiser, the BDSM underground, and the Barker's The Hellbound Heart as a dark fairytale/dark romance exploring what loves means and is - The dark portrayal of psychology in Nightbreed, Hellbound: Hellraiser II, and A Nightmare on Elm Street 3: The Dream Warriors  - The late psychiatrist Dr. John E. Mack, professor and the head of the department of psychiatry at Harvard Medical School, and his perspective on alien abductions; Mack's desire to understand the alien abduction through, among other things, Eastern spirituality; how John Mack's approach to alien abduction differs from other alien abduction believers such as Budd Hopkins or David Jacobs; how alien abductions and how they are understood in popular culture are forced in a a specific narrative to the preclusion of all else - Different cultural perspectives on UFOs: Christian evangelical and charismatic Christianity narratives about UFOs; Islam and exorcisms; Muslims who believe UFOs can be warded off by the Koran; the use of exorcism in the Santa Muerte tradition; occult rocket scientist Jack Parson, occultist Aleister Crowley, Parsons' love Marjorie Cameron's UFO experience (interestingly, Cameron appeared in a Kenneth Anger movie), and the Aeon of Horus - Albert K. Bender, the first notable case of someone who claims to have had Men in Black encounters, and his interest in the horror genre and pop occultism - Demonic possession narratives; The Exorcist; charismatic Christians and Pentecostals in relation to exorcisms; grocery store grimoires and ritual magick's connection to the tradition of exorcism; exorcism in various religions; Catholicism and exorcism; the mediation of these topics in popular culture - The concept of techno-realism; virtual worlds and virtual reality; David Cronenberg's eXistenz and the UFO experience; hallucination and reality in Nightmare on Elm Street 3; the real life inspiration for A Nightmare on Elm Street and parallels to the alien abduction experience - Revulsion to the extraordinary and anomalous as well as longing for the extraordinary and anomalous in A Nightmare on Elm Street 3 and Hellraiser - The media and anomalous experiences - The Natalie Portman-starring adaptation of Jeff Vander Meer's weird fiction tale Annihilation; The Color Out of Space and the desire for experiences beyond the normal comprehension of existence; transcendental experience in The Color Out of Space; horror and union in The Color Out of Space; the ultimate other as both beautiful and horrifying; the Necronomicon and ritual magick - Techno-realism and John Carpenter's They Live; parallels between They Live and Robert Anton Wilson's fnords in The Illuminatus Trilogy - Tobe Hooper's Invaders from Mars remake; paranoia and fear in the films of Tobe Hooper; Tobe Hooper's Stephen King adaptation Salem's Lot and it's parallels to Invasion of the Body Snatcher and it's marketing as a vampire story; the character of Mr. Barlow in Salem's Lot; Tobe Hooper's apocalyptic alien vampire movie Lifeforce - Druids, ritual witchcraft, synchronicity, and apocalypticism in Halloween III: Season of the Witch; the weirdness of John Carpenter's religious-apocalypse-meets-quantum-physics-meets-time-travelers-meets-aliens movie Prince of Darkness; Prince of Darkness's "broadcasts" which act as premonitions transmitted through the characters dreams - The British horror anthology The House That Dripped Blood and why it will be taught in the course; Jacques Tourneur's Curse of the Demon and expectations around anomalous experiences - Horror and philosophy; Eugene Thacker's In the Dust of This Planet; the late cultural theorist Mark Fisher and the eerie - And more!

this week our VoyJourn crew encounter a Photonic Lifeform or A.I Hologram who has become revolted by organic life. We explore what it means to exist, I think there for I am, A.I rights, Anthropomorphism and so much more!

Wherein continued exploration leads to up-close contact with new horrors.Dark Nexus is a creation of Plug & Hum Productions. Visit us at darknexuspodcast.com. This is a horror story and may not be appropriate for anyone under 18 years of age. Visit our Content Information page (darknexuspodcast.com/content) for more information.Dark Nexus uses trademarks and/or copyrights owned by Paizo Inc., used under Paizo's Community Use Policy (paizo.com/communityuse). We are expressly prohibited from charging you to use or access this content. Dark Nexus is not published, endorsed, or specifically approved by Paizo. For more information about Paizo Inc. and Paizo products, visit paizo.com.Music and sound by Syrinscape (syrinscape.com/?att_dark_nexus). “Because Epic Games Need Epic Sound.” Complete list of credits at https://tinyurl.com/3d72jtz5.Opening and closing themes, along with additional music, composed by Rob Kauzlaric.All artwork for Dark Nexus is by Matt Wahlquist (tartarsaucecomics.com).

America is at the crossroads of history in 2023. Never has our nation faced so many simultaneous existential threats. Nearly every country on the planet is plagued with similar situations in which cascading crises are tearing the fabric of our existence. Yet far too many, especially in America, have refused to see, recognize, or acknowledge these massive challenges, choosing instead to shelter in place rather than work to address these issues. We're waiting for someone to solve our problems, and unfortunately that means most are hoping government will step in and do something about it all.As a nation we were built on the concepts of freedom and self-reliance. The Constitution was designed to limit government and allow the people to flourish as a result. But for two-and-a-half centuries those freedoms have been steadily eroding. Government has grown. Self-reliance has diminished. Today's younger generations are made up of people who no longer want government to stay out of their way. They want solutions to problems that were largely created by the people who are supposed to offer the solutions. We're stuck in a feedback loop that has created a self-perpetuating Hegelian Dialectic.2023 is certain to bring conflicts both internal and external. We must make a personal choice about whether we're going to let the world deteriorate around us or if we're going to fight for it. We must also choose whether to fight the good fight for our nation or if we should abandon that dream and focus on ourselves, our families, and our communities. Will 2023 be a year of revulsion, revolution, or revival? Thankfully, these things are not mutually exclusive.On today's episode of The JD Rucker Show, I explained why revulsion will continue and get worse in 2023. I also explained why we are desperately in need of a revolution of truth, one that gets patriots back out their to protest, file lawsuits, and prepare for real battle should the powers-that-be really dig into our freedoms. Then, I described why it's necessary to have a different kind of Christian revival than we've seen in the past. We don't need to focus on getting higher numbers in churches on Sunday. We need to engage in hand-to-hand spiritual combat, changing hearts and minds one at a time if necessary.

Episode 374...  Bring in the new year with plenty of righteous punk finds on Bandcamp. Tons of bands still putting out solid new stuff at the end of December. Put in your new ear bluetooth devices and fire up the smart devices for pure punk pleasure. Enjoy!Download and stream here (iTunes and Google Podcasts as well):BROS GRIM 374!!!!!Airing Wednesdays 7pm PST on PUNK ROCK DEMONSTRATION & Fridays 7pm PST on RIPPER RADIO.Send us stuff to brothersgrimpunk@gmail.com.Punker's delight...Hammond IN DARKNESS 1:28 DJINN “ST” Toronto Haunted 2:07 S.H.I.T. Demo 2023 Stockton Toxic By Britney Spears 1:46 SISSYFIT Resist - Sabotage - Disrupt Olympia Crunchwrap Supreme 1:53 Spitpuddle TAX SEASON Night Doctor (bkgrd) 2:49 The Upsetters  Return of Django IN Life cage 1:41 Use Of Force Criminal Grip Finland Blackout 0:52 Occüpied Blackout Jax FL I Hate My Friends 1:49 Smells Like Paint Scraped up MS Policy 1:39 Dragged Dragged Letterbombs - Bitter and alone. 1:25 Distro.cefalia Letterbombs / Empatía - Split. No Time Recs STRAIGHT UP 0:34 BIG FACE DEMO [NTR 316] ego death (bkgrd) 4:35 NIHILISTIC FIT ABSOLUTE DISCIPLINE Boston Architects of Despair 1:41 Innocent Architects of Despair Total Peace Phoenix The Vessel 1:06 Art TP005: One Road Rash 1:42 Survivors Will Be Shot Again Terror Invasion BOMB DC 0:41 RUBBISH AMERICAN HARDCORE 10 TRACK DEMO Back to the Grindstone 1:48 Nuclear Armed Hogs Nuclear Armed Hogs/G.N.P. split EP Angie 1:19 The Hi-Fives Welcome To My Mind The B-Team - Hot Heather (bkgrd) 2:42 RTTB.Records Tales From The Pop Punk World Volume 2 Soundtrack to the End of the World 2:08 Guttermouth New Car Smell - EP New World For Them 2:53 Revulsion Ever Get The Feeling of Utter... Radical Change Recs Buying Time 1:15 Substance Fade Out Dystopic Scene 2:17 Triage POWER BEAT 7" Secret Nation 2:31 Crocodile Skink A Compilation of 38 Tracks Recorded 1990-1997_Tribal War Asia Records Rock 'n' Roll Television - New Wave Sci-Fi (bkgrd) 3:08 RTTB.Records Tales From The Pop​ Punk​ ​World Volume 1 Remnants 3:00 NOFX The Longest Line [EP] Lament 2:06 Dishell Teutonic Beat D-beat noise attack 1:56 Final Slum War D-beat Noize Attack Still Continues 2012-2013 - Tape Media-evil 2:21 VISIONS OF WAR The lost tapes 2002 " A bottle too far" re-noised Philly What We Deserve 1:44 ICD10 Pleasure For Everyone Italy Damaged Life 0:54 Wah'77 High Hopes Glad To Be Alive 2:47 Subhumans Unfinished Business

Yes, Podanuary is back!!! I could say, due to popular demand, but I won't. I'm talking about the New Year, and hope and revulsion, because quite frankly that's how I feel!! As always, thank you for listening and thank you for your support. Wishing you peace, happiness, health, and prosperity! Happy New Year! xoxo

Stories related to interacting with people who make your skin crawl … or who you simply don't like.

Organized crime is: "Revolting · repellent · repulsive · sickening · nauseating · nauseous · stomach-churning · stomach-turning · off-putting · unpalatable · unappetizing · uninviting · unsavory · distasteful · foul · nasty · obnoxious · odious · vomitous · disgustful · offensive · appalling · outrageous · objectionable · displeasing · shocking · horrifying · scandalous · monstrous · unspeakable · tragically shameless · sadly shameful · vulgar · gross · vile · wicked · heinous · abhorrent · loathsome · detestable · hateful · contemptible · despicable · deplorable · abominable · execrable · unforgivable · unpardonable · inexcusable · intolerable · insupportable · beyond the pale · loathly · scurvy · egregious · exceptionable . appalling. awful. dreadful. evil. PURE EVIL." --- Send in a voice message: https://anchor.fm/antonio-myers4/message Support this podcast: https://anchor.fm/antonio-myers4/support

This episode is also available as a blog post: http://andrewmwilk.com/2022/10/20/americas-great-revulsion-of-2022/

No one likes to think about aging. Our natural reaction to aging is usually revulsion, but time is coming for you. And as uncomfortable as that makes us, or as painful as that may be, the better we are able to reckon with that idea, the wiser we will be, no matter how young or old we may be today. It's never too early to remember your Creator, to remember that we are creatures, with an expiration date. We must take seriously our frailty, our impermanence, and our death, which pretends to, tries to, convince us that life has no meaning at all. But we can do more than remember our Creator. On this side of Jesus, when we see the whole testimony of God's revelation to us, we can do one more thing here. We can hope in our Redeemer, because every passing day in Christ, we are one day closer to the renewal of all things. Yes, even as we age, renewal only gets closer. Sermon Notes: https://www.bible.com/events/4889633622.05.29

What's real this week? Not much! First up: Chakotay is dragged into an alien war and shown the depravity of the enemy…or is he? Find out in "Nemesis"! After that, is the holo-man's truth hollow? How did his crew really die? The EMH tries to make a friend in "Revulsion"! Also this week: talkin' strange, Chekhov's latest weapon, and more ship stuff! [Timestamps: Nemesis: 01:55; Revulsion: 26:16; Ships: 49:33] [tumbl this: https://sshbpodcast.tumblr.com/post/691589844935278592/getting-shipshape-with-starfleet-ship-shapes-part]

Script: https://tcmpodcast.me/episode-06-rise-of-nomad-destinations/ The cupping therapy has been used in China for thousands of years. The cupping therapy in its primitive form using cattle horn was used primarily to withdraw pus and blood in the treatment of boils. Cupping was then used as an auxiliary method in traditional Chinese surgery, and in time developed into a special therapeutic method. The earliest records of cupping in ancient China was found written in Bo Shu 帛书 ancient book written on silk. The text were buried 186 BC in Ma wang dui 马王堆 tomb. Through several thousand years of accumulated clinical experience, the clinical applications of cupping have become increasingly wide. During the Qing dynasty 清代 (1644-1911), the original natural horn cup has been replaced by bamboo, ceramic or glass cups. Because cupping is traditionally used in China, the technique has been inherited by the modern Chinese TCM doctors. The ancient Egyptians were the first to use cupping therapy systematically. Ebers Papyrus, the oldest medical textbook 1550 BC, describes bleeding by cupping in order to “remove the foreign matter from the body”. Hippocrates and Galen were also great advocates of cupping. In the early days the technique was used solely for bleeding purposes. In the book of Galen (c. 129-200 AD) on Bloodletting, disease and health are defined in terms of nature. “Disease is an unnatural state of the body”, states Galen, “which impairs a function. Health is a state in accordance with nature, and the cause of the functions”. Here we can see the similarities to the cause of disease and the theory of Traditional Chinese Medicine (TCM): disease occurs as a result of imbalance between the Yin and the Yang. Galen states that: “The nature does its best to restore unnatural states to their healthy condition. The function of the Physician is to cooperate with her. The principal indication for Bloodletting, then, is to eliminate such residues or to divert blood from one part to another by the process known as Revulsion or Derivation”. For thousands of years all medical authors have distinguished two forms of cupping, Dry and Wet. In Dry cupping no blood is actually removed from the body. A cup is drained of air and applied to the skin, causing the skin to swell. In Wet cupping the process begins with dry cupping and is followed by several incisions being made in the skin, in order to collect blood. Among the Egyptians, who introduced bloodletting to Greece, cupping was the usual remedy for almost every disorder, and they no doubt had received it from the more ancient nations of the East, from whom they had derived their other knowledge. In many cases, topical abstraction of blood alone is indicated, and this can only be effected by using leeches or cupping. Leeches have been found so uncertain in their application that various means have been prescribed to make them more effective. Info: www.tcmpodcast.me        

Italy's tough new approach to Russia marks one of the biggest foreign policy shifts in Europe in years, Germany has called for a phased-in ban on Russian oil imports into the EU, and investors have written to the boards of leading food companies to show shareholder concern about nutrition and obesity.Subscribe to the FT News Briefing on Apple Podcasts or SpotifyMentioned in this podcast:EU steps up action on Russian oil sanctions Revulsion at Ukraine War ends Rome's old amity with Moscow Investors push Nestlé and Kraft Heinz to set new health targetsArcelorMittal successfully tests use of green hydrogen at Canadian plantThe FT News Briefing is produced by Fiona Symon and Marc Filippino. The show's editor is Jess Smith. Additional help by Peter Barber, Michael Lello, David da Silva, and Gavin Kallmann. The show's theme song is by Metaphor Music. Topher Forhecz is the FT's executive producer. The FT's global head of audio is Cheryl Brumley.Read a transcript of this episode on FT.com See acast.com/privacy for privacy and opt-out information.

Acharei Mos 7 - Revulsion Of The Land by Learn the Torah an Aliya a day

How could it have gone so wrong? The Matrix was revolutionary and amazing! It was a film that was worthy of the highest sci-fi accolades. However, the sequels spiral happened immediately. Tune in to hear some reasons as to why The Matrix went from glorious to garbage.

Dr. Cameron and I discuss Tolkien's work including  The nature of DREAD in the works of Tolkien; the nature of elves; maps and their usage and moon letters ("what are moon letters?") Fear (along with anger and love) is one of the deepest human emotions.  In his article at Electric Lit, “The Literature of Dread”, John Broening distinguishes between Dread (or Terror), Horror, and Revulsion. Dread = fear of the imminent, of the inevitable. The unseen thing. Terror.  The feeling of apprehension at the possibility of something frightening. Horror = the shock and repulsion of seeing the frightening thing Revulsion = the gross out factor accompanying fear Like Walker Percy, Tolkien seems to have used dread (caurë in Quenyan elvish) to awaken the "un-placed self" to its existential predicament in the modern world.  The moments of quiet calm and beauty (like the "last homely house" of Rivendell) are always surrounded by this unseen danger into which each of us must venture if the quest of life is to continue. "Dread has come upon you all. The goblins who claim for the treasure comes from the North! Behold! They ride on Wolves!” - Gandalf

Oh no! In Gargoyles ep312 – Seeing Isn't Believing, Goliath is doing more crimes?! Amy Schumer's not gonna help you this time, pal! Things aren't as they seem, unless you're Dreamboat, in which case you're totally prepared to buy into this “Goliath is doing crimes” nonsense! Come on, lady! Thank you to Ian McGowan for providing our interstitial music. Find him on Instagram and Twitter @eazy_breezy_mac, and check out his music at gooddeedmusic.bandcamp.com or sweetgumstl.bandcamp.com. Defenders of the Night is brought to you by CalamityCast; produced by Daniel Williams; and co-created by Daniel Williams and Liz Zerkel.

FYI (2 Thessalonians 1:8-9 was the Scripture I was trying to recall during the podcast!

- - Description - - How can you successfully integrate horror into your home game? This episode continues looking into the pillars of horror - focusing on Revulsion - and answers some call-ins: both regarding the horror subject and regarding the podcast, in general. Some segments of rough audio - but again, having learned from the experience, it's better than it was and will continue to improve. Theme Music by XTaKeRux, Free Music Archive: https://freemusicarchive.org/music/XTaKeRuX - - Show Notes - - 00:00 - Intro 00:20 - Theme 00:48 - Call In: Joe from Hind-Sightless 05:14 - Call In: Jason from Nerd's Variety RPG Podcast 06:57 - Revulsion! 16:45 - Audio Quality Apology and Segway into More Call Ins! 17:20 - Call In: B.J. from the Arcane Alienist 18:27 - Call In: More Joe from Hind-Sightless 19:31 - Call In: More Jason from Nerd's Variety RPG Podcast 20:25 - Outro and Teaser for Next Episode 21:21 - Theme and Legalese - - Links - - Hindsightless (https://anchor.fm/joe-richter9) Nerd's Variety RPG Podcast (https://anchor.fm/jason376) Arcane Alienist (https://anchor.fm/arcanealienist) Grizzly Peaks Radio (https://anchor.fm/andy-goodman9/) Expedition To the Grizzly Peaks (https://anchor.fm/andy-goodman8/)

#Logos #LogosRising #Christianity In this stream I discuss the consequences of having a bad relationship with your father and this dramatically affects all aspects of society. Our relationships with our fathers are key to an understanding our relationship with God the Father.. Make sure to check it out and let me know what you think. God bless

Join us for our pick of February's albums! We discuss releases from Abiotic, Athanatos, Chainsword, Corpse Worship, Ephemerald, Gravesend, Humanity's Last Breath, Insect Inside, Qwälen, Revulsion, Swampbeast, Summoning the Lich & Teenage Wrist!

Technical, Groovy, and Grimy We went extra heavy this week.  Why the extra br00tal?  No particular reason – these are just the albums that fitContinue reading

为你读英语美文·第325期：打破成见，做自己的英雄 | 为你读一封出柜信主播：永清坐标：北京公众号首播Dear Mama,亲爱的妈妈，I'm sorry it's taken me so long to write.很抱歉现在才写这封信。 I have friends who think I'm foolish to write this letter. I hope they're wrong. I hope their doubts are based on parents who love and trust them less than mine do. 我有朋友觉得我写这封信很蠢，我希望他们是错的。我希望他们有顾忌是因为他们的父母不想我的父母这般爱我，信任我。I wouldn't have written, I guess, if you hadn't told me about your involvement in the Save Our Children campaign. 我本来不想写这封信，我想，如果您没告诉我参加了“拯救我们的孩子”的运动。 That, more than anything, made it clear that my responsibility was to tell you the truth, that your own child is homosexual, and that I never needed saving from anything except the cruel and ignorant piety of people like Anita Bryant.这极好地说明了，我有责任告诉您真相，您的孩子是同性恋，我也不需要任何救赎，只希望不被安妮塔·布莱恩这样残酷又伪善的人伤害。I'm sorry, Mama. Not for what I am, but for how you must feel at this moment.对不起，妈妈，不是因为我是同性恋，而是您现在的感受。I know what that feeling is, for I felt it for most of my life. Revulsion, shame, disbelief — rejection through fear of something I knew, even as a child, was as basic to my nature as the color of my eyes.我知道您的感受，因为我大部分时候也有这样的感觉。厌恶，羞耻，怀疑 — 出于对我已知事情的恐惧而产生的抗拒，即使作为一个孩子，我的天性就像我眼睛是什么颜色一样，是天生的。 No, Mama, I wasn't “recruited.” No seasoned homosexual ever served as my mentor. But you know what? I wish someone had.不，妈妈，我不是被招募的。没有经验丰富的同志来充当我的导师。但您知道吗？我希望有人教我。 I wish someone older than me and wiser than the people in Orlando had taken me aside and said, “That's all right, kid. You can grow up to be a doctor or a teacher just like anyone else. You're not crazy or sick or evil. You can succeed and be happy and find peace with friends — all kinds of friends — who don't give a damn who you go to bed with. Most of all, though, you can love and be loved, without hating yourself for it.”我希望有比我大的人，比奥兰多居民明智的人把我带到一旁和我说：“没事的，孩子。你长大以可以当医生，可以当老师，和其他人一样。你没疯，没病，也不坏。你可以成功，快乐，和朋友和平共处 — 和各种各样的朋友 — 他们不在乎你跟谁上床。但最重要的是，你可以爱和被爱，不用怨恨自己。 But no one ever said that to me, Mama. I had to find it out on my own, with the help of the city that has become my home. I know this may be hard for you to believe, but San Francisco is full of men and women, both straight and gay, who don't consider sexuality in measuring the worth of another human being.但是从来没人和我说过这些，妈妈。我必须自己探索，这座我安家的城市帮助了我。我知道，或许您难以置信，但旧金山就是这样的一座城市：有男人和女人，有异性恋也有同性恋，他们从来不会用性取向去衡量一个人的价值。 These aren't radicals or weirdos, Mama. They are shop clerks and bankers and little old ladies and people who nod and smile to you when you meet them on the bus. Their attitude is neither patronizing nor pitying. And their message is so simple: Yes, you are a person. Yes, I like you. Yes, it's all right for you to like me, too.他们不是激进分子，也不是怪人，妈妈。他们是商店的店员，银行柜员，小老太太，还有当您坐公交车时，向您点头微笑的人。他们既不是高人一等，也不是同情的态度。他们要传递的信息如此简单：是的，你是一个人。是的，我喜欢你。是的，你也可以喜欢我。 I know what you must be thinking now. You're asking yourself: What did we do wrong? How did we let this happen? Which one of us made him that way?我知道您现在一定在想，在问自己：我们究竟做错了什么？我们怎么会让这种事情发生？我们俩是谁让他变成了个样子？I can't answer that, Mama. In the long run, I guess I really don't care. All I know is this: If you and Papa are responsible for the way I am, then I thank you with all my heart, for it's the light and the joy of my life.我无法回答，妈妈。从长远来说，我想我真的不在乎。我只知道：如果您和爸爸对我现在的样子负有责任，那么我要感谢你们，用我的真心，因为这是我生命中的亮光和快乐。I know I can't tell you what it is to be gay. But I can tell you what it's not.我知道我没法告诉您同性恋是什么，但我能告诉您不是什么。It's not hiding behind words, Mama. Like family and decency and Christianity. It's not fearing your body, or the pleasures that God made for it. It's not judging your neighbor, except when he's crass or unkind.不躲躲藏藏，不用避讳谈及家庭，体面和宗教，妈妈。不恐惧自己的身体，不恐惧上帝让其带来的乐趣。不去评判邻居，除非他非常粗鲁和刻薄。 Being gay has taught me tolerance, compassion and humility. It has shown me the limitless possibilities of living. It has given me people whose passion and kindness and sensitivity have provided a constant source of strength.身为同性恋，我学会了宽容，同情和谦逊。这个身份也向我展示了生活的无数种可能性。这个身份也为我带来了热情，善良，敏感的人，给予了我无限的力量。 It has brought me into the family of man, Mama, and I like it here. I like it.这个身份也带我进入了人类的的大家庭，妈妈我喜欢这里，我真的喜欢。 There's not much else I can say, except that I'm the same Michael you've always known. You just know me better now.我没有别的要说的了，只有这句：我还是您一直都认识的迈克。您只是现在更了解我了。Please don't feel you have to answer this right away. It's enough for me to know that I no longer have to lie to the people who taught me the value of truth.您不必觉得现在马上就要回复。对我来说，能不再和教真理的价值的人说谎，这就足够了。Your loving son,爱您的儿子Michael迈克▎主播介绍永清：为你读英语美文创始人，努力做自己的英雄主播，制作：永清▎节目首发，背景音乐，图文资料，更多推送敬请关注微信公众号：为你读英语美文，ID：readenglishforyou

Queen Rebekah talks to Asilas about becoming grandparents while simultaneously asserting suspicion about the true nature of her father's death. Extraction of Lord Shelley doesn't turn out as planned. Asilas opens up to Dr. Ezekiel about his feelings for Lord Shelley. A discover is made that the Australians have unknown aircrafts and sends American forces scrambling to find a counterpunch. Features intro by JVMP.Support the show (http://patreon.com/kingasilas)

Author Luke Jennings on his Killing Eve novels, which inspired the recent television series. Jennings reveals what motivated him to create the ruthless assassin, Villanelle, and Eve, the agent hunting her, and the somewhat bizarre relationship the two of them seem to have. Revulsion is one of the strongest human reactions and if art is designed to instil an emotional response in the viewer, what is the role of disgust in art? As Halloween approaches we explore what makes us disgusted and how artists have used disgust to enthral or repel audiences. We speak to artist Andrea Hasler, whose wax-based sculptures re-imagine luxury goods like handbags with raw fleshy innards, along with art critic Estelle Lovatt and horror fan Kim Newman to explore the role of disgust in visual art and film. Maggie Gyllenhaal is currently starring in second series The Deuce, a television drama which charts the rise of the porn industry in 1970s New York. We speak to the actress about why she fought to be a producer on the show and what difference that has made both on screen and on set.Presenter: Stig Abell Producer: Hannah Robins

This week we talk about chemical weapons, North Korea, and misspeaking on camera.We also discuss Yugoslavia, the MOAB, and Aleppo. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit letsknowthings.substack.com/subscribe

Covering “Revulsion” and “The Raven.”