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I'll admit that this Thanksgiving road trip wasn't exactly fun. Oh, don't get me wrong. The minute I see my daughter, I am over the moon. Thanksgiving was as it should be: warm family, good food, and giving thanks. I never want to say goodbye and I hate that she lives all the way across the country.It was the before and the after when the trouble began. Somehow, last May's road trip did not bring the darkness, but this one did. It was too much time spent thinking about things I'd been pushing aside for too long. I feel like I've been running just ahead of a tidal wave. And no, that doesn't mean anything like depression but just the plain truth of what has become of me and my life after the past four years of moving from one side of a Civil War to the other.Was it a Civil War, or was it a revolutionary war? I can't really tell. I just know that it was a war with two sides. You had to pick one. However, no one on the Right punishes anyone on the Left for believing what they believe, not really. They boycott companies that sell their ideology, like Budweiser. But they don't disinvite you to Thanksgiving.I knew I could not discuss politics with my daughter's boyfriend's family, and I didn't. Whatever they believed, I was willing to put it aside because we were all together for a holiday about appreciating everything we had. And in the big picture, I have much to be thankful for. I feel lucky in that way.Last May I ended up in the ER twice on my road trip, once for slicing open my palm in Lincoln, Nebraska and once while trying to outrun a screaming ambulance with my elderly dog barely able to make it across the street. I tripped and landed on my elbow, breaking my arm. But the dog was fine.Nonetheless, I wasn't haunted last time like I have been this time. If my life was a novel, those injuries might have been warnings for something much more serious to come. Not serious like the death of a loved one or a terminal illness, but serious in a different way, a life-shattering, unavoidable way.But my life isn't a novel. Maybe the tidal wave finally caught up with me now that I had so much time to think. At home, I am always online, reading and listening to like-minded people and not feeling so alone. But in a car driving for hours, there was no escaping it.This isn't some nightmare I'm living through, and one day, I will wake up. I've bought a one-way ticket aboard the Counterculture Express, and there's no turning back now.It wasn't so much everything I've been writing about and saying for the past four years that haunted me. It was what's just happened to me in the past few months. I've spent almost a decade being that one person who stands on the side of those being canceled, using whatever online clout I'd attained from a life lived mostly online to defend them.I have even stood up for those accused of being sex offenders. I'll never forget spending much of my reputational clout standing up for a writer named Devin Faraci. Long before Hollywood blacklisted me, the worst thing they could say about me was that I was a rapist apologist. And they said it all of the time.Later, when I began drifting away from the Left and writing here on Substack, I was interviewed by Megyn Kelly. Somehow, Devin Faraci saw it. After being a patron on his Patreon, writing columns defending him, and standing up for him at great cost - he threw me under the bus. He called me out on Twitter because he had to let everyone know that he might be a sexual assaulter, but I was now on the other side of the war, and that was worse.But even as horrible as that was, it wasn't what had occupied my thoughts for the past two weeks while doing something I usually love. Driving. No. It was how I'd wasted so much of my time working a 24/7 job, investing my whole life in an industry that would completely turn its back on me in the way they have. It has always been chilling to live through it, but somehow, I'd avoided really thinking about it, and now, as I drove nearly 3,000 miles to Ohio and back, I couldn't think of anything else.It's Oscar season, and I'm doing what I've done every year since 1999: reporting on the Oscar race. Even back in May, I had a whole staff working with me to proofread my stories, remind me of breaking news, or run a contest form. Now, it's a ghost town, and it's just me. But driving all day means I can't do the job alone.I was playing with fire, I always knew, and said so many times when people asked me how I was able to get away with writing honestly here on Substack while the climate of fear and the culture of silence crippled so much of Hollywood. How had I remained untouched? This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sashastone.substack.com/subscribe
Devin Faraci joins jD today on the podcast. Beyond listening in on Devin's Pavement origin story, you'll hear him wax nostalgic about song 30.Transcript:Track 2:[1:00] Previously on the Pavement Top 50.Track 1:[1:02] At 31, give it a day. What do you think, Scott from North Dakota?This is a gem, and I love it so much. I love the whole EP.This would have been something I did not discover until well after I knew all of Wowie Zowie, all of Bright in the Corners, and it wasn't something I easily could have. have it.Track 2:[1:27] Hey, this is Westy from the Rock and Roll Band Pavement, and you're listening to the Countdown.Track 3:[1:34] Hey, it's JD here, back for another episode of our Top 50 Countdown for Seminole Indie Rock Band Pavement.Week over week, we're going to count down the 50 essential pavement tracks that you selected with your very own Top 20 ballads.I then tabulated the results using using an abacus and 28 grams of the best weed you've ever smoked, along with some drifter named Larry.How will your favorite songs fare in the rankings? Well, you'll need to tune in to find out. So there's that.This week I'm joined by Pavement superfan Devin from LA.Devin, how the fuck are you? I'm doing pretty good. I'm doing pretty good. Really glad to be here.Amazing to be on the World Wide Web talking about Pavement so many decades after I first started listening to them. Well, let's get right into that then.Let's go back a few decades and get your Pavement Origins story.You know, I have a lot of Pavement history. I started in around 92.Oh, wow. Yeah, so Slanted and Enchanted.And I'm pretty sure it was Summer Babe Winter Version that was the first song that I heard, I have to guess.Track 3:[2:50] And it was a weird time in my life I was a college student, I had been kicked out of college. Oh, shit. I had earned a 0.0 GPA.And not for cool reasons, mind you.I think that it was 1992, and my college had what they called a VAX computer system, which was the early internet.And I was on the early internet all night playing multi-user dungeon games and did not go to school.Track 3:[3:24] So I got kicked out of college for playing video games. Really ahead of my time.It's like big Gen Z energy, I feel like.And I was living with my dad in Illinois, who was living in the suburbs, and it was the most miserable year of my life because the alternative rock world that I had been in back when I was living in New York City had exploded.And I was stuck in the Chicago suburbs and I couldn't drive.And all of these amazing things were happening and I was not part of any of it.But there was a cool record store. And so I discovered Pavement and I have loved that band ever since.And, um, yes, that's my original pavement experience trapped in the suburbs of Chicago, New York city kid trapped in the suburbs of Chicago, uh, watching the world explode into cool alternative rock shit all around me, but so, so far away.Track 3:[4:24] So what was it like when you walked into that record store? Was it the album cover that got you?Had you heard of the band through like zines or anything like that?Or was it just like a random purchase? I probably had heard it from a magazine, probably Alternative Press, if I had to guess back then. I read that shit religiously.And I might have already heard the song, but I'll tell you, man, when I heard that album, it was like somebody had finally recorded music that was aimed directly at my particular personal brain.Wow. You know, just sort of the discordant, weird lo-fi sound they had on that first record, especially back in the day.But with melodic pop sensibilities, it was incredible to me.It really was incredible.And Malkmus' voice just really was, I mean, just got me, just nailed me.Track 3:[5:15] Yeah, it's very, I mean, they're very unique in a, in a world at the time where things were not yet starting to sound the same, but, and our guys were signing everybody out of Seattle.They could, you know, this bright beacon of hope from Stockton, California, um, really shone a light for a lot of people.I wish I could have been there at the time, but I didn't catch on until the late nineties.So yeah no i was pretty happy to be there which means that i got to experience some pretty cool pavement stuff in real time um you know the greatest t-shirt i ever owned was a pavement t-shirt it had two fried eggs on the tits yes uh it's one of the great t-shirts of all time but i also have two really memorable i've seen pavement a few times but i have two very memorable pavement concert experiences all right share them uh so one of them was at the tibetan freedom Freedom concert in New York City.And there were two stages. And I forget who was up against Pavement on the other stage at the time, but nobody came to see Pavement.And so it was this big stage at Randall Island in New York City and Pavement playing.And it was like me and 30 guys.Track 3:[6:30] Are you serious? There was nobody there. I got right to the front. Like it was incredible.They were really playing to like the sparsest crowd you could imagine.It was, I honestly forget who was up against them, but that was packed.Um, and, and, and the pavement was, it was dead. It was just incredible.Um, which I'm sure wasn't great for the band, but for me, uh, was a delight.I mean, just an absolute delight, but the greatest pavement concert experience I've ever had.Track 3:[7:00] They did a secret show at CBGB, which is a very small venue and also disgusting and very historic.And so I got tickets to this secret CBGB show, and I honestly forget what album this is, so I don't remember what they were playing.But the big memory of the secret CBGB show is the band had been on for a minute.And then Keanu Reeves entered CBGB wearing a tuxedo with a woman in a evening dress, evening gown of some kind, like they had just come from an award show or something. It looked like.And every time the band finished a song, Keanu Reeves would yell, Freebird, which is something I know.Track 3:[7:52] Uh, for maybe the younger listeners don't realize that there was a period in rock music history where people would go to concerts and yell free bird at the bands in between every single song.And I will tell you that shit did not fly with a pavement crowd.Uh, the pavement crowd was not excited to hear this.And so that was a very strange experience, but what it made it even stranger was years later reading an interview with the band.And they talked about that night. And they talked about how Keanu Reeves had tried to come backstage and meet them. And they turned him away.Because the other thing people have to remember is that in the 90s, Keanu Reeves before The Matrix was not cool.He had started making a bunch of like really crummy movies and sort of for Gen X, Keanu Reeves sort of had crossed a boundary that we did not necessarily like.And so he was not cool at the time.That's why when he was cast in The Matrix, it was kind of a joke.Like, you know, you couldn't believe that that guy was going to be in this movie.So they didn't let him come backstage.Track 3:[8:54] And then they talked about, after the show, they were leaving the venue and they were walking somewhere and they walked past this very famous downtown restaurant, Veselka, which is like the heart of the village.There's a documentary out about it right now, actually. But anyway, they were walking past Veselka and there by himself sitting in a window, sadly eating Ukrainian food, was Keanu Reeves.And they felt terrible that they had turned him away from backstage.Oh, that's a fantastic story.Yeah. Jesus.Keanu Reeves yelling Freebird. I can't believe it. It was unreal.And a friend of mine, who's actually now a music executive, heckled Keanu at the show.As Keanu was leaving CB, my friend yelled, Dogstar, love that band, which was Keanu's band at the time, his bad band at the time. So, yeah. Yeah.So are there any records that you cleave to now, or do you go back, for nostalgia's sake, to Slanted?Track 3:[10:11] Man, you know, it's a great... I mean, I gotta say, for me, Crooked Rain.Crooked Rain is the peak, I think. And I love every Pavement record.But Crooked Rain is the one that I just find myself drawn to again and again and again and again.Again um you know and that was the album you know where they started getting like videos on mtv which was a truly bizarre experience too uh you know when cut your hair debuted on 120 minutes and made its way into regular mtv programming uh was very strange because this was such an odd band uh for the time you know and and and crooked yeah crooked rain is i mean i love all of them Wowie zowie's amazing, bright in the corners.But it's crooked rain.Track 3:[10:59] Yeah, I think so. I just went for a walk earlier this morning.It's unseasonably warm here in Toronto.And I went for a walk and I just had a hankering to listen to Crooked Rain, Crooked Rain.So I threw it on and walked until it was over.And I just forgot, even though I know deep in my bones that it's a great album, like I had forgot just how cohesive it is and how big it sounds.And really it sounds completely different than slanted right yeah i know it's a total step forward but i think what's amazing you know so in the 90s i was a real diehard flannel guy you know i had my real deep opinions on selling out and for crooked rain they went much more rock oriented slanted than they had been on, on, uh, slanted.And, um, but it worked like there was no sense of selling out.Uh, it was more like a band fulfilling its promise.Um, even though I love the lo-fi stuff, you know, uh, you know, Westing by Musket and Sexton. I love that. Like that, love that noise. Give it to me.Uh, but, uh, but yeah, I mean, Crooked Rain, it just, it feels like a band blossoming into what they can be.Track 3:[12:18] Oh that's nice i like it yeah is there anything else you want to share about your pavement origins i mean i guess just that.Track 3:[12:33] Pavement is a really special band to me you know partially because of um, Where I was when I found them, you know, I was so trapped in the suburban hell that I just didn't understand and I was not part of, you know, this was the era when I had, um, like a blue undercut.Like I had like that top knot thing going on the sides and back of my head shaved and my hair was dyed a little blue and I wore ripped jeans and flannels.And when I was walking to work in the suburbs along the side of the road where they had no sidewalks, I had a car drive past me and throw a beer can at me and shout the F slur at me as they drove by.So I'm not saying that I'm an oppressed person, but I'm saying that I was living in an environment that was not friendly to me and my kind of people.Track 3:[13:27] And I heard this band and it was like somebody talking directly to me.And so as a result, it has always been just an important band to me.And because I am still partially that Gen X, quote unquote, hardcore, never sell out kind of a guy, I love that Pavement never sold out.I love that Pavement never ended up becoming some kind of a big, massive band that like the worst people you know got into. to.Pavement has gotten more well-known and it has a great legacy, but it's closer to the way that the Velvet Underground used to be.The Velvet Underground has sort of crossed over.People know the Velvet Underground now, but there was a very long time where you could say to somebody that you love the Velvet Underground and if they got it, you knew they were a cool person that you were going to like.Pavement has that right now.If I tell somebody I love Pavement and they They actually know Pavement.They don't just know two songs or something.Track 3:[14:35] Then I know, oh, that's a person who I can be friends with. That's a person who gets me. Because part of the deal is that Pavement...It's not just this amazing music, but there's a thing I love about Pavement, which is that the kind of brain that I think it takes to really appreciate Pavement, because so many of the lyrics are close to nonsense, but not nonsense.And it requires a brain that's willing to engage with that.And I think it's sort of like really fun and smart at the same time that it can be incredibly dumb sometimes.But, you know, that's, I think, the defining line for Pavement for me.Those lyrics that, like, have silly things in them and have nonsensical things in them, but very often they add up to something that is emotionally true that you can really understand, even if you can't understand it as language necessarily.And also every now and again drops in bizarre stuff that's like smart people stuff, you know?You know, how many bands have songs about how the kids that made acid couldn't get laid?I mean, like, you know, that's like an amazing thing to drop into the middle of a song out of nowhere.So, you know, yeah, so that's my Pavement, yeah.That's nice. I like it. Well, what do you say we take a quick break and come back to the other side and talk about song number 30?Sounds good. All right, let's do that.Track 2:[16:01] Hey, this is Bob Mustanovich from Pavement. Thanks for listening.And now on with a countdown.Track 1:[16:09] 30.Track 3:[19:08] Song number 30 on the countdown comes from Pavement's fifth and final album, Terror Twilight.It's also the third song from this album to make the top 50 thus far.At track 30, we have Spit on a Stranger.What the hell do you make of this song, Devin?Track 3:[19:29] I'm really glad I got this song because I love this song.And the thing about this song is that there's a real tension within the song that truly appeals to me, because I believe that musically and in the verses, this is the most romantic song that Pavement has ever recorded.100%. Like some of these verses are things that you would say at a wedding.Track 3:[19:58] And then you get to the chorus and there's the you're a bitter stranger.And it's obvious that it's about a breakup of some kind, but it has those that tinge of love in the verses.And again, musically that I think make it really beautiful and really melancholic in a really incredible way.The song, you know, you're a bitter stranger, but the song is not bitter.Uh which i think is amazing and i just tender yeah i love the the the the tension within it i just it's it's so good because it's not an obvious tension like if you just listen to this song and don't pay attention to the lyrics it's just a beautiful lovely song that uh if you catch a couple of the verse lyrics you go that's really gorgeous you know um and then and then we listen to the whole thing there's like a lot more going on i i i adore this song yeah it's a it's a it's a standout on terror twilight for sure not just because it's a single it it just i don't know it just pops off that record um what's your relationship with the song do you remember hearing it for the first time or do you remember what that was like.Track 3:[21:10] I don't remember hearing it for the first time. I can't remember if this was a single before the album came out or not. I don't recall.I believe it was. So I probably heard it as a single.I'm sure I heard it on the radio or I bought the single before the album came out. But I don't really recall.I remember when this came out and this album came out that this was a song that I fixated on pretty intensely at the time. This was kind of a track I kept going back to again and again and again and again.And I just I just fell immediately in love with it.It's funny, because now, with many years gone by, and the world having moved on and learning more about the making of this record.Track 3:[21:58] There's something beautiful about this being the opening track on their final record, because now I know behind the scenes, they were in the process of breaking up.And so in some ways, this is a song about that process in some ways, you know, and that speaks to what the band was going through.So I think that's a cool thing that has kind of grown on me over the years.But like this is definitely a song that i have from just again from the very beginning, just latched on to i just think that some of those lyrics are just so beautiful and i just think that they're so lovely because i think that they're beautiful in a way uh.Track 3:[22:41] That feels relatable. It's not over the top.So it's like, however you feel, whatever it takes, whenever it's real, whatever awaits, whatever you need, however so slight, whenever it's real, whenever it's right.I mean, that's like a beautiful everyday idea of what love is, right?It's a beautiful everyday piece of it. And then again, obviously, the choruses get a little different.But I really just keyed into that because this is not a band that traditionally had a lot of songs that I would have felt super romantic about.This is not a band that has a lot of songs that I would say, oh, I would love to play this for someone to let them know how I feel about them.Yeah, yeah, yeah. Not a lot of those.But this is one that does have- You're not going to play Debris Slide.Track 3:[23:31] Uh, but this is, this is one of those. And, and so, yeah, it's always been a very special song to me. What do you think about the production values on Terror Twilight and this song specifically?When you think back to putting on Slanted and Enchanted and hearing that real lo-fi and that crushing riff and that drum riff as well on Summer Babe, and then flash forward like seven years, eight years, and you've got this song that is, like you said, melancholic and beautiful.But so lush as well. Yeah, it's a very thick production. It's very crystal clear.Track 3:[24:14] I mean, I think it's really important for me, because of how I experience pavement, I experience them in real time.The gap between 92 and 99 is enormous.I mean, just sort of like what the world was like and what the music scene was like.And so in 99 was the year of the second Woodstock.That's right. And so we're looking at a world with all of this new metal and stuff, which, as a guy who had been a big...Track 3:[24:46] I was a metal and punk guy, you know, when I was younger.And when grunge broke through and heavy rock hit the radio airwaves and MTV, I was like, we won.We did it. Like, this is incredible. This is really great music.And then that all turned into Nickelback and Linkin Park and stuff like that, which I hated.And so by 99, I felt like we had lost the war.A lot of what I was listening to was more electronic at that point.You know, a lot of the bands I liked had sort of moved in that direction.And this gorgeous, gentle sound felt like an evolution that I could roll with because the rest of the world had become so ugly in so many ways.The rock music scene had become so gross.And so as a result, this album sounding this way, I think, feels alternative to what was happening then.Ah that's nice yeah i would i would say you're bang on the money because uh this was the time where pop music really reared its head you know with the spice girls and n-sync and backstreet boys and then on the flip side of the coin mainstream wise hip-hop was finally you know crushing through so rock really was left behind and the flag bearers for it were pretty trash Yeah.Track 3:[26:03] You know? So for this band to come out and release Terror of Twilight at the time that they did, you're so right.It was maybe the last battle, but it was a battle nevertheless.And also, I mean, again, I mean, for me, I mean, I'm going to be very personal here. You know, when I first heard Slanted and Enchanted, I was 19.And, you know, seven years later, I'm heading to my late 20s and I'm about to be 30. And a lot changed.Changes in that decade, you know, a lot changes.And I had begun a process of growing and changing in a lot of different ways and that the band grew and changed worked for me.I didn't need them to stay what they were, I think is the thing.Track 3:[26:51] Yeah, and it just leads to like, what would a sixth album have looked like?I'm so pleased that, you know, despite two reunions, they haven't ventured down that path.We're just left with these five great records and multiple EPs that stand the test of time, quite frankly. Yeah, no, I agree.I have the controversial opinion that I'm really glad when bands don't do new records or I'm not going to say, I don't know how to say this in a way that I'm not going to get in trouble for, but like, it's not good that John Lennon died, but I'm glad the Beatles didn't get back together for Live Aid and then release some terrible late 80s record. Do you know what I mean?Like, so I obviously it's horrible. Like, it's terrible that John Lennon was shot dead.But I'm glad that today I don't have Kurt Cobain on Twitter because I'm afraid of what he would be saying.And so as a result, sometimes it's good when things just end.Track 3:[27:54] And these days, people don't let things end. And the fact that the band Pavement has let Pavement be a thing that exists in this one decade.Decade uh i mean it still exists because they do reunions but like it is of that decade they're not out here trying to do new songs for soundtracks or shit like that i really respect that and i like that me too i i couldn't agree with you more i think um there's a time and place element to it all like you said uh i discovered them when i was uh just approaching 30 probably just approaching So I got to go back and zip through it, but through my 30s.And it was a similar type thing that you experienced because you know that the difference between 30 and 40 is enormous as well.And so by the time I got to really experience Terror Twilight in a way that it was meant to be experienced after, you know, um, pouring through the other four records, it, it did live up to that for me.Track 3:[29:02] It's so funny. We're such old motherfuckers and the band's a bunch of old motherfuckers.And this is honestly, especially the early records are young people music, but it still really holds up as an old guy.I mean, like Crooked Rain is young people music. They're over there talking shit on other bands and stuff like that.I mean, like, that's what you do when you're a young little snobby hipster.Uh and here we are i'm 50 man and uh i still listen to the exact same tracks i listened to when i was 19 um so either i haven't grown at all in any acceptable or understandable way or perhaps this music is eternal and speaks to us at every stage of life oh i'll take the latter then.Track 3:[29:46] Yeah absolutely well devin it's been absolutely a thrill to have you on and you know to talk Walk through song number 30, Spit on a Stranger.I'm wondering if you have anything you need to plug or you would like to plug.Yeah, so I have a couple of podcasts that I do, and I have a Patreon where I do writing about pop culture stuff.So you can go visit that, patreon.com slash cinema, sanga, S-A-N-G-H-A.And you can go join and get access to the writing and get access to my numerous podcasts that happen over there where i am being told today my sound quality is pretty good i'm very happy to hear this because this is my number one concern in life is how my sound quality is so yeah it's great thanks so much thank you for having me i really appreciate it all right wash your goddamn hands thanks.Track 2:[30:40] For listening to meeting malchus a pavement podcast where we count down the top 50 pavement tracks as selected by you.If you've got questions or concerns please shoot me an email JD at MeetingMalchemist.com.Support this podcast at — https://redcircle.com/meeting-malkmus-a-pavement-podcast/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
We talked about calling in sick and getting thrown out of bars and Devin Faraci boxing Joe the neighbor from Family Guy and slam poetry and Zelda Tears and what Rod Stewart's dog got into Full episode at https://www.patreon.com/posts/wfym-181-dog-96945326
On a special episode of I Was There Too, Matt shares a compilation of some of the best stories from the last years guests. From the ups and downs of improvised lines with Paul F. Tompkins in There Will Be Blood, to whether Jenette Goldstein from Aliens thought her role was an immigrant alien or an extra-terrestrial alien, to tales of the infamous Schwabs Pharmacy with Matts grandmother Eleanor. Its worth revisiting if youre a regular listener and a perfect starting place for all the newbies. Plus, movie buffs Jeremy Smith, Devin Faraci, and Amy Nicholson put their film knowledge to the test in a game that incorporates the curious endings to the shows theme song, in the debut of I Quiz There Too. Hosted on Acast. See acast.com/privacy for more information.
On a special episode of I Was There Too, Matt shares a compilation of some of the best stories from the last years guests. From the ups and downs of improvised lines with Paul F. Tompkins in There Will Be Blood, to whether Jenette Goldstein from Aliens thought her role was an immigrant alien or an extra-terrestrial alien, to tales of the infamous Schwabs Pharmacy with Matts grandmother Eleanor. Its worth revisiting if youre a regular listener and a perfect starting place for all the newbies. Plus, movie buffs Jeremy Smith, Devin Faraci, and Amy Nicholson put their film knowledge to the test in a game that incorporates the curious endings to the shows theme song, in the debut of I Quiz There Too. Hosted on Acast. See acast.com/privacy for more information.
Kris and Donna return from their summer hiatus with an episode recorded pre-hiatus about “Street Trash” (1987), a classic melt movie about a homeless community experiencing a rash of mysterious and gruesome deaths by way of toxic booze.CONTENT WARNINGS: Homeless Exploitation/Stereotypes, Substance Abuse, Alcoholism, Body Horror, Gore, Ableism, Vietnam War, PTSD, Racism, Misogyny, Sexual Assault, Implied Necrophilia, Genital Mutilation, Vomit, Homophobic Slurs, Transphobia, Antisemitic SlursGot questions, comments, stories, or movie suggestions? Hit us with them at info@shtlstpod.com! Don't forget to follow us on Twitter and Instagram @shtlstpod for all your gross movie updates!SHOW NOTES:Watch “Street Trash": Prime, Shudder, Youtube.Watch the original short: Youtube.Watch the deleted dance scene: Youtube.“Street Trash (1987),” IMDB.“Street Trash,” Wikipedia.“[Butcher Block] Melt Movie ‘Street Trash' Aims to Offend,” Meagan Navarro, Bloody Disgusting, May 6 2019.“17 Things We Learned From the ‘Street Trash' Commentary,” Rob Hunter, Film School Rejects, July 18 2013.“EXCLUSIVE INTERVIEW: ROY FRUMKES (STREET TRASH),” Devin Faraci, CHUD.com, November 3 2006.“Vietnam era and Vietnam combat veterans among the homeless.,” R Rosenheck, P Gallup, and C A Leda, May 1991.“Combat Stress, Psychosocial Adjustment, and Service Use Among Homeless Vietnam Veterans,” Robert Rosenheck, Catherine Leda, and Peggy Gallup, February 1992, Published Online April 1 2006.“Combat-related posttraumatic stress disorder and severity of substance abuse in Vietnam veterans.” M E McFall, P W Mackay, D M Donovan, Journal of Studies on Alcohol, 1992.“Why Were Vietnam War Vets Treated Poorly When They Returned?,” Dante A. Ciampaglia, History.com, November 8 2018.“Vietnam Veterans,” U.S. Department of Veterans Affairs, Retrieved June 6 2021.“Lynching in America: Targeting Black Veterans,” Equal Justice Initiative, 2017.
Don’t hate your Glitter Girls for being obsessed with this weeks episode!! Necrophilia is a real thing despite the fake news that put them on the road to learning about it. This week Juli and Christina are going to breakdown this crazy obsession for you and you're gonna laugh till your abs hurt!Links: This weeks t-shirt: https://glitterdisorder.com/product/karen-coffin-tee-2/Sick AF Face Mask & Chloroform T-Shirts: https://glitterdisorder.com/store-front/Podcast Christina is now obsessed with: Law of Attraction Changed My Life by Francesca Amber https://www.buzzsprout.com/1112993Contact your Glitter Girls at: https://glitterdisorder.com/contact/
Did you see the 2013 comedy-horror movie Hell Baby? No? Well, film critic Devin Faraci did, and what stood out for him about the otherwise “silly” film was a supporting actor who “walks into Hell Baby, picks it up and walks directly out of the theater with it.” That was Keegan-Michael Key. In his write up, Faraci said, “I’m not sure why this guy isn’t one of the biggest comedy stars in the universe, but we still have time to correct this oversight, and Hell Baby will help.” Maybe, maybe not, but Key & Peele did. The history-making comic duo (Key and partner Jordan Peele) met at MADtv, where they were originally cast against each other so parent network FOX could pick one black actor for the permanent ensemble. Obvious questions about that strategy aside, the network recognized chemistry when they saw it and hired them both. Even “black actor” seems a slightly ridiculous term for two bi-racial comics who refused to see black culture as a monolith and any culture, topic, or character as off-limits for comic cannon fodder. Their two-man parade of seemingly endless impersonations (and wigs) broadened and became even funnier when Key & Peele became its own sketch show on Comedy Central in 2012, sparing neither gay nor straight, young nor old, Asian nor Latino, black nor white, nor icons modern or historic. Not even vampires couldn’t escape ridicule. In its eulogy for the best TV comedy shows ending runs in 2015 (including The Colbert Report, David Letterman on The Late Show, and Parks and Recreation), The Atlantic said, “The departure of Key & Peele deserves to be remembered as the biggest loss of them all, because it was the only example of a show ending when it still had so much originality and energy left...The originality, charm, intensity, and fearlessness of Key & Peele will be impossible to replace.” Key’s own abilities as a dauntless comic surrogate for almost any faction of society brought him to the attention of President Obama, who was in need of an Official Anger Translator for the 2015 White House Correspondents’ Dinner. It’s probably the first time the event has racked up over 7.3 million YouTube views—no mean feat in a town that regularly offers up a bottomless smorgasbord of things to laugh at. Key’s rejection of any single racial or comedic stereotype appears to have started early and to have influenced his career path. Adopted as a child by a bi-racial couple in Michigan, he discovered a passion for theater in high school, largely because of the multi-cultural kids it attracted. He saw that unlike so many of us in high school, these kids joined drama not out of the desire to belong to a certain group, but out of love for their craft. He pursued his MFA in Theater at Penn State with the intention of becoming a “poor, happy, artistically fulfilled” dramatic actor, doing regional theater and Shakespeare festivals. But for a guy whose knee-jerk reaction to anyone who says, “There’s no way to make this funny” is an immediate and compulsive need to prove otherwise, a comedy detour was probably inevitable. That, and he’s just a damn funny guy. Though Devin Faraci has been proven right about Key’s talent several times over by now, we wouldn’t be surprised if his review of the upcoming Don’t Think Twice is only four words: “I told you so.” And then there’s the tantalizing rumor of a script-in-the-works with Peele and Judd Apatow, who’s said he thinks the duo are “capable of making a movie America desperately needs right now.” All we know is that a film from a triumvirate like that is one we desperately need to see right now. Key and Co. aren’t sharing details, so if Luther is still available, we’d like to hire him to send a little message to our friend Keegan: GET OUT OF OUR DAMN STUDIO AND GO MAKE IT, ALREADY.
911 Boyz Ride Again: The yearly trip is still on and back in September this year! Doc’s Last Resort: The best idea that will not go away, should Jim and Them do a road trip to every Dick’s Last Resort restaurant in the good ol’ USA!? Also a TRAIN DROPS OF JUPITER CRUISE!? Spider-man and D23: Spider-man out of the MCU, D23 reactions and reactions to The Mandalorian trailer reactions! KNOW, NOT FEAR THAT SOMEDAY YOU’RE GOING TO DIE!, FIGHT CLUB!, WHERE IS MY MIND!, THE PIXIES!, ROAD TO 600!, 400!, 500!, DYX!, CUM SAIL, I’M GAY!, STYX!, FINALE SPECIAL!, KIND OF LIKE WHAT JEFF JUST DID, ONE NOTE JOKE CHANGE THE WORDS TO A SONG JIM!, DOESN’T GET OLD!, 911 BOYZ!, AUSTIN, TX!, YEARLY TRIP!, WITH THE BOYS!, JAKE!, BRIAN!, BONEWOLF!, ASHEVILLE, NC!, DESTINATION!, CAMPING!, HIKING!, BILTMORE MANSION!, PORTLAND CITY BOY!, MISER!, TAG!, FANTASTIC FEST!, FILM FESTIVAL!, TOURIST!, MUSEUM!, ALAMO DRAFTHOUSE!, TIM LEAGUE!, DISGRACED THEATER OWNER!, HARRY KNOWLES!, AINT IT COOL NEWS!, DEVIN FARACI!, BIRTH MOVIES DEATH!, FRANKLINS!, BBQ!, WAKEBOARDING!, TUBING!, DAY DRINKING!, AIRPORT!, TSA PRECHECK!, SECURITY!, CHINA!, PROTESTS!, WHERE DO WE GO!, CANADA!, ITALY!, DICK’S LAST RESORT TOUR!, AA!, DRINKING!, FELL OFF THE WAGON!, ROAD TRIP!, CAR SICK!, BALTIMORE!, MYRTLE BEACH!, PANAMA CITY!, GATLINGBURG TENNESSEE!, NASHVILLE!, PIDGEON FORGE!, INDIANAPOLIS!, DALLAS!, SAN ANTONIO!, BORN TO BE WILD!, JAZZED!, MISERABLE!, SOUNDTRACK!, RADAR LOVE!, SIMON AND GARFUNKEL!, AMERICA!, FILMMAKERS!, AMERICANA!, LOCAL FAVES!, HOT DOGS!, CALAMARI!, ITALIAN SAMMICH!, NARRATIVE!, ARC!, HULU!, ALMOST FAMOUS!, TRAIN!, DROPS OF JUPITER!, DUELING PIANO BAR!, ROOFTOP!, THE BEATLES!, CHINA!, PAIN IN THE ASS!, SPYWARE!, CRUISE!, SAIL ACROSS THE SUN!, SHAKE IT UP!, CHRISTMAS TIME!, FESTIVAL!, OFFICIAL THEME SONG!, GOD’S NOT DEAD!, EXCURSIONS!, SEA TURTLES!, DOLPHINS!, POOL!, DRINKS!, ALL INCLUSIVE!, SPIDER-MAN!, MCU!, SONY!, BATTLE!, TOM HOLLAND!, AVENGERS ENDGAME!, VENOM!, SPIDER-VERSE!, COBRA KAI!, WAYNE!, YOUTUBE!, RED LETTER MEDIA!, THE BOYS!, THE MANDALORIAN!, REACTIONS!, TRAILER REACTIONS!, YOUTUBERS!, SUICIDE!, KILL MYSELF!, BLIND WAVE!, NERD CREW!, STAR WARS HOTEL!, DISNEY WORLD!, DINNER SHOW! CLICK HERE TO DOWNLOAD JIM AND THEM #598 Part 2 RIGHT HERE!
WE GOT A REAL, GENUINE, NO JOKE EPISODE FOR YOU HERE FOLKS! WE TALK WACK, WE TALK ON TRACK, AND WE GET DOWN AND DIRTY WITH SOME JOE SWANBERG, ALL WITH THE CHARMING AND AFFABLE MIKE PAULSHOCK! Episode 96 is here, and for this truly blood boiling episode we welcome co-host of the Whine & Cheese podcast and killer band sun god who you probably know, IF YOU ARE COOL! Mike had the great idea to talk about Joe Swanberg, whose films are seen as ground zero for mumble-core and whose tv work has been ground breaking of late. I have been a pretty big Swanberg fan since I first saw him beat the crap out of Devin Faraci at Fantastic Fest, but I also have loved his movies for some time and his show Easy is super brilliant. Josh had never seen any of his films before, and so our conversation touched not just on these two important films but on who he is as a figure and how his work has impacted the perception of “mumble-core” films as an idea. I also tell the story of seeing him in the Fantastic Debates. Anyway it was a very fun episode, I think we covered a lot of ground, and our wack and on track was pretty great except for when I cut Josh off by mistake before he could share his wack. Here is the place where I should link to things we mentioned so you can find them but honestly I don’t have the patience. How about this, you listen to the episode, you write down everything worth linking to, you post it in our facebook group? sound good? ROUGH CUT CROSSED KEYS SUN GOD ASPECT RATIO EX-FEST The post CINEPUNX Episode 96: ALL THE THE LIGHT IN THE SKY and DRINKING BUDDIES with Mike Paulshock appeared first on Cinepunx.
SXSX stories from the past and present. Also exclusive SX coverage from the Mark Hamill/Rian Johnson panel at Twitter House. Interview with Youtube Sensation Mundane Matt and did discgraced movie blogger Harry Knowles leave a pot of gold or poop just in time for St Patrick's Day?
As the Fantastic Fest company parts ways with Harry Knowles, female accusers come forward to say their warnings fell on deaf ears for years. Troubling allegations continue to surface regarding Alamo Drafthouse, the Austin, Texas-based movie empire currently embroiled in a sex assault and sexual harassment scandal involving several employees and business partners. On Saturday, IndieWire first reported on Jasmine Baker, a former Drafthouse employee who says Ain't It Cool News founder Harry Knowles — who co-founded Fantastic Fest with Drafthouse's married owners Tim and Karrie League in 2005 — "groped" her "opportunistically on more than one occasion" in 2000. That news comes on the heels of a scandal involving Devin Faraci, a Drafthouse-employed film writer who stepped down in October 2016 after being accused of sexual assault, whom League then quietly rehired to pen promotional material for this year's Fantastic Fest. It also comes less than a month after Los Angeles' own nexus of movie nerddom, Cinefamily, ceased operations amid its own sexual harassment scandal. Since that report, multiple women have come forward to allege that Knowles has subjected them to various forms of sexual harassment and assault over the years. Several, including Baker, say they informed the Leagues about Knowles' actions and were consistently greeted with words of concern but ultimately inaction. Knowles, for his part, had denied any wrongdoing. On Monday, League announced that Knowles, 45, is "no longer affiliated with the company in any capacity." The CEO went on to say that he had skipped Fantastic Fest this year, currently underway in Austin, to instead go on a "listening tour" of the 22 Alamo Drafthouse locations around the country. (Some, like the Austin, San Francisco and Brooklyn locations, are owned by League; others are franchises.) One day after IndieWire's report, a Drafthouse customer named Gloria Walker accused Knowles on Twitter of having "on more than one occasion grabbed my ass and other parts of me." Walker cited another incident in which she tried to enter the cinema to watch Captain America; Knowles allegedly stood in the doorway and told her "I had to kiss him to get in." The Daily Beast, meanwhile, on Tuesday published screenshots of a text conversation between Knowles and an anonymous film blogger, in which he allegedly told her, "Come hither to Austin. Your eyeliner makes you look good enough to eat. Obviously I'm talking about cannibalism, baby. You have can have my Vienna sausage anytime." Andy Signore, creator of Screen Junkies and the “Honest Trailers” series, has been fired effective immediately, Defy Media announced Sunday evening. Signore has been accused by several women of sexual harassment, and at least one said he tried to sexually assault her
As the Fantastic Fest company parts ways with Harry Knowles, female accusers come forward to say their warnings fell on deaf ears for years. Troubling allegations continue to surface regarding Alamo Drafthouse, the Austin, Texas-based movie empire currently embroiled in a sex assault and sexual harassment scandal involving several employees and business partners. On Saturday, IndieWire first reported on Jasmine Baker, a former Drafthouse employee who says Ain't It Cool News founder Harry Knowles — who co-founded Fantastic Fest with Drafthouse's married owners Tim and Karrie League in 2005 — "groped" her "opportunistically on more than one occasion" in 2000. That news comes on the heels of a scandal involving Devin Faraci, a Drafthouse-employed film writer who stepped down in October 2016 after being accused of sexual assault, whom League then quietly rehired to pen promotional material for this year's Fantastic Fest. It also comes less than a month after Los Angeles' own nexus of movie nerddom, Cinefamily, ceased operations amid its own sexual harassment scandal. Since that report, multiple women have come forward to allege that Knowles has subjected them to various forms of sexual harassment and assault over the years. Several, including Baker, say they informed the Leagues about Knowles' actions and were consistently greeted with words of concern but ultimately inaction. Knowles, for his part, had denied any wrongdoing. On Monday, League announced that Knowles, 45, is "no longer affiliated with the company in any capacity." The CEO went on to say that he had skipped Fantastic Fest this year, currently underway in Austin, to instead go on a "listening tour" of the 22 Alamo Drafthouse locations around the country. (Some, like the Austin, San Francisco and Brooklyn locations, are owned by League; others are franchises.) One day after IndieWire's report, a Drafthouse customer named Gloria Walker accused Knowles on Twitter of having "on more than one occasion grabbed my ass and other parts of me." Walker cited another incident in which she tried to enter the cinema to watch Captain America; Knowles allegedly stood in the doorway and told her "I had to kiss him to get in." The Daily Beast, meanwhile, on Tuesday published screenshots of a text conversation between Knowles and an anonymous film blogger, in which he allegedly told her, "Come hither to Austin. Your eyeliner makes you look good enough to eat. Obviously I'm talking about cannibalism, baby. You have can have my Vienna sausage anytime." Andy Signore, creator of Screen Junkies and the “Honest Trailers” series, has been fired effective immediately, Defy Media announced Sunday evening. Signore has been accused by several women of sexual harassment, and at least one said he tried to sexually assault her
https://twitter.com/watchalonepod Gabrielle and I dig into the real smelly gay dirt of New York City. She subtly suggests I'm anti-Semitic and I deftly deflect her barbs and call her ability to tell jokes into question. I'm da fuckin' KING uh GASLIGHTIN' baby. Kevin Spacey does a Devin Faraci: he can't remember also he's gay. He reminds me of Shane Vader, the childporn-addicted "lefty" "tranny": both coming out about different things for the wrong reason. Liberal implosions rule. Norman (2016) - good movie about a Jewish guy trying to make a living in New York and failing miserably at it while accidentally working his dumb way into a beautiful, tragic resolution to all his mistakes (Josh); meh (Gabrielle) Raw (2016) - decent but no cannibal film (Josh); I liked it! (Gabrielle) Meyerowitz Stories (2017) - good fuckin shit (both) - watch it on Netflix Margot At the Wedding (2009) - forgettable (both) Noah Baumbach is like a more realistic Wes Anderson, which isn't saying much, but Meyerowitz Stories does something beautiful and good in family drama storytelling. No Halloween movies reviewed because I'm not a fucking hack.
The following is, one again, not a normal podcast. It's a simple conversation between four friends about a truly heinous situation that has continued to unfold around us in ever expanding circles. In the week before Fantastic Fest, we sat down to directly address the situation that had developed with Tim League, Devin Faraci, and Fantastic Fest. We were joined by two good friends and members of the film community and we discussed our feelings, our hopes and our fears for the festival we were all about to attend. Well that festival is over and we thought we'd record a part two of that conversation, especially considering the additional allegations coming to light in other related spheres. This has, after all, hardly been an isolated incident. So that's exactly what we did. We recorded another podcast. It's not our final word on the matter, but for now it is the last time we'll devote an entire podcast to this particular topic. (Knock on wood.) We've said it before and we'll say it again, these are not isolated incidents, but it is an important time for our community to consider how its culture has treated women in general and specifically when they speak up about harassment and assault. When this podcast ends, the conversation won't. And it can't. Huge thanks to Jen Blair (@fakejenblair) and Rafael Ruiz (@RafAntonioRuiz) for joining us today and thanks for listening.
Back in the early days of fandom, you could pretty much count on one hand the number of online sites to get the latest news. Ain't It Cool News was one of those sites. Long before the web was the destination for everything... Harry Knowles and his team were paving the way with scoops and previews of all the pretty genre things.Now, Ain't It Cool (yes, it's still around) is dealing with a staff exodus in the wake of 20-year-old sexual harassment allegations against Knowles. That, plus the news that Devin Faraci went back to work for the Alamo Drafthouse folks after the reveal that he was accused of the same thing, now puts Tim League and Alamo in the cross-hairs.Plus: there was a thing what happened this week. A thing calling itself Star Trek. And you know what? It might not be all bad... but let's talk about it.
IndieWire's Film Editor Kate Erbland joins Scott to share her reporting on the sexual assault allegations against Aint It Cool founder Harry Knowles. They also consider Alamo Drafthouse CEO Tim League's responses to the revelation that he'd brought Devin Faraci back onto the payroll only a few weeks after the Birth Movies Death editor-in-chief stepped down following allegations against him last year, as well as more stories of protectionism instead of punishment for assailants at the Drafthouse. As several groups came together to talk during Fantastic Fest (see here, here, and here for a start) and online, the biggest questions circle around how the Drafthouse can make real changes in order to value a safe environment for women, how the film critic community can work to actively bring women's voices into the ranks, and whether we can keep an eye on accountability once the initial outrage has died down.
Five years and 50 episodes later, The OpVac Cast has finally evolved from a dirtbag pop culture podcast with questionable audio quality to a dirtbag pop culture podcast with slightly better audio quality. The definition of progress. This week we celebrate our anniversary by taking shots at disgraced critic Devin Faraci and talking about Kevin Costner's run as America's premiere faux-progressive voice (who may or may not enjoy pissing on strangers). Dig the podcast? Support Optimism Vaccine by rating and reviewing us on iTunes - http://bit.ly/OpVacCast Support this podcast
It's the grab-bag to end all grab-bags and a real emotional roller coaster on this week's very loose podcast. The biggest topic this week is something more serious than we usually tackle, and that is the wave of racism in the gaming community (highlighted by PewDiePie's behavior earlier this month) and sexism in the film scene (the scandal involving Devin Faraci, Tim League, Harry Knowles, and more in Austin). It's not an easy thing to talk about, but it is crucial to stop and take a deeper look, to try understanding how we can better identify and talk about these problems in the future, and what we can all do on an individual basis to try to improve the communities we take part in. And we try to even out that heavy subject matter with a bevy of funnier, sillier topics, including us speculating about the N64 Classic Edition, updating our thoughts on Destiny 2 and Metroid: Samus Returns, previewing the games we're playing in October, and much more. Time Chart: Intro: 0:00:00 – 0:03:47 Stuff, including Kingsman 2 and Tomb Raider trailer: 0:03:47 – 0:27:47 Confronting Racism/Sexism in Film & Gaming: 0:27:47 – 1:24:50 N64 Classic Speculation: 1:24:50 – 1:46:02 Patreon Shout-Outs: 1:46:02 – 1:47:24 Metroid: Samus Returns: 1:47:24 – 2:01:30 Destiny 2: 2:01:30 – 2:16:06 October Game Preview: 2:16:06 – 2:23:36 Join us on Patreon for great rewards, including Early Access! Subscribe to our YouTube Channel! Subscribe for free to 'The Weekly Stuff' in iTunes! Follow Jonathan Lack on Twitter! Follow Sean Chapman on Twitter!
Fall TV is finally here! We all love television, and fall is still the most popular time of year for new shows to release, giving us new obsessions to ponder for several months, as well as more than a few bombs to forget. On this week’s podcast, Kyle Nolan from NoReruns.net joins us to break down this fall’s influx of new and returning shows. Law and Order, Lethal Weapon, Mindhunter, The Punisher, Ghosted, and Young Sheldon are just a few of the many TV shows we profile on this latest extended episode. Also on this week’s podcast: Jamie Lee Curtis returns to Halloween, Liam Neeson retires from action films, Fatal Attraction and The Princess Bride turn 30, reviews of Mother, and the vitriol associated with it, as well as American Vandal, upcoming releases, VOD releases, recommendations, and much more. Join in on our conversation and listen to the latest episode of The Hollywood Outsider. Discussed on this episode of The Hollywood Outsider Movie and TV Podcast: (0:00 – 14:10) Movie and TV News: Jamie Lee Curtis returns to Halloween, Liam Neeson quits action films (14:11 – 1:35:57) From The Outside In Topic: Fall Television Preview | Most Anticipated New and Returning Shows | Listener comments (1:35:58 – 2:04:11) 30th Anniversaries of The Princess Bride and Fatal Attraction | Reviews of Mother and American Vandal | New Releases: Kingsman: The Goldan Circle, LEGO Ninjago, and Friend Request | VOD Releases: Big Bear, Last Rampage, Infinity Chamber (2:04:12 – 2:19:00) Recommendations and Outrage | Link on Devin Faraci (2:19:01 – 2:32:42) Mother! Reactions | Read our review of Mother Find Kyle Nolan at NoReruns.net Don’t miss our Summer Movie Awards, as well as our Stephen King’s IT, Game of Thrones Season 7, Dark Tower, Dunkirk, Wonder Woman, Guardians of the Galaxy Vol 2 and War for the Planet of the Apes Reactions Podcasts! Email us your thoughts on the episode, answer our ‘What’s This Movie?’, or suggest a topic to feedback@thehollywoodoutsider.com or leave us a message at 818-814-6246 Please support The Hollywood Outsider and gain immediate access to exclusive bonus content, such as our Fall Movie Preview, by visiting Patreon.com/TheHollywoodOutsider Be sure to join our Facebook Group Join our Fantasy Movie League! Find our league, then use the password ‘buypopcorn’ Do your shopping via our Amazon Link!
JP and Father Chuck are back together again after Father Chuck endured the wrath of Irma. Then our duo tells the tale of The Rise and Fall of Devin Faraci, a film critic that JP and Father Chuck followed closely until controversy arose, and why he is suddenly in the news. It's a discussion that leads to musings on forgiveness, redemption, and the ol' Internet Witch Hunt. Then they get into some arguments about pineapple on pizza, how to properly pronounce Gif, and "soda" vs "pop." Yeah, it's one of those episodes. If you'd like to support the show, become a patron by visit our patreon! https://www.patreon.com/MastersOfDivinity Follow us on social media: http://instagram.com/mastersofdivinity https://twitter.com/mastersdivinity https://www.facebook.com/mastersofdivinity Subscribe to our YouTube Channel https://www.youtube.com/channel/UCK5erwpiogcBXfuA274OaFA?view_as=subscriber
The following is not a normal podcast. There's no discussion of movies, television or games, there's no pithy clips pulled to highlight our points. It's a simple conversation between four friends about a truly heinous situation that we've found ourselves having to deal with this week and as such it is a bit disorganized and emotionally raw. This podcast was recorded to directly address the current situation and controversy surrounding the Alamo Drafthouse, Tim League, Devin Faraci and Fantastic Fest. We feel that this is one of the most important tests facing our film geek community right now and we would be remiss if we didn't address it as critics, as fans and as feminists. But we understand that it's not what we normally talk about and as such you may feel like you want to skip it. We hope you don't. This is an important and ongoing conversation about our culture and the way its evolved and while this is by no means a final statement, it is a starting point for us, if not all of you, going into Fantastic Fest. While we do not talk about the specifics of the allegations leveled at Devin we understand that this entire conversation regarding the fallout and League's response to his critics may be triggering for some so please take care of yourself. Huge thanks to Jen Blair (@fakejenblair) and Rafael Ruiz (@RafAntonioRuiz) for joining us today and thanks for listening.
On the September 14, 2017 episode of /Film Daily, Peter Sciretta is joined by Jacob Hall Hoai-Tran Bui to talk about the latest news, including: the effect of Rotten Tomatoes scores on the box office, another Stephen King movie adaptation in development, Stan Lee lines up future Marvel Studios cameos, Apple announced Apple TV 4K and we have a serious discussion about the Devin Faraci/Alamo Drafthouse situation. You can subscribe to /Film Daily on iTunes, Google Play, Overcast and all the popular podcast apps (here is the RSS URL if you need it). In the News: New Study Says Rotten Tomatoes Scores Have No Impact on Box Office Numbers Stephen King's ‘Suffer The Little Children' Gets a Movie Adaptation in the Wake of ‘It' Stan Lee Has Already Filmed Five More Marvel Movie Cameos Apple TV 4K Announced; HD Priced 4K Movies & Free 4K Upgrades For HD Movies We have a discussion about the Devin Faraci situation. In The Mailbag: Sherwin from the Bay Area asks “Hey Peter, It was discussed on the podcast previously why JJ Abrams didn't have a plan or outline beyond Episode 7 and all I could help but wonder was... wasn't that supposed to be the job of the Lucasfilm Story Group? Perhaps I misunderstood what their purpose is, but I had thought they were supposed to oversee and steer all Star Wars canon and stories so that there was a single cohesive continuity. Does their influence not expand to the films? I had thought it would be similar to how there was at one point a Transformers story group that would determine the films for the next decade or so. Anyway, I find it all very puzzling that this current trilogy wasn't hashed out before Ep 7 even started filming, at least that's what it seems right now. Even the MCU had a loose outline of where they wanted to go, which eventually led to the Avengers film and beyond. I do listen daily, thanks to you and the crew.” You can find more about all the stories we mentioned on today's show at slashfilm.com. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast and all the popular podcast apps (RSS). We're still very much experimenting with this podcast, please feel free to send your feedback to us at peter@slashfilm.com. Please rate and review the podcast on iTunes and spread the word! Thanks to Sam Hume for our logo.
Time Codes: 00:00:28 - Introduction 00:02:13 - Listener mail! 00:06:48 - Jim Thompson's The Killer Inside Me #1 and #2 00:30:55 - Demonic #1, #2, and #3 00:37:02 - Wolfcop #1 00:42:20 - Violent Love #1 00:54:29 - Grand Passion #1 01:04:39 - Goldie Vance, Vol. 1 01:21:07 - Wrap up 01:22:39 - Contact us In the second of their two-episode look into recent crime comics, Andy and Derek turn up some truly incriminating evidence. They begin their investigations with Jim Thompson's The Killer Inside Me, adapted by Devin Faraci and Vic Malhotra (IDW Publications). The guys spend much of their time comparing this adaptation to the original classic noir novel, yet at the same time they try to focus on the comic on its own terms. Next, they briefly discuss Christopher Sebela and Niko Walter's Demonic (Image Comics), a mashup of both crime and horror, and the first issue of Wolfcop (Dynamite Entertainment). The latter is Max Marks's spinoff of the 2014 movie, and despite (or because of) its over-the-topness, it doesn't capture much of the guys' attention. But Derek and Andy are much more interested in the next two #1 issues, Frank J. Barbiere and Victor Santos's Violent Love (Image Comics) and James Robinson and Tom Feister's Grand Passion (Dynamite Entertainment). These are both crime narratives with a twist of romance, stories that look to play off of the young-couple-on-a-crime-spree formula. Finally, the guys wrap up with the first volume of Goldie Vance (BOOM! Box), Hope Larson and Brittney Williams's all-age detective series, reminiscent of Nancy Drew and Sally Lockhart stories. And if you haven't already, be sure to catch last week's episode, the first in the Two Guys' look at recent crime comics. The incidental music in this episode is from classic crime TV shows, and you can find these theme songs in Television's Greatest Hits, Vol. 1, Television's Greatest Hits Vol. 4, Television's Greatest Hits Vol. 5, and Television's Greatest Hits, Vol. 6. Check out the fun!
Welcome back to Mamo! Join us for a far-ranging discussion that starts with Donald Trump, Devin Faraci, and complicity in rape culture; wraps its arms around Ava DuVernay's 13th and Queen Sugar and the proper use of one's "power list" capital; and gets, generally, into where we are right now.
Welcome to the 38th Episode of Watch.Read.Listen. In this episode Duane, and David tackle Richard Matheson's seminal horror novel I Am Legend. They breakdown where they feel the three film adaptations steered the right way, and where they feel they completely missed the marked. This Weeks: Duane: Every Frame a Painting - The Marvel Symphonic Universe; Star Wars Oxygen with Frozen Composer Robert Lopez; Mike Flannagan's Hush, Thrice - To Be Everywhere is to be Nowhere; Finding God in the Waves by Mike McHargue; Battleship Pretension Top 25 Actors and Actresses'; The IT Crowd. David: Kill or be Killed by Ed Brubaker and Sean Phillips; Jim Thompson's The Killer Inside Me adapted by Devin Faraci and Vic Malhotra; Ben Wheatley's High-Rise Promo's: Time Shifters; Cinema PSYPOPS; The Hail-Ming Power Hour! This has been a WRL Radio Production; Executive Produced by Duane Watson, David Thomas Watson, and Shoe Coble.
In the inaugural episode, All Fantasy Everything takes on the careers of Steve Buscemi, Brendan Frasier and Adam Sandler - the stars of the movie Airheads. Host Ian Karmel is joined by comedian Sean O'Connor, television writer Sergio Serna and pop culture critic Devin Faraci.
Oliver takes over hosting duties today and is joined by Wynter and special guests, comedian (and writer for MaxFun podcast International Waters!) Riley Silverman and Editor in Chief of Birth.Movies.Death, Devin Faraci. This week, the gang talks about this summer’s blockbusters with a focus on DC and Marvel movies! Is Suicide Squad a beautiful trainwreck or just a trainwreck-y trainwreck? Why does Marvel seem to be killing it at the box office and with critics while DC struggles to do either? Who in the world wanted another Independence Day movie? All that, plus, Oliver finds a new weird Olympic sport to obsess over, Wynter brings in some more KCRW-esque Jams, Riley has a few words to say on Rio de Janiero, and Devin still holds hope for one final potential summer blockbuster. NOTE: Mild Harry Potter spoilers from 03:35-07:01 YOU’VE BEEN WARNED, NERDS! Hey, you! Margaret Wappler’s book is out now! Treat yourself tonight and get Neon Green HERE or at your local independent bookstore. Check her website for tour dates. With Oliver Wang, Wynter Mitchell, and special guests, Riley Silverman and Devin Faraci. Produced by Christian Dueñas and Colin Anderson for MaximumFun.org
Jeff and Darren have both read Devin Faraci's controversial essay 'Is Fandom Broken?' Jeff and Darren have also both been fans of things – and they've both run afoul of the rage-cage that is internet fandom. On this week's episode, they try to sort through the big questions about how the internet has changed the world of geekery. Have things gotten better? (Yes.) Have they gotten worse? (Also yes.) Please rate us on iTunes and leave us a review! We’d love to hear from you. Thanks for listening, and don’t forget to come back each week for a new episode. Credits: Hosts: Darren Franich (@DarrenFranich) and Jeff Jensen (@EWDocJensen) Editor: Cristina Everett (@cristinaeverett)
This episode of Watch.Read.Listen. is Part 2 of our Season 2 opener, "It's on Random." We discuss a variety of topics including film editing, sequels, adaptations, superhero fatigue, and unlikable characters in movies. On a side note, the new WRL drinking game is drink whenever we mention Devin Faraci. 1. Every Frame a Painting - an excellent video series and blog about the art of film. We discuss the latest episode, "How Does an Editor Think and Feel?" 2. Kirby Ferguson's Everything is a Remix, specifically the newest episode on Star Wars Episode VII: The Force Awakens 3. Tony Zhou's (creator of Every Frame a Painting) article from December 21, 2015 "The Force Awakens is Deeply Broken" 4. Ghostbusters (2016) - Specifically the irrationality surrounding reaction to the film (see our Ballad of the Fanboys episode for more on this topic in general) 5. Superhero "fatigue" and why we think that's not really an issue or a thing Devin Faraci's article on it 6. Game of Thrones Season 6 (SPOILERS) 7. Preacher Season 1 Episode 1 (SPOILERS) iFanboy podcast on it Devin Faraci's "My Problem with Preacher" 8. (fittingly) The Hateful Eight and how a movie doesn't have to have good, likeable people to be enjoyable Devin Faraci's "The Hateful Eight Review: America's Original Sin as 'The Thing'"
After six months (!) of Watch.Read.Listen., we begin Season 2 with a multi-topic discussion of things we watched, read, or listened to that don't yet warrant their own episodes. In Part 1, we start with our This Week segment, and then dive into two Captain America - related controversies: #GiveCapABoyfriend and #SayNoToHydraCap. In both of these, the crux of the argument is how much artists should or should not cater to their audiences. Our general conclusion is that artists should be allowed to create their art, and that if people want greater representation in media, they should start creating that media. We also find the attacks on creators to be ridiculous, unwarranted, and in some cases scary. Check out Devin Faraci's article "Fandom is Broken" for a great analysis of the issues of social media access to creators and fandom's use of that access. In our This Week segment: Duane (and his wife, Jen) watched Circle (2015) and Before I Go To Sleep (2015) (both on Netflix), and he read the introduction to Harlan Ellison's short-story collection Strange Wine. David read Southern Bastards by Jason Aaron and Jason Latour, Velvet by Ed Brubaker and Steve Epting, watched The 60s and The 70s documentaries on CNN, and Listened to the World Balloon podcast discussion and interview with Nick Spencer (writer on the "controversial" Captain America: Steve Rogers #1) .
I bet you thought we'd never do one again huh? Well we did so you better listen to it. We had Devin Faraci, editor in chief of Birth, Movies, Death. He also has a podcast called The Canon, as well as a comic coming out in August called Killer Inside Me. As for the songs we played, I'm not gonna put links for them. You guys are all internet savy people who are well versed in finding stuff on the internet. So if you like a song go look for it and support those artists. You can follow Devin on twitter with the handle @devincf. Songs Bad Luck by Lonesome Shack I'm Just Saying by Dyke Drama No Grace by Paws Mass by Modern Baseball Chairman of the Board by White Fang Pumpkin by Islands If You Want To Be a Happy by Jimmy Soul Learn more about your ad choices. Visit megaphone.fm/adchoices
SPOILERS/NSFW - DC on SCREEN #168 - The Flash Loses Its Director and Rumors Run Rampant! | NewsIn this episode Dave and Jason discuss:Prince Dead |Prince, Tom Petty Rock n' Roll Hall of Fame Performace |Happy Birthday to our friend Scott Matteson of SimplySyndicated.com |Happy Birthday to Gal Gadot |Batman v Superman Box Office Update |BvS Unrated Blu Ray Run-Time Released |WB Hinting At Identity of Dead Robin |BvS Convinced Marvel to Make Captain America: Civil War |Robbie's Harley Hot Pants Defense |Reasons Will Smith Decided to Play Deadshot |Karen Fukuhara Talks Meeting The Joker |SUICIDE SQUAD 16-Month Calendar July 15th B&N |Seth Grahame-Smith Leaves The Flash|James Wan Leaving Aquaman? |Solo Batman Movie To Feature Every Major Bat-Villain? |Affleck and Johns Have Complete Creative Control of Solo Batman? |WONDER WOMAN & Wayne Enterprises Trucks |George Miller for Green lantern Corp |Zack Snyder Fights With Warner Bros |Will Henry Cavill Have a Beard in Justice League |Jeremy Irons Has Confirmed for Justice League and Solo Bat Film |Warner Bros Opening DC Universe: The Exhibit |Arrow Casting Season 5's Big Bad, "James" |John Barrowman Accidentally Live Streams Husband Scott Gill’s Penis |"DC's Legends of Tomorrow" will be partially rebooted for season 2Lucifer's Lesley-Ann Brandt Talks Season 2 Character Development |Batman: The Killing Joke Trailer Released |
SPOILERS/NSFW - DC on SCREEN #168 - The Flash Loses Its Director and Rumors Run Rampant! | NewsIn this episode Dave and Jason discuss:Prince Dead |Prince, Tom Petty Rock n' Roll Hall of Fame Performace |Happy Birthday to our friend Scott Matteson of SimplySyndicated.com |Happy Birthday to Gal Gadot |Batman v Superman Box Office Update |BvS Unrated Blu Ray Run-Time Released |WB Hinting At Identity of Dead Robin |BvS Convinced Marvel to Make Captain America: Civil War |Robbie's Harley Hot Pants Defense |Reasons Will Smith Decided to Play Deadshot |Karen Fukuhara Talks Meeting The Joker |SUICIDE SQUAD 16-Month Calendar July 15th B&N |Seth Grahame-Smith Leaves The Flash|James Wan Leaving Aquaman? |Solo Batman Movie To Feature Every Major Bat-Villain? |Affleck and Johns Have Complete Creative Control of Solo Batman? |WONDER WOMAN & Wayne Enterprises Trucks |George Miller for Green lantern Corp |Zack Snyder Fights With Warner Bros |Will Henry Cavill Have a Beard in Justice League |Jeremy Irons Has Confirmed for Justice League and Solo Bat Film |Warner Bros Opening DC Universe: The Exhibit |Arrow Casting Season 5's Big Bad, "James" |John Barrowman Accidentally Live Streams Husband Scott Gill’s Penis |"DC's Legends of Tomorrow" will be partially rebooted for season 2Lucifer's Lesley-Ann Brandt Talks Season 2 Character Development |Batman: The Killing Joke Trailer Released |
After last month’s episode sharing our initial reactions to The Force Awakens, this month’s episode begins our analysis and discussion of the new movie, as well as the lessons about storytelling and speculation that can be learned from it. Needless to say, we’ll have plenty more discussion of the movie to come in future episodes. Before turning to The Force Awakens, though, we start off the show with a different topic for our meta segment on how to speculate wisely – the Star Wars Rebels midseason trailer for the back half of Season Two. We consider some elements of the trailer that make connections to The Force Awakens to increase interest in Rebels, such as the Jedi crossguard lightsaber, a Jedi temple site, and the appearance of Princess Leia. We also discuss the trailer’s links to prior Star Wars lore, such as a Sith holocron, Twi’lek freedom fighters and Mandalorian warriors from The Clone Wars, and the “Old Master” Ezra encounters. Another feature of note was the social media message shared by showrunner Dave Filoni prior to the trailer’s release, advising fans about its spoiler-heavy content. For the world-building segment, longtime fan of the Empire, Jay Shah, joins us to talk about the First Order in The Force Awakens. In some ways the First Order operates as a direct descendant of the Empire, but in other ways it differs significantly. Some of these distinctions, Jay points out, have significant moral implications for whether fans would feel willing to root for the First Order in the way they may have done previously for the Empire. In addition to the politics and military statuses of the galaxy, we share our views on the individuals who lead the First Order, including Supreme Leader Snoke, Kylo Ren, and General Hux. The storytelling segment focuses on the use of the Original Trilogy’s legacy heroes in The Force Awakens and the hints at their post-Return of the Jedi backstory revealed in the movie. A key touchstone for our discussion is Devin Faraci’s article at Birth Movies Death on the portrayal of Han Solo in the film. Faraci analyzes Han’s character arc in The Force Awakens as a regression to his early Original Trilogy persona rather than progression forward, and maintains that alternative characterizations and backstories for Han could have kept his role in the movie essentially the same in relation to the new generation heroes while making his characterization stronger and more believable to the audience. Our discussion of the legacy Big Three agrees in large measure with the kinds of concerns Faraci raises, and we discuss similar dilemmas with the portrayals of Leia and Luke in the movie, as well as Han. Our plot bunny giveaway draws upon one of the great open questions after The Force Awakens: how missing scenes might be used to reveal or further hint at Rey’s heritage. You can also listen to Hyperspace Theories at Libsyn or download the show there. Or subscribe on iTunes. Hyperspace Theories is on Twitter @HyperspacePod! Tricia is @FANgirlcantina on Twitter, as well as posting at FANgirl Zone on Facebook and on Tumblr. Kay tweets @Geek_Kay. B.J. tweets @RedPenofLex. Jay Shah tweets @admiraljello.
Kumail Nanjiani discusses The X-Files Season 4, Epiosdes 17 and 18 "Tempus Fugit" & "Max" with our mythology episode expert Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kumail Nanjiani discusses The X-Files, Season 4 Episode 8 & 9 "Tunguska" and "Terma" with our mythology episode expert Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today we welcome back one of our most outspoken and hilarious guests, Devin Faraci, to talk about movies, gaming news, and much much more. He's the best.
Kumail Nanjiani returns and recaps the end of season 3 of The X-Files and begins season 4 with Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
And Empire: Literally the Super Bowl for African American Women? This week, Katey, Da7e, David and Patches respond to and debate around Devin Faraci’s BadAssDigest.com post “What Are ‘The Movies’ Anyway?”. With television and internet video as prevalent and accessible as it is, what place does defining a “feature film” have any more? What will […]
And Empire: Literally the Super Bowl for African American Women? This week, Katey, Da7e, David and Patches respond to and debate around Devin Faraci’s BadAssDigest.com post “What Are ‘The Movies’ Anyway?”. With television and internet video as prevalent and accessible as it is, what place does defining a “feature film” have any more? What will […]
Kumail Nanjiani discusses The X-Files, Season 3 Episode 9 and 10 "Nisei" & "731" with Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kumail Nanjiani begins discussing Season 3 of The X-Files, Episodes 1 and 2, "The Blessing Way" & "Paper Clip" with Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kumail Nanjiani discusses the final two episodes of Season 2 of The X-Files, "Our Town" and "Anasazi" with Devin Faraci Learn more about your ad choices. Visit megaphone.fm/adchoices
News TNG cast coming to NYCC Rumor: Bad Ass Digest’s Devin Faraci is reporting that he has “learned” that "Star Trek 3 includes a scene that reteams Shatner and Nimoy onscreen as Kirk and Spock." VW Germany Teases Star Trek-themed Campaign Featuring Shatner & Nimoy http://tinyurl.com/l25d9tb Red Shirt Diaries #4 is up Ten Forward: Chris on Twitter: After reviewing several episodes of Enterprise, has your original dislike of the show changed? I always loved it. Star Trek in pop culture: The Spirit (2008) Gabriel Macht, Samuel L. Jackson, Scarlett Johansson Rookie cop Denny Colt returns from the dead as The Spirit, a hero whose mission is to fight against evil in Central City. In this clip, Samuel L. Jackson’s chr is reminding The Spirit about the day he died (Clip: 00:15) Episode insight: TNG S2: Time Square Character insight - Cyrano Jones Subspace communications Ken P.
Movie critic Devin Faraci and Gil talk about what movies they are looking forward to this summer, they get deep about the new Planet of the Apes movie and they discuss how Devin started writing about movies!
Popcorn Talk Network proudly presents a vodcast for your insider look into the day to day reporting of the hottest scoops, exclusives and reports from the leading reporters in the industry on all things movie news! It's Popcorn Talk Network Nation's Meet the Movie Press, hosted by Mark E Reilly (Editor in Chief Schmoesknow.com) and film reporter from The Wrap (Thewrap.com) Jeff Sneider. Each week the two will discuss the ever changing landscape of movie news and trade reporting. With discussions on everything from Marvel casting to landing exclusive stories on major Hollywood tentpoles, Mark and Jeff will also talk to some of the leading reporters and bloggers in the industry today. This week's Jeff Sneider and Mark Reilly touch on the legacy of Robin Williams and what it is like to actually interview the legendary funnyman. With our small tribute out of the way, we then welcome in none other Devin Faraci (BADASS DIGEST) to talk about the launch of Bad Ass and how he was hired persona --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Jeremy and Allison welcome Badass Digest's Devin Faraci to discuss his distant and less-distant memories of watching Twin Peaks in first-run, as well as its legacy. Then, they examine the third (second after The Pilot) episode of the show, which features your new best friend here.
Kumail Nanjiani discusses and completes The X-Files, Season 1, Episodes 23 & 24 "Roland" and "The Erlenmeyer Flask" with Devin Faraci. Learn more about your ad choices. Visit megaphone.fm/adchoices
Kumail Nanjiani and Devin Faraci discuss The X-Files, Season 1, Episode 10 & 11, "Fallen Angel" and "Eve". Learn more about your ad choices. Visit megaphone.fm/adchoices
Kumail Nanjiani and guest Devin Faraci discuss The X-Files episodes "Pilot" and "Deep Throat". Learn more about your ad choices. Visit megaphone.fm/adchoices
Devin Faraci, one of our favorites, joins us to talk about gaming news, video game movies on the horizon, movie news, Archie comics news, the trouble with Kickstarter, and much more. Really. We pack a lot into this episode. And Matthew Burnside joins us for the whole episode.
With Special Guest Enemy Devin Faraci! This week one of us is an actor, one of us is a college professor, we may all be spiders, and we’re reviewing Denis Villeneuve and Jake Gyllenhaal’s latest collaboration, Enemy. Badass Digest’s Devin Faraci joins us for a conversation about the moody, brain-twisting and effectively scary film, while […]
Today we welcome back our old pal Devin Faraci, Badass in Chief of Badass Digest, to the show to talk about anything from GTA torture to weight loss tips to the problem with fandom. Plus we play a Twitter game all about your biggest gaming disappointments.
David and guest host Amy Nicholson talk to Devin Faraci about mumblecore, Comic-Con and Pacific Rim.
Today Kumail and Emily are joined by Devin Faraci of Badass Digest to talk about a very hot, very annoying topic to many gamers: the role video games play in violent behavior. We talk some science, some opinion, but don't worry, we also keep it fun and talk about snapshot gaming memories, iOS gaming, and masturbation a lot.
The Comic-Con episode with Devin Faraci, Matt Mira, Jordan Morris, and more! Kumail and Emily wanted to bring Comic-Con to you, so they decided to bring along a recorder, Twin Peaks-style, to capture every floor walk, (almost) every friend, every weird party, and every exhausted, stinky, fun moment.
Today we welcome back Devin Faraci, Badass in Chief at Badass Digest, to chow down a bit more on the big issue of narrative in gaming. What makes a game a game? Can video games fully master cultural relevance when you have to devote so much time to them? If you don't devote the time to them and just experience the story, are you a gamer? We don't really answer any of these questions, but we do talk about them a lot. Listen and then tell us what you think!
In our 23rd episode Trevor Schoenfeld and Jonathan Chang welcome Devin Faraci of Badass Digest to the show to talk "Warrior" and our Top 5 Sports films.
As the Fantastic Fest company parts ways with Harry Knowles, female accusers come forward to say their warnings fell on deaf ears for years. Troubling allegations continue to surface regarding Alamo Drafthouse, the Austin, Texas-based movie empire currently embroiled in a sex assault and sexual harassment scandal involving several employees and business partners. On Saturday, IndieWire first reported on Jasmine Baker, a former Drafthouse employee who says Ain't It Cool News founder Harry Knowles — who co-founded Fantastic Fest with Drafthouse's married owners Tim and Karrie League in 2005 — "groped" her "opportunistically on more than one occasion" in 2000. That news comes on the heels of a scandal involving Devin Faraci, a Drafthouse-employed film writer who stepped down in October 2016 after being accused of sexual assault, whom League then quietly rehired to pen promotional material for this year's Fantastic Fest. It also comes less than a month after Los Angeles' own nexus of movie nerddom, Cinefamily, ceased operations amid its own sexual harassment scandal. Since that report, multiple women have come forward to allege that Knowles has subjected them to various forms of sexual harassment and assault over the years. Several, including Baker, say they informed the Leagues about Knowles' actions and were consistently greeted with words of concern but ultimately inaction. Knowles, for his part, had denied any wrongdoing. On Monday, League announced that Knowles, 45, is "no longer affiliated with the company in any capacity." The CEO went on to say that he had skipped Fantastic Fest this year, currently underway in Austin, to instead go on a "listening tour" of the 22 Alamo Drafthouse locations around the country. (Some, like the Austin, San Francisco and Brooklyn locations, are owned by League; others are franchises.) One day after IndieWire's report, a Drafthouse customer named Gloria Walker accused Knowles on Twitter of having "on more than one occasion grabbed my ass and other parts of me." Walker cited another incident in which she tried to enter the cinema to watch Captain America; Knowles allegedly stood in the doorway and told her "I had to kiss him to get in." The Daily Beast, meanwhile, on Tuesday published screenshots of a text conversation between Knowles and an anonymous film blogger, in which he allegedly told her, "Come hither to Austin. Your eyeliner makes you look good enough to eat. Obviously I'm talking about cannibalism, baby. You have can have my Vienna sausage anytime." Andy Signore, creator of Screen Junkies and the “Honest Trailers” series, has been fired effective immediately, Defy Media announced Sunday evening. Signore has been accused by several women of sexual harassment, and at least one said he tried to sexually assault her