Podcasts about cosmovision

À lʹoccasion de la sortie de son album COSMOVISION, Alberto Malo M-A-L-O nous fait entrer dans son univers complètement synesthésique, une musique qui sʹécoute les yeux fermés. Et on reçoit également Candeur Cyclone, phénomène tumultueux. Ce duo de jeunes artistes a sorti lʹan dernier teenage dirtbag, un premier album, à un jour de leur venue au Romandie à Lausanne.

Yihjan, la voz mágica detrás de Los Entes Bajo la Cama, nos comparte su historia personal con lo sobrenatural. Desde su infancia, una serie de sucesos inexplicables despertaron en ella una profunda curiosidad por lo oculto. Criada en un entorno que le permitió explorar y decidir su propio camino espiritual, poco a poco fue formando un criterio, encontrando en los lugares menos esperados historias que desafían nuestro entendimiento. Sin embargo, una presencia la ha acompañado desde siempre. Un ente misterioso aparece cada noche al pie de su cama. No se mueve. No habla. Solo la observa fijamente, como si esperara algo... En su búsqueda de respuestas, Yi se adentra en los conocimientos ancestrales y la cosmogonía de civilizaciones antiguas. Lo que descubre cambia su percepción de la realidad: aquellos entes que la acechaban en la oscuridad no eran simples espectros… sino deidades con un propósito. Mensajes ocultos, señales del más allá y revelaciones impactantes marcarán su destino.

Après " The Underdog" en 2020 puis "20 MILL" en 2023, le batteur vaudois Alberto Malo est de retour avec un album intitulé " Cosmovision ", quʹil vernira aux Jumeaux Club à Lausanne le 14 mars. Le musicien qui a posé sa griffe rythmique sur des albums des Français Jacques Higelin, Françoise Hardy et Rodolphe Burger ou de la Suissesse Sophie Hunger y poursuit ses explorations plus électroniques et personnelles. Alberto Malo est au micro dʹOlivier Horner.

Hey everybody! Episode 148 of the show is out. In this episode, I spoke with Remi & Ashley of Kumankaya Healing Center. I had heard about Remi a number of years ago as I am friends with and have interviewed two of his friends and colleagues, Joe Tafur (ep15) and Martina Drassl (ep42). They spoke very highly of Remi and his dedication and skill to the plant medicine path. He was a Christian monk for a number of years before apprenticing with a renowned Shipibo Onaya (ayahuasquero) Ricardo Amaringo, at the healing center Nihue Rao. That is where he met Ashley, his wife, who has had an interesting journey herself coming to plants and also apprenticed there. It was a pleasure to sit down with both of them and learn about their background, speak about plants, ayahuasca, the Shipibo lineage, dietas, master plants, cosmovisions, and what they have learned on their path. Their depth of knowledge, training, and wisdom in this field is very apparent and I trust you all will gain much from their extensive knowledge. As always, to support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Enjoy!This episode is sponsored by Real Mushrooms. As listeners, visit their website to enjoy a discount of 25% off your first order: https://www.realmushrooms.com/universe“Remi Delaune and Ashley are co-founders of the alternative healing center Kumankaya in Mexico. Remi is a Western healer who spent over 20 years in an Greek Orthodox monastery before becoming a sacred medicine practitioner. Like Remi, Ashley acquired her plant medicine training in the jungles of Peru undergoing years of severe aestheticism to learn how to help people with the knowledge of master plant diets and Ayahuasca. Together, Remi and Ashley have over 20 years of experience and more than 10 years of master plant diets.”To learn more about or contact Remi & Ashley, visit their website at: https://www.kumankaya.comTo view the recent documentary, Sacred Tobacco, about my work, visit: https://youtu.be/KB0JEQALI_wIf you enjoy the show, it's a big help if you can share it via social media or word of mouth. And please Subscribe or Follow and if you can go on Apple Podcasts and leave a starred-rating and a short review. This is super helpful with the algorithms and getting this show out to more people. Thank you in advance!For more information about me and my upcoming plant medicine retreats with my colleague Merav Artzi, visit my site at: https://NicotianaRustica.orgIntegration/Consultation call: https://jasongrechanik.setmore.comPatreon: https://patreon.com/UniverseWithinYouTube join & perks: https://bit.ly/YTPerksPayPal, donate: https://paypal.me/jasongrechanikWebsite: https://UniverseWithinPodcast.comInstagram: https://instagram.com/UniverseWithinPodcastFacebook: https://facebook.com/UniverseWithinPodcastMusic: Nuno Moreno: https://m.soundcloud.com/groove_a_zen_sound & https://nahira-ziwa.bandcamp.com & Stefan Kasapovski's Santero Project: https://spoti.fi/3y5Rd4H

Welcome back to the Magician On Duty Journey Series! On this edition we welcome ykkka (@ykkka) Hailing from St. Petersburg, ykkka is a globe-trotting DJ whose deep connection to the Burning Man community has shaped his eclectic and evolving sound. Known for his genre-bending sets, ykkka masterfully blends downtempo, schneckno/ketapop, chillrave, indie dance, melodic techno, progressive house, progressive psy-trance, chillprog, drum and bass, and hardcore into immersive musical journeys. His dynamic mixes have earned releases on renowned labels & channels such as Cosmovision, Oriental Deep, Kosa Musica, Baikal Nomads, Zolotaya Orda, and many more. With a signature style marked by dense, powerful soundscapes and progressive storytelling, ykkka continues to captivate audiences worldwide. Follow ykkka here: https://soundcloud.com/ykkka https://www.instagram.com/ykkkamusic

Welcome back to the Magician On Duty Journey Series! On this edition we welcome Xia Ke (@xiakes) Producer/DJ, Founder of Autumn Equinox (@AutumnEquinoxLabel) The explorer of the unknown. The rabbit hole digger and dream builder. The dream of being a druid since his childhood, the ancient spirit in his blood, the moody soul and the sensitivity to capture exquisite and glittering melodies, lead Xia Ke to the ethnic, organic and spiritual paradise. You may find ice and fire exist simultaneously, glowing light and hope fading in through darkness and sadness, or occasional thorns out of tranquility in both his tracks and sets. It shows his belief in the balance of the universe. He has released productions on labels like Cafe de Anatolia, Cosmovision, Kosa, Shango and so on. At the end of 2023, he moved to Shanghai and started to get the chance to support accomplished artists such as Franca, MAGA, Sparrow & Barbossa, and many more. I hope you enjoy this journey as much as I did! Follow Xia Ke here: https://soundcloud.com/xiakes https://www.instagram.com/xiakeofficial https://linktr.ee/xiake https://soundcloud.com/AutumnEquinoxLabel Tracklist: 01 Pantha du Prince - When We Talk 02 Fox Kraft - Ishtar 03 MadZen - Embayé (DVNIEL Remix) 04 SEVN (CA) - Sun Goes Down (Inoie Remix) 05 Ayala (IT) - Ngolele 06 Sabo Matanza - Marimbora (KÖNI RenäRRäted Mix) 07 Tuba Twooz - Night Tribe (Original Mix) 08 Hvitling - The Meaning (Original Mix) 09 Seba Campos Marco Tegui - Soy (AmuAmu Remix) 10 Mikhail Catan - Elegy 11 Qaraqoom Ethno World - Sarob 12 Xia Ke - Manifest 13 Nhii - Noho Jungle 14 Kostik Makso - Maitu 15 Manoj Puri - Ridze 16 DJ Fehlt - Thick Ice (Original Mix) 17 Monkyman - Strange Visitor (Bummelas Revisit) 18 Omeria - Dale 19 TAU (UA) - Calypso 20 Iorie & Ouhana - Vitamin V 21 Amadori - Certus 22 Maratus & Just Emma - Waiting 23 Temple Tears & AiRKA - Crip Walk 24 LVND - Competent (Lorikeets Dark Matter Remix) 25 Omeria - Jeune 26 the real Unknown - Persephone 27 Narcisse (Mex) - Reverie 28 Adeil Airaki - Nojoum (Original Mix) 29 Pantha du Prince - When We Talk

* SCORPIONS "Still Loving You"  (live 1984) + St Valentin ^^ * FT-17 "Le Terrible Enterré "  En Concert le 17/02 à Nantes (Rimshot) * TOTER FISH "La Buse"  En Concert le 18/02 à l'AK Shelter  Live-Report du Fest ROCK A BLOCK Winter du 10/02 * BARRAKUDA "Que Justice soit Faite"  En concert le 24/02 au DCR Fest Interview DCR FESTIVAL 3 * MARYLIN MANSON "Mechanical Animal" * AS I LAY DYING "Meaning is Tragedy"  * TRANS SIBERIAN ORCHESTRA "Sparks" * KARELIA "Letter for an Angel"  (20 ans !!!) * NIGHTMARE "Cosmovision" * ALICE COOPER "The Saga of Jesse Jane"

« Il savait des choses sur le profond du conte, sur la Parole qui demande majuscule, sur la lutte contre la mortalité ». C'est ce qu'écrit Patrick Chamoiseau dans son nouveau roman (« Le vent du nord dans les fougères glacées », Seuil). Et celui dont il nous parle, c'est le dernier Conteur martiniquais. Quels furent ses pouvoirs ? Qu'est-ce que la Parole avec une majuscule ? Mais aussi : qu'est-ce que la « cosmovision », le vivre en relation et l'intensité du vivre ? Le grand écrivain antillais nous éclaire. Patrick Chamoiseau est notre invité cette semaine. Cet entretien vous avait déjà été proposé en mai 2023. La vie a-t-elle un sens ? La question est en Une de la nouvelle formule du Philosophie magazine. Et Martin Legros y répond dans notre Grand dictionnaire. Merci pour votre écoute Et Dieu dans tout ça ? c'est également en direct tous les dimanches de 13h à 14h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Et Dieu dans tout ça ? sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/180 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

A buzz of expectation filled the large red tent set up in front of the visitor's center at Panama's Center of Space Sciences over the weekend as crowds prepared for a once-in-a-lifetime viewing of a solar eclipse. Sarigua National Park, one of the driest spots in Panama, is probably one of the best places to see the astrological event during the country's rainy season.  Visitors walk over the dried bed to view the solar eclipse in Panama. Credit: Michael Fox/The World "I've never seen an eclipse in my life," said André Rodriguez, a 15-year-old astronomy buff, with braces and a picture of Saturn on his shirt. "And I'm super excited to hopefully get to see one today." Andre Rodriguez is an astronomy enthusiast.  Credit: Michael Fox/The World Skies were cloudy but the sun kept popping in and out. And then — first contact — the moment when the moon begins to carve its way across the sun. One person saw it. Then another. Everyone threw on their safety glasses and looked to the sky.“We're so excited,” said Madelaine Rojas, the country's first female astrophysicist and the founder of the Panama Center of Innovation in Space Sciences, CENACEP, a new nonprofit group dedicated to promoting space science across Panama. She had been organizing this event for months. Madelaine Rojas is Panama's first female astrophysicist and the founder of the Panama Center of Innovation in Space Sciences. Credit: Michael Fox/The World “This reminds us of the cosmovision of our ancestors," she said. "How they predicted these types of phenomena that were really important to them. The skies and the celestial bodies were the most important for them,” she said of the event's significance. But Rojas is also looking toward the future. She said they want to convert Panama into a hub for science and astronomy and are taking strides to make that happen. Earlier this year, Roja's Space Sciences Center signed a deal with Ecuador's Cotopaxi Universidad to help it develop AstroTourism, or astronomy tourism in the country. The focus will highlight the country's ethnocultural relationship with astronomy: ancient rock carvings, archeological sites, and Indigenous understanding of the skies, past and present. Gregory Guerrero helps a youngster look through the telescope.  Credit: Michael Fox/The World “But," she said. "We have something else, which is our connection as a hub of the Americas. In between the north and the south. This allowed us to host the Latin American Astronomical Olympics."  The event is like an international science fair for the stars and it took place in mid-October. Hugo Fares, 17, was among the students selected from across Latin America who attended. “The event was really cool,” said the long-haired student with glasses, who wore a yellow Brazilian Astronomy Olympics shirt. “Because we got to meet people from several countries, from Argentina to Colombia. And it was great getting to share experiences.” Hugo Fares, 17, takes a look into the telescope.  Credit: Michael Fox/The World Back under the eclipse, clouds slid past. The moon was about halfway across the sun. And then came the race — the country's first one held during an eclipse. It was only about a mile long, with a couple dozen people lined up, adults and children, alike. Medals were handed out by the first active astronaut ever to visit Panama, Russian cosmonaut Oleg Artemyev. He participated in the activities throughout the week."Keep running,” he said through a translator into Spanish. “Sports are important. As are the astronomy olympics.” Cosmonaut Oleg Artemyev, from Russia, watches the eclipse with Panamanians.  Credit: Michael Fox/The World It was almost time. The crowd congregated around a pair of telescopes set up on the dry salt marsh, pointed toward the sun. The clouds kept getting in the way. But then, they slid aside. And the moon moved into full position in front of the sun. Cheers erupted from the crowd.The moment they'd been waiting for. Everyone stared up with their eclipse glasses over their eyes.  A viewer takes a photo of the solar eclipse. Credit: Michael Fox/The World This was what's called an annular eclipse. It doesn't block the sun completely, but the moon creates what looks like a ring of fire. "The temperature has changed completely,” said Luis Rivera, a visitor in the crowd. “It's gotten chillier, with the sun behind the moon. And the eclipse is incredible. It's just incredible.”Astronomy buff André Rodriguez was floored."It's incredible," he said. "You can see it even better than expected. It's amazing. And so great to share this moment with all of these people who also love astronomy.” For many there, this was a once-in-a-lifetime event. Gregory Guerrero adjusts the telescope. Credit: Michael Fox/The World "Before, astronomy was something no one knew about here in Panama,” said Gregory Guerrero, an amateur astronomy enthusiast who brought one of the telescopes. "Now look. We're here with a cosmonaut, people from different countries, Brazil, journalists. It's really exciting to be here." And, he said, he hoped it was a sign of big things to come.

Saturday's solar eclipse cut across the western United States, dipping down into parts of Mexico, Central America, Colombia, and Brazil. It was Panama's first eclipse in 25 years and it came at an auspicious time when scientists are promoting an interest in astronomy. 

A buzz of expectation filled the large red tent set up in front of the visitor's center at Panama's Center of Space Sciences over the weekend as crowds prepared for a once-in-a-lifetime viewing of a solar eclipse. Sarigua National Park, one of the driest spots in Panama, is probably one of the best places to see the astrological event during the country's rainy season.  Visitors walk over the dried bed to view the solar eclipse in Panama. Credit: Michael Fox/The World "I've never seen an eclipse in my life," said André Rodriguez, a 15-year-old astronomy buff, with braces and a picture of Saturn on his shirt. "And I'm super excited to hopefully get to see one today." Andre Rodriguez is an astronomy enthusiast.  Credit: Michael Fox/The World Skies were cloudy but the sun kept popping in and out. And then — first contact — the moment when the moon begins to carve its way across the sun. One person saw it. Then another. Everyone threw on their safety glasses and looked to the sky.“We're so excited,” said Madelaine Rojas, the country's first female astrophysicist and the founder of the Panama Center of Innovation in Space Sciences, CENACEP, a new nonprofit group dedicated to promoting space science across Panama. She had been organizing this event for months. Madelaine Rojas is Panama's first female astrophysicist and the founder of the Panama Center of Innovation in Space Sciences. Credit: Michael Fox/The World “This reminds us of the cosmovision of our ancestors," she said. "How they predicted these types of phenomena that were really important to them. The skies and the celestial bodies were the most important for them,” she said of the event's significance. But Rojas is also looking toward the future. She said they want to convert Panama into a hub for science and astronomy and are taking strides to make that happen. Earlier this year, Roja's Space Sciences Center signed a deal with Ecuador's Cotopaxi Universidad to help it develop AstroTourism, or astronomy tourism in the country. The focus will highlight the country's ethnocultural relationship with astronomy: ancient rock carvings, archeological sites, and Indigenous understanding of the skies, past and present. Gregory Guerrero helps a youngster look through the telescope.  Credit: Michael Fox/The World “But," she said. "We have something else, which is our connection as a hub of the Americas. In between the north and the south. This allowed us to host the Latin American Astronomical Olympics."  The event is like an international science fair for the stars and it took place in mid-October. Hugo Fares, 17, was among the students selected from across Latin America who attended. “The event was really cool,” said the long-haired student with glasses, who wore a yellow Brazilian Astronomy Olympics shirt. “Because we got to meet people from several countries, from Argentina to Colombia. And it was great getting to share experiences.” Hugo Fares, 17, takes a look into the telescope.  Credit: Michael Fox/The World Back under the eclipse, clouds slid past. The moon was about halfway across the sun. And then came the race — the country's first one held during an eclipse. It was only about a mile long, with a couple dozen people lined up, adults and children, alike. Medals were handed out by the first active astronaut ever to visit Panama, Russian cosmonaut Oleg Artemyev. He participated in the activities throughout the week."Keep running,” he said through a translator into Spanish. “Sports are important. As are the astronomy olympics.” Cosmonaut Oleg Artemyev, from Russia, watches the eclipse with Panamanians.  Credit: Michael Fox/The World It was almost time. The crowd congregated around a pair of telescopes set up on the dry salt marsh, pointed toward the sun. The clouds kept getting in the way. But then, they slid aside. And the moon moved into full position in front of the sun. Cheers erupted from the crowd.The moment they'd been waiting for. Everyone stared up with their eclipse glasses over their eyes.  A viewer takes a photo of the solar eclipse. Credit: Michael Fox/The World This was what's called an annular eclipse. It doesn't block the sun completely, but the moon creates what looks like a ring of fire. "The temperature has changed completely,” said Luis Rivera, a visitor in the crowd. “It's gotten chillier, with the sun behind the moon. And the eclipse is incredible. It's just incredible.”Astronomy buff André Rodriguez was floored."It's incredible," he said. "You can see it even better than expected. It's amazing. And so great to share this moment with all of these people who also love astronomy.” For many there, this was a once-in-a-lifetime event. Gregory Guerrero adjusts the telescope. Credit: Michael Fox/The World "Before, astronomy was something no one knew about here in Panama,” said Gregory Guerrero, an amateur astronomy enthusiast who brought one of the telescopes. "Now look. We're here with a cosmonaut, people from different countries, Brazil, journalists. It's really exciting to be here." And, he said, he hoped it was a sign of big things to come.

Thyco Brahe fue un astrónomo cuyas observaciones cambiaron para siempre la cosmovisión del mundo. Luego de él, la astronomía moderna se impondría como modelo.

Los mitos: esos relatos poblados de dioses; semidioses; monstruos aterradores; hombres con capacidades extraordinarias; animales con atributos humanos; volcanes, montañas y el suelo dotados de vida. Nada más alejado de la Ciencia. Sin embargo, en la década de los 70's la geóloga Dorothy Vitaliano, sorprendió a la comunidad geológica al exponer que el mito guardaba en su construcción la experiencia de un hecho trascendental, a veces traumático, que debía ser considerado por las futuras generaciones por el bien y subsistencia de ese pueblo. Muchas veces ese acontecimiento crucial era un evento geológico y su ocurrencia era incorporada a las narraciones orales de aquel pueblo, relacionando el mito y la geología. Relación que Vitaliano bautizó como “Geomitología”, rama de nuestra ciencia que explica el origen geológico de los mitos y leyendas, y extrae de éstos información útil para las actuales investigaciones. La película animada de Disney: “Moana” o “Vahiana” nos presenta un geomito interesante. En ella, se relata cómo el semidiós Maui hizo emerger las islas una tras otra, desde el fondo del océano, pescándolas, con su anzuelo regalado por los dioses. Hoy entendemos que Maui representaba esas masas de magma caliente que asciende en plumas desde el interior de la Tierra hasta la base de la corteza oceánica. Rompiéndola y emergiendo por los mares hasta la atmosfera como un volcán (Te Ka) que pronto generará una isla colonizada por la vida (Te Fiti), Pero la corteza oceánica se mueve, mientras la pluma de magma caliente se mantiene inmóvil ascendiendo en el mismo punto caliente, es ahí cuando Maui vuelve a lanzar su anzuelo y otro volcán generará otra Isla a corta distancia de la anterior. Con la mitología como suministro de información válida para la reconstrucción de la historia geológica reciente del planeta, ponemos fin a la primera temporada de Contextos de Geología, la cual a lo largo de 8 capítulos transitó a través de la historia y prehistoria de la ciencia que llamamos geología. Desde “el fin de los mitos geológicos” conquistado por Charles Lyell, hasta “la utilidad científica de los mitos geológicos” desvelada por Dorothy Vitaliano. REFERENCIAS Bastías Curivil, Cristian & Charrier, Reynaldo & Millacura, Claudio & Aguirre, Luis & F., Hervé & Farias, Marcelo. (2021). Influence of Geological Processes in the Cosmovision of the Mapuche Native People in South Central Chile. Earth sciences history: journal of the History of the Earth Sciences Society. 40. 581-606. Gusinde, Martín. (2008). El Mundo Espiritual de los Selk-nam. Volumen 1. ONG Comunidad Ser Indígena (Edición parcial de la obra) Masse, W. B.; Wayland Barber, E.; Piccardi, L; & Barber, P. T. Exploring the nature of myth and its rol in science. In Piccardi, L. & Masse, W.B. (eds.), Myth and geology, Geologial Society Special Publication No. 273., pp. 9-29. Trifonov, V. G. 2007. The Bible and geology: destruction of Sodom and Gomorrah. In Piccardi, L. & Masse, W.B. (eds.), Myth and geology, Geologial Society Special Publication No. 273., pp. 9-29. Vitaliano, D. B. 2007. Geomithology: geological origins of myth and leyends. In Piccardi, L. & Masse, W.B. (eds.), Myth and geology, Geologial Society Special Publication No. 273., pp. 9-29.

Hey everybody! Episode 103 of the show is out. In this episode, I spoke with Joan Parisi Wilcox. Joan is the author of a very good book that I read, Masters of the Living Energy: The Mystical World of the Q'ero of Peru, when I moved to and became interested in the Andean cosmovision. Joan has spent many years learning from a group of Andean wisdom keepers called the Qero nation. They consider themselves direct descendants of the Incas. They have a beautiful, simple, practical, nature-based cosmovison that I think is very relevant to the time we are living in. Joan has done a beautiful job at translating both the words, concepts, and worldview of the Qero, no easy feat! I really enjoyed speaking to Joan and having her share in her knowledge and wisdom. She is also the author of another book that I'd love to talk to her about another time, Ayahuasca: The Visionary and Healing Powers of the Vine of the Soul. As always, to support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Enjoy!This episode is sponsored by Real Mushrooms. Visit their website to enjoy a discount of 25% off your first order: https://www.realmushrooms.com/universe“Joan Parisi Wilcox is the author of Masters of the Living Energy: The Mystical World of the Q'ero of Peru and two other books. She has studied the tradition for twenty-seven years, mostly under the tutelage of don Juan Nuñez del Prado, and has been interviewed in documentary films about the tradition and written many magazine articles about aspects of the tradition. Her passion is to share the teachings of the Andean paqos with as much integrity to their original form as possible while acknowledging that we must adapt their use to our modern time and culture.”To learn more about or contact Joan, visit her website at: https://qentiwasi.com/To purchase her book on the Qero, visit: https://amzn.to/3IsEwszIf you enjoy the show, it would be a big help if you could share it with your own audiences via social media or word of mouth. And please Subscribe or Follow and if you can go on Apple Podcasts and leave a starred-rating and a short review. That would be super helpful with the algorithms and getting this show out to more people. Thank you in advance!For more information about me and my upcoming plant medicine retreats with my colleague Merav Artzi, visit my site at: https://www.NicotianaRustica.orgTo book an integration call with me, visit: https://jasongrechanik.setmore.comSupport this podcast on Patreon:https://www.patreon.com/UniverseWithinDonate directly with PayPal:https://www.paypal.me/jasongrechanikMusic courtesy of: Nuno Moreno (end song). Visit: https://m.soundcloud.com/groove_a_zen_sound and https://nahira-ziwa.bandcamp.com/ And Stefan Kasapovski's Santero Project (intro song). Visit: https://spoti.fi/3y5Rd4Hhttps://www.facebook.com/UniverseWithinPodcasthttps://www.instagram.com/UniverseWithinPodcast

Estudiamos esta semana la batalla entre el bien y el mal. Una batalla que se agudiza cada dia mas asegun nos acercamos a la segunda venida de Cristo.

Hey everybody! Episode 94 of the show is out. This is an interview my friend Samuel did with me on his Seek Connection Podcast. It was a pleasure for me to sit down and catch up with Samuel. We met a number of years ago in a plant-medicine retreat in the Peruvian Amazon. I was honored to be on his third episode and we got into some really interesting topics including cosmovisions, plant medicines, the pandemic, fear, gnosis, and indigenous prophecies. Samuel did a great job with this interview and I think we touched on some really important aspects of this work which are often not spoken about or overlooked. I was really happy with what we covered. If you enjoy this interview, consider checking out and supporting his podcast. And as always, to support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Enjoy!“For many years, Jason has had a deep interest in plants as medicine. After studying various modalities, he has lived, studied, and worked in the Amazon for the past decade. He runs plant medicine dietas in the Sacred Valley of Peru and throughout the world and has facilitated for many years ayahuasca workshops at the Temple of the Way of Light. He also started a podcast called The Universe Within Podcast. In his free time, he enjoys practicing Brazilian Jiu-Jitsu, spending time in nature, his motorcycle, and time at home.” To learn more about his work, visit his website at: https://www.NicotianaRustica.org To listen to Samuel's Seek Connection Podcast, visit: https://www.seekconnection.org/If you enjoy the show, it would be a big help if you could share it with your own audiences via social media or word of mouth. And please Subscribe or Follow and if you can go on Apple Podcasts and leave a starred-rating and a short review. That would be super helpful with the algorithms and getting this show out to more people. Thank you in advance!For more information about me and my upcoming plant medicine retreats with my colleague Merav Artzi, visit my site at: https://www.NicotianaRustica.orgTo book an integration call, visit: https://jasongrechanik.setmore.comSupport this podcast on Patreon:https://www.patreon.com/UniverseWithinDonate directly with PayPal:https://www.paypal.me/jasongrechanikMusic courtesy of: Nuno Moreno (end song). Visit: https://m.soundcloud.com/groove_a_zen_sound and https://nahira-ziwa.bandcamp.com/ And Stefan Kasapovski's Santero Project (intro song). Visit: https://spoti.fi/3y5Rd4Hhttps://www.facebook.com/UniverseWithinPodcasthttps://www.instagram.com/UniverseWithinPodcast

After a longer than expected break from the melodic sets, it's time to catch up on some of the latest tunes as we drop from the frenetic 133 BPM of the harder techno mixes down to a mellow 125. Among the highlights we have Product of Us with yet another belter, CamelPhat, Miss Monique, and Depeche Mode dropping in courtesy of Space Motion Enjoy! Website: www.djdavebaker.com/melodictechno Instagram: www.instagram.com/djdavebaker 1. Oxymoron (Original Mix) - Carlo Whale [New Tab Music] 2. Edge of the World (Original Mix) - ENØS, VNTM [Impressum] 3. Vebal (Extended Mix) - Stefan Addo, AUTOFLOWER [Siona Records] 4. Cosmovision feat. Ravid (Extended Mix) - ANNA, Ravid [Afterlife Records] 5. The Sound Of Nothingness (Extended Mix) - Product of Us [Of Us Records/Natura Viva] 6. Parallelogram - WITHN US [CIRQUE 87] 7. Orion (Original Mix) - Michta [BeatFreak Recordings] 8. Human Aura (Original Mix) - Yubik [Radikon] 9. Believe (Extended Mix) - CamelPhat, Mathame [Astralwerks] 10. Into My Arms (Extended Mix) - Emma Hewitt, Miss Monique [Black Hole Recordings] 11. Lose Myself (Original Mix) - Space Motion [ICONYC] 12. Sweet Disposition feat. Andy Ruddy (Extended Mix) - Gundamea, Andy Ruddy, Korolova [Armada Electronic Elements]

Dr. John Lundwall returned to the Virtual Alexandria for a spanning presentation on his Archeoastronomy and Ancient Technologies ideas. Get ready for in-depth astrotheological, mythological, and archeological insights on Mesoamerican cultures — from Native American to Mayan. This research will also include fertility rites, scalping rituals, and the procession of the stars. Being both disturbed and amazed is on your astral menu.This is a partial show. For the interview's second half, please become a member or patron at Patreon.Get the simple, effective, and affordable Red Circle Private RSS Feed for all full shows More information on JohnGet Mythos and Cosmos: Mind and MeaningSupport this podcast at — https://redcircle.com/aeon-byte-gnostic-radio/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Would you believe it, 63 episodes already. This time around we bring you Cosmovision artist NIGAN. This Canadian based artist send us a mix some time ago, and even though it has been slightly delayed, it's still worth the wait, clever programming and a super buildup makes this one a special Sofa Cast. Get involved: https://soundcloud.com/nigano This show is syndicated & distributed exclusively by Syndicast. If you are a radio station interested in airing the show or would like to distribute your podcast / radio show please register here: https://syndicast.co.uk/distribution/registration

Energia, vibracion y magnetismoLo que conforma el universo, nos confoma y conforta a nosotros mismos

Una nota: para ver las notas del programa en español para este episodio, visite mi sitio web a: https://www.universewithinpodcast.com/podcast/stephano-gutierrezHey everybody! Episode 84 of the show is out. In this episode, I spoke with my friend Stephano Gutierrez Manrique. I met Stephano a couple of years ago as we both practice Brazilian Jiu-jitsu in the Sacred Valley of Peru where he lives and works. Stephano works with plant medicines, especially Wuachuma, Wilca, and DMT. He also has a very good knowledge of the Andean cosmovision and we had a really interesting conversation about plant medicines, Qero, and ancestral knowledge, and even touched on ancient civilizations. Stephano has a lot to share and I learned from this conversation and I think and hope you all will as well. To support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Stephano was born and raised in Lima, Peru. Strongly pulled towards a quieter lifestyle, he left his career of Flair Bartender and management of hotels decided to change his life to live within the communities of the Sacred Valley of the Incas in order to seek his purpose in life. From his all journey since 2013, Stephano does not stop learning from the living knowledge that the indigenous people of the High Andean communities of Cusco saves for those who earn their trust, Stephano learned from them an important ancient law called “Ayni” in Quechua the reciprocity, because thanks to the help to all the teachings that the Andean people of Cusco and “Pachamama” (Mother earth) gave him, Andean Encounters was founded to ascribe them back everything that the Andean people of Cusco did for him, thanks to it, Stephano found his purpose and he feels like a living entity son of Pachamama (Mother Earth) to be able to offer his most sacred secrets from the origins of Qosqo and its cosmogony so he can share it with the rest of the world.To learn more about Stephano, visit his websites at: http://www.andeanencounters.com/ & https://entheogensperu.com/ For more information about me and my upcoming plant medicine retreats with my colleague Merav Artzi, visit my site at: https://www.NicotianaRustica.orgSupport this podcast on Patreon: https://www.patreon.com/UniverseWithin Donate directly with PayPal: https://www.paypal.me/jasongrechanik Music courtesy of: Nuno Moreno (end song). Visit: https://m.soundcloud.com/groove_a_zen_sound and https://nahira-ziwa.bandcamp.com/ And Stefan Kasapovski's Santero Project (intro song). Visit: https://spoti.fi/3y5Rd4Hhttps://www.facebook.com/UniverseWithinPodcasthttps://www.instagram.com/UniverseWithinPodcast

Peru Reflections in this very brief 12 min episode. I share the biggest insights from learning about Peruvian Cosmovision from a local wisdom teacher. Everything is filled with Spirit Everything is Sacred To connect with Pachamama - start a gardening practice Life is a dance and is for celebration and so much more Thank you for sharing this time with me! With devotion, Katerina Satori Visionary Leadership Mentor Seer • Wisdom Channel Online Educator • Entrepreneur www.katerinasatori.com --- Support this podcast: https://podcasters.spotify.com/pod/show/katerina707/support

Los Incas tenían una manera propia de ver al mundo, dar respuestas a los interrogantes que el hombre se plantea.

Liliana Herrera is originally from Cusco, Peru and was born in a high Andean community. She is an Andean Therapist, facilitator for retreats of sacred plants and offers energetic alignments and oracle readings with the coca leaf virtually or in person in English and Spanish. She is the author of the book “Children of Pachamama” which is a guide to self awareness of human technology from the ancestral knowledge of the Andean Cosmovision. Her next project is a Youtube channel with stories for adults and children.In this episode, we talk about what the Andean cosmovision is and the laws that guide it, ancestral knowledge, her work with ayahuasca, and why you are your own healer. We also talk about:The importance of integration in ayahuasca ceremoniesHow to know if ayahuasca is right for youOracles with the Coca LeafHer work with the sacred master plants and the Shipibo Maestros in PeruThe condor/eagle prophecyAncestral knowledgeWhy you are your own healerConnect with Lili:@lili_munay

Tezcatlipoca, "El espejo que humea" -que llevaba puesto el espejo en lugar de un pie-- era la energía suprema, el que estaba en todas partes, el que regalaba bienes y luego los quitaba. También traía dificultades. problemas, enfermedades. Era positivo y negativo, caprichoso y voluble. Era #tezctlipoca

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Pueblo Mazahua

La cosmovision andine symbolise un ensemble de croyances et de rituels et rythme le quotidien de millions d'amérindiens sur le continent latinoaméricain. Lien avec la Terre-Mère nourricière, les faune, la flore, principes de vie en communauté, vivre au présent, elle symbolise une conception du monde et comment l'être humain vit au milieu de celui-ci. L'Homme se place entre la Terre et les étoiles, les rivières et les montagnes, pour ne faire qu'un ensemble.Cet épisode nous emmène au cœur de la culture quechua, dont les fondamentaux proviennent de la cosmovision andine.

Una nota: para ver las notas del episodio en español, visite mi sitio web a: https://www.universewithinpodcast.com/podcast/b-r-bestHey everybody! In this show, I spoke with my friend Brian Best. Brian and I met when I first came to the Amazon. Brian is a fascinating guy who I have a lot of respect for. He has a knowledge of the Shipibo language and culture that is unparalleled. He carries a deep respect for their wisdom and medicine and is a phenomenal bridge to gaining insight into the world of plant medicine. I knew this would be one of my favorite interviews and it didn't disappoint. It was an epic conversation of 4.5 hours and there is a lot of priceless knowledge and wisdom that he shared. In the first half of the show, we spoke about Brian's journey and in the second half, we got into language, medicine, and cosmovision. I think you all will gain a tremendous amount from this interview. As always, to support this podcast, get early access to shows, bonus material, and Q&As, check out my Patreon page below. Enjoy! “Brian is a linguistic anthropologist and an ecological sanitation specialist, who has been a student of Manuela since 2011. His studies led him to the Ucayali River region where he has been sharing and learning with the Shipibo-Konibo since 2003. In 2016 he began focusing on Shipibo-Konibo language revitalization and received a master's degree in Native American Languages and Linguistics in 2019. His thesis, Jakón Jói, examines the links between Indigenous language dictionaries and Indigenous Decolonization and describes an ongoing project to create an online Shipibo-Konibo dictionary.He continues to provide assistance to the NGO Alianza Arkana while serving as the interim administrator for Jakon Rate. To the amusement of Manuela, Jurriën and others, he tries –often unsuccessfully– to find time to observe dieta while balancing work and a young family. Brian lives near Manuela and provides full-time assistance on many levels.”To learn more about Brian's work or contact him, visit: https://noyanete.com/ & https://alianzaarkana.org/This episode is sponsored by the Temple of the Way of Light: https://templeofthewayoflight.org/Share the show, Subscribe or Follow, leave comments, and if you can go on Apple Podcasts and leave a starred-rating and a short review. That would be super helpful with the algorithms and getting this show out to more people. Thank you!If you would like more information on plant medicine and the work I do, visit my site at: https://www.NicotianaRustica.orgSupport this podcast on Patreon:https://www.patreon.com/UniverseWithinDonate directly with PayPal:https://www.paypal.me/jasongrechanikMusic courtesy of Nuno Moreno. See his work at: https://m.soundcloud.com/groove_a_zen_sound and https://nahira-ziwa.bandcamp.com/https://www.facebook.com/UniverseWithinPodcasthttps://www.instagram.com/UniverseWithinPodcast

Rachel grew up in Morrison, Colorado. She came across the world of healing after years of struggling with her personal health. Determined to heal, Rachel began studying holistic health and nutrition which opened a pathway of exploration. She followed a calling to Guatemala where she thought she was going to pursue herbalism, only to find she had a deep connection to the sacred Mayan calendar and the subtle medicine of cacao. Taken aback by the familiarity in what she was learning in Guatemala, it became clear that her healing path had led her to deepen her spirituality. When Rachel returned back to Colorado she was able to access another level of health and understanding that was unknown in the past. She has pursued working with the energies in the calendar system, ceremonial cacao, and together has created a devoted practice. Currently, Rachel lives in Wheat Ridge, Colorado with her husband, baby boy and dog Wrigley. She holds workshops throughout Colorado, focusing on the creation of sacred, safe space. Rachel leads cacao ceremonies, and a variety of workshops, all made up of radiant moments.   In This Episode We Talk About: How Rachel's health issues led her to Guatemala. Her realization of the power of the mind and body connection that changed her life.  The Mayan Cosmovision. Rachel gives me a short reading of my energies. The difference between the trecenas, the 20 day signs, and the numbers. How they work together to express the energetic frequency that is you.  How she personally uses the Mayan Cosmovision as a roadmap for her life.   For Full Show Notes Awaken + Align   Connect with Awaken and Align: If you enjoyed the podcast and you feel called, please share it and tag me! Subscribe, rate, and review the show wherever you get your podcasts. Your rating and review help more people discover it! Follow on Instagram @awakenandalign and let me know your favorite guests, lessons, or any topic requests.

Bienvenida.Oski Daniel y Juan José Martínez.Patrons de Tecnologías de Creatividad.Tecnologías PLUS.Alejandra Jáuregui desde la Ciudad de México, México.Lingüista de profesión.Docente desde hace 13 años de literatura a nivel superior.Deportista de Maratón.Nos cuenta en sus palabras su relato de buena vida:“El estudio de la literatura universal ha marcado mi vida cultural y profesional, en específico el estudio de la tradición hispana.”“Sin lugar a dudas, el mejor libro escrito en español, es El ingenioso Hidalgo, Don Quijote de la mancha.”“La tradición caballeresca y la transformación de los personajes, me envuelven.””El estudio de la literatura de siglos anteriores permite adentrarnos en la cosmovisión de diferentes espacios, épocas y permite hacer una apropiación del texto, de los personajes de tiempos diferentes.”“Los tópicos de la literatura son atemporales y universales; se repiten y replican cíclicamente la historia del hombre.”“La transición de pensamiento entre Medioevo y Renacimiento una de las épocas de la historia del arte que me apasionan.”“Trece años ininterrumpidos de docencia a nivel superior me han permitido entender las necesidades no sólo intelectuales, sino afectivas de los jóvenes.”“La práctica deportiva, específicamente el correr, ha forjado en mí disciplina y temple necesario para respetar dicha práctica deportiva.”“Correr un maratón es una de las experiencias de vida más significativas: desde la preparación, la culminación y lo que posteriormente conlleva el haberlo corrido. He corrido 4 veces el Maratón de la Ciudad de México.”“La práctica deportiva y los múltiples beneficios siempre serán dignos de compartirse, si así lo deseas.”“Amante de los viajes. Dos de mis ciudades preferidas en el extranjero son: Florencia y Praga y Gante.”“Tópicos favoritos: Carpe Diem, Mens sana in corpore sano, gutta cava lapidam.”“La estandarización actual de la belleza impide la valoración endémica y la negación de las raíces raciales.”Educación a distancia.La presencia física ya no es necesaria.Interpretación del arte.Cosmovision.Víctor Hugo.El libro quedará.La cuarentena.Resumen positivo.La confrontación entre el amor y el miedo.Respuesta al falso positivismo.La predisposición genética.El reto mental para un maratón.16 semanas.El KM 30.Los últimos 12 Kms.Transformar el dolor en Victoria.El juego de la vida.El nuevo renacimiento.De la teocracia a la democracia.El futuro y el rol del arte.La estética de la resistencia. Esculturas de Pergamon.Contacta con Alejandra Jáuregui. Instagram. Mail.Grupo Siempre Joven en FaceBook.Primera Edición de Pinturas para el Nuevo Milenio impresas en Canvas.Envíanos tus comentarios y rutinas de buena vida.Comparte el podcast.Nueva Plataforma de Podcast www.oskidaniel.comiOSki Podcast - Tecnologías de Creatividad.Vox Futura Podcast - Saber como Saber.Manifesto Podcast - Arte Real y Directo.ArchiCAST Podcast - Art Buildings Cities.Tecnologías PLUS. - Exclusivo para Colaboradores, Miembros, Sponsors y Patrones.Sinnflut Band. Mi nuevo proyecto musical.Detalles de mi investigación y portfolio de proyectos.Juan Jose Martínez y la Agenda Samaria y su nuevo proyecto de podcast. Gracias por el artí­culo Por el miedo o por el Amor.Agradecimientos.Envíanos tus comentarios, audios y preguntas en Twitter @odcdesign y @agendasamariawww.oskidaniel.com

Le conférencier, M. Denis Bricnet, a permis au public de rencontrer l'âme et l'esprit du monde Maya. Dans cette conférence abondamment illustrée, l'on a exploré près de 2000 ans d'histoire et plusieurs anciennes cités Maya.L'une des clés de compréhension démontrée au cours de la soirée se trouve dans des éléments symboliques constants. Ainsi le glyphe du portail, de forme quadrifoliée, désigne un point de rencontre entre les mondes. Ce glyphe symbolise aussi le pouvoir du chaman, capable d'accéder et de transmettre une cosmovision essentielle au gouvernement des cités.----Une réflexion libre et humaniste est essentielle - encouragez par un don votre Association philosophique sans but lucratif Nouvelle Acropole, dont tous les participants sont bénévoles. Cliquez le lien ci-après:montreal.acropole.ca/contribuerSupport the show (https://montreal.acropole.ca/contribuer)

En Proverbios 30:24 nos habla de 4 pequeñas cosas que son muy sabias que los sabios. Ésta es la historia del sabio que escribió este libro. Se le atribuye a varios, Agur, es uno de ellos, así como a Salomón. Quisiera orar antes de entrar a esta enseñanza que Dios nos tiene para hoy: Padre, te damos gracias y te pedimos que tu Espíritu Santo venga sobre cada uno de nosotros, especialmente los que estamos buscando sabiduría, los que estamos necesitando ese toque celestial para poder entender qué tenemos que hacer en estos tiempos tan especiales. Te doy gracias por la Palabra revelada y por tu Espíritu Santo, que va a enriquecernos no sólo con sabiduría humana, sino incrementando nuestra fe, incrementando nuestro deseo de andar en tus caminos en el poder de tu Espíritu Santo. En el nombre de Jesús te damos gracias. Amén. Aquí Agur nos está hablando de estos 4 animalitos pequeños que tienen su propia sabiduría. 1.- LAS HORMIGAS Hay como 15 mil variedades de hormigas, cargan como 3 veces más su capacidad de peso y tienen un cerebro pequeño. ¿Cómo es que estas hormigas se organizan de una manera tan disciplinada? Van una detrás de otra cargando alimento. Yo las he visto platicando, como compartiendo cosas, y se ve que hay muy buena comunicación entre ellas. Son un pequeño pueblo, así lo describe la Escritura en proverbios. Estas hormigas se llevan el alimento a sus almacenes como provisión para algún suceso venidero. Pero, ¿quién les dijo que lo hicieran? Les puedo decir que en estos tiempos nosotros tenemos a los profetas, quienes nos avisan con tiempo; tenemos la Palabra de Dios, que es un libro profético, tenemos el Espíritu Santo, que es un profeta, y tenemos a Cristo en nuestro corazón, que nos puede hablar. ¿Cuál es la enseñanza aquí? Mientras estemos en esta vida tenemos que hacer provisión para la eternidad. Tal vez esta pandemia nos encontró con la situación económica arriba o abajo. Tal vez nos encontró con la alacena llena o vacía. De alguna manera te das cuenta de que tendrías que estar preparado para una situación inesperada como ésta. ¿Cómo haré yo provisión para la eternidad? Aquí, en la tierra, tenemos una moneda, que es mi tiempo, mis talentos. Tienes que estar consciente de esto. Esto es lo que realmente tendrá valor cuando vayamos a la presencia del Señor. No el oro de este mundo. Sembrar en la eternidad quiere decir meter mi corazón en las cosas de Dios, apuntando siempre en esa dirección.   Leer Mateo 6:33-35 Esta Escritura nos está diciendo que todo cristiano debemos buscar primero lo eterno. Nada más miren cómo estamos ahorita. Estamos en la era de la incertidumbre. Alguien me dijo esa palabra y me cayó muy bien que me lo haya dicho de esa manera porque no sabemos para dónde correr. La vida es incierta y nadie sabe a qué horas nos va pedir cuentas el Señor. Tenemos que estar preparados, porque si tú haces ese depósito para la eternidad, bien valió la pena. Leer Proverbios 11:30 Ganar almas es sabio, porque ganar almas no es temporal, es eterno. Y ganarlas para Cristo es nuestro objetivo principal. 2.- LOS CONEJOS En Israel creo que no hay conejos, lo que sí hay allá son tuzas, pequeños roedores que tienen la fragilidad de doblar sus huesitos y meterse en las hendiduras de las rocas. Son muy frágiles, y por lo mismo son pan comido para coyotes, águilas y gatos, porque no tienen defensa, no tienen cuernos, no tienen veneno. La realidad es que tú y yo somos muy frágiles. Esto que está pasando nos muestra nuestra fragilidad. Creíamos que teníamos el mundo entero en nuestras manos y de repente viene esta cosita (coronavirus) tan insignificante y nos tambalea a todos, a la economía, a las empresas, a las familias. Somos sumamente frágiles y Cristo vino y nos dijo que sin Él nada podemos hacer. Esto nos está llevando a voltear a verlo. Este pequeño roedor tiene su característica especial, que reconoce sus debilidades y se oculta en la roca. Moisés se ocultó en la hendidura (Éxodo 33:22). En Mateo 7:24-25 nos habla del hombre sabio que edificó su casa en la roca. Nos habla de la seguridad que es la Roca. La Roca es Cristo. Muchos han dicho que Cristo es un gran pensador, un gran filósofo. Finalmente todos se colapsan. Aquí, el único, el auténtico, el eterno, la Piedra Angular, la Roca, es Cristo. Tenemos que correr a tiempo a Él, si no, los halcones, allá afuera,  nos están esperando. Los demonios están listos. Escóndete en la hendidura, así como estos conejitos. 3.- LAS LANGOSTAS Es como un tipo de chapulín, pero un poco más robusto. Lo vemos muy seguido en la Biblia (leer Joel 1). Vemos el destrozo, el devastamiento que provocan, y no trabajan solos. Vienen millones y pueden tapar los cielos y deja en la ruina a muchos campos. Aquí la Escritura me dice que es un pueblo que trabaja en equipo, que no tiene un rey y sale por cuadrillas. Son un ejército de millones y millones y el rey al que ellas siguen es invisible. No tienen mando, sino como que todas tienen el mismo sentir. Y nosotros así debemos ser, como las langostas (Leer Filipenses 2:5). Cristo adentro de nosotros es nuestro rey, nuestro líder, estamos en un mismo sentir. Con Él podemos ir en una misma dirección y devastar todo lo que el enemigo nos ha quitado. Así es imposible que una matrimonio pueda ser dividido. Dios quiere que estemos unidos y eso nos lleva al paso del perdóname y te perdono. Ahorita el adversario quiere destruir la unidad, por eso se colapsan tantos matrimonios. Pero si estamos en unidad con Cristo, conectados con el Espíritu Santo, trabajando unos por otros, podemos prevalecer. Estamos en un mismo espíritu y por eso hablamos el mismo lenguaje espiritual (leer Hechos 17:6). Éste es nuestro tiempo de oportunidad, de movernos por cuadrillas dirigidas por el Dios Invisible y trastornar. 4.- LAS ARAÑAS La araña vive en casa del rey y está trabajando a su favor comiéndose las moscas y los zancudos. Aquí está muy interesante porque dice que las arañas hacen su nido en la casa del rey, y de alguna manera Dios te ha colocado en algún lugar estratégico donde vas a ser una influencia para otros, vas a bendecir. Esto es parte de nuestro llamado en estos tiempos. Daniel era una araña para el rey Nabucodonosor. Estaba ahí, en su palacio, y tenía una sabiduría sobrenatural, una inteligencia y profetizaba. Daniel estaba ahí para proteger a Nabucodonosor. Lo orientó, lo aconsejó y poco a poco el rey empezó a conocer al Dios de Daniel. Esther es otro caso. Lo vemos en el libro de Ester, que ella entró al palacio del rey Asuero y está protegiendo al pueblo judío y Dios estaba con ella. Ella también aconsejó al rey Asuero, porque todos los que estaban alrededor de él no eran buenos. Esto es lo que hay que entender, que Dios nos ha llamado para colocarnos en lugares estratégicos para cumplir una misión. El Espíritu Santo te está usando. Tienes una posición estratégica dentro del reino de Dios y Él espera que respondas a ese llamado. Hay  mucha sabiduría ahí. Al final de los tiempos viviremos en la casa del rey, y no como arañas, sino como hijos de Dios. Amén.

En este episodio miramos y estudiamos la cuadrimencion De Dios todo través de la biblia.

Este episodio seguimos estudiando parte de nuestra preexistencia en la presencia De Dios.

En este episodio estudiamos nuestra preexistencia en Dios.

Follow the artists: @sadhu-sensi @cosmovisionrecords Release date: First of March 2020 Join the family and subscribe to the true source for Amselcom news: https://amselcom.de/loveletter/

Descubre los principios básicos de la Medicina Ayurveda y reconoce los elementos que componen tu dosha (biotipo) con AyurvedaLifeStyle/ by Fran Milagros Life Coach @fm_lifecoach

Expositor: Pastor Luis Conejo

In this week's special encore episode, coming off of this full (super) moon lunar eclipse in Leo, we navigate the realms of energy with one of my personal favorite episodes & teacher Joan Parisi Wilcox. This interview was done before there ever was a Feed Your Wild podcast, and it resonates so deeply for me in this catalytic time... calling us to step more fully into the embodiment and life we desire. I'd love to hear from you! If you have a suggestion for a guest or would love us to cover a specific topic/theme this year, let me know! Shoot an email to hello@wildlyrooted.com. Ready To Get Wildly UNSTUCK In Your Health this year? If you're ready to get out of your own way and step into full alignment and resilience when it comes to your health - body, mind, spirit - then join us in Wildly UNSTUCK (it's totally free). Sign up here: http://www.wildlyrooted.com/unstuck ********************* What if you could experience "heaven on Earth," without the use of mind-altering psychotropics or disembodied experiences? The Andean mystical tradition is a pragmatic sacred tradition that teaches us how to live in this way - providing tools for living in harmony with nature and the spirit realms, with a primary goal to live with well-being in the embodied world, empower your energy body, and refine your consciousness.  Joan Parisi Wilcox has studied the tradition and spiritual arts of the Q'ero Indians of Peru, the most respected mystics of the south-central Andes, for more than twenty years under the tutelage of Juan Nuñez del Prado and has been interviewed in documentary films about the tradition. In this episode, Joan gives us an overview of the Andean cosmovision, we talk about salqa - the ·undomesticated or wild· energy in relation to this cosmovision, and how to refine our energy body so that we can ·push the kawsay·, or manifest with the living animating energy of the cosmos. She shares core practices that you can use when you need them wherever and whenever, and gives insight into the importance of intention in this energy work along with her sage advice for committing to your personal evolution. Joan provides insights into an ancient wisdom that can help those of us living in a modern society re-discover our own wild, find attunement with nature and harmony within ourselves. Joan is a professional writer with interests in frontier science, shamanism and mysticism, and indigenous traditions. She is the author of Masters of the Living Energy: The Mystical World of the Q·ero of Peru as well as 2 other books. She has written dozens of magazine articles, been interviewed on radio, lectured at conferences in the US and Europe, is a transformational coach and teaches workshops across the US on the Andean mystical tradition. You can learn more about the Andean mystical tradition at her website/blog www.QentiWasi.com.

"I am a link between my father and my ancestors, the Incas, and knowledge formed thousands of years ago." The daughter of a Shaman, Julia has just released a book of her father's stories. Abuelito tells the tales of boyhood adventures with Eduardo Paez's grandfather in the foothills of Ecuador, trekking into mountains, visiting his special tree, watching the rituals of the wise men.  Stories of fun and adventure, they also represent an ancient spirituality, a First Nations cosmovision, and bring a wisdom formed thousands of years ago into the modern day, a wisdom gentle and profound. From Eduardo's grandfather, a strong man, leader and warrior, there are gentle lessons on how to tackle climate change, how to protect the Earth that sustains us, and how to get along with each other.  As Julia asks, "Who will still be telling these stories in a thousand years?"

El uso y consumo de plantas sagradas por grupos indígenas es un tema que va tomando lugar en la discusión sobre uso y consumo de “drogas”. Muchos individuos a lo largo de los años han buscado usar y trabajar con estas plantas ignorando su uso ancestral y medicinal, este último aún no reconocido por muchos científicos y médicos debido tabú que sigue representando. El choque de cosmovisiones entre “occidentales” y nativos se hace cada día más palpable y más urgente por resolver y armonizar.

Cymene and Dominic rediscover the Violent Femmes on this week's podcast and that prompts a discussion of the best albums of all time. We then (18:54) welcome American U’s Evan Berry to the podcast, author of Devoted to Nature: The Religious Roots of American Environmentalism (U California Press, 2015) and the PI of a Luce Foundation funded project on “Religion and Climate Change in Cross-Regional Comparison.” We start with the Pope and his views on climate change and then quickly move on to Evan’s argument that much apparently secular environmentalist thinking has deep affinities with Christian theology. We revisit Lynn White’s famous argument that Christianity devalues nature, discuss the need to move past “great man” narratives of the evolution of environmentalism, and ruminate on what 19th century Christian environmentalists considered to be the “moral salubriousness of nature.” Evan shares his thoughts on how Protestant nominalism may have informed American climate denialism over time and also about how walking as a form of “recreational salvation” became linked to the valorization of wilderness. We discuss whether American Christianity is exceptional in terms of climate morality and why American political culture has become an incubator for religious radicalism. We then turn to how climate change is now impacting religious systems across the world and how better intergenerational ethics might teach us to think collectively rather than individually. Finally, we discuss another recent book project Evan has undertaken with Rob Albro, Church, Cosmovision, and the Environment: Religion and Social Conflict in Contemporary Latin America (Routledge 2018).

Early Mesoamerican cultures like the Mayans, the Olmecs, and later the Aztecs remain shrouded in mystery. The Spanish who arrived in the 1500's apparently tried their best to bury and erase these mysteries further. But what’s been discovered indicates they were highly advanced civilizations that were intensely engaged with the cosmos and their living environment. They believed certain actions, like bloodletting or human sacrifice, could advance their world. But were their human sacrifice practices really any more strange or barbaric than other traditional notions of sacrifice? https://www.artesmexut.org/part1

What if you could experience "heaven on Earth," without the use of mind-altering psychotropics or disembodied experiences? The Andean mystical tradition is a pragmatic sacred tradition that teaches us how to live in this way - providing tools for living in harmony with nature and the spirit realms, with a primary goal to live with well-being in the embodied world, empower your energy body, and refine your consciousness.  Joan Parisi Wilcox has studied the tradition and spiritual arts of the Q'ero Indians of Peru, the most respected mystics of the south-central Andes, for more than twenty years under the tutelage of Juan Nuñez del Prado and has been interviewed in documentary films about the tradition. In this episode, Joan gives us an overview of the Andean cosmovision, we talk about salqa - the “undomesticated or wild” energy in relation to this cosmovision, and how to refine our energy body so that we can “push the kawsay”, or manifest with the living animating energy of the cosmos. She shares core practices that you can use when you need them wherever and whenever, and gives insight into the importance of intention in this energy work along with her sage advice for committing to your personal evolution. Joan provides insights into an ancient wisdom that can help those of us living in a modern society re-discover our own wild, find attunement with nature and harmony within ourselves. Joan is a professional writer with interests in frontier science, shamanism and mysticism, and indigenous traditions. She is the author of Masters of the Living Energy: The Mystical World of the Q’ero of Peru as well as 2 other books. She has written dozens of magazine articles, been interviewed on radio, lectured at conferences in the US and Europe, is a transformational coach and teaches workshops across the US on the Andean mystical tradition. You can learn more about the Andean mystical tradition at her website/blog www.QentiWasi.com. Click here for Show Notes

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios | Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios

Orador: Rodolfo Garza | Series: La Ventana de Dios | Orador: Rodolfo Garza | Series: La Ventana de Dios

25 Mar 2018 Cosmovision. Tienes El Hijo, Tienes La Vida JLY by Verbo Victoria

20171008 Cosmovision 02 by Israel Vilches

Programa emitido el Domingo 01 de Oct. 2017 a las 16:00 en Radio Corporacion de Santiago 97.1

Un espacio de conversación sobre la vida cristiana, entre el pastor Ricardo Daglio y Enrique Oriolo.

En este primer episodio hablamos de la importancia de una cosmovision Biblica, tambien analizamos el fenomeno de las noticias falsas que encontramos en internet y como podemos responder a esta realidad como cristianos.

En Vivo - Domingo 18 de Octubre del 2015, a las 05:00 P.M. UTC-06:00 (Hora de El Salvador, Costa Rica & Centroamérica), ó 06:00 P.M. UTC-05:00 (Hora DST México, Perú y Colombia) ya equivalente también a CDT (Hora Central de los Estados Unidos), serán las 06:30 P.M. de Venezuela; y la 01:00 A.M. ya del Día Siguiente (Lunes) en España y países de Europa. HOY PRESENTAMOS: COSMOVISIÓN MAYA Permalink: http://www.blogtalkradio.com/witchschool/2015/10/18/ptrn-presents-voces-paganas-en-espanol-cosmovision-maya   INVITADO ESPECIAL: TATA LEO 36º Programa En Vivo. 18/10/2015. En el Mundo, En Vivo: 3pm - Alaska. 4pm - Los Ángeles. 5pm - El Salvador. 6pm - México, Colombia y Perú; Chicago y Houston. 6:30pm - Venezuela. 7pm - Atlanta, Miami, Bolivia y República Dominicana. 8pm - Argentina y Uruguay. 11:59pm - Reino Unido. 01:00am - (ya del Día Siguiente, Lunes 05) España, Francia, Alemania y Suiza. ¡Ayúdanos a correr la VOZ! ¡TODO el Mundo está invitado! ¡Bendiciones! ¡Te esperamos! Los Episodios se pueden escuchar En Vivo a la hora señalada para tu País, pero también los puedes escuchar en Diferido - fuera del aire - ya sea consultando el archivo que quedará grabado en el mismo link de internet; y lo puedes descargar a tu computadora. ¡Y otra opción que tienes es buscarlo en iTunes como un Podcast y descargarlo gratuitamente! Sólo búscanos como "Voces Paganas" o como "Witchschool" en el iTunes Store, en la herramienta de búsqueda. Es muy rápido y sencillo.

Víctor Manuel Toledo destaca la participación de estudiantes y egresados de universidades interculturales en linvestigaciones etnoecológicas.

Víctor Manuel Toledo opina sobre la importancia actual del estudio etnoecológico en México.

Víctor Manuel Toledo comparte cómo se inició en el estudios etnoecológico.

Víctor Manuel Toledo explica la importancia del trabajo interdisciplinario articulado en el estudio etnoecológico.

Víctor Manuel Toledo opina sobre los modelos y métodos de estudio en la formación etnoecológica y la conservación bio- cultural.

Víctor Manuel Toledo resalta la importancia del estudio etnoecológico para generar y aplicar conocimientos encaminados a la sustentabilidad y el poder social.

Víctor Manuel Toledo comparte el compromiso de quienes realizan estudios etnoecológicos con quienes realizan y ejecutan las políticas públicas.

Víctor Manuel Toledo expone un ejemplo concreto sobre las implicaciones éticas inherentes al estudio etnoecológico.

Víctor manuel Toledo comparte su visión acerca del impacto social que tienen los avances científicos y tecnológicos bajo políticas científicas inadecuadas.

Víctor Manuel Toledo explica cómo propaganda y modelos económicos llevan a un mercado de consumo devastador para los recursos biológicos .

Orador: Rodolfo Garza | Series: Historia Espiritual de México

Discuss this episode in the Muse community Follow @MuseAppHQ on Twitter Show notes 00:00:00 - Speaker 1: Also, in your field that you say, OK, I need this programmer with this designer and together with them and the right vision, we can build something. I think it’s very similar with film production. We all work at the end of what’s possible, and we want to go beyond. 00:00:23 - Speaker 2: Hello and welcome to Meta Muse. Muse is a tool for thought on iPad, but this podcast isn’t about Muse the product, it’s about Muse the company and the small team behind it. My name is Adam Wiggins. I’m here with my colleague Mark McGranaghan. Hey, Adam. And joined today by Maximilian Becht of Cosmovision. 00:00:41 - Speaker 1: Hi Adam. Nice to meet you. 00:00:43 - Speaker 2: And Max, I know you just got back from a pretty intense film shoot. Tell me about that. 00:00:47 - Speaker 1: Yeah, I’m just back in Berlin. I was shooting for 30 shooting days. That’s like a little bit more days all around it because we had 6 weeks of prep and 6 weeks of shooting and now 2 weeks of. Post production for my production team. I was a production manager, shooting theatrical movie in southern Germany and this was my rough summer and yeah, I’m looking forward to be back in Berlin and have a good conversation with you today. 00:01:20 - Speaker 2: Yeah, the intensity of these shooting schedules. I used to live in Los Angeles, and had a lot of friends that were in Hollywood, and I think sometimes it’s nice to have sort of an intense work period, but then maybe a longer break in between, but it often was quite surprising to me. Puts even the intense work schedules of Silicon Valley, gives it a run for its money, you might say. 00:01:41 - Speaker 1: Yeah. I think for the last weeks, my workdays had around 12 to 15 hours and the weekends were not really weekends. So it’s like a vacation camp. This filming feels sometimes like this sprint. Maybe you can compare it to the tech industry when you really have this one project, this one program you want to finish and you really give every effort and After it, you feel it drops sometimes in like an emotional hole because you’re way, there’s something missing. I have to be working right now, not, so you were always wondering, oh yeah, what’s happening. 00:02:20 - Speaker 2: Actually I have very strong memories of my first experience of exactly that drop, which was in the video game industry at the beginning of my career. And we were just working these, yeah, basically every waking moment for weeks on an E3 demo, so E3 was the big conference, you gotta have a great demo, and I remember when we finally, well, we shipped it because E3 happened, so there was no more time. After that, I just didn’t know what to do with myself for a day. I couldn’t remember what my life was like when it wasn’t just nonstop working, not a great place to be. But in a way, it had its moments, maybe because I was sort of young and had no other responsibilities in my life. 00:02:57 - Speaker 1: Yeah, I’m always reflecting on that part, whether how much energy and, yeah, you put into your work. And with film, it’s always because it’s a passion thing for most of the people I know, that way it’s hard to divide it strictly between your personal life and your professional life because you always do it out of a passion, out of the lust to really create awesome images, awesome films. 00:03:25 - Speaker 2: Yeah, definitely a problem we have in the software world as well. So Max, you’re a video producer or a film producer, I don’t know exactly how you title yourself, but tell us a little bit about your background, how you got into this field. 00:03:37 - Speaker 1: Yeah, I’m a film producer. I would specify it more as a creative producer because I like to create a content and develop content together with someone, but also have the production side in my head to know how to finance a product, how to organize the product, and how to really finish it in the end. But the part at the beginning where you develop a story where you imagine ideas, where you Look for a concept that’s the part I like most about filmmaking. I, after my A Levels, I had some years of internships with production companies and working on sets as a runner, set runner, you are on a film set and see that all the infrastructure is working well. You run from the set to the base to get a cable or something or to grab a coffee for some important person. But that way you learn the infrastructure, the how film work, how every department has its purpose on the set. And then I applied for film university in southern Germany at Film Academy, uh, Baden Wittenberg. It’s a very renowned film school and yeah, I studied 5 years of film there. I produced several short films, mid-length films. With different formats like starting with uh fiction, also documentary, but also I got glimpses into animation, visual effects, and interactive storytelling. And now I’m back in Berlin and I have my own company, my own office, and I work as a freelance producer for other companies, but also try to develop my own stories together with writers, directors, and I offer my services to companies who needs a sparing partner to produce and develop content. 00:05:40 - Speaker 2: And I’ll link folks to your portfolio, there’s quite a diversity, as you said, there’s, including these short fiction films, you could say maybe high concept or things that maybe submit to film festivals, that sort of thing, very artistic, maybe those are more labors of love, and then you also have things that are maybe more commercial in nature, so there’s quite a variety, although my feeling and maybe part of why I was drawn to it and we’ll talk soon about how it is that we came to work together, but it seemed like a lot of your work, whether it’s maybe fiction isn’t quite the right word, but a story versus documentary, it seemed like you really focused on the people, the characters, showing their lives, their environments. It feels like that’s a, it’s quite a theme, but at least I saw that across your portfolio, but. 00:06:26 - Speaker 1: Yeah, always people ask what kind of films you like to do, but this question is hard for me to answer because there’s no genre I would like to be in or just one field, like I’m just a commercial producer or I just do documentaries or nature films. My engine for motivation for filmmaking is always the story and what is behind it. Like, for me, a story has to make sense, has to have an impact and has to be of a topic I find of relevance. So there has to be some kind of political or I would say, the value which a film contributes or puts to the screen that has something I share. And at the same time, film can be an experimental way of pushing boundaries in fields you also find interesting or getting into topics you don’t know anything about, but you want to learn more about. So I give one example. For example, I am producing a documentary about prison television station in a German high security prison. So I don’t know anything about prison. I’m lucky to not have been in one yet, but I was really curious how criminals Live in German high security prisons and how is their view on media and how do they consume media and what it would be if they produce an on television channel. So, this changed my perspective. on how we in a society want to handle people who don’t follow the laws. And if you have been in a prison, you know what it’s like to be in there. So that’s a reflection I find very valuable for me. 00:08:19 - Speaker 2: So our topic today is filmmaking, perhaps obviously, and there’s two reasons for this. It might seem like a bit of a non sequitur compared to our usual world of product design and having ideas and so on, but There’s 2 layers here, 2 reasons to talk about this today. One is I’m really interested in the creative process. Generally, I read a book some years back called Making Movies. I’ll link that in the show notes. I’ve even mentioned here before maybe, and I was really struck by how much similarity there is, not on the practical level of what you do in terms of how films are made. Shooting and getting actors together and things versus writing code, but that there’s a lot of similarities between making great software products and making films, where they have this pragmatic aspect as well as this artistic aspect as well as this team aspect. And so I thought it would be really interesting to dig into the creative process there and find those parallels. But the other reason is that we are doing a little experimental, let’s say a little launch of a small film project. That you and I worked together on Max along with a couple other folks on our film crew, to create a sort of mini documentary series about the creative process. So, just to briefly speak to that, that’s called Create. And I’ll link the launch memo, as well as the pilot episode here, and you can read all about why we wanted to do that, why we think that’s really relevant to Muse and our mission, but I thought it would be great to talk a little bit about the experience of working together on that and how we ended up at this final result. 00:09:53 - Speaker 1: Yeah, I was kind of surprised to be contacted by you because you’re an American company and I’m here. Upcoming film producer, I just finished my study two years ago and building up my portfolio and I was not actively reaching out to people, but I’m open for, because I’m always also busy with other projects, but I find your reaching out to me very interesting because your product was something very cool because I use productivity apps myself as well and I’m not an iPad user, so I didn’t know Muse, but as I think I got a, a fast idea what it was about, and I was thinking to myself, OK, what kind of content would you want or need? Did you want something animated to like show what your app can do best? And I was Very happy to see that you wanted something bigger or wider than that. So that stands more for the core values or ask the question about what Muse stands for and how does branded content work? Because I share the idea that a good commercial is not always showing all the benefit of a specific product, but to Show what it stands for or what the idea is behind it. And I thought it was very powerful to search for creatives and people who have very unique ways of working and their own way of productivity and where do they have their source of, yeah, structure of energy, of creativity. 00:11:47 - Speaker 2: So it’s just a tad more context. I think what we wanted to do here, you mentioned the term branded content, which I think is kind of a film concept that I guess there’s what you would call traditional commercials, and so those are usually sleekly made, they’re usually 30 seconds, and they show, maybe there’s something clever or funny, but they show really directly. Here’s this product, it exists, here’s why you might want it, you know, linked to a place you can download it or buy it or whatever, and those are fine. Certainly for the Muse brand generally, but also for me personally, I saw a more interesting opportunity, or at least for me more compelling than a classic advertisement was instead to take what we had learned through interviewing with really hundreds of creative professionals in our research lab days and now thousands that we’ve interacted with, maybe tens of thousands through our support channels and try to tell their stories. Cause it really struck me that, I mean, use exists because of this research that we did, of going to people who make things, create, call them knowledge workers, I usually go with creative professionals, but think people who make things and inspiring things to me, and try to understand how they work, and in particular, we, we narrowed in on the ideation process, that early stage is something that’s not really well supported by computers, and this is why Muse exists. And so the contents of those interviews, those early interviews are things that are all now essentially baked into the product, all the insights we got from those interviews. But as I speak to people individually and feel inspired by that, again, now just kind of through supporting our product naturally, but even if I flip back through the old interviews and review them, and I think there’s some amazing stories here and some amazing creators, what’s another way that we can share that stuff and film seemed like the right media for that. 00:13:38 - Speaker 1: Yeah, I think we are also still on the journey with the product because at the beginning, we said, OK, let’s talk to one or two people and we find the right one and we’ll do one shooting day and then we have our product. Then on the way, we saw that we have to meet so much more people, have to prepare, like we have to get to know them a lot better before really deciding on. They are the protagonists for our shooting day because we have just one shooting day. That’s a budget wise restriction or also, I think for this format, 5 minutes, 1 shooting day should be enough. And we have to kind of know the script before we shoot. So the script and a documentary portrait may seem kind of OK. This does not make sense, but It makes sense in a way that we need to know before what kind of facets of a specific person we want to show, because I think everyone has so much interesting stuff to tell, but for us and for this product, we need to condense it and also we need to find visually compelling situations that are not just someone sitting in his flat and talking to the camera, but also doing something and That with, I think a lot of your users are not people who build something with their hands, but also are programmers and people who have very static work environments, but they have also sites in their lives which are visually interesting if they do sports to clean out their head or something like that. So we had to find that with the protagonists. 00:15:26 - Speaker 2: Yes, so for me it was surprising that how much of your time, and particularly how much of the director, that’s Marcus Hannaish, how much of his time, and the cameraman, how much of their time was this, I guess, scoping locations to shoot, they would have things that were visually interesting, so that we can better relevant to the story that we want to tell. So, clearly you got these protagonists, as we’re calling the subject of the film, they do inspiring work and you see that in the end result, but how they do that work doesn’t, I don’t know, if you’re filming athletes, for example, that’s a naturally very dynamic thing, or they’re out in nature or whatever, so how do we make visually interesting film out of this, and that was a big part of the film based or the visual storytelling that for me was totally new. 00:16:16 - Speaker 1: Yeah, I think this is a good bridge to tell something about, because I’m the producer of this product, but this film was made with a lot of effort of Marcus, the director, and Jasper, the cameraman. And we also had more with our sound designer and music composer. So I wanted maybe to share something about how this team came together because my process from starting at the beginning was to propose several directors to you because I thought it would be interesting to get Different ways of thinking how this format could work. So I looked in my bubble kind of what are the directors I know or I heard of which are interesting. 00:16:59 - Speaker 2: In the tech world we’d say your network. 00:17:00 - Speaker 1: Yeah, in my network. I just didn’t find the word but yeah network bubble, yeah, and I contacted them and I pitched the idea and then I wanted them to not know everything about our product, but to come up with something, a visual world, storytelling, a kind of a style. Even if it’s kind of similar, every director has its style and he has work he can show which reflects the style, but he also can look for skills for images which could go in the direction of what we want to produce and You liked what Marcus was doing and that was a very good coincidence for me because I worked with him before on a short film and also with the cameraman. So we were a good team already because that’s also a very big thing in film industry is the creative trust. That we know how the other works and what the other needs for his work, how much time and how much feedback and how much input a director and a cameraman need and how a producer can work with them. It’s always new to find out and every relationship is so different, but this was very good for me and I think for the product that we already knew each other and knew how to Work together. 00:18:25 - Speaker 2: Creative trust is absolutely something that’s necessary in making great software products as well. I mean, I think part of why certainly Mark and I are working together on this venture as well as Julia. We had all worked together before, we know we work well together and when we had a new product we wanted to pursue through a new venture, you could say we de-risked, but you’re just excited to work again with someone that you know you have that working chemistry with. One interesting piece of the story here as well is it should be noted that of course we’re not a venture funded startup with a lot of money to spend on some kind of slick production, so we were looking for something we could really do on a shoestring budget, and I had kind of assumed we’d be able to, or what I was looking for actually when I went searching was someone who was kind of all in one, right? Someone who could film and produce and do the software editing and I don’t know, we could talk about some of the software tools after effects and That sort of thing if we want, but that exists now, particularly with the YouTube world of things. There are people who are all in one, and of course, if you’re a generalist, you can’t be great at each individual thing, but you can make something pretty solid. And you, when I approached you and said, I like your work, and you pitched me on, look, we can get a crew, probably helps a lot that we’re here in Berlin, which increasingly does have a pretty impressive film scene, I think a lot of things like Queen’s Gambit was shot here, a lot of other Netflix films, some of the Apple stuff like the foundation series. was shot here, but also probably in general, just wages overall are sort of a bit lower than they would be in, I don’t know, let’s say California. And so all of that means that probably we can shoot. More cheaply than we would in other places. But you convinced me, look, I think you’ll be better off with the crew. I can get a crew together, we shoot it in one day, we can do it on a budget that’s within reach for us, and the quality and the professionalism and just the power of the story you can tell will be much better, and I was compelled by that, which is why we went forward with that. 00:20:19 - Speaker 1: Yeah, I think a big strength of mine is when I can tell it like that, that I have worked in so many different fields of work from a documentary style, really a one or two film team to a big set of up to 100 people. And each product in the end was good, but you have to find out what is necessary and what it means. And I think there’s a difference between the One guy who films, does the concept, edits, of course, he can do with a budget of something. For him, it’s so much more, but he does not have the reflection with someone else to really come up with a high concept and a high visual concept. And if you put together director and cameraman, even those two people, they work and discuss a visual style for this product. And if you put in A sound designer and music composer, you have someone really taking care of the sound level, which often is falling under the table. But for me, it was pretty clear, OK, we need someone like that to, because we have a small production crew, the sound will be kind of rough, recorded. We need someone who cleans it at the end and to just a little bit of sound design, mixing and composing. So we have audio that you really Like and which has a production value in the end. Film is doing art. Also, if it’s for a company or like for a brand, it still is an artistic way of working and of course, you could have find someone who really sees it as just the product, but for me, even so, it’s always searching for an artistic, unique piece and not something. Which repeats something already, which already exists. I like to really create and that’s also the title of this, create something new, which each piece I do produce and collaborate with others. 00:22:25 - Speaker 3: Yeah, and I think this idea of creative energy is really important, and it’s one of the reasons I was so excited about this series. We’ve talked on this podcast before about how creative or entrepreneurial act is so unnatural, and you really need some impetus and reason to do it. And obviously, you’re discussing how that’s the case for you, even for a project like this. But also with the series, my hope is that it causes a sort of creative contagion, where when you see someone Doing beautiful, inspirational work, you are more inclined to do it yourself. And I think we are sometimes reluctant to admit how big of a factor that is. And you can see this in practice because there are these huge creative clusters like San Francisco and Berlin, where if you are there, or increasingly the equivalent virtual ones, you’re just much more likely to be doing that sort of creative work. So I’m hoping we can get some of that contagion going with the series. 00:23:17 - Speaker 1: What really was a discovery for me, producing or researching the protagonist, we were sometimes going in the direction, OK, let’s search for the most renowned or most famous artist or programmer or whatever person we know, which could be an interesting protagonist. But on the way, we also thought, OK, let’s search for the more regular guy or regular women and We talked to so many different people and everyone seemed like kind of a small superhero when we got to know them. Even if they are not well known, they are at the beginning of their professional career, they are a freelancer, just earning their money by doing their job, but also they have such unique And interesting styles and way of working and how to re-energize themselves in their private life and how to balance themselves. These are also important questions for my own life because work-life balance always problematic in the film industry, but Besides that, I was just so compelled by what these people said, so that I thought, this is kind of the gold piece. If we can, in the series, get something to really get to know the guy or the women around the corner and search for their unique magic in their work. What’s so unique about their work and how they do it. And each episode shows a little different side, a little different angle of someone’s work. And that adds something to your own view on your own work and on your collaboration with your colleagues. And that would be something I would really love to achieve with a series like that. 00:25:12 - Speaker 3: This is one of the reasons why I love the maker biography genre, which is a term that at least Adam and I have given to these studies of individual creative lives, because when you look at an individual life, and you look not just at their eventual accomplishments and triumphs, but the whole process, it’s this incredible fractal, detailed, ultimately beautiful thing where there’s all these, you know, struggles and you know syncrasies and weird ups and downs and weird habits and stuff and That’s something you can only get if you look at an individual life. If you zoom out to all people who, you know, paint stuff, what are you gonna say, oh, you know, they study colors and they put stuff on a canvas and some of it’s good, you know, but if you look at the individual, you learn about their studio and their upbringing and how they got inspired and their individual subjects, it’s so rich. So I’m a big fan of this genre. 00:25:58 - Speaker 2: Yeah, Mark, I think you coined the term, or at least as far as I know, the Maker biography, but maybe it was when we were speaking about that I kind of had discovered this what felt like a genre of book, but I guess it’s just biographies about people who start companies or do science or make art, and it’s really not just about seeing that final piece that final result of their work, which you may already know if they are someone famous, but actually the process how they get there. So for example, I read a biography of Charles Darwin. Recently that kind of talked about his, you know, life journey. I’ve read a lot of famous scientists biographies, but there’s also entrepreneurs and product creators, so there’s something like there’s an autobiography by the Pixar founder and CEO, super interesting story there, or there’s a biography of Ruth Handler, who started Mattel, and basically invented the Barbie, has a really interesting entrepreneurial life and journey. So there’s a number of these, but to me it’s the behind the scenes. It’s the struggles they went through, the false starts, the uncertainty that they experienced along the way. It’s that journey, and that is so inspiring to me because I’ve been through that journey, obviously not on the scale of success of those folks I just mentioned, but they’re similar, right? And that’s part of what we’re hoping to get in this series is. You watch each of these individual ones and even if these folks do very different work from whatever your particular discipline is, you see something similar in their journey or as much of it as we can show in the 4 minutes or so we have budget to film. 00:27:33 - Speaker 1: What I would be curious because we kind of also want to find the similarities or differences between filmmaking and the tech industry and your software programming. I think a lot of your work is also to reflect the product and ask the people how do they find it, how you can make it better and You really always updated your product and with the film, it’s always or mostly a finished product and then you get the feedback. Sometimes you have the money and the effort to get a test screening and of course you have feedback loops before, but if we would proceed this series, I would very much be interested in what the viewers say about it and what would be protagonists or Jobs or what kind of fields of work people would like to dive into or what kind of facet they really love and what not to really like put these way of work from your field a little bit more into the filmmaking world and because that was really interesting in the The way you worked with me, it was so different with how I worked with clients or with, like, sometimes the client is more the director or other producer and you are the production team. And I really love to experience a different style of collaboration, always so easily technical, organized and very much on point and very structured. It’s something I really sometimes miss in my everyday work and talks and discussions, which sometimes get out of hand and never ends, you know. 00:29:20 - Speaker 3: It’s interesting that you have this inspiration from how software is built and technology firms operated. I think Adam and I have drawn a lot of inspiration from how film is produced. So typically with software, you would have a big standing firm that has a bunch of full-time staff who are hired for 2 to 4 years or whatever, and those people would build a series of products, and that’s one way you can do things, but I’ve always been fascinated by what Adam is termed the Hollywood model, which is you have these loose networks of people who each other to varying degrees because they’ve worked on projects together in the past. And then when you have a new project to work on, you bring together a team just in time around that particular product, and you work on it for some weeks or months, and then the team disbands, and you have some stronger or weaker connections based on that, but you will reform with different people for subsequent projects. And I’ve always thought that that’s a very interesting model to play with in the software world, and Adam in fact did some of that with the lab, but you can think of it more generally as a sort of continuum where on the one hand you have the fully salaried standing firm where people are there forever, and the other hand you have like whatever these gig sites are, where you hire people to do one hour of work, and playing with that continuum, you get different trade-offs, and I think it’d be worth people on software learning more from how the film industry operates more dynamically in terms of staffing. And also, by the way, in terms of hiring, the way you hire in film, as I understand it, is it’s based on your portfolio and then an audition or equivalent, right? Whereas the way typically you’re hired in tech is based on your resume. Can you imagine hiring someone for your film project based on like, I don’t know, where they went to school or something, it doesn’t make any sense. You would look at their portfolio and then you have them do an audition. And again, I think that’s something that we can and should learn from in software. 00:31:09 - Speaker 2: I’ll just add on to that that, you know, we mentioned the networks earlier and you see this often if you look at the film credits or even more dramatically famous directors like ah Christopher Nolan or something, you know, they often have many of the same actors will show up in subsequent films, even though those films don’t have anything to do with each other in the sense that they’re not sequels or part of the same. Cinematic universe, but that director likes to work with this actor, and you see that also if you go and look at the credits, you see they’ll often have the same camera people and producers and costume and lighting people because again they have that network, those people they’ve worked with in the past that they know they have a good relationship with, or they think this person would be great, you know, I know this camera person is really good at the kind of wide angle shots that I need for this film, so I’m going to call them in on this. And so you get these loose networks, but it’s not the, I’m signing a contract to be full time and work nowhere else at this one firm for the next 4 years, 10 years longer. It’s a very different model. 00:32:11 - Speaker 3: And by the way, I think it’s not just different or interesting cause it’s unique. I think you could argue it’s empirically more successful. So let’s go back to the world of software engineering management. You see people say, oh, you know, it’s a super creative project, it’s very risky, it involves all these different functions and by the way, a bunch of these people are total personalities, you can’t manage them. There’s no way you could bring together 5 or 10 people to build such a thing with any amount of certainty or predictability. But then you look at movies and they have these $100 million dollar things involving thousands of people, hundreds of different disciplines all the time. There’s something that they figured out there about how to bring together these incredibly complex and creative endeavors with some amount of predictable success, not obviously not all movies work out, but they mostly all ship at least, and then a lot of them do work out, and that’s much more than we can say for even much more moderately scoped software projects. So again, I think there’s something to be learned there. 00:33:03 - Speaker 1: It’s really awesome to listen to you because it’s so much reflects on what I’ve been through the last month with my future project because there were a lot of individuals and amazing film will come out of it, but it’s always a struggle and it’s always a risk and you need someone or more people than one. To bundle them together because a lot of creative potential is also everyone goes in their direction. Everyone wants to get out everything they see and want, but you all have to put it in one pro, come back to product, but into one film. And usually it’s the director who makes that creative choice and the producer who makes the choice financially, organizationally with that, but also on a creative level and For me, I’m kind of the manager of a lot of creative and disruptive people and I have to keep them together so that a film will come out which works and that’s such a complex. Thing to do, but I think if you find out what are the people, the players I need to put together to really get a dynamic here with the product, also in your field that you say, OK, I need this programmer with this designer and Together with them and the right vision, we can build something. I think it’s very similar with film production. We all work at the end of what’s possible, and we want to go beyond, and you have to have a big understanding. Of the creative vision of everyone in your team to really know how I can handle those people and if you can, then you can really do an awesome film. Otherwise, it’s just a mediocre product and it will maybe work. And I would not say I’ve accomplished that fully, but I think that’s something if you really can do that, put the right people together with the right vision and know how to put them together and when to say something and when to go to script development, the very beginning of like a, a feature film, for example, or a pitch paper with a commercial project. It’s always the question, how much more rounds you need to go, how much further you can push it. And then you need to know the other person of how far I can push him or he can push me back with what he wants for his realization of something. 00:35:39 - Speaker 3: Yeah, well, I don’t want to pull too much into the industrial organization of film versus software, but one other point I’ll make here is that I do think another thing software can learn from this multidisciplinary person who’s responsible for pulling together and synthesizing and software you obviously have that with founders at new companies, that’s their job by default, but it’s often missing in larger firms where you have The product person and the engineering person, the design person, but there’s really no one who’s necessarily responsible for pulling it all together, and I think that ends up typically being a mistake. And one thing I like about the world of film is that there is that director and producer role, obviously in the biggest films, but even in the smallest 234 person operations, you still expect such a person to be that synthesizer, and I just think it’s really important. 00:36:25 - Speaker 2: Yeah, so that’s to compare to our little kind of miniature crew here, that’s the role you have Max. You’re the producer, your job is to make sure everything fits together, it works. There’s obviously nuts and bolts elements like can we do this on time and on budget and does everyone show up at the right time and all that sort of thing, the herding of cats, sometimes we call it in the software industry. Whereas Marcus, the director, he’s more about the visual style and maybe some of the creative elements, the camera person is focused on maybe some of the particular shots and particular visuals, but I certainly would say, I mean, you talked before about describing yourself as a creative producer. It is a very creative role because I think making all those pieces fit together holistically. The trains run on time, hurting the cat stuff is how you get there, but the end result, like you said, if it’s something magical that fits together really well, that conveys a strong story versus being a grab bag of everyone’s weird ideas that don’t. Fit together well, which is very easy to happen when you get together a bunch of creative, opinionated people that all have their own agenda, their own ideas, maybe very good ideas, but if those ideas don’t fit together in a way that makes sense or in a way that’s practical, you don’t get a good end result. 00:37:37 - Speaker 1: Yeah, I think we should not talk small the organizational part because I just experienced it with my last project where I was working a lot in the organizational side as a production manager. To be detailed and to really have everything there you need for the film set, sometimes 40 people wait because you don’t have a shovel and you are in the forest and you need the shovel to dig a hole and everyone is there, everyone is on time. The creative vision is there and everyone functions, but the shovel is not there and you are in the remote location in the forest and Everyone gets crazy. People drive from the set to the next store to buy it. People from the office drive to the next store to buy it at the end, they shot something without a shovel because they came up with a new idea. You know what I mean? To be detailed, to be on point is. Also very important in film production. You can’t be lazy or forget something because if you forget to record something, to do it in post is not the easy sentence to say. Some people joke about it and say, oh, let’s do it in post. We didn’t manage to do it here, but the people who have to do it in post, it’s crazy, much effort to do something in the post-production. You really missed by an easy thing on set, on shoot. So, I think it’s really also important for film industry to be very detailed and the groundwork needs to function. 00:39:10 - Speaker 2: Let me return to a point you were making earlier there, Max, about learning from kind of how the software world works and how we brought a little bit into the Create series, and this is actually a bit of a call to action for the listeners here. So in the software world, we typically do betas. And certainly the way the muse does it, I try to do it on every product I work on, which is whenever you make a new thing, a new feature, a new capability that you treat it as an experiment with kind of the default is the null hypothesis. People won’t want or need this feature, and you should just remove it. And the best way to do that. If it’s kind of a beta that is not part of the shipped product that people can opt into, they can try it and then you find out pretty quickly, is this something really useful that becomes a key part of someone’s workflow and then you can and should roll it into the finished product, or sometimes it turns out it falls a little flat and you decide to change it, or maybe even just cut it out in the beta, for example. So that’s a little bit what we’re trying to do with create. So you can think of this pilot episode here as kind of a beta. And we wanna put it out to our audience here. I hope everyone listening will go watch it, as well as read the memo about some of the motivations, and tell us, is this something you’d like to see more episodes of. And I certainly hope the answer is yes, because not only because it was enjoyable to make, but also I think the power of the series actually would come from seeing multiple types of creators and seeing the similarities, seeing the patterns across them. That’s what we get through our user research, we’ve spoken to so many of these folks, and so seeing that even if there’s a brand designer and an architect and a writer, that they share a lot in terms of how they at least come up with their ideas. So I’m hoping that we will be able to continue, but we want to get folks feedback so you can think of this first pilot as kind of an early beta, and basically you should watch it and send us your feedback, as well as help us find new protagonists. So, the way that we looked for subjects for the film was largely through our own networks a little bit, as well as trying to keep it local here, just so we could not need to send the film crew anywhere far away. But now that we have this first episode out and you can kind of see what we’re trying to do here, we’d like to put the call out to our audience to say, who do you know that would be awesome to profile here? And they could be a muse user, we’d like some of them to be, they don’t necessarily have to be, and maybe we’ll do a mix, but whatever it is, they should do something inspiring and interesting. Maybe there’s something interesting about their personal story, and as you said, you know, we spoke to a number of folks to be protagonists for this first pilot, and every one of them, as you said, in their own way, they’re the hero of their own story, and they were inspiring to speak to and see not only the work they create, but how they create it. So we’re looking forward to finding more folks like that and so the calls to action for the audience here is not just, should we continue this series, but who else should we feature. Well, before we wrap up, I always like to be a little future facing. So Max, if we do get the chance to work on more episodes of this series together, what did you learn, what did we learn together on the pilot that you think we would do a little differently for future episodes? 00:42:22 - Speaker 1: Thanks for asking and I really hope that we have the opportunity to do more episodes. In the beginning, when you come up with the idea or you come with the idea to me, I calculate it, I try to schedule it, I try to schedule the time of everyone and how we produce it and now I would do it in a different way to have more time with the research, maybe to even have a person or someone who dedicates itself if we do 5 or 10 more episodes, so we can meet 20 to 40 people which are already pre-selected. And to do the interviews we did, I think this is very important to have the preparation time and to have enough time and space to plan and produce the script for it. I think. Also, I would like to work more on a unique theme for like a musical sound design theme for this kind of series which you can recognize it too, but this also needs more time and, yeah, more energy to work on. And that would be two things I would say spontaneously that we would do differently. What about you? 00:43:41 - Speaker 2: For me, a big surprise was definitely how much the protagonist search, not just the initial kind of coming up with people we could speak to and having those initial conversations, but really the process of explaining to them what we wanted to do, trying to suss out what their story was, which of course is, you know, for a stranger, near stranger to them. Then they’re exposing things about their personal life and how they work and so forth, so that we can then evaluate what sort of narrative arc would come out of that, and so there was sort of a trust building process that we were going to make something interesting and worthwhile to spend their time, and so, yeah, all of that ended up taking quite a lot of time. We spoke to some really great people and got pretty far in the process with many of them, but yeah, surprising amount of the time and energy was spent on that, but in a way, you see how it pays off, right, with a documentary piece, you know, we’re well literally documenting the life and the work of someone, and so they’re finding the right subject, finding the right protagonist is huge, right? That’s the center of it. If you have someone great, that’s your Source material and from there you can build a good narrative and you can make it visually interesting and so on. And so really giving some good time to that. But I feel like we learned better how to do it through this process. If we were doing more episodes, we could do them in parallel. I think we just learned a lot of the process of how you build that relationship, find the story, and then build up to that filming day, which is really asking quite a lot of the person who’s being featured. 00:45:17 - Speaker 1: What I just thought of while you were talking is that the core strength of it is that it’s authentic, that, that’s real people, even if we try to condense what we want to tell about their life, about their work, it’s real and they didn’t rehearse it with us. So the time we spend with getting to know them is also a key element to the success of it later. So they trust us. They trust us coming in their life, showing their children, showing their workspace, showing their raw, unfinished work. I think to build that kind of trust with the protagonists is very important and I think with Katherine, our first protagonist, we got that far. She really opened up to us. She told about her past, she showed her kids, she really opened up and I think that’s important to keep for future episodes. 00:46:14 - Speaker 2: Yeah, very well said, and of course a huge thanks to Katherine for going out a limb on us a little bit, especially now at least we have a pilot episode, we could show future protagonists and they know sort of what they’re getting into, but she showed a lot of trust and spent a lot of time with us for something quite unknown, and yeah, absolutely, building that relationship, it’s a partnership between the protagonist, you and your film crew, and the Muse team and me who, you know, have something we want to express through this medium. 00:46:43 - Speaker 1: And I think the best case would be that the protagonist as an, I don’t know, artist and a programmer, I don’t know what kind of work he does, but gets something out of this video production as well, that he thinks he is portrayed well and he’s respected well and that he’s eager to show it to his friends or even put it on his website as, hey, that’s how I work and That would be the best case scenario. I don’t think we will achieve it with all protagonists, but that’s something I would really like that they are proud to share it and feel respected with it and their work is respectfully shown. 00:47:25 - Speaker 2: Well, let’s wrap it there. Thanks everyone for listening. If you have feedback, you can write us on Twitter at UAHQ or via email hello and Musapp.com. Help us out by leaving a review on Apple Podcasts, and Max, it was a real pleasure to work with you, get an inside view on how film was made, particularly for a person with prodigious talents such as yourself, and I very much hope we get the opportunity to continue the series and continue to document the lives of inspiring makers. 00:47:56 - Speaker 1: Thank you, Adam. Thank you, Mark.