Podcast appearances and mentions of Steve Rubell

In a historical timeline of decadence and self-indulgence, after Rome's decline and the symbolic allure of The Great Gatsby's green light, there was a place known as Studio 54. For 33 vibrant months, this New York City nightclub emerged as a dazzling epicenter of extravagance, hedonism, and a haven for those who appreciated an unforgettable party. If Studio 54 were a temple, its founders, Steve Rubell and Ian Schrager, were its charismatic leaders, orchestrating nightly celebrations filled with disco, indulgence, and risky choices. #Studio54 #NewYorkCitynightclub #SteveRubell #IanSchrager #decadence #disco #hedonism #historicaldecadence #partyculture See show notes: https://inlet.fm/weird-history/episodes/67efe785b01da0a4729dd949 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Podcast Overview: In this conversation, Fat Tony shares his experiences in the music industry, discussing the impact of violence, cultural shifts, and the evolution of nightlife. He reflects on his journey from a troubledyouth to a successful DJ, the role of addiction in his life, and the importance of creating safe spaces in clubbing. The discussion also touches on imposter syndrome, personal growth, and the significance of honesty and acceptance in recovery. In this conversation, Fat Tony shares his profound journey through addiction and recovery, emphasizing the importance of self-acceptance, honesty, and community. He reflects on his past struggles with ego, forgiveness, and the impact of his relationships, particularly with his father. The discussion highlights the daily practices that sustain recovery, the joy of living authentically, and the significance of giving back to the community. Fat Tony's insights serve as a powerful reminder of the ongoing work required to maintain mental health and personal growth.Who Is Fat Tony: Starting his career 3 decades ago at an age too young to mention, Fat Tony has had his say in paving the way for the UK's current music scene. Early on he won residencies for Trade at Turnmills, Egg and Limelight while also making his mark in New York holding a weekly show at The Palladium for Steve Rubell during the height of Paradise Garage. He has also graced the main floor of Privilege Ibiza, Space, Amnesia and DC10. A regular at Ministry of Sound and Glitterbox, Tony has already in this short season of 2021 played Defected Festival in Croatia, One Out & Wilderness Festival and countless other venues with The Warehouse Project and so much more around the corner. As official DJ to the Beckhams and Versace, he is also one of the fashion scene's go to performersJoin for updates: https://laylo.com/willclarke⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

The artist Francesco Clemente may have been born and raised in Naples, but—having lived and worked around the world, including in Rome, India, New York City, and New Mexico—he considers himself a citizen of no place. Widely known for his work across mediums, from drawings and frescoes to mosaics, oils, and sculptures, Clemente makes art that evokes his mystical perspective, with his paintings often featuring spiritual subjects or dreamlike symbols. Beyond exhibiting in galleries and museums, over the years Clemente has also made works for a variety of other venues, including a nightclub, a hotel, a Hollywood film, and the Metropolitan Opera. This fall, his work (and name) will be central to his latest unusual project: the soon-to-open Clemente Bar at chef Daniel Humm's three-Michelin-starred restaurant Eleven Madison Park.On the episode, Clemente discusses his collaboration with Humm, frescoes as the most luminous artistic medium, his deep affinity with India, and the certain timeworn quality to his art.Special thanks to our Season 10 presenting sponsor, L'École, School of Jewelry Arts.Show notes:Francesco Clemente[3:55] Clemente Bar[3:55] Eleven Madison Park[3:55] Daniel Humm[3:55] Alba Clemente[7:50] Murals for the Palladium nightclub[7:50] Hudson Hotel[7:50] Ian Schrager[8:43] Arata Isozaki[8:43] Philippe Starck[8:43] Kenny Scharf[8:43] Keith Haring[8:43] Jean-Michel Basquiat[8:43] Steve Rubell[9:43] Works for Great Expectations (1998)[9:43] “The Sopranos” series[9:43] Portrait of Fran Lebowitz[11:37] Portrait of Toni Morrison[23:12] Jiddu Krishnamurti[23:12] Theosophical Society[24:49] Álvaro Siza[24:49] Museo Madre[32:48] Cy Twombly[32:48] Joseph Beuys's exhibition “We Are the Revolution” (1972)[35:30] Rudolf Steiner[36:56] Letters to a Young Poet by Rainer Maria Rilke[37:57] Swami Vivekananda[39:20] Salman Rushdie[41:31] Nisargadatta Maharaj[46:51] Andy Warhol[46:51] Allen Ginsberg[48:13] William Blake[48:54] Raymond Foye[48:54] Hanuman Books[50:04] “The Four Corners” (1985)[53:36] Saint Francis

In this episode Jeremy and Tim walk us past the velvet rope and into opening night at Studio 54. They introduce us to Steve Rubell and Ian Schrager, the two businessmen who owned the club, as well as to the often overlooked Carmen D'Alessio, who's taste and art world connections were crucial to the look and feel of the party. Through these characters and more we get to learn about the founding of Studio 54. We also hear discussions on Muzak, eclecticism, returning champion Nicky Siano, and the aesthetics of ‘smoothness'. Tim and Jeremy interrogate the surprising links between Downtown and Midtown, explore how journalists tried to understand the Studio 54 phenomenon, and contemplate whether they even like disco anymore. Produced and edited by Matt Huxley. Tracklist: The Ritchie Family - Brazil  Anthony Whyte - Block Party (A Walter Gibbons Mix)  Chic - Dance Dance Dance  Santa Esmeralda - Don't Let Me Be Misunderstood 

"Neil Young's 2024 Tour with Crazy Horse: A Legendary Performance"Larry Mishkin discusses the creation of the song "The Music Never Stopped" by Bob Weir and John Perry Barlow. Weir explains his collaborative process with Barlow, where they developed lyrics together over the phone, inspired by Barlow's description of a scene from Wyoming. Weir also reflects on the importance of lyrical and musical cohesion, and the song's debut and history of performances, including at venues like the Great American Music Hall and the Palladium. The discussion transitions to Neil Young's recent tour with Crazy Horse, highlighting the band's performance and Young's energy despite his age. He also mentions upcoming events and concludes with a focus on the Grateful Dead's performance of "St. Stephen" and other songs from 47 years ago. Grateful DeadApril 30, 1977  (47 years ago, tomorrow)PalladiumNYCGrateful Dead Live at The Palladium on 1977-04-30 : Free Download, Borrow, and Streaming : Internet ArchiveAudience Tape This is another good show from 1977, but the recording quality is actually not bad considering this is an audience recording.  Since then the show has been commercially released as the first volume of the Grateful Dead Download Series if you want to hear the crisper soundboard recording.Highlights from this show are the first set Mississippi Half Step and even Looks Like Rain is played with a passion that is moving even if the song always is not. In the second set, the Dead start off with a Scarlet Begonias>Fire on the Mountain (pretty good), swing into a fun mid-set Good Lovin (common for that time, but for the last 15 years, it was almost always a set closer as an alternative to Sugar Mag) or an encore tune (send everyone home with a smile), Friend of the Devil , Estimated Prophet.  And then they blow the doors off the place with a St. Stephen>Not Fade Away>Stella Blue>St. Stephen sandwich that must be heard in full to be truly appreciated.  It's pretty awesome to hear Stella Blue transition back into the St. Stephen, an unusual pairing to say the least. Close with a Saturday Night and then yet another 1977 Terrapin Stationencore.   INTRO:                                 Music Never Stopped                                                Track #2                                                0:00 – 1:26                 Hunter Weir tune, released on Blues For Allah (Sept. 1,1975). Bob:  As a lyricist I'm glacially slow. I can generally get the job done, but it takes too damned long. So I like to work with people who have a little more facility with that—you know, John Barlow, Garrett Grant, Robert Hunter.Or I may have a general notion of the color of the rhythm and the harmonic or melodic development, and I'll sit with a guy and we just fire blank verse at each other until we start to corner that color—and then often the song will fall right out of the sky. Other times, I may have no notion of where the song wants to go, in which case I'll let whoever I'm working with surprise me. . . .“The Music Never Stopped” is a song that we wrote over the telephone. I had this business going [plays opening guitar riff, Example 13 below]. So I played this over the phone to John, and he just started spitting stuff at me. The first line came out, “There's mosquitoes on the river / Fish are rising up like birds.” He was living in Wyoming at the time on a ranch, and he started describing a situation that I'd seen with him, where it was late summer on a dry year and things were hot and kind of dull and dead.So where are we going to take this? Well, first I figured the verse is going to have to be twice as long as I originally figured, because if you're starting with an image that thick, you have to get into some detail about it. “It's been hot for seven weeks now / Too hot to even speak now / Did you hear what I just heard?” That last line came after some deliberation. It's a pregnant line, sort of like a leading tone in a harmonic development.The success of the endeavor, if you're working with a lyricist, depends on how closely the lyric marries the music. With Barlow or Gerrit Graham or whoever, there's a lot of back and forth. I guess I get to be the decider, because the words are going to have to come from my lips. And so I have to be able to tell the story.I have to be that character, because my job is to get the hell out of the way and let the character tell the story, musically and lyrically. When I'm standing in front of the microphone, I may look like me, but I'm not.If the character arrives with a really defined face and features, then it's easy for me to do my job.Fun version because almost always a first set closer and here it is opening the show.  Love that.            236 times            First:  August 13, 1975 at Great American Music Hall, San Francisco, CA, USA            Last:  June 28, 1995 at The Palace of Auburn Hills                      The Palladium:  The Palladium (originally called the Academy of Music) was a movie theatre, concert hall, and finally nightclub in New York City. It was located on the south side of East 14th Street, between Irving Place and Third Avenue.Designed by Thomas W. Lamb, it was built in 1927 across the street from the site of the original Academy of Music established by financier Moses H. Grinnell in 1852. Opened as a deluxe movie palace by movie mogul William Fox, the academy operated as a cinema through the early 1970s.Beginning in the 1960s, it was also utilized as a rock concert venue, particularly following the June 1971 closure of the Fillmore East. It was rechristened the Palladium on September 18, 1976, with the Band live radio broadcast,[1] and continued to serve as a concert hall into the following decade.In 1985, the Palladium was converted into a nightclub by Steve Rubell and Ian Schrager, after their success with Studio 54. Japanese architect Arata Isozaki redesigned the building's interior for the club.[2]Peter Gatien owned and operated the club from 1992 until 1997.The Palladium closed in August 1997 following its purchase by New York University.[3] In August 1998, the building was demolished in order to build a twelve-story residence hall that students affectionately referred to as Palladium HalThe Dead also played there when it was called the Academy of Music in a series of seven shows on their way to Europe for the '72 tour.  One of the those shows, the entire March 28, 1972 performance plus selections from March 25, 1972 and March 27, 1972 were released as Dick's Picks Vol. 30This five night Palladium run, of which today's show was the second, is famous for a lot of reasons including the part of 1977 when the Dead put together a string of some of their best shows ever, peaking on May 8, 1977, just over one week later, at Barton Hall in Ithaca, NY.  All five of these shows are well played, great tunes, and a very grooving feel that you can still pick up off of the CD or down load 47 years later.  I had most of these shows on tape and wore them out from so much playing.  Love that they previously released this show as Download Series Vol. 1 and the new Dave's Picks release, No. 50!!, is the May 3, 1977 show including some extra songs from the next night as well as the annual Dave's Picks Bonus Disc that is even more songs from the May 4th show).  If you are not listening to Dave's Picks, you are missing out on quality recordings of some of the best shows ever.How hot was the band, check out this extended jam at the end of ½ Step, the second to last song of the first set (ending with a great Promised Land) and be sure to listen for Jerry and Keith going back and forth throughout this clip:                                             SHOW No. 1:                    Mississippi ½ Step                                                Track #11                                                7:06 – 9:29 Garcia/Huner tune released on Wake of the Flood in 1973.  Also live versions included on Steal Your Face, Dick's Picks Vol. 1, Without a Net and who knows how many other Dick's/Dave's Picks releases, etc.  If you want to hear it, you can find it, easily. First performed July 16, 1972 at Dillon Stadium in Hartford, Connecticut. Followed "Me and My Uncle" and led into "Sing Me Back Home," which closed out the first set. A staple of the repertoire ever since. 236 times (exact same as Music Never stopped!)First:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at Riverport Amphitheater Maryland Heights, MO Music News: Neil Young Tour  SHOW No. 2:                    St. Stephen                                                Track #1                                                              0:00 – 1:49 Blah Blah Blah, everyone knows about St. Stephen.  Dead's Fluffhead apparently.  Because of its true melodic nature and strong lyrics, it existed long outside and after the end of Primal Dead.  Still only played a total of 187 times:                 First:  May 24, 1968 at National Guard Armory, St. Louis, MO, USA            Last:  October 31, 1983 at Marin Veteran's Memorial Auditorium, San RafaelBut post Dead hiatus year, they started making song sandwiches often based around this song.  This four song sandwich at the end of the show is so good that I had to feature all of it at the expense of some other really great tunes like Bertha, Peggy O, Looks Like Rain, Promised Land, and any tune in the second set.  This sandwich is just too cool to ignore or not give it proper due. Here is the first layer change: SHOW No. 3:                    St. Stephen>Not Fade Away                                                St. Stephen                                                Track #19                                                4:10 – end                                                INTO                                                Not Fade Away                                                Track #20                                                0:00 – 1:15 Great switch out of St. Stephen and into an amazing opening jam of NFA. I wanted to try and catch the opening lyrics but the jam went on for almost 4 minutes which is too long even for these extended clips. MJ News Check out this next transition that they pull off seamlessly: SHOW No. 4:                    Not Fade Away>Stella Blue                                                Not Fade Away                                                Track #20                                                14:15 – end                                                INTO                                                Stella Blue                                                Track #21                                                0:00 – 1:30 Beautiful how they downshift on cue from the raucous NFA into the gentle and beautiful ballad mode required for Stella Blue.  Jerry's voice is so strong and clear.  Really a treat. Not even getting to the last tune of the encore today.  Not enough time but had to close out the episode with the final sandwich transition, from Stella back into an immediate upbeat St. Stephen that is so strong I told Dan we could not edit out any of it!  What a great (almost ending) to such a great show.   Deadheads walked out knowing there were still 3 more to go!  Like going to bed and already being told the next day is a snow day! Thank you all for listening.  Please be sure to join us next week when I am joined by Rob Bleetstein of Grateful Dead Radio (show host), Pearl Jam radio and he is also the Curator for the New Riders of the Purple Sage.  He is joining us to discuss, among other things, the newly released NRPS live album “Hempsteader”.  If you haven't heard it yet, check it out.  I'm looking forward to hearing from Rob how this was all put together and what the NRSP are up to these days. Also, a Birthday shoutout to very good buddy, Sam who is turning old tomorrow.  At his age, the actual number doesn't matter but we love him anyway. ENCORE:                            Stella Blue>St Stephen                                                Stella Blue                                                Track #21                                                7:50 – end                                                INTO                                                St. Stephen                                                Track #22                                                Start - end .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Welcome to the Instant Trivia podcast episode 1153, where we ask the best trivia on the Internet. Round 1. Category: Stupid Show Biz Answers 1: It's the role Danny Bonaduce played on "The Partridge Family". Danny. 2: Mike Myers flexed his powers to play Studio 54 owner Steve Rubell in this 1998 film. 54. 3: Andrea McArdle, who starred in a production of "Annie Get Your Gun" in 2006, first became famous playing this role. Annie. 4: Greer Garson became the Mrs. of actor Richard Ney after he played her son Vin Miniver in this 1942 film. Mrs. Miniver. 5: It was the title of the last big-screen remake of "Beau Geste", released in 1977. The Last Remake of Beau Geste. Round 2. Category: Sharp 1: Cardsharp is an old term for a gambler who is notorious for doing this. cheating. 2: This synonym for a sniper has the same first and last letters as "sniper". a sharpshooter. 3: Be a sharp dresser by ironing your pants to keep these sharp. the creases. 4: Patricia Clarkson won a Golden Globe for playing Amy Adams' mom on this HBO miniseries. Sharp Objects. 5: This Chikara line of knives from this company is made of "premium Japanese stainless steel". Ginsu. Round 3. Category: Occupational Homonyms 1: A job like a chauffeur, or a part of your PC that needs to be updated occasionally. a driver. 2: It can mean highest in rank or value, as well as someone of high rank at your school. principal. 3: Not just an occupation, it's also a type of fruity pie. a cobbler. 4: A certain member of our military forces, or an adjective that refers broadly to the sea. Marine. 5: Someone who oversees construction work, or a muscle that becomes shorter. contractor. Round 4. Category: Add Some Consonants 1: Numbered explanatory comment at a page's bottom: OOOE. a footnote. 2: MPH indicator: EEOEE. speedometer. 3: A John Lennon classic: IAIE. "Imagine". 4: A portable musical instrument: AOIO. an accordion. 5: Old MacDonald had this point in a planet's orbit when it's nearest to the Sun: EIEIO. perihelion. Round 5. Category: Renting 1: In Alaska, a failure to pay utility bills can be grounds for this process against a tenant within 5 days. eviction. 2: Many states limit this required upfront sum to an amount equal to 1 or 2 months rent. a (security) deposit. 3: Renters with low incomes can seek assistance through the Section 8 program of this U.S. govt. department. HUD. 4: Discrimination against renting to families with children is illegal except for housing reserved for these only. senior citizens. 5: California rental agreements have implied warranties that the apt. isn't rotten, verminous or otherwise this 13-letter word. uninhabitable. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Jordan and Alex take you behind the velvet ropes and into the most decadent and debaucherous nightclub in history. You'll discover all the insane ways wannabes tried to get into the club (including a guy who got stuck in the air vent), the time a disgruntled reject tried to drive his car through the front door, and all the crazy stuff that celebrities got up to in the rubber-lined balcony or basement sex playground. In addition to a deep dive into the surprisingly radical history of disco, you'll learn about the club's maverick owners, Steve Rubell and Ian Schrager, who perpetrated one of the biggest tax frauds in history to throw one epic 33-month party. There's sex, drugs, fashion, horses, glitter, and too many tales for a normal-length episode. So take a bump and try to keep up. It's TMI — disco diva edition! See omnystudio.com/listener for privacy information.

Andy Warhol once said, “The key of the success of Studio 54 is that it's a dictatorship at the door and a democracy on the dance floor.” We begin this episode with Steve Rubell and Ian Schrager on the evening of April 26, 1977 as they open the doors to Studio 54, smack-dab in the middle of the glitter and grime in and around Midtown Manhattan. We discuss Warhol moving from being the darling of academic art nerds to mainstream provocateur and celebrity worshiper, bringing his scene with him. - - - - - Visit our full episode page for show notes, the visual examples we discuss, additional links and more! https://www.twodesignerswalkintoabar.com/episodes/episode-61-factory-meets-54 - - - - - Have a question or idea for Todd and Elliot? Send a note to hello@twodesignerswalkintoabar.com and we promise to read it. After that it's anyone's guess. - - - - - Visit https://www.twodesignerswalkintoabar.com/merch to have a look at stuff we've made for listeners just like you and support us on Patreon for subscriber-only extras. Learn more about your ad choices. Visit megaphone.fm/adchoices

Behind every unforgettable space and every extraordinary experience is a certain je ne sais quoi. If anyone has an idea of what exactly that is, it's the hospitality impresario and Studio 54 co-founder Ian Schrager. For more than four decades, Schrager has been a defining cultural catalyst and beacon across industries, from hotels and nightlife, to art and architecture, to fashion and food, and beyond. Since the early 1980s, Schrager has devised and developed more than 20 ahead-of-the-curve hospitality properties, including the Public hotel (2017) in New York City and the Edition line of hotels, as well as, going further back, the Morgans (1982), the Paramount (1990), the Hudson (2000), and the Gramercy Park Hotel (2006) in New York; the Mondrian (1996) in Los Angeles; the Delano (1995) in Miami; St. Martins Lane and the Sanderson (both 1998) in London; and the Clift (2000) in San Francisco. Beyond designing for mere aesthetic appreciation, Schrager cultivates places with a soul and spirit all their own.On this episode—our 100th—Schrager discusses his tried-and-true design philosophies and definition of luxury today; his admiration for the visionary thinking of Steve Jobs, Elon Musk, and Walt Disney; and the enduring aura of Studio 54.Special thanks to our Season 8 sponsor, Van Cleef & Arpels.Show notes: [00:33] Ian Schrager[02:54] Morgans Hotel[02:59] Studio 54[03:02] Steve Rubell[06:26] Edition Hotels[06:33] Arne Sorenson[12:44] Public Hotels[13:03] Paramount Hotel[13:29] The Royalton[14:45] Hudson Hotel[24:37] John Pawson[26:04] The Palladium[26:05] Arata Isozaki[33:24] “Studio 54” Documentary[42:41] Enchanted Garden[50:48] Bianca Jagger[50:51] Truman Capote[50:51] Andy Warhol[50:56] Issey Miyake[53:33] Paul Goldberger[01:03:01] Paperless Post

Kevin opened the show talking about the suggestion from former NFL GM Mike Lombardi that the best landing spot for Dalvin Cook is Washington. Kevin was joined by Howard Gutman on the show today to talk about Howard's days working for Studio 54 founder Steve Rubell. Howard talked some Commanders' ownership dates/logistics and the Harris-Gibbs connection too.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Instant Trivia podcast episode 845, where we ask the best trivia on the Internet. Round 1. Category: the bee 1: Bees gather this flower secretion to make honey. Nectar. 2: Bees are found on every continent but this one. Antarctica. 3: Young bees are fed beebread, made from honey and this plant product. Pollen. 4: On their heads bees have 5 of these -- 2 compound and 3 simple. Eyes. 5: Karl von Frisch won a Nobel Prize for deciphering the circling and wagging types of this form of bee communication. Dancing. Round 2. Category: forestry 1: It's the term for baby trees used to reforest areas. seedlings. 2: This president established the U.S. Forest Service. Teddy Roosevelt. 3: In forest management, it's a group of trees of the same age and type; Custer's last one is famous. a stand. 4: Fire, mostly man-made, diseases and these destroy as many trees each year as are cut down. insects. 5: Brazil is second to this country in total forest area. the Soviet Union. Round 3. Category: theatre history 1: In 1904 Daphne du Maurier's father, Gerald, became the first actor to play this villain in "Peter Pan". Captain Hook. 2: Pisistratus established a tragedy contest as part of this city's Great Dionysia Festival around 534 B.C.. Athens. 3: Victorien Sardou wrote the 1882 play "Fedora" for this great French actress who triumphed in it. Bernhardt. 4: In the 1640s these supporters of Oliver Cromwell closed all the theatres in London. the Roundheads (Puritans). 5: London's Royal Coburg Theatre was renamed the Royal Victoria and affectionately nicknamed this. the Old Vic. Round 4. Category: cuba 1: In the news in 1961, this bay in the Cuban province of Las Villas is also called Bahia de los Cochinos. Bay of Pigs. 2: This Pulitzer and Nobel prize-winning novelist's home in pre-Castro Cuba was called "Finca Vigia". Ernest Hemingway. 3: Cuba's first big screen role was in this 1988 film starring Eddie Murphy as a transplanted African prince. Coming to America. 4: In 1997 this magazine chose Cuba as one of its "50 Most Beautiful". People. 5: In a 1995 TV movie Cuba soared with this first squadron of black combat pilots. the Tuskegee Airmen. Round 5. Category: entertaining canadians 1: Last name of Canadian-born actress Meg, Jennifer's sister. Tilly. 2: Most know William Shatner is Canadian, but so is James Doohan, who played this "Star Trek" engineer. Scotty. 3: Joshua Jackson, a star of this Massachusetts-set WB series, is a Vancouver native. Dawson's Creek. 4: On screen he's been Studio 54 founder Steve Rubell and would-be world dominator Dr. Evil. Mike Myers. 5: It's no longer news that this current "60 Minutes" correspondent hails from north of the border. Morley Safer. Thanks for listening! Come back tomorrow for more exciting trivia! Special thanks to https://blog.feedspot.com/trivia_podcasts/

Mobsters! Disco! Ew, Trump. Roy Cohn was a busy evil-doer. Here's the second and final part of his story. 

Meg tells of Richard DuPont's inspired revenge on the villanous Roy Cohn. Jessica attends the Feminist Sex Wars from Barnard to Bloomingdales.

From top Modeling Runways to Broadway, from Paul Newman to David Bowie, Daryl Dismond has been part of it all. Check out the website: www.drinkingonthejob.com for great past episodes. Everyone from Iron Chefs, winemakers, journalist and more.

Talk Art is back for Season 15!!!! This special Talk Art live episode with DJ Fat Tony is brought to you in partnership with L'OR coffee for the Secret Podcast Experience.We met artist Fat Tony live from Spring Studios London in front of a live audience for an incredible thought provoking chat about his life experiences, inspirations and interesting people he has met along the way.Follow @DJ_FatTony_ on Instagram and his official website: www.djfattony.co.uk Thanks for listening!!! We are so excited to share this new season with you. Keeping you company through the Winter!!!We would love to hear your feedback: https://survey.euro.confirmit.com/wix/2/p703696360272.aspx?l=9&src=1&HQLType=6&foreignID=%5BID%5DStarting his career 3 decades ago at an age too young to mention, Fat Tony has had his say in paving the way for the UK's current music scene. Early on he won residencies for Trade at Turnmills, Egg and Limelight while also making his mark in New York holding a weekly show at The Palladium for Steve Rubell during the height of Paradise Garage. He has also graced the main floor of Privilege Ibiza, Space, Amnesia and DC10. A regular at Ministry of Sound and Glitterbox, Tony has already in this short season of 2021 played Defected Festival in Croatia, One Out & Wilderness Festival and countless other venues with The Warehouse Project and so much more around the corner. As official DJ to the icons like Elton John, Kate Moss and Donatella Versace, he is also one of the fashion scene's go to performers.As one of club culture's most notorious - and best loved - figures, Tony is a complete force of nature. In his recent book I Don't Take Requests, he tells the most extraordinary stories of depravity and hedonism, of week-long benders and extreme self-destruction - and of recovery, redemption, friendship and the joy of a good tune.'Anyone can get a party started, but no one keeps it going like Fat Tony, the energy never dips andwhat a life he's lived.. He's a tosser but we still love him.' ELTON JOHN & DAVID FURNISHDJ Fat Tony has been described as 'the closest thing that club culture has to a national treasure' and the 'unlikely cult hero of quarantine'. Few people have crammed so many lives into one: when your first line of cocaine is aged 16 with Freddie Mercury, where do you go from there? I Don't Take Requests is Fat Tony's breathtakingly candid and outrageous memoir of a life of extremes. From his childhood on an estate in Battersea where he honed his petty criminality, was abused by an older man and made friends with Boy George, to his teenage years spent parading the Kings Road in his latest (stolen) clobber, working as a receptionist for a prostitute, hanging out with Leigh Bowery and Sue Tilley and creating his drag persona, to his life as DJ to the stars and his spiral into serious drug addiction. Now, he is 16 years sober and, alongside working to help others overcome addiction, DJing for everyone from Elton John to Louis Vuitton - and running one of lockdown's most popular Instagram accounts with its wickedly funny memes. Hosted on Acast. See acast.com/privacy for more information.

Welcome to the Instant Trivia podcast episode 494, where we ask the best trivia on the Internet. Round 1. Category: Stupid Show Biz Answers 1: It's the role Danny Bonaduce played on "The Partridge Family". Danny. 2: Mike Myers flexed his powers to play Studio 54 owner Steve Rubell in this 1998 film. 54. 3: Andrea McArdle, who starred in a production of "Annie Get Your Gun" in 2006, first became famous playing this role. Annie. 4: Greer Garson became the Mrs. of actor Richard Ney after he played her son Vin Miniver in this 1942 film. Mrs. Miniver. 5: It was the title of the last big-screen remake of "Beau Geste", released in 1977. The Last Remake of Beau Geste. Round 2. Category: History Of The Jewish People 1: 1290:The Jews are expelled from this nation by King Edward I. England. 2: 1818:The first synagogue of this branch of Judaism opens in Hamburg. Reform. 3: 1897:Theodor Herzl holds the first congress of this group; in one year it would have 800 chapters in Europe. the World Zionist Congress. 4: 1909:This 1st modern Jewish city is founded; today it's the financial and cultural center of Israel. Tel Aviv. 5: 1993:This prime minister agrees to the Oslo Peace Accords along with Yasser Arafat. (Yitzhak) Rabin. Round 3. Category: Auto Shop 1: What the "U" in U-joint stands for. universal. 2: In newer cars it has generally replaced the generator for keeping the battery charged. an alternator. 3: You might throw a fit if you "throw" this part joining the crankshaft and piston. a connecting rod. 4: Part that is capped after putting in points and a condenser. the distributor. 5: Used to open and close points and valves, they come in single or double overhead, if you're cool. a cam. Round 4. Category: Named After Jfk 1: There is a John F. Kennedy prep school in this world capital where JFK made a famous visit in 1963. Berlin. 2: Opened in 1971, the JFK Center for the Performing Arts stretches along this river. the Potomac River. 3: The John F. Kennedy National Historic Site, JFK's birthplace, is in Brookline, a suburb of this city. Boston. 4: Located in Queens, it first opened to commercial traffic in July 1948. JFK Airport. 5: The Florida promontory now called this was named after JFK from 1963 to 1973. Cape Canaveral. Round 5. Category: Reprise 1: Andre Braugher and Daniel Baldwin were among the cast members who returned for a 2000 TV movie of this cop show. Homicide: Life on the Street. 2: On film she reprised the role of action hero Ellen Ripley in 1986, 1992, and 1997. Sigourney Weaver. 3: He played Max Klinger on "AfterMash" as well as on "M*A*S*H". Jamie Farr. 4: She played Sissy in the Broadway and film versions of "Come Back to the Five and Dime, Jimmy Dean, Jimmy Dean". Cher. 5: He reprised his role of Joe Mannix for an episode of "Diagnosis Murder" in 1997. Mike Connors. Thanks for listening! Come back tomorrow for more exciting trivia!

This week we boogie on down to Studio 54! For 33 months, Studio 54 was the giddy epicenter of 70s hedonism, a disco hothouse of beautiful people, endless cocaine, and every kind of sex. Its co-owners Steve Rubell and Ian Schrager kicked off the age of the one-name celebrity—Cher, Andy, Bianca, Halston—and rode a miraculous wave of power and pleasure until it brought them crashing down under charges of tax evasion. Make sure to stay tuned for our remix of Welcome to New York at the end of the episode by Kris Cruz. Created and produced by Claire Donald and Tess Bellomo Theme song and edited by Kris Cruz Content producer and graphic design by Allison Gamble

El sexo, las drogas y el justo equilibrio entre famosos y gente corriente, convirtieron Studio54 en la discoteca más legendaria de la historia. Su nombre procedía de su ubicación, situada en la calle 54 de Manhattan en pleno corazón de New York. Sus creadores Steve Rubell y Ian Schrager se conocieron en la universidad, Rubell compró un restaurante con problemas de dinero, Schrager se convertiría en su abogado para defenderlo de acreedores, y fue este quien le propuso montar un club nocturno. Primero en Queens y luego en Manhattan, donde encontraron un viejo estudio en la calle 54. Para mi Podcast número 127, la historia de templo de la diversión y la música en los años 60, que se conoció como Studio 54 y que he decidido titular como: La discoteca que dio nombre a mi Podcast.Playlist del programa:00 - Blaudzun-Solar (Intro).01 - The Emotions-Best of My Love.02 - Peaches & Herb-Shake Your Groove Thing.03 - Village People-YMCA.04 - Chic - Good Times.05 - Brainstorm-Lovin' Is Really My Game.06 - Tavares -Heaven Must Be Missing An Angel.07 - Sylvester-Dance (Disco Heat).08 - Boney M-Gotta Go Home.09 - Diana Ross-Upside Down.10 - The Trammps-Disco Inferno.11 - Edwin Starr-H.A.P.P.Y..12 - Dan Hartman-Instant Replay.13 - Donna Summer-Last Dance.14 - Earth Wind And Fire-Boogie Wonderland.15 - Bee Gees-Night Fever.16 - Blaudzun-Solar (Despedida).

El 2 de mayo de 1977, Trow se encontró con Ertegun en Studio 54. Jerry Greenberg, que para entonces había firmado a Chic y los Trammps en Atlantic y era un buen amigo del cofundador de Studio 54, Steve Rubell, le había preguntado a Ertegun si quería invertir en la sala.

Featuring: What's THIS Shit?!?! Rachel & Corey's Top 200 Films: Numbers 112 - 105 Fast Film Terms: Butterflies; Bazookas Hosted by your own personal cinematic Steve Rubell and Ian Schrager! Music by Splash '96

My guest this week is Jonathan Gross, a former rock critic, Rolling Stone contributor, and music promoter who brought Run DMC, The Beastie Boys and other New York City hip hop acts up to Canada in the early 80s.  The chat that Jonathan and I have about his songs is sentimental, funny, and fascinating all at the same time. Bad breakups, getting to first base (and a half), the beauty of nostalgia, the 70s Toronto music scene, Steve Rubell, Jon's relationship with Ric Ocasek of The Cars, The Beatles versus The Stones... it all gets covered in this episode.   Gross' playlist (Spotify – NSTS Episode 199 - Jonathan Gross): Hall & Oates - She's Gone Goo Goo Dolls - Name Boston - More Than A Feeling The Cars - My Best Friend's Girl The Beach Boys - Surfer Girl               

Anthony Haden-Guest (episode DLG249), author of The Last Party, email introduced to Myra Scheer—Myra was Steve Rubell's assistant during his explosive years running the club that changed nightlife forever, Studio 54. Therefore, she had a front row seat. Myra talks about her growing up in Georgia and what motivated her to come to New York where she found her way into one of the most crazy and glamorous scenes in history. I talked with her about the feeling of what made "Studio" a moment in time. Myra has seen a lot but is not a bit jaded. She has a Sirius XM Radio show with Marc Beneke, the doorman/gatekeeper there:  Among other things, she is also devoted to working with The Felix Organization—a brilliant organization that helps children in foster care. Personally, I became interested in Studio 54 at this time because of a project I did in 1978. After experiencing my own rejection at the club, I made and sold Studio 54 REJECT t-shirts to the “rejects” outside of Studio 54. When I found out the Brooklyn Museum was having a Studio 54 exhibition this spring of 2020, I reissued them to sell outside the Brooklyn Museum. This exhibition, Studio 54: Night Magic was exciting, fabulous and powerful exhibition—it did not disappoint . Myra was directly involved with curator Matthew Yokobosky in his process of developing the exhibition at The Brooklyn Museum. We spoke about that too—Myra's original Norma Kamali sleeping bag coat on was display there—she told me how she got it!

1998 was a brief moment in time of Studio 54 nostalgia, thanks in part to this week’s film. Starring Mike Myers chasing prestige in a dramatic role as clubowner Steve Rubell, 54 took an inside look at the notorious, celeb-packed New York City nightclub from the eyes of a fictional bartender played by Ryan Phillippe. But no … Continue reading "116 – 54"

In a previously recorded episode, the iconic Ian Schrager joined editor in chief Stacy Shoemaker Rauen for a fireside chat during HD's Elevate conference held in October in New York. During the hourlong discussion, Schrager was candid about his Studio 54 days and his friendship with longtime business partner Steve Rubell. No matter the role, he says he's always striving to push experience over the edge. This episode was brought to you by Global Allies. For more information, go to globalallies.com

Craig visited DJ Fat Tony at his home earlier this year to talk drama at the door, DJing for Steve Rubell, doing drugs with Freddie Mercury, going homeless, DJing for Donatella, getting advice from Naomi Campbell, playing dead, getting clean & sober, Boy George, sex addiction, the wonders of ADHD, self-creation, New Romantic, the perils of doing your own dental work, and MORE! This series is brought to you by https://www.patreon.com/CraigAndFriends  Sign up for hours and hours of exclusive content, Bonus Episodes, Movie Clubs, weekly Zoom meetups, and much more! And by doing so you support this show! https://www.instagram.com/craigandfriendspod For ways to help fight the fascists and support Black Lives Matter & Black Trans Lives Matter: https://blacklivesmatters.carrd.co https://blacktranslivesmatter.carrd.co

Starburns podcast host and “Entourage” writer Cliff Dorfman reveals his impression of Studio 54 owner Steve Rubell helped him break into show biz!

Hospitality is in the blood for Darin Rubell, his father and grandfather were both restaurateurs, and his cousin Steve Rubell was the man behind Studio 54. A native of New York City, Rubell has created a restaurant empire spanning 8 concepts including restaurants, bars and a catering company. His companies have gone on to thrive even through the crash of 2008. In today's episode Darin shares how 9/11 inspired his path to entrepreneurship and his plan to overcome the obstacles created by the pandemic. Yelp x Cornell University x Oyster Sunday x Jon Taffer and more combined forces to create a holistic guide to help restaurants thrive now and post-pandemic. Click here to download your free copy today! I created this podcast to help us all through these tough times. I've also created a service committed to help you get open and stay open. Click here to check it out and sign up for a 60-day free trial.

Making the spirit soar and making somebody sort of lift off the ground and fly is about creating magic. People ask me about magic and what it is; it's very difficult for me to say. If I knew I would write a book and sell the book. And that magic, that very elusive kind of thing, is what I try to create at these hotels. —Ian Schrager As we pulled up to the porte cochère, I remember being thrilled. The entrance to the Delano had a magnitude and energy I'd rarely, if ever, experienced before. The valets were all perfectly dressed in crisp white outfits, the people getting out of their cars were beau- tifully put together, and the architecture was the perfect combina- tion of classic Art Deco and clean modern lines. While the arrival alone was magnificent, it wasn't until I entered the lobby that I was swept away: fifty-foot ceilings, a straight-shot visual hundreds of feet from the entrance to the rear orchard, and charming vignettes of whimsical seating and social areas throughout. The beauty was unmistakable, and the energy was so real you could almost drink it. Every step I took built on the drama of the experience. By the time I exited the lobby and stepped into the orchard, I felt changed, as if my appreciation for what the imagination could manifest had been heightened. I didn't say a word for ten minutes after I walked outside. I just smiled, completely satisfied by what I had just consumed. While the experience was powerful, as in many meaningful moments, I wasn't fully aware of how this night would affect me. I definitely wasn't aware I would end up spending over a decade of my life involved in different ways with this company, crafting new ideas, creating even more magical experiences. What I did know, without a doubt, was that I had tasted fully realized creative poten- tial. And once I knew it existed, how could I live without realizing my own? So I began my research at the source: Ian Schrager, the iconoclastic creator of Delano. Schrager, like Maslow, was born in Brooklyn to a working-class family. Unlike Maslow, he had a close relationship with his parents, especially with his father, Louis, who instilled in him a strong value system. After spending his youth in East Flatbush, he headed off to Syracuse University in 1964. That's where he met Steve Rubell, another Brooklyn product, who would become his lifelong friend and business partner. An outgoing, flamboyant character, Steve was a couple of years older than Ian, but the two meshed perfectly. As Ian tells it, “We were dating the same girl, and from the way we went about competing for her, we came to respect and like each other. And the friendship just got closer and closer and closer. I would say that from the end of 1964 until Steve died in 1989 I spoke to him every single day.” After they graduated, Ian went on to practice real estate law, and Steve started a chain of steakhouses and became Ian's first client. It was about this time that Ian and Steve started going to clubs together, and they were astonished and inspired by what they saw. For the first time they were exposed to the mixing of different groups of people, the breaking down of social barriers—and the willingness of people to stand in line for the chance to spend their money. This was when Ian began to sense his desire to create. After a couple of months of going out and throwing a few parties of their own, Ian and Steve decided to open their own disco—in Queens, a borough of New York City known more for slicked-back hair and slice shops than for chic parties and celebrities. 

The iconic Ian Schrager joined editor in chief Stacy Shoemaker Rauen for a fireside chat during HD's annual Elevate conference held in October in New York. During the hourlong discussion, Schrager was candid about his Studio 54 days and his friendship with longtime business partner Steve Rubell. Always humble, Schrager said he's not afraid to make mistakes and try something else. Whether he's cultivating gamechanging hotels like Morgans or expanding his EDITION and PUBLIC brands, he says it's about pushing experience over the edge. This episode was brought to you by Global Allies. For more information, go to globalallies.com

Guest Overview In Part two of this interview with Carmen D'Alessio, the New York nightlife legend, impresario and co-founder of what is often referred to as the greatest club of all time; Studio 54, we explore the untold story of the nightclub's formation. We start the interview with Carmen recounting her second marriage and leaving Italy and working for Valentino in Rome to return to NYC to build her ‘Queen of the Night' reputation. If you've seen the 2018 Netflix documentary on the infamous nightclub you'll hear the other side of the founder's story on how the sensational nightclub came into existence.Carmen also recounts her memories of those unparalleled 33 months of hedonism, having her mother around her and how the era ended and the world changedWe also cover how she's continued to reinvent herself and nightlife experiences around the world Finally, we cover her quick fire questions and answers I hope you enjoy the wit, wisdom, and wonder of Carmen D'Alessio. What we discuss:How she moved into fashionBeginning her career as a nightlife promoter How a 1976 bicentennial party reported in the WSJ got her on the map How she met Ian Schrager and Steve Rubell and her collaboration with their Enchanted Garden ended up in TimeHow she was forced to invite them to collaborate when her Studio 54 backer dropped out The evolution of their business arrangement and how that saved her from jail How the day to day operation workedHer superpower of connecting people Spontaneity and living without consequences How Aids changed everything Building her list of 8000 names How nightlife has evolved as she has agedCarmen's evolution Staying young, her sense of adventure and freedom Her mother's lust for lifeAcqua fit in her 70'sConfronting conventions The Gospel according to CarmenHer feeling of youthfulness Being thankful Her principles Establishing an environmental foundation Her patience and faith Links in the Show Steve RubellIan SchragerBaby BrasaAndy Warhol Imelda MarcosFederico Fellini Infinity club Enchanted Garden Sterling St JacquesGrace Jones BasquiatCher Michael Jackson

Our special guest this episode is architect and interior designer, R. Scott Bromley. An inductee in the Interior Design Hall of Fame in 1991, Mr. Bromley has been been designing buildings and interiors in New York City for over 50 years but he will be forever remembered for his groundbreaking architectural work for the world's most famous and infamous night club 'Studio 54'. In this interview I got to stop by his Manhattan office and over a glass of rose we got to chat about his upbringing in Canada, how he got into architecture, how he landed the job to design Studio 54, he shares stories about the founders Studio 54 Steve Rubell and Ian Schrager and so much more! This episode was mixed by Joshua Coleman See acast.com/privacy for privacy and opt-out information.

This week we learn about Steve Rubell, discuss policy changes with the Boy Scouts, and obsess over Jennifer Lopez.

GAYS! DRAG QUEENS! LIZA! DISCO! DRUGS! TAX FRAUD! DO I REALLY NEED TO GO ON? Studio 54 was the epicenter of 70s hedonism--a place that not only redefined the nightclub, but also came to symbolize an entire era. Its co-owners, Ian Schrager and Steve Rubell, two friends from Brooklyn, seemed to come out of nowhere to suddenly preside over a new kind of New York society. Now, 39 years after the velvet rope was first slung across the club's hallowed threshold, a feature documentary tells the real story behind the greatest club of all time and the crimes that brought it down. **LOOKING FOR MORE TCO? WHO COULD BLAME YOU!** J[oin our Patreon fam](https://www.patreon.com/TrueCrimeObsessed) and **instantly get over 80 FULL BONUS episodes** to BINGE RIGHT NOW! Including our episode-by-episode coverage of **"Serial," "The Jinx," "Making A Murderer," "The Staircase"** and so many more! You can also get ad-free versions of our regular episodes! [JOIN HERE!](https://www.patreon.com/TrueCrimeObsessed) **COME TO OUR PRIDE SHOW!** Come hang with us in NYC on Saturday, June 29th--the 50th Anniversary of The Stonewall Riots! It will be one of our most special and memorable live shows to date! [Get tickets here!](https://www.truecrimeobsessed.com/see-us-live) **To learn about our sponsors AND GET THOSE PROMO CODES, [Click here!](https://www.truecrimeobsessed.com/get-our-promo-codes)**

This week on the What's In The Queue podcast, we're chatting about the 2018 documentary Studio 54 from director Matt Tynauer! You know you never got into this world famous nightclub, so here's your chance to get the inside scoop on the wild and crazy 33 months that Studio 54 reigned supreme over the Manhattan club scene. Have you seen a great documentary that you think we might like? Let us know! Drop us a line to whatsinthequeue@gmail.com!

The man behind studio 54 and the man behind Leaves of Grass. Two sex men, obsessed with sex and masculine energy, together at last. jarretberenstein.com @justjarret

For 33 months, from 1978 to 1980, STUDIO 54 was the place to be seen in Manhattan. A haven of hedonism, tolerance, glitz and glamour, Studio was very hard to gain entrance to and impossible to ignore, with news of who was there filling the gossip columns daily. Steve Rubell and Ian Schrager, two college friends from Brooklyn, succeeded in creating the ultimate escapist fantasy in the heart of the theater district. Rubell was the outgoing bon vivant who wanted to be everybody’s friend and was photographed with every celebrity du jour who entered the club and Schrager was the behind-the-scenes creative mastermind who shunned the limelight. STUDIO 54 was an instant success and a cash cow, but the drug-and-sex-fueled dream soon imploded in financial scandal and the club’s demise. With unprecedented access to Schrager, who tells the whole unvarnished story for the first time, and a treasure-trove of rare footage, director Matt Tyrnauer (Valentino: The Last Emperor, Scotty and the Secret History of Hollywood, Citizen Jane) constructs a vivid, glorious portrait of a disco-era phenomenon, and tells the story of two friends who stuck together through an incredible series of highs and lows.  A favorite at the Sundance and Tribeca film festivals, STUDIO 54 Director Matt Tyrnauer joins us to talk about his fascinating documentary look at the rise and fall of the legendary ‘70s New York nightclub. For news and updates go to: zeitgeistfilms.com/film/studio54 For news and updates on the films of Matt Tyrnauer go to: altimeterfilms.com

The documentary “Studio 54” charts the rise and fall of the legendary nightclub and its creators, Steve Rubell and Ian Schrager. Filmmaker Matt Tyrnauer allows Schrager to tell his own tale, and uncovers never-before-seen footage capturing the club’s decadent spirit. — Raphaela Neihausen and Thom Powers For more information, click here to visit the official film web site.  

Can you make a movie where all the characters are unlikable and nobody has an arc to follow?  Apparently you can and they did in 1998 with the movie 54.  Ryan Phillipe stars as a naive kid who gets a job as a busboy at the famous disco and has sex with some ladies, kisses some fellas and does some drugs.  SNL alum Mike Myers costars as club owner Steve Rubell, who is adamant that he suck some cock.  We watched the director's cut of the film which, having not seen the theatrical version, may be marginally better but not by much.  You know you're in for a bad movie when the Rapping Granny's cameo is the best part.  Enjoy!Subscribe on iTunes, e-mail us at Saturdaynightjivepodcast@gmail.com. Download Here

The year was 1998. Mike Myers was the biggest comedy star in the world but that wasn't enough. Mike swung for the stars and tried his hand at serious dramatic acting portraying the real life impresario of Studio 54, Steve Rubell, in Mark Christopher's "54: The Director's Cut". We're joined by master comedian Adam Richard to find out if this really is a forgotten gay classic or just a movie that left us flaccid (unhorny, baby). Check out Cameron's encore solo show at the Factory Theatre on 22nd of October: TICKETS HERE Alexei's $5 stand up show, Green Lights Comedy Nights with Susie Youssef, 28th October at The Gaelic Club in Surry Hills: RSVP HERE WAYNE'S WORLD at The Golden Age Cinema in Surry Hills, 9th November: TICKETS HERE Subscribe on iTunes, and give us a star rating (I recommend 5), and suggest another hyper-specific comedy actor podcast you'd like to here EG "Carving It Up!: The Official Dana Carvey Podcast". If we like it, we'll do a spinoff episode just for you! Facebook Twitter See acast.com/privacy for privacy and opt-out information.

How do you make your product or service irresistible? With tens of thousands of similar products or services in the market, can you use simple techniques to create a great offer? This episode shows you two psychological methods that we can't turn down?as humans. We love both the buffet and the specialty. No matter if you're a small business or a big one, you can use these techniques and increase your product and service sales. In this episode Sean talks about Part 1: Buffet vs. Specialty Principle Part 2: How Studio 54 put out a buffet of fantasy Part 3: What does this mean for you when you’re selling a product or service? Right click here and ‘save as’ to download this episode to your computer. What Are The Factors in Play Behind An Irresistible Offer: Part 1 of 3 Imagine you’re Frank Sinatra. No matter where you go on the planet, people know of you. Doors open magically for you. People can’t help but gape in wonder as you show up at an event. So imagine a place where the great Frank Sinatra can’t enter. It’s inconceivable, isn’t it? And yet it happened. When Frank showed up at Studio 54, he was turned away. So was the president of Cyprus, the King of Saudi Arabia’s son, Roberta Flack, and several young Kennedys. Even the famous movie star, Jack Nicholson was unable to enter on opening night. Studio 54 was like no other place in New York From the moment it opened its 11,000-square-foot dance floor, it was packed with celebrities dying to get in. Olivia Newton-John, Michael Jackson, Woody Allen, Andy Warhol, Elizabeth Taylor, Dolly Parton, Mick Jagger, Tine Turner—you get the idea—they were just some of the visitors to Studio 54. Almost every night since it opened its doors on April 26, 1977, it was packed to its capacity—almost 2000 people a night. If you considered yourself cool, you wanted to get into Studio 54—but there was no guarantee you’d get in. There was someone stopping the flow… This someone was at the door Studio 54 night after night. He’d show up at the door at 11:30 pm and get on a step stool above the crowd. He’d pick who could get into the club that night—and who was to be turned away. His name is Steve Rubell, part-owner and the person who made sure the Studio was one of the most irresistible places in New York! So what made Studio 54 so irresistible, when there were so many cool places in New York at the time? And what makes any product or service irresistible, even without star power? Let’s take a look at three core elements. Buffet vs. Specialty Exclusivity Build Up Buffet vs. Specialty Principle If you were to go to Lynda.com you’d be faced with a buffet. On Lynda.com there are hundreds of tutorials on software, business and creative skills. In 2004 alone, there were over 100 courses on the site. And that course number has gone up exponentially. For the past few years, Lynda.com been adding more than 18 hours of content, almost every single day of the year. That means you’re likely to run into thousands of hours of tutorials topics such as Photoshop, computer animation, 3-D animation, photography—in all about 224,413 tutorials to date. That’s a huge buffet, don’t you agree? And as humans, we’re primed for buffets. We love the “eat all you want” concept and it’s even better if the “food” is of an extremely high quality. This means that a potential client of Lynda.com can access all their content for just $250 a year. Immediately you see why this kind of deal is incredibly irresistible. If you decide to learn a program like InDesign, you can easily do so, because there are at least a dozen courses on InDesign alone. If you want to learn to work with WordPress, hey, there’s a mountain of video instruction already in place. No matter where you look, the volume and quality of content tantalises you. Which brings us to our first principle—the buffet principle If you’re offering your clients an enormous amount of something, they’re instantly drawn towards it, whether they can consume it or not. When given a buffet option, few of us can stop ourselves from feeling the need to buy the product or service. When you look at 5000bc.com, you get a buffet option 5000bc is the membership site at Psychotactics.com. The moment you get to the sales page at 5000bc, there’s a feeling of a ton of information at 5000bc. There are cumulatively, hundreds of articles on topics such as copywriting, web design, branding, lead generation etc. Which is why most clients tend to sign up to the membership site at 5000bc. It’s more than likely they’ve been a subscriber at Psychotactics for a while, bought and read The Brain Audit, possibly even bought some other books from Psychotactics—and then they’re exposed to 5000bc. And the buffet concept kicks in. At $259 a year (remarkably similar to Lynda.com), clients can get not only a ton of curated content, but also have the opportunity to ask me dozens of questions—some of which are answered within hours, if not minutes. This concept of a buffet becomes impossible to resist, and has been the main factor in attracting clients to 5000bc since it started way back in 2003. Studio 54 put out a buffet of fantasy The magazine, Vanity Fair, describes it as the “giddy epicenter of 70s hedonism, a disco hothouse of beautiful people, endless cocaine and every kind of sex. Once you were within the velvet ropes, you were exposed to raunchiness, debauchery and creativity of an unimaginable scale. “It felt like you were going to a new place every night,” says Kevin Haley, then a model, now a Hollywood decorator. “And you were, because they changed it all the time for the parties. Remember the Dolly Parton party? It was like a little farm with bales of hay and live farm animals—pigs and goats and sheep. The designer Karl Lagerfield’s party: an 18th century paty with busboys dressed up as courtiers, powdered wigs and then—a live reggae concert at 3 am in the morning. Another night might bring Bianca Jagger popping out of a birthday cake. Some nights might bring in a sea of glitter, another night Lady Godiva on a horse—or Hell’s Angels on Harleys on the dance floor. Ironically, the buffet-concept represents just one way to create an irresistible offer. The other way is the exact opposite—where you take away everything and create a specialty offer. Remember Lynda.com where you get over 200,000 tutorials? Remember the price? Yes, it’s $250 a year. And yet, at Psychotactics we sell an InDesign course that’s $269. It’s not an entire course in InDesign. It’s not even a partial course. All the course promises is ONE thing. It shows you how to create an e-book in InDesign in less than an hour. If you were to learn a course in InDesign, you’re likely to take at least 18 hours—and that’s the first time around. It’s likely you’d have to go through the entire course (or at least part of the course) a second time. And then when you’re ready to create your snazzy e-book, you have to work out which part of InDesign will help you get the result you seek. It’s not inconceivable to spend 40-50 hours just to get your e-book going. Now the specialty offer makes a huge difference to the client Instead of wading through hours of material, they get right to the point. And this specialty concept applies to more than just courses or training. A phone. Most of us want smartphones that have all the bells and whistles. But what if you want just a cell phone that makes calls? The Doro Phone Easy 626 does just what you’d expect a cell phone to do—it makes calls. Like the InDesign course, it’s not meant for everyone, but just a smaller audience that finds it irresistible. What does this mean for you when you’re selling a product or service? It means you can have your cake and eat it too. When we sell the book, The Brain Audit, it is akin to a buffet (like most books). It has several chapters and spans 180 pages. Yet, elements of The Brain Audit are then isolated. For instance, one of the elements, uniqueness, is a complete course. Another element, testimonial is a 100+ page book. Clients who buy The Brain Audit are extremely satisfied with the content and applications. However, when they want to go deeper on an isolated topic, they will buy the other products as well. Studio 54 catered to almost 2000 people a night—yet there was isolation in place If you were part of the select few, you could go down to the basement. The basement was essentially a storage area connected by zigzagging passageways. The in-crowd was in the basement, away from the party upstairs, mostly talking through the night and drinking bottles of a vodka brand— Stolichnaya. Even if you’re no Studio 54, you can have a smörgåsbord of goodies while at the same time putting a velvet rope over other product or services. And since we’re talking about buffets, a restaurant could have the buffet, while at the same time offering a special meal for just a tiny audience. A website designer could put together a website with all the bells and whistles—then create a service or product that was very niche and hence, irresistible. To be irresistible, you don’t have to choose between buffet and specialty items In reality a specialty item is easier to put together (because it’s less stuff, rather than more). In the grand scheme of things, it’s also easier to market as it has a clear point of focus. While we’ll look at all three elements: buffet/specialty, exclusivity and build up, it’s important to note that specialty is a great starting point. So start small—and charge more. This takes us to the second element: Exclusivity. Have a look here—for the continuation on How To Make Your Product or Service Irresistible: Part 2 and 3.

Trevor O'Shea is the founder of Bodytonic music and proprietor of a number of awesome venues like the Bernard Shaw, MVP and Wigwam. He also runs a number of events like the big grill and the best yard and in his spare time can be found running canals with Colin. "The last thing I wanted to be was some sort of Steve Rubell type character and be in nightclubs in my fifties still thinking I was in my twenties"

How do you make your product or service irresistible? With tens of thousands of similar products or services in the market, can you use simple techniques to create a great offer? This episode shows you two psychological methods that we can't turn down?as humans. We love both the buffet and the specialty. No matter if you're a small business or a big one, you can use these techniques and increase your product and service sales.  In this episode Sean talks about Part 1: Buffet vs. Specialty Principle Part 2: How Studio 54 put out a buffet of fantasy Part 3: What does this mean for you when you’re selling a product or service? Right click here and ‘save as’ to download this episode to your computer.     What Are The Factors in Play Behind An Irresistible Offer: Part 1 of 3 Imagine you’re Frank Sinatra. No matter where you go on the planet, people know of you. Doors open magically for you. People can’t help but gape in wonder as you show up at an event. So imagine a place where the great Frank Sinatra can’t enter. It’s inconceivable, isn’t it? And yet it happened. When Frank showed up at Studio 54, he was turned away. So was the president of Cyprus, the King of Saudi Arabia’s son, Roberta Flack, and several young Kennedys. Even the famous movie star, Jack Nicholson was unable to enter on opening night. Studio 54 was like no other place in New York From the moment it opened its 11,000-square-foot dance floor, it was packed with celebrities dying to get in. Olivia Newton-John, Michael Jackson, Woody Allen, Andy Warhol, Elizabeth Taylor, Dolly Parton, Mick Jagger, Tine Turner—you get the idea—they were just some of the visitors to Studio 54. Almost every night since it opened its doors on April 26, 1977, it was packed to its capacity—almost 2000 people a night. If you considered yourself cool, you wanted to get into Studio 54—but there was no guarantee you’d get in. There was someone stopping the flow… This someone was at the door Studio 54 night after night. He’d show up at the door at 11:30 pm and get on a step stool above the crowd. He’d pick who could get into the club that night—and who was to be turned away. His name is Steve Rubell, part-owner and the person who made sure the Studio was one of the most irresistible places in New York! So what made Studio 54 so irresistible, when there were so many cool places in New York at the time? And what makes any product or service irresistible, even without star power? Let’s take a look at three core elements. Buffet vs. Specialty Exclusivity Build Up   Buffet vs. Specialty Principle If you were to go to Lynda.com you’d be faced with a buffet. On Lynda.com there are hundreds of tutorials on software, business and creative skills. In 2004 alone, there were over 100 courses on the site. And that course number has gone up exponentially. For the past few years, Lynda.com been adding more than 18 hours of content, almost every single day of the year. That means you’re likely to run into thousands of hours of tutorials topics such as Photoshop, computer animation, 3-D animation, photography—in all about 224,413 tutorials to date. That’s a huge buffet, don’t you agree? And as humans, we’re primed for buffets. We love the “eat all you want” concept and it’s even better if the “food” is of an extremely high quality. This means that a potential client of Lynda.com can access all their content for just $250 a year. Immediately you see why this kind of deal is incredibly irresistible. If you decide to learn a program like InDesign, you can easily do so, because there are at least a dozen courses on InDesign alone. If you want to learn to work with WordPress, hey, there’s a mountain of video instruction already in place. No matter where you look, the volume and quality of content tantalises you. Which brings us to our first principle—the buffet principle If you’re offering your clients an enormous amount of something, they’re instantly drawn towards it, whether they can consume it or not. When given a buffet option, few of us can stop ourselves from feeling the need to buy the product or service. When you look at 5000bc.com, you get a buffet option 5000bc is the membership site at Psychotactics.com. The moment you get to the sales page at 5000bc, there’s a feeling of a ton of information at 5000bc. There are cumulatively, hundreds of articles on topics such as copywriting, web design, branding, lead generation etc. Which is why most clients tend to sign up to the membership site at 5000bc. It’s more than likely they’ve been a subscriber at Psychotactics for a while, bought and read The Brain Audit, possibly even bought some other books from Psychotactics—and then they’re exposed to 5000bc. And the buffet concept kicks in. At $259 a year (remarkably similar to Lynda.com), clients can get not only a ton of curated content, but also have the opportunity to ask me dozens of questions—some of which are answered within hours, if not minutes. This concept of a buffet becomes impossible to resist, and has been the main factor in attracting clients to 5000bc since it started way back in 2003. Studio 54 put out a buffet of fantasy The magazine, Vanity Fair, describes it as the “giddy epicenter of 70s hedonism, a disco hothouse of beautiful people, endless cocaine and every kind of sex. Once you were within the velvet ropes, you were exposed to raunchiness, debauchery and creativity of an unimaginable scale. “It felt like you were going to a new place every night,” says Kevin Haley, then a model, now a Hollywood decorator. “And you were, because they changed it all the time for the parties. Remember the Dolly Parton party? It was like a little farm with bales of hay and live farm animals—pigs and goats and sheep. The designer Karl Lagerfield’s party: an 18th century paty with busboys dressed up as courtiers, powdered wigs and then—a live reggae concert at 3 am in the morning. Another night might bring Bianca Jagger popping out of a birthday cake. Some nights might bring in a sea of glitter, another night Lady Godiva on a horse—or Hell’s Angels on Harleys on the dance floor. Ironically, the buffet-concept represents just one way to create an irresistible offer. The other way is the exact opposite—where you take away everything and create a specialty offer. Remember Lynda.com where you get over 200,000 tutorials? Remember the price? Yes, it’s $250 a year. And yet, at Psychotactics we sell an InDesign course that’s $269. It’s not an entire course in InDesign. It’s not even a partial course. All the course promises is ONE thing. It shows you how to create an e-book in InDesign in less than an hour. If you were to learn a course in InDesign, you’re likely to take at least 18 hours—and that’s the first time around. It’s likely you’d have to go through the entire course (or at least part of the course) a second time. And then when you’re ready to create your snazzy e-book, you have to work out which part of InDesign will help you get the result you seek. It’s not inconceivable to spend 40-50 hours just to get your e-book going. Now the specialty offer makes a huge difference to the client Instead of wading through hours of material, they get right to the point. And this specialty concept applies to more than just courses or training. A phone. Most of us want smartphones that have all the bells and whistles. But what if you want just a cell phone that makes calls? The Doro Phone Easy 626 does just what you’d expect a cell phone to do—it makes calls. Like the InDesign course, it’s not meant for everyone, but just a smaller audience that finds it irresistible. What does this mean for you when you’re selling a product or service? It means you can have your cake and eat it too. When we sell the book, The Brain Audit, it is akin to a buffet (like most books). It has several chapters and spans 180 pages. Yet, elements of The Brain Audit are then isolated. For instance, one of the elements, uniqueness, is a complete course. Another element, testimonial is a 100+ page book. Clients who buy The Brain Audit are extremely satisfied with the content and applications. However, when they want to go deeper on an isolated topic, they will buy the other products as well. Studio 54 catered to almost 2000 people a night—yet there was isolation in place If you were part of the select few, you could go down to the basement. The basement was essentially a storage area connected by zigzagging passageways. The in-crowd was in the basement, away from the party upstairs, mostly talking through the night and drinking bottles of a vodka brand— Stolichnaya. Even if you’re no Studio 54, you can have a smörgåsbord of goodies while at the same time putting a velvet rope over other product or services. And since we’re talking about buffets, a restaurant could have the buffet, while at the same time offering a special meal for just a tiny audience. A website designer could put together a website with all the bells and whistles—then create a service or product that was very niche and hence, irresistible. To be irresistible, you don’t have to choose between buffet and specialty items In reality a specialty item is easier to put together (because it’s less stuff, rather than more). In the grand scheme of things, it’s also easier to market as it has a clear point of focus. While we’ll look at all three elements: buffet/specialty, exclusivity and build up, it’s important to note that specialty is a great starting point. So start small—and charge more. This takes us to the second element: Exclusivity. Have a look here—for the continuation on How To Make Your Product or Service Irresistible: Part 2 and 3.

Ian Schrager is in the hospitality business. Hotels or nightclubs, uptown or downtown, Miami or Manhattan, Schrager defines luxury and leisure. When he and his late business partner Steve Rubell opened Studio 54 in 1977, the club quickly became the epitome of the disco era's cultural mores. It was Mick Jagger, Andy Warhol, Cher, and as Schrager recalls, "serious, sweaty dancing." Today, Schrager says nightclubs are a young person's business; he's long since reinvented himself as one of the inventors of the boutique hotel. The aim, he tells host Alec Baldwin, is essentially the same: make people comfortable, and change their expectations. At 68, Schrager shows no sign of slowing down; his heroes are Giorgio Armani and Clint Eastwood—passionate people who are inspired by work they love.  Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Ian Schrager is in the hospitality business. Hotels or nightclubs, uptown or downtown, Miami or Manhattan, Schrager defines luxury and leisure. When he and his late business partner Steve Rubell opened Studio 54 in 1977, the club quickly became the epitome of the disco era's cultural mores. It was Mick Jagger, Andy Warhol, Cher, and as Schrager recalls, "serious, sweaty dancing." Today, Schrager says nightclubs are a young person's business; he's long since reinvented himself as one of the inventors of the boutique hotel. The aim, he tells host Alec Baldwin, is essentially the same: make people comfortable, and change their expectations. At 68, Schrager shows no sign of slowing down; his heroes are Giorgio Armani and Clint Eastwood—passionate people who are inspired by work they love.     

In 1977, Studio 54 was transformed into a nightclub by Steve Rubell and Ian Schrager, with Jack Dushey as a financial backer. They operated the company as Broadway Catering Corp. It took only six weeks to transform the theater into a nightclub and cost $400,000.[11] Rubell and Schrager hired Ron Doud as interior designer and Brian Thompson as lighting designer. Jules Fisher and Paul Marantz, two well-known Broadway theatrical set-designers, helped convert the theater into a dance floor and created moveable, theatrical sets and lights using the original theatrical fly rails, which allowed for a constantly changing environment. Within a month of opening, the New York State Liquor Authority raided Studio 54 for selling liquor without a license, and closed it. The owners of the nightclub said the incident was a "misunderstanding". The next night the club reopened, serving fruit juice and soda instead of liquor. Prior to the raid, the nightclub had been using daily "caterers' permits", which enabled the nightclub to serve alcohol but were intended for weddings or political events.[12] The State had denied the daily permit for the night and raided the nightclub. The nightclub had been using these permits while waiting for its liquor license to be processed. http://en.wikipedia.org/wiki/Studio_54 There is a story about Richard Vasquez in the foremost book about Studio54. Anthony Haden-Guest. The Last Party: Studio 54, Disco, and the Culture of the Night (New York: William Morrow and Company, 1997) ISBN 978-0688160982 Tracklist for #423 1.Copacabana - ShirleyBassey 2.Bahia - ElCoco.MichaelLewis.LaurenRinder (AviRecords) 3.Celebramos - Kool&TheGang 4.Let'sGetWet - PrincePhillipMitchell 5.TakeMeInYourArmsTonight - TeddyPendergrass 6.PapaWasARollingStone – Temptations 7.HustlerBill - FirstChoice 8.M'Lady - Sly&TheFamilyStone 9.SetMeFree - Supremes 10.NeverCanSAyGoodbye – GloriaGaynor 11.NeverGonnaSayGoodbye - Poussez 12.TheOtherSideOfMidnight(Damaged) 13.SymphonyOfLove - MiguelBrown 14.Saturday - NormaJean 15.LetMeTakeYouDancing - BryanAdams