Podcasts about riot grrl

In episode 70 Rachel Branson from Moshermags joins us again for a record 5th appearance to talk about NME's Kurt's Choice cd from April 2004The cd's full tracklisting is -1 – Mudhoney - Touch Me I'm Sick2 - Rites Of Spring - For Want Of3 - The Faith - Subject To Change4 - Iggy Pop - Louie Louie/Hang On SLoopy (Live)5 - The Melvins - Gluey Porch Treatments6 - Butthole Surfers - Sweat Loaf7 - MDC - John Wayne Was a Nazi8 - Gang Of Four - At Home He's A Tourist9 - The Slits - Typical Girls10 - PJ Harvey - Dress11 - The Vaselines - Molly's Lips12 - Leadbelly - Where Did You Sleep Last Night?13 - Bad Brains - Banned In DCGo follow Rachel's excellent Moshermags account on Instagram at https://www.instagram.com/moshermags for an absolute goldmine of old music magazines on the heavier side of the spectrum mainly between the late 90s & early 2000s.Listen to all available songs on our ongoing Spotify playlist - https://open.spotify.com/playlist/1mzWOWEfQ5LklJyUZkpfs2?si=LbWBi9-oTl-eXjkUJbpx2QYou can buy a copy of the cd from Discogs here - https://www.discogs.com/release/976439-Various-Kurts-ChoiceHost - Colin Jackson-BrownRecorded/Edited/Mixed/Original music by Colin Jackson Brown for We Dig PodcastsPart of the We Dig Podcasts network along with We Dig Music & Pick A Disc.Tiktok - https://www.tiktok.com/@freewiththismonthsissueTwitter – https://twitter.com/thismonthsissueInstagram - https://www.instagram.com/freewiththismonthsissue/Facebook - https://www.facebook.com/freewiththismonthsissue/Find our other episodes & podcasts at www.wedigpodcasts.com 

This episode norm learns about the girl group ITZY, Ari is introduced to the idea of Riot Grrl (is it related to the K-Pop concept of Girl Crush?) and of course reactions from listening to last week's artist Stray Kids. Hosted on Acast. See acast.com/privacy for more information.

North London DIY Icon Delilah Holliday once said she writes songs to make people feel less alone. Her band, Skinny Girl Diet, which she founded at the age of 14 with her sister Ursula and their cousin Amelia reignited a much needed Riot Grrl punk spirit, galvanising a community of like minded music lovers back in the early 2010s. Moving more recently into a lo-fi, electronic and soulful sound, developing her production style along with it and collaborating with Neneh Cherry, Vivienne Westwood and former guest of the show, Baxter Dury, she talks with Paul about her creative process, overcoming doubt, finding transformation and ponders what would a song sound like if it was left out in the sun. Delilah Holliday's new EP ‘Invaluable Vol. 1', on 7th July on One Little Independent Records.Lost and Sound is proudly sponsored by Audio-TechnicaPaul's debut book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culture Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by E.S.O

Riot Grrl and Bikini Kill are one of the most important touchstones in music of the past 30 years. So when Bikini Kill came to town on their reunion tour Jess and I went to see the revolution girl style. After the show we concluded we had to do a pod and talk about all things Bikini Kill so here it is. No magazine reference, just Bikini Kill, women in music, reunions and whether or not Bikini Kill needed a guitar player.

On the show this month, the boys at TNT attempt to take on the absolute ripper of an album from Japanese punk band Otoboke Beaver, 2022's "Super Champon." If you need any further convincing to dive into this one with us, take it from Dave Grohl, who said of the band, "It'll blow your mind, dude. It's the most fucking intense shit you've ever seen."

Director and  production designer (and former child actor) Francesca Maldonado shares how Rebecca (aka Tank Girl) from 1995's TANK GIRL was formative in her life, and offers perspectives on Hot Girl Representation, Valley Girl pride, and what's missing from movies now and in the past.Then, Jordan has one quick thing about an upcoming Amazon series called Class of '07.***With Jordan Crucchiola and Francesca Maldonado

Jeremy assigns Andy: Personal Best by Team Dresch. Andy assigns Jeremy: Bazooka Smooth! by Skinned Teen. AAJLTM Theme Music by Ryan Robinson. Follow him here: https://www.instagram.com/ryrobraw/  AAJLTM Original Images by Jade Armstrong. Follow her here: https://www.instagram.com/mintybxbe

WHALEHOUSE & GUNK: Live at Netherworld, Fortitude Valley, 30 October 2022 This is episode 414 of Live Delay and we're featuring two sets from two Meanjin Punk Rock legends, WHALEHOUSE and GUNK, both one word - all caps. This recording was taken at a special reunion Halloween party held in honour of GUNK on the 30th of October in 2022. WHALEHOUSE are a relatively new local band, imagine an unhinged all-female Devo. They're fun, they're weird and they have a thing for large subaquatic fauna. This episode's second set is from local Riot Grrl punk band GUNK, they initially made waves in Meanjin-Brisbane's scene back in 2012 with the release of their self-titled EP and 2013 album ‘Sugarsoap', GUNK had since broken up and remained on hiatus for years before the reunion gig we were lucky enough to record in October of 2022. Recorded by Scott Mercer, Dave Arens & Matt Hall Mixed by Dave Arens Special thanks to live engineer Ben Gibson Show production, engineering & host: Matt Hall Audio producer: Dave Arens Originally aired via Zed Digital, 7-8pm, Sunday 15 January 2023

Christopher & Jobst im Gespräch mit Ren. Wir reden über die Zukunft, Bücher schreiben, "From Devon to St. Ives", die Direktheit in Deutschland & Österreich, bessere Lebensqualität in Österreich, in einer nasskalten Wohnung mit 10 Leuten, Green Day & Anti-Flag, die Ska-Punk-Scene in UK, Dave von Caves, Mama hörte Punk & Metal, das Abba Musuem in Stockholm, die kleine Schwester als Drum&Bass Baby, Papas Tränen beim Vorlesen, die Bücher von Laurie Penny, die Geschichte von Riot Grrl und The Slits, Viv Albertines Bücher, die Wichtigkeit von The Slits, erste Show mit einer Metalband in lokalen village hall, RATM beim Reading Festival 2008, die Sängerin von Dirty Revolution, ein Poster von Angela Gossow, Pop-Feminismus, die Shania Twain Doku auf Netflix, Pettybone, Diskussionen um Mainstream-Feminismus, die Anfänge der Petrol Girls, nach dem Demo ging´s bergab, die Geschichte der les Pétroleuses, Punk muss sich ständig weiterentwickeln, Nationfucking, the current situation in Iran, Rojava, Hilfe so geben wie es gewünscht ist, persönliche Erfahrungen in Songtexten, ziemlich Macho auf der Bühne sein, sich für den Platz vor der Bühne verantwortlich, nicht immer für alle da sein können, es muss Wege zu radikaler Politik geben, Petrol Girls Songs in kommerziellen Werbespots, Dennis von Refused & Thomas von Strike Anywhere really give a shit, die Zusammenarbeit mit Joe, alte Folkmusik, die Band Lankum, es gibt keine schlechten Kartoffeln, schwarzer Tee mit Hafermilch & Honig, Yorkshire Tee, viel Whiskey auf der Bühne in Glasgow, potentielle Aperol Spritz Sponsorship, langweilige Haare, uvm.

Brandie Posey will be performing at my house on Nov 9th at 7pm! Please come and hang if you are in the Phoenix area.   Originally from Annapolis, Maryland, Brandie Posey is a stand up comedian, writer and producer who now calls LA's comedy scene home. She has been featured as a performer at the Bentzen Ball, New York Comedy Festival, RIOT Comedy Festival, San Francisco Sketchfest, FEST in Gainesville, Bridgetown Comedy Festival, High Plains in Denver, among many others. She has opened for all of your favorite comics, including Kyle Kinane, Maria Bamford and the legendary punk band Against Me! Brandie has appeared on MTV, E! and Comedy Central. She made her feature film debut in the indie dark comedy, "The Worst Year Of My Life" directed by Jonathan Smith and her first stand up record Opinion Cave debuted at #1 on iTunes & #12 on Billboard.com. Brandie's comedic style has been described as a “Riot Grrl on acid”. Brandie tours the country, headlining every dark corner with a microphone that will have her - from a basement in Whitesburg, KY to the stages of the Kennedy Center (twice!). She is the co-creator & host of Picture This!, the popular comedy-animation show with consistently sold out shows in Los Angeles & New York. In 2018 Picture This! shot a pilot for TruTV in partnership with Page Hurwitz & Wanda Sykes' Push It Productions. At the Upright Citizens Brigade Theatre & The Hollywood Improv, Brandie co-hosts Lady to Lady alongside Barbara Gray & Tess Barker.  Lady to Lady is also a celebrated weekly podcast with over 7 million downloads & loyal fans around the world.  If you enjoy the podcast, please take a moment to share it with someone else, maybe even subscribe and rate us on your preferred podcast platform?  Please sign up for the patreon: https://www.patreon.com/mishkashubaly For Patreon supporters, I'll be answering listener suggested questions on bonus episodes with my mom once a month. Thank you for listening!

New music from BLACKPINK [pictured], j-hope, TWICE, NewJeans, Beyonce & Madonna (The Queens Remix of 'Break My Soul'), Lizzo, Lava La Rue, MUNAA long set J-pop, including chelmico, Yoasobi, Miyavi, SPiCYSOL, ATARASHII GAKKO!A small spotlight on riot grrl & queer punk music including Otoboke Beaver, The Linda Lindas, Big Joanie, La Neve, Mannequin P***y, The HIRS Collective

‘Zines are self-written, designed, and published non-commercial print-works. Along with punk music, they were the main tools of activism for Riot Grrrl, the fierce, outspoken, and unapologetically loud feminist movement born in the early ‘90s. In this episode host Mary Mancini sits down with Christine Doza who published her first ‘zine, Upslut, in 1993 to distribute to her classmates and out a predatory male teacher. After hearing from Christine it won't shock you to know that her essays have been taught in universities or that the Riot Grrrl-inspired Upslut, which she also sold at Lucy's Record Shop and distributed around the world, is in the permanent collection of both the Seattle Public and Columbia University Libraries. Christine found herself in unexpected places over the last thirty years as a student, a writer, a stripper, a teacher, and as a member of the electroclash girl group, Whatever it Takes (W.I.T.). But it was that first issue of Upslut that launched her as a feminist writer and thought-leader. Episode Music Heavens to Betsy - Calculated Whatever It Takes - Hold Me, Touch me The Muslims - IDGAF Follow us / Say hello Instagram: @lucysrecordshop Twitter: @lucysrecordshop Facebook: /lucysrecordshop This show is brought to you by Give Forty the Finger Porductions and We Own This Town, a podcast network of original entertainment and documentary content. You can find more info at the official site at WeOwnThisTown.Net and on Facebook, Instagram, & Twitter.

Esta semana en Rock On Rules: Discos Nuevos: Unlimited Love de los RHCP Recomendaciones: desde Toronto BRKN Love MNNQN los franceses que odian el Rock Liam Gallagher se pone optimista Kandinsky Dirá lanza nuevo single. Girls To The Front: Desde Liverpool Gen And the Degenerates y Teen Jesus and Jean Teasers reviven el Riot Grrl. Back To The Past: El Elephant de White Stripes cumple 19 años Noticias: Mick Jagger presente en una serie de Apple + TV Megadeth pone fecha para su nuevo álbum Pistol la serie de los Sex pistols. Los RHCP reciben una estrella en el paseo de la fama. --- Send in a voice message: https://anchor.fm/cereza-radioactiva/message

We spend a few more minutes with Sara Marcus, author of "Girls To The Front," the definitive book on the Riot Grrl movement. Does she have a favorite band from the period? What songs does she thinks anyyone interested in the movement should listen to? And which of the many documentaries should fans check out?

We spend a few more minutes with Sara Marcus, author of "Girls To The Front," the definitive book on the Riot Grrl movement. Does she have a favorite band from the period? What songs does she thinks anyyone interested in the movement should listen to? And which of the many documentaries should fans check out? Learn more about your ad choices. Visit megaphone.fm/adchoices

We spend a few more minutes with Sara Marcus, author of "Girls To The Front," the definitive book on the Riot Grrl movement. Does she have a favorite band from the period? What songs does she thinks anyyone interested in the movement should listen to? And which of the many documentaries should fans check out?AllMusicPodcasts is a proud member of the Pantheon Media Network.

We spend a few more minutes with Sara Marcus, author of "Girls To The Front," the definitive book on the Riot Grrl movement. Does she have a favorite band from the period? What songs does she thinks anyyone interested in the movement should listen to? And which of the many documentaries should fans check out? Learn more about your ad choices. Visit megaphone.fm/adchoices

When is a Harley Quinn movie NOT a Harley Quinn movie?? When it's the 1995 cult favorite, TANK GIRL! Directed by Rachel Talalay, and starring Lori Petty, Naomi Watts, Ice-T, and Malcolm McDowell, this comic book adaptation introduced the moviegoing public to the titular character, an icon of both indie-comics AND the "Riot Grrl" movement of the 90s. But could a mainstream studio version possibly stay true to the anarchic, anti-authority attitude of the original comic? Find out here, in the second installment of "Failure to Franchise with Trev & Chris-tmas." Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

This month we're travelling through time almost 3 decades to 1993, where we were watching Animaniacs, going to the arcade to play Mortal Kombat II, & visiting an ill-fated dinosaur themed tourist attraction off the coast of Costa Rica. Listen to us battle each other to discover our collective favourite songs of the 1993 and alog the way uncover excellent soundtrack's to terrible movies, Tracey's modern day Riot Grrl aspirations, & even a special guest appearance from the frontperson of one of the bands featured! We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine. Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - The Afghan Whigs, American Music Club, Beck, Counting Crows, Cypress Hill, Depeche Mode, Dinosaur Jr., Entombed, Faith No More & Boo-Yaa T.R.I.B.E., Gallon Drunk, PJ Harvey, Huggy Bear, James, Die Krupps, The Lemonheads, Madder Rose, Mazzy Star, New Order, Onyx, Pearl Jam, Sepultura, Slowdive, The Smashing Pumpkins, Snoop Dogg, Spin Doctors, Teenage Fanclub, Tindersticks, Tool, Ugly Kid Joe, & Voodoo Queens. Find all songs in alphabetical order here - https://open.spotify.com/playlist/520WJ8cqN8wAVxs3a5RMFT?si=ef1a6d0e25cf44d6 Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows - 1st place - 20 points 2nd place - 18 points 3rd place – 16 points 4th place – 14 points 5th place – 12 points 6th place – 9 points 7th place – 7 points 8th place – 5 points 9th place – 3 points 10th place -1 point Hosts - Ian Clarke, Colin Jackson-Brown & Tracey B Guest starring Helen Jackson-Brown. Playlist compiling/distributing – Lydia Clarke Recorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig Podcasts Thanks to Peter Latimer for help with the scoring system. Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

This month we're travelling through time almost 3 decades to 1993, where we were watching Animaniacs, going to the arcade to play Mortal Kombat II, & visiting an ill-fated dinosaur themed tourist attraction off the coast of Costa Rica. Listen to us battle each other to discover our collective favourite songs of the 1993 and alog the way uncover excellent soundtrack's to terrible movies, Tracey's modern day Riot Grrl aspirations, & even a special guest appearance from the frontperson of one of the bands featured!We've each chosen our 10 favourite songs of the year and sent them over to Ian's wife Lydia, who put the playlists together and distributed them so we were each given a playlist of the 20 songs from the other two hosts, along with our own 10. We then ranked the playlists in order of preference and sent them to Colin's wife Helen, who totalled up the points and worked out the order. Helen also joined us on the episode to read out the countdown, which we found out as we recorded so all reactions are genuine.Now, admittedly, in parts we're a little bit brutal to some of the songs in the list as we're three separate people with differing music tastes, but please remember that to be in this episode at all the songs have to have been in one of our top 10's of that year. Bands featured in this episode include (In alphabetical order, no spoilers here!) - The Afghan Whigs, American Music Club, Beck, Counting Crows, Cypress Hill, Depeche Mode, Dinosaur Jr., Entombed, Faith No More & Boo-Yaa T.R.I.B.E., Gallon Drunk, PJ Harvey, Huggy Bear, James, Die Krupps, The Lemonheads, Madder Rose, Mazzy Star, New Order, Onyx, Pearl Jam, Sepultura, Slowdive, The Smashing Pumpkins, Snoop Dogg, Spin Doctors, Teenage Fanclub, Tindersticks, Tool, Ugly Kid Joe, & Voodoo Queens.Find all songs in alphabetical order here - https://open.spotify.com/playlist/520WJ8cqN8wAVxs3a5RMFT?si=ef1a6d0e25cf44d6Find our We Dig Music Pollwinners Party playlist (featuring all of the winning songs up until now) here - https://open.spotify.com/playlist/45zfDHo8zm6VqrvoEQSt3z?si=Ivt0oMj6SmitimvumYfFrQ If you want to listen to megalength playlists of all the songs we've individually picked since we started doing best of the year episodes, you can listen to Colin's here – https://open.spotify.com/playlist/5x3Vy5Jry2IxG9JNOtabRT?si=HhcVKRCtRhWCK1KucyrDdg Ian's here - https://open.spotify.com/playlist/2H0hnxe6WX50QNQdlfRH5T?si=XmEjnRqISNqDwi30p1uLqA and Tracey's here - https://open.spotify.com/playlist/2p3K0n8dKhjHb2nKBSYnKi?si=7a-cyDvSSuugdV1m5md9Nw The playlist of 20 songs from the other two hosts was scored as usual, our favourite song got 20 points, counting down incrementally to our least favourite which got 1 point. The scoring of our own list of 10 is now slightly more complicated in order to give a truer level of points to our own favourites. So rather than them only being able to score as many points as our 10th favourite in the other list, the points in our own list were distributed as follows -1st place - 20 points2nd place - 18 points3rd place – 16 points4th place – 14 points5th place – 12 points6th place – 9 points7th place – 7 points8th place – 5 points9th place – 3 points10th place -1 pointHosts - Ian Clarke, Colin Jackson-Brown & Tracey BGuest starring Helen Jackson-Brown.Playlist compiling/distributing – Lydia ClarkeRecorded/Edited/Mixed/Original Music by Colin Jackson-Brown for We Dig PodcastsThanks to Peter Latimer for help with the scoring system.Say hello at www.facebook.com/wedigmusicpcast or tweet us at http://twitter.com/wedigmusicpcast or look at shiny pictures on Instagram at http://instagram.com/wedigmusicpcast Part of the We Made This podcast network. https://twitter.com/wmt_network You can also find all the We Dig Music & Free With This Months Issue episodes at www.wedigpodcasts.com Support the We Made This podcast network on Patreon: www.patreon.com/wemadethis

Pat Graham is an American photographer living in England, by way of Washington DC.  Pat began in the early 90's DC punk scene,  photographing Fugazi, The Make Up  and many other Discord and local bands.  He eventually made his way to another thriving scene, the Northwest,  working with a young Modest Mouse and documenting the Riot Grrl scene with the likes of Bikini Kill and Bratmobile.   In do time, Pat got the itch to hit the road and began photographing not just live shows,  but the culture surrounding a traveling band,  capturing the challenges, the  good times and  the bad times that comes with touring.  In this episode, Pat tells us about a tooth extraction in East Berlin while traveling with June Of 44 and shares his experience touring with Modest Mouse pre Lonesome Crowded West. Music by Modest Mouse and Joe PlummerThis episode is dedicated to Matt Hoyt. Rest In Power, I know you'll get a laugh out of this one.Use Code Fret10 for a free month of Music Production Suite Pro and a 10% discount on all other software. Visit Izotope.com

Dan and Erik review albums from Paris Death Hilton, Nikki and the Corvettes, Peter and the Wolf and Des Moines, Iowa noisemakers Justice Fetish. Dan and Erik also talk about the future of money and possibly getting paid for volunteer work through robots controlling everything because of the government and Dan talks about why he thinks it would be a good idea if the singer from Buckcherry fronted a Minor Threat reunion.

Kim and Aerin take another swing at the 90s. It’s hip hop, it’s Riot Grrl, it’s all over the walls of your teenage bedroom.

Oh we have a great episode for you, really....all bias aside...it's a belter We look at one of the longest standing and most important bands to come out of the Pacific Northwest's Riot Grrl scene ... Sleater-Kinney We discuss sexism in the music industry, the impact a producer can have on a band, how Sleater-Kinney inspired our guests, The start of the Riot Grrrl Revolution, and obviously a bunch of records!! Re-joining Nick and Ewan are Cheri Amour and Fliss Kitson whose early bands were heavily influenced by the work of SK, Lexicographer and huge fan Ben Zimmer, and ...drumroll please... for this episode only.... the author of "Girls to the Front: The True Story of the Riot Grrl Revolution" ; Sara Marcus!!!!!!!! In this episode we discuss the following (Links are to Bandcamp) https://sleaterkinney.bandcamp.com/album/sleater-kinney-remastered (Sleater Kinney) - 1995 https://sleaterkinney.bandcamp.com/album/call-the-doctor-remastered (Call the Doctor) - 1996 https://sleaterkinney.bandcamp.com/album/dig-me-out-remastered (Dig Me Out) - 1997 https://sleaterkinney.bandcamp.com/album/the-hot-rock-remastered (The Hot Rock) - 1999 https://sleaterkinney.bandcamp.com/album/all-hands-on-the-bad-one-remastered (All Hands on the Bad One) - 2000 As usual there's a Spotify playlist incorporating the podcast and selected songs which you can find at https://sptfy.com/tfsk1 (https://sptfy.com/tfsk1) The Guests: Sara's book is amazing and can be bought in all bookshops, or online at http://www.indiebound.org/book/9780061806360 (Indiebound ) or https://www.amazon.com/Girls-Front-Story-Grrrl-Revolution/dp/0061806366 (Amazon ) Find out more about Sara Marcus, and find links to other pieces she has written at http://saramarcus.net/ (saramarcus.net) Cheri's many projects, from broadcaster, podcaster, journalist, to author are available at http://cheriamour.co.uk/ (cheriamour.co.uk) Fliss is the drummer of the amazing Nightingales, buy some great and important music, and discover the documentary King Rocker at https://thenightingales.org.uk/ (thenightingales.org.uk) Ben does loads of stuff but you can always find him in his regular column on The Wall Street Journal, or sometimes The Atlantic. Find all the links at https://benzimmer.com/ (Benzimmer.com) If you fancy supporting the show, either leave us a review somewhere (Apple Podcasts would be awesome) or ....drumroll.... JOIN OUR PATREON (and help keep the lights on, I don't like the dark) which is over https://www.patreon.com/tempfans (here) Regardless of whether you can chip in, a 5 star review (if you feel like it) on Apple or Podchaser would help enormously. Or just tell your friends!! Jonathan is the genius behind our theme music and you can hear more of his stuff on his https://jonathanfisher.bandcamp.com/ (Bandcamp) Additional music in this episode by https://sessions.blue/licensing/ (Blue Dot Sessions ) All available under the following licenses: https://creativecommons.org/licenses/by/4.0/ (https://creativecommons.org/licenses/by/4.0/) Support this podcast

What do you get when you combine rollerblades and flaming snot? Who's that girl? Whats her name? Questions abound on this episode of Cartoon Connoisseur. Enjoy my kids at heart! Check out the instagram @cartoon.connoisseur --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/cartoon-connoisseur/message

From the brilliant divisive mind of Diablo Cody, the story of a high school bikini killer whose deadly run-in with an emo band gives her a hunger for boy meat. Featuring an interview with JEN BROWN of the Women in Caskets podcast & Genre Graveyard. Directed by Karyn Kusama. Written by Diablo Cody. Starring Megan Fox, Amanda Seyfried & Adam Brody How is the world wrong about this movie? From Andras: Let me count the ways. When it was released, this wickedly funny feminist satire was marketed to teenage boys. It has since been re-claimed by its rightful audience and yet I don't think its creators (Cody & Kusama) get the credit due to them for the impressive filmographies they are amassing, or for this particular cinematic blood stain. Find all of our episodes at www.theworldiswrongpodcast.com Follow us on Instagram @theworldiswrongpodcast Check out: The Director's Wall with Bryan Connolly & AJ Gonzalez & The Radio8Ball Show hosted by Andras Jones See omnystudio.com/listener for privacy information.

Lors de cet épisode, on s'entretient avec Guillaume Laliberté-Chabot alias TACO THEORY.  On y jase de ses débuts de musicien et du départ du projet, de son imposante discographie des 2 dernières années, son autre projet Collapse, la prochette de "D'la musique dans un bol", sa collaboration avec Daniel Gallardo et Miguel Graca, "La toune autocomplétée" à Radio-Canada, son background de graphiste, l'origine du nom du band, comment il compose, ‘'Coriandre'', faire de la musique pour le plaisir, son initiation au punk, son autre projet Citrus Circle of Love, drum machine vs vrai drum, sa censure, un greatest hits, du synthé et des shows? Voici la suggestion de Mica Sanchini du blog Les Insoumises : The Day the World Turned Day-Glo de X-Ray Spex Actif sur la scène punk britannique pendant la fin des années 70, X-Ray Spex se distinguait par leur inclusion de la saxophoniste Laura Logic dans une période pré-Oi! et la voix de Poly Styrene, qui ira plus tard influencer le mouvement Riot Grrl des années 90. Étant biraciale, Styrene, en grandissant, ne s'était jamais sentie pleinement acceptée par aucune communauté. Même au sein de la scène punk, son apparence plus colorée faisait contraste au cuir et denim caractéristique de ses pairs. Elle choisit son nom de scène pour mettre l'emphase sur le rôle léger et jettable qui était attribué aux femmes dans la musique pop. The Day the World Turned Day-Glo est en quelque sorte une extension de cette critique de la société et de l'absurdité du matérialisme.   Tous droits réservés à Taco Theory : -Bouffe pleine de vide – D'la musique dans un bol -À quarante ans - Ma mi-vingtaine -Pizza anana, mais quessé ça – Plus de fruits, moins de légumes   Pour le découvrir, voir la playlist de Guillaume   LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Maxim Bonenfant (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt), mix Simon Pelletier

Lors de cet épisode, on s'entretient avec Guillaume Laliberté-Chabot alias TACO THEORY.  On y jase de ses débuts de musicien et du départ du projet, de son imposante discographie des 2 dernières années, son autre projet Collapse, la prochette de "D'la musique dans un bol", sa collaboration avec Daniel Gallardo et Miguel Graca, "La toune autocomplétée" à Radio-Canada, son background de graphiste, l'origine du nom du band, comment il compose, ‘'Coriandre'', faire de la musique pour le plaisir, son initiation au punk, son autre projet Citrus Circle of Love, drum machine vs vrai drum, sa censure, un greatest hits, du synthé et des shows? Voici la suggestion de Mica Sanchini du blog Les Insoumises : The Day the World Turned Day-Glo de X-Ray Spex Actif sur la scène punk britannique pendant la fin des années 70, X-Ray Spex se distinguait par leur inclusion de la saxophoniste Laura Logic dans une période pré-Oi! et la voix de Poly Styrene, qui ira plus tard influencer le mouvement Riot Grrl des années 90. Étant biraciale, Styrene, en grandissant, ne s'était jamais sentie pleinement acceptée par aucune communauté. Même au sein de la scène punk, son apparence plus colorée faisait contraste au cuir et denim caractéristique de ses pairs. Elle choisit son nom de scène pour mettre l'emphase sur le rôle léger et jettable qui était attribué aux femmes dans la musique pop. The Day the World Turned Day-Glo est en quelque sorte une extension de cette critique de la société et de l'absurdité du matérialisme.   Tous droits réservés à Taco Theory : -Bouffe pleine de vide – D'la musique dans un bol -À quarante ans - Ma mi-vingtaine -Pizza anana, mais quessé ça – Plus de fruits, moins de légumes   Pour le découvrir, voir la playlist de Guillaume   LE CLASH https://www.instagram.com/leclashpodcast/ https://www.facebook.com/leclashpodcast/ Logo ‘'Le Clash Podcast'' par Maxim Bonenfant (tous droits réservés à Philippe Vaillancourt) Thème d'introduction  de ‘'Le Clash Podcast''par Lazy Workforce (tous droits réservés à Felix Bolduc, Julien de Kermadec, Jonathan Miron, Philippe Vaillancourt), mix Simon Pelletier

This week we are joined by special guests, ARXX, for a Brighton special podcast where we talk Riot Grrl band Huggy Bear and King George the IV, underground tunnels, a 40 foot music room and more!New music from Genn, ARXX and Time to Act.If you have a story, correction or some music that you would like us to play, please email us at rockpoprambles@gmail.comIf you want to support the show, our music and make us love you to the moon and back, please join us on Patreon: https://www.patreon.com/BugeyeResearch NotesARXXhttps://www.arxxband.comTime to Act Facebook: https://www.facebook.com/timetoactmusic/Twitter: https://twitter.com/timetoact16GENNBandcamp: https://genntheband.bandcamp.com/musicFacebook: https://www.facebook.com/genntheband/BRIGHTON RESEARCHFacts for the quizhttp://www.welovebrighton.com/homepage/30-facts-about-brighton/https://www.kingseducation.com/kings-life/10-fun-facts-about-brightonhttps://jollyexplorer.com/what-is-brighton-famous-for-32-fun-facts/George IVhttps://en.wikipedia.org/wiki/George_IVhttps://www.britannica.com/biography/George-IVhttps://www.historyextra.com/period/georgian/two-sides-king-george-iv-is-reputation-deserved/https://brightonmuseums.org.uk/royalpavilion/history/short-history-of-the-royal-pavilion/https://brightondome.org/about/history_heritage/the_royal_stables_riding_house/Huggy Bear https://en.wikipedia.org/wiki/Huggy_Bear_(band)https://www.theguardian.com/music/2008/oct/20/bloc-party-huggy-bearhttp://grrrlswithguitars.com/huggy_bear_riot_grrrl/Support this show http://supporter.acast.com/bugeyes-rock-pop-rambles. See acast.com/privacy for privacy and opt-out information.

In our fourth episode of the Unite Asia Podcast, we bring it back to Hong Kong and talk to our friend Yan of punk bands Hard Candy and After After Party. We talk about her journey from a very traditional local Hong Kong school into Riot Grrl influenced punk rock and finding her way eventually to playing punk rock. See acast.com/privacy for privacy and opt-out information.

Josh, Bear and Jenn are back with the premiere episode of Season Three - Tank Girl! In what is perfectly described by our guest, Alysen Casaccio, as "Benny Hill for 25 year old chicks" we jump back into the 90's for the titular Tank Girl movie from 1991 and it's 80's/90's Riot Grrl inspired comic of the same name. Featured episode drink: Foster's beer

Welcome to Episode 2 of Bridging the Gap! In this episode, Brigid and her guest, Jordan, discuss the topic of trans and non-binary voices. They cover the reasons why some trans and non-binary folks work to change their voice and why some don't. They talk about the ways in which folks work to change their voice covering both feminizing and masculinizing techniques. They answer some listener questions, Brigid amends some of her comments from Episode 1, and Brigid interviews a VERY SPECIAL GUEST: Nicole Gress from SFSpeak! Enjoy the song "Fully Automated" by Lansing-based Riot Grrl band, Pet Me! (Check them out on Spotify! https://open.spotify.com/artist/5XnuaI2nylfnnBm3DFpmxR and bandcamp https://petme.bandcamp.com) Check out Nicole and her company, SFSpeak at https://www.sfspeak.com/, email her at Nicole@SFSpeak.com, and find her on reddit under the username SFSpeak! Join the community and represent the show by going to... BtGCast.com Facebook.com/groups/BtGListeners Twitter.com/BtGcast Instagram.com/brigidleelady Etsy.com/shop/BtGstore --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/btgcast/support

Here’s to another week How Do You Like it So Far? crew! Henry and Colin welcome Evelyn McDonnell, an Associate Professor of Journalism at Loyola Marymount University and former music editor at The Village Voice, Shana L. Redmond, a Professor of Global Jazz Studies Musicology at the UCLA Herb Alpert School of Music and Alice Bag, an author, feminist and lead singer/co-founder of The Bags, a punk rock band that dates back to the initial wave of punk in Los Angeles. Their lively panel discusses “Women Who Rock: Bessie to Beyonce. Girl Groups to Riot Grrl,” edited by McDonnell with Redmond and Bag serving as contributing essayists. McDonnell, Redmond and Bag highlight the importance of this book with an examination of the gender disparities in the music industry and the legacy system that keeps those inequalities in place. Listen in as McDonell, Redmond and Bag dissect music as a strategy to incite action for change and call for more women in the music landscape. An added bonus: McDonnell is also a former student of Henry’s!

On this episode of the History of the 90s, Host Kathy Kenzora looks back at Girl Power, a 90’s phenomenon that introduced a generation of young girls to feminism and empowerment. If you think of the Spice Girls when you hear Girl Power, you are not wrong.  But before the Spice Girls were kicking it for the girls with hit songs like “Wannabe,” the Riot GRRL movement in the Pacific Northwest was advocating for Girl Power.   We’ll talk to authors Alison Yarrow and Anne T. Donahue as we track the Girl Power movement from Riot Grrl to the Spice Girls and try to understand how it impacted music and society in the 90s and today.  Contact: Twitter: @1990shistory Facebook: @1990shistory Instagram: @that90spodcast Email: 90s@curiouscast.ca Guests: Anne T. Donahue  Twitter: @annetdonahue Instagram: @annetdonahue Allison Yarrow, author of 90s Bitch: Media, Culture and the Failed Equality Promise of Gender Equality Twitter: @Aliyarrow  Instagram: @Aliyarrow

To celebrate its 25th anniversary, Brian spins the Hole classic Live Through This...which he believes will be a challenging listen for Brian. E-parts: volcanovinyl@gmail.com Tweetney Love: twitter.com/volcanovinyl

May 20-26, 1978 Today Ken welcomes writer and fellow pop culture enthusiast/victim Mathew Klickstein to the show. Ken and Mat discuss why you should never let get do the ordering when going out to eat, growing up in Orange County, Sk8TV, pop punk, Blink 182, Nickelodeon, Pinwheel, Teenie Little Super Guy, how TV killed Vaudeville, stand up on TV, Jackass, getting introduced to new worlds via mix tapes, Fugazi, Riot Grrl, Spaced, Red Dwarf, UK TV, College, being invested in media, trying to get viewers/readers hooked right away, why you need rules to make good stuff sometimes, David Lynch, Terry Gilliam, Three's Company, Mary Tyler Moore, Gong Show,Theater of Blood, Vincent Price, Witchfinder General, The Wicker Man, All in the Family, orange juice ad campaigns, religion on TV, Mott the Hoople, PBS Documentaries, Louise Lasser as writer/director/star, Charles Grodin playing Charles Grodin, The Bastard, Don Knotts, the endless supply of John Ritter movies, Monty Python, Steve McQueen week, sexual stereotypes, deaf musicals, burning off pilots, The Incredible Hulk, Prince's Revolution, outsider art, and the wonders of The Kids of Widney High.

This week we're joined again by Cory to discuss the year 1989. Our album this week Curses, Spells, Voodoo, Mooses which is the first full length from Washington DC art punks, Shudder to Think. We also discuss the debut EP from the Lunachicks, Sugar Luv. Songs featured on this episode: Jawbox - Jackpot Plus Shudder to Think - Abysmal Yellow Popcorn Wall Shudder to Think - Imagine Shudder to Think - A Vampires Proposal Lunachicks - Jan Brady Lunachicks - Get Off the Road Please rate, review, and subscribe. https://punklottopod.simplecast.com/ https://www.instagram.com/punklottopod/ https://twitter.com/punklottopod https://www.facebook.com/punklottopod

We chat with Tomas Moniz about his two decades of feminist fathering & how the riot grrl movement influenced his parenting. He reads us some of his thoughtful poetry on these relationships and we chat about his sweet books for tiny kids and adults. Tomas is the author of the Rad Dad and Rad Families, Big Familia and The Collaboration/ La Collaboratión, and a zillion zines. He is the recipient of multiple writing awards and resides in the bay area. We ask folx who love this podcast to join the revolution and support this show on our new Patreon page.

Woohoo! This episode was SO MUCH FUN to record! I got to hang out with my dear friend and fave female revolutionary, Kate Ripley Hayden. Ripley is a career artist currently living in Oakland whom I have gotten to know over the past few years as a friend. Her work is full of movement and expression- and this episode totally embodies that. We dive into stepping into unexpected roles, reframing throught processes and so much more. Find Ripley Here: http://instagram.com/kateripleyhayden And connect with me here: http://instagram.com/exist_brightly As always thanks for tuning in, and I would totally love for you to share this with someone who would enjoy this episode! All the best xx K

Usually we like to wait a few days before dropping another part of an episode, but this one is proving so hot that we decided to drop it earlier. On this episode we chat with Breagha Cuinn from the band Bratakus, as she gives us a slightly different take on riot grrl compared to Anna. Then we talk about our individual choices for the discography. Chris chooses 'Fontanelle' by Babes in Toyland; David goes for 'Bricks are Heavy' by L7 and Mark decides on 'Dig me Out' by Sleater-Kinney.  We also have a Foo Fighters Nexus that ties two out of our three albums together in one fell swoop, and we get to grips with how technically both Babes and Toyland and L7 aren't really riot grrl bands at all in many people's eyes. You can vote on our website.

In a change to our regularly scheduled programming, here is the first part of our Riot Grrl Mixtape. That's right, three straight white man are going to pontificate about Riot Grrl because we're utterly confident that has NEVER happened on a podcast before. In all seriousness, we'd been trying to get this episode off the ground for a while but we found it very difficult to get women to come on and talk about it. In the end, we managed to record two interviews with two different stances on the movement. Joining us on this episodeise DJ Anna Goldthorp, giving us her opinion on the politics and music of the scene. We hope this inspires other women to want to come and chat to us about this because we know that, as men, there's only so much that we can understand about riot grrl and the politics of if. As a feminist movement, and one we agree with, we know it's important to get a pluarlity of opinions on this scene. So if you'd like to add your voice to this dialogue, drop us an email or a message via Facebook. In part one we discuss the origins of the movement, how it played out and talk about some of its key bands and individuals. 

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r's' as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Born and raised in Indiana, Sara Lund started drumming at age 11 and playing in bands shortly thereafter. As a teenager she moved to Olympia, Washington and was soon known as one of the “heaviest drummers in town.” She toured and recorded with the rock band Unwound throughout the ’90s and early ’00s, long before women were a staple in rock bands. Sara now lives in Portland, OR and plays in the Corin Tucker Band, Hungry Ghost and the Secret Drum Band. She’s also a drum teacher, reading assistant and the mother of Niko, age 8. In this episode we discuss watching Shelia E open for Prince, being a tomboy outside of the Riot Grrl scene, the challenges of co-parenting with another touring musician and Sara’s love of music and motherhood.

For much of the 20th century rock music was a men's club. The feminist punk rock movement "Riot Grrl" helped change that and also paved the way for a new generation of rock musicians. Sandra and Anita profile "Girls Rock NC, "an organization that uses music to encourage young girls and trans and gender non-conforming youth to be creative, confident, and determine their own identity. They're also joined by Sarah Fuller, the lead guitarist and songwriter for the emerging band "See Gulls." See acast.com/privacy for privacy and opt-out information.

Join me in chatting with Stephanie Kuehnert, author of BALLADS OF SUBURBIA and I WANNA BE YOUR JOEY RAMONE and a forthcoming memoir of her teen years. We talk about promises made to cats, heart cities, and Riot Grrl. Stephanie Kuehnert Show Notes Richard Hugo House Story Studio (Chicago, IL) The Replacements Laura Ingalls Wilder Riot Grrl Girl Power! by Hillary Carlip Stephanie’s essays on Rookie Sleater-Kinney Francesca Lia Block   Joe Meno, HAIRSTYLES OF THE DAMNED Susie X, illiustrator The Writer's Center, Bethesda, MD Pete Holmes’ podcast, You Made It Weird  

Nicole Georges is a cartoonist, writer, zinemaker, teacher, aerobics instructor (?), and pet portraitist. When she was a child, Georges’ mother and family told her that her father died when she was a baby. When she was 21, a palm reader told her that her biological dad was still alive. She called conservative talk show host Dr. Laura for some advice. She chronicles what happened next in her graphic memoir, Calling Dr. Laura. Based in Portland, Georges has been making comics and zines including “Invincible Summer” for over a decade. She also teaches at the Independent Publishing Resource Center, which provides access to tools and resources for creating independently published media and artwork. Georges tells us about teaching Riot Grrl history and zinemaking to teenagers, and finding value and self-empowerment through self-expression. When we talked to Georges, she was in the middle of a 9-month fellowship at the Center for Cartoon Studies in White River Junction, VT.

Film Director Sini Anderson talks about her documentary, The Punk Singer, on Kathlenn Hanna, the founder of the punk band  Bikini Kill and the national riot grrl movement, in an extended interview.  Sini worked closely with Hanna to document the genesis of Bikini Kill, her later bands Le Tigra and Julie Ruin,  her near death from a mystery disease and her current work in politics and music.  Hear the interview, then see the film. 2:30 pm ET. This is a classic Music Friday, but the movie is still in theaters. World class guitarist Bruce Victor teams up with Accordian Babe, singer, songwriter, musician and artist (and Bruce's new wife) Marla Fibish on a stunning debut album, Travel in the Shadows which sets classic poems to great music. The band is called Noctambule and joins them on the air to travel through their vivid dreams and imagination and superb music. Call in and talk with them both at 2:05 pm ET. MUSIC FRIDAY is where we listen to music, interview bands and get ready for the weekend.   Every kinbd of music with an emphais on rising stars.  We also interview film directors of docs on music and musicians. You tell us who you would like to hear and talk with and we try to get them here for you. Nominate bands at http://musicfriday.nationbuilder.com. 

Katy Goodman is a singer and bassist for her own project, La Sera, as well as collaborating for the last several years with Vivian Girls, in addition to appearances with other bands. She joins Brodie and Libby in the new Shakeytown Studio, on a hill looking over Los Angeles' eastside, to discuss the deceptive difficulty of Misfits songs, college diplomas that may or may not exist, computer coding and other scientific pursuits, the influence of hardcore music and Riot Grrl on her work, and the evil genius of Kim Dotcom. The songs on this episode are from Katy's aforementioned bands, as well as her project with Greta Morgan (Hush Sound, Gold Motel) called The Books of Love.

Here's a special I've been wanting to make ever since Sounds Ace was born! Kathleen Hanna (b. 1969, Portland) was a seminal member of the Riot Grrl movement, which aimed to create aware communities that fused art, music, punk, feminism, activism and DIY. Her bands include Viva Knievel, Bikini Kill, Julie Ruin and Le Tigre.  This podcast features Bikini Kill, Julie Ruin, Le Tigre, Kathleen Hanna, Yoko Ono, The Go Team and Internal/External.  I hope you love it! email me at estherwerdiger AT gmail DOT com with questions or suggestions or requests. Like the new Facebook page! And I'll say your name on the internet next week! Hooray! sluuuutttt

We talk with Byron Q, the director of Bang Bang, a film about gang life. Bryon Q studied under renowned French New Wave director Jean-Pierre Gorin at UCSD and this is his debut film. It features Justin (Thai Ngo), trapped in the gang lifestyle, and his rich Taiwanese best friend Charlie (David Huynh), in the film's strongest role. The multi-ethnic cast brings additional realism to the film. The ever youthful looking Huynh (actually a Vietnamese from Canada) was the focus of a Subversity interview back in 2007. We also talk with Act Up and Riot Grrl activist turned director Billie Rain about his new film, Heart Breaks Open, featuring queer activist and poet Jesus (Maximillan Davis) whose life implodes when he finds out he is HIV-positive. Set in Seattle, the film shows how Jesus comes to rely on his friends as he struggles to make sense of his predicament.

Riot Grrl instigator Bonfire Madigan Shive talks about her family, the mental health system, living outside the mainstream and her creative inspiration as a visionary musician.   [Read more...]

Le Tigre groupe emblématique du Riot Grrl

Punk Rock Bowling presents:We are so cool, yeah, yeah because Molly Neuman is here! Listen in as Damian sits down with the Lookout, Peechees, Frumpies, Bratmobile legend to talk all things punk. From the dawn of Riot Grrl, to the DC connection, to the legacy of Lefty, to punk's life long hangover and so much more: don''t miss this one!Also, don't miss Bratmobile at Punk Rock Bowling in Las Vegas May 25-27! Get your tickets now!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy