Podcasts about canon 5d

Episode № 84 is a special rush-released super-sized Christmas / Hanukkah episode — unwrap it and enjoy!Gabe's been shooting with the Polaroid Big Swinger, Rolleiflex 2.8E2, Nikon F2, Leica M4…he had a lab mishap! they made it right, but it still shakes your confidencePolaroid peel-apart camera rollers vs. bladesGabe went to Alcove Café with Rafael Hernandez and Dave Tada, members of the elite Fuji X100VI club, and now he's lusting for onesubmitted for your approval: the mighty Fujifilm GF670 Professionalwhen was the last time Jeff shot with the Leica M6 TTL? August 2021… so we're both culling our collections! message us!is there a camera that's too perfect? that you shoot too quickly with? like the Canon EOS Rebel 2000 or Canon 5D?Jeff didn't shoot much in Jamaica, and here's why: he wanted no barriers between him and the experience - do you sympathize?the Fujifilm GA645 Professional gave Jeff a scare - as with the XPan, Fuji's battery indicators are wildly deceptiveare CR123 and CR123a the same battery? maybe!final reckoning: which cameras will Jeff bring to Iceland? meanwhile, Ollie's bringing a Kodak Medalist!expired 220 film is super-intriguing!Gabe feels he can always count on his Rolleiflex - what are the cameras you rely on?our Prodigious Mailbag™ is bigger than Santa's bag of toysnext episode, Jeff reviews Bellamy Hunt a.k.a. Japan Camera Hunter's new book Film Camera Zen - tune in for the tea!

Today's guest is a writer, director, producer, actor, and indie filmmaking legend, Edward Burns.Many of you might have heard of the Sundance Film Festival-winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His Cinderella story of making the film, getting into Sundance, and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love life of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer, and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.Johnny Rizzo is about to trade his dream job in talk radio for some snooze-Ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice Guy Johnny's not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of his life.The film debuted at the Tribeca Film Festival. While he was releasing that film, Burns wrote, starred, and directed Newlyweds. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000. Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days, and On the Corner of Ego and Desire which I shot in 4 days.  To be honest, Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg, and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back, and many more.Ed jumped into television with the Spielberg-produced TNT drama Public Morals, where he wrote, directed, and starred in every episode.Set in the early 1960s in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.His latest project is EPIX's Bridge and Tunnel is a dramedy series set in 1980 that revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island hometown. He also pulls writing, producing, and directing duties for all the episodes.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me to go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told me that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit down and speak to a filmmaker that had such an impact on my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to all of you.Please enjoy my conversation with Edward Burns.Become a supporter of this podcast: https://www.spreaker.com/podcast/next-level-soul-podcast-with-alex-ferrari--4858435/support.

Bienvenido a un nuevo episodio de Q&A de The Click Boss, en el que responderé tus dudas sobre la fotografía, ya sea sobre la parte técnica, sobre la parte de negocio y administración o sobre mentalidad y aspectos más personales del negocio. Si tú también quieres que responda tu pregunta en directo en el podcast, te invito a que entres a lizpinto.net/podcast, vayas al final de la página y llenes el formulario con tu pregunta. Estaré eligiendo las más interesantes para responderlas por acá. Estas son las preguntas que respondo en este episodio, dale al play para escucharlas: Andrés País - Colombia. Hola Liz! Muchísimas gracias por esta oportunidad. Quisiera preguntarte, ¿qué flashes y modificadores estás utilizando actualmente para las recepciones de bodas y eventos sociales? Algún tip que nos puedas dar para esos momentos donde las cosas pasan muy rápido y donde no tenemos mucho espacio para movernos. Gracias! Francisco - España. Sé que utilizabas la Canon 5D, ¿has pensado en pasarte al sistema RF sin espejo, ya sea la R5,R6 o R3? Walter - Argentina. ¡Hola Liz! ¡Un gusto saludarte! te cuento recibo consultas por instagram sobre mi servicios especialmente en 15 años. Te cuento que realizamos fotografía y video y tengo un local estudio con vidriera. Qué me aconsejas con respeto a pedidos de presupuesto si es mejor brindarle una plantilla con los pack o vender mejor la entrevista para que el cliente se acerque y pueda tangir mi producto personalmente. ¿Cómo es que te funciona mejor? Agradezco tu respuesta gracias. Y otra pregunta no logro conectar con los novios para las bodas, creo que no quieren gastar tanto como los papas de las quinceañeras! ¿Tenés algun consejo para ello? Jaime - USA. Hola Liz! ¿Algún consejo para los fotógraf@s introvertidos para orientar a la gente a posar? Gracias por tu podcast y tus experiencias tras la cámara. José. Sobre los derechos de autor de la foto, una foto tomada ¿es propiedad del cliente, del fotógrafo, de ambos? ¿Y cómo plasmar eso en el contrato? Espero que este episodio te haya inspirado, te haya resuelto dudas y te animes a dejar tu pregunta en lizpinto.net/podcast en el formulario del final. Podría ser el tema de un próximo episodio o ser incluida en la siguiente ronda de preguntas y respuestas. ¡Esto ha sido todo por hoy y te espero en el próximo episodio! ¡Chaito!

Get ready for an entertaining discussion as we embark on a roller coaster ride through the cinematic universe with Cinematographer Brandon Cox. Listen in as we kick off our chat with our personal experiences of recent movie viewings including Indiana Jones, John Wick 4, and Asteroid City, discussing how we should take film critics with a pinch of salt and enjoy movies for what they are. We also dissect the different rating systems of Rotten Tomatoes, IMDB, and Letterboxd, and their influence on viewer perception. We then transition into a debate on the shift from film to digital production and its implications on the visual aesthetics of cinema. Discover our thoughts on working with low-budget video equipment, the unique characteristics of Canon 5D versus reversal film, and the influence of CGI on the modern look of films. We also discuss our experiences with different cameras and software, citing examples from movies like Chris Nolan's Batman and Gareth Edwards' latest project. In the latter part of our discussion, we shed light on the importance of understanding and mastering lighting techniques in filmmaking. Hear about Brandon's journey from shooting music videos to high-budget films, his experiences on set with stars like Robert De Niro and Dave Bautista, and his love for action movies. We also touch upon the evolution of lighting technology, the benefits of modern LED panels, and how the use of different tools and techniques have transformed over the years. Don't miss out on our take on film restoration and preservation, the importance of archiving movies, and how streaming services have altered the movie release landscape. So, sit back, relax, and join us on this cinematic journey. (0:00:15) - Film Reviews and Recent Viewings (0:07:01) - Film vs Digital (0:15:32) - Discussion on Film Look and Cameras (0:25:12) - Success in Film School and Cinematography (0:31:41) - Lighting Techniques in Action Filmmaking (0:38:06) - Techniques for Fast and Efficient Lighting (0:44:59) - Evolution of Lighting Technology (0:55:50) - Kino Flo and Astera Tubes (1:07:46) - Experimentation and Learning in Filmmaking (1:15:19) - Discussion on Film Restoration and Technology (1:23:44) - Discussion on Preserving and Restoring Films ⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Jeffery and Bill dive deep on the idea of community and new perspectives on old things. Including the Canon 5D from 2005 that Bill bought recently on a whim. Victor Skrebneski is the photographer of the week. Van Wilder Soft White Underbelly Poorest Region of America – What It Really Looks Like Gauntlet (Video Game) Walnut Grove – Then & Now Canon 5D Victor Skrebneski Victor Skrebneski on Wikipedia

Today's guest is a writer, director, producer, actor, and indie filmmaking legend, Edward Burns.Many of you might have heard of the Sundance Film Festival-winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His Cinderella story of making the film, getting into Sundance, and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She's The One. The films about the love life of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey's ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer, and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.Johnny Rizzo is about to trade his dream job in talk radio for some snooze-Ville gig that'll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice Guy Johnny's not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of his life.The film debuted at the Tribeca Film Festival. While he was releasing that film, Burns wrote, starred, and directed Newlyweds. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000. Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister's marriage troubles.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon't shoot with any more than a three-man crewActor's use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days, and On the Corner of Ego and Desire which I shot in 4 days.  To be honest, Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg, and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back, and many more.Ed jumped into television with the Spielberg-produced TNT drama Public Morals, where he wrote, directed, and starred in every episode.Set in the early 1960s in New York City's Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.His latest project is EPIX's Bridge and Tunnel is a dramedy series set in 1980 that revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island hometown. He also pulls writing, producing, and directing duties for all the episodes.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me to go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told me that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit down and speak to a filmmaker that had such an impact on my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I'm honored to bring this epic conversation to all of you.Please enjoy my conversation with Edward Burns.

Wendy Bagnall is a landscape photographer based the south of England who's work was recently shown at the 2022 Royal Academy of Arts summer exhibition. Wendy's work is unrestricted and playful and she uses different techniques to interpret the landscape, creating images that to evoke an emotional connection with the viewer.  Wendy got her first camera as a child but she went deeper into her photography during the pandemic when forced isolation gave her the opportunity to build a relationship with the landscape in her local area and fast-tracked her development as a photographer. Wendy is one of my favourite landscape photographers right now and this is definitely one of my favourite conversations I've had on the podcast. I found Wendy's whole attitude refreshing and inspirational and I came away from our time together thinking differently about my approach to my own photography. I'm so looking forward to sharing this with you - here's my conversation with Wendy Bagnall… Show Notes Follow this week's guest at the following links:  Website - https://www.wendybagnall.com (https://www.wendybagnall.com)  Instagram - https://www.instagram.com/wendybagnall_/ (https://www.instagram.com/wendybagnall_/)  Fragility - Wendy's photo featured in the RAA Summer Exhibition -  https://se.royalacademy.org.uk/2022/artworks/wendy-bagnall/29 (https://se.royalacademy.org.uk/2022/artworks/wendy-bagnall/29 ) Tickets for the next View Finders Live Event - https://viewfinderslive.com/events (https://viewfinderslive.com/events)  To save 10% off tickets for View Finders Live events, use the code VF10 Connect with View Finders here: Episodes - http://www.viewfinderslive.com/podcast (www.viewfinderslive.com/podcast)  Instagram - http://www.instagram.com/viewfinderspodcast (www.instagram.com/viewfinderspodcast)  Connect with me at: http://www.grahamdargie.co.uk (www.grahamdargie.co.uk)  http://www.grahamdargie.co.uk/blog (www.grahamdargie.co.uk/blog)  http://www.instagram.com/grahamdargie (www.instagram.com/grahamdargie)  Additional show links Double Exposure: Bright blossom tree against backdrop of dark pines - https://www.instagram.com/p/CbkGZ0NIlVr/ (https://www.instagram.com/p/CbkGZ0NIlVr/)  Gilded - https://www.instagram.com/p/ChHBbyGIJ_Z/ (https://www.instagram.com/p/ChHBbyGIJ_Z/)  Other links: Fragility - Wendy's photo featured in the RAA Summer Exhibition -  https://se.royalacademy.org.uk/2022/artworks/wendy-bagnall/29 (https://se.royalacademy.org.uk/2022/artworks/wendy-bagnall/29) Vivien Mier - http://www.vivianmaier.com (http://www.vivianmaier.com)  Bosham Gallery - https://boshamgallery.com (https://boshamgallery.com) Valda Bailey - https://www.valdabailey.com (https://www.valdabailey.com) Canon 5D iv - https://www.canon.co.uk/cameras/eos-5d-mark-iv/ (https://www.canon.co.uk/cameras/eos-5d-mark-iv/) Canon 70-200 - https://www.canon.co.uk/lenses/ef-70-200mm-f-2-8-l-is-iii-usm-lens/ (https://www.canon.co.uk/lenses/ef-70-200mm-f-2-8-l-is-iii-usm-lens/ ) Lee Filters - https://leefilters.com/camera/ (https://leefilters.com/camera/) Mentioned in this episode: VFL 2-22 PREROLL 2 REROLL 2 FOR 2022 VFL EVENTS

With a camera in his hand, Harvey Stein owns the streets, having spent the past 50 years capturing quintessential moments and making sensitive portraits of the people he meets there. In this two-part episode, he shares details about his photographic process while also conveying the wisdom he's acquired in publishing 10 books of photographs. We first caught up with Stein at the 2022 B&H OPTIC Conference in June, where he spoke about his newest book Coney Island People: 50 Years. He describes his interactive approach to street photography by traveling near and far in search of the human animal. Although he packs a Canon 5D for foreign locales where vibrant colors can be an important element, Stein is most at home with his Leica M4, a 21 mm lens, and a finder that lets him maintain visual contact with his subjects. We also learn about his Manhattan darkroom, and all the money he's saved by rolling his own film for all these years. In addition to his substantial photography chops, Stein is also an expert in photo book publishing. To leave no stone unturned, we continue our conversation in the studio after a break. Stay to the end for insights about working with publishers, including pitfalls to avoid and tips for turning your own photo project into book form. Guests: Harvey Stein Photograph © Harvey Stein Sponsored by Logitech Blue Yeti Mics

Stephanie Johnson is an ICM photographer based in Iowa in the USA. Stephanie is the founder, creator and publisher of ICM photography Magazine - a first-of-its-kind e-magazine about ICM photography. Stephanie, along with Kaisa Siren and Morag Paterson, also runs the ICM PhotoMag Network - an online community dedicated to educating and mentoring ICM photographers from around the world. Stephanie's own photography journey is deeply connected to her personal journey and we talk about her background serving in the US Marine Corps, how she discovered ICM photogrpahy and the impact this has had in her life. I really enjoyed spending this time with Stephanie who brings a thoughtfulness and playfulness to her photography. If you're into ICM you're going to relate to a lot of what Stephanie says and if you're new to ICM photography, there's a lot here to learn so, get the headphones in, relax and enjoy my conversation with Stephanie Johnson!  Show Notes Thank you to our sponsor, MPB. Get a quote for your unwanted camera gear here: https://www.mpb.com/en-uk/sell-or-trade/ (https://www.mpb.com/en-uk/sell-or-trade/)  Follow this week's guest at the following links:  Website - https://stephjohnphoto.com (https://stephjohnphoto.com)  Instagram - https://www.instagram.com/stephjohnphoto (https://www.instagram.com/stephjohnphoto)  ICM Photo Mag - https://www.icmphotomag.com (https://www.icmphotomag.com)  ICM Photo Mag Network - https://www.icmphotomag.network (https://www.icmphotomag.network)  Connect with View Finders here: Episodes - http://www.viewfinderslive.com/podcast (www.viewfinderslive.com/podcast)  Instagram - http://www.instagram.com/viewfinderspodcast (www.instagram.com/viewfinderspodcast)   Tickets for the next View Finders Live Event - https://viewfinderslive.com (https://viewfinderslive.com) To save 10% off tickets for View Finders Live events, use the code VF10 Connect with me at: http://www.grahamdargie.co.uk (www.grahamdargie.co.uk)  http://www.grahamdargie.com (www.grahamdargie.com)  http://www.youtube.com/5minutephotography (www.youtube.com/5minutephotography)  Photography equipment: Canon 5D mk III - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-5d-iii/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-5d-iii/)  Canon 7D - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-7d-ii/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-7d-ii/)  Canon EF 70-200mm  f/4 - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ef-70-200mm-f-4-l-usm/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ef-70-200mm-f-4-l-usm/)  Lee Filters and accessories -https://www.mpb.com/en-uk/search/?www-product-search=lee&www-department=all (https://www.mpb.com/en-uk/search/?www-product-search=lee&www-department=all)  Additional show links Double Exposure: Evening Shade - https://www.instagram.com/p/BluB0xgHJLO/ (https://www.instagram.com/p/BluB0xgHJLO/)  Evening Light - https://www.instagram.com/p/BrMMPdgHiXT/ (https://www.instagram.com/p/BrMMPdgHiXT/)  Other links: Peter Gordon - https://www.instagram.com/peter_gordon_art/ (https://www.instagram.com/peter_gordon_art/)  David DuChemin - https://davidduchemin.com (https://davidduchemin.com)  Andy Gray - https://www.youtube.com/channel/UCiam4zBSnT2d6z7vG83OTlQ (https://www.youtube.com/channel/UCiam4zBSnT2d6z7vG83OTlQ)  Kaisa Siren - https://www.kaisasiren.fi (https://www.kaisasiren.fi)  Morag...

On this episode we take a look back at the Canon 5D. Is it still worth it in 2021? Show theme by Christopher Gillard Created & Hosted by Jason Godbey Sponsored by JMR Rentals --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/no-rest-for-the-weekend/support

Scott Hargis, based in Oakland, California, is one of Americas finest Architecture and Interior Photographers. After being burned out in a corporate job Scott took up photography in his mid 30s, eventually niching in to real estate photography before specialising in architecture and interiors. Our conversation covers how Scott creates photographs the FEEL the way a room feels, as well as really digging into some of the nuances of how he works like the importance of including a human element, chiaroscuro, visual acoustics and why he carries a makeup mirror with him at all times. For me, as a working, assignment photographer I LOVED this conversation and hearing how Scott combines his impressive technical skills with an ability to communicate emotionally through his photography was truly inspiring to me. I hope you enjoy our conversation. Show Notes Thank you to our sponsor, MPB. Get a quote for your unwanted camera gear here: https://www.mpb.com/en-uk/sell-or-trade/ (https://www.mpb.com/en-uk/sell-or-trade/)  Follow this week's guest at the following links:  Website - https://www.scotthargisphoto.com (https://www.scotthargisphoto.com) Instagram - https://www.instagram.com/scotthargisphoto/ (https://www.instagram.com/scotthargisphoto/) Connect with me at the View Finders website where you can get my free long exposure tutorial video: http://www.viewfinderslive.com (www.viewfinderslive.com)  Also find me at: http://www.instagram.com/viewfinderspodcast (www.instagram.com/viewfinderspodcast)  http://www.grahamdargie.co.uk (www.grahamdargie.co.uk)  http://www.grahamdargie.com (www.grahamdargie.com)  http://www.youtube.com/5minutephotography (www.youtube.com/5minutephotography)  Find out about the next View Finders Live Online Event: https://www.grahamdargie.com/events (https://viewfinderslive.com/live-events) Photography equipment: Canon 5D mk IV - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-5d-iv/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-digital-slr-cameras/used-canon-digital-slr-cameras/canon-eos-5d-iv/)  Canon TS-E 17mm - https://www.mpb.com/en-uk/search/?www-product-search=canon+ts+17mm&www-department=all (https://www.mpb.com/en-uk/search/?www-product-search=canon+ts+17mm&www-department=all)  Canon TS-E 24mm -https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-24mm-f-3-5-l-ii/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-24mm-f-3-5-l-ii/)  Canon TS-E 50mm - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-50mm-f-2-8l-macro-/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-50mm-f-2-8l-macro-/)  Canon TS-E 90mm - https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-90mm-f-2-8-l-macro/ (https://www.mpb.com/en-uk/used-equipment/used-photo-and-video/used-lenses/used-canon-fit-lenses/canon-ts-e-90mm-f-2-8-l-macro/)  Weird things in Scott's camera bag: Platypod - https://www.platypod.com (https://www.platypod.com)  Compact Mirror - https://www.amazon.co.uk/Compact-Mirrors/b?ie=UTF8&node=118450031 (https://www.amazon.co.uk/Compact-Mirrors/b?ie=UTF8&node=118450031)   Additional show links Double Exposure: My choice: Burj Khalifa - https://www.instagram.com/p/B9kDrjgHbAm/ (https://www.instagram.com/p/B9kDrjgHbAm/)  Scott's choice: Interior with Staircase - https://www.scotthargisphoto.com/INTERIORS/34/caption (https://www.scotthargisphoto.com/INTERIORS/34/caption)  Other links: Star Trek 4 'Nuclear Wessels' scene - https://www.youtube.com/watch?v=MdSJFrhb-HM... Support this podcast

We have made it to 450 episodes of the Indie Film Hustle Podcast. The IFH Tribe has given me 450 opportunities to serve them and for that I am humbled. Thank you all for allowing me to do what I love to do so much. With that said I wanted to bring you a massive guest for this remarkable milestone. Today’s guest is a writer, director, producer, actor and indie filmmaking legend Edward Burns.Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen, his iconic first film that tells the story of three Irish Catholic brothers from Long Island who struggle to deal with love, marriage, and infidelity. His cinderella story of making the film, getting into Sundance and launching his career is the stuff of legend.The Brothers McMullen was sold to Fox Searchlight and went on to make over $10 million at the box office on a $27,000 budget, making it one of the most successful indie films of the decade.Ed went off to star in huge films like Saving Private Ryan for Steven Spielberg and direct studio films like the box office hit She’s The One. The films about the love lives of two brothers, Mickey and Francis, interconnect as Francis cheats on his wife with Mickey’s ex-girlfriend, while Mickey impulsively marries a stranger.Even after his mainstream success as an actor, writer and director he still never forgot his indie roots. He continued to quietly produce completely independent feature films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed has continued to not only produce films but to consider new methods of getting his projects to the world.In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects.In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010.Johnny Rizzo is about to trade his dream job in talk radio for some snooze-ville gig that’ll pay enough to please his fiancée. Enter Uncle Terry, a rascally womanizer set on turning a weekend in the Hamptons into an eye-opening fling for his nephew. Nice Guy Johnny’s not interested, of course, but then he meets the lovely Brooke, who challenges Johnny to make the toughest decision of his life.The film debuted at the Tribeca Film Festival. While he was releasing that film, Burns wrote, starred and directed Newlyweds. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000. Newlyweds Buzzy and Katie find their blissful life disrupted by the arrival of his half-sister and news of her sister’s marriage troubles.In his book, Independent Ed: Inside a Career of Big Dreams, Little Movies, and the Twelve Best Days of My Life (which I recommend ALL filmmakers read), Ed mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to film and get into the canDon’t shoot with any more than a three-man crewActor’s use their own clothesActors do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. To be honest Ed was one of my main inspirations when I decided to make my first micro-budget feature film, along with Mark and Jay Duplass, Joe Swanberg and Michael and Mark Polish. Ed has continued to have an amazing career directing films like The Fitzgerald Family Christmas, The Groomsmen, Looking for Kitty, Ash Wednesday, Sidewalks of New York, No Looking Back and many more.Ed jumped into television with the Spielberg produced TNT drama Public Morals, where he wrote, directed and starred in every episode.Set in the early 1960s in New York City’s Public Morals Division, where cops walk the line between morality and criminality as the temptations that come from dealing with all kinds of vice can get the better of them.His latest project is EPIX’s Bridge and Tunnel is a dramedy series set in 1980 that revolves around a group of recent college grads setting out to pursue their dreams in Manhattan while still clinging to the familiarity of their working-class Long Island hometown. He also pulls writing, producing and directing duties for all the episodes.Ed has continued to give back to the indie film community with his amazing book, lectures and his knowledge bomb packed director commentaries. Trust me go out and buy the DVD versions of all his films. His commentaries are worth the price of admission.When I first spoke to Ed he told that he had been a fan of the podcast for a while. As you can imagine I was floored and humbled at the same time. Getting to sit-down and speak to a filmmaker that had such an impact my own directing career was a dream come true. Ed is an inspiration to so many indie filmmakers around the world and I’m honored to bring this epic conversation to the tribe.Enjoy my conversation with Edward Burns.

In questo episodio di consigli agli acquisti, confrontiamo due fotocamere molto dello stesso brand: la Canon R6 vs la Canon 5D mark IV. Sia la Canon R6 che la Canon 5D mark IV II sono due fotocamere molto apprezzate e che offrono prestazioni di alto livello. Il prezzo poi oltre ad essere abbastanza " popolare", è equivalente. Ma tra la Canon R6 e la Canon 5D mark IV, quale ha il miglior rapporto qualità prezzo? Quale delle due consigliamo e soprattutto perché?

Ein bisschen Philosophie, ein wenig Geartalk, viel Quatsch und diesmal keine Berichte über Thilos Kaufeskapaden. Das fasst es vielleicht ganz gut zusammen, was in Folge 15 von DÖF. passiert. Was wäre aus Dominik geworden, wenn er kein Fotograf geworden wäre, wie baut man sich eine 15V Batterie, ist eine Canon 5D immer noch eine gute Kamera? Wie oft kommt das Wort Leica in dieser Episode vor? Und wo bekommt man eigentlich geile Hintergründe für schmales Geld? Mindestens das, wenn nicht noch viel mehr jetzt anhören. Wenn man uns ein Bier ausgeben möchte: www.buymeacoffee.com/doef Das sind wir: Dominik Pfeifer @hiiamdominik dominikpfeifer.com Thilo Vorderbrück @tvau thilovorderbrueck.de

Sorry for the lower audio quality on this episode. It was an old file I made with my old mic. Hope you find the information useful. I can always remake an updated version should you find this helpful. Let me know on my social media. --- Send in a voice message: https://anchor.fm/zulfphotography/message

News!:Shure MV7 Podcast Mic, Rob Papen Blade 2 Soft Synth, Roland TD-07KV V-Drums, Canon EOS Firmware 1.1.1 update, Canon 5D used to shoot The Mandalorian,…

Geryah interviews Charlotte Reeves of Learnpetphotography.com about how to simplify pet photography for dog owners. Charlotte is an award-winning Australian photographer based in Brisbane. Her style incorporates creative use of natural light, location and expression to produce vibrant and emotive work. Addicted to creating lightbulb moments for students, she has been teaching pet photographers since 2013. She relishes simplifying tricky concepts, and helping people achieve their goals by making learning fun, practical, and positive. You can find her at learnpetphotography.com. //TIMESTAMPS [00:50] About Charlotte Reeves [04:23] Getting into digital photography & editing [06:46] Charlotte's camera recommendations -The difficulty of shooting dogs in motion -The autofocus tracking is one of the most critical aspects of the camera you choose -You need a wide range of auto focus points for your compositions & tracking across the frames -You need lots of frames per second (ex. Canon 5D, Canon 7D, etc) [10:45] Eye autofocus as a tool for shooting dogs in action [11:40] Creating variety with lens choices -70-200mm zoom benefits (portraits, distance, including landscapes, capturing action) -24-70mm as a workhorse zoom -Fixed focal length lenses (35mm, 135mm, 50mm) [14:30] Canon vs. Sony ecosystem as a starter camera [15:20] Shooting with a manual exposure & choosing settings [17:45] ISO as the “utility setting” [18:00] Other Camera Exposure Modes (Shutter Speed Priority (TV), Aperture Priority) [20:30] The 70-200mm characteristics & distance advantage [24:40] Working with the Light [26:00] Main “rules” when shooting portraits of your dog -Always try to face your dog towards the light source (this will help with getting catch lights in your dog's eyes) [27:00] Using Lightroom & Photoshop [30:30] About learnpetphotography.com -Starting with writing e-books -Teaching in “barker” workshops -Mentoring around the world -Hosting online courses [34:45] The “Lightning Round” -The toughest part about being a pet photographer -Favorite pet photography resources -Thoughts on the future of the current Instagram Dogs trend -Does your equipment matter for taking photos -What advice would you give your younger former self just starting out in pet photography AND MUCH MORE!

Lex and Vincent had the pleasure of interviewing Martin Hogan of Grand Rapids Michigan. Martin’s passion for the abandoned photography started way back when traveling the backroads of Michigan in his youth with his mother and while riding in the school bus to and from school. Martin currently shoots with a Canon 5D and uses a couple of prime lenses and is an avid and proficient user of Adobe Lightroom and photoshop. Martin has amassed an enormous collection of amazing images over the years over on Flickr - the link is down below to his site there. Martin’s handle on instagram is @niquitaspirit whose name comes from his first two dogs Niquita and Spirit. We ask Martin our usual questions along with a few others. Do You have a few people to mention for a shout out? - @fistfulofpowder @samasyava @jill_koop @sierra_winds @history_rambler @kirkbride.girl @ruralrevivals @_bozlo_ @exploring_the_void @rcj82 @teleglamsam & @rnld.jansen Mentioned: Martin’s Flickr Feed - https://www.flickr.com/photos/smartee_martee/albums Enjoy the Music of Lex Nichols - https://lexnichols.com/home Martin’s Contact Info: Martin"s Complete Bio and Questions Answered https://docs.google.com/document/d/1GeAB_1dkyCU0cP6sC6vlVgktpvmCzIAogk99VO4num4/edit?usp=sharing Best way to reach Martin - @niquitaspirit via messages on Instagram Follow our Podcast You should be able to find this podcast wherever podcasts are served, including – Apple podcasts, Spotify, Google podcasts, Anchor, and more. You can follow for FREE, no charge, nada, zip! Visit and Like our Capturing the Abandoned Facebook page at: https://www.facebook.com/capturingtheabandoned/ Please visit and sign up for our Facebook Group - Capturing the Abandoned-International at: https://www.facebook.com/groups/262763911285835/ If you are a new or old listener we would love to hear from you. Please email us at capturingtheabandoned@gmail.com Please Share! --- Send in a voice message: https://anchor.fm/vince-gearhart/message

Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen written and directed by Edward Burns. Burns went on to star in huge films like Saving Private Ryan and direct studio films like She's the One but what you might not know is he has been quietly making completely independent films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed Burns has continued to not only produce films but to consider new methods of getting his projects to the world. In 2007, he teamed up with Apple iTunes to release an exclusive film Purple Violets. It was a sign of the times that the director was branching out to new methods of release for his projects. In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created Nice Guy Johnny in 2010. Again- he was the writer and director. This is a formula that may intimidate a lesser performer, but he has proven that it works perfectly for his abilities.The film Nice Guy Johnny was released at the Tribeca Film Festival. While he was releasing that film, Burns wrote Newlyweds, another film he directed and starred in. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000.In his book Independent Ed (which I recommend ALL filmmakers read), Ed Burns mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.I used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. Take a listen to this episode and prepare to get inspired. After you listen take a read of the making of The Brothers McMullen and read Independent Ed. You won't regret it.Also, Ed Burns' DVD director's commentaries are indie filmmaking gold. He really shares his methods and all of his secret sauce. The DVDs are direct cheap and well work getting. I'll put a list of them below. You won't regret it.

Tym razem pytanie trzecie z serii: 5 PYTAŃ DO... #3. Jaki sprzęt musisz mieć ze sobą? A konkretnie: jeśli miałbyś zabrać tylko jeden aparat, jeden obiektyw to jaki? I jakie obowiązkowe gadżety masz w plecaku na typową sesję/projekt? (pomijając oczywistości typu karta SD i naładowana bateria ;)) Gdybyście mieli zgadywać, to w czyim plecaku znaleźlibyście taki sprzęt?

Today on the show I have Brendan Leonard, who you may also know as Semi-Rad from his popular and hilarious long-running blog by the same name. Brendan is one of those outdoor and adventure creatives who kinda does it all. He's a columnist and contributing editor for Outside Magazine and Adventure Journal respectively, he crafts stories and even produces and shoots his own films, and creates humorous cartoons depicting relatable everyday shit we all go through as human beings and outdoor enthusiasts. What I like most about Brendan and his work, is his ethos (which perhaps not surprisingly as a writer Brendan articulates best). He says: "I created my blog Semi-Rad.com as a channel for those of us who aren't elite climbers, skiers, ultra runners, and alpinists - the folks who love to get out there, but maybe don't take it or themselves too seriously. Semi-Rad is enthusiasm for things regular people can do, adventures for the everyman and woman. It's a website for those of us crushing it, kind of.” That is to say that Brendan believes in the democratization of adventure. You don't need to be climbing 5.14 or kayaking class V whitewater or medaling at your next mountain ultra. Instead as Brendan says, we simply 'need to spend more time doing things we love, going to places that make us feel small, remembering to laugh at ourselves, and getting a little cold, tired, and scared every once in a while.” I couldn't agree more Brendan.   Show resources: Semi-Rad (Brendan's) blog New book coming out! “Bears Don't Care About Your Problems” The Art of Getting Lost and other books by Brendan Guide to Peak Bagging Films by Brendan Leonard Blog post about releasing a book Mountaineer's books Between the Covers - bookstore in in Telluride, CO Mountain Film (film festival) 5Point Adventure Film Festival Banff Mountain Film Platforms for creating books: Lightning Source, Ingrim Spark, Create Space The Dirtbag Diaries (great podcast by Fitz Cahall of Duct Tape Then Beer) Adventure Journal - Steve Casmiro (editor) Patreon Outdoor Research (brand partner) Forest Woodward - Film Maker Seth Godin - Marketing thought leader Canon 5D (recommended camera)   Show topics/themes: Self publishing— the pros and cons of doing it yourself, marketing yourself, and finding the balance when making deals with publishers The path to sobriety from addiction Keeping up a blog— making a commitment, being patient, and practicing determination The writing process: anyone can be a writer, just not everyone sticks with it. the difference is actually sitting down and doing the work. With writing, filming, or creating anything, you have to REALLY believe that you have something to say. Making the outdoors accessible to everyone, not just the big famous athletes— finding the small things we can bond over and find humor in.

Many of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen written and directed by Edward Burns. Burns went off to star in huge films like Saving Private Ryan and direct studio films like She's the One but what you might not know is he has been quietly making completely independent films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed Burns has continued to not only produce films but to consider new methods of getting his projects to the world. In 2007, he teamed up with Apple iTunes to release an exclusive film “Purple Violets”. It was a sign of the times that the director was branching out to new methods of release for his projects. In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created “Nice Guy Johnny” in 2010. Again- he was the writer and director. This is a formula that may intimidate a lesser performer, but he has proven that it works perfectly for his abilities.The film “Nice Guy Johnny” was released at the Tribeca Film Festival. While he was releasing that film, Burns wrote “Newlyweds”, another film he directed and starred in. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000.In his book Independent Ed (which I recommend ALL filmmakers read), Ed Burns mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.I used similar rules when I shot my feature films This is Meg, which I shot that in 8 days and On the Corner of Ego and Desire which I shot in 4 days. Take a listen to this episode and prepare to get inspired. Also, Ed Burns' DVD director's commentaries are indie filmmaking gold. He really shares his methods and all of his secret sauce. The DVD is​ direct cheap and well work getting. I'll put a list of them below. You won't regret it.

Matt gives some tips for doing real estate photography on a relatively low budget.https://vimeo.com/303253858Dan discusses travel photography. What gear he brings, some of the stuff he looks for in a good landscape photo, and how he edits his landscape photos.https://danwisephotography.zenfolio.com/f416632560And Nick made tacos!

A terrible thing happened to my beloved Canon 5D. Find out what I did about it and a little background on the amazing Canon 5D. Twitter: twitter.com/160sppodcast Support the show: www.patreon.com/160spp iTunes: itunes.apple.com/gb/podcast/1-160…d1234714512?mt=2 YouTube: https://www.youtube.com/channel/UCGENsjvBgUT-MHMnDKx1gsg Spotify: Facebook: www.facebook.com/160sphotography

Have you Seen this new OM-D E-M1X by Olympus. Holy cow. I’m loving this camera. Let’s look at some of the details. They claim “extensive weather sealing” which sounds like they’re really upping the weather sealing game. I love it. Rain, sleet or snow, they claim it can handle it with ease. That’s awesome. Some Specs: 20.4 MP 4/3 sensor 4K video recording, with “live ND” to mimic the effects of a solid ND filter, nice. 7-stop shake reduction, or 7.5 with the new 12-100mm lens. The integrated grip will hold two batteries. It can shoot up to 120 frames per second in HD video mode. Both SD card slots are UHS-II compatible, which is nice when shooting all those frames per second or 4K video. Also includes a PC flash terminal, headphone and mic ports, as well as micro HDMI. And a USB-C port that can be used to charge both batteries in camera.  WiFi and Bluetooth are supported for connecting to the smartphones. Includes 121 Phase Detection AF points, and 121 contrast detect areas for AF as well.  It also has “Intelligent Subject Detection AF” which they make it sound like it’ll learn the shape of what you’re shooting and it will prioritize focus on that. That’s amazing. It also has face detect and eye detection as well. And it’ll work down to -6EV which is very dark indeed. If you use the electronic shutter, you can get 60fps shooting, or 15fps using the mechanical shutter. If you want to use the electronic shutter and maintain full AF, you’ll be “limited” (a couple of air quotes there) to 18fps. The buffer holds a varying amount of shots depending on how fast you’re shooting. If in manual focus and shooting 60fps, you’ll fill the buffer at 49 shots, that’s less than a second. Did I mention it has dual UHS-II SD card slots? You’re gonna need it! If you’re at the 15fps, you fill it up at 103 frames, so that’s almost 7 full seconds there. Either way you shoot, it’s impressive. This part really interests me, the multi-shot HighRes mode. It’ll create an 80MP Raw image by using the IBIS (In Body Image Stabilization) system to nudge the sensor to different positions to capture the space between the pixels. It does this by taking 8 frames very quickly and then combining them in camera.  Then there’s the hand-held mode, where it does the same thing with 16 total frames, but it only makes a 50MP image. Still, I’m loving the sound of this technology. The so-called limitations of the 4/3s sensor are all but eliminated now.  It has the live composite mode which will build up a scene over time such as star trails.  It also does in camera focus stacking.  OK, just take my money already!!! I love this camera. Along with this camera they have also announced the 150-400 f/4.5 TC1.25x IS PRO lens.  This is a 300-800 equivalent length on a full-frame body, and it has a built in 1.25x extender. It can also be paired with a new 2x extender which would give you a 2000mm in full-frame speak. And they claim you can shoot it hand held due to the combination of the IBIS and the lens’ own stabilization.  I would love to try this out. Olympus, if you’re listening, I’m here for you to put this through the paces. I’ll go shoot eagles or something like that with this setup. That would be so amazing. They’ve already got a few really good lenses out there, the 7-14mm, 12-40 and 40-150 all look like my kind of lenses.  I don’t know about you, but the Olympus line-up has suddenly gotten awesome, at least in my opinion anyway. Sony A6400 Have you also seen that new Sony 6400? I won’t go into all the spec details, but that too is an impressive camera. I love the compact nature, the APS-C sized sensor and lens lineup. If I were to switch to Sony I’d give this on a serious look. In fact I’m actually considering buying this one. If Olympus releases a not-so-over-the-top option of that latest OM-D model then I might be tempted to go that route. One thing is for sure, we have so many good options in gear these days. OK, now on to the images, and revisiting the idea of shooting abstracts, or abstractions once again. I won’t be writing as much in the show notes as I did on the previous episode. I’ll just talk a bit more conversationally about these. Plants, Prague Castle. Notes: I was initially intrigued by these plants, but as I was shooting I felt they could use something more. So I decided to put the camera into manual focus and completely blur out the subject, making a beautiful bouquet of color. I then punched color saturation in post to achieve the affect I was going for. I also had adjusted the exposure to +1 when I took the shot to give it a bit more oomph. B&W Buildings, Boston, MA Boston, MA, USA Notes: I like to isolate the graphic forms and enhance the lines. By zooming in to the subject like this I’m able to eliminate any distractions that might take us away from the subject. Also, by removing the color, I’m able to keep the attention on the shape and form of the building and the glass frames rather than get distracted by the cool color and cloud shapes. Without color, the cloud textures become part of the building more. Also, for the second image I tilted the camera a bit so the side of the building would align with the edge of the frame. Doing so makes the building’s angles even more dramatic and it has some strength leaning up against the side like this where if I didn’t turn the camera on angle, it would feel really balanced, but not as strong. Segmentation series images. I love this series. By shooting the subject in segments I’m able to make a different statement than is normally made. With the yellow leaves, I was able to make it feel like separate pictures laying on top of each other, while still really enjoying the contrast of the lines, the brilliant color of the leaves and the strength of the trunk. But by limiting the view the eye is focused on the specific items that I wanted to highlight and draw the attention too, and other distractions were eliminated. For the black and white option here, the main subject is captured in those three images. They are very nearly evenly spaced and the texture is enhanced by the absence of color, and a little more clarity in Lightroom. The two additional frames in this set are to support and balance the composition overall. It’s important that these extra elements be shown there so we get a greater sense of place, but they are placed behind so as not to overly take away from the main subject. With the twin sisters shot, I really like it because it emphasizes the clouds. This composition works by itself, but I found it a bit boring. But I knew I wanted to bring those clouds in somehow, and with the angled shots and a segmentation I knew I had something good going here. The composition remains simple yet there’s added strength to it because we get to have more of those clouds, but they still aren’t complete. That’s one of the great things about photography, when we crop an element the mind must work to complete it in its imagination. With this type of shot the mind gets an initial look, then it gets more with the added frames and we still don’t complete the clouds so our impression of the magnitude of the clouds is rather enhanced. Grass image I love the simplicity and complexity of this image all at the same time. It’s simple because the depth-of-field is so shallow. It’s complex because the grass blades are going everywhere and they feel rather chaotic. The monochromatic color is also enhancing the idea of simplicity. Raining cottonwoods US, OR, Morrow County. Poplar Trees at the Boardman Tree farm. NR US, OR, Morrow County. Poplar Trees at the Boardman Tree farm. NR I love doing camera movement images. With this set I started out with the camera mounted to a gimbal head and a 50mm lens. I used the gimbal head to restrict the movement to one axis. With a bit of practice I got it working quite nicely. The exposure is about .8 seconds to begin with, and then I get to 1 second for the last two images. For the second to last image I sent on two axis, and the result is a feeling of motion to the side, and it contrasts with the position and direction of the trunks. It’s truly an amazing feeling looking at this image in full resolution. The final image has me hand-holding and twisting. I must have tried this 15 or more times before I got the one that really worked and was what I was looking for. The off-center point of rotation gives it a good sense of balance that’s not perfectly symmetrical. I also appreciate the added movement on the far left side of the image due to the off-center rotation point. Palouse field forms US, WA, Whitman County, Views from Steptoe Butte. The Palouse region is simply amazing. It’s also extremely popular with photographers. With a long tele lens you’re able to really pull out some great shapes, colors and forms from atop Steptoe Butte. If you get there about an hour before sunset you’re probably too late. So get there a bit earlier if you can. Then you can watch the transition of the forms and shadows as they elongate with the setting sun. If you can get a clear day you’re in luck. Sometimes it’s too hazy to get a good shot since you’re shooting subjects that are so far away. Stacked Waves I was testing two lenses and this shot is with the Sigma 150-600 Sport on my Canon 5D mkiv. I decided on a B&W conversion to enhance the effect of the deep tonality of the waves and the brilliant mist that is being blown off the top of the waves. The loan gull makes the shot really sing for me. I got some shots that have more birds, but in the spirit of abstracts and abstractions, this better fits the bill. Palouse Falls thundering water detail Palouse Falls state park is a great place to shoot. Just please be careful. The cliff is very high and the falls are 198 ft high as well. It can be dangerous if you’re not careful. For these shots I was at the top of the rim zooming down. I wanted to capture the energy of the water crashing down into the pool. The water in spring time is quite muddy, so I enhanced the contrast on these images and used a fast shutter speed to freeze the action. Clouds lit rom within Nature has some amazing gifts for us photographers. With this shot I was chasing a storm here in SE Washington. It was moving fast so I did more driving than shooting. I finally got ahead of it enough with a place that I could safely set up and shoot. But as it moved away the lightning was largely on the interior of the clouds, which enhanced the texture of the clouds. Being lit from within also makes for added drama with the foreground clouds. Sun spots The sun is possible to shoot with a 100–400 zoomed out to 400 with a 2x extender. I also used a 10-stop neutral density filter. I used that filter rather than a solar filter so I could render the sunspots. With a standard solar filter you don’t get enough detail to see the sunspots like this. Reminders I’ve got some workshops coming up this summer.  Shoot-n-Print in Walla Walla Total Solar Eclipse in Chile,  Composition, Culture and more in Croatia.

Hola y bienvenidos, un día más, a Aprender Fotografía – el podcast. Soy Fran Valverde y como siempre me acompaña Pere Larrègula. En el programa de hoy seguimos con el monográfico menú AF Canon 5D MarkIII Parte II. Antes de entrar en materia, recordaros que podéis encontrar todo nuestro contenido en aprenderfotografía.online, una red social para fotógrafos totalmente gratuita. El principal motivo por el que te recomendamos unirte a la red social es porque vas a aprender fotografía, tendrás acceso a los fotoconsejos, que son píldoras de unos pocos minutos donde vamos tratando varios temas. Cuando te suscribas recibirás un mail con varios videos, conocerás a mucha gente con tus mismos gustos, recibirás feedback de tus trabajos, te enterarás de las quedadas que se organicen y podrás participar en ellas... Dentro de la red social aprenderfotografía.online hemos montado la plataforma de cursos online, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles trece cursos, de diez lecciones cada uno. La suscripción a los cursos es de 10 euros al mes, da acceso a todo el contenido y se pueden ver tantas veces como se desee. No hay restricciones de contenido ni distintas cuotas. Os podéis dar de baja cuando queráis. Dentro de la red también podéis encontrar la sección de tienda online donde podéis adquirir algunos productos que recomendamos en material de fotografía.   Los cursos que están actualmente en la web son: Curso de iniciación a la fotografía digital Curso práctico de iniciación a la fotografía digital Curso de gestión de modelos Curso de iluminación en estudio básico Curso de Adobe Lightroom básico Curso básico de marketing para fotógrafos Curso de cómo montar tu propio estudio fotográfico Curso de flash de zapata Curso de retrato de carácter Curso de Boudoir Curso de desnudo artístico Curso de composición en fotografía Curso de iluminación en Retrato   Recordaros también que ya están abiertos los dos canales de Telegram: Canal de Telegram: https://t.me/aprenderfotografia Grupo de Telegram donde podemos conversar con vosotros y entre vosotros. https://t.me/aprenderfotografianoticias Canal de difusión de Telegram donde estaréis informados de todas las novedades de Aprender Fotografía El Podcast, cursos, nuevos podcasts, etc. En éste no podéis interactuar.    Como ya sabéis, en el programa anterior, explicamos los casos predefinidos que tiene la cámara Mark III. Continuamos en el programa de hoy con el resto del monográfico menú AF Canon 5D MarkIII Parte II: La diferencia en la precisión de los puntos AF, depende de lo que hayáis pagado por el cuerpo. Es ahí donde hay una diferencia importante ya que las cámaras profesionales tienen dos procesadores dedicados al enfoque, y las otras solo tienen uno. Volvemos a dejaros el video que hemos grabado con el menú de la cámara en pantalla directamente. Lo podéis encontrar también en la sección de fotoconsejos dentro de la red social. https://www.youtube.com/watch?v=o2NTwboYovM Prioridad del servo Si entras en la primera, te da opción al disparo o al enfoque. Esto quiere decir que si le das la prioridad al disparo, disparará aunque no enfoque. La otra opción es hacer la foto independientemente de que esté enfocada o no. Y en el centro es darle la misma prioridad al disparo que al enfoque. Esto es para la primera foto, que es la que puede marcar la diferencia cuando se trabaja en ráfaga.  Después se puede configurar la segunda foto. Si estás en una ráfaga y estás haciendo el seguimiento, el espejo está subido. Cuando hace referencia a la segunda foto, habla de la segunda y las siguientes. Hay usuarios que lo tienen configurado dando prioridad al enfoque en la primera foto y en la segunda al disparo, ya que es difícil que el motivo se haya movido lo suficiente como para perder el foco.  Pero hay que tener en cuenta que no todos los motivos son iguales. Si el movimiento es muy errático, y no lo tienes bien configurado,

Hola y bienvenidos, un día más, a Aprender Fotografía – el podcast. Soy Fran Valverde y como siempre me acompaña Pere Larrègula. En el programa de hoy hacemos un monográfico menú AF Canon 5D MarkIII Parte I. Hemos dividido el monográfico en dos programas para que no sea un programa tan largo y denso.  https://www.youtube.com/watch?v=o2NTwboYovM Tendréis también la explicación en video, en la sección de fotoconsejos, dentro de la red social, para que lo podáis seguir con mucha más facilidad. Antes de entrar en materia, recordaros que podéis encontrar todo nuestro contenido en aprenderfotografía.online, una red social para fotógrafos totalmente gratuita. El principal motivo por el que te recomendamos unirte a la red social es porque vas a aprender fotografía, tendrás acceso a fotoconsejos que son píldoras de unos pocos minutos donde vamos tratando varios temas. Cuando te suscribas recibirás un mail con varios videos... Conocerás a mucha gente con tus mismos gustos. Recibirás feedback de tus trabajos. Te enterarás de las quedadas que se organicen y podrás participar en ellas. Dentro de la red social aprenderfotografía.online hemos montado la plataforma de cursos online, con conceptos muy básicos hasta más avanzados. Actualmente tenemos disponibles trece cursos, de diez lecciones cada uno. La suscripción a los cursos es de 10 euros al mes, da acceso a todo el contenido y se pueden ver tantas veces como se desee. No hay restricciones de contenido ni distintas cuotas. Os podéis dar de baja cuando queráis. Dentro de la red también podéis encontrar la sección de tienda online donde podéis adquirir algunos productos que recomendamos en material de fotografía.   Los cursos que están actualmente en la web son: Curso de iniciación a la fotografía digital Curso práctico de iniciación a la fotografía digital Curso de gestión de modelos Curso de iluminación en estudio básico Curso de Adobe Lightroom básico Curso básico de marketing para fotógrafos Curso de cómo montar tu propio estudio fotográfico Curso de flash de zapata Curso de retrato de carácter Curso de Boudoir Curso de desnudo artístico Curso de composición en fotografía Curso de iluminación en Retrato   Recordaros también que ya están abiertos los dos canales de Telegram: Canal de Telegram: https://t.me/aprenderfotografia Grupo de Telegram donde podemos conversar con vosotros y entre vosotros. https://t.me/aprenderfotografianoticias Canal de difusión de Telegram donde estaréis informados de todas las novedades de Aprender Fotografía El Podcast, cursos, nuevos podcasts, etc. En éste no podéis interactuar.    Parámetros Antes de entrar en detalle vamos a explicar algunos conceptos que son necesarios para entender las opciones del menú. En la primera pantalla de configuración de la cámara del AF, veréis que habla del caso uno, el ajuste versátil de uso múltiple. Dentro de cada uno de estos casos hay tres parámetros: Sensibilidad de seguimiento Aceleración/ Deceleración del movimiento Cambio automático del punto AF Sensibilidad del seguimiento Cuando estás siguiendo un motivo en AF con servo y pasa un motivo por delante, si la sensibilidad está alta enfocará al que está por delante, si está baja, no perderá el foco, la persona que pase por delante aparecerá desenfocada y mantendrá más el tiempo. Hay varias opciones, desde -2 a +2. En -2 quiere decir que no lo va a seguir, que se quede ahí. Aceleración/ deceleración Determina cambios de velocidad del motivo. Por ejemplo, en un partido de fútbol las aceleraciones y deceleraciones son constantes, cuando regatean, cuando corren, cuando paran...el AF está constantemente acercándose y alejándose , si lo hace muy habitualmente lo dejaremos en + si no es habitual, en -. Por ejemplo, en una carrera de fórmula 1, si estás en una curva haciendo panix no tiene sentido poner una aceleración deceleración de seguimiento porque nosotros ...

Get the Canon EOS 5D Mark IV - https://geni.us/1BeA9qo Check out all of my camera gear here - http://bit.ly/2yUH5yT I've said it before, but I absolutely love the Canon 5D MK IV. In this video I take you through the BEST Canon 5DMKIV video settings I have found to give you that cinematic and film look to your footage that you know you need today! Chapters 1. Full HD Video Settings 1:08 2. Shutter Settings for Full HD 2:37 3. ISO Settings 3:10 4. Aperture 3:37 5. White Balance 3:59 6. Exposure 4:54 7. Focus 5:08 8. Audio 5:25 9. Slow Motion 6:14 10. Slow Motion Frame Rate 6:31 11. Slow Motion Shutter 6:41 12. Boost ISO 7:08 13. Super Slow Motion 7:51 14. Super Slow Motion Shutter 8:38 15. A few Caveats 9:10 Close 10:50 MY VLOG SETUP: Canon EOS R Body on Amazon - https://geni.us/Y5EAe Canon 24mm Lens on Amazon - https://geni.us/d1aCXZ RF to EF Control Ring Adapter on Amazon - https://geni.us/NEBK This tripod on Amazon - https://geni.us/SRH0 With this mic on Amazon - https://geni.us/qUkdTy Captured on this CF card on Amazon - https://geni.us/lhS6voS Or this SD Card (for 4K) on Amazon - https://geni.us/TVVF8 Edited on this computer on Amazon - https://geni.us/I4IVh GEAR I USED TO SHOOT THIS: Canon EOS R on Amazon - https://geni.us/Y5EAe LENS on Amazon - 24mm f1.4 L II - https://geni.us/d1aCXZ Rode PG2-R Pistol Grip Shock Mount with Rycote Lyre Suspension on Amazon - https://geni.us/2cGMkv Rode NTG2 Condenser Shotgun Microphone on Amazon - https://geni.us/qUkdTy Rode VideoMic Pro R with Rycote Lyre Shockmount & Rode DeadCat (Get the newer VideoMic Pro Plus instead as per below links) on Amazon - https://geni.us/LPjc SanDisk Extreme Pro 256GB SDXC UHS-I Card - BEST SD FOR 4K on Amazon - https://geni.us/TVVF8 Adjustable C-Stand for top down camera on Amazon - https://geni.us/pZZYP Sennheiser HD 380 PRO Headphones on Amazon - https://geni.us/uHRVReQ Good and Cheap Lighting Kit on Amazon - https://geni.us/XiRBtx I get ALL MY MUSIC from SoundStripe *Get 20% off your first month via this link - http://bit.ly/2MQsOI4 (full disclosure - I get a $15 kickback off my subscription for everyone who signs up via the above link) FOLLOW ME: Instagram: https://www.instagram.com/michaeljdrowley Twitter: https://twitter.com/michaeldrowley Facebook: https://www.facebook.com/michaeljdrowley Website: http://www.michaeldrowley.com ABOURT ME: Feeling too comfortable in design engineering after a solid 10 year career - I took a massive leap of faith and started my own video production company, Pendula. Become part of the journey so far, the highs, the lows, the triumphs and challenges AND subscribe for great content to help you up your game in all things video production and creative. DISCLOSURE: As an Amazon Associate I earn from qualifying purchases.Subscribe to Getting into it with Loveridge Designs on Soundwise

Michelle Young is a graduate of Harvard College in the History of Art and Architecture and holds a master’s degree in urban planning from Columbia University Graduate School of Architecture, Planning and Preservation, where she is an Adjunct Professor of Architecture. She is the author of Secret Brooklyn: An Unusual Guide, New York: Hidden Bars & Restaurants, and Broadway. Michelle appears regularly as a guest speaker in documentaries, on television, and at conferences on urban issues. She has traveled to over forty countries and is always looking for the next adventure. Augustin Pasquet is from Paris, has lived in Nigeria, Switzerland and Thailand and recently fell in love with Brooklyn, where he lives now. He has a master degree in marketing from ESSCA Business School in France and worked at L’Oreal in sales and marketing for 7 years. Augustin spends his off-time traveling, taking pictures with his Canon 5D camera or his rapidly increasing Lomo collection. He has traveled to 25 countries, including Cuba, Madagascar and Bolivia. Untapped Cities unearths New York City’s most unique and surprising places, stories and events for the inquisitive reader. Untapped Cities is a community of over 500 passionate contributors, interested in what’s hidden and unnoticed, and how our history informs city life now and in the future. The post Secret Brooklyn – Ep 21 with Michelle Young and Augustin Pasquet appeared first on Read Learn Live Podcast.

How to Make a $9000 Feature Film with Ed BurnsMany of you might have heard of the Sundance Film Festival winning film called The Brothers McMullen written and directed by Edward Burns. Burns went off to star in huge films like Saving Private Ryan and direct studio films like She's the One but what you might not know is he has been quietly making completely independent films on really low budgets. How low, how about $9000. As with any smart filmmaker, Ed Burns has continued to not only produce films but to consider new methods of getting his projects to the world. In 2007, he teamed up with Apple iTunes to release an exclusive film “Purple Violets”. It was a sign of the times that the director was branching out to new methods of release for his projects. In addition, he also continued to release works with his signature tried-and-true method of filmmaking. Using a very small $25,000 budget and a lot of resourcefulness, Burns created “Nice Guy Johnny” in 2010. Again- he was the writer and director. This is a formula that may intimidate a lesser performer, but he has proven that it works perfectly for his abilities.The film “Nice Guy Johnny” was released at the Tribeca Film Festival. While he was releasing that film, Burns wrote “Newlyweds”, another film he directed and starred in. He filmed this on a small Canon 5D camera in only 12 days and on a budget of only $9,000.In his book Independent Ed (which I recommend ALL filmmakers read), Ed Burns mentions some rules he dubbed “McMullen 2.0” which were basically a set of rules for independent filmmakers to shoot by.Actors would have to work for virtually nothing.The film should take no longer than 12 days to filmDon’t shoot with any more than a three man crewActor's use their own clothesActor's do their own hair and make-upAsk and beg for any locationsUse the resources you have at your disposalI used similar rules when I shot my feature film "This is Meg". I shot that in 8 days. Take a listen to this episode and prepare to get inspired. After you listen take a read of the making of The Brothers McMullen and read Independent Ed. You won't regret it.Also, Ed Burns' DVD director's commentaries are indie filmmaking gold. He really shares his methods and all of his secret sauce. The DVD are direct cheap and well work getting. I'll put a list of them below. You won't regret it. 

The episode Tyler has been wanting to make for years, the deep dive review of the Canon 5D mark IV.

Back from a long summer break DJ sits down with Manzar Elahi, Glen John Labasug & June Wong all leading ,multimedia teams at their respective news organisations in Pakistan, the Philippines and Malaysia. In the news DJ tracks back to the start of the summer to highlight the big announcements including his take on the Canon 5D mk4.

EPISODE 161: What’s In Aron’s Pack? Reckoning Please DO NOT call the Kifaru Office asking about this pack until approx. Sept. 26 when Aron gets back from hunting.  Thanks!   Featured on this episode:                       Bow Setup Hoyt Buffalo Carbon Core Quatro Limbs  Black Eagle Vintage Arrows 350 spine     Cutthroat Broadheads 250 grains Selway Quiver 6 arrow   Clothing First Lite Gaiters Socks - Fits or Firstlite Pants - First Lite Corrugate Guide, Kanab 2.0 Shirts - Rokslide World’s Okayest Hunter, First Lite Aerowool Half Zip long sleeve top,  Jackets - First Lite North Branch Soft Shell Assess the area and time of year you’re going. 1 extra set of socks, 1 extra set of underwear, try to wear base layer upper merino wool. 1 pair of pants I wear in. Fleece layer over that and a puffy jacket and a rain jacket over that. Good quality synthetic or merino clothing.    Kifaru Backpack *Not released yet* “The Reckoning” Ranger Green Color Phelps Game Calls Bugle Tube Head’s Up Decoy "Bertha"  14mm 2.8 lens Canon wide angle Ape Case Silica Packets to help with moisture Canon 5D mark iii Alaska Guide Creations Binoculars Harness Lens Pen, Petzl elite headlamp, Havalon knife, Exotac Matchcap, extra blades, tags & ribbon, Windicator, 10x42 Razor HD Vortex Optics, Autolock buckles, FHF range finder case, Vortex Range Finder Kifaru Ultralite Pullout: Tyvek Cloth, pillow & Sleeping pad,  *previously packed in Kifaru Tut & Poles, Thermarest Neo Air Xlite Kifaru Pull out: Backup camera gear, lens wipes, hurricane blower, SD cards in waterproof case. Backup broadhead case,   Large Kifaru Pull out: First Lite ultralite puffy jacket, dirt biscuits, First Lite Halstead fleece, ultralight rain jacket, rain pants and a baselayer.   Kifaru Pull out: Stove, Spoon, Evernew stove, Soto windmaster stove, Sea to Summit Waterproof bags for camera gear,   Kifaru Pull out Extra small:  Toothbrush, toothpaste, contact lens solution & case.  Kifaru Slick Bag Regular Wide Gitzo tripod traveler, Outdoorsman micro pan head,  Kifaru Nalgene Bottle, Human Gear CapCap lid, Phelps Game Calls Ezestrus, *Top Secret Jason Phelps Game Calls*,  Firstlite Neck Gaiter & Beanie Hat & Gloves   Hydrapak water bladder, Platypus,  Kifaru Pack “The Woodsman” Squeeze Call, Sony RX100 Point & Shoot,  Kill Kit, TAG bags Pristine Ventures, Food, wetwipes, TP,    “Possibles Pouch”: Archery Kit: bowstringer, wax, judo tips, glue, backup string, stringer,  FIRST AID: Migraine pills, bandaids, kit for patching, tenacious tape by Gear Aid, chopstick, elk in heat, Garmin 401, compass, Black Diamond headlamp, Hardy face paint at Rocky Mountain Specialty Gear,  Battery Pack: Dark Energy #destructiontested   Steripen Classic, fire starter kit, compression gauze,  MTN OPS Enduro,        

It looks like we have the specs of the new Canon 5D mark 4, and as we predicted if the leaked specs are anything to go by we might all be a little bit disappointed, especially when it comes down to the 4k image and frame rates. But only time will tell i guess. I also have the Zhiyun Crane in for review and aside a few minor things I am impressed with its first outing. We also talk about complaints from wedding couples and how to deal with them.  The this weeks track on Soundstripe Thank you for listening. SUBSCRIBE on iTunes: https://itunes.apple.com/gb/podcast/our-week-in-video-video-production/id955970525?mt=2   To see out work follow these links:   Ben’s http://www.brutoncoxvisuals.com http://www.theweddingcut.com https://twitter.com/brutoncox   Rich’s http://www.auroravideo.co.uk https://twitter.com/auroravideo

Dave in Michigan wants to know what makes his OG Canon 5D and similarly remembered camera bodies so special. This leads Bill & Dan to reminisce.And Chris in NJ is back, worried that the lenses he uses with his Nikon D700 aren't up to the task of feeding the D810 he's considering renting for a once in a lifetime trip out west. Canon 5D review on DP ReviewNikon D3 review on DP ReviewDoes Pixel Size MatterNikon D810 on AmazonNikon Lens Family Differences

To celebrate the tenth anniversary of the Canon 5D(which began shipping in August 2005), Canon U.S.A. hosted a screening and in-depth Q&A fittingly titled "A Decade of DSLRs: Creative Minds Talk the Evolution of Hand-Held Filmmaking." As the author of The DSLR Cinematography Guide Ryan Koo was asked to host the event and we are happy to release the panel as an episode of The No Film School Podcast. The event featured a who's-who of cinematographers and directors with DSLR successes under their belt, including Joe Passarelli (Director of Photography, Anomalisa), Bryce Fortner (Director of Photography, Too Legit, Portlandia, W/ Bob & David), Lauren Greenfield (Director, The Queen of Versailles), Tom Hurwitz, ASC (Director of Photography, The Queen of Versailles, Ghosts of Abu Ghraib, Our Brand Is Crisis), and Tim Smith (Senior Film and Television Advisor, Canon).

[iframe style="border:none" src="http://html5-player.libsyn.com/embed/episode/id/4144906/height/360/width/450/thumbnail/yes/render-playlist/no/theme/custom/custom-color/943aa9" height="360" width="450" scrolling="no" allowfullscreen webkitallowfullscreen mozallowfullscreen oallowfullscreen msallowfullscreen] Got Clocked! Book talk starts at 15:40 Call in Line - 1-206-350-1642 Call in and leave an audio comment - First CoMC episode: | | Crafty Bits| Time code links take you to YouTube Jambalaya here: Jambalaya! mmmmm...blood oranges!   *  - good for Blood Oranges Erica's Pork Simpler than Dawn's jambalaya, and a tad underdone, but it sure was yummy! * * * Dawn - More Briar Rose Loveliness * Jenny the Potter Mugs - *  - * * * * Stitches West is 2/18 - 2/21 in Santa Clara, CA.  Erica can be found in the ](http://www.dizzyblondestudios.com/) booth, #1033 all Friday morning and all daySunday.  Two samples of will be on display, and hardcopies of the pattern can be purchased there. (Electronic copies are available on Ravelry.) * A sample of will be on display in the Lux Adorna Knits (http://www.luxadornaknits.com,  formerly Pepperberry Knits) booth, #938 & 1037, right next door to Dizzy Blonde Studios.  Electronic copies of the pattern are available on Ravelry. Got a genius idea for Defarge Does Sherlock? Get it in before the end of February to be considered for inclusion in the book! We could especially use some more crochet patterns. | Book Talk - 15:40 | Paris From the west — Île de la Cité By Daniel Vorndran / DXR, , https://commons.wikimedia.org/w/index.php?curid=31704254 From the East — Île de la Cité By - Own work - Taken by myself with a Canon 5D and 24-105mm f/4L IS. This version has been brightened., , https://commons.wikimedia.org/w/index.php?curid=1114396 - Spinning Flax and prepping flax and a skip to 4:30 if you want to jump to the flax prep. Axis of Evil - Danglers, Cadreuse, Fernand | SPREAD THE CLASSICS | Love the happy feeling you get when we start a new book? Consider sharing #CraftLit with your Twitter followers , If you

This extra podcast we talk about the transition from Canon 5D mliii's to either Sony A7s or Panasonic GH4. Daniel Jeremiah took the Panasonic route, we discuss his very fortunate working environment and how he integrated the GH4 into his workflow with weddings and corporate promotional video work. Follow Dan here: http://www.danieljeremiah.com Thank you for listening. SUBSCRIBE on iTunes: https://itunes.apple.com/gb/podcast/our-week-in-video-video-production/id955970525?mt=2   To see out work follow these links:   Ben’s http://www.brutoncoxvisuals.com http://www.theweddingcut.com https://twitter.com/brutoncox   Rich’s http://www.auroravideo.co.uk https://twitter.com/auroravideo

The Sony A7s: http://amzn.to/2mn3fnA My Camera Gear- http://bit.ly/jordankit It finally happened: We got our hands on the Sony A7s mirrorless camera. After blogging about this camera for about 6 months, it was about time that we got to demo Sony's front-runner in the mirrorless uprising. A compact body and able to output a 4K signal, this camera seems to be a filmmaker's dream come true for under $3K. 1. Body/Construction This camera is quite small in the hands. I will give a warning to big guys and Canon 5D users- it's puny in the hands. The overall size is about the size of an iPhone 6. But some will find this as a relief if they often have a hurt back from using large camcorders all day. I'm not one of those people. Coming from a Canon 70D, I take comfort in being able to manhandle my camera without fear of breaking or slipping out of my hands. Buttons and dialed are top notch. I don't see these ever wearing out. They lack the plastic-y cheap feel that Canon dials fall victim to. The body is a mostly metal with a rubberized handgrip. The battery and SD card latches aren't remarkable but they don't feel cheap. My only complaint, and the complaint of many filmmakers: the Record button. It's flush against the rightside the of the camera where your index and thumb meet. I oftentimes couldn't do a no-look recording and would have to crane my head to the side to try and find the tiny button. 2. Battery Not as terrible as our Vlog #16 makes them out to be but these batteries aren't the ones you're looking for. I used to work with a Sony a37 and the A7s uses the same baby batteries. These batteries just lack the robustness and longevity of camcorder batteries. I know this is an obvious statement but if I'm losing one battery per hour, then there's a problem. If I were to shoot a film with the A7s then I would consider a battery grip, external power bricks, or at least 5 batteries and chargers for the day. --- ►► Subscribe to My Channel Here: http://bit.ly/2lZYHDP --- Website- http://jordanpanderson.com Instagram- http://instagram.com/jordanpanderson Facebook- http://facebook.com/jordanpandersonfilm Snapchat- http://snapchat.com/add/valley_films Canon 70D- http://bit.ly/2mw6R4D Canon 10-18mm- http://bit.ly/2mw6R4D RODE VideoMic Pro- http://bit.ly/2mw6R4D iPhone 6- http://bit.ly/2mw6R4D Adobe Premiere Pro CC- http://bit.ly/2mw6R4D ►►New to the Vlog? -- How to Start A Production Company- https://goo.gl/OA6MKq My Life Story (sort of)- https://goo.gl/U5b2Ja I can remember picking up my family's video camera as a teenager and being enthralled that I could make an impact in someone's life. The filmmaking process is complex but at the heart of it simple: tell a compelling story. What resonates the hardest is visual storytelling. The ability to create an emotion or convey an idea through an image is what drives my career as a filmmaker. My marathon mentality is focused on becoming the best cinematographer possible.

In our 16th episode of the We, geeks Podcast, we discuss the Google I/O announcements, Pixelmator coming to the iPhone, and more! Google I/O: http://www.theverge.com/2015/5/28/8676769/google-io-2015-highlights-announcements-recap Pixelmator: http://www.macrumors.com/2015/05/28/pixelmator-for-iphone-expanded-app/ Historic Photos: http://petapixel.com/2015/05/25/oldsf-and-oldnyc-historical-photos-plotted-on-maps/ Canon 5D: http://petapixel.com/2015/05/28/happy-birthday-5d-canons-groundbreaking-dslr-line-turns-10-today/ $100K Telescope: http://www.dunlap.utoronto.ca/instrumentation/dragonfly/ Petzval Bokeh Lens: https://www.kickstarter.com/projects/lomography/the-lomography-new-petzval-58-bokeh-control-art-le Lightroom's Dehaze Peek: http://petapixel.com/2015/05/28/this-is-the-dehaze-tool-coming-to-lightroom/

On this week’s great show we chat with the awesome Joel Ashton McCarthy and Bruce Novakowski about making Shooting The Musical (formerly After Film School), dubious publicity stunts, and we all share some more thoughts on the Oscars. Plus, stick around to the end to hear who loses the swear word game! Be sure the […]

Chris Fenwick takes on hosting duties for today’s show since my vocal chords are ripped from being sick this week. Today’s filmmaking panel includes planetMitch of planet5d.com and Ron Dawson of DareDreamMag.com. We start off by taking a leap from the edge of space with “Fearless” Felix Baumgartner and his amazing 128,000 feet supersonic jump – all covered in unprecedented detail. In addition to RED cameras and Canon 5D’s mounted to the cabin, there were 5 GoPro Hero cameras mounted to Felix’s spacesuit for what will no doubt be some of the most amazing POV shots ever. Speaking of GoPro, planetMitch talks about the new 4K GoPro Hero3 cameras announced this morning. We continue the discussion of shooting interviews in this episode. Chris Fenwick talks with his former boss, Stewart Cheifet, long time host and director of the Computer Chronicles show. Cheifet – who has interviewed the likes of Bill Gates, Steve Jobs, and Larry Ellison – shares some of his interviewing tips and techniques. Ron Dawson talks about the interview from the standpoint of being a documentary filmmaker. He talks about one of current projects – Mixed in America – and how the interview turned out to be journey of discovery that took the film into unexpected places and emotions.

Interview NotesAdam Jay took time out of his busy schedule and stopped in for a new episode of MTR Beyond The Mic. Adam has been making headlines throughout the geek community for his amazing superhero photography. Adam goes beyond the studio and strives to mix exotic locales combined with some of comics most well known characters. Adam was very open about the creative process and went as far as to share what gear he uses which for those curious is a Canon 5D. Adam will be doing some photo shoots at New York Comic Con October 11-14. To see more of Adam’s work make sure to check out his site and fan page in the links below. We'll show more of Adam’s work when we share the interview on the site next week.LinksOfficial Site: http://superherophotography.co.uk/Twitter: http://www.twitter.com/superherophotosFacebook: http://www.facebook.com/superherophotographyGoogle Plus: http://www.gplus.to/wroxer Youtube: http://www.youtube.com/superherophotographyListener InfoPlease take a moment and rate the show and/or app on iTunes.Follow My Take Radio on Twitter-@MyTakeRadioBecome a fan of My Take Radio on Facebook-Facebook.com/MyTakeRadioAdd My Take Radio to your circle on Google+Follow MTR on PinterestCheck out MyTakeRadioTV on YoutubeIf you have any feedback or questions you can now call the MTR Feedback line 347-815-0687.Guest inquiries can be forwarded to MTRHost@MyTakeRadio.comShow your support by picking up an MTR T-Shirt or by shopping from our Amazon store. 

Episode 34 - Featuring Khalid Mohtaseb and Jonathan Bregel of Next Level Pictures - on the Digital Convergence Podcast by 16x9 Cinema with hosts Carl Olson (http://16x9cinema.com) and Chris Fenwick (http://chrisfenwick.com). In the first segment of the show, Chris Fenwick talks about his behind the scene experience with Shane Hurlbut's Hurlbut Visuals HDSLR Bootcamp. Chris gives a feel for what it was like to be in attendance. Chris talks about how the editors at the HDSLR Bootcamp used Adobe Premiere Pro instead of Apple's Final Cut Pro and why. We geek out on data management when Chris reveals he collected over 680 GB of data at the HDSLR Bootcamp. In the next segment I talk to two amazing filmmakers who are in their early twenties. Khalid Mohtaseb was born in Doha Qatar in December 1985. He spent his childhood traveling from one country to another, until his father was relocated to Wayne New Jersey in 1993. Khalid's work includes the controversial Haiti Earthquake Aftermath video - an amazingly beautiful, cinematic depiction of the sad human cost of this devasting earthquake. Khalid's talent has taken him all the way from shooting film in Coney Island to corporate interviews around the country. Jonathan Bregel was mentored at a young age by photographer/professor Juan Carlos Castro and was taught the art of lighting, and frame composition. Prior to attending college, Jonathan's photography and documentary work was displayed in museums nationwide. Years later, he graduated from Full Sail University with a BS in Filmmaking. Jonathan's work has already been displayed on many television stations including; IFC, MTV, MTV2, MTVu, Fuse, and BET. Jonathans passion for filmmaking and travel has allowed him to shoot in every state in the USA along with several places outside the USA. Khalid and Jonathan talk about a new music video they filmed with Canon 5D's and 7D's for the music group There for Tomorrow and their new single Deathbed.  

LensFlare 35 is a weekly show brought to you by Dave Warner. Something a little different in this week’s episode since it is our ‘one-year-anniversary’ show! Dave interviews Lan and Vu Bui and puts ALL the content online with a little bit different approach to the images section.The Bui Brothers are photographers and cinematographers specializing in online media and promotional photography. They both started personal videoblogs in 2005 and a web show which broadcast 205 episodes through 2007. The brothers adopted DSLR video shooting as soon as it came out and with Smashface Productions, shot the first US television commercial on the Canon 5D mark II. The brothers also shoot conceptual and promotional photography for web personalities and professionals AND they teach lighting workshops.In this episode, the brothers talk about how to successfully get started shooting video without spending a TON of money, their approach to shooting stills and video, thoughts about story boarding, talent, visualization, tips on choosing music, lighting workshops, thoughts about how HD DSLR’s have changed their lives and much more. We created a multi-media show of their images with an explanation of each that plays, included one of their videos, the full podcast interview AND an out-take about the iPad (above), and our typical show player and download, which can be found when you visit www.lensflare35.com.

LensFlare 35 is a weekly show brought to you by Dave Warner. Something a little different in this week’s episode since it is our ‘one-year-anniversary’ show! Dave interviews Lan and Vu Bui and puts ALL the content online with a little bit different approach to the images section.The Bui Brothers are photographers and cinematographers specializing in online media and promotional photography. They both started personal videoblogs in 2005 and a web show which broadcast 205 episodes through 2007. The brothers adopted DSLR video shooting as soon as it came out and with Smashface Productions, shot the first US television commercial on the Canon 5D mark II. The brothers also shoot conceptual and promotional photography for web personalities and professionals AND they teach lighting workshops.In this episode, the brothers talk about how to successfully get started shooting video without spending a TON of money, their approach to shooting stills and video, thoughts about story boarding, talent, visualization, tips on choosing music, lighting workshops, thoughts about how HD DSLR’s have changed their lives and much more. We created a multi-media show of their images with an explanation of each that plays, included one of their videos, the full podcast interview AND an out-take about the iPad (above), and our typical show player and download, which can be found when you visit www.lensflare35.com.

Tip o' the Week?, Del.icio.us, Black Friday, Travis and I both like our Canon S400/S410 PowerShot Digital Elph cameras, Travis' New Camera Fund, Tips from the Top Floor, Iomega Dazzle, Canon Digital Rebel's price drop, Canon 5D, Canon cameras use a CMOS sensor, Multi-layer CCD, Image Stabilization, Eating Contests, Radiant Vista, Norman Koren, Natalie Portman, Garden State, Modifying Photos?, Unmanipulated Photos, Chicago Uncommon by Dawn Mikulich