Podcast appearances and mentions of Terry Gilliam

This time we discuss 12 Monkeys, the Terry Gilliam film adapted from La Jetée, an experimental short film. Rankings! Colin/James/Seth: Feature Film / Short Film

Here is a preview of The Rotten Truth where Donnie Roberts and The Vern talk about Terry Gilliam's film adapation of Hunter S Thompson's book, Fear and Loathing in Las Vegas. It has a 50 % rating on Rotten Tomatoes which means some think it's utter trash and while others hail it as a masterpiece. Where do you lie?Check out the full version over at Rabbit Hole Podcasts⁠https://rabbitholepodcasts.com/the-rotten-truth/

Terry Gilliams „Brazil“ schrieb Filmgeschichte in zweifacher Hinsicht: Zum einen als herausragende #Dystopie einer bürokratischen, totalen Gesellschaft – mit Referenzen an den Film noir sowie an Huxleys „Schöne neue Welt“ und Orwells „1984“. Zum anderen ist die Geschichte um die Veröffentlichung des Films völlig absurd und einmalig: Universal wollte den Film des #MontyPython-Mitglieds 1985 nicht in die Kinos bringen, sie wollten Gilliam zu einem Happy End nötigen, doch der stellte sich stur, ja, er lehnte sich mit Einfallsreichtum und Kampfgeist gegen die kulturindustriellen Vorgaben Hollywoods auf. Mit einer Guerilla-Marketing-Strategie gelang es Gilliam, das übermächtige Studio derart unter Druck zu setzen, dass es nachgeben musste: Der Film konnte so, wie vom Regisseur vorgesehen, erscheinen. Gilliam verhielt sich in seinem Vorgehen ähnlich wie die anarchische Figur Tuttle (Robert De Niro) – und das mit Erfolg, das ist in einer verwalteten Welt eine Seltenheit. „Brazil“ ist eine präzise Dokumentation über den #Neoliberalismus der 1980er-Jahre und eine schwarzhumorige Zukunftsvision, die heute gegenwärtiger denn je ist. Mehr dazu von Wolfgang M. Schmitt im Video!Literatur:Theodor W. Adorno: „Kultur und Verwaltung“, in: Ders.: Soziologische Schriften I. Suhrkamp.Max Weber: Wirtschaft und Gesellschaft. Herrschaft. Studienausgabe. J.C.B. Mohr Tübingen.Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank!Das neue Q&A ist hörbar über ein Abo von Die Filmanalyse Plus. Das Abo gibt es bei Steady als Monats- und vergünstigtes Jahresabo. Der RSS-Feed ist automatisch mit Spotify verknüpft, kann aber auch in alle Podcatcher eingefügt werden:https://steady.page/de/die-filmanalyse-abo/aboutApple-Podcast:https://podcasts.apple.com/de/podcast/die-filmanalyse/id1586115282Patreon (jedoch ist hier der RSS-Feed nicht mit Spotify verknüpft):https://www.patreon.com/c/wolfgangmschmitt/homeDie Filmanalyse +ABO kann man auch für ein Jahr verschenken: https://steady.page/de/die-filmanalyse-abo/gift_plans 

We are Back! Nearly a year and a half hiatus didn't stop us wanting to talk about our favorite movies. This 2-Part series, Adam leads the gang through the films of Terry Gilliam. This Episode, we continue our journey with the 1998 Hunter S Thompson novel adaptation Fear And Loathing In Las Vegas.

《妙想天开》是 Terry Gilliam 在1985年执导的一部经典反乌托邦黑色喜剧。在这部电影中，名为 Brazil 的主题音乐贯穿全片，串联起男主角在官僚主义社会中寻找爱情的荒诞经历。影片以其独特的想象力和音乐运用，营造出强烈的内在张力。The Pogues - Sunny Side of The Street(live)肖容 - Freedom and LibertyFrank Sinatra - On The Sunny Side of The Street(live)Bugge Wesseltoft/Joapuin Claussell/llhan Ersahin/Erik Truffaz - Do ItSting - Seven DaysShortparis - All The Young DudesLola Young - MessyCaleb Bryant - PacificaCornelius - BrazilAir - Cherry Blossom GirlMichael Kamen - Brazil - Geoff MuldaurMr. Miss - 迷航吴卓玲 - We'll Follow The Wind

This week - we're falling through holes in the universe and landing in Time Bandits, Terry Gilliam's visually cacophonous 1981 adventure about a small boy careening through time with a band of thieves pursued by God and evil itself. There's… a lot going on. It's possible that Time Bandits features the best backstory to a heist ever conceived (a band of God's minor manufacturers are sent to the repairs department for creating a very unusual tree, and use the map of all the holes in the universe ("it was a rush job, seven days...") to steal things instead of fixing the fabric of... everything. It's for absolute certain that it's another slightly-too-scary-for-kids-but-actually-great-as-an-adult adventure, and another glimpse into what Sean Connery was up to after that whole Bond deal. Did we like it? Join us to find out…Let us know what you think of this episode by emailing us at redshirtcinemaclub@gmail.com and support us on Patreon at patreon.com/redshirtcinemaclub for access to two bonus episodes per month as well as our newsletter, The Civilian Observer. Hosted on Acast. See acast.com/privacy for more information.

In this episode we set the Elevator of History back to 1835 where we witness the ;'penny paperss' papers sold for one cent instead of six that featured stories people WANTED to read, rather than news by and for a political party.  These papers brought us separate sections on news, finance, sports and featured on the scene reporting and lurid true crime details.  But it was the New York Sun that launched into a six day report of what a famous mathematician, chemist and learned individual was looking at the moon through a legendary telescope and reporting the discovery of the most amazing things including:  albino moon-bison, miniature zebras, one horned goats, unicorns and the fascinating bat people of the moon who dwelt in massive temples carved from giant rubies.  The public was fascinated by this series of articles until the report, six days later that the telescope had caught a stray sunbeam, magnified it's intensity and set the observatory alight causing it to burn to the ground.  In the days and weeks that followed it slowly came out that none of this was true, however, the Sun never printed a retraction and their readership had grown significantly despite the scandal, most new readers stayed.  We discuss all this, the Blue Fugates, touch on Orson Welles War of the Worlds  and discuss Terry Gilliam's the Adventures of Baron Munchausen  in this it can't get weirder than this episode of the Family Plot Podcast!Become a supporter of this podcast: https://www.spreaker.com/podcast/family-plot--4670465/support.

Welcome to PTBN Pop's Movie Review of The Day! Every weekday we will be reviewing a movie whether it be currently in theaters, featured on streaming or just a film that we hold near and dear to us. With April Fool's Day this week, we're tickling our funny bones and covering classic comedies (pre-1990) this week. On today's episode, Mirandia Berthold is reviewing “Monty Python And The Holy Grail” from 1975 starring Graham Chapman, John Cleese, Eric Idle, Terry Gilliam & Terry Jones.

Andy Walsh and Evan Garcia dive deep into the mind-bending world of "12 Monkeys," exploring the intricate themes of time travel and causality in this classic flick. Right out of the gate, they tackle the core idea that the future is a wild card, and sometimes we're just along for the ride, caught in loops of our own making. It's not just about the science fiction elements; they get into the psychological toll of time travel on Bruce Willis's character as he grapples with the weight of his mission. Evan, who's watching the film for the first time, shares his fresh takes and how it felt like a foreign film, while Andy chimes in with insights about its complex narrative structure and its connections to their larger theme of “Faces Behind Us.” With a mix of witty banter and thoughtful analysis, they unravel the layers of this film and ponder whether our choices really shape the future or if we're merely puppets in a grand design. Andy and Evan take listeners on a wild ride through the twisted timeline of '12 Monkeys', a film that blends dystopian themes with psychological depth. Their conversation is both casual and insightful, filled with witty remarks and a relaxed tone that invites listeners to join in on the fun. From personal anecdotes about their first encounters with the film to an in-depth analysis of its narrative structure, the duo covers a lot of ground. Evan, having only just seen the film for the first time, shares his surprise at how its themes resonate with today's world, especially regarding the ongoing conversations about pandemics and mental health. His initial thoughts are refreshing, as he notes the film's foreign film vibes and the way Gilliam crafts a story that feels both timeless and timely. As they dissect the film's plot, Andy and Evan explore how it reflects on the human psyche, particularly the implications of time travel on mental health. They delve into the protagonist's struggles, discussing how the narrative intertwines his personal journey with larger societal issues. The concept of 'Faces Behind Us' serves as a thematic backbone in their analysis, as they consider how the main character's identity is shaped by his past and the choices he makes—or fails to make—along the way. Their light-hearted banter makes complex themes accessible, inviting listeners to think critically about the film's messages while also enjoying the ride. The conversation takes a fascinating turn as they contemplate the ethical dimensions of the film, particularly regarding the experiments conducted on marginalized individuals. Andy raises important questions about the morality of using prisoners for time travel experiments, prompting a deeper discussion about the societal implications of such actions. Their exploration culminates in a thought-provoking analysis of the film's ending, where they grapple with themes of fate and free will. Evan expresses his confusion about the film's message, while Andy suggests that it leans toward a more hopeful interpretation of the future. Their engaging dialogue leaves listeners eager to reflect on the film long after the episode ends, making this a standout addition to the Spring bonus series.Takeaways:In discussing 12 Monkeys, Andy and Evan dive into the themes of time travel and the complex nature of causality, showing how actions in the past can influence the future in unexpected ways.Evan shares that watching 12 Monkeys for the first time felt like experiencing a foreign film, highlighting the unique storytelling style of Terry Gilliam that often leaves viewers questioning reality.The podcast emphasizes the mental health aspect of the film, illustrating how the pressures of time travel and saving the world can affect one's psyche and perception of reality.Andy and Evan explore the ethical dilemmas presented in 12 Monkeys, particularly the moral implications of experimenting on marginalized groups in the name of science and societal betterment.The conversation reveals how the film reflects contemporary concerns about pandemics and societal collapse, drawing parallels to modern issues that resonate with viewers today.In the end, they ponder whether the film suggests that the future is predetermined or if we can indeed change our paths, sparking a deeper discussion about choice and destiny..Be sure to check out our merch, find extra content, and become an official member of Systematic Geekology on our website:https://systematic-geekology-shop.fourthwall.com/.Check out all of our 'On Loop' series now:https://player.captivate.fm/collection/9e240d3d-6e05-46bc-870b-400afea1cb11.Check out other episodes with Evan:https://player.captivate.fm/collection/db75189a-04f3-4129-9a5d-ade41cf863b5.Don't miss any of Andy's episodes:https://player.captivate.fm/collection/c86f7a67-357b-4324-bf95-e42cedb9932aMentioned in this episode:Become a member of Systematic Geekology on our Website!Check out the link to become a member of Systematic Geekology! All member get exclusive extras and shout outs on the show! Some of the paid tiers of membership get store discounts, free merch, and more!SG on FourthwallThe Anazao Podcast NetworkBe sure to check out the network website to see other podcasts trying to engage honestly with Scripture, Theology, Pop Culture, Martial Arts, Science, and more!Anazao Podcast NetworkSystematic GeekologyOur show focuses around our favorite fandoms that we discuss from a Christian perspective. We do not try to put Jesus into all our favorite stories, but rather we try to ask the questions the IPs are asking, then addressing those questions from our perspective. We are not all ordained, but we are the Priests to the Geeks, in the sense that we try to serve as mediators between the cultures around our favorite fandoms and our faith communities.

¿Qué tienen de común Back to the future, que relata las aventuras de Marty McFly; con la mítica Rocky guionada por Sylvester Stallone; o la frenética Brazil, dirigida por Terry Gilliam? Que además de ser películas icónicas, hablan de telecomunicaciones. ¿Hablan de telecomunicaciones? Si, claro. Rafa Junquera, el  director Editorial de Telesemana.com, acaba de publicar el primer libro que evidencia ese cruce y que demuestra que el cine también ofrece ejemplos para entender cómo se transformó la industria y cómo se perfilan sus perspectivas a futuro. En este viernes de pelis y podcast nos concentraremos en los planos y los cortes de cinta, las metáforas y las enseñanzas que el cine nos legó.

Send us Fan MailJoon Kim returns, but to the wrong point in the timeline, landing in a bizarre place where Bruce Willis was engaged with dramatic material, Brad Pitt was just a pretty face, and Terry Gilliam made profitable movies.

...and now for something completely different! This week, we're celebrating the work of Monty Python. One of the most influential sketch groups of all time. This special episode features interviews from the founding members of Monty Python including Terry Jones, John Cleese, Terry Gilliam and Eric Idle. To manage podcast ad preferences, review the links below:See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

This month Tim is joined by Kat Hughes to discuss Chris Marker's La Jetée (1962). –––––––––––––––––––––––––––––– La Jetée is no =67 on the Sight & Sound critic's list. You can read Kat's personal Top 10 list for the Sight & Sound poll here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Clip of Terry Gilliam interview for Criterion here. –––––––––––––––––––––––––––––– Bezhin Meadow (1937) is available to watch here. –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

We bring on a special bean this episode, author and comedian Robert Brockway. He has a book out (info below) and we're talking about the 1991 Terry Gilliam film starring Jeff Bridges and Robin Williams. Features: Robert Brockway: https://linktr.ee/killyourimaginaryfriend Michael Swaim: https://bsky.app/profile/michaelswaim.bsky.social Abe Epperson: https://bsky.app/profile/abeepp.bsky.social Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store

We are Back! Nearly a year and a half hiatus didn't stop us wanting to talk about our favorite movies. This 2-Part series, Adam leads the gang through the films of Terry Gilliam. This Episode, we discuss the 1995 Time-Travelling remake, 12 Monkeys. Starring Bruce Willis and Brad Pitt.

James Cameron-Wilson reports that box office is down 32%, though Wuthering Heights is still #1. #6 is the unnerving but funny horror Cold Storage. Witty, in the mould of Tremors, this gruesome tale of a deadly fungus has all the makings of a cult classic, managing the tricky balance between gross-out horror and laugh-out-loud comedy. At #10 is Good Luck, Have Fun, Don't Die, a sci-fi twist on Groundhog Day with Sam Rockwell a traveller from the future trying to prevent the AI apocalypse. A satirical shaggy dog epic in the manner of Terry Gilliam, it is very funny and chilling at the same time. James admired the Netflix documentary The Perfect Neighbour. Largely taken from police bodycam footage, it is about a neighbourhood tragedy in Florida. Although it is widely tipped for an Oscar, he is not sure of its merits as a watchable movie. Learn more about your ad choices. Visit podcastchoices.com/adchoices

In this episode, Nate and Adam give their review of our final February selection, Terry Gilliam's "Time Bandits", starring Sean Connery, Shelly Duvall and John Cleese! Listen now!

“There is no British security without Europe,” Keir Starmer told the Munich Security Conference this weekend. Nobody wants a wider war in Europe, but we might get one anyway – and Britain's military isn't ready for it yet. So how can we change our armed forces and our wider society to ensure that Putin won't want to risk a conflict with Britain and our allies? Ed Arnold of the Royal United Services Institute joins Ros Taylor and Raf Behr to talk about how Russia uses hybrid “grey zone” attacks on democracies which stop just short of open warfare… the sobering truth about NATO Article 5… and why we have to budget for the next threat but one, because “What comes after Putin may be worse.”  ESCAPE ROUTES • Raf rewatched Terry Gilliam's Brazil. • Ed has been enjoying England in the Six Nations rugby. • Ros recommends the comedy drama about stand-up comedy, Is This Thing On? , out now in cinemas.  www.patreon.com/ohgodwhatnow Presented by Ros Taylor and Rafael Behr. Audio and video production by Chris Jones. Art direction: James Parrett. Theme tune by Cornershop. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

It was only a matter of time before we talked about a Terry Gilliam film, so it's not surprise the first is 1985's "Brazil"! Adam gives us the details on the not-so-behind-the-scenes struggle to maintain the film in its intended form. Plus, he's watched the "Love Conquers All" cut so you don't have to. And for once, Doug's take may have actually been INTENDED by the filmmaker!

In this episode of the show we are exploring the maximalist dystopia directed by Terry Gilliam, Brazil. Over the course of our conversation you will hear us carefully retrace the complicated history of how Brazil came together, how it was a nightmare to release in the US and how it became a cult classic despite meddling from studio moguls. We also talk about Gilliam's signature kitchen sink approach to visual storytelling as we try to wrap our heads around the many nuances and facets of the narrative. We wonder if Sam Lowry is more of a Josef K. or a Winston Smith character, pontificate over the question if the movie has a happy ending after all and much more!Tune in and enjoy!Hosts: Jakub Flasz & Randy BurrowsFeaturing: Ian SchultzHead over to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠uncutgemspodcast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to find all of our archival episodes and more!Follow us on Twitter (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), IG (⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UncutGemsPod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠) and Facebook (@UncutGemsPod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy us a coffee over at Ko-Fi.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (ko-fi.com/uncutgemspod)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Subscribe to our Patreon!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ (patreon.com/uncutgemspod)

Paul and Amy take on Brazil, Terry Gilliam's surreal warning about authoritarianism, paperwork, and the cost of losing one's imagination. They trace the film's roots in Gilliam's own experiences, his battles with studio power, and the creative compromises that nearly reshaped it to examine why Brazil remains one of cinema's most enduring dystopias. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/ https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Award-winning actor Sir Jonathan Pryce talks to John Wilson about his cultural influences and career. He made his name with the 1975 Trevor Griffiths play Comedians, his role as a stand-up comic winning him a Tony Award after it moved to Broadway. He won an Olivier Award for a landmark production of Hamlet in 1980, and another Tony for his role as The Engineer in Miss Saigon. His huge and diverse list of film credits include Terry Gilliam's 1985 dystopian drama Brazil, the musical Evita alongside Madonna and, an Oscar nominated performance as Pope Francis in The Two Popes. And he's been increasingly prolific in the age of television streaming with acclaim for his roles in Game Of Thrones, The Crown, Taboo, Slow Horses and Wolf Hall. He was knighted for services to drama in 2021.Producer: Edwina PitmanArchive used: Listen With Mother, BBC Home Service, 7 February, 1950 Is Your Honeymoon Really Necessary?, Whitehall Theatre, BBC1, 1940s Protests on Broadway, 6 April 1991 Comedians by Trevor Griffiths, 2nd House, BBC2, 15 March 1975 Jonathan Pryce in Hamlet, The Southbank Show, ITV, 1988 Brazil, Terry Gilliam, 1985

Send Kevin a Text MessageIn this episode of Don't Kill the Messenger, host Kevin Goetz sits down with Academy Award-winning producer Charles "Chuck" Roven, the co-founder of Atlas Entertainment, one of Hollywood's most enduring and successful production companies. Across four decades, Chuck has built a producing career defined by creative ambition and commercial scale — including five of the 100 top-grossing films of all time.  From his early struggles to winning the Academy Award for Oppenheimer, Chuck's journey reveals how smart dealmaking, creative instinct, and relentless tenacity shaped one of the most impressive producing legacies in modern Hollywood.From Czechoslovakia to Cinderella Homes (03:22): Chuck's father escaped post-war Europe and built a real estate empire in Los Angeles, teaching Chuck the principle of horizontal business.Dawn Steel (08:16): Chuck recounts meeting his first wife, Dawn Steel, who revolutionized her way into Hollywood through merchandising hits like Gucci toilet paper before becoming Paramount's president of production.The 90-Day Escrow Deal (20:48): Instead of optioning Dick Tracy, Chuck negotiated a 90-day escrow deal to "check the title," wrote a script, and sold it to Universal.12 Monkeys and the Art of International Financing (30:34): Chuck explains how he assembled a consortium of international partners to co-finance Terry Gilliam's $32 million film.The Phone Call That Led to Batman Begins (36:30): After producing the hit Scooby-Doo, Chuck received a call inviting him to partner with an up-and-coming director named Christopher Nolan on a little project called Batman Begins.Bringing Oppenheimer to Nolan and Winning the Oscar (37:29): Chuck recounts how he brought the Oppenheimer project to Christopher Nolan. The film earned 11 Oscar nominations and Chuck's first Best Picture win.Making Mercy (42:24): Chuck describes developing the "Screen Life" concept into the thriller Mercy, featuring an AI judge with access to every camera and computer.The Value of Test Screenings (46:34): Despite working with directors like Christopher Nolan who prefer friends-and-family screenings, Chuck explains why recruited audience testing remains invaluable.Chuck Roven's producing philosophy combines his father's business lessons with an unwavering respect for the audience, proving that hunger, passion, and smart dealmaking can result in four decades of Hollywood success.If you enjoyed this episode, please leave us a review and share. We look forward to bringing you more behind-the-scenes revelations next time on Don't Kill the Messenger.Host: Kevin GoetzGuests: Charles “Chuck” RovenProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Chuck Roven:Wikipedia: https://en.wikipedia.org/wiki/Charles_RovenIMDB: https://www.imdb.com/name/nm0746273/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com

Following recent conversations about the disposability of material attachments and the generative aspect of consciousness, this week's episode examines the nature of the self and identity through the lens of Terry Gilliam's underrated masterpiece from 1991, The Fisher King. We also briefly discuss:On the Waterfront (1954) d. Elia Kazan

Fantasy, reality, and bureaucracy collide in Terry Gilliam’s BRAZIL. Promo: The B-Movie Cast (https://bmoviecast.com/) Please click, follow, rate and review! https://linktr.ee/TSPandOE_Podcasts

Einige Filmschaffende und Filmkritiker nennen ihn den legitimen Nachfolger von Georges Méliès, doch bei den meisten Cineasten ist Karel Zeman leider immer noch deutlich unbekannter als Ray Harryhausen, der beinahe zeitgleich seine genialen Special-Effect-Künste und Tricktechnik unter Beweis stellte. Zemans filmischer Stil ist eine frühe Inspiration für Regisseure wie Wes Anderson, Tim Burton und Terry Gilliam, die ihrer Bewunderung durch Hommagen und Interviews Ausdruck verliehen haben. Wir versuchen in dieser Folge unsere Begeisterung für die Wiederentdeckung dieses ​​tschechoslowakischen Ausnahmekünstlers in Worte zu fassen und besprechen seine Filme Die Reise in die Urzeit (1955), Die Erfindung des Verderbens (1958), Baron Münchhausen (1962) und Das gestohlene Luftschiff (1967).

In this episode of Haunted History Chronicles, I'm joined by writer, folklorist and broadcaster Deborah Hyde to explore one of medieval Britain's most haunting and enduring mysteries: the Green Children of Woolpit. Emerging from a pit on the edge of a Suffolk village in the 12th century, these strange children — with green-tinged skin and a language no one recognised — left behind a story that has lingered for centuries.Drawing on medieval chronicles, folklore traditions and historical context, Deborah carefully examines what may lie behind the tale. Were the Green Children misunderstood migrants, symbolic folklore, or something far stranger? Together, we explore how belief, fear and storytelling shape the way such accounts are recorded, remembered and retold.With her characteristic wit and academic rigour, Deborah guides us through the shifting interpretations of this luminous legend, revealing why the Green Children of Woolpit continue to trouble the boundary between history and the uncanny.My Special Guest Deborah Hyde  Deborah Hyde wants to know why people believe weird things.She writes and talks about dark folklore and is one of the regular experts on the popular BBC podcast 'Uncanny'.She was editor of 'The Skeptic' magazine for ten years, was involved with 'Skeptics in the Pub' for several years and is a fellow of The Committee for Skeptical Inquiry.She has been asked to contribute commentary to such cases as the Enfield Poltergeist, the Hull Werewolf and Borley Rectory.She also once accidentally played a five hundred year-old queen in a Terry Gilliam movie.In this conversation, expect insights into: The medieval sources and folklore behind the mystery of the Green ChildrenPossible historical, cultural and psychological explanations for the taleWhy stories like this endure — and what they reveal about belief and the unknownIf you value this podcast and want to enjoy more episodes please come and find us on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Haunted_History_Chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠to ⁠support the podcast, gain a wealth of additional exclusive podcasts, writing and other content.Links to all Haunted History Chronicles Social Media Pages, Published Materials and more:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/hauntedhistorychronicles?fbclid=IwAR15rJF2m9nJ0HTXm27HZ3QQ2Llz46E0UpdWv-zePVn9Oj9Q8rdYaZsR74I⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠NEWPodcast Shop:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/haunted-history-chronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buy Me A Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://ko-fi.com/hauntedhistorychronicles⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Guest Links⁠ ⁠⁠⁠⁠⁠⁠Website: ⁠https://deborahhyde.com/ YouTube: https://www.youtube.com/@deborahhydefolklore Twitter: https://x.com/jourdemayne Instagram: https://www.instagram.com/deborahhydefolklore/Facebook: https://www.facebook.com/DeborahHydeFolklore/ BlueSky: https://DeborahHyde.bsky.app/ 

In this holiday edition of Look Behind the Look, we unwrap the layers of Terry Gilliam's 1985 film Brazil, a retro futurist fever dream that cleverly disguises its incisive critique of bureaucracy and authoritarianism as a Christmas movie. Join us as we explore the film's rich aesthetics, from its elaborate production design to the campy hair and makeup, revealing how these visuals reflect the emotional machinery of a society struggling under the weight of conformity and denial. Discover how Brazil remains relevant today, echoing our contemporary challenges with digital systems and the normalization of crisis.0:00 - Intro 1:28 - Gilliam After Python: The Architect of Beautiful Nightmares 3:05 - The Look: A World Styled for Breakdown 4:12 - Camp as Survival & Bureaucratic Beauty 5:25 - Imagination as a Last Resort: Sam Dreams 6:18 - The Restaurant Scene: Elegance at the Edge of Collapse 7:05 - When Help Becomes Theater 7:41 - When Emptiness Becomes Violence 8:27 - The Christmas Setting: Festivity as Emotional Camouflage 9:36 - If Brazil Were Made Today 13:27 - Closing Get full access to Look Behind The Look at lookbehindthelook.substack.com/subscribe

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction5:00 - Chevy Chase documentary is "hard to watch"16:45 - Terry Gilliam slams TV's Time Bandits again29:45 - Indiana Jones Stunt Spectacular injured a heroic staff member38:25 - The new Marty Supreme is set in the 50s is scored with 80s music46:00 - No spoilers! Is our interest in spoilers generational?1:18:00 - Wrap Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snowGet Life Goes On: The Lessons We Learned from Eighties Music.Read our new book Totally Bogus (But True) Tales from the 1980s!

This week on Forgotten Cinema, the Mikes tackle "12 Monkeys", this season's Audience Choice episode and a film that, despite its reputation, just doesn't click for either of them.Mike Butler went in hoping his opinion might change this time around. As a big fan of "Brazil", he wanted to connect with Terry Gilliam's mix of sci-fi and absurdism. Unfortunately, his feelings haven't shifted since first seeing it decades ago. Both Mike Field and Butler find the performances from Bruce Willis and especially Brad Pitt pushed too far into manic territory, making it hard to buy into the story.They also struggle with the central relationships and logic of the film. The idea that the doctor would go along with Willis at all, let alone develop romantic feelings for him, feels completely unbelievable. Tonally, the movie seems stuck between wanting to be a serious science fiction story and an absurdist Gilliam nightmare, and it never settles on what it actually wants to be.While they do appreciate the production design, props, and costumes used for the future sequences, the rest of the film falls flat for them. Still, with "12 Monkeys" being so well regarded by many, the Mikes openly acknowledge that this might be one of those "it's me, not you" moments.

This Christmas Eve Nostalgia Critic talks about his all time favorite movie and why it seems to only get more relevant every year. Let's take a look at 1985's, Brazil. Join our YouTube Members - https://www.youtube.com/channel/UCiH828EtgQjTyNIMH6YiOSw/join Last weeks Nostalgia Critic - https://youtu.be/iGMHcasHpUg Check out our store - https://channelawesome.myshopify.com/ Support this month's charity - https://solvecfs.org/ Brazil is a 1985 dystopian science fiction black comedy film directed by Terry Gilliam and written by Gilliam, Charles McKeown, and Tom Stoppard. A co-production between the United Kingdom and the United States, the film stars Jonathan Pryce, Robert De Niro, Katherine Helmond, Ian Holm, Bob Hoskins, Michael Palin, Ian Richardson, Peter Vaughan, and Kim Greist. Learn more about your ad choices. Visit megaphone.fm/adchoices

What's more Christmas-y than celebrating one's birthday? Brian just so happens to share the same birthday with someone else we might know, on Christmas Day, many, many moons ago. It seems almost to explain what this film is, because who hasn't seen this and enjoyed it? I mean, it was controversial upon its release and was banned by many councils, even to this day, but who hasn't heard or seen LIFE OF BRIAN at this point? Regardless, you've heard of MONTY PYTHON, and this is easily their best film. This film gave us "big nose", the "ex leper", and "what have the Romans ever done for us?" Do yourself a favor and watch this. It's an absolute treat for this Festive Season!

Legendary auteur Terry Gilliam (Brazil, Time Bandits, The Fisher King, Monty Python & the Holy Grail) directs this time-bending sci-fi thriller focusing on one man's unique journey to the past to save the future.  That man is James Cole (Bruce Willis) who is currently living in a dystopian 2035 so ravaged by disease that no humans can actually live on the surface of the Earth so he has been tasked by scientists to travel back to the 1990's in Philadelphia to pinpoint the very beginning of a fatal virus which would eventually spread and wipe out most of the Earth's population.  As would be expected, several complications occur along the way including being commited to a mental facility where he meets the mad son (Brad Pitt who received an Oscar nomination for his performance) of a reknowned virologist (Christopher Plummer).  And he also encounters a therapist (Madeline Stowe) who initially believes him to be crazy though they build a unique relationshiop over time.  Co-written by David Webb Peoples (the Oscar-nominated writer of Unforgiven and Blade Runner), this dizzying tale takes features several dizzying turns carried by sterling performances.  Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

Send us a textIn today's episode, I interview Alex Thompson, director of the short film "Em & Selma Go Griffin Hunting," the story of a mother and daughter faced with difficult choices as they take part in a coming-of-age hunt set in a fictional 1930s America.Listen to hear about how Alex's world building for the film began with the characters, the process of casting the main characters of the film to ensure they had the right level of humanity for the story, and the challenge of creating a set of digital creatures to inhabit the world that would look like high quality blockbuster effects on a small short film budget.Books mentioned in this episode include:Aesop's FablesGrimm's Fairy TalesThe Great Mother: An Analysis of the Archetype by Erich NeumannBaudolino by Umberto EcoThe Name of the Rose by Umberto EcoSapiens: A Brief History of Humankind by Yuval Noah HarariFilms and TV shows mentioned in this episode include:"Em & Selma Go Griffin Hunting" directed by Alex ThompsonJurassic Park directed by Steven SpielbergHereditary directed by Ari AsterThe Walking Dead (series)The Grapes of Wrath directed by John Ford"La jetée" directed by Chris Marker12 Monkeys directed by Terry Gilliam"Un Chien Andalou" directed by Luis Buñuel"An Occurrence at Owl Creek Bridge" directed by Robert EnricoAvatar directed by James CameronBlade Runner directed by Ridley Scott2001: A Space Odyssey directed by Stanley KubrickEverything Everywhere All at Once directed by Dan Kwan and Daniel ScheinertNight of the Hunter directed by Charles LaughtonCome and See directed by Elem KlimovThe Passion of Joan of Arc directed by Carl Th. DreyerThe Seventh Seal directed by Ingmar BergmanApocalypse Now directed by Francis Ford CoppolaThe Cabinet of Dr. Caligari directed by Robert Wiene12 Angry Men directed by Sidney LumetPoor Things directed by Yorgos LanthimosThe Thin Red Line directed by Terrence MalickFollow the film on Instagram @emandselmagogriffinhunting and Alex @alexanderthompsonfilms.Support the show

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie à Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 19:“Wicked: For Good” (Jon M. Chu, 2025)“Dumb and Dumber” (Peter Farrelly, 1994)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“Knowing Me, Knowing You with Alan Patridge” (Steve Coogan, Armando Iannucci, and Patrick Marber, 1994-1995)“I'm Alan Patridge” (Peter Baynham, Steven Coogan, and Armando Iannucci, 1997-2002)“The Thick of It” (Armando Iannucci, 2005-2012)“In the Loop” (Armando Iannucci, 2009)“Veep” (Armando Iannucci, 2012-2019)“Star Trek Generations” (David Carson, 1994)“Black Widow” (Cate Shortland, 2021)“Dr. Zhivago” (David Lean, 1965)“Nineteen Eight-Four” (1949) by George Orwell“Annihilation” (Alex Garland, 2018)“Black Panther” (Ryan Coogler, 2018)“A Quiet Place” (John Krasinski, 2018)“Avengers: Infinity War” (Anthony Russo and Joe Russo, 2018)“The Lost Patrol” (John Ford, 1934)“Syriana” (Stephen Gaghan, 2005)Audio quotation in GATEWAY CINEMA, Episode 19:“Star Trek Generations” (David Carson, 1994), including the song “Star Trek Generations Overture” by Dennis McCarthy, https://www.youtube.com/watch?v=FBdmVGGaJEE&list=RDFBdmVGGaJEE&start_radio=1“The Death of Stalin” (Armando Iannucci, 2017), including the songs “Moscow, 1953”, “Special Delivery”, “Politburo”, “A Comedy of Terrors (End Titles)”, and “End Credits” by Christopher Willis, https://www.youtube.com/playlist?list=PL2gbFqcZhpb3kOAAT1Qyp_4rlt4hwbUiT 

JUST A FLESH WOUND!! Monty Python and the Holy Grail Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Start your online business with a $1 per-month trial when you visit ⁠https://www.shopify.com/rejects⁠! Monty Python's The Life of Brian (1979) Movie Reaction: ⁠   • MONTY PYTHON'S LIFE OF BRIAN (1979) MOVIE ...  ⁠ Gift Someone (Or Yourself) A Stranger Things RR Tee! ⁠https://shorturl.at/hekk2⁠ Aaron Alexander & Andrew Gordon dive into the legendary British comedy that redefined absurdist humor and became one of the most quoted films of all time!! Join us on our Monty Python & the Holy Grail Reaction, Breakdown, Commentary, Analysis & Spoiler Review! Andrew Gordon (Cinepals) & Aaron Alexander (Silhouettes of Scarlet) react to Monty Python and the Holy Grail (1975), the legendary sketch-comedy satire written and performed by the Monty Python troupe and directed by Terry Gilliam & Terry Jones. A wildly absurd reimagining of Arthurian legend, the film follows King Arthur on a quest from God to find the Holy Grail — a mission constantly derailed by anachronisms, low-budget chaos, and some of the most quoted jokes in comedy history. Graham Chapman (Life of Brian, Monty Python's Flying Circus) stars as the straight-faced King Arthur, valiantly leading his Knights of the Round Table while pretending everything around him makes sense. The ensemble brilliance comes from Python regulars John Cleese (A Fish Called Wanda, Fawlty Towers) as the endlessly shouty Sir Lancelot (and the infamous Black Knight), Eric Idle (Life of Brian, Shrek) as the sing-songy Sir Robin, Terry Jones (Life of Brian, Meaning of Life) as Sir Bedevere, and Michael Palin (Brazil, A Fish Called Wanda) as Sir Galahad, along with dozens of other roles played interchangeably by the troupe. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Follow Andrew Gordon on Socials:  YouTube: ⁠https://www.youtube.com/@MovieSource⁠ Instagram:⁠ ⁠ ⁠https://www.instagram.com/agor711/?hl=en⁠ Twitter:  ⁠https://twitter.com/Agor711⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This month's Out Now with Aaron and Abe commentary wants the future to be unknown. The Brandon Peters Show's Brandon Peters and The Outside Scoop's Scott Mendelson join Aaron to discuss 1995's 12 Monkeys from director Terry Gilliam. Listen in to hear the group discuss this time-travel favorite from a director notorious for tough shoots, yet nevertheless had a hit film starring Bruce Willis, Madeleine Stowe, and Brad Pitt. Additionally, there are numerous stories about the film, its connection to the hosts, tangents about other movies, and other absurdist bits. So now, if you've got an hour to kill… Follow all of us on Twitter/Bluesky: @Outnow_Podcast, @AaronsPS4, @WalrusMoose, @ScottMendelson, @Brandon4KUHD Check out all of our sites and blogs:  The Code Is Zeek, Why So Blu?, The Brandon Peters Show, The Outside Scoop Watch the trailer for 12 Monkeys

JUST A FLESH WOUND!! Monty Python and the Holy Grail Full Movie Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! Monty Python's The Life of Brian (1979) Movie Reaction:    • MONTY PYTHON'S LIFE OF BRIAN (1979) MOVIE ...   Gift Someone (Or Yourself) A Stranger Things RR Tee! https://shorturl.at/hekk2 Aaron Alexander & Andrew Gordon dive into the legendary British comedy that redefined absurdist humor and became one of the most quoted films of all time!! Join us on our Monty Python & the Holy Grail Reaction, Breakdown, Commentary, Analysis & Spoiler Review! Andrew Gordon (Cinepals) & Aaron Alexander (Silhouettes of Scarlet) react to Monty Python and the Holy Grail (1975), the legendary sketch-comedy satire written and performed by the Monty Python troupe and directed by Terry Gilliam & Terry Jones. A wildly absurd reimagining of Arthurian legend, the film follows King Arthur on a quest from God to find the Holy Grail — a mission constantly derailed by anachronisms, low-budget chaos, and some of the most quoted jokes in comedy history. Graham Chapman (Life of Brian, Monty Python's Flying Circus) stars as the straight-faced King Arthur, valiantly leading his Knights of the Round Table while pretending everything around him makes sense. The ensemble brilliance comes from Python regulars John Cleese (A Fish Called Wanda, Fawlty Towers) as the endlessly shouty Sir Lancelot (and the infamous Black Knight), Eric Idle (Life of Brian, Shrek) as the sing-songy Sir Robin, Terry Jones (Life of Brian, Meaning of Life) as Sir Bedevere, and Michael Palin (Brazil, A Fish Called Wanda) as Sir Galahad, along with dozens of other roles played interchangeably by the troupe. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Andrew Gordon on Socials:  YouTube: https://www.youtube.com/@MovieSource Instagram:  https://www.instagram.com/agor711/?hl=en Twitter:  https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

We conclude our 1985 season with Nath's pick, Terry Gilliam's absurdist dark comedy Brazil, a disturbing vision of what the world might be like if capitalism squeezed every last shred of humanity out of society. Brazil tells us that world would have lots of ducts, and heroic vigilante plumbers played by Robert DeNiro.A wonderfully unique, hilarious and harrowing film with a stacked cast, Brazil is a step away from anything we've watched before on the podcast.Let us know what you think of this episode by emailing us at redshirtcinemaclub@gmail.com and support us on Patreon at patreon.com/redshirtcinemaclub for access to two bonus episodes per month as well as our newsletter, The Civilian Observer. Hosted on Acast. See acast.com/privacy for more information.

This week, Shat The Movies tumbles through the space-time continuum with Terry Gilliam's Time Bandits, a chaotic fantasy adventure filled with Monty Python humor, mischievous dwarves, and a cosmic battle between Good, Evil, and negligent parenting. Commissioned by listener Mark, this 1981 classic follows young Kevin as he's swept away by a crew of dimension-hopping bandits who've stolen a map of the universe and are using it to rob history blind—Napoleon, Robin Hood, and ancient kings all included. Gene and Big D debate whether the film is a brilliant kids' movie for adults or an unsettling fever dream wrapped in British absurdism. Along the way, they revisit the unforgettable Evil Genius, the Supreme Being's bureaucratic disappointment, and the ending that scarred an entire generation of children. Is Time Bandits a masterpiece of imagination or just Gilliam letting chaos do the directing? Grab your map, avoid the pure concentrated evil, and find out. Subscribe Now Android: https://www.shatpod.com/android Apple/iTunes: https://www.shatpod.com/apple Help Support the Podcast Contact Us: https://www.shatpod.com/contact Commission Movie: https://www.shatpod.com/support Support with Paypal: https://www.shatpod.com/paypal Support With Venmo: https://www.shatpod.com/venmo Shop Merchandise: https://www.shatpod.com/shop Theme Song - Die Hard by Guyz Nite: https://www.facebook.com/guyznite

The future is history as NostalgiaCast winds the clock back... then forward... then back again for a mind-altering discussion of TWELVE MONKEYS, directed by Terry Gilliam and starring Bruce Willis, Brad Pitt, and Madeleine Stowe. Jonny and Darin are joined by friend, film scholar, and Sonic Cinema podcast host Brian Skutle for an attempt to unravel the timey-wimey plot twists and wackadoo acting choices of a movie so apocalyptic, it takes several watches just to get your bearings on it. Plus, Jonny, Darin, and Brian rank their Top 3 films from Gilliam, Willis, and Pitt. Colonics for everyone! Listen now!

Hola Gerardo aquí en otro episodio de Simplemente Yo; La selección de esta semana es Monty Python and the Holy Grail, es una película de comedia británica de 1975 basada en la leyenda Artúrica, escrita e interpretada por el grupo de comedia Monty Python (Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones y Michael Palin) y dirigida por Gilliam y Jones en sus debuts como directores de largometrajes.   Plot: El Rey Arturo y sus Caballeros de la Mesa Redonda se embarcan en una búsqueda surrealista y de bajo presupuesto del Holy Grail.   Espero que lo disfruten ;) Información adicional del podcast: Enlace del website official de Filmic Notion Podcast: https://filmicnotionpod.com/ Enlace a nuestra página de Letterboxd: https://boxd.it/446nl

We're continuing our 1985 season this week with Walt Disney oddity, The Black Cauldron. Caught between the classic early decades of Disney animation and the studio's 1990s resurgence, The Black Cauldron is an unusually dark (and unusually British) adventure, with moments of dread and horror mixed in with the odd and unfathomable (magic pigs, hairy little thieves, gruesome self-sacrifice). Clearly, it struck a chord with young Rob, who grew up loving fantasy stories, and who picked this for our 1985 season. Enjoy, let us know what you think of the film, and join us next week for more 1985 oddness with Terry Gilliam's Brazil. Let us know what you think of this episode by emailing us at redshirtcinemaclub@gmail.com and support us on Patreon at patreon.com/redshirtcinemaclub for access to two bonus episodes per month as well as our newsletter, The Civilian Observer. Hosted on Acast. See acast.com/privacy for more information.

Als "sechster Monty Python" stand Terry Gilliam (geboren am 22.11.1940) selten vor der Kamera - er schuf die markanten Animationen. Berühmt wurde er mit Filmen wie "Brazil" und "12 Monkeys". Von Daniela Wakonigg.

Join Jay and Keith as they discuss the 1985 Terry Gilliam film Brazil. Dystopia never looked so "duct-y"...

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 15:“Dr. Jeckyll and Mr. Hyde” (Rouben Mamoulian, 1931)“The Wolfman” (George Waggner, 1941)“The Adventures of Baron Munchausen” (Terry Gilliam, 1988)“Barry Lyndon” (Stanley Kubrick, 1975)“A Trip to the Moon” (Georges Méliès, 1902)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“Pee-wee's Playhouse” (Paul Reubens, 1986-1990)“Star Wars” (George Lucas, 1977)“Pinocchio” (Ben Sharpsteen and Hamilton Luske, 1940)“South Park” (Trey Parker and Matt Stone, 1997-present)“Snow White and the Seven Dwarfs” (David Hand, 1937)“The Adventures of Prince Achmed” (Lotte Reiniger, 1926)“The Lord of the Rings” (Ralph Bakshi, 1978)Audio quotation in GATEWAY CINEMA, Episode 15:“The Fabulous Baron Munchausen” (Karel Zeman, 1962)

Send us a textWe talk about JABBERWOCKY, Terry Gilliam's first solo directing project and a movie that definitely exists.

Quit your scratching and bleeding and put down the rosary, the cure of all your anxieties has arrived! At long last, the Mapping the Zone Review of Shadow Ticket, Spoilerful Edition, has been released, and it's packed with more hot takes and thrilling twists than any diehard fans of the storied Spoiler-free episode could have imagined. The hype is NOT TOO HIGH!If you like what we're doing and want to support the show, please consider making a donation on Ko-Fi. Funds we receive will be used to upgrade equipment, pay hosting fees, and help make the show better.https://ko-fi.com/mappingthezoneIf you enjoyed our discussion, please check out the following media that relates to these chapters:Books: Moby-Dick by Herman Melville, Ulysses by James JoyceMusic: The Third Man (OST) by Anton Karas, Green Street, Grant's First Stand, Idle Moments, Nigeria by Grant GreenTV/Film: Brazil (dir. Terry Gilliam, 1985), The Third Man (dir. Carol Reed, 1949), The Long Goodbye (dir. Robert Altman, 1973)As always, thanks so much for listening!Email: ⁠mappingthezonepod@gmail.com⁠Bluesky: https://bsky.app/profile/mappingthezone.bsky.socialTwitter: https://twitter.com/pynchonpodInstagram:https://www.instagram.com/mappingthezonepodcast/Merch: mapping-the-zone.myspreadshop.comShow art by Brad Wetzel: @bradspersecond (on IG and Reddit)bradspersecond.com

In this Episode: Our Heroes discuss the Terry Gilliam dystopian tech bro Werner Herzog in a VR porn suit: Zero Theorem! This one is a lower budget Gilliam. I guess they don't want to give the dude money anymore... It's a great addition to his films and well worth a watch! Tune in! Follow Us: Our Website Twitter Instagram Facebook Items discussed (links to more info): Note - if the below links don't work in your podcast player please visit the show page at: https://ebd.fm/episodes/321

Aug. 22-28: Scott Bakula is a magic detective, Patricia Arquette and Owen Wilson are both in danger in Southeast Asia, an internet remix goes to Isengard, Matt Damon and Heath Ledger fight fairy tales, Peppa Pig warms our hearts, spooky caves are spooky, Narcos and Fear the Walking Dead debut, and like all men, we talk about Rome way too much. All that and more from 30, 20, and 10 years ago.