Podcast appearances and mentions of daniel goldhaber

Finish that whole steak on your fork and keep an eye on that Top 50 list because we're continuing our theme month of doubles and doppelgängers in Daniel Goldhaber's 2018 gem Cam! Tagging in for the conversation is horror author Ariel Powers-Schaub. Join us as we praise Madeline Brewer's fearless lead performance, as well as the exceptionally authentic screenplay written by Isa Mazzei, who drew upon her own experiences as a sex worker when writing the film. Plus: clit-destroying Vibatrons, emphasizing the "work" part of sex work and a very insightful lesson on tulpas from our guest. Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group or brand new Horror Queers Discord to get in touch with other listeners. > Trace: BlueSky / Instagram > Joe: Bluesky / Instagram  > Ari: BlueSky / Instagram / Found Frights Column Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada / Logo: Travis Falligant  Learn more about your ad choices. Visit megaphone.fm/adchoices

A compelling cinematic adaptation of an academic study of social justice movements.SUPPORT THE SHOW: PATREONFOLLOW THE SHOW: INSTAGRAM // TWITTER // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com  SHOP THE SHOW: TEE PUBLIC 

The gang welcome in friend of the podcast, audio porn producer and sex blogger Girl on the Net, to discuss the nature of identity and manipulation, the growing ubiquity of AI, and the portrayal of the camming industry in Daniel Goldhaber's 2018 film Cam.   Follow Girl on the Net on Mastodon or Bluesky. Check out her work.     Night on the Docks - Sax Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Today on Art of the Cut, we're talking to the winner of the Indie Spirit Award for Best Editing: Daniel Garber, about his work on the film How to Blow up a Pipeline. Daniel's other work includes the feature film, Cam - which was also a collaboration with his “Pipeline” director, Daniel Goldhaber. Daniel has also worked in documentary editing on films like Some Kind of Heaven, and the documentary series, Naomi Osaka. He was also an additional editor on the Sundance documentary Riotsville, USA, which we featured on Art of the Cut several years ago. Don't forget that you can read along with the podcast at borisfx.com/blog/aotc, where there are great timeline screenshots, images of the Premiere Productions set-up, trailers and clips!

In episode 73 of the Podcast for Social Research, recorded live following a screening of Daniel Goldhaber's cinematic adaptation of Andreas Malm's polemic against pacifism How to Blow Up a Pipeline, BISR faculty Isi Litke, RH Lossin, and Ajay Singh Chaudhary explore the aesthetic, historical, and thorny practical terrain of violence as activist strategy and political tool in the face of climate crisis. With Goldhaber's film as a jumping off point, they ask—and answer—questions like: how can cinema represent the complex harms wrought by climate devastation, in all their manifold temporalities, from freak accidents to slow disease to historical expropriations? How are solidarities built across ideological divides? What unites anti-colonial movements across the Global South with the struggles of subaltern groups in the Global North? And what underpins the belief in non-violence as the righteous mechanism for political change—and why is this wrong? Along the way, they touch on everything from the heist film (wherein the question is not whether one ought but whether one can pull it off), how comrades are not friends, workplace violence, radical flanks, Fanon's “stretched Marxism,” and much else besides. Plus a sneak preview from Ajay's new book, The Exhausted of the Earth: Politics in a Burning World, out this February from Repeater Books!  

ABOUT HOW I LEARNED TO FLY, IN THEATERS DECEMBER 1STIn HOW I LEARNED TO FLY, the feature film debut from writer/director Simon Steuri, two African-American teenage brothers suddenly find themselves on their own after being mysteriously abandoned by their parents. Deeply haunted by the mental and physical abuse inflicted by their father (Wu-Tang Clan's Cliff "Method Man" Smith), elder brother Daniel (Scribner) is determined to keep their lives from falling apart. He maintains a daily routine, works as a dishwasher and does his best to keep a roof over their heads. Younger brother Eli (Lonnie Chavis, NBC's This Is Us) struggles to cope with the absence of his mother, leaving her voicemail messages in search of answers. Embarking on a journey of survival and self-discovery, they uncover moments of beauty, newfound meaning and enduring love that strengthen their bond despite the uncertain road ahead. Featuring supporting performances by Cedric the Entertainer and Michele Selene Ang, HOW I LEARNED TO FLY, is a poignant story of determination and resilience in the face of profound adversity. The film opens exclusively in theaters in major markets on December 1, 2023.Here's the trailer: https://www.youtube.com/watch?v=9xsIm7L3pyo ABOUT MARCUS SCRIBNERMarcus is most notable for playing Anthony Anderson's son 'Andre Jr.' on ABC-TV's Black-ish, alongside Anthony Anderson and Tracee Ellis Ross. Earlier this year and after four consecutive nominations, Marcus scored the NAACP Image Award in the category of 'Outstanding Supporting Actor' for his work on Black-ish. Marcus is carrying on his role of 'Andre Jr.' in the Freeform spinoff of the series, Grown-ish.Marcus can next be found in the Daniel Goldhaber directed feature and TIFF 2022 participant How To Blow Up a Pipeline alongside Lukas Gage and distributed by Neon, which released in theaters to raving reviews.Marcus is also featured in Netflix's feature film Along for the Ride, written by Sofia Alvarez, alongside Kate Bosworth and Emma Pasarow. Marcus also starred in the independent drama feature How I Learned to Fly, directed by auteur Simon Steuri opposite Lonnie Chavis, Cedric the Entertainer and Cliff 'Method Man' Smith.Marcus can currently be seen in the IFC drama, Farewell Amor directed by rising filmmaker Ekwa Msangi, which premiered at Sundance 2020, opposite Jayme Lawson, the dark YA thriller Confessional, and Awesomeness produced teen comedy, The F**k it List. Aside from his on-screen work, Marcus is an amazing voiceover actor. Most recently starring as 'Bow' in the animated award-winning hit series, She-Ra and the Princesses of Power for Dreamworks/Netflix as well as the role of 'Buck' in Pixar's The Good Dinosaur.

We don't know “How To Blow Up A Pipeline” but we enjoyed talking about the movie!Based on Andreas Malm's 2021 nonfiction book, Daniel Goldhaber's fictional adaptation raises a lot of questions around the ethics of narrative cinema, and forced us to reevaluate who the real heroes are in Oceans Eleven. You can remove our names from any online watchlists by writing in your opinion on the movie at onlymoviepodcast@gmail.com or hit us up on Twitter or InstagramAs always you can catch our episodes early and ad free over on Nebula. And if you sign up with the link below, it really helps out the pod!https://go.nebula.tv/theonlypodcastaboutmoviesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Some climate activists think it's time to ramp up their efforts by vandalizing multimillion-dollar artworks and even sabotaging key infrastructure.  Should activists move beyond peaceful protests? Host Amy Scott talks with filmmakers Daniel Goldhaber and Ariela Barer about some of these ideas that show up in their environmental thriller “How to Blow Up a Pipeline.” Related Links: OPINION: The moral case for destroying fossil fuel infrastructure – Andreas Malm WATCH: TED – The fairy tales of the fossil fuel industry — and a better climate story – Luisa Neubauer STREAM: How to Blow Up a Pipeline (Film)

Some climate activists think it's time to ramp up their efforts by vandalizing multimillion-dollar artworks and even sabotaging key infrastructure.  Should activists move beyond peaceful protests? Host Amy Scott talks with filmmakers Daniel Goldhaber and Ariela Barer about some of these ideas that show up in their environmental thriller “How to Blow Up a Pipeline.” Related Links: OPINION: The moral case for destroying fossil fuel infrastructure – Andreas Malm WATCH: TED – The fairy tales of the fossil fuel industry — and a better climate story – Luisa Neubauer STREAM: How to Blow Up a Pipeline (Film)

Some climate activists think it's time to ramp up their efforts by vandalizing multimillion-dollar artworks and even sabotaging key infrastructure.  Should activists move beyond peaceful protests? Host Amy Scott talks with filmmakers Daniel Goldhaber and Ariela Barer about some of these ideas that show up in their environmental thriller “How to Blow Up a Pipeline.” Related Links: OPINION: The moral case for destroying fossil fuel infrastructure – Andreas Malm WATCH: TED – The fairy tales of the fossil fuel industry — and a better climate story – Luisa Neubauer STREAM: How to Blow Up a Pipeline (Film)

In this episode, Wellington and Savon discuss Colorado's major upset over TCU, Duke's upset over Clemson, and LSU's major struggles in the second half against Florida St. Next up, they discuss the Lions' opening night win vs. Kansas City, why Travis Kelce is so necessary for the Chiefs and thoughts on Nick Bosa becoming the highest-paid defensive player and also their take on Rich Paul's comments on the hypothetical of the media treating Steph Curry differently if he had won the Bubble Title compared to LeBron. For the album reviews, they start off with Victoria Monet's Jaguar II, the Arti$t's Archives, and the new EP Nova by Terrace Martin and James Fauntleroy. Finally, they review Black Milk's new album Everybody Good?, Gucci Mane, and J. Cole's new single "There I Go" and close it out with Coco O.'s single "Low Key Let Go".In the second half, they review the film How to Blow Up a Pipeline, a 2022 action-thriller film directed by Daniel Goldhaber and starring Ariela Barer, Lukas Gage, Forrest Goodluck, and Marcus Scribner. They start off by discussing how this delivered a high-stakes eco-thriller ignited by riveting and complex antiheroes. They also discuss this being extremely emphatic, and passionate plus why more indie films like this need to be made. 

First released: 08 Apr 2023 | To join New Models, find us via patreon.com/newmodels & newmodels.substack.com Adapting climate scholar Andreas Malm's How to Blow Up a Pipeline (2021, Verso) for the silver screen, Daniel Goldhaber has transformed Malm's non-fiction manifesto into “one of the most original American thrillers in years" (Roger Ebert). As it sees its US theatrical release this week, Daniel joins NM to speak about the film, the state of indie filmmaking, and the terms of politically engaged creative production in our over-mediatized, performatively politicized age. For more: https://neonrated.com/films/how-to-blow-up-a-pipeline

Muziek van Gavin Brivik bij de film “How to blow up a pipeline” - een thriller over klimaatactivisme, geregisseerd door Daniel Goldhaber. De film toont hoe boosheid, angst, verdriet, onmacht en wanhoop tot deze drastische actie hebben geleid. De film won de Alexander Mouret Award, een prijs ‘voor films die risico's durven te nemen'. De muziek bij de film How to blow up a pipeline is gemaakt door Gavin Brivik, die hedendaagse klassieke muziek en elektronische muziekcompositie studeerde aan de Universiteit van Missouri in Kansas, en hij combineerde die kennis met zijn wortels als gitarist in de rock- en folk-scene. In New York leerde hij het vak van filmcomponist. Toen hij aan de muziek voor deze film ging werken was het eerste wat hij deed opnamen maken van geluiden op de filmset. Inclusief het bonken op olievaten in de woestijn, met een trommelstok waar een stuiterbal op was vastgemaakt. Daarmee wreef hij langs metalen buizen, om een dreigend, galmend geluidseffect te bereiken. Bizarre geluiden die Brivik een plek gaf in zijn score. Inspiratie daarvoor vond Brivik in de muziek van de Duitse synthesizer-groep Tangerine Dream, en in de muziek van elektronica-pionier Pierre Schaeffer, bekend van de zogeheten Musique Concrète.

A&E discuss Daniel Goldhaber's 2022 film How to Blow up a Pipeline, asking if it's really true at this point that it's easier to imagine the end of the world than the end of capitalism.

durée : 00:19:25 - L'Invité(e) des Matins d'été - par : Quentin Lafay - "Faire sauter un pipeline dans un monde à 6 °C de plus, ce serait agir trop tard. Faut-il attendre un assentiment général ?" Le réalisateur américain Daniel Goldhaber nous parle de son film "Sabotage", inspiré de la pensée d'Andreas Malm, à l'occasion de sa sortie en salle le 26 juillet 2023. - invités : Daniel Goldhaber Réalisateur, scénariste et producteur américain

Au programme de ce jeudi 13 juillet dans la tranche information de So good Radio: le Parlement européen adopte la loi de restauration de la nature pour protéger la biodiversité; la ville d'Abbeville est la deuxième de France à expérimenter les congés menstruels pour les agentes municipales; et enfin, on vous en dit plus sur les surprises prévues à l'antenne pendant les vacances, ou les sessions d'été de 10 minutes pour sauver le monde. Votre quotidienne revient le 28 août ! En plus de votre fil info feel good, retrouvez L'appel du good spécial avec Gaëtan Gabriele qui nous présente le projet de l'ONG Sea Sheperd France, Le peigne dans l'maillot, la formule secrète pour s'endormir un peu moins con consacrée au film de Daniel Goldhaber, Sabotage, et enfin, la chanson qui va bien avec Dancing in the Courthouse de Dominic Fike. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

This July 4th, celebrate with a true Leftist film that will have you on the edge of you seat with suspense, a pulsing score and politics that will have you debating the need for a diversity of tactics when fighitng the evils of capitalism. We're discussing the film Daniel Goldhaber's How to Blow Up a Pipeline (2022). Follow us at: Patreon / Twitter / Instagram / Letterboxd / Facebook 

Émission angoisses, soulèvements et trous dans la terre. Y a un derrick dans notre jardin, y'a un pipe-line chez notre voisin C'est la folie qui salit, le pétrole. C'est pas de l'or blanc, c'est de l'or noir et ça fait des pétrodollars. Y a pas que des bidons dans le pétrole.dispo itou on da tube:Au programme cette semaine:* Sabotage, aka How to Blow Up a Pipeline, de Daniel Goldhaber, d'après l'essai d'Andreas Malm.* Sisu - de l'or et du sang, de Jalmari Helander. Tuer du nazi.* Asteroid City, de Wes AndersonCoups de cœurs:THOMAS: Margaret Thatcher - L'inoxydable (Guillaume Podrovnik) hTHIBAUT: Nostalgia (Tarkovski)DOC ERWAN: Killer Klowns from Outer Space (Chiodo Bros.)JUSTEEN: John Maus - We Must Become the Pitiless Censors of Ourselves + revoir Dog Day AfternoonPLAYLISTPrégénérique / Extrait Terrain MinéSyndrome 81 / AvenirNapalm Death / Scum

"How to Blow Up a Pipeline" is an environmental-climate crisis action-thriller film. It's based on Andreas Malm's book of the same name. The New York Times called it a "cultural landmark" for its sympathetic portrayal of eco-terrorists. It deals with complex issues related to the climate crisis such as violence vs. non-violence, sabotage as self-defense and the necessity of fighting the oil industry. In our latest, we talk with Daniel Goldhaber (@chronopictures), the director of "How to Blow Up a Pipeline. We talked to him about his motives for turning the book into a film, what messages he wanted to put across, his own views on the urgency of direct action in the fight to save the earth, the responses to the movie, past actions they considered when making the film and more. Bio// Daniel Goldhaber is an American director, screenwriter, and producer. In 2018, he directed Cam, a psychological horror film set in the world of webcam pornography. In 2022, he co-wrote, directed, and produced the thriller film How to Blow Up a Pipeline, based on the book of the same name by Andreas Malm. -------------------------------------------------------------------------------------- Outro- "Sabotage" by The Great American Beast Links// + "How To Blow Up A Pipeline" by Andreas Malm (https://bit.ly/42g5JVA) + Daniel Goldhaber: https://www.danielgoldhaber.com/ + A Frontline Response to Andreas Malm (https://bit.ly/3OOJLpJ) + “How to Blow Up a Pipeline” Movie Poses Terror Threat, Kansas City Intel Agency Claims (https://bit.ly/3C6kJe3) Follow Green and Red// +G&R Linktree: ⁠https://linktr.ee/greenandredpodcast⁠ ⁠ +Our Rad Website: https://greenandredpodcast.org/⁠ +We're part of the Labor Podast Network:⁠https://www.laborradionetwork.org/⁠ Support the Green and Red Podcast// +Become a Patron at ⁠https://www.patreon.com/greenredpodcast⁠ +Or make a one time donation here: ⁠https://bit.ly/DonateGandR⁠ This is a Green and Red Podcast (@PodcastGreenRed) production. Produced by Bob (@bobbuzzanco) and Scott (@sparki1969). “Green and Red Blues" by Moody. Editing by Isaac

This week on The First Run, Matt and Chris join the revolution and get their ecoterrorism on with Daniel Goldhaber's ‘How to Blow Up A Pipeline'. Can a film ignite a revolution? Then it's time to put on some corpse paint and wrap up the Heist Marathon with the Hughes Brothers' ‘Dead Presidents'. As always there's the dreamlike rundown the physical media releases, with the Straight to DVD and Streaming Picks of the Week. Matt and Chris wrap up the show with the Heist Marathon Awards. So let's sabotage some property with another episode of The First Run!00:00-17:44: Intro/How to Blow Up A Pipeline17:45-25:25: Physical Media Picks25:26-36:22: Dead Presidents36:23-44:15: Heist Marathon Awards44:16-46:38: Wrap-UpTheme music by Jamal Malachi Ford-Bey

Daniel Goldhaber's eco-terrorism thriller, How to Blow Up a Pipeline, is the topic of the day. Before digging into that film, Jared and Joe disagree on and debate two more recent releases, Guardians of the Galaxy Vol. 3 and Dungeons & Dragons: Honor Among Thieves.

On this episode, we review the new film from Daniel Goldhaber in HOW TO BLOW UP A PIPELINE! Visit https://insessionfilm.com for merch and more! Visit this episode's sponsor: https://koffeekult.com - Get 15% OFF with the code: ISF Thanks for listening and be sure to subscribe on your podcast app of choice! https://insessionfilm.com/subscribe Follow us on Twitter! @InSessionFilm | @RealJDDuran | @BrendanJCassidy | @ryanmcquade77 | @MrJayLedbetter

We talk about Alberta elections and climate news. Lauren interviews Daniel Goldhaber about his film, How To Blow Up A Pipeline.

Written and directed by Daniel Goldhaber, How to Blow Up a Pipeline begins with Xochitl (Ariela Barer) slashing the tires of a nearby SUV in order to send a message. Committed to environmental protection, she believes that it is her responsibility to punish those who care little about the planet, especially if the law ignores them. Frustrated and hurt by the damage left by the climate crisis, Xochitl begins to recruit a team of like-minded people who are willing to take matters into their own hands by targeting a West Texas pipeline to garner some justice. In this 1on1, we speak to Goldhaber about broken narrative styles and the difference between terrorist and freedom fighter.

Read the transcript of this podcast: https://www.therealnews.comThe title alone of How to Blow Up a Pipeline has raised its share of eyebrows—and drawn condemnations from right-wing critics. The film, based on a non-fiction book of the same name by Andreas Malm, depicts a fictional attempt by a group of young climate activists to take action against the fossil fuel industry. But what is the political purpose driving the film adaptation—and does it actually teach viewers how to blow up pipelines? Director Daniel Goldhaber joins TRNN contributor Anders Lee to explain the vision behind the film, the intervention it seeks to make, and what lessons it can offer in a world on fire. Daniel Goldhaber is an American director, screenwriter, and producer whose most recent work is How to Blow Up a Pipeline.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer: Donate: https://therealnews.com/donate-podSign up for our newsletter: https://therealnews.com/newsletter-podLike us on Facebook: https://facebook.com/therealnewsFollow us on Twitter: https://twitter.com/therealnews

Au mois d'avril 2023, les films vus venaient quasi exclusivement du cinéma pour l'équipe de 24FPS, le podcast ciné avec ou sans spoiler ! Voici la liste des films abordés sans spoiler par Jérôme et Julien dans cet épisode : Sisu - De l'Or Et Du Sang de Jalmari Helander (à partir de 0:03:37) Je Verrai Toujours Vos Visages de Jeanne Herry (à partir de 0:07:31) The Covenant de Guy Ritchie (à partir de 0:15:38) Evil Dead Rise de Lee Cronin (à partir de 0:24:58) Are You There God ? It's Me, Margaret. de Kelly Fremon Craig (à partir de 0:41:59) Les Trois Mousquetaires - D'Artagnan de Martin Bourboulon (à partir de 0:47:07) Sabotage (How To Blow Up A Pipeline) de Daniel Goldhaber (à partir de 1:08:53) Super Mario Bros. Le Film de Aaron Horvath et Michael Jelenic (à partir de 1:18:48) Donjons Et Dragons - L'Honneur des Voleurs (à partir de 2:10:00) Bonne écoute, et n'hésitez pas à partager votre avis sur les premiers films Super Mario Bros et Donjons Et Dragons ! Crédits musicaux : Super Mario Bros. Opus de Bryan Tyler, issu de l'album The Super Mario Bros. Movie - Original Motion Picture Soundtrack (2023), et Dungeons And Dragons, issu de l'album Dungeons And Dragons Honour Among Thieves - Original Motion Picture Soundtrack (2023) 24FPS est un podcast du label PodShows

Hello and welcome to an all new episode of Some Like It Scott! On this week's episode, the two Scotts test their nightmare comedy bona fides with a review of Ari Aster's third film, the Odyssean epic, BEAU IS AFRAID. After discussing Joaquin Phoenix's performance, Aster's numerous themes, and whether the film might just have been "too much", the co-hosts turn their attention to the news of Robert Pattinson's casting in Chloe Zhao's upcoming Dracula film, as well as Charli XCX's addition to the cast of FACES OF DEATH remake from HOW TO BLOW UP A PIPELINE's Daniel Goldhaber. See time codes below:   4:24 - BEAU IS AFRAID review 1:00:15 - Robert Pattinson in Chloe Zhao's Dracula movie 1:06:17 - Charli XCX in Daniel Goldhaber's FACES OF DEATH remake   Next week: ARE YOU THERE GOD? IT'S ME, MARGARET. (Theaters)   Patreon: www.patreon.com/MediaPlugPods

Ahead of International Workers' Day, Ellen E Jones and Mark Kermode explore how the struggle for workers' rights and other movements for change have been depicted on screen. Ellen speaks to artist Jeremy Deller, who in 2001 restaged and filmed perhaps the most pivotal and violent event of the 1984/85 miners' strike - the confrontation between police and picketing miners in South Yorkshire, which has come to be known as the Battle of Orgreave. She also talks to cultural historian Christopher Frayling about some of the most interesting films about the labour movement to emerge in the UK, from The Proud Valley to It's All Right, Jack. And Mark investigates how activism is depicted on screen in the present day, speaking to How To Blow Up A Pipeline director Daniel Goldhaber, and activist Megan Kapler, whose work with advocacy group Prescription Addiction Intervention Now was recently portrayed in documentary All The Beauty And The Bloodshed. This week's Viewing Note comes from film director Lizzie Borden, who shares her favourite recent activist documentaries. Producer: Jane Long A Prospect Street production for BBC Radio 4

This week Jeremy interviews writer and director Daniel Goldhaber On this episode Jeremy and Daniel talk about his latest film How To Blow Up a Pipeline as well as childhood video stores, Jean-Pierre Jeunet, writing his first screenplay, Reservoir Dogs, working with the same actors, 16mm film, how to navigate award season, collaborating with writers, his first film Cam, climate change, and so much more! SUBSCRIBE TO THE PATREON to hear a bonus episode where Daniel answered questions that were submitted by subscribers! Follow the show on INSTAGRAM and TWITTER Want some First Ever Podcast merch? Click here!

We're crying tears in the rain! The Letterboxd Show returns with actress and screenwriter Ariela Barer, star of How to Blow Up a Pipeline, whose faves include Blade Runner, The Conformist, Tie Me Up! Tie Me Down! In a shocking twist, Ariela makes hosts Gemma and Slim watch four hours of Love Exposure for nothing as she dramatically pivots live on air to Kathryn Bigelow's Strange Days for her fourth fave! We also praise film school nerds, discuss consent among movie characters, Ariela's mom's and sister's important roles in her film education, remembers watching Blade Runner on a teenage date, and unpacks Pipeline director Daniel Goldhaber's Letterboxd addiction: “He sends us reviews daily, we had to beg him to stop!” And! Blade Runner joins the one-million-watched club as the show is recorded. Chapters: Opening credits (00:00:00) Blade Runner (00:04:43) The Conformist (00:17:41) How to Blow Up a Pipeline (00:29:11) Tie Me Up! Tie Me Down! (00:42:05) Strange Days (00:59:27) Closing credits (01:05:16) Credits: Recorded in Philadelphia, Los Angeles and Auckland. Edited by Slim. Theme music: “Vampiros Danceoteque” by Moniker. Facts by Jack. Editorial producer: Brian Formo. Production manager: Sophie Shin. The Letterboxd Show and Weekend Watchlist are TAPEDECK productions. Links: Letterboxd list of movies mentioned Ariela Barer's Letterboxd profile Daniel Goldhaber's Letterboxd profile Reviews Mentioned: Ariela & Daniel & Karsten & Maddy & Nick & slim's How to Blow Up a Pipeline reviews JXvriel's Blade Runner review Erin Harrington & scottzelligan & Proto's The Conformist reviews ReCreation & Eden & CinemaVoid's Tie Me Up! Tie Me Down! reviews Lists mentioned: “Most fans on Letterboxd” by Letterboxd Letterboxd lists based on Plato's Allegory of the Cave “Horniest Movies” by Brianna “The Degenerates: Horror Movies by Gay Directors” by Liz “Black Comedy” by Mario “Love Melancholy” by Ivan

Picturehouse's very own Flick Beckett speaks to author Andreas Malm, director and co-writer Daniel Goldhaber, and co-writer and actor Ariela Barer about their new film How To Blow Up A Pipeline.  Inspired by Andreas Malm's book of the same name, director Daniel Goldhaber (Cam) spins a tense and taut thriller that is part heist movie, part exploration of the climate crisis. Featuring a tremendous ensemble cast, How to Blow Up a Pipeline follows a crew of young activists who plan a mission to sabotage an oil pipeline. With their daredevil plan in motion, each character's motivations are revealed via flashbacks as the film barrels towards its explosive climax, in a timely and vital call to arms. If you'd like to send us a voice memo for use in a future episode, please email podcast@picturehouses.co.uk. Subscribe on Apple Podcasts. Follow us on Spotify. Find us on Twitter, Facebook and Instagram with @picturehouses. Find our latest cinema listings at picturehouses.com.  Produced by Stripped Media. Proudly supported by Kia. Thank you for listening. If you enjoy the show, please subscribe, rate, review and share with your friends. Vive le Cinema.

To hear the rest of the interview with Daniel Goldhaber, Jordan Sjol & Daniel Garber, please join us on Patreon at - https://www.patreon.com/posts/would-you-blow-81822434 Katie interviews Daniel Goldhaber, Jordan Sjol & Daniel Garber the director, writer & editor of the film HOW TO BLOW UP A PIPELINE. But first she talks to Karina Gonzalez & Juan C. Dávila about Puerto Rico, climate change & capitalism. Karina N. González is a bilingual speech-language pathologist at an elementary school in Brooklyn, NY & author of the Pura Belpré honor picture book THE COQUÍES STILL SING / LOS COQUÍES AÚN CANTAN (Roaring Brook Press, 2022), a powerful story about home, community & hope, inspired by the rebuilding of Puerto Rico following Hurricane Maria in 2017. Her forthcoming picture book is CHURRO STAND / EL CARRITO DE CHURROS (Cameron Kids, 2024). Juan C. Dávila is a documentary filmmaker, news producer, & activist. His work focuses on climate justice, social movements & colonialism. He is the director of the feature-length documentary film, "Simulacros de Liberación" (2021), which was released in movie theaters around Puerto Rico. He directed two mid-length documentary films: "Compañeros de lucha" (2012) & "Vieques: una batalla inconclusa" (2016). His filmography also includes the award-winning short film, "La generación del estanbai" (2016), "Aftershocks of Disaster" (2020), "Networked Education" (2020), "Rayito de sol" (2021), & a TV pilot for the documentary series "The Response" (2019). Dávila is a former senior producer at "When We Fight, We Win! The Podcast!" & morning news producer for the newscast Democracy Now! where he continues to contribute. Daniel Goldhaber is a director, writer & producer based in Los Angeles & New York. His new film, How to Blow Up a Pipeline, premieres in the Platform Section of the 2022 Toronto Film Festival. Jordan Sjol is a filmmaker & a cinema & media studies scholar. He was a story editor on the 2018 horror thriller CAM & was a writer & executive producer on How to Blow up a Pipeline, which premiered at the Toronto International Film Festival in September 2022. He currently lives in Durham, NC, where he is finishing his PhD in Duke's Program in Literature. Daniel Garber is a filmmaker based in Brooklyn, NY, with work spanning documentary, fiction & experimental practices. Primarily employed as an editor, he was nominated for a Cinema Eye Honors award for his editing on Sierra Pettengill & Pacho Velez's feature documentary The Reagan Show, which premiered at Tribeca & Locarno in 2017. ***Please support The Katie Halper Show *** For bonus content, exclusive interviews, to support independent media & to help make this program possible, please join us on Patreon - https://www.patreon.com/thekatiehalpershow Follow Katie on Twitter: @kthalps Join the Discord: https://discord.gg/rkEk75Emhy Sign the petition calling on Germany to un-cancel Roger Waters' concert. https://chng.it/bBMJRgnRkn

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of How to Blow Up a Pipeline. Directed by Daniel Goldhaber. With Ariela Barer, Kristine Froseth, and Lukas Gage. A crew of environmental activists plot a daring plan to disrupt an oil pipeline. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • How to Blow Up a Pipeline The Verdict: • Stephen: Recommend with Caveat • Christopher: Wait for Rental Music for this Episode: • Love on Oil by OTNO Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

Episode Description: In this episode, Christopher Schnese and Stephen Miller bring you a review of How to Blow Up a Pipeline. Directed by Daniel Goldhaber. With Ariela Barer, Kristine Froseth, and Lukas Gage. A crew of environmental activists plot a daring plan to disrupt an oil pipeline. Show Notes Hosts: • Christopher Schnese and Stephen Miller Featured Review: • How to Blow Up a Pipeline The Verdict: • Stephen: Recommend with Caveat • Christopher: Wait for Rental Music for this Episode: • Love on Oil by OTNO Contact the show: • email: fans@thespoilerwarning.com Listener Survey: • Please help us by taking our survey

This week, we discuss the indie drama-slash-thriller How to Blow Up a Pipeline. The surprise hit out of last year's Toronto Film Festival, Daniel Goldhaber's gutsy call to action about sabotage in the face of impending climate disaster finds a gripping, procedural heist within its incendiary message. But before we dive into the film we answer some listener mail, as we parse through our feelings about Netflix's Beef in the wake of the David Choe scandal.

With action on climate change moving so slowly, is it time for more radical activism? Have we been left with no option but to use sabotage and property destruction as a way to protect our planet? Those are the questions a new film, How To Blow Up A Pipeline, aims to get you thinking about. Based on the nonfiction book of the same name by Swedish academic Andreas Malm, the film leaves viewers questioning whether sabotaging an oil pipeline is a logical form of climate activism. In this bonus episode of the podcast, host Rowan Hooper speaks to the film's director Daniel Goldhaber, lead actor/co-screenwriter Ariela Barer, and the movie editor Daniel Garber. Rowan's interview with Andreas Malm can be heard here.To read about subjects like this and much more, you can subscribe to New Scientist magazine at newscientist.com. Hosted on Acast. See acast.com/privacy for more information.

Hello and welcome to an all new episode of Some Like It Scott! On this week's episode, the two Scotts test their political bona fides with a discussion of the environmentalist thriller, HOW TO BLOW UP A PIPELINE. After discussing the film's ensemble cast, the central creative forces in Daniel Goldhaber and Ariela Barer, and whether this type of film is worthy of the criticism that it is politically dangerous, the co-hosts turn their attention to the talent news surrounding the upcoming TWISTER sequel, aptly named TWISTERS, as well as the news that Olivia Wilde will be directing a series adaptation of the popular novels A Visit from the Goon Squad and The Candy House for A24. See time codes below:   4:07 - HOW TO BLOW UP A PIPELINE review 50:37 - TWISTERS casting and director news 58:58 - Olivia Wilde set up with a new TV project   Next week: BEAU IS AFRAID (Theaters)   Patreon: www.patreon.com/MediaPlugPods

We're joined by the creative team behind the new film How To Blow Up A Pipeline (director Daniel Goldhaber, co-writer/producer/star Ariela Barer, co-writer/producer Jordan Sjol & producer/editor Dan Garber) to discuss their work on the movie. Will talks to the crew about adapting the non-fiction book to narrative film, developing characters' sense of political motivation, the value and nature of propaganda, and of course, bombs. Then, Felix and Matt join back up to look at Biden's recent trip to Ireland, and read from Spiked magazine's lament of the President's “woke conquest of Ireland”. There may be tickets left for the late show of our screening of John Carpenter's “In The Mouth of Madness” at the Roxy Cinema on April 27th, come thru. Will and Hesse will be speaking at both screenings: https://www.roxycinemanewyork.com/screenings/chapo-trap-house-movie-mindset-presents-in-the-mouth-of-madness-35mm/

Horror is booming—Sean is joined by Chris Ryan to talk about four big releases, the best movies in the genre they've seen so far, and what defines this era in scares (1:00). Then, Sean is joined by Daniel Goldhaber, the director and cowriter of ‘How to Blow Up a Pipeline,' and Ariela Barer, the star and cowriter of the film (1:05:00). Host: Sean Fennessey Guests: Chris Ryan, Daniel Goldhaber, and Ariela Barer Producer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices

Daniel Goldhaber's "How to Blow Up a Pipeline" shows impressive craft and is fueled by real generational anxiety about the climate crisis, but does his approach answer any questions or just raise new ones? -Review: "How To Blow Up A Pipeline" (03:48) -Review (AK): “Jason Isbell: Running With Our Eyes Closed” (34:10) -Filmspotting Madness—Best of the ‘60s Champ (48:59) -Marathon: “Ali: Fear Eats The Soul” (01:03:22) (Times may not be precise with ads) Resources/Links: -”Daniel Goldhaber: 5 Genre Movies That Continue To Inspire Me” https://aframe.oscars.org/what-to-watch/post/daniel-goldhaber-5-genre-movies-that-continue-to-inspire-me -Filmspotting Madness https://filmspotting.net/madness -Ebert Interruptus at the Conference on World Affairs https://www.colorado.edu/cwa/attend/cwa-week/2023-schedule -RSVP for the Filmspotting/Interruptus Meetup on April 14 in Boulder https://forms.gle/g94gesMV8Nrpccxu9 Feedback: Email us at feedback@filmspotting.net. Ask Us Anything and we might answer your question in bonus content. Support us: -Join the Filmspotting Family for bonus episodes and complete archive access. http://filmspottingfamily.com -T-shirts (and more) on sale at the Filmspotting Shop. https://filmspotting.net/shop Where else you can find us: https://twitter.com/filmspotting https://facebook.com/filmspotting https://letterboxd.com/filmspotting https://twitter.com/larsenonfilm https://facebook.com/larsenonfilm https://letterboxd.com/larsenonfilm Learn more about your ad choices. Visit megaphone.fm/adchoices

Larry Mantle and LAist film critics Tim Cogshell, Andy Klein and Charles Solomon review this weekend's new movie releases in theaters, streaming, and on demand platforms. FilmWeek: ‘Renfield,' ‘Sweetwater,' ‘Suzume' and More “Renfield” Wide Release  “Sweetwater” Wide Release “Suzume” Wide Release “Chop & Steele” Alamo DrafHouse [Downtown LA] “A Life On The Farm” Alamo DraftHouse [Downtown LA]  “Once Upon A Time In Ukraine” Laemmle Glendale [Glendale] “Rare Objects” Laemmle NoHo 7 [North Hollywood]  “Imagining The Indian” Laemmle Monica Film Center [Santa Monica]  “Mafia Mamma” Wide Release   “Sakra” In Select Theaters  “Blind Willow, Sleeping Woman” Laemmle Royal [West LA] “Personality Crisis: One Night Only” Streaming on Showtime   “Chocolat” 4k Restoration Landmark Theater [Westwood]  John Horn's Interview about HOW TO BLOW UP A PIPELINE Adapted by the non-fiction book of the same name, How to Blow Up A Pipeline is a new fictional film that tells the story of a disparate group of eco-terrorit's call to action to save the world from the ongoing climate crisis by, you guessed it, blowing up a pipeline. LAist arts and entertainment reporter John Horn speaks more about the movie with Daniel Goldhaber, director and co-writer of the film, and Ariela Barer, actor and co-writer of the film.   

Get a whole month of great cinema FREE on MUBI: mubi.com/themoviepodcastDaniel, Shahbaz, & Anthony review Daniel Goldhaber's HOW TO BLOW UP A PIPELINE. A crew of young environmental activists execute a daring mission to sabotage an oil pipeline in this taut and timely thriller that is part high-stakes heist, part radical exploration of the climate crisis. The film stars Ariela Barer, Kristine Froseth, Lukas Gage, Forrest Goodluck, Sasha Lane, Jayme Lawson, Marcus Scribner, Jake Weary, and Irene Bedard. How To Blow Up A Pipeline is now playing in the United States and releases in select theatres in Canada April 14, 2023 by Elevation Pictures.Watch and listen to The Movie Podcast review now on all podcast feeds, YouTube, and TheMoviePodcast.caContact: hello@themoviepodcast.caTHE MOVIE PODCAST ON ET CANADA!THE MOVIE PODCAST MERCHANDISE NOW AVAILABLE!FOLLOW USDaniel on Twitter, Instagram, and LetterboxdShahbaz on Twitter, Instagram, and LetterboxdAnthony on Twitter, Instagram, and LetterboxdThe Movie Podcast on Twitter, Instagram, TikTok, Discord, and YouTube

This week, Adam and Kevin review Daniel Goldhaber's thriller How To Blow Up A Pipeline, along with some other stuff including Leonor Will Never Die, Inside, INU-OH, Johnny Handsome, Tresspass, The Undisputed and Quick Change. 0:00 - Intro 0:55 - How To Blow Up A Pipeline review 11:41 - Watch list 30:25 - New releases web: http://filmpulse.net twitter: http://twitter.com/filmpulsenet    facebook: http://facebook.com/filmpulse

Brett & Jesse welcome first-time guest George Heftler of the Best Little Horror House in Philly podcast to discuss HOW TO BLOW UP A PIPELINE, the latest film from genre filmmaker Daniel Goldhaber, director of the Netflix horror film CAM and the upcoming FACES OF DEATH reboot. He's also a two-time past New Flesh guest! The Best Little Horror House in Philly has an upcoming live show at PhilaMOCA - it's a screening of TETSUO THE IRON MAN followed by a live recording of the podcast. Doors 6, movie 6:30, podcast at 8. Tickets here: https://t.co/d788e5E5bC Before getting into PIPELINE, there's a ton of horror and industry news, including Michael Mann's HEAT 2, MaXXXine casting news, Thanksgiving, a new film from James Gray, and EVIL DEAD RISE director Lee Cronin's follow-up.

"How To Blow Up A Pipeline" had its world premiere at last year's Toronto International Film Festival, where it received positive reviews for its direction, editing, score, and performances from its ensemble cast. An environmentalist, political heist thriller, the film has stirred up a lot of conversation, especially as NEON rolls it out into theaters this weekend. Director and co-writer Daniel Goldhaber was kind enough to spend a few minutes talking with us about his work on the film, which you can listen to below. Don't miss one of the best films of the year now playing in theaters, and please enjoy our conversation. Thank you! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

Creators Ariela Barer and Daniel Goldhaber on their new film about eco-terrorism How to Blow Up A Pipeline. And how a potential Oscars rule change meant to boost movie-going could impact the smallest distributors. Plus, a trip to Desert X. Support Retake by donating now at LAist.com/join

We start the show this week by reviewing Saim Sadiq's heartbreaking Pakistani drama JOYLAND (2:58), which is about a man (Ali Junejo) from a patriarchal family who becomes a backup dancer at a burlesque club and falls for the strong-willed trans woman (Alina Khan) who runs the show. Next, we cover Daniel Goldhaber's tense environmental thriller HOW TO BLOW UP A PIPELINE (30:56), which follows a crew of environmental activists who execute a daring plan to disrupt an oil pipeline. And in this week's Patreon exclusive audio, in honor of its 30th anniversary, we talk about the 1993 sci-fi action film DEMOLITION MAN, starring Sylvester Stallone, Wesley Snipes, and Sandra Bullock! 

Our friends Daniel Goldhaber, Ariela Barer, Daniel Garber, and Jordan Sjol visit Screen Slate HQ to talk about their new film How to Blow Up a Pipeline, which adapts Andreas Malm's nonfiction book of the same name into a heist-style eco-thriller. We get into the research and adaptation process, stealing locations, balancing Barer's screenwriting and actor roles, and the art of editing as edging. Plus: what does Andreas Malm think of CAM?Related links:Trailer/showtimes/Q&AsHow to Blow Up a Pipeline bookSupport the showThe Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.

We've broken away from our usual recording schedule to visit the Glasgow Film Festival, which is currently in full swing.  One of the most exciting films to emerge from the programme this year has been How to Blow Up a Pipeline, Daniel Goldhaber's ticking time bomb thriller following an idealistic group of young people drawn from all across America who gather in Texas for a bout of sabotage on a key oil pipeline.  While they were in Glasgow for the UK premiere of the film, we spoke to Goldhaber and editor Daniel Garber.  Glasgow Film Festival runs 1-12 March, get full details and tickets at glasgowfilm.org TIMESTAMPS: Adapting Andreas Malm's political manifesto of the same name into a nail-biting heist thriller (1:35) Creating the film's urgent quality through editing and pacing (3:55) Hitting upon the film's structure combining cliffhangers and flashbacks (5:38) Visual influences (8:55) 16mm cinematography (10:15) The stunning cast of up-and-coming actors (11:35) Giving young audiences hope (15:26) If you like The Cineskinny, tell your pals! Leave us a five-star review! Share the episode on socials! Follow the team on Twitter @ptrsmpsn @anahitrooz @jamiedunnesq @lew_rob_, get us on TikTok @thecineskinny, email us at cineskinny@theskinny.co.uk Recorded at Upload Studios, uploadstudios.co.uk Music: Too Cool by Kevin MacLeod (https://incompetech.filmmusic.io/song/4534-too-cool) License: https://filmmusic.io/standard-license  

doblesesion.com @doblesesionpdc #dshalloween22 🎃 Salimos del ataúd para traeros las habituales dobles sesiones de terror para que disfrutéis al máximo de la noche de Halloween. Rafa trae una colorida doble sesión del espacio exterior con Color Out Of Space (Color Out Of Space; Richard Stanley, 2019) y El Terror No Tiene Forma (The Blob; Chuck Russell, 1988). Simón se decanta por una doble sesión de babas con Society (Society; Brian Yuzna, 1989) y Slither: La Plaga (Slither; James Gunn, 2006). Jose aúlla a la luna y propone una doble sesión de pelo en pecho con La Maldición Del Hombre Lobo (The Curse Of The Werewolf; Terence Fisher, 1961) y Aullidos (The Howling; Joe Dante, 1981). Además, podéis disfrutar de las recomendaciones que nos han hecho llegar un selecto y terrorífico grupo de podcasters amigos: Iván Vidaña desde el podcast Planeta Terror recomienda una sesión de terror femenino con Cam (Cam; Daniel Goldhaber, 2018) y Starry Eyes (Starry Eyes; Kevin Kolsch y Dennis Widmyer, 2014). Misery Ratty del podcast Hablo De Cine se atreve con el carpenteriano El Pueblo De Los Malditos (Village Of The Damned; John Carpenter, 1995) y la dupla de Sinister (Sinister; Scott Derrickson, 2012) y Sinister 2 (Sinister 2; Ciarán Foy, 2015). Y desde el Festival de Sitges, Javier Parra y Xavi Sánchez Pons del podcast Estamos Vivas rescatan del fondo del videoclub La Venganza De Los Zombies Vivientes (Flesh Eater; S. William Hinzman; 1988) y El Convento Del Diablo (The Convent; Mike Mendez, 2000). Y si para completar la experiencia de terror te recomendamos los libros Scream Queer de Javier Parra y El Almanaque Del Videoclub de Xavi Sánchez Pons. Escúchanos y síguenos ➡️ https://linktr.ee/doblesesion

Toronto 2022 #2: How to Blow Up a Pipeline, Wendell & Wild, Eventide, Life, Victim, Cine-Guerrillas, The Fabelmans, with Eric Hynes Welcome to The Last Thing I Saw. I'm your host, Nicolas Rapold. The new movies keep on coming with the latest from the Toronto International Film Festival! This time I chat with Eric Hynes, curator of the Museum of the Moving Image, who shares his thoughts on Daniel Goldhaber's How to Blow Up a Pipeline, Sharon Lockhart's Eventide, Henry Selick's Wendell & Wild (with Jordan Peele and Keegan-Michael Key), Emir Baigazin's Life, Mila Turajlić's Ciné-Guerrillas: Scenes from the Labudovic Reels, Michal Blaško's Victim, and more on The Fabelmans. Check back for more films to keep an eye on! Please support the production of this podcast by signing up at: rapold.substack.com Music: “Tomorrow's Forecast” by The Minarets, courtesy of The Minarets Photo by Steve Snodgrass

Once again we've arrived at that special time of year known as festival season. Today we kick off our coverage of one of the fall's major film events, the Toronto International Film Festival. Throughout this year's festival, we'll be on the ground, covering all the highlights (and lowlights) from this year's lineup, alongside our rotating crew of critics and special guests. First up, Film Comment Co-Deputy Editor Devika Girish welcomes critics and programmers Jordan Cronk, Inney Prakash, and Bedatri Choudhury to discuss Jafar Panahi's No Bears, Daniel Goldhaber's How to Blow Up a Pipeline, Joanna Hogg's The Eternal Daughter, the experimental Wavelengths shorts program, and more. Stay tuned for more from the Tim Horton–studded mean streets of Toronto!

Live from Cannes 2022, I interview all the filmerinos fit to print, including Jon Deringer, Daniel Goldhaber, Laura Jacobs, Emilija, Owen Kline, fresh off his Director's Fortnight premiere, and many more. The show culminates in a 2-Part fest recap with Jeremy O. Harris pre- and post- Elvis premiere! Among the films discussed are Triangle of Sadness, Decision to Leave, Crimes of the Future, War Pony, Aftersun, Joyland and of course, ELVIS.

We've been subsumed into the Net, ghouls. But it's okay; we've got friends in here. We're talking to our friend Amber, host of our fellow horror podcast HornBloodFire about a double feature based on keywords: isolation, Internet, surreal - Kiyoshi Kurosawa's darkly prescient vision of Internet apocalypse, Pulse (2001), and Isa Mazzei and Daniel Goldhaber's folkloric tale of camming and doppelgangers, Cam (2018). Are you Online? This episode is for you. Raise your hand if you've got ban anxiety, and/or if you've ever gotten super worried about a Twitter mutual's mental health. If you're not online, this episode still has plenty of discussion that might interest you, like Amber's fear of whales (not Wales) and stairs, the fantasy of a sexy double, and the joy of yucking other people's yum. Sounds good? We'll meet you in the red tape room. Amber T is host of HornBloodFire podcast, reviewer and writer for Ghouls Magazine, Grimoire of Horror and Beauty of Horror. She loves J Horror, female rage and talking shit on Twitter. Check out the episode of HornBloodFire we guested on to talk about one of our favorites, Hagazussa (which also happens to be the podcast's namesake). A proud part of the Morbidly Beautiful Podcast Network. Our drive for intersectionality aligns well with the Morbidly Beautiful ethos. We love that MB is a nonprofit that gives back to the horror community, and are thrilled to be a part of the network! Show now also streaming on morbidlybeautiful.com! Movies Discussed: Pulse (2001), Cam (2018) Links: IG- instagram.com/nyfgpod Twitter- twitter.com/nyfgpod FB- facebook.com/nyfgpodcast/ Pod merch- https://society6.com/nyfgpod I am Not Your Final Girl by Claire C. Holland- https://www.amazon.com/Am-Not-Your-Final-Girl/dp/0692966633 Bandcamp- arieldyer.bandcamp.com Show art by Brian Demarest: instagram.com/evilflynn

Caitlin is joined by new guest Whitney to cover the Netflix original horror movie Cam. Cam is a unique and impressive movie, and we both loved it. We touch on themes of black mirror esque technology and stigma around sex work, and I share my deep fear of doppelgangers. Whitney shares about her experiences in gaming, and we talk about her diagnosis of PMDD. Thanks for being here, Whitney!

We know you're listening to this episode through some sort of device, and, in a way, is that not a vicarious means of entering our conversation, a voyeuristic connection to other humans?   Devin, David and Rob discuss the nature of technology and human connection through the lens of two technohorror films this week in Episode 5 of Cadaver Dogs.  First, the hounds explore the dark underbelly of webcam lifestyle in the doppelganger fueled thriller Cam. Released in 2018, directed by Daniel Goldhaber and partially based on the real-life experiences of screenwriter Isa Mazzei, a working cam-girl discovers someone else is posting videos on her account, and that person looks unmistakably like herself.  Next, we sink our teeth into the obscure surrealist J-Horror Ghost film Pulse, as known as Kairo. Released in 2001, written and directed by Kiyoshi Kurosawa, Pulse follows a group of young adults dealing with a world devoid of human connect and invaded by ghosts.   CONTENT WARNING: Potentially disturbing themes such as suicide are discussed.     Follow us at:  instagram.com/cadaverdogspod twitter.com/cadaverdogspod facebook.com/cadaverdogspod   Send us your film suggestions at: cadaverdogspodcast@gmail.com Theme by Adaam James Levin Areddy. Cover art by Omri Kadim.Radio Storm and The Possessed One by White Bat Audio 80s Horror Synthwave by Slasher Royalty Free Horror movie synth by Haddonfield horror.     Research links https://bloody-disgusting.com/editorials/3512440/editorial-pulse-still-definitive-internet-horror-movie/   https://www.refinery29.com/en-us/2018/11/217115/cam-writer-isa-mazzei-webcam-model-sex-work-experience   https://youtu.be/MtdupS0gRt0 https://www.youtube.com/watch?v=HfoU_Z1uVfc&t=447s https://observer.com/2019/11/isa-mazzei-camgirl-memoir-review-netflix-cam-movie/      

Welcome to Season 4 of Monstrosities Voice Horrors Untouched Conversations ! This season we are starting off hot as we discuss the 2018 Horror / Psycho Thriller Cam directed by Daniel Goldhaber and starring Madeline Brewer. We got a chance to chat with Horror Writer and Podcaster Ryan Kinney (he/him/his) of Brother Ghoulish and had a blast. . . . Follow Ryan Kinney on Social Media Instagram : @brotherghoulish . . Twitter : @BrotherGhoulish . . www.brotherghoulish.com . . Follow us on Social Media Twitter : @MVHUPODCAST - Instagram : @MVHUPODCAST / @KFHORRORGROUP - Audio Podcast : https://anchor.fm/monstrosities-voice . . . . Want to support this platform? DONATE? https://anchor.fm/monstrosities-voice/support --- Support this podcast: https://anchor.fm/monstrosities-voice/support --- Support this podcast: https://anchor.fm/monstrosities-voice/support

36:50 SAW games begin

This week we check out Netflix’s one hundred and twenty-first film the 2018 psychological horror ‘Cam’ directed by Daniel Goldhaber starring Madeline Brewer, Patch Darragh, Melora Walters, Devin Druid, Imani Hakim and Michael Dempse.   Please follow us at Flix Forum on Facebook or @flixforum on Twitter and Instagram and answer our question of the week, 'Who is the movie’s intended audience?'   You can listen to us on Apple Podcasts, Spotify and Podbean so please subscribe and drop us a review or 5 star rating.    If you're interested in what else we are watching, head on over to our Letterboxd profiles; MJ Jesse    We also have our own Flix Forum Letterboxd page! Links to all our past episodes and episode ratings can be found there by clicking here.    Next week we have 'The Princess Switch’, so check out the film before then. You can see the trailer here. 

En el episodio premiere de Planeta Terror Podcast, nos adentramos al aterrador mundo de las cam girls y junto a Alice, una joven con un exitoso perfil y un creciente número de seguidores en una página de transmisiones eróticas por web cam, descubrimos quién o quiénes están detrás del robo de identidad de este sitio después de que su cuenta es clonada por una versión idéntica a ella. Cam es una película de suspenso estadounidense del año 2018, dirigida por Daniel Goldhaber y escrita por Isa Mazzei, y Protagonizada por Madeline Brewer (Orange is the New Black) PLANETA TERROR es un podcast semanal en español dedicado al cine de horror/slasher/gore. Reseñas, noticias, rankings y discusión general desde el punto de vista de alguien cuyo “goal” en la vida es mudarse a Woodsboro, vivir en Elm Street y asistir al Campamento Crystal Instagram https://www.instagram.com/planetaterrorpod/

In the penultimate episode of our Work and Money series, Mary and Sarah discuss the absence of humanity in the post-digital economy, as exemplified by Daniel Goldhaber and Issa Mazzei’s Cam (2018) and Ken Loach’s Sorry We Missed You (2019).

Un épisode hors-saison avec juste l'enregistreur, mes notes et moi pour parler un peu de la création de ce podcast, la première saison de « Dangereuses Lectrices » et celle à venir. Mes recommandations Netflix depuis le confinement :• Scott Alexander et Larry Karaszewski, American Crime Story : The Assassination Of Gianni Versace, 2018• Jamies Blanks, Urban Legend, 1998• Lisa Bryant, Jeffrey Epstein : pouvoir, argent et perversion, 2020• Wes Craven, Scream (tous, surtout les deux premiers), 1996, 1997, 2000, 2011• Bonni Cohen et Jon Shenk, Athlete A, 2020• Laverne Cox et Sam Feder, Disclosure, 2020• Alexandra Cunningham, Dirty John, 2018, d'après l'enquête de Christopher Goffard pour le « Los Angeles Times » et le podcast par Wondery• David Dobkin, Eurovision Song Contest : The Story of Fire Saga, 2020• Julia Ducournau, Grave, 2016• Ava DuVernay, Dans leur regard, 2019• Ava DuVernay, Le 13e, 2016• Hannah Gadsby, Douglas, 2020• Daniel Goldhaber, Cam, 2018, écrit par Isa Mazzei d'après son expérience de camgirl• David Lynch, Eraserhead, 1977• David Lynch, Twin Peaks : Fire Walk With Me, 1992• David Lynch, Lost Highway, 1997• Ryan Murphy, Hollywood, 2020• Raoul Peck, I Am Not Your Negro, 2016• Jordan Peele, Get Out, 2017• Justin Simien, Dear White People, 2017• Patryk Vega, Le Fléau de Breslau, 2018• Anna Winger et Alexa Karolinski, Unorthodox, 2020N'hésitez pas à partager les vôtres ! Merci à Studio Dilettante et en particulier Hadrien Bibard sans qui cet épisode n'aurait pu être enregistré. Vous pouvez me retrouver sur Twitter @Lucie_Inland ainsi que sur Instagram @lucieinland et me soutenir sur Tipeee, et Studio Dilettante sur Twitter @StuDilettante et Tipeee pour le coup de pouce financier.La musique en fin d'épisode est un extrait de « This Impermanent Gold » de Félicia Atkinson, sous licence Creative Commons.

Annabelle Clarke must make a moral decision in the face of a Twitter cancellation in this story about the downfall of celebrity culture in the time of a pandemic.   '#AnnabelleClarkeIsOverParty' was written by Ariela Barer and stars Hari Nef (Assassination Nation), Alisha Boe (13 Reasons Why), Jacob Batalon (Spider-Man: Far From Home), John Ales (Euphoria), Ever Carradine (Marvel's Runaways), and Daniel Goldhaber (Cam) with an original score from Luka Kloser.   Over the last four weeks, we've told more than two hours of original stories, all with one purpose in mind: to help you adjust to this new normal. We want to hear your stories. Text us at (646) 783-1043.   On today’s episode, we highlight Farmlink, a grassroots organization with the goal of getting surplus produce from farms to food banks in need. Help them move 1 million pounds of food before the end of May. To donate or volunteer, please visit their website at www.thefarmlinkproject.org.   Day By Day is created and produced by Adam Faze and Jamie Dolan with sound mixing and design by Becket Cerny.   Special thanks to Daniel Goldhaber, Isa Mazzei and Libe Barer, as well as to Christ Hanover for our incredibly special animation and Layla Gorgoni for our all new artwork.   Follow us on Instagram at @mustbnice + @daybyday and on Twitter at @daybydaypod + @mustbnicefilms!

Annabelle Clarke must make a moral decision in the face of a Twitter cancellation in this story about the downfall of celebrity culture in the time of a pandemic.   '#AnnabelleClarkeIsOverParty' was written by Ariela Barer and stars Hari Nef (Assassination Nation), Alisha Boe (13 Reasons Why), Jacob Batalon (Spider-Man: Far From Home), John Ales (Euphoria), Ever Carradine (Marvel's Runaways), and Daniel Goldhaber (Cam) with an original score from Luka Kloser.   Over the last four weeks, we've told more than two hours of original stories, all with one purpose in mind: to help you adjust to this new normal. We want to hear your stories. Text us at (646) 783-1043.   On today’s episode, we highlight Farmlink, a grassroots organization with the goal of getting surplus produce from farms to food banks in need. Help them move 1 million pounds of food before the end of May. To donate or volunteer, please visit their website at www.thefarmlinkproject.org.   Day By Day is created and produced by Adam Faze and Jamie Dolan with sound mixing and design by Becket Cerny.   Special thanks to Daniel Goldhaber, Isa Mazzei and Libe Barer, as well as to Christ Hanover for our incredibly special animation and Layla Gorgoni for our all new artwork.   Follow us on Instagram at @mustbnice + @daybyday and on Twitter at @daybydaypod + @mustbnicefilms!

Annabelle Clarke must make a moral decision in the face of a Twitter cancellation in this story about the downfall of celebrity culture in the time of a pandemic.   '#AnnabelleClarkeIsOverParty' was written by Ariela Barer and stars Hari Nef (Assassination Nation), Alisha Boe (13 Reasons Why), Jacob Batalon (Spider-Man: Far From Home), John Ales (Euphoria), Ever Carradine (Marvel's Runaways), and Daniel Goldhaber (Cam) with an original score from Luka Kloser.   Over the last four weeks, we've told more than two hours of original stories, all with one purpose in mind: to help you adjust to this new normal. We want to hear your stories. Text us at (646) 783-1043.   On today’s episode, we highlight Farmlink, a grassroots organization with the goal of getting surplus produce from farms to food banks in need. Help them move 1 million pounds of food before the end of May. To donate or volunteer, please visit their website at www.thefarmlinkproject.org.   Day By Day is created and produced by Adam Faze and Jamie Dolan with sound mixing and design by Becket Cerny.   Special thanks to Daniel Goldhaber, Isa Mazzei and Libe Barer, as well as to Christ Hanover for our incredibly special animation and Layla Gorgoni for our all new artwork.   Follow us on Instagram at @mustbnice + @daybyday and on Twitter at @daybydaypod + @mustbnicefilms!

On this episode of Horror Vanguard, Mistress Snow joins us in the HV crypt to talk through the horrors of technology, the nightmare of capitalist fantasy, plus Daniel Goldhaber & Isa Mazzei's 2018 film "Cam." Follow Mistress Snow: https://twitter.com/MistressSnowPhD?s=09 Support her: https://cash.app/$SnowPhD Read this: https://www.chronicle.com/interactives/20191205-Snow-SexAdjunct?key=mi0Bff1vaLHL09_no2Emg6OTZVILuyCZIwaw18QVlblsLa80IYadwUEl7whg6Tijc2ZTUXd5bmJGMHJPeDBNVndpYVVfVnQtMUFzel81Q3VTSzhabFR4YmlTMA Recommended Reading Juno Mac and Molly Smith: Revolting Prostitutes, The Fight for Sex Workers Rights (Verso 2019) Melissa Gira Grant: Playing the Whore, The Work of Sex Work (Verso 2014) Support the show for just $5 at patron.com/horrorvanguard

This week we’re tackling another Blumhouse production, Daniel Goldhaber’s Cam (2018), so strap in for another episode of banter and occassional film insight. Is Abbie in a good mood? What’s up with that library scene? What is the best Rayman game? All this and more awaits you inside!

Director of Cam Daniel Goldhaber talks about the impact of today's horror movies, Stephen King tweeting out about his movie and much more

En nuestro episodio piloto exploramos la definición del terror, sus orígenes en el género fantástico y cómo cimentó las primeras historias que se contaron en el cine. Analizamos Carrie (1976) de Brian de Palma, basada en el libro homónimo de Stephen King, y Cam (2018) de Daniel Goldhaber. Dos películas que exponen arquetipos muy revisitados en el género: la represión de los deseos y la figura del doble.

Username: HauntedHeart4u666 We've got cam girls ready for you NOW on this brand new episode of Netflix and Kill, where Katie and Kenny discuss the 2018 psychological horror film Cam. Written by Isa Mazzei and directed by Daniel Goldhaber, the film stars Madeline Brewer as Alice/Lola, an ambitious cam girl who wakes up one day to find she's been replaced on her own show...with a replica of herself.    Don't forget to rate, review, and subscribe!   If you'd like to leave us a "tip" then check out our Patreon Find us on Instagram @thehauntedheartpodcast Facebook: The Haunted Heart Podcast Twitter: @thehauntedheart Have a Netflix and Kill recommendation? Let us know by sending an email to thehauntedheartpodcast@gmail.com

This episode’s lineup: 1. Faust: Love of the Damned (2000) directed by Brian Yuzna 2. Cam (2018) directed by Daniel Goldhaber 3. Society (1989) directed by Brian Yuzna 4. Noroi: The Curse (2005) directed by Kōji Shiraishi 5. You Might Be the Killer (2018) directed by Brett Simmons 6. Return of the Living Dead 3 […] The post 37 – Body Horror, Strange Curses, and Bloody Transformations appeared first on Sticker Fridge Studios.

Welcome to the first episode of More of a Comment, Really...!, a weekly interview show hosted by Clint Worthington! Every episode will feature one or more interviews with actors, filmmakers, producers, and more, giving you the skinny on the latest films and TV. For this first episode, Clint speaks to Daniel Goldhaber, director of the Netflix original psychological horror film CAM, about a camgirl (Madeline Brewer) who finds herself contending with a mysterious doppelganger who has stolen her account and threatens her sanity. Listen as Goldhaber talks about his collaboration with friend and screenwriter Isa Mazzei, their perspective on online sex work, and placing those perspectives within the framework of a genre film. Check out the full podcast, as well as an edited and abridged version of the interview with Goldhaber, below. - CAM had its world premiere at Fantasia, right? Yeah. having the festival run that we had was so cool. But ultimately, I think that being able to be on Netflix and have people have the time to catch up with the movie was cool because we're able to reach such a large audience on that platform. Especially considering its subject matter too, about cultivating online audiences. I think it's a really interesting home for it. Well, it's also it's also a little ironic because the movie is about a demon algorithm, right? And it's being distributed by algorithm of Netflix. How were you turned on to the project? How did you meet Isa? Isa and I have known each other for quite a long time. We dated in high school actually, and worked on a bunch of stuff. Then we had a theater company, working on a bunch of plays together, and we went to different colleges. Not long after that, she became a cam girl, and when she started camming she reached out to me to make a bunch of promotional pornography for her - I thought that would be a really cool, fun, creative challenge. It was really my introduction to her world of sex work, into the attitude she was bringing to it. This idea of sex work as work, that she was really just a working creative professional, but also seeing the craft that she was bringing to what she was doing. And that was one of the things that was eye-opening about this process of doing pornography with her - it certainly changed my relationship to porn. Because, I'm a filmmaker, and when you're a filmmaker, your relationships with movies changes. When making porn, you start thinking of porn differently - you start looking at the editing in pornography and then mise-en-scene and things that we don't really think to ask of porn but they're there. How does cutting change the nature of a sexual performance in a porn film? That was really interesting to me and with all those things combined, we were like, “there’s a really exciting movie to be made here. It took some time but we eventually settled on making a genre movie – Isa’s always been a reader and a movie maker, and so naturally we wanted to do it together. It felt like the best way to do that was to have her write and me direct. What was the process behind deciding to make it a genre film? Arriving at something like a thriller, as opposed to a straight documentary or a character drama. Originally the conversation was about doing a doc, but I think that the issue with doing a doc about pornography is that the lens of documentary is so frequently exotifying. The lens of a doc - saying “hey, I'm giving you this authentic experience” - is also the lens of porn. You're saying, “hey, the thing I'm showing you is authentic,” even though it's obviously very carefully curated. I think a movie that broke all of that down on both the dock and the porn side would be an amazing documentary; I don't think that I was the person to do it. We really wanted to make a movie that had wide commercial appeal and could take this story and blow it up in a significant way. The best way to do that is through genre film. It uses those recognizable rhythms and ideas to familiarize the unfamiliar for a wide commercial audience. Beyond all of that, we love genre movies. We love fun movies. I think that we in the critical community often look down on movies that are just really fun, but I think that you can have it all - not to say that we necessarily achieve everything we can. I just think that you can have movies that are really entertaining and fun and silly and scary and can't be and it also have a rich well of ideas behind it. So when it came time to writing the script, then, I presume Isa was pulling a lot from her own experience. Were there particular things that she wanted to express about life as a cam girl that are either expressed either in Alice's everyday life as a cam girl, like the entrepreneurship of it, or in these broader genre things. It’s tough to fully walk back through the process. You build a list of everything that you think is interesting and exciting about camming and then gradually you whittle it down. What can you combine? What is distracting? For instance, I was making porn for Isa that she was selling on her show; we don't get a huge part of the camming revenue stream for people. A lot of camgirls make their own amateur pornography and sell it on their shows or through other platforms as part of their branding and it was something that really seemed to confuse the audience. That's an ethnographic detail that is better explored somewhere else. There's a lot of conversations like that, where we’re constantly trying to whittle it down and make sacrifices and compromises and drive at the overarching theme - at the end of the day, this is a movie about digital identity set in the world of webcam pornography. So, we have an ethnographic responsibility in talking about the world of webcam porn, but at the end of the day that thing that is moderating what's in the movie, and what’s out of the movie, is the theme of digital identity that we wanted to talk about. That part really resonated with me too because that was something I was feeling about I'm getting this look into the world of camgirl stuff, but in terms of what Alice is going through, it feels a lot more broadly that it also touches on the general experience of this one-sided parasocial relationship that we have, especially as either filmmakers or film critics, we have with our audiences, and the emotional labor that tends to go into that and all the relationships you have to manage. When I was spending a lot of time with Isa while she was camming, one of the things that was the most startling and surprising to me was that this huge part of her job was what she was doing in front of the camera, but just an even bigger part of the job was what she was doing behind the camera - not just in shows but in all the relationships that she had to curate and service. And the way that she would have to build these relationships and maintain them to make sure that she would have a good show, because so much of the show is the way the guys are participating in it. What you see in that first two scenes, when she's talking to Tinker and you realize he was the one playing the anonymous visitor, I think you start to recognize, “oh wait, this is a show she puts on.” That was one of the ways that you do find a way to work an ethnographic detail into the overall film. You need to show that Alice's actively collaborating with her guys for her shows and we found a way to do that right. The other major group of people that she interacts with throughout the film are not just her fellow camgirls, but there's also the family dynamic which I was really impressed with. The way you guys were able to include that element in terms of having to keep her livelihood a secret, but without presenting it in this sort of reductive, judgmental way. I mean a lot of that was just talking about the ways just people in Isa’s life responded. There were a lot of people in her life who were very supportive of what she was doing or offered a spectrum of support. I think it was also important that we subvert the stereotypes that Karen can't or won't support you if you’re a sex worker. That's not always the case. A huge part of the development there was an active collaboration with Melora, who plays Alice’s mom. Melora is an actor whose fundamental philosophy is that it has to be real. As a result, she was really going to ask the question, “how would I respond to this if my daughter said, ‘I am a cam girl?’”. She brought a lot of these depths to the character because she agreed, “I would be supportive.” The way in which that support manifested, she really came in and rewrote a significant chunk of dialogue to do a better job than we were able to do ourselves at balancing the “I'm afraid, and also I feel confused about the parts of myself that I see in you, but at the same time you're my daughter and I love you and I want to support you. And I do recognize that what you're doing has this power behind it.” I think that she really responded to that as a person first and as an actor second. Well speaking of performances, CAM is an absolute knockout for Madeline Brewer. She's fantastic in the film. What was the casting process like in terms of finding Alice and working with her with you and Isa to sort of acclimate her to the challenges of the role? In all honesty we didn't have to do anything to acclimate her. From the first meeting that I had with her, Maddie was extraordinarily excited about the prospect of the movie. She was really excited to find the cam girl inside of herself, so she obsessively watched cams in preparation for the role, At the end of the day the process of making the movie for her was like any actor: how do I relate to this? For Maddie, part of it was learning the camgirl craft for herself in the short window we had to prep and make the movie. The casting process was really hard, because we couldn’t get the script out in Hollywood. Not a lot of people wanted their clients in it, and it was a time where Blumhouse wasn’t producing the movie. Ultimately, my dad saw Maddie in a Black Mirror episode, and somebody on our team happened to know her manager. Isa and I became really obsessed with her, because she had this thing we really needed – this ability to act with incredible physical ability and character work, but it feels naturalistic on camera. There aren’t many people like that – where they build this whole character but really disappear into it. Because we need someone who could play the whole spectrum of performance beyond performance, and have her be believable the whole time. And then there’s Alice’s own levels of performances, regardless of who she’s interacting with in the film. When Alice isn’t performing at all, it has to feel like Maddie isn’t acting, and I think she does an amazing job of that in the film. Maybe my favorite moment of performances of her is when Alice is going to meet Barney - she’s hunched over on this couch, she sees him coming, and you see her unfurl herself into posing for him. In that moment, you see her going from Alice to Lola, to realizing she has to be Lola in real life. You can see Alice calculate how that’s going to work in real time, because she’s never done it before, and settle on it. Playing that many different notes so seamlessly is really impressive. I wanted to talk about the look of the film, which is gorgeous – I had to play the white dude film critic game of, “Is this a masterpiece, or is it just really neon?” and I think the answer is both. [laughs] There’s a lot of Letterboxd reviews that say, “shit film, but I loved the pink room! Three stars.” Which I’ll take. We always wanted the look of the film to be heightened and specific; we wanted the cam world to be a fantasy world that is Alice’s, and the pink room to be a living, breathing organism that is a mood ring for Alice. I wish I had a better handle on my own aesthetic development process, because I look at it now and say, “I have no idea where any of those ideas came from.” One of my favorite moments of making the film was filming the hallway shot at Cam Girl Clubhouse; it’s a moment where there’s no narrative demand, it’s just all aesthetic. You can do whatever you want there. [Cinematographer] Kate [Arizmendi] and I just had so much fun saying, “can we put a light strip over there? Let’s get some neon there!” Just doing it live and feeling your way through it, and then thinking, “Wait a minute, we’ve built a universe.” It came through a lot of conversations with Kate and [production designer] Emma [Mead] and Isa. We had a few references that were specific and unique, one of the most important ones being Pink Narcissus, a queer film that was originally financed as a porn film, but instead became this piece of avant-garde expression. That’s where a lot of the Pink Room comes from – it’s both performance art and pornography, because that’s what it is for Alice. This is a stage that Alice has built for herself, her place where she expresses herself. Going back to approach then, you mentioned you shot porn before for Isa. Was there a translation in techniques or styles? Did you draw from anything you did there into CAM? Not really, but there were ideas that we were working through in the porn that absolutely carried through. Ideas like, what is an authentic pornographic image? That is one of the fundamental questions of the movie: if the purpose of porn is for me to get off, does it matter if the person behind the porn isn’t actually there? Is that no longer authentic? That also has to do what I personally get off to when I consume porn; something that feels like a real moment of sex. That’s not necessarily the case for everybody, but it’s something I was into exploring in my work with Isa. How do we make something that feels authentic, while still looking very beautiful and designed? That push and pull was fundamental to the ideas explored in CAM. There’s a lot of really interesting discussion hat happens through the craft of the film and the script, all these questions of personhood and authenticity through these different layers of performance, especially as she battles with this persona getting away from her. Especially in the climax, the camera set up with the reflecting mirrors on the screen and the infinite Alices stretching out into the abyss. I’m glad you think that; the climax was a real struggle to film and figure out.

Ket tells Kim about the Netflix hit CAM starring Madeline Brewer, Patch Darragh, and Melora Walters. We’ll learn about Kim’s history of dating baby ghosts and Kim will teach us the recipe for her kid-friendly meal: spinach in milk. We’ll dive into Kim’s esteemed career as a real hand model and Ket’s failed career as a foot model. And Ket will have to explain to Kim what a DVD store is. Most importantly, we’ll find out if Kim will live or die in CAM. Dir. Daniel Goldhaber         Get acquainted with the ALL THINGS KIM & KET at www.kimandketstayalive.com Chat with the girls at kksampodcast@gmail.com Peep the girls on Instagram:  @kksampodcast Twit the girls on Twitter:  @kksampodcast Book the face of the girls on Facebook:  @kksampodcast Ok we'll stop now. Thanks for listening! xo and #StayAlive, K&K                     Theme song is “Exhilarate” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/  

El Goro, an ambitious podcaster, wakes up one day to discover he's been replaced on Trick or Treat Radio with an exact replica of himself! On Episode 332 of Trick or Treat Radio we kick off the December Double Feature Cram Jam 2018 with one of our best buds and frequent guest, El Goro from the amazing Talk Without Rhythm Podcast! El Goro joins us to discuss two Netflix films as we tackle Illang: The Wolf Brigade from show favorite director Kim Jee Woon and then we venture into the depraved world of Cam, from director Daniel Goldhaber and Blumhouse. We also veer off into other topics such as old bad wrestling gimmicks, the theater going experience vs. streaming from home, and Apple Podcasts algorithms. So don your secret unit armor, do a webcam show and strap on for the world's most dangerous talk radio show.Stuff we talk about: Dynamite Kid, John Walter, ROH, Savio Vega, El Goro, Talk Without Rhythm Podcast, Aldo Montoya, Rikishi, old bad wrestling gimmicks, Teddy Hart, MZ’s math skills, Bull Nakano, Night of the Demons, Ashless Chaps, the golden age of horror documentaries, The Party’s Just Begun, The Curtain Society, The Bull Mansion, Skip Shea, 31 Days of Halloween, Terrified, Errementari: The Blacksmith and the Devil, Motel Hell, Alex de la Iglesias, Paul Urkijo Alijo, Strange Highways Podcast, World War II, Wasteland: The Great War and the Origins of Modern Horror, The Secret Cartoon Club, Joe Bob Briggs, Birdemic, Solarbabies, Apple Podcasts algorithms, Japanese Hornets, Illang: The Wolf Brigade, Jin-Roh: The Wolf Brigade, Kim Jee-woon, anime, Mamoru Oshii, Hiroyuki Okiura, Ghost in the Shell, Korean cinema, Freeway, Danny Elfman, fascist elements, Kerberos Saga, Blade of the Immortal, the reunification of Korea, info dump worldbuilding, long movies, Guillermo el Goro, Upgrade, Mom and Dad, Debbie Rochon, Gandalf, bumping into exes, Cinemax, Cam, Blumhouse, Daniel Goldhaber, Isa Mazzei, insight into subculture, cam girls, social media influencers, the stigma of sex work, movie subscription services, 42nd St Cinema, what is the demographic for going to the theater?, Anna and the Apocalypse, 2001: A Space Odyssey, doppelgangers, Dudes, Timo Tjahjanto, The Night Comes for Us, Suspiria, practical FX, and Chewbacca’s kid Lumpy.Send Email/Voicemail: podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comUse our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TheDeaditesFacebook: http://facebook.com/TheDeaditesYouTube: http://youtube.com/TheDeaditesTVInstagram: http://instagram.com/TheDeaditesBuy our music on Bandcamp: http://thedeadites.bandcamp.comSupport the show (https://www.patreon.com/trickortreatradio)

In this episode of the horror review/discussion show 'Screams After Midnight,' we discuss Nerflix movie 'Cam.'The film is Directed by Daniel Goldhaber and stars Madeline Brewer, Patch Darragh, Melora Walters, Imani Hakim & Michael Dempsey.patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight facebook: https://www.facebook.com/mildfuzznetwork

  This week, it's all about sexual horror...maybe. The grue-crew travel to a remote castle for a spooky, sexy mystery and navigate to check out a horrific cam feed. The first is THE HOUSE OF VIOLENT DESIRE from director Charlie Steeds mixes Old Dark House with some modern sexual tension and horror. The second film is CAM from director Daniel Goldhaber explores a gallery of fears and terror when a cam girl finds someone who looks just like her has taken over her feed.  Doc Rotten and Vanessa Thompson from Horror News Radio along with Jeff Mohr from Decades of Horror: The Classic Era share their thoughts about this week's awesome collection of streaming horror films.  Gruesome Magazine Podcast - Episode 045 Cam - The House of Violent Desire  The House of Violent Desire Awoken by screams in the night, young Evelyn Whipley is found drenched in blood and mysteriously bound to the bed - A Gothic Horror set in the 1940s, a psychosexual thriller disguised as traditional Ghost Story. "When (the father) comes back and he’s completely covered in blood and naked and hairy and screaming and coming in from a storm and making all these accusations about his family and his wife and himself, that’s when it got more exciting." - Vanessa "It is beautifully shot. It looks really good and it’s pretty well acted although there’s some excess." - Jeff "It plays out like a really drugged-out, sexed-up Dark Shadows series of episodes." - Doc Director: Charlie Steeds Cast: Carl Andersson, Rowena Bentley, Peter Cosgrove Release: Currently available on VOD and Streaming Media Cam Alice, an ambitious camgirl, wakes up one day to discover she's been replaced on her show with an exact replica of herself. "Madeline Brewer really was able to embody a great representation of a woman, the ability to be all these different things and seen in all these different ways and be strong and scared at the same time." - Vanessa "Cam is Daniel Goldhaber’s first feature and I’m impressed with how well he handled this. It could’ve been a tough concept to get across, … and it could’ve been confusing but I think he did it very well." - Jeff "Building a world, drafting this Alice-Lola character, tackling a variety of themes … keeping them focused and together, there’s so much going on and it’s incredibly fascinating." - Doc Director: Daniel Goldhaber Cast: Madeline Brewer, Patch Darragh, Melora Walters Release: Currently available on NETFLIX

Host Stuart Wright talks with CAM director Daniel Goldhaber about directing his first feature film, inclusive filmmaking and film authorship myths, pornography in the 21st century, the new language of cinema he needed to find to integrate the internet into the storytelling rather than bolting it on and his method research experiences from working as a web cam host. CAM is out now on Netflix https://www.netflix.com/title/80177400 Credits Intro/Outro music is by Chris Read. He can be contacted at www.thecomposers.tv Podcast from www.britflicks.com You can support the @Britflicks podcast by pledging money via www.patreon.com/stuartwright, subscribing to it via iTunes or leaving a review - this helps attract more listeners.

From the bowels of the earth, Sam and Dan have risen to talk about the recent Ltd Ed release of Lucio Fulci's classic THE CITY OF THE LIVING DEAD. This week's recommendations include IN THE MOUTH OF MADNESS, DUNWICH HORROR and DAY OF ANGER. Extra features this week includes an interview with the filmmakers behind CAM, Daniel Goldhaber and Isa Mazzei, who recommend two titles you should see after watching CAM (available now on Netflix). Email the Arrow Video Podcast hosts for any comments, suggestions or questions at arrowvideopodcast@arrowfilms.co.uk

What's Up Cinemaniacs! Join Duane and special guest Shannon from the "What The Flick" UK Blog as they review the latest Blumhouse Netflix film "Cam" and share their thoughts on the movie. "Cam" stares Madeline Brewer was directed by Daniel Goldhaber and explores the life of online cam girl Alice as she finds out one day that she has been replaced on her show by an exact replica of herself. Was it worth the watch? Tune in to find out! #CamMovie #MovieReview  Follow us: Facebook Twitter Instagram YouTube Spotify MessyFM  Follow Duane: Twitter Instagram  Follow Shannon: Twitter What the Flick Twitter What the Flick Instagram

The fine line between art and pornography is as old as visual culture itself, but only recently have those within the industry crafted their narratives for large scale audiences by avoiding the old hat critiques often placed on the profession. Cam, a new horror thriller financed by Blumhouse and made by the creative duo of Isa Mazzei and Daniel Goldhaber, does exactly that by following a cam girl as she fights to reclaim her identity. Dan sits down in this long ranging interview to discuss his creative apprenticeships on documentaries and the lessons he learned from Harvard, the work he and Isa did crafting pornography that thought seriously about aesthetics, and the creative workarounds necessary to make a good film about screen life. Finally, the two talk about Showgirls, a tricky film that nonetheless influenced Cam—Peter and Dan examine how and where the film takes these burlesque dancers seriously, and how the film straddles its campy existence. Plus, Carman Tse joins the show to talk about a few restorations that played the recent AFI Film Festival. 0:00-3:10  Opening4:13-27:48 Establishing Shots — Repertory Talk at AFI Fest with Carman Tsse28:33-1:36:45 Deep Focus — Daniel Goldhaber1:38:00-1:42:00  Sponsorship Section1:43:08-1:58:40 Double Exposure — Showgirls (Paul Vehoven)1:58:48-2:00:37 Close / Outtake

Sarah and Mary review new Netflix release Cam (2018) and interview the filmmakers Daniel Goldhaber and Isa Mazzei in this supersize bonus episode.

I met up with writer Isa Mazzei and director Daniel Goldhaber at the Denver Film Festival to talk about their recent psychological thriller, CAM. You can find them on Twitter: Daniel @chronopictures, Isa @isaiswrong, as well as @camthefilm. To find out more about Laura and her work please visit her website at www.laurapowers.net. You can also find Laura on twitter @thatlaurapowers, on Facebook @thatlaurapowers, and on instagram at laurapowers44.

I met up with writer Isa Mazzei and director Daniel Goldhaber at the Denver Film Festival to talk about their recent psychological thriller, CAM. You can find them on Twitter: Daniel @chronopictures, Isa @isaiswrong, as well as @camthefilm. To find out more about Laura and her work please visit her website at www.laurapowers.net. You can also find Laura on twitter @thatlaurapowers, on Facebook @thatlaurapowers, and on instagram at laurapowers44.

I met up with writer Isa Mazzei and director Daniel Goldhaber at the Denver Film Festival to talk about their recent psychological thriller, CAM. You can find them on Twitter: Daniel @chronopictures, Isa @isaiswrong, as well as @camthefilm. To find out more about Laura and her work please visit her website at www.laurapowers.net. You can also find Laura on twitter @thatlaurapowers, on Facebook @thatlaurapowers, and on instagram at laurapowers44.

Support the New Flesh Podcast https://www.patreon.com/newfleshpodcast CAM is available now on Netflix, definitely watch it first!

Since Fantastic Fest I've been obsessed with CAM. It was extremely exciting when it was announced that NetFlix would be carrying the movie and now it's almost here. Friday the movie debuts on Netflix and I sat down with the director Daniel Goldhaber to talk about his humble beginnings on Colorado, going to Havard for film school, the process of making the movie and then at the end we have a brief spoiler talk for you to enjoy after you watch the movie.This podcast is powered by Pinecast.

In the film Cam, an erotic webcam performer seeks success, but one day finds her online identity hijacked and seems bent on destroying her life. It’s a movie that works both as a thriller, and as a commentary of how we construct our digital identity and where and how that identity intersects with our real lives. It’s...

In the film Cam, an erotic webcam performer seeks success, but one day finds her online identity hijacked and seems bent on destroying her life. It’s a movie that works both as a thriller, and as a commentary of how we construct our digital identity and where and how that identity intersects with our real lives. It’s...

Matt's at Fantastic Fest 2018 and sat down the creative team behind CAM which is coming to Netflix this November. He talked with director Daniel Goldhaber, writer Isa Mazzei and star Madeline Brewer