Podcast appearances and mentions of martin phipps

Min 4: CIEN AÑOS DE SOLEDAD: De Macondo a la eternidad Vaya semana tan esperada, tan importamte y tan estimulante para el mundo de las series. Casi 60 años después de su publicación, una de las obras literarias más grandes e imprescindibles de la literatura, "Cien años de Soledad" ya tiene su traslación a la pantalla. Un reto complejísimo auspiciado por Netflix, con un marcado toque artesanal que nos lleva a la Colombia de García-Márquez y que va camino de hacer historia de la televisión. Aureliano Buendía y sus ancestros ya tienen cara, voz y música. Reparto coral, producción ambiciosa, escenarios impecables y una música autóctona firmada por Camilo Sanabria y Juancho Valencia la convierten en una de las adaptaciones más esperadas de todos los tiempos. Hoy tocafiltrar, opinar, puntuar y argumetar los porqués de nuestro veredicto en el Filtro Rachel CALIFICACIÓN EDC: 4'5 estrellas Un Filtro Rachel porque el que también va a pasar lo último de Alex de la Iglesia para Netflix tras la cancelación en Max de 30 monedas, 1992 y otra serie española recién llegada a DIsney Plus: "Invisible" MIn 18: "1992" Álex de la Iglesia recupera su esencia en Netflix Tras la controvertida cancelación de "30 monedas" en Max, el director vasco se pasa a la gran N roja para meternos en un thriller castizo y negrísimo que remueve el trasfondo y la parte más oscura de la España de la Expo de 1992. Fernando Valdivieso, Marián Álvarez, Paz Vega y Carlos Santos llevan el peso de una trama oscura y explosiva en la que no vemos al De la Iglesia más virtuoso, pero sí al más liberado. Raquel Hernández ha hablado con él antes de puntuar y valorar su nueva aventura. CALIFICACIÓN EDC: 3 estrellas Min 30: INVISIBLE (Disney +) Paco Caballero descubre al Dragón Invisible es una miniserie basada en la novela homónima de Eloy Moreno. Después de sufrir un accidente que casi le cuesta la vida, y mientras se recupera de su heridas en casa, un adolescente de 12 años confiesa a su psicólogo que tiene la habilidad de hacerse invisible, e incluso que un día llegó a volar como si fuera un dragón. Esta invisibilidad de la que presume le acompaña desde que comenzó a sufrir bullying por parte de sus compañeros del instituto. El director Paco Caballero deja atrás la comedia para desarollar el texto de Eloy Moreno en formato de miniserie que puede llegar a recorsar a la premiadísima "Un monstruo viene a verme". Una serie necesaria y recomendable. CALIFICACIÓN EDC: 3'5 estrellas Min 35: DUNE PROFECÍA; 1X04. EL DOS VECES NACIDO Después de tocar el cielo con el brillante flash back al pasado de las jóvenes Valya y Tula Harkonen en el 1x03,l "Dune: La Profecía" se nos desdibuja en el cuarto capítulo. Queda claro que el universo de las Bene Gesserit y sobre todo el orígen de sus líderes nos llena mucho más que la trama y las intrigas en la corte imperial, pese a la presencia del peligroso "enviado" Desmond Hart. CALIFICACIÓN EDC: 3,5 Min 42 BSO "PALOMAS NEGRAS" Nuestro experto y crítico musical, Ángel Luque, pone en el punto de mira el trhiller que se ha colocado esta semana número 1 en Netflix, desbancando precisamente a nuestro anterior protagonista. En siete días hemos pasado de "La locura" a "Palomas Negras", la serie de Alex Gabassi que nos está permitIendo disfrutar de la versatilidad de Martin Phipps, uno de los compositores de la mítica "THe Crown".

Keira Knightly and Joe Barton join Edith to discuss Joe's thrilling take on the espionage genre for Netflix, Black Doves. Keira stars (alongside Ben Wishaw's assassin, Sam) as Helen, the wife of a senior politician, who exploits her relationship with her husband to leak state secrets to a mysterious organisation call the Black Doves. As well as some great needle-drops, Black Doves is scored by friend of the show, Martin Phipps

Our latest guest on Soundtracking is composer Martin Phipps. Among Martin's credits are Ridley Scott's Napoleon and four seasons of The Crown. Martin joined The Crown in season three, which follows the life and early reign of Queen Elizabeth, and his music played a hugely important part in the subsequent development of the show. 

On this episode, I spoke to composer Martin Phipps about his work on The Crown.  Phipps is a 7x Emmy nominee, a 2x Royal Television Society Craft & Design Award winner, a 3x BAFTA Television Craft Award nominee and a 2x Society of Composers and Lyricists Award nominee and an Ivor Novello Award winner for his work on The Honorable Woman. 

San Antonio Councilman addresses ethics complaint, DWI, city attorney and budget process.   Suggested reading: Embattled attorney Martin Phipps accuses Councilman Marc Whyte of ethics violations in custody case After public spat, council talks privately about firefighter contract negotiations Learn more about your ad choices. Visit megaphone.fm/adchoices

Q&A on the Netflix series The Crown with head of department, hair & makeup Cate Hall, music composer Martin Phipps, set decorator Alison Harvey, and casting director Robert Sterne. Moderated by Mara Webster, In Creative Company. Follows the political rivalries and romances of Queen Elizabeth II's reign and the events that shaped Britain for the second half of the 20th century.

Min 4: FILTRANDO "NOLLY" (COSMO) ¿Por qué el biopic que acaba de lanzar "Cosmo" sobre la estrella televisiva Noele Gordon, a la que encarna Helena Bonham Carter es una de las recomendaciones de la semana? ¿Por qué el showrunner de "Years and Years" borda un emotivo homenaje a la televisión de siempre? Nuestra experta Raquel Hernández ustifica por qué "Nolly" es uno de los títulos a tener en cuenta estas Navidades. Min 12: REACHER 2, EL BLOCKBUSTER DE PRIME ¿Por qué la segunda temporada de "Reacher", creada por Nick Santora y protagonizada por Alan Ritchson, se ha convertido en el pelotazo de Prime Video? ¿Por qué hay motivos para su subir la calificación que obtuvo este thriller de acción respecto a su primera temporada? MIN 16: PERCY JACKSON, LA GRAN AVENTURA JUVENIL DE DISNEY ¿Por qué la ambiciosa y fantasiosa "Percy Jackson y los Dioses del Olimpo" es uno de los grandes atractivos que Disney + se ha reservado esta Navidad para el público juvenil? ¿Por qué su joven protagonista, Walker Scobell, está llamado a ser uno de los jóvenes talentos de Hollywood? MIN 20. ¿QUÉ PASARÍA SI...? ANIMACIÓN PREMIUM DE MARVEL ¿Por qué la ambiciosa vuelta de tuerca de Marvel a algunos de los personajes míticos del universo Vengadores pueden convertirse en uno de los salvavidas de la factoría? ¿Por qué la segunda tempora de "Qué pasaría si..." es uno de los mejores productos de Marvel y, por extensión, una de las mejores recomendaciones de ficción para estas fechas? MIN 28. ESPECIAL BSO THE CROWN: UN BROCHE MUSICAL A LA ALTURA ¿Por qué el desenlace de la joya de la corona de Netflix se beneficia de la elegante y efectiva banda sonora compuesta por el británico Martin Phipps? ¿Por qué el tono reflexivo, dramático y contenido de la música en este final de "The Crown" se merece el aplauso y el elogio de nuestro experto Ángel Luque?

Matt and Bubba go for a long-form podcast style (like they've ever been short), as they discuss The Crown S6E05 and S6E06.   Matt is a historical and hysterical bad pronouncer! Guess as many of what the correct word SHOULD have been as you can and submit them via the ways given above, and the person with the most guesses can win an Amazon gift card from Matt worth one hundred U.S. dollars. Find the mispronunciations here and submit your entries today: https://youtu.be/7KmPSJj6DGI Contest ends December 31st 2023. Matt produces this podcast and video using some sounds and songs licensed through ArtlistIO (https://artlist.io/) and a list of all licenses held can be found in a publicly shared Google Drive folder for inspection: https://drive.google.com/drive/folders/1to5jB5pXtiovOSAkrsaDRaReQQX9TfON?usp=sharing History Notes Citations: Pique News Magazine: https://www.mirror.co.uk/news/uk-news/princess-dianas-grave-18-years-6351264 Variety: https://variety.com/2023/tv/global/the-crown-season-6-accuracy-fact-fiction-1235836339/ The Mirror: https://www.mirror.co.uk/news/uk-news/princess-dianas-grave-18-years-6351264 The Sun: https://www.the-sun.com/lifestyle/8970340/photos-princess-diana-grave-althorp-anniversary-death/ YouTube: https://youtu.be/XczhChd5Rf4 C-SPAN: https://www.c-span.org/video/?121986-1/situation-kosovo The Chicago Tribune: https://www.chicagotribune.com/news/ct-xpm-1999-04-23-9904230097-story.html The Sun (Private Secretary Resignation): https://www.the-sun.com/royals/9639663/robert-fellowes-queens-private-secretary-crown-now/ Radio Times: https://www.radiotimes.com/tv/drama/crown-tony-blair-wi-speech-explained/ Wikipedia (US Supreme Court Ruling): https://en.wikipedia.org/wiki/Bush_v._Gore  History Channel: https://www.history.com/news/2000-election-bush-gore-votes-supreme-court The Independent: https://www.independent.co.uk/arts-entertainment/tv/news/the-crown-season-6-true-fiction-royal-family-b2464603.html Timestamps: 00:00:00 Intro 00:01:25 How do people feel about Part 2 of The Crown? 00:02:07 Rating The Crown S6E05 00:08:50 Rating The Crown S6E06 00:15:21 Podcast And CONTEST information 00:19:56 65 Second Recap of S6E05 00:21:01 65 Second Recap of S6E06 00:22:49 Tiny Wheel of Topics: Fathers and Sons 00:32:36 Tiny Wheel of Topics: William 00:34:05 Tiny Wheel of Topics: Camilla 00:38:17 Tiny Wheel of Topics: Dr. Gailey and Feelings 00:40:47 Tiny Wheel of Topics: Tony Bair 00:47:10 Tiny Wheel of Topics: The Dream 00:49:19 Tiny Wheel of Topics: Orders and Customs 00:53:45 - History Notes for S6E05 and S6E06 00:57:30 - What's Worse? 01:07:39 - Music Analysis 01:18:43 - Feedback and Polls Results Directed by May el-Toukhy (S6E05) Erik Richter Strand (S6E06) Writing Credits Peter Morgan (both episodes) Jonathan Wilson (S6E05) Daniel Marc Janes (S6E06) Imelda Staunton ...Queen Elizabeth II Bertie Carvel ..Tony Blair Lydia Leonard ... Cherie Blair Andrew Havill ...Robert Fellowes Jamie Parker .. Robin Janvrin Jonathan Pryce ..Prince Philip, Duke of Edinburgh Dominic West... Prince Charles Lesley Manville ... Princess Margaret Claudia Harrison ... Princess Anne Theo Fraser Steele ... Timothy Laurence Marcia Warren ... Queen Elizabeth the Queen Mother James Murray ... Prince Andrew Sebastian Blunt ... Prince Edward Ed McVey ... Prince William Luther Ford .. Prince Harry Adam Damerell ... Alastair Campbell Charlotte Melia ... Anji Hunter Emma Laird Craig ... Sarah Ferguson Polly Frame ... Sally Morgan Thomas Nelstrop ... Jonathan Powell Christopher Staines ... Warden of the Swans Barry McCarthy ... Yeoman of the Glass and China Patrick Bridgman ... Queen's Guide to the Sands Lorne MacDougall ... Piper to the Sovereign Richard Rycroft ... Archbishop Carey Hilary Burns ... WI Chair Music by Martin Phipps #thecrown #Netflix #Royalty #RoyalFamily #QueenElizabeth #PrinceWilliam #PrinceHarry #KateMiddleton #PrincessMargaret #PrinceCharles 

Studio Soundtracks takes listeners behind the scenes of how music is crafted for film and television by hearing directly from composers, songwriters and music professionals in the Entertainment Industry. Listen to inspiring conversations about composition and hear works from Emmy, Grammy, and Oscar-winning film scores on the show. MARTIN PHIPPS Coming from a musical background (he is Benjamin Britten's godson), Martin read drama at Manchester University and fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street in 2002, he has won 2 BAFTAs, 5 Ivor Novello Awards and received multiple Emmy nominations for writing music to many of the most interesting series of recent years. These include the BBC's War and Peace, Hugo Blick's The Honourable Woman, Peaky Blinders, Black Mirror and season 3 through 6 of the acclaimed Netflix series The Crown. ANTHONY WILLIS Anthony Willis is a BAFTA-nominated composer, known for his evocative scores for Emerald Fennel's Oscar's Winning Promising Young Woman Blumhouse's Ai hit M3gan, and Fennell's latest psychological thriller Saltburn from MGM/Amazon starring Barry Keoghan & Jacob Elordi. He was named one of Variety's Top 10 Artisans to Watch in 2023 at the SCAD Savannah Film Festival. His recent projects also include Dreamworks' Animation's Annie award-winning How To Train Your Dragon: Homecoming, Seasons 6-8 of Epic's video game sensation Fortnite, and Michelle Morgan's comedy It Happened in L.A. As a protege of Oscar-nominated composer John Powell and Henry Jackman, Anthony has also contributed additional music to many of Hollywood's most beloved franchises including: How to Train your Dragon, Jumanji, Wreck it Ralph, Solo: A Star Wars Story, Pirates of the Caribbean and Rio. Originally from London England, Anthony trained as a chorister of St. George's chapel, Windsor Castle, UK before earning a First class honors degree in Music from the University of Bristol and a later graduate degree in Film Scoring from University of Southern California. Recently Martin has scored Sir Ridley Scott's Napoleon, Ed Perkins' The Princess, and Amazon Studios' series Solos starring Morgan Freeman. Other film credits include Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren, Fox Searchlight's The Aftermath, starring Keira Knightley, Alexander Skarsgård, Harry Brown and Brighton Rock. Studio Soundtracks is made possible in part by the generous support of Spitfire Audio, makers of inspiring sounds and scoring tools for film, in collaboration with the world's best composers, musicians and engineers. More details available at spitfireaudio.com.

Muziek van Martin Phipps bij de film Napoleon, een drama van Ridley Scott uit 2023, met o.a. Joaquin Phoenix en Vanessa Kirby. We volgen de militaire bliksemcarrière van Napoleon Bonaparte (Phoenix, fantastisch), van tweede luitenant op zijn 16de, generaal op zijn 24ste, tot keizer en alleenheerser op zijn 35ste. En we zijn getuige van zijn onstuimige huwelijk met de overspelige Joséphine (Kirby, ook fantastisch), op wie Napoleon zijn hele leven verliefd is gebleven. De fil is zo goed als zonder CGI gemaakt, wat het half dozijn historische veldslagen dat we te zien krijgen beslist realistischer maakt. Maar het hart van de film is Napoleons liefde voor Joséphine, de enige strijd die hij niet kon winnen. Schitterende muziek van Martin Phipps, die de sfeer van de episoden in de film illustreert in het karakter van de verschillende onderdelen van de soundtrack. Met een mooie rol voor het in oude muziek gespecialiseerde Ensemble Organum en een indrukwekkend coda met de Corsicaanse stemmen van Ensemble Spartimu. Martin Phipps, geboren in 1968, Brits componist van film- en televisiemuziek. Dit is de eerste keer dat hij samenwerkt met Ridley Scott, die - zoals Phipps in een interview zei - op geen enkel moment specifieke muzikale eisen stelde, maar wel wilde dat Phipps als componist een goed begrip had van het karakter van Napoleon - Napoleon die geen hooggeboren aristocraat was maar van een bescheidener komaf, wat zijn manier van doen tekende, maar hem ook redde van de guillotine.

Composer of the new historical epic NAPOLEON Martin Phipps joins Score for the first time! How he located a piano once owned by Napoleon himself for the score. Plus, his path to film and television music, his work on Peaky Blinders, Black Mirror and The Crown, and establishing trust with the great Ridley Scott. How Martin overcame his early doubts about musical approach for NAPOLEON to meet its spectacular giant sets, and musically signaling Napoleon as an ambitious outsider rising to power. Interview by Robert Kraft and Kenny Holmes.

Min 4: VALORAMOS LAS NOMINACIONES A LOS GOYA Min 8: FILTRANDO APELLIDOS INFAMES Ya nos avisaban hace una semana Alberto Luchini y Raquel Hernández: “Ocho apellidos marroquís”, pese a ser uno de los títulos más llamativos de la cartelera con la que entraremos en el puente de diciembre, tiene poco que ver con los grandes momentos cómicos de “Ocho apellidos vascos”. Pese a los esfuerzos del chanante Julián López, de Michelle Jenner o Elena Irureta, esta película fallida de Álvaro Fernandez Arnero tendrá que sufrir los justificados rigores de nuestro Filtro Luchini. Min 17: LA NAVIDAD, EN MALAS MANOS “Todavía tengo pesadillas viendo a Santiago Segura” como Papá Noel”. La frase es textual y la enarbola Raquel Hernández en su crítica DE la comedia prenavideña que coge el testigo de lo que vimos hace un año en “Reyes contra Santa”. Joaquín Mazón dirige a Santiago Segura, a Ernesto Sevilla o a Pablo Chiapella en una comedia familiar amable y sin complejos complejos que se convierte en la alternativa española a Disney y su “Wish: el poder de los deseos”. Min 21: LA NOCHE SILENCIOSA DE JOHN WOO El veterano John Woo vuelve por sus fueros y regresa a Planet Hollywood para remozar una fórmula que recuerda al cine de justicieros como las recientes “Nadie” o “John Wick”. Peli de pocos diálogos y escenas trepidantes de venganza que promete ser el punto de desahogo perfecto para los amantes de la acción con sello de autor. Min 26: SUGERENTE COMBO DE CINE ESPAÑOL “Sobre todo de noche”, “La mesita del Comedor” y “Una noche con Adela” son el tridente español que pone la nota dramática e intimista a la cartelera de la semana. Elogiables los papeles protagónicos de Lola Dueñas en la primera y de la guadalajareña Laura Galán como Adela en una película que impacta y remueve. Min 40: BSO NAPOLEÓN. RIDLEY, PHIPPS ¿QUÉ PASÓ? Y en la curva musical que completa el final de este nuevo capítulo de Estamos de Cine intentamos dar respuesta a los otros muchos porqués que ha provocado el “Napoléon” de Ridley Scott en el plano musical: ¿Por qué es una oportunidad perdida? ¿Por qué da la sensación de que Scott no ha quedado satisfecho con el trabajo de Martin Phipps pese a la solvencia que ha demostrado en “The Crown”? Responde a estos interrogantes nuestro crítico musical, Ángel Luque, que sigue sin dar crédito a algunas de las decisiones musicales que lastran el resultado final de una de las películas más esperadas del año.

Pianist, singer and songwriter Natalie Duncan and Martin Phipps, composer of TV's The Crown and Ridley Scott's new film Napoleon, join Cerys Matthews and Jeffrey Boakye as they travel from Senegal to a massive Cher hit from 1998.Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey BoakyeThe five tracks in this week's playlist:El hadji n'fa djigui Diabaté by Salimata Diabaté Mute Heart by Matt Calvert Jingle Bells by Dean Shostak Il Dolce Suono by Gaetano Donizetti Believe by CherOther music in this episode:Insomnia 2021 by Faithless (Maceo Plex Epic Remix) Sabre Dance by Aram Khachaturian Wild Signals from Close Encounters of the Third Kind by John Williams So Doggone Lonesome by Ernest Tubb Adagio in C for Glass Harmonica, K356 by Wolfgang Amadeus Mozart

James Cameron-Wilson assesses Ridley Scott's Napoleon, #1 with a take of £5.2m. Despite being 158m, he felt it cantered too rapidly through 32 years of Napoleon's life, as played by Joaquin Phoenix. However, the battle scenes are amazing, if gory, and he loved Martin Phipps's score. Shame about the longueurs. Disney's new U-certificate animation, Wish, is #3 with only £2.4m but such things are often slow starts and around for a long time. James also discussed true story Nyad, on Netflix, about a retired 60-year-old marathon swimmer who undertakes a crazy challenge. Sadly, despite Annette Bening, he found it uninspiring and unbelievable while the script was more DIRE-log than dialogue. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we welcome back Mark Monstroski to head to the stars! We discuss the newly released 'Napoleon', the 2019 film year, and we give 'Ad Astra' a re-watch. We're a positive film podcast who buzzes each other with drink penalties when we speak negatively, and Mark is our most buzzed guest three times over! What did we think of Ridley Scott's new biopic, starring Joaquin Phoenix and Vanessa Kirby, and what did we think of James Gray's “Heart of Darkness in space”, starring Brad Pitt, Tommy Lee Jones, Ruth Negga, and Donald Sutherland? Well, liking a pair of movies doesn't mean we didn't drink a lot.  Find all of our Socials at: https://linktr.ee/theloveofcinema.  0:00 Intro, Napoleon, Disney Gripes; 21:21 2019 + Ad Astra;  Our phone number is 646-484-9298, it accepts texts or voice messages.  Find The Matt and Mark Movie Show here: https://linktr.ee/mattandmarkmovieshow  Additional Cast/Crew: Tahar Rahim, Rupert Everett, Mark Bonnar, Paul Rhys, Ben Miles, David Scarpa, Martin Phipps, Darius Wolski, John Ortiz, Ravi Kapoor, Liv Tyler, Natasha Lyonne, Ethan Gross, Max Richter, Hoyte Van Hoytema. Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ  Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Australia, Queensland, Melbourne,Disney, Walt Disney Studios, The British, England, The SEC, Space, Gravity, 2001: A Space Odyssey, Captain Phillips, Charlie Kaufman, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike.  

Matt goes through some of his favorite music moments from Part 1 of Season 6 of The Crown on Netflix, how those cues by Martin Phipps work, and what they mean! Send posts to @Lilibetpod or @DoublePHQ across all social media (including Facebook - https://facebook.com/DoublePHQ), or leave comments on the Double P YouTube videos (https://youtube.com/@DoublePMedia), and you can always send emails to mattsaudioblog@gmail.com.  We also have a listener/viewer CONTEST for this season! Matt is a historical and hysterical bad pronouncer! Guess as many of what the correct word SHOULD have been as you can and submit them via the ways given above, and the person with the most guesses can win an Amazon gift card from Matt worth one hundred U.S. dollars. Find the mispronunciations here and submit your entries today:  https://youtu.be/7KmPSJj6DGI  Contest ends December 31st 2023.  Matt produces this podcast and video using some sounds and songs licensed through ArtlistIO (https://artlist.io/) and a list of all licenses held can be found in a publicly shared Google Drive folder for inspection: https://drive.google.com/drive/folders/1to5jB5pXtiovOSAkrsaDRaReQQX9TfON?usp=sharing Time Stamps: 00:00- Intro and Spoiler Alert 00:38 - Welcome! 02:10 - Contest and Podcast Info! 03:53 - Music Analysis: Part 1 Overall Commentary 09:39 - Music Analysis: S6E01 27:31 - Music Analysis: S6E02  40:06 - Music Analysis: S6E03 49:30 - Music Analysis: S6E04 The Crown Season 6 Cast and Crew Information: Directed by Alex Gabassi Writing Credits Peter Morgan... (written by) Meriel Baistow-Clare...(staff writer) & Daniel Marc Janes...(staff writer) Cast Imelda Staunton...Queen Elizabeth II Jonathan Pryce...Prince Philip, Duke of Edinburgh Dominic West... Prince Charles Elizabeth Debicki...Princess Diana Lesley Manville...Princess Margaret Olivia Williams...Camilla Parker Bowles Salim Daw...Mohamed Al Fayed Khalid Abdalla...Dodi Fayed Erin Richards...Kelly Fisher Rufus Kampa...Young Prince William Fflyn Edwards...Young Prince Harry Bertie Carvel...Tony Blair Lydia Leonard... Cherie Blair Ben Lloyd-Hughes...Mark Bolland Alex Blake...Stephen Lamport Hanna Alström...Heini Wathén Lee Otway...Kez Wingfield Adam Best...Journalist Nick Jamie Baughan...Journalist Gordon Harry Anton...Trevor Rees-Jones Philippe Spall...Parisian Dog Walker Jana Quiles...Jasmine Fayed Kian Noam Omurca...Karim Fayed (as Kian Noam) Rai Masiques...Omar Fayed Irene Barbero...Camilla Fayed Jack Harrison...Page Music by Martin Phipps Cinematography by Sophia Olsson...director of photography Editing by Richard Graham Casting By Robert Sterne Production Design by Martin Childs Costume Design by Amy Roberts Sidonie Roberts...associate costume designer #TheCrown #Netflix #Royalty #RoyalFamily #QueenElizabeth #PrincessDiana #PrinceWilliam #PrinceHarry #KateMiddleton #DodiFayed #PrincessMargaret #ImeldaStaunton #ElizabethDebicki #DominicWest #JonathanPryce #LesleyManville #PeterMorgan #Paris  

Bienvenidos a Podcastwood Críticas. El programa semanal sobre estrenos de cartelera en el que desde Podcastwood compartimos nuestras primeras impresiones sobre la rabiosa actualidad cinéfila tras salir del primer pase disponible. Hoy os contamos, ⚠ SIN SPOILERS, que nos ha parecido: NAPOLEÓN| Podcastwood Críticas Ridley Scott dirige esta película sobre los orígenes del líder militar francés (interpretado por Joaquin Phoenix) y su rápido y despiadado ascenso a emperador. La historia se ve a través de la lente de la relación adictiva y volátil de Napoleón Bonaparte con su esposa y único amor verdadero, Josefina (Vanessa Kirby). Esta coproducción entre Estados Unidos-Reino Unido se realiza gracias a Apple Studios y Scott Free Productions. Estrenada en cine, también se podrá ver en la Apple TV+. Cabe destacar el trabajo en la fotografía de Dariusz Wolski y de la banda sonora de Martin Phipps, que contribuyen a dar a este biopic la atmósfera necesaria. Camina junto a Gonzalo Cuélliga por El Paseo de la Fama escuchando esta crítica sobre Napoleón. ➖➖➖➖➖➖➖➖➖➖➖➖ ⭐ ÚNETE AL PASEO DE LA FAMA DE PODCASTWOOD Si te gusta Podcastwood y quieres ayudarnos a seguir progresando con este proyecto convertirte en fan y parte de nuestra comunidad activando el botón "APOYAR" en ivoox. Con ello recibirás las siguientes ventajas: ▪️ Acceso al grupo privado de Telegram de Podcastwood ▪️ Acceso en ivoox a los programas exclusivos para fans ▪️ Capacidad para elegir contenidos para los programas exclusivos para fans ▪️ Enlaces privados para asistir a las grabaciones de los programas para fans ▪️ Críticas semanales de los estrenos de la semana en salas y/o servicios de streaming Comparte día a día tu pasión por el cine junto a nosotros y otros amigos cinéfilos enamorados del séptimo arte. Acomódate, ¡te estábamos esperando! ➖➖➖➖➖➖➖➖➖➖➖➖ SÍGUENOS EN TWITTER: @podcastwood @fran_maestra @gcuelliga INSTAGRAM: podcastwood BLOGGER: podcastwood.blogspot.com ✉ CONTACTANOS EN podcastwoodmail@gmail.com ➖➖➖➖➖➖➖➖➖➖➖➖ DISFRUTA DE LA BSO DE PODCASTWOOD EN SPOTIFY: https://open.spotify.com/playlist/2FYBsPmqMxvs9gtgrUtQ62 ➖➖➖➖➖➖➖➖➖➖➖➖ CREW ▪️Producción: Fran Maestra y Gonzalo Cuélliga ▪️ Redacción: Fran Maestra y Gonzalo Cuélliga ▪️ Sonido y grafismo: Fran Maestra ▪️ Entorno digital: Gonzalo Cuélliga ▪️ Conducción: Gonzalo Cuélliga ▪️ Locución: Marta Navas Podcastwood | 2023 ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/1893327

Le CPEQ vous présente le 56e épisode de sa série de balados, une entrevue avec Madame Cécile Martin Phipps, directrice de l'Institut de la Francophonie pour le développement durable (IFDD).

Composer Natalie Holt is one of the busiest composers working today, and she joins us for this fantastic All Access to take us behind her career and projects. Natalie discusses her early career working for composers like Ilan Eshkeri and Martin Phipps, and what she learned from that time being part of a composer's music team. We dive into her process and how she finds the starting point for a project. We also discuss how she approaches television arcs, thematic structure, the importance of music editors, working with directors, and much more! Natalie takes us behind her score to Loki, and what it was like to craft a score for one on Marvel's most iconic characters. She explores how she found the tone and atmosphere of the series, what Loki needed as a character, and what she found both rewarding and challenging. We also touch briefly on her score for Obi-Wan Kenobi, Natalie shares what a dream it was to work with John Williams and have him be part of the limited series. Natalie is an extremely passionate and talented storyteller and it was such a joy to have her take time to explore her career and process. A Film.Music.Media Interview | Produced & Presented by Kaya Savas  

Polly Jean Harvey (born 9 October 1969) is an English singer, songwriter and musician. Primarily known as a vocalist and guitarist, she is also proficient with a wide range of instruments. Over the course of her career, Harvey established herself as one of the most individual and influential songwriters of her era, exploring themes of sex, religion, and political issues with unnerving honesty, dark humor, and a twisted theatricality. This episode is a compilation of the four playlists published by Harvey between August 2019 and August 2021. Lineup: Claude Debussy, Martin Jones, Colin Stetson, Amen Dunes, Empire of the Sun, Ólafur Arnalds, Nils Frahm, Captain Beefheart & His Magic Band, Connan Mockasin, Thom Yorke, Coby Sey, Bendik Giske, Tirzah, Sarah Neufeld, Big Thief, Hekla, Sibylle Baier, Nick Cave & The Bad Seeds, Desert Sessions, Liela Moss, slowthai, Mura Masa, Eartheater, Hole, Radiohead, Nicholas Britell, Hanan Townshend, Here We Go Magic, Mark Lanegan, Bob Dylan, Anne Briggs, Stina Nordenstam, Jed Kurzel, SAULT, Michael Kiwanuka, Martin Phipps, Johnny Flynn, Robert Macfarlane, Low, Sleaford Mods, Superstate, Graham Coxon, Valentina Pappalardo, Shabazz Palaces

Enkele muzikale hoogtepunten uit het aanbod van nieuwe filmmuziek in het afgelopen jaar! Met muziek van Dascha Dauenhauer voor de remake van Berlin Alexanderplatz, van Dickon Hinchcliffe voor de film Misbehavior; van Ludwig Göransson bij de spannende fantasy-thriller Tenet; van Martin Phipps voor de onvergetelijke serie The Crown; van Alexandre Desplat bij de indrukwekkende post-apocalyptische film The Midnight Sky; en van Thomas Newman bij de beste film van 2020: 1917.

Episode 243."Loki"Composer: Natalie Holt.Fresh off her amazing score in Marvel's "Loki",  Natalie Holt is a multi-award winning British composer who trained at the Royal Academy of Music in London and the National Film & Television School. Her numerous film and television credits include the Marvel television series Loki (starring Tom Hiddleston and Owen Wilson), the BBC's Wallander (starring Kenneth Branagh), Knightfall (starring Mark Hamill), Paddington (starring Hugh Bonneville), Deadwater Fell (starring David Tennant) and the award-winning BBC drama Three Girls. She co-scored the WW1 film Journey's End with Oscar winner Hildur Guðnadóttir (Joker), The Honourable Woman and Victoria with Martin Phipps (The Crown) and composed additional music for Hans Zimmer and Martin Phipps on the film Woman in Gold.An accomplished violinist and violist, she has performed at the Royal Albert Hall and the closing ceremony of the Olympic Games. She is known for her experimental string-based scores, on which she plays violin, piano and vintage synthesizer, as  well as for her large orchestral music which she records at London's Abbey Road Studios. She won the prestigious Ivor Novello award in 2015, was made an Associate of the Royal Academy of Music in 2017, was nominated for an Emmy award in 2017 and won the Best International Score at the Beijing International Film Festival in 2018 for her score on Journey's End with Hildur Guðnadóttir (Academy Award Winner: Joker)Welcome, Natalie Holt.​Instagram: Monday Morning Critic Podcast.Facebook: Monday Morning Critic Podcast.Twitter:@ DarekThomasWebsite: www.mmcpodcast.com

The Madames chat with the award-winning composer of Marvel's hit Disney+ series Loki. Natalie has worked with film industry legends such as Hans Zimmer and Martin Phipps. Her composition resume includes shows such as The Honourable Woman, Knightfall, Wallander, and the Emmy-nominated series Victoria. Educated at the Royal Music Academy of London, Natalie is also an accomplished violist and violinist who performed all over the world with the string quartet RaVen. Check out her next score in the upcoming Netflix film Fever Dream, written & directed by Claudi Llosa.    Loki, directed by Kate Herron, continues Phase 4 of the Marvel Cinematic Universe and is the third Marvel show to air on Disney+. The series stars Tom Hiddleston, Owen Wilson, Sophia DiMartino, Wunmi Mosaku, and Gugu Mbatha Raw.    Natalie Holt Online: IMDB   Twitter   Instagram   Website   For a full transcript of the interview, visit the episode page on our website   Email us at the marvelousmadames@gmail.com Follow us on Twitter  Instagram  Tumblr

Holly (@huntpants on twitter), Bubba (@Fittentrim) and Matt (@Lilibetpod) calculate formulas as they parse through S3E06 through S3E10 of “The Crown” on Netflix. Sneezing and Snafu's (a double S) make so just about every listener can find a way to "alienate" the podcast, as you'll find out what we think about these episodes. More importantly, we want to know what YOU think! Tweet @DoublePHQ (same on Instagram), comment on the Facebook page (http://facebook.com/DoublePHQ), or on our videos (Http://youtube.com/user/fittentrim) to share what you think of the episodes discussed, and vote on the polls by checking out @Lilibetpod on twitter. #TheCrown The parody songs in this podcast include Matt's parody of Chickenmilk's "That's Just My Baby Doge", and Bubba and Holly's renditions of Vincent Ford's "No Woman No Cry", famously performed by Bob Marley and the Wailers. No copyright infringement is intended. Here are your historical links, as promised: Prince Charles and Soft Boiled Eggs! https://www.express.co.uk/news/royal/1384798/prince-charles-news-boiled-egg-rumour-the-crown-Netflix-royal-family-latest-ont - Harold Wilson and Alzheimers https://www.independent.co.uk/news/uk/politics/wilson-may-have-had-alzheimer-s-when-he-resigned-1009829.html - Robin Woods https://www.townandcountrymag.com/society/tradition/a29642775/robin-woods-dean-of-windsor-the-crown/ & https://www.stgeorgeshouse.org/about-us/ - Prince Charles' investiture & speech to Wales Translation: https://www.radiotimes.com/tv/drama/netflix-the-crown-prince-charles-wales/ & https://www.oprahdaily.com/entertainment/tv-movies/a29863356/prince-charles-real-welsh-investiture-speech-the-crown/ - Apollo 11 https://airandspace.si.edu/explore-and-learn/topics/apollo/apollo-program/landing-missions/apollo11.cfm - The death of Princess Alice https://www.express.co.uk/showbiz/tv-radio/1215681/the-crown-season-3-when-did-princess-Alice-die-how-did-she-die-Netflix - Prince Charles' Military Service https://www.express.co.uk/news/royal/1424396/was-Prince-Charles-in-the-military-service-EVG - The Japanese Emperor visits David and Wallis - https://worldofwallis.com/2020/01/01/the-wallis-archive-the-day-the-emperor-came-to-tea/ - Coal miners' strikes of 72 and 74 - https://www.theguardian.com/theguardian/2013/feb/26/miners-win-battle-against-heath-1972-archive - Duke of Windsor dies https://www.townandcountrymag.com/society/tradition/a29322853/queen-elizabeth-duke-of-windsor-paris-visit-true-story-the-crown-season-3/ - Camilla Shand and Andrew Parker-Bowles marry https://www.townandcountrymag.com/leisure/arts-and-culture/a29290647/camilla-parker-bowles-first-husband-andrew-facts/ - The Margaret Paparazzi Pictures https://www.townandcountrymag.com/society/tradition/g29565229/princess-margaret-roddy-llewellyn-relationship-affair-details-photos/ - The Silver Jubilee Parade and Walkabout https://www.elle.com/culture/movies-tv/g30151654/queen-elizabeth-silver-jubilee-tour-1977-photos/ - Martin Phipps on PRS for Music - https://www.prsformusic.com/m-magazine/features/i-wrote-that-martin-phipps/

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Martin Phipps is the featured guest on this Score to Screen podcast. The Crown: Season Three composer reveals how he captured the emotions of each character to allow the audience to lean more into the drama. Listen to Phipps discuss his experience working alongside show creator Peter Morgan and his team of directors. The third season of The Crown sees a new guard sweep into Downing Street, as Queen Elizabeth (Olivia Colman) and her family struggle to meet the challenges of a rapidly changing Britain. From cold-war paranoia, through to the jet-set and the space age – the exuberance of the 1960s and the long hangover of the 1970s – Elizabeth and the Royals must adapt to a new, more liberated, but also more turbulent world. Written by Peter Morgan, The Crown also stars Helena Bonham Carter as Princess Margaret, Tobias Menzies as The Duke of Edinburgh, Josh O'Connor as Prince Charles, Erin Doherty as Princess Anne, Ben Daniels as Lord Snowdon, Jason Watkins as Prime Minister Harold Wilson and Charles Dance as Lord Mountbatten. Coming from a musical background, Martin studied drama at Manchester University. Fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street (2002), he has won 2 BAFTAs and 5 Ivor Novello Awards, and gone on to write music for many of the most interesting series of recent years, including the BBC's War and Peace, Hugo Blick's Black Earth Rising, Peaky Blinders and Black Mirror. Martin's credits include the Helen Mirren and Ryan Reynolds movie Woman In Gold (scored with Hans Zimmer), Fox Searchlight's The Aftermath, starring Keira Knightley and Alexander Skarsgård, Harry Brown and Brighton Rock. The Score to Screen podcast series is produced and hosted by Crossover Media's Max Horowitz. Listen to The Crown: Season Three Soundtrack here and get the vinyl here. Listen to The Crown Official Netflix Series playlist here. To learn more about Sony Soundtracks visit: https://lnk.to/sonysoundtracksPD

Vi nærmer os de mørke måneder, og derfor er det altid godt med en overraskelse! Derfor fremhæver vi i denne episode en række overraskelser, som har fået humøret til at stige frem mod mørke, coronaeskalering og en mulig anden præsidentperiode til en torskedum appelsin med storhedsvanvid. Nej vent, Anders har valgt at se en Darren Starr-serie, som sendte smilet den anden vej. Men derudover er det positivt. Det er også episoden, hvor Peter i slutfasen ikke kan finde ud af at lukke et almindeligt vindue samt manøvrere et up and down-gardin. Vi høres på åen. Forresten... Vi er på Twitter - og Instagram: @streamaaen Og også Facebook: www.facebook.com/streamaaen. Kontakt os gerne: streamaaen@gmail.com. Bag podcasten står Peter Vistisen, Tobias Iskov Thomsen og Anders Zimmer Hansen - alle tidligere gardiner, Peter ikke kan håndtere. Yderligere informationer Citat fra film: Origins: The Journey of Humankind (Asylum Entertainment, National Geographic, Disney+), One Strange Rock (Nutopia, National Geographic, Disney+ / Composers: Daniel Pemberton, Simon Ashdown, Will Slater, Zedd), Bosch (Amazon Studios, Fabrik Entertainment, Amazon Prime Video), Peaky Blinders (BBC Studios, Caryn Mandabach Productions, Tiger Aspect Productions, Screen Yorkshire, BBC, Netflix / Composers: Nick Cave and the Bad Seeds, Martin Phipps, Paul Hartnoll, Dickon Hinchliffe, Antony Glenn, Martin Slattery, Anna Calvi), The Trial of the Chicago 7 (DreamWorks Pictures, Cross Creek Pictures, Alibaba Pictures, Marc Platt Productions, Amblin Partners, Netflix / Composer: Daniel Pemberton)

In this episode of Check It/Round Table Onna discusses the Emma BBC miniseries by Andrew Davies and why the height of Mr. Knightly verses Emma made her upset and led to a Shrek cake. Onna observes how this version of Emma, Emma is shown in her raw naivety but the walking style was not a fit for her status but still seems overall a better fit for Emma as Romola Gerai gives a more honest version of Emma than Gwyneth Paltrow's version of Emma with a veneer of perfection that just doesn't seem as real. Onna considers how Jonny Lee Miller and Romola Gerai get into a bickering fit and how Jonny Lee Miller's character ends up speechless because there really are no words for Emma's behavior and how when Mr. Knightly swings over his grounds and realizes he is there and present in that moment. Onna segues into how this series considers how kids really do add to life in ways that are seriously so stupendous and amazing in how they think and see the world as they are younger and are "a weird adult" as the J Drama, A Story to Read When You First Fall in Love, shows because often when people pass their 20's, they quit being curious, but some of us keep being curious, and that is what makes them awesome Weird Adults. Onna continues on with how there are so many people in this world need a home and it is so often to provide that for some people if you have that opportunity to impact people for the better and to grow yourself in the process and the process of finding balance. Onna considers how having your own kids is not a checklist of duty, but a really cool thing in your life, and a really cool thing in other peoples' lives as you bring the care and love together between you and the family you have. Onna brings these thoughts back to this version of Emma as Emma and Mr. Knightley consider their entire family as they enhance their family as a cohesive whole and avoid chicken thieves in the process. Onna concludes with a shout out to Martin Phipps, the godson of Benjamin Britten, and his amazing talent and his awesome score for this series as well several other Austen works done for the screen by Andrew Davies and what makes Emma irredeemable and why this is why Emma is Onna's least favorite heroine of Jane Austen's novels because instead of legitimizing Miss Bates, she humiliates her. It's all here. It's all real. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/onnabob/support

Es en las carreras que aparentemente se deberían olvidar donde la F1 esconde su más bella esencia. Es en la media parrilla acaso, donde se fraguan las victorias que permiten contar historias. El Gran Premio de Italia de este año pasará a la historia como el más vergonzante para Ferrari, la primera victoria de Pierre Gasly en F1 y el último Gran Premio de Williams. Hemos usado fragmentos y parte de la música del documental Williams, dirigido por Morgan Mathews y música producida por Martin Phipps para ambientar nuestro homenaje a la Familia Williams. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Rana Fonk les trae un breve repaso por las 5 bandas sonoras nominadas este 2020 a los Premios Emmy. Ozark, Euphoria, The Crown, Succession y The Mandalorian.

Coming from a musical background (he is Benjamin Britten’s godson), Martin read drama at Manchester University. Fortunately for the acting profession, he decided to concentrate his energies on writing music. Since scoring his first TV drama, Eureka Street, in 2002, he has won 2 BAFTAs & 5 Ivor Novello Awards, and gone on to write music for many of the most interesting series of recent years, including the BBC and Weinstein Company’s War and Peace, Hugo Blick’s Black Earth Rising, Peaky Blinders and Black Mirror. Martin is currently scoring season 4 of the Leftbank Pictures/Netflix series, The Crown. Martin’s film credits include the Weinstein Company’s Woman In Gold (scored with Hans Zimmer), starring Ryan Reynolds and Helen Mirren. Meet the awesome, Martin Phipps.   Monday Morning Critic Podcast. Instagram: MondayMorningCritic Twitter: @mdmcritic Facebook: Monday Morning Critic Podcast Website: www.mmcpodcast.com

The death of the Duke of Windsor has had a profound effect on Prince Charles, who had come to recognise a true kinship with his great uncle. Host Edith Bowman speaks with showrunner Peter Morgan about the similarities between the Duke of Windsor and the Prince of Wales. She also visits hair and makeup designer Cate Hall on set where they talk wig lace, oxygen facials and tiara masterclasses.  The Crown: The Official Podcast is produced by Netflix and Somethin’ Else, in association with Left Bank Pictures.

It’s 1969 and while the astronauts from Apollo 11 are landing on the moon, Prince Philip ponders what he might have accomplished had circumstances in his life been different. Host Edith Bowman is joined by actor Tobias Menzies and director Jessica Hobbs to discuss the character of Philip and the episode’s themes of loss, faith and mid-life crises. Edith also chats to composer Martin Phipps about writing the music for Season Three.  The Crown: The Official Podcast is produced by Netflix and Somethin’ Else, in association with Left Bank Pictures.

In the latest episode of Between the Notes, Tony Black and Sean Wilson talk and play new work by Bear McCreary, Benjamin Wallfisch and George Fenton.They also pick through their 10-6 entries of their Top 10 James Horner scores, discuss Black Panther's Best Score win at the 2019 Academy Awards, and talk Martin Phipps' The Aftermath and Tom Holkenborg's Alita: Battle Angel.Host / EditorTony BlackCo-HostSean WilsonTwitter: @btw_notesWe Made This: @wemadethispodAll music courtesy of Back Lot Music, Milan Records, Varese Sarabande & Sony Music Masterworks.

Olá pessoal, no primeiro episódio do ano chegamos com “Norte e Sul” (1855) da Elizabeth Gaskell. Esse romance social traz uma interessante discussão sobre a transição da Inglaterra industrial. Essa modernidade – o Norte – contrastando com a tradição – o Sul – e vemos os personagens às voltas lidando com muitas transformações, tanto de costumes como de mentalidades. Passamos por temas como o movimento operário, a mulher no século XIX, o papel dos intelectuais e como os personagens são representativos das mudanças desse século. Por fim, falamos sobre as adaptações e as suas diferenças e semelhanças com o livro! Livros citados: Tempos Difíceis (1854), de Charles Dickens Londres e Paris no século XIX, o espetáculo da pobreza (1986), de Maria Stella Bresciani Emma (1815), de Jane Austen Música da nossa trilha sonora: Open Theme 3 – Martin Phipps. Original Soundtrack “North and South” (2004) Open Theme – Martin Phipps. Original Soundtrack “North and South” (2004) Northbound Train – Martin Phipps. Original Soundtrack “North and South” (2004) Milton – Martin Phipps. Original Soundtrack “North and South” (2004) Factory – Martin Phipps. Original Soundtrack “North and South” (2004) Margaret – Martin Phipps. Original Soundtrack “North and South” (2004) Proposal Rejection – Martin Phipps. Original Soundtrack “North and South” (2004) Deixe seus comentários aqui pra gente. Sempre que acabamos de gravar, lembramos de algo mais que poderia ser dito, logo o tema sempre fica em aberto. Podcast: 00:00:27 Apresentação 00:02:22 Elizabeth Gaskell e o Norte e Sul 01:06:00 As adaptações 01:19:55 Indicações e encerramento North and South (1975) https://www.imdb.com/title/tt0228651/ North and South (2004) https://www.imdb.com/title/tt0417349/ O post #30: Norte e Sul de Elizabeth Gaskell apareceu primeiro em Chá das Cinco Com Literatura.

Hans Zimmer joins Harold Faltermeyer, while Kristen Romanelli, Dane Walker and Christopher Coleman form up to discuss the Top Gun sequel choosing to ride into "The Zimmer Zone." In addition, they discuss John Williams' cancellation of upcoming concerts in Europe, the recent Letterboxd poll ranking the users' favorite film scores, the changing of the guard as Martin Phipps on scoring duties for The Crown, the return of Avatar: The Last Airbender as a live-action series on Netflix along with composer Jeremy Zuckerman, and (in case you wanted more Zimmer and Williams talk) the results of the recent poll asking who had the greater impact on the film music genre Hans Zimmer or John Williams.Episode Highlights03:03 - Another Big Announcement07:03 - #1 - The Zimmer Zone - Top Gun 2 - Maverick18:06 - #2 - John Williams Concert Cancellations25:17 - #3 - The Perfect Score - Letterboxd41:32 - #4 - My County Season 3 - The Crown49:41 - #5 - Avatar: The Live-Action Airbender with Jeremy Zuckerman60:18 - #6 - Willams or Zimmer: Who has had the greatest impact?Music Selections (Support these artists (and us) by buying these tracks from Amazon.)00:00 - "Top Gun Anthem (The Intro) - by Harold Faltermeyer https://amzn.to/2DjilV006:42 - "Take My Breath Away (Instrumental Cover) - by The Instrumental Pan Pipes Band https://amzn.to/2JxZSUK17:40 -"Please Get Well" by Mr. Kim Webster https://amzn.to/2RuDKgN24:47 - "Vote Vote Vote" by Blazer Fresh https://amzn.to/2Qbas6x41:12 - "God Save the Queen (Dance Remix) by DJ Patriot https://amzn.to/2CYvrWI49:26 - "Naruto vs. Aang Rap Battle by The Infinite Source https://amzn.to/2Jy0DNA59:42 - "Vote" (Crazy Rich Asians) by Miguel https://amzn.to/2RzvUmj68:12 - "Vote" (Crazy Rich Asians) by Miguel https://amzn.to/2RzvUmjNotes:Hans Zimmer on Top Gun 2 - ScreenRantJohn Williams Cancellations in EULetterboxd - The Perfect Score pollMartin Phipps scoring THE CROWN (S3)The Last Airbender Live Action with Jeremy Zuckerman returningWilliams v Zimmer - most impact Twitter-pollFind and Follow:Follow Dane Walker on Twitter - @maestrodane or on Letterboxd @maestrodaneFollow Kristen Romanelli on Twitter - @kbfornow or on Letterboxd @kbfornowFollow The Soundcast on Twitter - @audiosoundcastFollow Tracksounds on Twitter - @tracksounds Follow Christopher Coleman on Twitter - @ccoleman or on Letterboxd @clcolemanSpotify: Find our Spotify Companion Playlist here! Find the Soundcast Six - The Bumpers Playlist here!Support Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.com http://bit.ly/amazonsoundtracksSubscribe and More InfoaCASTGOOGLE PLAYiTUNESRADIOPUBLICRSS FEEDSPOTIFYSTITCHER RADIOTUNEIN RADIO

Piet und Philip reden über zwei Soundtracks, die sie kürzlich gehört haben. Es geht um die Musik zur TV-Serie „Victoria“ (von Ruth Barrett und Martin Phipps) und Wes Andersons „Grand Budapest Hotel“ (von Alexandre Desplat). Außerdem erzählt Piet von seiner Neuentdeckung Jed Kurzel, der z.B. die Musik für „Macbeth“ gemacht hat. Und dann wird noch ein bisschen über Michael Giacchino, Spotify, Star Trek: Discovery, Alien, die Zukunft des Kinos und andere Dinge geplaudert. Wir hatten in dieser Folge ein technisches Problem, weswegen Philip leider teilweise abgehackt und nicht so gut klingt. Wir haben das Problem identifiziert und in künftigen Folgen sollte das nicht mehr passieren.

Matthew Sweet with film music inspired by the American Civil War including the Classic Score of the Week - Max Steiner's "Gone With The Wind". Featured scores include those for "North and South"; "Lincoln": "The General"; "Gettysburg"; "Copperhead"; "Glory"; "The Outlaw Josey Wales; "Dances With Wolves"; "The Beguiled" and "Sommersby". The featured new score is Martin Phipps music for "The Keeping Room".

On this week’s episode of CINEMATIC SOUND RADIO we’ll be featuring music from four brand new scores. The show opens with music by Carlo Siliotto from the film MIRACLES FROM HEAVEN. You’ll also hear selections from A LIGHT BENEATH THEIR FEET by John Swihart and Martin Phipps innovative score to the TV mini-series WAR & PEACE. And our video game selection of the week comes from the new game UNCHARTED 4: A THIEF’s END by Henry Jackman.Our John Williams album of the week is BSX Records brand new album THE MUSIC OF JOHN WILLIAMS ON SOLO PIANO featuring pianist Dan Redfeld.Our re-recording of the week is Tribute Film Classics outstanding recording of Max Steiner’s iconic 1948 score to THE ADVENTURES OF DON JUAN. William Stromberg conducted the Moscow Symphony Orchestra.Jerry Goldsmith’s score to 1981’s OUTLAND is our film music vault selection.And our lone end credit cue comes from TWISTER, which turns 20 years old this month. You’ll hear Mark Mancina and Alex & Eddie Van Halen’s outstanding composition “Respect The Wind.”Cinematic Sound Radiohttp://www.cinematicsound.netWROCK Radiohttp://www.wrockradio.comCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.comAlso available through Podtyranthttp://www.podtyrant.com

País Reino Unido Director Simon Curtis Guión Alexi Kaye Campbell Música Martin Phipps, Hans Zimmer Fotografía Ross Emery Reparto Helen Mirren, Ryan Reynolds, Daniel Brühl, Tatiana Maslany, Charles Dance, Katie Holmes, Antje Traue, Max Irons, Elizabeth McGovern, Jonathan Pryce, Tom Schilling, Moritz Bleibtreu, Anthony Howell, Allan Corduner, Henry Goodman Sinopsis Basada en una historia real. Maria Altmann (Helen Mirren), una mujer judía que huyó de Viena durante la II Guerra Mundial (1939-1945), regresa sesenta años después para reclamar las propiedades que los nazis confiscaron a su familia, entre las que se encuentra el célebre 'Retrato de Adele Bloch-Bauer I', de Gustav Klimt . Un joven abogado (Ryan Reynolds) la ayudará en su lucha con el gobierno austriaco y la Corte Suprema de los Estados Unidos. Al mismo tiempo, Maria deberá enfrentarse a las terribles verdades de su pasado.