Podcasts about Shock Me

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 245 - Brad attended his first show at Detroit's Rockin' on the Riverfront Festival on 7/27/12...he saw Ace Frehley for the second time in just over a year. He welcomes Shout it out Loudcast Hall of Famer and uber Kiss fan, Gary Cap, back to the podcast to recap this show and talk about Ace Frehley.   For the Band on the Bill Spotlight, they go through Ace Frehley's 12 songwriting/lead vocal contributions to Kiss' discography (not including Shock Me or Rocket Ride) and rank them from 12 to 1.  After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?" - Side 1 or 2 from Frehley's Comet's sophomore studio album, Second Sighting, from 1988.Music in this episode by:Ace FrehleyFrehley's CometKissBon JoviMotorheadBlack SabbathOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcast

Es ist Zeit für eine neue Folge Musik ist Trumpf. Heute geht es um Familie, Geschwister und die Bedeutung von familiären Konflikten und Geschwisterliebe.Aber vorab noch eine ganz wichtige Information: Seit dem 1. Juni wird das Produkt Musik + Talk von Spotify nicht mehr angeboten, aber das macht nichts, denn Henning und Till haben Lust auf neue spannende Inhalte und ein etwas anderes Format. Nur eines bleibt gleich, Musik ist Trumpf!Musikalisch wird es wieder spannend: Henning bringt Songs mit, die seine Beziehung zu seinem Bruder geprägt haben, wie "Brothers in Arms" von Dire Straits und "Mother" von Danzig. Ein besonderes Highlight ist der Song "Players" von Coi Leray. Till empfiehlt unter anderem "Shock Me" von KISS und "He Ain't Heavy, He's My Brother" von The Hollies.Sagt Till & Henning eure Meinung und teilt eure ganz persönlichen Geschichten. Henning erreicht ihr unter Henningwland@blx-music.com oder ihr schreibt den beiden auf Instagram (mit dem Betreff "Musik ist Trumpf"). Sie freuen sich auf euren Input!Alle erwähnten Songs findet ihr ab jetzt immer in der offiziellen Musik ist Trumpf - PlaylistDie Songs aus der Sendung:KISS - Shock MeDire Straits - Brothers in ArmsTrio - Nur ein TraumThe Menzingers - High School FriendThe Hollies - He Ain't Heavy He's My BrotherDanzig - MotherCoi Leray - PlayersJohn Mellencamp - Fruit TraderBis zur nächsten Woche – Musik ist Trumpf!Das Angebot unseres heutigen Partners:Erhaltet 10% Rabatt auf das 3-Tageticket mit dem Rabattcode TRUMPF10. Geht dafür einfach auf www.guitarsummit.de und sichert euch euren Rabatt für den Guitar Summit. Hosted on Acast. See acast.com/privacy for more information.

Shifty's biggest guitar hero joins the podcast to run down his unique lead picking on the 1977 Love Gun hit. Ace Frehley is the reason Chris Shiflett picked up a guitar in the first place, so it's only natural that Shifty invites his original tone teacher onto the pod to recap one his iconic solos. Frehley, saddled with a classic black-and-cream triple-humbucker Les Paul, shares that “Shock Me” was the first KISS track on which he took lead vocal duty. The first time he sang it live, he remembers, was in front of 18,000 screaming fans at Madison Square Garden. As Frehley explains, that was quite a step up from how he recorded the vocals in the studio for Love Gun: lying flat on the floor on his back, racked with stage fright. Frehley recalls that he ripped most of his solos through a dimed Marshall stack, and always on the bridge pickup. Turns out, he never went for pedals or boards because he'd trip over them onstage. “Wearing those boots?” he snorts. “Forget about it. It's like a minefield!” His signature sauce, he says, is in the way he picks the strings: He holds his picks loose, but plucks in such a way that his thumb often hits the string at the same time, producing a sound just shy of a pinched squeal, but more spunky than a regular strike. Frehley drops tons of golden bits of KISS history: the engineering behind his famous “smoke bomb” effect, the time he woke up in Paris with his eyes swollen shut from makeup, how he accidentally roadied for Hendrix, the shared genealogy between his technique and Eddie Van Halen's, and which KISS member smelled the worst after shows. Click below to subscribe to the podcast! Full Video Episodes: http://volume.com/shifty  Apple: https://podcasts.apple.com/podcast/id1690423642 Spotify: https://open.spotify.com/show/4B8BSR0l78qwUKJ5gOGIWb iHeart: https://www.iheart.com/podcast/269-shred-with-shifty-116270551/ Pandora: https://www.pandora.com/podcast/shred-with-shifty/PC:1001071314 Follow Chris Shiflett: Facebook: https://www.facebook.com/chrisshiflettmusic Instagram: https://www.instagram.com/shifty71 TikTok: https://www.tiktok.com/@chris.shiflett Twitter: https://twitter.com/chrisshiflett71 Website: http://www.chrisshiflettmusic.com Spotify: https://open.spotify.com/artist/5tv5SsSRqR7uLtpKZgcRrg?si=26kWS1v2RYaE4sS7KnHpag Producer: Jason Shadrick Executive Producers: Brady Sadler and Jake Brennan for Double Elvis Engineering support by Matt Tahaney and Matt Beaudoin Video Editors: Dan Destefano and Addison Sauvan Special thanks to Chris Peterson, Greg Nacron, and the entire Volume.com crew.

Ever wondered why The Tragically Hip never quite cracked the American market? Can being "too Canadian" be a legitimate reason? Join jD, Pete, and Tim, as they delve into these questions and more, in an episode that's all about the legendary Canadian band and renowned producer, Bob Rock. We examine Rock's impactful legacy, his ground-breaking record with The Hip, and why their unique Canadian-ness may have been a double-edged sword in the American music scene.This week, we immerse ourselves in The Hip's 10th studio album, dissecting the distinctive sonic footprint that Bob Rock has imprinted on each track. Hear our candid first reactions, our deep dives into the lyrics' amalgamation of quantum physics, Plato, and God, and how a short hiatus from the album breathed new life into jD's perspectives. From the booming drums akin to Stuart Copeland and Neil Peart's style to the raw, gritty sounds of hip drums, we leave no stone unturned in our exploration of this musical masterpiece.And just when you think we've hit peak musical analysis, think again! We round up our episode with a thoughtful examination of the album's themes of touring and corporate radio. We also give you our take on The Hip's Austin City Limits performance and an exciting, upcoming event in Toronto that promises to echo the essence of a live Tragically Hip experience. To top it all off, we take a side trip to Salt Lake City, diving into its cultural diversity and have a little fun contemplating a world where weed is legal in Utah. So, buckle up for a fun-filled, music-centric journey into the heart of Canadian musicTrack ListingYer not the Ocean - Studio versionIn View - Live from Abbotsford 2009The Kids Don't Get It - Live from Oshawa 2013Last Night I Dreamed that you didn't love Me - Live from Montreal 2006TranscriptTrack 1:[0:00] Well welcome to getting hip to the hip I'm here as always with Pete and Tim and we are checking out for the first time a new hip record every week we do this and we have a lot offun doing it so this week I gave you the 10th studio record produced by famous Canadian producer Bob Rock Bob Rock Bob Ross right he's born for a job part of me make wishes I wasthat guy right hair and everything all the bands he's worked with just oh my god didn't Lambert four Four-wheel drive Lamborghini, like jacked wheels and everything. Track 2:[0:48] Four-wheel drive Lamborghini. Track 3:[0:49] Sorry. Track 1:[0:54] No, don't be sorry. Track 3:[0:57] Let's talk about him a little bit though, because he's done some major bands, right? Track 1:[1:02] Yeah, really. Track 3:[1:03] I mean, wow. That guy's portfolio is quite large. Track 1:[1:09] Like from the mid 80s to the mid 90s he was like, literally. Worked with everybody in rock. Track 3:[1:18] Everybody who's making money. Track 1:[1:20] Yeah. Track 3:[1:21] He went as well. Track 2:[1:22] His last name is Rock. Track 3:[1:23] I know. That's why I kind of wish I was him for that era. Track 2:[1:27] Jeez, dude. Track 3:[1:29] Bon Jovi, Offspring. Track 1:[1:31] He's not as good as the producer Michael Indy. Oh. Track 3:[1:35] Oh, look at that. Track 2:[1:36] Yeah. Track 3:[1:39] No, but seriously, Bob Rock, he was all over the place. He even helped out Cher. But 311, Skid Row, Motley Crue. I mean, this guy. Track 2:[1:48] Which 311 record? Because Grassroots is just, that was a breakthrough, man. I don't know. Track 3:[1:58] I'm not a fan. I didn't know that one. I'd be curious. Track 2:[2:01] Their later stuff, it wasn't. But I bet he's a big Bob Seger fan. Track 3:[2:06] I'm sure. He's sounded pretty significant with Metallica. I was wondering if you, If that rang a bell for you, Mr. Pete. Yeah. Track 2:[2:18] I mean, is this his first record that he's produced with The Hip? Track 1:[2:22] This is the first one. He does two. He does the next two back to back, which they seem to, that seems to be what they do. You know, they work with the producer and then, and thenwork with him again. And it's worked, you know, on a couple of occasions. Track 2:[2:39] Oh, man, yeah, he's got a fucking dude this guy's got a He's got the hair and everything. Track 3:[2:45] She's yeah got a rap sheet. I almost Almost crushing on him Ryan Adams, right? Track 1:[2:51] Yeah, So there was there was great anticipation I think amongst Maybe not the diehard hip fans because the diehard hip fans were gonna we're gonna buy the record regardless andenjoy it regardless. but that that outer fringe that that had been listening the people like me uh that had been had been diehards but had in in between evolution despite you guys really liking it was a recordthat was divisive for me at the time uh i was just listening to other things and you know that's that's all there was to it so um i think that um i've lost my point because i was watchingJessica in the back and she's distracted. Track 2:[3:46] Thanks, Jessica. Geez. Track 1:[3:49] Geez Louise. Oh yeah, the outer fringes like me were thinking, well, Bob Rock knows how to produce a hit record. Maybe this will be the one. You know what I mean? That's like, that's going to bring me back and bring back. I don't know why I was so concerned with their success in the States. I reallydon't. It's, it's, it's pointless. Track 2:[4:14] I feel like it is something that is just fucking ingrained in you Canadians. I mean, I, it's like this, I don't know what it is. I think it's so stupid, but I get it, but I don't get it. I'm just like, why didn't we break through? Why haven't they broken through? Why do you want Americans to like you so much? Guess what? Americans aren't all that fucking great. Take it from one who is one. Track 3:[4:38] In half of us are fucking idiots if not more not more these days, I mean, there's a lot of reproduction happening We're probably towards 60% now. Just I would say Yeah Yeah, you know when I walk down the street I'm like Just ready Let's go No, but but you know I asked the bot, the AI bot, why the hip never broke through acrossthe border other than Detroit and where? or upstate New York, wherever they were playing. And the bot was like... This is my bot voice, it doesn't really exist this way, but the bot was like, They were just too Canadian. Track 1:[5:16] Oh, really? Track 3:[5:19] Yeah, that was a serious point from the bot that people thought that maybe they were just too Canadian. And I thought, wow. Track 1:[5:26] Okay. I don't even know what that means. Track 3:[5:30] Well, because a lot of the content is Canada-themed stuff, you know? Track 1:[5:37] Yeah, but it's not in your face unless somebody points it out. Track 3:[5:43] I mean, that was one explanation. Track 1:[5:46] Yeah, I hear it. Track 3:[5:48] Just content of lyrics. Track 2:[5:50] I mean, if that was the case, for crying out loud, dude, Rick Moranis and John Candy would have never been accepted into popular culture in the United States. That can't be it. Yeah, wrong. Track 3:[6:04] Maybe so because I was thinking, what about the boss? You know, or, I mean, all these artists that sell out concerts around the world. Yeah, was Bruce Springsteen to American? God forbid. Track 2:[6:19] Yeah, a little too American for me. Definitely. Track 3:[6:22] By the way, those blue jeans, pretty handsome. Wow. Track 2:[6:27] And you mentioned Metallica, Tim and JD. He didn't just produce Metallica, but the Black Album. Track 1:[6:35] The Black Album. Track 2:[6:36] Yeah. The one that like, I mean, say what you want about Metallica. I mean, I like a chunk of their stuff. I have a connection because James Hetfield went to my high school. You know? Track 1:[6:49] We know that from episode two. Track 2:[6:52] Do we know that from episode two? Track 3:[6:54] We do. I found this other podcast where it was really hidden inside iTunes, and it's about Pete getting beat up by James Heffield, like he returns to speak at the school and singles outPete. I don't know. I heard that. He said they met at the end, but... Track 2:[7:12] I've never seen the guy, never met the guy, but no, that record was pivotal. I mean, that's where they went from heavy metal band to worldwide, like if you go to another planet, people heard of Metallica. Track 1:[7:27] So here's, here's, this is exactly my point. My point is they had, they had four or five really great records before that, that Metallica fans cleave to and absolutely adore. And Metallica would have had a great career with, with, with just, you know, if they hadn't released the Black Album, they would have had a good career, you know, on the backs of thosefive records. But they did release the Black Album and Bob Rock did produce that record. So there was a thought in my head that maybe the same thing could happen with my band. And that's ridiculous and arbitrary and it ultimately I know doesn't matter, But I think that that's where it came from. Track 3:[8:10] So JD, you mentioned this album wasn't all that for you. Is that what happened? Or what was your reaction when it came out? You said you were late to it? Track 1:[8:20] Yeah, I didn't really get into this record as a fan until I really gave it a bunch of time. And that was when we did the Fully and Completely podcast. I gave it quite a bit of time. And I ended up appreciating it. it. To me, it's an interpretation of a Tragically Hip album, and it's not one that I think is the best interpretation of a Tragically Hip album, but there's some real highlights on it. There's somereal highlights on it. Track 3:[8:59] Do you mean to say it personifies a Tragically Hip album? Is that what you mean by that? Track 1:[9:06] No, because that would mean I would be be making it a person, and calling it by name and things like that. And in this case, what I'm doing... Track 2:[9:15] Okay, you're not buying it a beard, dude. Okay, you're not taking it home, dude. Track 3:[9:20] We're gonna cut that out. No, I'm joking, I'm joking. But with that, did this album kind of represent to you, like, this is a great hip album, it checks boxes? Track 1:[9:32] Or what do you mean by that statement? No, I mean, it's an interpretation of a hip record. A hip hop record to me has backing vocals that I can hear that are Paul Langlois and GordSinclair doing the backup vocals. It's got... Track 2:[9:47] Are they not singing backup on this one? Track 1:[9:49] They are, but it's just mixed differently. It's like you don't hear them the same way. There's like gang vocals on this record. It's true. Track 3:[9:57] It is a little different. Track 1:[9:59] It's just, it's a little bit odd. It's like walking into a room that you're really familiar in, but you have like a feeling like something is off. Like, am I in the same dimension? You know? Track 2:[10:14] It's like when Howard, the duck landed on earth and, and, and thought he was like just home until he saw the first human. Right. Track 3:[10:22] Exactly like that. I mean, that's what I was thinking. Yeah, like yeah. Track 1:[10:27] Yeah, so we gotta we gotta blame Bob Brock for that then That's where I'm going with this Yeah, and he get like I say he gets two stabs at it and this is this is his first stab Yeah, andthere's a lot to like, you know, I don't know. Track 2:[10:39] Should we get into the song by song or We should yeah, we should and when we do I want to I want to kind of comment on what you said JD Because I feel like there's a reason. Track 3:[10:50] Let's keep going with it. Let's keep going. Track 1:[10:51] Yeah, let's go. Track 2:[10:53] Well, I was just gonna say, I hear you when you say I know what you mean by you say it's a hip album personified. Because it's different. It's like, it's a hit, but you're like, something's, it's a little bit like Black Mirror-ish. It's like, is there something I'm missing right now? Yeah, something feels weird. I feel that, you know, it's funny, I got to think to myself, like, what do the members of the hip think? Because like, when they hear, if they were to be flies on the wall in this conversation, because, you know, they all listen week over week. This is a fact, we know this. No, but like, for them, it's probably, I mean, maybe there were some things different, but they're just like, what the fuck is this guy talking about? Track 3:[11:35] They were out front of my house this morning. They were just like, they're hoping to get a glimpse. Track 2:[11:41] Pitchforks? For the first two episodes? With their machetes. Yeah, Jesus. But I feel you, dude. I feel you completely. I do. There's something, not off, but like, as the listener, it just, like, you'll see it when we start talking about the song. I'll point out a few things where I'm just like, yeah, it's saying exactlywhat you just said, JDS. Track 1:[12:06] So where did you guys listen to this record the first time? Track 3:[12:09] Man, I after we last recorded I had a garage project to do and I brought a speaker out there and Got in my zone and just cranked it up and out the gates. I was like, oh this is gonna be Maybe a really fun album and then even during the first song I had I paused it several times and I was distracted and I had Things going on so I did likerestart the album and restart the album restart the album and that has not happen to me with my listenings. So, this one just out the gate for me it was like... all these things were happening but ultimately with the first song i was kind of like whoa what do i think of this it's it was i was a little bit perplexed so yeah after that of course just all thetypical stuff of how i listened to albums just all over the place i really gave this one a lot of time and at one point was like i need to hear this on vinyl i want to hear what's going on withthis album because it was a little bit different and I wasn't necessarily wanting to buy it on vinyl because it's like my favorite one yet. I don't know, I just, I was a little perplexed by this album. Track 1:[13:22] Yeah, yeah. It can be perplexing, yeah. Track 3:[13:27] I was overwhelmed. How about you, Pete? Track 2:[13:33] I did something a little different with this record which was actually good and not to my own even knowing that I was doing it. But I listened to it, I think I first listened to it was inthe car. But second of all, I did some heavy listening right off the bat and then I took a fat break because I was doing other stuff and was busy and I couldn't listen to anything. So I came back to it, revisited it and it gave me a whole new perspective on what the record, what it was, like really, really cool. I mean, it was totally unplanned, but I think when you like, when you start listening to a record and then just listen a bunch over a week straight, nonstop, or like, like regularly, you don't,you look at it one way, but when you listen to it for a bit, and then you put it down and then you come back to it, you have a different perspective than I certainly did. Track 1:[14:32] Interesting. Can't wait to hear more about that. Okay, well let's jump into track by track then. We start out with, you're not the ocean. Track 3:[14:48] Man, you're not coming in. You're not coming in. This song is, it's, well, at one point I was like, Pete's belting this out in the car for this chorus, for sure. So I was trying it too, you know. I love Gord's, whatever he does at the kind of end there. It's a big song. I thought, you know, there's a few songs on this album where I'm like, this is amazing for karaoke. And this song is just big. It's a big singer that way. Is it a breakup song? Is it about death? Or is it like drowning? I read a little bit on it. And there was a lot of Ontario Lake references. You know, it's this, this was kind of, this for me was kind of a word song talking about lots of stuff. Track 1:[15:43] They're called the Great Lakes, Tim. Track 3:[15:43] The Great Lakes, sorry. It was specific to Ontario Lake because, for this song, supposedly, because all those lakes send all their, you know, garbage down into Ontario, which is themost polluted out of the greats. So is it the least great? I don't know. It's somewhat of repetitive song. I like the piano add in. there's piano, like first song I'm hearing. Track 2:[16:08] A lot of piano on this record. Track 3:[16:09] Yeah, a lot of piano, I mean that was, I don't know if that was some Bon Jovi influence in there or something. Anyways, the guitar riff feels a little added, like, you know, like weput extra icing on the cake. Yeah, it was, this is a big song for me. Big chorus. Holy cow. Let's scream it together on three. You guys ready? Just kidding. It's a big one. It's a big opener. Track 2:[16:41] Yeah, I mean, I think this song is, the best way I can put it, summing up in a sentence, this is fastball down the middle, tragically hip. Like when I heard this song, it was just, just, I knew what I was listening to. It sounded like the hip. To me, it was like, and I didn't really dig into Bob Rock prior to the record, but it's like somebody went into the safe in Gord Downie's house, pulled out theformula that is for writing hip songs and fucking followed it and then folded it back up, put it in an envelope, put it in the safe and locked it. Because this song is fucking formulaic, tragically hip. Not in a bad way, in a really cool way. I loved it. I loved Gord's vocals. I love when he gets really high and goes like an octave up. You're not the ocean. And then he goes, you're not. It gets really, it's just, dude, yeah. Track 3:[17:42] And the wolf. Track 2:[17:42] A lot of wolves on this record, man. And it's just, it feels really like, going back to what you said about this record being a hip record personified, it feels like this record wasmanufactured to feel safe and familiar for hip fans. For people to like press play on the first one and just be like, okay, all right, my boys are back. Okay, cool. Okay, cool. Track 1:[18:11] Yeah, I can't hardly disagree with you. Like, I can't. Track 2:[18:15] Just the vibe that I got, you know. Track 3:[18:18] My vibe was kind of like, are we trying to get an older crowd? It didn't feel young to me. I don't know. Track 2:[18:27] Well, this is what, almost 20 years on, right, JD? Track 3:[18:30] Right, exactly. So, you know, fans are getting on in their years. Just hold another conversation. Yeah. The Lonely End of the Rink. So this one I thought was just remarkable in that it could be about Gord and his brother, or Gord or his brother individually, and hockey. And I mean, this is the hockey song, right? Track 1:[18:57] Yeah. Track 3:[18:57] They play the song at games? Track 1:[19:00] I'm sure they do. I'm sure they do. Track 3:[19:03] Yeah. Yeah. This to me was like, you know, the bot said maybe they were too Canadian. I don't I don't know. They play hockey in different countries. Track 1:[19:10] That's right. Track 3:[19:12] But not being a hockey guy, but being a father of two dudes and thinking about brothers, I kind of dug it. The beginning kind of guitar riff start feels like we're getting into an anthem song for me right away, like that guitar at the beginning. Track 1:[19:33] Yeah, this song is written to be played live for sure. Track 3:[19:36] Yeah, the drum and the bass is just super charging. There's this echoey, Pete, if you remember, this is echoey guitar. 100%. Beep, beep, beep, beep, beep. So I've heard that from a few bands, but the first time, actually, Amy and I were in the car and I played the song for her and I said, what does thisechoed out guitar remind you of? Well, I don't know, because there's a few, there's a few, But she said, Duran Duran, this is from Duran Duran. Oh my God, what were these guys listening to on tour? I think they werelistening to anything and everything. I think. Track 1:[20:14] I think they were probably pretty. Track 3:[20:16] I would love to know. Track 1:[20:17] Pretty loose about what they listened to. Yeah. Yeah, yeah. Track 2:[20:20] My money. Track 3:[20:22] That was, what was yours? Track 2:[20:23] No, my money would be that they were, I mean, this says Unforgettable Fire by U2 written all over. Oh, completely. Unforgettable Fire, that whole, like the records just, I was, I was just like, this is, this is... Track 3:[20:39] With like a sprinkle of Robert Plant. I don't know. Track 2:[20:44] There's something else. Track 3:[20:45] There's something else here. Track 2:[20:46] But the thing that was so surprising for me on this song was the drums. Like, Johnny Faye's drums, like, I don't know if it's Bob Rock. I don't know what, but like, I mean, I knew the guy's a good drummer, but this fucking song, all of a sudden he's fucking Stuart Copeland or Neil Peart. Like, what the fuck? Like, I mean, dude, like the drum work is just ridiculous. Track 1:[21:12] He's great. Track 3:[21:13] I agree. I thought at one point the drums on this album were maybe the most raw hip. I don't know, it just that to me was kind of, thank God the drums are that way on this album. If they were polished into like a fucking Bentley or something, Bobby Rock-ish, can we call him Bobby? Track 1:[21:36] You can, you're tight. Track 3:[21:37] That might piss him off if he hears this. Yeah. But yeah, the drums on, I think, throughout were killing it on this album. Track 2:[21:46] But if JD told me, if JD told me, oh, you know, one note about this record, beside it being produced by Bob Rock, Johnny Faye does not play Jones on this. It's just, they have another genre for whatever reason. I would just be like, Oh yeah, that makes sense. Like, and it's not a knock on Johnny Faye. I've just never heard any fucking thing like this from him. Like nothing, nothing. Track 3:[22:05] Yeah. Track 2:[22:07] Nothing. Track 3:[22:08] Almost like he was angry. Do you kind of feel that? Track 2:[22:10] Oh, yeah. Track 3:[22:11] Like, yeah, like not, not hyped about the, maybe the recording process. I don't know. There There was something different on his drums. Track 2:[22:17] Yeah, dude, there's some anger in there. There's some, yeah, all the cool licks. There's an acoustic lick in there and some harpsichord-style effect. But I thought of you, Tim, because there's no, like for a song this grand, they didn't fade it. They ended it, which is cool. Track 1:[22:34] It's true. Track 2:[22:35] Don't fade this shit, man. Fuck it all up. Track 3:[22:37] The momentum of it is really fun, kind of that charging, drumming momentum of the song. It's like, a few songs on this album are kind of locomotive feeling, like they just getgoing, you know? And I think that matches up with part of, at least some, you know, a chunk of the lyrics of this song of joining, oh to join the rush, you know? With Gord's voice just kind of climbing, oh to join the rush! It's fucking great. This was, as comparatively to the prior one, this one I was like, ah, people must, the Canucks must love the song live. Track 1:[23:16] Look at you representing the Pacific Northwest. What's your team called? There's a trivia question. What's your team called? You don't even know. Track 3:[23:27] Dude, I don't follow sports. It's not in my head. Track 1:[23:30] The answer is the Kraken. The Kraken. Track 3:[23:34] I don't even know that. And it makes me laugh because it's ridiculous. You could have, you could have made up like the green zebra tomatoes. You know, I wouldn't have known any better. Track 2:[23:46] Geez. Track 1:[23:48] All right, we go way out of the hips, normal lane, with this next track in view. What did you guys think of this left turn? Track 2:[24:04] You want to take it, Tim? Track 3:[24:06] I mean, I'm just scrolling through the lyrics here. It's really simple. The drums at the beginning of this one, okay, here's more drum notes, are really kind of big and strong and then it softens up. It kind of softens up. Like the song to me, the rest of the music didn't really match the way the drums start which is I'm sure purpose I'm done on purpose but it's like whoa where is thissong shifting to it's it's like felt kind of cute there's keys in the background you know I was like phone rings once phone rings twice phone links three times you know it just felt like Is thiskind of a cash grab radio hit? What is going on here? But you know, of course, I read a little bit about it. And there's like, references to quantum physics and Plato and Gorf's, Gorf's, Gord's believe in God. So, like, is he calling on the Lord? This song confused me. I'm just, if that's not obvious by now. I just wasn't really sure. Track 2:[25:26] Everybody's confused with you now and then. Track 3:[25:30] It's super fun to get into and sing through. Track 1:[25:34] It's fun, but then those lyrics are sort of dark, aren't they? Like, I mean, I've been meaning to call you, I've been meaning to call you, then I do. So this person, for whatever reason, has been meaning to call this other person, and it hasn't called them, then finally does, and the phone ring once, phone rings twice, the phone ringsthree times, and then what? They don't answer? It goes to voicemail? Like what? Like, oh my God. Track 3:[26:04] I mean, if they were calling the Lord, they might still be waiting. Who knows? Track 2:[26:10] Yeah, I don't know that they have voicemail in heaven. I've not been there myself. Track 3:[26:16] Look at that, Jesus doesn't have an iPhone. Wouldn't that be awesome? He'd be so big. Yeah, I don't know. I'm not sure who they were calling or what this one's about. It's kind of fun, but I was like, eh, what's next? But what about you, Mr. P? Track 2:[26:30] I mean, was this a single, by the way, Genie? Track 1:[26:33] I believe this was. Let me just quickly take a look. Track 3:[26:37] It felt damn written. Track 1:[26:39] The first single. Yeah, I mean. Track 3:[26:41] Yeah, there you go. There you go. Track 2:[26:43] I hear you guys with the lyrics and I've been, I think at a certain point, when it comes to The Hip, I've come to appreciate their lyrics so much because Gord's great at what he does. There were a couple times early on when I was digging into lyrics, I started to give them too much weight and it started to sway my opinion of the song, which is fucking stupid becausemusic is not supposed to do that. I mean, yeah, it is in a certain way, but if you really like something and then you dig into the lyrics, like when you dig into the lyrics of the song, fucking, I'll be watching you by the policeand you really know what it's about. No one's gonna fucking like that song and play it at their wedding. It's a creepy ass song, right? But if you kind of step away from it, and you look at it in a different light, you just listen to the melody of it. It's fucking it's a beautiful song. This song is a fucking banger. It's an absolute toe tapper. I loved it. I was fucking that the fucking keyboards. [27:50] I mean, I just was Happy as a pig in shit listening to this. Yeah, I couldn't remove this perfect pop song I am a sucker for a pop song and I make no fucking bones about it man. You know, you give me a pop song That is just pure bubblegum and rock candy and I will just be like where do I sign? This is this is this is one and I just I mean, I loved, loved, loved it. Loved it. Loved it. I think Go ahead. Track 3:[28:25] No, you go. Track 2:[28:28] I was jumping into No, I just I think it's a song like this. It's easy for any hardcore hit fan to be like, fuck that they sold out or whatever. Like, he's such a fucking asshole about it. Excuse my language. But dude, you know what, if I'm any one of those fucking dudes in the band, they probably had a blast recording this. They probably had a shit ton of fun fucking playing it live, becausepeople just fucking dance to it. And it's fun. And anybody who says anything coarse about it, go fuck themselves. That's my piece. Sorry. I guess I'm fucking myself. Track 3:[29:02] So what about this? What about this? I love these lines, right? What about these lines right here? Day erasers dark of night excited states gone in plain sight under the wave or by cave light i lose things change but never in your eyes i mean that's the loaded bit of this song at the endbut you're just going through and you're it's it's nuts to me like i'm i'm hearing the song i'm singing the chorus like you can sing along to this one right even on first listen if you're a megafan you're probably like yes, phone rings once, phone rings twice. And then this Dark Eraser's Dark of Night happens, and it's like, whoa, Gord's throwing the dagger at the wheel at the end here. Track 2:[29:51] Maybe he's just getting shit to rhyme and to fit the song too. I mean, you also don't, that's why I don't, I give, unless somebody's, unless it's like really obvious or whatever, I just try not to give lyrics that much weight because it could ruin a song. I could see if I dig into the lyrics of the song, which I did not, Tim, it would've fucking ruined it for me. I just choose to be like, oh, that's, you know. It is what it is, you know, because it's that's that's another thing because Gord's lyrics are so They're like, you know 30% THC in the CBD like dude you one drop and you're fucking done. So you got to be careful with it it's really potent and And and I I I take his lyrics with a grain of salt because otherwise like all the dude the And the Chani Wenjack shit, dude, if I reallystart digging in and thinking about that, it gets me like depressed and like super pissed off and like, yeah, you know, it does bring attention to it, which is great. But like, if I can't, I can't hold that as close to my heart as I do with some songs, because it just will fucking wreck me. Track 3:[31:15] I guess I'm kind of in the middle like I look into them to a certain degree and I either go all the way, which rarely happens or I kind of stop halfway up the hill, you know, but myone of my favorite things lyrics wise on this one is just his use of the USA calling the USA, the excited states. I think that's what that is and it just made me forever want to call where I'm from the The excited states, the excited states, because it's so true. It's like pew, pew, we're ready. Track 1:[31:49] Oh my God. Track 3:[31:50] We're so excited all the time. Excited in schools, churches, everywhere we go, we're excited country. So that, I mean, it's a packed song. It's simple, but it's, yeah, let's just keep moving. Track 1:[32:05] So the next song that we have to discuss then is Fly, which is our first song that we've heard that isn't a single. Track 2:[32:17] I think this song is, the placement of it is perfect because you've got these three fucking just monsters before and then it kind of brings it down. To me, I felt like it was, I'm in a bar in Alaska. And it's cold out. But when you get inside, it's nice and warm and toasty. And there are mugs of beer and there's a jukebox. And like, it's a romantic comedy. Track 3:[32:48] A pair of glowing thighs. Track 2:[32:50] Totally, man. I'm telling you, man. Track 3:[32:53] That lyric in here is amazing. Track 2:[32:55] I know. Track 3:[32:56] Coastline rise is like a pair of glowing thighs. Track 2:[33:00] See you soon. The chorus is a fucking banger. I just felt like this song was just a feel-good song that didn't slow... like sometimes the songs that slow it down in track three or four, whenever that song comes on a record, it will maybe sometimes put you in a depressing mood or whatever, but this songbuilds up to some fun. But it just, it does take it down a notch in a very nice, beautiful way. I loved it. Yeah, not much more I could say about it. I liked it. I liked it. Tim? Timmy? Track 3:[33:37] Yeah, I just thought there was some fun one-liners in here. It's kind of, I echo what Pete just said. I felt like it was a good number four. It's the guy batting clean up and you know he's solid for a single, you know, to keep things alive. And I think that's kind of what this song is. It felt a little, this is where I went back to Bob Rock and I'm like, this is a little bit Bon Jovi-esque feeling. It just, you know, that's that was kind of about it for me. Track 2:[34:11] By the way, I think what you mean, and I'm not trying to split hairs here, I think what you mean is Jon Bon Jovi. Because if anybody knows anything, there's two things. There's Bon Jovi, which is the band, and then there's Jon Bon Jovi, which is the solo shit. I felt Jon Bon Jovi on that. Track 3:[34:30] Yeah, well, I'm just more referencing like shoulder length feathered cut hair. Track 1:[34:35] That's a lot of years you're covering there. Track 2:[34:39] Well, I mean, Blaze of Glory was by and far his finest work, his finest hour, as was the film Young Guns 2, which... I'm with you there. Track 1:[34:48] I'm with you there. A lot of the movies. It was great. Track 2:[34:54] Oh, oh, God, I gotta rewatch that. Track 1:[34:56] Let's go into the next track, which is one that I always remember from when this record came out, because I had something named the same thing that I had written. I just think, this is me tooting my own horn, but I just think that title, that misspelling with the word sick, Which is journalism speak for there's a spelling error there. It's just so clever. I love it. But what did you think of the song? Track 3:[35:26] Yeah, I mean, I did speaking of spelling errors, I did read that Gord is quoted as saying it actually wasn't supposed to be world container. It was supposed to be world contain her. Oh, really? guys yeah yeah so supposedly the the, you know the the title of this album is incorrect so maybe it's somewhat of a reference to thatyeah so was that I that keep going on the song. Track 2:[35:55] Was she put into a parcel? Because I mean, I don't know. Track 3:[36:02] I don't know. Yeah Maybe maybe maybe it's hmm. That's that's another that's another hit mystery that we'll never know wonder if she's was priority or first-class Well, she had probably would have been DHL if she was coming out ofCanada So who knows? Yeah What do I have on this one, you know, it's I I just immediately went to, where Pete doesn't go sometimes apparently with songs, is like, who is this about? Is this a proposal gone bad? Is it rejection? Is it about being infatuated with someone and not having that feeling reciprocated? And there was some bit I read about it that this... where do I have the quote? This gal from... I guess gal... Lexi Liu. Who knows? Where am I gonna go here? Okay, so this person online wrote that it was about... she had experienced that it was about a teacher of hers who was dating Gord and she rejected Gord's proposal. And supposedly there's like a whole story there about Gord's, you know, one of his relationships. So who knows? Track 1:[37:28] I've... I've not... Track 3:[37:31] I've not heard that story. You have? Track 1:[37:35] No, I haven't. Oh, you haven't? Track 3:[37:37] Okay. So that, that to me, I mean, it got to this level with this, with this song and the lyrics and the content of it. But for me, it kind of got to this level of like, all right, whether or not this one's about, you know, a breakup or what have you, it's, it's, um... it's not my favorite on the album. It's catchy and it's good. It's a good song and it ends kind of at this height of energy, right? Track 1:[38:07] Yeah, it's not around long enough to be a fan. Track 3:[38:11] Yeah, it's... Track 1:[38:11] But it's not a great song, I don't think. Now there will be somebody out there who it's their favorite song and that's cool. That's what's cool about music. Track 3:[38:23] I thought about this one. I don't know. Yeah, I don't know when I'll hear, listen to this one next is kind of what I thought it was like, what's what's next on the album, but I'm curiouswhat Pete thought of it, of course. Track 2:[38:34] You know, I liked it a lot. I mean, I thought that there was some really cool ideas, like they were kind of experimenting with with the song. And I thought that there was like, chaos within that builds up to the chorus. chorus, and then it just returns to the verse. And you're like, okay, you're like, what the fuck is this going on? What is going on? And then it comes back to the verse. And you're like, okay, all right. Yeah, we're back. Because it's a bit disorientating. And, you know, Gord's vocals on this just singing for that guy must have been so cathartic. Track 1:[39:14] Like, he really puts a lot into it. Track 2:[39:17] Yeah, but it feels like he's doing it like he's a guy who like, you know, needs to exercise three hours a day at the gym. And like, that's just him exercising three hours, and you're just like listening to him do it. Because he's like, I got to do this, it's like part of my routine. And he's so good at it. You know what I mean? Like, and, you know, I want to just, you know, we can move on after the song. I like the song. It's definitely not one of my favorites on the record, but I like it. In terms of lyrics, and I just want to say this too, because I don't look at lyrics as much, or I don't look at things, there's a couple reasons for that, and I just want to say why. [40:08] Because, well, for me, writing songs, when I write songs, it's really hard to write a song that's so thematic. You know, that's like one idea that starts off and it's sewn up at the end like a fucking with a bow on it. And like, even then it's like, like, let's say it's not completely thematic, but it's, it's about something. Maybe not like super specific. Even that's hard. Like a lot of shit I've done is just little ideas of things sprinkled in a song and it's like kind of of just jumbled in and thrown in there so sometimes people ask you about things you're likewhat and the reason why I bring that up is because when I make a Steely Dan reference here I don't know if you guys have ever listened to any other shit a lot of people give them a lot ofshit I'll take that as a no I haven't listened to an album no I'll say the same thing but I have no nothing against Steely Dan? No, well, I mean, they're amongst people, amongst music heads, they, the biggest thing they get asked is what the fuck are your lyrics about? And the guy, the singer of the band who's written most of them or the other guy had written them, they always ask the same question. What's this song about? Because the lyrics are just all over the fucking place. [41:30] And ninety nine percent of the time is just like, I don't know, man, we You are just coming up with cool shit to say. I mean really like that's and their lyrics are regarded much as you would regard something like some pixies or pavement lyrics is just like super avant-garde, super strange like what youlike, whoa, that what the fuck is that about? And then you come to find out it's like, it's just, it's just no, yeah, it's nothing. Track 3:[41:59] Well, just random journal entry. Track 2:[42:01] Yeah, totally. And that's another reason why I think I've been head faked a lot and I don't dig into to them because I will prescribe a certain. a feeling or emotion to a song and come to find out I'm fucking wrong, or it's not at all about that. Like, hence, I'll be watching you, or every breath you take, excuse me. And then you're like, fuck, man, why did I play that at my wedding? Track 3:[42:28] You know, I have to think conceptually with Gord's songwriting, like he is such a prolific songwriter. And like, back to one of your first comments be like, I thought it must be, have been, it must have been exhausting to sing these songs or like be on tour and singing classic, you know, 52times in what, two months? Something crazy? Like, god damn. But with his songwriting skills, I mean, I can stop and hear one-liners that are fun and that I enjoy, but he pushes me, the way I receive it, it pushes me into going down rabbit holes of like,what was this song about? And there's been a few where I've listened to him and thought the chorus was, you know, A, B, C, D, E, and I actually look up the lyrics and I have some of the words wrong. It's hilarious. And I love when stuff like that happens. Like, that's entertaining. That's entertaining for me. Track 1:[43:30] That's great. Track 2:[43:31] Excuse me, excuse me while I kiss this guy. Track 3:[43:34] I'm still, I'm still, you know, JD, you've, you've commented on this with me before, but I'm still like, here's an album. It's like a book to me. I want to hear it start to finish and see if there's anything about it that's creating this novel. Or is it like this current album, which I feel like you can put in and put onrandom and it kind of doesn't matter. Order wise, it's one of those types of albums for me. So this song, Lovesick, in general, it's big, and it has this kind of a quick stop ending. It's got a lot of energy to it. After this, I was like, OK, what are we getting to next? I'm kind of like chugging along in this album, trying to get to what maybe is less produce of a feelingand more authentic hip. Track 1:[44:28] But the kids don't get it. Kids don't get it. Track 2:[44:30] Kids don't. Track 3:[44:30] That was it. That was it. It's a fun start. It's got a good build. There's like, quickly into it, there's this, I think, Pete, I don't know if you caught this. I think it might be a drumstick on top of a cymbal. Track 2:[44:47] Yeah, yeah. Like doing a swirl. Track 3:[44:48] Yeah. Right? It's like a swirl sound and then it fades off. I love that shit. I don't want that all the time. I feel like that's the surprise ingredient on a pizza, but there's that sound in this song a few times and it's fucking cool. You know, it's like, yeah, the kids don't get it, I was thinking. We're Gen X, you know, we get it. We were born without technology and we've integrated and we know both sides and that's what this song's about. Generations growing up just being in the middle of it and not getting it and all the hard work this band does and yeah the kids don't get it. But then as I listened to this song probably 20 times I thought, nah, Gord's smarter than me. what is he thinking about with this song, you know? And it felt more like anti-government, like you're not gonna fool us sentiment, which kind of made it even more, for lack of a better word, more punk rock feeling. Like this song was checking and way more boxes for me. Lots of whoos in it, you know, it just, this one is like Bobby Rock left the room and the guys busted out this song. That's the way it felt for me. Track 1:[46:16] Oh, I love it. I love that. And I love it especially because there's almost like a dichotomy of a lyric In this song kids don't get it and the next song, pretend. I think it's. Track 2:[46:36] Oh, there is. There certainly is. Track 1:[46:39] It's that, if I ask you a question, are you gonna lie to me? I said, honey, is that your question? Cause that one's easy. And then we get the, you know, that, that, that. Version of it is the banger version you know and the other version is a little more tone down but top heat what did you think of the kids don't get it. Track 2:[47:01] Well that was the first thing i wrote about pretend obviously but in terms of the kids don't get it i loved it i mean i echo much of what tim said i love the chorus the no. Kids don't get it. The woos in this song, Gord's singing like, he's like a, he's like a fucking pissed off buffalo. You ever seen a buffalo before? Track 1:[47:22] Yeah, driven. Track 3:[47:24] Driven by him. Track 2:[47:26] I was one of those assholes. Track 3:[47:27] They're as big as Volkswagens. Track 2:[47:29] Yeah, yeah, yeah, no, they're huge. Track 3:[47:32] You're one of the assholes? Track 2:[47:33] No, I was one of the assholes that gets out of the car at Custer National Park and, you know, walks over to one. and thinks like, oh, this is cool. Take a picture. And no, that's a fucking dumb move. For anybody listening, thinking that that's cool, or that's ever something to do, don't do it. It's fucking stupid. Track 1:[47:56] To be fair, the buffalo was having dinner. He said to you very politely, if you had waited till I was done dinner, I would have totally let you have the photo. But now I'm gonna tohave to run after you like a pissed off buffalo. Track 2:[48:11] Just said fucking that is the first memory that jogged my mind when I heard Gord's fucking grunts in this song. I feel like he, I want to watch more interviews with him. I really want to dig deep. I just haven't had time. But I want to figure out like, one, whether or not anything Tim has said throughout this his pod in terms of lyrics and meanings, like I know a lot of it has credence to him. But maybe some of it doesn't and like what he thought about it, because I feel like a lot of his words, he just writes down his poetry. And then he shows up to the studio is like, Hey, guys, let's do the song or let's make this song or whatever. Track 3:[48:52] I think he does that, too. I totally agree. Track 2:[48:54] But like, I wonder how much part of it he's sitting down with an acoustic guitar, and like working, working songs out with the lyrics he's written, because that's a whole anotherprocess, you know, to like write a bunch of shit and then to write chords. Like you got you got fucking Paul A. Wan and Gord Sinclair and Rob Baker to do that. You know, so I'm I'm just wondering, you know, what that is. And then if he was Scott, I wish he was fucking alive, man. I would love to fucking interview that guy or just talk to him and just be like, dude, what the fuck? And either I feel like therewould be two scenarios. Either he would be super fucking cool and chill, like, yeah, man, we're just fucking doing this and like this and like this happened, blah, blah, blah, blah. Or he would just like, look at me and be like, you're a feeble minded fuck. I can't wait for this interview to be over, get the fuck out of here. Track 3:[49:51] I think that's what he'd say about me. Track 1:[49:53] No, I don't know. Track 2:[49:55] Probably, probably. You're more nuanced than I am. But I just. Track 3:[49:59] He'd be like, Tim, you're about 16% right on the themes of my lyrics. And that's what I would love. I mean, that's what I love about this guy. I mean, he's obviously so fucking prolific. I wish I had like a book of his poetry sitting right here. Because, you know, he's one of those artists where you get served up something. And everybody, I think, could take their music a little bit differently but have this thread throughout it that joins all the fans together. You know, it's kind of... It's kind of what's amazing about them. And in that regard, who the fuck cares if he was writing about Canadian themes and the discussion of why they didn't make it in Orange County? Track 1:[50:47] Whatever. Track 3:[50:49] It's kind of like, who cares? How many bands not from Japan sell out shows in Japan all the time? They just want to be entertained. and maybe people just need to be entertained and not look into it that much. Track 2:[51:06] That's Stan McKe- That's Stan McKe- I- Stan- Stan McKeta? Or no, his name's not Stan McKeta, but Stan McKeta's Donuts. The people need to entertain, need to be entertained, Wayne. They need the distraction. Like the voices in my head. I thought you said- Why do they come to me to die? Why do they come to me to die? Oh my god. Oh my god. That's- You know, anybody- Wayne's World, like when he goes, why did they come to me to die? Why did they come to me to die? I think it's Wayne's World, too. Track 3:[51:42] Honestly, I thought you said spanakopita. I was just thinking about delicious, delicious Greek baked goods. I was totally in a different land. No, but I, I, let's, let's keep moving this, this song when I heard it, it was exhausting and it was the first song I hit forward on who was like, give me what's next. Yeah. Pretend. If you don't pretend and I don't pretend, pretending might end, but pretend can pretend to end. It's like, oh, this is arduous. This was tough for me. Track 1:[52:22] Wow. Track 2:[52:24] Yeah. J.D., what do you think? I'd love to like, as a hardcore hip. Track 1:[52:29] Well, it meanders. It certainly does meander. If I'm ranking the 11 songs on the record, it's in the bottom 10, right? It's either 10 or 11 on this record for me. But I'm just so curious. I'm so curious about that stanza, like why he chose to use it again, and then why did they sequence those songs back to that? Track 2:[53:00] Totally, right? Track 3:[53:02] I don't know. I don't know. love to know if they, you know, what level they took part in the production of this album. Track 1:[53:12] Did they just hand the keys over? At this point they were very fluent in studio, so I don't know that they get a production credit. Let me quickly look. Usually they do. Track 3:[53:22] I mean, this one I thought at one point after, you know, I did of course listen to it in complete, but... Track 1:[53:29] No, this is producer Bob Rock, period. And most of their other records, even when it was like Steve Berlin. It was like Steve Berlin, the tragically hip Mark Freak, or something like that. So this is, this is interesting. This is straight up Bob Rock. Huh. Okay. Track 3:[53:50] I had thought like the three of us need to do karaoke of this one so we can be like arm and arm I'm just shit-faced. Track 1:[53:58] Pretend? Track 3:[54:00] Yeah. Track 1:[54:01] Oh my gosh. Track 3:[54:02] I think we should pretend to do it and not actually do it. This is a total sing with friends, ironically singing with friends song. It's like a really nice glass of red wine or made me think of like plush velvet. I don't know what the fuck is happening. It's the song's candlelit and I don't know why it makes me feel that way. And it was like, skip, oh, it was tough. Track 2:[54:28] Yeah, I thought it was, I said, it feels like a love song in a fine dining restaurant during Sunday brunch. Yes, Sunday brunch. Track 3:[54:39] See, we were fine dining together. Track 2:[54:41] No, I mean, it doesn't feel, it feels like another band or like, now Gord's singing, And I know Gord had some soul stuff that he did. before he passed, but it definitely feels like, oh, this is not a hip song. This is some of the solo stuff. There's jazz guitar in there, which I gotta say, man, I mean, it speaks to Rob Baker's skills, man, because that guy fucking, I mean, he makes it sound good. The chorus feels really 70s, almost like there's a- AM radio. Track 1:[55:19] Yeah. Track 2:[55:19] Yeah. And there's something that they do with Gord's vocals in there. It's a 70s style thing that came about in the 70s, I feel. But Scott Weiland from Stone Doole Bynes was popular for it. It's where they double the vocals. They take literally I don't he doesn't re-record the vocals. They take the same vocal track, they double it And then they put it like they put the one track offset by like a millisecond to the other. So it sounds more full and rich. And they put put them in in one left, one right. And it sounds like gives this really weird, unique effect. And Wyland, Scott Wyland was prolific for that. But but, yeah, it's got that vibe to it. Fucking random. That's all I have to say about this song. Track 3:[56:12] It's like having two turbos on your car when you record like that, when you produce like that. Track 2:[56:16] It's like having 11 on your amp. Track 1:[56:17] Yeah. Track 3:[56:19] But why not make 10? 10 the loudest. With the lyrics of this one, when I finally, you know, let it, when I finally absorbed it really, because again, I skipped it on first listen, Um, I,you know, maybe this is like a fucking, maybe they were pretending, I don't know. Maybe the band, you know, maybe the band in their, in their career, maybe they're in their career at this point. I mean, I'd be exhausted and to a degree with trying to make it bigger than they are now. It's like, you're in the industry, you are a fucking... When you don't like it, you might be feeling like a marionette, you know? This is big, giant business happening with this band's career, and this is one of those songs maybe they have todo. Track 1:[57:16] Wow. I mean... Track 3:[57:18] Yeah. Track 1:[57:20] Let's move on because I don't dislike the song so much that I'm willing to beat it into a pulp. No, no. Track 2:[57:30] I don't know. Track 3:[57:31] I'm sorry to offend all the Canadians. Track 2:[57:33] I want to make one more quick point real quick. And this is not really about the song, but about the band. And I'll be really brief. My apologies. But to what Tim said about the band. No, no, no, really. This is the band, you know, being exhausted in this night. You have to think this is 2007 right? These guys have been at it 20 years right? They could fucking quit at any time in terms of like probably set money wise. I mean maybe they're not fucking living in, they got three different mansions but I would posit to think that every member of this band is not worrying about where they're going to gettheir next fucking meal. [58:13] Okay, yeah, they were when they did the 100% so That being said though This is a time where things were like through the 2000s, you know up through 2000 early 2002 thingswere like Record sales and all that stuff. They were making a shit ton of money and then think about this time though, man music and Streaming was coming up sales for records tanked, all that money, all that revenue thatpeople were used to just disappeared. And so I would imagine to think that this band went through a bit of a come to Jesus so to speak, and was like... I guess we do. I mean, maybe they're not thinking we got to break into the American market like every fucking Canadian thinks, or we think thinks. But like they're thinking we got to fucking 

It's another week of listener requests on Kam's KISS Club! Originally aired on MontcoRadio.com on July 22, 2023, this album features KISS classics and rarities as requested by YOU the KISS ARMY. Songs include “Shock Me”, “War Machine”, “Love Her All I Can”, and more!Thanks for listening to Kam's KISS Club, where everyone can be a VIP!

Vi har ett eftersnack om innehållet i "Bernt pratar KISS på söndagarna", vi diskuterar samt reagerar på nyheterna. Som vanligt så svävar vi ut i andra ämnen under färden. Välkommen till eftersnacket. Bernt på söndagar hittar du här: https://www.youtube.com/@berntmansson Detta har vi pratat om: Alex Bergdahl, kåserier, bangers, Zita, Ängelholm, Zita, Eric Carr i Solna, Bruce Kulick, Asylum turné, Ace stuntman, Runaway, Gene Simmons, Oscar bästa biroll, Björn Höglund, Julian Gill, Roney Lundell, Ace Frehley spelning, Shock Me, Alive i Elvis källare, Let Me Go Rock'roll, Elvis Presley, Åhléns skivavdelning, Elvis tjocka skivback, Eric Vara limiterade skivor, Kalle Sändare, Crazy Nights, Double Platinum (bildskiva), Bernts jätte jätte jätte dyra musikanläggning, Roney Lundell, KISS Killers (det lät bättre förr), half-speed master, Animalize, Skivbörsen, Record Hunter, Nostalgipalatset, Kiss i Syd-Amerika, Mycket beröm, ångestgarderoben, Magnus Fredriksson, Johan Carlén, Patrik Ek, Johan Kihlberg, Christer Gustafsson, Magnus Rouden, Mikael Almse, Lennart Wilzen, Simon Wilzén, Anders Tim, Guns'n'Roses, musrock, Chris Laney, Emil Örtenmark, Carl Linneaus, Patrick Larsen, Alex Bergdahl, Daniel Westman, Henrik från Trollhättan, Johan Rönn, Fredrik Axberg, Magnus Mjöhagen, Rosfeber, WASP, Blacky Lawless, Johan Strömqvist, Magna Carta, Rammstein, Ghost påven, Depeche Mode, Setlist.fm, Tove Styrke, Sirhat, Dalhalla, kär och galen, Double Platinum. Kjss i Sverige.

On Friday, March 24th, Kameron Duty and Alive Unplugged performed a sixty minute set to a livestream crowd full of rock ‘n' roll animals! Songs include “Detroit Rock City”, “Shock Me”, “100,000 Years” and more!Crank this one up to eleven and tell your friends about Alive Unplugged: The Music of KISS!

Gäst: Roney Lundell Roney har många funderingar i sitt huvud, vi börjar med åtta små KISS mysterier som Roney har funderat på. Roney undrar över följande: Kiss Meets the Phantom Black Diamond Mark St. John Alive II, överraskning? I want You att följa med i texten Vinnie Vincent solo Varför pratar inte Gene med publiken Life in the Woods, om interaktion med publiken. Detta har vi pratat om: Kiss meets the phantom, stuntman stunts unlimited, Beverly Hills Coo, Blues Brothers, Star Trek, Falcon Crest, Roger Moore, Beth, Rick Dees, Disco Duck, Rock'n'Roll All Nite, Baltimore, Poghkeepsie, Mark St John, Binghampton, Bruce Kulick, Black Diamond, Shock Me, Alive II, I Want You, Korven - Lasse O'Månsson, Vinnie Vincent, Sioux City, Daisy, Life in the Woods, Deuce, Forehouse, Strutter, Ladies Room, Genes soloalbum, Julian Gill, Peter Criss.

“We've got a little surprise for you tonight…”   We've been talking about doing this for so long now that many of you (ourselves included) had almost given up thinking it was ever going to happen, like it was just another instance of the usual psilly nonsense that manifests deep within the Bunkerpoon Studios whilst surfing relaxer fueled waves of madness.   Well, the aforementioned “psilly nonsense” has finally manifested into a multi-dimensional, multi-tentacled reality!     Now, just so we're perfectly clear and we're all on the same page here, we are absolutely NOT talking about “Knights in Satan's Service” or “Kids in Satan's Service” or ANYTHING having any affiliation with “Satan's Service” in any way, shape, or form!!!   And we're definitely NOT talking about “Keeping it Super Simple” either.   But actually, in all reality, we definitely kinda are… And we definitely kinda did…  A lot. (“Yeah, yeah…”)   It's time to strap in for “a hard day at the office” and put on your finest “cheetah skin boots” to go with your “gloves of shame” to ensure you're outfitted with the proper ensemble to do “The Paul Dance” before Mr. Unicorn gnaws through another mic cable again.  Always remember that the code word is “airhorn” and JOIN US for a multi-part trip through The Chronicles.   Visit www.metalnerdery.com/podcast for more on this episode Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on the iTunes/Apple Podcasts - Spotify or your favorite Podcast app Listen on iTunes, Spotify, Podbean, Google Podcasts or wherever you get your Podcasts. Follow us on the Socials: Facebook - Instagram - Twitter Email: metalnerdery@gmail.com   Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast   Show Notes: (00:01): “That dude was me…” #crispyjello / “We FINALLY made it!!!” / It's the wild wide mouth… / #thisepisodesclinkyoftheepisode #SinEater #shroomy ***WARNING: #listenerdiscretionisadvised / ***WELCOME BACK TO THE METAL NERDERY PODCAST!!!*** #thisepisodesbeerbeforetheepisode #Abita #BubbleGumJuicyIPA / ***Shroom Chronicles Edition*** #shroomchroniclesASMR #psilocybinASMR / #rubbingthebuttonASMR / #thisepisodesbeeroftheepisode #AkademiaBrewingCompany #DeathRipperVolumeEight (cool #albumcovers) #sixpercentABV / #costcoboozebythedrum / “You can't tell the difference if you put it in Coca-Cola”    (6:54): #TheVoicemailSegment ***GIVE US A CALL AND LEAVE US A VOICEMAIL AT 980-666-8182!!!*** / #pissingpost #thewordisairhorn / “Somebody #buttdialed us…” / An update regarding the week… / #SixFlags vs #DollyWood / #rollercoasterASMR / “Boy, that'd wear your ass out…” #markthetime / #spiritualASMR #whatsthatnoise “He'll do anything to NOT listen to #KISS” / Sabotaged by #theblackdog / #chewedcableASMR / “At some point, don't tits transform into boobs?” / Dolly Parton and Rob Halford and Jolene / #bigonmicburpASMR / Russ says #boobs the best / “I want to see what the downstairs looks like…” / “Have you seen Madonna lately?” / #justbeyourself / “#daylightsavingstime is the longest day of the year” #endDSTforever (Actually it's Arizona and Hawaii).   (19:44): #TheDocket KISS and going back in time to our younger years / “I did have the KISS lunchbox…and the posters” / #KISS on #ScoobyDoo / “His real name is #GeneSimmonsFromKISS” / #shroomchroniclesASMR / “You only get one Parasite…” / This is NOT an #insidethemetal of KISS / #Anthrax PARASITE / “If mine was catching you, it's gold…” / “That was a juicy one…” / A note regarding the #KissMyAssCompilation / #Motorhead SHOUT IT OUT LOUD / #DeathAngel COLD GIN (from Frolic Through the Park)   (29:44): “We're doing good…” / KISS ALIVE! II #guitarsolo on SHOCK ME (about 4 minutes in…) / “It's built like a tank…” #guitarpicktappingASMR / “Who was one of the first guitarists to do tapping?” / “Can you imagine #EVH in KISS?” / “What was the first KISS song you remember hearing as a kid?” / “That's like the Enter Sandman of KISS…” / “They had the stereo turned up to #twelveteen back in the 70's…”    (36:35):  #kabukiASMR / The future of KISS will be continued by #KISSKlones / KISS was all about “The Show” / the impact of #disco on 70's rock / DETROIT ROCK CITY #killeropener (from Destroyer) “That's a sloppy eater…” / “The most progressive #dualguitarsolo they ever did” / “It's almost like Maiden…” / “Okay, seriously…” / KISS didn't really explode in popularity until after the release of ALIVE! / Remember the #KISSsoloalbums?   (47:27): “Did you find the one I showed ya?” / #shoutout to #MrUnicorn and #theblackdog #cablechewingASMR / #Sershen&Zaritskaya I WAS MADE FOR LOVIN' YOU (It's time for #ThePaulDance) / “It's hotter when she sings it…” / “This is difficult for me…” / Fast forward to “Music From The Elder” … / “It's like their Loads…” / “You know what's sad when I look at this…besides everything?” / MR. BLACKWELL (“I don't hate this) / From Creatures of the Night; I LOVE IT LOUD #allthecokelines (Eric Carr pounded the skins with a Bonhamesque intensity).   (57:01): If you were gonna play just one from Lick It Up and a word from #Damone #killeropener EXCITER (It's their #ExciterMoment) / And now, a #longdistancededication… / LICK IT UP #deepbreathandbegin “Look at those boots…” #cheetahskinbootsASMR #thecomplicatedpart #thatwashilarious   (1:02:45): “Yessir, they're workin'…” / #microdoseASMR / From Animalize HEAVENS ON FIRE #ThePaulDance “He got a lotta tang in the 80's…” / “Before we play the good song…” / “This is the hardest thing you'll do all day…” / From Asylum TEARS ARE FALLING #theglovesofshame “What are they wearing?” ***Go watch the #musicvideo for this!!!***/ KING OF THE MOUNTAIN #drumintro / From Crazy Nights NO NO NO #BruceKulickSoloASMR / “That man has never willingly done drugs…” / TURN ON THE NIGHT and #KarateKidReboot / “Don't you dare get them confused…”   (1:12:50): Carnival of Souls (aka their heaviest album) / “Make-up or not make-up?” / RAIN #groovemetalKISS MASTER AND SLAVE “It's pretty meaty…” #grungeKISS JUNGLE and IT NEVER GOES AWAY #doomKISS / Various contributing song writers / Psycho Circus (“…sounds like a better produced 70's KISS album…”) #pulpfucktion YOU WANTED THE BEST    (1:26:50): “What's the most offensive KISS song?” / “Gene Simmons vs Wilt Chamberlain?” BURN BITCH BURN #nocokelines / And now back to Lick It Up to close things out / FITS LIKE A GLOVE #readthoselyrics #noteven / ***THANK YOU FOR JOINING US FOR THIS EPISODE OF THE SHROOM CHRONICLES AND METAL (KISS) NERDERY!!!*** / “Is that a full bottle of nuts?”/ Unintended #BlackAlbumReference / #untilthenext “Go buy some #glovesofshame and do #ThePaulDance” / ***GO PURCHANDISE SOME METAL NERDERY MERCHANDISE AT metalnerdery.com/merch *** / #outroreel #hehahuh #nosebreathingASMR   

Taken from the November 5th broadcast of the acclaimed Argentinian radio program “Soy Kissero”, enjoy this 45 minute set of KISS classics and a few rarities. Songs include “Creatures of the Night”, “Shock Me”, “I Was Made For Lovin' You”, ”Shandi”, “I Can't Stop The Rain”, and MORE! A big THANK YOU is in order for our new friends at Soy Kissero for bringing the music of “Alive Unplugged” to Latin America!Check out Soy Kissero at the link below: www.mixtaperadio.com.ar 

Originally broadcast Saturday, June 25th, join Alive Unplugged for their newest Facebook Live event known as “Talk To Me”, in which host Kameron Duty performs a handful of KISS tunes, and answers questions from the viewing audience. Thanks to all who participated in this very cool livestream! Songs in this set include, “Love Gun”, “Shock Me” and more! Come be part of fun, and tell your friends about Alive Unplugged: The Music of KISS!

Episode 23- The KISS Family Tree: Ace FrehleyOn this episode Nick, Nikko and Rob discus The original Spaceman (a.k.a) The Space Ace, Mr. Ace Frehley! How did each of the guys discover Ace? What is it that makes Ace so damn good? How does a guy that says "if I would have know I would have inspired so many people to pick up the guitar, I would have studied more" , do just that? Those are the questions we discuss on this episode, from the flaming guitar solo, to the out of the world antics on and off stage. Let's take a Rocket Ride past  Frehley's Comet to Jendell. This show is all about Ace Frehley!Links:        https://right-between-the-eyes-podcast.simplecast.com/Twitter @RBTEpodcast https://twitter.com/RBTEpodcast                      @NCarusoJr https://twitter.com/NCarusoJr                       @NikkoCaruso https://twitter.com/NikkoCaruso             @DrummerRob10 https://twitter.com/DrummerRob10                www.facebook.com/RightBetweenTheEyesPodcast                https://www.instagram.com/rightbetweentheeyespodcast/                email: rightbetweentheeyespodcast@gmail.com

Year's before Tommy Thayer was singing Shock Me with Kiss, he was singing Shock Me with Cold Gin, often in front of Kiss. Years before that, he was a member of the glam hair band, Black'n'Blue with Jamie St. James and some other kids. This week, Duncan and Nik deep dive into this forgotten LP. What's really special about this one is all the Kiss talk it engenders. It's produced by one Gene Simmons. Find out what Kiss is in these grooves. www.instagram.com/devansmusic www.instagram.com/glacially_musical --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

This week Tom & Zeus open their 4th season by reviewing the 1977 classic KISS album, Love Gun! This was KISS' 6th studio album and maybe the peak of their career. KISS was just named the most popular band in America in a Gallup Poll, beating out The Eagles, Led Zeppelin and Aerosmith. The album was shipped platinum and was KISS' first album to reach the top 5 on Billboard 200, reaching number 4.The legendary album cover was painted by Ken Kelly who had painted the album cover for Destroyer. There was also the infamous cardboard cutout LOVE GUN included in the packaging. The band continued their winning formula with Eddie Kramer, who produced this album. KISS also received co-producer credit for the first time.This platinum album was the first album to feature all 4 members of the band handle lead vocal duties, when Ace Frehley sang his signature song, Shock Me. The opening riff of I Stole Your Love, the legendary opening piano/keyboard of Christine Sixteen and the title track, Love Gun which Paul Stanley called "quintessential KISS" and many of the KISS Army's favorite deep cuts make this album review one of a kind.As usual the guys breakdown and analyze the tracks and rank the songs SIOL style. As always they then rank the album and the album cover against the previous KISS studio albums reviewed.So don't be a Hooligan and make us pull out our Love Gun!Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:SIOL Patreon Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

This week Tom & Zeus open their 4th season by reviewing the 1977 classic KISS album, Love Gun! This was KISS' 6th studio album and maybe the peak of their career. KISS was just named the most popular band in America in a Gallup Poll, beating out The Eagles, Led Zeppelin and Aerosmith. The album was shipped platinum and was KISS' first album to reach the top 5 on Billboard 200, reaching number 4. The legendary album cover was painted by Ken Kelly who had painted the album cover for Destroyer. There was also the infamous cardboard cutout LOVE GUN included in the packaging. The band continued their winning formula with Eddie Kramer, who produced this album. KISS also received co-producer credit for the first time. This platinum album was the first album to feature all 4 members of the band handle lead vocal duties, when Ace Frehley sang his signature song, Shock Me. The opening riff of I Stole Your Love, the legendary opening piano/keyboard of Christine Sixteen and the title track, Love Gun which Paul Stanley called "quintessential KISS" and many of the KISS Army's favorite deep cuts make this album review one of a kind. As usual the guys breakdown and analyze the tracks and rank the songs SIOL style. As always they then rank the album and the album cover against the previous KISS studio albums reviewed. So don't be a Hooligan and make us pull out our Love Gun! Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon   Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below: SIOL Merchandise at Klick Tee Shop   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Tom & Zeus open their 4th season by reviewing the 1977 classic KISS album, Love Gun! This was KISS' 6th studio album and maybe the peak of their career. KISS was just named the most popular band in America in a Gallup Poll, beating out The Eagles, Led Zeppelin and Aerosmith. The album was shipped platinum and was KISS' first album to reach the top 5 on Billboard 200, reaching number 4.The legendary album cover was painted by Ken Kelly who had painted the album cover for Destroyer. There was also the infamous cardboard cutout LOVE GUN included in the packaging. The band continued their winning formula with Eddie Kramer, who produced this album. KISS also received co-producer credit for the first time.This platinum album was the first album to feature all 4 members of the band handle lead vocal duties, when Ace Frehley sang his signature song, Shock Me. The opening riff of I Stole Your Love, the legendary opening piano/keyboard of Christine Sixteen and the title track, Love Gun which Paul Stanley called "quintessential KISS" and many of the KISS Army's favorite deep cuts make this album review one of a kind.As usual the guys breakdown and analyze the tracks and rank the songs SIOL style. As always they then rank the album and the album cover against the previous KISS studio albums reviewed.So don't be a Hooligan and make us pull out our Love Gun!For all things Shout It Out Loudcast check out our amazing website by clicking below:www.ShoutItOutLoudcast.comInterested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below:SIOL Patreon Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below:SIOL Merchandise at Klick Tee Shop Please Email us comments or suggestions by clicking below:ShoutItOutLoudcast@Gmail.com Please subscribe to us and give us a 5 Star (Child) review on the following places below:iTunesPodchaserStitcheriHeart RadioSpotify  Please follow us and like our social media pages clicking below:TwitterFacebook PageFacebook Group Page Shout It Out LoudcastersInstagramYouTube Proud Member of the Pantheon Podcast click below to see the website:Pantheon Podcast Network

This week Tom & Zeus open their 4th season by reviewing the 1977 classic KISS album, Love Gun! This was KISS' 6th studio album and maybe the peak of their career. KISS was just named the most popular band in America in a Gallup Poll, beating out The Eagles, Led Zeppelin and Aerosmith. The album was shipped platinum and was KISS' first album to reach the top 5 on Billboard 200, reaching number 4. The legendary album cover was painted by Ken Kelly who had painted the album cover for Destroyer. There was also the infamous cardboard cutout LOVE GUN included in the packaging. The band continued their winning formula with Eddie Kramer, who produced this album. KISS also received co-producer credit for the first time. This platinum album was the first album to feature all 4 members of the band handle lead vocal duties, when Ace Frehley sang his signature song, Shock Me. The opening riff of I Stole Your Love, the legendary opening piano/keyboard of Christine Sixteen and the title track, Love Gun which Paul Stanley called "quintessential KISS" and many of the KISS Army's favorite deep cuts make this album review one of a kind. As usual the guys breakdown and analyze the tracks and rank the songs SIOL style. As always they then rank the album and the album cover against the previous KISS studio albums reviewed. So don't be a Hooligan and make us pull out our Love Gun! Interested in more Shout It Out Loudcast content? Care to help us out? Come join us on Patreon by clicking below: SIOL Patreon   Please go to Klick Tee Shop for all your Shout It Out Loudcast Merchandise by clicking below: SIOL Merchandise at Klick Tee Shop   Please Email us comments or suggestions by clicking below: ShoutItOutLoudcast@Gmail.com   Please subscribe to us and give us a 5 Star (Child) review on the following places below: iTunes Podchaser Stitcher iHeart Radio Spotify   Please follow us and like our social media pages clicking below: Twitter Facebook Page Facebook Group Page Shout It Out Loudcasters Instagram YouTube   Proud Member of the Pantheon Podcast click below to see the website: Pantheon Podcast Network Learn more about your ad choices. Visit megaphone.fm/adchoices

BANG! KISS returns to New York City with producer Eddie Kramer to record at the Record Plant and mix at Electric Lady to produce the last of the "classic" KISS studio albums. With Ebows, keyboards, & backup singers KISS marry the immediacy of Rock and Roll Over with a touch of the production sheen of Destroyer. In three weeks the band captures such signature songs as Ace's vocal debut "Shock Me," and the concert staple title track! --- Support this podcast: https://anchor.fm/david-blake-lucarelli/support

Keith innocently asks Steve how he finds new music.Steve replies with a case study of how he discovered the rock band Baroness only to unwittingly become their biggest fan for a brief period in 2019.If you want to check out Baroness, here are a few songs to whet your appetite:"A Horse Called Golgotha" from Blue Record"Take My Bones Away" from Yellow & Green"Morningstar" from Purple"Borderlines" from Gold & Grey"March to the Sea" from Yellow & Green"The Gnashing" from Blue Record"Bullhead's Lament" from Blue Record"Seasons" from Gold & Grey"Eula" from Yellow & Green"Pale Sun" from Gold & Grey"Isak" from Red"Shock Me" from Purple"The Sweetest Curse" from Blue RecordSupport the show (https://teespring.com/stores/the-new-dad-rock)

Gestur þáttarins að þessu sinni er séra Davíð Þór Jónsson sem margir þekkja betur sem Radíusbróður en prest. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er sjötta hljóðversplata hljómsveitarinnar Kiss, Love Gun, sem kom út 30. Júní 1977. Þessi plata hefur alltaf minnt umsjónarmann á jólin einhverra hluta vegna og þess vegna, ohg vegna þess að trommarinn Peter Criss á afmæli í dag, 73 ára gamall í dag, var Love Gun valin sem plata þáttarins. Love Gun er fyrsta plata Kiss þar sem gítarleikarinn Ace Frehley syngur lag, en hann sem og syngur á plötunni lagið Shock Me. Hin lögin eru flest eftir gítarleikarann Paul Stanley, eða bassaleikarann Gene Simmons, en eitt lag er líka eftir Peter Criss trommara, og Love Gun er fyrsta plata Kiss þar sem allir liðsmenn eiga lög og syngja sín eigin lög. Love Gun er jafnframt síðasta plata Kiss þar sem Peter Criss spilaði í öllum lögum, en á næstu plötu, Dynasty, sem kom út 1979 trommar Criss bara í einu lagi, en Anton nokkur Fig trommar öll hin. Áður en platan kom út gerði Gallup könnun í Bandaríkjunum á því hvaða hljómsveit væri vinsælasta hljómsveit Bandaríkjanna, og þar lenti Kiss í fyrsta sæti á undan böndum eins og Aerosmith, Led Zeppelin og Eagles svo dæmi séu tekin. 26. - 28. ágúst ?77 þegar Kiss var að fylgja plötunni eftir hljóðritaði sveitin þrenna tónleika í LA Forum og þær upptökur voru gefnar út á tónleikaplötunni Alive II fyrir jólin ?77. Umslag plötunmar teiknaði Ken Kelly sem teiknaði líka umslag plötunnar Destroyer árið 1976. Þetta var svo spilað í kvöld: Austurvígstöðvarnar - Útvarp Satan The Kinks - Father christmas R.E.M - Mine smell like honey Kiss - I stole your love (plata þáttarins) Smashing Pumpkins - Christmastime VINUR ÞÁTTARINS James Gang - Walk away Skálmöld - Niðavellir Dúkkulísur og Stebbi Jak - Hátíð fer að höndum ein SÍMATÍMI Ellertson - Þorláksmessa Nightwish - Walking in the air (the snowman) (óskalag) Bob Dylan - Must be Santa (óskalag) Iron Maiden - Seventh son of a seventh son Kiss - Shock me (plata þáttarins) Laddi - Rokkað út jólin (óskalag) Chcuk Berry - Run Rudolph run Ian Gillan & Jon Lord - If this ain?t the blues (óskalag) Bruce Springsteen - Santa claus is coming to town DAVÍÐ ÞÓR JÓNSSON - GESTUR FUZZ Austurvígstöðvarnar - Arnþrúður er full DAVÍÐ ÞÓR II Stranglers - London lady DAVÍÐ ÞÓR II Stranglers - Hangin around The Ramones - Merry christmas (i don?t wanna fight) Twisted Sister - I saw mommy kissing santa claus (óskalag) Deep Purple - Speed king (óskalag)

Gestur þáttarins að þessu sinni er séra Davíð Þór Jónsson sem margir þekkja betur sem Radíusbróður en prest. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er sjötta hljóðversplata hljómsveitarinnar Kiss, Love Gun, sem kom út 30. Júní 1977. Þessi plata hefur alltaf minnt umsjónarmann á jólin einhverra hluta vegna og þess vegna, ohg vegna þess að trommarinn Peter Criss á afmæli í dag, 73 ára gamall í dag, var Love Gun valin sem plata þáttarins. Love Gun er fyrsta plata Kiss þar sem gítarleikarinn Ace Frehley syngur lag, en hann sem og syngur á plötunni lagið Shock Me. Hin lögin eru flest eftir gítarleikarann Paul Stanley, eða bassaleikarann Gene Simmons, en eitt lag er líka eftir Peter Criss trommara, og Love Gun er fyrsta plata Kiss þar sem allir liðsmenn eiga lög og syngja sín eigin lög. Love Gun er jafnframt síðasta plata Kiss þar sem Peter Criss spilaði í öllum lögum, en á næstu plötu, Dynasty, sem kom út 1979 trommar Criss bara í einu lagi, en Anton nokkur Fig trommar öll hin. Áður en platan kom út gerði Gallup könnun í Bandaríkjunum á því hvaða hljómsveit væri vinsælasta hljómsveit Bandaríkjanna, og þar lenti Kiss í fyrsta sæti á undan böndum eins og Aerosmith, Led Zeppelin og Eagles svo dæmi séu tekin. 26. - 28. ágúst ?77 þegar Kiss var að fylgja plötunni eftir hljóðritaði sveitin þrenna tónleika í LA Forum og þær upptökur voru gefnar út á tónleikaplötunni Alive II fyrir jólin ?77. Umslag plötunmar teiknaði Ken Kelly sem teiknaði líka umslag plötunnar Destroyer árið 1976. Þetta var svo spilað í kvöld: Austurvígstöðvarnar - Útvarp Satan The Kinks - Father christmas R.E.M - Mine smell like honey Kiss - I stole your love (plata þáttarins) Smashing Pumpkins - Christmastime VINUR ÞÁTTARINS James Gang - Walk away Skálmöld - Niðavellir Dúkkulísur og Stebbi Jak - Hátíð fer að höndum ein SÍMATÍMI Ellertson - Þorláksmessa Nightwish - Walking in the air (the snowman) (óskalag) Bob Dylan - Must be Santa (óskalag) Iron Maiden - Seventh son of a seventh son Kiss - Shock me (plata þáttarins) Laddi - Rokkað út jólin (óskalag) Chcuk Berry - Run Rudolph run Ian Gillan & Jon Lord - If this ain?t the blues (óskalag) Bruce Springsteen - Santa claus is coming to town DAVÍÐ ÞÓR JÓNSSON - GESTUR FUZZ Austurvígstöðvarnar - Arnþrúður er full DAVÍÐ ÞÓR II Stranglers - London lady DAVÍÐ ÞÓR II Stranglers - Hangin around The Ramones - Merry christmas (i don?t wanna fight) Twisted Sister - I saw mommy kissing santa claus (óskalag) Deep Purple - Speed king (óskalag)

Gestur þáttarins að þessu sinni er séra Davíð Þór Jónsson sem margir þekkja betur sem Radíusbróður en prest. Hann mætir með uppáhalds ROKKplötuna sína klukkan 21.00 Plata þáttarins er sjötta hljóðversplata hljómsveitarinnar Kiss, Love Gun, sem kom út 30. Júní 1977. Þessi plata hefur alltaf minnt umsjónarmann á jólin einhverra hluta vegna og þess vegna, ohg vegna þess að trommarinn Peter Criss á afmæli í dag, 73 ára gamall í dag, var Love Gun valin sem plata þáttarins. Love Gun er fyrsta plata Kiss þar sem gítarleikarinn Ace Frehley syngur lag, en hann sem og syngur á plötunni lagið Shock Me. Hin lögin eru flest eftir gítarleikarann Paul Stanley, eða bassaleikarann Gene Simmons, en eitt lag er líka eftir Peter Criss trommara, og Love Gun er fyrsta plata Kiss þar sem allir liðsmenn eiga lög og syngja sín eigin lög. Love Gun er jafnframt síðasta plata Kiss þar sem Peter Criss spilaði í öllum lögum, en á næstu plötu, Dynasty, sem kom út 1979 trommar Criss bara í einu lagi, en Anton nokkur Fig trommar öll hin. Áður en platan kom út gerði Gallup könnun í Bandaríkjunum á því hvaða hljómsveit væri vinsælasta hljómsveit Bandaríkjanna, og þar lenti Kiss í fyrsta sæti á undan böndum eins og Aerosmith, Led Zeppelin og Eagles svo dæmi séu tekin. 26. - 28. ágúst ?77 þegar Kiss var að fylgja plötunni eftir hljóðritaði sveitin þrenna tónleika í LA Forum og þær upptökur voru gefnar út á tónleikaplötunni Alive II fyrir jólin ?77. Umslag plötunmar teiknaði Ken Kelly sem teiknaði líka umslag plötunnar Destroyer árið 1976. Þetta var svo spilað í kvöld: Austurvígstöðvarnar - Útvarp Satan The Kinks - Father christmas R.E.M - Mine smell like honey Kiss - I stole your love (plata þáttarins) Smashing Pumpkins - Christmastime VINUR ÞÁTTARINS James Gang - Walk away Skálmöld - Niðavellir Dúkkulísur og Stebbi Jak - Hátíð fer að höndum ein SÍMATÍMI Ellertson - Þorláksmessa Nightwish - Walking in the air (the snowman) (óskalag) Bob Dylan - Must be Santa (óskalag) Iron Maiden - Seventh son of a seventh son Kiss - Shock me (plata þáttarins) Laddi - Rokkað út jólin (óskalag) Chcuk Berry - Run Rudolph run Ian Gillan & Jon Lord - If this ain?t the blues (óskalag) Bruce Springsteen - Santa claus is coming to town DAVÍÐ ÞÓR JÓNSSON - GESTUR FUZZ Austurvígstöðvarnar - Arnþrúður er full DAVÍÐ ÞÓR II Stranglers - London lady DAVÍÐ ÞÓR II Stranglers - Hangin around The Ramones - Merry christmas (i don?t wanna fight) Twisted Sister - I saw mommy kissing santa claus (óskalag) Deep Purple - Speed king (óskalag)

Shock Me, Movie Mad Lib, 69 Things Men Love, and more.

Pod of Thunder - 235 - Shock Me: Chris, Nick, and Andy break down "Shock Me" from 1977's Love Gun. Tags: kiss, kiss podcast, pod of thunder, kiss army, shock me, love gun, ace frehley, gene simmons, paul stanley, peter criss

Welcome to the Criterion Creeps podcast. A podcast hosted by two chums (Jarrett Duncan and RJ Balog) talking about the Criterion Collection in chronological order. In our fifteenth episode we're talking spines #18 & 19: Samuel Fuller's THE NAKED KISS from 1964 and SHOCK CORRIDOR from 1963! First we talk about what we've been watching, and what's been chapping our asses! ETERNAL SUNSHINE is going to be a tv show, ALADDIN is going to get a live action remake, and Leonard Cohen is ready to die. Introduction is 'Criterion Creeps Theme' by petite petite, and musical interludes are Hall & Oates' "Kiss On My List", "Shock Treatment" from the Shock Treatment soundtrack and KISS' "Shock Me". Like us on Facebook! www.facebook.com/criterioncreeps/ Follow us on that Twitter! twitter.com/criterioncreeps Follow us on Instagram! instagram.com/criterioncreeps You can also subscribe to us on Soundcloud, iTunes, and Stitcher!

Oh boy. Stephen is pissed. We decided to hop on and just hang out. Turns out, I caught Stephen in a sour mood about the Tourniquet "Pathogenic Ocular Dissonance" vinyl release. This is one of the funniest rants we've ever done. Grab a drink (we did) and listen to us discuss what we got for Christmas, Lemmy, our heroes dying and we cover every single album released in 2015...pretty much. This is a straight up "ring in the new year" partycast with 42 music clips. ONWARD TO 2016! Chapter 41 Music: Tourniquet: "Gelatinous Tubercles Of Purulent Ossification" Tourniquet: "Twilight" Tourniquet: "Crawl To China" Rush: "Dreamline" Motorhead: "Heroes" Motorhead: "One Short Life" Swans: "We Will Survive" The Armed: "Future Drugs" Baroness: "Kerosene" Carved Up: "Hot Pocket" Cloudkicker: "Emfargo" Coliseum: "Wrong Goodbye" Foo Fighters: "Sean" High On Fire: "Luminiferous" Intronaut: "The Unlikely Event Of A Water Landing" KENmode: "A Passive Disaster" Killing Joke: "New Cold War" Know Nothing: "Well Deserved Human Suffering" Maranatha: "Violet" Mutoid Man: "Reptilian Soul" Our Oceans: "What If" Stryper: "After Forever" Built To Spill: "Living Zoo" Sumac: "The Thorn In The Lion's Paw" Torche: "Loose Men" Torche: "Barrier Hammer" Umphrey's McGee: "Bad Friday" War On Women: "Servilla" The Wolf And The Epitaph: "Let The Waves Smash And The Lightning Crash" Faith No More: "Motherfucker" Baroness: "Try To Disappear" Zao: "Xenophobe" The Darkness: "Last Of Our Kind" Mew: "Satellites" Failure: "Hot Traveler" The Caterpillars: "Worth The Change" Slayer: "Repentless" David Gilmore: "Rattle The Lock" Clutch: "X Ray Visions" Enya: "Echoes In Rain" Crosss: "Interlocutor" Baroness: "Shock Me" As The Story Grows links: Patreon Twitter Facebook Website Music and Merch iTunes feedback YouTube Email: asthestorygrows@gmail.com

This Show: Syka! Included in the interview are their songs "Shock Me" and " Suffer in Silence"

Episode 99, October 28, 2014. The new KISS Love Gun Deluxe was released today. We sit down and give you a track by track review of the bonus disc featuring demos, interviews and live tracks. Is this worth buying? What would make it better? The live Shock Me track features the entire Ace Frehley solo […]

In this super-long episode of Dread Media, Desmond Reddick interviews the publisher of Radical Comics, Barry Levine, about new comics, movie soundtracks and KISS! Then Michael David Sims from Earth-2.net joins Desmond to review Radical Comics' first two offerings: Hercules #1 and Caliber #1. That's not all! DW joins the Dread Media family with a review of Siren for the PS2 in a new segment of video game reviews called Brainscan. Tunes include: "Shout at the Devil" by Motley Crue, "God of Thunder" and "Shock Me" by KISS and "Goin' Blind" by The Melvins. Enjoy!

In this super-long episode of Dread Media, Desmond Reddick interviews the publisher of Radical Comics, Barry Levine, about new comics, movie soundtracks and KISS! Then Michael David Sims from Earth-2.net joins Desmond to review Radical Comics' first two offerings: Hercules #1 and Caliber #1. That's not all! DW joins the Dread Media family with a review of Siren for the PS2 in a new segment of video game reviews called Brainscan. Tunes include: "Shout at the Devil" by Motley Crue, "God of Thunder" and "Shock Me" by KISS and "Goin' Blind" by The Melvins. Enjoy!

In this super-long episode of Dread Media, Desmond Reddick interviews the publisher of Radical Comics, Barry Levine, about new comics, movie soundtracks and KISS! Then Michael David Sims from Earth-2.net joins Desmond to review Radical Comics' first two offerings: Hercules #1 and Caliber #1. That's not all! DW joins the Dread Media family with a review of Siren for the PS2 in a new segment of video game reviews called Brainscan. Tunes include: "Shout at the Devil" by Motley Crue, "God of Thunder" and "Shock Me" by KISS and "Goin' Blind" by The Melvins. Enjoy!

In this super-long episode of Dread Media, Desmond Reddick interviews the publisher of Radical Comics, Barry Levine, about new comics, movie soundtracks and KISS! Then Michael David Sims from Earth-2.net joins Desmond to review Radical Comics' first two offerings: Hercules #1 and Caliber #1. That's not all! DW joins the Dread Media family with a review of Siren for the PS2 in a new segment of video game reviews called Brainscan. Tunes include: "Shout at the Devil" by Motley Crue, "God of Thunder" and "Shock Me" by KISS and "Goin' Blind" by The Melvins. Enjoy!