Podcast appearances and mentions of Harrison Ford

Screenwriter/Producer Scot Armstrong (Old School, Road Trip, Hangover II) joins Matt and Tim to discuss the 1994 Phillip Noyce film, Clear And Present Danger, starring Harrison Ford (not the President yet). Donald Moffat plays President Bennett. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Scot Armstrong https://instagram.com/scotarmstrong Second In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

In this episode of Tarkin's Top Shelf, your hosts discuss the “unchecked” power of the Jedi Order mentioned by Senator Rayencourt in the final episode of The Acolyte series. But first, Mark and Becca review the latest news on SDCC, Harrison Ford's birthday, and director updates for the second season of Ahsoka.   Help us spread the word about the show Click here to subscribe via iTunes Click here to subscribe via RSS Click here to subscribe via Stitcher Click here to subscribe via Google Play Music Feedback and Promotion Follow us on Twitter @TarkinsTopShelf Like us on Facebook: Tarkin's Top Shelf Follow us on Instagram @TarkinsTopShelf Follow us on Threads  Follow us on Bluesky

You are in for a real treat on this episode. My guest this time is Greg Schwem. Greg is a corporate comedian. What is a corporate comedian? You probably can imagine that his work has to do with corporations, and you would be right. Greg will explain much better than I can. Mr. Schwem began his career as a TV journalist but eventually decided to take up what he really wanted to do, be a comedian. The story of how he evolved is quite fascinating by any standard. Greg has done comedy professionally since 1989. He speaks today mostly to corporate audiences. He will tell us how he does his work. It is quite interesting to hear how he has learned to relate to his audiences. As you will discover as Greg and I talk, we often work in the same way to learn about our audiences and thus how we get to relate to them. Greg has written three books. His latest one is entitled “Turning Gut Punches into Punch Lines: A Comedian's Journey Through Cancer, Divorce and Other Hilarious Stuff”. As Greg says, “Don't worry, it's not one of those whiny, ‘woe is me,' self- serving books. Instead, it's a hilarious account of me living the words I've been preaching to my audiences: You can always find humor in every situation, even the tough ones. Greg offers many interesting observations as he discusses his career and how he works. I think we all can find significant lessons we can use from his remarks. About the Guest: Hi! I'm Greg Schwem. a Chicago-based business humor speaker and MC who HuffPost calls “Your boss's favorite comedian.” I've traveled the world providing clean, customized laughs to clients such as Microsoft, IBM, McDonald's and even the CIA. I also write the bi-weekly Humor Hotel column for the Chicago Tribune syndicate. I believe every corporate event needs humor. As I often tell clients, “When times are good, people want to laugh. When times are bad, people need to laugh.” One Fortune 500 client summed things up perfectly, saying “You were fantastic and just what everybody needed during these times.” In September 2024 I released my third and most personal book, Turning Gut Punches into Punch Lines: A Comedian's Journey Through Cancer, Divorce and Other Hilarious Stuff. Don't worry, it's not one of those whiny, “woe is me,” self-serving books. Instead, it's a hilarious account of me living the words I've been preaching to my audiences: You can always find humor in every situation, even the tough ones. You can pick up a copy at Amazon or select book stores. Ways to connect with Greg: Website: www.gregschwem.com YouTube: www.youtube.com/gregschwem LinkedIn www.linkedin.com/in/gregschwem Instagram: www.instagram.com/gregschwem X: www.x.com/gregschwem About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:16 Hi everyone, and welcome to unstoppable mindset. Today we are going to definitely have some fun. I'll tell you about our guests in a moment, but first, I want to tell you about me. That'll take an hour or so. I am Michael Hingson, your host, and you're listening to unstoppable mindset where inclusion, diversity and the unexpected meet. And I don't know, we may get inclusion or diversity into this, but our guest is Greg Schwem. Greg used to be a TV reporter, now he's a comedian, not sure which is funnier, but given some of the reporters I've seen on TV, they really should go into tonight club business. But anyway, Greg, I want to welcome you to unstoppable mindset. We're really glad you're here. I really appreciate you being here and taking the time   Greg Schwem ** 02:04 Well, Michael, it is an honor to be included on your show. I'm really looking forward to the next hour of conversation. I   Speaker 1 ** 02:10 told Greg a little while ago, one of my major life ambitions that I never got to do was to go to a Don Rickles concert and sit in the front row so that hopefully he would pick on me, so that I could say, Yeah, I saw you once on TV, and I haven't been able to see since. What do you think of that? You hockey puck, but I never got to do it. So very disappointed. But everybody has bucket list moments, everybody has, but they don't get around to I'm sorry. Yeah, I know. Well, the other one is, I love to pick on Mike Wallace. I did a radio show for six years opposite him in 60 minutes, and I always love to say that Wallace really had criminal tendencies, because he started out being an announcer in radio and he announced things like The Green Hornet and the Sky King and other shows where they had a lot of criminals. So I just figured he had to be associated with criminals somewhere in his life. Of course, everybody picked on him, and he had broad shoulders. And I again, I regret I never got to to meet him, which is sort of disappointing. But I did get to meet Peter Falk. That was kind of fun.   Greg Schwem ** 03:15 Mike Wallace to Peter Falk. Nice transition there. I know.   Michael Hingson ** 03:21 Well I am really glad you're with us. So why don't we start? We'll start with the serious part. Why don't you tell us, kind of about the early Greg schwim and growing up and all that sort of stuff, just to set the stage, as it were,   Greg Schwem ** 03:34 how far back you want to go? You want to go back to Little League, or you want to   Speaker 1 ** 03:37 just, oh, start at the beginning, a long time ago, right? I was a   Greg Schwem ** 03:41 very strange child. No, I you. You obviously introduced me as a as a comedian, and that is my full time job. And you also said that I was a former journalist, and that is my professional career. Yes, I went from, as I always like to say, I went from depressing people all day long, to making them laugh. And that's, that's kind of what I did. I always did want to be I majored in Journalism at Northwestern University, good journalism school. Originally, I always wanted to be a television reporter. That was as a professional career I was, I dabbled in comedy. Started when I was 16. That is the first time I ever got on stage at my school, my high school, and then at a comedy club. I was there one of the first comedy clubs in Chicago, a place called the comedy cottage. It was in the suburb of beautiful, beautiful suburb of Rosemont, Illinois, and they were one of the very, very first full time comedy clubs in the nation. And as a 16 year old kid, I actually got on stage and did five minutes here and five minutes there. And thought I was, I was hot stuff, but I never, ever thought I would do it for a living. I thought comedy would always be just a hobby. And I. Especially when I went to college, and I thought, okay, Northwestern is pretty good school, pretty expensive school. I should actually use my degree. And I did. I moved down to Florida, wrote for a newspaper called The Palm Beach post, which, don't let that title fool you. It's Palm Beach was a very small segment of of the area that it was, that it served, but I did comedy on the side, and just because I moved down there, I didn't know anybody, so I hung out at comedy clubs just to have something to do. And little by little, comedy in the late 80s, it exploded. Exploded. There were suddenly clubs popping up everywhere, and you were starting to get to know guys that were doing these clubs and were starting to get recognition for just being comedians. And one of them opened up a very, very good Club opened up about 10 minutes from my apartment in West Palm Beach, and I hung out there and started to get more stage time, and eventually started to realize at the same time that I was getting better as a comedian, I was becoming more disillusioned as a journalist in terms of what my bosses wanted me to report on and the tone they wanted me to use. And I just decided that I would I would just never be able to live with myself if I didn't try it, if I didn't take the the plunge into comedy, and that's what I did in 1989 and I've been doing it ever since. And my career has gone in multiple directions, as I think it needs to. If you're going to be in show business and sustain a career in show business, you have to wear a lot of different hats, which I feel like I've done.   Michael Hingson ** 06:40 So tell me more about that. What does that mean exactly?   Greg Schwem ** 06:43 Well, I mean, I started out as a what you would pretty much if somebody said, If you heard somebody say, I'm a comedian, they would envision some guy that just went to comedy clubs all the time, and that's what I did. I was just a guy that traveled by car all over the Midwest and the Southeast primarily, and did comedy clubs, but I quickly realized that was kind of a going nowhere way to attack it, to do comedy unless you were incredibly lucky, because there were so many guys doing it and so many clubs, and I just didn't see a future in it, and I felt like I had to separate myself from the pack a little bit. And I was living in Chicago, which is where I'm from, and still, still exist. Still reside in Chicago, and I started to get involved with a company that did live trade show presentations. So if you've ever been on a trade show floor and you see people, they're mostly actors and actresses that wear a headset and deliver a spiel, a pitch, like every, every twice an hour, about some company, some new product, and so forth. And I did that, and I started to write material about what I was seeing on trade show floors and putting it into my stand up act, stuff about business, stuff about technology, because I was Hawking a lot of new computers and things like that. This was the mid 90s when technology was exploding, and I started to put this into my stand up act. And then I'd have people come up to me afterwards and say, hey, you know those jokes you did about computers and tech support, if you could come down to our office, you know, we're having a golf tournament, we're having a Christmas party, we would love to hear that material. And little by little, I started transitioning my act into doing shows for the corporate market. I hooked up with a corporate agent, or the corporate agent heard about me, and started to open a lot of doors for me in terms of working for very large corporations, and that's pretty much what I've been doing. I stopped working clubs, and I transitioned, instead of being a comedian, I became a corporate humor speaker. And that's what I do, primarily to this day, is to speak at business conferences. Just kind of get people to loosen up, get them to laugh about what they do all day without without making it sound like I'm belittling what they do. And also when I'm not doing that, I work about eight to 10 weeks a year on cruise ships, performing for cruise audiences. So that's a nice getaway.   Speaker 1 ** 09:18 It's interesting since I mentioned Don Rickles earlier, years ago, I saw an interview that he did with Donahue, and one of the things that Don Rickles said, and after he said it, I thought about it. He said, I really don't want to pick on anyone who's going to be offended by me picking on them. He said, I try to watch really carefully, so that if it looks like somebody's getting offended, I'll leave them alone, because that's not what this is all about. It isn't about abusing people. It's about trying to get people to have fun, and if somebody's offended, I don't want to to pick on them, and I've heard a number of albums and other things with him and just. Noticed that that was really true. He wouldn't pick on someone unless they could take it and had a lot of fun with it. And I thought that was absolutely interesting, because that certainly wasn't, of course, the rep that he had and no, but it was   Greg Schwem ** 10:16 true. It is, and it doesn't take long to see as a as a comedian, when you're looking at an audience member and you're talking to them, it, you can tell very quickly, Are they enjoying this? Are they enjoying being the center of attention? A lot of people are, or are they uncomfortable with it? Now, I don't know that going in. I mean, I you know, of course. And again, that's a very small portion of my show is to talk to the audience, but it is something particularly today. I think audiences want to be more involved. I think they enjoy you talk you. Some of these, the new comedians in their 20s and 30s and so forth. Them, some of them are doing nothing, but what they call crowd work. So they're just doing 45 minutes of talking to the audience, which can be good and can be rough too, because you're working without a net. But I'm happy to give an audience a little bit of that. But I also have a lot of stuff that I want to say too. I mean, I work very hard coming up with material and and refining it, and I want to talk about what's going on in my life, too. So I don't want the audience to be the entire show, right?   Speaker 1 ** 11:26 And and they shouldn't be, because it isn't about that. But at the same time, it is nice to involve them. I find that as a keynote and public speaker, I find that true as well, though, is that audiences do like to be involved. And I do some things right at the outset of most talks to involve people, and also in involving them. I want to get them to last so that I start to draw them in, because later, when I tell the September 11 story, which isn't really a humorous thing. Directly,   Greg Schwem ** 12:04 i know i Good luck. I'm spinning 911 to make it I don't think I've ever heard anybody say, by the way, I was trapped in a building. Stick with me. It's kind of cute. It's got a funny ending. And   Speaker 1 ** 12:20 that's right, and it is hard I can, I can say humorous things along the way in telling the story, but, sure, right, but, but clearly it's not a story that, in of itself, is humorous. But what I realized over the years, and it's really dawned on me in the last four or five years is we now have a whole generation of people who have absolutely no memory of September 11 because they were children or they weren't even born yet. And I believe that my job is to not only talk about it, but literally to draw them into the building and have them walk down the stairs with me, and I have to be descriptive in a very positive way, so that they really are part of what's going on. And the reality is that I do hear people or people come up and say, we were with you when you were going down the stairs. And I think that's my job, because the reality is that we've got to get people to understand there are lessons to be learned from September 11, right? And the only real way to do that is to attract the audience and bring them in. And I think probably mostly, I'm in a better position to do that than most people, because I'm kind of a curious soul, being blind and all that, but it allows me to to draw them in and and it's fun to do that, actually. And I, and   Greg Schwem ** 13:52 I gotta believe, I mean, obviously I wasn't there, Michael, but I gotta believe there were moments of humor in people, a bunch of people going down the stairs. Sure, me, you put people get it's like, it's like when a bunch of people are in an elevator together, you know, I mean, there's I, when I look around and I try to find something humorous in a crowded and it's probably the same thing now, obviously it, you know, you got out in time. But I and, you know, don't that's the hotel phone, which I just hung up so but I think that I can totally see where you're going from, where, if you're if you're talking to people who have no recollection of this, have no memory where you're basically educating them on the whole event. I think you then you have the opportunity to tell the story in whatever way you see fit. And I think that however you choose to do it is there's no wrong way to do it, I guess is what I'm trying to get at.   Speaker 1 ** 14:55 Well, yeah, I think the wrong way is to be two. Graphic and morbid and morbid, but one of the things that I talk about, for example, is that a colleague of mine who was with me, David Frank, at about the 50th floor, suddenly said, Mike, we're going to die. We're not going to make it out of here. And as as I tell the audience, typically, I as as you heard my introduction at the beginning, I have a secondary teaching credential. And one of the things that you probably don't know about teachers is that there's a secret course that every teacher takes called Voice 101, how to yell at students and and so what I tell people is that when David said that, I just said in my best teacher voice, stop it, David, if Roselle and I can go down these stairs, so can you. And he told me later that that brought him out of his funk, and he ended up walking a floor below me and shouting up to me everything he saw. And it was just mainly, everything is clear, like I'm on floor 48 he's on 47/47 floor. Everything is good here, and what I have done for the past several years in telling that part of the story is to say David, in reality, probably did more to keep people calm and focused as we went down the stairs than anyone else, because anyone within the sound of his voice heard someone who was focused and sounded okay. You know, hey, I'm on the 44th floor. This is where the Port Authority cafeteria is not stopping. And it it helps people understand that we all had to do what we could to keep everyone from not panicking. And it almost happened a few times that people did, but we worked at it. But the i The idea is that it helps draw people in, and I think that's so important to do for my particular story is to draw them in and have them walk down the stairs with me, which is what I do, absolutely, yeah, yeah. Now I'm curious about something that keeps coming up. I hear it every so often, public speaker, Speaker experts and people who are supposedly the great gurus of public speaking say you shouldn't really start out with a joke. And I've heard that so often, and I'm going give me a break. Well, I think, I think it depends, yeah, I think   Greg Schwem ** 17:33 there's two schools of thought to that. I think if you're going to start out with a joke, it better be a really good one, or something that you either has been battle tested, because if it doesn't work now, you, you know, if you're hoping for a big laugh, now you're saying, Well, you're a comedian, what do you do? You know, I mean, I, I even, I just sort of work my way into it a little bit. Yeah, and I'm a comedian, so, and, you know, it's funny, Michael, I will get, I will get. I've had CEOs before say to me, Hey, you know, I've got to give this presentation next week. Give me a joke I can tell to everybody. And I always decline. I always it's like, I don't need that kind of pressure. And it's like, I can, I can, I can tell you a funny joke, but,   Michael Hingson ** 18:22 but you telling the   Greg Schwem ** 18:23 work? Yeah, deliver it. You know, I can't deliver it for you. Yeah? And I think that's what I also, you know, on that note, I've never been a big fan of Stand Up Comedy classes, and you see them all popping up all over the place. Now, a lot of comedy clubs will have them, and usually the you take the class, and the carrot at the end is you get to do five minutes at a comedy club right now, if that is your goal, if you're somebody who always like, Gosh, I wonder what it would like be like to stand up on stage and and be a comedian for five minutes. That's something I really like to try. By all means, take the class, all right. But if you think that you're going to take this class and you're going to emerge a much funnier person, like all of a sudden you you weren't funny, but now you are, don't take the class, yeah? And I think, sadly, I think that a lot of people sign up for these classes thinking the latter, thinking that they will all of a sudden become, you know, a comedian. And it doesn't work that way. I'm sorry you cannot teach unfunny people to be funny. Yeah, some of us have the gift of it, and some of us don't. Some of us are really good with our hands, and just know how to build stuff and how to look at things and say, I can do that. And some of us, myself included, definitely do not. You know, I think you can teach people to be more comfortable, more comfortable in front of an audience and. Correct. I think that is definitely a teachable thing, but I don't think that you can teach people to be funnier   Speaker 1 ** 20:10 and funnier, and I agree with that. I tend to be amazed when I keep hearing that one of the top fears in our world is getting up in front of an audience and talking with them, because people really don't understand that audiences, whatever you're doing, want you to succeed, and they're not against you, but we have just conditioned ourselves collectively that speaking is something to be afraid of?   Greg Schwem ** 20:41 Yes, I think, though it's, I'm sure, that fear, though, of getting up in front of people has only probably been exacerbated and been made more intense because now everybody in the audience has a cell phone and to and to be looking out at people and to see them on their phones. Yeah, you're and yet, you prepped all day long. You've been nervous. You've been you probably didn't sleep the night before. If you're one of these people who are afraid of speaking in public, yeah, and then to see people on their phones. You know, it used to bother me. It doesn't anymore, because it's just the society we live in. I just, I wish, I wish people could put their phones down and just enjoy laughing for 45 minutes. But unfortunately, our society can't do that anymore, so I just hope that I can get most of them to stop looking at it.   Speaker 1 ** 21:32 I don't make any comments about it at the beginning, but I have, on a number of occasions, been delivering a speech, and I hear a cell phone ring, and I'll stop and go, Hello. And I don't know for sure what the person with the cell phone does, but by the same token, you know they really shouldn't be on their phone and and it works out, okay, nobody's ever complained about it. And when I just say hello, or I'll go Hello, you don't say, you know, and things like that, but, but I don't, I don't prolong it. I'll just go back to what I was talking about. But I remember, when I lived in New Jersey, Sandy Duncan was Peter Pan in New York. One night she was flying over the audience, and there was somebody on his cell phone, and she happened to be going near him, and she just kicked the phone out of his hand. And I think that's one of the things that started Broadway in saying, if you have a cell phone, turn it off. And those are the announcements that you hear at the beginning of any Broadway performance today.   Greg Schwem ** 22:39 Unfortunately, people don't abide by that. I know you're still hearing cell phones go off, yeah, you know, in Broadway productions at the opera or wherever, so people just can't and there you go. There that just shows you're fighting a losing battle.   Speaker 1 ** 22:53 Yeah, it's just one of those things, and you got to cope with it.   Greg Schwem ** 22:58 What on that note, though, there was, I will say, if I can interrupt real quick, there was one show I did where nobody had their phone. It was a few years ago. I spoke at the CIA. I spoke for some employees of the CIA. And this might, this might freak people out, because you think, how is it that America's covert intelligence agency, you think they would be on their phones all the time. No, if you work there, you cannot have your phone on you. And so I had an audience of about 300 people who I had their total attention because there was no other way to they had no choice but to listen to me, and it was wonderful. It was just a great show, and I it was just so refreshing. Yeah,   Speaker 1 ** 23:52 and mostly I don't hear cell phones, but they do come up from time to time. And if they do, then you know it happens. Now my one of my favorite stories is I once spoke in Maryland at the Department of Defense, which anybody who knows anything knows that's the National Security Agency, but they call it the Department of Defense, as if we don't know. And my favorite story is that I had, at the time, a micro cassette recorder, and it died that morning before I traveled to Fort Meade, and I forgot to just throw it away, and it was in my briefcase. So I got to the fort, they searched, apparently, didn't find it, but on the way out, someone found it. They had to get a bird Colonel to come to decide what to do with it. I said, throw it away. And they said, No, we can't do that. It's yours. And they they decided it didn't work, and they let me take it and I threw it away. But it was so, so funny to to be at the fort and see everybody running around crazy. See, what do we do with this micro cassette recorder? This guy's been here for an hour. Yeah. So it's it. You know, all sorts of things happen. What do you think about you know, there's a lot of discussion about comedians who use a lot of foul language in their shows, and then there are those who don't, and people seem to like the shock value of that.   Greg Schwem ** 25:25 Yeah, I'm very old school in that. I guess my short answer is, No, I've never, ever been one of those comedians. Ever I do a clean show, I actually learned my lesson very early on. I think I think that I think comedians tend to swear because when they first start out, out of nerves, because I will tell you that profanity does get laughter. And I've always said, if you want to, if you want to experiment on that, have a comedian write a joke, and let's say he's got two shows that night. Let's say he's got an eight o'clock show and a 10 o'clock show. So let's say he does the joke in the eight o'clock and it's, you know, the cadence is bumper, bump up, bump up, bump up, punch line. Okay, now let's and let's see how that plays. Now let's now he does the 10 o'clock show and it's bumper, bump up, bump up F and Okay, yeah, I pretty much guarantee you the 10 o'clock show will get a bigger laugh. Okay? Because he's sort of, it's like the audience is programmed like, oh, okay, we're supposed to laugh at that now. And I think a lot of comedians think, Aha, I have just discovered how to be successful as a comedian. I will just insert the F word in front of every punch line, and you can kind of tell what comedians do that and what comedians I mean. I am fine with foul language, but have some jokes in there too. Don't make them. Don't make the foul word, the joke, the joke, right? And I can say another thing nobody has ever said to me, I cannot hire you because you're too clean. I've never gotten that. And all the years I've been doing this, and I know there's lots of comedians who who do work blue, who have said, you know, who have been turned down for that very reason. So I believe, if you're a comedian, the only way to get better is to work any place that will have you. Yeah, and you can't, so you might as well work clean so you can work any place that will have you, as opposed to being turned away.   Speaker 1 ** 27:30 Well, and I, and I know what, what happened to him and all that, but at the same time, I grew up listening to Bill Cosby and the fact that he was always clean. And, yeah, I understand everything that happened, but you can't deny and you can't forget so many years of humor and all the things that that he brought to the world, and the joy he brought to the world in so many ways.   Greg Schwem ** 27:57 Oh, yeah, no, I agree. I agree. And he Yeah, he worked everywhere. Jay Leno is another one. I mean, Jay Leno is kind of on the same wavelength as me, as far as don't let the profanity become the joke. You know, Eddie Murphy was, you know, was very foul. Richard Pryor, extremely foul. I but they also, prior, especially, had very intelligent material. I mean, you can tell and then if you want to insert your F bombs and so forth, that's fine, but at least show me that you're trying. At least show me that you came in with material in addition to the   Speaker 1 ** 28:36 foul language. The only thing I really have to say about all that is it? Jay Leno should just stay away from cars, but that's another story.   Greg Schwem ** 28:43 Oh, yeah, it's starting to   Greg Schwem ** 28:47 look that way. Yeah, it   Michael Hingson ** 28:49 was. It was fun for a while, Jay, but yeah, there's just two. It's like, Harrison Ford and plains. Yeah, same concept. At some point you're like, this isn't working out. Now I submit that living here in Victorville and just being out on the streets and being driven around and all that, I am firmly convinced, given the way most people drive here, that the bigoted DMV should let me have a license, because I am sure I can drive as well as most of the clowns around here. Yeah, so when they drive, I have no doubt. Oh, gosh. Well, you know, you switched from being a TV journalist and so on to to comedy. Was it a hard choice? Was it really difficult to do, or did it just seem like this is the time and this is the right thing to do. I was   Greg Schwem ** 29:41 both, you know, it was hard, because I really did enjoy my job and I liked, I liked being a TV news reporter. I liked, I liked a job that was different every day once you got in there, because you didn't know what they were going to send you out to do. Yes, you had. To get up and go to work every day and so forth. So there's a little bit of, you know, there's a little bit of the mundane, just like there is in any job, but once you were there, I liked, just never known what the day would bring, right? And and I, I think if I'd stayed with it, I think I think I could have gone pretty far, particularly now, because the now it's more people on TV are becoming more entertainers news people are becoming, yeah, they are. A lot of would be, want to be comedians and so forth. And I don't particularly think that's appropriate, but I agree. But so it was hard to leave, but it gets back to what I said earlier. At some point, you got to say, I was seeing comedians making money, and I was thinking, gosh, you know, if they're making money at this I I'm not hilarious, but I know I'm funnier than that guy. Yeah, I'm funnier than her, so why not? And I was young, and I was single, and I thought, if I if I don't try it now, I never will. And, and I'll bet there's just some hilarious people out there, yeah, who who didn't ever, who just were afraid   Michael Hingson ** 31:14 to take that chance, and they wouldn't take the leap, yeah,   Greg Schwem ** 31:16 right. And now they're probably kicking themselves, and I'm sure maybe they're very successful at what they do, but they're always going to say, what if, if I only done this? I don't ever, I don't, ever, I never, ever wanted to say that. Yeah,   Speaker 1 ** 31:31 well, and there's, there's something to be said for being brave and stepping out and doing something that you don't expect, or that you didn't expect, or that you weren't sure how it was going to go, but if you don't try, then you're never going to know just how, how much you could really accomplish and how much you can really do. And I think that the creative people, whatever they're being creative about, are the people who do step out and are willing to take a chance.   Greg Schwem ** 31:59 Yeah, yeah. And I told my kids that too. You know, it's just like, if it's something that you're passionate about, do it. Just try it. If it doesn't work out, then at least you can say I tried   Speaker 1 ** 32:09 it and and if it doesn't work out, then you can decide, what do I need to do to figure out why it didn't work out, or is it just not me? I want   Greg Schwem ** 32:18 to keep going? Yeah. Yeah. Yeah.   Speaker 1 ** 32:21 So what is the difference between being a nightclub comedian and a corporate comedian? Because they are somewhat different. I think I know the answer. But what would you say that the differences between them? I think   Greg Schwem ** 32:33 the biggest thing is the audiences. I think when you when you are a nightclub comedian, you are working in front of people who are there to be entertained. Yeah, they, they paid money for that. That's what they're expecting. They, they, at some point during the day, they said, Hey, let's, let's go laugh tonight. That's what we really want to do when you're working in front of a corporate audiences. That's not necessarily the case. They are there. I primarily do business conferences and, you know, association meetings and so forth. And I'm just one cog in the wheel of a whole day's worth of meetings are, for the most part, very dry and boring, maybe certainly necessary educational. They're learning how to do their job better or something. And then you have a guy like me come in, and people aren't always ready to laugh, yeah, despite the fact that they probably need to, but they just they're not always in that mindset. And also the time of day. I mean, I do a lot of shows at nine in the morning. I do shows after lunch, right before lunch. I actually do very few shows in the evening, believe it or not. And so then you you have to, you kind of have to, in the while you're doing your act or your presentation or your speech, as I call it, you kind of have to let them know that it is okay. What you're doing is okay, and they should be okay with laughing. They shouldn't be looking around the whole time wondering if other people are laughing. You know, can I, can I? Can I tell you a quick story about how I drive that point home. Why not? Yeah, it's, I'll condense it into like five minutes. I mentioned that I worked on that I work on cruise ships occasionally, and I one night I was performing, and it was the first night of the cruise. And if anybody's ever been on a cruise, note, the first night, first night entertainers don't like the first night because people are tired. You know, they're they're a little edgy because they've been traveling all day. They're they're confused because they're not really sure where they're going on a ship. And the ones that have got it figured out usually over serve themselves because they're on vacation. So you put all that, so I'm doing my show on the first. Night, and it's going very well. And about five, six minutes in, I do a joke. Everybody laughs. Everybody shuts up. And from the back of the room in total darkness, I hear hat just like that. And I'm like, All right, you know, probably over served. So the rule of comedy is that everybody gets like. I was like, I'll let it go once, yeah. So I just kind of looked off in that direction, didn't say anything. Kept going with my active going with my act. About 10 minutes later, same thing happens. I tell a joke. Everybody laughs. Everybody shuts up. Hat now I'm like, Okay, I have got to, I've got to address the elephant in the room. So I think I just made some comment, like, you know, I didn't know Roseanne Barr was on this cruise, you know, because that was like the sound of the Yeah. Okay, everybody laugh. Nothing happened about five minutes later. It happens a third time. And now I'm just like, this is gonna stop. I'm going to put a stop to this. And I just fired off. I can't remember, like, three just like, hey man, you know you're you're just a little behind everybody else in this show and probably in life too, that, you know, things like that, and it never happened again. So I'm like, okay, mission accomplished on my part. Comedians love it when we can shut up somebody like that. Anyway. Show's over, I am out doing a meet and greet. Some guy comes up to me and he goes, hey, hey, you know that kid you were making fun of is mentally handicapped. And now, of course, I don't know this, but out of the corner of my eye, I see from the other exit a man pushing a son, his son in a wheelchair out of the showroom. And I'm just like, Oh, what have I done? And yeah. And of course, when you're on a cruise, you're you're on a cruise. When you're a cruise ship entertainer, you have to live with your audience. So I couldn't hide. I spent like the next three days, and it seemed like wherever I was, the man and his son in the wheelchair were nearby. And finally, on the fourth day, I think was, I was waiting for an elevator. Again, 3500 people on this ship, okay, I'm waiting for an elevator. The elevator door opens. Guess who are the only two people the elevator, the man and his son. And I can't really say I'll wait for the next one. So I get on, and I said to this the father, I said, I just want you to know I had no idea. You know, I'm so sorry. I can't see back there, this kind of thing. And the dad looks at me. He puts his hand up to stop me, and he points to me, and he goes, I thought you were hysterical. And it was, not only was it relief, but it kind of, it's sort of a lesson that if you think something is funny, you should laugh at it. Yeah. And I think sometimes in corporate America, my point in this. I think sometimes when you do these corporate shows, I think that audience members forget that. I think very busy looking around to see if their immediate boss thinks it's funny, and eventually everybody's looking at the CEO to see if they're like, you know, I think if you're doing it that way, if that's the way you're you're approaching humor. You're doing yourself a disservice, if right, stopping yourself from laughing at something that you think is funny.   Speaker 1 ** 38:09 I do think that that all too often the problem with meetings is that we as a as a country, we in corporations, don't do meetings, right anyway, for example, early on, I heard someone at a convention of the National Federation of the Blind say he was the new executive director of the American Foundation for the Blind, and he said, I have instituted a policy, no Braille, no meetings. And what that was all about was to say, if you're going to have a meeting, you need to make sure that all the documentation is accessible to those who aren't going to read the print. I take it further and say you shouldn't be giving out documentation during the meeting. And you can use the excuse, well, I got to get the latest numbers and all that. And my point is, you shouldn't be giving out documentation at a meeting, because the meeting is for people to communicate and interact with each other. And if you're giving out papers and so on, what are people going to do? They're going to read that, and they're not going to listen to the speakers. They're not going to listen to the other people. And we do so many things like that, we've gotten into a habit of doing things that become so predictable, but also make meetings very boring, because who wants to look at the papers where you can be listening to people who have a lot more constructive and interesting things to say anyway?   Greg Schwem ** 39:36 Yeah, yeah. I think, I think COVID definitely changed, some for the some for the better and some for the worse. I think that a lot of things that were done at meetings COVID and made us realize a lot of that stuff could be done virtually, that you didn't have to just have everybody sit and listen to people over and over and over again.   Speaker 1 ** 39:58 But unless you're Donald Trump. Up. Yeah, that's another story.   Greg Schwem ** 40:02 Yes, exactly another podcast episode. But, yeah, I do think also that. I think COVID changed audiences. I think, you know, we talked a little bit earlier about crowd work, right, and audiences wanting to be more involved. I think COVID precipitated that, because, if you think about it, Michael, for two and a half years during COVID, our sole source of entertainment was our phone, right? Which meant that we were in charge of the entertainment experience. You don't like something, swipe left, scroll down, scroll, scroll, scroll, find something else. You know, that kind of thing. I'm not I'm not entertained in the next four or five seconds. So I'm going to do this. And I think when live entertainment returned, audiences kind of had to be retrained a little bit, where they had to learn to sit and listen and wait for the entertainment to come to them. And granted, it might not happen immediately. It might not happen in the first five seconds, but you have to just give give people like me a chance. It will come to you. It will happen, but it might not be on your timetable,   Speaker 1 ** 41:13 right? Well, and I think that is all too true for me. I didn't find didn't find COVID to be a great inconvenience, because I don't look at the screen anyway, right? So in a sense, for me, COVID wasn't that much of a change, other than not being in an office or not being physically at a meeting, and so I was listening to the meeting on the computer, and that has its nuances. Like you don't necessarily get the same information about how everyone around you is reacting, but, but it didn't bother me, I think, nearly as much as it did everyone else who has to look at everyone. Of course, I have no problems picking on all those people as well, because what I point out is that that disabilities has to be redefined, because every one of you guys has your own disability. You're light dependent, and you don't do well when there's dark, when, when the dark shows up and and we now have an environment where Thomas Edison invented the electric light bulb, and we've spent the last 147 years doing everything we can to make sure that light is pretty ubiquitous, but it doesn't change a thing when suddenly the power goes out and you don't have immediate access to light. So that's as much a disability as us light, independent people who don't   Greg Schwem ** 42:36 care about that, right? Right? I hear, I agree, but it is but   Speaker 1 ** 42:41 it is interesting and and it is also important that we all understand each other and are willing to tolerate the fact that there are differences in people, and we need to recognize that with whatever we're doing.   42:53 Yeah, I agree.   Speaker 1 ** 42:57 What do you think about so today, we have obviously a really fractured environment and fractured country, and everyone's got their own opinions, and nobody wants to talk about anything, especially politics wise. How do you think that's all affecting comedy and what you get to do and what other people are doing?   Greg Schwem ** 43:18 Well, I think Pete, I think there's, there's multiple answers to that question too. I think, I think it makes people nervous, wondering what the minute a comedian on stage brings up politics, the minute he starts talking about a politician, whether it's our president, whether it's somebody else, you can sense a tension in the room a little bit, and it's, it's, I mean, it's funny. I, one of my best friends in comedy, got to open for another comedian at Carnegie Hall a couple of years ago, and I went to see him, and I'm sitting way up in the top, and he is just crushing it. And then at one point he he brought up, he decided to do an impression of Mitch McConnell, which he does very well. However, the minute he said, Mitch McConnell, I you could just sense this is Carnegie freaking Hall, and after the show, you know, he and I always like to dissect each other's shows. That's what comedians do. And I just said to him, I go. Why did you decide to insert Mitch McConnell in there? And I, and I didn't say it like, you moron, that was stupid, yeah, but I was genuinely curious. And he just goes, well, I just really like doing that bit, and I like doing that voice and so forth, but, and it's not like the show crashed and burned afterwards. No, he did the joke, and then he got out of it, and he went on to other stuff, and it was fine, but I think that people are just so on their guard now, yeah, and, and that's why, you know, you know Jay Leno always said he was an equal opportunity offender. I think you will do better with politics if you really want. Insert politics into your act. I think he would be better making fun of both sides. Yeah, it's true. Yeah. And I think too often comedians now use the the stage as kind of a Bully, bully pulpit, like I have microphone and you don't. I am now going to give you my take on Donald Trump or the Democrats or whatever, and I've always said, talk about anything you want on stage, but just remember, you're at a comedy club. People came to laugh. So is there a joke in here? Yeah, or are you just ranting because you gotta be careful. You have to get this off your chest, and your way is right. It's, it's, you know, I hate to say it, but that's, that's why podcast, no offense, Michael, yours, is not like this. But I think one of the reasons podcasters have gotten so popular is a lot of people, just a lot of podcast hosts see a podcast is a chance to just rant about whatever's on their mind. And it's amazing to me how many podcast hosts that are hosted by comedians have a second guy have a sidekick to basically laugh and agree with whatever that person says. I think Joe Rogan is a classic example, and he's one of the most popular ones. But, and I don't quite understand that, because you know, if you're a comedian, you you made the choice to work solo, right? So why do you need somebody else with you?   Speaker 1 ** 46:33 I'm I'm fairly close to Leno. My remark is a little bit different. I'm not so much an equal opportunity offender as I am an equal opportunity abuser. I'll pick on both sides if politics comes into it at all, and it's and it's fun, and I remember when George W Bush was leaving the White House, Letterman said, Now we're not going to have anybody to joke about anymore. And everyone loved it. But still, I recognize that in the world today, people don't want to hear anything else. Don't confuse me with the facts or any of that, and it's so unfortunate, but it is the way it is, and so it's wiser to stay away from a lot of that, unless you can really break through the barrier,   Greg Schwem ** 47:21 I think so. And I also think that people, one thing you have to remember, I think, is when people come to a comedy show, they are coming to be entertained. Yeah, they are coming to kind of escape from the gloom and doom that unfortunately permeates our world right now. You know? I mean, I've always said that if you, if you walked up to a comedy club on a Saturday night, and let's say there were 50 people waiting outside, waiting to get in, and you asked all 50 of them, what do you hope happens tonight? Or or, Why are you here? All right, I think from all 50 you would get I would just like to laugh, yeah, I don't think one of them is going to say, you know, I really hope that my opinions on what's happening in the Middle East get challenged right now, but he's a comedian. No one is going to say that. No, no. It's like, I hope I get into it with the comedian on stage, because he thinks this way about a woman's right to choose, and I think the other way. And I really, really hope that he and I will get into an argument about to the middle of the   Speaker 1 ** 48:37 show. Yeah, yeah. That's not why people come?   Greg Schwem ** 48:40 No, it's not. And I, unfortunately, I think again, I think that there's a lot of comedians that don't understand that. Yeah, again, talk about whatever you want on stage, but just remember that your your surroundings, you if you build yourself as a comedian,   48:56 make it funny. Yeah, be funny.   Speaker 1 ** 49:00 Well, and nowadays, especially for for you, for me and so on, we're we're growing older and and I think you point out audiences are getting younger. How do you deal with that?   Greg Schwem ** 49:12 Well, what I try to do is I a couple of things. I try to talk as much as I can about topics that are relevant to a younger generation. Ai being one, I, one of the things I do in my my show is I say, oh, you know, I I really wasn't sure how to start off. And when you're confused these days, you you turn to answer your questions. You turn to chat GPT, and I've actually written, you know, said to chat GPT, you know, I'm doing a show tonight for a group of construction workers who work in the Midwest. It's a $350 million company, and it says, try to be very specific. Give me a funny opening line. And of course, chat GPT always comes up with some. Something kind of stupid, which I then relate to the audience, and they love that, you know, they love that concept. So I think there's, obviously, there's a lot of material that you can do on generational differences, but I, I will say I am very, very aware that my audience is, for the most part, younger than me now, unless I want to spend the rest of my career doing you know, over 55 communities, not that they're not great laughers, but I also think there's a real challenge in being older than your audience and still being able to make them laugh. But I think you have to remember, like you said, there's there's people now that don't remember 911 that have no concept of it, yeah, so don't be doing references from, say, the 1980s or the early 1990s and then come off stage and go, Man, nobody that didn't hit at all. No one, no one. They're stupid. They don't get it. Well, no, they, they, it sounds they don't get it. It's just that they weren't around. They weren't around, right? So that's on you.   Speaker 1 ** 51:01 One of the things that you know people ask me is if I will do virtual events, and I'll do virtual events, but I also tell people, the reason I prefer to do in person events is that I can sense what the audience is doing, how they're reacting and what they feel. If I'm in a room speaking to people, and I don't have that same sense if I'm doing something virtually, agreed same way. Now for me, at the same time, I've been doing this now for 23 years, so I have a pretty good idea in general, how to interact with an audience, to draw them in, even in a virtual environment, but I still tend to be a little bit more careful about it, and it's just kind of the way it is, you know, and you and you learn to deal with it well for you, have you ever had writer's block, and how did you deal with it?   Greg Schwem ** 51:57 Yes, I have had writer's block. I don't I can't think of a single comedian who's never had writer's block, and if they say they haven't, I think they're lying when I have writer's block, the best way for me to deal with this and just so you know, I'm not the kind of comedian that can go that can sit down and write jokes. I can write stories. I've written three books, but I can't sit down and just be funny for an hour all by myself. I need interaction. I need communication. And I think when I have writer's block, I tend to go out and try and meet strangers and can engage them in conversation and find out what's going on with them. I mean, you mentioned about dealing with the younger audience. I am a big believer right now in talking to people who are half my age. I like doing that in social settings, because I just, I'm curious. I'm curious as to how they think. I'm curious as to, you know, how they spend money, how they save money, how what their hopes and dreams are for the future, what that kind of thing, and that's the kind of stuff that then I'll take back and try and write material about. And I think that, I think it's fun for me, and it's really fun to meet somebody who I'll give you a great example just last night. Last night, I was I there's a there's a bar that I have that's about 10 a stone's throw from my condo, and I love to stop in there and and every now and then, sometimes I'll sit there and I won't meet anybody, and sometimes different. So there was a guy, I'd say he's probably in his early 30s, sitting too over, and he was reading, which I find intriguing, that people come to a bar and read, yeah, people do it, I mean. And I just said to him, I go, and he was getting ready to pay his bill, and I just said, if you don't mind me asking, What are you reading? And he's like, Oh, it's by Ezra Klein. And I go, you know, I've listened to Ezra Klein before. And he goes, Yeah, you know? He says, I'm a big fan. And debt to debt to dad. Next thing, you know, we're just, we're just riffing back and forth. And I ended up staying. He put it this way, Michael, it took him a very long time to pay his bill because we had a conversation, and it was just such a pleasure to to people like that, and I think that, and it's a hard thing. It's a hard thing for me to do, because I think people are on their guard, a little bit like, why is this guy who's twice my age talking to me at a bar? That's that seems a little weird. And I would get that. I can see that. But as I mentioned in my latest book, I don't mean because I don't a whole chapter to this, and I I say in the book, I don't mean you any harm. I'm not trying to hit on you, or I'm not creepy old guy at the bar. I am genuinely interested in your story. And. In your life, and and I just, I want to be the least interesting guy in the room, and that's kind of how I go about my writing, too. Is just you, you drive the story. And even though I'm the comedian, I'll just fill in the gaps and make them funny.   Speaker 1 ** 55:15 Well, I know that I have often been invited to speak at places, and I wondered, What am I going to say to this particular audience? How am I going to deal with them? They're they're different than what I'm used to. What I found, I guess you could call that writer's block, but what I found is, if I can go early and interact with them, even if I'm the very first speaker, if I can interact with them beforehand, or if there are other people speaking before me, invariably, I will hear things that will allow me to be able to move on and give a relevant presentation specifically to that group, which is what it's really all about. And so I'm with you, and I appreciate it, and it's good to get to the point where you don't worry about the block, but rather you look at ways to move forward and interact with people and make it fun, right,   Greg Schwem ** 56:13 right? And I do think people, I think COVID, took that away from us a little bit, yeah, obviously, but I but, and I do think people missed that. I think that people, once you get them talking, are more inclined to not think that you're you have ulterior motives. I think people do enjoy putting their phones down a little bit, but it's, it's kind of a two way street when I, when I do meet people, if it's if it's only me asking the questions, eventually I'm going to get tired of that. Yeah, I think there's a, there has to be a reciprocity thing a little bit. And one thing I find is, is with the Gen Z's and maybe millennials. They're not, they're not as good at that as I think they could be. They're more they're they're happy to talk about themselves, but they're not really good at saying so what do you do for a living? Or what you know, tell me about you. And I mean, that's how you learn about other people. Yeah,   Speaker 1 ** 57:19 tell me about your your latest book, Turning gut punches into punchlines. That's a interesting title, yeah, well, the more   Greg Schwem ** 57:26 interesting is the subtitle. So it's turning gut punches into punch punch lines, A Comedian's journey through cancer, divorce and other hilarious stuff.   Speaker 1 ** 57:35 No, like you haven't done anything in the world. Okay, right? So   Greg Schwem ** 57:38 other than that, how was the play, Mrs. Lincoln. Yeah, exactly. See, now you get that reference. I don't know if I could use that on stage, but anyway, depend on your audience. But yeah, they're like, What's he talking   Speaker 1 ** 57:50 who's Lincoln? And I've been to Ford theater too, so that's okay, yes, as have I. So it was much later than, than, well, than Lincoln, but that's okay.   Greg Schwem ** 57:58 You're not that old, right? No. Well, okay, so as the title, as the title implies, I did have sort of a double, double gut punch, it just in the last two years. So I, I got divorced late in life, after 29 years of marriage. And while that was going on, I got a colon cancer diagnosis and and at this end, I was dealing with all this while also continuing work as a humor speaker, okay, as a comedian. And I just decided I got it. First of all, I got a very clean bill of health. I'm cancer free. I am finally divorced so and I, I started to think, I wonder if there's some humor in this. I I would, I would, you know, Michael, I've been on stage for like, 25 years telling people that, you know, you can find something funny to laugh at. You can find humor in any situation. It's kind of like what you're talking about all the people going down the stairs in the building in the world trade center. All right, if you look around enough, you know, maybe there's something funny, and I've been preaching that, but I never really had to live that until now. And I thought, you know, maybe there's something here. Maybe I can this is my chance now to embrace new experiences. It was kind of when I got divorced, when you've been married half your life and all of a sudden you get divorced, everything's new to you, yeah, you're, you're, you're living alone, you you're doing things that your spouse did, oh, so many years. And you're having to do those, and you're having to make new friends, yeah, and all of that, I think, is very humorous. So the more I saw a book in there that I started writing before the cancer diagnosis, and I thought was there enough here? Just like, okay, a guy at 60 years old gets divorced now what's going to happen to him? The diagnosis? Kind. Made it just added another wrinkle to the book, because now I have to deal with this, and I have to find another subject to to make light of a little bit. So the book is not a memoir, you know, I don't start it off. And, you know, when I was seven, you know, I played, you know, I was, I went to this school night. It's not that. It's more just about reinvention and just seeing that you can be happy later in life, even though you have to kind of rewrite your your story a little   Speaker 1 ** 1:00:33 bit. And I would assume, and I would assume, you bring some of that into your ACT every so   Greg Schwem ** 1:00:38 very much. So yeah, I created a whole new speech called Turning gut punches into punchlines. And I some of the stuff that I, that I did, but, you know, there's a chapter in the book about, I about gig work, actually three chapters I, you know, I went to work for Amazon during the Christmas holiday rush, just scanning packages. I wanted to see what that was like. I drove for Uber I which I did for a while. And to tell you the truth, I miss it. I ended up selling my car, but I miss it because of the what we just talked about. It was a great way to communicate with people. It was a great way to talk to people, find out about them, be the least interesting person in the car, anyway. And there's a chapter about dating and online dating, which I had not had to do in 30 years. There's a lot of humor in that. I went to therapy. I'd never gone to therapy before. I wrote a chapter about that. So I think people really respond to this book, because they I think they see a lot of themselves in it. You know, lots of people have been divorced. There's lots of cancer survivors out there, and there's lots of people who just suddenly have hit a speed bump in their life, and they're not really sure how to deal with it, right? And my way, this book is just about deal with it through laughter. And I'm the perfect example.   Speaker 1 ** 1:01:56 I hear you, Oh, I I know, and I've been through the same sort of thing as you not a divorce, but my wife and I were married for 40 years, and she passed away in November of 2022 after 40 years of marriage. And as I tell people, as I tell people, I got to be really careful, because she's monitoring me from somewhere, and if I misbehave, I'm going to hear about it, so I got to be a good kid, and I don't even chase the women so. But I also point out that none of them have been chasing me either, so I guess I just do what we got to do. But the reality is, I think there are always ways to find some sort of a connection with other people, and then, of course, that's what what you do. It's all about creating a connection, creating a relationship, even if it's only for a couple of hours or an hour or 45 minutes, but, but you do it, which is what it's all about?   Greg Schwem ** 1:02:49 Yeah, exactly. And I think the funniest stuff is real life experience. Oh, absolutely, you know. And if people can see themselves in in what I've written, then I've done my job as a writer.   Speaker 1 ** 1:03:03 So do you have any plans to retire?   Greg Schwem ** 1:03:06 Never. I mean, good for you retire from what   1:03:09 I know right, making fun of people   Greg Schwem ** 1:03:12 and making them laugh. I mean, I don't know what I would do with myself, and even if I there's always going to be I don't care how technology, technologically advanced our society gets. People will always want and need to laugh. Yeah, they're always going to want to do that. And if they're want, if they're wanting to do that, then I will find, I will find a way to get to them. And that's why I, as I said, That's why, like working on cruise ships has become, like a new, sort of a new avenue for me to make people laugh. And so, yeah, I don't I there's, there's no way. I don't know what else I would do with   Speaker 1 ** 1:03:53 myself, well and from my perspective, as long as I can inspire people, yes, I can make people think a little bit and feel better about themselves. I'm going to do it right. And, and, and I do. And I wrote a book during COVID that was published last August called Live like a guide dog. And it's all about helping people learn to control fear. And I use lessons I learned from eight guide dogs and my wife service dog to do that. My wife was in a wheelchair her whole life. Great marriage. She read, I pushed worked out well, but, but the but the but the bottom line is that dogs can teach us so many lessons, and there's so much that we can learn from them. So I'm grateful that I had the opportunity to create this book and and get it out there. And I think that again, as long as I can continue to inspire people, I'm going to do it. Because   Greg Schwem ** 1:04:47 why wouldn't you? Why wouldn't I exactly right? Yeah, yeah. So,   Speaker 1 ** 1:04:51 I mean, I think if I, if I stopped, I think my wife would beat up on me, so I gotta be nice exactly. She's monitoring from somewhere

Rebellions are built on hope. And so were many of the other storylines in Star Wars. On Episode 249, we discuss hope as an overarching theme in Star Wars.  -Which storylines are based on hope?  -How can we relate hope in Star Wars to our daily lives?  -How does the Bystander Effect come into play?  -Is hope the main theme in the Star Wars saga?  We start show by answering a listener email and wishing Harrison Ford a happy birthday! We would be honored if you would join us.  X: @idiotsarraypod Facebook: Idiot's Array Podcast Email: idiotsarraypodcast@gmail.com Instagram: @idiotsarraypodcast

Much like our friends George Lucas, Wolfman Jack, Flash Cadillac & The Continental Kids, and even Sha Na Na, we have no problem with nostalgia over here at ATTT HQ. We tread heavily in the music and feelings of the past. How could you not, considering the present and the future? "Where were you in '62?" is the mantra of the film and soundtrack to the film we're reveling in this week. American Graffiti went from a small time labor of love for George Lucas to a worldwide phenomena, helping to propel an obsession with 50's and early 60's culture throughout the 1970s. They weren't all Happy Days, but this music is timeless. Paul & Elizabeth Eisen, aka my beloved parents, are back to help us finish up our countdown of the best songs from the American Graffiti Soundtrack aka the best rock n roll, doo wop and pop music from 1957-1962. Picks 5-1 are featured here in part 2.If you missed Part 1, give it a listen here:https://podcasts.apple.com/us/podcast/episode-676-top-ten-songs-from-the-american-graffiti/id573735994?i=1000716163508If we could include all 41 tracks we would. The official Top Ten Songs From The American Graffiti Soundtrack Playlist features every song heard in Parts 1 & 2. 21 songs in 53 minutes, pure gold:https://open.spotify.com/playlist/1PI5kgcVaZbzZPKHImIOe0?si=c24d6d84a1404c24Do my dad a favor and get into Episode 326 - Top Ten Doo Wop Classics over at the ATTT archives. He's ordering you to listen!https://www.mixcloud.com/beneisen/episode-326-top-ten-doo-wop-classics-wpaul-eisen/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Volume 17 dropped on July 1st and guess who! Paul & Elizabeth Eisen were in LA to co-host. Good times! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

National Franks & Beans day.  Entertainment from 1956.  Last woman executed in Britian, first cat show, Live Aid concerts took place.  Todays birthdays - Bob Crane, Patrick Stewart, Roger McGuinn, Harrison Ford, Cheech Marin, Didi Conn, Cameron Crowe, Tom Kenny.  George Steinbrenner died.Intro - God did good - Dianna Corcoran  https://www.diannacorcoran.com/ Franks n beans - Moes HansenThe wayward wind - Gogi GrantI want you, I need you, I love you - Elvis PresleyBirthdays - In da club - 50 Cent    https://www.50cent.com/Hogans Heroes TV themeTurn Turn Turn - The ByrdsMexican Americans - Cheech & ChongSpongebob Squarepants TV themeExit - Take it back - Chris Guenther     https://www.chrisguenthermusic.com/countryundergroundradio.comHistory & Factoids webpage

Kudos to James McCarron, on creating an excellent Friday crossword, a debut, no less. Among our favorite clues (not mentioned in the podcast) were 21D, Film star whose name consists of two presidents, HARRISONFORD (not to be confused with the slightly lesser-known star, ABRAHAMNIXON); 6D, Nash who wrote "The cow is of the bovine ilk; / One end is moo, the other, milk" (udderly brilliant

En este episodio de La vida es un teatro, Víctor Hugo Sánchez se desvela (literalmente) para reseñar dos nuevas propuestas del universo Marvel que, aunque no le quitan el sueño… al menos lo acompañan.Entre explosiones, trajes robóticos, giros imposibles y un Harrison Ford convertido en Hulk rojo (sí, leíste bien), hacemos una parada en Capitán América: Un nuevo mundo y Ironheart, dos producciones que se debaten entre la “fumadez” total y la divertida palomita de madrugada.Además, nos comparte cómo las historias de superhéroes también pueden tocar fibras personales, y cómo a veces el insomnio no sólo nos roba el descanso, sino que nos regala descubrimientos inesperados en la pantalla chica.¿Vale la pena desvelarse por estas series? Dale play y decide tú.

In der neuen Folge stellen wir uns die Frage, die wirklich zählt: Was lohnt sich heute Abend?Zwischen Polit-Thriller, Western-Spin-off und düsterem Netflix-Mystery tasten wir uns durch das aktuelle Streaming-Angebot und suchen den perfekten Film- oder Serienabend. Zur Auswahl stehen:– "Konklave" – Der packende Vatikan-Thriller mit Ralph Fiennes: Intrigen, Macht und Glaube auf engstem Raum.– "The Residence" – Die neue White-House-Crime-Serie von Netflix. Murder-Mystery trifft auf Politik – Top oder Flop?– "1923" – Das Yellowstone-Prequel mit Harrison Ford und Helen Mirren – Western-Drama mit Biss oder Staub?- "We Live in Time" - Das packende Romantik-Drama mit Florence Pugh und Andrew Garfield.– ...und mehr überraschende Empfehlungen!Außerdem:Wir besprechen "Emilia Perez", das kontroverse Musik-Drama von Jacques Audiard über Kartelle, Identität und Transformation. Ein Oscar-Kandidat, der polarisiert.Und: "Heads of State" – Action-Comedy mit Idris Elba und John Cena, die mehr liefert, als der Titel vermuten lässt? Der WOW-HOMEWORK-DOUBLEHEADER für diese Woche: "Juror #2" und "Konklave" (Wow) #NapalmAmMorgen

Sibling of the pod Ryan joins us this week to discuss Spielberg's 1981 Indiana Jones classic. Ryan's Cosplay Instagram AccountVideo on Sudan Archeological DigDara's LetterboxdEmily's LetterboxdSend us a textSWAMP stuff:PatreonSocials:TikTok: @theswamppodcastInstagram: @theswamppodBluesky: @theswamppodcast.bsky.socialYouTubeDara's Letterboxd Emily's Letterboxd Our website: https://www.the-swamp-podcast.com/Email: theswamppod@gmail.com

Several shows and actors are a lock for Emmy nominations (and, if for some reason they're snubbed, expect protests!), but some categories could go any number of ways, especially with shows such as The White Lotus typically snabbing many acting nods. Will Thailand-set season 3 follow in the footsteps of Hawaii and Sicily? Plus, will Harrison Ford and Kristen Bell finally get their first nominations? Awardist host Gerrad Hall and EW critic Kristen Baldwin break down the drama, comedy, and limited series categories ahead of the July 15 Emmy nominations announcement. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Hi friends, happy Wednesday! You know, lately I've noticed something strange. It feels like every celebrity these days is... jacked. Like, not just in “good shape.” I'm talking veins popping out of places I didn't even know veins existed. I mean, back in the day, you had, what? 2 or 3 action stars. But now? Even the comedians are huge. Like, why is Jim from the Office looking like he's training for the Olympics?? All this got me thinking… When did we get so obsessed with muscles? Because I don't remember Leonardo DiCaprio or Harrison Ford being jacked. They were just normal dudes. Where did it start? And is it even healthy to be so muscular? Today, we're taking a little trip back in time to talk about the sweaty, sexy, and strange and Dark History of… bodybuilding. I appreciate you for coming by, and tune in next week for more Dark History. I sometimes talk about my Good Reads in the show. So here's the link if you want to check it out. IDK. lol: https://www.goodreads.com/user/show/139701263-bailey ________ This podcast is Executive Produced by: Bailey Sarian & Kevin Grosch and Joey Scavuzzo from Made In Network Head Writer: Allyson Philobos Writer: Katie Burris Additional Writing: Jessica Charles Research provided by: Coleen Smith Special thank you to our Historical Consultant: Natalia Mehlman Petrzela, Professor of History at The New School and author of “Fit Nation: The Gains and Pains of America's Exercise Obsession” Director: Brian Jaggers Editing: Julien Perez Additional Editing: Maria Norris Post Supervisor: Kelly Hardin Production Management: Ross Woodruff Hair: Angel Gonzalez Makeup: Bailey Sarian ________ Get started today at https://www.stitchfix.com/darkhistory to get $20 off your first order, and they'll waive your styling fee. That's https://www.stitchfix.com/darkhistory. Head to https://www.squarespace.com/DARKHISTORY for a free trial. And when you're ready to launch, use OFFER CODE DARK HISTORY to save 10% off your first purchase of a website or domain.

How Can You Not Like Harrison Ford?

In this episode of Human Design Hive, we're chatting about the 6/3 profile- the technical "last" profile in Human Design's 12-profile sequence, and one that brings a potent mix of real-time experimentation and long-view wisdom.The 6/3 lives a deeply experiential life. It doesn't rest on theory, it's about getting in the mix, learning by doing (and undoing), and ultimately becoming a powerful role model through lived truth. It's a profile that's here to grow through life's hard knocks, and come out the other side more resilient, embodied, and clear about what really works.In this episode, you'll discover:- What makes the 6/3 profile so distinct, and why its life path unfolds in three powerful phases- How the line 6's search for truth and purpose gets shaped by the line 3's drive to experiment and learn through “mistakes”- Why the 6/3 may never feel fully “off the roof”, and what that means for living in alignment- How different types (Generator, Manifesting Generator, Projector, Manifestor, Reflector) experience the 6/3 profile- Why the 6/3 is uniquely built to embody authenticity through trial, resilience, and reinvention We also explore real-life examples of 6/3s, including Harrison Ford, Matt Damon, and Serena Williams, and how their stories reflect the deep truth-seeking and powerful bounce-back energy this profile brings to the world.Timestamps:00:00 Welcome and Catch Up03:15 Intro to Profile10:02 House Analogy15:26 Line 617:28 Line 319:55 6/332:53 6/3 Generator35:11 6/3 Manifesting Generator37:59 6/3 Projector42:07 6/3 Manifestor46:06 6/3 Reflector51:42 Harrison Ford01:04:18 Matt Damon01:14:00 Serena Williams01:27:04 ICX of the WeekSome Key Takeaways for 6/3 profiles:- Your "mistakes" are actually data collection- Experimentation is a valid life strategy- Some of us are built to show others what's possible when you trust your own path.Thank for listening!P.S. - We're doing a community call on July 23rd at 7 PM if you want to dive deeper into profiles with us. Get on the email list for details!Join the HDH podcast over on Substack! Get new episodes (and bonuses) delivered straight to your inbox! https://danaphillips.substack.com/Tired of fighting your own energy? Your Human Design for Energetic Clarity guidebook translates your Human Design into practical wisdom so you can stop forcing what doesn't work and start living what does. Grab yours here: https://www.humandesignhive.com/guidebookWant insight on your design, on your time? Check out the customized Audio Human Design Reading: https://www.humandesignhive.com/audio_readingGrab your FREE copy of your Human Design chart (Bodygraph) Here: https://www.humandesignhive.com/freechartReady to gain clarity on your Human Design with Dana? Book a Clarity Session now! https://cal.com/DanaHDHNeed some Human Design informed intuitive guidance? Check out my Email Intuitive Reading offer! https://humandesignhive.com/EmailReadingFollow Dana on IG: Instagram (@humandesignhive)Website: https://www.humandesignhive.comemail: Dana@humandesignhive.com This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit danaphillips.substack.com/subscribe

This week we give Funko ideas for a new Imagineer series, Disneyland is haunted again, 3D attraction posters, new Haunted Mansion and Indiana Jones merch, plus we think we figured out the best way to expand the Indiana Jones franchise without Harrison Ford.  Listen now at: https://www.podketeers.com/576 or watch this episode at: YouTube.com/Podketeers   Our most frequently requested links can be found at: https://www.podketeers.com/links/   Help us make a difference!  Teamboat Willie is the official charity team of the Podketeers Podcast. For more information on the charity that we're currently supporting, head to: http://www.teamboatwillie.com   Check out our series of Armchair Imagineering episodes here:  https://www.podketeers.com/armchair-imagineering/ --- Join the FGP Squad Family! Support for Podkeeters is provided by listeners and viewers like you! We like to call our supporters our Fairy Godparents (they call themselves the FGP Squad). You can find more info on how to become part of the FGP Squad family by going to:  https://www.podketeers.com/fgp --- We're on Discord! Join other members of our community and us on our Discord server! Use the invite link below to join us: https://discord.gg/gG8kJ2a ---  

Nineteen years after his supposed last crusade, Harrison Ford is back as Indiana Jones; older, wiser and up against aliens and Russians this time. Marion is back and also along for the ride is Mutt - Shia LaBeouf's renegade greaser who's inexplicably good at fencing and swinging on vines. Does Spielberg's 2008 digital-age sequel capture the magic of the original trilogy? You probably know the answer to that, but listen along anyway. It will be fun. Hosted on Acast. See acast.com/privacy for more information.

Where were you in '62? The magical nostalgic world of the film American Graffiti seems about as close to heaven as one could get. A long night of adventure on the town, with all the cars and all the fun, but especially all of the incredible music. The Great Wolfman Jack provided the soundtrack to that magical world, spinning the best rock n roll, soul, doo wop and pop songs from the years 1957-1962, and lucky us, we get to enjoy it over and over again with the amazing soundtrack. Speaking personally, from the age of about 2-8 I heard this great soundtrack about 200 times, thanks to my folks having it in their record collection, and me insisting they play it over and over again. Lucky me, my parents Elizabeth and Paul Eisen were in LA on vacation and we figured it would be a great time to talk American Graffiti. Here in Top Ten Songs From The American Graffiti Soundtrack Part 1, we unveil picks 10-6 and have a great time looking back. Nostalgic fun.We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Volume 17 dropped on July 1st and guess who! Paul & Elizabeth Eisen were in LA to co-host. Good times! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

On Episode #126 of Fear and Loathing in Cinema, our beloved panel of armchair cine-soldiers (who may or may not be honorary members of the IRA; the Irish Rewatching Association) don their greenest beer goggles and deep-dive into one of the more politically confused action-thrillers of the Clinton years. Somewhere between All the President's Men and The Pelican Brief, Alan J. Pakula must have asked himself, “What if instead of Deep Throat or Julia Roberts, it's Brad Pitt with an Irish accent trying to buy missiles in New Jersey?” Enter The Devil's Own (1997), a film that answers no questions but asks a few truly baffling ones, like: Who thought this script was ready? Why does Brad Pitt sound like a leprechaun who studied abroad in New Mexico? And why are Harrison Ford's eyebrows doing all the acting? The post Episode #126 – The Devil's Own (1997) first appeared on Boomstick Comics.

Eine ganz besondere Doppel-Folge: Live aus Paris. Aus der Fashion-Metropole Nr. 1. Stil-Ikone Veronika Heilbrunner. Eine der wichtigsten Stimmen der internationalen Fashion. Exklusiv in TOMorrow spricht sie jetzt über die Top-Thema der Front Row. **Heute Teil 1:** Der Abschied von Vogue-Chefin Anna Wintour. Nach fast 40 Jahren verlässt sie die VOGUE. Die berühmteste Chefredakteurin der Welt. Die Frage, die alle bewegt: Was bedeutet das für die Zukunft der VOGUE? Wer kann die Nachfolge übernehmen? Was ist hinter den Kulissen wirklich passiert? Ist Anna Wintour freiwillig abgetreten oder etwa dem politischen Druck von Donald Trump gewichen? Bonjour aus Paris! Willkommen in der krassen Welt von Veronika Heilbrunner. Fashion-Editor. Streetstyle-Star. Designerin. Founderin. Die Frau, die Mode denkt und vom Runway auf die Straße bringt. Medien feiern sie und ihren Mann Justin O'Shea als das spannendste Couple der Fashion-Welt. Auch er: Style Icon. Lange Creative Director bei Brioni und Mytheresa, heute Consulting Creative Director bei Luxusgigant LVMH. Für Möet Hennessy kreiert er Kampagnen mit Superstars wie Harrison Ford. Seit zwei Jahren leben die beiden nun in Paris. So viel zu besprechen, so viel Learnings, dass wir eine Doppel-Folge von TOMorrow machen. Thema heute: Wie die Breaking News von Anna Wintour in die Dior-Show knallte Warum es Zeit für eine neue Anna Wintour ist Die neue Macht-Achse der Luxus-Industrie Und warum in der Front Row niemand mehr auf Fashion achtet Das alles jetzt in TOMorrow. **Nächste Woche Montag dann:** Wieso viele Fashion-Brands ihre Wichtigkeit verloren haben? Was Super-Reiche wirklich wollen? Und wer alles richtig macht? Das alles in der nächsten Woche in TOMorrow, Teil 2. Spannend: Denn Veronika Heilbrunner spricht dabei auch sehr offen über ihre Karriere, ihre wichtigsten persönlichen Learnings und was wirklich zählt, wenn man in der Welt von Luxus und Leadership bestehen will. Und als persönliches Geschenk macht Veronika eine Style-Beratung für die TOMorrow-Community. Also: Schreib in die Kommentare oder eine DM – und werde best dressed. Ab jetzt in TOMorrow.

Doug drops acid...American exceptionalism...Celeb deaths...Bath tub jizz...More talk about Jen's jugs...Some audio issues, but nowhere near what it has been...A movie that is a sequel...kind of...Oooh...the Germans...All that plus a young Harrison Ford in a movie that kind of sort of works...

Join All The Right Movies for an in-depth analysis of 90s action/thriller blockbuster, The Fugitive. Our movie podcast dives deep into the incredible, unlikely and chaotic behind the scenes story that brought this classic movie to the silver screen.On the show we cover Harrison Ford's star power as a performer, Tommy Lee Jones' Oscar winning performance and Jeroen Krabbé 11th hour casting. We chart Andrew Davis' ascent from B movie maker to the main man behind a huge Hollywood blockbuster. And the incredible story of David Twohy and Jeb Staurt's screenplay could be an entire podcast in its own right.Through structured segments including The Director, The Cast, and The Crew, our movie review podcast reveals how The Fugitive became both a box office smash, a critical darling and a surprise Oscar winner. Perfect for film students, movie buffs, and anyone interested in going behind the scenes on Hollywood cinema.Telling the story of Hollywood, one movie at a time.Episode sponsors:Pretty Much Pop: Listen wherever you get your podcasts, or head to prettymuchpop.com.Nakedly Examined Music: Listen wherever you get your podcasts, or head to NakedlyExaminedMusic.com.Connect with ATRM: To support what we do, access our archive and listen to exclusive episodes, become an ATRM patron:Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Apple Podcasts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter/X: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@ATRightMovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@allthe_rightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our movie group⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Bluesky: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@alltherightmovies⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠alltherightmovies.com⁠⁠⁠

Today on the podcast. 2 - Buzz Lightyear, golf cart destroyer20 - Teeth vs Dog for a wild child!25 - Harrison Ford saved a boy scout29 - Charlize Theron New NFR sunglasses - https://neufound.com/pages/notforradio Give us a follow if you haven't already ~ Jay and Dunc. Want to get in touch? Hit us up, here: https://linktr.ee/notforradio Become a Sniper Elite: https://plus.rova.nz/Support the show: https://plus.rova.nz/

With July 4th just around the corner, Amy and Paul are getting into the patriotic spirit by revisiting the 1997 high altitude thriller Air Force One. They dive into how Harrison Ford wasn't the original choice to play the president, discuss how the film holds up today, and Amy's real-life trip to Kazakhstan. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/  https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

EMOTIONAL & AWESOME!! Thunderbolts Full Reaction Watch Along:   / thereelrejects   Visit https://huel.com/rejects to get 15% off your order Thunderbolts Reaction, Breakdown, Commentary, Analysis, Spoiler Review, & Ending Explained featuring both a Mid-Credits Scene & Fantastic Four Post-Credits Scene! Greg Alba & Andrew Gordon (CinePals) dive into Marvel Studios' Thunderbolts—a bold, emotional Marvel movie that deeply explores themes of mental health, grief, trauma, and depression through its conflicted, broken heroes. This reaction covers it all: characters, Easter eggs, emotional arcs, and both the Thunderbolts mid-credits scene and the Fantastic Four post-credits scene that ties directly into Marvel's future. The Thunderbolts cast includes Florence Pugh as Yelena Belova (Black Widow, Midsommar), Sebastian Stan as Bucky Barnes / The Winter Soldier (Captain America: The Winter Soldier, The Falcon and the Winter Soldier), Wyatt Russell as John Walker / U.S. Agent (The Falcon and the Winter Soldier), Olga Kurylenko as Taskmaster (Quantum of Solace), David Harbour as Red Guardian (Stranger Things, Black Widow), Hannah John-Kamen as Ghost (Ant-Man and the Wasp), and Julia Louis-Dreyfus as Valentina Allegra de Fontaine (Seinfeld, The Falcon and the Winter Soldier). We also see Harrison Ford's General Thaddeus 'Thunderbolt' Ross (Indiana Jones, Star Wars), now as President Ross, and explore the larger MCU connections. This film beautifully sets up the next phase, including Fantastic Four, Avengers: Doomsday, Avengers: Secret Wars, Spider-Man: Brand New Day, The Punisher Special, and more Spider-Man adventures in the MCU. We break down how Thunderbolts advances each character's arc and what it means for the future of the Marvel Cinematic Universe. If you're looking for Thunderbolts Easter eggs, hidden details, and a detailed spoiler breakdown, this is the video for you! Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode we hear from Bob Joles, the voice of Sallah in the Temple of the Forbidden Eye ride spiel, Official IndyCast Correspondent Mitch Hallock is back with a Raiders Rant and Chris A. and Chris O. are joined by another special guest to review Young Indy's Winds of Change.

Harrison Ford stworzył najbardziej kultowe role w dziejach filmu – jako Indiana Jones i Han Solo z „Gwiezdnych wojen” przeszedł do historii kina. Po dekadach spektakularnej kariery 82-letniego amanta można teraz oglądać w serialach „Terapia bez trzymanki” i „1923”.Autorka: Anna KonieczyńskaArtykuł przeczytasz pod linkiem: https://www.vogue.pl/a/harrison-ford-zycie-i-kariera-jednej-z-najwiekszych-gwiazd-hollywood

In this art-filled episode of I Want That Too, Jim Hill and Lauren Hersey dive deep into the colorful world of Disney posters—on screens, in parks, and behind the scenes. From the hand-painted brilliance of legendary artist Drew Struzan to the merchandising missteps that infuriated Robin Williams, this show explores how Disney uses poster art to sell stories and spark emotion. Jim explains how Fantasia's box office flop turned into a midnight movie cult hit, while Lauren shares her family's New Year's tradition of painting attraction posters. You'll hear: Why Robin Williams was furious about Disney's Aladdin poster The unlikely call that brought Harrison Ford's face back to Disney marketing A touching update on Drew Struzan's health and legacy The poster re-release that finally pushed Fantasia into the black Which attraction poster Lauren's family paints every year Why Disney cast services keeps an evolving gallery of ride posters This episode is packed with nostalgia, history, and a heartfelt look at how much meaning can be packed into a single piece of art. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we're unpacking the emotional rollercoaster that is Shrinking on Apple TV+. With humor, heartbreak, and a whole lot of humanity, this series had us hooked from the very first therapy session. We're talking Jimmy's unconventional methods, the unforgettable cast (yes, including Harrison Ford in peak grumpy-old-man mode), and the way the show balances grief, growth, and genuine laughs. Tune in as we reflect on the moments that hit hardest, made us laugh the loudest, and reminded us that healing is anything but linear. https://tv.apple.com/us/show/shrinking/umc.cmc.apzybj6eqf6pzccd97kev7bs Link to Katie Hendricks Podcast https://www.thewholenessnetwork.com/podcast/episode/2cf43fb5/152-conscious-living-and-loving-with-katie-hendricks Watch the video version in the wholeness library. Explore The Wholeness Library App FREE! Apple: https://apps.apple.com/us/app/wholeness-library/id1545002697 ⁠ Android: https://play.google.com/store/apps/details?id=com.thewholenessnetwork.thewholenessnetwork On the web https://www.thewholenessnetwork.com/⁠ Follow us ⁠https://www.instagram.com/thewholenessnetwork/⁠ ⁠https://www.facebook.com/thewholenessnetwork⁠ Leave us a message! tel:646-883-3350 Information is intended for entertainment only Learn more about your ad choices. Visit megaphone.fm/adchoices

Connor and Dylan are joined by Graham Phillips (Little Shop of Horrors, 13). Suddenly, Graham y'all! The twins are gagged to have this star of stage and screen on the podcast to honor his highly anticipated return to the New York stage. But first, the boys gag over Orville Peck and Eva Noblezada in Cabaret at the Kit Kat Club. Graham is currently starring as Seymour in Little Shop of Horrors, alongside longtime friend and castmate Liz Gillies. From the workshops of 13 to the streets of Skid Row, they're finally reunited onstage. Graham discusses what it's been like joining the show, spills tea on the roles-that-almost-were over the years, and a possible clowning storyline. We ask about highlights from The Good Wife (and what he would've done on The Good Fight!), memories from Riverdale, and his film studio that he runs with his brother: Phillips Pictures. Chemistry reads with Zachary Quinto, wrap parties with Calista Flockhart and Harrison Ford, and late night karaoke sessions with Liz Gillies and 13 alums are allllll mentioned. Stick around to find out what Graham's (and Seymour Krelborn's) enneagram type is! Catch Graham in Little Shop of Horrors through July 27th only.Follow Graham on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramSubscribe to our show on iHeartRadio Broadway! Support the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

New episode out now! We watched the 1993 film The Fugitive starring Harrison Ford and Tommy Lee Jones. We discuss the two main characters and their dual and layered investigations that evolve over the course of the film, love the action and stunts as well as the tension that carries between them throughout, enjoy the camaraderie of the US Marshals team, and think Harrison Ford is just so great at playing a guy who's Going Through It. We also get surprised over and over by recognizable character actors, wonder if certain cliches stem from this movie, really enjoy the score, and debate what happens after the movie's credits. Katy uses official medical terms, Carrie worried about the surgeon's hands, Maddy shares a story about a prison visit, and Mack looks up some AO3 statistics. We also have many questions about paper charting in a hospital, get weirdly proud of being Irish during St. Patrick's Day parade scenes, compare our rating systems, and talk about Batman yet again. Listen to hear more about hospital rollerblading, fridging, trenchcoats, hair dye techniques, and Harrison Ford's powerful finger. Enjoy!TW: Discussion of limb difference, wrongful convictions, death row, issues with prison and department of corrections Show Notes: “Fridging Women”: How the Comics Industry Flubs Female Characters by Emma SauerWhat is “Fridging” in Fiction Writing? by Fija Callaghan“Stuffed Into The Fridge” on TV Tropes

"Presumed Innocent" is an American legal thriller television series created by David E. Kelley, based on the 1987 novel of the same name by Scott Turow. The book was previously adapted into the 1990 film starring Harrison Ford and Brian Dennehy. The series premiered on Apple TV+ last summer and received positive reviews, which led to the series being renewed for a second season. Peter Sarsgaard, who plays Tommy Molto, was kind enough to speak with us about his work on the show, which you can listen to below. Please be sure to check out the series, which is now available to stream in full on Apple TV+. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Fr. Eric reflects upon themes of fatherhood, idolatry and identity in the film "Indiana Jones and the Last Crusade" (1989) starring Harrison Ford and Sean Connery. Major spoilers.   Watch Catholic Latte on YouTube and Facebook. An audio version of the podcast is available also on iTunes, Spotify and Podbean.

True talent speaks for itself, and Micael Urie has it in droves! From playing fan favorite catty assistant Marc St. James on "Ugly Betty" to playing a hilarious narcissistic attorney in Apple TV+'s "Shrinking" to entertaining fans with his podcast and putting queer stories front and center with Pride Plays! Actor, producer, writer, and director Michael Urie joins Sophia to chat about his acting journey, including a fascinating chat about the interesting relationship actors have with the camera, what he has learned from Harrison Ford on the set of "Shrinking," what it was like hosting the GLAAD awards, and working (playing) with his "Ugly Betty" co-star and real-life friend Becki Newton on the rewatch podcast "Still Ugly!"Plus, he shares the backstory on co-founding Pride Plays and putting queer stories center stage, what his younger self would think of his career, and what he believes is the greatest show ever!See omnystudio.com/listener for privacy information.

Greetings, sociopaths! In this episode, we explore some helpful tips for your next trip before we tackle one of the most pivotal questions facing society today: while you may have That Dog in you...what kind of dog is it? Then it's on to Google Gripes for the conclusion of round two. Join our Patreon!$1/month Access to the YDAFT Discord $4/month Access to the YDAFT Discord 20% off all merch Access to our monthly bonus episodes..."Opps! All Tangents!" Go to https://www.patreon.com/youdidntaskforthis to become a member! Submit your least pressing questions, local legends, definitive rankings, neighborhood group drama, and whatever else you want us to cover at youdidntaskforthis@gmail.com or @udidntaskpod on TikTok, Instagram, Twitter, and Facebook.You can also leave us a voicemail on The Thoughtline at (410) 929-5329 and we might just play it on the show!

Indiana Jones and the Last Crusade gets the Five Bucket Club treatment in this episode -   James Bond and Han Solo, together at last!  Just don't put your popcorn in any of those golden chalices please….  #indianajonesandthelastcrusade #indianajones #harrisonford #seanconnery #stevenspielberg #georgelucas

As production on Season 3 of “Shrinking” wraps, Brett Goldstein is pinching himself for getting to work with icons like Michael J. Fox and Harrison Ford. Goldstein talks about his comedy special “The Second Best Night of Your Life,” and his recurring role on Season 2 of “Shrinking,” which he also co-created. Also on this episode, David Oyelowo talks about how his Apple TV+ series “Government Cheese” is unlike anything else he has ever done. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this revealing and often hilarious episode of Still Here Hollywood, Alfred Molina sits down with Steve Kmetko to reflect on his incredible journey—from getting impaled in the opening scene of Raiders of the Lost Ark to becoming a fan-favorite villain as Doc Ock in Spider-Man 2 and No Way Home. Molina opens up about working with directors like Spielberg, Sam Raimi, and Julie Taymor, shares behind-the-scenes stories from Boogie Nights and Frida, and explains why the theater still calls him back. Whether you're a film buff, Marvel fan, or just love a great Hollywood story, this episode is packed with heart, humor, and cinematic history. #AlfredMolina #RaidersOfTheLostArk #DocOck #SpiderMan2 #Frida #BoogieNights #StillHereHollywood #SteveKmetko #HollywoodPodcast #MovieLegends #CharacterActor #MarvelMovies Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

For this "ReScreen" episode, Michael does a rewatch of the 1989 action adventure film "Indiana Jones and the Last Crusade", the third film of the Indiana Jones film series starring Harrison Ford, Sean Connery, Alison Doody, Denholm Elliott, Julian Glover, River Phoenix, and John Rhys-Davies. What are some of his memories of seeing this film previously and thoughts after seeing the film again? Check it out and see!Be a part of the conversation!E-mail the show at screennerdspodcast@gmail.comFollow the show on Twitter @screennerdspodLike the show on Facebook (Search for Screen Nerds Podcast and find the page there)Follow the show on Instagram and Threads just search screennerdspodcastCheck out the show on Bluesky just search screennerdspodcastBe sure to check out the podcast on Apple Podcasts, Spotify, Goodpods, Overcast, Amazon Music or your podcast catcher of choice! (and please share rate and review!)Want to be share your thoughts on the podcast? Send me an e-mail!Thanks to Frankie Creel for the artwork

Volume 46 of Brad & Mira For the Culture...the Gestapo police state insanity in LA...hunting a nude and terrified Stephen...Katie Perry's album fail is causing "tension"....the perils of the "Hollywood fake passionate love affair marketing scheme"...Tom Cruise at 100...Harrison Ford's ageless libido...and more... *** ⁠⁠Otherppl with Brad Listi⁠⁠ is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: ⁠⁠Apple Podcasts⁠⁠, ⁠⁠Spotify⁠⁠, ⁠⁠YouTube⁠⁠, etc. Subscribe to ⁠⁠Brad Listi's email newsletter⁠⁠. ⁠⁠Support the show on Patreon⁠⁠ ⁠⁠Merch⁠⁠ ⁠⁠Twitter⁠⁠ ⁠⁠Instagram⁠⁠  ⁠⁠TikTok⁠⁠ ⁠⁠Bluesky⁠⁠ Email the show: letters [at] otherppl [dot] com The podcast is a ⁠⁠proud affiliate partner of Bookshop⁠⁠, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices

'Shrinking' stars Jason Segel and Jessica Williams join Awardist host Gerrad Hall to look back on the comedy's stellar second season, that tear-inducing Harrison Ford scene, their characters' relationship, and what's to come in season 3. Plus, Gerrad and EW critic Kristen Baldwin break down Emmy nomination predictions in the reality categories, we advocate for two shows we think oughta get a nod, and reveal the results of our weekly poll. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textThe Marvel Cinematic Universe stands at a crossroads, and Captain America: Brave New World perfectly embodies this uncertain moment. What happens when sidekicks become heroes, and their sidekicks become new sidekicks? How does a franchise maintain momentum after its defining narrative conclusion?Sam Wilson's journey from Falcon to Captain America should feel triumphant, but instead reveals deeper issues within the MCU's current direction. The film attempts to resurrect storylines from The Incredible Hulk (2008), finally acknowledges the celestial from Eternals, and introduces adamantium as a bridge to the X-Men universe—yet these connections feel more like obligation than inspiration.While Anthony Mackie brings charisma and conviction to his role, and the action sequences showcase his unique fighting style effectively, the political thriller elements don't reach the heights established by Winter Soldier. President Thaddeus Ross (now played by Harrison Ford) and the return of The Leader as antagonists create intriguing dynamics, but the stakes never feel as consequential as the film wants us to believe.This episode dives deep into what works and what doesn't in Brave New World, while exploring the broader question of MCU fatigue. Have we reached a point where even the most devoted fans are becoming disenchanted? Is there a path forward that recaptures the magic that made these interconnected stories feel special rather than obligatory?We also compare Marvel's approach to continuity with Star Wars', examining how different creative structures lead to different storytelling outcomes. The MCU's "Marvel Parliament" versus Lucasfilm's Story Group reveals fascinating contrasts in how franchises maintain coherence across multiple projects.Whether you're still fully invested in the MCU or feeling the fatigue, this conversation offers fresh perspectives on where superhero storytelling might go from here. Is it time for Marvel to take a break and recalibrate, or push forward into bold new territory?Twitter handles:Project Geekology: https://twitter.com/pgeekologyAnthony's Twitter: https://twitter.com/odysseyswowDakota's Twitter: https://twitter.com/geekritique_dakInstagram:https://instagram.com/projectgeekology?igshid=1v0sits7ipq9yYouTube:https://www.youtube.com/@projectgeekologyGeekritique (Dakota):https://www.youtube.com/channel/UCBwciIqOoHwIx_uXtYTSEbASupport the show

The Ringer's Bill Simmons, Amanda Dobbins, and Joanna Robinson hop on the Staten Island Ferry and pop on their tennis shoes to revisit Mike Nichols's 1988 classic, ‘Working Girl,' starring Melanie Griffith, Harrison Ford, and Sigourney Weaver. Podcast Manager: Craig Horlbeck Video Producers: Ronak Nair and Marcelino Ortiz Shopping. Streaming. Savings. It's on Prime Visit Amazon.com/prime to get more out of whatever you're into. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode 1877, Jack and Miles are joined by co-host of Secretly Incredibly Fascinating, Alex Schmidt, to discuss… Meanwhile Dr. Phil Is Sanitizing The ICE Raids With His Audience…, Alternate Universe Han Solo Casting, Democrats Decide That Elon Isn’t So Bad After All and more! Meanwhile Dr. Phil Is Sanitizing The ICE Raids With His Audience… Dr. Phil Wants to Sell You Mass Deportations ‘La migra!’: Day laborers recount ICE raid outside Los Angeles Home Depot Judge restricts Border Patrol in California: ‘You just can’t walk up to people with brown skin’ Democrats wooing Musk after the Trump breakup is US plutocracy at its best Trump says Elon Musk will face 'very serious consequences' if he funds Democratic candidates Al Pacino talks turning down Han Solo, jokes he was 'in the mood to make Harrison Ford a career' The Pepsi logo costs $1000000, has secrets ranging from the Mona Lisa to the Theory of Relativity LISTEN: Island Holiday by Lil WayneSee omnystudio.com/listener for privacy information.

Harrison Ford loves his CGI best dog friend Buck. It's The Call of the Wild (2020)! Support us on Patreon! www.patreon.com/nosuchthingasabadmovie Email us at nosuchthingasabadmovie@gmail.com Follow us on Instagram! @nosuchthingpod Tweet at us! @NoSuchThingPod @apriletmanski @Sgtzima @DeclouxJ Or Bluesky! bsky.app/profile/nosuchthingpod.bsky.social

Josh and Jacob debate over what are good things to watch at home right now - including recent Marvel movies, Sinners, Netflix's Adolescence, and more. There's also a brief testy moment where the father and son throw down over whether Harrison Ford is a good actor or not. The conversation winds up with a discussion over movies neither of them will ever see, even if the movie is good! Then there's a discussion about what really happened at Astroworld (which Jacob was actually at), the differences between Father's Day and Mother's Day (besides the obvious), and the stunning revelation that Josh may be retiring his High Live livestream. Finally, Josh and Jacob turn to current events where they discuss their thoughts and feelings about the most recent L.A. riots, and the pair do not hold back on their opinions! Learn more about your ad choices. Visit podcastchoices.com/adchoices

06-04-25 - Entertainment Drill - MIX - 5x - Harrison Ford Wanted To Look Like An Old Man On New Indiana Jones MovieSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we are discussing the much requested “A Little Bit Off” by Five Finger Death Punch. Is it nu metal, is it post-grunge, is it worthy of your hate? We attempt to answer at least 2 of those questions and few more. Also in this prepisode music news of the weird, listener emails and we announce next week's album. In this episode we discuss Tom Brady feuds, short fingers, Eddie Bravo's unusual beliefs, Kill Bill, Steven Seagal, ugly hats, Harrison Ford, new Oreo flavors, bad friends and so much more!  Hatepod.com | TW: @AlbumHatePod | IG: @hatePod | hatePodMail@gmail.com Episode Outline: Quick update on the goings on at the world headquarters Discuss our history with the song/band Song discussion - lyrics and music Music Video How the song did worldwide Amazon reviews Listener email (just 2) Music news of the weird Announce next week's album

After a brief legal hiatus, Rico and The Man are back and better than ever! Peter unpacks the White Lotus, Rob moves from Studio B to the much-coveted Studio E, not even Harrison Ford's star power can rescue Marvel, Val Kilmer joins Bobbie Wygant in a tearful goodbye and two insightful Kid Critics share their fresh, unfiltered takes on Wicked. Stardust Stories - Helpful Hands Podcast with Philip GarciaWelcome to Stardust Stories, where astrology meets real life with a healthy...Listen on: Apple Podcasts Spotify www.ricoandtheman.com TWITTER: @RICOANDTHEMAN EMAIL: ricomanpodcast@gmail.com EVERYTHING ELSE: https://linktr.ee/Ricoandtheman

We've reached the final chapter in the Human Design Profile series, and this one's worth the wait. In this episode, Nicole explores the rich, complex, and often paradoxical 6/3 profile—the Role Model/Martyr. This profile carries a powerful blend of vision and real-world trial-and-error, creating an internal push and pull between idealism and experience. You'll hear how this profile evolves through three major life phases and why honoring each one is essential to living out your purpose. Nicole also explores what sets the 6/3 apart from similar profiles, like the 3/6, and how being transpersonal changes everything for this archetype. Through vivid storytelling and thoughtful examples—think Steve Jobs and Harrison Ford—you'll get a better sense of how this profile shows up in real life. Whether you are a 6/3 or simply curious about this rare and influential design, this episode will leave you with a new appreciation for what it means to lead with both wisdom and grit. Tune in to close out the series with insight, clarity, and inspiration.   Learn more about your Human Design and get your full chart for free at https://www.nicolelaino.com/chart   Be sure to visit nicolelaino.com/podcastlinks for all of the current links to events, freebies, and more! If you enjoyed this week's episode, I'd so appreciate you doing a few things for me:  Please subscribe to the podcast on Apple Podcasts, Spotify, or wherever you listen! Rate and review the podcast on Apple Podcasts.  Tag me @nicolelainoofficial on your IG stories with a story of you listening to the podcast and I'll make sure to share your post!  Interested in learning more about working with me? Click here to learn more about how we can work together. 

SNL good nights, Harrison Ford and Matthew McConaughey impressions, and the brilliance of Lorne with Taran Killam. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices