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Chapter 5 - Fallen WarriorQ1 - How convinced were you that this was Hagrid?No sooner had Mrs. Weasley bent over her son than Lupin grabbed Harry by the upper arm and dragged him, none too gently, back into the kitchen, where Hagrid was still attempting to ease his bulk through the back door. “Oi!” said Hagrid indignantly. “Le' go of him! Le' go of Harry!” Lupin ignored him. “What creature sat in the corner the first time that Harry Potter visited my office at Hogwarts?” he said, giving Harry a small shake. “Answer me!” “A — a grindylow in a tank, wasn't it?” Lupin released Harry and fell back against a kitchen cupboard. “Wha' was tha' about?” roared Hagrid. “I'm sorry, Harry, but I had to check,” said Lupin tersely. “We've been betrayed. Voldemort knew that you were being moved tonight and the only people who could have told him were directly involved in the plan. You might have been an impostor.”Q1 - Who was the betrayer?“So you think I should have killed Stan Shunpike?” said Harry angrily. “Of course not,” said Lupin, “but the Death Eaters — frankly, most people! — would have expected you to attack back! Expelliarmus is a useful spell, Harry, but the Death Eaters seem to think it is your signature move, and I urge you not to let it become so!” Q2 - Why is Harry so defensive of Stan?“The last words Albus Dumbledore spoke to the pair of us?” “ ‘Harry is the best hope we have. Trust him,' ” said Lupin calmly. Q3 - What does Dumbledore mean by this?Perhaps roused by the sound of Fred and their father's arrival, George stirred. “How do you feel, Georgie?” whispered Mrs. Weasley. George's fingers groped for the side of his head. “Saintlike,” he murmured. “What's wrong with him?” croaked Fred, looking terrified. “Is his mind affected?” “Saintlike,” repeated George, opening his eyes and looking up at his brother. “You see . . . I'm holy. Holey, Fred, geddit?” “Ron was great,” said Tonks warmly, relinquishing her hold on Lupin. “Wonderful. Stunned one of the Death Eaters, straight to the head, and when you're aiming at a moving target from a flying broom —” “You did?” said Hermione, gazing up at Ron with her arms still around his neck. “Always the tone of surprise,” he said a little grumpily, breaking free. “Are we the last back?” Q4 - Did Ron kill someone?Lupin nodded. With a wave to the others, Kingsley walked away into the darkness toward the gate. Harry thought he heard the faintest pop as Kingsley Disapparated just beyond the Burrow's boundaries. Q5 - Confirmation Kingsley's got a small butt?Mrs. Weasley ran forward, but the hug Bill bestowed upon her was perfunctory. Looking directly at his father, he said, “Mad-Eye's dead.” Q6 - What are your thoughts on Mad-Eye's death?She glared around at them all, tear tracks still etched on her beautiful face, silently daring any of them to contradict her. Nobody did. The only sound to break the silence was that of Hagrid hiccuping from behind his handkerchief. Harry glanced at Hagrid, who had just risked his own life to save Harry's — Hagrid, whom he loved, whom he trusted, who had once been tricked into giving Voldemort crucial information in exchange for a dragon's egg. . . . “No,” Harry said aloud, and they all looked at him, surprised: The firewhisky seemed to have amplified his voice. “I mean . . . if somebody made a mistake,” Harry went on, “and let something slip, I know they didn't mean to do it. It's not their fault,” he repeated, again a little louder than he would usually have spoken. “We've got to trust each other. I trust all of you, I don't think anyone in this room would ever sell me to Voldemort.” Q7 - Is Harry foolish to be saying this?The rest of them now dropped into chairs, all except for Harry, who remained standing. The suddenness and completeness of death was with them like a presence. “I've got to go too,” said Harry. Ten pairs of startled eyes looked at him. “Don't be silly, Harry,” said Mrs. Weasley. “What are you talking about?” Q8 - Is Harry and idiot?“No,” said Harry. “The bike was falling, I couldn't have told you where Voldemort was, but my wand spun in my hand and found him and shot a spell at him, and it wasn't even a spell I recognized. I've never made gold flames appear before.” Q9 - What spell did Harry perform?And then, out of nowhere, the pain in his scar peaked. As he clutched his forehead and closed his eyes, a voice screamed inside his head. “You told me the problem would be solved by using another's wand!” And into his mind burst the vision of an emaciated old man lying in rags upon a stone floor, screaming, a horrible, drawn-out scream, a scream of unendurable agony. . . . “No! No! I beg you, I beg you. . . .” “You lied to Lord Voldemort, Ollivander!” “I did not. . . . I swear I did not. . . .” “You sought to help Potter, to help him escape me!” “I swear I did not. . . . I believed a different wand would work. . . .” “Explain, then, what happened. Lucius's wand is destroyed!” “I cannot understand. . . . The connection . . . exists only . . . between your two wands. . . .” “Lies!” “Please . . . I beg you. . . .” And Harry saw the white hand raise its wand and felt Voldemort's surge of vicious anger, saw the frail old man on the floor writhe in agony — “Harry?” It was over as quickly as it had come: Q10 - What is going on here? Is Olivander lying?“But it was supposed to have stopped! Your scar — it wasn't supposed to do this anymore! You mustn't let that connection open up again — Dumbledore wanted you to close your mind!” When he did not reply, she gripped his arm. “Harry, he's taking over the Ministry and the newspapers and half the Wizarding world! Don't let him inside your head too!” Q11 - Did Voldemort want Harry to see this?Chapter 6 - The Ghoul in Pajamas“Well, you can't do anything about the” — Ron mouthed the word Horcruxes — “till you're seventeen. You've still got the Trace on you. And we can plan here as well as anywhere, can't we? Or,” he dropped his voice to a whisper, “d'you reckon you already know where the You-Know-Whats are?” “No,” Harry admitted. Q1 - Where are the Horcruxes?Harry understood “they” to mean Fleur and Mrs. Weasley. “It's one extra day,” said Ron, when Harry looked mutinous. “Don't they realize how important — ?” “ 'Course they don't,” said Ron. “They haven't got a clue. And now you mention it, I wanted to talk to you about that.”“Ron and Hermione seem to think that the three of you are dropping out of Hogwarts,” she began in a light, casual tone. “Oh,” said Harry. “Well, yeah. We are.”Q2 - Do you find it shocking that Mrs Weasley is still sending Ginny to Hogwarts?“Now, Ron, have you cleaned out your room yet?” “Why?” exclaimed Ron, slamming his spoon down and glaring at his mother. “Why does my room have to be cleaned out? Harry and I are fine with it the way it is!” “We are holding your brother's wedding here in a few days' time, young man —” “And are they getting married in my bedroom?” asked Ron furiously. “No! So why in the name of Merlin's saggy left —” “Don't talk to your mother like that,” said Mr. Weasley firmly. “And do as you're told.” “We were just talking about Mad-Eye,” Ron told Harry. “I reckon he might have survived.” “But Bill saw him hit by the Killing Curse,” said Harry. “Yeah, but Bill was under attack too,” said Ron. “How can he be sure what he saw?” “Even if the Killing Curse missed, Mad-Eye still fell about a thousand feet,” said Hermione, now weighing Quidditch Teams of Britain and Ireland in her hand. “He could have used a Shield Charm —” “Fleur said his wand was blasted out of his hand,” said Harry. “Well, all right, if you want him to be dead,” said Ron grumpily, punching his pillow into a more comfortable shape. Q3 - Do you think Ron could be right?“What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we're looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we'll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman's Syllabary. “I wonder . . . will we need to translate runes? It's possible. . . . I think we'd better take it, to be safe.” Q4 - If you were hunting Voldemort, what 5 items would you bring?“Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore's funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we're not going back there, I don't think I'd feel right if I didn't have it with —” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We're coming with you. That was decided months ago — years, really.” “But —” “Shut up,” Ron advised him. “I've also modified my parents' memories so that they're convinced they're really called Wendell and Monica Wilkins, and that their life's ambition is to move to Australia, which they have now done. That's to make it more difficult for Voldemort to track them down and interrogate them about me — or you, because unfortunately, I've told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I'll find Mum and Dad and lift the enchantment. If I don't — well, I think I've cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don't know that they've got a daughter, you see. Q5 - Will Hermione's plan work?There was silence in the room, broken only by gentle thuds as Hermione continued to throw books onto one pile or the other. Ron sat watching her, and Harry looked from one to the other, unable to say anything. The measures they had taken to protect their families made him realize, more than anything else could have done, that they really were going to come with him and that they knew exactly how dangerous that would be. He wanted to tell them what that meant to him, but he simply could not find words important enough. Harry, who did not believe that Hermione really understood his desire to return to Godric's Hollow. His parents' graves were only part of the attraction: He had a strong, though inexplicable, feeling that the place held answers for him. Perhaps it was simply because it was there that he had survived Voldemort's Killing Curse; now that he was facing the challenge of repeating the feat, Harry was drawn to the place where it had happened, wanting to understand. Q6 - What answers will Godric's Hollow have?“And the more I've read about them,” said Hermione, “the more horrible they seem, and the less I can believe that he actually made six. It warns in this book how unstable you make the rest of your soul by ripping it, and that's just by making one Horcrux!” Harry remembered what Dumbledore had said about Voldemort moving beyond “usual evil.” “Isn't there any way of putting yourself back together?” Ron asked. “Yes,” said Hermione with a hollow smile, “but it would be excruciatingly painful.” “Why? How do you do it?” asked Harry. “Remorse,” said Hermione. “You've got to really feel what you've done. There's a footnote. Apparently the pain of it can destroy you. I can't see Voldemort attempting it somehow, can you?” Q7 - Do you think he'd ever experience remorse for what he's done?“It has to be something so destructive that the Horcrux can't repair itself. Basilisk venom only has one antidote, and it's incredibly rare —”Q8 - What else do you think can kill a Horcrux?“Hang on,” said Ron, frowning. “The bit of soul in that diary was possessing Ginny, wasn't it? How does that work, then?” “While the magical container is still intact, the bit of soul inside it can flit in and out of someone if they get too close to the object. I don't mean holding it for too long, it's nothing to do with touching it,” she added before Ron could speak. “I mean close emotionally. Ginny poured her heart out into that diary, she made herself incredibly vulnerable. You're in trouble if you get too fond of or dependent on the Horcrux.” “I wonder how Dumbledore destroyed the ring?” said Harry. “Why didn't I ask him? I never really . . .” Q9 - Will any of them become possessed by Voldemort's soul?Q10 - How did Dumbledore kill the Horcrux?Chapter 7 - The Will of Albus DumbledoreHe was walking along a mountain road in the cool blue light of dawn. Far below, swathed in mist, was the shadow of a small town. Was the man he sought down there, the man he needed so badly he could think of little else, the man who held the answer, the answer to his problem . . . ?Q1 - What is going on?Q2 - Who's Gregorovitch?Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. Q3 - What was your most memorable “18” or “21” story?“This isn't your average book,” said Ron. “It's pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I'd had this last year I'd have known exactly how to get rid of Lavender and I would've known how to get going with . . . Well, Fred and George gave me a copy, and I've learned a lot. You'd be surprised, it's not all about wandwork, either.” Harry sat down, took the square parcel she had indicated, and unwrapped it. Inside was a watch very like the one Mr. and Mrs. Weasley had given Ron for his seventeenth; it was gold, with stars circling around the face instead of hands. “It's traditional to give a wizard a watch when he comes of age,” said Mrs. Weasley, watching him anxiously from beside the cooker. “I'm afraid that one isn't new like Ron's, it was actually my brother Fabian's and he wasn't terribly careful with his possessions, it's a bit dented on the back, but —” The rest of her speech was lost; Harry had got up and hugged her. He tried to put a lot of unsaid things into the hug and perhaps she understood them, because she patted his cheek clumsily when he released her, then waved her wand in a slightly random way, causing half a pack of bacon to flop out of the frying pan onto the floor. Q4 - Do you remember who Fabian Pruitt is?“The Prewetts, Gideon and Fabian. It took five Death eaters to bring them down, they fought like heroes.” (GOBLET OF FIRE)Although Lupin smiled as he shook Harry's hand, Harry thought he looked rather unhappy. It was all very odd; Tonks, beside him, looked simply radiant. Q5 - What's going on between them?“The Minister — but why — ? I don't understand —” But there was no time to discuss the matter; a second later, Mr. Weasley had appeared out of thin air at the gate, accompanied by Rufus Scrimgeour, instantly recognizable by his mane of grizzled hair. Q6 - What do you think of the Minister for Magic?“That law was created to stop wizards passing on Dark artifacts,” said Hermione, “and the Ministry is supposed to have powerful evidence that the deceased's possessions are illegal before seizing them! Are you telling me that you thought Dumbledore was trying to pass us something cursed?” “Are you planning to follow a career in Magical Law, Miss Granger?” asked Scrimgeour.Q7 - Do you think Ministry members think Dumbledore was evil?However, Scrimgeour did not seem to be listening. He put his hand inside his cloak and drew out a drawstring pouch much larger than the one Hagrid had given Harry. From it, he removed a scroll of parchment which he unrolled and read aloud. “ ‘The Last Will and Testament of Albus Percival Wulfric Brian Dumbledore' . . . Yes, here we are. . . . ‘To Ronald Bilius Weasley, I leave my Deluminator, in the hope that he will remember me when he uses it.' ” Scrimgeour took from the bag an object that Harry had seen before: It looked something like a silver cigarette lighter, but it had, he knew, the power to suck all light from a place, and restore it, with a simple click. Scrimgeour leaned forward and passed the Deluminator to Ron, who took it and turned it over in his fingers, looking stunned. “That is a valuable object,” said Scrimgeour, watching Ron. “It may even be unique. Certainly it is of Dumbledore's own design. Why would he have left you an item so rare?” Q8 - Why did he leave this to Ron?“ ‘To Miss Hermione Jean Granger, I leave my copy of The Tales of Beedle the Bard, in the hope that she will find it entertaining and instructive.' ” Scrimgeour now pulled out of the bag a small book that looked as ancient as the copy of Secrets of the Darkest Art upstairs. Its binding was stained and peeling in places. Hermione took it from Scrimgeour without a word. She held the book in her lap and gazed at it. Harry saw that the title was in runes; he had never learned to read them. As he looked, a tear splashed onto the embossed symbols. “Why do you think Dumbledore left you that book, Miss Granger?” asked Scrimgeour.Q9 - Why did he leave this to Hermione?“ ‘To Harry James Potter,' ” he read, and Harry's insides contracted with a sudden excitement, “ ‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.' ” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour.Q10 - Why did he leave this to Harry?“Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Q11 - Why did he leave this to Harry?“It — it was nothing,” he growled. “I . . . regret your attitude,” he said, looking Harry full in the face once more. “You seem to think that the Ministry does not desire what you — what Dumbledore — desired. We ought to be working together.” He nearly dropped the Snitch in surprise and excitement. Hermione was quite right. Engraved upon the smooth golden surface, where seconds before there had been nothing, were five words written in the thin, slanting handwriting that Harry recognized as Dumbledore's: I open at the close. Q12 - What does this mean?“Ron, you know full well Harry and I were brought up by Muggles!” said Hermione. “We didn't hear stories like that when we were little, we heard ‘Snow White and the Seven Dwarfs' and ‘Cinderella' —” “What's that, an illness?” asked Ron.Chapter 8 - The WeddingHarry had taken a large dose of Polyjuice Potion and was now the double of a redheaded Muggle boy from the local village, Ottery St. Catchpole, from whom Fred had stolen hairs using a Summoning Charm.Q1 - How do you feel about this identity theft?“When I get married,” said Fred, tugging at the collar of his own robes, “I won't be bothering with any of this nonsense. You can all wear what you like, and I'll put a full Body-Bind Curse on Mum until it's all over.” Q2 - Who do you think Fred and George are going to marry?An odd symbol, rather like a triangular eye, glistened from a golden chain around his neck. “Sign?” said Harry, looking over at Xenophilius too. The strange triangular eye was gleaming on his chest. “Why? What's wrong with it?” “Grindelvald. That is Grindelvald's sign.” “Grindelwald . . . the Dark wizard Dumbledore defeated?” “Exactly.” Krum's jaw muscles worked as if he were chewing, then he said, “Grindelvald killed many people, my grandfather, for instance. Of course, he vos never poverful in this country, they said he feared Dumbledore — and rightly, seeing how he vos finished. But this” — he pointed a finger at Xenophilius — “this is his symbol, I recognized it at vunce: Grindelvald carved it into a vall at Durmstrang ven he vos a pupil there. Some idiots copied it onto their books and clothes, thinking to shock, make themselves impressive — until those of us who had lost family members to Grindelvald taught them better.” Krum cracked his knuckles menacingly and glowered at Xenophilius. Harry felt perplexed. It seemed incredibly unlikely that Luna's father was a supporter of the Dark Arts, and nobody else in the tent seemed to have recognized the triangular, runelike shape. Q3 - Victor nearly fights him because of this symbol…what is it?“Hello, Harry!” she said. “Er — my name's Barny,” said Harry, flummoxed. “Oh, have you changed that too?” she asked brightly. “How did you know — ?” “Oh, just your expression,” she said. “Hmm. Made an excuse, did he? Not as gormless as he looks in press photographs, then. I've just been instructing the bride on how best to wear my tiara,” she shouted at Harry. “Goblin-made, you know, and been in my family for centuries. She's a good-looking girl, but still — French. Well, well, find me a good seat, Ronald, I am a hundred and seven and I ought not to be on my feet too long.” Q4 - Is this tiara anything special?Harry did not answer. He pretended to watch the dancers, like Krum, but he was thinking hard. So Voldemort was looking for a celebrated wandmaker, and Harry did not have to search far for a reason: It was surely because of what Harry's wand had done on the night that Voldemort had pursued him across the skies. The holly and phoenix feather wand had conquered the borrowed wand, something that Ollivander had not anticipated or understood. Would Gregorovitch know better? Was he truly more skilled than Ollivander, did he know secrets of wands that Ollivander did not? Q5 - Does Gregorivitch know secrets of wandlore that Olivander doesn't?“Well, in that interview,” Harry went on, “Rita Skeeter hinted that Professor Dumbledore was involved in the Dark Arts when he was young.” “Don't believe a word of it!” said Doge at once. “Not a word, Harry! Let nothing tarnish your memories of Albus Dumbledore!” Q6 - What's the truth here?“Why did nobody ever see her, Elphias?” squawked Muriel. “Why did half of us never even know she existed, until they carried the coffin out of the house and held a funeral for her? Where was saintly Albus while Ariana was locked in the cellar? Off being brilliant at Hogwarts, and never mind what was going on in his own house!” “What d'you mean, locked in the cellar?” asked Harry. “What is this?” Doge looked wretched. Auntie Muriel cackled again and answered Harry. Doge looked to be on the verge of tears. Auntie Muriel, who seemed to be enjoying herself hugely, snapped her fingers for more champagne. Numbly Harry thought of how the Dursleys had once shut him up, locked him away, kept him out of sight, all for the crime of being a wizard. Had Dumbledore's sister suffered the same fate in reverse: imprisoned for her lack of magic? And had Dumbledore truly left her to her fate while he went off to Hogwarts, to prove himself brilliant and talented?Q7 - Could this be true?“And I'll tell you something else,” Muriel said, hiccuping slightly as she lowered her goblet. “I think Bathilda has spilled the beans to Rita Skeeter. All those hints in Skeeter's interview about an important source close to the Dumbledores — goodness knows she was there all through the Ariana business, and it would fit!” Q8 - Is Bathilda Bagshot the source?“Bathilda Bagshot lives in Godric's Hollow?” “Oh yes, she's been there forever! The Dumbledores moved there after Percival was imprisoned, and she was their neighbor.” “The Dumbledores lived in Godric's Hollow?” “Yes, Barry, that's what I just said,” said Auntie Muriel testily. Harry felt drained, empty. Never once, in six years, had Dumbledore told Harry that they had both lived and lost loved ones in Godric's Hollow. Why? Were Lily and James buried close to Dumbledore's mother and sister? Had Dumbledore visited their graves, perhaps walked past Lily's and James's to do so? And he had never once told Harry . . . never bothered to say . . . Q9 - Is Dumbledore a good person?Harry did not know where to begin, but it did not matter. At that moment, something large and silver came falling through the canopy over the dance floor. Graceful and gleaming, the lynx landed lightly in the middle of the astonished dancers. Heads turned, as those nearest it froze absurdly in mid-dance. Then the Patronus's mouth opened wide and it spoke in the loud, deep, slow voice of Kingsley Shacklebolt. “The Ministry has fallen. Scrimgeour is dead. They are coming.”
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OUCH! Disney animation is on the skids, and the company needs a "course correction" says legendary animator and director John Musker (The Little Mermaid, Aladdin). He also wants you to know ahead of time he had NOTHING to do with Moana 2, which doesn't bode well for the sequel. ➡️ Tip Jar and Fan Support: http://ClownfishSupport.com ➡️ Official Merch Store: http://ShopClownfish.com ➡️ Official Website: http://ClownfishTV.com ➡️ Audio Edition: https://open.spotify.com/show/6qJc5C6OkQkaZnGCeuVOD1 About Us: Clownfish TV is an independent, opinionated news and commentary channel that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. Disclaimer: This series is produced by Clownfish Studios and WebReef Media, and is part of ClownfishTV.com. Opinions expressed by our contributors do not necessarily reflect the views of our guests, affiliates, sponsors, or advertisers. ClownfishTV.com is an unofficial news source and has no connection to any company that we may cover. This channel and website and the content made available through this site are for educational, entertainment and informational purposes only. These so-called “fair uses” are permitted even if the use of the work would otherwise be infringing. #Disney #Animation #News #Commentary #Reaction #Podcast #Comedy #Entertainment #Hollywood #PopCulture #Tech
Back to the world of manga as we explore the world of pirates in One Piece Vol. 1. We also review Dick Tracy #1 from Mad Cave Studios, Dudley Datson #1 from Dark Horse Comics, and Fantastic Four #19 from Marvel Comics. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN DUDLEY DATSON AND THE FOREVER MACHINE #1 Writer: Scott Snyder Artist: Jamal Igle, Juan Castro Publisher: Dark Horse Comics Cover Price: $4.99 Release Date: April 17, 2024 From New York Times bestselling creators Scott Snyder and Jamal Igle comes this rollicking sci-fi adventure story about a boy, his dog, and a machine that controls time and space! What could go wrong? Have you ever wondered why all the great figures in history had a pet companion, and if they were all running from the same mysterious threat? Such questions have never crossed the mind of Dudley Datson, a fifteen year-old with a penchant for invention. But when dastardly foes turn his world upside down, Dudley is going to have to start facing things beyond his wildest imagination in this modern day fable. [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/49Hhw2J MATTHEW FANTASTIC FOUR #19 Writer: Ryan North Artist: Carlos E. Gomez Publisher: Marvel Comics Cover Price: $4.99 Release Date: April 10, 2024 She came in trouble, all five feet, six inches of it. Even her name was a warning that things were about to get bad for me, real quick: "Storm." Miss Susie Storm, standing there in a blue gown custom-made to take years off the life of anyone who saw her, big as life in my crummy office. The doll needed a private eye to find her boyfriend. Seems he'd pulled a disappearing act: one "Professor Richards," a hard-luck egghead who'd somehow scored way out of his league. I didn't want to take her case, but my bank account said otherwise, and besides: There was something about her. A sense of danger maybe, but also, a vulnerability. Call me a sap, but the world's a rough place - and me, I didn't want to make it any rougher on her. 'Course, it wasn't long before I wished I'd had the good sense to keep my distance... [rating:3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3U0n030 RODRIGO DICK TRACY #1 Writer: Alex Segura, Michael Moreci, Chantelle Aimee Osman Artist: Geraldo Borges Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: April 24, 2024 A new era for the iconic detective starts here, from bestselling and acclaimed authors Alex Segura and Michael Moreci, as an all-new, noir-infused chapter in the Dick Tracy legacy kicks off with superstar artist Geraldo Borges. In the aftermath of World War II, the country stands frozen--waiting for the next shoe to drop. In The City, a brutal murder draws the attention of rising star detective Dick Tracy, who soon discovers the bloodshed is just the beginning of a complicated web that threatens to ensnare everything he cares about. Blending the classic elements of the Dick Tracy world (including his iconic villains, supporting cast, and unforgettable watch radio) with a hardboiled and realistic take, DICK TRACY #1 kicks off a fresh and modern take on the iconic detective that remains true to his rich history. [rating: 3/5] DISCUSSION ONE PIECE VOL. 1 Writer/Artist: Eiichiro Oda Publisher: VIZ Media (English edition) As a child, Monkey D. Luffy was inspired to become a pirate by listening to the tales of the buccaneer "Red-Haired" Shanks. But his life changed when Luffy accidentally ate the Gum-Gum Devil Fruit and gained the power to stretch like rubber...at the cost of never being able to swim again! Years later, still vowing to become the king of the pirates, Luffy sets out on his adventure...one guy alone in a rowboat, in search of the legendary "One Piece," said to be the greatest treasure in the world... You can purchase this issue via our Amazon affiliate link - https://amzn.to/4cZ6V68 CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
Back to the world of manga as we explore the world of pirates in One Piece Vol. 1. We also review Dick Tracy #1 from Mad Cave Studios, Dudley Datson #1 from Dark Horse Comics, and Fantastic Four #19 from Marvel Comics. Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! Join our Discord server and chat with fellow Spoilerites! (https://discord.gg/jWF9BbF) REVIEWS STEPHEN DUDLEY DATSON AND THE FOREVER MACHINE #1 Writer: Scott Snyder Artist: Jamal Igle, Juan Castro Publisher: Dark Horse Comics Cover Price: $4.99 Release Date: April 17, 2024 From New York Times bestselling creators Scott Snyder and Jamal Igle comes this rollicking sci-fi adventure story about a boy, his dog, and a machine that controls time and space! What could go wrong? Have you ever wondered why all the great figures in history had a pet companion, and if they were all running from the same mysterious threat? Such questions have never crossed the mind of Dudley Datson, a fifteen year-old with a penchant for invention. But when dastardly foes turn his world upside down, Dudley is going to have to start facing things beyond his wildest imagination in this modern day fable. [rating:4/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/49Hhw2J MATTHEW FANTASTIC FOUR #19 Writer: Ryan North Artist: Carlos E. Gomez Publisher: Marvel Comics Cover Price: $4.99 Release Date: April 10, 2024 She came in trouble, all five feet, six inches of it. Even her name was a warning that things were about to get bad for me, real quick: "Storm." Miss Susie Storm, standing there in a blue gown custom-made to take years off the life of anyone who saw her, big as life in my crummy office. The doll needed a private eye to find her boyfriend. Seems he'd pulled a disappearing act: one "Professor Richards," a hard-luck egghead who'd somehow scored way out of his league. I didn't want to take her case, but my bank account said otherwise, and besides: There was something about her. A sense of danger maybe, but also, a vulnerability. Call me a sap, but the world's a rough place - and me, I didn't want to make it any rougher on her. 'Course, it wasn't long before I wished I'd had the good sense to keep my distance... [rating:3.5/5] You can purchase this issue via our Amazon affiliate link - https://amzn.to/3U0n030 RODRIGO DICK TRACY #1 Writer: Alex Segura, Michael Moreci, Chantelle Aimee Osman Artist: Geraldo Borges Publisher: Mad Cave Studios Cover Price: $4.99 Release Date: April 24, 2024 A new era for the iconic detective starts here, from bestselling and acclaimed authors Alex Segura and Michael Moreci, as an all-new, noir-infused chapter in the Dick Tracy legacy kicks off with superstar artist Geraldo Borges. In the aftermath of World War II, the country stands frozen--waiting for the next shoe to drop. In The City, a brutal murder draws the attention of rising star detective Dick Tracy, who soon discovers the bloodshed is just the beginning of a complicated web that threatens to ensnare everything he cares about. Blending the classic elements of the Dick Tracy world (including his iconic villains, supporting cast, and unforgettable watch radio) with a hardboiled and realistic take, DICK TRACY #1 kicks off a fresh and modern take on the iconic detective that remains true to his rich history. [rating: 3/5] DISCUSSION ONE PIECE VOL. 1 Writer/Artist: Eiichiro Oda Publisher: VIZ Media (English edition) As a child, Monkey D. Luffy was inspired to become a pirate by listening to the tales of the buccaneer "Red-Haired" Shanks. But his life changed when Luffy accidentally ate the Gum-Gum Devil Fruit and gained the power to stretch like rubber...at the cost of never being able to swim again! Years later, still vowing to become the king of the pirates, Luffy sets out on his adventure...one guy alone in a rowboat, in search of the legendary "One Piece," said to be the greatest treasure in the world... You can purchase this issue via our Amazon affiliate link - https://amzn.to/4cZ6V68 CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends!
Wéi eng Schwéierpunkte wëllt d'CSV am Walkampf fir d'Europawale setzen? De Rick Mertens freet der CSV hir déngschteelsten Europadéputéiert, déi och nach eng Kéier mat an d'Course geet.
Et war Schauspilleresch e gutt Joer fir d'Scarlett Johansson, och wann et um Enn net duergeet fir mat an d'Course vun den Oscaren ze goen, sou huet si et fäerdeg bruecht, bannent engem Joer an 2 Filmer matzespillen. Eppes wat net jidderengem geléngt. De Business zu Hollywood ass alles anescht wéi einfach.
In Revelation 19:11-18 is a description of Jesus that proceeds His reign on earth as promised King who will bring peace on earth. In our passage there are eight descriptions of King Jesus that highlight His authority and character as the Only One who is able to make what is wrong in our world right. Jesus is coming and will come to make peace in our world by waging war on the antichrist who is to come and all the peoples who will align themselves with Him. It will be the realization that perhaps there was some truth that all roads do in fact lead to God, with the major clarification that many lead to Him as judge and only one leads to Him as savior. All I want to do with the time that we have this morning is to show you who He really is. Jesus is a triumphant King. The color white does not symbolize purity here as it does when used to describe garments. The white war horse that Jesus descends from heaven on symbolizes His role as a conquering King, and what is impressive is that, in Revelation 19:1, the battle has not yet begun. Jesus is coming back. You dont have to believe it and you dont even have to live like it, but the fact of the matter is this: Jesus is coming again, and He is not coming to die like He did the first time He came, He is coming to judge! The Bible says, at the name of Jesus every knee will bow, of those who are in heaven and on and under the earth, and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father (Phil. 2:10-11; see also Isa. 45:22-23). The Roman Senate had to give Julius Caesar permission to drive a chariot drawn by white horses through Rome to celebrate his victory in North Africa, but only after he defeated North Africa. When Jesus comes, He comes as a victorious King whose power will be demonstrated in such a way that every living creature will have no alternative but to bow before Him as the Lord. He rides a white horse signifying His victory because none can stay His hand. Jesus is a Faithful and True King (v. 11a). The second characteristic of Jesus is that He is faithful and true. When King Jesus comes to set up His kingdom, He will have no need to boast in a facade of faithfulness and truth because He is the very embodiment of faithfulness and truth. There is a lot of suffering in the world today. Every time there is a catastrophe in the world, governments rush with promises of help and often those who are left in the wake of tsunamis, earthquakes, hurricanes, tornados, ethnic genocide, and the like, are left with empty promises of deliverance. Not so with Jesus! My dear brothers and sisters, many of you have been touched by divorce. Some of you have grown up with one broken promise after another. Some of you have been disappointed, have been hurt, have been mistreated, or perhaps taken advantage of. Take a look at verse 11 again, and permit me to ask you, Who is sitting on the white horse? Jesus is planning an eternity with His Bride, and He means to make a home for her that is characterized by holiness and righteousness. Jesus is a righteous King (v. 11b). When Jesus comes, He will come in righteousness to judge the nations. There will be no room to accuse Him as being harsh, rash, or unjust in the execution of His judgment. For many of you, the idea of righteousness and justice is something you have been thinking a lot about because of the politicking we are seeing on television. An election will be coming soon in the United States; promises will be made, and every candidate will claim some measure of integrity while maligning the other candidates. The wars we read about in our history books and the ones we hear on the news often leave a wake of injustice and suffering. Books have been written about The Just War. Whatever your views are concerning war and the one we may find ourselves in the future, one thing is sure: When Jesus comes to wage war on the nations, it will be completely and categorically just, for the Bible says of Jesus: Then a shoot will spring from the stem of Jesse, and a Branch from his roots will bear fruit. The Spirit of the Lord will rest on Him, the spirit of wisdom and understanding, the spirit of counsel and strength, the spirit of knowledge and the fear of the Lord. And He will delight in the fear of the Lord, and He will not judge by what His eyes see, nor make decisions by what His ears hear; but with righteousness He will judge the poor, and decide with fairness for the humble of the earth; and He will strike the earth with the rod of His mouth, And with the breath of His lips He will slay the wicked. Also righteousness will be the belt around His hips, and faithfulness the belt around His waist. (Isaiah 11:15) Jesus is an all-seeing King (v. 12a). This is the third time in Revelation that Jesus is described as having eyes like fire (see 1:14; 2:18); every time He is characterized this way, it is metaphorical of His ability to see all things, including the human heart. As King, Jesus will execute justice on all those who have rejected Him as the way, the truth, and the life. Jesus does not have to pretend at being able to see all things; He is able to see all things; He is all knowing, and the entire world will be held accountable for what they do and think, both in public and private. When He comes to judge the nations, He will do so intelligently, there will be no civilian casualties. Jesus is the King of kings (v. 12b). In verse 12b, John notices something on Jesus head: many crowns. The Greek word for crown is also diadēma (we get the word diadem from it), it also means rulers crown. It is used only three times in Revelation. It is used to describe the crown worn by the dragon (12:3), the beast (13:1), and Jesus Christ. The point that is being made here is that the dragon (Lucifer) and the beast pretend to be what Jesus is. Their authority is temporary and given by God, Jesus authority is absolute and universal (This is why John records that Jesus had many crowns. The use of many is one way of saying innumerable). When Jesus comes, not only does John see many crowns on His head, but John also sees the title King of kings and Lord of lords on His robe and thigh. Every king or ruler that had been born into this world has had a temporal reign limited by age and mortality. When it comes to our lifespan, we are all like blips on a radar flashing on the screen of life and fading out just as quickly as we came in; James 4:14 asks, You do not know what your life will be like tomorrow. For you are just a vapor that appears for a little while, and then vanishes away. Jesus reign and authority is eternal and genuine, He does not need to pretend. Jesus is a One-of-a-kind King (v. 12c) There is a lot of debate and theologizing over what name Jesus has that no one knows. There are two things we know about the ancient world of Johns day that may help us understand why Jesus has a name that no one knows. First, it was common in the world of Johns day to believe that both the gods and humans had a hidden name that contained their true essence, that defined their fundamental nature. Second, it was believed that to know a persons name was to exercise some level of control over that person. What is revealed of the Rider on the white horse is that His revealed name is called, The Word of God and what is tattooed on His thigh is the title: King of kings and Lord of lords. What we see in Revelation 19:11-18, Paul described in Philippians 2:9-11, which I believe helps us understand the unknown name that only He knows: For this reason also God highly exalted Him, and bestowed on Him the name which is above every name, so that at the name of Jesus every knee will bow, of those who are in heaven and on earth and under the earth, and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father. What Paul wrote in Philippians 2:9-11 would have given his readers goosebumps because of what is written in Isaiah 45:22-23, Declare and present your case; Indeed, let them consult together. Who has announced this long ago? Who has long since declared it? Is it not I, the Lord? And there is no other God besides Me, a righteous God and a Savior; there is none except Me. Turn to Me and be saved, all the ends of the earth; For I am God, and there is no other. I have sworn by Myself; The word has gone out from My mouth in righteousness And will not turn back, That to Me every knee will bow, every tongue will swear allegiance. (Isa. 45:2123) According to Isaiah, only Yahweh has the right to judge the nations, and it is to Yahweh that every knee will bow, and every tongue will swear allegiance. Yet, Paul tells us that it will be before and to Jesus that, every tongue will swear allegiance and every knee will bow. Revelation 19:11-18 described the day when that will happen. The name that Jesus has that no one knows is reveals his absolute authority as God in the flesh who will not nor cannot be manipulated. Jesus is a just and holy King (v 13a). Why is Jesus robe dipped in blood? Is His robe dipped in blood to symbolize what He did at Calvary? I do not think so. I think Isaiah 63:2-3 gives us a clue to the meaning behind what John sees, Why is Your apparel red, And Your garments like one who treads in the wine press? I have trodden the wine trough alone, and from the peoples there was no one with Me. I also trod them in My anger and trampled them in My wrath; and their lifeblood is sprinkled on My garments, And I stained all My clothes (Isa. 63:13). Jesus robe is dipped in blood to indicate how He intends to deal with the nations that conspire against Him. How will He accomplish this? Look at verse 15, From His mouth comes a sharp sword, so that with it He may strike down the nations, and He will rule them with a rod of iron The justice Jesus will execute will flow out of His perfect holiness; it is the kind of judgment described in Psalm 2 The kings of the earth take their stand and the rulers conspire together against the Lord and against His Anointed, saying, Lets tear their shackles apart And throw their ropes away from us! He who sits in the heavens laughs, The Lord scoffs at them. Then He will speak to them in His anger and terrify them in His fury, saying, But as for Me, I have installed My King Upon Zion, My holy mountain. I will announce the decree of the Lord: He said to Me, You are My Son, Today I have fathered You. Ask it of Me, and I will certainly give the nations as Your inheritance, And the ends of the earth as Your possession. You shall break them with a rod of iron, You shall shatter them like earthenware. (Psalm 2:29) Jesus, as the Word of God, is the Promised King. Jesus is the Word of God, a title that is not unfamiliar in the New Testament. It is fitting that John closes his description of Jesus with this title because it gets at the reason why Jesus is qualified to come and judge the nations: In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things came into being through Him, and apart from Him not even one thing came into being that has come into being. In Him was life, and the life was the Light of mankind. And the Light shines in the darkness, and the darkness did not grasp it (John 1:15). However, while on earth, even with all the miracles that include His power over demons, disease, and even death (see Mark 5:1-43) the feeding of thousands with some kids five barley loaves and two fish (John 6:1-14), walking on water (6:15-25), and even His power over storms (Matt. 8::18-27), there were people who still refused to believe that He was the promised Messiah. This is why John continued in the opening statements of his Gospel account something to consider against the backdrop of what you have seen in Revelation 19:11-18, He was in the world, and the world came into being through Him, and yet the world did not know Him. He came to His own, and His own people did not accept Him. But as many as received Him, to them He gave the right to become children of God, to those who believe in His name, who were born, not of blood, nor of the will of the flesh, nor of the will of a man, but of God (John 1:1013). Conclusion As I consider this sermon series for Adventespecially what we have reflected on in Revelation 19, I am reminded of the conversation Lucy had with Mr. Beaver in C.S. Lewis The Lion, the Witch, and the Wardrobe when Mr. and Mrs. Beaver tried to help Lucy understand who Aslan was (Aslan is Narnias Christ figure): "Is - is he a man?" asked Lucy "Aslan a man!" said Mr. Beaver sternly. "Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don't you know who is the King of Beasts? Aslan is a lion, the Lion, the great Lion." "Ooh," said Susan, "I thought he was a man. Is he - quite safe? I shall feel rather nervous about meeting a lion." "That you will, dearie, and make no mistake," said Mrs. Beaver; "if there's anyone who can appear before Aslan without their knees knocking, they're either braver than most or else just silly." "Then he isn't safe?" said Lucy. "Safe?" said Mr. Beaver; "don't you hear what Mrs. Beaver tells you? Who said anything about safe? 'Course he isn't safe. But he's good. He's the king I tell you." The Lion of Judah is not safe, but He is good. Hes the king I tell you, and His name is Jesus Christ. The question I ask of you is simply this: Who do you say Jesus is and do you really believe it? Have you come to know Him? Do you really believe in His name? Is Jesus a religious icon to you, is He only a baby in a manger, or is He the King? Wherever you are in your thoughts and convictions about Jesus, I leave you with the last two verses of Psalm 2, Serve the Lord with reverence and rejoice with trembling. Kiss the Son, that He not be angry and you perish on the way, For His wrath may be kindled quickly. How blessed are all who take refuge in Him" (vv. 11-12).
In Revelation 19:11-18 is a description of Jesus that proceeds His reign on earth as promised King who will bring peace on earth. In our passage there are eight descriptions of King Jesus that highlight His authority and character as the Only One who is able to make what is wrong in our world right. Jesus is coming and will come to make peace in our world by waging war on the antichrist who is to come and all the peoples who will align themselves with Him. It will be the realization that perhaps there was some truth that all roads do in fact lead to God, with the major clarification that many lead to Him as judge and only one leads to Him as savior. All I want to do with the time that we have this morning is to show you who He really is. Jesus is a triumphant King. The color white does not symbolize purity here as it does when used to describe garments. The white war horse that Jesus descends from heaven on symbolizes His role as a conquering King, and what is impressive is that, in Revelation 19:1, the battle has not yet begun. Jesus is coming back. You dont have to believe it and you dont even have to live like it, but the fact of the matter is this: Jesus is coming again, and He is not coming to die like He did the first time He came, He is coming to judge! The Bible says, at the name of Jesus every knee will bow, of those who are in heaven and on and under the earth, and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father (Phil. 2:10-11; see also Isa. 45:22-23). The Roman Senate had to give Julius Caesar permission to drive a chariot drawn by white horses through Rome to celebrate his victory in North Africa, but only after he defeated North Africa. When Jesus comes, He comes as a victorious King whose power will be demonstrated in such a way that every living creature will have no alternative but to bow before Him as the Lord. He rides a white horse signifying His victory because none can stay His hand. Jesus is a Faithful and True King (v. 11a). The second characteristic of Jesus is that He is faithful and true. When King Jesus comes to set up His kingdom, He will have no need to boast in a facade of faithfulness and truth because He is the very embodiment of faithfulness and truth. There is a lot of suffering in the world today. Every time there is a catastrophe in the world, governments rush with promises of help and often those who are left in the wake of tsunamis, earthquakes, hurricanes, tornados, ethnic genocide, and the like, are left with empty promises of deliverance. Not so with Jesus! My dear brothers and sisters, many of you have been touched by divorce. Some of you have grown up with one broken promise after another. Some of you have been disappointed, have been hurt, have been mistreated, or perhaps taken advantage of. Take a look at verse 11 again, and permit me to ask you, Who is sitting on the white horse? Jesus is planning an eternity with His Bride, and He means to make a home for her that is characterized by holiness and righteousness. Jesus is a righteous King (v. 11b). When Jesus comes, He will come in righteousness to judge the nations. There will be no room to accuse Him as being harsh, rash, or unjust in the execution of His judgment. For many of you, the idea of righteousness and justice is something you have been thinking a lot about because of the politicking we are seeing on television. An election will be coming soon in the United States; promises will be made, and every candidate will claim some measure of integrity while maligning the other candidates. The wars we read about in our history books and the ones we hear on the news often leave a wake of injustice and suffering. Books have been written about The Just War. Whatever your views are concerning war and the one we may find ourselves in the future, one thing is sure: When Jesus comes to wage war on the nations, it will be completely and categorically just, for the Bible says of Jesus: Then a shoot will spring from the stem of Jesse, and a Branch from his roots will bear fruit. The Spirit of the Lord will rest on Him, the spirit of wisdom and understanding, the spirit of counsel and strength, the spirit of knowledge and the fear of the Lord. And He will delight in the fear of the Lord, and He will not judge by what His eyes see, nor make decisions by what His ears hear; but with righteousness He will judge the poor, and decide with fairness for the humble of the earth; and He will strike the earth with the rod of His mouth, And with the breath of His lips He will slay the wicked. Also righteousness will be the belt around His hips, and faithfulness the belt around His waist. (Isaiah 11:15) Jesus is an all-seeing King (v. 12a). This is the third time in Revelation that Jesus is described as having eyes like fire (see 1:14; 2:18); every time He is characterized this way, it is metaphorical of His ability to see all things, including the human heart. As King, Jesus will execute justice on all those who have rejected Him as the way, the truth, and the life. Jesus does not have to pretend at being able to see all things; He is able to see all things; He is all knowing, and the entire world will be held accountable for what they do and think, both in public and private. When He comes to judge the nations, He will do so intelligently, there will be no civilian casualties. Jesus is the King of kings (v. 12b). In verse 12b, John notices something on Jesus head: many crowns. The Greek word for crown is also diadēma (we get the word diadem from it), it also means rulers crown. It is used only three times in Revelation. It is used to describe the crown worn by the dragon (12:3), the beast (13:1), and Jesus Christ. The point that is being made here is that the dragon (Lucifer) and the beast pretend to be what Jesus is. Their authority is temporary and given by God, Jesus authority is absolute and universal (This is why John records that Jesus had many crowns. The use of many is one way of saying innumerable). When Jesus comes, not only does John see many crowns on His head, but John also sees the title King of kings and Lord of lords on His robe and thigh. Every king or ruler that had been born into this world has had a temporal reign limited by age and mortality. When it comes to our lifespan, we are all like blips on a radar flashing on the screen of life and fading out just as quickly as we came in; James 4:14 asks, You do not know what your life will be like tomorrow. For you are just a vapor that appears for a little while, and then vanishes away. Jesus reign and authority is eternal and genuine, He does not need to pretend. Jesus is a One-of-a-kind King (v. 12c) There is a lot of debate and theologizing over what name Jesus has that no one knows. There are two things we know about the ancient world of Johns day that may help us understand why Jesus has a name that no one knows. First, it was common in the world of Johns day to believe that both the gods and humans had a hidden name that contained their true essence, that defined their fundamental nature. Second, it was believed that to know a persons name was to exercise some level of control over that person. What is revealed of the Rider on the white horse is that His revealed name is called, The Word of God and what is tattooed on His thigh is the title: King of kings and Lord of lords. What we see in Revelation 19:11-18, Paul described in Philippians 2:9-11, which I believe helps us understand the unknown name that only He knows: For this reason also God highly exalted Him, and bestowed on Him the name which is above every name, so that at the name of Jesus every knee will bow, of those who are in heaven and on earth and under the earth, and that every tongue will confess that Jesus Christ is Lord, to the glory of God the Father. What Paul wrote in Philippians 2:9-11 would have given his readers goosebumps because of what is written in Isaiah 45:22-23, Declare and present your case; Indeed, let them consult together. Who has announced this long ago? Who has long since declared it? Is it not I, the Lord? And there is no other God besides Me, a righteous God and a Savior; there is none except Me. Turn to Me and be saved, all the ends of the earth; For I am God, and there is no other. I have sworn by Myself; The word has gone out from My mouth in righteousness And will not turn back, That to Me every knee will bow, every tongue will swear allegiance. (Isa. 45:2123) According to Isaiah, only Yahweh has the right to judge the nations, and it is to Yahweh that every knee will bow, and every tongue will swear allegiance. Yet, Paul tells us that it will be before and to Jesus that, every tongue will swear allegiance and every knee will bow. Revelation 19:11-18 described the day when that will happen. The name that Jesus has that no one knows is reveals his absolute authority as God in the flesh who will not nor cannot be manipulated. Jesus is a just and holy King (v 13a). Why is Jesus robe dipped in blood? Is His robe dipped in blood to symbolize what He did at Calvary? I do not think so. I think Isaiah 63:2-3 gives us a clue to the meaning behind what John sees, Why is Your apparel red, And Your garments like one who treads in the wine press? I have trodden the wine trough alone, and from the peoples there was no one with Me. I also trod them in My anger and trampled them in My wrath; and their lifeblood is sprinkled on My garments, And I stained all My clothes (Isa. 63:13). Jesus robe is dipped in blood to indicate how He intends to deal with the nations that conspire against Him. How will He accomplish this? Look at verse 15, From His mouth comes a sharp sword, so that with it He may strike down the nations, and He will rule them with a rod of iron The justice Jesus will execute will flow out of His perfect holiness; it is the kind of judgment described in Psalm 2 The kings of the earth take their stand and the rulers conspire together against the Lord and against His Anointed, saying, Lets tear their shackles apart And throw their ropes away from us! He who sits in the heavens laughs, The Lord scoffs at them. Then He will speak to them in His anger and terrify them in His fury, saying, But as for Me, I have installed My King Upon Zion, My holy mountain. I will announce the decree of the Lord: He said to Me, You are My Son, Today I have fathered You. Ask it of Me, and I will certainly give the nations as Your inheritance, And the ends of the earth as Your possession. You shall break them with a rod of iron, You shall shatter them like earthenware. (Psalm 2:29) Jesus, as the Word of God, is the Promised King. Jesus is the Word of God, a title that is not unfamiliar in the New Testament. It is fitting that John closes his description of Jesus with this title because it gets at the reason why Jesus is qualified to come and judge the nations: In the beginning was the Word, and the Word was with God, and the Word was God. He was in the beginning with God. All things came into being through Him, and apart from Him not even one thing came into being that has come into being. In Him was life, and the life was the Light of mankind. And the Light shines in the darkness, and the darkness did not grasp it (John 1:15). However, while on earth, even with all the miracles that include His power over demons, disease, and even death (see Mark 5:1-43) the feeding of thousands with some kids five barley loaves and two fish (John 6:1-14), walking on water (6:15-25), and even His power over storms (Matt. 8::18-27), there were people who still refused to believe that He was the promised Messiah. This is why John continued in the opening statements of his Gospel account something to consider against the backdrop of what you have seen in Revelation 19:11-18, He was in the world, and the world came into being through Him, and yet the world did not know Him. He came to His own, and His own people did not accept Him. But as many as received Him, to them He gave the right to become children of God, to those who believe in His name, who were born, not of blood, nor of the will of the flesh, nor of the will of a man, but of God (John 1:1013). Conclusion As I consider this sermon series for Adventespecially what we have reflected on in Revelation 19, I am reminded of the conversation Lucy had with Mr. Beaver in C.S. Lewis The Lion, the Witch, and the Wardrobe when Mr. and Mrs. Beaver tried to help Lucy understand who Aslan was (Aslan is Narnias Christ figure): "Is - is he a man?" asked Lucy "Aslan a man!" said Mr. Beaver sternly. "Certainly not. I tell you he is the King of the wood and the son of the great Emperor-Beyond-the-Sea. Don't you know who is the King of Beasts? Aslan is a lion, the Lion, the great Lion." "Ooh," said Susan, "I thought he was a man. Is he - quite safe? I shall feel rather nervous about meeting a lion." "That you will, dearie, and make no mistake," said Mrs. Beaver; "if there's anyone who can appear before Aslan without their knees knocking, they're either braver than most or else just silly." "Then he isn't safe?" said Lucy. "Safe?" said Mr. Beaver; "don't you hear what Mrs. Beaver tells you? Who said anything about safe? 'Course he isn't safe. But he's good. He's the king I tell you." The Lion of Judah is not safe, but He is good. Hes the king I tell you, and His name is Jesus Christ. The question I ask of you is simply this: Who do you say Jesus is and do you really believe it? Have you come to know Him? Do you really believe in His name? Is Jesus a religious icon to you, is He only a baby in a manger, or is He the King? Wherever you are in your thoughts and convictions about Jesus, I leave you with the last two verses of Psalm 2, Serve the Lord with reverence and rejoice with trembling. Kiss the Son, that He not be angry and you perish on the way, For His wrath may be kindled quickly. How blessed are all who take refuge in Him" (vv. 11-12).
Chapter 6 - The Ghoul in Pajamas“Well, you can't do anything about the” — Ron mouthed the word Horcruxes — “till you're seventeen. You've still got the Trace on you. And we can plan here as well as anywhere, can't we? Or,” he dropped his voice to a whisper, “d'you reckon you already know where the You-Know-Whats are?” “No,” Harry admitted. Q1 - Where are the Horcruxes?Harry understood “they” to mean Fleur and Mrs. Weasley. “It's one extra day,” said Ron, when Harry looked mutinous. “Don't they realize how important — ?” “ 'Course they don't,” said Ron. “They haven't got a clue. And now you mention it, I wanted to talk to you about that.”“Ron and Hermione seem to think that the three of you are dropping out of Hogwarts,” she began in a light, casual tone. “Oh,” said Harry. “Well, yeah. We are.”Q2 - Do you find it shocking that Mrs Weasley is still sending Ginny to Hogwarts?“Now, Ron, have you cleaned out your room yet?” “Why?” exclaimed Ron, slamming his spoon down and glaring at his mother. “Why does my room have to be cleaned out? Harry and I are fine with it the way it is!” “We are holding your brother's wedding here in a few days' time, young man —” “And are they getting married in my bedroom?” asked Ron furiously. “No! So why in the name of Merlin's saggy left —” “Don't talk to your mother like that,” said Mr. Weasley firmly. “And do as you're told.” “We were just talking about Mad-Eye,” Ron told Harry. “I reckon he might have survived.” “But Bill saw him hit by the Killing Curse,” said Harry. “Yeah, but Bill was under attack too,” said Ron. “How can he be sure what he saw?” “Even if the Killing Curse missed, Mad-Eye still fell about a thousand feet,” said Hermione, now weighing Quidditch Teams of Britain and Ireland in her hand. “He could have used a Shield Charm —” “Fleur said his wand was blasted out of his hand,” said Harry. “Well, all right, if you want him to be dead,” said Ron grumpily, punching his pillow into a more comfortable shape. Q3 - Do you think Ron could be right?“What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we're looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we'll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman's Syllabary. “I wonder . . . will we need to translate runes? It's possible. . . . I think we'd better take it, to be safe.” Q4 - If you were hunting Voldemort, what 5 items would you bring?“Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore's funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we're not going back there, I don't think I'd feel right if I didn't have it with —” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We're coming with you. That was decided months ago — years, really.” “But —” “Shut up,” Ron advised him. “I've also modified my parents' memories so that they're convinced they're really called Wendell and Monica Wilkins, and that their life's ambition is to move to Australia, which they have now done. That's to make it more difficult for Voldemort to track them down and interrogate them about me — or you, because unfortunately, I've told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I'll find Mum and Dad and lift the enchantment. If I don't — well, I think I've cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don't know that they've got a daughter, you see. Q5 - Will Hermione's plan work?There was silence in the room, broken only by gentle thuds as Hermione continued to throw books onto one pile or the other. Ron sat watching her, and Harry looked from one to the other, unable to say anything. The measures they had taken to protect their families made him realize, more than anything else could have done, that they really were going to come with him and that they knew exactly how dangerous that would be. He wanted to tell them what that meant to him, but he simply could not find words important enough. Harry, who did not believe that Hermione really understood his desire to return to Godric's Hollow. His parents' graves were only part of the attraction: He had a strong, though inexplicable, feeling that the place held answers for him. Perhaps it was simply because it was there that he had survived Voldemort's Killing Curse; now that he was facing the challenge of repeating the feat, Harry was drawn to the place where it had happened, wanting to understand. Q6 - What answers will Godric's Hollow have?“And the more I've read about them,” said Hermione, “the more horrible they seem, and the less I can believe that he actually made six. It warns in this book how unstable you make the rest of your soul by ripping it, and that's just by making one Horcrux!” Harry remembered what Dumbledore had said about Voldemort moving beyond “usual evil.” “Isn't there any way of putting yourself back together?” Ron asked. “Yes,” said Hermione with a hollow smile, “but it would be excruciatingly painful.” “Why? How do you do it?” asked Harry. “Remorse,” said Hermione. “You've got to really feel what you've done. There's a footnote. Apparently the pain of it can destroy you. I can't see Voldemort attempting it somehow, can you?” Q7 - Do you think he'd ever experience remorse for what he's done?“It has to be something so destructive that the Horcrux can't repair itself. Basilisk venom only has one antidote, and it's incredibly rare —”Q8 - What else do you think can kill a Horcrux?“Hang on,” said Ron, frowning. “The bit of soul in that diary was possessing Ginny, wasn't it? How does that work, then?” “While the magical container is still intact, the bit of soul inside it can flit in and out of someone if they get too close to the object. I don't mean holding it for too long, it's nothing to do with touching it,” she added before Ron could speak. “I mean close emotionally. Ginny poured her heart out into that diary, she made herself incredibly vulnerable. You're in trouble if you get too fond of or dependent on the Horcrux.” “I wonder how Dumbledore destroyed the ring?” said Harry. “Why didn't I ask him? I never really . . .” Q9 - Will any of them become possessed by Voldemort's soul?Q10 - How did Dumbledore kill the Horcrux?Chapter 7 - The Will of Albus DumbledoreHe was walking along a mountain road in the cool blue light of dawn. Far below, swathed in mist, was the shadow of a small town. Was the man he sought down there, the man he needed so badly he could think of little else, the man who held the answer, the answer to his problem . . . ?Q1 - What is going on?Q2 - Who's Gregorovitch?Harry seized the wand lying beside his camp bed, pointed it at the cluttered desk where he had left his glasses, and said, “Accio Glasses!” Although they were only around a foot away, there was something immensely satisfying about seeing them zoom toward him, at least until they poked him in the eye. Q3 - What was your most memorable “18” or “21” story?“This isn't your average book,” said Ron. “It's pure gold: Twelve Fail-Safe Ways to Charm Witches. Explains everything you need to know about girls. If only I'd had this last year I'd have known exactly how to get rid of Lavender and I would've known how to get going with . . . Well, Fred and George gave me a copy, and I've learned a lot. You'd be surprised, it's not all about wandwork, either.” Harry sat down, took the square parcel she had indicated, and unwrapped it. Inside was a watch very like the one Mr. and Mrs. Weasley had given Ron for his seventeenth; it was gold, with stars circling around the face instead of hands. “It's traditional to give a wizard a watch when he comes of age,” said Mrs. Weasley, watching him anxiously from beside the cooker. “I'm afraid that one isn't new like Ron's, it was actually my brother Fabian's and he wasn't terribly careful with his possessions, it's a bit dented on the back, but —” The rest of her speech was lost; Harry had got up and hugged her. He tried to put a lot of unsaid things into the hug and perhaps she understood them, because she patted his cheek clumsily when he released her, then waved her wand in a slightly random way, causing half a pack of bacon to flop out of the frying pan onto the floor. Q4 - Do you remember who Fabian Pruitt is?“The Prewetts, Gideon and Fabian. It took five Death eaters to bring them down, they fought like heroes.” (GOBLET OF FIRE)Although Lupin smiled as he shook Harry's hand, Harry thought he looked rather unhappy. It was all very odd; Tonks, beside him, looked simply radiant. Q5 - What's going on between them?“The Minister — but why — ? I don't understand —” But there was no time to discuss the matter; a second later, Mr. Weasley had appeared out of thin air at the gate, accompanied by Rufus Scrimgeour, instantly recognizable by his mane of grizzled hair. Q6 - What do you think of the Minister for Magic?“That law was created to stop wizards passing on Dark artifacts,” said Hermione, “and the Ministry is supposed to have powerful evidence that the deceased's possessions are illegal before seizing them! Are you telling me that you thought Dumbledore was trying to pass us something cursed?” “Are you planning to follow a career in Magical Law, Miss Granger?” asked Scrimgeour.Q7 - Do you think Ministry members think Dumbledore was evil?However, Scrimgeour did not seem to be listening. He put his hand inside his cloak and drew out a drawstring pouch much larger than the one Hagrid had given Harry. From it, he removed a scroll of parchment which he unrolled and read aloud. “ ‘The Last Will and Testament of Albus Percival Wulfric Brian Dumbledore' . . . Yes, here we are. . . . ‘To Ronald Bilius Weasley, I leave my Deluminator, in the hope that he will remember me when he uses it.' ” Scrimgeour took from the bag an object that Harry had seen before: It looked something like a silver cigarette lighter, but it had, he knew, the power to suck all light from a place, and restore it, with a simple click. Scrimgeour leaned forward and passed the Deluminator to Ron, who took it and turned it over in his fingers, looking stunned. “That is a valuable object,” said Scrimgeour, watching Ron. “It may even be unique. Certainly it is of Dumbledore's own design. Why would he have left you an item so rare?” Q8 - Why did he leave this to Ron?“ ‘To Miss Hermione Jean Granger, I leave my copy of The Tales of Beedle the Bard, in the hope that she will find it entertaining and instructive.' ” Scrimgeour now pulled out of the bag a small book that looked as ancient as the copy of Secrets of the Darkest Art upstairs. Its binding was stained and peeling in places. Hermione took it from Scrimgeour without a word. She held the book in her lap and gazed at it. Harry saw that the title was in runes; he had never learned to read them. As he looked, a tear splashed onto the embossed symbols. “Why do you think Dumbledore left you that book, Miss Granger?” asked Scrimgeour.Q9 - Why did he leave this to Hermione?“ ‘To Harry James Potter,' ” he read, and Harry's insides contracted with a sudden excitement, “ ‘I leave the Snitch he caught in his first Quidditch match at Hogwarts, as a reminder of the rewards of perseverance and skill.' ” As Scrimgeour pulled out the tiny, walnut-sized golden ball, its silver wings fluttered rather feebly, and Harry could not help feeling a definite sense of anticlimax. “Why did Dumbledore leave you this Snitch?” asked Scrimgeour.Q10 - Why did he leave this to Harry?“Dumbledore left you a second bequest, Potter.” “What is it?” asked Harry, excitement rekindling. Scrimgeour did not bother to read from the will this time. “The sword of Godric Gryffindor,” he said. Q11 - Why did he leave this to Harry?“It — it was nothing,” he growled. “I . . . regret your attitude,” he said, looking Harry full in the face once more. “You seem to think that the Ministry does not desire what you — what Dumbledore — desired. We ought to be working together.” He nearly dropped the Snitch in surprise and excitement. Hermione was quite right. Engraved upon the smooth golden surface, where seconds before there had been nothing, were five words written in the thin, slanting handwriting that Harry recognized as Dumbledore's: I open at the close. Q12 - What does this mean?“Ron, you know full well Harry and I were brought up by Muggles!” said Hermione. “We didn't hear stories like that when we were little, we heard ‘Snow White and the Seven Dwarfs' and ‘Cinderella' —” “What's that, an illness?” asked Ron.
Narnia buffs know the answer to the question, "Is Aslan safe?" 'Course he isn't safe, but he's good. In the Old Testament, encounters with the divine often started with an angel stating, "Fear not." In the New Testament, the disciples learned that walking with Jesus became a dangerous proposition. Today, in the age of grace with the Holy Spirit operating fully, we can experience dangerous encounters that change us forever. Are dangerous encounters safe? 'Course they aren't safe, but they're good. Connect with the Zoweh team at exploringmore@zoweh.org.
Zanter e Samschdeg sinn déi komplett Lëschte vun deene 4 grousse Parteie fir d'Chamberwale bekannt. Opfälleg ass dobäi, datt CSV, DP, LSAP an déi Gréng den 8. Oktober, anescht wéi an der Vergaangenheet, keng Journaliste mat an d'Course schécken. Och fréier Sportler sinn éischter rar geséint, dofir spille Medezinner a Lokalpolitiker dëst Joer eng méi prominent Roll. Eng Entwécklung, déi nëmmen op den éischte Bléck positiv ass, wéi de Marc Hoscheid an engem Tëscheruff mengt.
D'CSV lancéiert sech an d'Course fir d'Chamberwalen, d'Gewalt u Fraen zu Lëtzebuerg an en Interview mam Ierfgroussherzog Guillaume, dat sinn e puer vun de Sujeten an der Presserevue mam Paule Rodesch.
D'CSV lancéiert sech an d'Course fir d'Chamberwalen, d'Lëtzebuerger Schoulbicher sinn net méi zäitgeméiss a bei der Fussball-Nationalekipp gouf et en Eclat, dat sinn e puer vun de Sujeten an der Presserevue mam Paule Rodesch.
Theemen haut: Sebes mat enger neier Anlag zu Eschduerf, d'Dréchent, NATO-Mindestgrenz vun 2%, Ironman zu Réimech an d"Klammt mat an d'Course".
Theemen haut: Sebes mat enger neier Anlag zu Eschduerf, d'Dréchent, NATO-Mindestgrenz vun 2%, Ironman zu Réimech an d"Klammt mat an d'Course".
Happy Wednesday! Today, though Grayce could not join the recording, Janell sits down with Jon Noyes to chat about a few of Grayce's questions about hell and eternal punishment. First, Jon shares about how he came to belief in Christ. He talks about his life before Christ and how his life has become different afterwards. They then get into a discussion about hell, punishment, sin, and more. They discuss the holiness of God, the human senses of Justice, and what happens when someone who didn't get the opportunity to hear about God dies. They also chat about emotionalism, relativism, and other cultural trends. We hope you enjoy this episode! About Jonathan NoyesJonathan has worked as a speaker with Stand to Reason since 2019. A former atheist, Jonathan used to think belief in God was unwarranted and irresponsible. Then, after examining the evidence for Christianity he was faced with the fact that Jesus is who He says He is and the Christian worldview tells the true story of reality. Since then Jon has been passionate about engaging the culture with honest, well thought-out reasons why people should trust the Christian worldview. Jon has developed a series of passionate talks to do just that.In 2013 Jonathan earned a master's degree in Christian Apologetics from Biola University, graduating with honors. Jon brings a unique perspective to his audiences and the Stand to Reason team, having more than ten years' experience in the legal field and serving more than five as a pastor in his local church. Jon also serves on the board of directors for Life Without Limbs and at Beacon Hill Classical Academy, where he teaches discipleship.___________________We would love to thank our Patrons for all their amazing support! To learn more about supporting Finding Something REAL via Patreon, click here!To learn more about Faithful Counseling and if it is a good fit for you, you can click here!Are you interested in having Janell speak at your event? Click here!FSR s5e17 Totti's Intro EpisodeFSR: Grayce's IntroFSR: Grayce & RyanFSR October 2021 with Greg KouklJon Noyes - Stand To ReasonJon's talk about suicide (YouTube)Life Without LimbsBiola University Greg Laurie C. S. LewisNLT Beginners' Bible Tactics - Greg Koukl The Lion, The Witch, and the Wardrobe, CS Lewis"'Safe?' said Mr. Beaver; 'don't you hear what Mrs. Beaver tells you? Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.'" 1 Peter 3:15Romans 10:14-15John 3:162 Corinthians 5:20Psalm 55:12-15 (English Standard Version)”For it is not an enemy who taunts me— then I could bear it; it is not an adversary who deals insolently with me— then I could hide from him. But it is you, a man, my equal, my companion, my familiar friend. We used to take sweet counsel together; within God's house we walked in the throng. Let death steal over them; let them go down to Sheol alive; for evil is in their dwelling place and in their heart.”
Is there such a thing as healthy fear? Think about it. Without a healthy fear of fire, you can get third burns. Without a healthy fear of lions, you can become lunch. Without a healthy fear of electrical wires, you can be lit up like a Christmas Tree. Is there such a thing as a healthy fear of God? Young Lucy in C.S. Lewis' Chronicles of Narnia is curious about the Lion named Aslan and queries Mr. Beaver who is educating her on this great leader of Narnia. “Then he isn't safe?” said Lucy. “Safe?” said Mr. Beaver. “Don't you hear what Mrs. Beaver tells you? Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” Translation: have a healthy fear of a Lion who is King but know that he is good. The Bible says the "fear of the Lord is the beginning of wisdom." By contrast, Jesus says, the unwise fear of men can dilute God's desire of being the dominant force in our lives. So, are you living wisely?
D'Erneierung bei der CSV kritt am Hierscht 60 Joer. De Luc Frieden wäert wuel, wann d'Partei net nach grouss iwwerrascht, als Spëtzekandidat an d'Course goen. Do freet een sech dann awer schon, ob iergendeen an der Partei laangfristeg denkt. Ausserdeem: Wat ass bei de Jugendorganisatiounen vun de Parteie lass?
· PIX – Honduras Mission Team · PIX: Jacob Smith · “Jacob wants to be with somebody who he trusts. He won't ski with people he doesn't trust.” · Who you trust matters. · Who do you trust? · Trust equals peace. · “I mean, enough to turn right when he tells me to.” · John 14:27 – Peace I leave with you; my peace I give you. I do not give to you as the world gives. Do not let your hearts be troubled and do not be afraid. · Shalom peace is deep sense of well-being not dependent on external circumstances. · PIX – Soul diagram · Proverbs 3:5 - Trust in the Lord with all your heart and lean not on your own understanding; · Don't make a decision without God. · Ephesians 3:17b-19 - And I pray that you, being rooted and established in love, 18 may have power, together with all the Lord's holy people, to grasp how wide and long and high and deep is the love of Christ, 19 and to know this love that surpasses knowledge—that you may be filled to the measure of all the fullness of God. · Lean not on your own understanding. · Humility – the ability to accept the reality about myself. · Trust equals peace because your life doesn't depend on you. · 6 in all your ways submit to him, and he will make your paths straight. · Take your next step with Jesus · Know Jesus. · As you take next steps with Jesus, experience his guidance; He will guide you down the mountain. · 7Do not be wise in your own eyes; · PIX – Johari window · By all means, don't trust yourself, because you're the one who's got the problem – Dallas Willard · Fear the Lord and shun evil. · "Ooh, I'd thought he was a man. Is he quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” · 8 This will bring health to your body and nourishment to your bones. · Who you trust impacts your health. · Trust and Obey, for there's no other way, to be happy in Jesus, but to trust and obey. · PIX: Jacob Smith · Are you trusting? Are you obeying? LIFE GROUP DISCUSSION GUIDE Starter: Other than Jesus, who do you trust most in your life? Why? Dig Deeper: 1. Read Proverbs 3:5-8 2. In your opinion, what would it look like to trust in the LORD with all your heart? How would it change the way you lived? 3. Describe an experience when you trusted your own understanding and didn't work out. Why did not work out? 4. Imagine God uses you as a voice to help someone find his or her way down the mountain. How would you help them find a smooth path? 5. What does it mean to you that God is not safe but he is good?
Et déit alles dorops hin, datt d'LSAP mam Paulette Lenert als Spetzekandidatin an d'Chamberwahle geet. An d'Génge-Spetzt weist mat béiden Hänn op d'Sam Tanson als Zuchpäerd. Zitt d'CSV no a schéckt och eng Fra an d'Course? Ausserdeem: Firwat d'Inhalter virun der Wal eng méi wichteg Roll sollten anhuelen, a wéi de Marc Angel sech zu Stroosbuerg esou séier eropgeschafft huet.
We welcome to the show the one and only Joy Mikles! Join us as we talk about things from Marco Polo, Narnia and pet peeves to trust and hearing the voice of God! This is not an episode you want to miss. Also, please take a minute to rate and review our show as that will help us spread these conversations to more and more people around the world! Show Notes: Joy's Info: Facebook: @Joy-Marty Mikles Instagram: @goza78 5 finger method of testing whether something is from God: 1 - Does it glorify God? 2 - Is it backed up by scripture? 3 - Do other Christians confirm it? 4 - Will it or did it bear spiritual fruit? (love, joy, peace, patience, kindness, goodness, faithfulness, gentleness or self-control) 5 - Did it come to pass? Actual Narnia Quote: “Then he isn't safe?” said Lucy. “Safe?” said Mr. Beaver. “Don't you hear what Mrs. Beaver tells you? Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” Other Resources: - Lectio 365 App: https://apps.apple.com/us/app/lectio-365/id1483974820 - If you are interested in learning about praying scripture, a quick google search for "praying scripture" will turn up a variety of resources. --- Send in a voice message: https://podcasters.spotify.com/pod/show/becomingrooted/message
Looking at the scorecard yardage may be a mistake! 'Course management' is golf speak for "strategy". Jeff Beier provides insights and advice on how each golfer can lower their scores by understanding the tendencies of course designers.
IT TOOK MORE than two months for Herb to dispose of the coarse goods Ben gave him, develop eleven new couples (and how he yearned for Lorna while he worked, how much his imagination was enlarged by thinking of her), sell his list of Five-Foot-Shelf customers, sell his old Studebaker Four, and buy a new-to-him Studebaker Series 19 “Light Six.” Lorna carved coarse goods for Luther while she waited for Herb's return, and together, though apart, they accumulated a nice little nest egg.AT HERB AND LORNA'S WEDDING, Lester Piper appeared to have regained all of his old spark. He so charmed Richard Huber that Richard spent hours trying to persuade Lester to leave what he supposed was a fairly good position in Boston and move to Chacallit, where the air was clear and the rushing waters of the Whatsit were mellifluous and pure, and to try breathing some life into his sales department. To Richard Huber's surprise (but much more to the surprise of Millie and Ben Piper), Lester accepted. There was some talk in Chacallit when Lester and Millie arrived and put up with the Hubers until they found a place of their own, and there was some resentment when Lester assumed his duties, but in a few months even the people who had resented him most when he arrived had to admit that Lester Piper was the best salesman they'd ever seen.HERB AND LORNA arrived in Babbington on a cold and rainy Sunday night. The town looked deserted. Main Street was nearly dark; the only light came from night lights in a few shops, from the streetlamps at the intersection of Bolotomy and Main, from the police station, and from a garage across the street from the police station. Of these, the first that Lorna and Herb saw, coming into town from the west, were those at the police station and the garage. “Well,” said Herb, “it's not quite what I'd imagined.” “How can you tell?” asked Lorna. “I can't see a thing.” “That's what I mean. I had imagined a clear night, a moon, moonlight on the ocean, something like that.” “Sounds like the night we burned the ballroom,” said Lorna. “There's something,” said Herb. “Looks like a police station up ahead.” “I'll take your word for it,” said Lorna. “And a service station. Speedy's Reliable Service.” Herb pulled into Speedy's and dashed through the rain into the station. There, at an oak desk, bent over a copy of the Babbington Reporter, was Officer Dan Whitley, youngest son of the renowned scoundrel and noted angler Andy Whitley, the mayor of Babbington at that time. After a moment or two spent standing, patiently, just inside the door, clearing his throat and shuffling his feet now and then, Herb decided that Dan was asleep. He retreated soundlessly to the door, opened it, backed out into the rain, and reentered, this time with a heavy tread and loud exclamations. “Whoo!” he exclaimed. “It's not a fit night out for man or beast!” He stamped his feet and shook the rainwater from his hat. Dan, startled, sat up straight, shook himself awake, and rubbed his eyes. “Say, I didn't startle you, did I?” asked Herb. “Me?” asked Dan. “Heck no. You just kind of surprised me. I was pretty intent on what I was reading here, that's all.” “What's that?” asked Herb. “Obits,” said Dan. “Uh-oh,” said Herb. “Nobody close to you, I hope.” “Hm? Oh, no. Not anybody special. Well, there is a cousin in here today, kind of a distant one, though. Couple of other people I knew enough to say hello to. I read 'em all, though. Don't matter to me who they are. It's kind of a study with me, a study of human nature. You find out a lot about people this way. 'Course, you have to know how to read between the lines sometimes, but it's funny how much you don't know about somebody till he's dead.” Herb and Dan spent a moment in silent contemplation of that idea, and then Dan looked at Herb as if realizing for the first time that Herb was someone he didn't know at all, not even to say hello to. “Say,” Dan said, “what're you doing out on a night like this? You in some kind of trouble?” “No,” said Herb, “no trouble. My wife and I — ” “Lost?” “No, I — ” “Passing through? Want some gas?” A toilet flushed somewhere behind Dan, and he jerked his thumb in the direction of the sound. “Speedy'll be right out,” he said. “I'd pump you some myself, but I'm on duty.” “That's okay. I don't need gas,” said Herb. “Just directions.” “Said you weren't lost,” Dan pointed out. He narrowed his eyes. “No. Yes. That's right, I'm not. Lost. I — we — we're going to settle here.” “Here? In Babbington?” “Yes, in Babbington.”In Topical Guide 297, Mark Dorset considers Studebakers; Disappointment: Expectations Unrealized; and Obituaries from this episode.Have you missed an episode or two or several?You can begin reading at the beginning or you can catch up by visiting the archive or consulting the index to the Topical Guide.You can listen to the episodes on the Personal History podcast. Begin at the beginning or scroll through the episodes to find what you've missed.You can ensure that you never miss a future issue by getting a free subscription. (You can help support the work by choosing a paid subscription instead.)At Apple Books you can download free eBooks of “My Mother Takes a Tumble,” “Do Clams Bite?,” “Life on the Bolotomy,” “The Static of the Spheres,” “The Fox and the Clam,” “The Girl with the White Fur Muff,” “Take the Long Way Home,” “Call Me Larry,” and “The Young Tars,” the nine novellas in Little Follies, and Little Follies itself, which will give you all the novellas in one handy package.You'll find overviews of the entire work in An Introduction to The Personal History, Adventures, Experiences & Observations of Peter Leroy (a pdf document) and at Encyclopedia.com. Get full access to The Personal History, Adventures, Experiences & Observations of Peter Leroy at peterleroy.substack.com/subscribe
This original story is found in 'The Dreams Edition' of AwareNow Magazine: www.awarenowmagazine.com Written & Narrated by: Burt Kempner Produced by: Awareness Ties
D'Summerlach a Krisenzäiten, Auswierkunge vun Hëtzt an Dréchent op Mënsch an Ëmwelt, Ëmbréch an der Aarbechtswelt an d'Course op de Mound, dat sinn e puer vun de Sujeten an de Lëtzebuerger Dageszeitungen. D'Presserevue gouf zesummegestallt vum Paule Rodesch.
Jérusalem et le premier ministre Yair Lapid ont pris note des graves menaces de la Russie de fermer les bureaux de l'agence juive. A ce stade la tension est critique car le dialogue entre Poutine et Lapid. N'existe pas. -- Israel renforce sa relation avec le Maroc, des ministres israéliens à Rabat Le Premier ministre Yair Lapid s'est félicité de l'arrivée en Israël de la chaîne française de supermarchés '' Carrefour.'' La ville de Tel Aviv organise une course qu'elle qualifie de ''Course de l'amour''
A poor but nerdy taxidermist is hired to mount the trophy of a lifetime. Cast List Debra Meeks - Emmatrice Devan Curt - Cole Hornaday Dougie - George Dunn Da Boss - Reynaud LeBoeuf Mrs. Olsen - Femnomena Zalmoxis - Danar Hoverson Roderick - Julie Hoverson Music by Deied Theme music by Kevin MacLeod (Incompetech.com) Editing and Sound: Julie Hoverson Cover Design: Julie Hoverson [Taxidermy pics used with permission from Custom Creature Taxidermy Arts] "What kind of a place is it? Why, it's the street outside a taxidermist's workshop, can't you tell?" ************************************************************************ A STITCH IN TIME Cast: Olivia Debra Meeks, lonely taxidermist Curt Buchner, low-level thug Dougie Block, ranking thug William Buchner, high-level cultist Mrs. Olsen, next door with cats Zalmoxis, ancient god OLIVIA Did you have any trouble finding it? What do you mean, what kind of a place is it? Why, it's the street outside a taxidermist's workshop, can't you tell? MUSIC SOUND INSIDE CAR NOISES (not driving), RAIN SOUND RADIO TURNS OFF, MUSIC OUT CURT [sincere] Nice night. DOUGIE Nice? You like rain? CURT [eager] Yeah. Course, it's better when there's lightning too. DOUGIE You wouldn't want to be in the car then - too much metal CURT [eager] Oh, no, just the opposite - the tires would protect us. Keep us from being grounded. DOUGIE Right. Whatever. CURT [musing] Especially wouldn't want to be outside if you had a metal plate in your head. DOUGIE A what? [half a laugh] How many people do you actually know with a freaking metal plate in their head? CURT Um... [thinks] six. DOUGIE Six? you know six freaking people with -- Nah! You're so full of shit your eyes are brown. CURT Six. Benny the geek, Mr. Jones, my gramps - got his in Okinawa, my uncle Lenny - in Nam, my niece Bevvy-- DOUGIE Your niece? She see action overseas too? CURT Don't be silly, she's five. Playground accident, but she's doing fine - her dad even shaved his head to match hers so she won't feel so self-conscious til her hair grows back to cover the scar. DOUGIE So who's number six? CURT Hmm? DOUGIE That's five, who's six? CURT Oh! [chuckles] Me. DOUGIE Great, runs in the family. CURT Guess you could say that. I-- DOUGIE Oops. Time to bring in the packages. Don't want to be late - you know the boss. SOUND GETTING OUT OF THE CAR DOUGIE "D. Meeks, Taxidermy" Hey - that's funny, "D. Meeks" CURT Huh? DOUGIE You know, D. Meeks'll inherit D Earth, and all that. [laughs] CURT [missed it by a mile] Oh. Um, I guess so. DOUGIE [Exasperated noise] MUSIC DEBRA [very uncomfortable, searching for excuses] Never done anything big - I mean, I did take a prize for mounting a bear, but it was a really really small brown. WILLIAM ["mob boss"] I don't think you understand my... uh... position, dear lady. I have come to you, not with a request, but a requirement. DEBRA But why me? WILLIAM I have seen your work, and know of the prizes you have taken, and believe you are the only one who can do the job I need done with the grace and skill I need it to be done with. SOUND THUMPING AS SOMETHING BIG AND HEAVY IS DROPPED IN HALL. THEN A TENTATIVE KNOCK AT THE DOOR WILLIAM [sigh] Both of which are qualities sorely lacking these days. [sigh] Raoul, let them in. SOUND FOOTSTEPS DEBRA What exactly do you need stuffed? WILLIAM We will get to that in a moment, first-- SOUND DOOR OPENS WILLIAM --Ah, Curt, Dougie, so glad you could join us. DEBRA [quiet, to herself] That's funny, I once had a cat named Doogie. No, that's wrong - I once stuffed a cat named Doogie. DOUGIE [fawning] Glad to help, Mr. Williams. SOUND DOOR CLOSES WILLIAM The young lady here is Debra Meeks - a true artiste. I believe you have something for her, Dougie? DEBRA [quiet, to herself] Doogie mouser. DOUGIE Right here, Mr. Williams. CURT [Snickers, getting her joke] SOUND FOOTSTEPS, BRIEFCASE SET ON BENCH, LATCHES SNAP, CASE OPENS DEBRA Holy crow! Is that--? WILLIAM Two-hundred, fifty thousand dollars. Which, coincidentally, is just about twice your total debts, what with the failing business and the house and all - rounded up, of course, since no one likes small change... DEBRA And I just have to do the one job? WILLIAM Just one. But I must have your absolute assurance and agreement before I can show you the subject in question. DEBRA [thinking, muttering] I could really-- SOUND SQUEAKY TOY DEBRA --really use that, wouldn't have to do any more crummy data entry-- WILLIAMS The offer expires in 30 seconds, my dear young lady. Please think quickly. DEBRA [muttered] Hang gliding, jello body rub, Trip to Mall of America, scatter dad properly... WILLIAMS Five. Four. Three. DEBRA All right. Whatever you want. WILLIAMS I do require absolute discretion. Can you guarantee that? DEBRA Ye-es. Yes. WILLIAMS Good. Why don't you boys bring in the other package. DOUGIE Gotcha. Sir. SOUND DOOR OPENS AGAIN, HEAVY ITEM ROLLED IN DEBRA [gasp] MUSIC DEBRA [hyperventilating into a paper bag] CURT Come on, it ain't that bad. DEBRA But -- [gasp, goes back into bag] CURT You musta seen all kinds of dead things before. SOUND BAG SNATCHED AWAY, SQUEAKY TOY STARTS UP DEBRA Not a person! CURT Just think of it as a really big ... badger or something. WILLIAMS [off, sweet] Are you ready to hear the rest of your commission, Miss Meeks? [harder] Curt? CURT [calling over shoulder] Just about. [back to her] Come on. DEBRA Badger. Right. [deep breath] A big, [gasp] bald, [breath] badger. [bad accent] We don't need no steenkin'-- CURT [low] You might want to stop with the squeaking. I think it's getting on the boss's nerves. DEBRA The..? SOUND SLOW LET GO OF THE SQUEAK DEBRA Oh. It helps with stress. CURT Yours, maybe - but his...? Ya know. DEBRA Um-hmm. SOUND SQUEAKY OUT WILLIAMS So glad you could rejoin us. I apologize for the shock this must be, but you see now why I was forced to extract your agreement before I could show you the subject? DEBRA Uh-huh. SOUND SLOW SQUEAK, IN-OUT MUSIC DEBRA [irritated, "move out of my way"] Excuse me. DOUGIE [snort] DEBRA Can you bring ... that ...on in here? I have to... well, I have to see what needs to be done. DOUGIE It's not as heavy as it looks. Get it yourself. I'm just supposed to keep an eye on you. Make sure you don't phone no one or louse this up. DEBRA Your boss said you were supposed to make sure I got it done right. DOUGIE Yeah, well, who's stopping you? DEBRA [loud sigh/growl of exasperation] SOUND ANGRY FOOTSTEPS, TRYING TO MOVE A HEAVY OBJECT [COFFIN] ON WHEELS, BUT BANGING INTO WALLS DEBRA This is a two person job! DOUGIE I ain't in the mortician's union. DEBRA Fine. SOUND COFFIN LID RAISES, SLAMS INTO WALL DEBRA It would be the feet end. [sigh] Ok -- ew! SOUND SCUFFLE OF FABRIC, SQUEAKY TOY GOES A MILE A MINUTE DOUGIE Leave off, already! DEBRA He's still warm! Ew! MUSIC SOMBER, FUNEREAL SOUNDS THROUGHOUT, ODD PLOPS AND DRIPS, CUTTING NOISES CURT So if you've won all these awards, how come you're broke? DEBRA Not much call for taxidermy, these days - PETA, all that. We fly a little under the radar, since fur coats are a bigger splash in the news, but we take our share of flack. SOUND HEAVY PLOP CURT So why do it? DEBRA I'm good at it. You don't stop doing something you're good at just cause no one cares, do ya? CURT But what if what you're good at doesn't ... well... get you anywhere? SOUND ALL AMBIANCE STOPS, EXCEPT DRIPPING NOISES DEBRA [wipes face with back of sleeve] Like what? CURT I ran track. A lot. But what does that do for you, unless you want to be a fugitive on Cops? DEBRA [giggles] CURT Why're you taking off your glasses? DEBRA Just trying to picture you with your face all blurred out. SOUND CUTTING AND NOISES BEGIN AGAIN, A MOMENT OF JUST THIS, THEN: DEBRA How'd you go from track to - um - CURT Wiseguy? DEBRA Is that what it's called? CURT Good enough. [shrugs] Mister Williams is my uncle. It ain't a bad job. [beat] What got you into this? This dead animal stuff? DEBRA Promise you won't laugh? SOUND SQUEAKY TOY CURT Sure. DEBRA No really, promise. CURT I promise. DEBRA I was about seven. It was a - bad time. My folks were using me as the tug in a divorce tug-o-war, so I took apart my teddy bear, to see what made him squeak. I very carefully picked out the stitches and pulled this out‑‑ SOUND SQUEAKY TOY CURT Your keychain? DEBRA No, I put it on there years later. CURT Most kids, when they operate on a toy, decide to become doctors. [shrug] Or serial killers. DEBRA Yeah, but I restuffed and sewed him back up again. Over and over again. I kept sewing different things into him, too. Trying to see how much I could hide in there. SOUND BIG PLOP DEBRA Uhhh. Hand me the hose? MUSIC AMBIANCE SCRAPING SOUNDS DEBRA I had to choose between maintaining the carcass or the skin. Your boss indicated he needed the skin as intact as possible-- SOUND MAGAZINE PAGE TURNS DOUGIE Whatever. You know, I ain't actually listening to you. DEBRA --So I won't be able to make a mold from the original carcass, since I'm having to sacrifice the smaller bits, like fingers-- What? DOUGIE I'm not listening. DEBRA Why not? You could learn something. DOUGIE I could also lose my lunch. [sigh] SOUND MAGAZINE SLAPPED DOWN DOUGIE How does a moderately cute dame like you end up elbow deep in guts on a daily basis? DEBRA I-- I don't know. SOUND SQUEAKY TOY A COUPLE OF TIMES DOUGIE You almost done here? The boss is supposed to be back with your next set of instructions this evening. DEBRA Just the hardest bits are left - you know - very delicate, paper thin skin, lots of crenellations. I wonder if I could just cut 'em off, hollow 'em out, and rebuild 'em later? DOUGIE [very creeped] Ohhhhh. Now I'm really not listening. Urp. SOUND RUNNING FOOTSTEPS, DOOR DEBRA What's he got against ears? MUSIC WILLIAMS And the progress? DEBRA I got the hide off, but it's not all in one piece - humans just don't come apart that easily. Our... skin... is really ...um.... too thin. I can stitch it back together, but there's also no pelt to cover up the stitches-- WILLIAMS The stitches will be fine. And I've brought you the stuffing materials-- DEBRA Mounting. We prefer "mounting". Anyway, really what I need next is a drum of grease cutter - mild dishwashing liquid'll do - don't want anything too harsh that'll dry out the-- WILLIAMS Dougie will get it for you. [an order] Won't you Dougie? For now, I have brought you your mounting materials. You understand that it is very important to use what I brought and only what I brought. I even have special thread for you to use for stitching it all up again. DEBRA But I - I need a framework - heavy sculpted foam works just fine, [slowing a bit] though I can't exactly order off the rack for-- WILLIAMS You may have noticed this project is ... unique. SOUND RUSTLE OF A LARGE SHEAF OF PAPERS WILLIAMS I have very specific requirements as to how you are to proceed. SOUND KNOCK AT THE DOOR WILLIAMS What is that? You were supposed to-- SOUND SQUEAKY TOY GOES LIKE CRAZY DEBRA I'll tell them to go away. DOUGIE [menacing] If you don't I will. MRS. OLSEN [muffled] Debbie? Dear? It's time! DEBRA Oh, jeez. WILLIAMS What? DEBRA My landlady Mrs. Olsen - we have this standing agreement that whenever one of her cats dies, She brings it on in. MRS. OLSEN Debbie? I know you're in there! DEBRA I'll go get Roderick and put him on ice until I'm done with [swallows nervously] your project. WILLIAMS Won't she notice if it takes longer than usual? DEBRA Nah. She's pretty gone - up there. I'll just keep telling her she only brought him in yesterday... SOUND DOOR UNLOCKS DEBRA Psst. Don't let her see you. DOUGIE Hmph. SOUND DOOR OPENS MRS. OLSEN Oh, there you are, Debbie. Did I catch you in the crapper? I'm so sorry, but poor Mr. Roderick's time has come. DEBRA I'm so very sorry. MRS. OLSEN That's all right. He's in a better place. Cream and honey. Cream and honey. Here's his poor little body. You always do such a good job for me, Debbie. DEBRA I know. Yeah. I'll bring him back to you when he's ready to rejoin the family. MRS. OLSEN So kind. Now I must get home - Roderick's about to have kittens! SOUND DOOR SHUTS DOUGIE I thought ... Roderick was dead. DEBRA She names all her cats Roderick. Saves on changing the names on the bowls. DOUGIE How many have you--? DEBRA Thirty four. DOUGIE How many does she--? DEBRA Depends on how big a litter Roderick has. MUSIC WILLIAMS So, now you have these big bags of-- Dougie? DOUGIE Yeah? Uh, here, boss. SOUND HEAVY BAG DUMPED ON FLOOR, CRUNCHES WILLIAMS We'll just call them Tana leaves. Got it? They must fill up the bulk of the body. SOUND BAG BEING POKED DEBRA They're kind of pokey. Might tear the ... hide. Can I grind them? WILLIAMS Hmm. I don't see why not - but let me get back to you on that before you go off and do something unfortunate. DEBRA Ok. Um... SOUND SQUEAKY TOY WILLIAMS [waits a second, then] Yeah? Speak up? DEBRA I only ask, because it does affect how I do my job, ok? WILLIAMS Only ask what? DEBRA Is this - the whole thing - something that needs to...um....last? Is it going to be moved around a lot? WILLIAMS Let's say - yes. DEBRA And you really sure you don't want a central framework? Not even wire reinforcement? WILLIAMS That's what I said. DEBRA I need to reinforce the hide somehow or those leaves will rub the crap out of it. CURT The skin can tear real easy. DEBRA Yeah. WILLIAMS I'll check on that. You got stuff to do until I get back to you, right? Good. MUSIC SOUND SOMETHING LARGE PULLED OUT OF WATER. DRIPPING CURT What's all that? DEBRA Once all the fat's sloughed, you have to cure the hide. Stop it from rotting. Attracting insects. You know. CURT [shudder] Bugs, man. I hate 'em. DEBRA Why? They're... Well, they're kind of everywhere. CURT That's part of the problem - no matter what you do, they're there. They don't keep out, and they don't go away. DEBRA That's why hating them is so - pointless. CURT Mostly they just creep me out. DEBRA Let me guess. Did you grow up with cockroaches? CURT Palmetto bugs. Huge freaking whistling cockroaches. DEBRA I lived with cockroaches for a while. [almost a chuckle] CURT You think they're funny? DEBRA Only when you spray them with non-stick oven spray by mistake. CURT Why? DEBRA They go sliding down the wall, little legs pumping - ee-eh ee-eh ee-eh. They get completely freaked out. CURT [half teasing] Now you creep me out some too. DEBRA [pleased snicker] MUSIC SOUND PHONE RINGS DOUGIE [around a mouthful] Figures. [quickly swallows] DEBRA Shouldn't you get that? DOUGIE Tell me somethin I don't know. [one last gulp] SOUND PHONE PICKED UP DOUGIE Yeah? Right. Fer you. DEBRA Ok. [really hesitant] Hello? SOUND SQUEAKY TOY - one squeak WILLIAMS [phone] I got an answer for you. On the leaves. DEBRA Uh huh? WILLIAMS [phone] No grinding. Apparently that's out. You can cut them up some. I'll show you. I'm also bringing some other things you can use for packing. DEBRA Oh. Good. WILLIAMS [phone] We don't want him walking around like a big old teabag, eh? DEBRA [trying to keep it in, but it comes out a whisper] Walking? SOUND SQUEAKY TOY WILLIAMS [phone] Uh. Figure of speech. DEBRA Goodbye. [gulps] SOUND SQUEAKY TOY, SLOW RELEASE MUSIC SOUND THREAD BEING SNIPPED DEBRA There. That's nice. That thread hardly shows, doesn't it? DOUGIE [off] You talking to the dead guy again? DEBRA [covering] No. SOUND PACKING DOUGIE [off] Oh, hell, no. What's this bag next to my lunch? DEBRA Roderick. DOUGIE A dead cat? That ain't hygienic! DEBRA Technically your lunch is in HIS cooler. DOUGIE Yeah, like he's gonna be the one to object. DEBRA [to body] No more than you will, Bob. SOUND PATS CORPSE, SLIGHT RUSTLE OF LEAVES MUSIC SOUND COMPUTER KEYS TAPPING DEBRA Tana Leaves. One N or two...? Hmm...! WILLIAMS [off] Find her. DOUGIE Hey chickie? SOUND HASTY KEYSTROKES DEBRA Just a sec! DOUGIE What are you doing? [annoyed, yelling back] She's on the computer, boss! WILLIAMS [coming in, tsks] What did I say about that? DEBRA You - well, you didn't say anything... You said not to contact anyone, and I didn't - wasn't. I was looking up ... delicate stitching techniques for very thin hides. Remember, I haven't done this before. WILLIAMS Hmm. DEBRA I wouldn't have said anything to anyone. After all, I promised. WILLIAMS You need to look anything else up, you ask Dougie for your laptop. [commanding] Dougie? SOUND LAPTOP SLAPPED SHUT MUSIC SOUND SQUEAKY TOY THROUGHOUT TO PUNCTUATE DEBRA I'm worried about .... well, what this is all FOR. CURT Maybe it's not that bad. Like the Aztecs. DEBRA The Aztecs? But they were... pretty bad. CURT No, no they weren't. Not to them. I mean, we all think "ooh, human sacrifice" and "man I wouldn't want my heart ripped out" right? DEBRA Usually. CURT But we don't realize that was the way they believed. They figured without constant sacrifice, the world'd actually end. They had to feed a bunch of hungry, thirsty gods, who had a really big human jones. DEBRA [slight snicker] CURT For the victims, it was like winning American Idol - you got to be famous for a day. DEBRA Um. [deep breath] But didn't it hurt? CURT Oh, yeah. But they were all kinda masochistic back then. Hurt yourself to prove how tough you are and stuff. They'd even pierce their tongues and run cords covered in thorns up and down through the hole. DEBRA On the victims? CURT No - the bigwigs did it to themselves. DEBRA Ugh. But this.... CURT Look, I'll see what I can hear - without asking too many questions, you know? [teasing] I don't want my heart ripped out. MUSIC DEBRA [whispering] Oh, Roderick. I'm so sorry about this. But I have to see... SOUND STUFFING LEAVES DEBRA And a little of this... SOUND GRIT BEING SCOOPED DEBRA And a few stitches..... There. And we wait. What's the worst that could happen, eh? SOUND SQUEAKY TOY MUSIC CURT I got a metal plate in my head. DEBRA [interested] Oh? Where? CURT About here. You can see the scar if you want. DEBRA I've never seen a metal plate - I mean, animals don't usually get them, and I've always mounted animals. I mean, not that I'd want to mount you, just that it would be kinda different-- [shocked] oh! CURT No, no - I understand. I didn't think you'd want to, uh, mount me. SOUND SQUEAKY SQUEAKY DEBRA I mean, I'm sure you're very nice and all.... CURT I'm nicer up and walking than with a stick up my butt - or at least that's what my mother always says. DEBRA Oh. Yeah. [nervous laugh, then double take] She says--? CURT No. Just wanted to see you laugh. DEBRA [laughs] Where's Dougie, anyway? CURT He ain't feeling so well - he says. DEBRA Figures. CURT Are you getting close to done? DEBRA Kinda. It takes a lot of work, especially sewing the fingers and stuff back together. SOUND AWKWARD SILENCE CURT I-I hope I didn't gross you out with the whole Aztec thing. I just figured that-- well, being in your profession, you might-- DEBRA Have a strong stomach? CURT No. Well, I mean, yes. Yes, but. But I figured that maybe you would be the kind of person who could take a step back and look - I mean, there are a lot of people out there who don't understand what you do and why you do it and why you love it, right? DEBRA Yeah, but I don't kill anyone. Any thing. CURT I'm just comparing the misunderstanding. To themselves, they were just doing what they had to do. They probably thought "hey, those Mayans, they're some crazy freaks!" DEBRA Or "wow, those Incas - you wouldn't believe what they're up to!" CURT See? You got it. DEBRA Yeah. Ok. CURT So, there was really a point before I wandered a bit. What got me all started here was that this has something in common with the Aztecs. DEBRA It does? CURT Well, yeah - they had this one god, and this is a really good example of misunderstanding - named Xipe Totec [zhippy toe-tec] who they called the flayed one-- CURT --cuz each year the sacrifice was flayed and the skin preserved for the priests to wear for the upcoming year. See, now, to us that's disgusting, but to them it symbolized life, fertility, and the changing of the seasons. Cuz each year, like a seed sheds its pod, the priest would eventually shed the long-dead skin and be a new man. DEBRA [uncertain] I guess I can see that. CURT 'Course, the victim was probably flayed alive, so-- DEBRA ew! SOUND SQUEAKY TOY SOUND SCRABBLING NOISE CURT [casual] What's that? DEBRA [trying to sound casual] Don't... know. SOUND SQUEAKY TOY GOING A MILE A MINUTE CURT It's coming from the bathroom. DEBRA I'll look! CURT No let me. DEBRA I - I guess. SOUND DOOR OPENS, RUNNING CAT FEET CURT AND DEBRA [both gasp] CURT Just a freaking cat. DEBRA [completely freaked out] Yes. Must be one of the Rodericks. CURT Jeez. [calming her] It's OK. He musta come in through the window or something. DEBRA [barely a whisper] Something. MUSIC DEBRA Keep an eye out - there was a cat in here yesterday. It was pretty freaky. DOUGIE Hey, at least it ain't some damn dead thing. DEBRA [shudder] Yeah. DOUGIE You don't like animals? DEBRA Live ones are too messy. Eating and pooping. Dead ones are much more manageable. DOUGIE It's kinda cruel, though ain't it? DEBRA Why? They're dead. It's just whether they end up cute forever, or rotting in a ditch somewhere. CURT Like all those people who say we shouldn't eat meat - sure, just let all the cows go. They won't survive on their own. DOUGIE Do you have a point? CURT So is it more cruel to put them out to starve? Do those people expect farmers to feed the cows and NOT sell them? Doesn't anyone ever think of the hardship to the farmers? DEBRA I don't eat meat. CURT Oh, sorry. DOUGIE Figures. You make no damn sense, lady. DEBRA Oh, it's not a moral issue. Just that it clogs me up real bad. [beat] That's too much information, isn't it? CURT Um... DOUGIE I'm not listening! DEBRA Still surprised that I prefer dead animals to live people? MUSIC SOUND PHONE RINGS, PICKED UP CURT [into phone] Yeah? [up] Debra? DEBRA [takes phone] Yes? WILLIAMS You must be finished by tonight. I will arrive at seven with the final component. Be ready to make the final insertion. DEBRA Where? WILLIAMS [exasperated] At your shop, there. DEBRA No, I meant where does it go? I need to finish sewing everything else up, if you're looking to ... take it home tonight. WILLIAMS Oh, right. Hmm. Leave a spot for the heart. DEBRA Ohhhh. MUSIC CURT Do you think that's what the boss is up to? Something like Xipe Totec? DEBRA Hmm. I'd say no. A lot of the herbs and stuff on the stuffing list are old world, not Central American at all. CURT Point. So you rule out my pals the Aztecs. DEBRA How'd you know so much about them anyway? [kindly] Apart from being a complete freak? CURT [chuckles ruefully] Eighth grade history project. I was a crap student, but this one time I shoulda got an A - I did drawings and wrote a lot of stuff - I think I grossed out the teacher, so she only gave me a B minus. DEBRA That's not fair. CURT Yeah. I mean, she raised rabbits. [they both think on that for a moment] CURT I didn't just remember all of it, though - I'm not that much of a geek. I googled it again last night. Refreshed my memory. DEBRA [somewhat relieved] Oh! [beat, then quiet] did you kill this guy? CURT Me? No. I smack people sometimes if uncle needs it done, but I don't whack anyone. Kinda too bad, since the money's real good, but I don't got "the cold" that bad, you know? DEBRA [kindly] You're too sympathetic. CURT [rueful] You say that like it's a good thing. SOUND A COUPLE OF SQUEAKS, THEN A DELIBERATE STOP DEBRA [calm, even] They're going to kill me. CURT What? No o'course not - why would they have paid you, then? DEBRA Any way I look at it, they HAVE to kill me. SOUND STRANGLED SQUEAK CURT [fierce] I won't let 'em. [reasonable] No reason to, anyway - you'll keep your mouth shut, right? DEBRA [resigned] Yeah. SOUND SOME STUFFING CURT Oh, hey, I almost forgot - the boss mentioned a name. DEBRA Name? CURT I think it's what he's doing - what the whole point of this is. DEBRA Oh. [very dry sarcasm] That helps a lot. CURT Zalmoxis. DEBRA Gesundheit. CURT No, no. I looked it up. And it took a while, too, trying to figure out how to spell the damn thing. It was some old Thracian god. He had something to do with that triangle guy-- DEBRA Who? Isosceles? CURT No. [uncertain] I'm pretty sure that wasn't it. Anyway, this guy got made into a god somehow and promised immortality of the soul. And, get this - the name "Zalmoxis" comes from the Thracian word for "hide". DEBRA Hide, like skin, not like "and seek"? CURT Yup. DEBRA But what does that all mean? I mean-- CURT What I heard the boss say-- DEBRA Yeah? CURT He said "when Zalmoxis arrives." DEBRA Oh. [gulp] SOUND SQUEAK MUSIC SOUND KNOCK ON THE DOOR DEBRA [surprised shriek] SOUND SQUEAK CURT Don't worry. Everything's gonna be cool. SOUND HIS STEPS, DOOR OPENS CURT Sir. SOUND WILLIAMS AND DOUGIE ENTER WILLIAMS [way too excited] This is the moment. DOUGIE Boss, um, you said-- WILLIAMS Yeah, we got [checks] eight minutes. I was being dramatic. This is a very dramatic moment, Dougie. DOUGIE Sorry boss. WILLIAMS The vessel is prepared? DEBRA The--? Oh, yes. All ready. SOUND A SLIGHT SQUEAK WILLIAMS Very nice. [impressed] Good stitching. DEBRA [trying to sound happy] Thanks. WILLIAMS So the time is nigh. CURT Uncle? Got a moment? Can I ask you something? Like in private? WILLIAMS One moment, yes. CURT [low, confidential] You're not gonna have this poor chick whacked, are you? WILLIAMS [not sincere] Whatever gave you that idea? CURT Look, she's a nice lady. She's no danger to you - um, us. WILLIAMS After tonight, no one's a danger to me. CURT What's that mean? WILLIAMS [chuckles] SOUND CHUMMY SLAP ON THE BACK CURT But--? WILLIAMS [up, dramatic] And now for the final key to unlock eternity! DEBRA [uncertain] Um, ok. WILLIAMS Hold out your hands. DEBRA [almost shaking with fear] Um, ok. SOUND SOMETHING LARGE PULLED FROM A POCKET DEBRA That's - whoa - heavy. WILLIAMS The heart of Zalmoxis. Once it is sealed in his chest, at the right moment, he will rise! DEBRA Now? WILLIAMS No. 152 seconds left. DEBRA Right. Can I put it down? SOUND GUN DRAWN AND COCKED DEBRA [gasps] What? WILLIAMS Let's just call this insurance against you - [pointed] or anyone - trying to stop me this close to my goal! DEBRA Uhhhh. What's... going to happen? WILLIAMS [matter of fact] Zalmoxis will rise and take over the world, and I, being the one who brought him here, will be rewarded with power and glory. DEBRA Oh, Ok. Just say when. MOMENT OF SILENCE WILLIAMS Put it in - I'm watching you! And then start stitching. DEBRA Can someone hold the hole open? This takes both hands. CURT Got it. SOUND MOVEMENT NOISES AS THE HEART IS INSERTED SOUND CAT SCREECH WILLIAMS What the--? SOUND GUNSHOT, CAT SCREECH DEBRA Oh no! CURT Here! DEBRA Jeez, I almost dropped it! WILLIAMS Damn cat. You done? DEBRA Just a few stitches. WILLIAMS You do that, I'll start the ceremony. [begins creepy chanting in the background] CURT I told him you're ok. He don't need to kill you. DEBRA Thanks. Can you put your finger, there? CURT Oh, sure. DEBRA Good. SOUND SNIPS DEBRA Done. WILLIAMS Excellent! Rise! SOUND RUSTLING NOISE DEBRA Oh, jeez! It moved! WILLIAMS He moved. Master! DEBRA Um, Curt, is it--? CURT Yeah. Yeah, it is. SOUND ONE HEAVY FOOT ON GROUND, THEN A SECOND WILLIAMS Master, is the vessel acceptable? It was made to all your specifications! ZALMOXIS The vessel is [choking noise] WILLIAMS What? ZALMOXIS The vessel is-- SOUND SQUEAK, BUT DEEP AND SPOOKY LIKE HIS VOICE WILLIAMS What's that? CURT You didn't--? SOUND KEY RING JINGLES DEBRA Uh, yeah. SOUND DEEP SQUEAK ZALMOXIS No! Flawed! You must die! WILLIAMS Master! [choking noises] DOUGIE Boss? CURT [whispered] We should go. DEBRA Ya think? SOUND SCURRYING OUT, SNATCHING UP A CASE ON THE WAY [the argument recede as they leave] WILLIAMS [choking] Get this thing off me! DOUGIE Come on! SOUND SLAM, DEEP SQUEAK DOUGIE [gurgle as he smacks into wall] SOUND DOOR SHUTS, OUTSIDE NOISES DEBRA [breathless] Did wikipedia have anything to say about if the vessel was flawed? CURT Uh, no. go on! DEBRA But you? CURT Meet you on the corner. SOUND DOOR OPENS, SOUND OF COMMOTION MUSIC DEBRA {making squeaking noises} SOUND EXPLOSION DEBRA Holy crow! [gasp, musing] There's a lot of flammable stuff in taxidermy. CURT Nervous? DEBRA [startled noise!] CURT Track came in handy after all. [chuckles, then serious] I figured we shouldn't let it loose... DEBRA [worried] My ...house? CURT I'm thinking the dough-- SOUND PATS BRIEFCASE CURT Is enough to start a new life on? DEBRA [interested] Or ...two? CURT [pleased] Yeah. SOUND CAT MROW! CLOSER
The New Year is upon us! And as we usher in 2022, Tracey and Pat talk about the value of a good devotional to start - or build - a healthy habit of morning quiet time. 'Course, if you're not a morning person, you can still reap rewards by scheduling a daily time for fortifying yourself. And you can find strength for whatever life throws at you with a quality devotional that can lead you to the Word. Thank you for tuning in this past year... We wish you all the best in the coming year! Find links to the resources mentioned in this episode in the extended show notes here: breakthroughhomeschooling.com/hsmom-devotionals ~~ This podcast is listener-supported. Please help us continue to share our encouragement, inspiration, and insights by visiting our Patreon page here and making a donation. https://www.patreon.com/YCHpodcast Thank you so very much! If you'd like us to talk about a homeschool-related topic that's on your mind, please feel free to leave us a message here on Speakpipe! And DO reach out to us on socials - just make sure you let us know you heard our podcast, while you're at it! Pat Fenner - BreakthroughHomeschooling.com / Facebook / Instagram Tracey Hagerman - traceyhagerman.com Before you go, don't forget to "like" and follow us - so you don't miss an episode! We'll see you next time! *using this link to make a purchase means we earn a small sales commission. Please refer to my Affiliate Disclosure here. --- Send in a voice message: https://anchor.fm/you-can-homeschool/message Support this podcast: https://anchor.fm/you-can-homeschool/support
The "1 to 60 rule" [How will you know when to 'course correct'?]
Reissue of one of 19 Nocturne's earliest episodes (from October 2008). Includes notes from Julie about the history and making of 19 Nocturne Boulevard. (transcript below cast list) THE THRICE TOLLED BELL (TW: Insensitive archaic references and representations of people who might be in a "sanitarium".) An homage to classic Hammer films. Cast List Dracula - Bryan Hendrickson Van Helsing - Rick Lewis Wallace - Gene Thorkildsen Dr. Pettigrew - Michael Faigenblum Miranda Locksley - Rhys Torres-Miller Dr. Trevalian - Mathias Rebne-Morgan Mrs. Farge - Molly Tollefson Gorvi - Joel Harvey Britt - Julie Hoverson Nurse - Krystal Baker MUSIC All works composed by Harlan Glotzer (© 2008) [BMI] {harglo@gmail.com} Concertina - Harlan Glotzer Violoncello - Rachael Beaver & Tracy Hagen Toy Piano - Dana Wen & Roger Nelson Clavichord - Dana Wen Toy-Box Trio (http://www.myspace.cpm/toyboxtrio) toyboxtrio@gmail.com Voices recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound: Julie Hoverson Assistant Director: Reynaud LeBoeuf 19 Nocturne Theme Music: Kevin MacLeod (Incompetech.com) Cover Photo: Vickie Mathews (courtesy of Stock Xchange.com) "What kind of a place is it? Why it's an Edwardian insane asylum, can't you tell?" __________________________________________________ THE THRICE TOLLED BELL intro This was one of the first ten episodes of 19 Nocturne Boulevard that I made and put out, back in late 2008. I can't recall, specifically, what order I made them in. I've mentioned previously that Brokensea audio hosted a new spooky episode every day in October for a big spooky month event, and several of my first batch of episodes debuted during that event. But this episode, in particular, is literally attributable to Bill Hollweg, the master of disaster of Brokensea, he who will ever be missed. In the couple of months leading up to the October event, he posted a challenge to all comers, to write him a script with the following parameters: It must be in the style of a Hammer Studios Dracula film (the 1960s-70s classics that starred the mesmerizing Christopher Lee); It may only include Dracula and Van Helsing (no other Hammer standard characters or monsters); and It must include a broken bell, a wooden leg, and use the line "It's never done that before!" ...To the best of my memory, anyway. So I sat down and wrote The Thrice Tolled Bell, but then didn't want to give the script up to anyone else! I don't recall if he had any other entries, but Bill took it all with a roaring laugh and loved what I made. I loved including the stock types of characters - the lunkheaded servant; the straight-laced housekeeper; and the sexy chick played by (in this case) my best Britt Eckland voice. I even snuck in an obviously semi-nude scene, just because I could, and it fit the genre. This was also my first attempt at commissioning music, since for once I couldn't find *quite* what I wanted among the massive catalog (even back then) of Kevin MacLeod of Incompetech.com, who I can never thank enough for what he makes available for beginning and not for profit storytellers of all kinds. I don't recall much of the process, but I got one piece of music that I used bits of throughout and it was quite effective. When I was casting this piece, I still had a limited pool to draw from, since I was trying to stay local and work mainly with people I could actually direct in the studio. One of my actors, Beverly Poole, was still in high school, and the doctors in this piece were some of her classmates. But I needed the right voice for Mrs. Farge, the irascible housekeeper. I was still seeking when I went to Beverly's school play Twelfth Night (which did a lot of gender cross casting, and Beverly played Malvolio to extreme hilarity), and the voice of Fabian (pretty sure that was the role) struck me and after the play I caught up with Beverly and shouted (well, not shouted, but it was excited and urgent) "Bring me that voice!" and Molly Tollefson was recruited, accent and all. I've never cared much for auditions. Either doing them or holding them. It's just me. I'd always rather grab an actor I've heard, or recruit someone from a show I like than have to evaluate from a bunch of recorded voices. Plus, I hate being "mean" and having to turn everyone else down. ____________________________________________________ SCRIPT THE THRICE TOLLED BELL (an homage to Hammer Studio horror films) TW: disrespectful references to sanitarium patients and a "halfwit" character, in keeping with the time the script is set as well as the general character types of the Hammer Films franchise. ...also nudity. Cast (All various British accents except Dracula): Dracula (M), immortal vampire Van Helsing (M), Vampire Hunter Dr. Michael Pettigrew (20s/M), new head of the asylum Miranda Locksley(20s/F), Pettigrew's nurse/fiancée Mrs. Farge (30s/F), housekeeper Gorvi (30s/M), trustee Wallace (40s/M), cheery orderly Dr. Trevalien (40s/M), rival Britt Mecklin (20s/F), hapless blonde Nurse (F any) OLIVIA What do you mean, what kind of a place is it? Why, it's an Edwardian asylum, can't you tell? MUSIC SOUND HEAVY DOOR CRASHES SHUT SOUND FOOTSTEPS - ONE SET LIMPS ODDLY WALLACE Right through here - sir, miss. Now this is one of the saddest cases we have, sir, truth be told. Once he was the finest psychiatric mind in Europe - perhaps even the world. MICHAEL Always tragic when a good mind snaps. The same fire that feeds genius also devours and leaves madness in its wake. WALLACE Yessir. MIRANDA What sort of madness does he suffer from? WALLACE Miss? I dunno that I should-- MICHAEL Go ahead, Wallace. Miss Locksley is not merely my fiancée, but a very competent and highly trained psychiatric nurse. We will be working in tandem to try and bring my late father's asylum into the 20th century. MIRANDA [sadly] From what I've seen, it will take quite some doing. WALLACE [stiff] Sir, I dunno 'bout that, but your father was a very good and brilliant man - though the last ten years or so, since your mother died, begging your pardon, sir, he seemed to lose interest in everything. MICHAEL Did he - not even treat the patients? WALLACE He left much of that in the hands of Dr. Trevalian. MICHAEL Why did he not send for me? I could have spent my residency here instead of in Budapest. I could certainly have learned as much from father as I did from Dr. Bulovic! WALLACE Sir, if you don't mind me speaking above me place, I think your father - well, he didn't want you to see him... like that. MICHAEL But I might have been able to help him! WALLACE I don't think naught could have helped him - not at the end, there. MICHAEL [British agony] He should have sent for me. MIRANDA Dearest. He did what he thought was best. I'm sure your father thought very highly of you - otherwise, why should he have left this institution under your care? MICHAEL Of course, you're right. [condescending] Always the practical one. MIRANDA One of us needs to be, and you must save your energy for the needs of the patients. MICHAEL Well, show us this paragon, Wallace. WALLACE Sir? MICHAEL The doctor you say was so sadly struck down. WALLACE Oh, yes sir - sad it is to see great men crumble. SOUND KNOCK ON HUGE IRON BOUND DOOR WALLACE Herr Doktor? Young Doctor Pettigrew wishes to speak with you. VAN HELSING [muffled, behind the door] Enter. WALLACE Ah. Here we go, then. SOUND OPENING LOCKS AND BARS ON DOOR WALLACE Dr. Pettigrew, Miss Locksley-- [ta-da!] Doctor Van Helsing. MUSIC GORVI Gorvi done mopping. Gorvi eat now? MRS. FARGE Tis not dinner time yet, ye pillock. Yer s'posed to muck out the barn t'make room for that motorcar the new head brought wi' 'im. GORVI Mo-to-cah? What is mo-to-cah? MRS. FARGE An engine of Satan. If god had wanted us to speed about in great smoking heaps of metal, he wouldn'a made horses. GORVI [wail] Gorvi hungry! MRS. FARGE Off wi' ye! I've no time for this today - must have everything ready for inspection by the new head. And here's hoping he doesna choose to sack us all. Shoo! SOUND GORVI LEAVES - HEAVY FOOTSTEPS, RICKETY DOOR OPENS, CLOSES AMBIANCE OUTSIDE BRITT [off, barely audible, singing] When that I was and a little tiny boy-- GORVI [leering chuckle] SOUND FOOTSTEPS ON GRASS SPEED UP GORVI Pretty pretty britty. Pretty... golden... BRITT With a hey-ho, the wind and the rain-- SOUND FINGERS SQUEAK ACROSS GLASS, TINY WINDOW SLIDES OPEN - SINGING IS NOW CLEAR, WITH SLOSHING OF WATER, BATHING GORVI Oh-ho! BRITT A foolish thing was but a toy, for the rain it raineth every day... GORVI [smothering his delighted chuckles] SOUND DRIPPING AS A LEG IS RAISED OUT THE WATER. BRUSH SCRUBS BRITT Hey-ho, the wind and the rain, for the rain it raineth every day... GORVI [Bursts out with a shriek of delight] BRITT What? [gasps] Oh no! SOUND HEAVY FOOTSTEPS RUNNING ON GRAVEL GORVI [breathing heavily] No scream, no scream. Gorvi not bad. No scream, pretty Britty. SOUND SHIFT TO INSIDE BRITT [screams piercingly] SOUND [INSIDE] DOOR OPENS, FEET RUSH IN NURSE What is it miss? BRITT Someone was looking at me! A man! NURSE [condescending, fading out] Of course. Don't you worry. We'll sort it all out... SOUND SHIFT TO OUTSIDE SOUND GORVI RUNNING GORVI [panting with exertion] SOUND OPENS HUGE OLD DOOR, RUNS IN MUSIC MICHAEL After Wallace's admonitions, this is hardly what I expected. VAN HELSING I am quite aware of my condition, my dear doctor Pettigrew. You're fortunate enough to catch me on a good day. MICHAEL Perhaps you would indulge me with your own diagnosis? VAN HELSING Simple, really. Bouts of severe depression, which, I am ashamed to admit, I... treat... unsuccessfully... with over-use of alcohol. MICHAEL Dipsomania? VAN HELSING I would consider it more a symptom than a core disease, but you understand how difficult it is to be objective. MICHAEL I appreciate your frankness. MIRANDA I trust you are comfortable here, doctor - this is hardly a typical cell. More like a suite in an expensive hotel. VAN HELSING Dr. Pettigrew - the elder - was very kind, and understood that reading... helps me to ...moderate... my humors. MICHAEL If only more patients could respond to such simple, constructive therapies. [chuckles] VAN HELSING [slight chuckle, indulgent] MIRANDA The human mind is a fabulous, complex organ. VAN HELSING It is amazing. MUSIC AMBIANCE ECHOEY ROOM - ABANDONED CHURCH GORVI [muttering] Pretty pretty. Gorvi likes pretty golden Britt. [heavy sigh] Britty no like Gorvi. Gorvi only look. DRACULA [creepy echoey voice] Do you want her? GORVI Who... is there? Please? DRACULA [creepy echoey voice] Help me, and I shall help you in return. GORVI Where are you? Gorvi is alone? DRACULA [creepy echoey voice] Return later and bring a shovel. I shall show myself. GORVI You - new doctor? DRACULA [creepy echoey voice] Do you want this pretty Britt you long for? GORVI Oh, want! [licks his lips] Yes. MUSIC AMBIANCE DINNER NOISES SOUND LARGE PLATTER SET DOWN MIRANDA [cold] Thank you, Mrs. Farge. SOUND FOOTSTEPS TAP AWAY MIRANDA [anxious] Are you certain you want to do this, Michael? I realize your father-- TREVALIAN They expect it, even look forward to it. Besides, they should be given the chance to meet the two of you. You needn't worry, it is only the most stable of the inmates. SOUND FEET RETURN MRS. FARGE [announcing] Miss Mecklin. TREVALIAN Miss Locksley, Dr. Pettigrew, may I present Miss Britt Mecklin. BRITT Pleased to meet you, Doctor. Miss Locksley. MICHAEL Charmed. MIRANDA Lovely. TREVALIAN Will you have a seat? SOUND CHAIRS SHIFT AS HE SEATS HER, THEN THEY SIT MIRANDA It would be somewhat indelicate to discuss cases during dinner. There will be time tomorrow to familiarize ourselves-- MICHAEL Of course. BRITT I have nothing to hide. I have come to realize that it is only in my subconscious that people watch me. Understanding it is all in my head does not stop it from frightening me, but makes it more bearable. MICHAEL [reassuring] We shall work on that. MUSIC AMBIANCE STORMY NIGHT OUTSIDE ECHOEY STONE ROOM SOUND SQUEAKY DOOR OPENS, GORVI'S FOOTSTEPS GORVI Gorvi brings shovel! DRACULA [creepy echoey voice] Have you light? GORVI Gorvi have a candle. DRACULA Do you see the bell? GORVI Bell? DRACULA The bell. You must move the bell. GORVI No bell. Gorvi see no bell. DRACULA It is metal. It is large. Move it, or I shall unleash the fires of hell upon you! GORVI Ahhhhh! SOUND SHOVEL CLATTERS TO FLOOR, FEET RUN, SLAM MUSIC SOUND WATER INTO METAL TUB. DISHES BEING WASHED SOUND DOOR SLAMS OPEN MRS. FARGE Don't you dare--! [surprised] Oh! Lucas! TREVALIAN Lena. I simply couldn't take it any more. Having to kow-tow to that ... boy doctor and his miserable cold fiancée. MRS. FARGE Lucas. You shoulda been put in charge! TREVALIAN I know. [snarl] Blood runs thick. MRS. FARGE Dr. Pettigrew shouldna've looked over yuir years o'loyalty - Yuir unstinting devotion! TREVALIAN There's no time for that now. We must bide and see what they decide to alter -- SOUND BACK DOOR SLAMS OPEN, GORVI RUNS IN MRS. FARGE What the divvil is wrong with ye, y'idiot? Running about in the rain like a madman! TREVALIAN Calm yourself, Lena. MRS. FARGE Tis easy for ye to be charitable. Ye dinna haveta squeeze work outta him like blood from a turnip. Turnip! That's what y'are! GORVI Gorvi not turnip. Gorvi scared. TREVALIAN What frightened you? MRS. FARGE [over her shoulder] Perhaps a slight breeze. TREVALIAN Shh. Gorvi, tell me everything. MUSIC SOUND VAN HELSING'S DOOR UNLOCKS, OPENS VAN HELSING Right on time. WALLACE 'Ave I ever missed? SOUND DOOR SHUTS, WOODEN LEG FOOTSTEPS WALLACE Were it a good idea, d'yer think, to tell them you was an alcoholic? VAN HELSING I needed a reason for my presence here that wouldn't require overmuch explanation. Speaking of spirits, have you--? WALLACE [chuckling] 'Course. Would I let yer down? SOUND SITS. ODD, HEAVY UNSCREWING NOISE VAN HELSING Your thoughts on the new administrators? WALLACE Well, 'e'll never 'ave an 'appy life, not wit' that one. She's cold, and no mistake. VAN HELSING Truer words were never said. WALLACE 'Ee seems... well-intentioned... but I don't see 'ow you'll be able to tell 'im much. Not wi'out proof. SOUND BOTTLE PULLED OUT OF WOODEN SHELL WALLACE And there y'are. Better use for me wooden leg, I'll never know. [hinting] 'Cept the one... SOUND BOTTLE OPENS VAN HELSING Care to stay for a game of chess before you strap it back on? WALLACE Don't mind if I do. MUSIC AMBIANCE STORMY NIGHT GORVI There door. Gorvi no go in again. TREVALIAN In the old chapel? Dr. Pettigrew always insisted it was on the verge of falling in. [sigh, to Gorvi] Not safe. No go in. GORVI He say Gorvi move bell. He yell at Gorvi. TREVALIAN Poor halfwit. TREVALIAN Run along back to the kitchen, Gorvi. No need to wait out here in the wet. GORVI Doctor be careful! TREVALIAN Of course. Go on. SOUND GORVI RUNS OFF SOUND SQUEAKY OLD DOOR OPENS TENTATIVELY TREVALIAN Hmm. Sounder than I expected. SOUND DOOR SHUTS, MUFFLES SOUND OF RAIN SOUND TAP ON WALL TREVALIAN Here's the shovel-- SOUND PICKS UP SHOVEL TREVALIAN And that must be the bell... SOUND SLOW FOOTSTEPS TREVALIAN That explains a lot - who's ever seen a huge bell sitting on the floor? Hardly even recognizable under all those cobwebs. Must have fallen... DRACULA [creepy distant whisper, piteous] Help me. TREVALIAN Hello? DRACULA Help. Please. The bell. It came down and trapped me. TREVALIAN I see. Hmm. [thinking] Wait, the cracks in the flags below it are... covered in dust - that bell fell ages ago! DRACULA Please. Help. TREVALIAN Where could that voice be coming from? DRACULA [closer whisper, becomes command] Move the bell. Anything you want - it will be yours. TREVALIAN I doubt you could give me what I truly want. DRACULA Oh, yes. I can give you such things.... Come, close to the crack in the bell, and tell me what it is you... crave. MUSIC MICHAEL Darling? MIRANDA Yes, Michael? MICHAEL Do you think you can stick it here? MIRANDA Of course. You know I'm fully prepared to take on anything you need me to do. MICHAEL I know, but - well, you won't hate it or anything, living in the country like this? MIRANDA I shall immerse myself in work. Just as you will. Side by side. MICHAEL Should I-- May I-- sit next to you there on the settee, then? MIRANDA Michael! We are to be wed in the spring. I just want to make certain - living here without a proper chaperone, and all-- MICHAEL Of course, darling. I - I think I shall turn in. Get an early start in the morning. MIRANDA That sounds very wise. SOUND TAP ON DOOR MIRANDA Yes? SOUND DOOR OPENS, MRS. FARGE ENTERS, PICKS UP TRAY MRS. FARGE Did ye need anything further tonight? MIRANDA No, we were--- SOUND IN THE DISTANCE, A BELL TOLLS SOUND TRAY CLATTERS TO FLOOR MRS. FARGE [gasp!] MICHAEL Why Mrs. Farge, whatever is the matter? MRS. FARGE [haunted] That be the bell up t'old kirk. MICHAEL Come, now, it's never done that before? MRS. FARGE [ominous] Nay - I've been here nigh on 15 years, and that bell has nivver rung. SOUND FOOTSTEPS AWAY MRS. FARGE [slightly off] But I wouldna go seeking it - not even if m'very life depended on it. MUSIC VAN HELSING [considering] Mmm. Check. SOUND BELL TOLLS IN THE DISTANCE WALLACE Wazzat? VAN HELSING What? WALLACE [worried] The bell - don't you hear it? VAN HELSING Nonsense. Hmm.... Go and check it. If it is, we might have a problem on our hands. SOUND BELL TOLLS IN THE DISTANCE WALLACE I'll get going-- SOUND QUICKLY STRAPPING LEG BACK ON VAN HELSING Wait! Just in case. SOUND BOTTLE SLOSHES WALLACE Is it--? VAN HELSING It should help. WALLACE Every bit does. Leave the door open, shall I? MUSIC BRITT [waking] Eyes! Someone at the window? [muttered] I will not go look. I will not-- SOUND TAPPING AT THE WINDOW DRACULA [creepy voice] Open the window that I may bask in your radiance. BRITT [breathing heavily, bosom heaving] It is not real. I must take my solace in the lord. SOUND OPENS DRAWER, TAKES OUT BIBLE BRITT God, please give me strength! SOUND SOMETHING FLAPS AWAY INTO THE NIGHT, ANNOYED MUSIC MICHAEL Are you certain you'll be all right? I could bring in a cot - there's a couch in my dressing room--? MIRANDA No, Michael, I will be fine. Kiss me quickly and go to bed. SOUND QUICK KISS MIRANDA Sleep well. SOUND DOOR SHUTS MIRANDA [sighs] Men. [chuckles] SOUND RAP AT THE WINDOW, BUT SHE DOESN'T NOTICE DRACULA [distant, creepy, heavy breathing] Yessss. SOUND LETS HER HAIR DOWN, BEGINS TO REMOVE CLOTHES MIRANDA [humming to herself] SOUND HEAVY GOWN LAID ON THE BACK OF A CHAIR SOUND STEPS APPROACH THE WINDOW SOUND TAPPING SOUNDS ON THE GLASS DRACULA [creepy whisper] Open the window. MIRANDA Hmm? MIRANDA How vexing. Tree branch? We'll see about that--! SOUND LATCH TURNS MUSIC MIRANDA [Off, scream!] MICHAEL Good god! SOUND FLINGS OFF BEDCLOTHES, FOOTSTEPS MICHAEL [calling] Miranda! Darling! I'll be right there! SOUND DOOR FLINGS OPEN, A FEW STEPS. DOORKNOB RATTLES, POUNDING ON THE DOOR MICHAEL [frantic] Miranda! Open the door! SOUND KNOCKING MICHAEL I'm coming in! SOUND HEAVY THUMP MIRANDA [calling from behind the door, spooky sounding] Michael? Whatever are you doing? MICHAEL Are - are you - all right? SOUND DOORKNOB RATTLES MIRANDA [close now] Of course, darling. I woke from a... strange dream. Nothing to fret over. MICHAEL [off] If... you're... quite certain. MIRANDA When am I not? MICHAEL [off] Well. Sorry. I-- MIRANDA Go back to bed, dear. We'll talk tomorrow. SOUND [off] MICHAEL'S FOOTSTEPS RECEDE MIRANDA [long sigh] Well...? DRACULA [husky] Very good, my most delectable one... SOUND SEXY NECK NIBBLING MIRANDA [ecstatic gasp] MUSIC SOUND WOODEN LEG STEPS SOUND BRISK KNOCK ON A DOOR WALLACE Doctor, sir? It's morning, it is. MICHAEL Come on in, Wallace. I'm up. SOUND DOOR OPENS, STEPS APPROACH MICHAEL Is Miranda-- Miss Locksley up? WALLACE Feeling poorly, she says. Wooden even 'ave the drapes open. Travel don't suit 'er? MICHAEL Hmm. I suppose I might breakfast with Dr. Trevalian, then. WALLACE I ain't sure where 'e can be found, sir. Went out last night and ain't come back. MICHAEL Does he do that often? WALLACE Can't say, sir. MICHAEL [sigh] I hate to breakfast alone. WALLACE Ahem, sir. Doctor Van Helsing would be glad of your company. MUSIC MRS. FARGE Gorvi! Gorvi! Where is that bloody idiot? SOUND DOOR OPENS GORVI [whimper] MRS. FARGE What the divvil is wrong wit' ye, ye mongrel? Get out here! GORVI [whimpering] Gorvi no like! MRS. FARGE Gorvi like breakfast? GORVI Yes. Please. MRS. FARGE Gorvi will get up and work, then! GORVI Aye, Mrs. Farge. MRS. FARGE Go fetch some water from the well, ye brute - and while you're out, you might look where you last left Lucas-- Dr. Trevalien, that is - and see wha' he's been up to all night. GORVI No! No go to old door! No! MRS. FARGE I'll get the whip! GORVI [whimper] SOUND SCUTTLES OUT THE DOOR MUSIC SOUND VAN HELSING'S DOOR OPENS VAN HELSING Come in, dear fellow! Wallace? WALLACE [leans in] Yessir? VAN HELSING [muttered] The chapel? WALLACE [muttered] Never made it, sir, the inmates was restless last night. VAN HELSING Today then? WALLACE Better anyway. [significant] Better light. VAN HELSING I hope so. SOUND MICHAEL ENTERS MICHAEL Sorry? Do you mind if I sit down with you? VAN HELSING Never meant to exclude you, dear boy. Simply thought I'd heard something last night that couldn't have been. MICHAEL The bell? VAN HELSING You heard it as well? MICHAEL Of course. Why? VAN HELSING Would you do me an enormous favor? MICHAEL If I can - I have a busy day ahead of me, and Miranda's - a bit under the weather. VAN HELSING Soon as we finish here, then, go along with Wallace to the old chapel. Take a look at the bell. Would you? MICHAEL Why? VAN HELSING [considers] Hmm. That's a tale for after you've looked. [changing tone, chatty] Do you, by any chance, play chess? MUSIC SOUND KNOCK ON THE DOOR MIRANDA [dead tired] Go away! MRS. FARGE Dinna want to start organizing everything? MIRANDA Oh, blast. SOUND STUMBLING FEET, DOOR OPENS MIRANDA Can you help me? I feel weak as a kitten. MRS. FARGE You do look a wee bit pale. I'll fetch something hearty to drink. MIRANDA [shudder] I couldn't face anything heavy. MUSIC AMBIANCE OUTSIDE SOUND WALLACE AND MICHAEL WALKING OUT TO CHAPEL MICHAEL Humoring a delusion is not the right answer - in most cases. WALLACE You 'eard the bell, too, sir. MICHAEL But why go look at a bloody bell? SOUND DOOR CREAKS OPEN WALLACE Come along, then. SOUND FOOTSTEPS GO IN, SLOW, THEN STOP SOUND DOOR SHUTS WALLACE [quiet but fervent] Oh, my gracious lord. MICHAEL What is it? Oh! That must have been-- SOUND DASHING FORWARD MICHAEL [urgent] Help me move it! WALLACE I fear it's too late for Dr. Trevalian. MICHAEL Help me! BOTH [grunting and heaving] SOUND BELL ROLLS, BUMPS, AND THUMPS INTO A WALL MICHAEL Good god! WALLACE Sir? MICHAEL You're right. He's gone. That thing must have fallen and crushed him. WALLACE Shouldn't there be more blood, sir? MICHAEL Not necessarily. We'll get him back to the infirmary and take a look. WALLACE I'll go for a stretcher, then, shall I? MICHAEL Just a moment! Is this the bell we heard? WALLACE Yes, sir. MICHAEL [echoey - inside the bell] But there's not even a clapper! WALLACE 'asn't been rung in decades, sir. MICHAEL What are all these markings on the inside? WALLACE Wouldn't know, sir. Though I don't doubt Doctor Van Helsing could 'elp you. MICHAEL [coming out] Really - why would he--? WALLACE I think 'e was 'ere when the bell fell, sir. MICHAEL It must have been sitting here - the clear circle on the ground - but this is odd-- MUSIC SOUND DOOR BURSTS OPEN, MICHAEL STORMS IN MICHAEL I demand an explanation. Who, precisely, was trapped under that bell? VAN HELSING [calm] What? MICHAEL I saw the marks of fingernails! Trying to scratch a way out! Wallace said you were there, along with my father. I want to know what you did. VAN HELSING Sit. [up] Wallace? WALLACE Yes, Sir? VAN HELSING Please check on the residents, particularly any comely females. SOUND WALLACE GOES OUT, SHUTS DOOR CAREFULLY VAN HELSING Now, my boy... MICHAEL You're not "mad" at all, are you? You've lived here all this time-- VAN HELSING Shh. Shh. You need to hear this. 15 years ago, your father called upon my services to help him with a rather difficult problem - a rash of unusual deaths and nightmares among the female inmates. Having had a great deal of experience with such obsessions and delusions, I was able to spot the problem immediately - a vampire. MICHAEL [incredulous] A vampire? One who believes he must steal life from the living? VAN HELSING No delusion - a true creature of the night. MICHAEL Preposterous! VAN HELSING Humor an old man. This was not just any vampire, but Dracula - the lord of all vampires, whom I have sworn to destroy. MICHAEL But the bell? VAN HELSING We trapped him. Blessings etched on the inside - some from when it called the faithful, others we added - kept him penned. Simply putting a stake through his heart, as would do for most vampires, is not sufficient for Dracula. Far too simple for those who follow the dark arts to summon him back across the dark divide! MICHAEL But there must be a way-- VAN HELSING What do you think I have been researching all these years? I believe I have the answer, but first we must locate him. MICHAEL Why should I believe any of this? VAN HELSING Ask your fiancée. MUSIC MRS. FARGE Let me fetch the doctor. BRITT Yes. You can't be too careful! MIRANDA [trying to be strong] Nonsense. I'm just tired. I'm... not used to the country. BRITT Someone was looking into my room last night. MRS. FARGE Nonsense. You know that's all in your mind. BRITT No, it was real! Eyes. At the window. MIRANDA Red eyes? BRITT You saw them too? MIRANDA [evasive] Don't be silly. How could it be? SOUND DOOR BURSTS OPEN, FEET DASH IN, THEN STOP MIRANDA [gasp] MICHAEL Oh, goodness. I'm sorry, but darling, there's something I must ask-- VAN HELSING [coming on, commanding] Remove that scarf and show us your neck, if you please. MIRANDA [gasps and faints noisily] SOUND BODY DROP MUSIC VAN HELSING --resting normally. Despite the slight anemia, she should recover. We must watch her very closely, though, my young friend. MICHAEL How could this have happened? Miranda is the most sensible of women-- VAN HELSING Does it take a fanciful mind to be attacked by a rabid dog? No! In fact, a more fanciful mind is often better prepared to ward off such evil. Witness Miss Mecklin. BRITT Me? VAN HELSING What did he say to you, at your window? BRITT It was just noises - scratching. VAN HELSING Come now, there were words - if not in your ears, then in your mind, were there not? BRITT [sniffling] It's my subconscious. Not real. VAN HELSING This time, I'm afraid, is much different. You must help us. BRITT He just said "open the window". VAN HELSING But it was definitely a "he?" BRITT It is always men who are watching me. VAN HELSING Did he say where he might hide by day? BRITT No. I am so sorry! VAN HELSING Never mind. You did well. Keep your bible close tonight. BRITT Oh, yes! MUSIC GORVI [muttering] No more for Gorvi. He will sleep now. No more work. Gorvi will-- SOUND DOOR OPENS, QUICK STRUGGLE DRACULA [hissing whisper] Silence! GORVI [hand over his mouth] Mmm! DRACULA Shut the door. SOUND DOOR SHUTS DRACULA You did not release me, but I can overlook that, if you will serve me now. GORVI [muffled] Mm-hm! [yes] DRACULA Good. I still know what you want. The oh-so-lovely miss Britt. GORVI [muffled] Mm-hm! [eager yes] DRACULA Then this is what you must do... MUSIC SOUND DOORS BEING LOCKED, WINDOW SHUTTERS SECURED VAN HELSING I appreciate your humoring me, Michael. MICHAEL Of course. VAN HELSING Bringing everyone here to my rooms. MICHAEL I assume you think we may be safe here? VAN HELSING As safe as anywhere else. MIRANDA How can we all sleep? VAN HELSING You may lie on the couch, if you need to. Michael and I will remain awake. On guard. BRITT I can help guard as well. VAN HELSING Did you bring your bible? BRITT I could not find it! VAN HELSING Never mind, I think we have whatever we may need. Wallace? WALLACE [grim] Absolutely, sir. MICHAEL What if he doesn't come here? VAN HELSING He must. I circled the patient rooms and staff quarters with poppy seeds and salt. He will never get across that. MICHAEL So he will have to come here, or--? VAN HELSING --or starve. MUSIC TIME PASSES VAN HELSING We can slow him with spells, or stake him through his heart, but to truly banish his soul to the purgatory he so richly deserves, only holy water will suffice - and not a mere sprinkling, a veritable dousing. MUSIC TIME PASSES VAN HELSING Vampires are irredeemably evil. The only way to save miss Locksley from this hellish fate is to destroy this monster before she loses the last spark of humanity. As long as her soul does not depart her body, she can be saved. MUSIC TIME PASSES SOUND MOST ARE SLEEPING VAN HELSING This will be it. Are you ready? WALLACE Can't wait to see how it turns out, sir. VAN HELSING Good man. SOUND KNOCK AT THE DOOR VAN HELSING Ah... It begins. GORVI [muffled] Gorvi is alone? Let Gorvi in! WALLACE Bloody idiot. VAN HELSING You may be more correct than you know. Wait for my signal. Michael, wake up, get the ladies into the dressing room, back there. Whatever you do, do not open the door until you are certain it is morning - you may have to restrain miss Locksley, if Dracula has enough of a hold over her. Can you? MICHAEL Yes, I think so. VAN HELSING Move, then. There's a good lad. VAN HELSING Take this-- SOUND RATTLE OF NECKLACE CHAIN VAN HELSING It offers some protection. SOUND CROWD GOES OUT, DOOR SHUTS VAN HELSING Now. WALLACE Right. Gorvi? Is there anyone with you? GORVI [muffled, but clearly lying] No. Who would be with Gorvi? VAN HELSING [laugh] No one alive. Throw open the gate. WALLACE A'right. Just a moment. SOUND DOOR THUMPS VAN HELSING [hissed] Stay back. SOUND DOOR SLAMS OPEN, HITS WALLACE WALLACE Uhh! SOUND BODY DROPS AND SLIDES ACROSS FLOOR VAN HELSING Wallace! WALLACE uhh...[out cold] SOUND HEAVY BOOTS STRIDE CONFIDENTLY INTO ROOM VAN HELSING Dracula! DRACULA You stand between me and destiny, old man. Step aside and I shall kill you quickly. VAN HELSING Never. Back, foul fiend! DRACULA [hisses] You believe you can tame me? I have seared my flesh on your so-clever prison walls so many times, I have scars. VAN HELSING And yet, you do not approach. DRACULA Only a fool uses his hands to dig when he has a shovel... Gorvi! GORVI [flying leap] Master! SOUND BODY DROP - CROSS DROPS VAN HELSING Unh! DRACULA [evil laugh] And now, my most precious enemy, prepare to meet your well-deserved fate! SOUND DOOR SLAMS OPEN MICHAEL No! SOUND MICHAEL STORMS IN VAN HELSING Dammit, boy! You've ruined it! Do what you want with me-- DRACULA Of course, herr doktor! You have always cared more for others than for yourself. [commanding, hot] Come to me, my darling! MIRANDA [breathless] I must go--! MICHAEL No! Get back! BRITT Miss Miranda, you can't! GORVI Britt! MIRANDA [snarling] Let me pass, strumpet! SOUND SHORT CATFIGHT MIRANDA Ugh! [hurling Britt] SOUND BRITT ENDS UP IN DRAC'S ARMS GORVI [upset] Britt! DRACULA A gift? For me? You are too kind. MIRANDA My love! You don't want her! DRACULA She is merely the aperitif, my dearest darling - [hot] you alone can satisfy me. MIRANDA [ecstatic sigh] DRACULA Now, my pale blonde flower.. BRITT [struggles for a moment, then goes limp with a sigh, breathing hard] SOUND FANGY NOISE GORVI No! Gorvi wants Britt! VAN HELSING Wallace! Ready! DRACULA Imbecile! SOUND THUMP AS GORVI HITS DRACULA SOUND HEAVY THROW, BODY HITS WALL, NECK CRUNCH GORVI [dying noises] DRACULA Miranda, show your devotion - come and hold this delectable morsel for me. SOUND RUNNING FEET WALLACE Yaaaah! VAN HELSING Kick him! DRACULA [very slight] Oof. WALLACE [struggling] DRACULA [chuckles nastily] And now what do you do? I have your leg. WALLACE [triumphant] Yes! SOUND CLICK, SMALL EXPLOSION SOUND MUCH WATER SPLASHES, HISSING BURNING NOISE DRACULA What? No! [shrieking in agony] Ahhh! MICHAEL Good God! VAN HELSING Holy water!. DRACULA But how? I would have seen a bottle. Ahh! VAN HELSING Wooden leg. WALLACE And a small blasting cap. DRACULA Ahh! [receding] SOUND LIQUIDY HORRIBLE PUDDLY NOISE WALLACE Uh, Sir? Can I get a hand? VAN HELSING Certainly. I'll even give you a leg up. MUSIC END
The Locked On Cougars Podcast for Friday, July 9, 2021 "Independence Week" wrapped up on a Friday episode as Jake Hatch took to his soapbox to share his thoughts on the current state of affairs for the BYU football program and athletic department as a whole. He believes the Cougars are well-positioned now and for the future and should "stay the course" Attention then turned to the daily staple of the 100 Seasons of BYU Football Countdown with a look back at 1982 and the 8-4 season the Cougars enjoyed with Steve Young at the helm of the Cougars. Jake Hatch recapped the "down" season and what to take away from an eighth consecutive WAC championship season in Provo Finally, the podcast wrapped up with one additional note on 1982, the good news regarding running back Jackson McChesney's return from injury and responses to the query on the Locked On Cougars twitter account that asked Cougar fans to name a random BYU Cougar Support Us By Supporting Our Locked On Podcast Network Sponsors! Built Bar - Built Bar is a protein bar that tastes like a candy bar. Go to BuiltBar.com and use promo code “LOCKEDON15,” and you'll get 15% off your next order. BetOnline.AG - There is only one place that has you covered and one place we trust to place our wagers. That's BetOnline! Sign up today for a free account at betonline.ag and use the promo code "LOCKEDON" for your 50% welcome bonus. Rock Auto - Amazing selection. Reliably low prices. All the parts your car will ever need. Visit RockAuto.com and tell them Locked On sent you. Follow the Locked On Cougars podcast on Facebook, Instagram and Twitter to stay up-to-date with the latest with regards to the podcast and BYU sports news. Please remember to subscribe, rate and review the show. Also, please consider subscribing to the Yawk Talk Newsletter that Jake writes and is delivered directly to your email inbox. If you are interested in advertising with Locked On Cougars or the Locked On Podcast Network, please email us at LockedOnBYU@gmail.com or contact us here. Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Oh taste and see that the Lord is good (v. 8) Oh, fear the Lord, you his saints, (v. 9) God is good; but God must also be revered! To quote Mr. Beaver in C.S. Lewis' "The Lion, The Witch, and the Wardrobe," "'Course he isn't safe. But he's good. He's the King, I tell you."
Nathan 'Dubsy' Want :: March 14, 2021
The guys jump right into it... What's happening with the current NCAA season, how it affects the tournament. Will there be conference tournaments? Like a cross-over, the boys pivot into the NBA. Do you like super teams, or do you root against them? And a few thoughts on wagering on who will be in the NBA Finals from the East.
In space, nobody can hear your face crack- but they sure can see it! Captain Janeway and the Voyager crew are getting beat with the Delta Quadrant fugly stick...it's NOT a cute look. But what is really happening?!?!? Fire, Chakotay merch! https://teespring.com/fire-chakotay Support the away mission: Patreon: www.patreon.com/WerqShop Venmo: venmo.com/werqshop Follow us on Instagram: @mikediamondonline @msmatinga @ericmiamiboo7 YouTube: www.youtube.com/MikeDiamondTube 'Voyager is available on streaming services such as Netflix, Hulu, CBS etc. You don't *have* to have seen the episodes that we get into, but it would probably enrich your experience. Also, Voyager is a hoot! ''Course Oblivion' (Star Trek Voyager Season 5, Episode 18)
D'Diskussioun iwwer privat Sécherheetspersonal op der Stater Gare ass d'Haaptthema dës Woch. Ausserdeem: Schampes um Knuedler, d'Course ëm den Impfstoff a nei Musék vu Lëtzebuerg!
Are fear and love compatible ways of knowing Jesus? Why is "The fear of the Lord the beginning of all wisdom" (Prov 9:10)? Allow Narnia's majestic Aslan, the king "who is not safe, but good" deepen your desire for holy fear! Let literature's greatest Christ archetype lead you to encounter the living God! The final passage mentioned in the episode where Lucy meets Aslan in "Prince Caspian" (C.S. Lewis): "... But for the movement of his tail he might have been a stone lion, but Lucy never thought of that. She never stopped to think whether he was a friendly lion or not. She rushed to him. She felt her heart would burst if she lost a moment. And the next thing she knew was that she was kissing him and putting her arms as far round his neck as she could and burying her face in the beautiful rich silkiness of his mane. "Aslan, Aslan. Dear Aslan," sobbed Lucy. "At last."The great beast rolled over on his side so that Lucy fell, half sitting and half lying between his front paws. He bent forward and just touched her nose with his tongue. His warm breath came all round her. She gazed up into the large wise face."Welcome, child," he said."Aslan," said Lucy, "you're bigger.""That is because you are older, little one," answered he."Not because you are?""I am not. But every year you grow, you will find me bigger."For a time she was so happy that she did not want to speak. But Aslan spoke."Lucy," he said, "we must not lie here for long. You have work in hand, and much time has been lost to-day.""Yes, wasn't it a shame?" said Lucy. "I saw you all right. They wouldn't believe me. They're all so——"From somewhere deep inside Aslan's body there came the faintest suggestion of a growl."I'm sorry," said Lucy, who understood some of his moods. "I didn't mean to start slanging the others. But it wasn't my fault anyway, was it?"The Lion looked straight into her eyes."Oh, Aslan," said Lucy. "You don't mean it was? How could I—I couldn't have left the others and come up to you alone, how could I? Don't look at me like that ... oh well, I suppose I could. Yes, and it wouldn't have been alone, I know, not if I was with you. But what would have been the good?"Aslan said nothing."You mean," said Lucy rather faintly, "that it would have turned out all right—somehow? But how? Please, Aslan! Am I not to know?""To know what would have happened, child?" said Aslan. "No. Nobody is ever told that.""Oh dear," said Lucy."But anyone can find out what will happen," said Aslan. "If you go back to the others now, and wake them up; and tell them you have seen me again; and that you must all get up at once and follow me—what will happen? There is only one way of finding out.""Do you mean that is what you want me to do?" gasped Lucy."Yes, little one," said Aslan."Will the others see you too?" asked Lucy."Certainly not at first," said Aslan. "Later on, it depends.""But they won't believe me!" said Lucy."It doesn't matter," said Aslan."Oh dear, oh dear," said Lucy. "And I was so pleased at finding you again. And I thought you'd let me stay. And I thought you'd come roaring in and frighten all the enemies away—like last time. And now everything is going to be horrid.""It is hard for you, little one," said Aslan. "But things never happen the same way twice. It has been hard for us all in Narnia before now."Lucy buried her head in his mane to hide from his face. But there must have been magic in his mane. She could feel lion-strength going into her. Quite suddenly she sat up."I'm sorry, Aslan," she said. "I'm ready now.""Now you are a lioness," said Aslan. "And now all Narnia will be renewed. But come. We have no time to lose."He got up and walked with stately, noiseless paces back to the belt of dancing trees through which she had just come: and Lucy went with him, laying a rather tremulous hand on his mane. The trees parted to let them through and for one second assumed their human forms completely. Lucy had a glimpse of tall and lovely wood-gods and wood-goddesses all bowing to the Lion; next moment they were trees again, but still bowing, with such graceful sweeps of branch and trunk that their bowing was itself a kind of dance."Now, child," said Aslan, when they had left the trees behind them, "I will wait here. Go and wake the others and tell them to follow. If they will not, then you at least must follow me alone."Excerpt from episode:"...Today's episode will have a different sort of feel, because today is very much about a personal encounter. It's often been said that the character of Aslan – that great kingly lion - is one of the best portrayals of Jesus Christ in any work of fiction. Those of you who are familiar with the books will probably agree that every scene with Aslan is profound and moving, and depicts what a real encounter with Jesus of Nazereth would actually have been like. Over and against more popular portrayals of Jesus today as just a nice guy or moral teacher, Aslan – like the real Jesus of Nazareth- just cannot be categorised in any box. He is at once compassionate and ferocious, friendly, and yet kingly. When Susan Pevensie asks Mr Beaver whether Aslan was safe, Mr beaver replies "Safe? Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” So it goes for the real Jesus Christ, and it is for this reason that Aslan gives us plenty of material to explore a very forgotten idea in Christianity today: the fear of the Lord. ‘Fear of the Lord? – what does that even mean...?"
You will want to listen to the very end to hear Dr. Jeffrey Magee explain the ‘trajectory code’ and how it helps individuals, leaders and parents stay on course at work and in life. Dr. Magee has been called one of today’s leading global Talent & Business Development Advisers in the areas of “Leadership & Sales.” He's the author of more than 30-books, 4-college text books, 4-best sellers, and is the Publisher of PROFESSIONAL PERFORMANCE Magazine. ProfessionalPerformanceMagazine.com Dr. Jeffrey Magee will candidly talk about the struggles of recruiting national guard soldiers, developing sales leaders and cultivation business executives for now and the future. Hear his comments on leadership egos, blind leading the blind and why 70% of our workforce is disengaged or actively disengaged from work. JeffreyMagee.com
“Aslan is a lion- the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he-quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” As much as we may crave to experience God, I doubt any of us have the slightest idea what we're asking for. The holiness and love of God are intrinsically linked so coming into His presence is both glorious and fearful. This is certainly Abraham's experience here, as God makes the most formal of contracts with him. But even this was only a precursor of Christ's covenant with us who believe. I wrote this section with a sense of holy awe and wonder, that honestly has never left me. Experiencing God would leave Jacob walking with limp. It is at the same time cripplingly intense and yet also gloriously liberating. A true encounter with Him leaves us marked and yet whole. Perfectly balanced- neither weirdly intense or flippantly superficial. Thoroughly in the world but not of it. More approachable and relatable but irrefutably different. The true woman or man God intended us to be. Life in all its fulness.
The Squiz is your shortcut to the news.“Set me free why don't you babe”Your Shortcut To... China's Belt and Road Initiative: https://www.thesquiz.com.au/shortcuts/squiz-shortcuts-chinas-belt-and-road-initiative/ . Wanna make Squizhead status? 'Course you do! https://www.thesquiz.com.au/squizheads/ . .More details, and links to further reading for all of today's news can be found in The Squiz Today email. Sign up (it's free!) - www.thesquiz.com.au ..Bupa (sponsored): https://www.bupa.com.au/ .Australian Mushrooms (sponsored): http://australianmushrooms.com.au/recipes/ .
The Squiz is your shortcut to the news.“When things go wrong we can knock it down.”Wanna make Squizhead status? 'Course you do... .Your Shortcut To... Royal Commissions . More details, and links to further reading for all of today's news can be found in The Squiz Today email. Sign up (it's free!) - www.thesquiz.com.au ..Bupa (sponsored) https://www.bupa.com.au/
Pamela Woo, head of U.S. equities at BNP Paribas Asset Management, says that investors need to trust their allocations and plans while also looking for stocks that will come through the current recession positioned for a strong future. She expects to see a recovery that gets off to a hot start as the economy reawakens, but that won't recapture previous levels for e foreseeable future when the pandemic has ended. Also on the show, Matt Freund of the Calamos Long-Short Equity and Dynamic Income Fund on rebounding from the recent bottoms, Dan Zanger of ChartPattern.com talks about the value of technical analysis in unprecedented market times, and Mark Fleming, chief economist at First American Financial Corp., compares the way the real estate market is responding to conditions created by the coronavirus pandemic and the voluntary economic slowdown with the way it reacted to the 2008 financial crisis, which was triggered by problems in the housing and real estate sectors.
Joining the mission of a holy God sounds a little intimidating, if I'm honest. Holy is a heavy word. The completeness of God's holiness—His through-and-through pureness and awe-invoking presence makes me feel a little like Susan inquiring about Aslan in C.S. Lewis's The Lion, The Witch, and the Wardrobe. “Aslan is a lion–the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he—quite safe? I shall feel rather nervous about meeting a lion". . . “Safe?" said Mr. Beaver . . . "Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” I feel small. And inquisitive--drawn to the exploding mystery of One who can simultaneously be good and not safe. So when I try to wrap my head around my purpose from my creation being to join the mission of this holy God, I find it both irresistible and unnerving. Possibly you feel the same. Listen in, or if you prefer to read, head on over to the blog. More content is available at TheUncommonNormal.com. I would also love to connect with you on social media. You may find me on Instagram, Pinterest, Facebook, and Twitter.
The God of Abraham Part II Hello again and welcome to this series on the God of Abraham, Isaac and Jacob. My name is Mario, and we pick up our story today on that curious encounter between Abram and Melchizedek. If you are just joining the discussion, I invite you to start listening from Episode 1 so that you can get a better understanding of where we are in this amazing story. You should have access to it on your favorite podcast app, or you can visit mariosministries.com, where we'll have other resources that may enhance your study and understanding of Scripture and living out your faith. If you like the series, please subscribe to it—that helps promote it. At mariosministires.com, you can subscribe to our email list to get the latest on this and other projects we are working on. Well, without further ado, let's dive into The God of Abraham, Part II. Abram just had an incredible victory. His beloved nephew Lot and his family were captured in war between Sodom and other neighboring kingdoms, and when Abram heard of the news, he assembled an army of his own and rescued them, along with all their possessions. On his victorious journey back, he is greeted by the king of Sodom and by “a priest of God Most High,” Melchizedek. We briefly considered last time Melchizedek's independent revelation and relationship with God. It is one of those mysteries in Scripture that reminds us of the awesomeness of God. Our Father's all-encompassing work is difficult for us to comprehend, but we can certainly stand in awe of His majesty. I think of Psalm 33:5, telling us “the earth is full of the steadfast love of the Lord.” Full! Think of that! Do you look around and see that? Our eyes must be opened. I think of the resurrected Jesus speaking to the two disciples on the road to Emmaus in Luke 24. Luke tells us that, “beginning with Moses and all the Prophets, [Jesus] interpreted to them in all the Scriptures the things concerning himself” (Lk. 24:27). I long to hear about that conversation when I meet the Master. The details are not recorded in Scripture, but we know it happened. In the same awe-inspiring way, Jesus will be identified by the writer of Hebrews (in chapter 7) as a priest in the order of Melchizedek. We do not have the time to go into all that this entails, but we get a sense of the importance of this mysterious priest of God that we are getting to know right here in Genesis. Abram certainly recognized his holy authority, for he gives him “a tenth” of all he had attained. This passage will help shape the Christian practice of tithing to the Lord from all we have, if you ever wonder about where that practice comes from. The king of Sodom welcomes all the people of Sodom back and wants Abram to keep all the material goods he got during the rescue. But Abram surprisingly refuses, saying, “I have lifted my hand to the Lord, God Most High, Possessor of heaven and earth, that I would not take a thread or a sandal strap or anything that is yours, lest you say, ‘I have made Abram rich.' I will take nothing but what the young men have eaten, and the share of the men who went with me…” (Gn. 14:22-24). We get a glimpse of Abram's relationship to God here. Note he had “lifted his hand to him,” which implies some sort of oath and a continuing communication between God and Abram, beyond those specifically recorded. Abram seems to be following through on his reliance on God. He does not take ownership of this great victory, instead, he jealously protects the name of the Lord, seeking that no man may take away from His (God's) glory. In Abram's estimate, there is only one who can say He is responsible for Abram's prosperity, God. He will not compromise that. Isn't that amazing? Following his encounter with Melchizedek, Abram has a vision. In it, God tells him, “Fear not, Abram, I am your shield; your reward shall be very great” (Gn. 15:1). Let us not lose sight of the simple fact then that the God of Abraham speaks through visions. We should not discard those in our lives. Abram responded to God saying, “O Lord God, what will you give me, for I continue childless, and the heir of my house is Eliezer of Damascus?” Abram said, “Behold, you have given me no offspring, and a member of my household will be my heir” (Gn. 15:2). Again, do you see what is happening here? Is this not encouraging to you, to see how Abram is free to speak to God from his heart? Can you not identify? He's been faithful. He's waited on the promise, but he doesn't see how this is supposed to happen. With every passing year Sarai and he get older. There is no offspring. How is God continuing to speak of this great nation and blessing that will come through him? Now saddle up, because God's answer is just so like God. This is how we get to know Him—by listening to Him. We need to learn to read Scripture with full hearts and minds. Listen to what God tells Abram, starting in verse 5 of chapter 15. God brings him outside and says, “Look toward heaven, and number the stars, if you are able to number them.” Then He says to him, “So shall your offspring be.” Can you believe it? This is not much different than what He's said before. But God is patient with Abram and takes him as a child to see the stars. This is the Creator of all, who put the stars there in the first place. When we consider that, that he spoke and created out of nothing, you begin to realign your mind to the heavenly perspective. God is all-powerful, and he is for us. I actually love doing this with my sons and daughters, I tell them we moved to the house we live in right now because I wanted them to see the majesty of God's glory in the starry host above. The God of Abraham's lovingkindness is palpable. He is our Father. He is near us. And what did Abram do after hearing that lovely, but familiar answer? He believed the Lord, verse 6 tells us, and it was counted to him as righteousness. As we mentioned last time this will be Abram's enduring legacy. He believed God. Let's make it ours too. God said to him, “I am the Lord who brought you out of Ur of the Chaldeans to give you this land to possess.” Here we get to know the God of Abraham, Isaac and Jacob a bit more, he constantly reminds us, because of course we tend to forget, of what he has done, where we've come from and what he has planned for us. He'll continually remind the Israelites' later on, “I am the Lord your God, who brought you out of Egypt,” in a similar way. And in our lives, we can always look back and see the Lord's hand as to where he brought us out of. “I am the Lord your God who brought you out of Carolina, PR” He tells me…. He, he… Lot's of stories there, of God's unwavering, sustaining love and mercy. It is one of my favorite things, to hear Christians tell me their “Exodus” story, so to speak. If I ever meet you, please, tell me that story, it is just such a blessing to me. But back to the story… Abram responds, “O Lord God, how am I to know that I shall possess it?” This request doesn't strike as doubting, we just heard Abram believed God. It seems more like an ask for help in seeing it more clearly. He seems to be asking for a sign, and God will respond with a familiar one. God tells him, “Bring me a heifer three years old, a female goat three years old, a ram three years old, a turtledove, and a young pigeon.” God doesn't specifically tell him what to do with them, but it seems Abraham knows these are for a sacrifice (it might be that instructions were given and simply not recorded) but it is not hard to imagine that Abraham is well versed on the practice. He cut them in half, put the over against each other and waited on the Lord. The text actually shows us another sign of Abram's devotion to the Lord. It tells us in verse 11 that when the birds came down on the carcasses, Abram drove them away. Abram's worship is similar to Abel's, who gave the best that he had to the Lord. Here Abram wants to jealously guard his offering to the Lord. There is something for us to learn here. I fear sometimes we lose sight of just Who is it that we are dealing with when we approach the Great I Am. The God of Abraham, Isaac and Jacob. He is the Creator of the Universe. And He is Holy! C.S. Lewis tried to get at this idea on his Chronicles of Narnia. Most of you have read the books or seen the movies. In the Lion the Witch and the Wardrobe, Mr. Beaver is telling the children about Aslan (who is a sort of Christ-like figure that is represented by a great Lion in the books) and Susan, the youngest of the children is a bit afraid about meeting a Lion and she says, "Ooh… Is he-quite safe? I shall feel rather nervous about meeting a lion"... To which Mr. Beaver responds "Safe?... Who said anything about safe? 'Course he isn't safe. But he's good.” Amen! May His name be praised forever. Listener, our God is good. He is patient and loving and kind. He is empathetic, compassionate and meek. “The LORD is merciful and gracious, slow to anger and abounding in steadfast love,” says. Psalm 103: 8. But He is not like you and me. He is holy. He calls us friends, says John 15:15, but it is out of His marvelous grace that he does that, not because we deserve such an honor. He deserves our thanksgiving and praise. He deserves our reverence. Do not buy into the dreadful modern idea of a small “g” god, who's just your buddy hanging out with you, “chillin.” That is not the God of Abraham, Isaac and Jacob. It is a man-made non-god that will fail you, because it is not real. The God we are getting to know here, is the sort of God you go out of your give the best to. Abram wouldn't dare present an unworthy sacrifice to the Lord, so he fights off the birds trying to ruin it. And you will have to fight off your own “birds” so to speak that will try to come and prey on your spiritual sacrifices to the Lord. He is worthy. The text tells us that Abram fell into a deep sleep and then “a dreadful and great darkness fell upon him” (that's verse 12). There's certainly much to think about this, but for now, let us note the magnificence of God's presence. It is dreadful in the sense of where we stand in relation to it. This is one of the reasons why we need Jesus! Praise God, it is through Him, we are able to stand before the Father. God speaks to Abram then while he experienced that dreadful darkness. He said to him: “Know for certain that your offspring will be sojourners in a land that is not theirs and will be servants there, and they will be afflicted for four hundred years. But I will bring judgment on the nation that they serve, and afterward they shall come out with great possessions. As for you, you shall go to your fathers in peace; you shall be buried in a good old age. And they shall come back here in the fourth generation, for the iniquity of the Amorites is not yet complete.” (Gn 15:13–16) So, here is the God of Abraham, Isaac and Jacob in full too. This too is part of the promise. It is not all bliss – a great nation and a new land. But hardship will follow. There is no misleading in God. There is only truth. Life is hard. This we all know. And this the Scriptures reflect that without sugar-coating it. Abram's seed is a “persecuted seed” said one commentator. And Jesus, to us said, in this world you will have trouble (John 16:33) “But take heart; I have overcome the world.” Trouble is a fact for the Christian life. But so is the victory. That's where our hope comes when we are facing trials. We will persevere. We will endure. The enemy will not have his way. Abram's seed is promised an Exodus. They will come out of the hardship. And, if we have learned anything about the God of Abraham, Isaac and Jacob is that his word, his word is sure. As He speaks it will happen. And there is nothing, no-thing that can stand in the way. That's Romans 8: Who shall separate us from the love of Christ? Shall tribulation, or distress, or persecution, or famine, or nakedness, or danger, or sword? … [those are all troubles, you see, but the love of God, which guarantees the victory will see us through] … Therefore, Paul declares, “in all these things we are more than conquerors through him who loved us. For I am sure that neither death nor life, nor angels nor rulers, nor things present nor things to come, nor powers, nor height nor depth, nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord.” Amen! To finish up this episode here. In the darkness, “a flaming torch passed between” the animals Abram had laid out. And with that sign, God sealed a covenant with Abram, saying, “To your offspring I give this land…” The God of Abraham, Isaac and Jacob has spoken. And as he says, so it shall be. See you next time. -MD
As a way to show our appreciation for our Bikes & Big Ideas listeners, we discussed our best / worst ideas for the bikes edition of our Blister ‘Crash Course’ video series — and some of the ideas are truly magnificent. So check it out, and then please feel free to suggest your own best / worst ideas for these Blister ‘Crash Course’ bike videos.TOPICS & TIMESBlister ‘Crash Course’ Videos? (5:12)Round 1 Ideas (8:04)Round 2 Ideas (13:42)Round 3 Ideas (18:05)Round 4 Ideas (21:48)Round 5 Ideas (29:05)Round 6 Ideas (33:03) See acast.com/privacy for privacy and opt-out information.
Dan Keady, chief financial planner at TIAA, says that while investors are looking at their retirement savings and thinking they have been devastated, the market ultimately will help them catch up and recover, provided they don't try to get off the market rollercoaster mid-ride hoping to escape market risk right now. Also on the show, Mark Hamrick of Bankrate.com discusses survey results on how many Americans have skipped or done without medical care due to its cost, David Trainer of New Constructs puts high-risk dividend stocks in the Danger Zone, and Brian Bollinger of Simply Safe Dividends tries to help listeners find lower-risk payouts from stocks in the Market Call.
Join me as I make my breakfast on this Monday morning as I share a little behind the scenes of how my husband and I navigated the scary process of taking the plunge to have him leave his 80 hour a week job and 4 hour commute, and move towards more balance in our lives. I share an amazing exercise that calms down the fear that tells you you're gonna starve and die, and creates a back up plan for if you take the leap, hope the wings will grow on the way down and realize you're gonna crash. Enjoy! Get two free months of Skillshare! And access 'Course 1; How To Create a Cohesive Feed' from my online school, Instagram School here: https://skl.sh/sticksandink I am thrilled to be sharing Skillshare with you! Skillshare house thousands of online illustration, design, business, fine art, and photography classes, and you can get 2 free months of access!
In this episode I share the hardest life lessons I've been dealt and how incredible it is to look back on your suffering in the past, see what it taught you, and feel good about them. My 3 toughest life lessons so far are pretty universal, so it's my hope that sharing my perspective from the other side of learning how to: 1. Ask for help 2. Speak my truth 3. Have patience ..I will be able to encourage those of you who are on the receiving end of some tricky life situations that are perhaps, quietly trying to teach you the same lessons. Enjoy! Mentioned on the podcast: The 4 questions to ask yourself to discover whether life is trying to teach your something: 1. What am I really struggling with right now? 2. What feels hard? 3. What do I wish I could overcome? 4. Tune into your deep-seated yearnings. Get two free months of Skillshare! And access 'Course 1; How To Create a Cohesive Feed' from my online school, Instagram School here: https://skl.sh/sticksandink I am thrilled to be sharing Skillshare with you! Skillshare house thousands of online illustration, design, business, fine art, and photography classes, and you can get 2 free months of access!
WELL, WELL, WELL! It’s our last In Conversation episode of 2019 and today on the show you’re joined, actually… today you’re joined by us. Yes, we sat down with the effervescent Sarah Davidson at the Mercedes me store on Tuesday night for an In Conversation with the two of us.A huge, huge thank you to Mercedes me for having us in their beautiful space - their Melbourne is one of 11 Mercedes me locations worldwide, sitting alongside other iconic cities including Munich, Hamburg, Hong Kong, Tokyo and Moscow.Our wonderful MC Sarah Davidson, is of course, is the co-owner of Matcha Myklbar and Matcha Maiden and the host of the Seize the Yay podcast. Wanna find more from Sarah? 'Course you do. Right this way...Join our glorious Shameless Podcast Facebook community here, where thousands of like-minded ladies keep each other up to date with the latest celebrity and pop culture stories. Or if Facebook isn't your thing why don't you chuck us a follow on Instagram @shamelesspodcast instead?We know you didn't ask, but yes of course we have a weekly newsletter! So glad you asked. You can subscribe to it here for recommendations, columns and more super fun things (yes, we clickbaited you and we don't regret a thing.)Shameless Podcast is very much an independent vehicle that runs on the support of our incredible listeners - that's you! So, if you’d like to support the show, we would like that very much. Hit ‘subscribe’ on Apple Podcasts or ‘follow’ on Spotify, and leave a review if you’re feeling especially generous. Then sit back and bask in our eternal, abundant love.Your hosts are Zara Beach Hero McDonald (@zamcdonald) and Michelle Andrews (@michelleandrews1).Shameless is a production of Shameless Media.
In life, it is so easy to get caught up in a tradition or a cultural way of doing things, so much so that we forget our essence. I believe that we have an origin, and that origin spells the intention of our lives. Living our lives without this perspective can easily lead us to massive regrets in the end. And that is the problem: that it's only at the end that we know how off we have been. In the podcast today, let's see one more way we can make the scales between the intention of the Divine and our productivity to balance. Listen in.
This week we invited PGA TOUR coach and founder of Course Kings, Jeff Smith (@radargolfpro) onto the podcast. We had great conversation about how he got his unique start in the golf world, what qualities make a great coach and some insight into how information is now shared and what the future holds for golf.
This week on NEXT, a teenager and an officer's “Collision Course” leads to a fatal shooting. Plus, we look at racial profiling and policing in New England. And it's been about a year since the first legal sale of recreational marijuana in Massachusetts, but cannabis sales on the black market haven't stopped. See omnystudio.com/listener for privacy information.
I had a man in my office this week who had a dream about three years ago and, as a result, became a follower of Christ. He had no Christians in his life witnessing to him. Had not read the Bible. Nor had he attended a church where the gospel was presented. He was in crisis. He called out to God in desperation. He had a dream. He gave his life to Christ. Some in our church family, no doubt, embrace that account and thank God for doing a mighty, supernatural work. Others, perhaps having spent time in less charismatic-oriented churches, are less comfortable with the thought of God using dreams or any of the miraculous gifts to advance his plan. These folks might say that believing such things leads to excess, extremism, and even chicanery. That’s not an unreasonable concern. And yet, there’s an equally legitimate concern in limiting God’s prerogative to work in any way he desires. It seems right then, despite the risk, to see that God can and will do as he pleases including the miraculous. Even though we may be uncomfortable with it. In Acts 2:14-21, the Apostle Peter begins his epic and impactful sermon by presenting the Scripture passage he would preach from, Joel 2:28-32. For Peter, this passage is the argument and explanation for the powerful Holy Spirit manifestations they had all just witnessed on the Day of Pentecost. And the main point he makes comes with the last sentence, “Everyone who calls upon the name of the Lord shall be saved.” The power, the signs, the miracles all point to the offer of the gospel. As we look at this passage together, we’ll see that what we need to know about the mighty works of God is that they are grace-based, Spirit-empowered, Scripture-grounded, end-times-oriented, mission-centric manifestations. In other words, the signs all point to Jesus and his mission. Sermon Notes The Book of Acts | Chapters 1–7 Let This Be Known to You Pastor Todd Dugard Acts 2:14–21 September 29, 2019 "Safe?" said Mr. Beaver..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” C.S. Lewis, The Lion, the Witch and the Wardrobe What I need to know about the mighty works of God is that they are… • Grace-based (v. 14) • Spirit-empowered (v. 15–17a) • Scripture-grounded (v. 17b–18) Ephesians 2:19b–22 Prophesy is… (1) Proclaiming: to preach or pronounce an inspired word; (2) Revealing: to tell of something that is hidden from view; (3) Foretelling: to predict something that lies in the future A Greek-English Lexicon of the New Testament (BAGD) https://www.thegospelcoalition.org/article/muslims-dream-jesus/ In 2007, Dudley Woodberry and others published a study that recounted interviews with 750 former Muslims who had converted to evangelical Christianity. Many of the reasons they gave for their conversion would be expected—the love of God, a changing view of the Bible, and an attraction to Christians who loved others. But one reason might come as a surprise: the experience of a dream they believed to be from God. • End-times-oriented (v. 19–20) • Mission-centric (v. 21)
I had a man in my office this week who had a dream about three years ago and, as a result, became a follower of Christ. He had no Christians in his life witnessing to him. Had not read the Bible. Nor had he attended a church where the gospel was presented. He was in crisis. He called out to God in desperation. He had a dream. He gave his life to Christ. Some in our church family, no doubt, embrace that account and thank God for doing a mighty, supernatural work. Others, perhaps having spent time in less charismatic-oriented churches, are less comfortable with the thought of God using dreams or any of the miraculous gifts to advance his plan. These folks might say that believing such things leads to excess, extremism, and even chicanery. That's not an unreasonable concern. And yet, there's an equally legitimate concern in limiting God's prerogative to work in any way he desires. It seems right then, despite the risk, to see that God can and will do as he pleases including the miraculous. Even though we may be uncomfortable with it. In Acts 2:14-21, the Apostle Peter begins his epic and impactful sermon by presenting the Scripture passage he would preach from, Joel 2:28-32. For Peter, this passage is the argument and explanation for the powerful Holy Spirit manifestations they had all just witnessed on the Day of Pentecost. And the main point he makes comes with the last sentence, “Everyone who calls upon the name of the Lord shall be saved.” The power, the signs, the miracles all point to the offer of the gospel. As we look at this passage together, we'll see that what we need to know about the mighty works of God is that they are grace-based, Spirit-empowered, Scripture-grounded, end-times-oriented, mission-centric manifestations. In other words, the signs all point to Jesus and his mission. Sermon Notes The Book of Acts | Chapters 1–7 Let This Be Known to You Pastor Todd Dugard Acts 2:14–21 September 29, 2019 "Safe?" said Mr. Beaver..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” C.S. Lewis, The Lion, the Witch and the Wardrobe What I need to know about the mighty works of God is that they are… • Grace-based (v. 14) • Spirit-empowered (v. 15–17a) • Scripture-grounded (v. 17b–18) Ephesians 2:19b–22 Prophesy is… (1) Proclaiming: to preach or pronounce an inspired word; (2) Revealing: to tell of something that is hidden from view; (3) Foretelling: to predict something that lies in the future A Greek-English Lexicon of the New Testament (BAGD) https://www.thegospelcoalition.org/article/muslims-dream-jesus/ In 2007, Dudley Woodberry and others published a study that recounted interviews with 750 former Muslims who had converted to evangelical Christianity. Many of the reasons they gave for their conversion would be expected—the love of God, a changing view of the Bible, and an attraction to Christians who loved others. But one reason might come as a surprise: the experience of a dream they believed to be from God. • End-times-oriented (v. 19–20) • Mission-centric (v. 21)
Original Broadcast: June 2008 Monthly Theme: Chronicles of Narnia - The Lion, the Witch & the Wardrobe [Jesus said:] "Do not think that I have come to bring peace to the earth. I have not come to bring peace, but a sword." (Matthew 10:34) "Not a Safe Lion" I believe Mr. Beaver summarized Aslan well to any newcomers to Narnia: "Who said anything about safe? 'Course he isn't safe. But he's good" (80). In the same way, Jesus is not safe. A newcomer to Christianity sometimes has problems when we get to a statement by Jesus like we have before us this morning. We're used to seeing Jesus as a kind, loving person who would never say anything not "nice" to anyone. Everyone wants a safe Jesus, but the Jesus the Bible shows us is not safe. He is like Aslan someone where "if there's anyone who can appear before [him] without their knees knocking, they are either braver than most or else plain silly" (80). Jesus is not safe, but as Mr. Beaver reminds us, "He's good." He's good because He was the one who came to die for the sins of the world. He is the one who makes you whole through His sacrifice and life. That wasn't a "safe" solution. Amen.
"TELL LUALUA TO PUT THE CHAMPAGNE ON ICE, WE'RE GETTING PROMOTED TWICE, TELL LUALUA...." Has anyone even stopped celebrating yet? 'Course not! On May 4 2019, Luton Town Football Club beat Oxford United 3-1 to be crowned CHAMPIONS of League One and seal with silverware their return to the Championship after 12 years away. It was the football club's first ever back-to-back promotion and fully deserved after a record-breaking season where they went on a club best 28-game unbeaten run and undefeated at home all season, all guided by the legend that is Mick Harford. The following day, as the big man led his side through packed the streets of Luton on an open top bus to St George's Square filled with 11,000 mad Hatters, Kevin, Tony and James gathered around the mic outside the Town Hall civic reception, joined by the voice of the Hatters Simon Pitts, to sum up one of the very best weekends, seasons and years in the history of Luton Town Football Club. We spoke to some of the men that created the magic and you can also hear interviews with: Hero Mick Harford (13:56) Goal of the Season winner George Moncur (17:59) Players' Player of the Year Andrew Shinnie (20:00) Injured skipper-cum-fan Glen Rea (27:48) "One of our own" James Justin (30:33) League One Golden Glove winner James Shea (33:05)
Dan Harrison is a "hippie financial adviser" who helps people create conscious wealth and transform their relationships with money. He is also one of my favorite people and this conversation dives deep into money mindset, abundance, scarcity, bills, and all kinds of other good stuff. One of Dan's favorite books about money is this one. Learn more about his 'Course in Conscious Wealth' by clicking here. Follow him on Instagram @DanHarrisonConsulting. __________________________________________________ Follow me on Instagram @LongDistanceLoveBombs: https://www.instagram.com/longdistancelovebombs Sign up for my weekly newsletter! Each week, I share a personal story as well as my favorite books, tunes, articles, and ideas. Click here: http://eepurl.com/T0l91. It's easy and takes five seconds. --- Send in a voice message: https://anchor.fm/longdistancelovebombs/message
You like movies, right? 'Course you do! Who doesn't like a good movie? Nobody, that's who! Well Chad's got a movie for you and it's got everything: Intrigue! Scandals! Violins! Malls! Best of all it's TRUE! That's what we're needin' these days: TRUE! So listen up cuz here's the pitch.Also he's at it alone this week cuz Clark's sick and staying home for the good of humanity.Featuring the song "Promises" by the Barrerracudas which is ALMOST as good as this movie pitch.Recorded LIVE at the Paper Machete at Chicago's Historic Green Mill Lounge and then by remote far away from Clark's sick bugs.Please rate and review and stay home if you're not feeling well.
Today we discuss the impact of Collision Course. Who benefited more, Jay Z or Linkin Park? We also talk about Veganism and whether Vegans are the enemy of the people or simply people that don't like meat. We also talk about how toxic Piers Morgan is. Enjoy!
We asked the questions you had for Dexter Jettster, as well as our own! Can you tell which is the name of a food, and the name of a Jedi? Play along! and check us out on Youtube! . . . Follow Chatter Squadron on Instagram: @ChatterSquadron Twitter: @ChatterSquadron Facebook: Chatter Squadron - A Star Wars Podcast Subscribe to the show on iTunes, Spotify, and anywhere else you find great podcasts!
This week the Popcorn team are joined by Riot Act's Remfry Dedman. There's reports on Reading Festival, Fright Fest and The Heavy Awards. There's reviews of The Man From Mo' Wax and The Golem. There's news on Star Wars Episode 9, Live action Thundercats and new Police Academy and Big Trouble In Little China sequels. The most bonkers answers to your brilliant questions. AND in Film Club, we pour over the many reasons why The Big Lebowski is a stone cold cult classic.... and that's not... just, like, our opinion man.
'Staying the Course' is the first message (09/02/2018) in the 'Living Strong' series from the Alto area United Methodist Churches (A. Frank Smith UMC and Cold Springs UMC).afsumc.orgJohn R. BlackHebrews 11:1-16#afsumc #christianity #living-strong #faithfulness #hebrews-11
*Archived June 2019 for subscribers only. This is the introductory episode for the new podcast funwithproperty by Sam Stravelles. It is the podcast of thepropertydevelopmentcourse.com which is an online course consisting of 30 Modules. This introductory episode can be filed under 'Course 1 Welcome' which in the course is all about welcoming folks to the course and explaining what the course is about, who it is for and why Sam is running it. It launched in early 2018 and is all about property development, property investment and construction Sam Stravelles is a property investor and developer with a keen interest in best practice. If you have any questions about quantity surveying or anything in construction real estate property development etc etc and I can make some audio or videos on it. Thanks PS please leave 5star review on itunes if you like the podcast and want it to grow-the more people I have listening the more questions they can ask and i can answer meaning the podcast becomes more of a resource. Subscribe at www.patreon.com/funwithproperty Instagram: www.instagram.com/thepropertydevelopmentcourse Facebook: www.facebook.com/thepropertydevelopmentcourse Website: thepropertydevelopmentcourse.com Twitter: twitter.com/SamStravelles Main YouTube: youtube.com/channel/UCp63L_QHqdx5gq9Y8PKR6Rw
CS Lewis in his classic book The Lion the Witch and the Wardrobe tells the story of the Gospel in a child’s novel. There is a moment in his first book when the children in the story are confronted with the reality of the kingship of Jesus – Aslan the Lion is the picture he uses for Jesus. “Aslan is a lion- the Lion, the great Lion." "Ooh" said Susan. "I'd thought he was a man. Is he-quite safe? I shall feel rather nervous about meeting a lion"..."Safe?" said Mr Beaver ..."Who said anything about safe? 'Course he isn't safe. But he's good. He's the King, I tell you.” We want Jesus to be safe – in fact we want following Him to be safe and easy. We want heaven with little or no inconvenience to our lives. But this is a false view of religion and life. Faith that is meaningful is never easy and rarely safe. Two weeks ago we looked at the middle verses of chapter 10 and discovered the hard road that Jesus calls His disciples to walk. He gives them warnings of what life will look like – sheep among wolves etc. He then calls them to a life without fear – don’t be afraid God will be with you. After presenting to them the hard road He then calls them to the point – are you in or are you out?
Memorial Tour: The NWA and World Championship Wrestling Presents 'Starrcade 90 Collision Course' by The Lapsed Fan
Freeze, flatfoot! That's right, we're talkin' to you, ya stick in the mud. C'mere. Yeah, c'mere. We got a brand-new episode of Mousterpiece Cinema here, right here for the taking. Yeah, sure, it's free. 'Course it's free! Ain't no coppers here to stop you from taking it. OK, fine, enough of the goofy talk, but we do have a new episode of Mousterpiece Cinema for your edification and entertainment. This time, Josh and Gabe are in the big city, facing down some of the biggest criminals as they discuss the 1990 comic-book adaptation of Dick Tracy. Warren Beatty! Al Pacino! Madonna! Mandy Patinkin! Dick Van Dyke! And more! Josh and Gabe are joined by the managing editor of Indiewire, Kate Erbland, to talk about Dick Tracy as well as its continued legacy. Will there be a new one? Will Warren Beatty wear the fedora and trenchcoat again? Did he...already? On TV? In a special filmed by Academy Award winner Emmanuel Lubezki? He...well, just listen to find out!
Has God changed his mind? Have his promises to the Jews failed? No! Abraham's children are born of promise, not human descent.
Scripture: Acts 19:23-41; Pastor Richard Strick
http://www.Essence-Foundation.com This is a short selection of feedback from participants who have just completed the Essence Advance Course. Typical of all participants, you can feel how much they have enjoyed, grown and experienced over the space of a few days - testament to the innate skill & experience of Dr Menis Yousry and the unique Essence course design. As of September 2011 Menis's profile and exposure will be magnified as he shares his insights worldwide with the release of his first book through the world's leading mind, body & spirit publisher, HayHouse. This is exciting for all of us as it enables us to communicate this life-affirming material with many more people and reach further afield to contribute more to the lives of others. Through word of mouth and international community support Essence Courses are already running in Bulgaria, Germany, Hungary, Romania, Spain, Portugal, Ukraine, Dubai and the UK with courses being discussed for Australia, Israel & Russia. If you would like to find out more about these empowering, life changing courses please visit http://www.Essence-Foundation.com If you like any of these podcasts then please share them: you simply click on the 'share' button and it enables you to share via email or any of the social media platforms. With gratitude and respect Menis Yousry, Ben Brophy, Sukhy Loyal, Naomi Fowler, Mariana, Milena, Asia & all of the Essence International Team - THANK YOU.
Cutting Through the Matrix with Alan Watt Podcast (.xml Format)
--{ Government: Rule of Law, Transparency and Equality -- Not: "Each Day Our Masters Continue the Game, Pushing Agenda with More of the Same, Under Freedom of Information, There'll be Proof, In Fifty Years They'll Come Out with the Truth, 'Course by Then No One Will Care, Programmed Neurons Will be Unable to Dare Put Together this Great Jigsaw Puzzle, Kept Secret from Plebs by Media's Muzzle, Important Stuff's Secret for Perpetuity, All Under Guise of National Security, This Ruling Oligarchy's So Much to Hide, It's Only to the "Well-Tested" They Confide, Yet for the Public, We're an Open Book, So Feds and Agencies can Laugh and Look, Nothing to be Hidden, Even Moments Delicious, Trying to Complain Makes One Suspicious, Yes, Only the Masters Can have a Ball, Then Use National Security to Hide it All" © Alan Watt }-- Evolution and Survival of "Superior" Types - Compartmentalized Matrix System - Genetic Alteration and Self-Policing for Brave New World - World Taken Over by using Philanthropy and Foundations - Rule by "Invisible" Masters - British Empire Model - Concept of Total War, All Citizens are Targets - WWII Bombing of German and Japanese Cities, Post-War Rebuilding Plans - Yalta Conference, Countries given over to Communism - "Freedom of Information" Acts - Russian Defector Gouzenko, Classified Documents - Murder of Dr. David Kelly, Coroner's Report to be Released in 70 Years. Rand Report on European Immigration - Britain under Mass Surveillance, Facial Recognition Cameras - Canadian Public GMO Guinea Pigs. Militarized Aggressive Steroid Police - British Cops Smash Up Elderly Victim's Car - Police Brotherhood. Companies Charging to Improve Your Internet "Reputation". High-Fructose Corn Syrup fuels Cancer Cell Growth. Portland Closes 7yr. old's Lemonade Stand for Operating without License - Permits and Licenses: Pay the Money and it's Now Legal - Gov. Children Spies in Britain. Welfare System Tinderbox - Food Stamps to be Cut in U.S. (as Food Prices Rise) - Queen Obama's Many Holidays (Funded by Taxpayer). (See http://www.cuttingthroughthematrix.com for article links.) *Title/Poem and Dialogue Copyrighted Alan Watt - Aug. 6, 2010 (Exempting Music, Literary Quotes, and Callers' Comments)
Cutting Through the Matrix with Alan Watt Podcast (.xml Format)
--{ The Plan: Terrorism the Cover for Surveillance Complete, As We're Trained for Austerity -- Clever and Neat: "Projections of Calamity from Masters to Ground, Everybody Look What's Goin' Down, Post-Industrial Sustainability -- Not Pleasant, Supposed to Co-Operate and Become the Peasant, The New Middle Class is Academia and Science, Chosen by Masters to Go On in Alliance, While Cities Decay, Monuments to the Past, Competing Gangs and Drugs Finish the Task, Terrorism's the Cover to Manage the Fall-Out Of Planned Money Crash and Turn About From Industrial to Service to Sustainable Austerity, Overseen by Terrorism-Police and Military Severity, Will We Go Down Fast or Compliant and Slow, Till Greenies Grow Up Eating Beans they Grow, They'll be Taught No Past, Just Able to Count Rows of GMO Beans, Watch them Sprout, 'Course they won't Need Many to Feed the Master, Their Numbers will Drop with Disease and Disaster, Plus they'll be Sterile from Jabs so they're 'Healthy', Breeding Only Allowed for Educated and Wealthy, In the Meantime They Say Mobs will Riot and Steal, 'Change is Good' Now Explained, Here's the New Deal" © Alan Watt }-- Elites' Survival of Catastrophes, Wars and Falls of Empires - Industrial Cities/Nations Built up and Taken Down, Moved Elsewhere - Detroit, U.S. - Post-Industrial Collapse and Fallout, Unemployment, Crime, Drugs, Gangs - Collectivist "Makeover" of Cities, Planting Gardens etc. - Johannesburg, South Africa - Permanent Military Bases built in Middle East / Worldwide - New Supercities built for Elite - Continuity of Government - "Austerity" for Post-Consumer Society - "Experts" Fear Global Social Unrest - Greece - Rigged Structure of Control through Money and Debt - Economic Bubbles / Stock Market - EU, "Austerity Measures", Rationing - Marxist Left-Wing Protests, Use of the Mob, Seizure of Power - Service Economies (Produce Nothing) Cannot Last - GATT Treaty, China Funded into Existence by the West - Internal Armies in Western Countries, to deal with "Civilians" - UK and US Defence Department projections for Next 30 Years - Transition Period into Completely New Society. Most People Look for a "Leader" - Deviant Creation of the Psychopath - Serial Killers and Politicians Share Same Traits. (See http://www.cuttingthroughthematrix.com for article links.) *Title/Poem and Dialogue Copyrighted Alan Watt - May 27, 2010 (Exempting Music, Literary Quotes, and Callers' Comments)