Podcasts about sub pop records

Altogether Stranger ist das dritte Album von Lael Neale, veröffentlicht via Sub Pop Records. Oft fühlt sich das Gehäuse des Kassettenrekorders wie eine konfessionslose Kirche aus Plastik an. Die Mischung aus Pop und Weirdo-Pop umgarnen Deklarationen der Unbeholfenheit, das DIY Symphonium verhilft zu Stimmungen, welche beiderlei, befreien und bedrücken. von Mirco Kaempf

Toronto's METZ were recently asked to reunite for a performance on Everybody's Live with John Mulaney, and so I dug into my archives for my first conversation with the band's Alex Edkins. My digging led me to our second conversation as well, so I've combined them here for you and other METZ fans. Alex and I had met a number of times at METZ shows before our first interview, which was a phoner that took place on Tuesday December 14, 2010, at 2:00 PM ET. Our next interview, again via telephone, took place on Tuesday June 12, 2012, at 1:00 PM ET, and we discussed the band's big news: they'd finished their debut album, and were about to start working with Sub Pop Records.To hear this entire conversation, subscribe to Kreative Kontrol on Patreon at the $6 tier or higher (a reminder that an annual subscription includes a discount compared to a monthly one).Related episodes/links:Ep. #854: METZEp. #850: You've Changed Records is 15!Ep. #719: Iain ReidEp. #687: Weird NightmareEp. #570: METZEp. #351: METZEp. #201: LIDSEp. #184: METZSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Seattle's music scene is well known and overflowing with talent across a wide range of genres. But there's one local record label with a worldwide reputation that produced the sound of the city – Sub Pop Records. CEO Megan Jasper sat down with Jon to talk about the evolution of Seattle's music industry; how she came to lead this legendary label; Sub Pop's “no a-holes” policy; her favorite venues; new albums on the horizon and more. Join us for Seattle City Makers with Jon Scholes and guest Megan Jasper. 

Des roucoulades électriques italiennes (et espagnoles) à la transe malgache, sans transition ! (Rediffusion) Sophian Fanen propose sa sélection mensuelle de cinq nouveautés. En janvier 2025, les nommés sont :- Andrea Laszlo De Simone, Un momento migliore (Hamburger Records, 2024)- Soleá Morente, No temas nada (feat. Kiki Morente), tiré de l'album Mar en calma (Discos Probeticos, 2024)- Mauricio Flores, No Funcionó (Palm Street Music, 2024)- Ornella Vanoni, Sant'allegria (feat. Mahmood), tiré de l'album Diverse (BMG, 2024)- Empress of, Someone I Know, tiré de l'album Like Someone I Know : a Celebration of Margo Guryan (Sub Pop Records, 2024).Puis, nous recevons Loya dans la #Sessionlive pour la sortie de Blakaz AntandroyBlakaz Antandroy est un album innovant créé par Loya en collaboration avec la famille Remanindry, composée du père Remanindry et de ses enfants, Samba, Nindry, Isabelle et Adeline. Issus du peuple Antandroy, une communauté chamanique du sud de Madagascar, ces artistes utilisent leurs chants et instruments traditionnels pour invoquer les esprits « Kukulamp » et ainsi soigner les villageois, éloignés de toute médecine moderne. L'origine de ce projet unique remonte à une commande du Musée du quai Branly – Jacques Chirac, qui demandait à Loya de concevoir un concert pour accompagner une exposition dédiée à Madagascar, en s'inspirant des archives sonores du musée. C'est ainsi que Loya découvre la musique de Remanindry et en tombe sous le charme. En 2019, il se rend à Tuléar pour rencontrer ce musicien en personne, donnant lieu à une rencontre musicale d'une rare intensité. De cette alchimie est née l'idée de collaborer sur Blakaz Antandroy, un projet ambitieux qui marie la musique chamanique Antandroy à l'univers de la musique électronique.Remanindry, comme Loya, est né dans l'océan Indien. Tous les deux grandissent en fréquentant des cérémonies faisant appel aux esprits. Les sons, les odeurs et les couleurs intenses lors des cérémonies spirituelles imprègnent profondément tous leurs sens. Loya arrive en Europe et s'initie aux instruments électroniques qu'il va maîtriser plus tard. Remanindry commence son apprentissage de la musique Antandroy sous la direction éclairée de sa belle-mère, elle-même percussionniste et chanteuse dans les cérémonies. Ancien lutteur, il découvre sa voix puissante qui résonne dans sa carrure imposante. Il apprend le lokanga (violon malgache) et intègre tout le répertoire de sa famille. Il pratique les cérémonies dans tout le sud de Madagascar et décide d'habiter à Tuléar lorsque sa famille s'agrandit. Il fait la rencontre d'autres musiciens malgaches, notamment Régis Gizavo qui découvre tout son talent exceptionnel. Il a été aussi membre du groupe Ny Malegasy Orkestra qui a porté l'étendard de la chanson malgache à l'international. De son côté, Loya commence son apprentissage en devenant ingénieur informaticien. Il apprend à maîtriser les machines et en parallèle entame un parcours d'apprentissage dans les musiques classiques et le jazz. Autodidacte dans les musiques électroniques, il développe son propre processus pour retranscrire les musiques traditionnelles de l'océan Indien sur ses machines.Titres interprétés au grand studio- Koulé Live RFI- Be Sadia + Tokalava + Zilikala Ekarety, extraits de l'album- Kukulamp Live RFI.Line Up : Sébatien Lejeune alias Loya (machines).Son : Jérémie Besset, Mathias Taylor et Camille Roch.► Album Blakaz Antandroy (LZ Records 2024).Site internet - YouTube - Facebook

Bria Salmena is a vocalist and songwriter based in Los Angeles. She is the frontwoman for the Canadian post-punk band FRIGS, a touring vocalist with Orville Peck and has released two acclaimed cover's EPs under the name Cuntry Covers. Her newest effort, Big Dog, written with longtime collaborator Duncan Hay Jennings is due out March 25th via Sub Pop Records.  Bria shares her early relationship with music, how Brody Dalle inspired her to start writing songs and why a guitar teacher caused her to subsequently set the guitar down for 6 years. She tells us why Big Dog is a natural progression from Cuntry Covers, why having vocal coach Meg Remy in the recording sessions was so valuable and how the idea of permanence played a role in her studio performance. Bria spills exclusive, never heard before Big Dog details and we hear a couple new tunes. Bria Salmena Sub Pop Records Please visit Izotope and Distrokid for continued exclusive listener discounts.

Following KEXP's recent event celebrating The Gits and Martin Douglas's recent Throwaway Style newsletter, we want to tell you more about these contemporaries of Kurt Cobain. The Gits were an early '90s Seattle band. Sub Pop Records recently launched a campaign to rerelease remastered versions of The Gits’ catalogue. So much of the band’s story has been wrapped around the 1993 rape and murder of The Gits frontwoman Mia Zapata. Late last year at KEXP’s Gathering Space, our colleague Emily Fox spoke with The Gits guitarist Andy Kessler and bassist Matt Dresdner about the band’s legacy and the life of Mia. Support KEXP podcasts at kexp.org/cobainSee omnystudio.com/listener for privacy information.

Fellow music lovers, you are in for a treat, because for this episode we are diving head-first into a full-on rock concert of epic proportions. Join us for the 13th annual SMooCH benefit show at The Showbox in Seattle, where our community, this year alone, has raised over $2.2 million dollars for Uncompensated Care at Seattle Children's Hospital. We've mentioned SMooCH before on the Nordy Pod way back in episode 3 with Megan Jasper, and again in episode 29 with Dr. Jeff Sperring, but we've never actually taken you to the show itself. If you're new to the Nordy Pod; SMooCH, which stands for Seattle Musicians for Children's Hospital, is an event that was started by Pete Nordstrom and his wife, Brandy, in 2012 after their own experience needing the care of Seattle Children's Hospital. In this episode you'll learn more about the Uncompensated Care program from return Nordy Pod guest, CEO of Seattle Children's Hospital, Dr. Jeff Sperring, you'll hear from one of the many patient families that have been directly impacted by the support of the Uncompensated Care fund, and you'll hear from Megan Jasper, CEO of Sub-Pop Records, who talks about what it takes to pull together a mind-blowing rock concert like SMooCH. On top of all that you'll get to hear from a few of the incredible musicians that agreed to come play the event this year. Since the very first show SMooCH has consistently managed to bring iconic artists to the Showbox, like Macklemore, Modest Mouse, Ben Gibbard, Iron and Wine, The New Pornographers, The Head and the Heart, Sir Mix-a-Lot, Phantogram, and so many more. This year's event is no different. Prepare yourself for this all-star lineup featuring Doug Martsch from Built to Spill, Sebadoh, Duff McKagen, of Guns n' Roses and Velvet Revolver, and the headliner, Nude Dragons, which are the reunited members from Soundgarden. We're very grateful to all of the musicians who showed up to donate their time and talents, we're grateful for those who helped organize the event, and we're super proud of our community that has donated to date over $30 million dollars to the Uncompensated Care fund. Thanks for tuning in to episode 77. We hope you enjoy it! Did you know that YOU can be on The Nordy Pod? This show isn't just a one-way conversation. We want to hear about what Nordstrom looks like through your eyes. Share your Nordstrom experience, good or bad, by giving us a call and leaving a voicemail at: 206.594.0526, or send an email to nordypodcast@nordstrom.com to be a part of the conversation! And, be sure to follow us on Instagram @thenordypod to stay up to date on new episodes, announcements and more.

Are your music listening habits stuck in a rut? Did you open your Spotify Wrapped and realize you listened to the same five songs on an endless loop? Maybe you want to mix it up in 2025, and become more acoustically adventurous. Soundside is here to help you out - we've rounded up a panel of local music experts to give you some fresh recommendations for albums to check out before we head into the new year. GUESTS: Bekah Flynn, senior publicist, international promotions manager, and A&R representative at Sub Pop Records. Cameron Lavi-Jones, lead singer and guitarist of King Young Blood. Kevin Diers, host of Metal Shop and Loud and Local on 99.9 KISW. Bekah's picks: Frenching the Bully - The Gits Billboard Heart - Deep Sea Diver Grim Iconic...(Sadistic Mantra) - J.R.C.G Exotic Birds of Prey - Shabazz Palaces Robed in Rareness - Shabazz Palaces Right Back to It - Waxahatchee Cam's picks: Honest Bloom - Brenna Bruce Psychotic Spew - Black Ends Take Care - Big Xtha Plug Play For Someone You Love - i///u We Talk to Birds - Beautiful Freaks SORRY, IT'S OVER - The OBGMs Neighborhood - Liv Victorino Kevin's picks: For WHAT Reason! - Fastbacks Guardian of The Universe (The Final Hope) - Oxygen Destroyer The Crucible of Life - The Home Team Verses In Oath - Hulder I Never Lie - Zach Top See omnystudio.com/listener for privacy information.

Daniel House of CZ Records had a pivotal role in the Seattle music scene of the 1980s and early 1990s, including his work with Skin Yard, his time as a key employee at Sub Pop Records, and working with influential bands like Nirvana, Melvins, Soundgarden, the "Deep Six" compilation and lots more. Topics Include: Introduction of Daniel House and CZ Records New Skin Yard seven-inch box set announced History of Ten Minute Warning band Formation of Skin Yard with Jack Endino Forming the seven-inch box set idea Deep Six compilation's initial release discussed UMen added to Deep Six compilation Chris Hanzsek starts CZ Records then transitions out Deep Six compilation initially sells poorly Daniel House takes over CZ Records operations A&M Records purchases Deep Six compilation masters Working simultaneously at Sub Pop and CZ Records Creation of Sub Pop's direct-to-retail store network House builds Sub Pop's international distribution connections Nirvana's Mexican Seafood track on Teriyaki Asthma Confrontation with Geffen Records over Nirvana tracks Missing songs on Bleach cassette recall story Sub Pop focusing marketing efforts on Mudhoney Early Seattle scene was small and intimate Current Skin Yard Select box set details Pink and red vinyl pressing information Production quality control issues at pressing plant Discussion of box set pricing and production costs Interview wrap up Order "Skin Yard Select" box set here. Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide Listen on Apple: https://apple.co/2Y6ORU0 Listen on Spotify: https://spoti.fi/36qhlc8

We recently had the exciting opportunity to engage with Trey Busch, one of the visionary founders of Sleight of Hand Winery nestled in Walla Walla, Washington. Accompanying us was Sommelier Krista French and Robby French from Stylus Wine & Vinyl Bar, our local experts in wine and music. Since its founding in 2007, Sleight of Hand Cellars has emerged as a standout among Washington State's new wave of wineries. Recognized as one of "The Next Cult Wineries" by Seattle Magazine and celebrated in Wine Spectator, several of their superb wines—including the acclaimed 2015 Levitation and 2016 Archimage—have secured spots on various prestigious industry "Top 100" lists. For wine and music enthusiasts, the winery's tasting rooms offer an unforgettable experience. With over 3,000 albums spanning a multitude of genres, both the Walla Walla and Seattle locations feature turntables spinning vinyl records, creating a unique ambiance. At their Walla Walla property, visitors can relax in the Wine Club Lounge while savoring heavenly, high-quality wines. Plus, there's a cozy vinyl shop to explore as you enjoy your tastings. The Wine Illusionist Society is thrilled to partner with the iconic Sub Pop Records in Seattle. With every shipment, the Society delights members by providing the latest and greatest tracks from Sub Pop as digital downloads, ensuring the perfect soundtrack to accompany your wine experience! For more details, visit sofhcellars.com and discover the magic of Sleight of Hand Cellars. A heartfelt thank you goes out to Robby and Krista French and the incredible staff at Stylus Wine and Vinyl Bar. Visit styluswineandvinylbar.com for more information.

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Michael RusseckFather John Misty “I Guess Time Just Makes Fools Of Us All" from the 2024 album "Greatest Hits: I Followed My Dreams and My Dreams Said to Crawl". Released on Sub Pop Records. Written by Josh Tillman Drew Erickson and produced by Father John Misty and Drew Erickson.Personel:Drew Erickson - arrangerMichael Harris - recording engineerJonathan Wilson/Michael Harris - Mixing EngineerAdam Ayan - Mastering EngineerFather John Misty - vocalsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:Bob Dylan "Isis"

Twitter: @podgaverockInsta: @podgaverockSpecial Guest Hosts: Michael RusseckFather John Misty “I Guess Time Just Makes Fools Of Us All" from the 2024 album "Greatest Hits: I Followed My Dreams and My Dreams Said to Crawl". Released on Sub Pop Records. Written by Josh Tillman Drew Erickson and produced by Father John Misty and Drew Erickson.Personel:Drew Erickson - arrangerMichael Harris - recording engineerJonathan Wilson/Michael Harris - Mixing Engineer Adam Ayan - Mastering EngineerFather John Misty - vocalsCover:Performed by Josh BondIntro Music:"Shithouse" 2010 release from "A Collection of Songs for the Kings". Written by Josh Bond. Produced by Frank Charlton.Other Artists Mentioned:For the Kings “Turn It Off”Billie EilishBob Dylan “Simple Twist of Fate”Angel OlsenWeyes BloodMargo PriceMitskiLana Del ReyPink Floyd “Money”Bob Dylan “Stuck Inside Mobile With the Memphis Blues Again”Isaac Hayes “Shaft”Marvin Gaye “Inner City Blues”Marvin Gaye “What's Going On”Bobby WomackJonathan WilsonBB King “Thrill is Gone”The Animals “House of the Rising Sun”Kenny Rogers and the First Edition“Just Dropped In (What Condition My Condition Is In)”Martin ScorceseRay CharlesRay StevensLittle RichardFor the Kings “Mrs James”Ray LaMontagneTony CliftonKendrick LamarFather John Misty “Real Love, Baby”Father John Misty “I'm Writing A Novel”Father John Misty “Hollywood Forever Cemetary Sings”Father John Misty “I Love You, Honeybear”Father John Misty “Chloe and the next 20th Century”Neil Diamond “Sweet Caroline”Steely DanPete RoseCharlie Daniels Band “Devil Went Down To Georgia”Bob Dylan “Ballad of a Thin Man”Bob Dylan “Desolation Row”Bob Dylan “Tangled Up in Blue”Leonard CohenEagles “Hotel California”8 Bit ArcadeBob Dylan “Isis”

This week, we talk to actor, writer, and comedian DC PIERSON (Community, Derrick Comedy & author of The Boy Who Couldn't Sleep and Never Had To) about the legendary THIS IS SPINAL TAP'! We discuss the genesis of the project and the trials of making the movie, the original 4 1/2-hour cut of the film and the significant changes throughout the film, the similarities/differences between the comedy & music world, why musicians want to be comedians and vice-versa, what makes a subject ripe for parody, what are the other great mock-rock comedies, losing your way to the stage IN REAL LIFE & the time Sub-Pop Records asked Chris to CUT HIS HAIR!So become lukewarm water with us on this week's Revolutions Per Movie!DC PIERSON:https://dcpierson.wpcomstaging.com/https://www.penguinrandomhouse.com/authors/102446/dc-pierson/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

This week Ari sits down with Tony Kiewel, the President of Sub Pop Records and co-founder of ORCA (Organization for Recorded Culture and Arts). Sub Pop has repped iconic artists like Nirvana, Soundgarden, Beach House, The Postal Service, Flight of the Conchords, Iron & Wine, Father John Misty, and many more. Tony's organization, ORCA, is a “think tank comprised of international independent music labels committed to increasing music's economic, social, and cultural value.” ORCA has done incredible research to demonstrate the tangible value of music in our society. ORCA also works with numerous record labels to increase financial and contractual transparency between labels and artists. In this episode, Tony shares the inner-workings of his experience at Sub Pop. He breaks down how independent record labels function in 2024 and how exactly his label invests in the future of their artists. Ari and Tony discuss how ORCA's research could help influence law and policy changes for the music industry and how the organization helps people outside of the industry understand how things work. Tony talks about what Sub Pop looks for when it comes to signing new artists, how they develop current artists on their roster, and how they go about working with undiscovered artists vs. artist on the cusp of stardom. If you're interested in the inner workings of indie labels, you won't want to miss this episode!ORCA: https://www.orcaformusic.com/ “Setting the Stage: How Music Works” study by ORCA: https://aristake.io/orca00:00 Understanding the New Music Business05:26 The Formation of ORCA and Its Goals10:16 The Importance of Transparency in the Music Industry16:07 The Challenges Facing Independent Artists22:42 The Role of Indie Labels in Artist Development33:56 Artist Development Strategies at Sub Pop42:58 Investments in Emerging Artists51:15 Revenue Streams and Financial Models01:00:19 The Future of Music Distribution and TouringEdited and mixed by Ari DavidsMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

On the show this time, with a new release under his own name - it's Wolf Parade's Dan Boeckner. Dan Boeckner is of course, one of the frontmen of the band Wolf Parade.  He has been in a few other bands too - including Atlas Strategic, Operators, Divine Fits, and the Handsome Furs.  He's a solid hard-rockin' guitarist, with a penchant for finding a killer turn of phrase, and then delivering it in his own quirky style, with his unmistakable voice.  His new album is “Boeckner!” available on Sub Pop Records. Recorded 04/29/24. Lose Don't Worry Baby Holy Is The Night I'm Confused Blue Moon  Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

On the show this time, with a new release under his own name - it's Wolf Parade's Dan Boeckner. Dan Boeckner is of course, one of the frontmen of the band Wolf Parade.  He has been in a few other bands too - including Atlas Strategic, Operators, Divine Fits, and the Handsome Furs.  He's a solid hard-rockin' guitarist, with a penchant for finding a killer turn of phrase, and then delivering it in his own quirky style, with his unmistakable voice.  His new album is “Boeckner!” available on Sub Pop Records. Recorded 04/29/24. Lose Don't Worry Baby Holy Is The Night I'm Confused Blue Moon  Watch the full Live on KEXP session on YouTube.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah are back after a brief summer hiatus to talk about: white women for Kamala, “brat” and its aftermath, why Gen Z has so many slang terms for oral sex (or is that just our intern?), and how JD Vance radicalized childless cat ladies and prompted Twitter to make jokes about sex with a couch. America: It's going great! Note: This episode gets pretty blue, might want to keep it out of the little ones' earholes. Also discussed:* “Did I miss anything?” asks Sarah, after emerging from a literal cave in the desert.* Gen Z pop star Charli … MCM?!* Childless cat ladies were trending, and nobody called Sarah for a quote?!?* You say KOMM-uh-lah, I say Kuh-MAH-lah, let's call the whole thing off.* Trump avoiding an assassin's bullet was 60,000 news cycles ago. * The Kamala Harris prosecution that Nancy cannot get over* What is the sound of 100,000 white women clapping? * "I am here tonight, embracing myself in your incredible, profound white women midst, because we've got a fucking job to do, y'all” is a thing that was said.* Race essentialism + radical self-care = cringe-fest* Brat, cap, munch, throat goat: Nancy learns to speak Gen Z * That time Sub Pop Records trolled the New York Times* Did Elon Musk succeed in making Twitter a public square?* “Ass play is not my jam.”* Ben Shapiro for president?* Steve Kornacki will chase down that Snackwells truck* J.D. Vance, the punching bag for a post-assassination-attempt TrumpPlus, the wisdom of NOT talking politics, report cards on how Biden dipped, and that time Hemingway married an African woman when he was already married. We are here tonight, embracing ourselves in your incredible, profound audio-listener midst, because you've got a fucking subscription to pay, y'all

In this episode we go back to 2003 for Indie Rock band Constantines' second album, Shine a Light. Blenderstyle Hosts: Casey, Matthew, NathanFollow/Subscribe:YouTube: https://www.youtube.com/c/blenderstylePodcast: https://blenderstyle.buzzsprout.comBlenderstyle Merch: https://blenderstyle.square.siteInstagram: https://www.instagram.com/blenderstylemusicFacebook: https://www.facebook.com/blenderstylemusicWebsite: http://blenderstyle.netConstantines, Shine a Light, Sub Pop Records, National Hum, Album Review, Blenderstyle

Ryan Kattner is a singer, songwriter, and lyricist for Man Man, Mister Heavenly and his solo effort, Honus Honus. The newest Man Man record, Carrot on Strings, is out now and is Man Man's first full length release on Sub Pop Records.  Old pals Joe and Ryan discuss the long road of Joe finally playing with Man Man, the process of writing the new record and Ryan explains the song Mongolian Spot and how the records art may parallel his life.  The two speculate on why Ryan is living in a “carrot orange” space and the consequences of making this decision at this point in his life. Ryan share's his experience splitting his head open in a bike accident, we learn the roll that Old Yeller plays on the new record, and we hear a couple tunes. Man Man Sup Pop Records Episode supported by Izotope Episode supported by Distrokid Episode supported by Thunder Road Guitars

Welcome back to Aquarium Drunkard Transmissions. This week on the show, we're sitting down with Damon McMahon, best known as the man behind the mysterious and compelling Amen Dunes musical project. Transmissions host Jason P. Woodbury first spoke to McMahon way back in 2012, when he was touring in support of the second Amen Dunes album, 2011's Through Donkey Jaw. Then, they checked in again in 2018, when he released the tremendous Freedom. Amen Dunes' sound has shifted and morphed all along the way, though some constants have remained—particularly, his mantra-like vocals. Even when it's hard to clearly understand exactly what he's saying, McMahon has a way of making his lyrics felt, as if the shape and sound of the words in and of themselves has some occulted meaning.  McMahon's latest is called Death Jokes. It was released on May 10th by Sub Pop Records and it's a dense, layered gem. Built on beats, piano—a new instrument for McMahon—and stacked with samples of artists like Lenny Bruce and J Dilla, it's a difficult record to grok at first. It doesn't reveal itself quickly. In a media landscape that often asks us to rush through our experience of music, Death Jokes asks us to stop, to listen again, and to listen deeper. It reveals more as you sit with it.  In that way it's a profoundly counter cultural album; it bucks against the mode of our day. This conversation follows suit, examining the way the digital age has tried to reduce human experience down to clean binaries. It's a conversation about spirituality, about the root of music, about the subconscious, and much more. Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. Next week on Transmissions? Synth legend Steve Roach. For heads, by heads. Aquarium Drunkard is powered by our members. Keep the servers humming and help us continue doing it by subscribing to our online music magazine. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Hutch Harris played guitar and sang for The Thermals from Sub Pop Records, Kill Rock Stars, and Saddle Creek Records.  You can find his solo material at hutchharris.bandcamp.com

Megan Jasper grew up in Worcester, Massachusetts an industrial town, just an hour outside of Boston. Megan remembers it as a tough place to grow up. As a young girl, her family would travel to Boston and she and her sister would hit Newbury Comics when there was only one store. As a teen, she traveled to Boston for punk rock shows. Attending UMass, she was friends with J Mascis, a fellow student. When Dinosaur Jr toured Massachusetts in the early days Megan served as a roadie for the band. During a 1989 tour, they stopped in Seattle and that's when she decided she wanted to make it her home.After landing in Seattle, she made her way to the Sub Pop offices. Megan started as a receptionist there, when the label was a tiny operation, constantly teetering on the brink of financial disaster. She took a job with Caroline Distribution and called all the Tower Records stores in the Pacific Northwest.When Nirvana led the music explosion of the early 90's, the New York Times came calling to do a feature on the music culture of Seattle. Interviewing Jonathan Poneman, he referred the Times to Megan, now working for Caroline Records. The Times was looking for slang expressions Seattle kids used around the city. Megan made up a series of “grunge terms” she didn't think the Times would believe were real. They did, they didn't fact check and they ran it as a “Lexicon of Grunge”.After a time working for ADA Distribution, Megan went back to Sub Pop in a variety of roles (Marketing & Distribution) and worked her way up to the role of CEO where she resides today. Bright, quick, smart, and funny, you'll enjoy our conversation with Sub Pop's Megan Jasper.

We are joined by multimedia artist Yéil Ya-Tseen Nicholas Galnin, who is from Sheetkʼá (Sitka, Alaska) and performs music as Ya Tseen. He is a 2024 Guggenheim Fellow, can be found on Sub-Pop Records, and has work featured around the world that is in sculpture, jewelry, video, and installation. His works speak to sovereignty, racial, social, and environmental justice, and for Landback initiatives. We talk about his path to becoming a multimedia artist while remaining rooted in Lingít identity, on demystifying the “complexities” of colonization when it comes to returning land, language, and objects to Indigenous peoples, and also his signing to Sub-Pop. He also shares advice for aspiring artists, and then zoomed off to catch a flight. See his work by following https://www.instagram.com/nicholasgalanin/?hl=en, and also read more about his musical releases at https://www.subpop.com/artists/ya_tseen.See omnystudio.com/listener for privacy information.

This week, vocalist/songwriter...etc Michael Wiener (The Children...) brings us Chicago's Red Red Meat and their 1993 Sub Pop release 'Jimmywine Majestic'. With singer/songwriter Tim Rutili's - later of Califone - impressionistic lyrics and the band's fuzzed-out bluesy swagger, it's a dark, menacing ride indeed. Songs discussed in this episode: Smokey Mtn Dbl Dip - Red Red Meat (Live 1994 Davenport, IA); God Is A Bereaved, Smothered My Traces - The Children...; Funeral Singers - Califone; Glynis - Smashing Pumpkins; Flank, Stained & Lit - Red Red Meat; Mayonaise - Smashing pumpkins; Braindead, Smokey Mtn Dbl Dip - Red Red Meat; Sitting Still - R.E.M.; Moon Calf Tripe - Red Red Meat; Stull Pt 1 - Urge Overkill; Cillamange, Ball, Lather, Rusted Water, Gorshin, Dowser, Comes, Roses - Red Red Meat; Smothered My Traces - The Children...

Keith sits down with Aaron Stauffer to discuss growing up in Stillicum, Washington, the rise of alternative music and the scene in and around Seattle in the late 80's and 90's, Aaron's history with music, the formation of Seaweed, the band's history, signing with Sub Pop Records, their Hollywood Records debut "Spanaway", the follow up LP "Actions and Indications" and the initial end of the band. We also discuss Aaron's new band Ghost Work, how Aaron joined the band and the making of their upcoming LP "Light a Candle For The Lonely." Artist Spotlight: Keith speaks to Chris Johns of Stay Inside to discuss the band and their new LP "Ferried Away."

It's my first show of 2024! For episode 75 I chatted with Jeff Kleinsmith, Adem Tepedelen, James Halada, and Shane Bastian – members of 90's Seattle band Stymie. Jeff is VP of Creative at Sub Pop Records and he was also my guest for episode 46. This time we talk Toil & Folly, Stymie's new release on their label New Rage Records. Hear about Jeff's design process for this record, their other bands, New Rage, epic shows, and days at the Rocket Magazine–four of the six members of Stymie worked at the Rocket at one point! From the band: We raided the New Rage Records vaults to bring you Stymie's first full-length effort, Toil & Folly. This is an unearthed Seattle gem from the early 90s, a perfect document of a band equally influenced by grunge, noisy indie rock and other heavy sounds of the era. Toil & Folly is a collection of (mostly) previously unreleased material recorded in Seattle between 1992-1995. The majority of the songs were recorded and mixed by noted indie rock producer/engineer Phil Ek (Built to Spill, Earth, Truly, Big Business) and all tracks were freshly remastered in 2021 by Adam Gonsalves at Telegraph Mastering. Take a trip into Seattle's underground past and learn about how this record came to be. Design Freaks on Youtube and wherever you get podcasts.  Thanks for tuning in! This episode is sponsored by Distrokid. Check out distrokid.com/vip/designfreaks for a 30% discount! Follow Stymie: https://stymie-band.bandcamp.com/album/toil-folly @stymie_band Follow the show: @_designfreakspodcast_ Design Freaks on YouTube ~~ Designfreakspodcast.com Ruinousmedia.com ~~ Donate to help with recording costs Thank you! ~~ Theme music: "Jet in Jungle" by Damaged Bug All other music by Stymie

Brett Netson is a guitarist, singer and song-writer from Boise, Idaho. He has toured and recorded extensively with Built To Spill, Mark Lanegan, Earth and is a founding member of Caustic Resin. His most recent contribution is a re-imagined version of Teeth Of Lions Rule The Divine by Earth, and is out now on special "low frequency" re-release of the classic Earth 2 record on Sub Pop Records. In this episode, the longtime friends and forever ago bandmates discuss the state of "work", why Brett quit playing music for a short period of time, and what brought him back. Brett shares his thoughts on the healthy benefits of Drone music, how it enhances his life and why singular thought is beneficial. We learn what is the glue that binds Brett and Dylan Carlson's musical relationship, why Brett found himself having to choose between not ONE but TWO deals with the devil and he explains the process of tearing apart and rebuilding an Earth song on his own. Brett and Joe make fun of themselves and we hear a few magnificent tunes. Brett Netson Earth Sub Pop Episode supported by Distrokid Episode supported by Izotope Episode supported by Native Instruments

Inspiration is on tap as Teresa Au speaks to graphic designer, entrepreneur, and author Aaron Draplin. Known as much for his warm and direct personality as for his signature thick lines design style and ample use of Pantone Orange 21, Aaron is beloved by designers everywhere. Aaron shares lessons gleaned from his midwestern upbringing, nearly 20 years in business on his own, and creating his Field Notes and DDC branded merchandise.What you'll hear in this episode:What Aaron wishes he knew when he went out on his ownBe professional on your way out of a role or projectWhy a job transition should be an overlap, not a hard stopGetting financially prepared for going into business for yourselfWhy you should take every job that comes your wayA note on taxesLessons learned from challenging jobs and peopleThe difficulties of the corporate environmentHow to control your own timeThe value of keeping your wordWhat you can learn from your clients that can help you in your own businessUse merchandise to make your business look as big–or as small–as you wishHow Aaron started the Field Notes brandFinding inspiration in your collectionsWhen it's time to bring in a teamIs passive income actually passive?Taking on big jobs allows Aaron to do little things to help his friend and familyCorporate clients don't have to mean endless meetings and emailsA big client can also be a passion jobWhy Aaron is sometimes the invisible designerGive clients what they need, not necessarily what they think they wantAaron's book tourNo one has to know which jobs have big paychecks and which ones you do for nothingWhich design students make the best audiencesThe people you meet when you travel, for better and worseWhat's special about driving through AmericaWhat Aaron learned from his DadThe importance of appreciating the people who help you get your work doneHow to celebrate someone you've lostAaron's dream gigPlanning a follow-up book to Pretty Much EverythingAaron's list of words for 2024Aaron Draplin is founder of the Draplin Design Co. a shop specializing in Print, Identity and Illustration. His clients include Coal Headwear, Union Binding Co., Richmond Fontaine, Esquire, Nike, Wired, Dinosaur Jr, Timberline, Chunklet, Eaux Claires Music Festival, Poler, Incase, Sub Pop Records, Fender, Marc Maron, Cobra Dogs, Jill Soloway, Thing Festival, Jack White, Old 97s, Jason Isbell, Nixon Watches, Bernie Sanders, Patagonia, Target, Chris Stapleton, NASA/JPL, John Hodgman, Timex, Ford Motor Company, Woolrich and even the Obama Administration. He co-created Field Notes brand with Jim Coudal, and their memo books are sold the world over, with limited-edition special editions shipped quarterly to a booming subscriber list. He is the author of eight Skillshare classes, and his first book, Pretty Much Everything is in its twelfth printing. His DDC Merch line is a cult favorite, featuring 300+ products. You'll find Aaron in his backyard studio in Portland, Oregon, or crossing the US in his orange van, putting on “speaking fiascos” for audiences ranging from Adobe MAX to vocational school students.Teresa Au (@tautastic) is an executive for community engagement and driving customer empathy at Adobe. Her career spans diverse creative fields, primarily in New York's fashion industry, as well as architecture firms, and now Silicon Valley tech companies. She has always prized working with distinctive design and the interesting people behind it–from designer Elie Tahari to start-up CEOs. We want to hear from YOU, our listeners, so we put together a brief survey as we look ahead to season two: https://adobe.ly/podcastsurvey To thank you for your feedback, we're giving away two 12-month memberships to Creative Cloud (valued at $659.88 each). Enter for your chance to win one of the two Creative Cloud licenses by completing the survey form from November 7 at 9pm PT to November 30 at 5pm PT. Winners will be drawn at random and notified at December 1 at noon PT. Valid one license per winner. No purchase necessary. You must be 18 years or older to enter. Please see Terms and Conditions on our website for full details. https://adobe.ly/podcastsurveyLearn more about this podcast, and find transcripts and links, at adobe.ly/inthemaking. In the Making is brought you by Adobe Express and Adobe Creative Cloud. Past episodes of Wireframe can still be found in the show archive within this feed, or online on Behance. Design flyers, TikToks, resumes, and Reels with the new, all-in-one Adobe Express. Create video, marketing, and social content. Edit photos and PDFs. Make it all in one app, including generative AI tools from Adobe Firefly and easy, one-click tasks like removing backgrounds.Adobe Creative Cloud provides apps, web services, and resources for all your creative projects — photography, graphic design, video editing, UX design, drawing and painting, social media, and more. Learn more about the apps in Creative Cloud

This week we have Lira and Caufield of Sweeping Promises on the show! https://www.subpop.com/artists/sweepi... I also jam on drums with the new Qubit Mojave https://www.qubitelectronix.com/shop/... POD MOD STORE: https://www.podularmodcast.com/store SUPPORT POD MOD ON PATREON (https://www.patreon.com/podularmodcast) Thank you: 4ms: https://4mscompany.com/ Patchwerks: https://patchwerks.com/ Qubit Electronix: https://www.qubitelectronix.com/ NOVATION: https://novationmusic.com/en/synths/s... WAVEFORM MAGAZINE: https://waveformmagazine.com/

Deeper - "Tele," from the 2023 album Careful! on Sub Pop Records On today's Song of the Day, Chicago-based quartet Deeper gets vulnerable. The track can be found on their latest album, Careful!, their third full-length overall and first for Sub Pop Records. “'Tele' is a song without its shield,” the band said in a press release. “In past Deeper compositions, we would hide behind jerky guitars and abstract vocals telling a story only we could decipher. With ‘Tele' we wanted to explore the vulnerability behind our music and give focus to the melody and mood of the song. Replacing guitars with synthesizers and drums with samplers we stumbled upon a new way to approach a Deeper song.” “We wanted to make a darker track that people could dance to,” they continued. “Since the foundation is built on a sampler beat, it's the kind of song we could've only created with the limitations of the pandemic. The electronic components left more space for the rhythm, so our engineer Dave started playing with a busier bass line for the verses and laid down the hook on the first pass. At the end we wanted the synth parts to constantly overtake one another and hopefully make the listener feel like they're being swallowed into the song.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Sweeping Promises - "You Shatter" from the 2023 album Good Living Is Coming For You on Feel It Records. Sweeping Promises weren't kidding when they titled their second LP Good Living Is Coming for You. The duo of Lira Mondal and Caufield Schnug used the advance they received from Sub Pop Records to purchase a home in Lawrence, Kansas. In an interview with Pitchfork, they explain how they used the back of the house to build a recording studio where they crafted their latest album. (They've also recorded 40 other bands there in the past year alone!) Lira and Caufield describe today's Song of the Day as “our ode to being a hammer,” something they surely understand after their renovations. Catch Sweeping Promises on September 15th at Madame Lou's. And check out Martin Douglas's album review for Good Living is Coming for You here.  Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Nic Gohl and Drew McBride are the guitarists and founding members of Chicago based Deeper. Their third release and Sub Pop Records debut Careful is out September 8th and is followed by an extensive North American and European tour. In this episode Drew and Nic share their musical backgrounds, how Deeper came together in their college years and the audio and visual evolution of the band to now. They discuss their progression of songwriting, share the experience of making Deeper in a fourteen day studio session and the role guitar layering has on the over all sound of the new record. The three exchange their thoughts on ranching (yes, ranching) and we hear a couple tunes from the new record. This episode is supported by Izotope. For a limited time, use code FRET10 for a discount on all software. Check it all out at Izotope To learn more about Deeper go to Sub Pop and Deeper

In this episode Thomas Andrew Doyle (TAD) talks about being on the vanguard of the Seattle/grunge scene in the 90's, signing to Sub Pop Records, early influences including music study at university, and subverting listener expectation. Plus, what does the artist owe the listener, the importance of listener interpretation, embracing new things, and running a small record label and recording studio. You can check out TAD at these places: https://www.taddoyle.com/ https://www.instagram.com/tad.doyle.music/ https://www.facebook.com/WitchApeStudio/ Paul works a day job and puts out vinyl and puts on shows via Katzulhu Productions https://www.facebook.com/paul.neil.12 https://www.facebook.com/katzulhu https://www.facebook.com/Dont-Quit-Your-Day-Job-podcast-107924851339602

We caught up with The Supersucker's Eddie Spaghewtti about a toss of the coin that lead them to subpop in Seatle and having The Exorcist's Linda Blair cameo as the devil in their Born With A Tail Video @allthatjampod on IG, FB, and Twitter - www.allthatjampod.com - Subscribe - leave a review - tell a friend. All That Jam is brought to you by Executive Producers Amanda Cadran and Kevin Hogan. Produced and edited by Amanda Cadran and Kevin Hogan. Mixed and Mastered by Kevin Hogan. Original Music by Aaron Gaul. Art by Amanda Cadran. 

Tad Doyle (full name Thomas Andrew Doyle) is a musician, formerly of the band Tad and now his own solo projects. He has been called “the godfather of grunge” as his band Tad was one of the first grunge bands in Seattle.  Initially on the famed Subpop record label, they later scored two major label deals. The band toured with Nirvana, Soundgarden, Alice In Chains, Primus & Sweet Water, among others. After the band ended Tad had some other projects and now make music under the name Thomas Andrew Doyle. His latest album “Forgotten Sciences” is out now. We discuss the new record, mental health, the Seattle music scene, film work and more! 00:00 - Intro00:46 - Welcome & Names01:25 - Seattle & San Diego 03:30 - Seattle Favorites 04:40 - Physical & Mental Health  07:50 - Recording New Music 08:40 - Forgotten Sciences & Mental Health 18:30 - Cutting Down Album & Streaming 21:00 - Truth & Parenting 24:12 - Goal With Record & Soundtracks 30:05 - Why No Tad Reunion 33:10 - Discovering Music & Streaming 34:45 - Possible Live Music 36:35 - Seattle Live Music Venues 38:50 - Seattle Bands & Shows 42:28 - Acting for "Singles" & "Twin Peaks" 44:40 - Subpop Records & Store & New Bands 46:35 - Musical Collaborations Past & Future 49:30 - Doing Different Musical Styles 51:55 - American Cancer Society 53:16 - OutroThomas Andrew Doyle website:https://www.taddoyle.com/American Cancer Society website:https://www.cancer.org/donate.htmlChuck Shute website:https://www.chuckshute.com/Support the showThanks for Listening & Shute for the Moon!

Following the breakup of the mid-90s alt-country band Scud Mountain Boys, lead singer/songwriter Joe Pernice teamed up with his brother to write and record the debut Pernice Brothers album,  Overcome by Happiness, for SubPop Records in 1998. While it was the only Pernice Brothers album released by the legendary Seattle label, Joe's continued to release music under that moniker through a label, Ashmont Records, that he started with his long-time business partner, Joyce Linehan. Superfan, and New West Records Vice President of Publicity, Brady Brock is responsible for the 25th anniversary, first-time-on-vinyl, reissue of Overcome by Happiness which is available in a deluxe version that includes a comprehensive 52-page hardback book documenting the history of the band, recollections of the recording of the album, lyrics, and a track-by-track walkthrough.   Songs in this Episode: Intro - Overcome By Happiness by Pernice Brothers 11:03 - In A Ditch by the Scud Mountain Boys Outro - Bum Leg by Joe Pernice   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.  

31 years ago, Sub Pop Records released a 19-song retrospective of songs from a Scottish indie band. It remains a brilliant portrait of The Vaselines.  Rockin' the Suburbs on Apple Podcasts/iTunes or   other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart, Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Twitter, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, covered by Frank Muffin. Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Break out the Manic Panic and Doc Martens because this week we dig deep into nineties fashion with musician Alicia Bognanno aka Bully. We talk about our experiences taking foreign languages in high school, respective anxiety dreams and the year Jonah and Vanessa took a French class together despite the fact that he was two grades ahead. We also dig deep into the history of belly button rings, discuss whether they're making a comeback and share other piercing stories from our adolescent years. Finally, we play a round of BACK TO THE PRESENT where we reminisce about now-defunct mailorder catalogs ranging from Carvin Guitars (Jonah) to Delia's (Vanessa) as well as those Best Cuts catalogs where you could pick out your future hairstyle (Alicia). Did Jonah actually visit the NYU school of dentistry and have college kids work on his teeth in order to save money? You'll have to listen to this episode to find out—and while you're at it you should also pre-order Bully's upcoming album LUCKY FOR YOU, which comes out on Sub Pop Records on June 2nd. See omnystudio.com/listener for privacy information.

Founded by Janet Weiss (Sleater-Kinney, Wild Flag, Stephen Malkmus & The Jicks) and Sam Coomes (Heatmiser, Elliott Smith) in 1992, Quasi has become a Pacific Northwest rock & roll institution. The band's new album Breaking The Balls of History is out now on Sub Pop Records. On this episode of Hotline, they answer your questions from the 1-877-WASTOIDS answering machine, sharing their fantasy world, records they can't live with out and much more. Call us anytime at 1-877-WASTOIDS. More podcasts and videos at WASTOIDS.com | Follow us on Instagram and YouTube.

Eric D Johnson of the Fruit Bats sits down with Brett Newski (NEWSKI) to riff about signing to Merge, playing the long game, cutting down on freaking out, joining the Shins, & career breaks. More on Fruit Bats: http://www.fruitbatsmusic.com/ If you like the pod, please support: https://www.patreon.com/Newski NEWSKI ON TOUR: 4/6 - STEVEN'S POINT, WI - UWSP Dreyfus Center 4/7 - MILWAUKEE, WI - Anodyne Walkers Point (early 7p) 4/8 - MANITOWOC, WI - Sabbatical Brewing 4/12 - CHICAGO, IL - Golden Dagger 4/13 - ST PAUL, MN - Turf Club 4/14 - APPLETON, WI - Appleton Beer Factory 4/21 - COLUMBUS, OH - Rambling House Series 4/22 - YOUNGSTOWN, OH - Westside Bowl 4/23 - PHILADELPHIA, PA- Krobath Concert Series 4/26 - NYC - Bowery Electric (early 6pm) 4/27 - DEWEY BEACH, DL - Fort Ishu House Show   4/28 - WASHINGTON DC - Pearl St Warehouse 4/30 - RICHMOND, VA - Hardywood Brewing (early 3pm) 5/2 - SAVANNAH, GA - Sentient Bean 5/3 - ORLANDO, FL - Will's Pub 5/4 - ST AUGUSTINE - Sarbez 5/5 - WEST DESTIN, FL - Rock by the Sea Fest 5/6 - WEST DESTIN, FL - Rock by the Sea Fest 5/7 - COLUMBUS, MS - Sunstroke House Music (early 6p) 5/20 - HAVANA, IL - Havana Songwriters Fest (solo)   5/23 - SEATTLE, WA - Fun House 5/24 - BEND, OR - Old St Francis School 5/25 - PORTLAND, OR - The White Eagle 5/26 - PORT ANGELES, WA - JFFA Festival  6/2- MARSHFIELD, WI - Hub City Days 6/17 - SHEBOYGAN, WI - Three Sheeps 6/23 - CEDAR RAPIDS, IA - Newbo City Market 6/30 - BARABOO, WI - Tumbled Rock Brewing 7/1 - MADISON, WI - Terrace at Memorial Union 7/15 - GRAND RAPIDS, MI - Founders 7/16 - THREE OAKS, MI - Acorn Theatre   

DEBBY FRIDAY - "SO HARD TO TELL" from the 2023 album GOOD LUCK on Sub Pop Nigerian-born, Toronto-based artist DEBBY FRIDAY needed some convincing before designating today's Song of the Day as the lead single from her debut album, GOOD LUCK, released just last week via Sub Pop Records.  "Every single person that I would play the album to was like, 'This song, this song, this song, this song — this one has to be the first single!'" she told Exclaim!. It's a surprisingly softer side than we saw on DEBBY's 2019 EP DEATH DRIVE, with a graceful co-production from Graham Walsh (METZ, Holy Fuck).  “I have a lower register and speak with vocal fry so I don't know what came over me when I made this track,” she stated in a press release. “I have never in my life sung like this before and I had no idea I could even make these kinds of sounds with my voice. There's no pitch effects on ‘SO HARD TO TELL,' it's all me.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Today, I am taking some time off while I recover from a recent illness and continue to sift through edits for the Season 4 Finale of the podcast. In the meantime, enjoy this bonus episode from my Patreon film review series where I review 'Nick and Norah's Infinite Playlist' with special guest Mia Day. ✨ MORE ABOUT MIA DAY ✨Inspired by the vivid imagery crafted by  Benjamin Gibbard and Leonard Cohen, as well as the writers heartbeat of Taylor Swift, Mia Day has claimed a songwriting style that embraces the weight that small moments carry. A record store junkie, over-thinker, [and] Seattle native that grew up under the endless grey sky, Mia's music turns inward with the harsh vulnerability that comes with spending a lot of one's teenage years alone. Her voice is a strong spirit that marries unconventionality with beauty, softness with a demand to be listened to. At the age of 20 years old, she has released a full length album, "Gold," as well as two E.P's known as "Years" and "Lone Rider." Her music has been played on 90.3 KEXP radio, Rainy Dawg Radio, Chapman Radio, 107.3 KBFG, and at 18 was named one of Sub Pop Records "Best of the Pacific Northwest" on Spotify.  ✨ KEEP UP TO DATE WITH MIA DAY ✨Web: https://miadaymusic.wixsite.com/mia-dayInstagram: https://www.instagram.com/miadaymusic/Bandcamp: https://miaday.bandcamp.com✨ CONNECT WITH IZZY ✨YouTube: https://www.youtube.com/channel/UCv6SBgiYCpYbx9BOYNefkIgWebsite: https://agrrrlstwosoundcents.comInstagram: https://www.instagram.com/agrrrlstwosoundcents/Twitter: https://twitter.com/grrrlsoundcents

In this episode, I got to chat with Seattle designer, illustrator, and art director Sasha Barr!Sasha shares about his years designing and art directing at Sub Pop Records, skating and working with local skate shops, large scale work, creative beginnings, his fascinating family (and their connection to Big Star!), and of course his two Grammy nominations/win for Father John Misty. Inspiration City! Thanks for listening!Follow the show: @_designfreakspodcast_Design Freaks on YouTube~~Designfreakspodcast.comRuinousmedia.com~~Donate to help with recording costs Thank you!~~Theme music: "Jet in Jungle" by Damaged Bug, courtesy of John DwyerSOURCES:https://www.itsnicethat.com/news/the-grammys-2018-winners-package-design-and-music-video-290118https://youtu.be/Dd0ugVJghDcSupport the show

What the hell is up stars??? It's Valentine's Day week! Here's to a week of love, light, and a solemnly stated commitment to never even entertain the thought of eating at Chick-fil-a EVER again. All opinions stated in this podcast are at the whim of the night (okay look after additional thoughts my opinions on the Gaylor stuff have already changed). Cancel me or love if you want. Whatever you do, root in love with me. That's what the hell is up. Featured Song: Our Love will Still be There covered by Weird Nightmare - release from Subpop Records, Seattle CREDS: Intro/outro music: Afterspace Rooted music: Matthew Boerner Pod Logo: Callan Moore Editing, recording, mixing: soy yo Rooted, Claire

Hello stars. What the hell is up? I'm settling into Los Angeles and after the rainstorms from last week, which caused quite a disruption here, the sun has returned, and with it my spirit to release an episode! In today's episode, I discuss what I've been up to getting rooted in the present, while admittedly being rooted in the past. I'd argue that reflecting about the past allows us to be present and to create a bright future. What the hell is up with you? I'm very excited to also share some media and music gems which have been bringing me life including the song Empty Head by Frankie Cosmos, released through Seattle's Subpop Records. Check out my new website! www.whatthehellisuppod.com Featured song: Empty Head by Frankie Cosmos https://www.frankiecosmosband.com/ Mentions: Umi (singer/songwriter) https://www.youtube.com/watch?v=ifaDO-0n2Fs Wednesday (Netflix) Glass Onion (Netflix) My friends and fam back home who've stayed connected with me.

Elise Okusami of Oceanator joins Dwyer to talk about the sport of Ruby, pizza making, weird songs and beats she's recorded that she has yet to share with the world, her long collaboration with her brother, and her song that she has on the Eleventh Hour: Songs For Climate Justice out now on Sub Pop Records.Opening Song "Average Joe," from the compilation album The Eleventh Hour: Songs For Climate Justice,.By the Eleventh Hour: Songs For Climate Justice at Sub Pop RecordsDonate to the Climate Emergency FundOceanator BandcampPolyvinyl Records Get a website from Kelly R. Dwyer The Matt Dwyer Dot Com Hosted on Acast. See acast.com/privacy for more information.

In 2002, Sam Beam's first album as Iron & Wine was released on Sub Pop Records. He'd given them a bunch of demos, and rather than have him re-record these songs, they released the demos themselves. Since then, he's put out five more full-length albums and been nominated for multiple Grammys. For this episode, Sam looked back at the making of his song "Flightless Bird, American Mouth," from his 2007 album The Shepherd's Dog. A year after that album came out, the song was used prominently in a scene in the movie Twilight, and it's been one of the most popular Iron & Wine songs ever since. I talked to Sam at Blue Rock Artist Ranch and Studio in Wimberley, Texas, in front of a small audience. You'll hear the original demo he recorded, and how that transformed into the final version of the song. For more, visit songexploder.net/iron-and-wine

Charlotte Cornfield joins Dwyer to talk about the Climate Crisis and the Sub Pop compilation album The 11th Hour: Songs For Climate Justice which Charlotte has so graciously lent a song to. Charlotte and Dwyer also talk about the coolness of Jeff Tweedy, how her adolescence shaped her music, taking improv classes and how the pandemic got her to learn how to drive.Opening Song, I Thought I Saw You from the album The 11th Hour: Songs For Climate Justice.You can buy the 11th Hour album at Sub Pop Records starting October 28nd, 2022.You can donate to the Climate Emergency Fund. Charlotte Cornfield's websiteConversationswithdwyer.com Hosted on Acast. See acast.com/privacy for more information.

This is a REPOST of Episode 100. Sunny Day Real Estate was an American rock band from Seattle, Washington. They were one of the early emo bands and helped establish the genre. In 1994, the band released their debut album Diary on Sub Pop Records to critical acclaim. However, shortly after releasing their second album LP2, the band broke up, with members Nate Mendel and William Goldsmith joining Foo Fighters and Jeremy Enigk embarking on a solo career. In 1997, they regrouped long enough to record two more studio albums and a live album but ultimately disbanded once again in 2001. The band reunited again in 2009. Bassist Nate Mendel, who chose to remain with Foo Fighters during the previous reunion in 1997, took part in this reunion. In 2014 the band released one song from those sessions, "Lipton Witch," on a split 7" vinyl with Circa Survive on Record Store Day. I got William on the Skype and this is what we talk about: My sunny day tattoo story What drumming has done to him physically What was his scene How the band got together Diary's artwork Breaking up right when they were taking off Red Elephant Trying to find inspiration to make music again Recording Rising Tide Working through anxiety Their unreleased album And a ton more Check out William's band, Assertion Check out my new book The Couples' Checklist for my webcomic dailyBred. It's a great gift for Valentine's Day. If you market aggressively on Instagram Stories and want custom stickers then go here to get custom stickers or just email mike@drive80.com and I can send you samples. These are great for B2C companies and Realtors.

Σtella - "Another Nation"from the 2022 album Up and Away on Sub Pop. Greek artist Stella Chronopoulou (who records as Σtella, with a sigma) makes her Sub Pop Records debut with a collection of dreamy electro-pop influenced by her family's music collection of Greek folk-pop from the ‘60s and ‘70s. “Growing up I loved playing ‘Sousourada' by Nikos Gounaris on my grandfather's old gramophone. I was thrilled by Greek folk-pop artists like Grigoris Bithikotsis and the great Tzeni Vanou, as well as international artists like Tony Motolla and Julio Inglesias,” she says in a press statement; “Living in a close-knit community by the mountains and sea, I vaguely recall being woken by neighbouring shepherds' sheep bells… everything back then was so pure and innocent!” For her first LP, she teamed up with fellow Greek artist and producer Tom Calvert (aka Redinho). "Tom had a similar desire of creating a vintage sound," she continues. "Instantly stars aligned; I was time-traveling, singing songs as The Chiffons or The Crystals would.” Read the full story at KEXP.orgSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.