Podcasts about Bratmobile

DJ Jesse Luscious spins brand new Fishbone, Powerplant, Unicorn Dogs, Fuzzbox Kollective, & the mysterious Tony Bluetile, and highlights some new vinyl he found on his US tour. He also plays classics from NoMeansNo, Buzzcocks, Blatz, Poly Styrene, Hank 3, Steve Adamyk Band, Smokers, Monica and The Explosion, Mean Jeans, Naked Raygun, Tension Span, Bratmobile, Carbon/Silicon, Leila & The Snakes, The Vaxxines, Twistin' Tarantulas, The Toy Dolls, Plus Ones, Speculativism/The Sound of Apskaft, Cheap Dirty Horse, The Underground Railroad to Candyland, Jello Biafra with D.O.A., & Black Flag, and features the Luscious Listener's Choice!  Smokers- The Irish Tenor Naked Raygun- Metastasis Tension Span- The Future Died Yesterday Powerplant- Crashing Cars Monica And The Explosion- Go Out!  Toy Dolls- Spiders In The Dressing Room Cheap Dirty Horse- PROTECTTRANSKIDS (edit) Blatz- Dolly Bratmobile- Panik Carbon/Silicon The Whole Truth Fishbone- Last Call In America Speculativism- Your Racist Friend (TMBG cover) Fuzzbox Kollective- Restraining Order (edit) Poly Styrene- Virtual Boyfriend Tony Bluetile- You Gotta Give Me Something Black Flag- Gimme Gimme Gimme Leila And The Snakes- Rock And Roll Weirdos Nip Drivers- Fox On The Run Vaxxines- Poison Kiss Mean Jeans- Possessed To Party Underground Railroad To Candyland- I Dunno What I'm Sayin' Nomeansno- The Tower Twistin' Tarantulas- Ain't Got All Night Hank Williams III- Satan Is Real/Straight To Hell (edit) Buzzcocks- Fiction Romance Plus Ones- You Still Want Me Unicorn Dogs- Executive Order (radio edit) Steve Adamyk Band- Five One Zero Jello Biafra With D.O.A.- Full Metal Jackoff

Tisha Morris welcomes Molly Newman, President of CD Baby, the leading music distribution company for independent artists, to share her extensive experience in the music industry, including her beginnings as a drummer in the punk band Bratmobile. They discuss the impact of the recent fires in L.A. on the music community, the evolving landscape of music distribution, and the importance of maintaining community connections. Molly also elaborates on the significant changes in the music industry, such as the role of AI and the challenges of music discovery. She emphasizes the importance of artists treating their careers as businesses while staying true to their creative passions.   00:14 Molly Newman's Background and Achievements 01:20 Impact of Fires on the Music Industry 03:45 The Evolution of CD Baby 08:09 Challenges and Opportunities for Independent Artists 22:03 The Role of AI in Music 28:46 Balancing Creativity and Business About Molly Neuman: Molly Neuman is President of CD Baby, owned by Downtown Music, the leading music distribution company dedicated to empowering independent and self-releasing artists. As President, Neuman is leading strategy and management of Downtown which serves millions of artists every day. Neuman was previously CMO of Downtown Music Holdings, CD Baby's parent company and prior to that, President of Downtown's Songtrust, which grew under her leadership to manage more than 3 million copyrights. With a career that has been focused on empowering musicians at all career stages, Neuman has been Head of Music at Kickstarter, and has held senior roles in licensing in digital music, as well as label and artist management. She currently serves on the Advisory Board of Women in Music and has previously served on the boards of the Music Business Association, SoundExchange and A2IM. Neuman was awarded International Woman of the Year at the 2024 Music Week Awards and has been recognized by Billboard in its 2018 Digital Power Players List, as well as its Women in Music Lists for 2019, 2020, 2021 and 2024. Her musical career began as a drummer in Bratmobile, a punk band who were in the first wave of the riot grrrl movement. https://cdbaby.com/ @cdbaby (Instagram) https://www.linkedin.com/company/cd-baby/

Rose Melberg has been making music for over three decades as part of the bands Tiger Trap, The Softies, Go Sailor, Imaginary Pants, Brave Irene, Bleating Hearts and many more. She is originally from California but has lived in Vancouver BC for close to twenty years. Most recently she is one tour with her band The Softies, who have released a new album, and is playing in the band Bratmobile.  The Shed was a venue which evolved in the garage behind Chris-a-riffic's Mount Pleasant house, in the late 2000s and early 2010s. Bands discussed: Chris-a-riffic, Adrian Teacher, Free Cake for Every Creature, iji, Rain and the Sidewalk, Greenbelt Collective Other venues mentioned: Old Ironsides, renegade shows, Park Time Punks at Trout Lake Park.   Music clips used with permission: Brave Irene: Hit the Grass Running from Brave Irene (Slumberland 2011) Imaginary Pants: Branches as bridges from Kites at Night EP (Lost Sounds Tapes 20140 Tally Ho!: I Will Never Marry (WIAIWYA-7777777 2012)

BOEM has cancelled its Gulf of Mexico offshore wind lease auction due to lack of interest. We explore why companies are hesitant to put turbines in the gulf, examining challenges and opportunities for wind projects in Texas and Louisiana from both financial and technical perspectives. Phil and Rosemary discuss downwind turbine designs for hurricane-prone areas and the complex economics of wind energy projects in the region. Our Wind Farm of the Week is the farm built for the 2018 Winter Olympics in Pyeongchang, South Korea, showcasing the potential of wind energy on a global stage. Register for the AMI Wind Turbine Blades Event! Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard's StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes' YouTube channel here. Have a question we can answer on the show? Email us! Pardalote Consulting - https://www.pardaloteconsulting.comWeather Guard Lightning Tech - www.weatherguardwind.comIntelstor - https://www.intelstor.com Allen Hall: Have you seen the Oscar Mayer Wienermobile up close, Joel? Have you been around that thing? Joel Saxum: I have, I've actually sat in it and I think I know where this story is going. Allen Hall: I been up close to it and I don't remember where it must have been an automobile museum and to the peanut mobile Which is another engineering marvel not seen that I saw them both driving down a highway one day I thought man either I'm really tired Strange vehicles on the road today But the wiener mobile flipped over outside of Chicago, did you see that It looked like a, did it look like somebody fell asleep and hit one of those concrete barriers that you can always find in Chicago? Joel Saxum: My thought was, I was actually joking with a friend about it, is cause I'm from Wisconsin, so there's this rivalry between Chicago and the people in Wisconsin. And it was brats versus the all, the all beef hot dogs in Chicago that they make the Chicago dogs. And they're saying that they wanted to keep the Wienermobile in Chicago so much that they, someone actually sabotaged it. I don't know, that's probably not what happened, of course, but that was the joke. Allen Hall: Is there a Bratmobile? Joel Saxum: There's not. I will tell you this, if you'd like to see some great American entertainment, tune into a Milwaukee Brewers game and watch the Sausage Race. And you will see hot dogs and brats, polishes. Italian sausage. That's the fourth one. Are these the four food groups up in Wisconsin? Yes, yes. Yes they are. Number five is cheese curds and number six is beer. That rounds it out nicely. So the Wienermobile needs a little TLC based on the photos I've seen and they're gonna have to put that thing back together. That's a hallmark of America, right? There's things to be proud of. That's one of them, man on the moon, Wienermobile. I'm Allen Hall, and I'll be joined by the rest of the Uptime host after these news headlines. In our first story, German wind turbine manufacturer Nordex is reporting a significant turnaround in its financial performance. For the first half of 2024, the company saw a dramatically reduced net loss of 12.6 million euros, a substantial improvement from the 298 million Euro loss reported in the same period last year. This positive trend is further underscored by a 24.7% increase in sales reaching 3.43 billion euros. In light of these encouraging results, Nordics has revived its 2024 guidance upward now projecting an EBITDA margin between three and 4%. Amid these industry dynamics, the United Kingdom is making bold moves to accelerate its wind energy sector.  The British government has unveiled ambitious plans to support an additional 20 to 30 gigawatts of offshore wind by 2030...

Festival Season on Roadcase is finally upon us and we're kicking it off from Pitchfork Music Festival in Chicago!! For this Part 1 from Pitchfork, I talked to singer, rapper and multi-genre artist, Tkay Maizda and also had a fun convo with the amazing Riot Girrrrls themselves, Molly Neuman and Allison Wolfe of Bratmobile. Tkay has achieved global recognition already in her brief career, having won NME's Best Australian Solo Artist in 2022. She was also nominated for an ARIA award for Best Rap Song for her 2023 single "Silent Assassin."  But accolades alone do not do her justice; Tkay is a joyous human and a tireless artist, and she talked to me about striving to create and perform at the highest levels. We discussed what it was like growing up in Australia, moving frequently from city to city, how she stayed true to herself and her art.Molly and Allison of Bratmobile are back playing live after a 20-year hiatus and are both super excited to be performing again. Having been at the hub of the Riot Girl movement in the early 90s, Bratmobile waved the flag for the DIY spirit and Girl Power. They both talked to me about their fierce advocacy for Women's Rights and for the inclusion of Women in the music industry both in performance and production roles, and talked to me about all the life they've lived since starting up the band over 30 years ago!This is a great episode with these super compelling artists featuring tons of great stories and tales from the road.  Check it out now!!For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Episode 45 is our Riot Grrrl Special! We plot the history of this really important 90s movement & take a look at bands including Bikini Kill & Bratmobile as well as players from the Riot Grrrl scene!Welcome to The Stupid And Contagious podcast, a podcast focused on bringing you interviews with the bands that defined a generation!That generation grew up in the 90s with the Grebo bands (Senseless Things, PWEI, Neds Atomic Dustbin, Mega City Four, The Wonderstuff and many more) on the UK side of the pond and quickly joined by the grunge bands (Nirvana, Mudhoney, Alice In Chains, Soundgarden and many more) on the US side of the pond.We are not limiting ourselves to these genres though, we will chart the guitar bands from all genres throughout the decade that was the 1990s.If you are into 1990s guitar music or just a music lover in general then this is the podcast for you!Please also subscribe and follow the podcast on the social media links belowStupid & Contagious PodcastItunes https://podcasts.apple.com/gb/podcast/stupid-contagious/id1705645715All the Socials! https://linktr.ee/stupidandcontagiousFacebook https://www.facebook.com/stupidandcontagiouspodcastYoutube https://www.youtube.com/channel/UCfPJ5FhcYAHO7UhrRtTtgGwInstagram https://www.instagram.com/stupidandcontagiouspodcast/Spotify MIXTAPE:https://open.spotify.com/playlist/47qko9nPUGkMBcOP8gyCnW Hosted on Acast. See acast.com/privacy for more information.

Molly neuman is the drummer for legendary iconic Riot-Girl band Bratmobile as well as being the CMO of Downtown MNusic. She has been on the cutting edge of the recording industry for ther last 30 years from running bay area punk record label Lookout Records to managing bands. She share her thoughts on the current state of the record industry as well as reflecting on her personal journey through music. https://www.instagram.com/therealbratmobile/?hl=en https://bratmobile.bandcamp.com/ https://open.spotify.com/artist/3GTaO7e3uPaG0SJR7Hxy8L

This season we discuss over 300 albums of the 1990s selected from https://besteveralbums.com. The show starts at (1:52). The Six Singles segment starts at (4:49). This episode covers the following albums: Bratmobile - Pottymouth (44:22), Belly - Star (1:11:08), Sarah McLachlan - Fumbling Towards Ecstasy (1:31:31), and Mazzy Star - So Tonight That I Might Not See (1:50:49). --- Send in a voice message: https://podcasters.spotify.com/pod/show/combingthestacks/message

We celebrate the music of Skot Pelkey who suddenly passed away last week- as well as a father and a friend, he was the drummer for many East Bay bands including Monsula, Uranium 9 Volt, and Sawhorse. We also spin new tracks from The Members, Deathtraps, Mammal, Tether, Pet Needs, Prey, Loose Articles, Yur Mum, Mumbles, Serial Chiller, & 18 Fevers, classic punk & metal from Germs, G.B.H., Penetration, Wildhearts, Alkaline Trio, Skindred, Scheisse Minnelli, R.K.L., Bratmobile, Rough Gutts, Wipers, Pinhead Gunpowder, The Brat, Rubber City Rebels, Jello Biafra And The Melvins, Hard-Ons, Meffs, & Johnny Thunders And The Heartbreakers, and the Luscious Listener's Choice! Deathtraps- You're A Rat Hard-Ons- Apartment For Two Yur Mum- Say Say Mess- Bleak Day Germs- Strange Notes G.B.H.- No Survivors Meffs- Your English Is Great Heartbreakers- Born To Lose Rubber City Rebels- (I Wanna) Pierce My Brain 18 Fevers- Nothing Helps Serial Chiller- Handsome Dad Brat- Attitudes Mumbles- Everything Just Sprawls Pinhead Gunpowder- Beastly Bit Monsula- Razors Uranium 9 Volt- Split Derision Penetration- Come Into The Open Wipers- Potential Suicide Members- Time Bomb Rough Gutts- See The Light Loose Articles- Mr. Manager Bratmobile- Throwaway Henry Rollins- Hot Animal Machine Pet Needs- Separation Anxiety Alkaline Trio- We've had Enough  Wildhearts- Vanilla Radio Tether- Straight With Me Prey- Try Praying Prey- Monster R.K.L.- Life In A Bottle Scheisse Minnelli- Street Boozin' Mammal- Keanu Reeves Skindred- Unstoppable Jello Biafra And The Melvins- Halo Of Flies

On today's episode, I talk to musician and founder of TeenBeat Records Mark Robinson. Originally from New Jersey, Mark moved to Washington DC as a child, and in high school formed the indie rock group Unrest. From 1985 to about 1994, the band released seven albums, many on Robinson's own TeenBeat Records, as well as Caroline and 4AD. Since then, Mark has played in a number of groups including  Air Miami, Flin Flon, Grenadine, Cotton Candy and many others. As previously mentioned, Mark is also the founder of the very influential indie rock label TeenBeat which has released albums from bands like Bratmobile, Versus, Barbara Manning, The Rondelles, Velocity Girl, True Love Always, Gastr Del Sol and so many other incredible musicians! This is the website for Beginnings, subscribe on Apple Podcasts, follow me on Twitter. Check out my free philosophy Substack where I write essays every couple months here and my old casiopop band's lost album here! And the comedy podcast I do with my wife Naomi Couples Therapy can be found here!  

Episode 92 of "Air Tight" takes you on a coast-to-coast tour of some major cannabis headlines.  We're checking into New Jersey's exciting introduction of cannabis lounges, a game-changer for social consumption.  Meanwhile, New York State gears up for cannabis home grow rights, empowering individuals in their cannabis journey.  And over on the west coast, California faces a legal challenge as dispensaries sue over excise taxes, highlighting the ongoing evolution of the cannabis industry. Musically, we're blending these impactful stories with an equally impressive playlist.  Get ready for the punk rock energy of Bratmobile, the iconic beats of Dr. Dre, the eclectic rhythms of Le Tigre, and the unique fusion sounds of The Bombay Royale, plus many more incredible artists. Tune into Episode 92 of "Air Tight" for a mix of enlightening cannabis news and a diverse, uplifting music lineup. Join the conversation and be part of this cultural and musical exploration!   Playlist Smash Mouth - Walking on the Sun Alyxxe - On the Run Bratmobile - Love Thing Gary Numan - M.E. Elastica - Stutter Joe Cocker - Woman to Woman Dr. Dre - Let Me Ride Le Tigre - TKO Mexican Institute of Sound - Stop! NoName - Rainforest PJ Harvey - Down by the River The Black Keys - Beautiful People The Bombay Royale - Gunslingers Lullaby The Distillers - City of Angels The Good Kids - Lean In Young MC - Know How Afrika Bombaataa - Thug Life

Legendary musician Allison Wolfe (of Bratmobile, Sex Stains, Deep Lust, Cold Cold Hearts) joins Melissa and Courtney on SMXR's 50th episode to talk about an “oh, why not” situationship that ruined two songs for her. Then they talk about riot grrl ephemera, pierogis, and the exciting reunion of Bratmobile and upcoming shows.

Fulden İbrahimhakkıoğlu, a passionate academic and punk musician, is our final guest on this first album of the show! Fulden, an associate professor of philosophy and gender and women's studies at Middle East Technical University in Ankara, Turkey, traces her musical voyage from Britney Spears' "Baby One More Time" and connecting with Courtney Love to finding her voice with Babes in Toyland while an undergrad in Istanbul and being inspired by Bratmobile while doing her PhD in Eugene, Oregon. We finish with Fulden's own voice in her bands, Literally Anything Before Bros and Emaskülatör. It's a riot grrrl, punk rock trip! Pull up a folding chair, grab a drink, find a spot in the mosh pit, and enjoy the conversation and community. Listen to Fulden's bands Literally Anything Before Bros and Emaskülatör Check out her academic work Connect with her at fuldenshedemon@gmail.comFollow your hosts David, Raza, and Carolina every week as they embark on an epic adventure to find the songs that are stuck to us like audible tattoos to tell the story of who we are and where we've been. It's a life story told through 6 songs.Liked songs from this life story? Check out A Life in Six Songs playlist on Apple Music and SpotifyFollow A Life in Six Songs on Facebook, Instagram, TikTok, and YouTubeSubscribe to our YouTube channel Are you a veteran who is struggling? I know it is tough and that you feel like you are the only who feels like this and no one will understand, but what you are experiencing is not unique and treatment can make a difference. Get help here:Call the Veterans Crisis Line: Dial 988, then press 1.Text the Veterans Crisis Line: Send your message to 838255 Visit the Veterans Crisis Line website to chat virtuallyPTSD Online QuestionnaireNational Center for PTSDSupport the showCopyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit or educational use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of commentary, criticism, and education.

This week we take our musical time machine back to the year 1993! It's a crazy year with a lot of competing styles and genres, which makes it exciting! We talk about great albums by bands like Nirvana, Mazzy Star, Sarah MacLachlan, Crowded House, Daniel Lanois, Prince, David Bowie (two of 'em!), Matthew Sweet, Duran Duran, Pet Shop Boys, Velocity Girl, Bratmobile and more, plus debuts by Aimee Mann, Sheryl Crow, Björk, The Verve, and others.  Follow along with our picks with our Spotify Playlist. What's your favorite album from 1993? Is there a favorite of yours that we didn't mention? Let us know! Drop us a line at modernmusicology1@gmail.com or leave a comment wherever you find our episode and let us know! And don't forget to rate us on your favorite podcast app!  Find us on Facebook: https://www.facebook.com/ModernMusicology Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/ Follow us on Twitter: https://twitter.com/ModrnMusicology Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/ Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition Stephanie Seymour: www.therearebirds.com  R. Alan Siler: www.kozmiccreative.com  Anthony Williams: https://watchers4d.podbean.com/ 

Bratmobile was one of the most visible bands of the feminist punk riot grrrl movement in the early 1990s. As part of KEXP's northwest music column, Throwaway Style, Martin Douglas spoke with founding members Allison Wolfe and Molly Neuman. In this excerpt, they talk about activism, the origins of Bratmobile and the riot grrrl scene.   Read the full interview here: https://kexp.org/read/2023/7/27/throwaway-style-an-interview-with-bratmobiles-allison-wolfe-and-molly-neuman/Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

On episode 22 of Date with the Night, I'm joined by singer, songwriter, and podcaster, Allison Wolfe - lead singer of the iconic feminist punk-rock band Bratmobile, and one of the founders of the riot grrrl movement of the early 90s. Allison digs into Bratmobile's origins as a theoretical band, their famous feminist zine Girl Germs, and Bratmobile's reunion after 20 years. Allison also talks about the punk-rock mentality behind songwriting and performing.We also talk about the popularization of the riot grrrl movement and “girl power”, and the backlash, commercialization, and appropriation that followed. Despite some of the issues faced when starting a movement and coining a moniker (issues created largely by the media), Allison and I discuss the incredible impact that riot grrrl has had, and continues to have to this day.  Make sure to follow Allison Wolfe and Bratmobile on Instagram, and check out Allison's podcast I'm in the Band via Allison's website here. PS. We also talk about Allison's work on the english adaptation of one of my favourite manga series NANA.

Get ready for some Girls' Germs and Bratmobiles, because Allison Wolfe is here! Listen in as Damian sits down with the Pacific Northwest music legend to talk punk, riot grrrl and the cultural shifts they create. From going to the punk party, to refusing to give Kurt the Vaselines singles, to the Danko Jones Connection, to the importance of Fifth Column, to Riot Grrrl changing academia, to singing in Metal Church: THIS IS NOT TO BE MISSED! Also don't miss the return of Bratmobile, July 2 at Oakland's Mosswood Meltdown!

We're See Also and we don't put out!!To welcome 2023, Kate and Brodie are returning to the source: the proto-feminist punk classic, Ladies and Gentlemen, the Fabulous Stains.It's 1980 and a couple of punk bands roll into the steel town of Charlston, USA. In the audience are Corinne "Third Degree" Burns" (Diane Lane) and her sister Tracy (Marin Kantor), orphaned teens trying to make ends meet after their mum's death, and their cousin Jessica (Laura Dern). They yearn for a way out, for a way to better themselves. By the time the Metal Corpses and the Looters leave for their next tour, The Stains – the girls' band – has joined them as the support act. What happens next, the ignominious break-up of the Looters and the huge success of The Stains, was the feminist fantasy that, in real life, made the film a cult inspiration for the Riot Grrrl movement. Written by Nancy Dowd and directed by Lou Adler, Ladies and Gentlemen, the Fabulous Stains prove why every citizen should be given an electric guitar on her 16th birthday.See AlsosStainspage on Caroline Coon's website NPR's piece on the influence of the film on riot grrrl, featuring Alison Wolfe from Bratmobile, tied to the release of (ARP Hive!) Her SmellSPIN's 2008 oral history of The Fabulous StainsGreta Balog, who painted the Laura Dern portrait in BL's houseWatch AlsoTimes SquareI Was a Teenage Serial KillerMary-Jane is Not a Virgin AnymoreThe Weather UndergroundThe Go-Go's (2020 documentary)Smooth TalkGreen RoomSLC PunkFind us on Instagram @seealsopodcast Hosted on Acast. See acast.com/privacy for more information.

A legend and all around wonderful person, Larry Schemel has been on the scene for over 30 years and has no intention of ever stopping. Brother of Patty Schemel, drummer of Hole, the Schemel's became of age during the mid to late 70s and saw the crucial punk/hardcore scene come out of the intensity of the Reagan era chaos of the early/mid 80s. It was completely mind boggling to travel through Schemel's outstanding memory of the late 70s rock god phenomenon, the 1980s righteousness and hardcore energy and into the 90s where he saw bands like Nirvana, Bratmobile and Earth come out from under the mist and into the stratosphere of finance and fantasy. History and cosmic hemisphere. Schemel has survived and thrived and his insight into music, culture, film (specifally horror) are nothing but inspiring and modivating. It was a pure joy speaking to the legend and really getting to know him through this in-depth interview and conversation between two people. Enjoy!

Suivant les traces des premiers labels punk américains des années 80 tels que SST, Dischord et Alternative Tentacles, Kill Rock Stars était dans les années 90 le label référence de la scène musicale d'Olympia dans l'état de Washington et le label à l'origine du mouvement Riot Grrrl. Slim Moon déménage à Olympia a 18 ans et tombe, dans une galerie d'art, sur un spectacle de Spoken Word de Jesse Bernstein, époustouflé, il commence à en écrire et à en jouer. Il s'implique , alors, fortement dans la scène musicale locale. Il joue dans un tas de groupes différents, notamment dans le groupe de rock expérimental Witchypoo dans lequel il rencontre Tinuviel Sampson. Il décide de créer, avec elle, un label dans le but de sortir les enregistrements de Spoken Word de leurs amis. Moon en s'inspirant des labels comme Touch and Go, Dischord mais aussi K Records, souhaite diriger sa maison de disque d'une manière juste et respectueuse pour les artistes. « Wordcore Volume 1 » devient, en 91, la première sortie de Kill Rock Stars. Le disque comprend un poème de Kathleen Hanna de Bikini Kill en face A et des morceaux de Spoken Word de Slim Moon en face B. La même année, Moon revoit sa position de ne sortir que des enregistrements de Spoken Word après avoir vu le premier concert d'Unwound, et sort leur premier single. En août 91, Calvin Johnson et Candice Pederson, du label K Records, organisent, à Olympia, un festival de musique indé appelé Internationale Pop Underground Convention. Son but est de réunir des groupes avec les mêmes valeurs « Do It Yourself » et anticapitalistes, et de prôner l'indépendance artistique. Fugazi, Built To Spill, The Fastbacks ou les Melvins s'y produisent. La première soirée nommée Love Rock Revolution Girl Style Now est entièrement consacrée aux groupes féminins punks et queercore comme Bikini Kill, Heaven To Besty ou Bratmobile. Le magazine Spin parle même de la convention comme du vrai Woodstock des années 90. Olympia apparaît pour la première fois, sur la carte des scènes qui comptent. Pour l'occasion, Slim Moon sort la première compilation de Kill Rock Stars. Elle instaure déjà la ligne de conduite qui sera la caractéristique du label : autant d'hommes que de femmes. Une mixité qui sera la ligne politique de Kill Rock Stars jusqu'au départ de Moon en 2006. Bien que le label n'ait jamais été affilié à un genre ou un mouvement musical particulier, Kill Rock Stars sera toujours lié aux groupes Riot Grrrl des années 90, comme Bikini Kill, Bratmobile, Huggy Bear, Heavens to Betsy et Excuse 17 qu'il n'a jamais cessé de promouvoir. Le partenariat le plus fructueux de l'histoire du label a sans doute été son association avec Elliott Smith. Le succès de Smith a inauguré une nouvelle ère chez Kill Rock Stars. Au cours de la décennie suivante, le label a adopté une palette sonore plus large qui s'est de plus en plus appuyée sur des musiciens inspirés du folk rock comme The Decemberists et Thao Nguyen. Le label sortait parfois plus de 50 albums par an, un chiffre bien supérieur à celles des autres maisons de disques de l'époque. Un rythme effréné qui épuisera Moon. En 2006, il annonce alors son départ de Kill Rock Stars pour travailler chez Nonesuch Records, une filiale de Warner Music. Sa femme Portia Sabin, prendra la direction du label jusqu'à son retour en 2019. Connu pour ses sorties importantes de groupes Riot Grrrl, Kill Rock Stars est un modèle de label indépendant et à travers son intégrité, il est devenu l'une des maisons de disques les plus influentes de la musique indépendante. Bratmobile/Cool Schmool Bikini Kill/Magnet Delta 5/Mind Your Own Business Unwound/Dragnalus Team Dresch/Hand Grenade Matrimony/Elvis-Superstar Heavens To Betsy/Paralyzed Sleater-Kinney/One More Hour Xiu Xiu/Under pressure (feat. Michael Gira) New Bloods/Tree Kinski/Conflict Free Diamonds Lithics/An Island

In this episode, we are joined by the incredible Allison Wolfe, better known as one of the founders of the Riot Grrrl movement. Allison is one of the realest OGs in the #womeninvinyl canon of heroes. She has carved an indelible path through punk rock history, and continues to shout loud in numerous mediums. Allison has fronted numerous influential bands like Bratmobile, published ‘zines, released banger records, founded Ladyfest, completed a Masters in Specialized Journalism, toured the world, started a podcast “I'm in the Band”, contributed articles to numerous publications, passages in books, and continues to inspire and speak her mind. All the while, she's still checking out rad shows and keeping her fingers on the pulse of what's what. Allison Wolfe: https://www.allisoncwolfe.com/podcastPKM: https://pleasekillme.com/allison-wolfe-riot-grrrl/Kill RockStars: https://killrockstars.com/ Enhance your Riot Grrrl-ness with these links:Decline of western civilization: https://youtu.be/aiCTq_AHcqwtank girl: https://youtu.be/mef757ZGUIUThe Avengers: https://en.wikipedia.org/wiki/Penelope_HoustonWomen who Rock: https://www.blackdogandleventhal.com/titles/evelyn-mcdonnell/women-who-rock/9780316558877/Sex Stains - Who song/Love song: https://youtu.be/KEI8NzaOMTQKathleen Hanna: https://en.wikipedia.org/wiki/Kathleen_Hanna20' from Stardom: https://youtu.be/tWyUJcA8ZfoThe Shop Assistants: https://en.wikipedia.org/wiki/Shop_Assistants_(album) The Vaselines: https://en.wikipedia.org/wiki/The_VaselinesWar on Women: https://waronwomen.bandcamp.com/ THANK YOU TO OUR AWESOME SPONSORS!The ones that make your vinyl needs even more accessible with so many great codes and resources. Other Record Labels - Who've gifted our listeners - you! - a 50% code in their store for the myriad of resources compiled there using the code WIV50 at checkout! https://www.otherrecordlabels.com/store Selektor Record Bags - Our new favorite record bag: https://www.theselektor.com/us/Koeppel Design (pronounced Kep-ul) - Sleek and sophisticated, handmade record collection organization! Get $10 off your first order of $85 using the code WOMENINVINYL at checkout! https://koeppeldesign.com/Eargasm - High fidelity ear plugs! keep your hearing protected in style! Eargasm has a great deal for you with 10% off your order using, you guessed it, discount code: WOMENINVINYL at checkout. www.eargasm.com/ Glowtronics - Custom slip mats - you already love the WIV branded slipmat, but think, you can make your own! Get 15% off using the code: WOMENINVINYL15 at www.glowtronics-store.com/ Nugen Audio - Innovative, intuitive, award-winning professional audio plugins and software for all your creative music producing and sound design needs! Use code WOMENINVINYL for 20% off at check out: https://nugenaudio.com/womeninvinyl/ Vinyl Revolution Record Show - Attend one of the longest running record shows out there. 55 dealer tables filled with vendors from all over the east coast and tons of rare and collectible vinyl records! Find more at: https://www.instagram.com/vinylrevolutionrecordshow/ Want to be a sponsor too? Email us: info@womeninvinyl.com As always, join the conversation on Instagram or send us a note at: media@womeninvinyl.comCheck out www.womeninvinyl.com for past episodes, the store, job board, and the growing library of resources!Don't forget to like, subscribe and give us a review on your favorite podcast delivery method! You can also contribute to furthering our mission at https://www.patreon.com/womeninvinylWhere you'll find all of the B-Sides, Deep Cuts and amazing extras, including longer episodes and contribute to the creation of scholarships and educational opportunities to further the demystification and infiltration of more Women and Non-Binary identifying humans into the Vinyl Making Space!

Tonight's episode of Pudding On The Wrist includes choice cuts from Bratmobile, Swell Maps, ESG, Suburban Lawns, The Space Lady, EggS, and many more.

They were three very-special Firebirds in 1968.  Born as regular convertibles from the factory, they were purchased and customized by George Barris for a specific pupose...as prizes for a television series on ABC-TV in 1968!  Brian Dale joins us to tell us the story of the 'Superteen' Firebirds, or 'BratMobiles' as George himself nicknamed them.  Brian's late father Jack was the one to find and restore the only surviving car!    Thanks again to our fabulous partners! AMES PERFORMANCE AUTO SMART PURCELL PERFORMANCE & RESTORATION

Who runs the world? Well, fat white capitalists, of course! But women of all shapes and kinds are awesome and today Diz and Al discuss the "girls" who run the punk rock world. Join us for a conversation on women throughout punk rock history. New episodes drop on Saturdays at 3:00 pm HST Listen to our playlist on Spotify Song: “Oh bondage, Up Yours” by X-Ray Spex News Offensive land acknowledgment Indoor masks optional in public schools NYPD Makes Fitness Test Easier [Need your GOOD NEWS NETWORK Article] Information Trans Women in Punk Hellcat Records The Day the Country Died Documentary Sledgehammer Incident The Tampon Incident Legacy of Women in Punk by Decade 1970s Jayne County, Patti Smith, Joan Jett, The Runaways, The Slits, Crass (Penny Rinbaud), Siouxie and the Banshees, Vivienne Westwood and punk fashion 1980s [UK Anarcho Years, Zounds, …Pink Indians?] Vice Squad, X-Ray Spex, The Plasmatics, Blondie (Debbie Harry), Lunachicks, Hole, bondage fashion 1990s Bikini Kill, The Distillers, F-Minor, L7, Seven Year Bitch, Bratmobile, Nausea, Antischism, The Gits, Tilt, agenda-driven content, Shonen Knife, Riot Grrrl, Queercore 2000s Brodie Dalle (or Armstrong), White Lung, Shawna Potter, Horrorpops, Avril Lavigne as punk fashion (not punk music), Against Me! (Laura Jane Grace), Tiger Army, TsuShiMaMire 2010s to today G.L.O.S.S. (Sadie Switchblade Smith), Bad Cop Bad Cop, War on Women, Lunachicks (return from haitus), The Bombpops, She/Her/Hers (Emma Grrl), Bridge City Sinners, Mangy, Aye Nako, CU Space Cowboy, Not on Tour Honorable Notes Mary Harron, later known as the award-winning director of American Psycho, I Shot Andy Warhol, and The Notorious Bettie Page, started her career writing for Punk magazine after finding that no mainstream publication would hire her. Roberta Bayley documented the CBGB scene in a series of now-iconic photographs, including the one that graced the cover of the first Ramones album. Jayne County came out as the first openly transgender musician in 1979; and BDSM leather became the stereotypical punk outfit. The goal was to smash through people's perceptions of what was typical and allowed. Bridge City Sessions out of Portland Band Shoutouts Antischism “Salvation or Annihilation” Not On Tour Growing Pains “Therapy” Shoutouts Chris from Therapy in San Diego is still undergoing treatment and recovery for leukemia. Please donate if you can. Let's fucking have the conversations! Email us at outonanislandpodcast@gmail.com or follow us on Instagram. --- Send in a voice message: https://anchor.fm/outonanislandpodcast/message

Have you ever wondered how artists get paid for their work? When one song has multiple musicians, producers, etc, how are royalties paid?   Jeff is joined by Molly Neuman to help us understand how music publishing can be done to benefit creators. Molly is the President of Songtrust, the world's largest and most accessible global publishing administration service. Under Neuman's leadership, Songtrust has grown to represent more than 3 million copyrights for more than 350,000 writers in 145 countries, as well as tens of thousands of business clients including record labels, distributors, and boutique publishers.  She has seen all sides of the industry including creating and performing herself with her punk rock trio called Bratmobile. She's been working in digital music and streaming for nearly two decades and is passionate about empowering artists to understand how music publishing really works.   Big Takeaway: No matter what types of new elegant options emerge, lock blockchain, for example, artists will always face the challenge of getting adequately compensated for their work, and we are sure to see many sorts of examples brought to market to help make it easier.   Follow Molly on Twitter at https://twitter.com/mollydneuman  (https://twitter.com/mollydneuman ) Learn more at songtrust.com  Voices Behind The Music is presented by Feed Media Group and produced by Growth Network Podcasts 

Girls to the Front is the epic, definitive history of the Riot Grrrl movement — the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America's gender landscape forever. This was not just a movement but an era of pissed-off girls with no patience for sexism and no intention of keeping quiet.Author Sara Marcus joins us to talk about her own memories as a Riot Grrrl front-liner and chronicles the story of punk bands like Bikini Kill, Bratmobile, and Heavens to Betsy and their effect on today's culture. Tune in.AllMusicPodcasts is a proud member of the Pantheon Podcasts.

Girls to the Front is the epic, definitive history of the Riot Grrrl movement — the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America's gender landscape forever. This was not just a movement but an era of pissed-off girls with no patience for sexism and no intention of keeping quiet. Author Sara Marcus joins us to talk about her own memories as a Riot Grrrl front-liner and chronicles the story of punk bands like Bikini Kill, Bratmobile, and Heavens to Betsy and their effect on today's culture. Tune in. AllMusicPodcasts is a proud member of the Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Girls to the Front is the epic, definitive history of the Riot Grrrl movement — the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America's gender landscape forever. This was not just a movement but an era of pissed-off girls with no patience for sexism and no intention of keeping quiet. Author Sara Marcus joins us to talk about her own memories as a Riot Grrrl front-liner and chronicles the story of punk bands like Bikini Kill, Bratmobile, and Heavens to Betsy and their effect on today's culture. Tune in. AllMusicPodcasts is a proud member of the Pantheon Podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Girls to the Front is the epic, definitive history of the Riot Grrrl movement — the radical feminist punk uprising that exploded into the public eye in the 1990s, altering America's gender landscape forever. This was not just a movement but an era of pissed-off girls with no patience for sexism and no intention of keeping quiet.Author Sara Marcus joins us to talk about her own memories as a Riot Grrrl front-liner and chronicles the story of punk bands like Bikini Kill, Bratmobile, and Heavens to Betsy and their effect on today's culture. Tune in.AllMusicPodcasts is a proud member of the Pantheon Podcasts.

In this episode we are joined by the amazing Sara Marcus, author of "Girls to the Front: The Ture Story of the Riot Grrrl Revolution" We talk Riot Grrrl, feminism, genre, body art and much more. here we just chat about the music and there is a Spotify playlist (some tracks may not be available in some regions) . Or you can go to our home at www.infrequency.co.uk to listen to tunes from Huggy bear, Bikini Kill, Heavens to Betsy, Bratmobile, and The Linda Lindas For more information, and additional links, please visit https://infrequency.co.uk/topics/audio/msg10/ Additional music by Jonathan Fisher

Today's interview is with Marty Key. Marty is the owner of Steady Sounds, a record store which stood here in Richmond, VA, and became a fixture of Richmond culture in the 2010s. And also, Marty is a musician, starting out as the frontman for the Richmond Punk Group Bad Guy Reaction in the 1990s, and later, playing bass for a whole host of bands, from Bratmobile, to Ted Leo and the Pharmacists, Young Pioneers, and Live from Hollywood Cemetery. Music seems to play a big part in his life, so it was great to talk with him, and get his thoughts on Richmond, the history of some of these bands, and the history of Steady Sounds.

Growing up in the suburbs between Seattle and Olympia the music scene & DIY attitude became deeply ingrained in who I am. From putting on our own shows, to making zines, and connecting community was a way of life. In this episode we talk to a musician, music biz boss, and Riot Grrrl founder - Molly Neuman about how it all came together and how we can keep the DIY spirit alive to make a difference today.

“Lived Through That” is the companion podcast to my book where I look at influential 90s musicians and where they are today. On this podcast, we'll delve deeper into a single pivotal moment in the lives of some of the artists I feature in the book. The stories they tell are open, honest, and inspiring. On this episode, we talk to Allison Wolfe from the band Bratmobile who, along with bands like Bikini Kill and Heavens to Betsy, formed the cornerstone of the riot grrrl movement. Musical credits: The Records by Blue Dot Sessions Palms Down by Blue Dot Sessions Be sure to look out for my book, "Lived Through That," where ever you buy your books! You can get 15% your copy of the book NOW by using the promo code PODCAST15 at this link.

In today's episode, Izzy sits down with Brooke, Morgan, and Fiona of Philadelphia punk three-piece Froggy to discuss their raucous live sets, emo nostalgia, their favorite pandemic comfort records, and writing songs about 7/11 and Eric Andre.✨ MORE ABOUT FROGGY ✨Froggy is a hardcore riot grrrl trio from Doylestown, Pennsylvania inspired by the likes of L7 and The Dead Milkmen. Despite only starting the band during the 2020 lockdown, Froggy has already made a substantial name for themselves in the Philadelphia punk scene playing prestigious events and programs including Left of the Dial Live and Camp Punksylvania. Their debut EP, Sopa de Elote,  is out now.  Spotify: https://open.spotify.com/artist/7xzT4aBGEZvQJKZWbhTxyt?si=yDm-TiLATguvcZnRzHgoBQInstagram: https://www.instagram.com/froggytheband/Bandcamp: https://froggytheband.bandcamp.com ✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://izzyshutup.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/missannthropei 

Ted and John welcome photographer/author/podcaster Mike Hipple to the podcast to talk about his book "Lived Through That: '90s Musicians Today." The discussion centers on folks who created a lot of indie and alternative music in the early to mid-1990s. Some were part of huge bands -- like Krist Novoselic from Nirvana. Others were from groups like Belly, Lush, Cracker, Bratmobile, and Jellyfish. The guys also spotlight their top three songs from bands and artists featured in Mike's book.

L'histoire de K Records est lié à celle de Calvin Johnson, son fondateur. Il fait ses débuts comme bénévole à 15 ans à KAOS-FM, une radio étudiante d'Olympia dans l'état de Washington, non loin de Seattle. C'est dans ces studios que Nirvana fera ses débuts sur les ondes, en 87 et que le mouvement riot grrrl naitra. Il contribuera aussi à créer le fanzine Sub Pop qui deviendra le label que l'on connaît. En 1982, Calvin croise la route de Ian MacKaye, frontman de Fugazi et décide avec deux autres bénévoles de la radio de créer un groupe. Beat Happening est né. Le groupe enregistre son premier EP « Three Tea Breakfast ». Dans le but de le distribuer, adepte du do it yourself et avec l'aide de KAOS-FM, il lance son propre label, K Records. Sa cuisine se transforme en usine de cassettes et il peut ainsi promouvoir la scène locale et son propre groupe Beat Happening. Leur single Our Secret/What's Important deviendra en 84, la première sortie vinyle du label. K Records n'étant plus gérable à domicile. Il embauche, en 86, Candice Pedersen, une camarade de fac. Elle est chargée de gérer l'envoi des cassettes par la poste et de rédiger une newsletter pour les 2000 fidèles du jeune label. L'antenne de KAOS-FM sert de vitrine publicitaire et Rough Trade accepte de signer un contrat afin faciliter leurs démarches. La grande majorité des premières sorties du label sont réalisés sur cassettes. Un format idéal, selon Calvin Johnson, pour une scène locale comme Olympia, car peu onéreux. Les pochettes d'albums des premières sorties de K Records sont enfantines, dessinées à la main. Une esthétique combiné au son de groupes tels que Beat Happenig ou Heavenly fait que label sera associé à la scène twee punk. En 1991, Calvin Johnson organise un festival « International Pop Underground » de plus de cinquante groupes dont L7, Fugazi et Bikini Kill, afin de promouvoir les groupes underground et de montrer qu'il est possible de s'affranchir des majors. Deux ans plus tard, il transforme un sous-sol en studio d'enregistrement, le Dub Narcotic Studio. Ce temple du lo-fi accueillera Beck, John Spencer et tous les étudiants de la fac qui veulent enregistrer leurs chansons. Avec Candice Pedersen dans les coulisses, des groupes comme Mecca Normal et la présence de Heather Lewis dans Beat Happening. K Records a toujours mis les femmes en avant et a été une source d'inspiration pour de nombreux groupes féminins de l'époque. Le label a également mis en évidence les femmes lors de son festival avec 15 artistes dirigés par des femmes tels que Bratmobile, le premier groupe exclusivement féminin d'Olympia. K Records a eu une influence sur la musique indépendante et la culture punk underground DIY et a fait l'objet d'un documentaire réalisé par Heather Rose Dominic intitulé The Shield Around the K. Un label a l'image de son fondateur, qui a consacré sa vie à un modèle économique alternatif et profondément humain. Aujourd'hui, le label continue son activité avec Jeremy Jay en guise d'ambassadeur. Blackouts/Dead Man's Curve Mecca Normal/I Walk Alone Built To Spill/Car Beat Happening/Indian Summer Tiger Trap/Puzzle Pieces Sarah Dougher/Day One The Halo Benders/Virginia Reel Around The Fountain The Crabs/Anything + Everything The Microphones/The Glow Pt 2 City Center/Obvious

Pas là pour plaire X Riot Grrrl !Rencontre croisée entre Bettina Ghio et Mathilde CartonPAS LÀ POUR PLAIRE !Portraits de rappeusesBettina Ghioéditions Le Mot et le resteCet ouvrage s'interroge sur la place des femmes dans le rap français, en s'intéressant aux différentes thématiques qui touchent leur condition et émancipation puis en donnant la parole aux actrices de la scène rap, par la mise en lumière de leurs œuvres et parcours. Il est question des pionnières – présentes dès la naissance du genre et invisibilisées au moment de son âge d'or –, des figures incontournables que sont Diam's, Casey et Keny Arkana, qui représentent chacune une facette différente de la rappeuse, et des héritières, de plus en plus nombreuses, pour lesquelles l'urgence est dans la libération des femmes et se ressent aussi bien dans leurs textes que dans leur attitude. Dans la lignée de Sans fautes de frappe, l'auteure explique ici les spécificités langagières et musicales du rap, fait par des femmes, et démonte les clichés visant à l'extraire d'une culture musicale francophone, en dépit de son indéniable succès populaire.RIOT GRRRLRevolution Girl Style NowMathilde Cartonéditions Le Mot et le resteEn 1990, Kathleen Hanna a 22 ans et l'envie d'en découdre. On lui dit que le punk est une affaire d'hommes ? Que les artistes au féminin ne valent rien ? Qu'à cela ne tienne, Hanna et ses consoeurs fomentent une révolution culturelle et politique. De Seattle à Washington, d'expos en concerts, de festivals en fanzines, les riot grrrls fédèrent les laissées-pour-compte et inventent une nouvelle voie, créant un espace où les filles sont enfin entendues et légitimes. Trente ans plus tard, alors que les groupes phare Bikini Kill et Bratmobile remontent sur scène, Mathilde Carton montre que ces figures furieuses et touchantes ont mené, dans le giron de l'underground, un combat dont l'écho a ouvert la voie aux Spice Girls, à Alanis Morissette, Fiona Apple et même Beyoncé ou Miley Cyrus.___Vous souhaitez acheter les livres ? c'est par ici : https://www.laffranchielibrairie.com/recherche/?q=le+mot+et+le+reste Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Second part on the theme of "Girl Groups" including requests for disco-funk; Japanese kawaii metal; New Wave; harmony vocals and full-on R&B Pop type of tracks.

Pat Graham is an American photographer living in England, by way of Washington DC.  Pat began in the early 90's DC punk scene,  photographing Fugazi, The Make Up  and many other Discord and local bands.  He eventually made his way to another thriving scene, the Northwest,  working with a young Modest Mouse and documenting the Riot Grrl scene with the likes of Bikini Kill and Bratmobile.   In do time, Pat got the itch to hit the road and began photographing not just live shows,  but the culture surrounding a traveling band,  capturing the challenges, the  good times and  the bad times that comes with touring.  In this episode, Pat tells us about a tooth extraction in East Berlin while traveling with June Of 44 and shares his experience touring with Modest Mouse pre Lonesome Crowded West. Music by Modest Mouse and Joe PlummerThis episode is dedicated to Matt Hoyt. Rest In Power, I know you'll get a laugh out of this one.Use Code Fret10 for a free month of Music Production Suite Pro and a 10% discount on all other software. Visit Izotope.com

TM pod 46 is a first for the podcast in three ways: it is the first episode recorded with a guest face to face, it's the first one recorded outdoors and it's the first time Jason has talked with singer, writer, podcaster, and OG Riot Grrrl Allison Wolfe. The two old friends cover her formative years in Olympia, where they met in the mid 90's. They explore Allison's multi-decade, ongoing run fronting more than half a dozen punk bands beginning with her ground zero Riot Grrrl band Bratmobile through to her pandemic era project Magic Witch Cook Box. There is a lot of focus on the Olympia music scene of the 80s and 90's. The two ask how a compact little town in an out of the way corner of the country produced such a diverse, remarkable and influential group of bands. While simultaneously acting as the setting for the first sparks of one of the most impactful grassroots political movements of the era; Riot Grrrl. Special attention is paid to the DIY festival culture of Oly that began almost exactly 30 years ago with International Pop Underground and continued with subsequent Yo-Yo a Go-Go's and Alison's own brainchild LadyFest, an indie feminist gathering that would go on to inspire an international series of like minded festivals of the same name. The conversation starts with honest talk about the formidable challenges maintaining hope and motivation in a world gone mad and ends with a celebration of the possibilities that arise when small groups of motivated people get together to create culture in a community bonded by friendship and creative self expression. Thanks for listening and supporting the podcast! You can make a one-time donation: Venmo: Jason-Traeger-1 or monthly recurring donation thru Anchor. LINKS: ALL THINGS ALLISON Music: Drop from M.A.D. ‘Holocaust' Bratmobile: ‘I'm with the Band' Deep Lust: 'Think Yr the Better One Cool Moms: 'USAGI' Sex Stains: 'Land of La-La' Bratmobile: Live at Jabberjaw 6/27/93 TM pod theme by Jason --- Support this podcast: https://anchor.fm/jason-traeger/support

"Reclamation" by Fugazi https://fugazi.bandcamp.com/track/reclamation U.S. states making 2021 moves on abortion rights and access https://news.trust.org/item/20201231112641-qfynt/ Fugazi vs. Destiny's Child "Independent Room" https://www.youtube.com/watch?v=uvhTjiOHP0g Email the podcast: fugaziAtoZ@gmail.com In lieu of donations to the podcast this week I'd like to encourage you to donate to Planned Parenthood (https://www.plannedparenthood.org/) NARAL Pro-Choice America (https://www.prochoiceamerica.org/) or another organization that fights for reproductive freedom. Born an identical twin in Memphis, Tennessee, Allison Wolfe was raised in an all-female household by a lesbian feminist mother who started the first women's health clinic in Olympia, Washington. Wolfe co-founded a punk feminist fanzine Girl Germs, all-girl band Bratmobile, and third-wave feminist punk movement riot grrrl. She also sang in the bands Cold Cold Hearts, Deep Lust, Partyline, Cool Moms, Sex Stains, Ex Stains, and Scorpio Scorpio/Cliquey Bitches. In 1999, Wolfe initiated the non-profit feminist music festival Ladyfest, which spread around the US, the UK and beyond. She lives in Los Angeles where she holds a master in specialized journalism in the arts from the USC Annenberg School for Communication and Journalism. Wolfe produces a podcast “I'm in the Band,” sings in bands, DJs, and is working on an oral history of riot grrrl book and audio archive. Website: https://www.allisoncwolfe.com Instagram & Twitter: @realbabydonut FB: https://www.facebook.com/the.real.allison.wolfe Bandcamp: https://allisonwolfe.bandcamp.com [Has my former bands: Cliquey Bitches, Cool Moms, Ex Stains, and Partyline] All "I'm in the Band" podcast episodes are listed/linked on this page on my website (and I'm also listing them individually below): https://www.allisoncwolfe.com/podcast Magic Witch Cookbox song: https://va31g.bandcamp.com/track/people-ain-t-no-good [Magic Witch Cookbox = me + K. Joseph Karam (The Locust, Le Shok) + Coady Willis (Murder City Devils, Big Business, Melvins)] I'm in the Band is/was a monthly podcast hosted/produced by Allison Wolfe and produced/engineered by Jonathan Shifflett. Bratmobile and riot grrrl co-founder Allison Wolfe converses with prominent punk/indie musicians. Each episode explores an artist's journey through personal history, coming to consciousness, musical awakening and cultural activism. I'm in the Band listening links: Episode 1, Donita Sparks / L7 Listen free on YouTube: https://youtu.be/TxlYguqK5aA For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-1-bratmobile-and-l7-members-talk-bloody-tampons-pantsuits-and-more Episode 2, Brontez Purnell / Gravy Train!!!! Listen free on YouTube: https://www.youtube.com/watch?v=EOynynE24G4 For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-episode-2-brontez-purnell Episode 3, Alice Bag / The Bags Listen free on YouTube: https://youtu.be/ONPKR3ZT18w For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-3-allison-wolfe-alice-bag Episode 4, Patty Schemel / Hole Listen free on YouTube: https://www.youtube.com/watch?v=qGaQLlB_7fQ For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-4-patty-schemel-hole-on-making-zines-with-kurt-and-courtney Episode 5, Ana da Silva / The Raincoats Listen free on YouTube: https://www.youtube.com/watch?v=s8opeXo5pxI&feature=youtu.be For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-5-ana-da-silva-on-riot-grrrls-and-kurt-cobain Episode 6, Gina Birch / The Raincoats Listen free on YouTube: https://youtu.be/x4Z0WexvdLc For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-6-gina-birch-talks-women-being-left-out-of-punk-history Episode 7, Marissa Paternoster / Screaming Females Listen free on YouTube: https://www.youtube.com/watch?v=eHn4g_pan7Q&feature=youtu.be For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-7-screaming-females Episode 8, Rachel Aggs, Billy Easter, Andrew Milk / Shopping Listen free on YouTube: https://www.youtube.com/watch?v=FBFEz8g9sL0&feature=youtu.be For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-8-shopping Episode 9, Palmolive / The Slits & The Raincoats Listen free on YouTube: https://www.youtube.com/watch?v=WQlgfIktvS4 For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-9-palmolive Episode 10, Katie Alice Greer & Daniele Daniele / Priests Listen free on YouTube: https://www.youtube.com/watch?v=jxWsKAl-j9Y For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-10-priests Episode 11, Julia Cafritz / Pussy Galore, STP, Free Kitten Listen free on YouTube: https://youtu.be/0H5-4YCAGiY For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-11-julia-cafritz-pussy-galore Episode 12, Ann Magnuson / Bongwater Listen free on YouTube: https://www.youtube.com/watch?v=PsBQFMTpDNg&feature=youtu.be For Tidal subscribers: http://read.tidal.com/article/im-in-the-band-ep-12-ann-magnuson I'M IN THE BAND Social Media: Instagram: @iminthebandpodcast Twitter: @iminthebandpod Facebook: https://www.facebook.com/ImintheBandpodcast/

Le livre Riot Grrrl : Revolution Girl Style Now de Mathilde Carton a rallumé le feu du mouvement punk féministe américain des années 1990. A travers les groupes Bikini Kill ou Bratmobile, la journaliste retrace le début de cette culture underground jusqu'à sa révolution culturelle et politique. En se réappropriant la scène musicale punk, les Riot Grrrl dénoncent le patriarcat, le male gaze et les violences sexuelles. Clémentine Gallot et Anne-Laure Pineau nous en parlent dans ce nouvel épisode. Les références entendues dans l'épisode : Mathilde Carton, “Riot Grrrl - Revolution Girl Style Now”, Le mot et le reste (2021)Manon Labry, “Riot Grrrls : chronique d'une révolution punk féministe”, Zones (2016)Manon Labry, “Emeutières : Pussy Riot Grrrls”, Editions iXe (2017)Kathleen Hanna est une musicienne américaine. Elle est la chanteuse principale du groupe de musique Le Tigre et la fondatrice et chanteuse du groupe riot grrrl Bikini Kill. John Waters est un réalisateur, acteur américain et également professeur de cinéma. Ses films les plus connus sont : Female trouble (1974), Cry baby (1990) et Pink Flamingos (1972). Kathy Acker est une autrice féministe américaine, connue pour ses ouvrages Sang et stupre au lycée (2005) et Empire of the Senseless (1988).The Cosby Show de Bill Cosby (1984)The Slits est un des premiers groupes de punk rock féminin originaire de Londres. Siouxsie and the Banshees est un groupe de rock alternatif britannique. Bikini Kill est un groupe punk féministe américain, emblématique du mouvement riot grrrl, qui a vu le jour en 1990. Ce groupe, originaire d'Olympia (Washington), porte une parole engagée qui condamnent la culture du viol, le patriarcat, le racisme, les violences sexistes et sexuelles et l'inceste. Le groupe a été formé à l'Université Evergreen par Kathleen Hanna, Kathi Wilcox et Tobi Vail. Elles seront de retour sur scène en 2021, plus de 30 ans après sa séparation.Le groupe féminin, punk rock et américain Sleater Kinney, est originaire d'Olympia et est formé par les deux guitaristes Corin Tucker et Carrie Brownstein et la batteuse Janet Weiss.Dans la même vague, le groupe punk Bratmobile est issu de la première génération de groupes riot grrrl et de l'underground de Washington, influencé par l'indie pop, la britpop, le surf et le punk rock.Heavens to Betsy est un groupe de punk rock indépendant américain formé en 1991. Le groupe est un adepte du mouvement do it yourself des Riot Grrrl et est le premier groupe de Corin Tucker, chanteuse et guitariste de Sleater-Kinney.Mimi Thi Nguyen est une universitaire américaine, d'origine vietnamienne, autrice de punk et productrice de fanzines. Elle a compilé en 1997 un recueil de 73 fanzines. Spitboy est un groupe formé par des féministes latino-américaines qui ne s'associent pas aux riot grrrl. Sexy Sushi est un groupe de musique français d'electroclash composé de Rebeka Warrior et Mitch Silver. Pussy Riot est un groupe russe punk rock, inspiré des riot grrls et formé en 2011. Rebel Girl du groupe Bikini Kill (1993)I'm so excited du groupe Le Tigre (2004)Well Well Well est une revue française semestrielle, au format mook, créée en 2014 et qui traite de la culture lesbienne. Punk singer de Sini Anderson (2013)Riot Grrrl de Sonia Gonzalez (2014)Moxie d'Amy Poehler (2021) Le dernier album Path of wellness de Sleater Kinney (2021)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Anne-Laure Pineau. Mixage par Laurie Galligani. Générique réalisé par Aurore Meyer Mahieu. Prise de son par Thibault Delage à l'Arrière Boutique. Réalisation, montage et coordination par Ashley Tola. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Mia Berrin, frontwoman of Pom Pom Squad, tells the story of a difficult freshman year of high school in Florida. She endured racially-motivated bullying, exclusion and depression, but started to find her own path when she put on pair of Doc Martens and discovered the music of Riot Grrrl bands like Bikini Kill, Bratmobile, Hole and Heavens to Betsy. Soon she started writing her own songs and going to shows and even met an important musical partner. Mia gives some advice to her younger self about the importance of practice and patience. Be sure to check out Mia's rad band Pom Pom Squad. And for more check out dearyoungrocker.com and follow @dearyoungrocker on instagram. For DYR merch and info on more great shows check out doubleelvis.com. Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

We have a set of songs this week about unity.  Can't we all just unite around listening to Suburban Underground?  We submit that we can.  Artists this week are: The Chats, The Vapors, Best Coast, Kurt Vile, Real Estate, Echo & The Bunnymen, Scott Calhoun, Phil Manzanera, Goat Girl, Sham 69, Bratmobile, Beastie Boys, My Favorite, The Cure, The Happy Fits, Ride. Originally airing February 26, 2021.   On the Air on Bedford 105.1 FM Radio      * 5pm Friday *      * 10am Sunday *      * 8pm Monday * Stream live at http://209.95.50.189:8178/stream

El ajedrez es el juego de la vida. Lucha de clases sobre un tablero en el que los peones son pequeños y valerosos sirvientes de su rey y son sacrificados cuando les llega el turno, para dar paso a las piezas mayores. Esta semana os traemos un puñado de historias de peones, caballos, alfiles, torres, damas y, como no, también reyes. Y además aprovechamos para presentar al mundo entero el Gambito del Can, una apertura kamikaze que te llevará tus partidas al ajedrez a la ruina, o al éxito. De ti depende. Nos acompaña en el estudio Pedro Lópeh, del programa El Café de Silverio, y profesor de ajedrez en la vida real. Estas semanas atrás leíamos el libro "El Peón", de Paco Cerdá, publicado por la Editorial Pepitas, que, a través de los 77 movimientos de la partida entre Arturo Pomar y Bobby Fischer en Estocolmo 1962, recorre las vidas de numerosos «peones» entregados a una causa política en la España franquista o en los Estados Unidos de Kennedy en aquel convulso 1962. Comunistas, maquis, obreros, socialistas, etarras, cristianos, republicanos, estudiantes o falangistas; afroamericanos, pacifistas, indígenas, activistas antinucleares, izquierdistas o militares de obediencia ciega. Personas que se sacrificaron ante la dictadura o el capitalismo pagando un precio de muerte, cárcel, exilio o soledad. Por otra parte, Pedro Lópeh conduce el programa de radio El Café de Silverio, mucho más que flamenco. Ya lo hemos dicho, pero lo repetimos: el mejor programa musical de la piel de toro. Pedro, en la vida real, entre otras cosas también es profesor de ajedrez, aunque en cierta ocasión alguien en Madrid le dijo que no tenía acento de serlo. ¿Qué acento tiene que tener un profesor de ajedrez? El clasismo y la cabronancia tienen mil caras. Y así es como se nos ocurrió hacer este programa, recorriendo también el resto de las piezas del ajedrez que no están en el libro de Paco Cerdá. Caballo, alfil, torre, dama y rey. Venga, y una de peones, también. Y que fuese Pedro Lópeh, con su acento de no ser profesor de ajedrez, quien nos acompañase en el estudio. Así revisitamos la partida del siglo en el mundial de ajedrez de 1972 en Reikiavik entre Fischer y Spassky, dos peones al servicio de intereses más altos durante la Guerra Fría, que fueron sacrificados a su debido tiempo, después de jugarse el honor político de Estados Unidos y la Unión Soviética sobre un tablero. En nuestra partida tenemos un caballo protagonista, Imperioso, y como no, también Jesús Gil y sus 30.000 licencias de construcción inmobiliaria en Marbella al margen de la ley durante una década completa. ¿Asesoró imperioso a Jesús Gil y Antonio Cerezo para hacerse con el 97% de las acciones del Atlético de Madrid sin poner ni un puto duro? Nuestro alfil se llama Courtney Love, y recorre las casillas blancas en diagonal. Sin salirse. Más allá de la misoginia del punk que la culpa de la destrucción de Nirvana, detectamos dos corrientes de bandas con mujeres al frente que toman las riendas del punk en los 90. Cada una por su fila, sin salirse y sin coincidir con las otras. Por un lado tenemos a Bikini Kill y Bratmobile y por el otro a L7 o Hole. Tenemos dos aproximaciones para tomar el mundo del rock, una abiertamente feminista y militante y la otra no, que aboga por tomar el escenario “simplemente” tocando. Un ataque por dos flancos, en parte enfrentados, pero complementarios. Tenemos la torre cargada de dinamita y liderada por David Alfaro Siqueiros, mexicano de nacimiento, pronto eligió los dos caminos que le ocuparían toda su vida: las bellas artes y la política de mancharse las manos. En la Guerra Civil española fue conocido como El Coronelazo, mientras liquidaba anarquistas o les enviaba a misiones suicidas. Peleó por el bando republicano, pero sus desaveniencias con las decisiones tomadas respecto a las Brigadas Internacionales le llevaron a disparar a la propia bandera republicana y abandonar el campo de batalla: "estos hijos de puta quieren perder su guerra". Poco después estaba dirigiendo un festín de balas en un atentado fallido contra Trotsky. Nuestra dama se mueve en diagonal y horizontal, desde Madrid a Toulouse y de París a Barcelona. Federica Montseny, una una dama de la lucha, del compromiso y una valiente, haciendo política cuando a las mujeres no se las dejaba participar. Viviendo la ignominia y la represión tras la guerra en el exilio, como mujer, como anarquista, como todas las luchadoras de su tiempo. Y finalizamos con el rey blanco: Sito Miñanco. El libro de Nacho Carretero, "Fariña", y sus extensiones en formato serie televisiva y espectáculo teatral, la figura de Sito Miñanco ha visto su popularidad disparada. Llegando a toda una generación que no recuerda los telediarios de la Operación Nécora y la posterior detención de Sito. En aquel momento su nombre pasó al imaginario popular y después de aquello el silencio alrededor de su personaje. Silencio, no para todos: la banda Os Papaqueixos declaraban a Sito preso político en su tema "TeknoTrafikante". Aurrera! Eso en el 99. Años más tarde, en 2012, se volvían a juntar con motivo de la llegada a Feijoo a la presidencia de la Xunta: el retorno del fascismo a Galicia, después de años de fraguismo. El Gambito del Can De paso, en este programa aprovechamos para hacer la presentación mundial del Gambito del Can, una apertura muy perra que jamás haría Deep Blue, pero que os la proponemos para que sorprendáis a vuestros contrincantes. Si os lleva a la ruina o al éxito, eso ya depende de vosotros. Aquí la explicamos: Un gambito es una forma de iniciar una partida de ajedrez en la que uno de los bandos sacrifica un peón, perdiendo material a cambio de contrajuego o de ganar iniciativa. Abusas de la glotonería del contrario pero consigues ventaja de espacio. Muchas aperturas en el ajedrez tienen nombre. Esta no, porque no se suele jugar. Así que se lo ponemos nosotros: el Gambito del Can. Una apertura para corazones intrépidos: 1. c4 – c5 2. b4! – ... Aquí planteamos el gambito. Ofrecemos un peón a cambio de marcha. Es como tirar una piedra a la cristalera de un banco. Fluye la adrenalina, haces saltar las alarmas, la noche es oscura y sus armas vienen a por ti. Pero haces lo que debes. Coges tu segundo peón por la izquierda, lo adelantas dos casillas y gritas a la cara de tu oponente: Do the right thing! Por muy épico que te pongas, el jugador negro es un cabrón materialista y te come el peón. Fijo. 2. .... - cxb4 3. g3! - … En el tercer movimiento, el jugador blanco no intenta recuperar el peón perdido, sino conseguir el máximo desarrollo posible, sacando los alfiles por las diagonales principales, uno por Via Laietana y el otro bajando por Carretas para dominar Sol antes de que el contrario saque sus alfiles con bocachas y sus torres lacrimógenas. ¡¡¡Ganan blancas!!!

Allison Wolfe is a trailblazer in the riot grrrl and punk scene, along with other women she met like Kathleen Hanna in Washington. She started out by putting out the cult-zine Girl Germs which eventually led to her fronting the legendary punk band Bratmobile. She chats with us about #bikinikill and touring with Sleater Kinney. The women in this movement were inspirational and focused on using their voice to protest against male supremacy and sexism.Allison was raised by a strong feminist mother in Olympia, Washington who started Olympia's Eastside Women's Health Clinic in 1981, which was the first of its kind. She has a twin sister, Cindy , and completed her studies at Evergreen College and University of Oregon. She has written for publications such as The Washington Post and was a primary force behind LadyFest, which have taken place throughout the world and she has appeared at many of them.She has also been a part of other bands like Sex Stains, Cold Cold Hearts, and Partyline. We are thrilled to chat with one of the original riot grrrls who helped influence an entire generation of women to use their voice to lift and empower others. www.AllisonCWolfe.comInstagram: @realbabydonut Please subscribe, like, comment, follow!https://www.facebook.com/metalpriestesseshttps://www.instagram.com/metalpriestessespodcasthttps://twitter.com/MetalPriestess2https://www.youtube.com/channel/UCeZ0nPy3dx4Sk0US9tzkT9A/vi

Angela and Kerrie bring you this weeks episode with special guest, founder of Loud Women, guitarist from I, Doris, and all round good egg, Cassie Fox. We roll up our sleeves and get stuck into the world of Riot Grrrl, how it started, the zines, the artwork, the politics, the community and the bands that laid the foundations for the movement. Expect stories of Bikini Kill, Kathleen Hannah, Bratmobile, Heavens to Betsy and a reading of the Riot Grrrl manifesto, with qoutes and readings from 'Grils to the front' by Sara Marcus and 'The Riot Grrrl Collection' edited by Lisa Darms.New music this week is from MIRI, Bang Bang Romeo, I, Doris and Genn who feature on the bill for Loud Women 20th March 2021.If you have a story or new music you want us to share, please email us at rockpoprambles@gmail.comPatreon - Support our show pretty please!RESEARCHLOUD WOMENLoud Women Fest https://loudwomen.org/fest/Facebook: https://www.facebook.com/loudwomen/Twitter: https://twitter.com/loudwomenclubBANG BANG ROMEOWebsite: https://www.bangbangromeo.comFacebook: https://www.facebook.com/bangbangromeo/Twitter: https://twitter.com/BangBangRomeoGENNBandcamp: https://genntheband.bandcamp.comFacebook: https://www.facebook.com/genntheband/I, DORISFacebook: https://www.facebook.com/IDoris/Twitter: https://twitter.com/idorisbandBandcamp: https://idoris.bandcamp.comMIRITwitter: https://twitter.com/miriofficialukFacebook: https://www.facebook.com/miriofficialuk/Bandcamp: https://miriofficial.bandcamp.com/RIOT GRRRL'Girls to the front - The True Story of the Riot Grrrl Revolution' by Sara Marcushttps://www.amazon.co.uk/Girls-Front-Story-Grrrl-Revolution/dp/0061806366/ref=sr_1_1?dchild=1&keywords=girls+to+the+front&qid=1600949929&sr=8-1'The Riot Grrrl Collection' - by Lisa Darms https://www.amazon.co.uk/gp/product/1558618228/ref=ppx_yo_dt_b_asin_title_o07_s00?ie=UTF8&psc=1Wiki: https://en.wikipedia.org/wiki/Riot_grrrlhttps://www.theguardian.com/music/gallery/2013/jun/30/punk-musicZinewiki.comhttps://en.wikipedia.org/wiki/Riot_grrrlhttps://www.historyisaweapon.com/defcon1/riotgrrrlmanifesto.html#:~:text=The%20Riot%20Grrrl%20Movement%20began,understand%20in%20our%20own%20wayshttps://www.feministpress.org/books-n-z/riot-grrrl-collectionhttps://en.wikipedia.org/wiki/Mimi_Thi_Nguyenhttps://en.wikipedia.org/wiki/Tobi_Vail#Jigsaw_zinehttps://en.wikipedia.org/wiki/Girl_Germshttps://dangerousminds.net/comments/riot_grrrl_allison_wolfe_of_bratmobile_talks_about_zines_feminism_and_her_nThe guardian: https://www.theguardian.com/music/musicblog/2015/jan/28/riot-grrrl-10-of-the-bestRolling Stone: https://www.rollingstone.com/music/music-lists/riot-grrrl-album-guide-bikini-kill-sleater-kinney-972476/Support this show http://supporter.acast.com/bugeyes-rock-pop-rambles. See acast.com/privacy for privacy and opt-out information.

The Women's Human Rights Campaign launches in the USA! Enjoy today's special edition about this momentous occasion of women getting organized across the the US to promote the Declaration on Women's Sex Based Rights, a document penned by Sheila Jeffreys, Heather Brunksell Evans and Maureen O'Hara designed to get governments, groups and individuals to adopt women's rights based on sex and not on "gender identity." Hear the song "Killing in the Name of" covered by Brass Against the Machine before enjoying WLRN's Sekhmet SheOwl's greeting that leads the listener to our first interview with Vajra Ma, co-chair of the Interim Steering Committee of the WHRC USA. Vajra Ma is co-founder and president of Shakti Moon Foundation, dedicated to woman as the creator of culture and original guide of humanity. She spoke with Thistle about the origin of the Declaration and the group of women in the US that has embraced it and currently serves as the interim steering committee of WHRC USA. Next, enjoy the song "Are you a Lady?" by Bratmobile before listening to an interview with Carol, a 40 year old detransitioning lesbian who talks about how gender identity ideology impacted her life. Carol spent 4 years identifying as a trans "man" and undergoing medical transition including ingesting testosterone and having her breasts surgically removed. During that time she was perceived as male in social and professional settings. Now in the process of reclaiming her womanhood, Carol is focusing her energy on helping other detrans people find a community, particularly women who don’t conform to gender stereotypes. Finally, don't miss Sekhmet's powerful commentary on the significance of the Declaration and the growing numbers of women worldwide who are signing on. The WLRN collective is proud to take part in the launch of WHRC USA and be a signatory to the Declaration. You can sign too, dear listener! Click on this link and add your name to the growing numbers of signers in the USA and around the world. https://www.womensdeclaration.com/en/ Thanks for staying tuned to feminist community powered radio, WLRN. Please like and share widely as our grassroots handcrafted podcasts only get into the ears of listeners because they are promoted and distributed by YOU!

Bob Nastanovich and Mike Hogan celebrate music from reggae legend Junior Murvin, Scottish avant garde icon Ivor Cutler, Sacramento indie rockers Tiger Trap, plus play songs from New Zealand's This Sporting Life, Mali's Alkibar Junior, and Los Angeles' Midnight Sister. They also discuss riot grrrl pioneers Bratmobile and why tail swishing is a bad sign in a racehorse.

Episode 183 of Suburban Underground, WBNH-LP Bedford 105.1 FM's alternative mixtape show with hosts Steve Poschmann and Drew Cline is here.  We have a set of American new wave from 1983 trying to sound really English, right down to the accents.   If you are familiar with the legendary 1980s radio station WLIR, these are songs they played back then.  We play these artists: The Interrupters, CAKE, Business Of Dreams, Beware Of Darkness, Bratmobile, Belly, The World, The Puppets, Ministry, The Pretenders, Courtney Barnett, Two Door Cinema Club, The Vaccines, The Blakes (NJ), Portishead, REM.  Originally aired November 1, 2019

We're kicking off a new roundtable series with Slim Moon and Kill Rock Stars, who shares with the history of the Olympia, Washington (now Portland, Oregon) independent label that has been home to an amazing roster of musicians and bands, including Sleater-Kinney, Unwound, Bikini Kill, Bratmobile, The Decemberists, Elliott Smith, Huggy Bear, Mary Lou Lord, Gossip, Deerhoof and many more. We discuss how the label got started, leaning on K Records founder Calvin Johnson for advice, the riotgrrl scene and bands in Olympia, how bands were discovered, the impact of success with Elliott Smith and the importance of legacy catalogs, the end of the decade digital music revolution, and so much more.   Songs In This Episode:   Intro - New Energy by Unwound 3:45 - Words and Guitar by Sleater-Kinney 1:07:45 - Between The Bars by Elliott Smith Outro - I Could Have Loved You by The Peechees   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

We're kicking off a new roundtable series with Slim Moon and Kill Rock Stars, who shares with the history of the Olympia, Washington (now Portland, Oregon) independent label that has been home to an amazing roster of musicians and bands, including Sleater-Kinney, Unwound, Bikini Kill, Bratmobile, The Decemberists, Elliott Smith, Huggy Bear, Mary Lou Lord, Gossip, Deerhoof and many more. We discuss how the label got started, leaning on K Records founder Calvin Johnson for advice, the riotgrrl scene and bands in Olympia, how bands were discovered, the impact of success with Elliott Smith and the importance of legacy catalogs, the end of the decade digital music revolution, and so much more.   Songs In This Episode:   Intro - New Energy by Unwound 3:45 - Words and Guitar by Sleater-Kinney 1:07:45 - Between The Bars by Elliott Smith Outro - I Could Have Loved You by The Peechees   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

This episode features musician, artist, and illustrator Tae Won Yu, of the band Kicking Giant. Tae was deeply involved in and influenced by the early Riot Grrrl and do-it-yourself scene in New York, Washington DC, and Olympia, Washington, where he lived for about a decade throughout the 1990s. Tae, and his music, art, and commitment to creating community and connection have long been an inspiration to me.In this conversation Tae thoughtfully shares his unique experience with and understanding of Riot Grrrl, including how he first met Molly Neuman and Allison Wolfe from the band Bratmobile after reading about their zine Girl Germs in Sassy Magazine. We talk about the power of community, self-expression, and the empowering feeling of creating your own scene, identity, and movement. He describes participating in a moment that has been cited as one of Riot Grrrl’s inspirational turning points: Girl Night, featuring all women-front bands, at the International Pop Underground Convention in Olympia in 1991.He also discusses how the generation of artists who lived in Olympia before him helped inspire Riot Grrrl and feminist art in the Pacific Northwest and showed him how to build a life as an artist. Those artists include Calvin Johnson and Candice Peterson of K Records, Nikki McClure, Stella Marrs, Slim Moon of Kill Rock Stars, Jean Smith of Mecca Normal, and Lois Maffeo.Tae’s reflections are a beautiful tribute to the compassionate encouragement that existed in the early 1990s scene in Olympia and an example of creating a life for yourself as an artist and outsider.You can find the re-issued Kicking Giant record, This Being the Ballad of Kicking Giant, Halo: NYC/Olympia 1989-1993, at Drawing Room Records. If you want to hear more about the early Riot Grrrl scene, Tae is also featured on the podcast Girl Germs, which focuses on Bratmobile’s first album of the same name.Follow Tae on Instagram on his personal account @Taewonyu and his incredible archive of photos from the Olympia scene at @summer_guitars. This episode features the song “Half Lie” by Taleen Kali.

The early 1990s gave rise to many fads, trends, and subcultures. Riot Grrrl has been dismissed as just another of them, but had far greater ambitions and achieved far greater things. Motivation, inspiration, and cooperation led a group of activists to change the conversation, until the structures they railed against stepped in to change it back. What's the difference between having a message and controlling the narrative? Can the information we're giving you, filtered through the years, be trusted to make an accurate picture of an underground scene that was unfairly covered in the media? How can digital spaces replicate the conditions that fostered Riot Grrrl? Links! Girls to the Front: The True Story of the Riot Grrrl Revolution Girl Germs, a podcast about Bratmobile's first album, Pottymouth Don't Need You - The Herstory of Riot Grrrl Jigsaw The Riot Grrrl Collection Gallery of Zine covers Newsweek's infamous Riot Grrrl story Please help our show succeed by sharing it. Send a link to someone you know and tell them what you enjoy about History Honeys. Rate and review us on iTunes, Stitcher, or whatever other platform you use to hear us. It helps so very much and we do appreciate it. You can connect with us on Facebook, Twitter, Instagram, or by emailing us at historyhoneyspodcast at gmail.   Logo by Marah Intro and outro by Thylacinus Bikini Kill "Double Dare Ya" Bratmobile "Girl Germs" Heavens to Betsy "Firefly" Censor beep by Frank West of The FPlus

Luz Mendoza of the band Y La Bamba shares the inspiration for her new album, “Mujeres.” Portia Sabin talks to us about the KRS produced Bratmobile podcast series, "Girl Germs." Plus, some of the major players in the podcasting industry weigh in on their rapidly expanding medium.

Our second episode! Listen along as we talk about accidental magical enemas, baby-snatching, questionably-sourced water buffalo bones and lots of magick! Now featuring music from Juno Dreams/The Eurythmics, and Bratmobile!  

Episode 143 of Suburban Underground, WBNH-LP Bedford 105.1 FM's award-winning alternative mixtape show with hosts Drew Cline and Steve Poschmann. This week we introduce a new feature -- mini blocks! Woooooooo!  We've created some cool short blocks of themed tunes for you to geek out on.  Featured artists this week are Cheap Trick, The Knack, The Raconteurs, The Vaccines, The Undertones, Gang of Four, The Ramones, Nine Inch Nails, Bratmobile, Arctic Monkeys, David Bowie, Dead Waves, Vista Kicks, Jesse Jo Stark, Pixies, Superorganism and La Peste.  Originally aired January 25, 2019. 

In Part Four of Girl Germs, the media gets wind of Bratmobile and the riot grrrl movement as a new era of representation for women and girls in music is set into motion. At the same time, the band's breakup looms. Featuring (in order of appearance): Tae Won Yu (Kicking Giant) Molly Neuman (Bratmobile, The PeeChees, The Frumpies) Erin Smith (Bratmobile, Cold Cold Hearts) Corin Tucker (Heavens to Betsy, Sleater-Kinney, Filthy Friends) Evelyn McDonnell (Writer) Transcript: bit.ly/girlgerms4 Produced by Will Watts and Anna McClain. Engineered by Brent Asbury at Beta Petrol.

In Part Three of Girl Germs, hear how Bratmobile's "Girl Germs" single catalyzed the making of 'Pottymouth,' the story behind the album's 24-hour recording, and why it took almost a full year to release. Featuring (in order of appearance): Slim Moon (Kill Rock Stars) Allison Wolfe (Bratmobile, Cold Cold Hearts, Sex Stains) Erin Smith (Bratmobile, Cold Cold Hearts) Tim Green (Nation of Ulysses) Molly Neuman (Bratmobile, The PeeChees, The Frumpies) Transcript: bit.ly/girlgerms3 Produced by Will Watts and Anna McClain. Engineered by Brent Asbury at Beta Petrol.

In Part Two of Girl Germs, Erin, Molly, and Allison reflect on how they got into music, riot grrrl's roots, grunge, and what brought Bratmobile together as a band. Featuring (in order of appearance): Allison Wolfe (Bratmobile, Cold Cold Hearts, Sex Stains) Erin Smith (Bratmobile, Cold Cold Hearts) Molly Neuman (Bratmobile, The PeeChees, The Frumpies) Transcript: bit.ly/girlgerms2 Produced by Will Watts and Anna McClain. Engineered by Brent Asbury at Beta Petrol.

In Part One of Girl Germs, we look back at Olympia, Washington's thriving punk scene that cultivated acts like Bratmobile, Bikini Kill, Heavens to Betsy, and more. Featuring (in order of appearance): Corin Tucker (Heavens to Betsy, Sleater-Kinney, Filthy Friends) Allison Wolfe (Bratmobile, Cold Cold Hearts, Sex Stains) Slim Moon (founder, Kill Rock Stars) Tae Won Yu (Kicking Giant) Molly Neuman (Bratmobile, The PeeChees, The Frumpies) Erin Smith (Bratmobile, Cold Cold Hearts) Transcript: bit.ly/girlgerms1 Produced by Will Watts and Anna McClain. Engineered by Brent Asbury at Beta Petrol.

Introducing Girl Germs, a five-part podcast detailing the recording and release of Bratmobile's seminal riot grrrl album, 'Pottymouth.' Kill Rock Stars president and host of The Future of What Portia Sabin interviews key players in the scene to look back at how an underground feminist punk movement set off a global music revolution. Produced by Will Watts and Anna McClain. Engineered by Brent Asbury at Beta Petrol. ----- Girl Germs features interviews from: Allison Wolfe (Bratmobile, Cold Cold Hearts, Sex Stains) Erin Smith (Bratmobile, Cold Cold Hearts) Molly Neuman (Bratmobile, The PeeChees, The Frumpies) Corin Tucker (Sleater-Kinney, Heavens to Betsy, Filthy Friends) Katie Alice Greer (Priests) Daniele Daniele (Priests) Rachel Aggs (Shopping, Trash Kit, Sacred Paws) Marissa Paternoster (Screaming Females) Slim Moon (founder, Kill Rock Stars) Tim Green (Nation of Ulysses) Evelyn McDonnell (music journalist) Tae Won Yu (Kicking Giant)

Molly Neuman is the Global Head of Business Development at Songtrust and you may know her from her time ar Kickstarter, A2IM, Rhapsody, or eMusic. Molly is best known as a creator of the riot grrrl movement as Bratmobile's drummer and founding editor of the Girl Germs zine. On this episode, Portia and Molly discuss her career and more. Live from Indie-Con Australia 2018.

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r's' as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet, as Rebekah J. Buchanan notes in her new book, Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018), a group of girls and young women were about to start making their own waves. We now call them “the riot grrls,” after one of the zines that they created of the same name. In 1991 Molly Neuman and Allison Wolfe were members of the punk band Bratmobile, and Wolfe explained why they chose this name: “we had thought about Girl Riot and then we changed it to Riot Grrl with the three ‘r’s’ as in growling. It was a cool play on words, and also a kind of expression about how there should be some kind of vehicle where your anger is validated.” That growl started a movement—of youth culture, of music and print culture, of political activism, and of a new punk feminism—that thrived in the 90s and has remained a lasting influence on how we think about women, music, and culture. Buchanan takes us into world of the riot grrls through their own creations, the zines that they wrote, published, and circulated to understand who they were, what they were about, and why magazines like Time were so wrong. Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org. Learn more about your ad choices. Visit megaphone.fm/adchoices

Greetings and welcome to Season 2 episode 10 of Daydream Nation: a Music conversation Podcast! On this episode we discuss Bratmobile’s Ladies, Women and Girls! Be sure to come back in 2 weeks for episode 11, where we will be discussing The New Pornographer’s Electric Version! Until then, be excellent to each other!

Greetings and welcome to Season 2 episode 9 of Daydream Nation: a Music conversation Podcast! On this episode we discuss Austrian Death Machine’s Double Brutal! Be sure to come back in 2 weeks for episode 10, where we will be discussing Bratmobile’s Ladies, Women and Girls! Until then, be excellent to each other!

For week 2 of Women's History Month we talk about one of the biggest feminist movements in recent memory- Riot Grrrls! Not only were they putting out creative zines but they also made some of the best music to come out of the 90's. Listen as Ashleigh and Maggie get progressively drunker and gush over the two biggest bands in the movement- Bikini Kill and Bratmobile. This episode pairs nicely with Two Evils Bikini Sour and Druthers The Dare. Curl up with your lady friends today and celebrate girls in punk! Resources: Girls to the Front- by Sara Marcus The Punk Singer- a documentary Don't Need You- a documentary

Founded in 1990, Tales of Blarg became one of the longest running and most influential zines out of the East Bay punk scene that gave the world Lookout Records. Over the years, the it published the work of such Northern California punk rock luminaries as Aaron Cometbus, Iggy Scam, Lawrence Livermore and Robert Eggplant. Janelle Hessig (née Blarg) hasn’t published an issue since 2006, but the writer/cartoonist is still strongly invested in the world of independent publishing. (And inspired a song by Bratmobile along the way.) For years, she worked for Last Gasp, and these days publishes other artists’ work through her own publishing house, when she’s not on the clock at San Francisco PBS affiliate, KQED. In 2014, she published The Cruising Diaries, a collection of writer Brontez Purnell, which Hessig also illustrated. Next year, Gimme Action will publish Rotten Philosophies, a personal collection of work from Hessig, who spent much of last year battling breast cancer. Hessig recommended a local San Francisco bar decorated with work inspired by outsider artist Henry Darger for this conversation, which touches on the importance of self-publishing, the downside of the internet and living day to day with a life threatening disease.

Riot Grrrl d'hier à aujourd'hui On accueille une nouvelle collaboratrice et on explore le mouvement Riot Grrrl de ses débuts à son influence aujourd'hui dans l'état de Washington plus particulièrement. Avec Bikini Kill, The Gits, 7 year bitch, Sleater-Kinney, Tacocat, Mary Lambert, Bratmobile, Mommy Long Legs, The Julie Ruin, G.L.O.S.S. Childbirth et Excuse 17!

Riot Grrrl d'hier à aujourd'hui On accueille une nouvelle collaboratrice et on explore le mouvement Riot Grrrl de ses débuts à son influence aujourd'hui dans l'état de Washington plus particulièrement. Avec Bikini Kill, The Gits, 7 year bitch, Sleater-Kinney, Tacocat, Mary Lambert, Bratmobile, Mommy Long Legs, The Julie Ruin, G.L.O.S.S. Childbirth et Excuse 17!

There is an amazing opportunity for the female movement right now. I am laying out my personal "rules" I follow to be a modern day riot girl. Find your voice. Speak your truth. KNOW that you are worth fighting for.               **I do not own any of the music or interviews in this podcast.

Turn it up! This week Ryan and Jenna get ALL the windex-ing done with a motivating mixtape of Riot Grrrl faves. Featuring songs by Bikini Kill, Bratmobile, Huggy Bear, Cold Cold Hearts, Downtown Boys, Sleater-Kinney, and The Julie Ruin. Jenna sips a cosmo for this pink power happy hour as the siblings talk feminism, weak stomachs, and Y2K killer shower curtains. Girl Power! [Please support these artists by purchasing their music!] killrockstars.com dongiovannirecords.com sleaterkinney.kungfustore.com thejulieruin.com lookoutrecords.com

Episode #22: In this episode, Portia moderates a SF Music Tech panel entitled "The Future of Indies," that was chock full of laughs and indie stalwarts of the past, present and future. Her panelists included: Molly Neuman (A2IM, Lookout! Records, Bratmobile), Bruce Pavitt (Sub Pop, 8Stem), Amy Dietz (INgrooves), Christiane Kinney (LeClairRyan), and Kevin Breuner (CD Baby). The panel discussed their individual introductions to music and the music industry, and provided advice to both musicians and tech entrepreneurs from their unique vantage points inside the industry. GUESTS Molly Neuman (A2IM, Lookout! Records, Bratmobile) Bruce Pavitt (8Stem) Christiane Kinney (LeClairRyan) Kevin Breuner (CD Baby) Amy Dietz (INgrooves) MUSIC Bratmobile “Cherry Bomb” Delta 5 "Mind Your Own Business"

In just over five short years, Mindy Abovitz has expanded the narrow definition who gets to drum with Tom Tom magazine, the only magazine dedicated to female drummers. As its founder and editor-in-chief, Mindy has fused her passions of feminism and drumming to create a platform designed to dispel the ignorance, misogyny and flat-out neglect often lodged at female percussionists in a male-dominated field. What started out as a personal blog quickly grew into a printed quarterly that features an intentional broad palette of diversity from race to class to sexual identity that celebrates women and girl drummers and beatmakers from all over the world. The revolution begins with a pair of sticks and a dream! Visit Tom Tom magazine online:                                                    http://tomtommag.com/ Read full issues of Tom Tom magazine:                                                   http://issuu.com/tomtommagazine   Talk Music Talk Playlist/052: She's the DrummerAfter interviewing this week's guest, Mindy Abovitz, it inspired me to dig deeper into the history of female drummers. With this invigorated knowledge under my belt, I bring to you a TMT Spotify playlist featuring an amazing assortment of percussionists and beatmakers that are doin' it for themselves, as Aretha and Annie Lennox once proclaimed. Revel in the pop magic of Gina Schock from the Go-Go's and the Bangles' Debbi Peterson. Meet up in the Ladies' room with Klymaxx's Bernadette Cooper or celebrate your inner Riot Grrrl with Bikini Kill and Bratmobile. And of course, there's drum pioneers Sheila E. and Terri Lyne Carrington. It's the best variety of drumming you'll hear in nearly 70 female-fueled minutes. Enjoy!                                                                          https://open.spotify.com/user/therattlecat/playlist/2QBEOmsXqb5l4O2ZMawkWe     Follow me on Instagram:                                                                https://instagram.com/thisisboice/   Subscribe to TMT on iTunes: http://bit.ly/TalkMusicTalk Or Stitcher Radio: http://bit.ly/TMTStitcher Or TuneIn Radio: http://bit.ly/TMTtunein If you enjoy the podcast, please take a moment to leave a review and/or rating.It Reviews and ratings help to improve TMT rankings and spread the word. Thanks!   "Liz (The Talk Music Talk Theme)"-FULL VERSION Written and Composed on an iPad by boice. https://soundcloud.com/thisisboice/liz-talk-music-talk-theme

A seminal episode of No Effects with my guest this week, Molly Neuman. Molly played drums in the seminal Riot Grrrl band Bratmobile. But wait, there is much much more. Molly's career in independent music also has included running the seminal punk label Lookout!, managing seminal punk artist Ted Leo, and being VP of seminal trade association A2IM.

#leonardnimoy #ramonafradon, #fortitude #startrek #comics #scifi Salio Perdidos En El Eter #176, del mes de marzo. MaGnUs, Peter, Bruno, y el Profesor Dinosaurio hacen este programa, con un homenaje a Leonard Nimoy, dedicandole un TITANES a su vida y obra. También tenemos un TITANES de Ramona Fradon, dibujante de Aquaman y Metamorpho entre otros comics, y una RE: seña de la serie de TV Fortitude. Además, otro capítulo de Zapping, nuestra ficción antológica, yendo a donde nadie a ido jamás... o varios si, porque es el universo Star Trek. Con musica de Wildbirds & Peacedrums, Sandrine Depaule & Marc Pinon, Leonard Nimoy, S.P.O.C.K., Spock's Beard, Johnny Cash, Bratmobile, y Arthur Korb.

This week on Turned Out A Punk, Damian invites his good friend Danko Jones over for a chat. Sit back as the two discuss Danko’s weird voyage; from touring with Bratmobile, to touring with Nickelback… Also covered in the episode: - The transitioning from metal to punk via crossover - Getting into punk through record stores - The epiphany that is, hearing the Bad Brains for the 1st time - Community radio: gateway to subculture - Jill Heath former Black Flag roadie turned tai chi wielding superhero - The "asshole record store clerk" as cultural guardian - Clash vs. the Sex Pistols (again) - Toronto two-piece geniuses Leather Uppers - The letter of recommendation that punk can be - Being the hippest Toronto band - Meeting kindred spirits in The Make Up - Being a DC Hardcore band - Shitting in Guy from Fugazi's house. - The “What would Ian do?” guilt (again) - Cool is cool! - Danko losing respect for Damian over his not liking of Fugazi

In which I play music from Sonic Lost World and Gone Home. Wonder World - Title Theme and Tropical Coast Zone Act 3 (Sea Bottom Segue) by Tomoya Ohtani from Sonic Lost World by Sega; At the New House/First Day at School and Life Moves On by Chris Remo from Gone Home by The Fullbright Company; Some Special by Bratmobile used in Gone Home by The Fullbright Company.

Girl Germs, Bratmobile, Lookout!, Indivision Management, Simple Social Graces, eMusic. Molly Neuman has been involved in just about every facet of the music business at a pretty high level. Like many industry veterans, however, she didn't set out to play the game. So it was nice to hear about her journey from enthusiastic zinester to digital music trailblazer.

Zum Podcast Episode 19 - Allison Wolfe  ----------- Allison Wolfe is a legend in the punk scene and best known as the singer of Bratmobile, one of the original Riot grrrl acts. Creating the Girl Germs zine and spearheading Ladyfest, Wolfe throws out a larger than life persona as an activist and musician. The influence of that '90s moment even lead to an eye-opening trip to Georgia. We hung out in Los Angeles but talk about the punk scenes of her hometowns (Olympia and DC), print journalism's downfall, Thailand, and day jobs (which include writing for the famous manga Nana and teaching English). Check out her bands Partyline, Cool Moms, Cold Cold Hearts, and Deep Lust. ------------ HIGH CASTLE - After God - Spirit of the West (Zum) (intro music)  BRATMOBILE - Die - The Real Janelle EP (Kill Rock Stars)

Harkening out of the United State's Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link them to a larger artistic and musical genre known as Riot Grrrl. In Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial, 2010), Sara Marcus traces the first five explosive years of Riot Grrrl, 1989-1994. She convincingly shows that although some very cool music was at its core, the movement went far beyond the bands, and far beyond Olympia, WA. Marcus follows the members of Bikini Kill and Bratmobile as they travel to Washington, D.C. forming girls-only collectives, participating in nationally organized political demonstrations, writing stridently feminist fanzines, and playing gigs to audiences of outcast girls who found there was indeed a supportive place for them to express themselves freely. By '93 the movement was international with Riot Grrrl chapters in Minneapolis, Oklahoma, New York City, Vancouver, B.C., and London to name just a few. Toward the end of the book's timeframe, Riot Grrrl was weakened by forces that befall many social movements: the mainstream press and music industry co-opted some of its important leaders and images, infighting among members kept some chapters from realizing their goals, and strident localism kept geographically disparate branches from forming lasting network ties. All-in-all, however, Marcus convincingly shows Riot Grrrl to have been an important wave of an ongoing feminist movement in which young women and girls redefined sex, gender, and sexuality as their own. Sara Marcus writes about music, books, and politics for numerous publications, including Bookforum, The San Francisco Chronicle, The Los Angeles Review of Books, Artforum.com, Slate, Salon, The Philadelphia Inquirer, Time Out New York, The Forward, and Heeb magazine, where she was politics editor for five years; her poetry has appeared in Death, Encyclopedia, EOAGH, Tantalum, and The Art of Touring. She has taught at girls' rock camps in Portland and New York, has played drums and keyboards in a long string of relatively short-lived bands, and continues to instigate communal, de-skilled music making whenever possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harkening out of the United State’s Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link them to a larger artistic and musical genre known as Riot Grrrl. In Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial, 2010), Sara Marcus traces the first five explosive years of Riot Grrrl, 1989-1994. She convincingly shows that although some very cool music was at its core, the movement went far beyond the bands, and far beyond Olympia, WA. Marcus follows the members of Bikini Kill and Bratmobile as they travel to Washington, D.C. forming girls-only collectives, participating in nationally organized political demonstrations, writing stridently feminist fanzines, and playing gigs to audiences of outcast girls who found there was indeed a supportive place for them to express themselves freely. By ’93 the movement was international with Riot Grrrl chapters in Minneapolis, Oklahoma, New York City, Vancouver, B.C., and London to name just a few. Toward the end of the book’s timeframe, Riot Grrrl was weakened by forces that befall many social movements: the mainstream press and music industry co-opted some of its important leaders and images, infighting among members kept some chapters from realizing their goals, and strident localism kept geographically disparate branches from forming lasting network ties. All-in-all, however, Marcus convincingly shows Riot Grrrl to have been an important wave of an ongoing feminist movement in which young women and girls redefined sex, gender, and sexuality as their own. Sara Marcus writes about music, books, and politics for numerous publications, including Bookforum, The San Francisco Chronicle, The Los Angeles Review of Books, Artforum.com, Slate, Salon, The Philadelphia Inquirer, Time Out New York, The Forward, and Heeb magazine, where she was politics editor for five years; her poetry has appeared in Death, Encyclopedia, EOAGH, Tantalum, and The Art of Touring. She has taught at girls’ rock camps in Portland and New York, has played drums and keyboards in a long string of relatively short-lived bands, and continues to instigate communal, de-skilled music making whenever possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harkening out of the United State’s Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link them to a larger artistic and musical genre known as Riot Grrrl. In Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial, 2010), Sara Marcus traces the first five explosive years of Riot Grrrl, 1989-1994. She convincingly shows that although some very cool music was at its core, the movement went far beyond the bands, and far beyond Olympia, WA. Marcus follows the members of Bikini Kill and Bratmobile as they travel to Washington, D.C. forming girls-only collectives, participating in nationally organized political demonstrations, writing stridently feminist fanzines, and playing gigs to audiences of outcast girls who found there was indeed a supportive place for them to express themselves freely. By ’93 the movement was international with Riot Grrrl chapters in Minneapolis, Oklahoma, New York City, Vancouver, B.C., and London to name just a few. Toward the end of the book’s timeframe, Riot Grrrl was weakened by forces that befall many social movements: the mainstream press and music industry co-opted some of its important leaders and images, infighting among members kept some chapters from realizing their goals, and strident localism kept geographically disparate branches from forming lasting network ties. All-in-all, however, Marcus convincingly shows Riot Grrrl to have been an important wave of an ongoing feminist movement in which young women and girls redefined sex, gender, and sexuality as their own. Sara Marcus writes about music, books, and politics for numerous publications, including Bookforum, The San Francisco Chronicle, The Los Angeles Review of Books, Artforum.com, Slate, Salon, The Philadelphia Inquirer, Time Out New York, The Forward, and Heeb magazine, where she was politics editor for five years; her poetry has appeared in Death, Encyclopedia, EOAGH, Tantalum, and The Art of Touring. She has taught at girls’ rock camps in Portland and New York, has played drums and keyboards in a long string of relatively short-lived bands, and continues to instigate communal, de-skilled music making whenever possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harkening out of the United State’s Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link them to a larger artistic and musical genre known as Riot Grrrl. In Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial, 2010), Sara Marcus traces the first five explosive years of Riot Grrrl, 1989-1994. She convincingly shows that although some very cool music was at its core, the movement went far beyond the bands, and far beyond Olympia, WA. Marcus follows the members of Bikini Kill and Bratmobile as they travel to Washington, D.C. forming girls-only collectives, participating in nationally organized political demonstrations, writing stridently feminist fanzines, and playing gigs to audiences of outcast girls who found there was indeed a supportive place for them to express themselves freely. By ’93 the movement was international with Riot Grrrl chapters in Minneapolis, Oklahoma, New York City, Vancouver, B.C., and London to name just a few. Toward the end of the book’s timeframe, Riot Grrrl was weakened by forces that befall many social movements: the mainstream press and music industry co-opted some of its important leaders and images, infighting among members kept some chapters from realizing their goals, and strident localism kept geographically disparate branches from forming lasting network ties. All-in-all, however, Marcus convincingly shows Riot Grrrl to have been an important wave of an ongoing feminist movement in which young women and girls redefined sex, gender, and sexuality as their own. Sara Marcus writes about music, books, and politics for numerous publications, including Bookforum, The San Francisco Chronicle, The Los Angeles Review of Books, Artforum.com, Slate, Salon, The Philadelphia Inquirer, Time Out New York, The Forward, and Heeb magazine, where she was politics editor for five years; her poetry has appeared in Death, Encyclopedia, EOAGH, Tantalum, and The Art of Touring. She has taught at girls’ rock camps in Portland and New York, has played drums and keyboards in a long string of relatively short-lived bands, and continues to instigate communal, de-skilled music making whenever possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harkening out of the United State’s Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link them to a larger artistic and musical genre known as Riot Grrrl. In Girls to the Front: The True Story of the Riot Grrrl Revolution (Harper Perennial, 2010), Sara Marcus traces the first five explosive years of Riot Grrrl, 1989-1994. She convincingly shows that although some very cool music was at its core, the movement went far beyond the bands, and far beyond Olympia, WA. Marcus follows the members of Bikini Kill and Bratmobile as they travel to Washington, D.C. forming girls-only collectives, participating in nationally organized political demonstrations, writing stridently feminist fanzines, and playing gigs to audiences of outcast girls who found there was indeed a supportive place for them to express themselves freely. By ’93 the movement was international with Riot Grrrl chapters in Minneapolis, Oklahoma, New York City, Vancouver, B.C., and London to name just a few. Toward the end of the book’s timeframe, Riot Grrrl was weakened by forces that befall many social movements: the mainstream press and music industry co-opted some of its important leaders and images, infighting among members kept some chapters from realizing their goals, and strident localism kept geographically disparate branches from forming lasting network ties. All-in-all, however, Marcus convincingly shows Riot Grrrl to have been an important wave of an ongoing feminist movement in which young women and girls redefined sex, gender, and sexuality as their own. Sara Marcus writes about music, books, and politics for numerous publications, including Bookforum, The San Francisco Chronicle, The Los Angeles Review of Books, Artforum.com, Slate, Salon, The Philadelphia Inquirer, Time Out New York, The Forward, and Heeb magazine, where she was politics editor for five years; her poetry has appeared in Death, Encyclopedia, EOAGH, Tantalum, and The Art of Touring. She has taught at girls’ rock camps in Portland and New York, has played drums and keyboards in a long string of relatively short-lived bands, and continues to instigate communal, de-skilled music making whenever possible. Learn more about your ad choices. Visit megaphone.fm/adchoices

Guest DJ: Allison Wolfe (Bratmobile, Cold Cold Hearts, Deep Lust, Partyline, Ladyfest) | Playlist: ... Partyline - Party-n-Animal | The Slits - Slits Tradition | Spider and the Webs - Save Me (Roky Erickson) | Spider and the Webs - Mister Hypnotist | Partyline - Casual Encounters | Partyline - Trophy Wifey | Erase Errata - Cruising | Mika Miko - Chron Liar | Gravy Train - Hella Nervous | The Gossip - Fire Sign | Margaret Cho - Moran | Cold Cold Hearts - (You're So Sweet) Baby Donut | The Capricorns - The New Sound | Liliput - In a Mess | Cold Cold Hearts - VxRx | The Tennessee Twin - Broken Bottles | The Frumpies - Be Good | Holly Golightly - No Big Thing | Kiosk - Burning Bridge | Deep Lust - Changeling | Deep Lust - Mass Teens on the Runs | Bratmobile - I'm in the Band | Bratmobile - Shop for America | Bratmobile - Eating Toothpaste | Partyline - No Romantic |

Punk Rock Bowling presents:We are so cool, yeah, yeah because Molly Neuman is here! Listen in as Damian sits down with the Lookout, Peechees, Frumpies, Bratmobile legend to talk all things punk. From the dawn of Riot Grrl, to the DC connection, to the legacy of Lefty, to punk's life long hangover and so much more: don''t miss this one!Also, don't miss Bratmobile at Punk Rock Bowling in Las Vegas May 25-27! Get your tickets now!Support this podcast at — https://redcircle.com/turned-out-a-punk/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy